Fall Modern | Contemporary | Design | October 16, 2025

501

Giacomo Manzu (Italian, 1908-1991)

Autoritratto con la modella, circa 1943-1946, stamped with signature and foundry “Manzu Fonderia Maf Milano”, possibly an aftercast, patinated bronze, 18-1/2 x 10 x 13-1/4 in., thin casting edge at bottom

Provenance: Luzzatto Collection, Buenos Aires; Abby J. Grunewald, Tuscon; David M. McKee, New York, New York, purchased in 1973 (accompanied by a facsimile of the original receipt); An Important Atlanta Private Collection

Estimate: $7,000 - $10,000

Literature: Ragghianti, Carlo L. Giacomo Manzu, Edizioni del Milione, Milan, 1957, illustrated no. 51; Rewald, John, Giacomo Manzu, Thames & Hudson, London, 1966, Verlag Galerie Welz Salzburg, Illustrated no. 32

Reference: Francesco Sapori: Scultura italiana moderna, Roma, Libreria dello Stato, 24th Venice Biennale: Catalogue”, 4th ed., Venice, 1948, p. 102.1949, p. 356.

A model of this subject was offered by Christie’s, October 27, 2020, lot 345.

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502

Hans Erni (Swiss, 1909-2003)

Couple on Green Background, 1959, signed “14.III.59 h. erni”, signed and dated verso original canvas and seen faintly, oil on canvas, 25-3/4 x 37-1/4 in.; white gold leaf wood frame, Karl Meder Luzerne (label verso), silk covered liner, 33-3/8 x 47-7/8 x 1-3/4 in., lined, restretched on new stretcher, retouch and fill at restoration on right figure hip; frame with abrasions Provenance: Hammer Galleries, New York, No. 17922-3 (label reattached verso backing board, accompanied by appraisal); Private Collection, Lexington, Kentucky

Estimate: $5,000 - $7,000

503

Giacomo Manzu, The Awakening, 1953 (Italian, 1908-1991)

Woman Seated Under a Tree, Male Nude, signed lower right “Manzu”, India ink on cream wove paper, sight 10-1/4 x 15-1/8 in.; parcel gilt wood frame, 19-5/8 x 27-3/8 x 1 in., handling creases, light toning, small stain, not examined out of frame; frame with abrasions

Provenance: The Estate of Mrs. Lloyd S. Lloyds, Manhattan, New York and Palm Beach, Florida; By descent in the family

Estimate: $1,000 - $1,500

Exhibited: World House Galleries, New York, New York, organized by The American Federation of Arts, Manzu and Morandi, February-June, 1958 (label verso) For a similar composition see Sotheby’s Milan, May 26, 1998, lot 77.

504

Yohanan Simon (Israel/German, 1905-1976)

Midsummer’s Day, 1966, signed lower left “Yohanan Simon” and in Hebrew lower right, titled, signed and dated verso, oil on canvas, 15 x 18-1/4 in.; original parcel gilt and painted wood frame, 19-3/8 x 22-5/8 x 1-1/2 in., original stretcher and tacking edge, canvas slightly loose; frame with abrasions

Provenance: Private Collection

Estimate: $2,000 - $3,000

505

Pierre Tal-Coat (French, 1905-1985)

Abstract Rooster, signed lower right “Talcoat”, old label on stretcher verso inscribed “Tal Coat...France...Saint Honore...”, also old Paris transportation label on stretcher verso, two French stamps on canvas verso lower left, oil on canvas, 31-3/4 x 25-3/4 x 1 in.; unframed, original stretcher tacking edge, surface dirt, vertical tear through signature lower right, wear and abrasions along edges, some dents to canvas

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina Estimate: $2,000 - $4,000

506

Georges Braque (French, 1882-1963)

Phaeton, Char 1, edition 61/75, 1945, signed lower right “G. Braque”, Mourlot, Paris, printer, Daniel-Henry Kahnweiler, Paris, publisher, color lithograph on Arches paper, sheet 17-7/8 x 23-5/8 in.; gilt wood frame, 21-3/4 x 26-3/4 x 1 in., mounted to board with adhesive film, heavy toning, remnants of adhesive along margins from mat; frame with wear and abrasions, corners with loss to gilt

Provenance: Private Collection

Estimate: $1,000 - $1,500

Literature: Vallier, Dora, Georges Braque, and Claude Laurens. 1988. Braque, the Complete Graphics: Catalogue Raisonné, Translated by Robert Bononno. New York City: Gallery Books, page 68, number 26

508

Reynold Arnould, Purple Abstract Painting (French, 1919-1980)

Untitled, signed lower right “Reynold Arnould”, oil and sand on canvas, 15-7/8 x 6-1/4 x 3/4 in.; unframed, foxing to canvas verso, overall wear

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $200 - $400

507

Georges Braque (French, 1882-1963)

Helios V, edition 36/75, 1948, signed and editioned lower right “G. Braque/36/75”, edition only visible under mat, Mourlot, Paris, printer, Daniel-Henry Kahnweiler, Paris, publisher, colored lithograph on Arches paper, sheet 24-1/2 x 19-3/4 in.; gilt wood frame, 28-1/4 x 24-1/4 x 1 in., mounted to board with adhesive film, heavy toning; frame with wear and abrasions, mat with tear lower right

Provenance: Private Collection

Estimate: $1,000 - $1,500

Literature: Vallier, Dora, Georges Braque, and Claude Laurens, 1988, Braque, the Complete Graphics: Catalogue Raisonné, translated by Robert Bononno, New York City: Gallery Books, page 88, number 40.

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509

Petr Hora (Czech, born 1949)

Untitled, 2000, signed verso bottom right “Petr Hora 2000”, cast, fused and polished clear and purple glass; with a modern triangular metal and glass stand, 35-3/4 x 15-7/8 x 14 in., good condition; stand with some abrasions

Provenance: Private Collection, purchased in Prague

Estimate: $3,000 - $5,000

510

Eero Saarinen for Knoll Tulip Dining Table with Six Chairs

American, mid 20th century, table with Formica top, model 175W, Knoll label to underside, approx. 29 x 78 x 48 in., chairs with upholstered fabric cushions, models 150 and 151, larger approx. 31 x 25-1/2 x 26 in., scratches, abrasions, discoloration, and chipping at edges throughout, some stains and discoloration to cushions

Provenance: Private Collection Estimate: $2,000 - $4,000

511

Gordon Onslow-Ford (California/England, 1912-2003)

Untitled, (G.O-F.6466), 1966, unsigned, Parle’s paint on mulberry paper, 31 x 221/4 in.; unframed, loose, remnants of old hinge tape upper edge verso, pinholes at corners

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family

Estimate: $2,000 - $3,000

512

Gordon Onslow-Ford (California/England, 1912-2003)

Voyager in Space, 1970, unsigned, inscribed in pencil lower left “6-7-70”, titled verso “Voyager in Space”, estate label verso, acrylic on paper, 23 x 30-1/4 in.; modern wood print frame, 25-1/2 x 33-1/2 x 3/4 in., not examined out of sealed frame, wave to paper, vertical cut through paper right edge, likely as made, appears to be mounted to backing; frame with wear and abrasions

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family

Estimate: $2,000 - $3,000

513

Gordon Onslow-Ford (California/England, 1912-2003)

Untitled, unsigned, acrylic on paper, 9-1/4 x 12-1/4 in.; unframed, small pinholes near corners and at some edges, small tear along center right edge, small loss lower right corner

Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; By descent in family

Estimate: $500 - $700

514

Joan Miro (Spanish, 1893-1983)

Le sourire aux ailes flamboyantes, 1954, edition 383/400, signed lower right in pencil “Miro”, Maeght, Paris (No. 1705), publisher, sold by Associated American Artists, with their document attached verso backing, color lithograph, sheet 19 x 25-5/8 in.; stained wood frame, 24 x 27-3/4 x 1-1/2 in., full sheet, AAA pencil inscription in margin and verso, toning, cellophane adhesive residue at top edge verso, re-hinged with archival tape; frame with abrasions

Provenance: Private Collection

Estimate: $2,000 - $3,000

515

Jean Dubuffet (French, 1901-1984)

Epiphanor (W. 1163), 1973, edition 85/100, from Présences fugaces, signed ”J.D. ‘73”, Pace Editions, Inc., New York, publisher, color screen print on Hollandaise paper, image 19-3/4 x 13-3/8 in., sheet 29-3/4 x 21-7/8 in.; black frame, 32 x 25-1/8 x 1-3/4 in., full margins, good condition; frame with abrasions

Provenance: Christie’s, October 28, 2023, Lot 82 (labels verso); Private Collection

Estimate: $4,000 - $6,000

516

Giuliano Tosi, Polychrome Murano Glass Bowl (Italian, born 1942)

inscribed at base “G. Tosi”, 3-3/4 x 16-3/4 x 15-1/2 in., good overall condition, some wear and scratches to base

Provenance: Private Collection

Estimate: $200 - $400

518

Alexander Calder, Three Lithographs (American, 1898-1976)

Red Sun, 1968, signed in stone “Calder 68, sight, 23-3/8 x 34-1/2 in.; two from the Flying Colors portfolio, edition of 250, each signed in stone “Calder/74”, State Street, New York, publisher, for Braniff International Airlines, Skybird and Beastie, each with the Flying Colors Collection blindstamp, 1974, sheets 27 x 33 in.; matching black metal frames, largest 29-1/8 x 40-1/4 x 1 in., not examined out of frames, some toning of paper, one loose from mount with tape verso; frames with abrasions

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $300 - $500

517

Joan Miro (Spanish, 1893-1983)

Two unsigned works from Cahiers d’art, 1/4, 1934, Imprimerie Crete, Paris, printer, color pochoirs on paper, 12-3/8 x 9-5/8 in.; matching parcel leaf and painted wood frames, 26-3/8 x 23-1/8 x 1-1/4 in., ink with some scuffing, floated with archival tape binding edge present on one removed from frame

Provenance: Private Collection

Estimate: $1,000 - $2,000

519

Marcel Breuer Designed Long Chair Attributed to Knoll circa 1960s, leather upholstered seat on wood frame, approx. 32 x 25-1/2 x 52 in., lacking bolt to back panel with visible glue repairs, some scuffs, scratches, and creasing to leather

Provenance: Private Collection

Estimate: $600 - $900

521

Sol Lewitt

(New York/Connecticut, 1928-2007)

520

Red Blue Chair After Gerrit Rietveld

20th century, built to spec by a Virginia craftsman, 35-1/2 x 26 x 30-1/2 in., loose construction to front legs, seat detached, some scratches and loss to paint at edges, moisture marks to proper right arm rest

Provenance: Private Collection

Estimate: $300 - $500

All Combinations of Red, Yellow & Blue Straight, Not-Straight & Broken Lines on Red, Yellow and Blue (SL 1976.03), 1976, edition 14/50, signed lower right “Lewitt”, Multiples Inc., New York, publisher, Jo Watanabe and Ryo Watanabe, New York, printer, silkscreen, image 26-1/2 x 26 in., sheet 30 x 30; wood frame, 33 x 33 x 1-1/2 in., floated, good color, very slight toning at edges, slight soft creases; frame with abrasions

Provenance: Private Collection

Estimate: $1,000 - $1,500

522

Sol Lewitt

(New York/Connecticut, 1928-2007)

Lines and color, straight, not-straight and broken lines using all combinations of black, white, yellow, red and blue for lines and intervals, 1977, edition 14/50, signed lower right “Lewitt”, Multiples Inc., New York, publisher, screen print on Arches, image 23-7/8 x 26-3/4 in., sheet 29-7/8 x 29-7/8 in.; wood frame, 32-7/8 x 32-7/8 x 1-1/2 in., floated, corners slightly curling, light toning at edges; frame with minor abrasions

Provenance: Private Collection

Estimate: $1,000 - $1,500

523

Ellsworth Kelly

(New York, 1923-2015)

Two Yellows, 1973-75, edition 3/44, signed lower right “Kelly”, Gemini G.E.L., Los Angeles, printer and publisher, with blindstamps, color lithograph, image 25-7/8 x 23-1/8 in., sheet 36-1/2 x 33-1/8 in; black acrylic frame with acrylic, 39-7/8 x 36-3/4 x 1-5/8 in., floated, good condition, not removed from frame; frame and acrylic with abrasions and paint accretion

Provenance: Sotheby’s New York, May 17, 1997, lot 1161; Private Collection

Estimate: $4,000 - $6,000

526

Ellsworth Kelly

(New York, 1923-2015)

524

Sol Lewitt

(New York/Connecticut, 1928-2007)

Fifteen Equal Arcs from the Midpoint of the Bottom, with All One-, Two-, Threeand Four- Part Combinations of Four Colors, 1990, edition 1/30, signed lower right “Lewitt”, Marian Goodman and Multiples, Inc., New York, co-publishers, aquatint on wove paper, plate 31-1/4 x 13-1/4 in.; black metal frame, archivally framed, museum glass, 38 x 19-5/8 x 1-3/8 in., not removed from archival framing, strong colors; frame with abrasions

Provenance: Private Collection

Estimate: $3,000 - $5,000

525

Petr Hora

(Czech, born 1949)

Untitled, 2000, signed verso bottom right “Petr Hora 2000”, cast and polished yellow glass, 19 x 13-1/8 x 3 in.; with modern black striated laminate pedestal, 48-1/4 x 12 x 12 in., 3/4 in. chip at right edge; pedestal with minor abrasions

Estimate: $1,000 - $1,500

Black Curve, 1970-72, edition 17/75, signed lower right “Kelly”, Gemini G.E.L., Los Angeles, printer and publisher, with blindstamps lower right, stamped and inscribed verso, linocut on; frame, 31-1/4 x 31-1/4 x 1-1/8 in., soft creases from loosened mounting tape, toning at top and with some abraded surface in margins at bottom, these possibly from moisture, remnant of archival tape at bottom two corners verso; frame with abrasions

Provenance: Sotheby’s New York, May 17, 1997, lot 611; Private Collection

Estimate: $1,000 - $1,500

527

Jennifer Losch Bartlett (New York/California, 1941-2022)

Homan-ji, Series I, 1993, edition 90, the complete set of three, one signed lower right “J. Bartlett 1993”, two signed with monogram lower right, annotated ‘A/C’, ‘B/C’, or ‘C/C, Simca Print Artists, Inc., publisher, blind stamp,with the artist, color screen prints with gold, silver and platinum leaf, each image 18-1/4 x 18-1/4 in., sheet 19-1/4 x 19-1/4 in.; matching wood frames, 22-1/4 x 22-1/4 x 1-1/4, floated, good condition, not removed from frames; frames with some abrasions

Provenance: Christie’s, July 21, 2011, Lot 162 (labels verso); Private Collection

Estimate: $3,000 - $5,000

528

Sol Lewitt

(New York/Connecticut, 1928-2007)

Bands of Lines in Three Directions (SL No.1977.07), 1977, edition 5/70, signed lower right “Lewitt”, Multiples Inc., New York, New York, publisher, John Campione, New York, New York, printer, silkscreen on wove paper, image 11-3/4 x 16-3/8 in.; wood frame, 19-3/8 x 23-7/8 x 1 in., not removed from archival framing; wood frame with minor abrasions,

Provenance: Private Collection

Estimate: $1,000 - $2,000

531

Eugene Printz Round Palmwood Side Table

529 Sol Lewitt

(New York/Connecticut, 1928-2007)

Untitled, from the Kinderstern Portfolio (SL 1989.09), 1984, AP edition 13/20, signed lower right “S. Lewitt”, Michael Domberger, Domberger KG, publisher, Filderstadt, Germany, Domberger Siebruck, printer, silkscreen on Fabriano Butten paper, image 21 x 28-1/2 in, sheet 22-1/4 x 29-7/8 in.; modern metal frame, 30-7/8 x 37-3/4 x 3/4 in., hinged in, some small edge dings to paper; frame with abrasions

