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Ref.: • viet-9

For 4 decades, Patrick Levet has been involved in the propagation of Vietnamese martial culture. It is now time to move on to a more precise and detailed description of this form of combat, but also of its various forms of evolution which are the Vật de Vovinam Việt Võ Đạo and the Vật de Vovinam Integral. With this new DVD, Vietnamese Vat is presented in a completely new way. Instead of simply filming the techniques of the official program, fixed and without real application, Vat is shown in its traditional form detailing its main aspects (dress, refereeing, ritual, techniques, counter-attacks, tactics), its technical evolutions, as well as its differences, demonstrating why such evolutions occurred. This discipline is completely unknown to the general Western public despite being thousands of years old. The art of Vật is composed of hundreds of techniques and variations. However, the Vật techniques in Vovinam Việt Võ Đạo do not represent the proportion they deserve, only 28 techniques, despite the fact that the Founding Master was a Vật fighter. At Vovinam Integral we have tried to remedy this by adding many traditional Vật techniques, with over a hundred attack techniques (takedowns and projections) making up the overall program. To that we must add all the counter attacks for each takedown and projection technique as well as the defenses once on the ground. All this is complemented by all the techniques of compression, arm and leg locks, strangulation and choking, immobilization and controls, many of which are drawn from Jiu-jitsu, as is already the case in Vovinam Việt Võ Đạo.

All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Shihan Carlos Garcia, founder of Kempo Aiki-Jutsu, practitioner, Master and eternal apprentice of martial arts, and representative for Europe of GGM Jack Shamburger of Hawaiian Kenpo, makes a complete introduction to his system, which arises from the fusion of three main martial arts, Kempo, Aikido and Ju-Jutsu, with influences of Karate, Wing-Chun, Kick Boxing, etc.. From his hand we will know the 1st Kata of the style and some of its main Bunkais to enter directly with one of the pillars of the system, self-defense. We will analyze in detail situations of defense against chest grabs, direct punch attacks and combinations, with variants, from the guard, or incorporating controls and dislocations typical of Aikido, defense against basic kicks (Lowkick, Mae Geri), ground work (JuJutsu and Judo), 3 chained techniques and finally a sample of Kali work, defense against attack with stick. A program in constant evolution in the part of self-defense, incorporating and discarding movements to improve, but at the same time very traditional in the part of Aikido and Kenpo, to maintain its initial essence. "I want to tell the new generations to learn as much as they can, from whomever they can, and above all to respect all practitioners and Masters, no matter what their style or lineage. If you like something take it, if not, let it go."

Ref.: • KAJGC1 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

ne of the fundamental books in my youth, “The Master Game”, by Robert S. De Ropp begins with a quote: “Thomas Szaz established that what people really need in life is not wealth, comfort or estimation, but games worth playing.” Japanese, on their part, bequeathed us the idea of "Do wo Raku", something like "having fun with the Tao". The Western version of this idea has been adulterated by our modern way of life and translated as "having hobbies". But in reality, hobbies are just a substitute for what De Ropp proposes in his book, a relief that fills holes, avoids complete laziness and postpones the nihilism that sooner or later knocks on the door of the average westerner. The purpose of life is undoubtedly one of the favorite themes of philosophy of all time. One of my professors, however, summed it up bluntly: - “The purpose of an apple tree is to bear apples, that of Tucci's will be to bear tucciapples” - Every human being, from his or her very DNA structure, is unique; just as any snowflake, we possess an unrepeatable structure, nonetheless, we all tend to "fall" in an irretrievably equal way. Being is one thing, now doing is quite another. Society and education tend to equalize us, and put sticks in the wheels of our nature, and there are not a few those who, unable to achieve their own identity, dive into the rough waters of the flock, limiting themselves in their

lives to eat, crap, sleep and reproduce (or at least entertain themselves with the mechanism thereof). What gives added value to the life of each one of us, is the effort with which we are able to give ourselves to something greater than us, and there an order of values is also immediately established. But is there something greater than ourselves? Transcending our limitations, in whatever form, is inscribed in the DNA of the species. The idea of surpassing ourselves, whether physically, emotionally or mentally - that is, the evolutionary impulse -, is a push that, despite it comes standard in all beings, it doesn't express itself in the same way in every living creature, and certainly not in humans. Being consumed by a "dream" is certainly putting something external above us. Many have fulfilled this task in history and have bequeathed us great firm points on which we have been able to support the evolution lever, people who were bor n to make a difference, so that their contribution would mark a before and after in mankind. However, from a personal view, these achievements didn't necessarily mean for the protagonist a personal change, or a substantial increase in his personal evolution. Beyond fulfilling their purpose in group schemes, for many it may have meant even losing themselves. Great artists bequeathed their works only thanks to their stubborn self-destructive behavior, and there were not a few humans who sacrificed themselves in the achievement of their dreams.

“Mystery is nothing but the anteroom of the invisible, and in that eagerness to decipher the undecipherable is where we all really choose the game we are going to play in this life.”

True, while fulfilling our personal destiny in this world is a universal command, the fact remains that, as individuals, whatever we do, we all have to face the idea of mystery and position ourselves before it. Mystery is nothing but the anteroom of the invisible, and in that eagerness to decipher the undecipherable is where we all really choose the game we are going to play in this life. None of us are exempt - quite the contrary - from effectively fulfilling one by one all the miserable obligations of the everyday like paying bills, sorting out our place in society, maintaining healthy and enriching relationships, etc. The fact that we are unable to see the wood because of the trees, doesn’t mean we have to accept being blind forever! The downside of a rat race is that even if you win, you’ll still be a rat. Spirituality knocks at everyone’s door sooner or later, and when I say spirituality, I don’t mean religion. Spirituality knows no distinctions, it is one, and its wrapping is only cultural arrangements. Spirituality is the quest to understand and interact with the invisible, the subtle world with its mechanisms and multiple "hocus-pocus Alagazams", an understanding that although in front

of our physical eyes can remain hidden, it's never foreign to the most sensitive and determined seekers. We all go through stages in this becoming: the first is that of the sleeper; a puppet directed from the outside, without internal goal nor real will. The second: The seeker, who understands that he is asleep and opens his eyes to knowledge, and begins his learning path. And the third: The Master, who has walked with his feet along the path and has managed to establish an unequivocal and personal bond with the invisible. Years ago I wrote that there is no adventure like the adventure of consciousness, no planet or discovery more spectacular nor achievement more valuable than discovering the invisible world, and then, our place in all of it. If there is a game worth playing, it should contain these ingredients; then, let everyone make the recipe as they want, or can, because if many are called... few elected. Always remembering that being above the pyramid will not make us bigger than others, on the contrary, the stones above are always much smaller.

“Years ago I wrote that there is no adventure like the adventure of consciousness, no planet or discovery more spectacular nor achievement more valuable than discovering the invisible world, and then, our place in all of it.”

Today we bring to the cover a Budo classic, Grandmaster Martin Sewer with a double article. In the first one, he will take us into the secrets of his style of Kung Fu, Hung Gar, of which he is committed heir to the lineage of Grandmaster Chiu Chi Ling, whom we all know for his facet as an actor (Kung-Fusion and many others!) and for his Martial category. Dai Sifu Sewer, who follows his work from his native Switzerland, wanted to share with you in this new video that we present today, a classic style of Kung Fu "The White Crane" Pak Hok Pai. In the second part of the article he reflects on one of the issues, that after the pandemic, all those in this trade have been questioning, social networks and their use in our industry.

The legend of the white crane and how everyone can learn it today The crane is a graceful animal. With a white feathered robe, one moment it stands there like a ruler, guarding its territory. The next moment it swings its wings and moves on with lightning speed. Even though everyone has a clear image of this elegant creature in their mind, at least since the movie Kung Fu Panda, it is difficult for most to imagine this large bird in a fight. How does a crane actually fight when threatened? Attention spoiler: Not like in Kung Fu Panda.... The ancestors of Hung Gar Kung Fu, who carried the art from Shaolin, knew exactly how this animal fights. Because the inhabitants in this time had to keep the crane, just like other bird species, away from their fields because otherwise they would have pecked the seeds. This, of course, led to "fights" with said animals. Like all animal styles, the crane style was created by studying the strategies and tactics of the animal during a fight and transferring them to humans. Some with little success, others with very impressive results. So impressive, in fact, that we still practice the most proven styles today. Each animal style, as the name suggests, comes from an animal and has its origin story. However, the Crane style offers probably the most detailed in this regard when it comes to its origin:

Fong Wing Chun, daughter of a famous martial artist in the 17th century, was tilling the field. Fortunately, her lands had often been spared from seed-picking birds. On that day there was only one, a crane, which turned out to be a particularly stubborn contemporary. At first she did not notice the crane at all. Once it landed on the ground, it even seemed to wait until she paid attention to it. Fong Wing Chun paused her work and approached the bird. "What do you want! Shoo, away with you!". The crane, knowing that she was now paying attention to him, answered her question by beginning to pick up the justsown seeds from the field soil. She did not hesitate for long, grabbed a long stick and began to poke and strike at the bird. Skillfully, the crane not only dodged the attacks, no, it even managed to pick up the next seed during each attack. Fong Wing Chun, an experienced martial artist, was impressed by the animal's technique and continued to attack, watching the crane more and more closely. When the bird was full, it finally let go of her and the seeds and flew away confidently. A stunned, but at the same time fascinated martial artist was left behind, who from that day on would intensively study the animal's techniques and strategies. A beautiful story, isn't it? The crane style ("Hok Pai", or also "Bak Hok Pai", in German "White Crane Style") is said to have this legend as its origin story. Whether it is true, unfortunately, no one knows today. Depending on whom you ask, the crane in the story was even the god of all cranes personally, who wanted to convey this knowledge with full intention. Some Kung Fu schools have therefore even listed the crane god in their family tree, in the form of a drawing. At the latest from there we must admit with today's knowledge, however, of course, that at least a part of the story belongs, as already mentioned, to the realm of legends. However, it is a fact that our Kung Fu ancestors actually copied animals and transferred their fighting techniques to humans. This also resulted in the five animal styles, which have stood the test of time and are taught in my school today: Tiger (associated with the element of fire) Crane (connected with the element wood) Snake (associated with the element Water) Leopard (connected with the element Metal) Dragon (associated with the element Earth)

Mastering all these animal styles (and the elements that go with them), one is a perfect human being, say other Kung Fu legends. My students often hear from me that we will be imperfect as long as we are human. Nevertheless, the philosophy of a true warrior is to constantly strive to improve oneself and achieve perfection. Even though the knowledge/skill of the five beasts belongs to advanced levels, four of the mentioned styles are accessible even for beginners in the form of seminars. At least in my schools. Eager students of course not only get a deeper insight into our Hung Gar, but also learn at the same time the first fighting techniques of the respective animal style. Often new students come to these seminars with very strange ideas, probably we have the film industry to thank for this, but of course we can then always show the true benefit of the techniques with a few examples. The most expressed feedback: "I didn't think that these techniques could be so efficient...!". Those who have been following my team and me for a while know that we are sharing our valuable martial art not only with our local students, but more and more internationally and digitally. The latest course, which we have uploaded to "eKung Fu" for all to access, is one of the most comprehensive online courses we have published to date and deals precisely with the aforementioned Bak Hok Pai, the white crane style. Based on

“Even though the knowledge/skill of the five beasts belongs to advanced levels, four of the mentioned styles are accessible even for beginners in the form of seminars. At least in my schools.”

our long-standing friendship with the editor of this magazine, said course is even available on Budo International. Because no matter if you live out of reach of one of my schools or if you can't leave your home due to current restrictions: There are now no obstacles to learn the original Bak Hok Pai, White Crane style. And those who want to broaden their horizons and improve their skills will do just that: Let the white crane (and thus already a fifth of the essence from Shaolin) land on his field. Nowadays, everyone has a cell phone. I realize this again and again when I look at the people passing by while having a cup of tea in my favorite restaurant in Zurich. I didn't realize it for a long time, but with all those heads staring down at a cell phone screen, it's actually quite obvious: as a school dedicated to spreading the martial arts and wanting to be economically successful, you want to be present on all those numerous screens. Posters? Posters? Flyers? The heyday of these media is long gone for us martial artists. At least that's what my team and I think.

