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Summer Premier Auction | July 30, 2026

19th Century English Pictorial Needlework of Pastoral Scene

silk on silk with raw silk backing, figures with painted silk faces, sight 14-1/2 x 171/8 in., overall 17-1/2 x 20 in.; tacked to likely original strainer and in period/likely original parcel gilt frame with eglomise mat, 20-3/8 x 23-1/4 x 2 in., areas of picked/ pulled threads and scattered losses throughout, evidence of prior shattering and removal of ground revealing original raw silk backing, some discoloration to backing; frame with some distress and areas of abrasion, a few cracks and crackling along edges

Provenance: Private Florida Collection

Estimate: $600 - $900

Early 19th Century English Needlework of Mushroom Foraging Scene crewel wool and silk on silk, painted silk face and extremities, backing adhered to period strainer, panel 11-1/2 x 14 in., overall 14 x 16 in.; in parcel gilt period frame with eglomise mat, original backboard with label reading “ J. & S. Fuller & Co./Decorative Picture Frame Makers/.../London”, frame 17-3/8 x 20-1/2 x 1-1/2 in., some paper and adhesive remnants along silk border, toning and foxing to painted silk ground, otherwise overall good condition; frame with some distress, crackling, and areas of abrasion, losses to gilt, some scratching to eglomise mat

Provenance: Private Florida Collection

Estimate: $600 - $900

Three Lucy Jane Cope Naturalist Works (British, 20th/21st century)

Each featuring birds, insects, flowers and porcelain baskets, 1994, signed lower right with artist’s stamp “Lucy Jane Cope” and dated, watercolor on paper, sight 15-1/2 x 13 in.; matching gilt wood and composition frames, 20-3/4 x 173/4 x 1-1/4 in., not examined out of frames, good condition; frames with minor wear

Provenance: Private Florida Collection

Estimate: $800 - $1,200

James Abbott McNeill Whistler (London, England/Massachusetts, 1834-1903)

Hurlingham (K.181, G. 184, M. 178), 1879, state IV/IV, signed with butterfly monogram middle left, etching and drypoint on antique laid paper with symmetrical grape cluster watermark, plate 5-7/16 x 7-15/16 in., sheet 9-1/8 x 11-1/4 in.; gilt wood frame, 13-1/2 x 15-1/8 x 3/4 in., light foxing, toned, creases, tape stains at top edge; frame with wear

Provenance: Private Collection

Estimate: $1,000 - $1,500

Two Lucy Jane Cope Naturalist Works (British, 20th/21st century)

Each featuring Chelsea plates, decorations derived from designs by the naturalist Maria Sibylla Merian, including flowers, butterflies and other insects, circa 1994, stamped “Lucy Jane Cope” within square watercolor on paper, sight 12-5/8 x 12-5/8 in.; matching gilt wood and composition frames, 14-3/4 x 14-3/4 x 1 in., not examined out of frame, good condition; frames with minor wear at corners

Provenance: Private Florida Collection

Estimate: $400 - $600

Henry William Pickersgill, Portrait of a Naval Commander (British, 1782-1875)

Said to be John Hay (born 1804), Commander of the H.M.S. Prometheus, unsigned, 36 x 27-3/4 in.; 19th century gilt wood and composition frame, 49-1/4 x 40-3/4 in., lined with paste and linen, crackle, draw crackle, retouch, surface dirt, yellowed varnish; frame with some losses

Provenance: Presumed British Military Museum, Sold July 13, 1989; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $2,000 - $3,000

Attributed to Samuel Daniell (British, 1775-1811)

View of Trincomalee, Ceylon, inscribed on bottom of sheet “Trincomalee Fort Ostenburg, Ceylon” “Dutch from 1783-1795”, possibly the original illustration for Picturesque illustrations of the scenery, animals, and native inhabitants of the island of Ceylon, London, 1808, watercolor over pencil on wove paper with “J. Whatman” watermark, 12-7/8 x 18-3/8 in.; gilt wood frame, 19-1/8 x 24-1/4 x 5/8 in., laid down on album sheet, toning, crease in center; frame with wear and abrasions

Provenance: From a New York Family

Estimate: $2,000 - $4,000

After Sir Joshua Reynolds, India No. 57 Folio of 15 Mezzotints (British, 19th century)

Early proofs after Sir Joshua Reynolds’ paintings, Samuel William Reynolds, engraver, various publishers including S.W. Reynolds, Bayswater, A. Molteno, and Molteno & Graves, London, Chine colle mezzotints applied to various cream wove papers, largest, 20 x 13-3/4 in.; paper cover folder, 21 x 14-1/2 x 3/4 in.; unframed, rich dark impressions, toning, foxing, creases, some with small tears; chemise with toning, wear at edges, evidence of moisture damage

Provenance: From a New York Family

Estimate: $500 - $700

After Sir Joshua Reynolds Mezzotints, Proofs No. 17 Folio (British, 19th century)

Rare first run proofs with frontispiece, To the King’s Most Excellent Majesty George the Fourth. This work, from the pictures & sketches painted by Sir Joshua Reynolds, Samuel William Reynolds, engraver, Bayswater London, Malteno and Graves, publishers, 31 Chine colle mezzotints on various papers, four dated after 1820, largest sheet, 19-5/8 x 13-1/4 in., within a paper chemise, 21 x 14-3/8 x 1/2 in.; two mezzotint engravings by Caroline Watson (1760-1814), portraits of John Milton, 1786, one a memorial, largest, sheet 16 x 11-1/4 in.; along with Portrait of Nikolaus Ludwig von Zinzendorf, J.G. Cotta’sche Buchhandlung, publisher, inscribed in German, mezzotint on paper, sheet 10-7/8 x 7 in.; 35 sheets total; unframed, rich, dark impressions toning, foxing, creases, some with small tears; chemise with fading, wear at edges, tear at seam; Watson prints with pencil inscriptions verso Provenance: From a New York Family Estimate: $800 - $1,200

Ogilby & Montanus - Virginiae Partis australis, et Floridae partis orientalis... John Ogilby and Arnoldus Montanus, Virginiae Partis australis, et Floridae partis orientalis, interjacentiumq regionum Nova Descriptio, London/Amsterdam, 1671, attractively hand colored on laid paper, 11-1/2 x 14-1/8 in.; in faux distressed gilt frame, 20-5/8 x 23-1/4 x 1-3/8 in., a few small areas of foxing, small closed tear into image at bottom border near longitude “297”, not examined out of frame

Provenance: E. Shaver, Bookseller, Savannah, Georgia (label); Property of a South Carolina Collector Estimate: $600 - $900

George III English Silver Basket London, 1787, oval with reeded base and open work border, side cartouches, partial makers mark, .925 fine, 24.62 oz. T., 10-3/4 x 14-1/4 x 10 in., marks on rim and handle, monograms removed from cartouche, small dents, and typical wear

Provenance: Private Virginia Collection

Estimate: $1,000 - $1,500

13 George III English Silver Serving Spoons including set of 12 large spoons with marks for Edinburgh, 1796, maker probably James Douglas, 9-1/8 in.; large stuffing spoon, marks for George Turner, Exeter, 1816, all with monograms, .925 fine, 29.51 oz. T., all with wear

Provenance: Private Virginia Collection

Estimate: $1,000 - $1,500

18 Pieces English Silver Flatware three sets of six including set of forks, marks for Robert Wallis, London, 1843, 8-1/8 in.; spoons, marks for William Eaton, London, 1830, 8-3/4 in.; spoons, marks for John Osment, Exeter, 1839, 7 in., all with monograms, .925 fine, 36.33 oz. T., all with wear

Provenance: Private Virginia Collection

Estimate: $1,400 - $1,600

English Carved Oak Bible Box 17th/18th century, engraved decoration to exterior, remnant of floral printed lining at interior lid, 8-1/2 x 26-3/4 x 16-1/2 in., checking and age splits, rubbing and loss to surface, some chips at edges, rust and corrosion to metal elements, wear commensurate with age and use

Provenance: The Collection of William S. Arnett, Atlanta, Georgia; sold to benefit Tinwood Foundation

Estimate: $400 - $600

George III Inlaid and Figured Mahogany Chest of Drawers early 19th century, reeded molding, kite escutcheons and string inlay, six drawers, narrow bracket feet, 54-1/2 x 41-1/2 x 19-3/4 in., moldings with repair, restoration, and loss to proper left upper side, proper left rear bracket restored, proper left front foot with later blocking and facing with repair to break, some pest damage to original blocking, drawers with loose fit in case

Provenance: Private Collection, Virginia Beach

Estimate: $500 - $700

Regency Mahogany Cellarette with Plum Pudding Figuring

British or American, early 19th century, plum pudding figuring to hinged top, opening to a divided interior, brass bail handles, lower stand with drink slide and tapered legs, mixed secondaries with pine, 41-1/2 x 20 x 16 in., structurally sound, case and frame have possibly been reconfigured, later adhesive residue at corners, one small section of interior divider replaced at center, replaced hinges, drink slide pulls replaced and slide facing has filled holes, one front leg repaired at corner, small molding repair and molding losses, minor thin cracks and shrinkages, scattered imperfections and wear expected with age and use

Provenance: Private Tennessee Collection

Estimate: $1,000 - $2,000

Renaissance Revival Figured and Carved Mahogany Shelf Clock probably English, 19th century, dial marked “Robert Mer...”, with key and pendulum, 23-1/2 x 12-3/8 x 7 in., dial repainted, some fading and wear to numerals and signature, chips and losses to veneer at back door, one panel with glue repair, not fully tested for functionality

Provenance: Private Virginia Collection

Estimate: $300 - $500

Regency Brass Inlaid and Mounted Rosewood Writing Table British, circa 1830, brass and rosewood veneer boulle inlay, brass mounts throughout including masks to apron, two drawers, outswept legs with turned stretcher, paw feet on casters, 28-3/4 x 40-3/4 x 26-1/2 in., veneer with checking and repairs throughout, loose piece of brass inlay to top with repairs to other lifted brass, proper right rear foot with repair to break and proper left front foot with small patch at paw

Provenance: Private Virginia Collection

Estimate: $2,000 - $4,000

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

Very Fine Set Eight Chippendale Style Dolphin Carved Mahogany Dining Chairs

19th century, comprising two armchairs and six side chairs, gothic splats, dolphin feet, brass tacked black leatherette upholstery, armchairs 37-1/4 x 27-1/4 x 24-1/2 in., seat heights 18 in., typical scuffs and wear, some later color to feet, undersides with scattered pest damage, restorations or repairs to knee returns, some feet partially tipped in; both armchair splats with scattered repairs to breaks, each armchair arm with repair to break; one with repair to break at crest rail and stile joint; one side chair with loss to shoe; one side chair with break to proper left knee return

Provenance: Property Deaccessioned by the Colonial Williamsburg Foundation, Williamsburg, Virginia; all proceeds to benefit the Collections Acquisitions Fund

Estimate: $2,000 - $3,000

William IV Style Carved Mahogany Metamorphic Library Table British, late 19th/early 20th century, top lifts to convert to a three tier shelf unit, carved base and stretcher, while closed 33-1/4 x 54 x 23 in., while open 43-3/4 in. high, sun fading to top, typical minor surface wear throughout

Provenance: Private Virginia Collection

Estimate: $600 - $900

Pair of Cary’s 15 Inch Regency Celestial and Terrestrial Globes

J&W Cary celestial globe dated 1818, G&J terrestrial globe with date obscured but consistent with circa 1833 models, mahogany stands on casters with original horizon rings and paper dial compasses to bases, cartouche to celestial globe reads “CARY’S NEW CELESTIAL GLOBE OF WHICH are carefully laid down the whole of the STARS AND NEBULAE contained in the Catalogs of Wollaston, Herschel, Bode, Piazzi, Zach & C., calculated to the Year 1820 / Made and Sold by J&W Cary / No. 181 Strand London 1818”. terrestrial globe cartouche reads “CARY’S NEW TERRESTRIAL GLOBE Drawn from the most recent “GEOGRAPHICAL WORKS showing the whole of new Discoveries with the TRACKS of the PRINCIPAL NAVIGATORS and every improvement in Geography to the present time / LONDON / London Published by G&J Cary, St. James St., Jan 7, 18XX(?)”, bases 30-3/4 x 20-3/4 x 20-3/4 in., globes 15 in. diameter not including metal rings, one compass glass later, metal rings to compass glass do not fit well, typical toning and craquelure throughout, globes with minor scattered shrinkage separations commensurate with age and resulting in some rubbing with metal ring, horizon rings with some losses and scattered repairs; celestial globe with spot or infill near top, scattered white spots laterally scattered, lower pole with loss; terrestrial globe with scattered surface repairs including large spot of repainting to the Madagascar and Indian Ocean area

Provenance: Property of a South Carolina Collector

Estimate: $30,000 - $50,000

Silver and Jewel Mounted Conductor’s Baton Dated 1887

Irish, amethyst and turquoise cabochons, round faceted garnets, silver tests .900 or finer, bottom silver mount inscribed “G.F. Horan from the choir of T.C. Rathmines Xmas 1887.”, 20-1/2 x 7/8 x 7/8 in.; fitted leatherbound case marked “Edmund Johnson Jeweller to the Irish Court 94 Grafton St Dublin”, 1-1/2 x 21-1/4 x 2-1/8 in., slight scratching, discoloration; case with wear to leather

Provenance: Private Virginia Collection

Estimate: $200 - $400

Pair of British Robert Wallace Martin Vases For Martin Brothers London, England, late 19th century, salt glazed, incised cobalt avian scenes to four panel sides, incised cobalt geometric decorations to base edge and neck, relief carved shell and floral motif at shoulder, inscribed on bases “R.W. Martin / London & Southall”, numbered “268” and “269”, dated “27-8-79” and “298-79”, 5-3/4 in., glaze anomalies as made, some surface grime and discoloration, one thin 1/2 in. chip under footed base edge, one vase slightly larger than the other, good condition overall

Provenance: Private North Carolina Collection

Estimate: $100 - $300

English Arts and Crafts Rosewood Sewing Box with Mother of Pearl Inlay late 19th/early 20th century, two ring side handles, opening to lined interior full of assorted sewing thread and utensils, 6-3/4 x 12-1/4 x 9-1/4 in., left ring handle repaired, some tears and lifting to interior lining, some general wear to wood, discoloration to mother of pearl

Provenance: Private Virginia Collection

Estimate: $200 - $400

William IV Style Brass Inlaid Rosewood Grille Door Bookcase, mid to late 19th century, top with heart motif gallery, two doors with shelved interior, flanked by reeded brass mounted columns and foliate carved scrolls, 62 x 36-3/4 x 12 in., proper left top edge with minor lifting to brass inlay, spots of verdigris to brass mounts, veneer with minor repairs to checking

Provenance: Private Virginia Collection

Estimate: $1,000 - $2,000

Estimate: $800 - $1,200 26

Anglo Burmese Carved Exotic Hardwood Server or Sideboard late 19th/early 20th century, dense relief carvings with birds amongst foliate scrolls, two single door cabinets with scenes of dancers, one drawer, snakes to the legs, protective glass top, 32 x 54 x 24 in., proper left center rear foot with loss, surface and edges with typical wear and scattered minor chips

Provenance: Randall Tysinger Antiques, High Point, North Carolina (accompanied by copy of online listing for $3,500); Private Charlotte Collection

Estimate: $600 - $900

Chinese Export Black Lacquer and Gilt Footed Sewing Box with Accoutrements 19th century, carved and gilt wood paw feet; hinged lid opens to removable compartmentalized tray, with multiple carved bone sewing accessories, 11 x 5-1/4 x 8 in., cracking and losses to lacquer, wear and loss to gilt, abrasions to wood and losses to paw feet, tarnishing to metal hardware, one nail missing from locking mechanism, lid slightly out of alignment, lacking key

Provenance: Private Florida Collection

Estimate: $300 - $500

Pair of Chinese Blue and White Porcelain Pagoda Tulipieres 20th century, underglaze blue floral decoration, 28-5/8 x 10-1/2 x 9-1/2 in., minor pinholes and firing cracks, surface dirt/accretion

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Pair of Chinese Export Famille Rose Porcelain Vases Converted to Lamps late 18th/early 19th century, wood bases, imitation jade finials, each 26-3/4 x 5-1/2 x 5-1/2 in. (with harp to top of finial), anomalies as made including pinholes, a few small minor scuffs/abrasions to wood bases, one harp lacking a flange, overall good condition, not tested for functionality

Provenance: Private Florida Collection

Estimate: $500 - $700

18 Pieces of Chinese Export or Style Porcelain comprising: large serving dish set in mahogany side table; large serving dish; small serving dish; pair of lobed dinner plates; pair of octagonal lunch plates; pair of quatrefoil trays; tea bowl with matching saucer; pair of octagonal tea bowls with matching saucers; pair of tea cups; large famille rose barrel form tankard; largest 18 x 17-1/4 x 14-1/4 in., anomalies as made including pinholes, glaze voids, and firing cracks, some areas of loss to gilt and painted decoration, areas of repair and retouch throughout; side table with abrasions to wood, small losses at rim; tankard with restoration to wall of body and handle

Estimate: $500 - $700 30

Provenance: (large platter) James Galley Antiques, Lederach, Pennsylvania (label); (octagonal plates, quatrefoil trays, tea bowls and saucers, tankard) Linda Willauer Antiques, Nantucket, Massachusetts (labels); (lobed dinner plates) Elinor Gordon Chinese Export Porcelain, Villanova, Pennsylvania, (labels); Private Florida Collection

Estimate: $500 - $700 32

Two Chinese Famille Rose Porcelain Vases Mounted as Lamps 19th century, each with brass hardware, larger 28 x 8-1/4 x 8-1/4 in. to finial, each wired for electricity , surface dirt, scattered pinholes and anomalies, not tested for functionality, discoloration, warping to harps

Provenance: Property of a South Carolina Collector

Estimate: $300 - $500

Three Chinese Export Famille Rose Porcelain Vases Converted to Lamps, One Pair, 18th/19th century, wood bases, with harps, lidded vase with foo dog finial, harps of baluster pair with carved jade finials, larger pair 14-7/8 x 5 x in. (to top of sockets), not tested for functionality, vases with wear and loss to painted decoration, some abrasions to wood bases, metal elements with some tarnishing; lidded vase with break and repair at lid, chip at rim; pair fluoresce throughout

Provenance: Private Florida Collection

Group of Four Blue and White Chinese Export or Style Tureens all but largest tureen with labels for Linda Willauer Antiques to undersides of lids, comprising: large lidded tureen with underplate; lidded bombe tureen; lidded melon form tureen; small lidded tureen with animal mask handles and underplate; largest 10-1/4 x 12 x 8 in., anomalies as made including pinholes, glaze voids, and firing cracks, adhesive tack and residue along rims of tureens and lids, rims fluoresce; largest tureen with repair/reinforcement to one handle, large underplate with losses to glaze along rim

Provenance: (bombe, melon, and small tureens) Linda Willauer Antiques, Nantucket, Massachusetts (labels); Private Florida Collection

Estimate: $400 - $600

Two Chinese Porcelain Vases Mounted as Lamps 19th century, one blue and white covered jar, one cream glazed vase with foo lion handles, mounted on wood bases, larger 31 x 11 x 11 in. to finial, each wired for electricity, not tested for functionality, glaze crazing, small pinholes, and firing anomalies, both loose on bases; blue and white example with several cracks and possible repairs to lid

Provenance: Property of a South Carolina Collector

Estimate: $300 - $500

Four Chinese Blanc de Chine Guanyin Mounted as Lamps late 19th/early 20th century, of varying size and form, including a pair, largest 30 x 8 x 8 in. to finial, each wired for electricity, not tested for functionality, surface dirt to crevices, one loose on base, some breaks and looses at finger with restorations; largest with some tape remnants at robes, break and repair at crown element

Provenance: Property of a South Carolina Collector

Estimate: $400 - $600

Large Mir Type Carpet 20th century, central medallion on boteh populated blue field, red spandrels, multi tiered border, 15 ft. x 12 ft. 1 in., typical light wear overall, some exposed knots, loss to fringe and minor fraying to selvedge

Estimate: $2,000 - $4,000

Serapi Square Carpet

early 20th century, central medallion on red ground, geometric floral and foliate designs throughout, 11 ft. 11 in. x 11 ft. 6 in., fading and wear throughout commensurate with age, abrash, scattered repairs and areas of infill, patch near end, fraying and loss to ends, replaced selvage

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2,000 - $4,000

Karabaugh Rug

first half 20th century, central medallion on red ground, with blue border, 9 ft. 2 in.5 ft. 1 in., abrash, fraying to ends and scattered replaced selvage with repairs, repair to tear at one end

Estimate: $500 - $700

Tabriz Rug

late 20th century, large central medallion on dark blue field, caramel main border, 9 ft. 10 in. x 6 ft. 6 in., very light wear overall, fringe with some minor discoloration and pulled thread

