SOC Awards Tribute Book 2026

Supporting Sponsors

The Society of Camera Operators is proud to announce

the recipients of the 2026 Camera Operators of the Year

NOMINEES for FILM:

F1 – LUKASZ BIELAN with NATASHA MULLAN, “B” Camera Operator

Frankenstein – GILLES CORBEIL, SOC with JAMES FRATER, SOC, “B” Camera Operator/Steadicam

Marty Supreme – COLIN ANDERSON, SOC with BRIAN OSMOND, SOC, “B” Camera Operator

One Battle After Another – COLIN ANDERSON, SOC

Weapons – MICHAEL FUCHS, SOC with KATE ROBERSON, “B” Camera Operator, and CONNOR O’BRIEN, SOC, “C” Camera Operator

NOMINEES for TELEVISION:

Étoile , S1E1 “The Swap” – JIM MCCONKEY, SOC with FANNY COUSTENOBLE, “B” Camera Operator, and NIKNAZ TAVAKOLIAN, “B” Camera Operator

The Pitt , S1E12 “6:00 P.M.” – ERDEM ERTAL, SOC with AYMAE SULICK, SOC , “B” Camera Operator

Severance , S2E7 “Chikhai Bardo” – SCOTT MAGUIRE with MARK SCHMIDT, SOC , “B” Camera Operator

Stranger Things , S5E4 “Chapter Four: Sorcerer” – NICK MÜLLER, SOC with NICK MEDRUD, “B” Camera Operator

The Studio, S1E2 “The Oner” – MARK GOELLNICHT, SOC, ACO

2026 Technical Achievement Award Submissions

FUJIFILM GFX ETERNA 55

PTZ Dolly® Remotely Operated Motorized Camera Movement Platform

Sony Rialto Mini (VENICE Extension System Mini)

SuperTechno 48: Five-Beam Precision in Camera Crane Operation

BORN FROM FILM

Large Format, By Design

Fujifilm’s motion-picture legacy, defined by decades of film and unparalleled color science, now lives on in large format digital cinema. Featuring a 55mm image diagonal, GF 4:3 Open Gate format offers a creative canvas that’s roughly 1.7× larger than full-frame. With a variety of crop modes available, filmmakers can choose the format that best fits their story, and scale up to Open Gate for images of epic cinematic depth and presence.

Welcome from the SOC President

On behalf of the Governors and Staff of the Society of Camera Operators, I welcome you to the 2026 SOC Awards!

Of course, we’re in our third year now of having to rethink our show to meet the ever-changing conditions of the US film industry. In 2024, we’d just endured the writers’ and actors’ strikes. In 2025, we were just barely getting back to work when our city burned. And this year’s event follows a prolonged and devastating slowdown in domestic production, which has impacted both our members and our sponsors. But, through it all, what has struck me most is the sense of community we all share, and how that community once again pulled together to help us have an awards show. With these watch parties, we made it as easy as we could to meet up with your peers, have a drink, and celebrate our craft. But in doing so, we realized we’d suddenly turned our event into a three-city national simulcast! We did not arrive at this moment alone. Old friends and new friends all stepped up to make it happen. Once again, the best live broadcast people in the business leapt to our rescue. Sponsors who are themselves hurting worked with us to simply find a way, in three different cities across America, to bring everyone together and honor the craft of the camera operator.

I give my heartfelt thanks to everyone who made this event possible. Now let’s get this party started!

Matthew Moriarty, SOC, has spent 29 years in the camera department and has amassed roughly 80 major credits on feature films and television. He served for 12 years as a member of the National Executive Board of IATSE Local 600. In 2023, he was elected President of the Society of Camera Operators (SOC), an organization that twice nominated him for Camera Operator of the Year (2018 and 2021). Matthew lives in Oregon’s Willamette Valley with his wife and daughters.

The Society of Camera Operators (SOC) welcomes you to the SOC Awards. We are honoring the craft of the operator and celebrating the crew.

About the SOC

The Society of Camera Operators began in 1979 as the Society of Operating Cameramen (SOC)—an organization dedicated to the advancement of the art and creative contributions of the camera operator in the motion picture and television industries.

Thirteen camera operators banded together with the goal of advancing the position of the working camera operator in the motion picture and television industries. They drew up a constitution and by-laws and the Society of Operating Cameramen was born.

Having since changed its name to The Society of Camera Operators, the SOC continues to bring industry leaders, cinematic and broadcast artists into close confederation. Society members are kept at the forefront of the industry’s ever-advancing technology through continuing workshops and equipment showcases.

Our Camera Operator quarterly magazine is noted for its significant contribution to the industry. Informative articles and interviews range from historical pieces to in-depth coverage of the most current technology and member stories. The magazine is presented in a dynamic multi-media format providing articles in print and video.

Vision is the most important sense that camera operators use in our daily work. As such, it bonds SOC members to children with vision problems.

OFFICERS

President Matthew Moriarty, SOC

1st Vice President

2nd Vice President

David Emmerichs, SOC

Simon Jayes, SOC

Treasurer John “Buzz” Moyer, SOC

Secretary Dan Gold, SOC

Sergeant-at-Arms

Gretchen Warthen, SOC

The SOC dedicates its full support to The Vision Center, Children’s Hospital Los Angeles with the support of educational and fund-raising videos that bolster the hospitals objectives.

To honor the talent behind the camera, the first SOC Awards took place in 1981. Since its start, over 140 plus golden Cammy statuettes have been awarded, along with over 40 Technical Achievement Awards. And countless Lifetime Achievement Awards.