Sure, big companies with big advertising budgets are still present there. But as a Kung Fu school you have to think differently. Like a warrior who has to use the available resources optimally. The global restrictions of the last two years, especially the lockdown, made me change my thinking. Being forced to temporarily close our schools, my team and I also had a lot of free time, which we invested online. We created over 100 recorded lessons, which you can still watch today on our YouTube channel. Numerous Zoom sessions followed and last but not least, of course, we founded e-Kung Fu - the pioneering platform for martial artists around the world. However, when we were allowed to resume teaching on site (it was literally burning under our nails) we had to rethink again: the usual craft took place again and needed the usual hours per day. On the other hand, the "online work" that we had built up also had to be continued, in our opinion. What resulted after a lot of thinking and restructuring was a kind of guideline, which I would now like to share with the worldwide martial arts community via this article:

Tip #1: Yes, you too! If you are already convinced that social media is indispensable in the martial arts industry, you can safely skip this point. Otherwise I have to tell you: Yes, you should also take care of this topic for your school. Let me briefly explain why. As the principal and teacher of a traditional martial art, you may think (as I used to) that as a master of a face-to-face craft, you don't have to change anything in the concept and that

the point is not to invent something new, but to preserve something existing. That's also true, nothing should be changed in the art itself. But the way and where we draw attention to the advantages of our teaching should be in line with the current zeitgeist. Covers of paper magazines on newsstands, posters on the walls of side alleys, handing out flyers...all long outdated by clicks, likes, online ratings and screen time. Want your school and your art to outlast yourself? Then you can't avoid learning the "new advertising language" and being where people and potential students are spending their time today - on the web.

Tip #2: Have a plan! During the enforced closure of my schools, I was fortunate that a few of my students took an interest in social media and immediately got up to speed on the ground rules. (Even though I myself have realized that "online" is the new way to go for promo, I still have very little interest in the subject matter. For 90% of the platforms where my school can be found, I don't even have my own profile). Our team quickly realized: we need a strategy. We need a plan. Because anyone can just vie for attention. Many people try. But it only helps in the short term. What does your school want to say? What is your story that makes you stand out from the rest? With what cadence and through which channels do you want to spread your message? All questions you should have an answer to before you get started.

Tip #3: Be prepared for anything... ...which can mean that tomorrow your carefully laid plan has to change again. Before lockdown, I was someone who liked to do tedious things quickly and thoroughly so that they would then stay done for as long as possible (or even forever). Example: Creating a website. My thoughts on it at the time: Costs a lot

of money. Actual benefit: Unclear. At least back then in the 2000s. My approach today: There are things that have to change constantly and therefore become an issue again and again. This includes a website, a YouTube channel banner or maybe even the own, decades old proven school logo. The reason is that online everything simply runs much faster than some "real-life" processes and most people are used to this. Therefore: Stay in constant change online (and to a certain extent elsewhere).

Tip #4: Be honest with yourself... ...and only do what you can really do. It is quite possible (and even very likely) that you can't do a lot of things regarding social

media. You belong in front of the camera as a teacher at your school. Let someone film who is good at this, enjoys it and is willing to learn. Good posts on Facebook? Let someone do that who actually has a knack for it. And so on... Of course, it's always possible to get professional help for this. Costs money. Sometimes even a lot. But sometimes it's worth it, because you and your resources can take care of the actual craft.

Tip #5: Use the community! As a martial artist, you are automatically in a martial arts community. We may not always realize this today, but without partners, teachers, and fellow students to grow with, practicing a martial art is not possible in the long run. Online, it's a bit like that, too: You can go a certain way "on your own," but in the end it's the collaborations between different people that really make a difference. From interviews with students, joint photo sessions, live broadcasts with other masters, to online seminars, anything is possible. The important thing is that you collaborate with others and both sides progress, across style boundaries. Because, and with these words I would like to conclude, in the end, more connects us martial artists than separates us.

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Nowal s oavai l abl e mont hl yi n Rus s i anl anguage! www. budoi nt er nat i onal . c om

Christian Wilmouth R.E.D TRAINING CONCEPT AND METHODOLOGY The problem of assaults with cold weapons “Defenses against white weapon attacks, and in particular knives, have long been a sour ce of fantasy for practitioners and teachers of martial arts and self-defense. Faced with the plethora of suggested 'solutions', all practitioners must keep in mind that, most of the time, they will be touched by the first stabs and, if they still keep their fighting ability, then it will be time to SURVIVE!” Christian Wilmouth INTRODUCTION: Between myth and reality, an alarming observation Today, we can no longer count the number of systems or instructors who “pretend and sell” miracle solutions to survive in a stab fight…. These people, most often from codified and dogmatic disciplines, hold self-righteous and moralist speeches (simply repeating what they have always heard ...) with the aim of making their teaching credible, such as: “When faced with a knife, the best solution is to escape” ... “Our techniques are based on feedback.” Or again: “Our techniques are used by (famous) interventions groups”, etc. ... In this case, these arguments contain an element of truth

Christian Wilmouth which could give them a certain legitimacy, but at the same time, these same people offer technical solutions that are most frequently obsolete or worthy of the greatest “magicians” … Our studies “of the contexts”, in which the solutions they propose (and that according to them would be restorable) demonstrate that almost all require the ability to anticipate the aggressor’s gestures! However, all the analyses clearly show that the majority of attacks with knives are carried out by surprise and therefore leave very little room for anticipation. All this shows how far they are from the harsh reality of a stabbing attack…. “Most of the options offered these days are in total 'disconnection' from the contexts that surround the vast majority of attacks of this type. There is a huge gap between the solutions most often suggested and reality…. For example, we would like us to believe that it is possible to determine the trajectories of an object as small as a knife and to oppose a specific solution for each one whereas it is already difficult in a real situation to determine that of a punch… Look for the mistake… The worst part of all this is that these same systems and teachers are therefore fundamentally dangerous because of the inappropriate content they transmit…” Christian Wilmouth

LET'S TRY TO UNDERSTAND ... Among the issues to take into account when talking about knives are ease and low cost of acquisition and ease of concealment. It is important to understand that knives are an integral part of everyday life. At home, in restaurants, in bars, in supermarkets, in souvenir shops, on the Internet, etc., everyone can buy one today. Knives

Christian Wilmouth “Nowadays, attacks with knives, razors or screwdrivers occupy almost daily the headlines of the regional, local and even national media around the world.”

have been a part of everyday life for centuries. Who has never cut themselves with a knife, cutter or other similar object? Today, who has not seen a movie showing the damage caused by a knife? A common object, but also a dangerous one, it is present in the collective imagination and has fed fantasies and fears since the dawn of time ... Nowadays, attacks with knives, razors or screwdrivers occupy almost daily the headlines of the regional, local and even national media around the world. In most cases, the attacks reported have resulted in the death of those attacked or, in the best of cases, fatal or irreversible injuries ... All studies show that 90% of victims of stab assaults did not see the weapon and often did not realize at the time what was happening ... Sometimes it is even reported that they did not feel the cut or the penetration of the blade, and only the sight of blood made them realize that they had been attacked ... Statistics also show that NOTHING IS WRITTEN ... some people who received a single stab died while others, after multiple stab wounds, were lucky enough to escape alive .... We also know that only those who showed great determination and had some luck were able to limit the damage and sometimes survive. In any case, if the first knife attack has not taken away all the ability to defend yourself, and you are determined to survive (a mental factor that varies greatly from person to person), then it is time to start a defense "process".

R.E.D TRAINING and Bladed Weapons A module based on in-depth analysis and in and years of experimentation R.E.D TRAINING's “Weapons” module was designed after 15 years of research and analysis of more than 300 actual videos of knife attacks that were dissected, second by second, sometimes dozens of times. Each of them was studied in depth to determine which "attackerattacked" behaviors and interactions led to a survival outcome for the attacked person. But we are not satisfied with "analyzing" ... we reproduced with the maximum intensity and realism all the studied patterns, sometimes at the cost of our own safety, in order to finally be

Christian Wilmouth able to model a training concept that would optimize the most appropriate "behaviors" for the survival before a knife ... After all, there is only one conclusion ... The beautiful technique certainly flatters the ego, but it has no place in the "real" world.

One analysis among many others "Escape, a" silver bullet "? Any self-defense teacher worthy of the name should encourage their students to flee from contact with an armed assailant. This is obvious, but is it always doable? Our analysis and experiments lead us to say: Beware!!! In many cases (3/5) the flight will not be possible, or it will simply not be the solution adapted to the situation. One thing has alerted us in the videos analyzed. More than half of the people who were able to escape were caught by the assailant ... There are three main reasons for this. The first is that the attacker is faster or more determined than the victim. Second, the environment was not conducive to a quick getaway, leaving the possibility for the assailant to retur n to Contact. The third reason is behavioral ... the attacker, when fleeing, saw the knife and in his flight he tries, looking back, to maintain visual contact with the knife, making his career random and favorable to the fall ...... And these few examples, putting a question mark on the escape solution, do not take into account the cases in which it is accompanied, etc. So escape YES, but you have to bear in mind that it is only one of the survival options before a knife ... Faced with this finding, RED TRAINING is organized mainly around the Combat

option, since the principles that make up the Distance option can only be applied (according to our studies) in 10% of the cases ...” Christian Wilmouth

STRUCTURE of the R.E.D TRAINING edged weapons module Introduction: "I start from the principle that defense processes should not be intellectualized and, therefore, technical, but should appeal to reflexes and primary instincts, as well as to the foundations and fundamental principles that make up the “combat” (refer to the pedagogy of the SIA of the Concept). The training processes should generate uneasiness, a permanent lack of comfort to stimulate the adaptation capacities. The constant randomness in the stimulation modes during training is an absolute necessity because it is necessary to resonate on all in terms of objective and not of technical structure, and this simplifies and facilitates restitution. It will also be

“The training processes should generate uneasiness, a permanent lack of comfort, to stimulate the adaptation capacities.”

Christian Wilmouth necessary to develop the determination of the practitioner because there are many factors that can influence this "struggle" to stay alive in one way or another, and it is in this factor where more than 50% of the result lies. But be careful, never forget that in most cases you will be harmed by f more or less serious form whatever the defense process that applies...” Christian Wilmouth.

DISTANCE option and COMBAT option The 2 components of the R.E.D TRAINING program on edged weapons - The DISTANCE option of the R.E.D TRAINING program consists of the following topics: . Avoidance exercises . Exercises leading to the use of strikes with the long segments, the legs . Exercises that lead to the use of the mobile environment formed by all the objects that allow delaying contact with the aggressor, tables, chairs, bags, bicycle, etc. . Exercises that lead to the use of the fixed environment formed by all the objects that cannot be moved only by the force of the human body, urban furniture, trees, cars, etc.