Provenance: Private Asheville Collection

Estimate: $500 - $700

Inscribed Kilim Carpet

mid 20th century, two large medallions on red field, inscriptions read “5.....FATA / C....NZETA”, 10 ft. 8 in. x 6 ft. 10 in., fading and typical wear, minor abrash, scattered fringe unraveling or with loss

Provenance: Private Collection, Asheville, North Carolina

Estimate: $500 - $700

Follower of Francesco Guardi, Four Architectural Panels (Italian, 1712-1793)

Capriccios of a Venetian canals: Figures under a ruined arch and in boats; Figures, including diminutive figures; Figures by a church, distant classical ruins; Ruined classical arch, figures and San Giorgio Maggiore in distance, all oil on canvas, 41 x 27-5/8 in.; matching modern gilt wood frames, 43-1/2 x 30 x 1-1/2 in., all retacked on new stretchers, not lined with possible exception of tacking edges, crackle, cupping, cleavage, flaking, clay or wax consolidation material verso canvas, several periods restoration, first with 30 percent retouch, remainder with 10 percent retouch, some abrasions, surface dirt frames with abrasions

Provenance: Smiley Estate, with Brunk Auctions, September 25, 2005, Lot 575; Private Collection

Estimate: $5,000 - $7,000

42 Italian School Painting, The Death of Lucretia (18th century)

Lucretia with her father the Magistrate next to her and possibly her husband with soldiers, committing suicide after asking for vengeance, unsigned, oil on canvas, 39-1/4 x 36-1/4 in.; modern parcel gilt and painted wood frame, 44-1/8 x 41 x 1-3/4 in., old lining, restretched on old stretcher, areas of abrasions, wear and loss to pigment, crackle, surface dirt, yellowed varnish, retouch in at least two periods; frame with abrasions

Provenance: Private Collection

Estimate: $800 - $1,200

Maria Sybilla Merian (German, 1647-1717)

Plate 50 Large Horned Beetle with Potato, from Metamorphosis Insectorum Surinamensium, Amsterdam, 1705-1719, hand colored engraving on laid paper, lacking watermark, plate 13-1/2 x 10-1/4 in. sheet 19 x 12-3/4 in.; modern gilt wood frame, French mat, 28-1/8 x 24 x 1 in., good color, hinged in, remnant on mounting tape at top edge, angular creases, pencil inscriptions in lower margin, light toning, light foxing; frame with light abrasions

Provenance: Private Florida Collection

Estimate: $600 - $900

Maria Sybilla Merian (German, 1647-1717)

Plate LIII Pearl-eye Butterfly with Tree, from Metamorphosis Insectorum Surinamensium, Amsterdam, 1705-1719, hand colored engraving on laid paper with watermark, plate 13-1/8 x 8-1/2 in.; modern gilt wood frame, French mat, 281/8 x 24 x 1 in., good color, hinged in, pencil inscription in lower right margin, light toning, light foxing; frame with light abrasions

Provenance: Private Florida Collection Estimate: $600 - $900

Pair of Albrecht Altdorfer Etchings (German, 1480-1538)

The Last Judgment, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, monogram upper left, wood cut on paper, plate, 2-13/16 x 1-7/8 in.; Expulsion from Paradise, monogram top center, wood cut on paper, plate, 2-3/4 x 1-7/8 in.; matching gilt wood frames, 10-3/8 x 8-3/4 x 1/2 in., both laid down on card; “The Last Judgement” with adhesive residue left edge; “Expulsion” with small red dot at center, trimmed within plate; both frames with wear and abrasions

Provenance: Possibly from the collection of Carl Georg von Maassen (inscribed verso); From a New York Family

Estimate: $300 - $500

Four Views After Henry Salt (British, 1780-1827) (British, 19th century)

From Twenty-four Views in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt, William Miller, London, May 1, 1809: No XII Riacotta In The Barahamal; No. XVIII Mucculla In Abyssinia; No. XVIII The Town of Abha In Abyssinia; No. XXII The Vale of Calaat, each color aquatint, etching, and engraving, with hand coloring, sheets approximately 20-1/8 x 26-3/4 in.; matching parcel gilt and painted wood frames, 25-3/8 x 31-3/8 x 5/8 in., all with toning, fading; one examined out of frame, taped in at three edges with masking tape verso, pencil inscriptions in margin and verso, trimmed; frames with abrasions

Provenance: Property of a South Carolina Collector

Estimate: $800 - $1,200

Four French School Portrait Miniatures (18th/19th century)

Officer in Uniform, 1817, dated and inscribed in French verso, watercolor and bodycolor on ivory, 1-3/4 x 1-1/2 in.; Woman with Pearls, unsigned, watercolor on ivory, 3-1/8 x 2-5/8 in.; Gentleman, unsigned, watercolor on ivory, 2-1/4 x 2-1/8 in.; Woman with Red Sash, signed lower right “E.B Taisy”, watercolor on ivory, sight, 2-3/4 x 2-1/8 in.; four period black lacquer frames, one paper-mache, largest 5-3/8 x 4-5/8 x 3/4 in., all frames with wear and abrasions; “French Soldier” with abrasions, small area of pigment loss at upper left corner, chip lower right corner; “French Woman” with chips to edges; “Gentleman” with abrasions; “Woman with a Red Sash” not examined out of frame, small loss of pigment on bottom edge

Provenance: Private Vermont Collection

Estimate: $800 - $1,200

Per consignor note, possibly came from a Rockefeller Estate.

James Pradier, Figure from La Fontaine de Pradier, Nimes (Swiss, 1790-1852)

La Source de L’Eure, signed on amphora “J. Pradier”, patinated bronze, 12-1/2 x 9-1/2 x 6-3/4 in., some rubbing and abrasions

Provenance: Private Virginia Collection

Estimate: $600 - $900

Continental Baroque Brass Mounted Veneered Strong Box 18th century, hinged lid and fall front over open interior with two secret drawers, 8-3/8 x 14-1/4 x 9-1/8 in., some discoloration and wear to brass elements, scratches and cracking to veneer, general wear and age splits, applique in bottom left corner lacking bolt

Provenance: Private North Carolina Collection

Estimate: $1,000 - $2,000

Exceptional Pair of Italian Renaissance Carved Gilt and Polychromed Monumental Torchieres, likely 16th century, one possibly slightly later in date (material and color variation visible at underside), each with crenellated gilt metal candle cup on a robustly carved and turned support, rosette carved tripod bases with lions paw feet, each approx. 76 x 35 x 35 in., expected surface wear, losses and distress throughout consistent with age, columns with shrinkage cracks, dents and distress to metal candle cups, one with loss to scroll cup support, one with small molding loss at base

Provenance: Purchased from an unidentified seller October 11, 1929; Property from the Brooklyn Museum

Estimate: $2,500 - $3,500

Continental Foliate Motif Wool Tapestry late 18th/early 19th century, rope border, 93-1/8 x 71-1/2 x 3/4 in., areas of exposed knots and foundation throughout, some probably as made, typical fading, recently rebacked with linen and Velcro strip for hanging

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $600

Serapi Carpet

late 19th/early 20th century, central medallion on red field, large cream spandrels, 11 ft. 11 in. x 8 ft. 4 in., overall wear commensurate with age and use, fraying and repairs to selvedge, scattered professional repairs and areas of restoration, abrash

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2,000 - $4,000

Signed Shiraz Gallery Carpet

mid 20th century, four medallions on red ground with birds, boteh spandrels, inscription to middle, 13 ft. x 7 ft., minor fraying to edge, some yellowing to white, abrash, small hole to corner, bleeding

Estimate: $1,000 - $2,000

Afshar Gallery Carpet

first quarter 20th century, boteh medallions on dark blue ground, 11 ft. 5 ft. x 4 ft. 10 in., wear to selvage with some restoration, loss and overcasting at both ends, repair at end and areas of infill, scattered exposed foundation

Estimate: $800 - $1,200

56 Caucasian Kilim Carpet

second half 20th century, repeating medallions on red field, white border, 10 x 6 ft 10 in., some subtle abrash, area and small spots of exposed foundation, one exposed knot, separation to seam at one end, faint spot stains to white border

Estimate: $400 - $600

Two Kilims, Bessarabian and Hall Rug

hall rug mid 20th century, horizontal bands with geometric medallions, red field, 7 ft. 8 in. x 3 ft. 8 in.; Bessarabian with stylized floral motif, 7 ft. 8 in. x 4 ft. 6 in., hall rug with warping to edges, abrash, medallion with pulled threads; Bessarabian with restoration to one end, scattered repairs, stains to corners, bleeding to fringe, fading and abrash

Estimate: $400 - $600

Pair of Continental Brass Candlesticks Converted to Lamps possibly Dutch, possibly 18th century, on wood bases, candlesticks 11 x 6-1/2 x 6-1/2, overall (to finial) 29-1/2 in., not tested for functionality, scattered areas of spotting and discoloration, surface dirt, one with several solder repairs to tray support

Provenance: Property of a South Carolina Collector

Estimate: $200 - $400

Pair of Continental Brass Repousse Candlesticks probably Dutch, 18th century, raised floral decoration, 8-3/4 x 7 x 7 in., discoloration and verdigris, wax residue, some holes, solder repair, and visible seams; one with split at seam, notable solder repair to wax pan

Provenance: Private North Carolina Collection

Estimate: $400 - $600

Continental Gilt and Painted Framed Leather Panel

19th century, gilt and polychrome decoration, sight 27-1/2 x 19-1/2 in.; in faux distressed composite frame, 32-1/2 x 24-1/4 x 1-3/4 in., crackling to polychrome and gilt decoration, cracking to leather, not examined out of frame; frame with loss along back edge, some scattered small areas of abrasion

Provenance: Private Collection, Forest City, North Carolina

Estimate: $400 - $600

Fine Rococo Revival Carved Giltwood Console Table, Coquillier de Bilbao Marble Top, early 20th century, large proportion, shaped marble top with molded edge, densely carved and pierced frame, X stretcher carved with shell, rear rail interior impressed with “1459-80321”, 33 x 71-1/2 x 29-3/4 in., marble with spots of infill, pest damage (stable), gilt with scattered minor losses

Provenance: Randall Tysinger Antiques, High Point, North Carolina (accompanied by copy of online listing for $15,000); Private Charlotte Collection Estimate: $2,000 - $3,000

Rococo Style Carved and Pierced Giltwood Pier Mirror

Continental, 18th/19th century, scrolled frame with floral and foliate motifs including streamer hung between the two mirror plates, 71 x 33-1/2 x 2-3/4 in., later mirror plates (not removed) with some streaky foxing, frame with some breaks held by string and others with repairs, loss to at least one leaf, gilt with significant loss and distress

Provenance: Estate of Gary L. Johnson, Virginia

Estimate: $800 - $1,200

French Malachite Jewelry Casket with Gilt Metal Adornment, 19th century, putti finial and floral mounts, hinged lid opening to velvet lined interior, 5-1/2 x 7-1/4 x 4-1/4 in., minor discoloration, lifting and loss to interior

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Neoclassical Carved and Parcel Gilt Tall Case Clock

French Bronze and Malachite Figural Mantel Clock bronze dial with Roman numerals set in patinated bronze figural case depicting Hannibal at Carthage, mounted on malachite plinth with gilt bronze appliques and bracket feet, works stamped “Hemon a Paris”, 25 x 17-3/4 x 8-1/2 in., extremely heavy, surface dirt and dust accretion at crevices, some spotting and discoloration to bronze elements, scattered scratches, malachite plinth with numerous cracks throughout and some natural inclusions, not tested for functionality

Provenance: Private Collection, Virginia

Estimate: $2,000 - $4,000

Continental, possibly Germany or Austria, first half 19th century, engraved and silvered brass dial, bonnet and crown carved with foliate pendant husks, parcel gilt trim throughout, two weights and pendulum included, 89 x 21-1/2 x 10-1/4 in., has not been tested, later metal cheek addition and saddle board, restoration to gilt, scattered minor cracks and patch at lock area, pest damage, proper left base side with open split at seam, does not rest flat, feet and hinges appear later

Provenance: Private Collection, Greenville, South Carolina

Estimate: $500 - $700

Renaissance Revival Figural Carved Walnut Buffet

Continental, late 19th/early 20th century, shaped top, glazed two door cabinet flanked by full bodied satyrs with pan flutes, bold scrolled foliate carvings throughout, frog form feet, fixed shelf interior, 36-3/4 x 59 x 26 in., top missing backsplash or mirror, original top with later stabilizing boards, rear feet restored, scattered pest damage, scattered repairs to breaks, some infill, one door loose

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,500 - $2,500

Renaissance or Style Carved Walnut Draw Leaf Table probably French, 19th century or earlier, panel top with two draw leaves, cherub carved corners, trestle form base, 31-5/8 x 42-3/4 x 26-3/4 in., reconfigured from elements of mixed age, later top, scattered pest damage with associated losses and repairs

Provenance: Gift from Susan Dwight Bliss, 1947; Property from the Brooklyn Museum

Estimate: $500 - $700

Limoges Enameled Copper Portrait Plaque, Gabrielle D’Estrees [sic] French, 19th century, approx. 2 x 12-1/4 x 12-1/4 in., some warping, scratching and losses to enamel and gilt decoration throughout, oxidation to exposed metal

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

A related plaque sold at Bonhams, New York, “The Collector’s Cabinet: European Furniture and Decorative Arts”, May 18, 2015, Lot 1335, see: https://www.bonhams. com/auction/22925/lot/1335/a-limoges-enamel-plaque-gabrielle-destree-1573159919th-century/

Limoges or Style Enameled Copper Portrait Plaque, Julia Bella French, 19th century, approx. 1-1/2 x 12-1/4 x 12-1/4 in, some warping, scratching and losses to enamel and gilt decoration throughout, oxidation to exposed metal, evidence of retouch to rim

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

A similar style plaque sold at Bonhams, New York, “The Collector’s Cabinet: European Furniture and Decorative Arts”, May 18, 2015, Lot 1335, see: https:// www.bonhams.com/auction/22925/lot/1335/a-limoges-enamel-plaque-gabrielledestree-1573-159919th-century/

Pair of Monumental Louis XV Style Figural Putti Gilt Bronze Five-Light Candelabra, probably French, late 19th century, apparently unsigned, each approx. 32-1/2 x 15-3/4 x 16-1/2 in., discoloration, some cracks, loose elements, lacking some decorative elements, some warping; one with restoration to top finial with verdigris

Provenance: Private Charlotte Collection

Estimate: $1,000 - $2,000

Pair of French Figural Gilt Bronze Candelabra Converted to Lamps, 19th century, each classical figural support issuing central gilt bronze urn with three scrolled arms, atop marble column base with gilt bronze appliques, each 36 x 10-1/2 x 8-1/2 in., some spotting and discoloration to bronze, some losses to gilding, some cups and appliques slightly loose, some surface dirt and discoloration to marble, marble bases with some edge and corner chips, not tested for functionality

Provenance: Private Collection, Richmond, Virginia

Estimate: $800 - $1,200

Guiche Palais Royal Cobalt Porcelain and Gilt Bronze Clock Garniture French, 19th century, works faintly stamped “Guiche/Palais Royal”, enamel dial with roman numerals set it urn form case with floral, bird, and cherub figural bronze mounts, ram head side handles, key and pendulum present, with two matching five arm candelabra, clock 21 x 16 x 5 in., candelabra 21 x 13 x 6-1/2 in., clock not tested for functionality, all urns somewhat loose on base (especially clock urn), several bronze elements slightly loose, some discoloration and spotting to bronze, one candelabra urn with break at upper rim (piece retained)

Provenance: Private Charlotte Collection

Estimate: $1,500 - $2,500

Louis XV Style Gilt and Paint Decorated Marble Top Console Table 19th century, brecciated red and gray shaped marble top, base with pierced scrolled foliate carvings throughout, dark brown paint with parcel gilt trim, 36-3/4 x 54-1/4 x 20-1/2 in., marble with scattered infill as made, minor scratches, base with loss and wear to gilt and paint

Provenance: Private Charlotte Collection

Estimate: $1,000 - $2,000

Louis XV Style Carved Giltwood Marble Top Console Table second half 19th century, shaped and molded marble top, carved and pierced scrolls and flowers, stretcher base with urn finial, 37-1/2 x 65 x 25-3/4 in., central apron with repair to break now partially reopened, upper legs and stretcher with opened joints consistent with age and shrinkage (stable), gilt with scattered loss and retouch, scattered minor chips to carvings, marble top with scratches and light brown stains, scattered chips to edges

Provenance: Private Charlotte Collection

Estimate: $1,500 - $2,500

Four Meissen Porcelain Satyr Figural Scenes German, 18th/19th century, each marked with underglaze blue crossed swords, comprising: Satyr, einen Reifen schlagend, marked “D 53” to base, 6-1/2 x 4-1/2 x 4-1/2 in.; Satyrgruppe, marked “D 26” to base, 6-3/4 x 5 x 3-1/8 in.; Satyr mit Becken, marked “D 50” to base, 6-3/4 x 4-1/2 x 4 in.; Satyrgruppe, model number “D 27” (mark partially legible), 6-3/8 x 6 x 3-3/8 in., some wear to bases, small chips and losses to fine foliate details; Satyr, einen Reifen schlagend with break to sickle (retained)

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Meissen Porcelain Figural Sweetmeat Dish, Dame an Schale German, 19th century, the base marked with crossed swords and “No: 2858”, 6-3/4 x 12-1/2 x 7-3/4 in., small chips and losses to fine floral detail, some small areas of retouch/repair (see blacklight photos)

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $200 - $400

Two Meissen Porcelain Allegorical Figures

German, late 19th/early 20th century, each with crossed swords mark to base, after the models by Johann Christian Hirt, comprising: Allegorie, Die Musik, marked “N 161” to base, 12-3/8 x 5-7/8 x 4-3/4 in.; Allegorie, Die Malerei, marked “N 160” to base, 12-7/8 x 6-1/2 x 5-1/2 in., overall good condition, minor losses to gilt/enamel; Die Musik with small chips to base; Die Malerei with loss to tip of paintbrush in proper right hand

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,500 - $2,500

Pair of Meissen Porcelain Figures, Malabar and Malabarin

Meissen Porcelain Figural Group, Schwedische Hofgruppe German, 19th century, underglaze blue crossed swords and “F 98” marked to base, 9-5/8 x 8 x 5-1/8 in., overall good condition, some wear to base, small chips and losses to fine foliate details, small chip to bottom corner of gentleman’s jacket

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

German, 19th century, bases marked with crossed swords and numbered “823” and “764”, larger 14 x 7 x 4-1/4 in., male figure with firing cracks, repair/retouch to shield, arrows, and robe; female figure with numerous areas of repair and retouch (see blacklight photos), break and loss to handle in proper left hand

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Pair of Meissen Porcelain Figural Ewers

Meissen Porcelain Musical Figural Group, Musizierende Kinder German, 19th century, crossed swords mark and “B 7” to base, approx. 9-5/8 x 8 x 10 in., large cracks through base (firing cracks and hairlines), some small chipping and loss to surface where hairline has extended on flute player’s yellow cape, repair to feather on flute player’s hat and foot of one seated girl, small breaks and losses to tambourine

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

German, 19th century, each marked to base with crossed swords and numbered “1234” or “907”, Bauerin mit Kanne and Bauer mit Kanne, larger 7-1/4 x 5-7/8 x 5 in., minor chips and losses to fine floral detail; female example with professional restoration (see blacklight photos)

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Three Meissen Porcelain Figural Sanders and an Inkwell, German, 19th century, each with underglaze blue crossed swords mark to base, in floral decorated robes, each approx. 3-1/2 x 2-3/4 x 2-1/2 in., overall good condition, some minor losses to gilt/enamel

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

Four Large Meissen Porcelain Figural Groups, Allegories of the Four Continents, German, 19th century, each with crossed swords to base, comprising: Europe, 10-1/4 x 10-1/2 x 8-3/4 in.; America, marked “858” to base, 11-1/4 x 12-1/4 x 7 in.; Africa, marked “689” to base, 12-1/4 x 9-1/2 x 6-1/4 in.; Asia, marked “687” to base, 12 x 9-7/8 x 6-1/2 in., Europe with repairs to proper left arm, feet, and base; America with repair to alligator’s tail; Africa with retouch to staff (?), small chip and loss to wheat; Asia with repair and retouch to elements on headdress and tree trunk, some regilding to point of staff

Provenance: (Europe) Sotheby’s (tag); Christie’s (tag); (Asia) Sotheby’s, European Ceramics, October 9, 2001, lot 245 (tag); Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $4,000 - $6,000

Meissen Porcelain Figural Group, Europa auf dem Stier German, 18th/19th century, crossed swords mark and “2697”, after the model designed by Johann Joachim Kandler, 8-1/2 x 7-3/4 x 4-3/4 in., minor losses to gilt, small chips and losses to fine floral decoration, scattered repairs and retouch (see blacklight photos), surface accretion

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $400 - $600

Attributed to Luigi Renault (Italian, 1845-1910)

The Port of Livorno also known as Leghorn, the ship St. Cloud to the right, unsigned, oil on canvas, 19 x 30-3/4 in.; gilt wood frame, 24 x 35-1/2 x 2 in., laid down on board, presumed original stretcher retained, retouch, crackle, trimmed of tacking edges; frame resurfaced, with abrasions

Estimate: $2,000 - $4,000

Luigi Renault was the son of and painted in the style of his father, Michele Renault.

