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Form & Vision: Modern Art • Furniture • Sculptural Jewelry April 22, 2026

Anne Ryan, Collage (New Jersey, 1889-1954)

No. 594, 1950, signed lower right “A. Ryan”, fabric, paper and sandpaper collage on paper; 9-1/8 x 7-7/8 in; modern wood frame, 16-1/2 x 12-1/2 x 1-3/8 in. framed., floated, light toning at edges

Provenance: Estate of the Artist; with Andrew Crispo Gallery, New York City, New York, No. 78-ACG-35 (labels verso); Sotheby’s New York, May 9, 1996, Lot 153 (labels verso); Private Georgia Collection

Estimate: $4,000 - $6,000

Exhibited: Andrew Crispo Gallery, New York City, New York, Twelve Americans: Masters of Collage, November 17-December 30, 1977, #171

18kt. and Silver Arnaldo Pomodoro Gem Montebello Ring circa 1967, architectural design, center silver cylinder topped with an 18kt. yellow gold arch, marked “750, GEM”, with makers mark, 8 ring sz., 18.7g., tarnish and wear commensurate with age, small hole on the centering silver cylinder metal, possibly there on purpose, not seen when wearing

Provenance: Private Collection, Asheville, North Carolina

Estimate: $4,000 - $6,000

For a similar example, see Jewelry by Artists in Italy, 1945 -1976, Luisa and Claudio Cerritelli Somaini. A similar ring was sold at Bonhams Wearable Art, Jewels from the Crawford Collection, Lot 298, 12 October 2021.

Arnaldo Pomodoro, Solar Page (Italian, 1926-2025)

Pagina Solare (A.P. 704), circa 1982, edition 1/2, signed lower right “Arnaldo Pomodoro”, bronze with gold patina mounted on panel, 23-1/2 x 17 x 1-3/4 in., good condition

Provenance: Christie’s New York, November 15, 1995, Lot 179; Private Georgia Collection

Estimate: $25,000 - $35,000

Reference: Fondazione Arnaldo Pomodoro Catalogue Raisonne, No. 704, (see:https://www.arnaldopomodoro. it/catalogue_raisonne/artworks/detail/861/2346-pagina-solare/)

Ettore Sottsass, Memphis Milano Alaska Vase, Italian Sterling c. 1982, Alaska vase, marked “Memphis/Milano” “925”, 36.97 oz. T., 12 in. Literature: Memphis, manufacturer’s catalog, 1986, pg. 57 Memphis: Research, Experiences, Results, Failures and Successes of New Design, Radice, pg. 120., good condition, minor wear, accession mark on base

Provenance: Property from the Collection of Dudley and Constance Godfrey

Estimate: $2,000 - $3,000

Tested with XRF (.930 fine)

Ettore Sottsass (1917-2007) was an influential Italian architect and designer, best known as the founder of the Memphis Group, which revolutionized postmodern design in the 1980s with its bold colors, playful patterns, and striking geometric forms.

Early in his career, he worked for Olivetti, where he designed the iconic Valentine typewriter. His wide-ranging body of work spans furniture, ceramics, glass, and architecture, consistently blending functional design with expressive and often whimsical aesthetics.

Sottsass’s work is held in the permanent collections of major institutions, including Museum of Modern Art in New York, Centre Pompidou in Paris, and the Vitra Design Museum. His work has also been featured in solo exhibitions at the Design Museum and the Metropolitan Museum of Art.

Among his many honors are the prestigious Compasso d’Oro and the Austrian State Prize for Industrial Design.

5 Ross Bleckner, Dome (New York, born 1949) Dome, 1993, signed verso canvas “Ross Bleckner/1993” and titled, oil and encaustic on canvas, 26 x 26 in.; pickled wood gallery frame, 27-1/2 x 27-1/2 x 2-1/4 in., good condition; frame with some surface dirt

Provenance: Private Georgia Collection Estimate: $6,000 - $8,000

6†

Tom Ford Gold Black Circle Pendant Necklace

gold tone, accents, black acrylic circle, black leather bail, signed “Tom Ford, Made in France”, hook clasp, 5-1/2 in. drop length, 4-1/4 in. width, 4.0mm wire, gold tone, 15-1/2 inside measurements, 101.7 g., good condition, consistent with light use

Provenance: Private Collection, Highlands, North Carolina

Estimate: $500 - $700

Esteban Vicente, Collage # 5 (American/Spanish, 1903-2001)

1957, signed lower right “Esteban Vicente” and signed inscribed verso “Collage 1957 Rose”, oil, charcoal, gouache and ripped paper collage on board with strainer verso, 27-1/2 x 29-1/2 in.; parcel gold leaf frame, 31 x 28-7/8 x 1-1/2 in., some toning of paper

Provenance: Rose Fried Gallery, New York City, New York (label verso); Berry-Hill, New York City, New York, EV 31 (label verso); Private Georgia Collection

Estimate: $20,000 - $30,000

The Harriet and Esteban Vicente Foundation does not attribute or authenticate works of art. Collage #5 has been submitted with photographs for consideration for inclusion in the Esteban Vicente Catalogue Raisonne Project and to the Vicente Archives for more information. Exhibited: IVAM Centre Julio Gonzalez. Esteban Vincente: collages 1950-1994, October 5-December 10, 1995, (label verso).

8 Plato Ginello Italian Modernist Sofa

circa 1970, chromed tubular steel frame, tufted black leather cushions, unsigned, 27-1/2 x 76 x 33 in., seat height 17 in., leather with wrinkling and minor distress, frame with minor scratches or scuffs

Estimate: $1,000 - $1,500

Dorothea Rockborne, Combination Series (Canadian, born 1932)

#7, 1978, collage with folded vellum, colored pencil, varnish, glue mounted on rag board, 421/4 x 33-1/4 in.; aluminum frame, 44-1/4 x 34-1/4 x 1-3/4 in., floated, good condition, not removed from frame; frame with abrasions

Provenance: John Weber Gallery, New York (label verso); Private Georgia Collection

Estimate: $15,000 - $20,000

For a similar example see Christie’s New York, May 13, 2022, Lot 518.

11†

14kt. and Sterling Silver Mojica Ring with Tourmaline oval cabochon cut light blue grey tourmaline, signed Mojica, marked “14k, silver”, yellow gold and sterling silver, ring size. 5-1/2, 1-1/8 in. wide, 1 in. length, 20.5 g., tourmaline is chipped, metal and stone condition consistent with age and use

Provenance: Private Collection, North Carolina

Estimate: $400 - $600

Adriana Margalef (Argentina, born 1967)

Andamio con giro II (Scaffolding with twist II), 2010, signed lower right “Adriana Margalef 10”, also signed and dated verso, acrylic on hexagon canvas, 39-1/2 x 31-1/2 x 3/4 in.; unframed, some minor scuffing on surface and along edges, otherwise good condition

Provenance: Private Collection, Flat Rock, North Carolina

Estimate: $500 - $700

This lot is accompanied by an artist pamphlet titled La luz y el rigor de lo exacto (Light and the Rigor of the Precise).

Henry Royer Sculptural Mahogany and Brushed Steel Pedestal

Henry Royer (Illinois/Wisconsin, born 1952), circa 1988, square mahogany top, pattern brushed steel stand, ebonized oak(?) disc base, 49-1/2 x 12-5/8 x 12-5/8 in., top with ring stain and fading, top and base with edgewear, steel with rust spots and light scratches

Provenance: Per consignor notes acquired from the artist in 1988; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

13†

18kt. Vintage Tom Herman Slate and Chrysoprase Brooch specially cut slate, chrysoprase polished end caps, signed “TH, 88”, marked “18K”, yellow gold, 1-1/4 in. length, 2-3/4 in. width, 24.7 g, good condition, no chips or obvious wear

Provenance: Private Collection

Estimate: $1,000 - $1,500

Tom Herman was featured in Lapidary Journal, 1991, for this design.

Maison Jansen Round Ebonized Dining Table

20th century, brass mounts, three leaves and additional support leg included, leaves with “83407”, table underside with “JANSEN”, 31 x 53-1/2 x 53-1/2 in., each leaf adds 21-5/8 in., scratches and small nicks to surface, patina to brass, lower sections of legs with repaired seams possibly indicating restoration, some crackle to ebonized finish

Estimate: $2,000 - $4,000

Dale Chihuly Print (Washington, born 1941)

Print V, trial proof edition 1/2, 1987, signed and inscribed in pencil lower margin “T.P. Print V Chihuly 1987 1/2”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, creasing; frame with wear and abrasions

Provenance: An Important Atlanta Private Collection Estimate: $400 - $600

Sean Scully, Narcissus (Irish, born 1945)

(O., T.-R., and F. 91007), 1991, edition 19/30, signed and dated lower right “Sean Scully 91” and titled, woodcut in colors on Fujiwara Awagami paper, sheet 18-7/8 x 14-1/2 in.; pickled wood frame, 21-3/4 x 17-1/4 x 1-3/4 in., floated with some waviness to paper, deckled edges, good condition, not removed from archival framing; frame with abrasions

Provenance: Stephen Solovy Fine Art, Chicago, Illinois, #1397 (label verso); Private Georgia Collection

Estimate: $2,000 - $3,000

Alexander Archipenko, Seated Woman (American/Ukranian, 1887-1964) (s 63.01-1272*), conceived in 1963, cast in 1970, edition 11/12 F, Shiedow Foundry, patinated bronze, 12 x 5-1/2 x 5-1/2 in., good condition with varied yellow green/ blue green and black patina

Provenance: Ann Kendall Richards,Inc, New York City New York, purchased in 1999 for $55,000; Private Georgia Collection Estimate: $20,000 - $30,000

*This sculpture is currently being reviewed by the Archipenko Foundation for authentication.

Pablo Picasso, Rembrandt et Femme au Voile (Spanish, 1881-1973)

Pl. 36 from La Suite Vollard (B. 214; Ba. 413), 1934, edition of 260 aside from the edition of 50 with wider margins, signed in pencil lower right “Picasso”, Ambroise Vollard, Paris, publisher, 1939, Lacouriere, Paris, printer, etching on Montval laid paper with Vollard watermark, plate 10-7/8 x 7-7/8 in. (27.6 x 19.4 cm.), sheet 17-5/8 x 13-3/8 in. (44.6 x 33.8 cm.); modern frame, 21-1/2 x 17-1/2 x 1 in., full sheet, toning from mat and mounts, loose; frame with abrasions

Provenance: Private Collection

Estimate: $6,000 - $8,000

Pair of Frank Lloyd Wright Oak Armchairs, Howard Anthony House mid 20th century, oak frames, green upholstered seats, 32-1/2 x 21-3/4 x 18 in., very light wear overall

Provenance: Scott Elliott, Howard Anthony House, Benton Harbor, Michigan, 2003; Private Collection

Estimate: $3,000 - $5,000

This form is a variant of the seating designed for Taliesin II in 1925 and the Herman T. Mossberg House in 1948. While this specific chair form was specified in the design documents for the Howard Anthony Residence (1949), these examples were executed in oak by a subsequent owner following Mr. Anthony’s death in 1954. Based on construction and wear, they are dated between 1955-1975. The chairs were acquired in 2003 from Scott Elliott, former owner of the Howard Anthony Residence and proprietor of Kelmscott Gallery, Chicago. The chairs were structurally refurbished in 2004, though the finish and upholstery remain original to the time of their midcentury construction.

Literature: “Frank Lloyd Wright: The Seat of Genius, Chairs 1895-1955”, Penny Fowler, Mary Anna Eaton, and Timothy A. Eaton (eds.), p. 50; “Frank Lloyd Wright: Interiors and Furniture”, Thomas A. Heinz, p. 205.

Krishen Khanna, Woman with Basket (Indian, born 1925)

Nude carrying a basket, circa 1958, signed vertically lower right “K Khanna”, oil on canvas, 38-3/8 x 26 in.; parcel gilt and painted wood frame, 41-3/8 x 29-1/8 x 1-1/4 in., original tacking edge, canvas slightly slack, some surface dirt, some slight draw crackle at proper left nipple; frame with abrasions

Provenance: Purchased in India circa 1958 by Watson Sims, Bureau Chief, Associated Press, New Delhi; by descent in the family

Estimate: $30,000 - $50,000

A member of the influential Progressive Artists’ Group formed in Bombay in the late 1940s, Kristen Khanna stands among the early pioneers of modernism in India and one of the last surviving voices of that movement. While many of his contemporaries pursued pure abstraction, he turned instead toward the human figure - rendering everyday life with quiet sensitivity and psychological depth. His work reflects a deliberate shift away from abstraction toward figuration, grounded in a deep concern for the individual shaped by circumstance. As he noted in an interview, he sought to emphasize “the human beings caught up in their particular condition,” depicting the emotional and social realities of his subjects. Continuing to live and work in New Delhi, Khanna remains deeply committed to his exploration of the human condition. This work was acquired by Watson Sims, then Bureau Chief of the Associated Press in New Delhi, and has remained out of the public market ever since.