- The COMBAT option of the R.E.D TRAINING program consists of the following topics: . Determination exercises that lead the practitioner to come into contact with the aggressor . Exercises to control the aggressor's armed arm . Restraint exercises on the attacker's sword arm . Unconventional percussion exercises, head, shoulders “This is, of course, a simplified presentation of our program on this topic, but our training solutions are among the most pragmatic available. Priority is given to direct experimentation and the development of the practitioner's adaptive capacity. Above all, setting a global goal and letting it express itself in the way of achieving it. In this approach, the technical aspect itself hardly exists and the "beauty of the gesture" has no place. The advantage of this methodology is that each person. Whatever its morphotype, it can approach or reach the set goal and appropriate its content because 50% of the solution already resides in it. Once the goal is reached, it is about increasing the level of tension and realism in the exercises, in order to get as close to reality as possible while maintaining an optimal level of security thanks to a specially designed pedagogy.” Christian Wilmouth. To discover and experience our approach to this topic, feel free to participate in one of our courses.

Sifu David Delannoy presents his second work, focused on Jeet Kune Do and Self-Defense and built like a puzzle. It highlights and puts into practice some very important points in self-defense, such as the three phases of an aggression, body movement and shifting, opening of the visual field, response to an aggression according to law, physical destruction, vital areas, etc. With respect to the doing away of the physical threat, one of the essential principles of the Philippine martial arts is applied: the overriding of the attacking member and the importance of immediate responding to an aggression immediately when they hit us. Our response to aggression is simply proportional and immediate to the attack. Then, we configure the puzzle by adding elements depending on the development of the situation. Sifu Delannoy explains in detail the vital points and essential areas, the pinching, how to protect against a boxer, displacements and visual field, protections and destructions against simple attacks, reactions to strangulations, grips and headbutting, how to use the attacker’s body as a shield, defenses against stick and knife attacks, the use of everyday objects to defend ourselves. In case of aggression, respect for life, lucidity and survival instinct are necessary parameters that make you make good decisions.

Ref.: • DeLJKD-2 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Learn the Nerve attacks of Kyusho in this important video that is a follow-up for the 6 Ji Hands (of the Bubishi) film. In that film you were shown the 6 Original Hands of Shaolin, their proper use and the Kyusho (Vital) targets that cause paralysis, dysfunction and incapacitation of an opponent. In this video we help you learn Kyusho and the 6 Ji Hands to a higher degree of skill with simple training exercises. These exercises will increase your skill with Kyusho, as you learn to transition from hand to hand, side to side, target to target. By training these slowly at first, then with ever increasing speed these 6 Shaolin Hands will become automatic and devastating to your opponents. These same 6 Hands were taught long ago in an ancient sequence called “Rokkishu” (6 Hands) and now from a more modern adaptation called “Tensho” (Turning Palms), it is the exact way to penetrate deep into the inner man to access the Kyusho (Vital)Targets. You will learn the Tools, Targets, Trajectories, Tuite and Tegumi from the Original Shaolin methodology. This is also Vital Information on the secret meanings of the Ancient Bubishi and Karate itself. It will help you understand the Keys to unlocking the hidden code of that epic manual and base of Martial Arts. “The Power is in Your Hands”. - Evan Pantazi

Ref.: • KYUSHO29 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Gracie Fundamentals is our beginner program for adults. In this program, you will learn the 36 core techniques of Gracie Brazilian Jiu-Jitsu in an safe and cooperative environment. Each one-hour lesson addresses one standing and one ground self-defense technique. You can start the program at any time, without previous experience and, since safety is our number one concern, there is no competitive sparring in this program. Upon successful completion of the Gracie Fundamentals program you will earn your Gracie JiuJitsu Blue Belt which will qualify you for advancement into the Gracie Advanced program. Although Gracie Jiu-Jitsu consists of over 600 techniques, studies of real fights conducted by members of the Gracie Family have shown that 36 techniques have been used more often and with greater success than all the other techniques combined. You need absolutely no experience to start this program. Our welltrained Gracie Conceptsinstructors and school partners conduct all classes in a cooperative training environment and are committed to ensuring that every new student has an informative, enjoyable experience regardless of age, gender, or athletic ability. 80 min.

Ref.: • vaciR6

ORDERS: Budo international.com

Guro Delannoy The respect for life in the martial arts All living things share something most precious: life itself.

Whatever the species, animals will go to any extent to protect their lives. They will adapt to their environment and develop incredible strategies to avoid predators and survive as long as possible. Similarly, humans have developed weapons, and also empty hands techniques for situations where no weapon is available. Martial arts have thus become very useful tools to help human beings defend their lives when threatened. Every country has created their own efficient ways to pr otect and defend their people against attacks. And during centuries, commer cial exchanges have spr ead this knowledge worldwide. Later, internet boosted the communication between the different martial arts systems.

Guro Delannoy

“Every single combat system has only one purpose: preserve the defenders’ life, or during a war, save innocent lives.”

ven lost and forgotten arts have been revived by passionate internet users, for example by questioning old people in countries like Cambodia. Indeed, most Cambodian martial arts masters were killed during the purge of the Khmer Rouge regime. But through rigorous research, some of the master who survived could be found again and helped revive the lost arts. This is an example of the beneficial interaction between teachers and practitioners of the different fighting arts. However, in this ever growing communication and marketing around the martial arts, there is a position that must never be promoted. It has never been emphasized by the masters who created the current styles, and must never be. I am referring to taking lives lightly and killing for pleasure. Every single combat system has only one purpose: preserve the defenders’ life, or during a war, save innocent lives. In no way these systems were created to assassinate innocent victims. I believe everybody will agree to this position. If so, how can we condone the growing number of videos from practitioners staging extreme violence? To me, the purpose of these videos is to attract

Guro Delannoy

followers and pretend through the violent display that the arts which are shown are superior to others; that is why some practitioners will stage their techniques into “slaughter” of their opponents, stabbing them repeatedly with knives obviously without any intent of sparing life. These videos are spreading on internet, supposedly to answer the ultra-violence of our time. Maybe the violence is increasing worldwide, but does this justify to answer violence with even more violence? Having only in mind to kill whoever is attacking us is not the way to use fighting techniques created for defense. Of

course, it may happen that taking a life could be the only way to save ours, but in most cases inflicting non-lethal wounds will be more than sufficient to escape. Why continue going after a wounded opponent when our life is no longer threatened? Wouldn’t that be the sign we are becoming as dangerous and evil as the criminals who attacked first? As previously said, our life is our most precious asset. But other’s life must also be respected and preserved just like ours. Repeatedly trying to kill finally only reflects our own disregard for life in general. Which is absurd, since life

Guro Delannoy only works as a whole. Humans cannot survive alone, without their fellow people, and without all the other species sharing our planet, which have fed and helped the human race throughout its development. Let’s not forget the crucial role animals of all sorts played in our survival, such as the horses for plowing and then for fighting and travelling. Unfortunately, humans tend to forget those who helped them. They also tend to forget the values which are taught in the martial arts, exhorting us to never use violence excepted when strictly necessary. Such extreme use of violence must be only temporary, and aimed at saving our life while sparing others’. Where are now these principles taught by all the grand masters? How is it that violence is permanently displayed in some systems, with the intent to impress the practitioners, making them feel invincible, even encouraging them to look for trouble where we should always try to avoid conflict whenever possible? Unfortunately, humans tend to forget those who helped them. They also tend to forget the values which are taught in the martial arts, exhorting us to never use violence excepted when strictly necessary. Such extreme use of violence

“If we only teach wanton violence and hatred as solutions to our students, we will create monsters who trample all the noble values normally acquired in all legitimate martial arts schools.”

Guro Delannoy must be only temporary, and aimed at saving our life while sparing others’. Where are now these principles taught by all the grand masters? Every life is sacred. That is why leaving instead of fighting, when possible, is the first rule in case of an aggression. The outcome of a conflict is never known in advance: even the best fighter can get killed. So why should we take the risk when we can just avoid it? If we only teach wanton violence and hatred as solutions to our students, we will create monsters who trample all the

“Peace is possible if people try to emulate the fighting monks, using martial arts only to protect and defend life.”

noble values normally acquired in all legitimate martial arts schools. These very values who respect the soul of the discipline transmitted since the founding masters. In that respect, requiring that students carry a weapon in order to defend themselves when going out is totally irresponsible in a society where law enforcement is actively promoting safety. Carrying a weapon means becoming an offender and risking legal issues, instead of bringing any help to the system. Some will say that carrying a weapon does not necessary mean using it. But they forget a very basic evidence: when we carry a weapon our behavior

“Some will say that carrying a weapon does not necessary mean using it. But they forget a very basic evidence: when we carry a weapon our behavior changes.”

Guro Delannoy changes. For instance, carrying a knife when meeting aggressive people will make us more confident; we may no longer want to avoid the physical confrontation, whereas without a weapon we would probably use any pacific way to avoid fighting. This is also the proof that by adjusting our behavior we can in most cases avoid trouble and

remain unharmed. This attitude is just natural in the animal world, and should be a reflex for us in order to preserve our health and our everyday life. As teachers, we should be models for our students and not try to make them violent and reckless. On the contrary, teaching compassion and respect for life will make

students grow into balanced and peaceful human beings. The violence they may have to use will be temporary and not ingrained. Peace is possible if people try to emulate the fighting monks, using martial arts only to protect and defend life.

I remember this sentence I learned when starting Vietnamese martial arts: “being strong to be useful”. To me, this precisely sum up the goal of martial arts.

Gracie Concepts © “Getting the Masses into the Classes" Part 3 © Franco Vacirca Garcia In memory of GM Pedro Hemetério Araújo de Castro (1923-2009)

Around 1996, in about a year after the opening of our Gracie Jiu-Jitsu Academy in Zurich, we decided to start teaching Jiu-Jitsu to children and teenagers as well. My first student was the son of a friend of mine who lived across the street from the academy. His five- or six-year-old son Gazmend Amiti, was the first boy to enter our training area. One evening, Papa Amiti stood with him at the front door and asked me if he could come by with his son to watch a lesson. The father then said that his son often came alone in the evening after dinner with his parents - to watch us train from outside.

Ithought that was cool and when he asked me if I would also teach children, I wasn't sure at first if this was such a good idea since we had just started the academy. I explained to him that his son would have to train alone with me or with the adults in the beginning until more kids and teens would sign up. The father agreed with this suggestion and very soon little Amiti started Gracie Jiu-Jitsu lessons.

When I was training with Professor Pedro, I asked him how he would teach the children. He then just said that he didn't really make a big difference between adults and teenagers or children. He then also added that his lessons also, between man and woman, did not have a significant difference. In his opinion, everyone could learn G r a c i e J i u - J i t s u a n d t h e re f o re t h e re w e re n o b i g differences for him.

He asked me if I would teach children and teenagers, so I told him about my children's program, which I called Gracie Kids. I also told him what my initial difficulties were, since young Gazmend would have to practice with me and the adult group. I also explained to him that I was doing some fun exercises with him to help his concentration, coordination and overall agility and flexibility. Master Rickson Gracie and his friend Marcelo Behring had helped develop some of these movements to prepare for their fights. One of the experts in these "solo" exercises at the time, whom I had the pleasure of meeting in Brazil, was Master Alvaro Romano, who later developed the "Ginastica Natural" program from them. Before the "Ginatica Natural" came to Europe, my brother Demetrio, with his instructional video "Brazilian Jiu-Jitsu Conditioning", which we brought to the international market with Budo International, presented various exercises that, in our opinion, helped our Jiu-Jitsu students to perform better. The BJJC program helped to improve mobility, balance, endurance, stability, agility, and coordination. Some movements were made explosive, others slower and more

fluid. The goal is to make our body more rounded and supple so that it can better complete and implement the techniques of Gracie Jiu-Jitsu.