Provenance: Private Collection

Estimate: $800 - $1,200

530

Pair of Paul Wood Attributed Art Deco/Brutalist Chromed Candlesticks

English, designed in 1928, likely manufactured 1950-70, unsigned, 10-1/4 x 3 x 3 in., wax accretion to interiors of candle cups, scattered scratching and losses to chrome finish throughout

Provenance: Private Collection

Estimate: $200 - $400

circa 1930, two-tiered pedestal table, the four legs with oxidized brass caps, 21-3/4 x 31-1/2 x 31-1/2 in., minor wear overall, some minor chip losses and scratches to finish, stain to finish on edge of second tier, patina to brass

Provenance: Galerie Jean-Jacques Dutko, Paris, 2001; Private New York Collection

Estimate: $5,000 - $7,000

For two similar examples, please see the following link: https://www. sothebys.com/en/buy/auction/2022/a-collection-that-we-dreamtof-art-and-design-from-the-new-york-townhouse-of-delphine-andreed-krakoff/pair-of-side-tables

532

Six Arrben Stiletto Leather Chairs

Italian, 20th century, “Arrbe/Italy/REGISTERED MODEL”, stamped to undersides, 32 x 22 x 20 in., scuffs and wear to leather and metal throughout, some creasing to leather

Provenance: Estate of Jason B. Sowell, Jr., Dallas, Texas

Estimate: $400 - $600

533

Mark Peiser, Monumental Coiled Glass Bowl (American/Illinois/North Carolina, born 1938) cold steam cast, signed at rim “Mark Peiser 4/26/15-2”, 9-3/4 x 21-3/8 x 21-1/2 in., three large cracks to base, scattered nicks and abrasions

Provenance: sold Brunk Auctions, March 27, 2020, lot 298; Private Collection, Asheville, North Carolina

Estimate: $400 - $600

534

Wendell Castle Designed Pair of “Karma” Side Tables late 20th century, from the Wendell Castle Collection, signed WC, lacquered maple and polychromed jelutong, 24 x 16-1/2 x 16-1/2 in., good condition with only minor knicks and scuffs

Provenance: Sold Rago Auctions, September 23, 2018 lot 1166 for $6000 hammer; Private Collection

Estimate: $3,000 - $5,000

535

Wendell Castle, Citation Clock (American, 1932-2018)

satinwood, brass, copper, and mahogany, inscribed at proper right side of base “Wendell Castle 90”, 24-3/4 x 10-1/2 x 7-3/4 in., not tested for functionality, timepiece with small chip to rear, one hand off but retained

Provenance: An Important Atlanta Private Collection

Estimate: $1,500 - $2,500

A similar example sold at Rago Auctions on September 21, 2023, lot 603. https://www.ragoarts.com/auctions/2023/09/ modern-design/603

536

Mid-Century Modern Brass and Upholstered Open Armchair 20th century, in the Danish taste, heavy brass frame with upholstered back and seat, 31 x 22-1/2 x 19 in., generally good condition, some areas of finish distress to brass, rocks very slightly, modern upholstery in good condition

Provenance: Private Collection, Asheville, North Carolina

Estimate: $200 - $400

537

Five Eero Saarinen BR51 Tulip Chairs 20th century, “BR51” molded to bases, each with leather upholstered cushion, approx. 32 x 19-1/2 x 17-1/2 in., with one extra cushion, each with scattered scuffs and abrasions, some chipping and loss along edges and bases, discoloration, some stains and discoloration to leather

Provenance: Private Collection

Estimate: $300 - $500

538

Eero Saarinen for Knoll Attributed Tulip Dining Table with Marble Top American, 20th century, 30 x 29 x 40 in. overall, some scratches, discoloration, and slight chipping, marble top reduced Provenance: Private Collection Estimate: $800 - $1,200

539

Limited Edition Tribu Carpet Belgian, 21st century, striped, binding reads “Limited Edition”, 12 ft. 1 in. x 20 ft. 8 in., overall good condition, curling at both ends

Provenance: Private Collection, New York

Estimate: $800 - $1,200

540

Hand Knotted Woolen Carpet

21st century, multicolored design, binding reads “The Rug Company/Handmade”, 9 ft. 1 in. x 6 ft., plush pile, in good condition overall, some creases and small stains

Provenance: Private Collection, New York

Estimate: $300 - $500

541

Hand Knotted Oval Carpet

21st century, bamboo and silk, binding reads “The Rug Company/Handmade”, 11 ft. 10 in. x 11 ft. 10 in., high pile, wear to selvage, circular area of loss as seen in photo

Provenance: Private Collection, New York

Estimate: $400 - $600

542

Zachary Coffin, Kinetic Wall Sculpture (California, born 1968)

Moonrise I, 2003, signed and inscribed verso “Zachary Coffin 2003/ Moonrise I”, marble and granite with steel elements, included wall mount, approximately 201/2 x 21 x 5 in., some small abrasions and scratches, surface dirt

Provenance: An Important Atlanta Private Collection

Estimate: $600 - $900

543

Zachary Coffin, Kinetic Sculpture (California, born 1968)

Mother and Child, 2003, signed and inscribed on base “Zachary Coffin 2003/ Mother and Child”, black granite and limestone on steel base, approximately 16 x 13-1/2 x 12-1/2 in., small chip to large wheel verso, some scratches and abrasions, surface dirt

Provenance: An Important Atlanta Private Collection

Estimate: $600 - $900

To learn more about the artist and his work, visit his website: https:// zacharycoffin.com/about/

544

Scott Upton (American/North Carolina, born 1958)

Serene Harem, 2019, signed and inscribed in pencil verso “Scott Upton/Serene Harem 2019”, encaustic on canvas, 60 x 59-7/8 in.; modern gilt frame, 61-3/4 x 613/4 x 2 in., original strainer, surface abrasion left edge

Provenance: Private Collection, North Carolina

Estimate: $2,000 - $4,000

546

Art Deco D.I.M. Attributed Inlaid Walnut Kneehole Desk circa 1925, walnut with inlaid trim, shaped top over two central drawers with two drawers on either side, on round taper legs, 32 x 43 5/8 x 18-1/2 in., some pulls have been detached and reattached unevenly, several miniscule veneer chips, some trim pieces slightly loose, sides with gaps to seams resulting in cracks to veneer, some lifting to veneer on side.

Provenance: Sotheby’s New York, December 4, 1999, Lot 318; West Coast Private Collection; Sotheby’s New York, June 7, 2002, Lot 313; New York Private Collection Estimate: $2,000 - $3,000

545

Philip Anthony Moose, Two Door Panels (North Carolina, 1921-2001)

Two abstract painted door panels: White and Black Composition/400, signed lower left “Philip Moose”, 80 x 20 x 1-1/2 in.; Panel Orange and Black-/400, signed lower left “Philip Moose”, 80 x 18 x 1-3/8 in., both mixed media including paint with sediment, creating a dimensional texture surface; both unframed; accompanying framed newspaper article: “His New Show Features Art on Door Panels”, article published by The Charlotte Observer, March 1, 1970; black print frame, 18 x 9-1/8 x 3/8 in., door panels with wear and losses to corners, abrasions, surface dirt, newspaper article in good condition, not examined out of frame; article frame with light wear and abrasions

Provenance: Private Collection, North Carolina

Estimate: $800 - $1,200

547

Jacob Lawrence (New York/New Jersey, 1917-2000)

The March, from the series The Life of Toussaint L’Ouverture, 1995, A/P 14/14, signed lower right “Jacob Lawrence - 95”, Amistad Research Center, New Orleans and Spradling-Ames, Key West, publishers, with blind stamp lower left, screen print on wove paper, image 17-7/8 x 27-7/8; wood frame, 31-3/8 x 41 x 2 in., good condition, loose, full margins, strong color, held in with corners; frame with popped corners, reinforced archival mats and TruVu glass

Provenance: Christie’s New York, February 21, 2014, Lot 36; Private Collection

Estimate: $4,000 - $6,000

548

Hughie Lee-Smith (American, 1915-1999)

Untitled (Head of a Woman 2), circa 1969, signed lower right, “Hughie Lee-Smith” and inscribed, ink monoprint on paper, 13-1/8 x 9-1/2 in.; black stained wood frame, 18 x 14-1/4 x 1-1/4 in., floated, creases; frame with abrasions

Provenance: Ex-collection Sidney and Abraham Waintrob, The Waintrob Project for the Visual Arts (Foundation); Spellman Gallery, New York; Private South Carolina Collection

Estimate: $1,000 - $2,000

“Hughie Lee-Smith was born in 1911 in Eustis, Florida. He moved with his mother to Cleveland, Ohio when he was ten years old. His work of the 1930s was characterized by a gently expressionistic social realism reminiscent of Ben Shahn. In 1937 he won a scholarship to the Detroit Society of Arts and Crafts. In 1947 after studying at the Cleveland Institute of the Arts, working under the Works Progress Administration, teaching college art courses and serving as an artist for the United States Navy, he found himself working in a Ford foundry.

It was not long before he began to paint in a more energetically primitivist style. By 1950 this approach had evolved into a sophisticated kind of magic realism bordering on the surreal. He was an elder statesman of the American imagination, and his very fine technical accomplishments are gratifyingly matched by his obvious and abundant love for the human quandary.

In 1958 he moved to New York City and taught at the Art Students League for fifteen years. He became an associate member of the National Academy in 1963 and a full member in 1967. He was the second black member to be named, after Henry Tanner. In 1994 he was commissioned to paint the official City Hall portrait of then mayor David Dinkins. Lee-Smith died on February 23, 1999 at the age of eighty-three.”

- Written and submitted to Spellman Gallery by Jean Ershler Schatz

549

Hughie Lee-Smith (American, 1915-1999)

Untitled (Man On Wall), circa 1969, signed and dated lower right “Lee-Smith 1969”, inscribed, monoprint on paper, 11 x 8-1/2 in.; black stained frame, 15-7/8 x 13 x 1/1/4 in., soft creases; frame with minor abrasions

Provenance: Ex-collection Sidney and Abraham Waintrob, The Waintrob Project for the Visual Arts (Foundation); Spellman Gallery, New York; Private South Carolina Collection

Estimate: $1,000 - $2,000

550

Allan Capron Houser (American/Apache, 1914-1994)

Holders of Knowledge, 1977, edition 12/12, dated and signed at bottom “77 Allan Houser”, stamps on opposite side, patinated bronze on wood base, 21-1/4 x 13-1/2 x 7-1/4 in., gray/brown patination, good condition

Provenance: Glenn Green Galleries, Santa Fe, New Mexico, purchased in 1993, (accompanied by a facsimile of the original receipt); An Important Atlanta Private Collection

Estimate: $6,000 - $9,000

551

Louis McClellan Potter, Indian Woman with Totems (New York, 1873-1912)

signed “Louis Potter” and inscribed “Copyright 1905/Gorham Mf Co”, patinated bronze, 24-1/4 x 16 x 10-1/2 in., brown patina, good condition

Provenance: Sotheby’s, New York, agent David S. Ramus Fine Art, Atlanta, Georgia, purchased for $27,500 (accompanied by a facsimile of the original receipt); An Important Atlanta Private Collection

Estimate: $6,000 - $9,000

This model holds the record for the artist, selling at auction for $25,000, Sotheby’s New York, May 28, 1987, lot 153.

552

Robert Clements

(American/Georgia, born 1937)

Georgia Stories 1 & 2, 1991, not visibly signed, lacquered and gold leafed steel, 127 x 31 x 31 in., some oxidation, rust and abrasions, as intended - adding to texture and surface variation, patina consistent with exterior installation

Provenance: An Important Atlanta Private Collection

Estimate: $15,000 - $20,000

Robert Donald Clements is known for his dramatic sculptures that inhabit landscapes that are both public and private, monumental and intimate. He received a BFA from Carnegie Mellon University and an MFA from Pennsylvania State University. Clements taught art at the University of Georgia for 25 years, from 1969 to 1994, when he retired in order to make art full-time.

553

Alex Katz

(New York/Maine, born 1927)

Swamp Maple I, 1970, edition 82/84, signed lower left “Alex Katz”, lithograph in colors, on Arches paper, Brooke Alexander, Inc. and Fischbach Gallery, New York, publishers, sheet 40-3/4 x 27-1/2 in.; modern wood frame, 48-1/2 x 32-3/4 x 2-1/8 in., floated, soft crease at top at likely hinge, not removed from frame

Provenance: Private Collection

Estimate: $2,000 - $3,000

554

Gordon Chandler (American, born 1953)

Kimono, 2004, signed and inscribed on plaque “2004, cipher, 1673 Gordon Chandler”, found painted metal, 63 x 34 x 8 in.; with painted steel stand, 81 x 331/2 x 12 in., metal kimono as found with some paint lifting, stand with abrasions

Provenance: Ferrin Gallery, New York, purchased in 2004 (accompanied by a facsimile of receipt); An Important Atlanta Private Collection

Estimate: $800 - $1,200

Exhibited: Penland School, Penland, North Carolina, “Iron: A New Vocabulary”, 2004; Ferrin Gallery, Lenox, Massachusetts, “Kimonos”, 2004

555

Alex Katz

(New York/Maine, born 1927)

Camp, from the Carnegie Hall 100th Anniversary Portfolio, edition 50/60, 1990, signed lower left “Alex Katz”, sheet 59-5/8 x 40 in.; wood frame with acrylic, 66 x 46-1/4 x 1-1/4 in., floated, not examined out of frame, waviness to paper from moisture; frame with corners popped, acrylic with scratches

Provenance: Private Collection

Estimate: $2,000 - $3,000

556

Jon Kuhn (California/North Carolina, born 1949)

Hot Flash, 1991, signed, “Jon Kuhn” with date and title, optical crystal, 11 x 10-1/8 x 10-1/8 in. (7-1/4 in. square cube), good condition

Provenance: Private Collection

Estimate: $3,000 - $5,000

557

Henry Moore, Animals in the Zoo Portfolio (British, 1898-1986)

Edition 30/65, complete set of ten, with the three additional etchings printed on the title page and two text pages, 1980-1981, ten etchings signed in pencil “Moore”, Raymond Spencer Company Ltd.. publisher for The Henry Moore Foundation, Much Hadham, 1983, James Collyer and John Crossley of JC Editions, London, printer, with blind stamp, etchings on Arches paper, sheets 21 x 17-7/8 in.; matching modern wood frames, 22-5/8 x 19-5/8 x 1-1/2 in., Plate 5 removed from frame, full sheet with deckled edge, hinged in, good condition, lacking brown silk portfolio and box; frames with some minor abrasions, lacking Provenance: Atlantic Richfield Company Corporate Art Collection, Los Angeles (with metal tags), sold by Christie’s Los Angeles, December 12, 2000, Lot 69 (labels verso); Private Collection

Estimate: $5,000 - $7,000

559

Donald Roller Wilson (Arkansas, born 1938)

558

Ted Gall Bronze (American, born 1941)

Eagle, signed on bronze proper right ”T. Gall”, patinated bronze with moveable parts, on marble base, 10-3/4 x 6 x 9 in., orange and brown patina, surface dirt, abrasions, marble base with wear and chips as made

Provenance: Private Collection, Greenville, South Carolina

Estimate: $800 - $1,200

Cookie..., signed top middle “Donald Roller Wilson . 1992”, with artist’s signed and dated label verso, oil on board, 8-1/2 x 11 in.; original leaf wood frame, 16-1/4 x 18-3/8 x 2-1/2 in., accretion

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $5,000 - $7,000

560

Donald Roller Wilson, A Pair of Paintings (Arkansas, born 1938)

Mrs. Rogers’ Friend...(Baby Tony’s Half Aunt, And Sister To Beverly As Mrs. Rogers) Almost Got Too Hot When She Saw An Airborne Appearance Of The Virgin Behind Her Right Shoulder. It Had Been About 9:30 A.M signed left vertically “Donald Roller Wilson . 1993/22”; .But Mrs. Rogers Didn’t See Anything At All! And She Told Her Friend Later, That All She Wound Up With Was An Earache That Came On About 7:30 P.M., signed across bottom “Donald Roller Wilson. 1993/58 . Mrs. Rogers...”, with artist’s signed and dated label verso, both oil on gesso panel, sight 9-1/4 x 7 in.; overall with artist’s matching molded Black Forest style frames, 15 x 13-1/2 x 3 in, surface dirt, otherwise good condition

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $5,000 - $7,000

Exhibited Louisiana Arts and Science Center, Baton Rouge, A Strong Night Wind: The Art of Donald Roller Wilson, September 21-December 30, 2001, with loan agreement dated June 22, 2001; Arkansas Art Center, January 18-March 3, 2002. Literature: Wilson, Donald Roller, A Strong Night Wind, 1st ed, Wright Pub., 1995, pp. 188-189

562

Larry Rivers (New York, 1923-2002)

Rainbow Rembrandt III, 1977, a modern derivation from Rembrandt van Rijn, The Polish Rider, circa 1655, in the Frick Collection, color annotations at top, signed lower right “Larry Rivers ‘77”, signed and titled verso, acrylic, graphite on paper, 30 x 34-1/2 in.; fine gold leaf frame and liner with silk mat, 39-1/4 x 43-1/4 x 1-3/8 in., not examined out of frame, foxing, light toning; frame with abrasions

Provenance: Irving Galleries, Palm Beach (label verso); Private Collection

Estimate: $5,000 - $7,000

This modern interpretation of Rembrandt’s composition, is one of at least a few drawings and eventual paintings. Some were exhibited by the Robert Miller Gallery in New York in an October 1977 exhibition titled Rainbow Rembrandt.

