Caribbean American Passport News Magazine - Jan 2026

FREE Your Passport to the Caribbean American Communit

Black History Month

ShowingUpIsaFormofResistance

Thereissomethingradicalaboutjoy indifficulttimes.

Tocelebrateheritagewhennarratives trytoshrinkit.

Toeducatewhenmisinformation spreads.

Toinvestlocallywhenresourcesfeel strained.

Togatherwhenisolationfeelseasier.

Showingupisnotpassive.Itis participatorypower.

Itsays:

Wearestillhere.

Ourstoriesstillmatter.

Ourchildrendeservetosee themselvesreflected.

Oureldersdeservetobehonored.

Ourentrepreneursdeservesupport.

Ourculturedeservesspace.

AndOrlandomadespace.

BlackHistoryMonthisnotanend point.Itisacheckpoint.

Itasks:

Arewebuildingsustainable institutions?

AreweinvestinginBlack-owned businessesyear-round?

Arewedocumentingourlocal stories?

Arewementoringintentionally?

Arewecreatingsafespacesfor dialogueandcreativity?

TheanswerthisFebruarywas encouraging.

The Only Thing More Powerful Than Hate is Love

Those words lit up stadium screens during a landmark, record-breaking halftime performance by Bad Bunny, setting the tone for a show rooted in pride,culture,andunity.

The performance was a powerful homage to his Puerto Rican heritage. From the music to the visuals, every detail celebrated where he comes from and who he represents. At one point, he held a football bearing the message “Together We Are America,” a reminder that America is not a single story or language, but a collective of many cultures woven together.

Earlier that week, Bad Bunny had already made history by winning Album of the Year for an all-Spanish album—an achievement long thought impossible in a predominantly English-speaking industry. During the performance, he referenced that moment directly, speakingtotheaudienceandmaking itclear:

this could be you too. It wasn’t just a celebration of his success, but an open invitation for others to imagine themselves on the same stage.

The show built toward a unifying finale as he named countries across the Americas, reinforcing the ideathatbordersdo not define belonging. Longtime fans felt seen, while new fans were drawn in, discovering both his music and the deeper message behindit.Bytheendofthenight,the performance had reached over 130 million viewers, cementing its place as one of the most-watched halftime shows in history. More than numbers or records, the moment stood as proof of why representation matters.

Bad Bunny’s performance reminded us that unity can rise above division, and dreams—no matter how unlikely they seem—are alwaysworthchasing. 16 1

Samuel J. Roberts, Publisher/Editor

Support Your Own: Why Our Media and Cultural Infrastructure Matters

There is something we have to talk about honestly in 2026. We spend money everyw-

here. We subscribe to global platforms. We boost posts on apps owned continents away. We pay for courses from people who don’t know our communities.

We hire agencies that don’t understand our nuances.

And then we wonder why our stories feel misunderstood… why our brands feel disconnected…why our cultural moments sometimes feel under-supported.

The truth is simple. If we do not support our own media and our own cultural entrepreneurship models, we cannot expect them to survive — let alone thrive.

For over fifteen years, Caribbean American Passport has told our stories with context, dignity, and depth. Not because it was trendy. Not because it was profitable overnight. But because it was necessary. And today, that necessity has expanded.

We are no longer just talking about storytelling. We are talking about infrastructure.

Media Is Power — But Ownership Is Stability. When you support your own media platform, you are doing more than liking a post or picking up a publication. You are investing in:

Narrative control

Community representation

Economic sustainability

Cultural preservation

When we subscribe to our own platforms, share our own stories, and amplify our own outlets, we strengthen the ecosystem that protects our voice.

Without community support, cultural media disappears. With community support, it evolves.

CAP Village was created because we recognized something deeper. Our community does not lack talent. It does not lack ambition. It does not lack ideas. What it has often lacked is affordable access to structure. Brand development is expensive.

Professional photography? Expensive.

Video production? Expensive.

Workshops and training? Expensive. Networking rooms that feel aligned? Rare.

So entrepreneurs either delay growth, overspend trying to build alone, or step into spaces that don’t reflect who they are.

CAP Village was built to lower that barrier.

For $50 a month, businesses and creatives gain access to:

Workshops that sharpen strategy

Networking that feels culturally aligned

Media opportunities that increase visibility

A physical and digital ecosystem rooted in Caribbean pride

Instead of paying thousands separately for exposure, media, training, and space — you participate in a shared model that spreads the cost and multiplies the impact. That is not charity. That is smart economics. You reduce the cost of brand development because you are not building alone. And you invest into a model that reinvests back into you. That cycle matters. Because when we support outside systems exclusively, the wealth leaves the community. When we support our own systems, the value circulates. With everything happening globally — political noise, economic instability, digital overload — it is easy to become distracted.