Jiu-Jitsu movements after physio training.... Admittedly, Demetrio's BJJC program also helped me at home when I was struggling with a chronic herniated disc a few years ago. This went abruptly, from one day to the next, and tur ned my entire life upside down. After numerous physiotherapy

sessions, and still being dependent on liquid cortisone, I made the decision to find my own way. This resulted in a personalized program where I went to regular full body massage, regular and professional swimming lessons, and various exercises that Demetrio included in his BJJ Conditioning program. The BJJC exercises are done with one's own whole body (or body weight). The "art" is to maintain the necessary flow so that the body can absorb the techniques, so there are no static exercises in the training. Yoga-like movements or flowing sequences such as the sun salutation are practiced by many Jiu-Jitsu practitioners.

Master Alvaro Romano also added so-called "Animal Moves". However, we focused on exercises that came from the jiu-jitsu techniques. So, we didn't want to create a new fitness program, but to offer a good complement and alternative to the usual warm-up program, which is the same in many martial arts schools (which consisted of push-ups, trunk exercises and jumping ropes, among other things).

The Gracie Kids in the beginning... But now back to our Gracie Kids program: since my little new friend Gazmend was practically alone with me on the training mat twice a week, we trained simple techniques from the stand and on the ground, but I realized very soon that for a child the most exciting thing is

"Wrestling". And so, it didn't take long for me to roll out more and more of this (almost formless) form of training with Gazmend. So, he had the possibility to learn the techniques - like already the "solo" exercises - in a flow and this was great fun for him and me. When I told this to my teacher, Professor Pedro, it seemed that he had also chosen a very similar variation, because he felt that this way, very quickly, at a young age, one does not have to be afraid of physical contact, something that must first be relearned by adults. For children it is easy, the distance is not a big issue for them, or at least for most of them. I was already as a young man big and heavier, and that a small boy was allowed to "brawl" with me and could even defeat me in a lever or strangle, that pleased the small Gazmend quite well. Even later, when a few more children were training, I did not change the

way of training much, because I understood that my success with the children, both male and female, was this relaxed Wrestling, which was always a lot of fun for everyone. The training was not only fun for the children. More and more often we had so many moms, dads and relatives in the Dojo that even the numerous spectator chairs were no longer enough, and they also had to sit on the Tatame. I thought about the possibility of charging an entrance fee, but it did not come to that. But instead, a few parents encouraged themselves to try Jiu-Jitsu training and so the academy grew healthily and faster than expected. To learn more about us, I invite you to visit our websites www.gracieconcepts.com and www.graciejiujitsu.eu... See you next month!

Avi Nardia begins a new series of works focused on CQB and high-risk situations. Some can be good shooters but bad fighters and it's preferable to develop the fighting spirit, not only teaching how to be good shooters, but also to handle aggressive situations to face reality and violence. To achieve these principles, acting with determination and confidence is essential. This first work explains in detail the regulations on the handling of the weapon, holstering and drawing the gun, ways of grasping the gun, loading, hand changes, changing magazines, one and two-handed work, covering and concealing yourself, shooting with precision while you are on the move, and shifting quickly and safely in conflict areas managing them proactively, not reactively. Avi Nardia Kapap Combatives takes us to the next level in realistic self defense.

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Guro Ariel Flores Mosses introduces for the first time, how the fighting arts of Punong Guro Edgar G. Sulite of Lameco, GM Christopher N. Ricketts of Ilustrisimo and GM Conrad A. Manaois of Manaois Eskrima transitions to Firearms combat training. Guro Mosses shares the Importance of footwork such as Retirada Ilustrisimo, Retirada Caballero and Hakbang Paiwas and the effectiveness of footwork to create the distances and angles you need to pull off your arsenal. Long, Medium and Close range drills are shown to understand where to place yourself against an opponet(s). In addition, Guro Mosses covers the transitional techniques thru various firearm drills including LIVE FIRE exercises and for the first time on DVD shares the "MG-5" gun retention technique against any attacker attempting to seize your gun. These training drills are a must for any level or discipline and reveals the practicality of the Fighting Arts of the Philippines.

ORDERS: Budo international.com

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When most people hear the word Kyusho, or the words Pressure Points, it is one of two things that come to mind ... Self Defense or a healing modality such as Acupuncture or Massage Therapy. In each instance, they are correct. There are some who focus mostly on the self defense aspect and other whose focus is more into the healing. I personally know of several people who trained with me and became so excited about manipulating the Pressure Points for self defense that they enrolled in Acupuncture classes, Massage Classes and Chiropractic Classes. Each area of study requires extensive focus on the mechanics of the body and how the practitioner can "assist" the body into healing itself. This is not an end all be all and each patient must be accountable for their health and lifestyle habits. This video will focus on how we can use the same 5 points for both healing and self defense. This is where knowledge of anatomy, basic principles of motion, and developing a sensitive touch come into play. Pressure Points have multiple uses for both health and self defense and can be a great complement to one another. For each to be effective, the practitioner must develop a quiet, relaxed mind, which can assess each situation to hopefully bring about the result desired.

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Aikijujutsu and the energy axis (part 1) by Shidoshi Jordan Augusto

Every day more people from different schools and places ar e inter ested in knowing the concept of Ki within the Haragei vision, and especially its use in relation to martial arts. Before starting with the explanation, I think it is important to highlight that Ki should not be seen as a physical force of nature. Perhaps the best thing would be to analyze it from the perspective that observes it as a subtle, electrical, magnetic energy, a force field that flows like the current of a river, warm like steam or some other type of subtle energy. When we look at it with depth and pragmatism, we see that this energy has qualities in common with all these factors and can be felt differently and in different situations. Let's see it in the case of Aikijujutsu: Once we start a movement together with Uke, there are many variations that the latter causes on the energy level. This can be easily seen when we practice with a beginner and we perceive his body hard and rigid due to suspicion, fear ...

Great Masters

Japanese Tradition Let's think of Uke's Ki as a bodily chemical principle: Chemical equilibrium is a reversible reaction, in which the rate of the forward reaction is equal to that of the reverse reaction and, consequently, the concentrations of all participating substances remain constant. The degree of equilibrium varies with temperature and concentration and, if the equilibrium contains a gaseous participant, it also varies with pressure. However, if we observe the opponent's Ki, once it is already dominated by us, it is the same as if we analyze it analogously as the reverberation of a sound ... Sound is known to be nothing more than a succession of compression and rarefaction waves that propagate in air and other

Great Masters

Japanese Tradition materials. Experimental studies have revealed a curious fact: the speed of sound in air is independent of air density, and is the same both at sea level and in the atmosphere. To do this, we must remember that air is made up of an infinity of molecules, which move erratically in space and at speeds that increase with temperature. When a sound compression wave is emitted, say, by a tuning fork, the air molecules closest to its bars are pushed in the direction of movement, and, when colliding with other

molecules, further away (in the next thin layer of air), communicate to the latter the impulse received by the tuning fork bars. These, in turn, push the molecules in the next layer and so the compression propagates through the air, forming a sound wave. Since air molecules must travel a relatively long distance (the so-called free path or mean free path) before reaching the molecules in the next layer, the speed of propagation is essentially determined by the thermal speed of the molecules.

“Once we start a movement together with Uke, there are many variants that he presents at the energetic level. This can be easily seen when we practice with a beginner and we perceive his body hard and rigid due to suspicion, fear ...”

Great Masters

Japanese Tradition “The expansion of Ki generated by the sudden accumulation of a small amount in a certain place, can cause a small injury in the tendons; in great quantity, the lesion, more serious, can be followed by fracture.”

In fact, the thermal speed of the molecules remains the same at the same temperature, regardless of the degree of compression or rarefaction of the gas. In analogy with Ki, the determining frequency of the degree of energy used by Tori will vibrate in constant reverberation once the Musubi - the unification - is made with the Uke. On the other hand, since the kinetic energy of the molecules is proportional to the absolute temperature, their speed increases in the direct ratio of the square root of the temperature. And what is true for the speed of molecules must also be true for the speed of sound. This can be analyzed in martial practice when a twisting movement in Ki Tomeru (examples: Kote Mawashi, Kote Hineri, etc.) does not allow the exit of energy from Uke's body, accumulating and causing an effect similar to an expansion of gases. The expansion of Ki generated by the sudden accumulation of a small amount in a certain place, can cause a small injury in the tendons; in great quantity, the lesion, more serious, can be followed by fracture.

Great Masters

An entirely different situation occurs when the speed of the object producing compression in the gas exceeds the speed of molecular thermal motion under given conditions. This happens, for example, when hot gases formed in an explosion displace the surrounding air, or when air is pushed sideways by the wings and fuselage of an aircraft or supersonic projectile. In this case, the thermal velocity of the molecules is not high enough to evade the advancing propellant, and the molecules begin to stack on top of each other, with a

consequent increase in density. We can see this when Uke trying to resist Tori's dominance over his inner strength. In the case that Tori uses an energy that reverberates contrary to the origin of the direction of movement, the formation of a sound wave occurs analogously in a case in which the propellant moves more slowly than the molecules; this is evident when Tori's momentum has a speed lower than the projection implied to Uke. It is easy to see that example in Judo matches where the competitor who applies the technique frequently shouts

Japanese Tradition seeking thereby to expand the inner Ki, however sometimes even without the movement, it has in fact been executed. In the case that Tori yields to the energy from its origin and does not flow within a harmonic impulse, a formation of shock waves (stationary shocks) occurs when he, Tori, tries, to compensate, to move faster than Uke - to try to bring it down. It would be as if the propellants were moving faster. The highly compressed progressive front of Ki forms what is called a shock wave. Due to the increase in density, the shock waves have a corresponding increased pressure, which explains their destructive effects. This destructive power can be seen in Hidoi Aikijujutsu, where movements are performed in a straighter and more objective line, with sudden achievements that seek to increase injuries to the Uke's body. In the case of explosions, the expansion of the "KI" energies in this case "hot" - is delayed; the compression of the air is separated from the propellant and continues to travel as a shock wave. Thus, Tori, when executing a Hidoi Aikijujutsu movement, may or may not give continuity to a

technique after a moment of explosion, since that consequence alone would be enough to achieve the objective of incapacitating Uke. In the case of supersonic aircraft and projectiles, which move at constant speed, driven by their engines, the shock wave remains stationary relative to the moving body (that is, the wave remains attached to the body) and is, therefore, known as constant shock. The problem is that, in this case, Tori runs the risk of his energy oscillating with respect to Uke. Let's understand: A body executes a harmonic oscillatory movement, when it is linked to a position of equilibrium through a force, whose modulus increases proportionally with the distance of the body from that position of rest. If, analogously, we imagine a pendulum, when it oscillates with a small amplitude, it performs a harmonic movement. Harmonic motion can be obtained by projecting a uniform circular motion onto one of the diameters of the circle. Oscillations gradually attenuate. This attenuation of vibrations is a consequence of the loss of energy due to friction of the air. The oscillations are said to be damped.