Mid Century Modern Warren Platner for Knoll Lounge Chair

Warren Platner (1919-2006), 1973, model 1705, wire frame, original orange upholstery, labels beneath seat cushion, 39-3/4 x 41 x 36 in., very good condition overall, minor fading to upholstery

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia Estimate: $2,000 - $4,000

22†

Sterling Silver Large Statement Pendant Brooch by Darla N. Nordstrom two carved pieces of turquoise, and one carved rhodochrosite, circular lapis lazuli, round faceted smoky quartz, marked “925, DARLA N”, sterling silver, 4-5/8 in. length, 1-1/2 in at widest area, 86.6 g., slightly tarnished on metal, no chips

Provenance: Charlottesville, Virginia Collection

Estimate: $300 - $500

Christo, Look Empaquete (Bulgarian, 1935-2020)

1965, variable edition 71/100, with artist’s label verso, co-published by Edition MAT, Cologne (label verso) and Galerie der Spiegel, Cologne, mixed media, stacked magazines, polyethylene and twine floated in black artist-made frame, overall 22 x 18 x 3-1/2 in., polyethylene with slight yellowing and area split bottom left; frame with some abrasions

Provenance: The New Gallery, Cleveland, Ohio, circa 1967, Nina Sundell and Marjorie Talalay; From the Collection of John Brett Buchanan and John Charles Walker, Ohio

Estimate: $6,000 - $9,000

The collection of John Charles Walker (j.Charles) and John Brett Buchanan reflects five decades of influence in design education and contemporary art. Both are professors emeritus from Kent State University, where j.Charles was hired in 1964 to establish the university’s first graphic design program. Over 38 years, he built it into a nationally respected discipline and later became the founding director of the School of Visual Communication Design. He also developed innovative summer programs in the U.S. and Europe featuring leading designers. Buchanan contributed as a professor, leading internship placements and managing Glyphix, a student-run design studio founded by Walker. Together, they secured major grants and corporate support from companies such as Apple Inc., Quark Inc., and Adobe Inc., while also operating a successful design firm serving Fortune 500 clients. Their work earned over 250 design awards. Their art collection includes works by regional, national, and international artists, notably early acquisitions of Andy Warhol and Christo. Their legacy continues through endowments supporting design students and professionals.

Mid Century Modern Isamu Noguchi For Herman Miller Coffee Table IN-550

mid 20th century, American, asymmetrical thick glass top on ebonized sculptural two piece base, 15 x 49-1/2 x 37-1/4 in., base with some light scuffs and scratches, light scratches to top mostly on edge

Provenance: Private Collection, Flat Rock, North Carolina

Estimate: $800 - $1,200

25 Carl Blair

(American/North Carolina, 1932-2018)

Autumn Remembered #138, 1965, signed upper left “Blair”, oil on canvas, 40 x 38 in.; original wood frame, 41-3/4 x 391/2 in., surface with light abrasion some accretions; frame with scratches and marks and some separation at corners

Provenance: By descent in the family of the artist

Estimate: $3,000 - $5,000

26†

Sterling Silver Webbed Earrings blackened sterling silver, marked “925”, 3-1/2 in. length, 1-1/8 in. width, post backs, 10.5 g, some inevitable scratches to the metal are consistent with age and use

Provenance: Private Collection, Asheville, North Carolina Estimate: $100 - $200

Hans Wegner Designed Mid Century Modern Ox Lounge Chair with Ottoman 20th century, replica, dark brown leather upholstery, polished steel frame, chair 34-3/4 x 37-1/2 x 38 in., seat height 14 in., ottoman 13-1/2 x 30 x 18-1/4 in., scratches and scuffs to leather, frames with light wear

Provenance: Private Chicago Collection Estimate: $500 - $700

28 Olivier Strebelle, Sirene I (Belgian, 1927-2017)

circa 1953, unsigned, patinated and polychromed bronze, 20-1/2 x 4-1/3 x 6-1/3 in., on a rough hewn granite base, 6 x 7-1/2 x 5 in., good condition.

Provenance: Private Collection, Highlands, North Carolina

Estimate: $3,000 - $5,000

Literature: Strebelle, Olivier, and Sophie Orloff, Olivier Strebelle : Journal d’Un Sculpteur, Crédit communal de Belgique, 1985, no. 55. ill.; Dasnoy, Philippe, Olivier Strebelle: Een Leven in Beelden., Illustrated by Pierre Moreau, Mercatorfonds, 2008, ill no. 37. “Olivier Strebelle. Een leven in beelden” Philippe Dasnoy, Mercatorfonds, Brussels 2008, cf. nr. 37 ill

Pablo Picasso Ceramic Plate (Spanish, 1881-1973)

Tête de chèvre de profil (A.R.109), 1950, from an edition of 60, stamped verso “Madoura/Plein/Feu” and “Empreinte/Originale De/Picasso”, glazed white earthenware with black oxide and green glaze, plate, 10-1/8 x 10 x 10-1/2 in. (25.5 cm. diameter)., wear to peaks in oxidized areas,

Provenance: Purchased at Madiura, Spain; Private Collection, North Carolina

Estimate: $2,000 - $3,000

Literature: Ramié, Alain, Picasso: catalogue of the edited ceramic works 1947-1971, Vallauris: Madoura, 1988, 109, pg. 61

Theodoros Stamos, View of Mt. Mitchell, North Carolina (New York, 1922-1997)

Abstract composition, circa 1950s, signed lower left “Stamos,” title verso, watercolor and gouache on paper board, 16-7/8 x 22-5/8 in.; wood frame, 23-3/4 x 29-5/8 x 1-1/2 in., tacking holes at corners, possible fading, losses at bottom two corners, edges with wear, tape remnants verso, crack in paper board verso not visible from the front; frame with minor wear

Provenance: Betty Parsons Gallery, New York City, New York (label verso); Property of DM Gillett (inscribed verso); The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $2,000 - $3,000

A member of the first generation of Abstract Expressionists, Theodoros Stamos was both shaped by and deeply admired artists such as Milton Avery, Kenneth Noland, and Mark Rothko, who, like Stamos, was part of the protest group “The Irascibles.” Early in his career, he gained recognition from influential figures including Betty Parsons, who began exhibiting his work in 1943.

That same year, Stamos was honored with a solo exhibition at The Phillips Collection in Washington, DC, a museum celebrated for its holdings of modern American art. In 1950, he also began a formative period of teaching at Black Mountain College in Black Mountain, North Carolina, where he spent four consecutive summers.

Inspired by the surrounding landscape of western North Carolina, Stamos developed imagery rooted in nature. Reflecting on this period, he recalled: “My studio looked over some beautiful farmland and mountains that were almost always shrouded in veils of mist.”

Claes Oldenburg, Baked Potato (New York, 1929-2022)

from 7 Objects in a Box (P.3), 1966, edition 27/75, signed underside “C.O.”, 1966, Tanglewood Press, Inc., New York, publisher, hand-painted resin with Shenango china dish, overall 4-3/4 x 10-1/2 x 7 in., some surface dirt

Provenance: From the Collection of Sidney and Rosalie Rose, Worcester, Massachusetts; Private Collection

Estimate: $5,000 - $7,000

Sidney Rose was a Trustee of the Worcester Art Museum and a major contributor of contemporary art. The Worcester Art Museum dedicated a gallery to him and his wife, bearing their names as the Sidney and Rosalie Rose Gallery. This sculpture comes from their collection.

Richard Diebenkorn, Monotype (American, 1922-1993)

XIV, 1988, signed and dated in pencil lower right “RD 88”, annotated “XIV”, GT/RD 488 W.7”, and “4/6/1988-4/7/1988”, in pencil verso, Garner Tullis Workshop, Santa Barbara, California, printer, monotype in colors on Japon laid paper, 40 7/8 x 24 in.; modern frame, 50-1/4 x 33-1/2 x 7/8 in., hinged in, full sheet with deckled edges, a few small points of foxing in margin; abrasions to frame

Provenance: Ann Kendall Richards, New York City, New York (label verso); Private Georgia Collection

Estimate: $15,000 - $20,000

33†

18kt. Wise 2X Rock Garden #1 Brooch

black druzy, coral, round full cut tourmaline, grey spiral pearl clasp, signed “WISE 2x”, marked “A309, 18k, Rock Garden #1”, yellow gold, 3-3/4 in. length, 1 in. width, 30.0 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $1,400 - $2,000

This piece contains natural coral, which may be subject to international trade restrictions under CITES. Buyers are responsible for knowing and complying with their local laws and regulations regarding the import, export, or ownership of coral. Brunk Auctions makes no guarantees regarding the ability to ship this item internationally.

Pair of Jon Brooks Studio Craft Picton River Chairs 2002, maple, asymmetrical, each chair with difference in shape, blue stained arms, back, and seat; black and blue squiggle painted stiles, legs, and stretchers; rear leg signed “Jon Brooks 02” in black, 75 x 26 x 22 in., very light to minimal wear

Provenance: An Important Atlanta Private Collection

Estimate: $5,000 - $7,000

35†

22kt. and Sterling Sydney Lynch Watermelon Tourmaline Brooch organic shaped watermelon tourmaline, round full cut tourmaline, signed “Sydney Lynch, Sterling, 22kt”, yellow gold, 2-3/8 in. length, 1-1/4 in. widest area, 28.2 g., bail on back to wear as pendant, good condition consistent with light use

Provenance: Private Collection

Estimate: $800 - $1,200

Esteban Vicente (American/Spanish, 1903-2001)

Untitled (D77-11), 1977, signed lower right “Esteban Vicente”, pastel on paper, 24-1/2 x 35 in.; parcel gold leaf frame, 33-1/2 x 43-1/2 x 1-5/8 in., pin holes at corners, floated, good condition; frame with abrasions

Provenance: Berry-Hill, New York City, New York, No. EV 162; Private Georgia Collection Estimate: $15,000 - $20,000

Stephen Westfall (New York, born 1953)

Untitled, abstract, signed lower right “S. Westfall”, gouache or tempera on paper, 13-1/4 x 9-7/8 in.; gilt wood frame, 20-1/4 x 16-5/8 x 1 in., toning, waviness to paper, tape residue at edges; frame with abrasions

Provenance: Estate of Gary L. Johnson, Virginia Estimate: $200 - $400

38†

22kt. and Sterling Multi Colored Chalcedony Brooch six multi colored cabochon chalcedony, one oval cat’s eye peach chalcedony, marked “22kt gold, Sterling”, yellow gold vermeil, 1-7/8 in. length, 2-3/8 in. at widest, 22.2 g, good condition, consistent with light use, no chips

Provenance: Private Collection Estimate: $300 - $500

Andy Warhol, Marilyn Monroe (New York, 1928-1987)

from the portfolio Marilyn Monroe, 1967, (Feldman & Schellmann II.27), stamped edition number verso 95/250, signed verso at bottom left “Andy Warhol”, Factory Additions, New York, publisher, Aetna Silkscreen Products Inc., printer, screenprint in colors, 36 x 36 in. (91.44 x 91.44 cm.); pink metal frame,, ink colors slightly attenuated, some printing anomalies, Some areas of light scuffing or abrasion with more toward the extreme edges, small creases at three corners, toning verso, five points of former mounting tape verso frame with minor abrasions

Provenance: The New Gallery, Cleveland, Ohio, circa 1967, Nina Sundell and Marjorie Talalay; From the Collection of John Brett Buchanan and John Charles Walker

Estimate: $80,000 - 120,000

“In August 62, I started doing silkscreens. I wanted something stronger that gave more of an assembly line effect. With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick, and chancy. I was thrilled with it. When Marilyn Monroe happened to die that month, I got the idea to make screens of her beautiful face the first Marilyns.” - Andy Warhol Warhol lifted his iconic image from a publicity image taken while Marilyn was working on the 1953 box office hit Niagara

Literature: Frayda Feldman, Jörg Schellmann, Claudia Defendi. Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, no. II.27.