Alex de Andreis (British, 1880-1929)

Cavalier with Cane, signed lower right ‘A De Andreis’, oil on canvas, 32 x 25-1/2 in.; original gilt wood and composition frame, 40 x 33-3/4 x 2-1/2 in., original stretcher and tacking edge, surface dirt, a few points of retouch; frame with abrasions

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $1,500

Jean-Pierre Dubord (French, born 1949)

Les Fleurs sur les Hauteurs de Rouen, signed lower left “J.P. Dubord”, and signed and inscribed with title verso canvas, oil on linen, 21-1/4 x 28-3/8 in.; gilt molded and wood frame, 29-3/8 x 36-7/8 x 1-7/8 in., original stretcher and tacking edge, surface dirt; frame with abrasions

Provenance: Private Charlotte Collection

Estimate: $800 - $1,200

Lucienne Capdevielle, Granada, Spain

(French, 1885-1961)

The Carrera del Darro, signed lower right “ L Capdevielle”, title inscribed verso, oil on canvas, 18-1/4 x 24 in.; modern veneer frame, 24 x 29-3/4 x 1-3/4 in., original stretcher and tacking edge, surface dirt; frame with abrasions

Provenance: Private Charlotte Collection

Estimate: $600 - $900

Federico Seneca Italian Racing Poster (Italian, 1891-1976 )

Duaiv (French/Florida, born 1952)

Santa Marguarita, signed lower right and verso “Duaiv”, titled verso, oil on canvas, 51-1/4 x 38-1/4 in.; molded and gilt wood frame, 461/4 x 59-3/8 x 3 in., vibrant color; frame with minor wear

Provenance: Private Charlotte Collection

Estimate: $1,000 - $2,000

Coppa della Perugina, 1950, Gino Borrani, Firenze, publisher, reprinted from the original of 1924, color lithograph, image 52 x 35-1/2 in., sheet 54-1/2 x 37-3/4 in.; modern gilt wood frame, with black liner, 64 x 47-1/4 x 2-1/4 in., not removed from frame; frame and liner with minor abrasions

Provenance: Vintage Posters International, Chicago, Illinois (accompanied by Certificate of Authenticity); Private Charlotte Collection

Estimate: $300 - $500

Meissen Porcelain Figural Group, Allegory of Water

German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark to base, incised model number “D81”, 9-1/4 x 12 x 6-1/2 in., surface dust, scattered areas of retouch throughout, particularly at Venus’s sashes and mermaids’ tails, inscribed title to base underside

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

Two Meissen Porcelain Covered Figural Sweet Meat Dishes

German, 19th century, Mohrin an Dose and Mohr an Dose, each marked with crossed swords marks, one numbered “328” and one numbered “336”, larger 7 x 4-1/2 x 5-1/2 in., small chips and losses to fine floral decoration, some wear to bases; repairs to vines on female example’s lid

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Meissen Porcelain Figural Group, Lessons in Love

German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark and incised model number “F74” to base, expressively modeled and finely detailed, 12 x 9-1/2 x 7-1/2 in., scattered breaks and losses to several figures’ fingers, delicate floral elements, and to seated woman’s hat ribbons, restoration to woman in hat’s forearms, hands, and hat, some tape and felt pad remnants to base, later inscribed title/info to base underside, break and loss to one woman’s left leg

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $2,000 - $4,000

Meissen Porcelain Figural Group, Dance Master and Dancers

German, late 19th century, blue crossed swords mark and incised model number “C15” to base, 9 x 8-1/2 x 5-1/2 in., surface dirt and accretion at crevices, some scattered areas of retouch at clothing edges and feathers, typical light wear to base; man in red coat with break and loss to hand; man in green with break and loss to hat feathers, possible break and repair to coattail

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $400 - $600

Pair of Large Meissen or Style Porcelain Hunt Figural Vases

German, 19th century, underglaze blue crossed swords mark to bases, finely detailed scenes of handlers with hunting hounds, each approx. 14-1/2 x 13 x 9 in., surface dirt at crevices, scattered chips and losses to molded floral elements; break and repair to tan dog’s proper left front leg; example with man carrying hunting horn with significant breaks and restorations throughout, particularly at trunk and base, some cracks at base, heavy retouch to one dog, break and repair to tail

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Meissen Porcelain Figural Group, Allegory of Architecture

German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark and incised model number “6” to base, finely detailed, 8-3/4 x 8 x 5 in., some surface dirt and smudges, break and repair to standing cherub’s proper left wing, crack with infill and some retouch visible at base edge and underside, break and loss to implement at rightmost cherub’s proper left hand

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Meissen Porcelain Figural Group, Allegory of Sculpture, German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark and incised model number “4” to base, finely detailed, 8-1/2 x 7-1/4 x 5-1/4 in., break and repair to rightmost cherub’s proper left wing, some retouch around base and to stool legs, typical light wear to base, later inscribed title/info to base underside

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Meissen Porcelain Figural Group, Allegory of Painting

German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark and incised model number “5” to base, finely detailed, 7-1/2 x 7-1/2 x 5-1/2 in., some surface dirt and smudges, typical light wear to base, some retouch to gilding around base, break and loss to paintbrush tip

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Meissen Porcelain Figural Group, Frohlich and Schmiedel German, 19th century, blue crossed swords mark to base of tree, incised model number “290” to base, after the model by J. J. Kaendler, depicting Joseph Frolich and “Baron” Schmiedel, famous court jesters to Augustus the Strong and Augustus III of Saxony, approx. 10-3/4 x 7-1/2 x 6-1/2 in., minor surface dirt at crevices, some scattered areas of paint retouch to clothes, numerous breaks, losses, and restorations to leaves and floral elements, Schmiedel’s proper left hand likely repaired

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $2,000 - $4,000

100

Meissen Porcelain Figural Group, Allegory of Astronomy German, 19th century, after the model by Michel Victor Acier, blue crossed swords mark and incised model number “9” to base, 8 x 8 x 5-1/2 in., some surface dirt and smudges, typical light wear to base, later inscribed title/info to base underside

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Large Meissen Porcelain Figure, King Ludwig IX German, 19th century, underglaze blue crossed swords and “M 39” marked to base, model by Johann Daniel Schone, 16-1/4 x 5-1/2 x 5 in., overall good condition, staff loose (detaches), some regilding to crown and staff

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

101

Pair of Large Spanish Baroque Style Gilt and Leather Throne Armchairs 19th century, walnut frames, stiles surmounted with carved giltwood foliate finials, leather seats and gilt embossed leather backs with fringe, 57-3/4 x 25-3/4 x 26 in., seat height 21 in., cracking to leather seats, later adhesive securing finials and with repairs to breakouts at attachments, both proper left stiles with repairs to breaks, typical wear throughout including stains to finish and distress to gilt; one chair proper left front leg with partial repair to break (stable)

Provenance: Cedric Du Pont Antiques, West Palm Beach, Florida, listed for $18,900 (copy of listing available); Private Charlotte Collection

Estimate: $600 - $900

103

Viennese Gilt Silver and Enamel Carriage 19th century, enamel scenes with neoclassical scenes, gilt silver base, marked on base “SC”, 3 x 4-1/4 x 1-13/4 in., missing one lantern globe and on broken, some discoloration to gilt, typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $800

102

Large Continental Vernacular Paint and Parcel Gilt Decorated Mirror 19th century, Spanish Colonial and Dutch stylistic influence, square form with applied bosses, red, black, and parcel gilt with fancy scrollwork, 55-3/4 x 47-1/2 x 3 in., later mirror plate (not removed) with areas of foxing and desilvering, later backboard and securing brackets, paint with retouch, loss, and distress throughout, frame with scattered pest damage, later glue at joints (now stable), one applied diamond boss missing

Provenance: Private Charlotte Collection

Estimate: $600 - $900

104

Viennese Enameled and Silver Compote 19th century, shaped bowl and domed base with neoclassical enamel decoration, hippocampus post, gilt silver, floral band at base with green and pink stones, unmarked, test .900 fine, 5-1/2 x 6-1/2 x 4-3/4 in., light scratches, light scratches, and typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

105

Pair of Viennese Enamel Urns 19th century, urn forms silver body with neoclassical enamel scenes, winged figural handles, marks on base “A’ and “H8”, 9 x 4-1/4 x 3 in. each, some bubbling to enamel, wear and loss to enamel, typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

106

French Silver and Enameled Carriage late 19th/early 20th century, gilt silver, enamel neoclassical scene, red damask interior, French weevil mark, 88 grams gross weight, 2-1/8 x 3-3/4 x 1-5/8 in., several small chips to enamel, light wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $200 - $400

107

Viennese Silver, Enamel, and Freshwater Pearl Figural Clock

Austria, late 19th century, violinist standing on an enameled cylindrical column set with a key wind clock, octagonal base with paneled enamel sides, movement inscribed Stekly, 9-3/4 in., some chips and loss to enamel, scratches, and wear

Provenance: Bonhams, July 19-20, 2014, lot 177, sold for $7,995; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

108

Viennese Silver, Enamel, and Freshwater Pearl Jester Clock Austria, late 19th century, jester holding marotte, freshwater pearl accent, on a square base, one drawer with circular clock and paneled enameled sides, 8 in., marotte replaced, chips and loss to enamel, scratches, and wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $800

109

Viennese Silver, Enamel, and Freshwater Pearl Figural Clock

Austria, late 19th century, guardsman or gondolier holding a staff and mounted atop a raised square base with circular clock and paneled enameled sides, 9-1/4 in., lantern probably later, chips and loss to enamel, and wear

Provenance: Bonhams, July 19-20, 2014, lot 178, sold for $4,920; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,20`0

111

Viennese Silver and Enamel Figures in Sword Fight 19th century, two figures in Edwardian dress with shields and swords, ivory faces, fresh water pearl accents on silver base, 5-1/2 x 6 x 3 in., one figure lose on base, typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

110

Viennese Silver, Enamel, and Freshwater Pearl Musician

Austria, late 19th/early 20th century, enameled violinist with freshwater pearl accents, on rectangular base with paneled enameled sides, 6 3/4 in., chips and loos to enamel, scratches and wear

Provenance: Bonhams, July 19-20, 2014, lot 176, sold for $1,599; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $800

112

Three Small Viennese Enamel Decorated Table Objects

Austrian, 19th/20th century, all finely enameled with Classical figures, comprising: sedan chair with two attendants; miniature corner cabinet; miniature sewing stand, hinged lid opens to mirror; largest 5 x 3 x 2-3/8 in., overall good condition, slight crazing and loss to enamel panels, some loss to gilding; one attendant’s proper left hand detached; corner cabinet with paint transfer on base

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

113

Two Small Continental Adorned Metal Table Objects comprising: small gilt metal clock featuring two figures and encrusted jewels, 5-3/4 x 5-1/8 x 2-7/8 in.; small A.B. Paris silver on copper box with intricate relief decoration and velvet lined interior, 2-3/4 x 3-5/8 x 2-7/8 in., loss to gilding/ silvering; clock lacking hands, dial and works loose, loss to jewels notably to back of female figure; box with solder repair to feet and verdigris

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

115

Two Continental Adorned Metal Table Clocks late 19th/early 20th century, comprising: Viennese enamel clock with classical figures, the reverse housing a secret mechanical vignette of a rather intimate nature; green marble and gilt metal column form clock; larger 8-1/8 x 4-3/4 x 1-3/4 in., not fully tested for functionality, some discoloration and loss to gilt

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

114

Large Pair French Gilt Bronze Six Light Candelabra 20th century, segmented shaft with mask form appliques issuing six scrolled arms with candle cups, scrolled figural and trifid bases, each 34 x 16 x 14 in., some surface dirt, scattered spotting and discoloration throughout, one with arms significantly off center (possible warping), some elements slightly loose

Provenance: Private Charlotte Collection

Estimate: $600 - $900

116

88 Pieces of Herend Rothschild Bird Porcelain Tableware

96 pieces total, including: 88 pieces Herend Rothschild Bird pattern, Herend marks to bases, comprising: eighteen 10 in. dinner plates; 21 teacups; two coffee cups; four lidded custard cups; twenty one 5-5/8 in. saucers; ten 6 in. saucers; two 5-1/8 in. dishes; two 6-1/2 in. plates; two figural condiment wells; small pierced basket; reticulated square tray; small lidded tureen; caster; small leaf form dish; lidded box; together with two small Herend leaf dishes; small Herend basket; two Herend fishnet animals; two lidded Limoges custard cups, all with typical light wear to bases and minute areas of losses to gilding

Provenance: Private Collection, North Carolina

Estimate: $1,000 - $2,000

117

Pair of German Gilt Silver Knights Hanau, late 19th/early 20th century, one with winged helmet and holding flag, one with antler helmet holding mace and shield, both with ivory face and matching bases, one with partial marks for B. Neresheimer & Sohne, both with English silver import hallmarks, Chester, 1909, .925 fine, 35.30 oz. T., 9-1/2 in. and 11-3/8 in., one with bent base, both with typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,500 - $2,000

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/ or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

119

118

Gilt Silver Knight and Maiden with Falcon probably German, late 19th/20th century, including knight with shield and sword, ivory face, partial marks and English silver import marks, 9-3/4 in.; maiden with ivory face, hands, and falcon, partial marks, 10-3/4 in., both with similar bases, 29.96 oz. T., knight shield loss, both with typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Gilt Silver St. George on a Dragon Figure Continental, late 19th/early 20th century, St. George with flag and sword and standing on a dragon, scroll base, marked “Sterling” on base, ivory face, 23.72 oz. T. gross weight, 11-1/2 in., typical wear

Provenance: Charlton Hall Galleries, December 2009, lot 583; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

120

Pair of Hanau Silver and Gilt Knights, Neresheimer Co.

German, late 19th/early 20th century, one gilt silver with sword and shield on pierced base, ivory face, 9 in.; one in Edwardian dress with poleaxe, marked “930”, platform base with scroll feet, ivory head, 7-1/4 in., both with marks for B. Neresheimer & Sohme, 22.76 oz. T. gross weight, smaller missing blade of sword

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

121

Gilt Silver Theodoric the Great Figure Continental, late 19th/20th century, figure possibly Theodoric the Great with shield, sword, and poleaxe, ivory face, unmarked, test .900 fine, 22.24 oz. T., 11-3/4 in., helmet loose, typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $700 - $1,000

122

Piero Benzoni Gilt Bronze Mounted Agate and Marble Chess Set (Italian, born 1938), 32 chess pieces, each marked “Piero Benzoni” verso, board 3-3/4 x 20-1/2 x 20-1/2 in.; together with a likely Toledo brass sword cocktail pick set, 4-1/8 x 3 x 3 in., some slight discoloration and minor loss to gilt, warping to lances; two “silver head” knights with small cracks to lances; pick set lacking five swords, loss to surface

Provenance: Private Collection, Virginia

Estimate: $2,000 - $4,000

123

Two Continental Gilt Metal Jewelry Caskets with Porcelain Plaques probably French, late 19th/early 20th century, each with floral and foliate mounts surrounding handpainted enamel plaques, larger 7-3/8 x 15-5/8 x 7-1/2 in., some discoloration, lifting and loss to velvet lined interiors, wear at bases; larger casket with lock element detached but retained

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

124

Pair of Large Sevres or Style Cobalt and Gilt Porcelain Urns with Bronze Mounts, French, late 19th/early 20th century, Sevres marks at lid interiors, hand painted cartouches featuring landscapes and figural scenes, each approx. 29 x 14-1/2 x 8-1/2 in., some small losses to gilding and enamel throughout, some surface dust at crevices, slight discoloration to metal mounts

Provenance: A Private Florida Collection

Estimate: $800 - $1,200

125

Louis XV Style Gilt Bronze Mounted Kingwood Serpentine Meuble d’Appui, late 19th/early 20th century, brecciated white marble top, possibly Breccia Violetta, bookmatched kingwood veneers, chased gilt bronze mounts, 42-3/4 x 54-3/4 x 19 in., veneer with scattered repairs and slight losses, marble with scratches visible upon close inspection, spot of brown discoloration, typical minor surface wear overall with scratch to proper left door

Provenance: Private Charlotte Collection

Estimate: $2,000 - $4,000

126

Savonnerie Style Palace Carpet 20th century, polychrome scrolled foliate motif on cream field, architectural border, decorated with horses and gryphocentaurs, 18 ft. 1 in. x 12 ft. 7 in., very light wear overall

Provenance: Private Charlotte Collection

Estimate: $1,200 - $1,800

127

Aubusson Style Palace Carpet

20th century, floral motif on beige ground, 15 ft. 10 in. x 12 ft. 1 in., typical fading and minor wear, some creases from being rolled

Provenance: Private Charlotte Collection

Estimate: $800 - $1,200

128

20th century, architectural and floral motif on beige ground, blue border, 12 ft. 3 in. x 8 ft. 9 in., light wear overall with some minor fading, minor warping to edges

Provenance: Private Charlotte Collection

Estimate: $500 - $700

130

20th century, red field with floral design, 11 ft. x 15 ft. 7 in., overall good condition

Estimate: $800 - $1,200

first half 20th century, three diamond medallions on dark blue ground with quadrupeds, 8 ft. 9 in. x 4 ft. 2 in., curling to corners, scattered spots of infill repairs, some bleeding, small tear to end, fraying to selvage, warping to ends and edges

Estimate: $600 - $900

Aubusson Style Tapestry Carpet

129 Malayer Carpet

Shiraz Gallery Rug

131

Fundacion Generalismo Franco Spanish Wool Rug label for “Fundacion Generalismo Franco / Madrid”, mid 20th century, green and red foliate motifs on cream ground, 9 ft. 7 in. x 6 ft. 5 in., fading and wear commensurate with age and use, fraying to ends and pile, and rolling to one end,

Provenance: Private Charlotte Collection

Estimate: $400 - $600

132

Large Meissen Porcelain Basket Centerbowl with Ram’s Head Handles late 19th/early 20th century, underglaze blue crossed swords mark to base, 7-1/2 x 13-7/8 x 9-1/4 in., overall good condition, small repair and retouch to one ribbon on rim, some minor loss to gilt/enamel

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

133

Three Pieces Meissen or Style Porcelain Tableware late 19th century, one with blue crossed swords mark to base, green ground with floral sprays and figural decoration, comprising: caster; small coffeepot; reticulated tray; largest 2-1/4 x 11-1/4 x 7-1/4 in., minute losses to gilding and painted decoration, typical light wear to bases, numerous breaks and restorations to tray and coffeepot

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $200 - $400

134

Two Meissen Porcelain Children Figural Groups German, late 19th/early 20th century, each with crossed swords mark to base, comprising: Vier Gärtnerkinder, tanzend (ring around the rosie), model number “2728” (apparently unmarked), 6 x 6-1/2 x 6-1/2 in.; Allegorie, Das Wasser, marked “3011” to base, approx. 7 x 5-3/8 x 4-1/8 in., minor wear to bases and loss to enamel/gilt; Vier Gärtnerkinder, tanzend with small chips and losses to fine foliate and ribbon details; Das Wasser with repair and retouch to boy with hat’s proper left hand

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

135

Meissen Porcelain Dog Group, Hundegruppe

German, late 19th/early 20th century, crossed swords and “2104” marked to base, three dogs in various poses, approx. 5-3/4 x 7 x 6 in., minor losses to gilt/enamel, slight wear to base; puglike dog with repair and retouch to tail and backside

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

136

18 Assorted Meissen and Style

Porcelain Monkey Band Figures

German, 19th/20th century, 17 marked with crossed swords marks, one marked for Dresden, after the models designed by Johann Joachim Kandler, largest 7 x 5-1/2 x 3 in., typical minor losses to gilt/ enamel, wear to bases; conductor in blue jacket with unstable old repair to proper left wrist; Dresden conductor with break to baton (retained); small repairs and retouch to one singer, both drummers, clarinet, yellow jacket conductor, French horn, and hurdy gurdy