Great Masters In the practical case of the Ushiro Morote Tekubi Tori, an oscillatory movement can be observed from the moment Uke is taken to one extreme to be then brought in the opposite direction. However, if the technique is not applied at the exact moment, Tori loses control of the energy, which will gradually damp the entire drive. However, when Tori resists that loss in the middle of the movement, we have a free vibratory system, which, once it is set to oscillate, executes its own so-called oscillatory movement. In the case that Tori allows this energy to also harmonize with the counter force of Uke, the amplitude in the case of resonance cannot become infinite because of friction and reaches only a maximum value. The friction forces cause a damping and counteract the unlimited growth of vibrations, because, ultimately, the energy supplied to the pendulum by the oscillatory stimuli per second is just expended on friction work, thus appearing, a stationary phase (regime). The presence of resonance can be quite detrimental in circular motions when the natural frequency of these axes becomes equal to their frequency of rotation. However, if Tori is really experienced and allows two vibrating systems to influence each other, they will both execute so-called compound oscillations, the frequencies of which are different from those of the two isolated systems. The natural frequency is, as we saw, the one that would have an isolated and free vibratory system. In the case of compound oscillations, the two systems continually exert reciprocal actions. Thus, we can understand that if the energy of a vibrating system is transmitted to another and, when the first system is at rest, it is canceled in the second, the first system will continue in this way, in equilibrium.

“However, if the technique is not applied at the exact moment, Tori loses control of the energy, which will gradually damp the entire drive.”

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Dmitriy Skogorev, leader of the Russian school Systema Sibirskiy Viun, presents in these 2 volumes a complete work on defense against gun threats, disarms and the use of the snatched weapon or our own. A structured arsenal of disarming techniques based on the basic knowledge of the biomechanics of the human body, its joint mobility, psychology and the properties of firearms, and which may differ from other combat systems. If these facts are not taken into account, there will be many contradictions in the execution of our actions. Skogorev explains in detail the ways of carrying and holding the weapon, the method of quick preparation for shooting, static and moving exercises, intuitive aiming, ways of disarming against pistol threats in various situations and distances (frontal threats to the head and abdomen, to the side, from behind, sitting on a chair,...), how to get out of the line of attack, protection of the weapon, elementary acrobatics with the pistol, and ground work. A work of interest to everyone who is engaged in hand-to-hand combat and the system of protection and work with a pistol. "In a real situation, relying on the skills learned many years ago in courses is, in my opinion, somewhat presumptuous. Skills need to be improved constantly." D. Skogorev.

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In this 5th work, Sifu Salvador Sánchez presents a small sample of what is practiced at the TAOWS Academy headquarters. "We have often tried to show some of the innovations in practice and in the teaching method. And of course, we have received praise and criticism alike. For a short time, we think that the best option is to leave only for those who come to our formations and trust us the depth of practice and the details. Most probably we are not aware now of the great advance in the study of the system, but I am very sure that in a few years, many Wing Chun practitioners from different branches will "copy" These ideas to show your students and schools. Those who think about the good of their students will benefit from them without any prerogative in return. Something that many do not understand is that for those who form TAOWS Academy, practice is the most important point of how much we do. It is the passion for Martial Arts that keeps us on track. The video contains the execution and applications of Siu Nin Tao, Chum Kiu Tao, Biu Jee Tao, Muk Yak Chong, Six & Half Point Pole, Bat Jaam Dao forms, and ends with a complete and interesting report on the study tours of the Kung Fu in China, with the participation of various local teachers. 63 min.

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Thai Pads: the best tool to forge a Muay Thai fighter’s arsenal By Marco De Cesaris Working out is a crucial element in every Muay Thai Boran practitioner’s instruction, in order to reach and maintain a superior fighting shape. Learning to perform the techniques without having the physical and mental attributes to put them into practice effectively is an unnecessary waste of time. Too many martial artists limit their training sessions to "complicated" self-defense maneuvers without caring about their overall physical conditioning; in many cases they don’t worry about reproducing in their workouts the psycho-physical stress that becomes one of the main hindering factors in the event of a ring contest or a street fight.

“Too many martial artists limit their training sessions to "complicated" self-defense maneuvers without caring about their overall physical conditioning.”

No practitioner will ever reach a satisfying level, nor can he call himself a Nak Muay (Thai boxer) without spending time on a regular basis developing endurance, speed, strength, conditioning his bones and tendons and working out with sparring partners who try their best to make trouble for him. At the same time, however, it is important to distinguish between a training aimed at reaching peak performance at a given time on the occasion of a special event (i.e. competitions, tournaments) and what we might call " training for life." In the first case, a good coach must bring the athlete to the limit of his possibilities by calculating that the top shape condition must be reached exactly at the time of the scheduled performance. Right after the contest, the athlete’s state of shape will tend to decrease, thus allowing his physiological recovery, before starting a new intensive training phase. This cycle will be repeated for a variable number of times until the end of the sports career of the athlete. Given that not everyone is fit to undergo the rigors of a competitive career, especially in hard combat sports such as Muay Thai, even the most gifted athlete cannot stand the workload needed to reach the level of fitness required to fight at a high level indefinitely (considering the physical injuries connected to the practice of extreme sports). The "training for life” system, on the contrary, must be structured in order to become an integral part of the daily life of any martial artist; at all times of the year, the physical training system used by all International Muay Boran Academy’s (IMBA) members can be used as the basis for the daily workouts of an average Muay Thai Boran practitioner, young or mature. At specific times, the workload may be increased or decreased to meet the changing needs of the trainee, but training must never be neglected. Only in this way it is possible to maintain a level of fitness that, at any moment, allows the practitioner to properly apply the technical principles of the Siamese Warriors.

The following four pillars form the bedrock of IMBA’s training system: I. Physical conditioning II. Impact training III. Sparring IV. Combat Forms Training

Using these guidelines as a starting point, each instructor will have to determine individual routines for his students’ training. It must be noted that the use of standardized training schedules identical for all kinds of athletes, must be avoided. No individual is equal to another and what is optimal for an athlete may be excessive or insufficient for another.

Impact Training When it comes to Impact Training, Heavy Bags, Thai Pads and the Iron Post are the tools employed to develop powerful strikes with all body weapons: hand and arm strikes, kicks, knees and elbows. Thai pads (called Pao in Thai language) are unequalled as a mean to refine the combinations of strikes and to increase the explosiveness of each attack; therefore, their use should be included in every Nak Muay’s weekly training routines. By

hitting these tools on a regular basis with kicks, fists, elbows and knees, great explosiveness can be developed and as a result, all blows will gain greater power. The goal is to have at one’s disposal an array of fighting tools capable of annihilating the opponent with the least possible number of blows, when the latter are properly directed against the enemy’s sensitive spots. When working the pads, one of the key element to be considered is the creation of a good “feeling” between the boxer and the pad holder. Pad holding is an Art in itself: in every thai boxing or western boxing gym, the best pad men are considered a great added value to the gym’s team. Good pad holders can bring boxers to develop their footwork, timing, and coordination by feeding them the right pad at the right moment. The best pad men can actually become the boxer’s best sparring partner: when the feeling between the trainer and the fighter is right, a pad work sessions becomes the closest thing to a real fight that may be reproduced without the high risks connected to receiving full power blows.

From the introduction of new techniques and strategies (Mae Mai and Look Mai Muay Thai), to the development of muscle memory involved in the execution of advanced combinations of strikes, from the shortening of the reaction time in the execution of defense and counter blows, to the development of superior cardiovascular capability. These are just a few of the many possible uses of pad work that can give a definite edge to every trainee’s fighting attributes. In Muay Thai 3 kinds of mitts are commonly used: Pao Jiao, Pao San, Pao Phasom.

Pao Jiao Koo: two long pads strapped on the forearms. Mostly used for kicking (straight and round kicks) and for kneeing. Punches and elbow strikes can also be used, even though to a slightly lesser extent. Four possible kinds of exercises are commonly employed by experienced fighters: 1. Single attacks: in this modality each blow is rehearsed over and over again, in search of perfection. A single punch may be trained for a whole 4 minutes round or it may be combined with the execution of other strikes by the same arm, by the other arm or by the legs. 2. Combinations of strikes: up to four strikes may be executed when training in this modality. The goal is creating muscle memory, so that each blow will flow smoothly into the next in order to unleash powerful series of strikes. 3. Defense and counter attacks: the pad man feeds the boxer with any kind of attack in order to push him to develop quick reflexes. The athlete must dodge or block the incoming blow and counter attack as quickly as possible with one or more blows. This represents one of the best overall technical exercises for every serious Nak Muay.

4. Free style: when a trainer and a boxer know each other very well, they are allowed to work the pads in free style mode. The trainee attacks at will and the pad man anticipates the blows coming at him and intercepts them with the pads, as he would do with his arms in a real hard sparring sessions. The only difference here is that no punches are pulled back. This is one of the most difficult yet efficient technical drill that may be employed to train a top level thai boxer.

- Phasom Muay (offensive combinations): In working combinations of strikes on the Long Pads, it is very useful to train accuracy in each blow along with explosive power. To do that, the boxer should visualize the targets he is aiming at, be it a head or body target. Each of the combinations performed must take into account the possible targets of the various strikes.

- Mai Kae (defense and counter): In working on defense and counter maneuvers (Mai Kae, in thai language) the pad man feeds the boxer with round kicks, straight kicks and swing punches. The possible applications of Mai Kae techniques on the Long Pads are endless. Every good trainer will be able to select the ones most suitable for his students, according to their level of expertise and their physical and mental characteristics.

Pao San Koo: two small round mitts strapped to the hands. This is the basic tool for punches, knees and elbows training. These small mitts are without any doubt the best tool to develop quick and accurate hand actions, as well as sharp elbow blows. Single strikes may be employed but the best way to use Pao San is to throw quick combinations of punches, elbows and knee strikes, while moving back and forth, left and right.

Also defenses and counter punching (Mai Kae) are best trained on these small mitts: the best boxers spend hours with their trainers, building up lightning fast reflexes in order to block or evade strikes while counterattacking with devastating combinations of blows. There are countless possible counterattacks against punches, kicks, knees and elbows. Each counter is not limited to a single blow but comprises up to 3 strikes, according to the typical Muay Thai counter-fighting system. Pao Phasom: mixed pads, one long and one small. This combination of pads is commonly used by a trainer equipped with padded belly protection in order to absorb straight kicks and knees, along with punches and elbow strikes.

In recent times many trainers included the use of a padded kicking shield, hand held by the trainer. This tool is employed to develop powerful leg kicks: swing kicks to the inner and outer thigh muscles when properly executed, may be one of the ultimate weapons in the arsenal of expert thai boxers. Through regular training sessions on the kicking shield, any fighter can develop extremely powerful Low Kicks in a relatively short time. One of the best training system consists in moving around the pad man while unleashing low swing kicks from every position; advancing, retreating, stepping diagonally forward or circling around the target. Sometimes the trainer may hold a focus glove in one hand together with a kicking shield, in order to feed the boxer with multiple targets options (high-low or punch-kick combinations). Most trainers’ outfit also includes a pair of shin guards, in order to engage by attacking the boxer with low, middle or high round kicks. A body shield is also a good tool to be included in a pad holder’s arsenal: body strikes (punches, knee, kicks, elbows) can be combined with high or low attacks for an all-around training experience. As mentioned for the Long Pads work (Som Pao Jiao), four possible kinds of exercises are commonly employed by experienced fighters when working on the Pao Phasom: 1. Single attacks 2. Combinations of strikes 3. Defense and counter attacks 4. Free style In all kinds of exercises it is very useful to train accuracy in each blow along with explosive power, as it was mentioned earlier for Pao Jiao. To do that, the boxer should visualize the targets he is aiming at, be it a head, body or lower limbs target. For more information about IMBA: • IMBA Official website: www.muaythai.it • Europe: Dani Warnicki (IMBA Finland) dani.warnicki@imbafinland.com • South America: Juan Carlos Duran (IMBA Colombia) imbacolombia@gmail.com • Oceania: Maria Quaglia (IMBA Australia) imbaaust@gmail.com • General Secretary: Marika Vallone (IMBA Italia) imbageneralsecretary@gmail.com

“Like, it is very difficult to specify the exact moment in which WingTsun was created, and above all, that the style itself was a closed, complete and perfect style from the start.”