Our Mission

The Society of Camera Operators (SOC) advances the art, craft, and creative contributions of the camera operator.

The SOC is an internationally recognized professional honorary Society. The core activities of the Society are the annual SOC Awards, publishing the Society’s magazine Camera Operator, and our charitable commitment to The Vision Center, Children’s Hospital Los Angeles.

We serve the SOC membership through our commitment to advancing the role of the camera operator by providing education, supporting the development of technology and production methods, and honoring the members who have served before us.

BOARD MEMBERS

Shanele Alvarez, SOC

George Billinger, SOC

Scott Dropkin, SOC

Mitch Dubin, SOC

David Emmerichs, SOC

Dan Gold, SOC

Geoffrey Haley, SOC

Simon Jayes, SOC

Rachael Levine, SOC

Sarah Levy, SOC

Jim McConkey, SOC

Matthew Moriarty, SOC

John “Buzz” Moyer, SOC

Lisa Sene, SOC

Gretchen Warthen, SOC

CineMoves is proud to support the SOC in honoring the achievements of this year’s recipients. All experts in the “Art of camera movement” and composition.

The Vision Center, Children’s Hospital Los Angeles

The Society of Camera Operators charitable commitment to The Vision Center, Children’s Hospital Los Angeles, through donations and the annual commitment to produce a fundraising video, has yielded $18.8 million and counting…

About The Vision Center

The Vision Center, Children’s Hospital Los Angeles is an international referral center for children with complex eye diseases. It is one of the few centers in the country to offer expertise in virtually every pediatric ophthalmologic subspecialty. Board-certified pediatric ophthalmologists care for more than 15,000 patients and perform more than 1,500 ophthalmic surgeries each year, making The Vision Center one of the largest, most respected centers of its kind, treating nearly 20 percent of all retinoblastoma cases diagnosed annually in the United States.

About Children’s Hospital Los Angeles

Children’s Hospital Los Angeles is a nonprofit pediatric health care organization dedicated to creating hope and building healthier futures for children. Selected as the premier children’s hospital in California and among the top five in the nation by U.S. News & World Report, we treat 107,000 young patients annually from Los Angeles and around the world. As a pediatric charity of choice, the hospital relies on the generosity of the community to support its groundbreaking pediatric research and the complex care it provides for critically ill and injured children.

2026 SOC President’s Award

NICK PHILLIPS - LIBRA HEAD INVENTOR “FOR A CHERISHED AND ENDURING PARTNERSHIP IN SHOTMAKING”

Nick Phillips began his career with an engineering apprenticeship in aviation research and development, specializing in helicopters. This technical foundation led him to the UK film industry in the early 1980s, where he engineered modifications for complex aerial filming sequences. During this time, he identified a critical need for less cumbersome camera equipment and safer camera operation, leading him to create the Libra One in 1985. This system proved its worth on productions like Nicolas Roeg’s Castaway (1986) and Rob Reiner’s The Princess Bride (1987).

This early success allowed Nick to develop more robust, watertight systems—initially used on the rugged Camel Trophy series—and introduced him to the use of telescopic cranes in the filming industry. This evolution resulted in the Libra 3, the first multi-axis electronically stabilized remote camera head designed to accommodate the industry’s shift toward large-format cameras. Alongside this, he also manufactured the Mega Mount, which became a staple on many major motion picture films, most notably James Cameron’s Titanic (1997).

A hallmark of Nick’s development process is his dedication and commitment to the evolution of the Libra head. By integrating invaluable feedback from camera operators, he ensured his control systems were both ergonomic, fluid, and solid. This dedication to excellence was recognized with several prestigious honours: the American Society of Cinematographers (ASC) Award in 1999, a Scientific and Technical Academy Award in 2000, and the British Society of Cinematographers (BSC) Bert Easey Technical Award in 2003.

As technology advanced, the Libra line evolved through the Libra 4, 5, and 6, incorporating sophisticated motion sensors and long-range remote communications. To meet modern cinematic demands, Nick developed the Libra 7 and 8 Combo, as well as 9-camera arrays and 4-camera vertical stacks with his team. These modular systems prioritize high-torque efficiency and low energy consumption. Today, Nick’s team is manufacturing a large-format Marine Libra head capable of submerging to eleven metres below sea level, used on the latest Mission: Impossible – The Final Reckoning and other film productions.

Since the1980s, Nick has dedicated his life to the evolution of stabilization technology and camera operator safety, remaining grateful to the global community of operators, colleagues and collaborators who have shared his journey.

Congratulations to all the 2026 Nominees and Honorees!

WARNER BROS. PICTURES WOULD LIKE TO THANK THE AND PROUDLY CONGRATULATES OUR NOMINEE

CAMERA OPERATOR OF THE YEAR FILM

2026 Technical Achievement Award Submissions

FUJIFILM GFX ETERNA 55

GFX ETERNA 55 is Fujifilm’s first digital camera purpose-built for filmmaking production. With the tallest digital cinema sensor currently available on the open market, users can record using the full sensor height (32.71mm) in Open Gate mode, creating a uniquely immersive, large-format cinematic look. Simultaneously, its professional-grade workflow efficiency and intuitive ergonomic design streamlines camera operation. GFX ETERNA 55 is production-ready with desired filmmaking features (internal variable ND, adaptable lens choices, wide connectivity, etc.) and offers highly controllable color application, including 20 built-in Film Simulations, F-Log2 C’s expansive gamut and dynamic range, and the ability to load 3D Film Simulation LUTs. shopusa.fujifilm-x.com/gfx-eterna-55-filmmakingcamera-16969715

PTZ Dolly ® Remotely Operated Motorized Camera Movement Platform

PTZ Dolly® is a motorized, IP-based camera-movement platform designed to deliver precise, cinematic motion for PTZ, gimbal, and compact camera systems. Supporting PTZ cameras, Freefly MoVI, DJI Ronin, and camera-support systems up to 75 lbs., PTZ Dolly enables smooth, repeatable dolly moves without traditional track, cranes, or additional operators. Operated over local networks or the internet, the system can control up to 40 cameras simultaneously within a single production environment. PTZ Dolly provides scalable camera movement, increased production value, and operational efficiency for live broadcast, studio, and event workflows.