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $2,000 - $4,000

137

Eight Meissen Porcelain Devisenkinder Figural Scenes

German, 19th/20th century, each with crossed swords mark to base, comprising: Je les accouple, marked “F 9” to base; Je les unis, marked “F 1” to base; Je les enflamme, marked “F 4” to base; Les de vaincre, je me repose, marked “F 7” to base; Je les dompte, marked “F 16” to base; Je les punis; Je prends mon essor, marked “F 11” to base; Je les balance, marked “F 2” to base; largest 5-1/2 x 4-1/4 x 2-5/8 in., minor loss to enamel and gilt, wear to bases; Je les accouple with small loss to ribbon on left side; Je les unis with repair to hands; Je les enflamme with small loss to wreath; Je les dompte with break and loss to ribbon; Je prends mon essor with scattered repair and retouch; Je les balance was small repairs to hands

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,500 - $2,500

138

Six Meissen Porcelain Malabar

Figures, German, 19th/early 20th century, each marked with crossed swords mark to base, largest 7-1/2 x 4-5/8 x 3 in., wear to bases, some minor losses to gilt/enamel; three female figures with repairs and retouch (see blacklight photos); yellow male figure with loss, chips, and retouch to instrument and robe; figural group with loose piece at interior

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $1,500

139

Meissen Porcelain Mythological Figural Group, Capture of the Tritons German, 19th/early 20th century, blue crossed swords mark to base, 13-1/2 x 10 x 6-1/2 in., several areas of restoration and retouch throughout, particularly at largest figure’s legs, hands, and robes, and at molded plants around base, some surface dirt, small firing cracks at base underside

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

140

Meissen Porcelain Figural Candelabra

German, 19th/early 20th century, blue crossed swords mark to base, scrolled floral base issuing three arms centering Diogenes with a lantern, 11-3/4 x 9-1/4 x 6 in., scattered rubbing and losses to gilding, particularly at candle cup rims, some surface dirt and accretion at cup interiors, typical light wear to base, some areas of retouch to molded floral and foliate elements and to one front foot, two cups slightly loose

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $200 - $400

141

Small Meissen Porcelain Figural Group, The Fair German, late 19th/early 20th century, blue crossed swords mark on base and incised model number “2666”, 5-3/4 x 6 x 4 in., typical light wear to base, minor losses to gilding, surface dust

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $300 - $500

143

Meissen Porcelain Figural Mantel Clock

142

Meissen Porcelain Bolognese Terrier German, late 19th/early 20th century, faint blue crossed swords mark and incised model number “2841” to base, expressively modeled after the model by J. J. Kaendler, 8-1/2 x 10 x 5 in., some firing cracks at legs and feet as made, typical scratches and light wear to base, surface dirt, some rubbing and losses to paint at ends of hair tufts with some possible retouch

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

German, 19th/early 20th century, blue crossed swords mark to base, mantel clock in two parts, enamel dial with Roman numerals set in figural porcelain case, works stamped “Japy Freres...Med. D. Honore” and with incised numeral “1256(?)”, 24-1/4 x 17 x 8-1/2 in., not tested for functionality, surface dirt at crevices, some chips and losses to molded floral elements with some restorations, several firing cracks to top of base, some scratches and wear where top half sits on base, break and loss to element at horseman’s right hand (possibly lacking sword)

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,500 - $2,500

144

Meissen Porcelain Figure of Saint John the Evangelist German, late 19th century, after the model by J. J. Kaendler, faint blue crossed swords mark to base, expressively modeled and finely detailed, 15 x 8-1/2 x 7-1/2 in., break and repair to proper right middle finger, some small firing cracks and anomalies as made, typical light wear to base

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $3,000 - $5,000

145

Meissen Porcelain Chinoiserie Figural Tea Set German, late 19th/early 20th century, blue crossed swords marks to bases, comprising: lidded teapot; lidded jar; creamer; two teacups; two matching saucers; quatrefoil tray; largest piece 2 x 15-1/4 x 14-1/4 in., scattered pinholes and surface anomalies, tape remnants, surface dirt; one saucer with large break and repair; one teacup with break and repair to handle; jar with numerous and extensive break and repairs; teapot with break and repair to handle and one figure’s hat

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $600 - $900

147

After Lucas Madrassi (Italian, 1848-1919)

Child Pushing a Cart, signed to base “L. Madrassi” and numbered “5304/5”, ceramic, approx. 22 x 11 x 28 in., some scratches and abrasions, cracks and repairs to base (one piece off but retained)

Provenance: Private Charlotte Collection

Estimate: $300 - $500

146

Nymphenburg Chinoiserie Porcelain Figural Group, Chinese Pagoda German, late 19th/early 20th century, with impressed Nymphenburg shield mark to base, after the Frankenthal model by Karl Gottlieb von Luck, intricate scene featuring Chinoiserie figures in and around a pavilion, 10-3/4 x 9-1/2 x 8-1/4 in., top of pavilion broken off and missing, scattered firing anomalies, wear to base, small chips and losses throughout, some retouch to one column

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

148

Two Handled Silver and Enameled Small Dish late 19th/early 20th century, both cartouche form with two handles, one lidded with rooster finial, both with neoclassical enamel scenes, 3-1/4 x 6-1/2 x 3 in. and 2 x 6-3/4 x 3-1/4 in., lidded example missing base frame and does not sit flat, glue reside run on one side; other with loose handle, both with light scratches and wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $400 - $800

149

Viennese Enameled Silver Figural Clock

19th century, figural post, dome base oval clock with enamel decoration, satyr mask feet, deer finial, key wind clock with enamel decoration, unmarked, 8-1/2 in., repair to enamel at back foot, repaint on interior of base, light scratches and wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

150

151

Viennese Enameled Silver Windmill and Figural Stand

late 19th century, enamel and silver windmill form spice holder, lidded top with flag finial, 7-1/2 in.; stand with soldier holding bird, oval stop with bird finial, 8 in., windmill with damage to blades, repair, and repaint; stand missing clock, repaint, and repair

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $800

152

Two Viennese Gilt Silver and Enamel Performers on Plinths with Bloodstone Panels, late 19th century, one playing bagpipes and one dancing on matching plinths with bloodstone panels, all with enamel decoration, ivory faces and hands, silver test .900 fine, both approx. 7-3/4 in., both missing implements, chips and loss to enamel, stones lose, wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $1,000 - $2,000

Viennese Enamel Gilt Silver Ship on Wheels late 19th/20th century, ship with enameled neoclassical and mythological scenes on four wheels, sailors and soldiers on deck, marks on side, 9-3/4 x 10-1/2 x 3 in., chips and loss to enamel, top rigging cracked, wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

154

153

Gilt Silver, Enamel, and Jeweled Gondola

Continental, scroll decoration, burgundy and gilt enamel with cabochon and cut garnets, emeralds. and pearl accents, unmarked, test .925 fine, 25.39 oz. T. gross weight, 4-1/2 x 11 x 3 in., missing one glass panel, lacking oar, typical wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $800 - $1,200

Viennese Silver and White Enamel Box late 19th/early 20th century, rectangular form, white enamel panels, figural finial, mother of pearl accents, 4-1/4 x 3-3/4 x 3 in., missing on foliate enamel corner, scratches and loss to enamel

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $300 - $600

155

Viennese Silver and Enamel Cornucopia on Stand late 19th century, lidded enameled cornucopia, neoclassical scenes, dragon tail, figural post, unmarked, 5-3/4 in., chips and loss to enamel, wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $200 - $400

156

Viennese Silver, Enamel and Freshwater Pearl Musician late 19th century, enamel dancing figure with instrument, dome base, freshwater pearl accents, 5 in., chips and wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $800

157

Viennese Gilt Metal Enamel Drunken Musician late 19th century, figure on one foot trying to play a grill like a violin, on enamel plinth, freshwater pearl torso, turquoise and ruby accents, 3-1/4 in., missing hat, loose on plinth, chips to stones and enamel, and wear

Provenance: Hannam’s Auctioneers Ltd, Selbourne, United Kingdom, June 1, 2020, 603, $449; Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $100 - $300

Estimate: $500

158

Soumak Gallery Carpet

first half 20th century, blue diamond medallions on red field, running dog and wine glass borders, 12 ft. 3 in. x 6 ft. 11 in., abrash, exposed foundation throughout with deeper spots to middle, fraying to edges, edges misshapen

Estimate: $1,000 - $2,000

159

Kurdish Bidjar Runner

mid 20th century, row of diamond medallions on dark blue ground, 14 ft. 9 in. x 4 ft., abrash, exposed knots and foundation, some warping, loss to fringe

Estimate: $800 - $1,200

161

Kilim Carpet

first half 20th century, two rows of stepped diamond medallions on red field, thick interlocked borders, 11 x 9 ft. 4 in., fading, bleeding, and scattered stains, abrash, loss to fringe, scattered repairs and small restorations

Provenance: Private Collection, Asheville, North Carolina

Estimate: $500 - $700

160

Kilim Two Panel Rug

mid 20th century, two joined panels, interlocking diamonds, white border, 7 ft. 11 in. x 6 ft. 3 in., abrash, white tassels with some discoloration, corner with faint blue stain

- $700

162

Turkish Gallery Rug late 19th/early 20th century, three medallions on dark blue ground, dark blue main border, 16 ft. 9 in. x 7 ft. 3 in., warping to edge, replaced selvage, exposed foundation, fringe loss, scattered repairs, hole at edge near corner

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

163

Serab Runner

mid 20th century, two medallions on white and brown striped ground, 12 ft. 4 in. x 2 ft. 9 in., shortened at the middle, loss to fringe, warping to edge, repair to tear at edge

Estimate: $400 - $600

164

Pair of Vladimir Kanevsky Porcelain Auricula Flowers in Antique Porcelain Cups, Ukrainian, 20th/21st century, porcelain and painted copper, flowers signed “Vladimir” in marker to undersides of bases; set in19th century pair of double handled porcelain cups, each overall approx. 10-5/8 x 5 x 5 in., anomalies as made, plants with a few scattered minute losses along fragile edges, flower bases with some miniscule losses to bases from contact with cups; cups with anomalies as made including hairlines and crazing, loss to gilt decoration, one with likely area of repair to underside of foot, some accretion and adhesive residue at interiors

Provenance: Private Florida Collection

Estimate: $1,500 - $2,500

165

Pair of Vladimir Kanevsky Porcelain Potted Flowers Ukrainian, 20th/21st century, porcelain and painted copper, signed “Vladimir” to undersides of pot bases, each approx. 8-7/8 x 5-1/2 x 5-1/2 in., anomalies as made, one flower with firing crack at base of a leaf, a few flowers and one leaf of one plant with areas of apparent retouch, a few minor scattered losses along delicate edges

Provenance: Private Florida Collection

Estimate: $1,000 - $2,000

166

Italian Rococo Style Carved and Pierced Giltwood Reverse Etched Mirror, label for “Mirror Fair, #7592” to reverse, New York, 20th century, scrolled frame with floral and foliate motif, reverse etched panels to frame, beveled mirror plate, 55 x 31-1/4 x 7 in., light wear overall, gilt with some distress as made

Provenance: Private Charlotte Collection

Estimate: $400 - $600

167

Monumental Maria Theresa Style 31 Light Chandelier 20th century, 30 lights in clusters of three with one central light to lower body, hung throughout with lusters and strands, 39 x 43-1/2 x 43-1/2 in., has not been tested, some loose lusters and strands with most loose pieces available but separate

Provenance: Private Collection

Estimate: $1,000 - $2,000

168

Whimsical Wrought Iron Figural Gate with Bells 20th century, black painted scrollwork with birds and flowers mounted with bells centering woman on swing, 46-3/4 x 43 x 6 in., typical weathering and wear from outdoor use, one chain hangs loose due to missing link

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $400 - $600

169

23 Piece Royal Copenhagen Blue Flower Porcelain Partial Service Danish, 20th century, each with Royal Copenhagen marks to bases, comprising: lidded coffee pot; four tea/coffee cups; four saucers; four bread plates; four salad/ luncheon plates; four dinner plates; serving bowl; serving plate; largest 10 x 8 x 5-1/4 in., overall good condition, some slight wear to bases

Provenance: Private Virginia Collection

Estimate: $200 - $400

170

146 Piece Richard Ginori Palermo Brown Porcelain Service Italian, 20th century, brown enamel and gilt bands, each marked to base, comprising: two tureens; two teapots; 23 teacups; 32 saucers; small creamer; sugar; six coffee cups; six saucers; oval bowl; 24 dinner plates; 24 salad plates; 24 side plates; largest 10 x 11 x 9-3/4 in., minor loss to enamel/gilt, some discoloration at gilt rims

Provenance: Private Collection

Estimate: $1,000 - $1,500

171

14 Steuben Gold Aurene Glass Tumblers American, 20th century, each numbered with “aurene” to base, four sizes, tallest approx. 6 x 3-3/4 x 3-3/4 in., overall good condition, some scratching and abrasions commensurate with light use, adhesive residue

Provenance: Property From An Important Estate, Maryland

Estimate: $1,200 - $1,800

172

Large Legras & Cie Les Iris Glass Vase French, early 20th century, remnants of Legras & Cie marks to base, 20-1/4 x 8 x 8 in., base drilled through (possibly mounted as a lamp at one point), scratches and wear to base, some minor areas of flaking and loss to raised gilding around neck

Provenance: Private Collection, Bristol, Tennessee Estimate: $500 - $700

173

Legras & Cie Art Glass Baluster

Vase, French, early 20th century, marked “Legras” on foot rim, cartouche centering a pair of birds, 21-1/2 x 7-3/4 x 7-3/4 in., light wear and scratches to base, tape remnants, a few scattered air bubbles throughout

Provenance: Private Collection, Bristol, Tennessee Estimate: $300 - $500

174

Pair of Steuben Glass Flamingo Figures in Original Boxes 20th century, Steuben marks to bases, each approx. 19-3/4 x 7 x 5 in.; in original velvet bag and box, 11-1/2 x 25-1/2 x 11 in., light wear and scratches to bases, otherwise good overall; boxes with some staining

Provenance: Private Charlotte Collection

Estimate: $1,000 - $2,000

175

Full Figure Silhouette of Thomas Jefferson (French, early 18th century)

Jefferson Standing in Profile, inscribed lower right “M. Thomas Jefferson, de Monticello, Va., USA, black ink on paper, 13-1/4 x 6-1/2 in.; possibly original gilt wood frame, 14-1/2 x 8 x 1 in., good overall condition, some toning and mat burn from prior mat, slight crackle to thicker areas of ink, not mounted or laid down (sheet still loose); frame with wear commensurate with age

Estimate: $1,000 - $2,000

176

Portrait Miniature of an Army Officer (American/British, 19th century)

Soldier in Fancy Dress Uniform, not visibly signed, watercolor on ivory, sight 2-1/2 x 2 in.; original bezel frame, 3-1/8 x 2-1/4 x 3/8 in., not examined out of sealed frame, white area above right shoulder shows loss of pigment; frame with wear, glass window verso missing but present

Estimate: $700 - $900

177

George Washington Portrait Miniature (American/Continental, 19th century)

George Washington, indecipherably signed, watercolor on ivory, 2 x 1-1/2 in. oval; original gilt silver frame, 2-5/8 x 2-1/8 in., surface appears in good condition, slight chips visible at top edge just under frame; frame with wear

Estimate: $600 - $800

178

13 Star American Flag late 19th / early 20th century, 3-2-3-2-3 star pattern, some stitching appears machined, flag approximately 25-1/2 x 35-1/2 in., with frame 30 x 40 in. overall , visible losses throughout, discoloration, not removed from frame Provenance: Private North Carolina Collection Estimate: $200 - $400

179

Monumental Carved and Painted American Eagle Plaque

circa 1970s, pine, banner reads “Live And Let Live”, 73 x 20 x 8 in., in overall good condition, some area of black accretion to the left of the eagle’s beak

Provenance: Private Collection, Asheville, North Carolina

Estimate: $1,000 - $2,000

180

Notes on the State of Virginia by Thomas Jefferson, Third American Edition

New York: Furman & Loudon, 1801, full calf boards, previous owners’ names inked to prefatory pages, with folding table, 8vo, 8-3/8 x 5-3/8 x 1-5/8 in., significant wear to exterior including scratching and losses to dry leather binding, loss at head of spine, cracking to leather at spine, binding loose but attached, some toning and foxing throughout text block, pp. 335/336 torn and partially lacking, an otherwise serviceable copy

Provenance: Private Virginia Collection

Estimate: $500 - $700

This copy lacking frontispiece of Jefferson and folding map of Virginia.

181

The History of Little Goody Two Shoes, The First Worcester Edition Worcester, Massachusetts: Isaiah Thomas, 1787, with woodcuts by Thomas Bewick, original brown wraps, 4 x 2-5/8 x 3/8 in., significant wear to wraps including some chipping and losses, particularly at spine, toning and scattered areas of discoloration throughout text block, some likely pest damage to top corner of first several pages

Provenance: From a New York Family

Estimate: $500 - $800

182

Civil War Cavalry Saber with Two Powder Flasks and Ramrod model 1840 “Wrist breaker” cavalry saber by Sheble & Fisher of Philadelphia, markings at ricasso; two powder flasks: one with “James Dixon and Sons, Sheffield” at spout and brass body with hunting dog scene, the other with leather wrap stamped “3 lbs.”; an associated ramrod also present; largest (saber) 43 in. with scabbard , good overall with expected wear from usage; scabbard with porosity to surface; “Dixon” flask with seized up thumb release and some dents to body

Provenance: Private Collection

Estimate: $200 - $400

183

Portrait Miniature of a Gentleman (American, 19th century) Gentleman in Purple Coat, not visibly signed, watercolor or pastel on paper, sight 2-5/8 x 2-1/8 in.; enclosed in original oval bezel frame, with window verso showing scrap of black fabric, 3-1/4 x 2-1/4 x 3/8 in., not examined out of sealed frame, extensive areas of mildew/mold or smudging around all edges; frame with wear

Estimate: $600 - $800

184

Robert Matthew Sully (American, 1803-1855)

Gipsy Girls, signed verso “RM Sully”, titled verso, oil on panel, 17 x 14-1/4 in.; period gilt wood and composition frame, 23-3/4 x 20-3/4 x 1-3/4 in., retouch, yellowed varnish, crackle, panel with attached breadboard ends, various nail holes verso; frame with wear, abrasions, losses, separation at corners

Provenance: Private Virginia Collection

Estimate: $800 - $1,200

185

Pair of American School Portraits (late 18th century)

Portraits of Husband and Wife, unsigned, oil on canvas, 14-1/8 x 12-1/8 in.; matching gilt wood frames, 161/2 x 14-3/8 x 1-3/4 in., both wax-lined, stabilized crackle, scattered areas of retouch, stretcher marks; she with evidence of repair tear; frames with wear

Provenance: Charleston, South Carolina, Estate; Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund; Private Collection, North Carolina

Estimate: $800 - $1,200

When originally consigned said to be “Mr. and Mrs. Joseph Brown”.

186

John James Audubon, Blue Jay (New York, 1785-1851)

Plate 87, 1830, from The Birds of America, London, 1827-1838, Havell edition, hand colored aquatint and engraving of wove paper with “J. Whatman 1830” watermark, plate 26 x 20-1/2 in., sheet 31 x 25-5/8 in.; painted wood frame, 34-1/8 x 29 x 1-3/8 in., margins trimmed, laid down, toning, some colors fugitive or faded, light foxing; frame with abrasions

Provenance: Private Florida Collection

Estimate: $4,000 - $6,000

187

John James Audubon, Long-billed Curlew (New York, 1785-1851)

Plate CCXXXI, Charleston, South Carolina in the background, from The Birds of America, London, 18271838, hand-colored etching, engraving, and aquatint on wove paper, lacking visible watermark, sheet 25-3/8 x 37-3/4 in.; wood frame, 28 x 40-1/2 x 1-1/2 in., trimmed within plate, paper consistent with Whatman paper with the presence of small fibers, similar texture and color, glued at edges with heat activated tape, with extensive silverfish damage in margins and into image, some fading; frame with wear

Provenance: Private Florida Collection

Estimate: $5,000 - $7,000

For a similar example see the National Gallery of Art, Washington, DC: https://www.nga.gov/ artworks/32369-long-billed-curlew.