40†

18kt. Multi Colored Tourmaline Textured Brooch

11 oval multi colored tourmaline cut cabochon gemstones, graduating in size, approx. 5.5mm x 4.0mm - 9.0mm x 7.0mm, not signed, tests 18kt. yellow gold, 2-1/4 in. in diameter, 21.8 g, can be worn as brooch or pendant, pin is slightly bent, no chips

Provenance: Private Collection

Estimate: $2,000 - $4,000

Hollywood Regency Chinoiserie Harrison Van Horn Raffia Coffee Table

Los Angeles, late 20th/ early 21st century, dark brown raffia wrapped table with lacquer finish, brass capped feet, label to underside, 18-1/4 x 46 x 34 in., very light wear overall, brass with some edgewear

Provenance: Private Collection, Highlands, North Carolina

Estimate: $800 - $1,200

41 Plato Ginello Italian Modernist Settee and Chair

circa 1970, chromed tubular steel frames, beige on blue upholstery, sofa 31 x 51 x 34 in, seat height 16 in., frames with typical light scratches and scuff, later upholstery with minimal wear

Estimate: $1,200 - $1,800

43 Niki de Saint Phalle Perfume Factice Display Bottle (French, 1930-2002)

circa 1982, glass and painted metal, 14-1/4 x 4-7/8 x 4-7/8 in., some spotting and discoloration to metal lid, scratches and light wear to base, some scratches and minor losses to paint decoration at snakes

Provenance: Private Collection, North Carolina

Estimate: $300 - $500

22kt. Lapis Lazuli and Garnet Granulated Brooch rectangular shape lapis lazuli, approx. 16.0mm x 12.0mm, rectangular shape set cut garnet, approx. 5.0mm x 3.0mm, signed “DSH”, marked “22K”, yellow gold, 2-1/2 in. overall length, 1 in. wide, 14.4 g, good condition, no visible wear

Provenance: Private Collection

Estimate: $2,000 - $4,000

47†

George Nelson for Herman Miller Mode 4960 Adjustable Tray Table, late 20th century, molded plywood with walnut veneer, chrome plated steel cantilever base, at highest setting 32 x 15 x 15 in., very light wear overall, two small scratches to top and one to bottom

Provenance: Private Collection, Asheville, North Carolina

Estimate: $1,000 - $2,000

46†

18kt. Tom Herman Lapis Lazuli and Diamond Brooch square beveled lapis lazuli, 1-1/2in. x 1-1/2in., square step cut diamond, approx. 0.40ct., VS F-G, marked “18kt.”, yellow gold, straight bar pin on back, 20.0 g., good condition, no chips or obvious wear

Provenance: Private Collection Estimate: $1,800 - $2,400

18kt. and 22kt. Wise 2x Wodabi #2 Brooch

round cabochon dendritic quartz, round full cut topaz, signed “WISE 2x”, marked “A539, 18k, 22k, Wodabi #2”, yellow gold, 3 in. length, 1-1/8 in. width, 32.2 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $1,000 - $1,500

Two Dominick Labino Art Glass Paperweights (American, 1910-1987) with interior flowers, signed to base “Labino”, one dated “1968” and the other “1975”, larger 2-1/8 x 2-5/8 in., good overall condition, some minor scuffs and scratches, wear to base

Provenance: Private Virginia Collection Estimate: $100 - $300

Fine Pair of Maison Jansen Attributed Greyhound Silvered Bronze Mounted Armchairs, 20th century, mahogany frames, upper legs with metal plaques, silvered bronze greyhound head arm termini, upholstered seats, 33-3/4 x 22 x 25 in., seat height 19 in., one chair upper proper right upholstery corner with small stain and associated mark to frame, rubbed loss to silvering, edgewear to legs, one chair with white accretion to upper legs

Provenance: Private Chicago Collection

Estimate: $2,500 - $3,500

50†

18kt. Boulder Opal, Chrome Tourmaline and Blue Sapphire Brooch, By Seven Fingers, free form Boulder opal, approx. 19.0mm x 30.0mm, two tear drop cabochon chrome tourmaline, step cut blue sapphire, maker’s mark of Seven Fingers, stamped “18K”, yellow gold, 1-3/4 in. total length, 12.8 g, good condition, consistent with light use, can be worn as a pendant or brooch

Provenance: Private Collection

Estimate: $1,400 - $2,000

Sterling Silver Elsa Freund Glass and Clay Necklace

eight multi colored handmade glass and clay, marked “Elsa”, cold forged silver wire necklaces, approx. 14 in. inside measurement, 4-3/4 in. length, 36.4 g., good condition, consistent with light use, no chips

Provenance: Private Collection, Asheville, North Carolina

Estimate: $500 - $700

Gordon Onslow-Ford, Sometimes Lifetimes (California/England, 1912-2003)

Abstract composition (No. 6467), 1954, titled in ink lower left “Sometimes Lifetimes”, casein paint on mulberry paper, 27 x 37 in.; unframed., good condition

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family

Estimate: $2,000 - $3,000

See: https://brunkauctions.com/line-circle%E2%97%8B-dot-%E2%97%8F-the-paintings-ofgordon-onslow-ford-september-29-2023/

Lamar Dodd (American/Georgia, 1909-1996)

Hilltown, Monhegan scene, no. 408, 1955, signed and dated lower right “Lamar Dodd ‘55”, watercolor on paper, sight 13-5/8 x 21-1/8 in.; modern wood frame, 24-3/8 x 31-3/8 x 1-1/2 in., not examined out of sealed frame, toning, slight wave to paper; frame with minimal wear

Provenance: Dayton Art Institute, Dayton, Ohio (label verso); The Art Institute of Chicago, Twenty-First International Exhibition of Watercolors, 1942 (label verso); Abstein Gallery, Atlanta, Georgia (label verso); Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $800 - $1,200

Pair of Modern Brushed Aluminum Armchairs with Ottomans, Manner of Baughman 21st century, in the manner of Milo Baughman for Thayer Coggins, unsigned, chairs 31-3/4 x 28-5/8 x 32 in., ottomans 21-1/8 x 28-1/4 x 24-3/4 in., frames with light wear, upholstery with minimal wear

Provenance: From the Collection of John Brett Buchanan and John Charles Walker

Estimate: $800 - $1,200

Han Hsiang-Ning (H.N. Han) (New York/China, born 1939) Power House from Circle Line, 1971, acrylic on canvas, 40-1/4 x 60 in.; gallery wrap stretcher, some surface dirt at edges, small point of accretion at bottom center border, canvas slightly slack due to missing keys

Provenance: OK Harris, New York, purchased May 18, 1977 for $2,600 (label verso, accompanied by a facsimile of the original receipt and biography); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $4,000 - $6,000

Modern Restoration Hardware Hanging Mina Acrylic Ball Chair

21st century, chromed metal frame, clear acrylic bubble with brass finish rim and carabiner, two sheep’s wool shag pillows, chain to suspend from ceiling included, 66 x 38 x 36 in., some scratches and scuffs to acrylic, very light scratches to chromed finish

Provenance: From the Collection of John Brett Buchanan and John Charles Walker

Estimate: $600 - $900

57†

Sterling Silver Swirl Necklace with Amber five round cabochon cut amber, approx. 6.0mm, 15 swirl links, approx. 1-1/8 in. in diameter, 20in. length, 51.2 g., designer is unknown, good condition, some inevitable scratches to the metal from light wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $100 - $200

Gordon Onslow-Ford, Appearing (California/England, 1912-2003)

(G. O-F 1980.92), abstract composition, 1980, signed verso “G. Onslow Ford” and dated lower left recto “4-80” lower left recto, acrylic on Mulberry paper, sheet 30-1/4 x 22 in.; silver painted wood frame, 36-1/4 x 27-7/8 x 1 in., hinged verso; frame with light wear

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family

Estimate: $3,000 - $5,000

59†

Silver Akris 3-D Printed “Naoshima Pavilion” Ring

spring 2016 collection, inspired by Sou Fujimoto’s “Naoshima Pavilion”, intricate 3D printed, silver, artist Albert Kreimler of Akris and VOJD Studios, 7-1/2 ring sz., approx. 2 in. wide, 1-1/4 in. height, 23.1 g., good condition

Provenance: Private Collection, Highlands, North Carolina

Estimate: $1,000 - $1,500

Accompanied by original Akris box.

Quoted from Fashion Headline website, “In 2015, the brand collaborated with Swiss luxury brand Akris, creating a 3D-printed ring that became a hot topic at Paris Fashion Week. The ring is a masterpiece crafted from a geometric, delicate, and intricate polyhedron. In fact, this piece was inspired by the Naoshima Pavilion, designed by Japanese architect Sou Fujimoto. Crafted from sterling silver and colorful polyamide, it is Akris’ first 3D printed piece.”

https://www.fashion-headline.com/en/article/11022

Four Albert Thiry Cobalt Net Pottery Table Objects (French, 1923-2009)

each signed “Thiry” on base, largest item 1-1/2 x 21-1/2 x 8-1/2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants; lids possibly associated (do not fit securely on bowls)

Provenance: Private Collection

Estimate: $400 - $600

Two Studio Art Pottery Footed Vessels comprising: Jeff Oestreich (American, born 1947), brown glazed hexagonal footed vessel, potter’s mark to base, 4-1/8 x 4 x 4 in.; Warren MacKenzie (American, 1924-2018), brown, red, and tan glazed tripod bowl, potter’s mark to side, 3-1/4 x 4-1/8 x 4-1/8 in., good overall condition, some firing anomalies as made

Provenance: Private Collection, Asheville, North Carolina

Estimate: $200 - $400

22 Albert Thiry Cobalt Net Pottery Plates (French, 1923-2009)

each signed “Thiry” on base, comprising: four 1 x 7-3/4 x 7-3/4 in.; eighteen 1 x 9-3/4 x 9-3/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants, typical light wear to bases

Provenance: Private Collection

Estimate: $600 - $900

Robert Motherwell (New York/Connecticut/Massachusetts, 1915-1991)

Summertime in Italy (with Lines) (E.& B. 35), 1966, annotated “T.P.”, signed lower right in pencil “Robert Motherwell”, Hollander Workshop, New York, with blindstamp lower left, lithograph on wove paper, sheet 22-1/4 x 17-1/8 in.; modern frame, 25-3/8 x 20-3/8 x 1 in., toning, loose with remnant of hinging tape verso, two small pin holes toward edge; frame with abrasions

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $1,000 - $2,000

Pair of Albert Thiry Cobalt Net Pottery Tall Pitchers (French, 1923-2009)

each signed “Thiry” on base, each approximately 11-1/4 x 7-1/4 x 5 in.; with one lid with bird finial., lid possibly associated (does not fit either pitcher securely), some craters, firing cracks, and other firing anomalies as made, sticker/tape remnants

Provenance: Private Collection

Estimate: $500 - $700

Six Albert Thiry Cobalt Net Pottery Drinking Vessels (French, 1923-2009)

each signed “Thiry” on base, each approximately 3-1/4 x 3 x 3 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $300 - $500

21 Albert Thiry Cobalt Net Pottery Bowls (French, 1923-2009)

each signed “Thiry” on base, comprising: six 2-7/8 x 5-7/8 x 5-7/8 in.; fifteen 1-3/4 x 7-5/8 x 7-5/8 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants, typical light wear to bases; two smaller bowls with small chips to feet

Provenance: Private Collection

Estimate: $600 - $900

67†

Sterling and 22kt. Sydney Lynch Organic Shaped Aquamarine Brooch three aquamarines, one round full cut diamond, signed “Sydney Lynch, Sterling, 22kt”, yellow gold, 1-3/4 in. length, 3-1/4 in. wide, 34.3 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $200 - $400

69 Gary Komarin

(New York/Connecticut, born 1951)

68 Dean Aydelotte (American/North Carolina, 1931-1986)

Upon an A Frame, 1972, signed upper right and verso “Dean Aydelotte”, ASU Boone NC, oil on canvas, 59 x 39-1/2 in; wood frame, 61 x 41-3/8 in., some surface abrasion; frame with scuffs

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $600 - $800

Dean Aydelotte was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

Cups and Money, 1983, signed lower right “Komarin 1983”, inscribed in pencil verso with title, pastel, crayon, tempera on paper, 38-1/4 x 49-7/8 in.; acrylic case frame, linen cover mount, 42-7/8 x 54-1/2 x 2-7/8 in., some minor rubbing, former hinging tissue verso at two points; acrylic case frame with abrasions

Provenance: Private Collection

Estimate: $700 - $900

70†

18kt. and 22kt. Maija Neimanis Colored Gemstone Brooch three oval cabochon cut gemstones, emerald, ruby, blue sapphire, each graduating in size, signed “Maija Neimanis, 22K - 18k”, yellow gold, 2-1/4 in. length, 2 in. at the widest, 42.3 g., can be worn as a brooch or pendant, good condition, consistent with light use

Provenance: Private Collection

Estimate: $2,000 - $4,000

71†

Sterling Donna Burdic Gemstone Brooch two round cabochon spessartite garnets, rectangular cabochon amethyst, square green turquoise, signed “Donna Burdic, Sterling”, 2 in. length, 1-1/2 in. wide, 14.9 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $200 - $400

72†

18kt. Chrysocolla with Azurite and Amethyst Earrings By Seven Fingers two chrysocolla with azurite, approx. 28.0mm x 14.0mm, two pyramidal cut amethysts, maker’s mark Seven Fingers, marked “18K, 14K”, yellow gold, 2-15/16 in. length, 15.0mm at widest, 14.4 g, omega backing is marked 14kt. yellow gold

Provenance: Private Collection

Estimate: $1,400 - $2,000

Michael Lucero, Post Columbus (American, born 1953)

Sitting figure, 2017, signed “Michael Lucero” on proper left leg, earthenware with glaze, overall 11-1/4 x 9 x 5 in., overall good condition, no visible chips or cracks

Provenance: Private Collection

Estimate: $1,500 - $2,500

Michael Lucero, OK House with Flowers (American, born 1953)

Abstract house teapot, 2011, signed “Michael Lucero,” earthenware clay with glazes, overall 7-3/4 x 11-3/4 x 5 in., overall good condition, firing cracks

Provenance: Private Collection

Estimate: $1,000 - $2,000

Paul Jenkins (American, 1923-2012)

Phenomena Vermillion Arch, 1982, signed lower middle “Paul Jenkins”, signed, titled and dated verso, watercolor on paper, 42-1/4 x 30 in.; parcel gold leaf frame, 50-1/4 x 38 x 1-3/8 in., not removed from framing, good condition; frame with minor abrasions

Provenance: Gimpel & Weitzenhoffer Gallery, New York City, New York, No.6428; Private Collection, Highlands, North Carolina

Estimate: $4,000 - $6,000

Two Early Dominick Labino Green Art Glass Paperweight Vases (American, 1910-1987)

one with air trap shards, signed “Labino/1967” to base; one with internal polychrome decoration, signed and dated “Labino/1969” to base; larger 4-1/2 x 4-7/8 x 4-7/8 in., good overall condition, some minor scuffs and scratches, wear to bases; 1969 example with two surface anomalies, probably as made

Provenance: Private Virginia Collection

Estimate: $300 - $500

Early Dominick Labino Art Glass Pitcher (American, 1910-1987)

red with blue, green, and purple streaks, signed and dated to base “Labino/1966”, 10 x 3-1/4 x 3-1/2 in., good overall condition, some minor scuffs and scratches, wear to base

Provenance: Private Virginia Collection

Estimate: $200 - $400

78†

14kt. Textured Tanzanite and Tourmaline Disc Earrings four round faceted tanzanites, approx. 0.80ctw, two oval faceted tourmalines, approx. 1.00ctw., designer Camden Jewelry Co., tests 14kt. yellow and rose gold, 22.0mm diameter design, post backs, 11.4 g., slightly tarnished on metal, no damage to gemstones

Provenance: Private Collection

Estimate: $1,000 - $1,500

Accompanied by original Camden Jewelry Co., Camden, Maine box.