But stability is built locally. When you subscribe, engage, or become a CAP Village member, you are not just paying a fee.

You are strengthening a foundation that supports the community.

1969 Alafaya Trail • Orlando, FL 32828 Office: 407-427-1800 Fax: 407-386-7925 Toll Free: 877-220-8315

For Media Information email: Publisher: sroberts@caribbeanamericanpassport.com Info: .Info@caribbeanamericanpassport.com

Should you desire to review past copies of the publicationgo to http://caribbeanamericanpassport.com and click on the 'Print Archive'.

Sam Roberts

Editor & Publisher...............................................................

Publisher ...........................................................

Guenet Gittens-Roberts

Samuel Roberts

Graphic Design & Layout .................................................

Contributing Writers: ............................................................

Tony Dyal

Kadeem Roberts

Sandra Fatmi

Nouchelle Hastings

Aleia Roberts

Contributing Photographers ............ ...................................

Khiefer Bell

Dilia Castillo

Israel Torres

Follow our social pages and our digital platform:

FB: @Caribbeanamericanpassport

IG: @Caribbeanamericanpassport

Youtube: @ucapdigital

Copyright(C) GGRMarketing&PublicRelations.Allrightsreserved. 2016

Honoring Creativity, Connection, and Eatonville’s Vibrant Legacy Zora Fest

Reflecting on Zora Fest in Eatonville this year, it’s impossible not to feel the joy and energy that filled every corner of the festival. From the music and art to the laughter echoing through the crowd, the event was a vivid celebration of culture, creativity, and community. Even in hindsight, the vibrancy of that day lingers—a reminder of what makes Zora Fest such a special experience.

Eatonville, with its rich history as the first incorporated Black municipality in the United States, provided the perfect backdrop for this annual gathering. Zora Fest is more than a festival; it’s a living tribute to the legacy of Zora Neale Hurston, blending history, artistic expression, and contemporary celebration. Walking through the festival, one could see the care and passion of the organizers and the community reflected in every performance, craft, and interaction. The town truly showed up and showed out, embracing both its past and itspresent.

One of the most memorable aspects of Zora Fest is how effortlessly it brings people together. Live performances had attendees dancing, artists engaged visitors with thought-provoking work, and families shared moments of pure delight. The joy wasn’t just in the music or the art—it was in the shared experience, the sense of connection, and the celebration of culture in its many forms.

Beyond the performances and atmosphere, Zora Fest stood out for the wide range of activities that invited people to fully engage with the experience. Interactive booths lined the streets, offering everything from handsonartandculturalexhibitstolocalvendorssharingtheir crafts and stories. Live plays and spoken word performances brought powerful narratives to life, creating moments of reflection, laughter, and connection. Families, artists, and visitors of all ages moved easily from one experience to the next, discovering something new at every turn. These immersive elements transformed the festival from a passive event into a shared, participatory celebration— one where everyone felt welcomed, involved, and inspired.

Looking back on this year’s Zora Fest, the memory of Eatonville alive with music, art, and joy is unforgettable. It’s a celebration of more than just talent or performance —it’s a testament to the power of culture, community, and collective spirit. Zora Fest reminds us that when history, creativity, and joy converge, the result is truly magical.

15 Years of Culture, Music, and Community La Sanse Takes Orlando

Orlando celebrated its 15th anniversary, marking another unforgettable year of Puerto Rican culture, music, and community. Modeled after Old San Juan’s famous Calle San Sebastián, this annual festival brought together families, friends, and visitors to honor a rich heritage through music, food, and artistry.

From the moment attendees arrived, the energy was electric. Live performances filled the fairgrounds with rhythms of salsa, bomba, plena, and reggaetón, inviting festival-goers to dance, sing, and fully immerse themselves in the experience. Musicians and dancers showcased both traditional and contemporary Puerto Rican culture, creating moments of joy and connection for all ages. Many attendees shared how the music reminded them of home or inspired them to learn more about Puerto Rico’svibranttraditions.

to savor the island’s flavors while enjoying the lively atmosphere. Artisans also lined the streets, offering handcrafted goods, jewelry, and artwork that celebrated Puerto Rican culture and craftsmanship, giving attendees tangible connectionstotheheritagebeinghonored.