Rivers was one of the first artists to really merge nonobjective, non-narrative art with narrative and objective abstraction.

A talented musician, Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947-48.

561

Jake Berthot (New York/Connecticut 1939-2014)

Allow It to be Given, 1995, abstract composition, signed verso “J. Berthot”, dated and titled, oil on linen, 14 x 10 in.; lattice type frame, 14-1/2 x 10-5/8 x 1-3/8 in., original condition

Provenance: Nielsen Gallery, Boston, Massachusetts (label verso)

Estimate: $1,000 - $1,500

563

Collection of 13 Modern Italian Ceramic Table Objects, Giovanni De Simone mid 20th century, comprising: 12 Giovanni De Simone objects including two figures, three head form jardinieres, three cups, candlestick, large vase, large bowl/jardiniere, and a tray, most inscribed on base “Desimone/Italy”, largest 13 x 9-1/2 x 9-1/2 in.; together with one baluster form vase, 7-1/2 x 4-1/2 x 4-1/2 in., scattered small chips and losses along edges, crazing and hairlines, some repairs (notably to crowns); repair to neck of one figure; one cup with break to crown (piece retained)

Provenance: Private Collection

Estimate: $300 - $500

https://live.brunkauctions.com/auctions/brunk/fall-moderncontemporary-design-october-16-2025-18258/catalog#catalog

564

Gloria Vanderbilt (New York, 1924-2019)

Girl, 1973, signed and dated lower left “Gloria Vanderbilt 1973”, mixed media drawing, marker/paper 26-5/8 x 16-1/2 in; white painted frame, 29-1/8 x 19-1/8 x 2 in., taped verso to mount at four corners with masking tape

Provenance: Private Collection

Estimate: $3,000 - $5,000

565

William and Katherine Bernstein, Four Chalices and Vase (American/North Carolina, 21st century) set of four chalices, each signed and dated “2014” or “2016” to base, 6 x 2-3/4 x 2-3/4 in.; vase, signed and dated “2017” to base, 6-1/4 x 4-7/8 x 4-7/8 in., overall good condition, some air bubbles and rough pontils; vase’s pontil with some chips possibly as made

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $100 - $300

566

Danny Robinette (American/North Carolina, 1954-2005)

Tulips, signed lower right, “Robinette”, acrylic on canvas, 30 x 28 in.; wood frame, 31 x 29 in., surface is very good, clean and bright; frame with minor wear

Provenance: Mary Hazel Abernethy, Hickory, North Carolina; gift of the artist; by descent in family

Estimate: $6,000 - $8,000

567

Danny Robinette

(American/North Carolina, 1954-2005)

Remembered Garden By Sea, 1985, signed on stretcher verso “Danny Robinette”, oil on canvas, 30 x 24 in.; white painted lattice frame, 30-1/2 x 24-1/2 in., good clean surface; frame with light wear

Provenance: Mary Hazel Abernethy, Hickory, North Carolina; gift of the artist; by descent in family

Estimate: $2,500 - $3,500

568

Danny Robinette, Two Paintings (American/North Carolina, 1954-2005)

Still Lifes with Squares and Flowers, both signed lower right “Robinette 3 87”, acrylic on canvas, 22 x 20; matching wood frames, 26-1/2 x 22-1/2 in., daffodils with minor abrasion lower left quadrant, otherwise good surface, canvases attached to interior of framing material; frames with some light wear

Provenance: Mary Hazel Abernethy, Hickory, North Carolina; gift of the artist; by descent in family

Estimate: $1,000 - $2,000

569

William Melton Halsey

(American/Charleston, 1915-1999)

Janus, 1985, signed on interior of base, “Wm. Halsey”, wood, gesso, oil, 50-1/2 x 10 x 15 in.; black acrylic pedestal, 10 x 10 x 15 in., some chips to wood at corners; pedestal with minor wear

Provenance: Private Collection

Estimate: $5,000 - $10,000

570 Gary Komarin

(New York/Connecticut, born 1951)

Cups and Money, 1983, signed lower right “Komarin 1983”, inscribed in pencil verso with title, pastel, crayon, tempera on paper, 38-1/4 x 49-7/8 in.; acrylic case frame, linen cover mount, 42-7/8 x 54-1/2 x 2-7/8 in., some minor rubbing, former hinging tissue verso at two points; acrylic case frame with abrasions

Provenance: Private Collection

Estimate: $1,500 - $3,000

https://live.brunkauctions.com/auctions/brunk/fall-moderncontemporary-design-october-16-2025-18258/catalog#catalog

571

Lamar Dodd (American/Georgia 1909-1996)

Greek Island, 1992, signed and dated lower right “Lamar Dodd 92”, titled verso “Greek Island”, oil on canvas, 20 x 30 in.; gilt wood frame, 25 x 34-3/4 x 1-1/2 in., overall good condition; frame with wear and abrasions

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $3,000 - $5,000

572

Lamar Dodd (American/Georgia, 1909-1996)

Lobster Pots-Fragments No. 2, 1986, signed and dated lower left “Lamar Dodd ‘86”, watercolor on paper, 14-1/8 x 20-1/8 in.; painted wood frame, 27-3/8 x 33-3/8 x 1 in., not examined out of frame, slight wave to paper, otherwise good condition; frame with wear and abrasions

Provenance: David S. Ramus Ltd. Fine Art, Atlanta, Georgia (label verso); Property from a Private Collection sold to benefit the University of Georgia Foundation Estimate: $1,000 - $2,000

Literature: Dodd, Lamar, William U. Eiland, Emily Ann Arthur, and Georgia Museum of Art. 1996. Lamar Dodd: The C.L. Morehead, Jr. Collection. Athens, Ga.: C.L. Morehead, Jr.; 116, Lobster PotsFragments No. 2, 1986 (pg. 98).

573

Lamar Dodd (American/Georgia, 1909-1996)

Manana-Monhegan, a diptych, 1991, signed in ink lower right “Lamar Dodd 91”, title inscribed verso, charcoal on paper, 7-1/2 x 22 in.; gilt wood frame, 16-1/4 x 30-5/8 x 3/4 in., not examined out of frame; mat liner with some surface dirt, frame with light wear

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $300 - $500

574

Cheryl Laemmle

(New York/Minnesota, born 1956)

White House Clue, 1991, signed verso canvas “Cheryl Laemmle”, titled and dated, oil on canvas, 40 x 35 in.; modern black frame, 45 x 40 x 2 in., original tension bar stretcher, stain at bottom, minimal crackle; frame with abrasions

Provenance: Midtown Payson Galleries, New York (label verso); Terry Dintenfass Gallery, New York (label verso); Private Collection

Estimate: $600 - $900

575

Cheryl Laemmle

(New York/Minnesota, born 1956)

Books, 1991, signed verso canvas “Cheryl Laemmle”, titled and dated, oil on canvas, 40 x 35 in.; modern black frame, 45 x 40 x 2 in., original tension bar stretcher, stain at bottom, minimal crackle; frame with abrasions

Provenance: Midtown Payson Galleries, New York (label verso); Terry Dintenfass Gallery, New York (label verso); Private Collection

Estimate: $600 - $900

576

Suanjaya Kencut

(or I Putu Adi Suanjaya, Balinese, born 1994)

The Remaining, 2017, signed lower left “I Putu adi Suanjaya 2017 jogja”, acrylic on canvas, 58-3/4 x 785/8 in.; painted wood frame, 59-1/2 x 79-1/2 x 2 in., some surface abrasions, canvas slightly loose; frame with abrasions

Provenance: Acquired from the artist; Private Collection

Estimate: $5,000 - $7,000

This lot is accompanied by the Certificate of Authenticity signed by the artist.

577

Michael Lucero, Collage (California/Georgia, born 1953)

A rare untitled composition, Afro-Italian Series, 2014, signed and dated lower right “Michael Lucero 2014”, mixed media collage on brown chip board, 35 x 23 in.; red stained wood frame, 37-7/8 x 25-7/8 x 2 in., floated, not removed from frame; frame with abrasions

Provenance: Private Collection

Estimate: $1,000 - $2,000

578

Michael Lucero, Collage (California/Georgia, born 1953)

A rare untitled composition, Afro-Italian Series, 2014, signed and dated lower right “Michael Lucero 2014”, mixed media collage on brown chip board, 35 x 23 in.; red stained wood frame, 37-7/8 x 25-7/8 x 2 in., floated, corner crease lower left, not removed from frame; frame with abrasions

Provenance: Private Collection

Estimate: $1,000 - $2,000

579

Michael Lucero

(California/Georgia, born 1953)

Untitled, 1981, signed and dated to base “1981/Michael Lucero/New York City”, ceramic, 17 x 9-3/4 x 9-1/4 in., holes to top and base possibly from prior fitting as a lamp, small chip to base

Provenance: Private Collection

Estimate: $800 - $1,200

580

Michael Lucero

(California/Georgia, born 1953)

Surreal Cup, signed “Micheal Lucero” to body, ceramic, 4-3/8 x 4-1/4 x 3-1/2 in., two small chips to rim, one small chip to base

Provenance: Private Collection

Estimate: $500 - $700

581

Richard Jolley

(American/Tennessee, born 1952)

Bronze Red Garland,” bronze head in variegated tones of sage green, a deep crimson garland rests atop the crown, signature in base “Richard Jolley /3”, 16 x 7 x 9 in., surface is very good with consistently mottled patina

Provenance: An Important Atlanta Private Collection

Estimate: $10,000 - $15,000

Jolley has participated in over 64 solo museum and gallery exhibitions across the country and internationally, and his work is included in the collections of several prominent institutions including the Carnegie Museum of Art, Corning Museum of Glass, Knoxville Museum of Art, Los Angeles County Museum of Modern Art, Museum of Fine Arts, Boston, and the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC.

583

Chris Ramsey Sculptural Turned Wood Top Hat with Stand (American/Kentucky, 20th/21st century) signed, numbered, and dated “Chris Ramsey/#411/walnut/4-29-04/ www.knot-head.com” at interior, 7-1/4 x 11-7/8 x 13-1/8 in.; with turned wood stand, signed, numbered, and dated “Chris Ramsey/#599/wormy maple/6-3-04”, 16-1/8 x 5 x 5 in., good overall condition, some minor scuffs, scratches, and hairlines

Provenance: Private Collection, Asheville, North Carolina

Estimate: $600 - $900

582

Tony Hernandez (American/Georgia, born 1964)

From Cold Country, signed verso “Tony Hernandez 2002”, encaustic and gold leaf on wood, 60 x 60 in.; unframed, surface lightly crazed, minor loss at top edge

Provenance: Estimate: $8,000 - $10,000

”Tony Hernandez is haunted by photographs of children who perished in the Holocaust. He is also preoccupied with images of boys and girls who struggled through the Great Depression, especially in the ghettos of the Bronx where his grandparents lived. “Unlike adults, children are powerless,” he says. “They’re usually the ones to suffer the most from man’s supreme ability to be ignorant throughout history.” Imbued with a rich symbolism of his own creation, Hernandez’s paintings of pre-adolescent boys and girls grapple with this powerlessness, as well as the “mind of wonder” that sustains children even in the darkest hours.

584

Tom Suomalainen

(American/North Carolina, born 1939)

Atlantean, circa 1986, not visibly signed, fired stoneware, 36 x 19 x 17 in., overall very good, minor abrasions and wear consistent with exterior installation

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

585

James Rosenquist (New York, 1933-2017)

New York Says It, 1983, inscribed lower left “bon a tirer” (good to pull) proof, signed lower right “Rosenquist 1983”, titled lower left, Brand X Editions, Ltd., New York, printer, with blind stamp bottom center, New York Graphic Society, New York, and Circle of Fine Arts, Chicago, publishers, lithograph and screen print, sheet 30-1/8 x 33-7/8 in.; black painted frame, 31 x 35 x 1 in., loose, some waviness from humidity, corner creases; frame with abrasions

Provenance: Swann Galleries (label upper right on glass); Private Collection Estimate: $300 - $500

587

Jim Dine

(New York/Ohio, born 1935)

Awl, from Ten Winter Tools, 1973, hand colored edition 1/10, signed and inscribed in pencil lower edge “Jim Dine 1/10 1973”, Petersburg Press, New York and London, publisher, hand colored lithograph on paper, sheet 26-1/2 x 20 in.; parcel gilt wood print frame, 27-7/8 x 21-5/8 x 1-1/2 in., not examined out of frame, floated, deckled edges, stain center left, other small smudges in margins, light toning; frame with light wear

Provenance: Leslie Sacks Fine Art, Los Angeles California (gallery label verso); Christie’s, New York, New York, September 2006 (label verso); Private Collection Estimate: $800 - $1,200

586

Jim Dine

(New York/Ohio, born 1935)

Big Red Wrench in Landscape, from Homage à Picasso, 1973, artist’s proof edition XIII/XXX, signed and inscribed in pencil upper edge “Jim Dine XIII/XXX 1973”, William Law, printer, Petersburg Press, New York and Ulstein Propylaen Verlag, Berlin, co-publishers, color lithograph on Arches paper, sheet 30 x 22-1/2 in.; wood print frame, 37-3/4 x 30-1/4 x 1-1/8 in., not examined out of frame, floated, deckled edges; frame with light wear

Provenance: Skinner Auctions, Marlborough, Massachusetts (loose label attached verso); Private Collection

Estimate: $800 - $1,200

588

Dean Aydelott

(American/North Carolina, 1931-1986)

Untitled, 1972, signed center right ”D Aydelott”, oil on canvas, 70 x 49 in.; unframed, some minor accretions; unframed

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $800 - $1,200

Dean Aydelott was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

589

Frank Lloyd Wright, Pair of Taliesin Side Tables (American, 1867-1959)

circa 1955, mahogany, Heritage by Henredon,12-3/4 x 26-1/4 x 26-1/4 in.,

Provenance: Private Collection

Estimate: $3,000 - $4,000

590

Earl J. Hooks, Two Large Ceramic Bowls (American, 1917-2005)

both signed or inscribed at base “Hooks”, larger 7-7/8 x 8-1/8 x 8-1/8 in., good overall condition, glaze voids and pinholes as made, minor areas of glaze loss; larger example with some minor crazing; smaller example with one small chip to rim, two to foot

