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British & Continental | September 24, 2026

British & Continental September 24, 2026 10:00 am

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501 Georgian III English Silver Saucepan, John Robins, Shippen Family Provenance London, 1804, baluster form turned wooden handle with heart form terminal, double bead at base of spout, later monograms, marks for John Robins, .925 fine, 14.15 oz. T., 7 x 9-1/2 x 4-3/4 in., good condition, marks on base, body with small dents and wear; handle with cracks Provenance: Shippen Family Estimate: $500 - $800

502 George III English Silver Tray, Richard Palmer, Shippen Family Provenance London, 1761, round with scroll and shell border, three pad feet, no monogram, marks for Richard Palmer I, .925 fine, 8.42 oz. T., 1-1/4 x 7 in., good condition, marks on base, light scratches and wear Provenance: Shippen Family Estimate: $400 - $800

503 Two Georgian English Silver Ladles early 19th century, one with shell bowl and bright cut decoration, marks for William Eley I & William Fearn, London, 1822, 12-1/2 in.; one with shell handle, marks for London, 1814, maker “SH”, 13-1/2 in., .925 fine, 16.72 oz. T., shell handle with removed monogram and later crest, polishing abrasion, and scratches, both with wear Provenance: Private Georgia Collection Estimate: $500 - $800

504 Assembled Set of Georgian English Silver Flatware, 157 Pieces most London, late 18th/early 19th century, some later 20th century pieces, including twelve hollow handle knives; ten hollow handle spreaders with English silver knives; seventeen approx. 8 in. forks; twenty three 6-3/4 in. forks; eighteen 7-1/2 in. ice tea spoons; twenty one 5-3/4 in. teaspoons; twenty one 5-3/4 in. teaspoons; six 4-3/4 in. spoons, shaped gilt bowls; twenty four 7 in. spoons; twenty three 9 in. spoons; two sauce ladle; soup ladle; various makers, .925 fine, 237.40 oz. T. excluding hollow handle pieces, average wear Provenance: Private Asheville, North Carolina Collection Estimate: $8,000 - $10,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

505 Five English Silver and Silver Plate Tea Caddy Spoons including one Georgian, lacking city mark, maker “TH”; one Victorian with shell bowl; Sheffield, 1964, trifid handle, most with monograms, 56 grams, one silver plate with shell handle; one pewter, 3-3/4 in. to 4-3/8 in.Provenance: From a Maryland Collector, Provenance: From a Maryland Collector Estimate: $100 - $200

506 Large Victorian English Silver Monteith Style Punch Bowl London, 1882, swag decoration, scalloped rim with mask, gilt interior, no monogram, marks for Carrington & Co., .925 fine, 134.19 oz. T., 11-1/2 x 16-1/4 in., polishing abrasion, scratches, and wear Provenance: Private Georgia Collection Estimate: $3,500 - $4,500

507 George III English Silver Basket, John Robins, Shippen Family Provenance London, 1797, cartouche form with reeded border, crest, marks for John Robins, .925 fine, 24.30 oz. T., 10-3/4 x 14-3/4 x 9-1/2 in., marks on the under side of rim. repairs to handle, 2-1/4 in. batch, 2 in. repair, dents, and wear Provenance: Shippen Family Estimate: $1,000 - $1,500 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

508 Eight Pieces Paul Storr English Silver Flatware London, 1813-1820, two forks with splayed tines (potato), shell handles, 8 in.; two sugar tongs, hourglass with shell handles, 5-3/4 in.; two sauce ladles, hour glass and shell handles, 6-3/4 in. and 7 in.; all with marks for Paul Storr, .925 fine; two salt spoons, hour glass and shell handles, 4-1/8 in., partial marks, possibly Paul Storr, 16.14 oz. T., all with wear Provenance: Lifetime Collection of a Granville, Ohio Collector Estimate: $600 - $900

509 12 George III English Silver Paul Storr Forks and One Salt Spoon London, 1812-1817, forks with oval handle with upturned tipt, twelve with family crest, all with marks for Paul Storr, six 7-3/4 in. forks, six 6-1/2 in. forks; with one 4-1/8 in. salt spoon, marks for Thomas Dicks, .925 fine, 20.51 oz. T. total weight (13 pieces), typical wear Provenance: Lifetime Collection of a Granville, Ohio Collector Estimate: $1,000 - $2,000

510 Georgian English Silver Fish Server, Paul Storr London, 1819, fiddle handle, pierced blade, crest, marks for Paul Storr, 6.10 oz. T., 11-3/4 in., good condition, typical wear Provenance: Lifetime Collection of a Granville, Ohio Collector Estimate: $500 - $800

511 Georgian English Silver Basting Spoon, Paul Storr London, 1824, hour glass and shell handle, oval bowl, no monogram, marks for Paul Storr, .925 fine, 7.07 oz. T., 12 in., good condition, typical wear Provenance: Lifetime Collection of a Granville, Ohio Collector Estimate: $400 - $800

512 George III English Silver Ladle, Paul Storr London, 1820, hour glass and shell handle, oval bowl, later monogram, marks for Paul Storr, .925 fine, 8.81 oz. T., 13-1/2 in., good condition, typical wear Provenance: Lifetime Collection of a Granville, Ohio Collector Estimate: $500 - $800

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Property from the Collection of Dudley and Constance Godfrey

513 Charles I English Silver Sweetmeat, William Maddox London, 1634, round with scalloped border, scroll and floral decoration, applied foliate handles, no monogram, marked “WM” for William Maddox, .925 fine, 3.40 oz. T., 1 x 8 x 5-3/4 in., full marks on side (some partial), one handle repaired, scratches, small dents, and typical repair Provenance: Sotheby’s, New York, NY, “The Richard G. Meech Collection (Part One: Elizabeth I to Queen Anne Silver)”, October 22, 1993, lot 32; Property from the Collection of Dudley and Constance Godfrey Estimate: $5,000 - $8,000

514 Charles I English Silver Two Handle Cup London, 1640, round form, tapering sides with punch decoration, two scroll handles, pricked monogram on side “EF”, marked with conjoined “SA”, .925 fine, 92 grams, 2 x 5-1/8 x 3-1/2 in., marks on side, accession mark on base, base foot rough and possible repair, one handle base pushed in, one handle with repair at top, typical wear Provenance: Sotheby’s, New York, NY, “The Richard G. Meech Collection (Part One: Elizabeth I to Queen Anne Silver)”, October 22, 1993, lot 34; Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

515 Commonwealth English Silver Two Handle Porringer London, 1656, shaped bowl with pricked panels with chased flowers, wire scroll handles, two monograms, one later, marked “G[crozier]S” possible Gilbert Shephard, .925 fine, 4.05 oz. T., 2-1/2 x 5-1/4 x 3-1/2 in., marks on base, accession mark on base, side dents and 1 in. crease, one handle pushed in at base, one handle pushed in top with small crease Provenance: Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

516 Commonwealth English Silver Wine Cup London, 1655, bowl with pricked panels with chased flowers, matted spreading foot, base monogram “W:W”, makers marks for “IG” with crescent below, 925 fine, 2.76 oz. T., 3-1/2 x 3-1/4 in., marks full marks on rim, lion passant on foot, rim repair at marks, rim dents, typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $4,000 - $6,000 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

517 Charles II English Silver Wine Taster, Edward Treene London, 1661, round form, floral decoration, scroll wire handles, no monogram, marks for Edward Treene, .925 fine, 74 grams, 1-1/2 x 5-3/4 x 4 in., marks on side, repair to one handle, one handle reinforced and small crease, dents and typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $1,000 - $2,000

518 Charles II English Silver Trefid Spoon, Adam King London, 1677, trefid terminal with cherub mask handle within foliage and flames, bowl with rattail and acanthus decoration, crest on back, monogram “P/R•M”, marks for Adam King, .925 fine, 72 grams, 7-3/4 in., good condition, marks on back, light scratches, and typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $3,000 - $4,000

519 Charles II English Silver Tankard, John Cruttall London, 1678, recumbent lion with tail wrapped around body, scroll handle with pierced with fleur de lis and shield terminal, body chased with acanthus leaves, marks for John Cruttall, .925 fine, 27.52 oz. T., 7 x 8-1/4 x 5-1/2 in., good condition, full marks on side and lid, and marker’s mark on handle, accession mark on base, slight split in handle, scratches, small dents, and typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $10,000 - $15,000

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520 Charles II English Silver Tobacco Box, Samuel Hawkes London, 1680, oval form, inscription on side “let others Betony and Coltsfoot smoake, according to the Dutch and French”, “Pie not my lungs with such Mundungus Choake, Give me ....and a Pretty Wench”, base inscription “Leonard Washington”, top with crest of Washington including bird and helmet, marks for Samuel Hawkes, .925 fine, 5.40 oz. T., 1 x 3-7/8 x 3-14 in., good condition, full marks on side (some partial), lion passant on lid, small dents, and wear Provenance: Property from the Collection of Charles Ryskamp, Sotheby’s, New York, “A Celebration of the English Country House”, April 18, 2002, lot 148; Property from the Collection of Dudley and Constance Godfrey Estimate: $3,000 - $4,000 Betony and Coltsfoot here used as herbal remedies having ancient histories in traditional medicine for treating coughs, lung ailments, and clearing chest congestion. Mundungus refers to foul—smelling old tobacco—a blend of botanical lore and archaic slang echoing historical herbals.