79†

18kt. Tom Herman Lemon Chrysoprase and Amethyst and Pearl Brooch navette shape translucent lemon chrysoprase, approx. 2-5/8 in. x 1-1/8 in., navette shape amethyst center, marked “18kt”, yellow gold, back is accented by two round pearls, approx. 3.0mm - 3.5mm, straight pin, in original box, 18.8 g., good condition, consistent with light use, no chips

Provenance: Private Collection

Estimate: $1,400 - $2,000

Tom Herman was featured in Lapidary Journal, 1991, and Adornment, 1990.

80 Gordon Onslow-Ford (California/England, 1912-2003)

Untitled, 2003, unsigned, inscribed in pencil lower left “4-03”, acrylic on paper, 14 x 37-3/4 in.; sectional metal frame, 17-1/4 x 40-1/4 x 3/4 in., mounted with tape along edges, small tears at upper corners; frame with wear and abrasions, some surface dirt under glass

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family

Estimate: $3,000 - $5,000

81†

18kt. Triple Gemstone Aqua Chrysoprase and Rose Quartz Earrings two rectangular cut cabochon aqua chrysoprase, two oval cut cabochon chrysoprase, two round cut cabochon rose quartz, signed, marked “18k”, yellow gold, 1-1/2 in. without ear wire, 14.9 g., wear is consistent with light use, two stones have fractures, possibly natural but surface reaching

Provenance: Private Collection

Estimate: $600 - $900

82†

14kt. Smokey Rutilated Quartz, Amethyst, and Garnet Brooch, By Sasa polished smooth cylindrical shape smokey rutilated quartz, tapering in width, approx. 11.0mm - 7.0mm, high dome half barrel cabochon amethyst, dark rosy garnet bullet point, oval faceted chrome tourmaline, signed “Sasa”, marked “14k”, yellow gold, 5 in. total length, 24.0 g., good condition, no chips, pin caps do not test gold

Provenance: Private Collection

Estimate: $1,800 - $2,400

Rare Signed Portfolio Six Poems | Seven Prints, Kent State University Libraries, Alex Gildzen, Editor, J. Charles Walker (his copy), Designer, Kent State University Libraries, Publisher, 1971, edition 6/500, poems, each signed by poets in ink by John Ashbery, James Bertolino, Gwendolyn Brooks, Denise Levertov, Steven Osterlund, and Gary Snyder, drawings on acetate reproduced directly as prints, each signed by artists Grace Hartigan, Alex Katz, Otto Piene, Fairfield Porter, Harvey Quaytman, Mary Ann Begland Sacco, and Robert Smithson, poems, 12 x 10 in.; prints, 12-1/4 x 10 in.; printed paper folder, 13 x 11 in., prints in good condition; original folder, with small creases, light fading, small tear at fold Provenance: From the Collection of John Brett Buchanan and John Charles Walker Estimate: $2,000 - $4,000

Otto Piene, Composition of a Building (German, 1928-2014)

Composition (Building), circa 1971, inscribed “Otto Pienne” verso, mixed media, sight 10-3/4 x 8-1/2 in.; modern frame, 15-1/4 x 12-1/4 x 1 in., attached to backing with archival corners, frame with wear

Provenance: From the Collection of John Brett Buchanan and John Charles Walker

Estimate: $1,000 - $2,000

A related print of Composition (Building) is included in the Six Poems | Seven Prints Portfolio to celebrate the formal dedication of the new library building at Kent State University in April, 1971. A first edition of this portfolio accompanies the lot.

Claude Flynn Howell (American/North Carolina, 1915-1997)

Triptych: Beach Pier, 1971, signed bottom right of panel C, “Claud Howell”, acrylic, each 49-1/2 x 49-1/2 in.; wood frame each 51 x 51., Three panels: A-surface accretions; minor wear to frame; B-minor abrasions and surface accretions; minor losses at corner of frame; C-minor surface abrasions and accretions; frame with light wear

Provenance: Property from a Corporate Collection

Estimate: $40,000 - $60,000

Mark C. Peiser (Penland, North Carolina, born 1938)

86†

18kt. Blue Sapphire and Diamond Botanical Design Brooch round faceted blue sapphire, approx. 4.5mm, four round faceted diamonds, approx. 0.25ctw., signed “Libby”, marked “18K, 1991”, yellow gold, 2-1/4 in. width, satin finish, 12.2 g, good condition, wear consistent with age and use

Provenance: Private Collection

Estimate: $1,200 - $1,800

Untitled, 1985, possibly from the Planet series, signed and numbered underside “PEISER.15269.85.”, compound cast glass cut and hand-polished with angular bevels in shades of blue with interior green moon, 5-1/4 x 4-1/2 x 4-1/2 in., ”flea bite” chip at one corner

Provenance: An Important Atlanta Private Collection

Estimate: $500 - $700

88†

14kt. and Sterling Earl Pardon, Enamel Mosaic Brooch circa 1988, four enamel tiles, three abalone tiles, one round faceted rhodolite garnet, marked “STERLING, 14K, Pardon”, yellow gold, and oxidized textured sterling silver, 2-1/4 in. length,1/2 in. at widest area, 16.0 g., good condition, consistent with light use, slight patina to the metal

Provenance: Private Collection

Estimate: $1,000 - $1,500

In an Aaron Farber box.

Kenneth R. Trapp and Howard Risatti Skilled Work: American Craft in the Renwick Gallery (Washington, D.C.: National Museum of American Art with the Smithsonian Institution Press, 1998).

Jose Augustin Fumero

(Blowing Rock, North Carolina/Cuba, 1924-2016)

John’s River Gorge Clouds, signed verso “José Fumero”, acrylic on canvas, 27-1/2 x 43-1/2 in.; modern lacquer style frame, 33-1/2 x 49 in., clean surface; frame with minor areas of wear

Provenance: Purchased from the artist; Private Collection Estimate: $1,000 - $1,500

90†

22kt. and Sterling Lapis Lazuli and Cloisonne Enamel Brooch Pendant unpolished rectangular shape lapis lazuli, two round cabochon coral, red, blue, white, yellow and black enamel, marked “22K, Sterling”, yellow gold and sterling silver, 2-1/8 in. length, 1-1/4 in. width, 19.9 g., good condition, consistent with light use, no chips

Provenance: Private Collection

Estimate: $400 - $600

Two Dominick Labino Blue Art Glass Paperweight Vases (American, 1910-1987)

translucent glass with air trap shards and blue core, one signed and dated to base “Labino/3-1976”, the other “Labino/5-1981, larger 3-1/4 x 5 x 5 in., good overall condition, some minor scuffs and scratches, wear to base

Provenance: Private Virginia Collection

Estimate: $400 - $600

92†

14kt. Picture Jasper and Diamond Brooch, Pendant circular cut picture jasper cabochon, approx. 38.0mm diameter, one round faceted diamond, marked “14K, Z”, yellow gold, 1-3/4 in. complete diameter, 26.6 g., pin is slightly bent on back

Provenance: Private Collection

Estimate: $300 - $400

Five Dominick Labino Art Glass Duck Form Paperweights (American, 1910-1987) of varying size and color, all signed to base “Labino” and dated “75”, “1981” or “1982”, largest 1-3/4 x 2 x 3-1/4 in., good overall condition, some minor scuffs and scratches, light wear to bases; one with anomaly to base, possibly as made

Provenance: Private Virginia Collection

Estimate: $200 - $400

Three Dominick Labino Art Glass Table Objects (American, 1910-1987)

all signed “Labino” to base, comprising: cobalt blue footed dish, dated “6-1975” to base; orange vase, dated “63” to base; light blue vase with internal orange foliate decoration, dated “4-1982” to base; largest 4-1/4 x 3-3/4 x 3-3/4 in., good overall condition, some minor scuffs and scratches, wear to bases; orange example with jagged pontil

Provenance: Private Virginia Collection

Estimate: $300 - $500

Set of Eight Modern Cesca Type Armchairs, Made in Italy 20th or 21st century, tubular chrome plated steel frame, ebonized wood armrests, “MADE IN ITALY” labels to undersides, 32-1/2 x 23-3/4 x 22 in., seat heights 17-3/4 in., upholstery in new condition, armrests with small scuffs and minor scratches to ebonized surfaces, frames with dust accretion and light wear

Provenance: Private Collection, Highlands, North Carolina Estimate: $300 - $500

John Chapman Lewis, Autumn Rhythms (American, 1920-1995)

Abstract composition, 1973, signed lower right “Lewis,” oil on canvas, 54-1/4 x 44 in.; wooden frame, 55-3/8 x 45-1/4 x 1-1/2 in., canvas is slightly slack, original stretcher and tacking edge, light surface dirt, abrasion to top left corner; frame with abrasions

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia Estimate: $500 - $800

Luc Peire, Falla (Belgian, 1916-1994)

No. 669, signed verso “Peire”, 1964, with artist’s label verso, oil on panel on original painted wood Masonite support, 13 x 15 x 1 in., surface dirt, abrasions

Provenance: Henri Gallery, Alexandria, Virginia (label verso); The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $3,000 - $5,000

Luc Peire, Byzance (Belgian, 1916-1994)

No. 689, signed verso “Peire”, 1964, with artist’s label verso, oil on paperboard on original painted wood and Masonite support, 10 x 21-1/2 x 1/2 in., surface dirt, abrasions, some losses and impact creases at corners and edges

Provenance: Henri Gallery, Alexandria, Virginia (label verso); The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $3,000 - $5,000

Wendy Maruyama, Table, Six Chairs, and Shelf (American/California, born 1952), 1983, maple and tubular steel, black to purple lacquer finish with polychrome splatter, comprising: table with glass top, six side chairs with red seat cushions, and shelf; chairs 34 x 18-1/4 x 20-1/2 in.; table 29 x 59-3/4 x 36 in. overall; shelf 16-3/4 x 48 x 16-1/4 in., minor wear overall, paint loss throughout, notably along edges and at feet; scratches to glass; cushions lacking labels, one lacking one tie; small chip to one corner of glass shelf

Provenance: Commissioned directly from the artist, June 9, 1983 (accompanied by copy of commission contract); Estate of Alice Zimmerman, Nashville, Tennessee Estimate: $1,500 - $2,500

According to the artist Wendy Maruyama, she was commissioned in 1983 by Mrs. Zimmerman to design and fabricate a table, a set of chairs, and a shelf for the pool room of her home in Nashville. The set was constructed at the Appalachian Center for Crafts on the Tennessee Tech campus in Smithville, Tennessee.

100

Luc Peire, 1968 Olympic Games in Mexico City Serigraphs (Belgian, 1916-1994)

Ambiente Mexico 68, 1968, edition C/Z, serigraphs, 12-3/8 x 9-5/8 in.; matching metal frames, 17-1/2 x 12-5/8 x 1/2 in., vibrant color, some fading on justification, some waviness to paper, not examined out of frames; frames with wear and abrasions

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $1,500 - $2,000

This portfolio of seven serigraphs and one frontis are from the inauguration of Ambiente Mexico 68 (Environments 68) within the cultural program of the 1968 Olympic Games in Mexico City. There were a total of 26 copies produced and labeled A-Z. This folio is edition C.