As the 15th anniversary came to a close, it was clear that La Sanse Takes Orlando had once again succeeded in more than just entertaining. It celebrated resilience, heritage, and unity, bringing together people from all walks of life to honor Puerto Rican culture in a way that felt authentic, inclusive, and inspiring. Attendees left with full hearts, a deeper appreciation for Puerto Rico’s vibrant traditions, and memories of a festival that truly takes Orlando by storm each year.

La Sanse 2026 was not just a celebration—it was a reflection of community, culture, and continuity, proving why this festival has remained a cherished tradition for a decade and ahalf.

From de minute de halftime lights blaze on, de whole stadium start to move—beats rollin’ like sea waves, colors poppin’ like Carnival SUnday, and rhythms tellin’ stories of island roots, struggle, pride,

Capt’n Caribb and Señor Coqui grab up dem vibes, dust off de flags, and head straight to de Super Bowl, ready fi witness history Caribbean style.

turnin’ de biggest stage in America into one big island fete.

Capt’n Caribb beat de tambourine till him wings tired, Señor Coqui strum along wid pure joy, both knowin’ de culture dem love now echo loud across de world. When de last note drop and de crowd still buzzin’, de message clear and strong, no apology, no hesitation: “Together we are America.”

By Israel Torres

Orange County ACT Awards

at the 2026 Orange County ACT Awards, held at the Rosen Plaza Hotel in Orlando. The event celebrated Orange County’s commitment to arts and culture through Cultural Tourism grants funded by the Tourist Development Tax.

The ACT Awards recognized nearly 40 organizations whose work strengthened cultural tourism, artistic expression, and community engagement throughout Central Florida. As a returning grantee, Caribbean American Passport Multicultural Initiative was acknowledged for our continued dedication to preserving and sharing Caribbean and multicultural stories through arts, media, and community-centered programming. Receiving this grant once again was deeply meaningful to us. It affirmed the importance of our mission and the impactofstorytellingrootedinculture.

so many talented and passionate organizations whose work uplifted artists, honored heritage, and created spaces for connection across cultures. This support allows us to continue creating opportunities to amplify underrepresented voices, preserve cultural history, and bring people together through shared experiences. We believe strongly that artismorethanexpression,itisabridgethatconnects communities and reminded us of our shared humanity.

WewereincrediblygratefultoOrangeCounty’sOffice of Arts & Cultural Affairs, the Arts & Cultural Affairs Advisory Council, and all those who champion the arts. Their continued investment reinforces the belief that uplifting art and community is essential to keepingusunitedandmovingforwardtogether.

CAP VILLAGE

Hip-hop entrepreneur and cultural icon Dame Dash recently pulled up to Cap Village Studios for an in-depth conversation with Florida Jamz Radio, bringing gems, honesty, and vision to the mic. During the sit-down, Dash spoke passionately about his latest business ventures, including the CEO Country Club he owns in Lake Wales, Florida—an exclusive space that includes bowling alleys, arcades, a club and more. As always, Dame emphasized independence, legacy, and creating lanes outside of thetraditionalsystemsthathavelonglimitedcreators.

Dash also took time to spotlight artists he is personally developing and protecting. He spoke highly of Nicki Licki, describing her poise and attitude as reminiscent of the late Aaliyah, noting that it’s not just about talent—but how an artist carries themselves. He also praised Booster, a rare multi-instrumentalist who can play seven instruments and sing, calling that level of musicianship “true talent” in an era where it’s increasingly hard to find. Dame even drew comparisons between Booster’s creative range and Kanye West, explaining that he’s applying the same protective, developmental approach to ensure Booster reaches the level he deserves. Dame Dash is widely recognized as one of the architects of modern hip-hop business. As a co-founder of Roc-A-Fella Records, he helped redefine artist ownership and executive power in the late 1990s and early 2000s, playing a pivotal role in turning independent hustle into corporate-level success. His influence extended far beyond music, shaping how artists viewed contracts, leverage, and self-worth in an industry that historicallyexploitedcreatives.