PTZDolly.com

The SOC celebrates the technology that supports our creative vision and ease of delivering the shot.

Sony Rialto Mini (VENICE Extension System Mini)

Sony’s Rialto Mini (VENICE Extension System Mini) provides the power and quality of Sony’s VENICE 2 8.6K Full-Frame CMOS sensor in a compact package that prioritizes flexibility and enables creative freedom. Created in alignment with filmmakers, the small, durable and lightweight camera head block gives creators the pristine imagery and resolution of VENICE 2 without the limitations of a traditional camera form factor. Using a thin, flexible, and detachable cable, operators can easily rig and mount the system to capture cinematic content from virtually any location, angle, and setup. Support for PL, LPL, PV or E-mount lenses provides additional versatility and customization options.

https://pro.sony/ue_US/products/camera-adaptors/cbk-3621xs

SuperTechno 48: Five-Beam Precision in Camera Crane Operation

SuperTechno 48 represents the first application of Technocranelevel precision to a five-beam telescopic camera crane. Designed and manufactured to Technocrane standards, the SuperTechno 48 introduces a precision-driven five-beam architecture that delivers the industry’s lowest deflection at working extensions while preserving smooth, elegant motion and traditional operator control. Intended as a more compact, daily-use workhorse, the SuperTechno 48 combines structural stiffness, predictable performance, and refined motion quality consistent with Technocrane’s long-established reputation.

supertechno.com

Camera Operator of the Year - Film Nominees

Lukasz Bielan F1

Lukasz Bielan was born in Warsaw, Poland. He started studying cinematography at Columbia College Hollywood. After a few years, he took a leave of absence to work with Sven Nykvist as his personal assistant and camera trainee on Chaplin. He stayed with Nykvist on the next nine films, including Sleepless in Seattle, What’s Eating Gilbert Grape, and Only You, climbing the camera department ladder from 2nd assistant to camera operator. His operating credits include Life of Pi, Deadpool 2, Alien: Romulus, Rustin, Spectre, and Bullet Train. He has worked on most of the Transformers films and collaborated on many projects with Michael Bay, Peter Berg, and Michael Mann. He lives with his wife in Palm Springs, California.

Natasha Mullan, “B” Camera Operator F1

Natasha Mullan is an Irish camera operator based in Los Angeles and London. Her career spans the last 14 years, working on various projects such as The Revenant, Top Gun: Maverick, Snow White, and The Fantastic Four: First Steps

It has been the highlight of her career to work alongside many talented and inspiring people who have shepherded her operating path, most notably, Mandy Walker, Alwin Kuchler, Hoyte Van Hoytema and Claudio Miranda, to name a select few.

Behind the camera, Natasha is driven by her desire to tell stories that reflect the modern world and remain in the hearts of the audience long after the credits have rolled.

Gilles Corbeil, SOC Frankenstein

His first camera assignment was in third grade, covering a school trip. He attended Ryerson Film School and shot docs in Europe during summer breaks. Gilles was DP on several low-budget features including The Brain. While working as 2nd AD on Rin Tin Tin: K-9 Cop, his wife, Christina Kaufmann, convinced producer, Hebert Leonard to give Gilles a shot as operator.

Gilles credits include: Dawn of The Dead, John Rambo, The Corruptor, 16 Blocks, The Recruit, The In-Laws, Hot Tub Time Machine, Spotlight, 11.22.63, Umbrella Academy, and for Guillermo del Toro, Mimic, Pacific Rim, Crimson Peak, The Strain, and The Shape of Water. He holds a U.S. Patent No. US5389987A Titled: A motion translation device for positioning cameras and other aimed instruments.

James Frater, SOC, “B” Camera Operator/Steadicam Frankenstein

James Frater, SOC, is a renowned camera and Steadicam operator known for his exceptional work on major productions like John Wick: Chapter 4 and The Witcher. With a deep passion for visual storytelling, Frater’s career began with a fascination for capturing real-life moments through the lens. His formal education in film and cinematography laid the foundation for his success. Starting as a camera assistant, he quickly earned recognition for his reliability and technical skills. Frater’s ability to seamlessly blend traditional camera work with Steadicam operation enhances the dynamic quality of his projects, making him a sought-after professional in the industry.

Colin Anderson, SOC

Marty Supreme

Born and raised in South Africa, Colin developed a love of photography at an early age and with the encouragement of his journalist father, joined the film industry. Based in Los Angeles, he started working as a camera operator in 1995. To date Colin has worked primarily on feature films with notable directors such as Paul Thomas Anderson, JJ Abrams, and Ben Affleck. His collaboration with Paul Thomas Anderson includes There Will Be Blood, The Master, Inherent Vice, Phantom Thread, Licorice Pizza, and One Battle After Another. Work with JJ Abrams include two Star Wars films amongst others, and The Town, Argo, Air, and the upcoming Animals with Ben Affleck. Other films include Martin Scorsese’s Silence, and The Fabelmans with Steven Spielberg, Josh Safdie’s Marty Supreme and the upcoming Madden with David O. Russell.