101

Wolfgang and Anna Maria Kubach-Wilmsen (German, 1936-2007 | German, born 1937)

Stone in Stone, 1980, unsigned, white onyx and granite, 6-1/2 x 3 x 3/4 in., overall good condition, natural cracks and inclusions

Provenance: Staempfli Gallery, New York, New York, purchased in 1982 (accompanied by the original receipt, brochures); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

103

Zachary Coffin, Kinetic Wall Sculpture (California, born 1968)

Moonrise I, 2003, signed and inscribed verso “Zachary Coffin 2003/ Moonrise I”, marble and granite with steel elements, included wall mount, approximately 201/2 x 21 x 5 in., some small abrasions and scratches, surface dirt

Provenance: An Important Atlanta Private Collection

Estimate: $300 - $500

102

Mid Century Modern Le Corbusier for Cassina LC4 Lounge Chair

20th century, black metal frame with elastic straps, cow skin cover, black metal base, marks to crown rail include serial number “30124”, elastic straps also with Cassina branding, black leather head pillow included, 28 x 21 x 66 in. including base., some accretion to base, minor scuffs and paint chips to edges, two later securing straps with three extra

Provenance: Private Collection, Flat Rock, North Carolina Estimate: $1,500 - $2,000

104

Yaacov Agam Agamograph (Israeli, born 1928)

Cycle, signed lower right “Agam,” inscribed lower left “To Douglas,” titled verso on sticker, 13-7/8 x 14-7/8 in.; modern white laminate frame, 23 x 24 in., agamograph with small abrasion near center left; painted liner with some wear; frame with abrasions

Provenance: Private Asheville Collection

Estimate: $300 - $500

105

Italian Arredoluce Mid Century Modern Easel Floor Lamp Monza, Italy, mid 20th century, adjustable easel and light, tripod base, label to underside reads “MADE IN ITALY / ARREDOLUCE MONZA”, 82-1/4 x 21 x 21 in., light works as of cataloging, typical scattered scratches and scuffs to shaft from adjusting

Provenance: Private Collection, Highlands, North Carolina

Estimate: $4,000 - $6,000

106

John Chapman Lewis, Earth Rhythm (Washington, DC, 1920-1995)

Abstract elements on an orange field, unsigned, identified on typed label verso, oil on canvas, 44-1/4 x 60 in.; original gallery frame, 45-1/2 x 61-1/8 x 1-3/8 in., original stretcher and tacking edge, some light surface dirt, canvas slightly slack; frame with abrasions

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $500 - $800

Exhibited: Washington County Museum of Fine Arts, Hagerstown, Maryland, Friends and Members Collect, August 22, 2009 - January 24, 2010, No. 15 (label verso)

107

Sterling Silver and Ebony Geometric Design Necklace and Two Pairs of Earrings, ebony wood drops, spiky fringe and rectangular links, tests sterling silver, 16 in. length; two rectangular shaped ebony, approx. 3 in. length, post backs; two rectangular shaped ebony, approx. 1-1/2 in. length, screw backs; total weight 73.0 g., one small dowel is missing on one earring, some inevitable tarnishing to metal

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

108

Warren McArthur Moderne Table and Chair

20th century, table with circular black lacquered top on a brushed aluminum frame, unsigned; chair with brushed aluminum frame and black leather upholstered back and seat, unsigned; table 30 x 40-1/4 x 40-1/4 in; chair 32-1/4 x 24-1/2 x 22 in., table with some scratches and wear to top, attachment and screws for top possibly replaced, scuffs to frame, chair missing caps to tops of stiles with nuts exposed, leather with wrinkling and distress

Provenance: Private Chicago Collection

Estimate: $700 - $1,000

109 Dan Dailey (Massachusetts, born 1947)

Red Stick-On, 1979, vessel in found and blown glass, glass rods, painted metal, printed wood, 51-1/4 x 16 x 16 in., red paint with abrasions

Provenance: Theo Portnoy Gallery, New York, purchased in 1980 for $1,500 (accompanied by file with facsimile of receipt); Estate of Alice Zimmerman, Nashville, Tennessee Estimate: $1,000 - $1,500

110

Nicola Simbari, Wally Findlay Provenance (Italian, 1927-2012)

The Red Room, signed lower right “Simbari”, oil on canvas, 35-1/2 x 39-1/2 in.; original gilt wood frame, 43 x 47 x 2-1/2 in., good condition; frame with abrasions

Provenance: Wally Findlay Gallery, New York City, New York, No. 34437; Private Collection, Highlands, North Carolina

Estimate: $2,000 - $3,000

112

Petr Hora, Green Cone (Czech, born 1949)

111

Petr Hora, Purple Ovoid Vessel (Czech, born 1949)

2006, signed underside “Petr Hora/2006”, cast, blown, sand blasted and polished purple glass, 8-7/8 x 7-3/4 x 2-7/8 in., good condition

Provenance: Acquired from the artist; Private Collection Estimate: $300 - $500

1999, signed and dated underside “Petr Hora/99”, cast, blown, and polished emerald green glass, 11 x 7 in. diameter., ”flea bite” at top point

Provenance: Acquired from the artist; Private Collection Estimate: $1,000 - $2,000

113

John Chapman Lewis, Green Valley (Washington, DC, 1920-1995)

Haystacks and trees, 1947, signed lower right “Lewis 47”, signed and inscribed twice on stretcher verso, oil on canvas, 18 x 22-1/8 in.; gilt wood and molded frame, 22-3/8 x 26-3/8 x 2-1/2 in., original stretcher and tacking edge,

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $200 - $400

114

Nicola Simbari, Woman in a Purple Dress (Italian, 1927-2012)

signed lower right “Simbari”, two indented signatures on lower edge, oil on canvas, 43-1/4 x 47-1/8 in.; modern gilt wood frame, 50 x 53-7/8 x 1-1/2 in., painting in overall good condition, tacking holes in two upper corners; frame with wear and abrasions, upper right corner with some loss

Provenance: Private North Carolina Collection

Estimate: $2,000 - $4,000

115

Arthur Weeks (American/Alabama, 1930-1988)

Floreria, Flower Stall, 1983, signed lower right “Arthur Weeks”, oil on canvas, 40 x 30-1/4 in; carved and painted wood frame, 48 x 37-1/2 x 3 in., surface is clean and stable; frame with light wear

Provenance: Private Collection, Highlands, North Carolina

Estimate: $3,000 - $4,000

118

116

Ioan Nemtoi Studio Art Glass Center Bowl (Romanian, born 1964)

Freeform bowl, signed at rim, 6-1/2 x 32 x 21 in., some surface dust, scattered light scratches, scattered air bubbles as made, minute chip/abrasion at underside

Provenance: Items from the Collection of The Incurable Collector, Armond Roman

Estimate: $600 - $900

117†

Sterling Silver Vadim Bora Brooch with Charoite

polished free form charoite crystal, signed Vadim Bora, tests

sterling silver, 3-3/4 in. length, 1-1/4 in. at widest area, 20.8 g, good condition with no signs of wear, natural surface reaching inclusions

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $600

Charoite is a rare, vibrant purple silicate mineral found exclusively along the Chara River in Siberia, Russia, first discovered in the 1940s and recognized internationally in the 1970s.

Mamie Tinkler (American, born 1978)

Pool, 2020, not apparently signed, watercolor and gouache on paper mounted to board, modern frame, 17-3/4 x 16-1/4 x 1-1/2 in., image in overall good condition, not examined out of frame; frame with minor wear

Provenance: Ulterior Gallery, New York (label verso)

Estimate: $200 - $400

120

Pair of Ken Sedberry Polychrome Ceramic Figures (Burnsville, North Carolina, 1949-Present)

119

LeRoy Neiman, Bengal Tiger (American, 1921-2012)

A roaring tiger in tall grass, edition 252/300, signed lower right “LeRoyNeiman”, image 42 x 31 in.; modern gilt frame, 57-1/2 x 45-1/4 x 1-1/2 in., not removed from archival frame, light toning; frame with some abrasions

Provenance: Private South Carolina Collection

Estimate: $800 - $1,200

Guardians, both incised at back, one with “Sedberry 98/VI”, the other with “Sedberry 98/XI”, each approx. 44-3/4 x 9-1/4 x 10 in.,

firing anomalies as made, some embedded dust/surface dirt

Provenance: Private Collection, Georgetown, South Carolina

Estimate: $800 - $1,200

121

Paul Henry Brach

(New York/California, 1924-2007)

Magic Mesa, 1987, unsigned, oil on handmade paper, 20 x 25-1/2 in.; modern wood frame, 23-1/4 x 29-1/2 x 1-1/2 in., not examined out of frame, bold colors, waviness to paper; frame with light wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

122

Carl Blair

(American/North Carolina, 1932-2018)

He Was a Dandy #235, not visibly signed, polychromed wood, 24 x 8 x 28 in.; painted wood base, 18 x 11 x 8 in., minor abrasions throughout Provenance: By descent in the family of the artist

Estimate: $2,000 - $4,000

Carl Blair’s sculpture was highlighted in a Legacy series exhibition in 2023, sponsored by Bob Jones University.

123

Carl Blair

(American/North Carolina, 1932-2018)

2008 Crying Over You - #240, 2008, inscribed underside of base “Carl R Blair”, polychromed wood, 26 h x 13 w x 28; base 24 x 11-1/2 x 4-1/4 in., minor abrasions throughout

Provenance: By descent in the family of the artist

Estimate: $2,000 - $4,000

Carl Blair’s sculpture was highlighted in a Legacy series exhibition in 2023, sponsored by Bob Jones University.

125

Red (Charles Rogers) Grooms (New York/Tennessee, born 1937)

124

Pair of Poltrona Frau Attributed Art Deco Style Red Leather Club Chairs

20th century, arched back, thick rounded arms, short block feet, red upholstery with attractive patina, 34 x 37 x 35 in., seat height 17 in., leather with distress and wear but not dry, faint stains to seats

Provenance: Private Collection, Flat Rock, North Carolina

Estimate: $800 - $1,200

Rock-N-Roll Softie, 1977-1978, signed upper right “Red Grooms 77-78”, assembled found objects with paint, with artist designed acrylic case, 65-5/8 x 41-3/8 x 18-1/4 in., some abrasions to bottom

Provenance: Martin Wiley Gallery, Inc., Nashville, Tennessee, purchased 1978 (accompanied by a facsimile of the original receipt and a retrospective fan); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $2,000 - $4,000

126 Richard Jolley (American/Tennessee, born 1952)

”Bronze Red Garland,” bronze head in variegated tones of sage green, a deep crimson garland rests atop the crown, signature in base “Richard Jolley /3”, 16 x 7 x 9 in., surface is very good with consistently mottled patina

Provenance: An Important Atlanta Private Collection

Estimate: $5,000 - $7,000

Jolley has participated in over 64 solo museum and gallery exhibitions across the country and internationally, and his work is included in the collections of several prominent institutions including the Carnegie Museum of Art, Corning Museum of Glass, Knoxville Museum of Art, Los Angeles County Museum of Modern Art, Museum of Fine Arts, Boston, and the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC.

127

Ken Butterfield (American, 20th century)

Taco Pot # 7, 1988, signed and dated on bottom “Butterfield ‘88”, carved and painted wood sculpture, 25-1/2 x 12-1/2 x 11 in., good condition

Provenance: Habatat, Boca Raton, Florida, purchased in 1989 (accompanied by invitation inscribed by artist and picturing sculpture); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

128†

Sterling Peridot Square Shaped Brooch two sugar loaf cut peridots, signed “925”, 1-1/2 in. x 2 in., straight pin, 24.9 g., good condition, consistent with light use, straight pin is slightly bent

Provenance: Private Collection

Estimate: $200 - $400

129

Richard Marquis, Sample Box (California, born 1945) signed and dated on side “1993 Marquis”, blown Murano style glass, with acrylic paint, overall 4-7/8 x 10-1/4 x 3-1/8 in., good condition

Provenance: Private Collection

Estimate: $1,200 - $1,800

130

Modern Portrait of a Harlequin (Continental/American, 20th century)

Portrait, signed indistinctly on lower right, oil on panel, 11 x 7-3/4 in.; painted wood frame, 14-7/8 x 11-1/2 x 1-3/4 in., vibrant color, abrasions on left and top edge possibly in artist’s hand; frame with wear

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia Estimate: $200 - $400

131

Original Animation Cel for The Beatles Yellow Submarine

1968, United Artists / King Features Syndicate, Apple Bonker and butterfly, celluloid 12-1/4 x 15-1/2 in.; framed 16-1/4 x 18-1/4 in., good overall, showing usage from production including staples and peripheral notations, some detritus under glass

Provenance: From the Collection of John Brett Buchanan and John Charles Walker

Estimate: $300 - $500

132

Olena Zvyagintseva, The Start of the Journey (Ukrainian, born 1966)

Rider with a red horse, 2006, signed and inscribed verso in Cyrillic, oil on linen, 35 x 31-1/4 in.; modern gilt wood frame, 40 x 43-5/8 x 2 in., good condition; frame with abrasions; easel in working order

Provenance: TEW, Atlanta, Georgia, OZ176 (label accompanies the lot); Private Collection, Highlands, North Carolina