188 Manner of Henry Inman (American/New York, 1801-1846)

Portrait of Gentleman, inscribed verso “Henry Inman”, oil on canvas, 8-1/8 x 6-1/8 in.; painted wood frame, 9 x 7 x 7/8 in., lined with linen, tacked to panel, scattered areas of retouch, stabilized crackle; frame with wear

Estimate: $400 - $600

189

Edward E. Burrill

(American/Massachusetts, 1835-1913)

English Setters, 1898, signed and dated lower left “E. Burrill /98”, oil on canvas, 24 x 36-1/8 in.; period gilt wood frame, 30-1/2 x 42-1/2 x 2-1/4 in., original canvas and tacking edge, scattered areas of retouch, crackle; frame re-gilt, possible a liner for a larger frame

Estimate: $800 - $1,200

191

Eliot Candee Clark (American, 1883-1980)

Moroccan scene, signed lower right “Eliot Clark,” estate stamp verso, oil on canvas, 12-1/2 x 18 in.; gilt wood frame, 18-1/4 x 23-3/4 x 1-5/8 in., lined, tack holes at corner; frame with minor wear

Provenance: Estate of the Artist; Private Collection, Virginia Beach

Estimate: $800 - $1,200

190

Eugene Alonzo Poole (American, 1841-1912)

Fishing Near the Shore, signed and dated lower right “E.A. Poole 73”, oil on canvas, 14-1/4 x 20-1/2 in.; original period gilt wood and composition frame, 211/2 x 27-1/2 x 2-1/2 in., original canvas and stretchers, tear at upper center, areas of retouch scattered throughout; frame with wear, losses, separation at corners

Provenance: Heritage Auctions, August 2022 (label verso); Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $500 - $700

192

Eliot Candee Clark (American, 1883-1980)

California Factory, signed lower right “Eliot Clark,” title and artist estate inscribedÂ verso, oil on board, 12 x 15-7/8 in.; gilt wood frame, 15-1/4 x 19-1/4 x 1-1/2 in.Â , edges with wear, small areas of paint loss on upper right corner and top edge, surface dirt; frame with wear and abrasionsÂ

Provenance: Estate of the Artist; Private Collection, Virginia Beach

Estimate: $500 - $700

193

New England Pilgrim Century Turned Great Chair

circa 1690, early mellow surface, spindle back, maple and ash, rush seat, 43 x 22-1/4 x 18 in., seat height 16-1/2 in., lower 3-1/2 in. of feet tipped in and with later lower stretcher, later rush with breaks and loss, proper right stile arm and stretcher joints with later reinforcing nails, typical surface wear consistent with age and use

Provenance: Private North Carolina Collection

Estimate: $1,000 - $2,000

195

American Brilliant Cut Glass Flower Center

American, late 19th/early 20th century, deeply cut hobstar, fan and cross cutting motif, large ray cut base, step cut neck, possibly by Pairpoint, fluoresces under UV light, unmarked, 5 x 10 in., a few scattered tiny chips or dings, some light scratches to bottom

Provenance: Private Charlotte Collection

Estimate: $400 - $600

194

English Rectangular Slipware Dish

18th/19th century, dark brown ground with cream slip decoration, light clay body stamped “12” to underside, 3-1/2 x 15-1/2 x 14-1/4 in., glaze crazing, some pitting to underside, a few small craters and edge chips

Provenance: Private Collection

Estimate: $1,500 - $2,500

196

American Brilliant Period Cut Glass Bowl and Ice Cream Tray

American, late 19th/early 20th century, bowl with crenellated rim, lattice and rosette variation, unmarked, 3-5/8 x 8 in.; Russian ice cream tray with a channel cut tusk star, 2-5/8 x 14-1/2 x 8 in., both with scattered flea bites and small chips, typical light wear to base; tray missing a tooth to rim

Provenance: From the Collection of David and Barbara Specter, Winston-Salem, North Carolina

Estimate: $300 - $500

197

American Brilliant Period Cut Glass Two Piece Punch Bowl

American, late 19th/early 20th century, punch bowl and stand, marked “Libbey”, Colonna variation, four large and four small hobstars, pedestal base, scalloped rim, 9-3/4 x 14 in., scattered flea bites and small chips, typical light wear to base, interior of base with flaked chip to the back of four teeth

Provenance: From the Collection of David and Barbara Specter, Winston-Salem, North Carolina

Estimate: $400 - $600

199

Monumental American Brilliant Period Cut Glass Pitcher

American, late 19th/early 20th century pitcher, Monarch pattern, by J. Hoare, triple cut handle, ray cut base, fluoresces under UV light,Â heavy blank, 14-1/4 x 8-1/2 x 7-7/8 in., scattered flea bites and small chips, typical light wear to base

Provenance: From the Collection of David and Barbara Specter, Winston-Salem, North Carolina

Estimate: $600 - $800

198

American Brilliant Period Cut Glass Punch Bowl, Ladle, Cups

American, late 19th/early 20th century punch bowl with stand, 10 footed punch cups, some marked “Clark” on foot, 3-1/2 x 3-3/8 x 2-3/4 in.; deeply cut punch bowl with stand, four large and four small hobstars, unmarked, possibly by Egginton, 11-7/8 x 14-1/4 in.; matching silver plated ladle, marked “Meridan Silver Co. A1.”, 16-3/4 in. long, scattered flea bites and small chips to the exterior and small chips to the teeth, typical light wear to base

Provenance: From the Collection of David and Barbara Specter, Winston-Salem, North Carolina

Estimate: $600 - $800

200

Tiffany Sterling Tray

American, 20th century, round with shaped border, no monogram, marks for Tiffany & Co., “24072”, 35.24 oz. T., 14-1/4 in.; with Tiffany bag, like new

Provenance: Private Virginia Collection

Estimate: $1,400 - $1,800

201

Tiffany Sterling Water Pitcher

American, 1907-1947, helmet form, no monogram, marks for Tiffany & Co., “18181...7728”, 34.85 oz. T., 9-1/4 in., light scratches, spots of heavy tarnish, and typical wear

Provenance: Private Collection

Estimate: $1,500 - $2,000

202

Tiffany English King Sterling Flatware, 61 Pieces

American, 20th century, including twelve hollow handle knives, two sizes; ten forks; twelve teaspoons; twelve oval soup spoons; six serving spoons; sugar spoon, marks for Tiffany & Co., 98.89 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Collection, Virginia

Estimate: $3,500 - $4,500

203

Seven Pieces Tiffany Sterling Table Items

American, 20th century, including Revere style bowl, “23617”, 4 x 7-3/4 in., with Tiffany bag; three piece condiment set with salt spoon and mustard ladle, blue glass liners, English silver made for Tiffany, with Tiffany bags and box; Holly sauce ladle, 6-1/2 in., all with marks for Tiffany, 21.35 oz. T., all in like new condition

Provenance: Private Virginia Collection

Estimate: $800 - $1,200

204

Tiffany Sterling Bowl, Governor’s Inscription

American, 1892-1902, round with shell and wave band, inscribed on base “From/ Governor & Mrs. John F. Hill/and the Governors Staff/April 16 - 1902”, marks for Tiffany & Co., 18.07 oz. T., 2-3/4 x 8-1/2 in., small dents and typical wear

Provenance: Property of a South Carolina Collector

Estimate: $600 - $1,200

John Fremont Hill (1855-1912) was a Maine businessman and Republican politician who served as the state’s 45th governor from 1901 to 1905. He was active in shipbuilding, banking, and civic affairs.

205

Gorham Strasbourg Sterling Flatware, 81 Pieces

American, 20th century, including five 9-3/8 in. hollow handle knives; nine 9 in. hollow handle knives; nine forks; sixteen salad forks; nineteen teaspoons; six round soup spoons; two solid handle spreaders; seven ice tea spoons; ladle; sugar spoon; demitasse spoon; pickle fork, hollow handle: carving set, chasse spreader, and cake breaker, all with marks for Gorham; with seventeen assorted sterling forks, teaspoons, serving spoon and six silver plate spreaders, (104 pieces total), 102.49 oz. T excluding hollow handle and silver plate pieces, average wear

Provenance: Private Collection

Estimate: $3,000 - $4,000

207

Towle Newbury Sterling Flatware, 87 Pieces

American, 20th century, including eight hollow handle knives; twenty four forks, various sizes; twenty five spoons, various sizes; ten oval soup spoons; eight round soup spoons; eight hollow handle spreaders; ladle; sugar spoon; hollow handle carving set, marks for Towle, 84.17 oz. T. excluding hollow handle pieces; with three assorted silver spoons (90 pieces total), average wear

Provenance: Private Collection

Estimate: $3,000 - $4,000

206

Kirk King Sterling Flatware, 95 Pieces

American, 20th century, including twelve hollow handle knives; twelve forks; twelve salad forks; nine teaspoons; nine round soup spoons; ten ice tea spoons; twelve solid handle spreaders; nine cocktail forks; solid handle butter knife; sugar spoon; three serving spoons; ladle; jelly server; serving fork; hollow handle carving set, marks for Kirk & Son, with ten assorted pieces sterling items, 120.88 oz. T. excluding hollow handle pieces, average

Provenance: Private Collection

Estimate: $4,000 - $5,000

208

Gorham Buttercup Sterling Flatware, 129 Pieces

American, 20th century, including twelve hollow handle knives; twelve dinner forks; twelve luncheon forks; twelve salad forks; twenty six teaspoons; twelve round soup spoons; twelve ice tea spoons; eight cocktail forks; twelve solid handle spreaders; two hollow handle knives; two serving spoons; serving fork; cucumber server; ladle; jelly server; hollow handle cheese and pie server, most with monograms, marks for Gorham; with 18 assorted sterling, grapefruit, spoons and napkin rings, 141.52 oz. T. excluding hollow handle pieces, (147 pieces total), average wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $5,500 - $6,500

209

Towle Silver Iris Sterling Flatware, 77 Pieces

American, 20th century, including twelve hollow handle knives; twelve forks; twelve salad forks; twelve teaspoons; twelve oval soup spoons; thirteen hollow handle spreaders; two serving spoons; sugar spoon; hollow handle ladle, no monograms, marks for Towle; with similar Shreve & Co. spoons, (78 pieces total), 87.45 oz. T. excluding hollow handle pieces , average wear

Provenance: Private Collection Asheville, North Carolina

Estimate: $3,000 - $4,000

210

American Impressionist Scene (American, mid 20th century)

Wild Roses, unsigned, bears old illegible gallery label frame verso, oil on canvas, 25 x 30 in.; likely original carved gilt wood frame, 32 x 37 x 1-3/4 in., original canvas and stretchers, surface dirt, canvas showing through in places as made; frame with gold paint, wear

Provenance: Private Collection, Richmond, Virginia

Estimate: $6,000 - $8,000

211 John George Brown (English/America, 1831-1913)

Bootblack, 1884, signed and dated middle left “J.G. Brown N.A. 1884”, bears old label with title verso, oil on canvas, 24 x 16 in.; gilt wood frame, 27-1/4 x 19-1/4 x 1-1/4 in., original stretcher and canvas, old patch repairs verso, small surface puncture at left arm, uneven varnish, minor areas of retouch; frame with gold paint, wear and abrasions

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina

Estimate: $5,000 - $6,000

212

Andre Gisson (American, 1921-2003)

Flowers in Vases, signed lower right “Gisson”, oil on canvas, 20 x 24 in.; gilt wood frame, 29-3/4 x 33-3/4 x 2-1/4 in., overall good condition; frame with wear and abrasions

Provenance: Private Collection

Estimate: $1,000 - $1,500

213

Abraham Walkowitz, Seven Woman’s Heads (Russian/America, 1878-1965)

all signed, four dated 1928, (5) pastel on paper; (2) watercolor on paper, the smallest 4-1/2 x 2-3/4 in.; the largest 14 x 11 in.; all matted, unframed, vibrant color, all tacked or hinged to a backing surface, various small areas of wear at edges, not visible under mats

Provenance: Gift of the artist; Property from the Brooklyn Museum

Estimate: $1,500 - $2,500

214

Abraham Walkowitz, Three Isadora Duncans (Russian/America,1878-1965)

Isadora In Red, all signed, “A. Walkowitz”, two also inscribed “Isadora Duncan”, all watercolor, ink and pencil on paper, the largest 14 x 8-1/2 in.; all matted to 19-1/4 x 14-1/4 in., all tacked to larger paper mounts, all mounts hinged to mat backings, with slight toning

Provenance: Gift of the artist; Property from the Brooklyn Museum

Estimate: $1,000 - $1,500

215

Two Published Artist’s Folios, Arthur Davies, Leonard Baskin Voyages, Six Poems by Hart Crane, Wood Engravings by Leonard Baskin, New York/Massachusetts: The Museum of Modern Art with The Gehenna Press, 1957, numbered 94/975 at limitations page, sewn paper wraps with matching chemise, poems with original box wood engravings and one cherry woodcut on paper, with Neuf Lithographies Originales, New York: M. de Zayas, 1920, numbered 25/35, all signed in pencil “Arthur B. Davies”, editioned and inscribed “author’s copy” to back flap, lithographs on paper; larger folio,15-3/4 x 11-3/8 x 1/8 in., Voyages text block bright and clean, prints in overall good condition, exterior front cover with fading, abrasions, stains; Neuf Lithographies with toning, small creases, three with tears, handling marks, wraps with water damage to along top edges not extending to images, significant toning

Provenance: From a New York Family

Estimate: $200 - $400

216

Richard Veenfliet

(American/German, 1843-1922)

My Old Kentucky Home, signed lower left “R. Veenfliet,” watercolor on paper, 19-5/8 x 29-3/8 in.; gilt wood frame, 24-3/4 x 34-5/8 x 2-1/4 in., slight fading, slight toning, small loss to upper left corner not visible under frame; frame with wear and minor abrasions

Estimate: $800 - $1,200

217

Robert Crannell Minor (American, 1839-1904)

Spring in the Countryside, 1872, signed and dated lower right “Robert C Minor Paris 1872”, oil on canvas, 22 x 35 in.; fine reproduction gilt wood frame, 28 x 41-1/8 x 2-1/4 in., linen lined, scattered areas of retouch; frame with wear, some separation at corners

Provenance: Private Collection, Virginia

Estimate: $1,000 - $2,000

218

William Seltzer Rice (American, 1873-1963)

Moonlight-Eucalypti, 1920, signed lower right “W.S. Rice” and titled lower left, color woodblock on laid paper, image 10 x 5-5/8 in., sheet 14-1/4 x 8-1/8 in.; original black painted print frame, 18 x 12-1/2 x 5/8 in., full sheet, taped at top to original card mount, thin spot and smudge in bottom margin, light toning; frame with abrasions

Provenance: Private Collection

Estimate: $1,500 - $2,500

219

Fine American Federal Inlaid Mahogany Serpentine Sideboard

Mid Atlantic, circa 1800, finely crafted with highly figured veneers and inlay throughout including bellflowers to legs and kite escutcheons, poplar secondary, two keys included, 40 x 72-3/4 x 24-1/4 in., top with minor with minor shrinkage cracks, drawer with patch from previous lock, minor splits and separations throughout with some infill and repairs including patches, legs with minor scuffs and veneer repairs, hinges and brasses later

Provenance: Private Collection, Manchester-by-the-Sea, Massachusetts

Estimate: $5,000 - $7,000

220

American Federal Carved and Pierced Parcel Gilt Mahogany Mirror

late 18th century, early and possibly original mirror plate, crest with pierced acanthus roundel, scrolled carvings to frame, 34-1/4 x 18 x 1-1/4 in., early mirror plate with period appropriate foxing and spots of desilvering (mirror plate not removed), lower mirror plate with area of scratches, crest and apron each with repair to break, early backboard probably original but held with later nails, warping to frame, typical checking to veneer with spots of repair

Provenance: Private Florida Collection

Estimate: $300 - $500

221

Diminutive Massachusetts Federal Mahogany Serpentine Chest of Drawers probably Boston or Salem, late 18th century, figured one board top with molded edge, four graduated drawers, ogee bracket feet, white pine secondary, 31-1/4 x 36 x 20-1/4 in., feet restored, proper left front foot with loss to edge, later brasses, molding beneath top edge appears to be replaced, top proper left back edge with patch, repair to associated crack, and nearby chip loss, typical minor wear throughout, proper right side with white spots to finish

Provenance: Private Texas Collection

Estimate: $1,000 - $2,000

222

Pair of American Federal Carved Mahogany Side Chairs

Mid Atlantic, late 18th/early 19th century, carved and turned spindles, brass tacked over the rail floral motif upholstery, reeded legs, 35-1/4 x 18-1/2 x 18-1/2 in., seat heights 18-1/4 in., both chairs proper right upper legs with repair to break (stable), typical wear and edgewear including rubbing and chip to feet (not inspected under upholstery)

Provenance: Private Florida Collection

Estimate: $400 - $700

223

Delaware Attributed Federal Inlaid and Figured Mahogany Sideboard possibly George Whitelock of Wilmington, Delaware, with very similar labeled example documented by the Delaware Historical Society, late 18th/early 19th century, four bowed doors and central drawer all with original brass grape cluster repousse pulls, square tapered inlay cuffed legs, white pine and maple secondaries, illegible period paper label to the underside, 38-1/4 x 72-3/4 x 26 in., split to top with old failing repair, dark veneered band to back of top probably as made, top reset and held with later screws and brackets, proper right door with apparent veneer restoration, veneer with minor checking and scattered loss to top edge, proper left rear leg with slight warp, typical surface wear and edgewear to legs

Estimate: $1,000 - $2,000

Similar example documented as 1929.001 by the Delaware Historical Society. Form is a very close match, and dimensions are nearly identical. The sideboard offered here is lacking the poplar secondary wood and has oval brasses instead of the octagonal brasses of the labeled example.

224

Miniature 19th Century Mechanical Invalid Bed, Probably Patent Model

New England or Canadian, 19th century, with modified “BANK OF UPPER CANADA 1854” coin ratchet wheels made to adjust tilt on feet and head, chamber pot drawer, turned posts, birdseye maple veneers, later cushion included, 8-1/8 x 11-1/8 x 5-1/2 in., surface with wear and water stains to finish, cloth connecting ratcheting rods and adjustable backs/feet torn, some later wire nails to breaks at joints, post with slightly unstable split

Provenance: Private Vermont Collection

Estimate: $400 - $600

The post Civil War era saw growth in patents for invalid furniture, driven by the large population of wounded veterans requiring long term domestic care. Adjustable beds with integrated sanitary provisions were among the most actively patented furniture forms of the 1860s-70s.