“No human activity is born by spontaneous generation and appears fully developed from the beginning. Everything is born, grows and finally dies. Everything arises from a previous substrate, from something that previously existed and is continually maturing and changing, and when it stops doing so, it disappears.” “Legend has it that Ng Mui was inspired to create what was later called 'WingTsun' by observing the fight between a crane and a fox. Personally, the idea that just by looking at animals for a few seconds you can ‘invent’ something as sophisticated as WingTsun seems implausible to me.”

“Those of us who have spent a few years now devoting our lives in teaching this system, in promoting it, in showing its best face, in trying to transmit this philosophy, we refuse to let our system die of success.” “Traditionalists defenders at any cost of Chinese traditions - tried to keep everything as it was in their home country with a very laudable intention: that of maintaining Kungfu as part of traditional Chinese culture. They enclosed their Martial Art in a new ‘micro-ecosystem: the kwoon.”

“Martial Arts in China were designed with a concern and a very clear objective: beating Chinese boxers. That is obvious! But thinking deeper, you realize that China had lived for centuries completely isolated from the outside world, in a sort of closed ‘ecosystem’ where ‘species’ had been forced to fight using their systems in order to SURVIVE the conflict. That generated a kind of "martial inbreeding", and when the Chinese styles left their home country and arrived in Europe and the United States, it led them to develop a kind of adaptation period.”

“I think that the merit of sifu Victor’s work hasn't been at all understood or valued. It’s like when your kids are growing up and everyone tells you how big they are, but you, seeing them every day, aren’t aware of it. Sifu Victor took the witness of his sifu and (in my opinion) carried out the work of Total Adaptation to combat of the WingTsun system.”

“WingTsun is an extraordinary system. And I have the total and absolute certainty that with a serious and constant work, avoiding the mistakes of the past, it will undoubtedly be recognized both by the practitioners of Chinese Martial Arts and by the rest of martial artists.”

In this second instructional work, Chief George E. Lepine, Chief Instructor of Okichitaw Indigenous Combat Arts, introduces us to one of the most prized weapons among warriors, the "Chikuna-Kinas," or Fighting Tomahawk, an instrument that history has placed in our minds as aggressive and ruthless. In the possession of a skilled Indian warrior, the Tomahawk was considered a very convincing weapon in any close combat. In most combative actions, the application of a simple swing and strike with a Tomahawk against an adversary is anything but a simple task to complete without utilizing the guerrilla application of surprise. In Okichitaw, there are several practices and applications of the use of the Tomahawk in battle, not only from an offensive application, but also from a defensive perspective. In this video Chief Lepine explains in detail the basic working concepts with the Tomahawk, training, throwing, the 20 movements, combined handling with knife, defense and attack applications, and counter techniques against attacks with Tomahawk or other weapons. With this work, Okichitaw continues to honour indigenous traditions by training in the use of the fighting Tomahawk which ensures that not only this knowledge remains, but that we continue to move in the same way that our ancestors once did.

Ref.: • OKICHITAW-2 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

In this DVD, Master Giuseppe Vuovolo, from the non-profit association "Knights of Honor and Humility" (associazione "Cavalieri d'Onore e Umiltà") founded by himself, will introduce us to a little-known world: that of the so-called Popular Arts of the Italian tradition, more precisely those of southern Italy (Manfredonia, Puglia). Together with his students, you will have the opportunity to see specific warm-up and combat techniques with various weapons that will be displayed, from a knife to a billhook knife, from a billhook knife to a razor and even a cane. There is also no shortage of empty hand techniques, rare enough to be found in other schools of popular arts. You will have the opportunity to study the application of techniques both individually and in pairs, both in self-defense and in real combat demonstrations with each individual weapon presented. Good viewing for all fans!

Ref.: • VUOVOLO1

ORDERS: Budo international.com

Ref.: • Keysi-3

In this second video of the series, Justo Diéguez, creator of the KFM Keysi Fighting Method, teaches us to systematically implement the tools on which the principles and concepts of the method are based, starting from patterns and basic sequences of defense against middle distance fist attacks. The street is not Boxing, Kick-Boxing or Thai-boxing, the street is brutal. We do not have space or answers, it's not something we expect, it will be a shock! Therefore, in order to achieve the highest efficiency in risk situations, we must know and understand all the tools we have. Justo Diéguez explains in detail the basic sequences and the different defense possibilities in this distance (block defense, shoulder defense, Pensador defense ...) to gradually incorporate and combine new elements such as Pensaevo, Pensa-shoulder, Pensa-head, Pensahammer, and battering ram blow, demolishing tools and features of KFM that can be used in both defense and attack. The sword does not make the Warrior; it is the Warrior who makes the sword. The objective is simple: combine our tools to create a space with the opponent and react explosively entering the melee to end the fight.

ORDERS: Budo international.com

In this work, Grand Master Réné Latosa emphasizes how to use the Latosa-Escrima concepts: balance, speed (timing and distance), power, focus (attitude) and transition, to boost all the movement aspects used in the successful execution of any offensive or defensive action. Using Latosa-Escrima concepts is important because each person is physically and mentally different, so using a system or method based on techniques may not work for all people. As in any process in Martial Arts, anything and everything can be refined through development and practice. You’re the ones who make this weapon work in an efficient and effective way. You are the ones who adapt to the situation. The priority is to make sure that you are safe and that you are going to win. Martial Arts were not developed to strike and defeat anyone, but to provide us with the strategy to win.

Ref.: • LAT-4 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Fabrício Werdum is a Brazilian Mixed Martial Arts tournament fighter, a three-time World Champion in Brazilian Jiu-Jitsu, twice ADCC World Heavyweight Champion, European Jiu-Jitsu Champion, and a former UFC Heavyweight Champion. He is a black belt in Brazilian Jiu-Jitsu, Judo and Muay Thai. Born: July 30, 1977 (age 44), Porto Alegre, Rio Grande do Sul, Brazil Height: 1.93 m

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INTERNATIONAL

CATALOG

BUDO INTERNATIONAL PUBL.CO. DVD CATALOG MARTIAL ARTS, COMBAT SPORTS & SELF DEFENSE INSTRUCTIONAL DVDs TITLES ARE AVAILABLE IN DVD FORMAT AND DIGITAL VIDEO ON INSTANT DOWNLOAD (mp4)

This catalog is provided by Budo International Publ. Co.

Ali content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws.

Table of contents - DVD Kung Fu ................................................................................................................................................................ 3 - DVD Tai Chi ................................................................................................................................................................... 8 - DVD Shaolin Kung Fu ................................................................................................................................................ 11 - DVD Wu Shu ................................................................................................................................................................ 13 - DVD Wing Chun .......................................................................................................................................................... 15 - DVD Wing Tsun ........................................................................................................................................................... 18 - DVD Other Styles China ............................................................................................................................................. 21 - DVD Judo and Ju-Jitsu .............................................................................................................................................. 23 - DVD Iaido..................................................................................................................................................................... 27 - DVD Karate .................................................................................................................................................................. 29 - DVD Aikido .................................................................................................................................................................. 36 - DVD Kobudo ............................................................................................................................................................... 41 - DVD Ninjutsu ............................................................................................................................................................... 44 - DVD Other Styles Japan ............................................................................................................................................ 46 - DVD Kyusho Jitsu ...................................................................................................................................................... 50 - DVD Capoeira.............................................................................................................................................................. 54 - DVD Brazilian Jiu-Jitsu .............................................................................................................................................. 56 - DVD Staff and Cane .................................................................................................................................................... 59 - DVD Kali Arnis Eskrima ............................................................................................................................................. 61 - DVD Nunchaku ............................................................................................................................................................ 65 - DVD Other Weapons .................................................................................................................................................. 67 - DVD Pro, Military, Police ............................................................................................................................................ 70 - DVD Krav Maga ........................................................................................................................................................... 77 - DVD Systema .............................................................................................................................................................. 81 - DVD Knife Fighting ..................................................................................................................................................... 83 - DVD Women´s Self Defense ...................................................................................................................................... 85 - DVD Other Self Defense Styles ................................................................................................................................. 87 - DVD Jeet Kune Do ...................................................................................................................................................... 91 - DVD Kenpo .................................................................................................................................................................. 94 - DVD Kajukenbo ........................................................................................................................................................... 97 - DVD Martial Arts Vietnam .......................................................................................................................................... 99 - DVD Other Martial Styles ......................................................................................................................................... 101 - DVD Pencak Silat ...................................................................................................................................................... 105 - DVD Tae Kwon Do .................................................................................................................................................... 107 - DVD Hapkido ............................................................................................................................................................. 109 - DVD Other Styles Korea ........................................................................................................................................... 111 - DVD Muay Thai ......................................................................................................................................................... 113 - DVD Kick Boxing ...................................................................................................................................................... 116 - DVD Grappling Wrestling ......................................................................................................................................... 119 - DVD MMA - Vale Tudo .............................................................................................................................................. 121 - DVD Other Contact Sports ....................................................................................................................................... 124 - DVD Health - Wellness ............................................................................................................................................. 126 - NEW DVDs! ............................................................................................................................................................... 129

TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info

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DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28 Price Inc. Tax......22,00 EUR

DVD Keysi Risk Situations Fighting Technique Ref. DVD/KEYSI2 Price Inc. Tax......22,00 EUR

DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Creole Fencing Ref. DVD/ECRIOLLA1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD RMA Systema SV Empty Hands & Knife Ref. DVD/SKOGOREV-11 Price Inc. Tax......22,00 EUR

DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1 Price Inc. Tax......22,00 EUR

DVD Kyusho and Boxing Connection Ref. DVD/KLINE3 Price Inc. Tax......22,00 EUR

DVD Kyusho, First Encounter Ref. DVD/KFRISAN1 Price Inc. Tax......22,00 EUR

DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7 Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

DVD Advanced Aikido, Kisei Dojo Ref. DVD/KISEI2 Price Inc. Tax......22,00 EUR

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DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9 Price Inc. Tax......22,00 EUR

DVD Traditional Taekwondo Hyeong Ref. DVD/TKDOWINT1 Price Inc. Tax......22,00 EUR

DVD Krav Maga RED Vol.3. Knife Defense Ref. DVD/KMRED3 Price Inc. Tax......22,00 EUR

DVD Kyusho Handicap Ref. DVD/KYUSHO27 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1 Price Inc. Tax......22,00 EUR

DVD Hwa Rang Do Gumtoogi Sword Fighting Ref. DVD/HWA3 Price Inc. Tax......22,00 EUR

DVD Kajukenbo Essential Ref. DVD/LPRIETO1 Price Inc. Tax......22,00 EUR

DVD Martial Science Ref. DVD/RONDY1 Price Inc. Tax......22,00 EUR

DVD Kaisendo Self Defense Ref. DVD/KAISEN5 Price Inc. Tax......22,00 EUR

DVD Jun Fan Gung Fu Ref. DVD/DELJKD1 Price Inc. Tax......22,00 EUR

DVD Keysi Original Ref. DVD/KEYSI1 Price Inc. Tax......22,00 EUR

DVD Ip Man Wing Chun Kung Fu Ref. DVD/IMWC1 Price Inc. Tax......22,00 EUR

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DVD Pukulan Pencak Silat Serak. Weapons Ref. DVD/SERAK2 Price Inc. Tax......22,00 EUR