Beyond music, Dash expanded into fashion, film, and media, launching ventures such as Rocawear and producing independent films that pushed culture forward on his own terms. He consistently challenged traditional gatekeepers, championing direct-to-consumer models long before they became industry standards. Dame’s philosophy of “ownership over everything” inspired a generation of entrepreneurs across hip-hop, sports, and entertainment. During the interview, Dash reflected candidly on his past relationships and personal battles, sharing a powerful perspective on survival and gratitude. He stated that he believes Jay-Z doing him the way he did ultimately saved him from being entangled in the Epstein files—an unexpected turn that, in his words, protected him from things he disapproved of. Despite everything, Dame expressed gratitude, acknowledging that sometimes betrayal redirects you away from outcomes far worse than you can imagine. He also revealed that he will be joining us for Orlando Carnival Downtown this Memorial Weekend in May, marking a long-awaited return to the Carnival scene. Dame reflected on how Carnival culture was a great experience, noting that it’s been years since he last felt that energy firsthand—dating back to the iconic filming of Big Pimpin' in Brazil. With May also being his birthday month, there’s no better way to celebrate life, freedom, and culture than going full Bakanal style, surrounded by music, movement, and the Caribbean vibes that continue to influence global culture.

Catwalk Academy

Recent Casting Calls

The Runway Rewritten Part 2 Casting Call and the Orlando Carnival Downtown United Band Launch casting were both high-energyshowcasesoftalent,creativity,andcommunity.FromtheelectricturnoutatCapVillageStudiostothevibrant Carnival atmosphere at Zen Tavern, aspiring models stepped forward with confidence, personality, and runway presence. Judges were intentional and professional, creating an uplifting environment while selecting a standout group of runway models and greeters. With both in-person and virtual auditions expanding access, the casting calls proved to be more than auditions—theywerefullcreativeexperiencesleadinguptothehighlyanticipatedUnitedBandLaunchonFebruary28.

Orlando Carnival Downtown brought vibrant Carnival energy to Zen Tavern with a high-energy casting call for the upcoming United Band Launch. Aspiring models competed for runway and greeter roles, impressing judges with poise, charisma, and crowd engagement in an atmosphere that reflected the spirit of Carnival. With both in-person and virtual auditions expanding access to talent, final selections were announced ahead of the February 28 launch, building excitement for a night that promises fashion, music,andCaribbeanculture.

Runway Rewritten Part 2 delivered an electric casting experience, drawing a strong turnout of models, creatives, and supporters to Cap Village Studios. The room buzzed with confidence and creativity as participants showcased their runway presence, individuality, and style in a dynamic, uplifting environment. Guided by focused and intentional judges and supported by collaborating brands and sponsors, the casting call became more than an audition—it was a full creative moment that celebrated fashion, artistry, and opportunity, setting thetoneforanexcitingnextchapter.

Catwalk Academy

Upcoming Runways and Pageants

Orlando Carnival Downtown Marches With Pride for Martin Luther King Day Orlando MLK Parade

On the seventeenth day of January, the City of Orlando took part of showing their spirit by hosting the annual Martin Luther King parade. With a wide variety of communities coming together to partake in the celebration of life and movement of MLK, everybody served high energy for the city goers to enjoy with their friendsandfamily.

The photo above portrays the strong efforts made by Orlando Carnival Downtown, using vibrant colors and festive music to showcase Caribbean culture. Shown are a few contestants running for the Miss Orlando Carnival QueenPageant,whichwilltakeplaceatTheLairVenueon theseventhdayofMarch. Theirpresencehighlightedhow cultural pride and celebration continue to play a meaningfulroleinOrlando’sdiversecommunity.

Music filled the air as marching bands and dance groups performed along the route, keeping the crowd engaged and energized. Spectators cheered loudly, waved to performers, and eagerly reached for beads and giveaways tossed from passing floats. The enthusiasm from the people of Orlando was undeniable —families camped out along the sidewalks, children sat on shoulders for a better view, and neighbors greeted one another in celebration. Theparticipatingguestshelpedbringlifetotheevent.

Throughout the parade, dozens of floats made their way down the streets of downtown, each representing different organizations, local businesses, and community groups. The participation reflected the broad support for diversity and togetherness. Supportive and encouraging signs, such as the image pictured below reinforces the message of inclusion that echoed throughout the event. Many of the floats were creatively designed, featuring bold colors, banners, and music that drew cheers from the crowd. Churches marched alongside youth programs, cultural organizations, and neighborhood associations, all unitedunder a shared purpose. As each group passed, spectatorsresponded with applause and excitement, showing appreciation not only for the performances but for what each organization stood for within the

Corporate partners also showed their support, with recognizable names such as Hilton appearing among the parade participants. Their involvement demonstrated how businesses within the city are aligning themselves with community-driven events that honorMartinLutherKing’slegacyofunityandservice.

Overall, the parade was more than an arrangement floats and performances; it was a reflection of Orlando’s cultural richness and communal spirit. The high energy, vibrant music, and visible support from residents and organizations alike created an atmosphere of celebration and solidarity—reminding attendees that Dr. King’s message of equality and togetherness continues to resonate throughout the city today.