Provenance: Private Collection

Estimate: $1,000 - $2,000

591

Paul E. Maxwell

(Texas/California, 1925-2015)

Untitled, edition 36/75, circa 1970’s, signed in pencil lower right “P Maxwell”, pochoir print (stencil casting), sheet 29 x 41 in.; unframed, remnants of old adhesive verso, deckled edges with slight wear

Provenance: Private Collection

Estimate: $400 - $600

592

Thomas Downing (District of Columbia, 1928-1985)

Untitled, early abstract composition, circa 1950, signed verso in pencil “T. V. Downing”, oil on paper, 14-5/8 x 21-1/8 in.; modern frame, 21-1/2 x 27-5/8 x 3/4 in., taped to verso of mat, tear, crease with associated cupping and cleavage; frame with abrasions

Provenance: The artist; by descent in family

Estimate: $300 - $500

593

Noel and Janene Hilliard, Leaded Glass Table Lamp

1988, base and rim of shade incised “Lamps by Hilliard Arcata, CA, 1988, #1864, 5/94”, 15-3/4 x 14 x 6-1/2 in. overall, wired for electricity, not tested for functionality, overall good condition with minor wear

Provenance: An Important Atlanta Private Collection

Estimate: $200 - $400

594

Bertil Vallien

(California/Swedish, born 1938)

Blue Bar, 1987, signed along edge on top “B. Vallien Kosta-Boda 305860143”, sand cast glass, metal suspension, 9-1/2 x 29-1/2 x 10-1/2 in., good condition

Provenance: The Works Gallery, Philadelphia, Pennsylvania, purchased in 1987 (accompanied by facsimile copies of the original receipt and copy of the collection sheet); An Important Atlanta Private Collection

Estimate: $2,000 - $3,000

595

John Conard Lewis (California, born 1942)

Untitled, #88-96, 1988, incised lower left “Lewis 88-96”, vessel in translucent cast glass with copper, 16-3/4 x 17 x 4 in., some fleabite chips along edges and at base

Provenance: An Important Atlanta Private Collection

Estimate: $2,000 - $3,000

596

Robert Dane Glass Sculpture (Massachusetts, born 1952)

Untitled, signed and inscribed lower edge “Robert M. Dane Pc 134 (C) 1985”, cast glass, approximately 11-1/2 x 19 x 8-1/2 in., some flea bite chips along base edges

Provenance: An Important Atlanta Private Collection

Estimate: $300 - $500

597

Rick Dillingham, Ceramic Cone (American, 1952-1994)

Cone, 1982, signed and dated on interior rim “Dillingham/Mar 82x”, reassembled and painted ceramic, 11-3/4 x 11-1/2 x 11-1/2 in., overall good condition, crazing and anomalies as made

Provenance: The American Hand Plus, Washington, D.C., April 14, 1993 (accompanied by copy of receipt); An Important Atlanta Private Collection

Estimate: $1,500 - $2,500

598

Curtis Benzle, Porcelain Bowl (American, 20th century)

signed on base “Benzle”, 6-1/2 x 6-3/4 x 5-1/2 in., overall good condition

Provenance: An Important Atlanta Private Collection

Estimate: $100 - $300

Estate of Alice Zimmerman, Nashville, Tennessee

The art world is one as deep as it is broad. Rife with strong personalities, a staggering range of mediums and tastes, and legions of artists, critics, and collectors alike, it takes strength of will, character, and mind to successfully navigate. Considering her impact on the Nashville art scene and the testimonies of those who knew her even just for the length of an interview, Alice Zimmerman had these qualities in spades. Born in Chicago and growing up in Atlanta, from a young age Alice defined herself by her independence and openness. She would live by these values over the course of her adult life, which manifested in volunteering her time and energy to a number of charitable organizations, nonprofits, and social causes, including the National Council of Jewish Women, the American Craft Council, the Mary Parrish Center for Victims of Domestic Violence (of which she was a co-founder), Meharry Medical College, and the Metro Nashville Arts Commission (of which she was the Executive Director).

Yet for all these accomplishments, her passion was always the arts. As a collector, gallery owner, and advocate for the arts, she relished every opportunity to expand horizons. Alice’s home reflected this, put together in a fashion that was incontrovertibly hers. From the high ceilings to the open spaces, it was festooned with art and furniture that was hand-picked following subjection to her discerning, educated, and often whimsical eye. And her home was her medium, through which she brought her sensibilities to life. Whether hosting a dinner in honor of Andy Warhol and Jamie Wyeth, or giving tours to local art students, she wanted her home to be a spark for someone else’s artistic journey.

Her tastes were varied and she often found new genres to explore. “I have to have aesthetically pleasing things around me,” she once said in an interview, “To me, art is the most important feature of a home.” Art to Alice was more than just an aesthetically pleasing means to fill empty spaces. Every piece required thought and intentionality, but first and foremost, it required love. “The real art lover chooses out of love,” she said. “You choose something you like, something that’s a personal object… Personally, I want a piece of art that moves me emotionally. I want something that I feel in my gut.” Art was always more than the sum of its parts for Alice Zimmerman. Art was life, art was a story, art was humanity.

She once wrote that “art [is] what endures of a civilization… the endeavors of a creative mind and heart.” It only makes sense that she would take a similarly all-encompassing view of the art of collecting, calling it “giving full rein to your passion- as much as time, space, and finances will allow.” Of course, art and the act of collecting it being so holistic, personal, and profoundly sensory, it would be a most consummate shame for any to be left out of the experience. As such, Alice’s philanthropic mindset was applied to the subject of her great passion. As co-owner of the pioneering Zimmerman/Saturn Gallery, Alice extended the passion she put into her home to her business. She believed that art should be something accessible, something that everyone could enjoy. “I’ve got something for everybody,” said Zimmerman in regards to her gallery. Art was, as in her mind it should be everywhere, affordable and accessible to prospective collectors no matter their budget. How could she think otherwise, when it was to her such a supreme positive? Buying art (and therefore feeding an artist) was a means by which to nourish your very soul, and she definitely practiced what she preached. As mentioned above, practically everything in her home, be it art or furniture, was handpicked and carefully curated, but so too were the pieces featured in her gallery. Somewhat cheekily, she once said in an interview “Looking is really what it’s all about. I don’t expect people to like all the things I show…but I’m telling you, the artists I show are good.” We hope you take the time to see that fact for yourself as we bring her collection to auction.

599

John DeAndrea, Hyperrealist Sculpture (New York/Colorado, born 1941)

Red Haired Woman (Kathleen Standing), 1977, oil, acrylic emulsion, and resin paints on cast vinyl, hair, 66-1/2 x 20 x 19 in., small abrasions, conservation of arms with associated retouch, other retouch with some to face and stomach, stabilizing conservation by Shelley Payne Conservation, LLC with complete report that addresses treatment and suggestions for maintenance

Provenance: OK Harris, New York, purchased November 17, 1977 (accompanied by a facsimile of the original receipt and other documents, brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $20,000 - $30,000

This sculpture was fondly called “Barbara” by Alice Zimmerman and her family but depicts the model, Kathleen Kenece.

601

600

Cristobal Toral (Spain, born 1940)

Nude, 1971, signed lower right “C. toral”, oil on canvas, 371/2 x 39-1/4 in.; modern gilt wood frame, 38-1/4 x 40 x 1-3/4 in., some surface dust, otherwise good condition; frame with light wear

Provenance: Staempfli Gallery, Inc., New York, New York, May 4, 1977 (label verso) (accompanied by a facsimile of the original invoice and two later exhibition catalogs); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $5,000 - $7,000

Alan Lazarus Monumental Sculptural Shelf, Ladder (New Jersey/Virginia/New York, born 1940)

Ribbon Shelf (wall unit, separate ladder with ladder cover), 1977, Italian poplar vacuum-formed core veneered with American red oak, mounted on countersunk angle iron, ladder is solid red oak, ribbon shelf approximately 23 x 4 x 1 ft. in two parts; ladder and cover approximately 23 ft. x 19 x 6 in., minor abrasions possible, not completely examined due to height

Provenance: Commissioned from the artist, circa 1977; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $2,000 - $3,000

Alan Lazarus pioneered the stack lamination technique that allowed a versatility to sculptural design. He was taught by Bill Kiser and Wendell Castle, the School of American Craftsmen, later at RIT. Lazarus was also the founder of the furniture design department at Virginia Commonwealth University in Richmond, Virginia.

The work remains installed at the residence of Alice Zimmerman in Nashville, Tennessee. The buyer will be responsible, at their own expense, for coordinating all deinstallation and transportation directly with the consignor. The sections weigh approximately 150 lbs.

602

Hilo Chen

(Taiwanese/American, born 1942)

Bathroom 21 (No. 7807), 1978, signed verso “Hilo Chen”, oil on canvas, 54 x 80-1/8 in.; unframed, original gallery stretcher, minor surface dirt, otherwise good condition

Provenance: Louis K. Meisel Gallery, New York, New York, No. 1824, purchased in 1979 (accompanied by a facsimile of the original receipt, label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $20,000 - $30,000

603

Wolfgang and Anna Maria Kubach-Wilmsen (German, 1936-2007 | German, born 1937)

Stone in Stone, 1980, unsigned, white onyx and granite, 6-1/2 x 3 x 3/4 in., overall good condition, natural cracks and inclusions

Provenance: Staempfli Gallery, New York, New York, purchased in 1982 (accompanied by the original receipt, brochures); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

604

Muriel Brunner Castanis (New York, 1926-2006)

Seated Toga II, signed with epoxied string on top of base left “Muriel Castanis”, cloth and epoxy, 58-1/2 x 27 x 35 in., one corner on base cracked, some accretion from contact

Provenance: OK Harris, New York, circa 1987; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $2,000 - $4,000

605

Mary Shaffer

(New York, Washington, born 1947)

No. 23, 1978, smoked glass, dipped string, lead pipe, wire mesh, 26-3/4 x 35-1/2 x 6 in., rough edges as made

Provenance: OK Harris, New York, purchased in 1979 (accompanied by a facsimile of the original receipt and gallery documents); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $1,000

606

Robert H. Colescott

(California/Arizona, 1925-2009)

Fried Chicken and Fantasy, 1989, edition 6/15, signed and dated in pencil lower right “R. Colescott 89”, annotated and titled in pencil lower left, lithograph on natural Sekishu and gray-green Japan paper, sheet 24-1/4 x 29-3/4 in.; black sectional metal print frame, 26 x 31-3/4 x 1 in., not examined out of frame, floated, deckled edges, slight wave to paper; frame with light wear

Provenance: Tamarind Institute, Albuquerque, New Mexico (accompanied by facsimile of original receipt and documentation); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $1,500

607

Raymon Elozua, Industrial Landscape Sculpture (New York, born 1947)

Coal Shed #9, 1979, not apparently signed, ceramic with oil paint, 10-1/2 x 24 x 48 in. on painted wood base, 44-1/2 x 47-1/2 x 24-3/8 in., dusty, separations at lattice trim weathered as made, painted pedestal base with surface dirt and abrasions

Provenance: OK Harris, New York, New York, purchased in1979 (accompanied by a facsimile of the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee Estimate: $400 - $600

609

Richard Britell (New York, born 1944)

Notre Dame, Melville Street, 1977, signed lower right “R. Britell 1977”, titled and signed in pencil verso “Notre Dame, Melville Street/Richard Britell”, oil and gesso on panel, 14-3/4 x 18-1/2 in.; modern wood floater frame, 15-1/2 x 19-1/2 x 1-1/2

in., retouch visible left of highest cross, some small abrasions to paint; frame with light wear

Provenance: Staempfli Gallery, New York, New York, November 19, 1977 (label verso) (accompanied by a facsimile of an original invoice); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

608

Lance Richbourg (California, born 1938)

Public Hanging in Florida, 1974, not apparently signed, oil on canvas, 71-1/2 x 947/8 in.; original lattice type frame, 72-3/4 x 95-3/8 x 2-1/2 in., canvas slightly slack, light surface dirt, original strainer and tacking edge

Provenance: OK Harris, New York, New York, purchased in 1976 (accompanied by a facsimile of the original receipt, label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $1,500

610

Nancy Baker Siegel (American, late 20th century)

Double Helix (upside down house), 1989, inscribed verso with title, watercolor on paper, sight 14 x 14 in.; plexiglass case, 19 x 19 x 2-1/2 in., paper somewhat wavy, color very good, surface very good, not examined out of frame; plexiglass frame/ mount is in very good condition

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

613

Peter

(New York, born 1951)

Untitled, 1974, signed verso “Peter Saari, 7/74”, acrylic and plaster on canvas, 91-1/4 x 20-1/2 in.; original stained wood frame, 95-3/8 x 24-1/2 x 5-1/4 in., original stretcher and frame, good condition; frame with abrasions

Provenance: Lamagna Gallery, New York, New York (accompanied by facsimile of original receipt and brochure, gallery documents); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $1,500

611

James Buchman Monumental Sculpture (Tennessee, born 1948)

Toe, 1973, granite and steel, 12 ft. 6 in. x 6 ft. 1 in. x 2 ft. 10 in., some rusting of steel with related stains on granite

Provenance: Sculpture Now, Inc., New York, May 7, 1975 (accompanied by copy of receipts and gallery exhibition booklets); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $3,000 - $5,000

The work remains installed at the residence of Alice Zimmerman in Nashville, Tennessee. The buyer will be responsible, at their own expense, for coordinating all deinstallation and transportation directly with the consignor.

612

Gary Jacobson (California/New York, born 1951)

Out of Dust, 1984, inscribed indistinctly center and bottom, mixed media, 17-1/2 x 29-1/2 x 9 in., surface dirt as made, crack at seam top edge, possibly as made

Provenance: OK Harris, New York, New York, November 4, 1986, No. 16, (label verso) (accompanied by a facsimile of an original invoice along with other ephemera); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

614

Roger

(Colorado, 1933-2010)

Untitled, 1974, not apparently signed, polyester resin, 24 x 24 x 12 in., some scratches on exterior facets, paint accretion

Provenance: James Yu Gallery, New York, purchased in 1977 (accompanied by a facsimile of the receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $900

Kotoske was a leading figure in Denver’s 1960s Vanguard Art Scene, known for his hard-edge paintings and pioneering resin sculptures. Building from early experiments with fiberglass, he developed reliefs, modular forms, and translucent “crystals,” later evolving into biomorphic resin works. His innovations with silicone molds and layered dyes captured and transformed light, paralleling California’s Light and Space movement.