521 Charles II English Silver Chinoiserie Porringer, Robert Cooper London, 1684, round form forming with chinoiserie decoration, temple, foliage, and birds, flared ring base, two scroll handles with beaded rat tails, lid with openwork acanthus leaf final, script “B” monogram, marks for, Robert Cooper, .925 fine, 22.25 oz. T., 6 x 8-1/4 x 5-1/2 in., good condition, marked on base, accession mark on base, one handle pushed in, loss to gilt, and typical wear Provenance: Christie’s, London, May 20, 1902, Lot 52; Christie’s, London, June 12, 1923, Lot 1923; S. J. Shrubsole, New York, NY; Christie’s, New York, NY, “Important English Silver from a New England Collection”, April 16, 1999, Lot 229, $13,800; Property from the Collection of Dudley and Constance Godfrey Estimate: $8,000 - $12,000 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

522 James II English Silver Monteith Bowl London, 1686, round form, fluted paneled sides with applied foliage border, cartouche and crest, mark with shaped cartouche, “IS” with cinquefoil, attributed to John Spackman, .925 fine, 34.72 oz. T., 5-1/2 x 11 in., marks on side, scratch weight on base “35”, accession mark on base, two repairs at notches, three interior rim splits, scratches, small dents, and typical wear Provenance: Mrs. E.C.O. Thompson, Nonsuch Park, Cheam, Surrey, 1957; Mr. & Mrs. J. Howard Joynt, Alexandria, Virginia; Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $20,000 - $30,000

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523 Pair of William III English Silver Candlesticks, Daniel Beverley London, 1696, fluted cylindrical columns with gadrooned octagonal knops, on conforming stepped octagonal bases, monogram on bases “DA”, partial maker’s mark, probably Daniel Beverley, .925 fine, 16.39 oz. T., 6-3/4 x 4-5/8 x 4-5/8 in., good condition, marks on base, accession mark on base, knobs bent, small dents, scratches and typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $6,000 - $9,000

524 William III English Silver Mug, John Sutton London, 1697, round form, tapering sides, swirl gadroon band, scroll handle, engraved decoration, coat of arms, marks for John Sutton, .925 fine, 6.56 oz. T., 3-3/4 x 4-1/2 x 3-1/4 in., good condition, full marks on side, handle pushed in, dents, and wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

525 William III English Silver Porringer, William Andrews London, 1698, round form, stop spiral fluted, gadroon band, leaf punchwork, cast scroll handles with bird head joins, prick engraved monogram, marks for William Andrews, .925 fine, 3.6 oz. T., 2-1/2 x 5 x 3-1/8 in., marks on side, accession mark on base, one handle with top pushed in, small dents and typical wear Provenance: Property from the Collection of Dudley and Constance Godfrey Estimate: $3,000 - $4,000

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526 William III English Silver Bleeding Bowl, John Ruslen London, 1698, Circular and with pieced trefoil handle, pricket monogram “W*F”, marks for John Ruslen, .925 fine, 7.97 oz. T., 2 x 8-1/2 x 5-3/4 in., good condition, full marks on side, lion passant on handle, accession mark on base, tools marks on handle and roughness on handle (probably as made), scratches, dents and typical wear Provenance: Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

527 William III English Silver Tankard, William Keatt London, 1699, round tapering body with stop fluted gadroon base, hinged cover with swirl decoration and double scroll thumbpiece, shield terminal, engraved highlights, marks for William Keatt, .925 fine, 27.39 oz. T., 7 x 8-1/4 in., good condition, full marks on side, lid, and maker’s mark on handle, dents in lid, scratch weight on base “27=16”, accession marks on base, base of handle pushed in, dents and wear Provenance: Christie’s, “Dixon Collection”, March 14, 1911; Christie’s, London, “S. J. Phillips, H.L. Dowsett, Esq.”, October 25, 1989; Shrubsole, New York, NY; Property from the Collection of Dudley and Constance Godfrey Estimate: $5,000 - $8,000

528 William III English Silver Spoon Chard, c. 1700, trifid handle, bowl back and handle with floral and scroll decoration, pricked monogram on back “L/T*M/I*H/1700”, marks for Richard Sweet, .925 fine, 56 grams, 7-3/4 in., good condition, maker’s mark only on back, light scratches, and typical wear Provenance: Property from the Collection of Dudley and Constance Godfrey Estimate: $1,500 - $2,500 12

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

529 William II English Silver Porringer London, 1700, round form with gadroon band, foliate decoration, scroll handles with griffin terminals, pricket monogram “W/*I•S*”, marks for William Andrews, .925 fine, 4.11 oz. T., 3 x 5-1/2 x 3-1/2 in., marks on side, accession mark on base, base pushed in on one side, small dents, and typical wear Provenance: Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

530 William III English Silver Caster, John Chartier London, 1700, octagonal and on conforming foot, the detachable covers with urn finial, pierced top, engraved with crest, marks for John (Jean) Chartier, Britain standard, 18.01 oz. T., 8-3/4 in., good condition, marks on base and lid, ascension marks on base, final bent, dents, and typical wear Provenance: Property from the Collection of Dudley and Constance Godfrey Estimate: $2,000 - $3,000

531 A Rare Original Botanical Watercolor by Annabella (Mrs. Charles) Telfair, Orchid (nee Chamberlayne, British, 1787-1832) Angraecum rectum Thouars, inscribed with identification “Angraecum rectum A. de P. Th”, signed lower left in ink “Mrs. Ch. Telfair delt”, inscribed top left “To Professor Hooker/with Mrs. Telfair complts.”, watercolor on “Turnbulls/Sure Fine/London Board with embossed stamp, 10-7/8 x 17-5/8 in.; unframed, good color, some toning and light foxing Provenance: Tillinghast Estate, Brevard, North Carolina/Providence, Rhode Island; Private Collection Estimate: $8,000 - $12,000 This orchid was known as Angraecum rectum Thouars for Louis-Marie Aubert de Petit Thouars who discovered it in Madagascar and whose name is abbreviated on the inscription. Annabella Telfair, or Mrs. Charles Telfair as she liked to sign her work, was a pioneer of her time as an illustrator and collector of plant specimens. Her known works are native to Mauritius, an island in the Indian Ocean off the coast of Africa, where she resided with her husband, the prominent Irish naturalist Charles Telfair. Most of her illustrations feature plants her husband discovered or plants she observed in the surrounding area. While Annabella Telfair illustrated a variety of plants, she was also interested in marine life and frequently sent algae and seaweed specimens to the important botanist William Jackson (W.J.) Hooker. Due to her contributions, an algae was named in her honor. Along with being a well-known botanist, W.J. Hooker directed the Royal Botanic Gardens at Kew, which remains a successful institution today. W.J. Hooker created an expansive personal collection from his own discoveries and other samples individuals, like Annabella Telfair, sent to him. This collection and the botanical illustrations and samples are held at the Kew Gardens. Her works are also held in various private collections and institutions like The Natural History Museum in London, England and The Chateau Telfair in Pamplemousses, Mauritius. She also contributed botanical illustrations for publication in Curtis’s Botanical Magazine founded in London in 1787 by the English botanist William Curtis. This is the first collection of original Annabella Telfair watercolors to be available to the public at auction and present a rare opportunity to have illustrations by a noted female naturalist from the 19th century.

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532 A Rare Original Botanical Watercolor by Annabella (Mrs. Charles) Telfair, Nutmeg (nee Chamberlayne, British, 1787-1832) Myristica moschata (Nutmeg tree), 1830, inscribed to the artist’s mother, and dated verso “The nutmeg I have grown at Mauritius...June 30/1830/For Mrs.[?] Chamberlayne”, watercolor on “Turnbulls/Sure Fine/London Board with embossed stamp, 10-7/8 x 17-3/8 in.; unframed, good color, some toning and light foxing, light damp stains at bottom edge Provenance: Tillinghast Estate, Brevard, North Carolina/Providence, Rhode Island; Private Collection Estimate: $8,000 - $12,000 Annabella Telfair, or Mrs. Charles Telfair as she liked to sign her work, was a pioneer of her time as an illustrator and collector of plant specimens. Her known works are native to Mauritius, an island in the Indian Ocean off the coast of Africa, where she resided with her husband, the prominent Irish naturalist Charles Telfair. Most of her illustrations feature plants her husband discovered or plants she observed in the surrounding area. The plant, Myristica moschata, depicted is native to the island. While Annabella Telfair illustrated a variety of plants, she was also interested in marine life and frequently sent algae and seaweed specimens to the important botanist William Jackson (W.J.) Hooker. Due to her contributions, an algae was named in her honor. Along with being a well-known botanist, W.J. Hooker directed the Royal Botanic Gardens at Kew, which remains a successful institution today. W.J. Hooker created an expansive personal collection from his own discoveries and other samples individuals, like Annabella Telfair, sent to him. This collection and the botanical illustrations and samples are held at the Kew Gardens. Her works are also held in various private collections and institutions like The Natural History Museum in London, England and The Chateau Telfair in Pamplemousses, Mauritius. She also contributed botanical illustrations for publication in Curtis’s Botanical Magazine founded in London in 1787 by the English botanist William Curtis. This is the first collection of original Annabella Telfair watercolors to be available to the public at auction and present a rare opportunity to have illustrations by a noted female naturalist from the 19th century.