PHCC President’s Corner

Julien Serrano-O’Neil, ACNP President, Pine Hills Community Council

In January, I was sworn in as the youngest and first Generation Z President in the54-yearhistoryofthePineHillsCommunityCouncil.Thatmomentwasnot aboutageortitle.Itwasaboutresponsibility.Itwasabouthonoringlegacywhile preparing Pine Hills for its next chapter. Under the PACE Administration, our focus is clear: Participation, Accessibility, Collaboration,andExcellence.Inourfirstmonth,wehavemovedfromvisionto action.

We officially launched the year with our 2026 Open House and Oath of Office, where more than 240 residents gathered in a . That evening confirmed what many of us already know: Pine Hills is engaged,

On MLK Day of Service, we launched our first 2026 Adopt-A-Road Community Clean Up. That commitment continues throughouttheyear:

February28,2026–BlackHistoryMonthCommunityCleanUp

March14,2026–SpringCommunityCleanUp

April25,2026–EarthDayCommunityCleanUp

June13,2026–JuneteenthCommunityCleanUp

September19,2026–WorldCleanUpDay

We also prioritized youth engagement and mental health by participating in a regional Gen Z Forum focused on identity, leadership,andwellness.Ifweareseriousaboutthefuture,wemustcenteryoungvoicesintoday’sconversations. Civicengagementremainsacornerstoneofourwork.OnJuly8,2026,PHCCwillhostthereturnofthePeople’sHobNob& Straw Poll at the Central Florida Fairgrounds from 5:00–8:00 PM. This signature nonpartisan event connects residents and candidates for direct dialogue ahead of the General Election. Hob Nob includes its own event-specific sponsorship opportunitiesforbusinessesandorganizationsthatwanthigh-visibilityengagementwithhundredsofvotersinoneevening.

Comingupnext:

-CommunityHiringFair–February26,2026|4:00–6:00PMRobinswoodMiddleSchool(inpartnershipwithPHCC)

-MonthlyPHCCMeetings–FirstTuesdayofeachmonth(exceptJuly)at6:00PM

-OrangeCountyMulticulturalCenter,7149W.ColonialDrive

These meetings create space for real-time dialogue with local, state, and federal leaders. As we continue Setting the PACE foraBetterPineHills,Iinviteyoutogetinvolved.

Become a PHCC Member:

Students – $5

Seniors (62+) – $15

Adults – $20 Organizations, Businesses & Elected Officials, Faith-Based Organizations – $100

Membership strengthens advocacy, engagement, and community coordination.

Become a PHCC Annual Sponsor:

Bronze – $250

Silver – $500

Gold – $1,000

Annual sponsorships support Council operations, programs, clean ups, civic forums, and signature initiatives . In addition, HobNoboffersitsowntieredsponsorshippackagesforpartnersseekingfocusedcivicengagementexposure.

The first month has been about foundation. What comes next is momentum. Pine Hills does not wait for change. Weorganizeforit.Weadvocateforit.Webuildittogether.

Thank you to the Caribbean American Passport News Magazine for continuing to amplify community leadership and provideaplatformthatkeepsresidentsinformedandconnected.

The Pine Hills Community Council remains dedicated to Preserving a Clean, Safe, and Prosperous Community whilecreatingmeaningfulpathwaysforgrowthandsharedsuccess.

Mardi Gras in Orlando

Orlando Carnival Downtown Shows Mardi Gras Spirit at The Pointe

On the thirteenth day of February, Sports & Social at the Pointe Orlando came alive with vibrant colors and high energy, with courtesy of Orlando Carnival Downtown to celebrate its annual Mardi Gras event. Guests filled the venue dressed in festive attire, ready to enjoy an evening thatblendedentertainment,culture,andcelebration.

The performers for Orlando Carnival immediately captured attention in striking feathered costumes. The elaborate designs and bold colors embodied the spirit of carnival, adding an extra layer of excitement to the Mardi Gras atmosphere. The group celebrated in the live music atmosphereoutside,allowingthemtoengagedirectlywith thesurroundingcrowd.

As hundreds of crowd goers were clothed in Mardi Gras costumes and apparel, Orlando Carnival’s models utilized theircolorfultouchandenergytothescene. Thisaddition helped build diversity to not only hold the Mardi Gras theme, but a touch of the city’s spirit into a popular celebration. The sum of the models also hold three contestantsforanupcomingshowtocompetefortheMiss OrlandoCarnivalQueenPageant,asshownabove.

