Bhagavad-Gita is the most beautiful, perhaps the only true philosophical song existing in any known tongue’ – so opined William von Humboldt, who wrote seven-hundred verses in its praise.
Though it is a matter of consensus that Bhagvad-Gita in the present length of seven hundred slokas has many an interpolation to it, but no meaningful attempt has ever been made to delve into the nature and extent, not to speak of the effect of these on the Hindu society at large.
In the long run, exposing and expunging these mischievous insertions is bound to bring in new readers from these quarters to this over two millennia old classic besides altering the misconceptions of the existing adherents.
In this modern rendition, sans 110 interpolations, the beauty of the Sanskrit slokas is reflected in the rhythmic flow of the English verse of poetic proportions even as the attendant philosophy of the song that is Bhagvad-Gita is captured in contemporary idiom for easy comprehension.