Reference: https://rogerkotoske.com/

615

Reg Loving (New Mexico/Kentucky, 1943-2025)

Iranstan I, 1983, signed lower right “Loving”, titled, dated and signed on stretcher verso, acrylic on canvas, 24 x 18 in.; unframed, overall good condition

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

617

Michael Nakoneczny (American, born 1952)

Square Crow, 1992, edition 6/25, signed in pencil lower right “Michael Nakoneczny”, color lithograph on paper, 20 x 20 in.; sectional metal frame, 22-1/2 x 22-1/4 x 1 in., floated, not examined out of frame, overall good condition; frame with light wear

Provenance: Tamarind Institute, Albuquerque, New Mexico; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

618

Bernard & Francois Baschet Kinetic Sound Sculpture (French, 1917-2015 and 1920-2014)

616

Harry Anderson, Mushroom Lamp (American, 20th century)

Mushroom Art Lamp, 1983, signed and dated to base “Harry Anderson ‘83”, ceramic and hand blown glass, 13-7/8 x 7-3/4 x 8 in., wired for electricity, not tested for functionality, slightly loose construction, some abrasions and loss to surface of base

Provenance: Helander-Rubinstein Gallery, Palm Beach; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

Merry-Go-Round, 1976, stainless steel and Lucite, plastic balls and turning rod movement, 28 x 22-1/2 x 16 in., one wing corner slightly bent, small abrasions on base

Provenance: Staempfli Gallery, New York, New York, purchased in 1977 (accompanied by facsimile of the original receipt, gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $2,000 - $4,000

619

Anthony Sorce (Chicago, born 1947)

Canto Series VI, 1978, signed verso “A Sorce ‘78”, hanging instructions from artist verso, acrylic with paper collage on wood, 46-1/4 x 77-1/2 x 2-1/8 in., edges with abrasions, flaking at bottom

Provenance: OK Harris, New York, New York, purchased in 1979 (accompanied by a facsimile of the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $900

621

Pamela DeLaura

(New York/Pennsylvania/Michigan, born 1955)

Color Blind, 1981, signed lower right “Pamela M. DeLaura”, mixed media on paper, 17 x 18 in.; metal sectional print frame, 21-3/4 x 22-3/4 x 1 in., not examined out of frame, overall good condition; frame with light wear

Provenance: Zimmerman Saturn Gallery, Nashville, Tennessee; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

620 Pol Bury (Belgium/France, 1922-2005)

Untitled, artist’s proof, signed lower right “Pol Bury”, epreuve d’artiste, woodcut on paper, 25-3/4 x 19-5/8 in.; metal and wood frame, 34 x 26-3/4 x 1-1/2 in., floated, not examined out of frame, light toning; frame with wear and abrasions

Provenance: Lefebre Gallery, New York, New York; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

622

Marilynn Gelfman Karp (New York, born 1939)

7-790K, 1979, unsigned, soldered wire & pine cone inside plexiglass, 7-3/8 x 141/4 x 14-1/4 in.; illuminated pedestal with interior storage space, 36-1/4 x 15-1/8 x 18-1/4 in., plexiglass with some abrasions and scratches; pedestal with wear, abrasions, surface dirt, not tested for functionality

Provenance: OK Harris, New York, New York, #92, November 12, 1979

(accompanied by a facsimile of an original invoice, along with artist ephemera); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $400 - $600

623

Marja Vallila (Czech/American, 1950-2018)

Book, 1987, unsigned, cast steel, 7-1/2 x 6-1/8 x 7-1/2 in. closed, overall good condition

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $400 - $600

624

Susan M. Linnell (New Mexico, 20th/21st)

Apache Hide, 1984, signed and dated lower right “SML/’84”, enamel, acrylic with collage, sight 36-1/2 x 31-1/2 in.; black metal frame, 37-1/4 x 32-1/4 x 1-3/8 in. not examined out of frame, floated, mounted to cut out foam core with linen backing; frame with light wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

625

Pierre Alechinsky (Belgian, born 1927)

Probleme demographique, 1969, edition of 52/100, signed lower right “Alechinsky”, lithograph on paper, sheet 25-5/8 x 40-1/8 in.; metal laminated wood frame, 32-1/4 x 46-7/8 x 1-1/4 in., full sheet with deckled edges, hinged in with archival tape, very slight edge toning; frame with abrasions

Provenance: London Graphica Arts (label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

626

Moshe Mokady (Polish/Israeli, 1902-1975)

Fruit, 1953, signed and dated upper right “Mokady 53”, oil on plywood, 6-3/4 x 10 in.; modern sectional frame, 10-1/2 x 13-3/4 x 1-3/8 in., light accretion lower right, some dings to plywood; frame with light wear and abrasions

Provenance: Engel Gallery, Jerusalem, Israel (label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $600

627

Yun James Yohe

(American, born 1944)

Baghdad, 1979, signed and inscribed verso “Yohe/Baghdad/7/4/79” watercolor, acrylic, and collage on paper, 12 x 11-1/4 in.; shadow box wood frame, 17-1/8 x 16-1/2 x 1-1/4 in., not examined out of frame, mounted to backing at corners; frame with light wear, hanging wire detached on left edge

Provenance: Phyllis Weil & Co., New York, New York (label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

629

Elen Feinberg

(New York/New Mexico, born 1955)

Cheops, 1982, signed and inscribed verso “Elen A. Feinberg/Cheops/1982”, oil on canvas, 18 x 16 in.; modern wood frame, 19-1/4 x 17 x 1-3/4 in., crackle, small areas of fluorescence, possible accretion; frame with light wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

628

William Taggart (New York, 1936-2007)

Red Circle, signed and inscribed verso “Bill Taggart 79/Red Circle”, loose canvas, acrylic, wood, poured and hand carved liquid resin, 79 x 147 x 2 in., good condition

Provenance: OK Harris, New York, New York (accompanied by a facsimile of the original receipt; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

630

Elizabeth Dworkin (New York, born 1943)

Moon Unit, 1982, unsigned, oil on canvas, 48 x 36 x 1 in.; unframed, wear along edges, otherwise in good condition

Provenance: OK Harris, New York, New York (accompanied by a facsimile of an original invoice and other ephemera); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

631

Wes Hunting, Two Glass Vessels (American/Wisconsin, b. 1958) both signed near base “WS Hunting”, hand blown glass, larger 16-1/8 x 15 x 7 in., good overall condition with vibrant color, some wear to bases; larger example with large crack

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $900

632

Robert Palusky, Glass Sphere (New York, born 1942) signed and dated at base “Robert Palusky/1987”, hand blown and painted glass, 13 x 14-1/2 x 14-1/2 in., good overall condition, anomalies as made, some roughness to edge of foot

Provenance: Purchased from the artist (accompanied by the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

633

19 Piece White and Clear Glass Stemware Set late 20th century, unmarked, comprising: eleven clear glass chalices and eight white glass chalices, 7-1/4 x 3 x 3 in., overall good condition, some minor anomalies, air bubbles, and wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

634

26 Piece Union Street White and Clear Glass Stemware Set American, dated 1989, each incised “Union Street/89” to base, comprising: eight 9 in. champagne flutes, seven 8-5/8 in. wine glasses, and eleven 6 in. martini glasses, overall good condition, some minor anomalies, air bubbles, and wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

636

Marvin Halye

(American/Pennsylvania, 1922-1991)

Untitled, 1984, unsigned, mixed media on canvas, 34 x 48 in.; stained wood frame with additional hanging wire on opposite end, 49-1/2 x 35-1/2 x 1-3/4 in., slight warping, otherwise good condition; frame with light wear

Provenance: Soghor, Leonard, & Associates, Inc., New York, New York, January 27, 1986 (accompanied by a facsimile of an original invoice); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

635

Wendy Maruyama, Table, Six Chairs, and Shelf (American/California, born 1952), 1983, maple and tubular steel, black to purple lacquer finish with polychrome splatter, comprising: table with glass top, six side chairs with red seat cushions, and shelf; chairs 34 x 18-1/4 x 20-1/2 in.; table 29 x 59-3/4 x 36 in. overall; shelf 16-3/4 x 48 x 16-1/4 in., minor wear overall, paint loss throughout, notably along edges and at feet; scratches to glass; cushions lacking labels, one lacking one tie; small chip to one corner of glass shelf

Provenance: Commissioned directly from the artist, June 9, 1983 (accompanied by copy of commission contract); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $3,000 - $5,000

According to the artist Wendy Maruyama, she was commissioned in 1983 by Mrs. Zimmerman to design and fabricate a table, a set of chairs, and a shelf for the pool room of her home in Nashville. The set was constructed at the Appalachian Center for Crafts on the Tennessee Tech campus in Smithville, Tennessee.

637

John Clem Clarke (New York/Oregon, 1937-2021)

G Series-James Stuart, Duke of Richmond and Lennox, Van Dyke, 1978-1979, signed verso “John Clem Clarke”, title inscribed verso, airbrushed and oil on canvas, 88 x 60-1/2 in.; original artist made wood frame, 96 x 68 x 1-1/4 in., good condition; frame with minor abrasions

Provenance: OK Harris, New York, New York, purchased in 1979 (accompanied by a facsimile of the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $2,000

638

Two Modern Craftmade Occasional Tables, One Lee Weitzman American, late 20th century, comprising trapezoidal birdseye maple table and Lee Weitzman rounded parcel ebonized table signed “LW 87”, birdseye table 23-7/8 x 24 x 14-3/4 in.; Lee Weitzman table 21-1/4 x 19-3/4 in., light surface wear overall, maple table with water stains to top, light scuffs to legs

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

640 Jack Lembeck

(New York/Missouri, born 1942)

The Traveller’s Tune or Bahia Honda Clubhouse, 1976, signed verso “Jack Lembeck”, acrylic on canvas, 83 x 70-3/4 in.; on original gallery strainer, unframed, canvas sightly slack, good condition

Provenance: Louis K. Meisel Gallery, New York, New York, purchased in 1976 (label verso, accompanied by a facsimile of the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $1,500

639

John Jordan, Turned Red Maple Burlwood Vessel (American/Tennessee, 1950-2023) inscribed at base “John Jordan/1991/Red Maple”, 11-7/8 x 9-1/4 x 9-1/4 in., good overall condition, some scattered nicks and areas of accretion or possible paint transfer

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

641

Set of Twelve Pickled Beechwood and Faux Snakeskin Dining Chairs late 20th century, each with reeded frames and faux snakeskin upholstery, comprising two armchairs and ten side chairs, 37 x 21 x 18 in., frames structurally sound with minor surface wear, upholstery with wear and surface mildew

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

642

Dan Christensen (New York/Nebraska, 1942-2007)

Thunder Blue, 1985, signed and dated on canvas verso “Dan Christensen 1985”, inscribed with title and medium verso stretcher, stained, painted, sprayed, and scraped acrylic on canvas, 71-1/2 x 36-1/4 in.; modern frame, 73 x 37-7/8 x 2-1/4 in., good condition, stretched on original tension bar stretcher; frame with abrasions

Provenance: Soghor, Leonard & Associates, New York, New York, purchased in 1987 (accompanied by the original receipt, gallery mailers, exhibition catalogs); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $6,000 - $9,000

644

William A. Goodman (New Mexico, born 1938)

643

Robert Milnes

(American, 20th/21st century)

Triquadder IV, 1980, each rung cylinder signed and dated “R Milne 74”, glazed porcelain and copper, 96 x 20-1/2 x 3 in., light abrasions, small dents and scratches with accretion or dark tarnish spotting at one end, anomalies in porcelain over glazed

Provenance: Theo Portnoy Gallery, New York, New York, purchased in 1980 (lot accompanied by a facsimile of the original receipt, gallery brochures); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $1,500

Between 1974 and 1987, Robert Milnes explored symmetry and asymmetry in large-scale steel and copper armature sculptures, drawing on minimalism and constructivism. His works from this period, created in Seattle, Washington and Edinboro, Pennsylvania. Beyond his artistic practice, Milnes has more recently served on boards for the Center for Craft, Blue Ridge Public Radio, and the Southern Highland Craft Guild. With his wife Karen, he supports scholarships at the University of North Texas and Penland School of Crafts, as well as programs at the Black Mountain College Museum + Art Center and other Asheville organizations. Reference: https://robertmilnes.com

Cube No. 7, 1979, not apparently signed, oil on plywood, 21-3/4 x 21-3/4 x 21-3/4 in., edges with abrasions, other surface abrasions, surface dirt, accretion, area of bloom from moisture

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

https://live.brunkauctions.com/auctions/brunk/fall-moderncontemporary-design-october-16-2025-18258/catalog#catalog

645

Red (Charles Rogers) Grooms (New York/Tennessee, born 1937)

Rock N Roll Softie, 1977-1978, signed upper right “Red Grooms 7778”, assembled found objects with paint, with artist designed acrylic case, 65-5/8 x 41-3/8 x 18-1/4 in., some abrasions to bottom

Provenance: Martin Wiley Gallery, Inc., Nashville, Tennessee, purchased 1978 (accompanied by a facsimile of the original receipt and a retrospective fan); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $8,000 - $12,000

646

Ken Butterfield (American, 20th century)

Taco Pot # 7, 1988, signed and dated on bottom “Butterfield ‘88”, carved and painted wood sculpture, 25-1/2 x 12-1/2 x 11 in., good condition

Provenance: Habatat, Boca Raton, Florida, purchased in 1989 (accompanied by invitation inscribed by artist and picturing sculpture); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

648

Judith Hoyt (New York, born 1958)

Untitled, 1989, signed and dated in pencil lower right “Judith Hoyt 1989”, mixed media, 45 x 25-1/4 x 1-1/2 in., overall good condition

Provenance: OK Harris, New York, New York; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

647

Amos Ferguson (Bahamas, 1920-2009)

Pink House, signed lower left “Paint By Mr Amos Ferguson”, paint on board, 36 x 30 in.; original painted wood frame, 37 x 31 in., some white paint accretion at top; frame with minor abrasions

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $7,000 - $10,000

649

Antoine Oleyant (Haitian, 1955,1992)

Haitian Voodoo Flag, 1991, signed with beading lower center “Antoine”, bead embroidery with sequins on silk, 39 x 32 in.; acrylic shadow box frame, 42 x 32-1/2 x 3-1/2 in., small area upper right with loose beading; frame with light wear

Provenance: Indigo Arts Gallery, Philadelphia, Pennsylvania; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $900

650

Charles Carrillo, Lithograph (New Mexico, born 1956)

La Huida al Egipto (Flight into Egypt), edition 10/30, 1994, signed and numbered in pencil lower right “Charles Carrillo/10/30”, lithograph on Rives BFK paper, 30 x 22 in.; black print frame, 31-3/4 x 24-1/2 x 1 in., not examined out of frame, overall good condition; frame with light wear

Provenance: Tamarind Institute Gallery, Albuquerque, New Mexico (accompanied by documentation); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

652

Lori Greene (Minnesota, 20th/21st century)

Sirius B, 1995, black walnut face, beaded copal wood body, 16-1/4 x 13-3/4 x 8 in.; on painted steel base, good condition

Provenance: Steinbaum Krauss Gallery, New York, New York, purchased in 1995 (accompanied by a facsimile of the original receipt and the original tag); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

Lori Greene is a mosaic and textile artist whose work powerfully interlaces African and Choctaw heritage with community narratives. Working primarily in tile and glass, she creates luminous mosaic “textiles” that carry stories of strength, resilience, and cultural memory. Her practice is both artistic and spiritual, reflecting traditions while giving voice to untold histories of people of color. Greene’s commitment to community is central to her work. Through large-scale public projects and collaborations, she fosters spaces for healing, dialogue, and visibility. She is founder of Mosaic on a Stick, a community art studio in Saint Paul, and recipient of multiple honors, including two Bush Artist Fellowships and grants from the Minnesota State Arts Board.

651

Olen Bryant (American/Tennessee, 1927-2017)

Figural Chair, 1993, carved from a solid piece of wood, 44 x 20 x 17 in., natural wood with some minor abrasions and checking

Provenance: Purchased from the Tennessee State Museum Foundation in 1994 (accompanied by the original receipt); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

Biography: Born in Cookeville, TN, Bryant was a 1950 graduate of Murray State University and a 1954 graduate of the Cranbrook Academy of Art in Bloomfield, Michigan with a Master’s Degree in Fine Arts. He additionally studied at the Cleveland Institute of Art, the Institute in the Visual Arts in American Culture at the University of Delaware, and the Winterthur Museum in 1967. Bryant was a professor at Austin Peay State University from 1964 to 1991. Bryant’s artwork is widely collected around the United States and is a part of several museum collections, including the Hunter Museum of American Art in Chattanooga, the Tennessee State Museum of Art, and the Cheekwood Museum of Art in Nashville; and his works have been displayed at the Tennessee Performing Arts Center and at the Governor’s Mansion during the Phil Bredesen administration. He was a founding member of the Nashville Artist Guild and the Tennessee Association of Craft Artists (source: Nashville Fine Arts Magazine & The Leaf Chronicle).