When it came to bringing the group of models to the public areas, it created a perfect photo opportunity for the crowds and let the vibrant colors shine bright through the purples and golds. Pictured below is a group photo of all modelsfromOrlandoCarnival.

A performer that stood out from the crowd was Orlando Carnival’s professional stilt walker Sabrina Holguin. Sabrina gave an elevated experience for the models and helped to fuse the Orlando Carnival theme with the Mardi Gras spirit. More public attendees saw the chance to engage and cheer on the group as they began to celebrate

The fusion of Mardi Gras traditions with Caribbeaninspired carnival flair created a unique experience for attendees. The performers didn’t just entertain—they brought the crowd into the celebration, encouraging participation and creating memorable moments throughouttheevening.

Overall, the event at The Pointe delivered exactly what Mardi Gras promises: music, movement, and community. With live entertainment on center stage and vibrant performers energizing the audience, the night stood out as alivelyandcolorfulcelebrationtoremember.

Art Funded by the Community Rainbow To Your Door

Rainbow To Your Door is about conversation — a conversation between Jules André Smith, an architect and artist, and Zora Neale Hurston, an anthropologist and writer. Inspired by a tour of the Art & History Museums –Maitland, playwright Kenneth Brown explores the conversation these two historical figures had that day and whattheycouldhavesaidtoeachother.

I went to the museum to hear him speak about the inspirationbehindtheplay.

“He proposed a greeting above the entrance, and it was a quatrain which says, ‘An artist, to be great, must walk alone in search of new horizons to explore. By seeking visionsthatareallhisown,onedayhe’llbringtherainbow to your door.’” Brown explains that this quatrain, which waslaterchanged,iswhatinspiredthetitleoftheplay.

He went on to describe the imagined exchange between Smith and Hurston as a journey — one that still resonates withartiststoday.

“The questions that these artists wrestled with in 1938 are the same ones we wrestle with in 2026. How do artists protect their voice? How do I create in times of tension?

[…] How do I stay true to myself when the world wants somethingeasier,somethinglighter,somethingsimpler?”

ByLesleyCorreia

Those lingering questions felt especially present as we toured the home and courtyard where Smith and Hurston were said to have met for tea. The courtyard was serene and gave me an immediate sense of calm, but it also carried a quiet weight of history. Standing there, it was easy to imagine two artists in deep conversation, wrestling with the very same uncertainties that creatives still face today.

cultural grant that was later removed following the DeSantis administration’s elimination of DEI initiatives. Now, the future of Rainbow To Your Door rests in the hands of the community. Those who believe in preserving bold artistic voices and cultural storytelling can help bring the production to the stage by supporting its GoFundMecampaign.

Orlando Shakes Interview Entertainment

Orlando Shakes has had a dynamic season filled with powerful performances, fresh interpretations, and compelling conversations with the artists bringing these stories to life. Through a series of interviews, we spoke withperformersandcreativeleadersabouttheircraft,their journeys, and what continues to make live theatre resonate withmodernaudiences.

to many for his time on The Voice, Cardona reflected on how that national platform shaped him as an artist. In our conversation, he spoke about the discipline and preparation that go into each performance — from vocal conditioning to emotional connection — and how he ensures every audience gets a memorable experience. For Rock and Romance, he promised powerhouse vocals, high energy, and moments of intimacy that blend passion with storytelling. For Cardona, it’s not just about hitting the right notes; it’s about making the audience feel something

path from football to theatre and how that athletic background informs his physicality in performance. Known for playing intense or villainous roles, Aponte spoke about embracing Tybalt’s fire and pride while still grounding him in humanity. He also shared his growing history with Shakespeare and how each production deepens his understanding of the Bard’s language and

Earlier in the season, Brent Jordan returned to Orlando Shakes for his third production with the company, portraying Benvolio in Romeo and Juliet, which ran from January 14 through February 8. Jordan described the in a world driven by conflict. As the peacemaker among chaos, emotional grounding. Jordan also reflected on preparing for his first professional Shakespeare production, sharing how he worked to fully understand the language while making the characteraccessibleandauthenticfortoday’saudiences.

how the production was shaped to resonate with contemporary audiences. He emphasized that Shakespeare endures because he speaks to uniquely human experiences — love, conflict, suicide, generational tension, parents trying to guide their children, and the consequences of division. Whether audiences identify as conservative, progressive, or somewhere in between, the emotional truths at the heart of the story remain universal.