Brian Osmond, SOC, “B” Camera Operator

Marty Supreme

Growing up in Pittsburgh, Pennsylvania, and studying computer science was perhaps not an obvious path into the film industry. But a couple of diversions led Brian Osmond into still photography and then TV, and then to filmmaking. Opportunity knocked and he entered at the bottom of the camera department as a camera trainee on Silence of the Lambs. Over the years, he spent time rising through the department, learning from the several wonderful mentors around him and leading to many credits and a few nominations over two decades of operating.  He is grateful to have worked with esteemed directors such as Ridley Scott, Michael Mann, and David Fincher.  Every day brings unique challenges and adventure in visual story telling.  Brian is thankful for each day that he can ply his craft, working together with a superb group of filmmakers alongside.

Camera Operator of the Year - Film Nominees

Colin Anderson, SOC One

Battle After Another

Born and raised in South Africa, Colin developed a love of photography at an early age and with the encouragement of his journalist father, joined the film industry. Based in Los Angeles, he started working as a camera operator in 1995. To date Colin has worked primarily on feature films with notable directors such as Paul Thomas Anderson, JJ Abrams, and Ben Affleck. His collaboration with Paul Thomas Anderson includes There Will Be Blood, The Master, Inherent Vice, Phantom Thread, Licorice Pizza, and One Battle After Another. Work with JJ Abrams include two Star Wars films amongst others, and The Town, Argo, Air, and the upcoming Animals with Ben Affleck. Other films include Martin Scorsese’s Silence, and The Fabelmans with Steven Spielberg, Josh Safdie’s Marty Supreme and the upcoming Madden with David O. Russell.

Michael Fuchs, SOC, has been working as a camera operator based in New York City since 2008. He was very fortunate to team up with cinematographer Larkin Seiple on another project, that features fun and story-specific ways of placing and moving the camera.  He is eternally grateful to all of the departments in Atlanta on Weapons for their support and creativity, as the camera was always doing something a little wild.

Michael’s credits include; Wolfs, If Beale Street Could Talk, You Were Never Really Here, and Trial of the Chicago 7.

Kate Roberson, “B” Camera Operator Weapons

From small town Georgia, Kate always saw herself as a creator. Her young adult life was marked with trying to find her medium. Buried in hard drives and her parents’ attic are clumsy film photos, charcoal drawings, linocut prints, and a few terrible short films. Once Kate settled into film making, her goal became clear— operating. She spent ten years climbing the ranks of the camera department, and in the last few years has been enjoying the fruits of her labor, as well as the opportunity to operate alongside her mentors and idols. The relationships she has built with the filmmaking community in Atlanta and beyond are paramount to her success and she looks forward to the years ahead learning in and growing her craft alongside all these lovely folks.

Connor O’Brien, SOC, “C” Camera Operator Weapons

Connor O’Brien, SOC, is a professional skater turned camera operator based in Southern California. Growing up in Manhattan Beach, CA, Connor’s passion for skating led to a successful career as a pro skater, during which he discovered a love for filming. This sparked a transition into the world of filmmaking. With over 20 years of experience in TV and film, Connor has worked across a range of projects, from commercials to feature films. He holds a B.A. in Cinematography from Cal State Long Beach (2008) and an MFA from the American Film Institute (2013). In 2019, he became a member of the Society of Camera Operators (SOC), where he continues to grow and contribute to the art of visual storytelling.

Camera Operator of the Year - Television Nominees

Jim McConkey, SOC Étoile, S1E1 “The Swap”

Jim McConkey, SOC has been working as a Camera Operator and Steadicam operator in film and television for over 30 years. He is most recently known for his work on renowned television shows such as Amazon Prime Video’s The Marvelous Mrs. Maisel, Netflix’s Maniac, HBO’s Temple Grandon, and Netflix’s Living with Yourself. Earlier credits include: Alfonso Cuarón’s Great Expectations, The Basketball Diaries, Marc Forster’s The Kite Runner, Wes Anderson’s The Life Aquatic with Steve Zissou, and Richard Linklater’s Before Sunset. He has also worked on popular feature films such as School of Rock, The Intern, Men In Black 3, How To Lose A Guy In 10 Days, The Proposal, and How To Be Single. Jim is a graduate of Cornell University and currently resides in New York.

Fanny Coustenoble, “B” Camera Operator Étoile, S1E1 “The Swap”

Fanny Coustenoble was born and raised in Paris, where she started to study cinema at Louis Lumière Cinema school. During a rather classic journey in the camera department: loader, 2nd, and 1st AC, she started to practice Steadicam alongside iconic operators she assisted. After two international workshops (GPI in Burbank and Chris Betz in Munich) she started to operate in 2016.

Since then she has had the opportunity to work on local French productions, as well as international shows such as Patriot, The Marvelous Mrs. Maisel, Murder Mystery 2, Franklin, and just recently Étoile.

Niknaz Tavakolian, “B” Camera Operator Étoile, S1E1 “The Swap”

Niknaz Tavakolian is a New York camera/ Steadicam operator who started out a long time ago making short Super8 films and Hi8 videos, while watching Italian Neorealist, French New Wave and American Independent films in college. She came to New York in 1998, and by 1999 was a Local 600 camera loader in the indie film scene… then inevitably in TV. It took some meandering (including an MFA in Toronto and a very short stint as an Assistant Professor), but finally she is doing what she loves and what she’s spent her life aiming for: to have the actors, directors and DPs trust her telling the story through the frame. Niknaz has had the privilege of working next to Jim McConkey (“A” Camera/Steadicam operator on Étoile) on several projects, including The Marvelous Mrs. Maisel and Day of the Fight.