653

Jack Earl (American/Ohio, 1934-2023)

My Horse, My Dog, 1978, signed, titled, and dated verso, ceramic, 6-1/2 x 6 x 7-1/2 in., overall good condition, break and repair to proper right foot

Provenance: Theo Portnoy Gallery, New York, New York, purchased in 1972 (accompanied by the original receipt, magazine); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

654

Meyer Wolfe (American/New York, 1897-1985)

Female Totem, unsigned, carved wood and brass tacks, 20-1/4 x 5-3/4 x 4-1/2 in., some checking and cracks likely as made, chip to wood at backside of head

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

656

Bernice Sims (American/Alabama, 1926-2014)

Alabama Free Food, signed lower right “B Sims”, acrylic on canvas, 18 x 24 in.; unframed, good clean surface

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $800

655

Ron Rodriguez, Bottlecap Snake (American, born 1968)

Bottlecap Snake, 1994, signed and dated to bottom of head “Ron S. Rodriguez/7-22-94”, carved and painted wood and bottlecaps, 4 x 12-1/2 x 12 in., some slight loss to paint

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

657

Bessie Harvey (American/Georgia, 1928-1994)

Thursday, Cleaning the House, lady sculpture, found and painted roots with plastic and batik, not signed, 24 x 8 x 6 in., very good condition

Provenance: Purchased from the Tennessee State Museum Foundation in 1994; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $2,000

658

Mary Greene

(American/Georgia, 1929-2015)

After Work, signed lower right “Mary Greene”, inscribed verso with a story describing life on the farm, acrylic on canvas, 16 x 20 in; handmade painted wood frame, 16-1/2 x 20-1/2 in., light abrasions; frame with minor losses and wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

659

Mary Greene (American/Georgia, 1929-2015)

Uncle Carvin, signed lower right “Mary Greene”, inscribed verso with a story describing her uncle and Carvin, his life and her memories of him, acrylic on canvas, 16 x 20 in; handmade painted wood frame, 16-1/2 x 20-1/2 in., light surface dirt, minor abrasions; frame with some wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

660

Cadelario Medrano, Bus to Jojulta with Passengers (Mexican, 1918-1986)

low-fired ceramic and paint, with figures mounted on wire, 11 x 19-1/2 x 6-1/2 in., surface dust and dirt to exterior and interior, some loss to paint, one figure lacking proper right arm, some figures unattached but present

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

661

Theresa Gloster (American/North Carolina, 20th/21st century)

No Credit, 1999, signed lower left, “Theresa Gloster”, acrylic on board, 11 x 9-1/2 in.; painted frame, 12 x 11 in., good clean surface, frame separating at corners

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

662

Betty Brown (American/Georgia, 1932-2011)

Watermelons, 1996, signed lower right “B.Brown”, acrylic on canvas, 15-1/2 x 19-1/2 in; wood frame, 17-1/4 x 21-1/4 in., surface is good and clean; frame in very good condition

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

664

Bert Brouwer (Dutch/Indiana, born 1956)

Greetings from Terre Haute: But Life is Still in Flux, 1984, not apparently signed, inscribed indistinctly upper right corner verso, acrylic on canvas, 67 x 90 x 1-3/4 in.; wrapped on gallery strainer, unframed, abrasions along edges

Provenance: Acquired from Artist; Estate of Alice Zimmerman, Nashville, Tennessee (accompanied by exhibition catalog, letter from Alice Zimmerman to Bert Brouwer requesting to purchase artwork, and other artist ephemera)

Estimate: $600 - $900

Exhibited: Awards in the Visual Arts 4: Albright Knox Art Gallery, Buffalo, New York, May 11- June 23, 1985; Southeastern Center for Contemporary Art, WinstonSalem, North Carolina, August 2-September 29, 1985; Institute of Contemporary Art University of Pennsylvania, Philadelphia, Pennsylvania, December 12, 1985-January 26, 1986

663

Mary Greene (American/Georgia, 1929-2015)

First Dip, signed lower right “Mary Greene”, inscribed verso with a story describing skinny dipping in the spring, acrylic on canvas, 12 x 24 in; wood frame, 12-1/2 x 241/2 in., minor surface dirt and light abrasions; frame in very good condition

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

665

Margo Humphrey (California, born 1942)

Tree of Life, 1990, edition 1/15, signed and dated lower right “Margo Humphrey ‘90”, titled bottom middle, Julie Maher, under the supervision of Bill Lagattuta, color lithograph on Arjomari Arches paper, sheet 41-5/8 x 29-5/8 in.; metal frame, 43-3/8 x 31-1/4 x 1-1/4 in., floated, good condition; frame with abrasions

Provenance: Tamarind Institute, Albuquerque, New Mexico, purchased in 1991 (accompanied by a facsimile of the original receipt and print documents); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $800 - $1,200

666

Phyllis Bramson (Illinois/Wisconsin, born 1941)

Choosing a Worthy Opponent, 1981, signed and titled verso “Phyllis Bramson” and titled and dated, artist label verso, oil, acrylic, foam core, and applied wood on canvas 61-3/4 x 36-3/8 x 6 in., conversation label verso, July 1984, small loss to foam core lower left,

Provenance: Helander Rubinstein Gallery, Palm Beach, Florida; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $500 - $700

668

Paul Henry Brach

(New York/California, 1924-2007)

Magic Mesa, 1987, unsigned, oil on handmade paper, 20 x 25-1/2 in.; modern wood frame, 23-1/4 x 29-1/2 x 1-1/2 in., not examined out of frame, bold colors, waviness to paper; fame with light wear

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $600 - $900

667

Kenneth Morgan (American, 1942-2017)

Net Save, 1978, signed and titled verso “Kenneth Morgan, 1978”, oil on canvas, 60 x 48 in.; lattice type frame, 60-1/4 x 48-1/4 x 1-1/2 in., overall good condition; frame with light abrasions

Provenance: OK Harris, New York, New York, No. 4, purchased in 1979 (accompanied by a facsimile of the original receipt, label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

669

Richard Merkin, Print (New York, 1938-2009)

How to Put on an Amateur Circus or Cafe Megalomania, edition 35/160, signed in pencil lower left “Merkin”, silkscreen and lithograph on paper, sight 28-1/2 x 34-1/4 in.; black sectional print frame, 29-1/8 x 34-3/4 x 1 in., not examined out of frame, slight wave to paper; frame with light wear

Provenance: Helander Rubinstein; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

670

Richard Lindner, Lithograph (German/American, 1901-1978)

Lollipop, from the Fun City portfolio, edition 52/175, 1970, signed in pencil lower right “R.Lindner”, colored lithograph on paper, sheet 25-3/4 x 20 in.; modern wood and metal frame, 35 x 29-1/4 x 1-1/4 in., note examined out of frame, bold color, light toning; frame lacking metal inlay top edge

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

672

Jeff Johnson, Surreal Painting (American, 20th century)

Vanessa Urticae, 1978, unsigned, acrylic and gouache on card, 3 x 3 in.; modern shadow box frame, 6-5/8 x 6-5/8 x 1 in., not examined out of frame, mounted to wood backing; frame with light wear

Provenance: The Piccadilly Gallery, London (label verso); The Staempfli Gallery, New York, New York (label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

671

Dan Rizzie, Lithograph (New York/Texas, born 1951)

Finocchio, edition 2/18, 1994, signed and dated lower right “Dan Rizzie 94”, lithograph on collaged paper on gray Rives BFK paper, 20-1/2 x 18 in.; black print frame 22-1/2 x 20 x 1/2 in., not examined out of frame, overall good condition; frame with light wear and abrasions

Provenance: Tamarind Institute, Albuquerque, New Mexico (accompanied by documentation); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

673

Corneille, Gouache (Dutch, 1922-2010)

Untitled, from the Pinocchio series, 1972-1975, dated and signed at bottom “6/72Corneille 73-75”, gouache on paper 27-5/8 x 39-1/4 in.; gold leaf frame, 33 x 44-1/4 x 1-5/8 in., floated, good condition, not removed from frame; frame with abrasions

Provenance: Lefebre Gallery, New York, New York, purchased in 1976

(accompanied by a facsimile of the original receipt with gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $2,000

674

Corneille, Gouache (Dutch, 1922-2010)

Untitled, from the Pinocchio series, 1972-1975, dated and signed at top “6/15Corneille 73-75”, gouache on paper, 27-5/8 x 39-1/4 in.; gold leaf frame, 32-3/4 x 44-1/4 x 1-5/8 in., floated, two tears upper right edge, corner crease; frame with abrasions

Provenance: Lefebre Gallery, New York, New York, purchased in 1976 (accompanied by a facsimile of the original receipt with gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $1,000 - $2,000

676

Corneille, Lithograph (Dutch, 1922-2010)

Plage sauvage peuples, 1968, edition 5/30, signed lower right “Corneille ‘68”, M. Casse, publisher, lithograph on paper, 26 x 19-3/4 in.; black metal frame, 29-1/4 x 23-3/8 x 1 in., floated, full sheet with deckled edges, slight toning of paper at edges, not removed from frame; frame with abrasions

Provenance: Lefebre Gallery, New York, New York, purchased in 1975

(accompanied by a facsimile of the original receipt with gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

675

James Gibson, Hanging Bird (American/Tennessee, 1937-2018)

unsigned, brass, iron, and bronze, 16-1/2 x 7-5/8 x 4-1/8 in., some spots of rust and corrosion, possible polish residue to brass elements

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

677

Corneille, Lithograph (Dutch, 1922-2010)

Untitled, from the portfolio Herbes, 1973, edition 39/100, signed middle left “Corneille ‘73”, color lithograph on paper, 26 x 20 in.; metal frame, 29-1/4 x 23-1/4 x 7/8 in., floated, good condition, not removed from frame; frame with abrasions

Provenance: Lefebre Gallery, New York, New York, purchased in 1975

(accompanied by a facsimile of the original receipt with gallery brochure); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

678

Klaus Fussman (German, born 1938)

Portrait Hella K. 24.V.77, 1977, inscribed at top with title and other indistinct annotations, mixed media on paper 27 3/4 x 28-5/8 in.; metal frame, 35 x 35-1/4 x 1 in., floated, not removed from frame; frame with abrasions

Provenance: Lefebre Gallery, New York, New York, purchased in 1978 (accompanied by the original receipt with gallery brochures); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $2,000 - $4,000

680

Jorge Castillo, Watercolor (Spanish, born 1933)

El Pequeno Taggio en Agua Amarga, 1975, unsigned, titled in ink on frame verso “El Pequeno Taggio en Agua Amarga”, watercolor on paper, 26 x 19-3/4 in.; modern parcel gilt wood frame, 30-1/4 x 24 x 1-1/4 in., not examined out of frame, slight fading; frame with light wear

Provenance: Lefebre Gallery, New York, New York, March 20, 1976 (accompanied by original invoice); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $200 - $400

679

Vladimir German (Russian/American, born 1940)

Untitled, seascape, 1987, signed and dated verso “ Vladimir German 87”, oil on paper, 8-1/4 x 9-3/4 in.; modern wood print frame, 15-3/4 x 17 x 1-1/4 in., not examined out of frame, overall good condition; frame with light wear

Provenance: OK Harris, New York, New York (label verso); Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

This lot is accompanied by a facsimile of an original receipt along with other ephemera regarding the artist.

681

Jamie Davis, Rapid Eye Movement (American/South Carolina, born 1945)

signed and dated at underside “Jamie Davis/9-87”,glazed ceramic, label with title to underside, 14-3/8 x 5-5/8 x 11-3/4 in., anomalies as made, some surface dust, ladder component unattached but present

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

682

Grady Kimsey, Mixed Media Sculpture (American/Florida, 1928-2025)

Ago Recalled, wood cage base with small ceramic snake, 11-1/8 x 4 x 4-1/8 in.; base 5-1/4 x 4-3/4 x 4-3/4 in., some anomalies as made, two small chips to ears, some loss to paint on backside of mask; glue residue to interior of base and snake, some wear to top of base and tail of snake

Provenance: Purchased from the artist in 1990; Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $100 - $300

684

Robin Best, Mark Catesby Marine Vase (Australian/China, born 1953) modern, signed at base “Robin Best/Jingdezhen/2015”, porcelain and Xincai glaze, 15-1/2 x 9-1/4 x 9-1/4 in., good overall condition with vibrant colors, some minor surface dirt, minor areas of loss to decoration

Provenance: Ferrin Contemporary, purchased January 16, 2017 (accompanied by copy of receipt); An Important Atlanta Private Collection

Estimate: $1,000 - $2,000

683

Victoria Z. Rivers Sculpture (Kentucky/California, 20th/21st century)

Unsigned, painted silk on wood with internal neon light structure, 81 x 36 x 4 in., light staining and scuffing to silk, light fraying to some silk edges, small tear, not tested for functionality, operated at estate

Provenance: Estate of Alice Zimmerman, Nashville, Tennessee

Estimate: $300 - $500

685

Bernard Fuchs Original Illustration (American, 1932-2009)

The frontispiece illustration for Robert Penn Warren, All the King’s Men, The Franklin Library, publisher, 1976, unsigned, with editorial notes in pencil, registration tape in margins, oil and pencil on unstretched linen, 26-5/8 x 18-3/4 in.; unframed, some handling smudges

Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019

Estimate: $500 - $700

Literature: Warren, Robert Penn, and Bernie Fuchs. 1976. All the King’s Men. Franklin Center, Pa.: Franklin Library. ill.

686

Bernard Fuchs Original Illustration (American, 1932-2009)

Standing woman with cigarette, #3 chapter 2 illustration for Robert Penn Warren, All the King’s Men, The Franklin Library, publisher, 1976, unsigned, with editorial notes in pencil, registration tape in margins, oil and pencil on unstretched linen, 26-5/8 x 18-3/4 in.; unframed, some handling smudges

Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019

Estimate: $500 - $700

Literature: Warren, Robert Penn, and Bernie Fuchs. 1976. All the King’s Men. Franklin Center, Pa.: Franklin Library. ill.

687

Bernard Fuchs Original Illustration (American, 1932-2009)

Woman under light, #6 chapter 5 illustration for Robert Penn Warren, All the King’s Men, The Franklin Library, publisher, 1976, unsigned, with editorial notes in pencil, registration tape in margins, oil and pencil on unstretched linen, 26-5/8 x 18-3/4 in.; unframed, some handling smudges

Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019

Estimate: $500 - $700

Literature: Warren, Robert Penn, and Bernie Fuchs. 1976. All the King’s Men. Franklin Center, Pa.: Franklin Library. ill.