225

Kittinger Queen Anne Style Mahogany Settee

20th century, caramel brown leather upholstery, scrolled arms, cabriole legs with scrolled returns and pad feet, label to underside and impressed brand to proper right rear leg, 37-1/4 x 53-1/2 x 27-1/2 in., seat height 16-1/2 in., typical scuffs to frame, leather with minimal wear

Provenance: Private Collection, North Carolina

Estimate: $500 - $700

226

New England Queen Anne Cherry Tray Top Tea Table, Prickett Provenance Connecticut, circa 1760, cabriole legs, ridged pad feet, 26-1/2 x 28-7/8 x 19-3/8 in., top with scattered cracks and distress, reset with butterfly patches at underside (warping correction) and later screw attachment strips and underside, one edge with shrinkage correction, some pest damage to interiors of rails; one foot pieced

Provenance: C.L. Prickett May 26, 1998 (Jun 10, 1998 Prickett replacement value $55,000, copy of appraisal available); Private Collection, Manchester-by-the-Sea, Massachusetts

Estimate: $3,000 - $5,000

227

Pair American Classical Carved Tiger Maple Klismos Side Chairs probably Philadelphia, circa 1830, scroll and foliate carved crest rail ears and splat, applied roundels to ends of front seat rail, blue foliate motif slip seats, 32 x 18-1/2 x 19 in., seat heights 18 in., slip seats probably later, both chairs with plugged screws at seat rail and stile joints probably as made, one chair with plugged screws at stile and crest rail attachment, typical surface wear throughout Provenance: Per consignor notes acquired from Ann Genter; Private Florida Collection

Estimate: $300 - $500

228

John Sproson Signed Continuous Arm Brace Back Windsor Chair Philadelphia or New York, circa 1790, retaining early and dry dark surface, turned arm supports, legs, and stretcher, underside with “I. Sproson”, 37-1/2 x 19 x 22 in., seat height 17-1/4 in., proper left arm with patch repairs, proper left seat edge beneath arm support and two spindles with restoration, proper right rear foot partially tipped in, typical splits to seat commensurate with age, early surface with distress and scattered loss throughout Provenance: Private Texas Collection

Estimate: $300 - $500

229

Heriz Carpet

early 20th century, large central medallion on red field, 13 ft. x 10 ft. 5 in., generally even low pile, scattered areas of wear commensurate with age and use, minor rewoven restorations, lacking 1/2 in. of guard borders at both ends with later binding

Provenance: Brunk Auctions, September 15 2012, lot 716, $4,400; Private Collection, Asheville, North Carolina

Estimate: $2,000 - $4,000

230

Heriz Carpet

second half 20th century, central medallion on red ground, dense floral and foliate designs throughout, 15 ft. 5 in. x 10 ft. 8 in., typical and even wear throughout, in need of deodorizing, some loss to fringe, tear to edge and other repairs to selvedge, small spots of pest damage to pile

Provenance: Brunk Auctions, February 20-21, 2010, lot 467; Private Collection, Asheville, North Carolina

Estimate: $1,000 - $2,000

231

Persian Runner, Tree of Life Motif with Quadrupeds, mid 20th century, repeating tree of life motif on dark blue ground, 16 ft. 2 in. x 3 ft. 6 in., ends with some repair and restoration, repair near end, some loose threads to selvage, typical minor wear throughout Estimate: $600 - $900

232

Small Kazak Rug first quarter 20th century, three medallions on blue field, geometric designs throughout, 4 ft. 3 in. x 3 ft. 2 in., scattered professional repairs, replaced selvedge, some exposed foundation, wear commensurate with age and use

Provenance: Private Collection, Florida Estimate: $1,000 - $2,000

233

Figural Sarkoy Kilim with Two Birds first half 20th century, two opposing peafowl birds, red field, stylized floral border, 7 ft. 3 in. x 4 ft. 6 in., abrash and areas of restoration, fading, some exposed foundation, repair to edge, restored selvage Estimate: $400 - $600

234

Yalameh Rug second half 20th century, three rows of connected hooked medallions on red ground, “MADE IN IRAN” label to corner, 9 ft. 3 in. x 6 ft. 10 in., fading, abrash and typical minor wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $600

236

235

Durgin/Gorham Five Piece Sterling Tea and Coffee Service

American, 1920s, paneled forms, composite spacer, monograms, marks for Durgin and Gorham, 66.61 oz. T., including 7-1/2 in. coffee pot with matching teapot, covered sugar, creamer, and waste, light scratches and typical wear

Provenance: Private Collection

Estimate: $2,500 - $3,500

Three Piece Gorham Sterling Coffee Service with Tray American, 20th century, oval form with floral decoration, ivory spacer, no monogram, marks for Gorham, 49.96 oz. T., including 9-1/4 in. coffee pot with matching open sugar, creamer, and 12-1/4 in. round tray, creamer in with engraved number on base, small dents, light scratches, and typical wear

Provenance: Private Collection

Estimate: $2,000 - $2,500

237

Five Pieces Sterling Hollowware most American, 20th century, including Dominick & Haff bowl, openwork border; Fisher shell form and oval bread tray; Menorah with scroll arms, marked “ST925”, oval tray with openwork sterling gallery and wooden base, 12-1/4 in. to 7-1/4 in., all with typical wear

Provenance: Private Collection

Estimate: $1,000 - $1,500

238

Five Piece International Prelude Sterling Tea and Coffee Service, American, 20th century, pear forms with floral band, composite spacers, monogram, marks for international, 74.01 oz. T., including 10-3/4 in. coffee with matching teapot, covered sugar, creamer, and waste, small dents, light scratches, and typical wear

Provenance: Private Collection, Virginia Beach

Estimate: $3,000 - $4,000

239

Twelve Sterling Plates

American, 20th century, all round, three serving plates with open work borders; nine bread and butter plates, 41.22 oz. T., 9 in. to 6 in., all with typical wear

Provenance: Private Collection

Estimate: $1,500 - $2,500

240

Six Pieces American Coin Silver Flatware

American, mid 19th century including ladle with marks for P.B. Sadtler & Sons (Baltimore, Maryland, 1837-1872); hollow handle fish knife with engraved blade, Henry David (New York, NY); four tablespoons by Charles Farley (Maine); stamped “STANTON”; one with pseudo hallmarks; one with partial marks, 10.22 oz. T., 8-3/4 in. to 131/4 in., ladle with later gilt bowl, all with high polish, and two with possible monogram removal (no weakness)

Provenance: Private Collection, North Carolina

Estimate: $500 - $800

241

William R. Davis

(American/ Massachusetts, born 1952)

Dockside, signed lower right “William R. Davis”, oil on board, 8 x 10 in.; fine gilt wood frame, 14-1/4 x 16-1/4 x 1-1/4 in., overall good condition; frame with minor wear and abrasions

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $1,000 - $2,000

242

William R. Davis

(American/ Massachusetts, born 1952)

Boston Harbor Sunset, signed lower right “W. Davis,” signed and titled verso, oil on board, 4-1/8 x 11-1/2 in.; fine gilt wood frame, 10-1/4 x 17-3/4 x 2-3/4 in., overall good condition; frame with wear and abrasions

Provenance: Meghan Candler Gallery, Vero Beach, Florida (label verso); Property from a Private Collection, Vero Beach, Florida

Estimate: $1,000 - $2,000

243 Elizabeth Shippen Green Book Illustration (American/Pennsylvania, 1871-1954)

Making a House, inscribed lower margin “The Dreamer” and “Making Pictures”, an illustration for The Book of the Little Past, (as Making a House), signed lower left “Elizabeth Shippen Green”, mixed media on artist board, 28-1/4 x 19-5/8 in.; wood frame, 321/8 x 22-7/8 x 1-3/4 in., vibrant color, laid on board, glue remnants; frame with minor wear

Estimate: $15,000 - $20,000

This charming work appears as the first illustration in Peabody, Josephine Preston, and Elizabeth Shippen Green Elliott. The Book of the Little Past. Houghton Mifflin Co., 1908. p.1.

244

Jim Dine

(American, born 1935)

Red Ochre Flowers, 1978, edition 32/55, signed and dated lower left “Jim Dine 1978”, etching with aquatint, drypoint, engraving in red-ochre ink, on Fabriano Classico paper, plate, 24-1/2 x 19-3/4 in.; wood frame, 45-1/8 x 37-1/4 x 1-3/8 in., not examined out of frame, light toning; frame with minor wear

Provenance: Private Virginia Collection

Estimate: $1,000 - $1,500

245

James Rosenquist (American, 1933-2017)

Near and Far, 1975, edition 25/150, signed and dated lower right “Rosenquist 1975”, color lithograph, offset lithograph, pencil, on cream wove paper, sight 19 x 36-1/8 in.; modern frame, 27-3/4 x 44-7/8 x 1-3/8 in., not examined out of frame, floated, light toning, light fading, light tape stains through to front at three points; frame with wear and abrasions

Provenance: Private Virginia Collection

Estimate: $500 - $1,000

246

Two Sided Mario Sanchez (Cuban-American, 1908-2005)

Pee-Roo-Lee Man and Polka Dots, double sided, Pee-Roo-Lee-Man recto and completed, Polka Dots verso and unfinished, 1974, signed and titled lower right recto “The Pee-Roolee Man/Mario Sanchez”, carved and polychrome painted wood-relief plaque, 27-3/4 x 11-1/4; integral plywood frame, 28-3/4 x 12-1/4 x 1-1/4 in., overall very good, some light wear

Provenance: The Gallery on Greene, Key West, Florida, 2013; Private Florida Collection

Estimate: $10,000 - $15,000

Mario Sanchez was a Cuban-American folk artist from the Key West cigar-making neighborhood known as “Gato’s Village.” Self-taught, Sanchez began working artistically in 1930 on media like paper bags and cedar wood boards. His sketches and intaglio works project a unique vision that is playful, nostalgic, and rooted to the experience of community, especially in Key West and Tampa, Florida.

Sanchez received one-man exhibitions in major museums including New York’s American Folk Art Museum, The Museum of the City of New York, Bacardi Museum, and Cuba’s National Museum of Fine Art. He has work in the collections of the Smithsonian, The Whitney, and The American Folk Art Museums as well as many private collections in Florida and across the country.

The Pee-Roo-Lee-Man is a common character found in Mario’s landscapes. “Pee-Roo-Lee” stands for the Spanish term pirulí, similar to ‘lollipop’ in English. Pirulí is a Cuban homemade candy commonly sold by vendors on the street. The Pee-Roo-Lee-Man, or Piruliero has widely become a nostalgic symbol for simple pleasures.

247

Robert Cairns Dobson (Scottish/America, 1881-1916)

The Forest and the Trees, signed lower right “R.C. Dobson”, inscribed canvas verso “For Alan”, oil on canvas, 14 x 18 in.; possibly original Whistler style reeded gilt wood frame, 24-3/4 x 28-3/4 in., original canvas and stretchers, stretcher marks; frame re-gilt, wear at edges, separation at corners

Provenance: The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior, Brunk Auctions, May 28, 2025, lot 175; Private Collection

Estimate: $800 - $1,200

249

American Oxford Pottery Co. Majolica Floral Motif Jardiniere on Stand underside with “Oxford / 2s”, Ohio, circa 1920, raised floral motif on blue ground, jardiniere with yellow glazed interior, stand and jardiniere 36-3/4 x 13-1/4 x 13-1/4 in., typical crazing throughout and stains from wear and use to jardiniere interior, stand inner foot with chip loss, other minor imperfections as made

Provenance: Brunk Auctions, September 23 2013, lot 707; Private Collection, Biltmore Forest, North Carolina

Estimate: $300 - $500

248

Signed Wolf Kahn Exhibition Poster, The Salt Barn (Vermont/German, 1927-2020)

For the exhibition Wolf Kahn at Seventy-Five, Jerald Melberg Gallery, Charlotte, North Carolina; featuring Saltbox Barn, 2002, signed and inscribed in ink lower left “To Laura-Wolf Kahn 11/02”, offset color lithograph, sight 25-3/8 x 29-3/8 in.; metal frame, 26-1/4 x 30-3/8 x 1 in., not examined out of frame

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

250

American Majolica Floral Motif Jardiniere on Stand possible faded and obscured Oxford mark to jardiniere underside (Oxford Pottery Co. of Ohio), first half 20th century, raised floral motif on blue ground, jardiniere and stand, 41-3/4 x 16-1/4 x 16-1/4 in., typical crazing throughout, jardiniere with wear and stains to interior consistent with use, chip to rim and chips to feet, stand with some hairline cracks (stable)

Provenance: Brunk Auctions, September 23 2013, lot 707; Private Collection, Biltmore Forest, North Carolina

Estimate: $200 - $400

251

Lead Putti Garden Fountain

probably American, 20th century, unmarked, cast lead smiling child with urn plumbed to spill water, on integral shaped base, appears to be functionally plumbed, 19-1/2 in tall, 10-1/2 x 11 in. base , scattered small nicks and gouges, gray paint/patination overall, base curved, as made to fit into a shaped catch basin, with holes as made

Provenance: Property Deaccessioned by the Colonial Williamsburg Foundation, Williamsburg, Virginia; all proceeds to benefit the Collections Acquisitions Fund

Estimate: $600 - $800

252

Large Larry Ballard Chicago, Illinois Carved Wooden Dog contemporary, grey and black paint to body, white painted carved teeth, red painted mouth and tongue, bristle whiskers, black and white painted eyes, “1994 BALLARD 54” carved into leg, 35 x 26 in., some surface discoloration, varying wood surface texture under paint, good as made condition

Provenance: Private North Carolina Collection

Estimate: $300 - $500

253

Three Piece Modern Mexican Sterling Coffee Service Mexico City, 20th century, dramatic clean lines, no monogram, marks for Louvre, 117.09 oz. T., including 10 in. coffee pot with matching lidded creamer, covered sugar, and 23 in. two handle tray, light scratches and typical wear

Provenance: Private Virginia Collection

Estimate: $4,500 - $5,500

254

Reed & Barton Francis I Sterling Flatware, 116 Pieces

American, 20th century, including sixteen hollow handle knives, various sizes; six dinner forks; fifteen luncheon forks; sixteen salad forks; nineteen teaspoons; six oval soup spoons; ten ice tea spoons; twelve cocktail forks; twelve hollow handle spreaders; two sugar spoons; two serving spoons, no monograms, marks for Reed & Barton, 127.18 oz. T. excluding hollow handle pieces; with wooden case, average wear

Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $4,000 - $5,000

255

Gorham Fairfax Sterling Flatware, 47 Pieces

American, 20th century, including twelve hollow handle knives; ten forks; ten salad forks; ten teaspoons; two oval soup spoons; two cocktail forks, ice tongs, no monograms, marks for Gorham, 43.98 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Collection, South Carolina

Estimate: $1,500 - $2,500

257

Wallace Aegean Weave Sterling Flatware, 83 Pieces

American, 20th century, including thirteen hollow handle knives; thirteen forks; thirteen salad forks; twelve teaspoons; twelve oval soup spoons; twelve demitasse spoons; hollow handle butter knives; hollow handle pie server; sugar spoon; serving spoon; serving fork; slotted serving spoon; ladle, no monograms, marks for Wallace, 88.86 oz. T. excluding hollow handle pieces, good condition

Provenance: Private Collection

Estimate: $3,000 - $5,000

256

Gorham Fairfax Sterling Flatware, Service for Eight, 64 Pieces

American, 20th century, including eight hollow handle knives; right forks; eight salad forks; sixteen teaspoons; eight coffee spoons; eight oval soup spoons; eight hollow handle spreaders, marks for Gorham, 56.58 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Virginia Collection

Estimate: $2,000 - $3,000

258

Wallace Lotus Sterling Flatware, 79 Pieces

American, 20th century, including seven hollow handle knives; eight forks; ten forks; eighteen teaspoons; six round soup spoons; twelve ice tea spoons; two round soup spoons, large; oval soup spoon; three serving spoons; sugar spoon; solid handle butter knife; two ladles; serving fork; three solid handle spreaders; hollow handle pie and cheese server; no monograms, marks for Wallace; with six Gorham demitasse spoons, 81.85 oz. T. excluding hollow handle pieces (85 pieces total), average wear

Provenance: Private Collection

Estimate: $2,500 - $3,500

259

Pair of Miniature Portraits of Mr. and Mrs. Durbin From Kentucky (American, 19th century)

Wedding Portraits of Mr. Durbin and Mrs. Durbin of Kentucky, circa 1830, watercolor on ivory, both 3-1/8 x 2-1/4 in.; matching gilt wood and composition frames, 7-1/4 x 6-1/2 x 1-5/8 in., wear at edges, laid down on acid-free backing, charming use of color; frames with wear, abrasions, some losses

Estimate: $2,000 - $3,000

260

Portrait Miniature of Colonel Austin Fauntleroy Brockenbraugh (1738-1810) (American/Virginia, 18th century)

Portrait, not visibly signed, watercolor on ivory, window verso with hair weaving and monogram, sight, 2-1/8 x 1-3/4 in.; gilt bezel frame, 2-1/2 x 1-3/4 x 1/4 in., not examined out of enclosed frame, vibrant color, good clean surface; frame with minor wear

Estimate: $400 - $600

Literature: Stanard, Mary Newton. Colonial Virginia : Its People and Customs. J.B. Lippincott Company, 1917. p. 226. Colonel Austin Brockenbraugh was an officer under George Washington’s command during the French and Indian War. This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

261

Three Framed Confederate Stock Certificates 19th century, Confederate States of America $100, first series, with 45 coupons attached; Confederate States of America $1000, third series, with 59 coupons attached; Selma, Marion, and Memphis Railroad Company $1000, with 33 coupons attached, bears the signature of former Confederate General Nathan Bedford Forrest; each handsomely framed, largest 33 x 22 in. overall , good overall, folds, light foxing, clipped coupons, as typically encountered

Provenance: Private Collection

Estimate: $200 - $400

262

Mark Catesby, The Small Bittern (British, 1679-1749)

T. 80 The Small Bittern from The Natural History of Carolina, Florida and The Bahama Islands, 1731-1743, signed in plate with monogram, hand colored engraving on laid paper with “V” watermark; plate 10-1/8 x 13-7/8 in., sheet 13-1/4 x 191/4 in., with text; gilt wood frame, 18-1/2 x 22-1/8 x 3/4 in., archivally hinged to mat, light toning, some foxing; frame with minor wear

Provenance: Property of a South Carolina Collector Estimate: $1,000 - $1,500

263

Three Mark Catesby Ornithological Engravings (British, 1679-1749)

From The Natural History of Carolina, Florida and The Bahama Islands, third edition: T.3 The Pigeon Hawk, 1771, hand colored engraving on laid paper with J Whatman watermark, plate 10-1/8 x 14 in.; sheet 13-1/2 x 20-7/8 in.; T. 68 The Black Bullfinch, 1815, monogram on plate, hand colored engraving on wove paper with J Whatman watermark, plate 13-7/8 x 10-1/4 in.; sheet 20-5/8 x 14-1/4 in.; T. 12 The Purple Jackdaw, hand colored engraving on wove paper, plate 10-1/4 x 13-3/4 in.; largest frame, 20 x 23-3/4 x 1-1/8 in., all with toning; T. 3 floated with archival tape, loss to lower left corner, light foxing; T. 68 archivally hinged to mat, light foxing; T. 12 not examined out of frame, evidence of crease; frames with wear and abrasions

Provenance: Property of a South Carolina Collector

Estimate: $600 - $900

264

Mark Catesby, Soree, Mahogany Tree (British, 1679-1749)

Two hand colored engravings from The Natural History of Carolina, Florida and The Bahama Islands, third edition: T. 70 The Soree, 1808, on wove paper with J Whatman watermark, plate 13-3/4 x 10-1/4 in., sheet 20-7/8 x 14-1/2 in.; T. 81 The Mahogany Tree, monogrammed in plate, on wove paper with J Ruse watermark, plate 13-3/4 x 10 in., sheet 21 x 14-1/8 in.; largest frame, 29-5/8 x 22-3/8 x 1 in., both with toning, foxing; “Soree” hinged to mat, tape residue, foxing; “Mahogany” floated on mat; frames with wear

Provenance: Property of a South Carolina Collector

Estimate: $500 - $700

265

Mark Catesby, Red Headed Woodpecker, Pilchard (British, 1679-1749)

Two hand colored engravings from The Natural History of Carolina, Florida and The Bahama Islands: 1731-1743; T. 20 The Red Headed Woodpecker, on laid paper with “IV” watermark, plate 14 x 10-1/4 in., sheet 19-1/4 x 14-1/2 in.; T. 24 The Pilchard, on laid paper with Strasbourg Lily “GR” watermark, plate 13-7/8 x 10 in., sheet 20-1/8 x 13-7/8 in.; largest frame, 23-3/4 x 20 x 1 in., both with vibrant color, hinged to mat, toning, some foxing; “Woodpecker” with tape remnants and residue verso; frames with wear and abrasions

Provenance: Friedman’s Fine Art, Savannah, Georgia (label verso); Property of a South Carolina Collector

Estimate: $400 - $800

266

Two Mark Catesby Duck Prints (British, 1679-1749)

From The Natural History of Carolina, Florida and The Bahama Islands, third edition, both signed in plate with monogram; T. 95 The Buffel’s Head Duck, pencil inscriptions verso, hand colored engraving on wove paper, lacking watermark, plate 10-1/4 x 13-5/8 in., sheet 12-1/2 x 15-5/8 in.; T. 94 The Round Crested Duck, hand colored engraving on paper with “Edmeads & Co” watermark, plate 10-1/8 x 13-1/2 in., sheet 14 x 18-3/4 in.; matching gilt wood frames, 19 x 22-1/2 x 3/4 in., both mounted with photo corners, toning; T. 95 with tape remnants and residue verso, small tear upper left, repaired tear lower right corner with tape, faint water stain; T.94 with water stain upper right corner, fly specks, small tear lower right

Provenance: Property of a South Carolina Collector

Estimate: $400 - $600

267

Tennessee Federal Cherry Sideboard, Sumpter Priddy Provenance attributed to Greeneville, circa 1825, sideboard or huntboard, top with thick molded edge, three roomy dovetailed drawers with beaded edges, paneled sides, round tapered reeded legs with double cuffed feet, poplar secondary, 40 x 63-3/4 x 22-1/2 in., later brasses, top reset and with two later 3 in. strip to back edge, later plugged screws to top corners, unexplained mortise holes to middle stile interiors, proper left rear and front center proper right legs with repair to break at case attachment, the front right foot also with repair to break, front center proper left leg with later glue at case attachment, typical scattered repairs and chips to feet, front center right leg with patch to reeding, surface with light wear overall

Provenance: Sumpter Priddy, Alexandria, Virginia (accompanied by copy of March 7, 2008 write up, priced $28,500)

Estimate: $2,000 - $4,000

Typical of sideboards from the Greeneville area, this example exhibits solid construction, native woods, and the use of three roomy, vertical drawers. Greeneville was an area primarily settled by craftsmen moving west from Virginia, like John E. Rose (1767-1860), cabinetmaker and carver. A dining table from the same period attributed to Rose illustrated in The Art and Mystery of Tennessee Furniture, Derita Williams, p. 131, fig. 127, has identical reeded legs and a very similar form of cuffed feet.