Erdem Ertal, SOC

The Pitt, S1E12 “6:00 P.M.”

Erdem Ertal, SOC, was born in Queens, New York, raised in Chicago, and moved to Los Angeles to pursue a career in Camera Operating. He began his career on the set of a self-produced narrative short that screened at the Festival de Cannes. Building on that early recognition, he went on to crew across a wide range of indie features, sharpening his technical skills and visual instincts. A member of Local 600, SOA, and SOC, Erdem works as a Camera and Steadicam Operator in Chicago and LA on features, scripted television, and commercials. His TV credits include FOX’s Empire, HBO’s Watchmen, Netflix’s Emily in Paris, NBC’s Chicago Med, and WB’s The Pitt.

Aymae Sulick, SOC, “B” Camera Operator

The Pitt, S1E12 “6:00 P.M.”

Aymae Sulick, SOC is an Emmy-nominated camera operator and award-winning cinematographer based in Los Angeles. With 25 years of experience behind the camera and cross-genre versatility, her work has spanned indie film, commercials, documentary, and both unscripted and episodic television. Her operator credits include Insecure, The L Word: Generation Q, Dollface, and The Pitt.

Aymae holds an MFA from USC School of Cinematic Arts and has been a proud member of ICG Local 600 for 13 years. She is grateful for the camera community and those who have mentored her or given her opportunities to grow creatively.

Aymae often collaborates with underrepresented storytellers and wants to foster empathy and encourage connections through visual storytelling. She creates imagery to convey the emotional worlds of characters so the viewer will not only watch but will also feel the story.

Camera Operator of the Year - Television Nominees

Scott Maguire

Severance, S2E7 “Chikhai Bardo”

Scott Maguire is a New York City based camera operator. He grew up in Philadelphia and studied filmmaking at Temple University and the University of Westminster in London.

He moved to NYC after college and worked his way up through the camera department over a multi decade career in film, television, commercials and music videos.

Scott is honored and grateful to be one of the SOC nominees this year in recognition of his work on Severance

Mark Schmidt, SOC “B” Camera Operator Severance, S2E7 “Chikhai Bardo”

Mark Schmidt, SOC, is a New York City based “A” Camera/Steadicam operator whose credits include In The Heights, Are You There God? It’s Me Margaret, Deadpool & Wolverine, Jurassic World: Rebirth, and Severance, for which he is nominated.

Mark Schmidt is also the owner of monkeypaws films, Inc., a New York City based production company. He is an Active member of the Society of Camera Operators.

Nick Müller, SOC

Stranger Things, S5E4 “Chapter Four: Sorcerer” Nick Müller, SOC is a Los Angeles–based camera and Steadicam operator whose credits include Stranger Things (S4&5), A24’s C’mon C’mon, The Card Counter, Boston Strangler, and Marvel projects including Agatha All Along and Echo. Nick grew up in LA and traveled the world as a professional dancer prior to his career in Camera Department. Camera Operating has been a blessing and his passion for 15 years, What excites Nick most is the ever evolving and consistent pursuit of improving his technical abilities, while working with people who find creative and new ways in telling stories. On his off time Nick enjoys photography, reading, exploring off road, working on cars, sailing, and spending time with his family.

Nick Medrud, “B” Camera Operator/Steadicam Stranger Things, S5E4 “Chapter Four: Sorcerer”

Nick Medrud grew up in La Mirada, California, where his first creative outlet was music. A percussionist from an early age, he developed a strong sense of rhythm and timing —sensibilities that would inform his work behind the camera. Even then, he was rarely without one. Nick and his friends were constantly making short films, turning class projects into excuses to shoot another movie. Nick joined IATSE Local 600 as a First Assistant Camera, with Drunk History marking his first job. He continued working across film and television, building his foundation within the department, while learning from operators and cinematographers around him. Operating was always the goal. When he transitioned into the role, it felt instinctive. Nick is drawn to the physical and intuitive nature of operating—balancing movement, performance, and composition. He remains grateful for his collaborators and mentors and the opportunity to tell stories through the lens.

Mark Goellnicht, SOC, ACO

The Studio, S1E2 “The Oner”

Mark is an “A” Camera/Steadicam Operator, whose career in film and television began in his home town of Perth, Western Australia. His first move was to gain greater experience in the larger Sydney market, which ultimately led him to carry out the dream and move to Hollywood, California in 2009.

Mark has worked with some of the world’s finest Directors and Cinematographers, namely three outings with director, George Miller on Mad Max: Fury Road, Three Thousand Years of Longing, and Furiosa: A Mad Max Saga, all as “A” Camera/Steadicam Operator. Mel Gibson, director of Hacksaw Ridge, earned Mark an SOC award nomination for Camera Operator of the Year. More recently his credits include, the award winning hit series, The Studio, directed by Seth Rogen and Evan Goldberg, Predator: Badlands, directed by Dan Trachtenberg, and The Wrecking Crew, directed by Angel Manuel Soto.

