carthage music department presents
18th Lakeside Band Festival Find Your Wings Day Wind Orchestra & High School Guests James Ripley, conductor
Saturday, Nov. 6, 2021 | 7 p.m. | A. F. Siebert Chapel
program Come Sunday
Omar Thomas
Testimony
(b. 1984)
Shout Wind Orchestra
Alleluia, Laudamus Te
Alfred Reed
(1921-2005) Berceuse and Finale from “Firebird Suite” (1919)
Igor Stravinsky
(1882-1971) transcribed by Robert Longfield Wind Orchestra and High School Guests
lakeside band festival The Lakeside Band Festival began in 2002, with the aim of giving the region’s exceptional young instrumentalists the opportunity to interact with the country’s top performers and composers. The first festival featured Larry Combs, former principal clarinet of the Chicago Symphony Orchestra. Award-winning composers from the United States, Netherlands, and Australia have also been featured in past Festivals. This year’s event aims to give high school students a chance to explore and experience what music-making at the collegiate level is all about. “Find Your Wings” is the theme of a full day of sessions from Carthage music students, faculty and staff providing details and discussion about what playing in college entails, concluding with tonight’s concert where participants perform side-by-side with the Wind Orchestra.
program notes Come Sunday is a two-movement tribute to the Hammond organ’s central role in black worship services. The first movement, Testimony, follows the Hammond organ as it readies the congregation’s hearts, minds, and spirits to receive The Word via a magical union of Bach, blues, jazz, and R&B. The second movement, Shout!, is a virtuosic celebration - the frenzied and joyous climactic moments when The Spirit has taken over the service. I played trombone in wind ensembles from the 4th grade through college. This experience has contributed significantly to the life I lead now. I had the pleasure of being exposed to sounds, colors, moods, rhythms, and melodies from all over the world. Curiously absent, however, was music told authentically from the African-American experience. In particular, I couldn’t understand how it was that no composer ever thought to tell the story of a black worship experience through the lens of a wind ensemble. I realize now that a big part of this was an issue of representation. One of the joys and honors of writing music for wind ensemble is that I get to write music that I wish had existed when I was playing in these groups -music that told the story of the black experience via black composers. The title is a direct nod to Duke Ellington, who held an inspired love for classical music and allowed it to influence his own work in a multitude of ways. To all the black musicians in wind ensemble who were given opportunity after opportunity to celebrate everyone else’s music but our own - I see you and I am you. This one’s for the culture! - note by Omar Thomas
program notes Alleluia! Laudamus Te is a hymn of praise without words, with the band serving as a single massive choir and, at times, broken down into individual sections, each performing as a separate choir. The music is based on three main themes, the first being a massive chorale in the brass, the second a long flowing line in the horns and woodwinds, and the third a quasi-fanfare figure first heard in the trumpets and then spreading throughout the other sections of the orchestra as it is developed. The Firebird: In 1909, ballet impresario Sergei Diaghilev took a gamble on a young Russian composer, giving Igor Stravinsky the scenario for The Firebird, which would be the first ballet with an original score for his Paris-based Ballets Russes. The story, drawn from Russian folklore, tells about the powerful ogre Kastchei, who captures young princesses and turns their would- be rescuers to stone, and Prince Ivan and the firebird, who free them. Stravinsky gave Diaghilev a dazzling score that mixed exotic musical imagery for the supernatural characters and folk song-like tunes (or actual folk songs) for the humans. At the climax of the ballet, the firebird casts a spell on Kastchei, and his magical minions dance themselves into exhaustion. The Berceuse is the lullaby that puts the ogre to sleep, and the finale is the joyful celebration of Ivan and the rescued princesses.
wind orchestra personnel Piccolo Emma Eckes Flute 1 Gabby Booth Gabby Garnowski Bailey Schneyr Oboe Amber Ward Hannah Wong Clarinet Emma Hardwick Lexy Klawonn Jack Massari Katiann Nelson Maile Riedel Zach Ward Bass Clarinet Sophie Shulman Saxophone Jim Chaudoin Luke Eidsor Wayne Jackson Joe Mihevc Julia Owens Bryan Tamayo
Horn Hannah Caflisch Grace Chapa Sophie Figura Audrey Marshall Lena Welch Trumpet Colin Conway Vinnie David Caroline Lilly Guillermo Trujillo Trombone Seyi Ajibade Sam Hoopingarner Taylor Zorn Euphonium Lucus Schneider Tuba Michael Flesher John Lew Percussion Aaron Paulsen Christian Plonski Lily Peterson Noah Wilson
high school guest performers Rhea Allen, alto saxophone – Greenfield Evan Arnold, horn – Tremper Madison Bazylewicz, bass clarinet – Waukesha North Hannah Bott, tuba – Waukesha North Aubrey Brown, horn – Tremper Christian Cecala, horn – Tremper Jacob Catunao, percussion – Indian Trail Neil Clyne, trumpet – Indian Trail Alex Cope, percussion – Tremper Neil DuJardin, bassoon – Tremper Abraham Esquivel, horn – Tremper Jessica Felix, trumpet – Racine Horlick Logan Glen, trumpet – Indian Trail Zander Harvey, alto saxophone – Indian Trail Rebecca Hunter, clarinet – Waukesha North Emerson Janes, trumpet Lanie Klawonn, horn – Tremper Ledansk, trombone – Indian Trail Bryan Marin, baritone saxophone – Indian Trail Zakaray Munoz, flute – Greenfield Alex Orozco, clarinet – Bishop McNamara, Kankakee Adreanna Stockdale – Clarinet
upcoming events Student Recital: London Roysden Saturday, Nov. 13 • 7:30 p.m. Recital Hall • Tickets required Carthage Philharmonic Concert Sunday, Nov. 14 • 1 p.m. A. F. Siebert Chapel • Tickets required Treble Choir Festival Wednesday, Nov. 17 • 4:20 p.m. A. F. Siebert Chapel • Tickets required She Loves Me Nov. 19-20 • 7:30 p.m. Nov. 21 • 3 p.m. VPAL • Tickets required Opera Workshop Saturday, Nov. 20 • 3 p.m. Sunday, Nov. 21 • 6 p.m. Recital Hall • Tickets required Carthage Christmas Festival Dec. 3-4 • 7:30 p.m. Dec. 5 • 4 p.m. A. F. Siebert Chapel • Tickets required Percussion Studio Concert Wednesday, Dec. 8 • 7:30 p.m. A. F. Siebert Chapel • Tickets required
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