533 A Rare Original Botanical Watercolor by Annabella (Mrs. Charles) Telfair, Nutmeg (nee Chamberlayne, British, 1787-1832) Myristica moschata (Nutmeg tree), circa 1830, inscribed upper left “Mrs. C. T”, watercolor on “Turnbulls/Sure Fine/London Board with embossed stamp, 17-1/2 x 11 in.; unframed, good color, some toning and light foxing Provenance: Tillinghast Estate, Brevard, North Carolina/Providence, Rhode Island; Private Collection Estimate: $5,000 - $7,000 Annabella Telfair, or Mrs. Charles Telfair as she liked to sign her work, was a pioneer of her time as an illustrator and collector of plant specimens. Her known works are native to Mauritius, an island in the Indian Ocean off the coast of Africa, where she resided with her husband, the prominent Irish naturalist Charles Telfair. Most of her illustrations feature plants her husband discovered or plants she observed in the surrounding area. The plant, Myristica moschata, depicted is native to the island. While Annabella Telfair illustrated a variety of plants, she was also interested in marine life and frequently sent algae and seaweed specimens to the important botanist William Jackson (W.J.) Hooker. Due to her contributions, an algae was named in her honor. Along with being a well-known botanist, W.J. Hooker directed the Royal Botanic Gardens at Kew, which remains a successful institution today. W.J. Hooker created an expansive personal collection from his own discoveries and other samples individuals, like Annabella Telfair, sent to him. This collection and the botanical illustrations and samples are held at the Kew Gardens. Her works are also held in various private collections and institutions like The Natural History Museum in London, England and The Chateau Telfair in Pamplemousses, Mauritius. She also contributed botanical illustrations for publication in Curtis’s Botanical Magazine founded in London in 1787 by the English botanist William Curtis. This is the first collection of original Annabella Telfair watercolors to be available to the public at auction and present a rare opportunity to have illustrations by a noted female naturalist from the 19th century.

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

534 A Rare Original Botanical Watercolor by Annabella (Mrs. Charles) Telfair (nee Chamberlayne, British, 1787-1832) Ixora acuminata, 1831, inscribed with identification and signed lower right in ink “Mrs. C. Telfair pinxt”, signed and dated verso “AT January 8th, 1831”, watercolor on “Turnbulls/Sure Fine/London Board with embossed stamp, 10-7/8 x 17-3/8 in.; unframed, good color, some toning and light foxing Provenance: Tillinghast Estate, Brevard, North Carolina/Providence, Rhode Island; Private Collection Estimate: $6,000 - $9,000 Ixora parviflora which this may actually be, is an endangered endemic shrub or small tree found growing in the upland wet and intermediate forests of Mauritius. It is also known as bois pintade or the torch tree. Annabella Telfair, or Mrs. Charles Telfair as she liked to sign her work, was a pioneer of her time as an illustrator and collector of plant specimens. Her known works are native to Mauritius, an island in the Indian Ocean off the coast of Africa, where she resided with her husband, the prominent Irish naturalist Charles Telfair. Most of her illustrations feature plants her husband discovered or plants she observed in the surrounding area. While Annabella Telfair illustrated a variety of plants, she was also interested in marine life and frequently sent algae and seaweed specimens to the important botanist William Jackson (W.J.) Hooker. Due to her contributions, an algae was named in her honor. Along with being a well-known botanist, W.J. Hooker directed the Royal Botanic Gardens at Kew, which remains a successful institution today. W.J. Hooker created an expansive personal collection from his own discoveries and other samples individuals, like Annabella Telfair, sent to him. This collection and the botanical illustrations and samples are held at the Kew Gardens. Her works are also held in various private collections and institutions like The Natural History Museum in London, England and The Chateau Telfair in Pamplemousses, Mauritius. She also contributed botanical illustrations for publication in Curtis’s Botanical Magazine founded in London in 1787 by the English botanist William Curtis. This is the first collection of original Annabella Telfair watercolors to be available to the public at auction and present a rare opportunity to have illustrations by a noted female naturalist from the 19th century.

535 After Richard Wilson (British, 1714-1782) Lake Avernus-I (Lake Avernus with Figures in the Foreground and the Temple of Apollo beyond), a 19th century copy after the originals, inscribed lower left with an indistinct reproduced monogram “RW” with reverse R and dated lower left “1764”, oil on panel, 14-1/4 x 18 in.; gilt wood and composition frame, 17-3/4 x 21-1/2 x 1-5/8 in., craquelure, some older retouch; frame with abrasions Provenance: Private Collection, Virginia Estimate: $600 - $900 Reference: Richard Wilson Online Catalogue, Nos. P122F, P122C https://www. richardwilsononline.ac.uk/view-item?i=1751 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

536 Rare Captain Thomas Davies Watercolor (British, 1737-1812) The Borders of Lake Hsi-Hoo, the Temple of the Thundering Winds from the Vale of Tombs, China, 1797, signed lower right “ T.D. pinxt 1797,” watercolor, 13- 1/2 by 20-3/4 in.; distressed gilt wood frame, watercolor on wove paper, 22-3/8 x 30-5/8 x 1-1/8 in., hinged in, some toning and light fading, tape stains through to front Provenance: Christie, Manson & Woods. Catalogue of Highly Important Printed Books and Manuscripts, Autograph Letters and Some Drawings and Etchings by Old Masters ; the Property of the Right Honourable the Earl of Derby, M.C. Removed from Knowsley Hall, Lancashire...1953. No. A 22; Frank T. Sabin; Private Collection Estimate: $10,000 - $15,000 This drawing, said to be signed and dated 1797, appears to be a copy of an engraving by J. Landseer and T. Shirt after William Alexander, published April 12, 1796. William Alexander, painter and engraver, accompanied the British military’s Macartney Embassy for the first diplomatic relations mission to China from 1792-1794. The print bears the same title as the drawing by Davies. Thomas Davies was a British military officer who did campaigns around North America. Throughout his military career he frequently did topography drawings and watercolors of the surrounding landscapes. He presumably received drawing training from Gamaliel Massiot, drawing-master at Woolwich from 1744 to 1768. While many believe Thomas Davies joined the Macartney Embassy, he did not, and instead was in Europe where he continued to get promotions in his military career and become a well-known naturalist. The drawing was listed under A22 of Appendix A, in the book “Thomas Davies”, c. 1737-1812” published by the National Gallery of Canada in 1972. According to the book, the piece from the Earl of Derby’s folio of more than 50 drawings sold in 1953 by Christie’s to dealer Frank T. Sabin. Sabin subsequently sold selections to the National Gallery of Canada, Old Print Shop and others. Lake Xi Hu or Hsi Hu (West Lake) is just outside the walls of Hangchow and still exists today.