Previous Recipients

Camera Operator Lifetime

• Bonnie Blake, SOC 2025

• Larry McConkey, SOC 2024

• Don Devine, SOC 2023

• Colin Anderson, SOC 2020

• David Emmerichs, SOC 2019

• P. Scott Sakamoto, SOC 2018

• Garrett Brown, SOC 2017

• Stephen Campanelli, SOC 2016

• Daniel Gold, SOC 2015

• Christopher Haarhoff, SOC 2014

• Bruce MacCallum, SOC 2013

• Paul Babin, SOC 2012

• Michael Ferris, SOC 2011

• Michael Scott, SOC 2009

• Mitch Dubin, SOC 2008

• Norman Langley, SOC 2007

• Ray De La Motte, SOC 2004

• Michael St Hilaire, SOC 2001

Camera Operator of the Year FILM

• P. Scott Sakamoto, SOC, A Complete Unknown 2025

• Juanjo Sánchez, SOC and Manuel Branáa, SOC, Society of the Snow 2024

• Daniel Bishop, SOC, ASSOC BSC, ACO 2023 All Quiet on the Western Front

• Mitch Dubin, SOC and John ‘Buzz’ Moyer, SOC 2022 West Side Story

• Geoffrey Haley, SOC 2021 Cherry

• Geoffrey Haley, SOC 2020 Joker

• P. Scott Sakamoto, SOC 2019 A Star Is Born

• Roberto De Angelis, SOC 2018 Baby Driver

• Ari Robbins, SOC 2017 La La Land

• P. Scott Sakamoto, SOC 2016 The Revenant

• Chris Haarhoff, SOC 2015 Birdman

• Peter Taylor, ACO, SOC 2014 Gravity

• Mitch Dubin, SOC 2013 Lincoln

• Stephen Campanelli, SOC 2012 J. Edgar

• Colin Anderson, SOC 2011 The Town

• Robert Gerlick, SOC 2009 The Dark Knight

• Jacques Jouffret, SOC 2008 Into the Wild TELEVISION

• Scott Dropkin, SOC, Yellowstone with Abby Linne, SOC, “B” Camera Operator, and Jed Seus, “C” Camera Operator 2025