268

Southern Federal Inlaid Walnut Chest of Drawers probably Piedmont, North Carolina, early 19th century, two short over three long graduated dovetailed drawers with inlaid stringing and thumbnail molded edges, tall bracket feet with scrolled returns, pinwheel faintly incised to drawer side, yellow pine secondary, 44-1/8 x 38-3/4 x 18-5/8 in., later brasses, original feet with scattered repairs, repair and restoration to returns with one missing, one block missing, scattered minor losses to inlay, scattered minor pest damage to bottom, typical wear throughout

Provenance: Private Collection, Ansonville, North Carolina

Estimate: $1,500 - $2,500

270

269

Southern Chippendale Inlaid and Figured Mahogany Chest on Frame attributed to North Carolina, late 18th/early 19th century, dovetailed construction, two over three graduated drawers with kite inlaid escutcheons and trim to edges, frame with shaped apron and short cabriole legs, poplar and white cedar secondaries, 44-3/4 x 39-1/4 x 18-1/2 in., later brasses, frame with scattered repairs (slightly unstable) including repairs to breaks and replaced molding, top edge molding replaced and top reset, stile between two upper drawers appears later, one replaced backboard, drawers with later bottoms and typical restorations, patches at two escutcheons, typical wear and sun fading throughout Provenance: Private Collection, Ansonville, North Carolina

Estimate: $1,000 - $2,000

American Chippendale Figured Walnut Linen Press Southern or Mid Atlantic, late 18th century, top section with dentil molded cornice, linen slides to interior, lower section with five drawers, bold ogee bracket feet, yellow pine and poplar secondaries, 78 x 52-1/2 x 26-1/4 in., linen slides replaced or heavily restored, upper section cornice and lower section bed molding restored, later brasses, some blocking restoration, proper right front foot with repair to break, short drawer with later reinforcing nails at dovetails, spots of checking to veneer and other typical wear

Estimate: $1,500 - $2,500

272

271

American Cherry Marble Top Biscuit Table or Mixing Stand possibly Kentucky, circa 1820, early and possibly original surface, original fitted white marble top, turned legs, 28-3/4 x 20-1/2 x 20-1/8 in., early surface with typical distress and alligatoring, marble with chips to edges and brown stains

Estimate: $800 - $1,200

Large Blowing Rock Burlwood and Twig Clock Hutch North Carolina, 20th century, stamped “Blowing Rock NC”, 32-1/2 x 27 x 11-1/2 in., break to twig at proper left side (piece off but retained), surface dust, natural cracks throughout

Provenance: Private Collection, Wilmington, North Carolina

Estimate: $200 - $400

273

Lamar Dodd (American/Georgia, 1909-1996)

Drought Relief, Coulee Dam, signed lower right “Lamar Dodd,” title inscribed verso, watercolor on paper, sight 17 x 23 in.; gilt wood frame, 27-1/2 in x 33-1/2 in x 5/8 in., hinged archivally to mat, slight toning; frame with light wear and abrasions

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation.

Estimate: $800 - $1,200

275

Lamar Dodd (American/Georgia, 1909-1996)

Tied Up, 1952, edition 2/7, signed and dated lower right “Lamar Dodd ‘52,” titled and editioned lower left, colored lithograph on paper, sight 13-1/8 x 18-3/8 in.; wood frame, 21-7/8 x 26-5/8 x 1-5/8 in., not examined out of frame, slight toning; frame with light wear and abrasions

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $400 - $600

Literature; Dodd, Lamar, William U. Eiland, and Georgia Museum of Art. 1996. Lamar Dodd : The C.L. Morehead, Jr. Collection., catalogue number 58. Edited by Emily Ann Arthur. Athens, Georgia: C.L. Morehead, Jr.

Exhibited: “Lamar Dodd Retrospective” at The Canton Art Institute in Canton, Ohio from December 2, 1972 through January 7, 1973 (label verso).

274

Lamar Dodd (American/Georgia, 1909-1996)

Sunlit Trees, 1949, signed and dated lower right “7-1-49 Lamar Dodd”, gouache on paper, sight, 19-7/8 x 12-1/2 in.; gilt wood frame, 28-5/8 x 21-1/4 x 3/4 in., vibrant color, not examined out of frame; frame with wear

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $600 - $900

276

Peter Egeli

(American/Washington D.C., 1934-)

Seascape, 2000, signed lower right “Peter Egeli”, oil on canvas, 10 x 1 in.; modern gilt wood frame, 13-3/4 x 16-3/4 , good clean surface; frame with light wear

Provenance: Private Charlotte Collection

Estimate: $400 - $600

277

Rare Monumental Billy Ray Hussey North Carolina Folk Pottery Alligator

Bennett, North Carolina, contemporary, monumental form with upturned head and tail, green, brown and red glazes, sixty five white glazed teeth in mouth, articulated belly scales, impressed brown scales to edge of upper body, four feet, signed “BH / 63” on base, 23 x 13 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $1,500 - $2,500

278

Two Billy Ray Hussey North Carolina Folk Pottery Lions

Bennett, North Carolina, contemporary, yellow and brown lions in the style of John Bell, yellow glazed bodies, brown glazed manes, tails, and facial hair, larger lion with cobalt eyes inscribed “BH” on base, 8 x 9 in. smaller lion inscribed “Owens / BH” for M.L. Owens and Hussey, 7 x 7 in., glaze voids and anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

279

Three Pieces of Billy Ray Hussey North Carolina Folk Pottery

Bennett, North Carolina, contemporary, salt glaze face pitcher, applied features with cobalt highlights and spotted decoration, glaze runs in interior, “BH / 39” on base, 8-3/4 in.; devil face jug with brown underglaze, applied cobalt, red and green hair decoration to back of jar, applied features with brown highlights, “SFPCS” stamp on base along with “170 Years / 25 Resist / BH 49” inscription, 9-1/4 in., Alabama style double handle decorated beehive form jug, runny mottled green alkaline glaze, six bands of combed wavy line decorations, inscribed “BH / 61” on base, 10-3/4 in., glaze voids and anomalies as made, all very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

280

Rare Isaac Lefevers Catawba Valley North Carolina Stoneware Jar Lincoln County, North Carolina, 1831-1864, runny mottled light olive green alkaline glaze, ovoid form, stamped “I.L.” and “5” on opposing applied strap handles, flat semi round pinched rim, 14-1/4 in., glaze voids and anomalies as made, scattered glaze frits, surface wear and abrasions, 8 in. hairline running down from rim with 1/2 in. long glaze chip, scattered glaze flakes in interior, areas of overpaint and fill to three quarters of the lower body which illuminate under black light, quarter size loss to clay body on base, otherwise good presentation for a surviving rare stamped piece

Provenance: Private North Carolina Collection Estimate: $800 - $1,200

Isaac Lefever was an apprentice to Daniel Seagle, the 1850 Lincoln County census shows him living with the Seagle family, he continued to work as a potter in the Catawba Valley up until the time he enlisted in the NC 46th Infantry Regiment, Company K, of the Confederate Army, he was later mortally wounded at the Siege of Petersburg, Virginia, and died in 1864.

281

Rare Michel Bayne Native American Stoneware Face Jug

North Carolina, contemporary, possibly a Plaines Indian with blue and white face paint, red, white and black warbonnet with feather, ear hoops and dangling ear rings, long spout, large strap handle, inscribed on rear base edge, “Bayne, N.C., Maker”, 14-1/2 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $1,000 - $2,000

282

Two Pieces of Contemporary Decorated North Carolina Pottery

Walter Fleming jug decorated with a Stacy Lambert painting under glaze depicting Frank Frazetta’s “Savage World” painting of cavemen carrying a woman in a prehistoric land scape, impressed banded wavy line and dot decoration at shoulder, ridged strap handles, flared rim, inscribed on base “painted by / Stacy Lambert / 8-28-2017 / composition by Frank Frazetta / a tribute piece”, with “Walter P. Fleming” stamp, 15-1/2 in.; Michael Ball decorated jug, five applied lizards, incised leaf and floral motif, red paint to lizards and flowers, black paint to leaves, applied bristol glaze to lower body, stamped “MB” and “tHr” to lower base edge, 13-1/4 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

American artist Frank Frazetta is often referred to as “the Godfather of fantasy art”, he is one of the most renowned illustrators of the 20th century, his fantasy and science fiction art work themes can be found in comic books, on book and album covers, posters, his original works of art are in great demand.

283

Monumental Matt Jones North Carolina Moroccan Style Lidded Stoneware

Vessel, Sandy Mush Valley, Leicester, North Carolina, contemporary, wide body tapered base form, angled shoulder, streaky olive brown alkaline glaze to lower body, lid and as underglaze, circular and geometric relief carvings at mid body with dark brown glaze and slip dots between impressed ruffle bands, shoulder with stylistically different relief carvings in a cream colored slip glaze and brown dot design, lid with brown triangular relief carvings, textured surface, and slip dot design, large knob finial, impressed “Matt Jones” to lower body, 27-1/2 in. tall, glaze anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $500 - $1,000

284

Large Catawba Valley Seagle School Attributed North Carolina Stoneware Storage Jar, Lincoln County, mid to late 19th century, runny mottled olive green alkaline glaze, ovoid form with tapered lower body, applied 5 in. lug handles, tight flat semi round rim, likely 6 gallons, possibly made by Daniel Seagle or one of his apprentices, 17-3/4 in. 47-1/2 in. circumference, glaze voids and anomalies as made, surface wear and abrasions, glaze fits and light wear to the rim, glaze frits and pebble loss to body, residue, small chips and wear to base edge, otherwise very good condition for a large surviving example

Provenance: Private North Carolina Collection

Estimate: $400 - $800

285

Rare Large Burlon Craig North Carolina Stoneware Face Churn Vale, North Carolina, 1914-2002, streaky glassy light olive green sparkle alkaline glaze, melt runs down from applied lug handles, applied facial features, kaolin eyes, cobalt pupils, broken china teeth, large incised “B.B. CRAIG / HENRY, N.C.”, straight neck, flared rim, 17 in., glaze voids and anomalies as made, bubbles in glaze, clay body burnouts, five firing separations to body measuring 1 in. to 1-1/2 in., flaked edge to one firing separation, otherwise very good as made condition

Provenance: Private North Carolina Collection

Estimate: $800 - $1,200

287

Large Burlon Craig North Carolina Stoneware Face Jug Vale, North Carolina, 1914-2002, runny mottled glassy olive green alkaline sparkle glaze, applied facial features, cobalt pupils, broken china teeth, ridged strap handles, flared rim, incised “B.B. CRAIG / HENRY, N.C.” above wavy line decoration at back shoulder, flared rim, 17-1/2 in., glaze voids and anomalies as made, clay body burnouts as made, firing separations as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $500 - $1,000

286

Rare Burlon Craig North Carolina Stoneware Wig Stand Vale, North Carolina, 1914-2002, glassy streaky olive green alkaline glaze, elongated ovoid form with applied facial features, kaolin eyes with cobalt pupils, broken china teeth, incised banded wavy line decoration to top of stand, stamped “B.B. CRAIG / VALE, N.C.” on base, 13-1/2 in., glaze voids and anomalies as made, bubbles in glaze, clay body burnouts, great as made condition

Provenance: Private North Carolina Collection

Estimate: $800 - $1,200

288

Rare Monumental Burlon Craig North Carolina Stoneware Face Pitcher Vale, North Carolina, 1914-2002, mottled glassy olive green speckle underglaze, runny glassy olive green alkaline speckle over glaze, thick glaze runs down from shoulder, applied facial features, broken china teeth, double banded wavy line decoration at shoulder, 11-1/2 in. ridged strap handle, curved neck with pulled spout, stamped “B.B. CRAIG / VALE, N.C.” on base, 19-1/2 in., glaze voids and anomalies as made, clay burnouts as made, firing lines on neck as made, great as made condition

Provenance: Private South Carolina Collection

Estimate: $800 - $1,200

This is one of the largest face pitchers known, Brunk Auctions offered another face pitcher this size in our January 30, 2017 sale, lot 525. These are the only two monumental face pitchers this size we are aware of at the time of cataloging.

289

Large Burlon Craig Catawba Valley North Carolina Face Jug Vale, North Carolina, 1914-2002, runny mottled glassy olive green alkaline sparkle glaze, applied facial features, green pupils, broken china teeth, ridged strap handles, straight spout, flared rim, incised “B.B.C.” above wavy line decoration at back shoulder, 20-1/4 in., glaze voids and anomalies as made, firing burnouts as made, very good as made condition

Provenance: Private South Carolina Collection

Estimate: $500 - $1,000

291

Burlon Craig North Carolina Stoneware Face Jug Vale, North Carolina, 1914-2002, runny glassy alkaline glaze, light brown runs over olive green glaze, applied facial features, pointed broken china teeth, incise line and wavy line at shoulder, arched ridged strap handle, curved spout, stamped “B.B. CRAIG / VALE. N.C.” on base, 10-3/4 in., glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $300 - $600

290

Burlon Craig North Carolina Stoneware Unibrow and Mustache Face Pitcher Vale, North Carolina, 1914-2002, streaky light olive green alkaline glaze, rutile highlights on face, melt runs with rutile highlights below handle and rear left side, other runs, applied facial features including unibrow and mustached upper lip, broken china teeth, applied strap handle, stamped on base “B.B. CRAIG / VALE, N.C.”, 9-1/2 in., glaze voids and anomalies as made, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

292

Rare Bluish Gray Burlon Craig North Carolina Stoneware Face Jug Vale, North Carolina, 1914-2002, bluish gray speckled alkaline glaze, small cobalt highlights, applied facial features, broken china teeth, combed triple wavy line decoration, ridged strap handle, curved spout, stamped “B.B. CRAIG / VALE N.C.” on base, 11-3/4 in., glaze voids and anomalies as made, some very tiny light scattered abrasions to back of jar, otherwise very good as made condition

Provenance: Private North Carolina Collection

Estimate: $300 - $600

293

Large Burlon Craig North Carolina Stoneware Double Snake Jug Vale, North Carolina, 1914-2002, mottled glassy olive green alkaline sparkle glaze, two large applied snakes with kaolin eyes through ridged strap handles, triple banded combed wavy line decoration at shoulder with other incised banding, stamped “B.B. CRAIG / VALE, N.C.” on base, 16 in., glaze voids and anomalies as made, parts of both snakes bodies floating above the surface of the jug body, bubbles in glaze, very good as made condition

Provenance: Estimate: $300 - $600

295

Fine Small Burlon Craig Stoneware Face Jug Vale, North Carolina, 1914-2002, glassy olive green alkaline glaze, rutile highlights to applied facial features, back of jug and lower edge of glaze runs, unusual applied pointy ears, broken china teeth, incised line around top of jug, straight spout, ridged strap handle, stamped “B.B. CRAIG / VALE N.C.” on base, 6-1/4 in., glaze voids and anomalies as made, bubbles in glaze, small quartz pebble blowout to right eye as made, small firing separation on handle as made, impression to right ear as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

294

Small Burlon Craig North Carolina Face Swirl Pitcher Vale, North Carolina, 1914-2002, cream and gray alkaline swirl glaze, applied facial features, broken china teeth, ridged strap handle, stamped on base “B.B. CRAIG / VALE, N.C.”, 7 in., glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

296

Rare Small Burlon Craig North Carolina Stoneware Face Vase Vale, North Carolina, 1914-2002, light olive green alkaline glaze, applied facial features, broken china teeth, combed double banded wavy line decoration, flared rim, stamped on base “B.B. CRAIG / VALE, N.C.”, 6-3/8 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

297

Two Pieces of Burlon Craig North Carolina Stoneware Vale, North Carolina, 1914-2002, rundlet with gray speckled and cream swirl glaze, curved flared spout to mid body, 8-1/4 in.; lidded jar, light tan olive glaze with rutile runs, brown glazed lug handles, flared rim, lid with knob finial, 9-1/2 in., both pieces stamped “B.B. CRAIG / VALE, N.C.” on bases, glaze voids and anomalies as made, both pieces very good condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

299

Three Pieces of Don and Dwayne Craig North Carolina Folk Pottery Face Vessels, Vale, North Carolina, early 2000s, large and small tan glazed face jugs, large jug with sideways applied features, broken china teeth and kaolin eyes, cobalt pupils, banded wavy line decorations, inscribed “Don Craig...” dated makers inscriptions on base, 14 and 6-1/4 in.; Dwayne Craig face jug with applied features, broken china teeth, cobalt highlights, red lips, inscribed makers mark on base, 7 in., glaze voids and anomalies as made, bubble in glaze of large face jug as made, all in very good as made condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

298

Rare Burlon Craig North Carolina Stoneware Face Spitoon Vale, North Carolina, 1914-2002, dark brown Albany slip glaze, applied facial features, broken china teeth, incised wavy line to back shoulder of jar, flared rim, stamped on base “B.B. CRAIG / VALE N.C.”, 6-3/4 in., glaze voids and anomalies as made, small impressed area to rim as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

300

Two Pieces of Burlon Craig North Carolina Stoneware Vale, North Carolina, 1914-2002, monkey jug with light olive green and brown mottled alkaline glaze, rutile highlights, spouts on opposing upper and lower sides, rounded strap handle, 8-1/2 in.; pinch bottle and cup, Albany slip glaze, banded wavy line decoration at shoulder, 6-1/2 in., both pieces stamped on bases “B.B. CRAIG / VALE, N.C.”, glaze voids and anomalies as made, both pieces very good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

301

Two Pieces of Buncombe County North Carolina Attributed Stoneware circa late 19th, early 20th century, pitcher with yellowish brown underglaze, creamy bluish green glaze runs and highlights, angled shoulder, applied strap handle, pulled spout, possibly attributed to one of the Penlands or Stones, 10 in.; storage jar, speckled runny olive green and black glaze, small down angled lug handles at neck, down angled tooled rim, “3” capacity stamp at shoulder, attributed to the Donkel Pottery, 14 in., glaze voids and anomalies as made, pitcher with two 1/2 in. rim edge chips, other minor rim wear, small glaze blowouts to surface around jar, surface abrasions, residue, otherwise good condition, jar with bubbles in glaze, a few small scattered glaze blowouts to surface, small glaze frit on rim and one handle, other small glaze frits, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

303

Catawba Valley North Carolina Stoneware Pitcher likely attributed to Hartsoe or Propst, olive green under glaze, rutile highlights throughout, wide lower body, double collared shoulder, arched ridged strap handle, collared rim, pulled spout, 10-1/2 in., glaze voids and anomalies as made, small shallow 1/2 in. chip to side of rim collar, 3 in. wear to handle ridge. 1 in. wear to handle tail, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

302

Two Pieces of Contemporary Seagrove Area North Carolina Decorated Pottery

Dave Steumpfle attributed vase, salt glaze with ash runs, incised double banded decoration around belly and shoulder, incised texture around upper body within banding, small arched strap handles, straight wide mouth, tooled rim, 14-3/4 in.; Daniel Johnston small decorated lidded vessel, runny light brown alkaline glaze, applied kaolin slip linework decorations to lid, shoulder and tapered lower body, kaolin seven dot decorations to mid body, lid with pointed knob finial stamped “D” on base, 13-1/4 in., glaze voids and anomalies as made, Dave Steumpfle vase with glaze irregularities at base edge and on base as made, some tiny abrasions otherwise very good condition, Daniel Johnston vessel in very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

304

Buncombe County, North Carolina Attributed Stoneware Pitcher

likely one of the Penlands or Stones, late 19th century, yellowish brown runny mottled alkaline glaze, creamy yellow speckle highlights, tapered lower body and shoulder, ridged neck, applied strap handle, collared rim, pulled spout, 10-1/2 in., glaze voids and anomalies as made, glaze frits on rim and collar, tiny chip to spout, some glaze frits to body, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

305

Roger Hicks Catawba Valley North Carolina Folk Pottery Face Pitcher Lenoir, North Carolina, contemporary, tan alkaline glazed form, green melt runs, applied features, broken china teeth, large arched strap handle to side of form, flared rim. pulled spout on other side of form, inscribed “Hicks 4-10” on base, 10-1/4 in., glaze voids and anomalies as made, clay body anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

Known as the “Blind Potter” of the Catawba Valley.