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

537 After Philip James de Loutherbourg (England/French, 1740-1812) Shepherd, Goats, and Traveler in a Stormy Landscape, unsigned, 19th century, oil on canvas, 33-7/8 x 43-1/2 in.; unframed, lined with wax and line, restretched, tacking edges trimmed, retouch in areas, abrasions Estimate: $1,000 - $2,000

538 British or French School Arcadian Painting (19th century) A naive mountain landscape with figures in a woodland grove, a temple, cascades, unsigned, 26-1/8 x 36-5/8 in; fine and unusual Victorian gilt wood and composition frame, with faux bois, ivy, scroll decoration with rose and shell corners, 35-1/4 x 45-3/4 x 4-3/4 in., retouch, possible consolidation to stabilize crackle with fluorescence; frame with abrasions Estimate: $2,000 - $3,000

539 Attributed to Joshua Cristall (British, 1767-1847) Hop Picking, possibly a cartoon for the larger watercolor with variations unsigned, pencil and sepia ink wash on paper, 11-1/4 x 16-1/2 in.; gilt wood frame, 17-3/8 x 22-1/2 x 1-1/8 in., glued to paperboard at edges, glue remnants on edges, fading to reddish coloration, toning, light foxing, small tears on upper edge, small tear upper center; frame with wear Provenance: Private Collection Estimate: $400 - $600 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

540 Alfred Edward Chalon (England/Swiss, 1780-1860) A Portrait of Three Smiling Children, signed faintly lower left “A.E. Chalon R.A., watercolor on card, 14-1/4 x 10-1/8 in.; gilt wood and composition frame, 22-5/8 x 18-5/8 x 1-1/4 in., floated, light toning and fading, not removed from frame; frame with minor abrasion at corner Estimate: $300 - $500

541 British School Portrait (possibly 18th century or earlier) Portrait of a Gentleman in Armor, said to be Oliver Cromwell, unsigned, oil on canvas, 29-1/8 x 25 in.; painted wood frame, 32-1/4 x 28 x 1-1/8 in., lined with wax and linen, stretcher marks, retouch, stabilized craquelure, yellowed varnish; frame with wear, abrasions Provenance: Private Collection, Virginia Estimate: $800 - $1,200

542 543 British Maritime Painting John Joseph Barker of Bath Portrait of a British three masted ship, possibly the iron barquentine, Oimara, built (British, 1824-1904) and registered in Glasgow in 1875 by C. Connell & Co., owned by J.D. Clink, and Peasant Girl with Sheep, signed lower left “John Barker pinxt.”, oil on canvas, mastered by Captain G. Brown, distant lighthouse resembling West Quoddy Head 17-7/8 x 24 in.; gilt wood and composition frame, 24-5/8 x 30-5/8 x 3-1/8 in., lined, Light, Maine, unsigned, oil on canvas, 29-7/8 x 50-1/4 in.; original 19th century stabilized crackle, accretion, small areas of retouch; frame with wear, abrasions, ogee wood veneer frame, 36-3/4 x 56-3/4 x 2 in., crackle, surface dirt, abrasions, liner with cracks canvas slightly slack, retouch bottom right; frame with chips and losses to veneer at Provenance: The Delany Collection of American Furniture and Decorative Arts corners and edges Estimate: $400 - $600 Provenance: Private Collection, Richmond, Virginia 18Estimate: $1,000 - $2,000 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

544 British School Portrait (19th century) Child with Dog, unsigned, oil on canvas, 48 x 36-1/8 in.; gilt wood frame, 55-3/8 x 43-1/4 x 2 in., laid on board, stabilized crackle, retouch; frame with wear, abrasions Provenance: Private Collection Estimate: $800 - $1,200

545 George Clare (British, 1830-1900) Fruit Still Life, signed lower right “George Clare”, oil on canvas, 6 x 8 in.; gilt wood and composition frame, 11-1/2 x 13-5/8 x 2-3/4 in., lined, stabilized crackle, retouch; frames with wear, abrasions, separation at corners, losses to bottom corners Provenance: Private Collection, Georgia Estimate: $300 - $500

546 Arthur Wardle, Portrait of a Corgi (British, 1864-1949) A detail of the dog’s head against an emerald green background, signed lower right “Arthur Wardle”, oil on canvas, 21-3/4 x 14 in.; burlwood veneer frame, 25-5/8 x 17-7/8 x 1-3/8 in., original stretcher and tacking edge on preprepared canvas with colourman stamp for Winsor & Newton, London, stretcher marks, crackle, some fluorescing at points of consolidation or retouch; frame with some abrasions Provenance: Private Collection Estimate: $2,000 - $3,000 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

547 James Edwin Meadows (British, 1828-1888) Two Essex Country Scenes, 1877, both signed and dated lower left “Jas E/ Meadows/. 1877”, both oil on canvas, 12 x 20 in.; matching gilt wood and composition frame, 17-1/2 x 25-1/2 x 3 in., both lined with wax and linen and later moisture barrier, areas of retouch, stabilized minimal crackle; frames with wear, minor abrasions Provenance: Private Collection, Georgia Estimate: $800 - $1,200

549 British or American Gothic Revival Table Altar (19th century) Carved and parcel gilt and painted oak tabernacle type or aedicular altarpiece, inset with painting of a woman, possibly representing a Saint, oil on canvas, with three brass candle cups, overall 39-1/8 x 28-1/4 x 6 in., lacking finial elements from spires, mounted gilt candle cups bent with some looseness, some small chips painting with surface dirt, some retouch and abrasions Provenance: Private Collection Estimate: $500 - $700 20

548 British School Landscape, Cows on a Rocky Shore (19th century) Shepherd seated on rocks, signed lower right “Taylor/1877”, oil on canvas, 27-1/4 x 40 in.; gilt wood and composition frame, 34-1/2 x 47-1/4 x 3 in., lined with linen, restretched on old stretcher, edges abraded, repair of large tear with associated retouch, other areas of retouch, crackle; frame with losses, resurfacing Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $400 - $600

550 Georgian Carved Oak Tall Case Clock, William Presbury of Coventry, British, second half 18th century, brass dial with moonphase, second feature, and date wheel, inscribed “Presbury / Coventry”, bonnet and case with relief carvings throughout, two weights included, 84 x 19-1/2 x 10-1/2 in., movement has not been tested, lacking pendulum, moonphase dial with retouch, bonnet lacking finials, case with typical surface wear throughout Provenance: Private Collection, Richmond, Virginia Estimate: $600 - $800

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

551 Set Six George III Carved Mahogany Dining Chairs British, 18th century, interlaced pierced splats, Marlborough legs, brass tacked over the rail chinoiserie motif upholstery, 37-3/4 x 22-1/2 x 23 in., seat heights 181/2 in., upholstery with minimal wear, scattered typical repairs including at crest rail and stile joints, splats and shoes, three feet partially tipped, loss to ends of some feet and one upper leg, all stable, typical surface wear Provenance: G. Sergeant Antiques, Woodbury, Connecticut; Private Connecticut Collection Estimate: $600 - $900

553 Fine George III Serpentine Figured Mahogany Chest late 18th century, molded edge, bookmatch veneered top, full dustboards, 353/4 x 39 x 21-1/4 in; width of case 37 in., in generally good condition overall with original brasses; some cracking and repairs to veneers, with some patch repairs; proper left rear foot with a later horizontal block Provenance: Property of the Thalhimer Family, Richmond, Virginia Estimate: $700 - $1,000

552 George III Bowfront Inlaid Mahogany Sideboard late 18th/early 19th century, Prince of Wales feathers and bellflower inlay, 40-1/2 x 39 x 20 in., pulls probably original; case sides and veneers with some cracking; back with later applied (painted?) surface; small loss to center left leg edge approximately 6 inches below lower edge of case Provenance: Private Charlotte Collection Estimate: $700 - $1,000

554 George III Oak Tall Case Clock, Samuel Shepley of Stockport, British, second half 18th century, brass dial with second and day of the month features, inscribed “Sam lt Shepley / Stockport, bonnet with checkered marquetry frieze, brass mounts and finials, oak case with quarter columns, shaped apron, one weight included, 89 x 23-1/4 x 11 in., movement has not been tested, lacking pendulum, case with typical minor repairs and wear Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

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555 George III Figured Mahogany Bowfront Chest late 18th century, full dustboards, highly figured drawer facings, 35-1/4 x 37 x 19-3/4 in., in generally good overall condition and retains a warm color; brasses replaced; bead loss to one side of third long drawer; side facings on both proper left feet pieced Provenance: Property of the Thalhimer Family, Richmond, Virginia Estimate: $700 - $1,000

556 Set Eight George III Style Carved Mahogany Dining Chairs British, late 19th/early 20th century, serpentine crest rails, pierced splats, wide trapezoidal seats, cabriole legs with carved knees and scrolled feet, red velvet upholstery, 38-1/2 x 25 x 24-1/2 in., seat heights 18-1/4 in., upper front legs with scattered repairs to breaks, otherwise typical minor wear and repairs, minor fading and wear to upholstery Estimate: $1,500 - $2,500 557 Irish George III Figured Walnut Tall Case Clock, Chris Clarke, Dublin, 18th century, broken scrolled pediment bonnet with large rosettes, floral and foliate carved frieze, original glass, dial with figural applied brass and incised with “Chris Clarke DUBLIN”, saddleboard appears original, low waisted case on small ogee bracket feet, two period weights and pendulum included, 95-1/2 x 20-3/4 x 10-1/4 in., movement not tested, base of case restored, later hinges, proper left rosette with repair to break, seatboard rails with later shims, molding possibly later, upper sides with repair and infill to splits, warping with separation to base panel Provenance: Private Collection, Westchester County, New York Estimate: $500 - $700 22

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

558 Framed Silk Embroidered Coat of Arms of the United Kingdom on Velvet, English, probably 18th century, silk, metallic thread, and beadwork, 20 x 18 x 1 in.; burlwood frame, 31 x 26-1/2 x 2 in., shattering and loss to silk velvet backing, some small losses to threads, picked and pulled threads, lion lacking proper right beaded eye; laid on fabric mat, fillets loose in frame, some loss to gilt veneer, separations at seams Estimate: $800 - $1,200