• Neal Bryant, SOC and Carey Toner, The Last of Us 2024

• Dave Chameides, SOC and Cristian Trova 2023 Ozark

• Manolo Rojas, SOC and Pauline Edwards, SOC 2022 Snowfall

• Jim McConkey, SOC 2021

The Marvelous Mrs. Maisel

• Jim McConkey, SOC 2020

The Marvelous Mrs. Maisel

• Chris Haarhoff, SOC & Steven Matzinger, SOC 2019 Westworld

• Bob Gorelick, SOC 2018 Stranger Things

• Andrew Mitchell, SOC 2017 The People v. O.J. Simpson: American Crime Story

• Steve Fracol, SOC 2016 Scandal

• Christopher T.J. McGuire, SOC 2015 True Detective

• Don Devine, SOC 2014 Mad Men

• Andrew Voegeli, SOC 2013 Breaking Bad

• Andrew Mitchell, SOC 2012 Glee

• David Frederick, SOC 2011 Sons of Anarchy

Film Camera Operator

• Lou Barlia, SOC 2000

• Howard Block, SOC 1999

• Vaughn Wilkins 1998

• Joseph S August, SOC 1996

• Ralph Gerling, SOC 1995

• Bill Johnson, SOC 1994

• William Clark, SOC 1993

• Owen Marsh, SOC 1992

• Albert Bettcher, SOC 1990

• David Kurland, SOC 1986

• Til Gabani 1983

• James King, SOC 1981

• Albert Meyers, SOC 1981

Video Camera Operator

• Susan A Campbell, SOC 2000

• Wayne Orr, SOC 1999

• John Lee 1998

• Bob Keys, SOC 1996

• Joseph Epperson, SOC 1995

• George Meyer 1994

• Parker Roe, SOC 1993

• Ben Wolf, SOC 1992

• Paul Basta, SOC 1990

• Robert “Curly” Fonarow 1981

• Sam Greenwald 1981

Camera Technician

• Jamie Felz 2025

• Patrick McArdle 2024

• Tommy Klines 2023

• Heather Norton 2020

• Jimmy Jensen 2019

• John Connor 2018

• Bobby Mancuso 2017

• Gregory Irwin 2016

• David Eubank 2015

• William Coe 2014

• Baird Steptoe 2013

• Zoran Veselic 2012

• Alan Disler 2011

• Bob Hall 2009

• Scott Rathner 2008

• Clyde E Bryan 2007

• John M Walker 2004

• Robert A Torres 2001

Camera Operator, Broadcast & Live

• Larry Heider 2025

• Dave Hilmer 2024

Camera Operator, Unscripted

• John Armstrong 2025

• Mande Whitaker, SOC, 2024

Camera Operator, Live & Non-Scripted

• Charlie Huntley 2023

• Dave Levisohn, SOC 2020

• Hector Ramirez, SOC 2019

Assistant Camera

• Kenneth Nishino 2000

• Gary-Olyn Armstrong 1999

• Cal Roberts 1998

• Robert L Greene 1996

• Anthony Rivetti 1995

• Kenneth Hale 1994

• Bruce Catlin 1993

• Robert Feller 1992

• Richard Meinardus 1990

• John Thoeny 1986

• Emilio J Calori 1983

• Charles Termini 1981

• Joe Raue 1981

• Walter Rankin 1981

Mobile Camera Platform Operator

• Tim Christie 2025

• Rick Marroquin 2024

• Darryl Humber 2023

• J “Moose” Howery 2020

• John Mang 2019

• Dan Pershing 2018

• Mike Moad 2017

• Jack Glenn 2016

• Alan “Moose” Shultz 2015

• Jack Carpenter 2014

• Brad Rea 2013

• Harry Rez 2012

• Peter Romano, ASC 2011

• Al Cerullo 2009

• Larry McConkey 2008

• Thomas Prophet, Jr 2007

• Clay Lacy 2004

• Elizabeth Ziegler, SOC 2001

• Gaylin Schultz 2000

• Tommy May 1999

• Jim Buck 1998

• J David Jones 1996

• Lawrence E Milton 1983

• Harry Jones 1981

Still Photographer

• Zade Rosenthal 2025

• Claudette Barius 2024

• Bruce McBroom 2023

• Frank Masi 2020

• Peter Iovino 2019

• Jojo Whilden 2018

• Phil Caruso 2017

• Murray Close 2016

• Suzanne Hanover, SMPSP 2015

• Barry Wetcher, SMPSP 2014

• Melissa Moseley, SMPSP 2013

• Andrew Cooper, SMPSP 2012

• David James 2011

• Ralph Nelson 2009

• François Duhamel, SMPSP 2008

• Melinda Sue Gordon, SMPSP 2007

• Stephen Vaughan 2004

• Gemma La Mana, SMPSP 2001

• Marcia Reed 2000

• Wynn Hammer 1999

• Elliot Marks, SMPSP 1998

• Peter Sorel 1996

• Douglas Kirkland, SMPSP 1995

• Phil Stern 1994

• Bud Gray 1993

• David Sutton 1992

• Gene Stein 1990

• Alfred St. Hilaire 1986

• Mel Traxel 1983

• George Hurrell 1981 Historical Shot

• Andy Shuttleworth 2015 Boogie Nights

• J Michael Muro 2014 The Mighty Quinn

• Peter Robertson, ACO, SOC 2013 Atonement

• George Richmond 2012 Children of Men

• Jost Vacano, ASC 2011 Das Boot

• Nelson Tyler 2009 Funny Girl

• Tilman Büttner 2008 The Russian Ark

• Alexander Calzatti 2007 Yo Soy Cuba (I Am Cuba)

• Larry McConkey 2004 Goodfellas

• Leonard J South, ASC 2001 Vertigo

• David M Walsh, ASC 2000 Bullitt

• Philip H Lathrop, ASC 1999 Touch of Evil

• Garrett Brown, SOC 1998 Bound for Glory

Governors Award

• Los Angeles County Fire Department – Air Operations Section 2025

• Colin Farrell 2023

• Danny DeVito 2022

• Natalie Portman 2020

• Jane Fonda 2019

• John Bailey, ASC 2018

• Michael Keaton 2017

• Gary Lucchesi 2016

• Alfre Woodard 2015

• Penny Marshall 2013

• Clint Eastwood 2012

• Joe Dunton, MBE, BSC 2008

• Haskell Wexler, ASC 2007

• Roger Corman 2004

• Sidney Poitier 2001

• Robert Wise 2000

• James Burrows 1999

• Ron Howard 1998

• Kathleen Kennedy 1996

• Jacques-Yves Cousteau 1995

Previous Recipients cont . . .

• Steven Spielberg 1994

• Kemp Niver 1993

• Frank Stanley, ASC 1992

• Joe Biroc, ASC 1986

• Ernest Laszlo, ASC 1983

• John Huston 1981

President’s Award

• James Ramos and John Schreiber 2025

• Jamie Lee Curtis 2020

• Harrison Ford 2019

• Meryl Streep 2018

• Bruce Doering 2016

• Dan Perry 2015

• Leonard Chapman 2014

• Kyra Sedgwick 2013

• Phil Radin 2012

• IATSE Local 80 2011

• Larry Mole Parker 2009

• Robert Primes, ASC 2008

• Denny Clairmont 2007

• John Bailey, ASC 2001

• Stephen Lighthill, ASC 2000

• Dean Cundey, ASC 1999

• Jack N Green, ASC 1998

• Bob Marta, SOC 1996

• William Hines, SOC 1995

• Howard Block, SOC 1994

• Douglas Knapp, SOC 1993

• Phil Caplan, SOC 1992

Distinguished Service

• Steven Poster, ASC 2020

• Denny Clairmont 2018

• Steven Manios Sr. 2016

• Gale Anne Hurd 2015

• Stan McClain 2014

• Woody Omens, ASC 2013

• Sol Negrin, ASC 2012

• Frank Kay 2011

• Andy Romanoff, SOC 2009

• George Spiro Dibie, ASC 2008

• Tim Wade 2007

The SOC Board of Governors Foundation Award for Cinematic Art & Science

• 2018 ARRI

Technical Achievement Awards

• 2025 NODO Film Systems, Interia Wheels MAX

• 2023 Hudson Spider, Hudson Slider | ARRI Inc., ALEXA 35

• 2022 Cinema Devices, Ergorig System

| Motion Impossible, AGITO Remote Dolly Systems

• 2020 SONY: SONY Venice, Rialto Extension System

• 2019 Cinemoves, MATRIX 4 Axis Stabilized Gimbal

• 2018 DJI, Ronin II

• 2017 SHOTOVER, K1 6-Axis Stabilizer | That Cat, The Patented Silent Cat Camera Slider

• 2016 Cartoni’s Lambda Head

• 2015 Teradek LLC

• 2014 Pictorvision | Motion Picture Marine for Perfect

• 2013 Canon USA | David Eubank

• 2012 Angénieux Optimo Lenses | Grip Trix Electric Camera Car

• 2011 Arri Alexa Camera | Ultimate Arm Gyro-Stabilized Camera Crane

• 2009 GPI/PRO Camera Support System | Slit Scan Motion Picture Photography Process