Estimate: $2,000 - $3,000

133

Pair of Contemporary Designer Louis XIII Style Open Armchairs, Freman Designs for Warren G. Arnett Interiors (labels beneath seat cushions), 21st century, beech frames, red foliate pattern upholstery, 39-1/2 x 28-3/4 x 35-1/2 in., seat heights 21-3/4 in., faux pest damage and wear to frames making current wear hard to read but appears minimal, upholstery with minimal wear

Provenance: Private Collection, Highlands, North Carolina

Estimate: $400 - $600

134

Palmwood Side Table in the Manner of Eugene Printz

20th century, two-tiered pedestal table, the four legs with oxidized brass caps, 21-3/4 x 31-1/2 x 31-1/2 in., minor wear overall, some minor chip losses and scratches to finish, stain to finish on edge of second tier, patina to brass

Provenance: Private New York Collection

Estimate: $800 - $1,200

135

Four Mullanium Steampunk Bird Sculptures (Jim and Tori Mullan, Florida, 20th/21st century)

Four birds, each mounted on a vintage ball, binoculars or spool, all signed, mixed media, 14-1/2 in. the tallest, 5 in. the smallest., all with signs of wear, as intended by the artist

Provenance: Private Collection, Highlands, North Carolina

Estimate: $1,000 - $1,500

136

Burt Groedel Wool Tapestry or Rug for Edward Fields, I’ve Grown Accustomed to Your Pace (American, 1937-1988)

100% virgin wool, particle mounting board along back of top, Edward Fields label to back, approx. 60 x 48-1/4 x 1-1/2 in., light toning to wool, some pilling along edges and to shaved areas, stains to back, particularly along edges

Estimate: $600 - $900

137†

18kt. Swallowtail Tapestry Brooch by Jeff Wise coral and possibly purple turquoise inlay, carved coral clasp, signed Jeff @ Wise, marked “18K, Swallowtail Tapestry”, yellow gold, 1-5/8 in. length, 1-1/2 in. width, 20.8 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $1,000 - $1,500

138†

18kt. Wise 2X Blue Spiral Brooch, with Blue Sapphire and Chalcedony round full cut blue sapphire, two chalcedony cabochon bullets, signed “WISE X2”, marked “C489, 18k, Blue Spiral”, yellow gold, 3-3/4 in. length, 1-3/8 in. width, 28.8 g., good condition, consistent with light use, no chips

Provenance: Private Collection

Estimate: $1,200 - $1,800

140

Bessie Harvey (American/Georgia, 1928-1994)

139

Contemporary Ironies Aslo Wrought Iron and Faux Wood Center Table 21st century, molded stone top emulating tree round, wrought and hammered black painted iron splayed base, unsigned, 30-1/4 x 42 x 42 in., top with scuffs and minor wear, base with very light wear

Provenance: Private Collection, Highlands, North Carolina

Estimate: $600 - $900

Thursday, Cleaning the House, lady sculpture, found and painted roots with plastic and batik, not signed, 24 x 8 x 6 in., very good condition

Provenance: Purchased from the Tennessee State Museum Foundation in 1994; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

141 Olen Bryant (American/Tennessee, 1927-2017)

Figural Chair, 1993, carved from a solid piece of wood, 44 x 20 x 17 in., natural wood with some minor abrasions and checking

Provenance: Purchased from the Tennessee State Museum Foundation in 1994 (accompanied by the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $400 - $600

Biography: Born in Cookeville, Tennessee, Bryant was a 1950 graduate of Murray State University and a 1954 graduate of the Cranbrook Academy of Art in Bloomfield, Michigan, with a Master’s Degree in Fine Arts. He additionally studied at the Cleveland Institute of Art, the Institute in the Visual Arts in American Culture at the University of Delaware, and the Winterthur Museum in 1967. Bryant was a professor at Austin Peay State University from 1964 to 1991. Bryant’s artwork is widely collected around the United States and is a part of several museum collections, including the Hunter Museum of American Art in Chattanooga, the Tennessee State Museum of Art, and the Cheekwood Museum of Art in Nashville; and his works have been displayed at the Tennessee Performing Arts Center and at the Governor’s Mansion during the Phil Bredesen administration. He was a founding member of the Nashville Artist Guild and the Tennessee Association of Craft Artists (source: Nashville Fine Arts Magazine & The Leaf Chronicle).

143

142†

14kt. and Sterling Drusy, Smoky Quartz and Tourmaline Textured Brooch, Pendant, triangular pink drusy quartz, two pink tourmaline cut cabochons, four smoky quartz cut cabochons, marked “14kt, Sterling”, yellow gold and sterling silver, 1-1/2 in. length, 1-5/8 in. at widest area, 13.5 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $300 - $500

Suanjaya Kencut

(or I Putu Adi Suanjaya, Balinese, born 1994)

The Remaining, 2017, signed lower left “I Putu adi Suanjaya 2017 jogja”, acrylic on canvas, 58-3/4 x 78-5/8 in.; painted wood frame, 59-1/2 x 79-1/2 x 2 in., some surface abrasions, canvas slightly loose; frame with abrasions

Provenance: Acquired from the artist; Private Collection

Estimate: $2,500 - $3,500

This lot is accompanied by the Certificate of Authenticity signed by the artist.

144†

18kt. Tom Herman Pipestone and Chrysocolla Brooch

circular shape pipestone, approx. 2-1/8in., diameter, square cut chrysocolla, approx. 13.5mm x 13.0mm, marked

“18kt.”, yellow gold, straight pin on back, 10.8 g., small chip, and some light damage on the edge of pipestone

Provenance: Private Collection

Estimate: $800 - $1,200

Tom Herman was featured in Lapidary Journal, 1991, and Adornment, 1990.

145†

18kt. Tom Herman Turquoise, Amethyst, and Emerald Brooch circular turquoise with pyrite, approx. 1-1/2in. diameter, round cabochon cut amethyst, approx. 9.5mm, two round cabochon cut emeralds, approx. 4.0mm, signed “TH88”, marked “18kt.”, yellow gold, straight pin on back, 10.8 g., pin is slightly bent, no chips or visible wear

Provenance: Private Collection

Estimate: $1,200 - $1,800

Tom Herman was featured in Lapidary Journal, 1991, and Adornment, 1990.

146

Steven Skollar, Blimp (American, born 1960)

Blimp, NYC, 1996, signed “Skollar” lower left and “Steven Skollar” verso, inscribed with title, date, and location verso “Blimp, 1996, NYC”, oil on linen mounted on board, 10 x 8 in.; modern gold leaf frame, 15-3/4 x 13-5/8 x 3/4 in., overall good condition; frame with minor wear, original gold leaf frame

Provenance: Private Chicago Collection

Estimate: $500 - $1,000

148†

18kt. Trillion Faceted Toumaline Geometric Brooch circa 1982, trillion faceted tourmaline, approx. 1.50ct., signed LAF, marked “18KT, 82”, yellow gold, 22.5mm length, 9.5mm at widest area, 5.1 g

Accompanied by original Camden Jewelry Co, Camden, Maine., consistent with light use

Provenance: Private Collection

Estimate: $400 - $600

147

Steven Skollar, Metaphysical (American, born 1960)

Metaphysical, NYC, 1996, signed “Skollar” bottom left and “Steven Skollar” verso, inscribed with title, date and location verso “Metaphysical, 1996, NYC”, oil on linen mounted on board, 10 x 8 in.; modern gold leaf frame, 15-3/4 x 13-5/8 x 3/4 in., overall good condition; frame with minor wear, original gold leaf frame

Provenance: Private Chicago Collection

Estimate: $500 - $1,000

149

Renzo Galardini, Surreal Painting (Italian, born 1946)

Untitled, signed lower right “R Galardini/1987”, also signed verso, Italian inscription verso translated reads “oil on canvas, cm 40 x 50/created in Cecina in Via Montanara 54/2/in September 1987 by myself, Renzo Galardini”, oil on canvas,15-1/2 x 19-3/4 in.; gilt wood and composition frame, 22 x 26-1/2 x 2-1/2 in., dry surface, some fluorescence under black light, likely pigment related, surface dirt; frame with wear and abrasions, cracks

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $600 - $900

151†

150

Renzo Galardini, Surreal Painting (Italian, born 1946)

Untitled, priest wrapped in cloth, 1988, signed lower right “R Galardini/1988”, also signed and dated verso, Italian inscription verso translated reads “oil on canvas, 60 x 100/created in Cecina in Via Montanara 54/2/in June-July 1988 by myself, Renzo Galardini”, oil on canvas, 39 x 23-1/2 in.; gilt wood and composition frame, 45-1/4 x 29-3/4 x 2-1/2 in., surface dirt, some fluorescence under black light, likely pigment related; frame with light wear

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $600 - $900

18kt. and 14kt. Lapis Lazuli and Emerald Brooch three cabochon cut lapis lazuli, four cabochon cut emeralds, marked “18k, 14K, MB”, yellow gold, 2-3/8 in. length, 2 in. width at widest, 26.0 g, slightly tarnished on metal, no damage to gemstones

Provenance: Private Collection

Estimate: $500 - $700

152

Steven Skollar, Airplane (American, born 1960)

Airplane, NYC, 1996, signed “Skollar” upper right and “Steven Skollar” verso, inscribed with title, date and location verso “Airplane, 1996, NYC”, oil on linen mounted on board, 6-1/4 x 12-1/4 in.; modern frame, 10 x 16 x 3/4 in., overall good condition; frame with minor wear, original gold leaf frame

Provenance: Private Chicago Collection

Estimate: $500 - $1,000

153

Steven Skollar, Vanitas (American, born 1960)

Vanitas, NYC, 1996, signed “Skollar” upper right and “Steven Skollar” verso, inscribed with title, date and location verso “Vanitas, 1996, NYC”, oil on linen mounted on board, 6-3/8 x 12-3/8 in.; modern gold leaf frame, 10 x 16 x 3/4 in., overall good condition; frame with minor wear, original gold leaf frame

Provenance: Private Chicago Collection

Estimate: $500 - $1,000

155†

14kt. Sculpted Faces with Rhodonite and Freshwater Pearl Drop Earrings two oval cabochon cut rhodonite, four freshwater pearls, signed possibly “MJ”, marked “14k”, yellow gold, 1-3/8 in. length, two sculpted faces, approx. 8.0mm width, 5.9 g, designer is unknown, good condition with no signs of wear

Provenance: Private Collection

Estimate: $800 - $1,200

Accompanied by an Aaron Faber box.

154

Robert Milnes (North Carolina, born 1948)

What we can’t speak about..., 2018, signed, dated, and titled underside, “R Milnes 18”, hand-built glazed white earthenware vessel, in two parts overall 14-1/2 x 163/4 in., surface chip underside

Provenance: Private Collection, Asheville, North Carolina

Estimate: $200 - $400

156

Kimo Minton, Cubist Portrait (London/American, born 1950)

Woman, signed lower right “Kimo”, oil on board, incised, sight 23-5/8 x 15-5/8 in.; modern pewter gilt frame, 27-5/8 x 19-5/8 x 1-1/2 in., minor surface dirt; frame with abrasions

Provenance: Private Collection, Highlands, North Carolina

Estimate: $300 - $500

157

Victor Halvani Bronze Sculpture (Egyptian/Israel, 1930-2024)

The Father, edition 1/25, signed on bronze and bottom of base, “Victor Halvani,” titled and editioned, gilt bronze on wood base, 11-3/4 x 5-3/4 in., wear and abrasions to gilt surface, wood with abrasions

Provenance: Private Asheville Collection

Estimate: $300 - $500

158

Dean Aydelott (American/North Carolina, 1931-1986)

Untitled, 1972, signed center right “D Aydelott”, oil on canvas, 70 x 49 in.; unframed., some minor accretions; unframed

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $200 - $400

Dean Aydelott was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

159†

18kt. Barbara Heinrich Textured Disc Earrings with Tanzanite and Diamonds two oval faceted tanzanite, approx. 0.50ctw., two round faceted diamonds, approx. 0.20ctw., tests 18kt. yellow gold, approx. 7/8 in diameter, 6.5 g, good condition with no signs of wear

Provenance: Private Collection

Estimate: $800 - $1,200

Accompanied by a Bruce Russell & Son box. Bruce Russell & Son is a premier family-run business in Guernsey (Channel Islands) specializing in handcrafted gold, silver, and platinum jewellery and traditional silverware since 1887.