559 Heriz Carpet 20th century, polygonal medallion, red field with geometric florals, stepped edge spandrels, dark blue border, 9 ft. 7 in. x 12 ft. 7 in., in good condition Estimate: $2,000 - $3,000

560 Kazak Runner late 19th century, repeating rows of geometric boteh, birds and animals, white with x design, running dog and barber pole motif, 3 ft. 9 in. 11 ft. 6 in., professional restorations to pile, one patch to corner, some fading, replaced selvage, some exposed foundation Estimate: $800 - $1,200

561 Lilihan Sarouk Runner early to mid 20th century, navy blue field with central floral medallions, red floral borders, 2 ft. 9 in. x 14 ft. 3 in., wear to one end, abrash, fading, loss to selvage Provenance: Private New York Collection Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

562 Serapi Rug first quarter 20th century, polygonal medallion with open red field and trailing vines, wide blue border, 4 ft. x 7 ft. 6 in., end loss, moth damage throughout, wear with exposed foundation, loss to ends Estimate: $600 - $900

563 Persian Runner 20th century, red field with nine central medallions, geometric shapes, birds, “Made in Iran” label, 2 ft. 7 in. 9 ft 8 in., in good condition overall with minimal wear Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

564 An Impressive Archive, Writings of Influential Authors, Poets, and Essayists, British and American writers and literary giants, contained within a single portfolio: Sir Walter Scott, two separate handwritten letters, signed; Mabel Loomis Todd, handwritten letter, signed; Oliver Wendell Holmes, handwritten letter, signed; Algernon Charles Swinburne, handwritten letter, signed; Archibald MacLeish, two separate handwritten letters, signed, one envelope; Alfred Noyes, handwritten poem, signed, and typed letter, signed; Sir Anthony Hope Hawkins, handwritten five page folio “Prudence and the Bishop”, signed; George Bernard Shaw, handwritten note to suffragette Dorothy Frooks, signed, with envelope; William Morris, handwritten note, signed; Edith Sitwell, handwritten letter, signed; Philip Stanhope, 1797 dated handwritten letter, signed “Chesterfield”; Louis Untermeyer, typed poem and typed letter, both signed, with typed envelope; Booth Tarkington, signed photograph; Charlotte Mary Yonge, handwritten letter, signed; Howard Nemerov, handwritten poem, signed; Lawrence Ferlinghetti, typed poem “Come Lie With Me”, signed; a second Oliver Wendell Holmes handwritten letter, signed; Adrienne Rich, typed poem with handmarked edits, signed; Frances Hodgson Burnett, handwritten letter, signed; Christina Rossetti, handwritten letter, signed; Maxine Kumin, typed poem “The Absent Ones”, signed; Richard Eberhart, typed poem, signed; William Makepeace Thackeray, short note, signed; Wendell Phillips, handwritten note with quote from abolitionist John Brown, signed; Edmund Gosse, short note, signed; Mary Augusta Ward, a/k/a “Mrs. Humphry”, handwritten quote from her novel, signed; Oliver Wendell Holmes, handwritten verse, signed; Frank Stockton, page from “Pomona’s Club”, signed, along with two unsigned lithographs; Henry James, two separate handwritten letters, signed; Vita Sackville-West, typed letter, signed with some handwritten additions; Julia Ward Howe, handwritten letter, appears to be signed as “old bird”; Amy Lowell, typed letter, signed; Augustus J.C. Hare, two separate handwritten letters, signed; Paul Engle, typed “The Last Heron”, signed with handwritten remarks; a few with typed transcriptions, many with Walter R. Benjamin and other receipts (where shown), signatures have not been reviewed by a third-party, portfolio 15 x 12 x 1-1/2 in., good overall, isolated instances of discoloration, folds, creases, tears, separations, minor losses, ink smear (Vita Sackville-West), hinged to backing paper (Chesterfield and Yonge); both Walter Scott letters quite delicate Provenance: From a New York Family Estimate: $1,000 - $3,000 24 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

565 Interesting Group of Ephemera and Signatures Eugene-Francois Vidocq cut signature from fragment of title page; letter from Sir William Gell to The Countess of Blessington (Marguerite Gardiner); 1808 marriage settlement between Colonel (William Henry) and Mrs. Pringle, nee Eliot; 1920 dated Sir Compton Mackenzie typed letter, signed; Ambrose Bierce, photograph, signed on back, letter to Bierce from “Jean”, four additional photographs of Bierce not signed; Edward Bulwer-Lytton (1st Baron Lytton), four attributed handwritten letters signed in a variety of ways including “E. Bulwer”, “Lytton”, “EBL”, and one with no apparent signature, along with an unsigned lithograph; largest 12 x 16 in., condition issues such as tears and losses, splits, reinforced edges and folds, discoloration, could benefit from professional restoration Provenance: From a New York Family Estimate: $500 - $700

566 Correspondence of Famous Authors: Gibbon and Sheridan Edward Gibbon, lithograph with signed check; Richard Brinsley Sheridan, lithograph with signed letter; a second Richard Brinsley Sheridan, lithograph with signed letter; signatures have not been reviewed by a third-party; each framed; largest 19-1/2 x 15 in., good overall, some detritus to frames, none removed from frame for examination Provenance: From a New York Family Estimate: $300 - $500

567 Correspondence of Famous Authors: Lang, Galsworthy, Moore, and Swinburne Andrew Lang, lithograph with signed letter on St. Andrews stationery, moves within frame; John Galsworthy, image and signed brief note of well wishes; Marianne Craig Moore (American), image and letter on personal stationery, single side visible in frame; Algernon C. Swinburne, image and signed letter from his home at “The Pines”; signatures have not been reviewed by a third-party; each framed; largest 16 x 19-1/4 in., good overall, some detritus to frames, none removed from frame for examination Provenance: From a New York Family Estimate: $200 - $400 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

568 Pair of Cary’s 12 Inch Regency Terrestrial and Celestial Globes, 1816 both globes with hand colored decoration, mahogany tripod stands with original horizon rings, cartouche to celestial globe reads “CARY’S NEW CELESTIAL GLOBE, on which are correctly laid down upwards of 3500 stars Selected from the most accurate observations and calculated for the year 18X0(?). With the extent of each constellation precisely defined by Mr. GILPIN of the ROYAL SOCIETY / Made and Sold by J&W Cary / Strand London Jan. 1 1816”. terrestrial globe cartouche reads “CARY’S NEW TERRESTRIAL GLOBE Delineated from the best Authorities extant, Exhibiting the different tracks of CAPTAIN COOK, and the New Discoveries made by him and other Circumnavigators. / LONDON / Made & Sold by J&W Cary Strand, Sept 2 1816.”, stands stamped with “COUNTRY OF ORIGIN ENGLAND”, bases 27-3/4 x 17-1/4 x 17-1/4 in., globes 12 in. diameter not including metal rings, both globes with scattered wear and with loss and repairs, minor splits to top and bottom poles with some loss to paper at bottoms, fine craquelure, toning with some difference in color; stand horizon rings with retouch, minor restoration, wear and loss, bases previously with compass now missing, typical scuffs to feet and base; one stand with loss to two brackets under horizon ring, glue repair at leg joint and associated repair to break; the other stand with loss to one bracket under horizon ring Estimate: $8,000 - $12,000

569 Late Regency Inlaid and Highly Figured Mahogany Sideboard British, circa 1830, ebonized line and banded inlay throughout, stepped top with sliding doors and two flanking drawers, sideboard with box drawer to proper right side and single door cupboard opposite, bold round tapered legs with reeded carving, 44 x 85-1/4 x 29-3/4 in., top with shrinkage splits beneath veneer resulting in warping, one sliding door sticky, veneer with checking and scattered repairs including some restoration to inlay, small drawers with later green felt lining, typical surface wear and some sun fading Provenance: Private Collection Estimate: $400 - $600 26

570 British Regency Mahogany Triple Pedestal Dining Table circa 1820, top with rounded corners and reeded edge, turned pedestals on cabriole legs, brass paw feet on casters, two leaves included, 28 x 49 x 93 in., each leaf adds 23-1/2 in., three feet with stable repairs to breaks, top with scattered repairs to shrinkage cracks, otherwise typical minor wear throughout Provenance: G. Sergeant Antiques, Woodbury, Connecticut; Private Connecticut Collection Estimate: $800 - $1,200

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

571 British Regency Figured Mahogany Sofa Table circa 1820, bookmatched figured top, brass mounts, two leaves with canted corners, two crossbanded drawers, base with turned stretcher, outswept legs with brass capped feet on casters, 29 x 35-1/2 x 27 in., in good condition overall with typical minor surface wear, central hinges on both sides appear later and with adjacent patches to underside Provenance: G. Sergeant Antiques, Woodbury, Connecticut; Private Connecticut Collection Estimate: $800 - $1,200