307

Michel Bayne North Carolina Face Harvest Jug contemporary, runny green glassy alkaline glaze, finely articulated facial features, hair and expression, ringed strap handle to top of jug, double collared rim, stamped “BM NC” on lower base edge, 12-3/4 in., glaze anomalies as made, as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

306

Two Pieces of Bachelder and Brown Buncombe County North Carolina Pottery Oscar Louis Bachelder, Candler, North Carolina, circa 1920s, unglazed vase, with Albany slip glazed interior, “OLB” cypher stamp on base, 8 in.; Browns Pottery, Arden, North Carolina, contemporary, multicolor glaze ruffle edge bowl, inscribed “C-95” on base, 2-1/2 x 6-1/2 in., glaze anomalies as made, bowl with some chips to ruffle edge, vase in good condition

Provenance: Private South Carolina Collection

Estimate: $200 - $400

308

Large A.R. Cole Attributed North Carolina Pottery Floor Vase attributed to the A.R. Cole Pottery, Sanford, North Carolina, 1941-1974, brown underglaze with streaky light green glaze runs, baluster form, flared rims, large rounded arched handles, 22 in., glaze anomalies as made, very good condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

309

Five Pieces of J.B. Cole Attributed North Carolina Pottery

Montgomery County, North Carolina, circa 1940s to 1950s, all with malachite glazes, Aladdin style lidded teapot, 4 x 10-1/2 in., small bulbous flared rim vases, 4-3/4 in.; small and larger creamer, 2-1/4 and 5 in., glaze voids and anomalies as made, tiny glaze frit to rim of larger creamer, otherwise very good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

311

Three Pieces of J.B Cole Pottery Attributed North Carolina Pottery

Steeds, Montgomery County, circa 1940s and 1950s, all with malachite glazes, bulbous pitcher with strap over pulled spout, arched tailed strap handle, 8-1/4 in.; footed flared bowl, 4-1/2 x 8 in.; footed tapered two handle vase with flared rim, 6 in., glaze anomalies as made, very good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

310

Three Pieces of J.B. Cole Pottery Attributed North Carolina Pottery Steeds, Montgomery County, circa 1940s and 1950s, all with malachite glazes, bulbous Rebekah pitcher, “# 136” in ink on base, 17 in; curved, elongated, four handle, footed center bowl, 5-1/2 x 11-1/2 in.; bulbous two handled footed vase, ruffled rim with four pulled corners, “W 244” on base in ink, 8 in., glaze anomalies as made, very good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

312

Three Pieces of J.B. Cole Pottery Attributed North Carolina Pottery Steeds, Montgomery County, early to mid 20th century, large streaky cream and red glazed vase, ovoid form, large rat tail handles, flared rim, “# 177” in ink on base, 15-1/4 in.; lidded jar, chrome red glaze, small tight ridged lug handles, flared angled rim, 7-1/2 in.; Aladdin teapot, yellow glaze, 4 x 10 in., glaze anomalies as made, tiny hairline to vases handle with 1/4 in. glaze chip, residue, tiny glaze frit to teapot spout, lidded jar with some glaze flakes around base edge and on base, one flake in interior at lid ledge, glaze frits on lid, other minor glaze frits, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

313

Three Pieces of Burlon Craig North Carolina Rare Green Glazed Pottery Vale, North Carolina, 1914-2002, seafoam green glazes, lidded jar, 7-1/4 in.; jug with triple combed wavy line decoration at shoulder, 6-1/2 in.; small jar, 4 in., all pieces stamped “B.B. CRAIG / VALE, N.C.” on bases, glaze anomalies as made, “sy” pen marks on bases, otherwise very good as made condition

Provenance: Private North Carolina Collection

Estimate: $50 - $150

314

Four Pieces of A.R. Cole North Carolina Pottery Sanford, North Carolina, 1941-1974, lidded teapot and mugs with streaky light green and brown glaze, 7-1/2 and 4-3/4 in.; cream pitcher with streaky multi color glaze, 5-1/2 in., all pieces stamped “A.R. COLE POTTERY / SANFORD N.C.”, glaze anomalies as made, one tiny glaze frit mug rim, area of wear and glaze chip to teapot spout, tiny glaze frit to creamer rim and as made rim anomaly, otherwise good condition

Provenance: Private South Carolina Collection

Estimate: $50 - $150

315

Seven Pieces of Miscellaneous North Carolina Pottery

Royal Crown ruffle vase and center basket, streaky green glazes, both with stamps on bases, 9-1/2 and 9-3/4 in.; two Jugtown vases, one with two handles, speckled green glazes, 8-1/4 and 7-3/4 in., Jugtown attributed mug in green glaze, 3-1/2 in., Jugtown lidded jar in brown glaze, 7-1/4 in., vases and jar with “JUGTOWN WARE” stamps on bases; lidded casserole pot, brown glaze, stamped “HANDMADE / PINE STATE / POTTERY...” on base, 3-1/4 x 8 in., glaze anomalies as made, small chip to ruffle on basket, two small glaze flakes to ruffle edge on vase, surface wear and tiny frits to casserole and lidded jar, otherwise good condition

Provenance: Private South Carolina Collection

Estimate: $100 - $300

316

Three Hal Dedmond North Carolina Folk Pottery Face Vessels Lawndale, North Carolina, contemporary, runny alkaline glazes, all finely articulated with kaolin clay components, harvest monkey face jug, melt runs down from knob finial and spouts, 10-1/2 in; totem face jug, mustache and goatee, 9-1/2 in.; five eyed, four horned face jar, mustache, button collar, cobalt blue melt runs down from strap handles, 9 in., various “D” makers marks and inscribed “Hal Dedmond” and “Dedmond” signatures, glaze anomalies as made, all in very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

317

Two Pieces of Donkel Attributed North Carolina Stoneware Reems Creek, Buncombe County, circa 1890-1940, jar with textured white and gray speckled glaze, tapered ovoid form, small lug handles at shoulder, curved neck with tooled overhanging rim, “3” capacity stamp at shoulder, 14-1/2 in.; pitcher with shiny white and grey speckled glaze, rounded shoulder, strap handle, straight neck, thin tooled rim, 12 in., glaze voids and anomalies as made, jar with 2 in. chip to edge of handle, small rim frit, otherwise good condition, pitcher with 1/4 in. rim edge frit near handle, other tiny rim frits, otherwise good condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

319

Decorated Matt Jones North Carolina Stoneware Jar

Sandy Mush Valley, Leicester, Buncombe County, contemporary, mottled runny dark brown alkaline glaze, olive and creamy green glaze runs, applied kaolin slip decorations including looping band decorations at belly and neck, fish and turtle decorations on opposing shoulders, sunflower under one of two applied lug handles, and “M. Jones / Maker / 2008” under the other handle, “JONES / 2008’ and ‘M / J’ stamps on base, 14 in., glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

318

Five Pieces of Charles Lisk, Judy Petrie, Marjorie Pittman and Kim Ellington North Carolina Blue Cameo Pottery, circa 1980s to 2000, large cream pitcher and mug made by Charles Lisk, cameo scenes by Judy Petrie of woman sewing with dog, and woman at spinning wheel, makers marks on bases, 6-1/4 and 3-3/4 in.; dark blue cream pitcher, cameo dogwood flower motif, made and decorated by Marjorie Pittman, 5 in.; small vase and egg, cameo blue jade vines with humming bird scenes by Judy Petrie, vase marked “GKE” on base for Kim Ellington, egg marked “JPetrie / Blue Jade / 2000” on base, 3-1/4 and 1-1/4 in., glaze anomalies as made, dust and grime to some of the matte surfaces especially the dogwood pitcher, small abrasions to larger pitchers surface, otherwise very good condition

Provenance: Private North Carolina Collection

Estimate: $50 - $150

320

Two Charles Lisk and A.V. Smith North Carolina Folk Pottery Face Vessels Charles Lisk, Vale, North Carolina, contemporary, swirl devil jug, gray glaze, green, white and blue swirl, applied features, kaolin eyes, broken china teeth, stamped “CL” in three locations, 9 in.; A.V. Smith, Sanford, North Carolina, contemporary, brown and tan swirl glaze, applied features, broken china teeth, incised banded decoration, inscribed on base “A.V. Smith / N.L.”, 9-1/2 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

321

Charles Lisk Catawba Valley North Carolina Face Jug with Melt Runs Vale, North Carolina, contemporary, speckled black and yellow alkaline glaze, white and brown melt runs, applied facial features, broken china teeth, incised banded line decoration at neck and spout, stamped “CL” to front and back shoulder, applied strap handles, 12-3/4 in., glaze anomalies as made, great as made condition

Provenance: Private South Carolina Collection

Estimate: $100 - $300

323

Rare J.S. Penland Buncombe County, North Carolina Stoneware Jar

Joseph Sylvester Penland, 1845-1915, Candler Area, Buncombe County, circa late 19th century, runny mottled alkaline glaze with dark brown glaze runs over yellowish underglaze, tapered body, angled shoulder, flared rim, “J.S. PENLAND” stamp at shoulder, small applied lug handles, 12-1/4 in., glaze voids and anomalies as made, surface wear to glaze from use, wear to rim with a few small clay frits, otherwise very good surviving condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

322

Rare J.S. Penland Buncombe County, North Carolina Stoneware Canning Jar Joseph Sylvester Penland, 1845-1915, Candler Area, Buncombe County, circa late 19th century, mottled yellowish brown alkaline glaze, cylindrical form, angled shoulder, flared rim, stamped on base edge “J.S. PENLAND”, 11 in., glaze anomalies as made, a couple of small clay body fits, very good near as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

324

Pisgah Forest North Carolina Crystalline Pottery Vase

Walter B. Stephens, 1875-1961, Pisgah Forest Pottery, Arden, Buncombe County, 1926-1961, yellow glazed exterior with blue crystals, pink glazed interior, blue melt runs down interior of rim, small baluster form, “Pisgah Forest 1939” relief potter at wheel mark on base, 7-1/2 in., glaze anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

325

Two Pieces of Michael Plunkett North Carolina Pottery Vale, North Carolina, contemporary, lidded jar with runny green alkaline glaze, glass melt runs down from arched strap handles, flared rim, lid with knob finial, inscribed on base “Michael / Plunkett / Vale / NC”, 15-1/4 in.; chicken waterer with runny green alkaline glaze, finely articulated large chicken finial on top with red paint, tight dish edge, inscribed “MP / VALE / NC” on chicken, 20 in., both pieces with incised banded line decorations, “MP” stamps, and “Heartsquare 2014” marks in ink on bases, glaze voids and anomalies as made, both in very good as made condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

326

Two Pieces of Reinhardt Bros. North Carolina Stoneware Vale, North Carolina, early to mid 1900s, pitcher with brown and tan swirl glaze, ridged shoulder, strap handle, pulled spout, 9-1/4 in.; lidded sugar jar, cream and brown swirl glaze, rounded brown handles, lid with knob finial, 4-1/4 in. tall, both stamped “REINHARDT BROS. VALE, N.C.” on sugar jar base and pitcher neck, glaze voids and anomalies as made, small glaze frit to side of pitcher rim, some small glaze frits to body of pitcher, otherwise both pieces in good condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

327

Four Pieces of Southern Pottery and Signed Ernestine Hilton Sigmon Porcelain Doll, North Carolina, Kentucky, and South Carolina, Ernestine Hilton Sigmon signed porcelain doll, daughter of E.A. Hilton, circa 1980s, porcelain legs, hands, head and torso, stamped “EAS” on back of torso, painted face, 7 in.; brown glazed Hilton attributed lidded teapot, 5 in.; Probst attributed dark green runny alkaline glazed cream pitcher, 4-1/2 in.; Lucille Bybee bisque figural, signed on base and dated “6/19/33”, 5-1/4 in., Elizabeth Ringus face jug, brown alkaline glaze, applied features, white clay teeth and eyes, inscription and signed on base, dated “1999”, 6-3/4 in., glaze anomalies as made, stains to dolls dress, chip to base edge of teapot, surface wear to figural, frit to creamer handle, otherwise good condition

Provenance: Private South Carolina Collection

Estimate: $100 - $300

328

Two Edgefield District South Carolina Landrum Attributed Jugs circa 1850s, both with light olive green alkaline glazes, cylindrical forms, rounded shoulders, arched strap handles, small jug with collared spout, larger jug with tooled flat rim, 9 and 10-3/4 in., glaze voids and anomalies as made, surface wear and abrasions, glaze frits, small jug with four rim chips measuring up to 1/2 in., 3/4 in. chip to base edge, small blowout to handle, large jug with 3/4 in. rim, chips and wear to base edge, 5 in. firing hairline above base edge, debris in interior

Provenance: Private South Carolina Collection

Estimate: $300 - $600

329

Rare One Gallon Texas or Edgefield District South Carolina Attributed Stoneware Storage Jar, circa 1840s, light brown alkaline glaze, tapered ovoid form, applied lug handles, curved neck rounded rim, 9-1/2 in., glaze voids and anomalies as made, surface wear and abrasions, glaze fits, 2-1/2 in. rim loss and various other smaller rim chips, 1/2 in. hole in side of jar, 1 in. chip to handle, other minor chips and wear

Provenance: Private South Carolina Collection

Estimate: $200 - $400

331

Scarce Upstate South Carolina Decorated Stoneware Jar late 1800s to early 1900s, runny brown alkaline glaze, rutile, cream and brown melt runs down from two applied lug handles, inscribed “4” at shoulder below incised band decoration at shoulder, flared tooled rim, 15-1/2 in., glaze voids and anomalies as made, surface wear and abrasions and glaze frits, 2-3/4 in. loss to one handle with corners reapplied, 1 in. rim loss, other rim wear and glaze frit, 7 in. miniscule surface “Y” hairline to lower body, running down onto base, another 6 in. miniscule surface “Y” hairline to lower body running down onto base

Provenance: Private South Carolina Collection

Estimate: $100 - $300

330

Two Pieces of Contemporary Edgefield South Carolina Style Pottery

Steve Ferrell, The Old Edgefield Pottery, Edgefield, South Carolina, Thomas Chandler style pitcher, tan glaze, iron slip decorations to shoulder and spout, impressed makers stamp over “S F / Ferrell / Maker / 2008”, 10 in.; Jim Bozeman Edgefield style harvest face jug, signed on base “Bozeman / 93”, 7-3/4 in., glaze anomalies as made, both very good as made condition

Provenance: Private North Carolina Collection

Estimate: $100 - $300

332

Seigler Attributed Edgefield District South Carolina Stoneware Clabber Bowl circa 1850s, olive green alkaline glaze, tapered form, arched strap handle, tooled flat rim, 6 in., glaze voids and anomalies as made, surface wear, rim wear, base reapplied, glaze frit to handle, shallow 1/2 in. glaze chip to side of rim

Provenance: Private South Carolina Collection

Estimate: $200 - $400

333

Joseph “Jug” Johnson Attributed South Carolina Stoneware Churn Lanford Station, Laurens County, South Carolina, circa 1920s, mottled celadon and gray alkaline glaze, applied cobalt line around shoulder, angled arched strap handle and small lug handle, flared rim, lid ledge, 16-3/4 in., glaze voids and anomalies as made, some surface wear and abrasions, 1-1/2 in. chip to rim, rim wear with other minor frits, glaze frit to lug handle, glaze flakes in interior wall, loss to glaze in interior base

Provenance: Private North Carolina Collection

Estimate: $100 - $300

335

Very Rare Georgia Attributed Southern Stoneware Face Bank likely late 19th or early 20th century, possibly related to pieces attributed to the Ferguson Family, Barrow, Banks, or Hall Counties, Albany slip glaze, sculpted facial features including small pinched “c” form ears, wide flat nose, open mouth with thin curved lips, tiny intricately carved teeth with remnants of white paint, protruding chin, carved black painted eyes with silver painted pupils, straight angled slot on top of flat head, 4-1/4 x 4-1/2 in., glaze anomalies as made, light surface wear, a few miniscule glaze frits, one to the left eye lid, residue, very good condition overall

Provenance: Previously offered in Crocker Farms July 16, 2016 Sale, Lot 80; Private South Carolina Collection

Estimate: $800 - $1,200

334

Large Jerry Brown Alabama Folk Pottery Face Jug contemporary, tan glaze, large jug form, applied facial features, cobalt eyebrows, eyelashes, mustache, and pupils, kaolin eyes and teeth, small arched strap handle, straight spout, lightly inscribed on base “Jerry Brown / Hamilton Ala. / 5-89 “, 16 in., glaze voids and anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

336

Dan Norton Pottery Devil Face Jug for the “Turkey” Merck Pottery Georgia, contemporary, finely articulated red painted face, green eyes, open mouth with large teeth and extended curved tongue, white painted ridged curling horns, black painted triple gourd spout, raised relief “Dan A. Norton 2014” signature on back shoulder, 12-1/4 in., glaze anomalies as made, very good as made condition

Provenance: Private North Carolina Collection

Estimate: $300 - $600

337

Kevin “Turkey” Merck Cat’s Head Pottery Bird House Buford, Georgia, contemporary, painted form, finely articulated with sharp teeth and extended tongue, pointed ears, glazed eyes, mounting hole at back of head, signed on base “Turkey / #1 #1 / 2014”, 6-1/2 in., very good as made condition, irregular point of tooth as made, some surface grime

Provenance: Private North Carolina Collection

Estimate: $200 - $400

Kevin “Turkey” Merck grew up in Gillsville, Georgia, where he apprenticed under Wayne Hewell for five years.

339

Large Decorated Michael Crocker Georgia Stoneware Rebekah Pitcher

Lula, Georgia, contemporary, runny light olive green alkaline glaze to upper form, yellowish runny glaze to lower form, large applied olive green and cobalt grapevine decoration to side of form, long thick swans neck style handle, small pulled spout, inscribed “Michael A. Crocker / 2009” on side of base, 19 in., glaze voids and anomalies as made, very good overall as made condition

Provenance: Private North Carolina Collection

Estimate: $50 - $150

338

Yates Stoneware Jar Salvaged from the Confederate Blockade Runner Georgiana, mid 19th century, Albany slip glaze, cylindrical form, rounded shoulder, incised band at shoulder, ridged neck, rounded rim, Stamped “YATES”, 14-1/2 in., glaze voids and anomalies as made, surface wear and abrasions, discoloration, otherwise good condition

Provenance: Private South Carolina Collection

Estimate: $100 - $300

The sticker on the jar states “The Confederate Blockade-runner GEORGIANA was sunk off Charleston Harbor May 19, 1863. After 105 years this artifact was brought up by divers in 1969 working under authority and permit from South Carolina Department Archives and History. For the complete story on the GEORGIANA please write; SHIPWRECKS, INC. Mt. Pleasant, S.C. 29464. Artifact Registered No. J-6” Old photos online show artifacts from the recovery efforts that are very similar to this jar, and possibly this jar.

340

Lanier Meaders Georgia Stoneware Face Jug

Mossy Creek, Georgia, 1917-1998, runny olive green alkaline glaze, applied facial features with exaggerated nose and lips, white clay eyes and teeth, black pupils, strap handle, straight spout, inscribed on base “101/ Lanier Meaders” 10 in., glaze anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $500 - $1,000

341

Lanier Meaders Georgia Stoneware Face Jug Mossy Creek, Georgia, 1917-1998, runny olive green alkaline glaze, sculpted and applied facial features, white clay eyes and teeth, black pupils, straight spout, strap handle, inscribed “88 / Lanier Meaders” on base, 10-1/4 in., glaze anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $500 - $1,000

342

Rare Arie or Cheever Meaders Attributed Georgia Stoneware Flower Pot Mossy Creek, White County, circa 1950s, runny glassy green alkaline glaze, curved form with rounded lower base, ridged neck, flared ruffled edge rim, 7 in., glaze voids and anomalies as made, kiln debris in interior and lower side of base exterior as made, otherwise very good condition

Provenance: Private South Carolina Collection

Estimate: $200 - $400

343

Scarce Fredrick Carpenter Attributed “Charlestown” Massachusetts Salt Glaze Water Cooler, Charlestown, Massachusetts, early 19th century, salt glazed exterior, Albany slip glazed interior, tapered form, stamped “CHARLESTOWN” above two “coggle heart” impressions, incised six line banded decoration to upper and lower body, bung with seven crescent moon impressions around hole, large opening on top, 12-3/4 in. with split wooden lid and dowel rod, glaze anomalies as made, Albany slip glaze seepage at bung, 1 in. chip to base edge below bung, 4 in. miniscule surface hairline down from top, four other similar miniscule surface hairlines on top, clay body frit, surface wear, abrasions, discoloration, residue, illumination of residue under black light around some of base edge base and on back, scarce surviving example

Provenance: Private South Carolina Collection

Estimate: $300 - $500

344

Three Pieces of American Earthenware

large wide shouldered tapered bowl, shiny black and brown mottled surface, possibly Native American, 6 x 12 in.: ovoid, two handled, ruffle rim, pot, reddish brown surface, possibly Catawba Indian, 6 in.; tapered ovoid, footed ruffle rim vase, ring handles, unknown circular black makers stamp on base with “NEW YORK” on it, 5-1/4 in., bowl with surface wear and abrasions, heavy wear to exterior, several hairlines down sides, possible restorations, ruffle edge jar with 3/4 in. chip to rim, reapplied handle, possible repaint to surface, surface wear and abrasions throughout, smaller ruffle rim vase surface grime and wear

Provenance: Private South Carolina Collection

Estimate: $50 - $150

345

Maud Lewis

(Canadian/Nova Scotia, 1903-1970)

Two Oxen in Winter, 1967, signed lower right “Maud Lewis”, mixed media, oil, ink, graphite on board, 11-7/8 x 13-7/8 in.; original parcel gilt wood frame, 13-1/4 x 05-1/4 x 1/2 in., some surface dirt, abrasions and small points of flaking; frame with abrasions

Provenance: Purchased by the consignor’s mother presumably from the artist while in Nova Scotia, circa 1967; Private Collection

Estimate: $10,000 - $15,000