DVD Kenpo, My Favorite Techniques Ref. DVD/LARRY4 Price Inc. Tax......22,00 EUR

DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1 Price Inc. Tax......22,00 EUR

DVD Kyusho Pyramid Vol.1 Ref. DVD/KLINE1 Price Inc. Tax......22,00 EUR

DVD Kyusho Pyramid Vol.2 Ref. DVD/KLINE2 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Brazilian Jiu-Jitsu, Poker Of Aces Ref. DVD/GSBJJ1 Price Inc. Tax......22,00 EUR

DVD Best of Commando Krav Maga Ref. DVD/AIZIK5 Price Inc. Tax......22,00 EUR

DVD Kyusho Sanchin Kata Vol.2 Ref. DVD/KYUSHO26 Price Inc. Tax......22,00 EUR

DVD Viet Vo Dao Long staff Vol 2. Quyen Tu Tuong Con Phap Form... Ref. DVD/VIET8 Price Inc. Tax......22,00 EUR

DVD Advanced Grappling Vol.1 Ref. DVD/TBELTRAN-1 Price Inc. Tax......22,00 EUR

DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2 Price Inc. Tax......22,00 EUR

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DVD Kali Ilustrisimo Laban Laro Drills Ref. DVD/FLORES3 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Kyusho and Kali. Empty Hands Vol.2 Ref. DVD/KYUSHO25 Price Inc. Tax......22,00 EUR

DVD Systema, Fighting Basics Ref. DVD/SYSWEITZEL1 Price Inc. Tax......22,00 EUR

DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Qin Na Ref. DVD/YANTI2 Price Inc. Tax......22,00 EUR

DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1 Ref. DVD/RS607 Price Inc. Tax......0,00 EUR

DVD Katsuya Miyahira Shidokan Shorin Ryu. Okinawa Karate Kobud... Ref. DVD/RS608 Price Inc. Tax......0,00 EUR

DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob... Ref. DVD/RS609 Price Inc. Tax......0,00 EUR

DVD Eiichi Miyazato Jundokan Goju Ryu. Okinawa Karate Kobudo V... Ref. DVD/RS610 Price Inc. Tax......0,00 EUR

DVD Kanei Uechi Uechi Ryu. Okinawa Karate Kobudo Vol.7 Ref. DVD/RS613 Price Inc. Tax......0,00 EUR

DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12 Ref. DVD/RS618 Price Inc. Tax......0,00 EUR

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DVD Masaji Taira Bunkai Master. Okinawa Karate Kobudo Vol.16 Ref. DVD/RS622 Price Inc. Tax......0,00 EUR

DVD Eihachi Ota Shorin Ryu. Okinawa Karate Kobudo Vol.18 Ref. DVD/RS624 Price Inc. Tax......0,00 EUR

DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20 Ref. DVD/RS626 Price Inc. Tax......0,00 EUR

DVD Jundokan Old School 1984. Okinawa Karate Kobudo Vol.22 Ref. DVD/RS628 Price Inc. Tax......0,00 EUR

DVD Hojo Undo Supplementary Training. Okinawa Karate Kobudo Vo... Ref. DVD/RS625 Price Inc. Tax......0,00 EUR

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DVD Kung Fu

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DVD Kung Fu

DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Pachi Tang Lang Chuan Ref. DVD/PACH1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Tang Lang Ref. DVD/TANG1 Price Inc. Tax......22,00 EUR

DVD Sanda Ming Chuan Kung Fu Ref. DVD/SANDA Price Inc. Tax......22,00 EUR

DVD Tao Yin Internal Kung Fu Ref. DVD/YIN Price Inc. Tax......22,00 EUR

DVD Shaolin Hung Gar Yap Moon Kuen Ref. DVD/SEWER1 Price Inc. Tax......22,00 EUR

DVD Tsui Pa Hsien Kung Fu Drunken Style Ref. DVD/BOR Price Inc. Tax......22,00 EUR

DVD Hung Gar Kung Fu Zum Kap Kuen Form Ref. DVD/SEWER2 Price Inc. Tax......22,00 EUR

DVD Hung Gar kung Fu Lau Gar Kuen Form Ref. DVD/SEWER3 Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

DVD Shaolin Hung Gar Gung Gee Fook Fu Doy Dar Ref. DVD/SEWER5 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Vol2 Ref. DVD/WENG2 Price Inc. Tax......22,00 EUR

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DVD Combat Kung Fu Free Style Ref. DVD/CMBT Price Inc. Tax......22,00 EUR

DVD Kung Fu Chin Na Vol 2 Ref. DVD/PC3 Price Inc. Tax......22,00 EUR

DVD Kung Fu Chin Na Vol 1 Ref. DVD/PC2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Masters Historical Series Taiwan 1964 Ref. DVD/BC18 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pa Kua Pa Men Chan Form Vol 1 Ref. DVD/PAMEN1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pa Kua Pa Men Chan Form Vol 2 Ref. DVD/PAMEN2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pai Lum Tao Ref. DVD/PAI Price Inc. Tax......22,00 EUR

DVD Kung Fu Toa Forms & applications Vol 2 Ref. DVD/TOA2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Mou Sii Lion's Dance Ref. DVD/MOU Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Gun Disarming Ref. DVD/LYN6 Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Dim Mak Ref. DVD/LYN3 Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Knife Defense Ref. DVD/LYN5 Price Inc. Tax......22,00 EUR

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DVD Ling Gar Kung Fu Self Defense Ref. DVD/LYN2 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Ref. DVD/WENG Price Inc. Tax......22,00 EUR

DVD Hung Gar Gung Gee Fook Fu Kuen Form Ref. DVD/SEWER4 Price Inc. Tax......22,00 EUR

DVD Kung Fu Toa Forms & applications Vol 1 Ref. DVD/TOA Price Inc. Tax......22,00 EUR

DVD Kung Fu Choy Li Fut Forms Ref. DVD/LIFUT1 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Fa Kuen Ref. DVD/WENG3 Price Inc. Tax......22,00 EUR

DVD Choy Li Fut Leopard & Tiger Form Ref. DVD/PR4 Price Inc. Tax......22,00 EUR

DVD Hung Gar Kung Fu Gong Gee Fook Fu Kune Form Ref. DVD/HUNG1 Price Inc. Tax......22,00 EUR

DVD Hung Gar Gong Gee Fook Fu Kune Form Vol 2 Ref. DVD/HUNG2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Weapons Ref. DVD/KFW Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Chin Na Ref. DVD/LYN4 Price Inc. Tax......22,00 EUR

DVD Kung Fu Splashing Hands Ref. DVD/NEIL1 Price Inc. Tax......22,00 EUR

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DVD Hung Gar Kung Fu Ref. DVD/PA1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pa Kua Ref. DVD/PC1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Choy Li Fut Tiger & Dragon Forms Ref. DVD/PR2 Price Inc. Tax......22,00 EUR

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DVD Tai Chi

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DVD Tai Chi Yang Style Vol 3 Ref. DVD/FUSE3 Price Inc. Tax......22,00 EUR

DVD Tai Chi Chen Style Tui Shou Ref. DVD/YU3 Price Inc. Tax......22,00 EUR

DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7 Price Inc. Tax......22,00 EUR

DVD Tai Chi Chen Style Pao Chui Er Lu Form Ref. DVD/YU2 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style Vol 2 Ref. DVD/FUSE2 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style Vol 1 Ref. DVD/FUSE Price Inc. Tax......22,00 EUR

DVD Tai Chi Chen Xia Jia Pao Chuie Form Ref. DVD/CHEN1 Price Inc. Tax......22,00 EUR

DVD Tai Chi Chen Style Ref. DVD/YU Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style Kung Chia Form & Applications Ref. DVD/TCC Price Inc. Tax......22,00 EUR

DVD Tai Chi Beijing Jen The Straight Sword Ref. DVD/TCE Price Inc. Tax......22,00 EUR

DVD Ling Gar, Tai Chi & Qi Gong Ref. DVD/LYN Price Inc. Tax......22,00 EUR

DVD Mongolian Tai Chi Chi Kung Ref. DVD/MONGO1 Price Inc. Tax......22,00 EUR

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DVD Tai Chi Chuan Yang Style Ref. DVD/PR1 Price Inc. Tax......22,00 EUR

DVD Tai Chi Wind Chasing Fan Ref. DVD/PR3 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style & Chi Kung Vol 1 Ref. DVD/TAI1 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style & Chi Kung Vol 2 Ref. DVD/TAI2 Price Inc. Tax......22,00 EUR

DVD Tai Chi Che Sword Ref. DVD/TAI3 Price Inc. Tax......22,00 EUR

DVD Tai Chi Chuan for Seniors Ref. DVD/TAI4 Price Inc. Tax......22,00 EUR

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DVD Shaolin Kung Fu

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DVD Shaolin Kung-Fu Shi De Yang Interview Ref. DVD/DEYANG Price Inc. Tax......22,00 EUR

DVD The 18 movements of Shaolin Kung Fu Ref. DVD/HONG Price Inc. Tax......22,00 EUR

DVD Shaolin Xiao Hong Quan Form Tao Lu Ref. DVD/MIAOZHI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Boxing Ref. DVD/SHAOLIN1 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1 Price Inc. Tax......22,00 EUR

DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Qin Na Ref. DVD/YANTI2 Price Inc. Tax......22,00 EUR

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DVD Wu Shu

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DVD Olympic Wu Shu Ref. DVD/WUSHU1 Price Inc. Tax......22,00 EUR

DVD Wu Shu San Jie Gun The 3 Section Staff Ref. DVD/FAN2 Price Inc. Tax......22,00 EUR

DVD Wu Shu Hou Kun The Monkey Staff Ref. DVD/FAN1 Price Inc. Tax......22,00 EUR

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DVD Wing Chun

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DVD Ip Man Wing Chun Kung Fu Ref. DVD/IMWC1 Price Inc. Tax......22,00 EUR

DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD Kyusho Jitsu in Forms Siu Nim Tao Ref. DVD/KYUSHO12 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 1 Ref. DVD/MUKRAN1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 2 Ref. DVD/MUKRAN2 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 3 Ref. DVD/MUKRAN3 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 4 Ref. DVD/MUKRAN4 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Basic Drills Ref. DVD/MUKRAN5 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Advanced Drills Ref. DVD/MUKRAN6 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Siu Lim Tao Ref. DVD/RANDY1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Chum Kiu Ref. DVD/RANDY2 Price Inc. Tax......22,00 EUR

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DVD Wing Chun Kung Fu Biu Jee Ref. DVD/RANDY3 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Concepts and priciples Ref. DVD/RANDY4 Price Inc. Tax......22,00 EUR

DVD Wing Chun Traditional vol 1 Ref. DVD/WCH1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Traditional vol 2 Ref. DVD/WCH2 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Kyusho Gock'Ng 'Sing Ref. DVD/KYUSHO14 Price Inc. Tax......22,00 EUR

DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Ref. DVD/WENG Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Vol2 Ref. DVD/WENG2 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Fa Kuen Ref. DVD/WENG3 Price Inc. Tax......22,00 EUR

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DVD Wing Tsun

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DVD Wing Tsun

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1 Price Inc. Tax......22,00 EUR

DVD Wing Revolution Combat Fundamentals Ref. DVD/WR1 Price Inc. Tax......22,00 EUR

DVD WingTsun The Mith of the Wooden Dummy Ref. DVD/WTK Price Inc. Tax......22,00 EUR