688

Sandy Skoglund (New York, born 1946)

Red Bobby pins, edition 7/25, signed and inscribed in pencil lower left “S. Skoglund/-to Joyce & Kay with all my love/and thanks for a beautiful friendship”, titled in pencil lower left “Red Bobby pins”, color etching on paper, plate 9-3/4 x 16-3/4 in.; metal sectional print frame, 14-1/4 x 21-1/4 x 3/4 in., not examined out of frame, toning, foxing, slight wave to paper; frame with light wear

Provenance: Private Collection

Estimate: $200 - $400

689

Jesse Redwin Bardin (American/South Carolina, 1923-1997)

On Red, signed lower right “J Bardin”, inscribed verso, oil on canvas, 20 x 16 in.; wooden frame, 23-3/4 x 19-3/4 in., surface crackle in bottom left quadrant; frame with wear and separation at corners

Provenance: Purchased at an estate sale Greenwood, South Carolina; Private South Carolina Collection

Estimate: $400 - $600

690

Modern Bronze Octopus Sculpture

20th century, unsigned, 12-1/2 x 8-1/4 x 3-1/2 in., some surface dust and anomalies as made

Provenance: Private Collection, New York

Estimate: $300 - $500

691

Renzo Galardini, Surreal Painting

(Italian, born 1946)

Untitled, priest wrapped in cloth, 1988, signed lower right “R Galardini/1988”, also signed and dated verso, Italian inscription verso translated reads “oil on canvas, 60 x 100/created in Cecina in Via Montanara 54/2/in June-July 1988 by myself, Renzo Galardini”, oil on canvas, 39 x 23-1/2 in.; gilt wood and composition frame, 45-1/4 x 293/4 x 2-1/2 in., surface dirt, some fluorescence under black light, likely pigment related; frame with light wear

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $2,000 - $3,000

692

Renzo Galardini, Surreal Painting (Italian, born 1946)

Untitled, signed lower right “R Galardini/1987”, also signed verso, Italian inscription verso translated reads “oil on canvas, cm 40 x 50/created in Cecina in Via Montanara 54/2/in September 1987 by myself, Renzo Galardini”, oil on canvas,15-1/2 x 19-3/4 in.; gilt wood and composition frame, 22 x 26-1/2 x 2-1/2 in., dry surface, some fluorescence under black light, likely pigment related, surface dirt; frame with wear and abrasions, cracks

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $1,000 - $2,000

693

Renzo Galardini, Surreal Painting (Italian, born 1946)

Mashera (Masked), 1985, signed and dated lower right “R. Galardini/1985”, Italian inscription verso translated reads “Masked/oil on canvas cm 50 x 70/created in Cecina in January 1985 by myself, R. Galadini”, illegible stamp verso, oil on canvas, 27-1/2 x 19-3/4 in.; gilt wood and composition frame, 36 x 28 x 3 in., surface dust, otherwise good condition; frame with light wear and abrasions

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $1,500 - $2,500

695

Sergio Bustamante Equestrian Sculpture (Mexican, born 1949)

Untitled, edition 30/50, signed on base “Sergio Bustamante 30/50”, polychromed ceramic, approximately 30 x 27 x 11-1/2 in., scratches, areas of loss to paint, surface dirt, repair to proper right foot

Provenance: Private Collection

Estimate: $1,000 - $1,500

694

Renzo Galardini, Surreal Painting (Italian, born 1946)

Untitled, 1990, signed lower right “R Galardini/1990”, Italian inscription verso translated reads “oil on canvas/ cm 50 x 70/created in Cecina in August 1990/in Via Montanara by myself/Renzo Galardini”, oil on canvas, 27-1/2 x 19-1/2 in.; gilt wood and composition frame, 34 x 26 x 3 in., dry surface, surface dirt, some fluorescence under black light, likely pigment related; frame with light wear and surface dirt

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $1,500 - $2,500

696

Pair of Mid-Century Modern Heywood-Wakefield Side Tables unsigned, each in maple and birch?, with open shelf over a single drawer, 24 x 20 x 16 in., structurally sound and good condition, some surface distress and color unevenness

Estimate: $200 - $400

697

Jayson Home Walnut Occasional Table

20th/21st century, 26-1/4 x 39-1/4 x 39-1/4 in., overall good condition with some minor scratches and wear

Provenance: Private Collection, New York

Estimate: $500 - $700

698

Hank Gilpin, Occasional Table

(American/Rhode Island, born 1947), highly figured tropical exotic hardwood, 23 x 24 x 24 in., overall good condition, minor bumps and wear

Provenance: Private Collection, New York

Estimate: $200 - $400

699

Hank Gilpin, Square Side Table

(American/Rhode Island, born 1947), highly figured tropical hardwood, 23 x 24 x 24 in., overall good condition, some minor bumps and abrasions to legs

Provenance: Private Collection, New York

Estimate: $200 - $400

700

Four Eames Black Leather Office Chairs

20th century, three aluminum group chairs, tags at underside read “Eames/50 Years 1958-2008...”, 33 x 23 x 21 in.; soft pad management chair, tagged at underside with date “...2016”, 35 x 24 x 26 in., overall good condition, some scratches and wear to aluminum, some creasing to leather

Provenance: Private Collection, New York

Estimate: $500 - $700

701

Richard Sapper for Artemide, Pair of Tizio Floor Lamps (German, 1932-2015)

plastic and metal construction, each approximately 60-1/2 x 4-3/4 x 7 when collapsed, wired for electricity, with box of spare parts, not tested for functionality, overall good condition with some minor wear

Provenance: Artemide, New York, circa 1980s; Private Collection, Asheville, North Carolina

Estimate: $600 - $900

703

Herman Miller George Nelson Walnut Nightstand circa 2016, label to interior of drawer, 22 x 18 x 18-1/2 in., overall good condition, some scratches to top, wear to feet

Provenance: Private Collection, New York

Estimate: $200 - $400

702

Pair of West Elm Mid-Century Style Leather Show Wood Chairs 21st century, solid ash wood arms and legs, 29 x 26-1/2 x 30 in., overall good condition, minor wear

Provenance: Private Collection, New York

Estimate: $400 - $600

704

Desiron Bedford Armchair circa 2016, cowhide upholstery, label to underside, 29 x 29 x 34 in., overall good condition with some bumps, abrasions, and small chip to wood

Provenance: Private Collection, New York

Estimate: $200 - $400

705

Restoration Hardware Bruno Leather Lounge Chair 21st century, label to underside, 30 x 24 x 34 in., overall good condition, some fraying and picked/pulled threads, small tear to leather at right side of seat

Provenance: Private Collection, New York

Estimate: $300 - $500

706

Hand Knotted Woolen Carpet 20th century, patchwork design, binding reads “The Rug Company/Handmade”, 8 ft. x 9 ft. 1 in., over all good condition, high pile, some small stains

Provenance: Private Collection, New York

Estimate: $400 - $600

707

Hand Knotted Woolen Carpet

20th century, striped design, binding reads “The Rug Company/Handmade”, 7 ft. 6 in. x 9 ft. 2 in., high pile, some wear to edges, pest damage to one corner

Provenance: Private Collection, New York

Estimate: $500 - $700

708

Six Charles Pollock for Knoll Upholstered Executive Chairs circa 1986, each with Knoll label to underside, 30-1/2 x 26-1/2 x 24 in., overall good condition with some abrasions and plastic elements, minor fraying and pilling to upholstery

Provenance: Estate of Jason B. Sowell, Jr., Dallas, Texas

Estimate: $600 - $900

709

Rejuvenation Modern Pendant Light Fixture

American, 20th/21st century, 18 x 21-5/8 x 21-5/8 in., cord 40-3/4 in., overall like new condition, some minor wear, not tested for functionality

Provenance: Private Collection, New York

Estimate: $300 - $500

711

Siemon & Salazar Bubble Ellipse Pendant Light

hand blown glass shade inscribed “Siemon & Salazar 2016” at annulus, chrome mounting and socket, 8 x 8-1/2 x 8-1/2 in., wired for electricity, wire length approximately 45 in., good overall condition, wires cut, some corrosion to backside of mount

Provenance: Private Collection, New York

Estimate: $300 - $500

710

Near Pair of Bill Stephens for Knoll 1315 Bentwood Lounge Chairs, with Associated Ottoman, 20th century, one chair with Knoll label to underside, chairs, 29 x 29-1/2 x 29 in., ottoman, 17-1/2 x 25 x 18-1/2 in., some stains and discoloration, slight fraying and pilling, some bumps and abrasions to wood; darker example lacking underside panel, tear to one elastic strap

Provenance: Private Collection

Estimate: $500 - $700

712

Piero Lissoni Designed Murano Glass Mirror

Italian, 21st century, “Sturm und Drang” (Storm and Stress), with 16 extending handmade Murano glass acanthus leaf form arms, fitted with rectangular mirror plate, 59 x 59 x 8 in. overall; 28-1/4 x 28-1/4 in. mirror plate; longest arm 34 in., one glass arm broken and professionally repaired, wood support (behind mirror plate) detached from crumbled particle board, also professionally repaired

Estimate: $800 - $1,200

Accompanied by copy of assembly photos.

713

Earl J. Hooks, Three Ceramic Vessels (American, 1917-2005)

all signed or inscribed at bases “Hooks” or “Earl Hooks”, comprising: lidded jar; blue glazed vase vase; green glazed vessel; largest 7-3/8 x 4-7/8 x 4-7/8 in., good overall condition, glaze voids, and pinholes as made; blue vase with some loss to slip trailing, areas of fluorescence under blacklight (possibly dust in crevices); lidded jar with chip and repair to rim and chip to lid finial (see blacklight)

Provenance: Private Collection

Estimate: $700 - $1,000

715

17 Modern Enamel on Copper Objects and Accessories

20th century, most signed and inscribed to base, comprising: four Peg Boarts bowls and a pin; two Ruth Plimpton bowls; two Jane Glass bowls; eight assorted items including a pair of earrings, four bowls, and two small plates, signatures include Godfrey, Joseph Trippetti, Winter, and others; largest 2-1/8 x 10-1/2 x 101/2 in., overall good condition, small areas of minor wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

714

Wesley Anderegg (American, born 1960)

The Villain Cookie Jar, 2000, signed and dated to underside “2000/Anderegg”, multimedia and painted ceramic, 25 x 12 x 12 in., faux painted wood pedestal, 42 x 15 x 15 in., overall good condition, some wear at edges, adhesive putty

Provenance: Connell Gallery, Atlanta, GA; Private Collection, Asheville, North Carolina

Estimate: $500 - $700

716

Two Modern Stainless Steel Table Objects, Alessi and Reed & Barton 20th century, comprising: Alessi candlestick, 10 x 3-7/8 x 3-7/8 in.; Reed & Barton lidded pot with Glasbake liner, 5-3/4 x 10-3/4 x 8-3/4 in., overall good condition, some polish wear, discoloration, and scratches; chip to rim of Glasbake liner

Provenance: Private Collection, Asheville, North Carolina

Estimate: $100 - $300

717

Steve Armstrong (American/Kentucky, born 1945)

Blue Circus, not apparently signed, carved and painted wood with wire, 38 x 12 x 117/8 in., overall good condition, some minor loss to paint, some slightly loose elements

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

719

Set of Twelve Piero Fornasetti Recipe Porcelain Plates

Italian, 20th century, each marked “Fleming Joffe Ltd./Cook Plates/Especially Made by Fornasetti - Milano/Made in Italy” to base, each approximately 1-1/4 x 10 x 10 in., overall good condition, some loss to enamel and gilt

Provenance: Private Collection, New York

Estimate: $1,000 - $1,500

718

Akira Blount (American/Tennessee, 1945-2013)

Mother and Child, apparently unsigned, mixed media construction, 28-3/4 x 8-1/4 x 8-1/4 in., overall good condition

Provenance: An Important Atlanta Private Collection

Estimate: $400 - $600

720

Four Studio Art Glass Objects 20th/21st century, comprising: cylindrical vase, signed and dated “Levin Studio 96” to base; John Geci bowl, signed “Geci/MMVII”; Maurice Heaton platter, initialed “M.H.”; baluster form base, unsigned; largest 12-3/4 x 4 x 4 in., overall good condition, some minor air bubbles, anomalies, and scratches

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

721

11 Pieces of Small Contemporary Art Glass 20th/21st century, all of varying shapes, sizes, and colors, all signed at base, some illegibly so, including pieces signed by Carl Radke, Peet Robinson, and Gary Beecham, largest 6-7/8 x 2-5/8 x 2-5/8 in., good overall condition, some with fleabites and scratches

Provenance: Private Collection, Asheville, North Carolina Estimate: $300 - $500

723

Dale Chihuly Print

(Washington, born 1941)

Print III, trial proof edition 1/1, 1987, signed and inscribed in pencil lower margin “T./P.- Print III Chihuly 1987 1/1”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49 x 36-1/2 x 1-3/8 in., not examined out of frame, waviness to paper, areas of creasing, pinholes upper corners; frame with light wear

Provenance: An Important Atlanta Private Collection Estimate: $800 - $1,200

722

Six Mark Peiser Art Glass Vessels (American/Illinois/North Carolina, b. 1938) of varying shape, size, and color, all signed at base “Mark Peiser” or “Peiser Studios” and with various dates from 1968-2008, largest 3-3/8 x 5-1/4 x 5-1/4 in., good overall condition, minor wear due to age

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

724

Dale Chihuly Print (Washington, born 1941)

Print I, color trial proof edition 1/1, 1987, signed and inscribed in pencil lower margin “C.T./P. Print I Chihuly 1987 1/1”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, some areas of creasing; frame with light wear

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

725

Dale Chihuly Print

(Washington, born 1941)

Print III, color proof edition 1/4, 1987, signed and inscribed in pencil lower margin

“C./P. Print III Chihuly 1987 1/4”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, slight waviness, small areas of creasing; frame with light wear, small areas of accretion

Provenance: An Important Atlanta Private Collection Estimate: $800 - $1,200

727

Dale Chihuly Print

(Washington, born 1941)

Print V, trial proof edition 1/2, 1987, signed and inscribed in pencil lower margin “T.P. Print V Chihuly 1987 1/2”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, creasing; frame with wear and abrasions

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

726

Dale Chihuly Print (Washington, born 1941)

Untitled, 1987, color proof edition 1/3, signed and inscribed in pencil lower margin “C./P. Proof 1/3 Chihuly 1987”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, areas of creasing, slight handling grime; frame with light wear

Provenance: An Important Atlanta Private Collection Estimate: $800 - $1,200

728

Dale Chihuly Print

(Washington, born 1941)

Print II, trial proof edition 3/3, 1987, signed and inscribed in pencil lower margin “T./P. Print II Chihuly 1987 3/3”, vitreograph on paper, plate 27-5/8 x 22 in.; sheet 41-1/2 x 29-3/8 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, waviness to paper along edges, areas of creasing; frame with light wear and abrasions

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

729

Dorothy Dehner

(New York/Ohio, 1901-1994)

Formulation, 1969, signed and dated verso “Dehner 69”, cast stoneware with black patina, 8-3/4 x 13-3/4 x 2-1/2 in., flaking, crack at base recto, surface dirt

Provenance: Private Collection

Estimate: $300 - $500

731

Man Ray Lithograph (American, 1890-1976)

Volti, edition I/XL, 1970, signed in pencil lower right “Man Ray”, from Les Six Masques Voyants (Le Maschere), lithograph, sight 20-1/2 x 15 in.; metal sectional frame, 28-1/4 x 22-1/4 x 7/8 in., not examined out of frame, light toning, creasing; frame with wear, abrasions to plexiglass

Provenance: Private Collection

Estimate: $300 - $500

730

Dale Chihuly Print (Washington, born 1941)

Print VI, trial proof edition 2/2, 1987, signed and inscribed in pencil lower margin “T.P. Print VI Chihuly 1987 2/2”, vitreograph on paper, plate 28 x 22 in.; sheet 42 x 29-1/2 in.; modern silver gilt wood frame, 49-1/4 x 36-5/8 x 1-3/8 in., not examined out of frame, slight handling grime along edges, slight waviness and small areas of creasing; frame with light wear

Provenance: An Important Atlanta Private Collection

Estimate: $800 - $1,200

732

Dean Aydelott

(American/North Carolina, 1931-1986)

Untitled, signed lower left “Aydelott”, oil on canvas, 46-1/2 x 60-1/2 in.; black painted lattice frame, 47-1/4 x 61-1/4 in., minor abrasions; frame with some loss and abrasion

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $800 - $1,200

Dean Aydelott was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

733

Dean Aydelott

(American/North Carolina, 1931-1986)

Inner Suburbs, 1969, signed verso “D Aydelott”, oil on canvas, 67 x 82 in.; painted lattice frame, 67-1/2 x 82-1/2 in., surface with minor abrasions, crackle throughout but more pronounced in black; frame loose

Provenance: Private Collection, Hillsborough, North Carolina

Estimate: $800 - $1,200

Dean Aydelott was a faculty member of the Art Department at Appalachian State University, Boone, North Carolina.