• 2008 Panavision Genesis | Steadicam Ultra2

• 2007 Arri Group | Preston Cinema Systems

• 2004 Arri Group | Doggicam

• 2001 Hot Gears and Mehran Salamati

• 2000 Eastman Kodak Company | Clairmont Camera and Kenneth Robings

• 1999 Cartoni USA | Geo Film Group | Technocrane, Ltd

• 1998 Fuji Photo Optical Company, Ltd. | Sachtler Fluid Heads | Shotmaker Company

• 1996 HydroFlex | Bob Nettmann and Matthews Studio Electronics Inc. | The Worall Geared Head | Philips BTS Company and Wolter Wolthers

• 1995 Weaver/Steadman | Louma Crane | Vinten Broadcast

• 1994 J.L. Fisher Inc. | John M Stephens | Buzz Aldrin and NASA | O’Connor Engineering

• 1993 Chapman Studio Equipment | Nelson Tyler | Sony Corporation

• 1992 Arriflex Corp | Panavision Inc and Albert Mayer, Sr. | Cinema Products Inc and Garrett Brown, SOC

THE INTERNATIONAL CINEMATOGRAPHERS GUILD

CONGRATULATES THE SOC’S 2026

LIFETIME ACHIEVEMENT AWARD

HONOREES

CAMERA OPERATOR OF THE YEAR

NOMINEES

Presenters

Matthew Moriarty, SOC

Matthew Moriarty, SOC, has spent 29 years in the camera department and has amassed roughly 80 major credits on feature films and television. He served for 12 years as a member of the National Executive Board of IATSE Local 600. In 2023, he was elected President of the Society of Camera Operators (SOC), an organization that twice nominated him for Camera Operator of the Year (2018 and 2021). Matthew lives in Oregon’s Willamette Valley with his wife and daughters.

Scott Dropkin, SOC

Scott Dropkin, SOC grew up in Claremont, California. He was raised in a classical musical family. Son of two professional musicians— his mother a harpist and father a tuba player— he learned to appreciate owning and practicing an instrument to make a living. With that and his love of films, when he discovered Steadicam, it was a perfect fit. After studying at Cal State Northridge, his career began assisting on aerial units, before going out with Doggicam equipment. He moved to, and has been, a Steadicam/camera operator for over 15 years. Scott is married to his wonderful wife, Valeria, and has three amazing children, Mason, Brielle & Lexie. He is honored and gratified to be nominated by the SOC. Credits include, Animal Kingdom, Lawman: Bass Reeve s, and The Chi.

Simon Jayes, SOC

Simon Jayes, SOC, has been involved in the camera department since 1984 and has been a Camera Operator for the last 32 years. Simon was part of the team that built the first TechnoCranes and he moved to Los Angeles in 1990 to introduce this technology into the US through his company: TechnoCrane Ltd. In 2005, Simon added Steadicam to his abilities. Since being in the US, Simon has had the privilege of working with many talented crews and his credits include The Mandalorian and Grogu, Monsters: The Lyle and Erik Menendez Story, Ahsoka, Wonder Woman 1984, I Am the Night, True Blood, Our Flag Means Death, Quantum of Solace, Indiana Jones and the Kingdom of the Crystal Skull, and Miles Ahead, to name a few.

P. Scott Sakamoto, SOC

P. Scott Sakamoto, SOC, has been operating “A” camera and Steadicam since 1992. A native of Los Angeles, he began his career as a camera assistant, working alongside esteemed filmmakers Haskell Wexler and Newton Thomas Sigel. With over four decades of experience, Scott continues to collaborate with critically acclaimed directors and cinematographers, maintaining a focus on the art of visual storytelling. Throughout his career, he has adapted to the evolving landscape of moviemaking, while staying grounded in the basic principles of cinema. His credits include Road to Perdition, The Revenant, Ford v Ferrari, Maestro, Killers of the Flower Moon, A Star Is Born, and A Complete Unknown. He is also a member of the Academy of Motion Picture Arts and Sciences (AMPAS).

Credits

Awards Producers

• Matthew Moriarty

• Kristin Petrovich

Director

• Zak Holley

Post Production

• The Hemingway House

Producer

• Kimberly Fischer

Associate Producer

• Madison Matuszewski

Writer

• Matthew Moriarty

Camera Operators

• Chris Metcalf

• Gene Huelsman

• Taylor Weiss

Teleprompter

• Donald Frye

Panavision Production Team

• Ed Martinez

• Hector Moreno

Awards Still Photographer

• John Vincent Vogt

Audio Technician

• Cole Ryden

Voice Talent

• Katie O’Grady

Social Media Producer

• Ashlie Sotelo, Your Voice Social

Publicist

• Victoria Elder, Victori Solutions

Tribute Book Layout and Design

• Stephanie Cameron Sponsorship

• Kristin Petrovich

• Jeff Victor

Editors

• Alex Hemingway

• Andrew Michel

• Avrajit Mukherji

Field Production

• Tim Kane

Finances

• Angela Delgado

Atlanta Watch Party

• CineMoves Movie Ranch

Los Angeles Watch Party

• CHAPMAN/LEONARD

New York Watch Party

• Jules Rico, Producer

• ARRI Rental

Special Thanks

• Zak Holley

• Holley Video

• Tim Kane

• Hector Moreno

• Panavision

Florence Pugh on the set of THUNDERBOLTS*. Steve Swisher, courtesy Walt Disney Studios/ MARVEL