572 Neoclassical Giltwood Overmantel Mirror with Figural Frieze British, 19th century, frieze with classical style scene with a chariot pulled by lions and trumpeting angels, inner frame with black painted reeded trim, beveled mirror plates, 35 x 53 x 5 in., spots of desilvering to probably later mirror plates, backboard mostly missing with two loose boards present, loss to proper left column capital tip, gilt with cracking throughout and spots of minor loss Estimate: $400 - $600

573 Anglo Indian Inlaid and Carved Mahogany Center Table 20th century, round top with light wood and mother of pearl inlay, foliate carved pedestal standard, tripod base with bold paw feet, 29-3/8 x 30-5/8 x 30-5/8 in., feet laminated (as made), two with repairs to breaks, one leg with repair to break near base and holes from previous brace (stable), surface with crackle, some later color to base, top with areas of abrasions, otherwise typical minor surface wear Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

574 Georgian Mahogany Blockfront Desk and Bookcase British, probably 19th century, upper section with adjustable shelf interior, slant front with blocked interior, four long graduated drawers, short foliate carved claw and ball feet, 86 x 38-1/2 x 22-1/4 in., replaced brasses, probably original leather writing surface with distress and wear, feet with scattered typical repairs and wear, some loss, other typical wear and repairs including shrinkage cracks and surface wear, scattered pest damage Provenance: Private Collection Estimate: $700 - $1,000

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575 Pair of Baroque Style Wrought Iron Landiers or Andirons British or Continental, early 20th century, black painted wrought iron, brass mounts, central screen with crown, 33-3/4 x 48-1/4 x 28 in., typical minor wear from light use Provenance: Private Collection Estimate: $500 - $700

576 163 Pieces of Waterford Crystal Lismore Pattern Drinkware Irish, maker’s marks to bases, comprising: 29 white wine glasses; 27 sherry glasses; 18 cordial/liqueur glasses; 18 water goblets; 17 claret glasses; 14 champagne/tall sherbet coupes; 14 fluted champagne glasses; 13 double highball glasses; 12 brandy glasses; creamer; largest approx. 7-1/4 x 2-5/8 x 2-5/8 in., good overall condition with some scattered fleabites and other light wear from use, stickers and sticker residue to bases; double highballs with some areas of scratching; one white wine glass and one sherry glass with significant breaks; one double highball with small chip or anomaly (possibly as made) to diamond Provenance: Private Collection, Richmond, Virginia Estimate: $800 - $1,200

577 36 Pieces of Waterford Glengarriff Pattern Drinkware Irish, maker’s marks to bases, comprising: 12 champagne/tall sherbet glasses, two with Waterford stickers; 12 hock wine glasses; 12 water goblets; largest 7-3/8 x 3-1/8 x 3-1/8 in., scattered fleabites and other minor flaws and wear throughout; one champagne/tall sherbet glass with chip to rim; one water glass with hairline at foot; one hock glass with small area of paint residue to foot Provenance: Private Collection, Richmond, Virginia Estimate: $300 - $500 28

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

578 Jürgen Ovens (German, 1623-1678) Portrait of an Amsterdam Gentleman, circa 1660, unsigned, titled on label verso, oil on canvas, 32 x 24-1/8 in.; gilt wood and composition frame, 40-1/2 x 32-1/2 x 2-3/8 in., lined restretched on 19th century stretcher, trimmed of tacking edge, craquelure, lined, two periods of retouch, possible areas of overcleaning such as the hair; frame with wear, abrasions, small losses, separation at corners Provenance: Presumed Sotheby’s, London, England (label verso); Private Collection Estimate: $15,000 - $25,000 We would like to thank Dr. Patrick Larsen for confirming the authenticity of this portrait which will be included in his forthcoming catalogue raisonné on Jurgen Ovens.

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579 Portrait by a Frisian Master (Dutch, 17th century) Portrait of a Red-haired Woman, within a feigned oval, circa 1650, unsigned, oil on chamfered oak panel, 28-3/8 x 21-3/4 in. (70.17 x 51.44 cm.); gilt and molded wood reproduction frame, 39-3/8 x 33-3/8 x 3-1/2 in., panel with two vertical splits or joins stabilized with butterfly splines, two periods of retouch scattered throughout, abrasions at edges, possibly overcleaning in gown, spurious signature verso “F. Bol”; frame with minor abrasions Provenance: Private Collection Estimate: $3,000 - $5,000 Brunk Auctions would like to thank Carla van de Puttelaar and Fred Meijer for their identification of this portrait as by an “unidentified, probably Frisian master” based on photographs. In the collection of the Fries Museum in Leeuwarden there are two portraits, Sjuck Bockes van Sternsee and his wife from a decade earlier that show similarities to the present portrait.

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

580 French or Flemish School Portrait (17th century) Portrait Bust of a Young Woman, circa 1645, oil on canvas, 24-1/2 x 18-7/8 in.; gilt wood and composition frame, 30-1/2 x 25 x 2-1/8 in., lined with old lining, stabilized crackle, yellowed varnish, small areas of retouch; frame with wear Provenance: Private Collection, Virginia Estimate: $1,000 - $1,500 The frame plate attributes this painting to Cornelis Janssens van Ceulen (Dutch, 1593-1661).

581 After Hendrick Goltzius (Dutch, 1558-1617) (19th century) Two scenes from the life of Christ likely after engravings, both oil on oak panels: Adoration of the Magi, monogram inscribed upper left “HG”, 18-1/2 x 14-1/4 in.; The Circumcision, from The Life of the Virgin, date and monogram inscribed lower center “1594 HG”, 18-5/8 x 14-3/8 in.; matching in the style of Bolognese plate frames, 24-1/2 x 20-3/8 x 1-3/4 in., both with vertical splits, scattered areas of retouch, crackle, wear at edges, “Adoration” with paper fragments at bottom corners, “Circumcision” with cupping; frames with wear, abrasions, separation at corners Provenance: Private Collection Estimate: $1,000 - $2,000

582 French Devotional Figure Fragment (possibly16th century) The Head of the Virgin Mary, unsigned, carved alabaster, 9-1/8 x 10 x 7 in., small chips and losses, surface wear, tape adhesive and stains on bottom Provenance: Private Collection Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

583 A Rare Rembrandt van Rijn Etching (Dutch, 1606-1669) The Shepherd and His Family (B.220, H.206), 1644, the only state, signed in plate upper left “Rembrandt/f. 1644”, etching with drypoint on laid paper without watermark, sheet 3-3/4 x 2-5/8 in.; gilt wood frame, 15-1/2 x 13 x 5/8 in., floated with archival tape, light foxing, pencil inscriptions verso; frame with some wear Provenance: R.E. Lewis, Inc., San Francisco, California, purchased April 2, 1963 (per original reattached label verso); Private Connecticut Collection Estimate: $12,000 - $18,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

584 Albrecht Durer (German, 1471-1528) The Virgin and Child with the Pear (B. 41, M., Holl 33), 1511, signed with monogram lower left and dated, engraving, sheet 6-1/8 x 4-1/8 in.; gilt wood frame, 15-1/2 x 13 x 7/8 in., a Meder b impression, with slight evident scratch vertically across the Child’s forehead, trimmed at or slightly into plate, good contrast in the tree trunk with some burin, small repair at fold of drapery right. repair on very bottom of drapery and effecting ink lines, small tears at edges, floated; frame with minor wear Provenance: R.E. Lewis, Inc., San Francisco, California, purchased April 4, 1963 (per original reattached label verso); Private Connecticut Collection Estimate: $6,000 - $9,000 This work is based on a preparatory drawing in the Kupferstichkabinett in Berlin (Winkler 516).

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585 James Abbott McNeill Whistler (American, 1834-1903) La Jolie New Yorkaise (C.99, W.61), 1894, a portrait of Miss Maude Alice Burke, her copy aside from a rare edition of 25 of which only seven were signed, signed lower left in ink with Whistler’s butterfly monogram and inscribed “To Miss Maud Burke”, inscribed lower right with title La Jolie New Yorkaise-Louis XV”, additionally signed in stone middle left, transfer lithograph on paper, image, 12-7/8 x 7-1/2 in.; gilt wood frame, 17-1/8 x 13-1/8 x 1 in., laid down on card with glue residue at edges, trimmed, some losses to edges, some light toning, pencil lines and inscriptions by “framer”; frame with abrasions Provenance: Private Collection Estimate: $5,000 - $7,000 Created during one of the happiest periods of James McNeill Whistler’s life, these intimate lithographs reflect the tranquility of his Paris home on the rue du Bac, where he lived with his wife, Beatrix. Surrounded by a distinguished circle that included the Symbolist poet Stephane Mallarme and prominent visitors such as Maud Burke (later Lady Cunard), Whistler found inspiration in both his domestic life and the artistic milieu of fin-de-siècle Paris. Executed in black and white on transfer paper, these works reveal his mastery of lithography and his fascination with atmosphere, light, and quiet moments of everyday life. Their serene interiors, often featuring the reclining figure of Beatrix, stand among the most personal and evocative images of his career, poignantly capturing a fleeting period of happiness before her final illness. Born Maude Alice Burke in California, Lady Cunard (1876-1948) married Sir Bache Edward Cunard, Third Baronet, and grandson of the founder of the Cunard Steamship Line, in 1895, She played a significant role in London’s cultural life, advocating for the development of a national opera and serving as a director of Covent Garden. References: Britt Salvesen, “At Home in Paris: The Rue du Bac.” Museum Studies 24, no. 1, Songs on Stone: James McNeill Whistler and the Art of Lithography, The Art Institute of Chicago, 1998, pp. 92-105.