160

Pair of Contemporary Sam More for Hooker Upholstered Armchairs 21st century, woven red and white upholstery, ebonized square tapered legs, labels under seat cushions, 38-3/4 x 29 x 35 in., seat heights 20 in., upholstery in very good condition with light fraying to piping, legs with scuffs and minor wear

Provenance: Private Collection, Highlands, North Carolina

Estimate: $400 - $600

161

Italian Marble Platform Bowl, Angelo Mangiarotti for Knoll circa 1965, unmarked, approx. 5-3/8 x 10-5/8 x 10-5/8 in., some wear to foot rim, overall good condition

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $600

162†

22kt. MCM Style Tiger’s Eye and Diamond Brooch 10 circular cut tiger’s eye tablets, approx. 11.5mm diameter, four round faceted cut diamonds, approx. 0.25ctw., not marked, tests 22kt. yellow gold, 2-5/8 in. length, 28.3 g, straight pin does not test gold, two very small chips on the back of one tiger’s eye, slight patina to the metal

Provenance: Private Collection

Estimate: $1,400 - $2,000

163

14kt. Multi Colored Sapphires and Pearl Foliage Brooch

26 round faceted multi colored sapphires, blue, purple, pink, yellow, green, and red, approx. 3.0mm - 1.75mm, freshwater and cultured pearls, marked “14K”, rose gold, 2-3/4 in. length, 1-1/8 in. width, 12.2 g., wear is consistent with light use

Provenance: Private Collection

Estimate: $1,400 - $2,000

164

Six Albert Thiry Pink Thistle Pottery Table Objects (French, 1923-2009) each signed “Thiry” on base, comprising: large country pitcher; two small country pitchers; small peasant pitcher; two center bowls; largest item 11 x 10 x 7-1/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $800 - $1,200

165

Albert Thiry Molded Pottery Lamp Base (French, 1923-2009)

signed “Thiry” on base, wrap-around cityscape decoration, hole at base for cord as made, 8-5/8 x 8-1/2 x 8-1/2 in., some craters, firing cracks, and other firing anomalies as made

Provenance: Private Collection

Estimate: $500 - $700

167

Three Albert Thiry Pink Wild Rose Pottery Pitchers (French, 1923-2009)

each signed “Thiry” on base, largest 10-1/2 x 9 x 6-1/2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $400 - $600

166

Three Albert Thiry Pink Wild Rose Pottery Country Pitchers (French, 1923-2009)

each signed “Thiry” on base, one with incised foliate decorated handle, each approximately 10-1/2 x 9-3/4 x 7-1/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $500 - $700

168

Two Early Dominick Labino Art Glass Vases (American, 1910-1987) signed to base “Labino”, comprising: opaque white and cream glass vase, dated to base “1965”; translucent yellow glass vase with narrow neck, dated to base “1968”; larger 13-1/4 x 4-1/2 x 4-1/2 in., good overall condition, some minor scuffs and scratches, light wear to bases; opaque example with some sticker accretion to base and roughness to pontil

Provenance: Private Virginia Collection

Estimate: $300 - $500

170

Carl Blair

(American/North Carolina, 1932-2018)

1968 Autumn Evening #132, 1968, signed upper left “Blair”, acrylic on canvas, 19-1/4 x 20-1/2 in.; original wood frame 20-3/4 x 22 in., good clean surface, modern varnish, light abrasions; frame with some wear at corners

Provenance: By descent in the family of the artist

Estimate: $2,000 - $4,000

171†

Sterling Silver Spindle Shaped Wire Sculpture Brooch interlocking wire looping to form an open mesh structure, not marked, tested sterling silver, 4-1/4 in. length, 3/4 in. wide, 14.5 g, good condition, consistent with light use

Provenance: Private Collection

Estimate: $200 - $400

169†

24kt., 20kt., 18kt., and 14kt. Opal and Cloisonne Brooch by Connie Brauer circa 1982, oval cabochon cut opal, approx. 8.0mm x 6.0mm, pink, blue, and white opalescent enamel, signed by Connie Brauer, marked “24k, 20k, 18k, 14k”, yellow gold, 1-5/8 in. length, 3/4 in. at widest area, 13.4 g, good condition, slight patina to the back on metal

Provenance: Private Collection

Estimate: $200 - $400

172

Gary Knox Bennett Maple and Aluminum Table with Four “African” Armchairs Oakland, California, 1988, the square table with figured maple parquetry top, burnished aluminum frame with polychrome stacked laminate trim, the underside with “OAKLAND GKB ANNO 88 / TOP CHANGED IN 1992-93”, 29 x 40-1/2 x 40-1/4 in.; the four sculpturally carved figured maple chairs with loose hanging laminate bead accented slats, hammered metal rivets, hanging paper label to chair reads “Shapiro - Contemporary Table & 4 Chairs / High Museum / STI.018”, the undersides with “IN OAKLAND GKB ANNO 93 #35-38”, 33 x 24-5/8 x 21 in, seat height 18-3/8 in., very light wear overall, top with faint scratches and marks, chairs with very light wear, one hanging slat missing with another missing the top bead

Provenance: An Important Atlanta Private Collection

Estimate: $5,000 - $7,000

173

Two Albert Thiry Pink Wild Rose Pottery Pitchers (French, 1923-2009)

each signed “Thiry” on base, 10-3/4 x 9 x 6-3/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $400 - $600

174

Three Albert Thiry Pink Wild Rose Pottery Trays (French, 1923-2009)

each signed “Thiry” on base, largest 21-3/4 x 8-5/8 x 2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants; two slightly warped as made but stable; one smaller example with small chip to rim underside

Provenance:

Estimate: $400 - $600

175

Two Large Albert Thiry Pink Wild Rose Pottery Trays (French, 1923-2009)

each signed “Thiry” on base, incised foliate rim decoration, larger 21-1/2 x 8-3/4 x 2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants; larger slightly warped as made but stable; smaller with large firing crater at one underside corner

Provenance: Private Collection

Estimate: $400 - $600

176

Two Large Albert Thiry Pink Wild Rose Pottery Trays (French, 1923-2009)

each signed “Thiry” on base, each approximately 21-1/4 x 8-1/2 x 1/2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $400 - $600

177

13 Albert Thiry Pink Wild Rose Pottery Bowls (French, 1923-2009)

each signed “Thiry” on base, each approximately 2 x 7-5/8 x 7-5/8 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $500 - $700

178

Tommy Simpson, Figural Abstract (American, born 1939)

Untitled, signed “Tommy S” verso, paint on carved wood with integral frame, 48-3/4 x 32-5/8 x 2 in., some separation between panel and integral frame, abrasion on upper left side

Provenance: Momentum Gallery, Asheville, NC (stamp verso); Private Asheville Collection

Estimate: $1,500 - $2,000

179

American School Abstract

(American School, 20th century)

Abstract with script, possible monogram verso, mixed media on paper, 30-1/4 x 44-1/8 in.; wood frame, 44-5/8 x 58 x 1 in., mounted with archival tape to mat, handling wear on edges; frame with minor wear and abrasions

Provenance: Private Collection, Highlands, North Carolina

Estimate: $500 - $700

180

John Chapman Lewis, Composition in Blue (American, 1920-1995)

Untitled abstract, 1963, signed and dated lower right “Lewis 63,” oil on canvas, 50 x 42 in.; wood frame with metal detail, 51 x 43-1/4 x 1-1/2 in., original stretcher and tacking edge, canvas is slightly slack, light surface grime, surface abrasions on bottom edge and top left corner, possibly artist made; frame with wear and abrasions, separation of metal detail at corners, surface dirt

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $500 - $800

181

12 Albert Thiry Pink Wild Rose Pottery Bowls (French, 1923-2009)

each signed “Thiry” on base, incised rim decoration, each approximately 2 x 7-1/2 x 7-1/2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $500 - $700

182

Ten Albert Thiry Pink Wild Rose Pottery Bowls (French, 1923-2009)

each signed “Thiry” on base, incised rim decoration, each approximately 2 x 7-1/2 x 7-1/2 in., some craters, firing cracks, and other firing anomalies as made, tape/ sticker remnants

Provenance: Private Collection

Estimate: $500 - $700

183

Five Albert Thiry Pink Wild Rose Pottery Peasant Pitchers (French, 1923-2009)

each signed “Thiry” on base, comprising: four approximately 7-3/8 x 6-1/4 x 5-3/4 in.; one 5-1/2 x 5 x 3-1/2 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants

Provenance: Private Collection

Estimate: $600 - $900

184

Three Albert Thiry Pottery Pink Wild Rose Table Objects (French, 1923-2009)

each signed “Thiry” on base, largest 4-3/4 x 10-1/4 x 10-1/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants; domed lid possibly associated (does not sit securely on jar)

Provenance: Private Collection

Estimate: $300 - $500

185

Five Albert Thiry Wild Rose Pottery Dishes (French, 1923-2009)

each signed “Thiry” on base, two with incised foliate rim decoration, largest item 2-1/4 x 11-3/4 x 11-3/4 in., some craters, firing cracks, and other firing anomalies as made, tape/sticker remnants

Provenance: Private Collection

Estimate: $400 - $600

187

Pair of Albert Thiry Pink Wild Rose Pottery Platters (French, 1923-2009)

each signed “Thiry” on base, each approximately 1-1/2 x 16 x 12-3/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants, some wear and old chips to bases

Provenance: Private Collection

Estimate: $300 - $500

186

Ten Albert Thiry Pink Wild Rose Pottery Bowls (French, 1923-2009)

each signed “Thiry” on base, each approximately 3-1/4 x 5-3/4 x 5-3/4 in., some craters, firing cracks, and other firing anomalies as made, sticker remnants, light wear and a few scattered small chips to bases

Provenance: Private Collection

Estimate: $300 - $500

188†

18kt. Rose Quartz and Tanzanite Earrings

two round cabochon cut rose quartz, approx. 14.0mm diameter, two trillion cut tanzinite, signed “JMD”, marked “18k”, yellow gold, post backs, 1 in. length, 19.1 g., good condition, consistent with light use, no chips

Provenance: Private Collection

Estimate: $1,000 - $1,500

189

Edna Hibel, Asian Women and Child (American, 1917-2015)

Interior view, signed lower left “Hibel”, oil on heavy paperboard, 16 x 26-1/2 in.; modern gilt and painted wood frame, 24-1/8 x 36 1-3/4 in., good condition; frame with abrasions

Provenance: Private Collection, Highlands, North Carolina

Estimate: $800 - $1,200

190†

Sterling Silver Carved Jade and jade and Rock Crystal Statement Brooch by Rebecca Collins, circular carved jade, accented by another carved jade, rock quartz crystal, signed Rebecca Collins, with a carved turquoise scarab, marked “1988, Sterling”, sterling silver, approx. 4-7/8 in. length, 2-1/4 in. at widest area, 124.4 g, unfamiliar writing on back, slightly tarnished on metal, no chips

Estimate: $200 - $400

These items tested as Jadeite on the Presidium Gem Tester II.

191

Johannes Schiefer, Rue Pierre Charron, Paris (Dutch/America,1896-1979)

Rue Pierre Charron, Paris, signed “Johannes Schiefer” lower right, titled “Rue Pierre Charron Paris” lower left, oil on canvas, 25-1/8 x 30-1/8 in.; a reproduction gilt wood frame, 31-5/8 x 36-1/2 x 1-3/4 in., original canvas and tacking edge, slight surface dirt; frame with minor abrasions

Provenance: Louise Glickman

Estimate: $500 - $700

192

Framed print, signed honey wood, African women (American, 1950-2010)

African Women, 1982, signed lower right “Varnette P. Honeywood”, color lithograph, sight 14 x 29 in.; wood frame, 24 x 34 in., somewhat faded, not examined out of frame; frame with light wear

Provenance:

Estimate: $300 - $500

193†

18kt., 22kt. and Sterling Carolyn Morris Bach Brooch

Cupid series, carved bone, signed “Carolyn Morris Bach 2003”, marked “18k, 22k, Sterling”, yellow gold, 2-1/4 in. length, 1 in. wide, 12.2 g., good condition, consistent with light use

Provenance: Private Collection

Estimate: $200 - $400

195

194

Salvador Dali, Song of Songs of Solomon (Spanish, 1904-1989)

Ten of twelve from the series Songs of Songs of Solomon (Field 71-17J; M&L 477c), 1971, edition 92/200, signed lower right in pencil “Dali,” publisher blind stamp for Leon Amiel, New York lower right, etching with extensive hand coloring and gold dust, on Japon nacre paper, 26-5/8 x 20 in.; modern frame, 29 x 22 x 3/4 in., some with displaced glitter, one examined out of frame and taped at three points at top, full sheet with deckled edges, minor foxing in margins; some mats with wear and surface grime; frames with wear and minor abrasions

Provenance: Sold to benefit Habitat for Humanity Asheville, North Carolina

Estimate: $6,000 - $9,000

There are two lacking from the series of twelve, G (My beloved is like a roe, or a young hart...) and I (Thou art all faire, my love: there is no spot in thee)

Four Pierre Casenove for Fondica Figural Bronze Candlesticks French, 20th century, silvered bronze, each impressed “CASE/NOVE/FONDICA FRANCE” with varying model numbers, largest 18-1/2 x 7-5/8 x 3-1/2 in., heavy pitting as made, surface dirt and accretion, some areas with wear and loss to silver paint particularly at bases, some wear and losses to felt at bases

Provenance: Private Collection, North Carolina

Estimate: $1,000 - $2,000

198

Corneille, Gouache and Lithograph (Dutch, 1922-2010)