Together, these interviews highlight the depth of artistry behind Orlando Shakes’ productions. From musical performancestoShakespeareantragedy,eachartistbrings preparation,passion,andperspectivetothestage.

Home Care 360

The Importance of Keeping Your Property Clean, Safe, and Code-Compliant

By Israel Torres

Spring is right around the corner, and with it comes the perfect opportunity for a fresh start—starting right at home. Spring cleaning isn’t just about tidying up the insideofyourhouse;it’sabouttakingafulllookatyour property and making sure everything is clean, safe, and well-maintained. After months of weather changes, fallen leaves, and fast-growing greenery, many properties need a reset to get back in shape for the warmer months ahead.

That’s where HomeCare360 comes in. While many people know them for keeping homes clean and wellmaintained, they also specialize in tackling the bigger, tougher jobs that come with spring cleanup. From clearing out unwanted junk and debris to removing overgrown shrubs, loose greenery, and hazardous dead tree limbs or branches, HomeCare360 helps homeowners take care of issues that often get overlooked until they become a problem. Maintaining your property is about more than just appearance—it’s about safety and responsibility. Overgrown greenery and dead branches can pose real risks, especially during storms or high winds. Unmaintained yards can attract pests, block walkways, andevendamagestructuresovertime.

Regular upkeep helps prevent small issues from turning into costly repairs and keeps your property safe for family, guests, and neighbors. There’s also the legal side to consider. Many cities and municipalities enforce property maintenance codes, and letting your yard become overrun can result in warnings, fines, or violationsfromthecity.

grass, excessive debris, and unsafe tree limbs are common reasons homeowners receive citations. Staying ahead of these issues with proper maintenance saves stress, time, and money in the long run. As spring approaches, now is the time to get ahead of the growth and cleanup. Investing in professional property maintenance ensures your home looks great, stays safe, and remains in compliance with local regulations. With HomeCare360 handling both everyday upkeep and large-scale cleanup projects, homeowners can enjoy the season with peace of mind—knowing their property is clean, clear, and ready for everythingspringhastobring.

Health and Wellness

Orlando Health Arnold Palmer Hospital for Children Celebrates Heart Month

The Orlando Health Arnold Palmer Hospital for Children recently hosted a heartfelt and joy-filled celebration in honor of Heart Month, bringing together current and former cardiac patients for a special free Heart Party. The event transformed the hospital’s main hallway and front entrance area into a vibrantspacefilledwithlaughter,love,andgratitude.

Families gathered to celebrate not only the month dedicated to heart health, but also the strength and resilience of the children who have undergone cardiac care.

cuddly keepsakes, while face painting stations added colorful designs and big smiles. Carnival-style games gave kids the chance to win prizes, filling the space withcheersandplayfulcompetition.

One of the most magical highlights of the day was the appearance of beloved characters. Children lit up with excitementwhenMoana,Stitch,andSpider-Manmade their way through the crowd. From warm hugs to photos and high-fives, these special guests created unforgettable moments for families who have spent so much time within the hospital’s walls for medical care.

More than just a party, the event was a celebration of life, healing, and community. It gave families an opportunity to reconnect with doctors, nurses, and staff members who have played such an important role in their journeys. The joy shared throughout the event reflected the deep bonds formed between caregivers

Bad Bunny’s History Lesson on the Americas

Cheese on Bread, Benito The World Finally Listening!

I was in Orlando when someone shouted across the parking lot, “Bad Bunny gone political, you know!”

I answered, “When was he not?”

Because if you have been listening — and I mean really listening — to Bad Bunny, you would know that Benito has always been speaking about more than beats, bodies, and bass. He has been talking about the Americas. Not just America — singular — but plural. Las Américas. North, Central, South and the islands in between.

And now the world stage is finally catching up. For some people, it was “Cheese on Bread!” — shock and confusion, when he used one of the biggest global platforms to center Puerto Rico, colonization, language, migration, and dignity. For others, it was “Well finally!” Because when you grow up in the Caribbean or Latin America, you understand something instinctively: the map is political, but the rhythm is regional.

Benito was not just performing. He was reminding.

Reminding that Puerto Rico is still a colony. Reminding that Spanish is not an accent to be mocked but a language of empire, poetry, and resistance. Reminding that the Caribbean is not a backdrop for vacation ads but a frontline of climate change, debt restructuring, and political negotiation.

Some folks asked, “Why bring that to a global entertainment stage?”

But when you come from islands where drums were banned and steelpans were born anyway, you understand that culture is always political. Carnival did not ask permission. Reggaetón did not ask permission. And Benito did not ask permission either. He was saying what many across Colombia, Mexico, Brazil, and throughout the Caribbean already feel: the Americas are interconnected whether Washington acknowledges it or not.