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

586 Italo-Dutch School Painting of a Rustic Scene (17th/18th century) After a Day’s Hunting and Gathering, unsigned, oil on canvas, 16-3/8 x 22-7/8 in.; gilt wood and composition frame, 22-1/8 x 28-1/8 x 2-1/4 in., old lining, crackle, flaking, surface dirt, yellowed varnish, cupping; frame with wear, abrasions, losses to gilt surface Provenance: Private Collection, Virginia Estimate: $1,000 - $1,500

588 Follower of Adriaen van Ostade (1610-1685) (Dutch, 18th century or earlier) Tavern Scene, possibly signed lower right indistinctly, oil on panel, 10-5/8 x 9 in.; modern reproduction gilt wood frame, 17-1/2 x 15-7/8 x 2 in., wear at edges not visible under frame, retouch, overcleaned with added black detail retouch; frame with small abrasions Provenance: Private Collection, Virginia Estimate: $400 - $600

587 Attributed to Frans-Karel Deweirdt (or Dewehrt, Belgian, 1799-1855) Goats on a Cliffside, signed lower right “F. Dewehrt”, oil on panel, 13 x 16-1/8 in.; 19th century gilt wood and composition frame, 21-3/4 x 24-5/8 x 1-3/4 in., panel with horizontal split at right center edge and cradled with a portion missing, reglued portion of panel/pigment at right edge, wear at edges not visible under frame, significant yellowed varnish, retouch, craquelure; frame with wear, small losses, abrasions Provenance: Private Charlotte Collection Estimate: $800 - $1,200 Little is known about the work of artist Frans-Karel Deweirdt because the pieces rarely come to market. The signature on the painting uses a different spelling than the current attribution; it is possible this is a Germanic variation of his name, potentially used for pieces commissioned within German-speaking regions.

589 French or Italian School Ink Drawing (French, 1725-1805) La Diseuse J’aventure, signed lower left “J.B. Greuze”, titled lower right, signed and titled verso “Greuze La Diseuse J’aventure”, inscribed “C.Z” verso, ink wash on paper, 13-1/4 x 16-5/8 in.; gilt wood and composition frame, 22-1/4 x 26-1/8 x 2-3/8 in., hinged in, toning, light foxing; frame with wear, abrasions, some separation at corners Provenance: Private Collection, Virginia Estimate: $800 - $1,200

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590 Italian School Painting (19th century) Angel Freeing St. Peter from Prison, unsigned, oil on canvas, 29-1/8 x 41-1/8 in.; gilt wood frame, 34-1/4 x 46-1/4 x 2 in., lined with linen, retouch, surface abrasions, wear at edges, minor stabilized crackle; frame with wear, abrasions, separation at corners Provenance: Private Collection,New York City Estimate: $600 - $900

591 Austrian School Portrait (18th century) Empress Elisabeth Christine of of Brunswick-Wolfenbuttel (1691-1750), seated with crown to her proper right, unsigned, oil on canvas, oval 35 x 29-1/2 in.; carved and gilt wood oval frame, 45-1/2 x 36 x 2 in., lined, restretched on old stretcher, crackle, two periods of retouch; frame resurfaced, abrasions Provenance: Private Collection, Richmond, Virginia Estimate: $1,000 - $2,000

592 Grand Tour Bronze, Sabatino, De Angelis & Fils (Italian-Naples, early 20th century) Narcissus,1903, inscribed with foundry mark “Sab: De Angelis & Fils Naples-1903” patinated bronze, 24-1/2 x 1-1/4 x 10-1/4 in., finely cast, black patina with some abrasions Provenance: Private Collection Estimate: $1,000 - $2,000

593 After Charles D’Agar (French, 1669-1723) (18th/19th century) Portrait of Henry St. John, Lord Bolingbroke, oil on canvas, 49-5/8 x 40-1/4 in.; gilt wood and composition frame, 55-1/2 x 46-1/8 x 2-3/8 in., lined with linen and wax, stabilized craquelure, retouch, stretcher marks, yellowed varnish; frame with abrasions, wear Provenance: Private Collection, Richmond, Virginia Estimate: $1,000 - $2,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

594 After Alexandre Cabanel (French, 1823-1889) The Death of Francesca da Rimini and Paolo Malatesta, from Dante’s Inferno, after the 1870 painting held by the Musee d’Orsay, Paris, inscribed lower left “Alex. Cabanel”, oil on canvas, 36-1/8 x 50-3/4 in.; early 20th century gilt wood and composition frame, 44 x 59 x 4-1/4 in., lined with wax and linen, restretched on old stretcher, retouch and repairs to various tears, crackle; frame with some wear Provenance: Private Collection Estimate: $1,500 - $2,000 For the original see https://www.musee-orsay.fr/en/artworks/ mort-de-francesca-de-rimini-et-de-paolo-malatesta-1064

595 Manner of Rosa Bonheur (French, 1822-1899) Cows With Shepherd, Hay Field, bears signature lower right “Rosa Bonheur”, oil on canvas, 32 x 5 x 3-3/8 in.; fine original gilt wood and composition exhibition frame, 43-1/4 x 64-1/8 x 5 in., original stretcher and tacking edge, areas of retouch, some crackle, stretcher marks; frame with wear, abrasions Provenance: McNaught Fine Art, Santa Cruz, California, purchased in 2005; Private Connecticut Collection Estimate: $5,000 - $7,000 This frame is appropriate for this painting and is identical to another frame that sold on a painting by Rosa Bonheur at Brunk Auctions, September 15, 2023, as lot 594. https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

596 Faberge or Faberge Style Silver and 14kt Gold, White Enamel “Easter Egg” 20th century, egg form white enamel body, rose and green 14kt gold swag and tassel decoration, moonstone, seed pearl, diamonds, and ruby accents, interior with floral spray and velvet lined lid, marked “Faberge” in Cyrillic, “M•Π”, base test .910 fine (with XRF), 4-1/2 in., areas of loss and damage to enamel, typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $4,000 - $5,000

597 Faberge or Faberge Style Russian Gilt Silver and Enameled Dagger cobalt blue enamel handle with African bust pommel, white sapphire and seed pearl accents, gilt silver, marked “Faberge” in Cyrillic, “H. W.” for H. Wigstrom, .916 fine, 9-3/8 in., missing one pearl and typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

598 Faberge Style Miniature Picture Frame 20th century, yellow and red enamel base with round wreath from frame, topped with red enamel bow, accented with diamonds and garnet, mounted on an aventurine base, unmarked, test.961 fine (with XRF), 4 in., loss to enamel and wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $300 - $500

599◉ Russian Enameled and Gilt Silver Miniature Samovar 20th century, urn form, floral enamel decoration, ivory handle and beads, marked “84”, probably Russian, test .980 fine (with XRF), 3-3/4 x 2-3/4 x 2-3/4 in., minor enamel wear, overall typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $800

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

600 Viennese Silver, Enamel, Lapis, and Rock Crystal Encrusted Casket Austria, 19th century, rock crystal lid with twelve zodiac figures, center with Mercury/Hermes and Ares/Mars, flanking Zeus/Jupiter, above Neptune/Poseidon figure rising from sea, rock crystal base, silver body with mask and lapis medallions, lion and paw feet, enamel highlights, marks “A”, “HK”, 4 x 6-1/4 x 6-1/4 in., loss to enamel, loss to two silver teeth on base, and wear Provenance: Heritage Auction, April 20, 2017, $7,000; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,000 - $3,000

601 Viennese Enameled Silver and Engraved Glass Standing Cup late 19th century, flared rim, glass bowl with hunting scene decoration, figural enamel post, base with enamel band and rock crystal, unmarked, 5-3/4 x 3-1/2 x 3 in., wear and loss to enamel Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $1,000

602 Viennese Silver Enameled Rooster Clock Austria, 19th century, rooster form base with clock surrounded by seed pearls, pink sapphire and enamel decoration, mounted on band onyx base, unmarked, 5-3/4 in., clock lacking crystal, corrosion around clock face, enamel damage, and wear Provenance: Christie’s, May 20, 2021, part of lot 182; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