Two works: Untitled, from the Pinocchio series, 1972-1975, dated and signed at top “6/15Corneille 73-75”, gouache on paper, 27-5/8 x 391/4 in.; gold leaf frame, 32-3/4 x 44-1/4 x 1-5/8 in.; Plage sauvage peuples, 1968, edition 5/30, signed lower right “Corneille ‘68”, M. Casse, publisher, lithograph on paper, 26 x 19-3/4 in.; black metal frame, 29-1/4 x 23-3/8 x 1 in., gouache floated, two tears upper right edge, corner crease, frame with abrasions; lithograph floated, full sheet with deckled edges, slight toning of paper at edges, not removed from frame, frame with abrasions

Provenance: Lefebre Gallery, New York, New York, 1975 and 1976 (both accompanied by a facsimile of the original receipt with gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $2,000

196

Catherine Warren, Gestural Flowers (American, born 1946)

2014, signed and dated verso “C. Warren/2014”, acrylic on linen, 63-1/2 x 44-7/8 in.; unframed., good condition

Provenance: Private Georgia Collection

Estimate: $400 - $600

197

Set of Gordon Russell Broadway Worcs Mid Century Modern Mahogany Side Chairs, circa 1950, chartreuse upholstered seats, most with metal badges to undersides, 34 x 19 x 21 in., seat height 18-3/4 in., typical wear considering age, scattered minor scuffs and scratches to frames mainly at feet, later upholstery in excellent condition

Provenance: Private Collection, Asheville, North Carolina

Estimate: $400 - $600

199

9kt. Vintage Coral Circular Shaped Brooch seven oval red coral, graduating in size, approx. 6.5mm x 4.5mm - 4.0mm x x3.0mm, marked “PD, 375”, yellow gold, UK hallmark, 1-5/8 in. diameter, 10.5 g., pin is slightly bent on back, very slight crack in metal only seen under magnification

Provenance: Private Collection

Estimate: $200 - $400

200

Robert Stark, Yellow and Green Abstract (Pennsylvania/District Of Columbia, born 1939)

Untitled, unsigned, oil on paper, 30 x 22-3/8 in.; modern frame, 33 x 27 x 3/4 in., vibrant color, secured with archival corners attached to board; frame with minor wear

Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $300 - $500

201

Joseph Kinnebrew, Perfect Pear (Washington, born 1942)

Perfect Pear, 1997, signed and editioned “Kinnebrew 8/12” on underside, polished bronze, overall, 8-3/4 x 7 in., minor abrasions, scratches on feet underside

Provenance: Private Chicago Collection

Estimate: $300 - $700

203†

18kt. Indicolite Tourmaline Fan Form Brooch round indicolite tourmaline cut cabochon, approx. 9.0mm, signed “Libby”, marked “18k”, yellow gold, textured finish, 2-1/8 in. at widest, 1-5/8 in. length, 12.7 g., good condition, no visible wear

Provenance: Private Collection

Estimate: $1,800 - $2,400

202

Fred Aris Surrealist Painting (British, born 1932)

Twins, signed lower left “Aris”, titled on label verso, oil on wood composite panel, 21-5/8 x 17-3/4 in.; gilt wood frame, 22-3/8 x 18-1/2 in., light abrasion

Provenance: Provenance: Portal Gallery, London (label verso); Private Florida Collection

Estimate: $200 - $400

204†

14kt. and Sterling Silver Botanical Inspired Charm Necklace by Clifton Nicholson, three suspended leaf charms, one suspended floral bud, black braided cord, sterling silver terminals, signed “CN”, marked “STERLING, 14K”, rose gold, sterling silver, 2-5/8 in. length of the longest charm from the cord, approx. 1 in. width of widest charm, approx. 17 in. length, 31.3 g., good condition, consistent with light use

Provenance: Charlottesville, Virginia Collection

Estimate: $300 - $500

205

Catherine Warren, Gestural Still Life (American, born 1946)

Vase with flowers, 1995, signed lower right “C.Warren ‘95”, acrylic on paper; modern gilt frame, 55-1/4 x 43-1/4 x 1 in., floated, good condition, not removed from frame; frame with abrasions

Provenance: Ann Kendall Richards, Inc, New York City, New York (label verso); Private Georgia Collection

Estimate: $400 - $600

207†

14kt. and Sterling Tourmaline and Pearl Geometric Shape Brooch four elongated columnar natural crystal tourmaline, five round cut faceted tourmalines, nine button pearls, tests 14kt. yellow gold, and sterling silver, 2-7/8 in. x 2-3/8 in. overall measurement, 23.0 g total weight, normal wear, slight patina to the metal

Provenance: Private Collection

Estimate: $600 - $900

208

Dean Aydelotte

(American/North Carolina, 1931-1986)

ECHO BRAT, inscribed verso “Dean Aydelotte/Art Dept/Un of Mississippi”, PVA (Polyvinyl Acetate) on canvas, 72-1/2 x 48-1/2 in.; painted wood frame 73 x 49 in., surface is dimensional and varied, as made; frame with abrasions and cardboard corner protectors

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $800 - $1,200

Dean Aydelotte was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

206

Set of Four Mid Century Modern Painted Lattice Room Divider Panels 20th century, cream painted, pierced latticework design, 97-1/4 x 44-1/2 x 1-1/8 in., paint with discoloration, minor cracks, scratches and edgewear; some corners with holes

Estimate: $400 - $600

209

Ismail Gulgee, Pakistanis with Horse (Pakistani, 1926-2007)

1968, signed lower left “Gulgee ‘68”, marker on gray paper, sight 42-1/2 x 14-1/8 in.; pickled wood frame, 50-3/4 x 21-3/4 x, some fading of paper and marker, not removed from frame

Provenance: From the Collection of Louise Mozena, Fernandina, Florida; by descent in the family

Estimate: $3,000 - $5,000

210

Modern Steel Sculpture (21st century)

Twist form in polished steel with rusted trapezoidal Corten steel integral base, unsigned, overall 83-1/4 x 14-1/8 x 14-1/8 in., natural rust to base

Provenance: Private Collection, Highlands, North Carolina

Estimate: $300 - $600

211†

14kt. Sculpted Ribbon Brooch with Tourmalines two straight step cut tourmalines, purple and green, approx. 1.50ctw., marked “18k, 88”, but tests 14kt. white and yellow gold, braided ribbons of gold, 6-1/2 in. length, 9.0mm wide ribbon, 8.7 g, artist is unknown, pin is slightly bent

Provenance: Private Collection

Estimate: $200 - $400

212

Worlds Away “Werstler” White Lacquered Mirror Top Four Drawer Dresser 21st century, inset beveled mirror top, four short drawers with Greek key motif pulls, stepped bracket feet, 34-1/2 x 61 x 20-1/2 in., mirrored top with light scratches, two small chips to edge and corner of one drawer, side with small scratch, top back corner with patch of loss to lacquer

Estimate: $300 - $500

213

Dale Chihuly Print

(Washington, born 1941)

Print I, color trial proof edition 1/1, 1987, signed and inscribed in pencil lower margin “C.T./P. Print I Chihuly 1987 1/1”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, some areas of creasing; frame with light wear

Provenance: An Important Atlanta Private Collection

Estimate: $400 - $600

These prints by Chihuly have a direct connection to Western North Carolina and fellow glass artist Harvey K. Littleton. Littleton revived vitreography in his Spruce Pine studio, and invited Chihuly and other artists to experiment with creating art prints.

214 Robert Clements

(American/Georgia, born 1937)

Georgia Stories 1 & 2, 1991, not visibly signed, lacquered and gold leafed steel, 127 x 31 x 31 in., some oxidation, rust and abrasions, as intended - adding to texture and surface variation, patina consistent with exterior installation

Provenance: Fay Gold Gallery, Marietta, Georgia; An Important Atlanta Private Collection Estimate: $7,000 - $9,000

Robert Donald Clements is known for his dramatic sculptures that inhabit landscapes that are both public and private, monumental and intimate. He received a BFA from Carnegie Mellon University and an MFA from Pennsylvania State University. Clements taught art at the University of Georgia for 25 years, from 1969 to 1994, when he retired in order to make art full-time.

215

Dale Chihuly Print

(Washington, born 1941)

Print II, trial proof edition 3/3, 1987, signed and inscribed in pencil lower margin “T./P. Print II Chihuly 1987 3/3”, vitreograph on paper, plate 27-5/8 x 22 in.; sheet 41-1/2 x 29-3/8 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, areas of creasing; frame with light wear and abrasions

Provenance: An Important Atlanta Private Collection Estimate: $400 - $600

216

Eero Saarinen For Knoll Tulip Dining Table 2019, white marble top with gray inclusions and beveled edge, white metal tulip base, labels to base underside, 27-1/2 x 47-1/4 x 47-1/4 in., very light wear overall

Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

218

Arthur Hall Smith, Midas Garden (France/Virginia, 1929- 2013)

Abstract, 1966, signed lower right “Arthur Smith/’66”, oil on canvas, 21-7/8 x 28 in.; original lattice type frame, 26-1/8 x 32-1/8 x 1-5/8 in., some crackle, stretcher; frame with abrasions

Provenance: Franz Bader Gallery, Washington, D.C. (original label); The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia

Estimate: $300 - $500

217

Four Eames for Herman Miller Molded Plywood DCM Side Chairs

21st century, Santos Palisander laminate, black metal frame, labels to undersides, 30-1/4 x 20-1/4 x 21 in., seat height 18-1/2 in., light wear overall with sparse scratches

Provenance: Private Collection, Asheville, North Carolina

Estimate: $800 - $1,200

219

Dale Chihuly Print (Washington, born 1941)

Print VI, trial proof edition 2/2, 1987, signed and inscribed in pencil lower margin “T.P. Print VI Chihuly 1987 2/2”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, slight handling grime along edges, slight waviness and small areas of creasing; frame with light wear

Provenance: An Important Atlanta Private Collection

Estimate: $400 - $600

221

Dean Aydelotte

220

Modern and Rustic Driftwood Single Light Floor Lamp

21st century, black metal stand, 59 x 12-1/2 x 12-1/2 in., lacking harp and shade, light wear to base

Provenance: Private Collection, Highlands, North Carolina

Estimate: $200 - $400

(American/North Carolina, 1931-1986)

Echo Now Hear This, 1966, inscribed verso “Aydelott/Art Dept/Univ of Neb” oil on canvas, 73 x 49 in.; black painted wood frame, 73-3/4 x 50 in., surface stable but with some dust/dirt, minor abrasions, frame with abrasions throughout and loss at upper right edge

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $800 - $1,200

Dean Aydelott was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

222

Dale Chihuly Print

(Washington, born 1941)

Print III, trial proof edition 1/1, 1987, signed and inscribed in pencil lower margin “T./P.- Print III Chihuly 1987 1/1”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49 x 36-1/2 x 1-3/8 in., not examined out of frame, waviness to paper, areas of creasing, pinholes upper corners; frame with light wear

Provenance: An Important Atlanta Private Collection

Estimate: $400 - $600

223

Five BRNO Type Mid Century Modern Style Armchairs

20th century, original design by Mies Van Der Rohe for Knoll circa 1930, comprising three examples with traditional shape, and two with upswept arms, four with red velvet upholstery and one with beige on blue upholstery, 32 x 23 x 25 in., seat height 18-3/4 in., frames with scratches and scuffs, upholstery with scattered minor spots of distress or stains

Estimate: $500 - $700

224

Three Mid Century Modern Acrylic Hanging Lanterns

circa 1970, white acrylic rectangular forms with black metal frames, oak(?) vertical slats, single light, 37 x 13-3/4 x 13-3/4 in., not tested, lacking ceiling mounts, one lamp with accretion and burn marks and missing panel to side, one with crack, some scratches, scuffs, dust and accretion, and edgewear throughout; fading to wood

Estimate: $200 - $400

225

Two Mid Century Modern Acrylic Hanging Lanterns

circa 1970, white acrylic rectangular forms with black metal frames, oak(?) vertical slats, single light, 37 x 13-3/4 x 13-3/4 in., not tested, lacking ceiling mounts, some scratches, scuffs, dust and accretion, and edgewear throughout; fading to wood with one much more faded

Estimate: $100 - $300

226

Set of Eight Modern Silvered Metal and Red Upholstered Dining Chairs tags for Johnson Casuals, 2008, each designed in the Boston Chippendale style, 41-1/2 x 18-3/4 x 19-1/2 in., seat height 18-1/2 in., scattered surface corrosion and spotting, especially at center of backs; scattered minor stains to upholstery, some need plastic foot pad replacements

Estimate: $500 - $700

†Brunk Auctions makes no warranty or guarantee regarding any metal stamps, maker’s marks, and/or metal tests performed to the best of our ability. All diamonds, colored stones, pearls, or other gem materials’ weight, color, and clarity grades are estimated as mounted. Unless explicitly stated, stones have not been removed from their mountings. We do not guarantee whether a gemstone is natural or synthetic, or whether it has been treated or enhanced. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Brunk Auctions is merely a subjective, qualified opinion. Buyers are solely responsible for making their own determinations prior to bidding. All sales are final. No refunds, returns, or post sale adjustments will be considered.

Form & Vision: Modern Art • Furniture • Sculptural Jewelry | April 22, 2026

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