735

S. Tucker Cooke

(American/North Carolina, born 1941)

Cauliflower on a Pedestal, 1985, signed and inscribed indistinctly, mixed media on paper, 30 x 22 in.; sectional gilt metal frame, 37-3/4 x 29-1/2 x 1-1/2 in., floated, slight wave to paper, light toning, some areas of discoloration; frame with light wear and abrasions

Provenance: Private Collection, Biltmore Forest, North Carolina

Estimate: $800 - $1,200

734

Mountain Abstract (American, 20th Century)

Abstract composition, unsigned, acrylic on paper, 22 x 29-3/4 in; unframed, surface is very good, minor folds at corners, appears to have been hinged into a mat at some point

Provenance: Wachovia Corp Collection; Private Collection, Asheville, North Carolina

Estimate: $400 - $600

736

Truman Teed

(American/South Carolina, 1929-2021)

A Form of Relaxation, signed lower right “Teed”, signed “Truman Teed” and inscribed with title verso, mixed media on board, 45-1/2 x 35 in.; gold painted frame, 47 x 37, very good overall, paper well adhered to board, finger smudges on left side, accretion center below cow; frame with light wear

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $400 - $600

737

Roman Chatov (Georgia/Russia, 1900-1987)

Child with Two Black Cats, signed lower right “R. Chatov”, oil on canvasboard, 24 x 20 in.; original painted wood frame, 30-1/4 x 26-3/8 in., surface is stable with excellent texture, light dirt layer; frame with abrasions

Provenance: Private Collection

Estimate: $600 - $900

739

Three Ray Nolin Abstracts (Massachusetts/Connecticut, 1954-2015)

2001, all signed in pencil lower right “R. Nolin”, all dated in pencil lower left “2001”, mixed media on paper, all 8 x 5-1/2 in.; miscellaneous print frames, largest 17 x 13 x 3/4 in., not examined out of frames, good color; frames with light wear

Provenance: Private Collection, Asheville, North Carolina Estimate: $300 - $600

740

Nicola Simbari, Via di Monserrato (Italian, 1927-2012)

View of a Market, Rome, signed lower right “Simbari 66”, oil on canvas, 25-5/8 x 31-7/8 in.; original gilt wood frame, 323/4 x 39 x 2 in., surface dirt; frame with abrasions

Provenance: Private Collection, North Carolina

Estimate: $2,500 - $3,500

738

American School Abstract Painting (20th/21st century)

Derivative, 1995, signed and dated illegibly lower right, also signed and inscribed verso “Derivative/Willis F (c) 1995/MW #4035”, oil on canvas, 52 x 52 x 2 in.; unframed, overall good condition, edges with light wear

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $600 - $900

741

Suzie Zuzek (Florida, 1920-2011)

Smiling Sun, 1960, signed and dated lower right “Zuzek 60”, acrylic on hinged wood door, 18-3/4 x 14-3/4 x 1 in., worn surface, abrasions, hinges rusted

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $100 - $300

743

Salvador Dali (Spanish, 1904-1989)

Neptune (Poseidon), 1965, edition 42/150, from The Mythology, signed and dated in pencil lower right “Dali/1965”, editioned in pencil lower left “42/150”, etching and aquatint on Arches paper, plate 24 x 19-1/2 in., sheet 29-3/4 x 22-1/4 in.; gilt wood frame, 32-1/4 x 24-1/2 x 1-1/2 in., loose, toning, fading; frame with wear and abrasions

Provenance: Private Asheville Collection

Estimate: $1,000 - $2,000

Literature: Albert Field, The Official Catalog of the Graphic Works of Salvador Dali (New York: S. Dali Archives, 1996), pg. 24, #63-3.

742

Claes Oldenburg (Swedish/American, 1929-2022)

Ice Cream Desserts, B, 1976, edition 7/50, monogrammed in pencil lower margin “C.O.”, also inscribed in pencil under mat 1976 with copyright blindstamp lower center, etching and aquatint on wove paper, sheet 22-1/2 x 31-1/4 in.; gold metal sectional print frame, 26-1/4 x 32-1/4 x 3/4 in., hinged at top edge, wave to paper, small diagonal abrasion to paper right of initials, light handling grime only visible under mat; frame with light wear and abrasions, some surface dirt under glass near corners

Provenance: Private Collection

Estimate: $600 - $900

744

Richard Anuskiewicz (New Jersey, born 1930)

Reflections VI - Deep Blue, 1979, No. 49, signed lower right “Anuskiewicz”, Editions Lassiter-Meisel Print Studio, New York, publisher, stamp and mark in black verso, screen print in colors with hand painting, acrylic on Masonite, 63-7/8 x 47 x 1 in.; unframed, abrasions, some small chips at edge

Provenance: Private Collection

Estimate: $2,500 - $3,500

745

Victor Vasarely (French/Hungarian, 1906-1997)

Microcosmos Cubes, edition 18/250, signed lightly in pencil lower right “Victor Vasarely”, serigraph, 12-3/4 x 9-7/8 in.; silver metal and wood print frame, 20-1/4 x 17-1/4 x 1-1/4 in., not examined out of frame, light surface wear; frame with wear and abrasions

Provenance: Private Collection

Estimate: $300 - $500

746

Edward Baynard (New York/District of Columbia, 1940-2016)

The Tulip Pitcher, artist proof edition 10/18, signed and inscribed lower right “10/18 AP Ed Baynard 1980”, color woodblock on Okawara paper, 42 x 30 in.; wood print frame, 46-1/2 x 34-1/2 x 1-3/4 in., not examined out of frame, sheet out of center and over mat liner bottom edge; frame with light wear

Provenance: Private Collection Estimate: $400 - $600

747

Thomas Downing, Pair of Figural Drawings (District of Columbia, 1928-1985)

Both untitled, one initialed lower right “T.D.”, charcoal on paper, both sights 21 x 16 in.; matching metal sectional print frames, 21-3/4 x 16-3/4 x 1 in., not examined out of frames, both with similar toning and waviness to paper; frames with wear and abrasions

Provenance: The artist; by descent in family

Estimate: $500 - $700

748

Thomas Downing (District of Columbia, 1928-1985)

Spanish Woman, signed very faintly upper left “Downing”, charcoal and pencil on paper, sight 21 x 16 in.; metal sectional print frame, 21-3/4 x 16-3/4 x 1 in., not examined out of frame, toning, creasing, horizontal crease along center page; frame with wear and abrasions

Provenance: The artist; by descent in family

Estimate: $300 - $500

749

Thomas Downing (District of Columbia, 1928-1985)

Young Woman on Sofa, unsigned, charcoal on paper, sight 21 x 16 in.; metal sectional print frame, 21-3/4 x 16-3/4 x 1 in., not examined out of frame, slight toning, waviness to paper, horizontal crease along center page; frame with wear and abrasions

Provenance: The artist; by descent in family

Estimate: $300 - $500

751

Winnie Owens-Hart, Earthenware Vase with Reptile Motif (American/Gainesville, Virginia, born 1949)

signed and dated at base “Owens-Hart 1990”, 6-7/8 x 6-3/4 x 6-3/4 in., good overall condition, pinholes and glaze voids as made, firing crack under glaze around circumference of piece (still structurally sound)

Estimate: $400 - $600

Winnie Owens-Hart is a celebrated American ceramicist, sculptor, and documentary filmmaker known for blending traditional African pottery techniques with contemporary ceramics. She has made multiple trips to Ghana and Nigeria to study traditional pottery making. She has been awarded a National Endowment of the Arts Fellowship, a Renwick Fellowship, and a Faculty Research Fellowship from the Smithsonian. A piece with a very similar reptile motif is in the collection of the Smithsonian Museum of American Art, object no. 1998.3. https:// americanart.si.edu/artwork/drum-reptile-motif-36009

750

Folk Art Carved Head of African Man (19th/20th century)

Untitled, unsigned, carved and charred driftwood and wood base, 12 x 7-3/4 x 7-3/4 in., some abrasions and wear, areas of green fluorescence under UV light, base with wear

Provenance: Private Collection

Estimate: $200 - $400

752

Stephen Wing, Contemporary Lidded Ceramic Vessel (American/Michigan/North Carolina, 1916-2000)

20th century, in mottled blue-gray glaze, unsigned, approximately 12-1/8 x 14 x 14-1/4 in., good overall condition, some pinholes and glaze voids as made

Provenance: Personal Collection of Stephen Wing; Private Collection, Asheville, North Carolina

Estimate: $300 - $500

Stephen Wing was a professor of art at Mars Hill College from 1966 to 1987, and received his Master of Arts from Michigan State University.

https://live.brunkauctions.com/auctions/brunk/fall-moderncontemporary-design-october-16-2025-18258/catalog#catalog

753

Johannes Andersen Attributed Rosewood Chair probably Danish, 20th century, handwritten label to underside reading “MSE/ Mobler/Made in Denmark/Torring, upholstered seat and crest rail, 28-1/2 x 19-1/2 x 21 in., some small bumps and abrasions to wood throughout Provenance: Private Collection, Asheville, North Carolina

Estimate: $200 - $400

754

Mid-Century Style Modern Gray Sofa 20th century, 28 x 101-1/2 x 33 in., overall good condition, some lifting to lining at underside

Provenance: Private Collection, New York

Estimate: $1,000 - $2,000

755

Mitchell Gold + Bob Williams Modern Tufted Gray Leather Ottoman 21st century, labels to underside, 17 x 58 x 22-1/2 in., overall good condition with minor wear

Provenance: Private Collection, New York

Estimate: $500 - $700

756

Richard Sapper for Artemide, Pair of Tizio Desk Lamps (German, 1932-2015) plastic and metal construction, each approximately 32-3/4 x 5 x 8 in. when collapsed, wired for electricity, not tested for functionality; one with broken and lacking metal support rod at lower joint

Provenance: Artemide, New York, circa 1980s; Private Collection, Asheville, North Carolina

Estimate: $400 - $600

757

Daniel Mack Diminutive Barn Hinge Chair (American/Hudson Valley, born 1947), found objects and animal hide, 39-1/2 x 15 x 11 in., overall good condition, some wear throughout

Provenance: An Important Atlanta Private Collection

Estimate: $200 - $400

758

Modern Bronzed Metal Spiral Form Low Table late 20th century, 18-1/2 x 20 x 20 in., surface wear and light scratches to top, other scattered surface distress

Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas

Estimate: $200 - $400

759

Pair of Military Chairs, After Gerrit Rietveld 20th century, built to spec by a Virginia craftsman, 34 x 18 x 20-1/2 in., some scratches and loss to painted surface, paint transfer; one with back stretcher loose from back leg at seat frame

Provenance: Private Collection

Estimate: $200 - $400

760

Two Mid Century Modern Flying Machine Sculptures 20th century, each mounted on wood stand, wrought iron, brass, and assorted mechanical elements, larger 23-1/4 x 24-1/2 x 16 in., scattered degrees of patina, discoloration, warping and wear likely as made

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $500 - $700

761

Two After Joan Miro and One After Marc Chagall (Spanish, 1893-1983) (French/Russian, 1887-1985)

All open edition color lithographs: Ceramiques, from Ceramiques de Miro et Artigas, 1974, Collector’s Guild, publisher, signed in plate “Miro”, sheet 21-1/2 x 29-1/2 in.; La Metamorphose, 1978, signed in plate “Miro”, image 23-1/2 x 16-1/2 in.; Circus Horse and Rider, circa 1960’s, signed in plate lower right “Marc Chagall”, image 21-1/4 x 27-1/4 in.; miscellaneous print frames, largest 29-1/4 x 37-1/4 x 7/8 in., not examined out of frames, some light fading, Ceramiques floated, full sheet; frames with light wear and abrasions

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $300 - $500

763

Armin Landeck (American, 1905-1984)

Window on 14th Street, edition of 100, 1949, signed and dated lower right “Landeck 1949”, pencil inscription lower left “K103”, sun shaped blindstamp lower right, drypoint and engraving on wove paper, plate 12-1/8 x 6-7/8 in.; sheet 18-1/2 x 10-1/2 in.; unframed, slight toning along upper left edge, overall good condition, deckled edges

Provenance: Private Collection

Estimate: $500 - $700

762

Armin Landeck (American, 1905-1984)

Narrow Street, 1949, edition of 100, signed and dated lower right “Landeck 1949”, pencil inscription lower left “K102”, sun shaped blindstamp lower right, drypoint and engraving on wove paper, plate 16 x 9-7/8 in., sheet 21 x 13-3/4 in.; unframed, overall good condition

Provenance: Private Collection

Estimate: $300 - $500

764

Armin Landeck (American, 1905-1984)

Paris Metro, St. Michel Station, 1971, signed in pencil lower right “Landeck”, inscribed and dated in pencil lower left “For Fernando and John 1971”, engraving on paper, plate 14-1/2 x 19-1/4 in.; black print frame, 24-3/4 x 29 x 1/2 in., not examined out of frame, slight wave to paper, toning; frame with light wear

Provenance: Private Collection

Estimate: $500 - $700

765

Armin Landeck (American, 1905-1984)

Minetta Street, 1952, edition of 100, signed and dated in pencil lower right Landeck 1952, drypoint and engraving on paper, plate 18-1/4 x 6-7/8 in.; silver painted wood frame, 25-1/2 x 13-1/2 x 1 in., not examined out of frame, some slight foxing around platemark lower edges; frame with wear and abrasions at corners, mat liner with slight surface dirt

Provenance: Private Collection

Estimate: $300 - $600

767

28 MoMA Exhibition Catalogs, 1941-1957

New York: Museum of Modern Art, exhibitions include Marc Chagall, Alexander Calder, Paul Klee, Marcel Breuer, Mies van der Rohe, Edvard Munch among others, mostly printed paper wraps, two hardcover volumes with dust jackets (Henri Rousseau and 15 Americans), octavo, approx. 6-3/4 x 10-1/2 x 8 in. (collection overall), creasing, toning, fading, areas of discoloration, and some small tears to exteriors throughout, tears, chips and losses to dust jackets and glassine wraps, notably to spines, interiors with some areas of foxing and toning throughout, text blocks otherwise clean and tight

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $300 - $500

766

VVV Magazine, No. 4

edited by David Hare, New York: VVV, 1944, pictorial wraps, cover by Matta, with illustrations by Marcel Duchamp, Max Ernst, and others, text in English and French, quarto, 11-1/4 x 8-3/4 x 3/8 in., a nice, serviceable copy, staples rusted, some creasing, fading, toning, and discoloration to exterior, notably to spine, areas of white spatter to front wrap possibly as made, several small closed tears along bottom edges of wraps, wraps partially detached from text block at head of spine, some light foxing and small closed tear to front free fly, text block otherwise clean and tight

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $200 - $400

768

40 Art Exhibition Catalogs, 1941-1975

published for various exhibits and collections including Picasso, Miro, and Rouault among others, mostly printed paper wraps, one hardcover volume with dust jacket (Contemporary Paintings and Sculpture), with four loose souvenir images/ cards, approx. 8-3/4 x 10 x 13 in. (overall), general wear to exteriors including toning, fading, moisture marks, and debris, some toning and foxing to interiors throughout, text blocks otherwise clean and tight

Provenance: Michael L. Laughlin Estate, Aiken, South Carolina

Estimate: $400 - $600

769

Leonetto Cappiello, Liqueur Devil Poster (French, 1875-1942)

B: Maurin Quina, Le Puy, 1906, Imp. P. Vercasson & Cie, 43 Rue de Lancry, Paris, publisher, color lithograph on wove paper, sight 61 x 44 in.; black print fame, 621/2 x 45-1/2 x 2-1/2 in., not examined out of frame, creasing, staining, some small patch and paint repairs, slight wave to paper; frame with separation upper right corner, wear and abrasions, plexi glass with scratches

Provenance: Private Collection

Estimate: $700 - $900

770

Erik Desmazieres

(French, born 1948)

Frontispiece for Passages Parisiens - Projets d’Agrandissment, edition 24/60, 1991, signed and dated in pencil lower right “Erik Desmazieres 1991”, inscribed in pencil lower left “Suite...24”, etching on Tiepolo Fabriano paper, plate 24-1/4 x 17-1/2 in.; black and red print frame, 33-1/2 x 26-1/4 x 1 in., not examined out of frame, slight wave to paper, otherwise good condition; frame with light wear and abrasions

Provenance: Edith Caldwell Gallery, Oakland, California (label verso); Private Collection

Estimate: $300 - $500