Migration flows north. Money flows south. Resources flow outward. Culture flows everywhere.

And yet, the narrative often flows in only one direction. What unsettled some viewers was not the music. It was the mirror. When he centered Puerto Rico’s reality, he forced the United States to look at its unfinished business in the Caribbean. When he celebrated Latin identity unapologetically, he reminded the hemisphere that demographic change is not coming, it is here. The Americas are brown, Black, Indigenous, multilingual, and culturally fused. We in the Caribbean understand this blending instinctively. We live it daily. African drums, Spanish guitars, Indigenous memory, Indian tassa, Chinese migration stories — all poured into one pot and stirred until something new emerges.

That is what Benito was presenting: not defiance for the sake of controversy, but identity without apology. Some critics said entertainers should “just entertain.” But history laughs at that suggestion. From calypsonians in Trinidad to nueva canción in Chile, from samba schools in Brazil to bomba in Puerto Rico — music has always been the newspaper of the people.

And what was the headline? The Americas are not owned. They are shared.

In a time when borders are tightening, rhetoric is hardening, and fear is being marketed wholesale, Benito’s message was almost simple: we are here. We have always been here. And we are not shrinking.

It is no coincidence that young people across Latin America and the Caribbean felt seen. For them, the hemisphere is not divided between “us” and “them.” It is one complicated, beautiful, bruised family.

Like the joke about the three men eating the same lunch and threatening to jump: every day at lunchtime, they’d sit fifty floors up, legs dangling in the wind, opening their lunch kits. The Bajan opened his and saw flying fish and cou-cou. He groaned, “If I get flying fish and cou-cou one more day, I jumping!” The Jamaican opened his and found ackee and saltfish. “If I see ackee and saltfish again tomorrow, mi gone over de side!” The Trinidadian opened his and saw roti and fried potatoes. “One more day of this and ah jumping too!”Next day came. Flying fish and coucou. The Bajan jumped. Ackee and saltfish. The Jamaican jumped. Roti and fried potatoes. The Trinidadian jumped.

At the funeral, the widows stood together in tears. The Bajan’s wife cried, “If I knew he felt so strong, I would’ve packed something else!” The Jamaican’s wife sobbed, “Lawd, if I thought he’d do that, I would’ve made him a ham omelette instead!” The Trinidadian’s wife folded her arms and said, “I don’t understand the fuss. He used to fix his own lunch.” And that’s the punchline: Sometimes we shout at the sky. Sometimes we blame the cook. Sometimes we blame the country. But every now and then, we’re the ones who packed the lunch.— sometimes we blame the system, sometimes we blame each other, and sometimes, truth be told, we packed the lunch ourselves.

The Americas have helped build the structures that now frustrate us. Colonialism did not only happen; it was designed. Trade agreements did not fall from the sky; they were negotiated. Debt was not accidental; it was structured.

But here is the difference: culture gives us room to reimagine. Bad Bunny’s message was not anti-American. It was hemispheric. It was a reminder that the story of the Americas cannot be told from one capital city alone. It must include San Juan. It must include Kingston. It must include Bogotá. It must include the barrios, the favelas, the islands, the border towns.

When the Caribbean speaks, it does not whisper. It sings. And what the world heard was not noise. It was clarity. In the end, Benito did what artists from small places have always done: he took a global stage and made it local. He said that pride is not provocation. That language is not liability. That identity is not inconvenience.

For the Caribbean and Latin America, this was was affirmation. And perhaps the real lesson for the hemisphere is one we already know back home: hard ears won’t hear, own way you gine feel. The Americas are changing. The culture has already moved. The demographics have already shifted. The rhythm has already blended. The only question left is whether the politics will catch up. Because whether Washington, Wall Street, or the world is ready or not — the Americas are not one story. They are many.

And Benito just reminded everyone of that.

Caribbean Dish of the Month

History of Jamaican Brown Stew Chicken

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European influences later introduced stew-based techniques and ingredients such as onions and carrots, which blended with local Jamaican elements like thyme, scallions, garlic, ginger, and Scotch bonnet pepper. The use of caramelized sugar or browning sauce became a distinctive Caribbean touch, giving the dish its signaturecolorandtaste.

Traditionally served with rice and peas or ground provisions, Brown Stew Chicken remains a staple of Jamaican home cooking, symbolizing comfort, tradition, and the enduring legacy of Jamaica’s diverse culinary heritage.