DVD Wing Tsun Right or Wrong? Ref. DVD/LT Price Inc. Tax......22,00 EUR

DVD Wing Tsun Taows Academy Ref. DVD/TAOWS1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Advanced TAOWS Academy Ref. DVD/TAOWS2 Price Inc. Tax......22,00 EUR

DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Alliance and Escrima Ref. DVD/WTAL Price Inc. Tax......22,00 EUR

DVD WingTsun Combat Techniques Ref. DVD/WTS1 Price Inc. Tax......22,00 EUR

19/134

DVD Wing Tsun

DVD WingTsun Wooden Dummy Street Aplications Ref. DVD/WTS10 Price Inc. Tax......22,00 EUR

DVD WingTsun Re-Evolution Ref. DVD/WTS11 Price Inc. Tax......22,00 EUR

DVD WT Re-Evolution 2 Ref. DVD/WTS12 Price Inc. Tax......22,00 EUR

DVD WingTsun Combat Program Ref. DVD/WTS13 Price Inc. Tax......22,00 EUR

DVD WingTsun Anti-grappling Ref. DVD/WTS2 Price Inc. Tax......22,00 EUR

DVD WingTsun Street Shock Vol 1 Ref. DVD/WTS3 Price Inc. Tax......22,00 EUR

DVD WingTsun Street Shock Vol 2 Ref. DVD/WTS4 Price Inc. Tax......22,00 EUR

DVD WingTsun Lat Sao Ref. DVD/WTS5 Price Inc. Tax......22,00 EUR

DVD WingTsun Chi Sao Vol1 Ref. DVD/WTS6 Price Inc. Tax......22,00 EUR

DVD WingTsun Chi Sao Vol2 Ref. DVD/WTS7 Price Inc. Tax......22,00 EUR

DVD WingTsun Advanced Combat Ref. DVD/WTS8 Price Inc. Tax......22,00 EUR

DVD WingTsun AntiGrappling & Chi Gerk Ref. DVD/WTS9 Price Inc. Tax......22,00 EUR

20/134

DVD Other Styles China

21/134

DVD Other Styles China

DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Ref. DVD/CHANG Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Advanced Program Ref. DVD/CHIAO3 Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Combat Ref. DVD/CHIAO2 Price Inc. Tax......22,00 EUR

DVD Shuai Chiao Black Belt Program Ref. DVD/CHIAO1 Price Inc. Tax......22,00 EUR

DVD Chinese Kempo Karate Ref. DVD/HAYEN1 Price Inc. Tax......22,00 EUR

DVD Fu Shih Kenpo Vol.2 Tiger Forms & Self Defense Ref. DVD/FUSHIH2 Price Inc. Tax......22,00 EUR

DVD Sanda Ming Chuan Kung Fu Ref. DVD/SANDA Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

22/134

DVD Judo and Ju-Jitsu

23/134

DVD Judo and Ju-Jitsu

DVD Unlimited Ju Jitsu Ref. DVD/LOU2 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Kyoo Soku Seishin Ryu Ref. DVD/NUNES Price Inc. Tax......22,00 EUR

DVD Judo Atemi Ref. DVD/JUDOIT Price Inc. Tax......22,00 EUR

DVD Power Jiu Jitsu Juko Ryu Jiu Jitsu Vol 2 Ref. DVD/JUKO2 Price Inc. Tax......22,00 EUR

DVD Kodokan Judo Mifune Ref. DVD/BC24 Price Inc. Tax......22,00 EUR

DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Introduction Ref. DVD/JUDO1 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Te Waza Hand Techniques Ref. DVD/JUDO2 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Koshi Waza Hip Techniques Ref. DVD/JUDO3 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Ashi Waza Foot & Leg Techniques Ref. DVD/JUDO4 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Sutemi Waza Sacrifice Techniques Ref. DVD/JUDO5 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Katami Waza Ground Work Ref. DVD/JUDO6 Price Inc. Tax......22,00 EUR

24/134

DVD Judo and Ju-Jitsu

DVD Mastering Judo Shime Waza Strangulation Techniques Ref. DVD/JUDO7 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Kensetsu Waza Joint Locking Ref. DVD/JUDO8 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Ne Waza Clinic Ref. DVD/JUDO9 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Master Okada Interview Ref. DVD/JUDO10 Price Inc. Tax......22,00 EUR

DVD Loubet Jiu-jitsu Ref. DVD/LOU1 Price Inc. Tax......22,00 EUR

DVD Judo Classics Jigoro Kano Ref. DVD/BC16 Price Inc. Tax......22,00 EUR

DVD Budo Goshin Jutsu Ryu Ref. DVD/DAB5 Price Inc. Tax......22,00 EUR

DVD Traditional Ju Jitsu Vol 4 Ground Combat Ref. DVD/DAB4 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Ryu SDA Vol 2 Ref. DVD/JJRYU2 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Ryu SDA Vol 1 Ref. DVD/JJRYU Price Inc. Tax......22,00 EUR

DVD Traditional Ju Jitsu Vol 3 Upright Techniques Ref. DVD/DAB3 Price Inc. Tax......22,00 EUR

DVD Traditional Jujitsu Vol 1 Ref. DVD/JUJ Price Inc. Tax......22,00 EUR

25/134

DVD Judo and Ju-Jitsu

DVD Ju Jutsu Do Combat Ref. DVD/SAN3 Price Inc. Tax......22,00 EUR

DVD Juko Ryu Jiu Jitsu Vol 1 Ref. DVD/JUKO Price Inc. Tax......22,00 EUR

26/134

DVD Iaido

27/134

DVD Iaido

DVD Toyama Ryu Iaido Ref. DVD/TOYAMA2 Price Inc. Tax......22,00 EUR

DVD Toyama Ryu Batto Jutsu Ref. DVD/TOYAMA1 Price Inc. Tax......22,00 EUR

DVD Iaido Kihon Waza Ref. DVD/IAIDO7 Price Inc. Tax......22,00 EUR

DVD Iaido Shinai Ref. DVD/IAIDO5 Price Inc. Tax......22,00 EUR

DVD Advanced Iaido Mugen Kai System Ref. DVD/IAIDO4 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 3 Mugenkai Ref. DVD/IAIDO3 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 2 Sen No Sen, Go No Sen Ref. DVD/IAIDO2 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 1 Ref. DVD/IAIDO Price Inc. Tax......22,00 EUR

DVD Yari and Shinai Ref. DVD/IAIDO6 Price Inc. Tax......22,00 EUR

28/134

DVD Karate

29/134

DVD Karate

DVD Shoryn Ryu Karate Kyudokan Ref. DVD/SHORIN1 Price Inc. Tax......22,00 EUR

DVD Okinawa Bujutsu Motobu Udunti Ref. DVD/SU Price Inc. Tax......22,00 EUR

DVD Okinawa KenpoOdo Ref. DVD/ODO1 Price Inc. Tax......22,00 EUR

DVD Okinawa Shima-Ha Shorin-Ryu Karate Jutsu Ref. DVD/OSHIRO1 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kumite Ref. DVD/KANA7 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 7 Interview Ref. DVD/CHINEN7 Price Inc. Tax......22,00 EUR

DVD Kyokushinkai Karate Ref. DVD/KYOKU1 Price Inc. Tax......22,00 EUR

DVD Karate Shito-Ryu Hayashi-Ha Kata & Bunkai Ref. DVD/SHITO3 Price Inc. Tax......22,00 EUR

DVD Best Karate Kumite Ref. DVD/BIERMAN3 Price Inc. Tax......22,00 EUR

DVD Sport Karate Kumite Ref. DVD/BENE1 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate International Ref. DVD/KANA Price Inc. Tax......22,00 EUR

DVD Okinawa Goju Ryu Seibukai Karate Ref. DVD/NAKA Price Inc. Tax......22,00 EUR

30/134

DVD Karate

DVD Goshin Jutsu Kata Ref. DVD/BIERMAN2 Price Inc. Tax......22,00 EUR

DVD Shito Ryu Karate Pinan Kata and Bunkai Vol 2 Ref. DVD/SHITO2 Price Inc. Tax......22,00 EUR

DVD Shito Ryu Karate Pinan Kata & Bunkai Vol 1 Ref. DVD/SHITO1 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Yamashita Ref. DVD/YOSU Price Inc. Tax......22,00 EUR

DVD Uechi Ryu Karate Ref. DVD/UECHI1 Price Inc. Tax......22,00 EUR

DVD To-De Karate The hand of the infinite Ref. DVD/TODE Price Inc. Tax......22,00 EUR

DVD TY-GA Karate Stretching & Kicking Ref. DVD/TYGA Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 6 Self Defense Ref. DVD/CHINEN6 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 5 Kumite Ref. DVD/CHINEN5 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 4 Bunkai-2 Ref. DVD/CHINEN4 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 3 Bunkai-1 Ref. DVD/CHINEN3 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 2 The Meaning Ref. DVD/CHINEN2 Price Inc. Tax......22,00 EUR

31/134

DVD Karate

DVD Goju Ryu Karate Vol 1 Kihon Waza Ref. DVD/CHINEN Price Inc. Tax......22,00 EUR

DVD Mastering Karate Dan Kata Ref. DVD/KANA6 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kyu Kata Ref. DVD/KANA5 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kihon Ido Ref. DVD/KANA4 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Ashi Waza Ref. DVD/KANA3 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Te Waza Ref. DVD/KANA2 Price Inc. Tax......22,00 EUR

DVD Karate-do Shotokan Kata & Bunkai Vol3 Ref. DVD/SHJ3 Price Inc. Tax......22,00 EUR

DVD Karate-do Shotokan Kata & Bunkai Vol2 Ref. DVD/SHJ2 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate Kata Bunkai Vol1 Ref. DVD/SHJ1 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 70's Ref. DVD/BC6 Price Inc. Tax......22,00 EUR

DVD Ishin Ryu Karate Ref. DVD/BC23 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 50's Ref. DVD/BC14 Price Inc. Tax......22,00 EUR

32/134

DVD Karate

DVD Karate 1924 Kata & Vintage Footage Funakoshi Ref. DVD/BC13 Price Inc. Tax......22,00 EUR

DVD Okinawa Shorin-Ryu Karate Chibana Ref. DVD/BC20 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate GYamaguchi Ref. DVD/BC9 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 60's Ref. DVD/BC3 Price Inc. Tax......22,00 EUR

DVD Karate-Do The early years Funakoshi Ref. DVD/BC1 Price Inc. Tax......22,00 EUR

DVD Kyokushin Karate Mas Oyama Ref. DVD/BC5 Price Inc. Tax......22,00 EUR

DVD Okinawa Isshin Ryu Karate Kata Ref. DVD/CAN2 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate Nakayama, the last interview Ref. DVD/NAKENT Price Inc. Tax......22,00 EUR

DVD Uechi Ryu Karate K.Uechi Ref. DVD/BC21 Price Inc. Tax......22,00 EUR

DVD Wado-Ryu Karate Ref. DVD/BC15 Price Inc. Tax......22,00 EUR

DVD World Karate Championships 2004 Pack Ref. DVD/WKF2 Price Inc. Tax......22,00 EUR

DVD Karate-do Shinshinkan Okinawa Kata Ref. DVD/CAN1 Price Inc. Tax......22,00 EUR

33/134

DVD Karate

DVD Karate Wado Ryu - I Dori, Tanto Dori, Shitei Kata Ref. DVD/WADO1 Price Inc. Tax......22,00 EUR

DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8 Price Inc. Tax......22,00 EUR