603 Viennese Silver Jeweled Enamel Clock With Classical Figure Under Pergola Austria, 19th century, neoclassical base with swag decoration set with clock, lapis base, topped with seated women flanked by a bird cage and pedestal under pergola with birds, highlighted with enamel, blue and pink sapphires, unmarked, test .932 fine (with XRF), 7-1/2 x 5-3/4 x 2-1/4 in., crack in lapis, loss to enamel, missing a few stones, and wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

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604 Large Framed French Three-Panel Screen 19th century, depicting a park scene with hot air balloon surmounted by three portraits of gentlemen with Revolutionary paraphernalia, sight 58 x 69 in.; carved and gilt wood frame, 76 x 64 x 1-1/2 in., some peeling and loss at edges, numerous areas of patches and retouch, tears notably to rightmost panel, loss to paper backing, loss to original hinges; frame with some bumps, abrasions, and small losses to veneer Provenance: Private Georgia Collection Estimate: $1,000 - $2,000

605 Pair Of French Ormolu and Patinated Bronze Carcel Lamps early 19th century, Corinthian columns on paw footed bases, etched glass globes are comprised of two halves each, wired for electricity, each 38-1/2 x 10-3/4 x 1-3/4 in. Hirschl & Adler Galleries, Inc., New York, NY, 1989; Christie’s, “Important American Furniture, Silver, Maritime, Folk and Outsider Art”, September 20, 2017, lot 10 (labels), not tested for functionality, some loss to gilt, scattered areas of oxidation/tarnishing, later metal to undersides likely replaced during conversion to electricity, globe halves with some small chips and fleabites along edges; one lamp with structural looseness, loss to finish at plinth; bottom half of one globe cracked near rim but intact Provenance: The Delany Collection of American Furniture and Decorative Arts Estimate: $3,000 - $5,000

606◉ Empire Inlaid Rosewood Portico Clock 19th century, metal dial with Roman numerals, Tuscan columns and floral inlay, 20 x 10-1/4 x 5-1/2 in., not tested for functionality, wear commensurate with age and use, columns slightly loose, some nicks and small cracks to wood Provenance: Private Collection Estimate: $400 - $600 40

607 Continental Enameled Silver, Rock Crystal, and Jeweled Box 19th century, rectangular form, engraved rock crystal panels, enamel bands, accented with pink sapphire, partial marks on side, test .929 fine (with XRF), 2-1/4 x 4-1/2 x 3-1/4 in., one stone replaced with glass, two feet pushed in, typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

608 Viennese Enameled Silver and Rock Crystal Figural Clock late 19th century, figural post holding rock crystal case with enamel clock, rock crystal and enamel base, unmarked, .928 fine (with XRF), 4 in., wear and some loss to enamel Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $800

610 Pair of French Empire Figural Five Light Gilt Bronze and Marble Candelabra 19th century, depicting winged victory atop gilt bronze mounted red marble bases, apparently unmarked, each approx. 35 x 11-3/8 x 11-1/2 in., wear commensurate with age and use, scattered wax residue, looseness to some components, metal elements with some spotting and bending, marble with natural flaws and scattered chips; one winged victory with repair to proper right wrist Estimate: $1,000 - $2,000

609 Gilt Silver Mounted Engraved Rock Crystal Lidded Egg Form Box Continental, 19th century, rock crystal egg form body and base with engraved decoration, floral spray with emeralds, rose cut diamonds, and ruby highlights, figural post, 6-1/4 in., one stone missing and wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $800

611◉ Large French Brass Mounted and Inlaid Boulle Clock 19th century, with inlaid floral scrolling and applied classical and foliate decoration, surmounted by figure of father time, plaque under dial marked “Balthazar/Paris”, approx. 40-7/8 x 20-1/8 x 9-1/4 in., not tested for functionality, lifting and loss to brass inlay, cracks and other wear and losses to tortoiseshell veneer, areas of verdigris and other discoloration to metal elements, surface dust, father time finial detached but present, lacking bolts for top half Provenance: Private Collection, Richmond, Virginia Estimate: $800 - $1,200

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612 After Auguste-Nicolas Cain (French, 1822-1894) bronze centerbowl or bird bath, signed “Cain” near center, 3-1/8 x 13-1/2 x 13-1/2 in., discoloration, spotting, and verdigris, small dents at edge, dent to underside, spot of accretion near signature Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $300 - $500

613 Near Pair of Jacob Petit Porcelain Monkey Pitchers French, 19th century, one marked “J.P.” to base, one with crossed swords, 9 x 3-1/4 x 5-1/4 in., anomalies, some loss to enamel/gilt; red jacketed monkey with repair to tree trunk, possibly replaced stopper/hat Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

614 Continental Tapestry Featuring Figural and Woodland Scene probably French, 19th century, central scene within floral and butterfly decorated border, tasseled edges on left and right side, affixed to later wood hanging rod, approx. 76 x 71 in., some loss to stitching and small holes throughout, picked and pulled threads, fading and discoloration, protruding nails at top edge Provenance: Private Collection, Richmond, Virginia Estimate: $300 - $500

615 Silk Tabriz Carpet 20th century, ivory field with trailing flowering vines, medallions with birds, 5 ft. 11 in. x 9 ft. 1 in., uniform pile, some minimal soiling, overall good condition Provenance: Private Collection Estimate: $1,000 - $1,500

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

616 Oushak Runner 20th century, orange field with three central medallions, brown border with green flowers, 5 ft. 2 in. x 13 ft. 10 in., abrash, fading, staining, loss to ends, wear to selvage Estimate: $800 - $1,200

617 Kazak Rug 20th century, central polygonal medallion with red field and geometric designs, quadrupeds, 6 ft. 5 in. x 7 ft. 4 in., abrash, overall good condition with minimal wear Estimate: $800 - $1,200

618 Oushak Runner early 20th century, red field with three purple colored central medallions, brown border, human figures, 9 ft. 11 in. x 3 ft. 11 in., professional restorations, replaced selvage Estimate: $800 - $1,200

619 Oushak Runner early to mid 20th century, red field with three medallions, with grey border, 3 ft. 11 in. x 11 ft., abrash, repaired 6 in. crease at one end, wear, thick pile Estimate: $600 - $900

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620 Brass Three Light Bar Candelabra with Two Meissen Porcelain Figures German, 19th Century, two porcelain Turkenkind figures, presumably marked with crossed swords with the number “2520” and “2983”, mounted to foliate decorated candelabra with three candle cups 8 x 5-1/2 x 3-3/4, some spotting, discoloration to brass, and verdigris, porcelain figures loose in mounts Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

622 Meissen Porcelain Figural Group, Europa atop Zeus as a Bull German, 19th century, “Europa auf dem Stier” or “Europa on the Bull”, after the model by Christian Gottfried Juchtzer, crossed swords mark to base, inscribed to base “K70”, 9-1/2 x 8-1/2 x 6-1/2 in., break and associated repair and cupid, crack to surface of base (possibly as made), areas of repair or retouch (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $600 - $800

621 Pair of Meissen Porcelain Figurines, Vogelfanger and Madchen mit Schmetterling, German, 19th century, crossed swords marks to bases, after the models by Johann Joaquim Kaendler, incised model numbers “Y6” and “X3”, larger 6-3/4 x 5-1/4 x 5-1/4 in., some wear commensurate with age, notably to lace and foliate elements, anomalies as made, scattered areas of repair or restoration (see blacklight photos) Provenance: The Sally Abney Rose Estate; Brunk Auctions, Asheville, North Carolina, “18th & 19th Century Antiques & Decorative Arts,” February 19, 2007, lot 950; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

623 Meissen Porcelain Figural Pocket Watch Holder German, 19th century, “Flussgott mit Taschenuhrenhalter” or “River God with Pocket Watch Holder”, known also as “Chronos”, after the model by Johann Joachim Kaendler, crossed swords mark to base, numbered “575”, 6-1/4 x 7-1/8 x 4 in., good overall condition with light wear, chip and old repair to pocket watch holder, chips to middle toe of right foot and to leaves of wreath Provenance: DuMochelles, Detroit, Michigan, “Decorative Arts, Luxury Fashion & Asian Arts,” November 14, 2015, lot 111004; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

624 Two Meissen Equestrian Allegorical Groups of the Continents, Europe and Asia German, 19th century, crossed swords marks to bases, after the models by Johann Joachim Kaendler, comprising: “Allegorie-Europa, Klein” or “Allegory-Europe, Small”, marked to base “1298”; “Allegorie-Asien, Klein” or “Allegory-Asia, Small”, inscribed to base “761” and marked “C4”; larger 8-3/8 x 6-1/2 x 3-3/4 in., both with areas of repair or restoration (see blacklight photos) and losses to foliate decoration; Europe with loss to crown and firing crack to neck of horse; Asia with probable retouch (does not fluoresce under blacklight) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

626 Meissen Porcelain Figure of Mark the Evangelist German, 19th century, crossed swords mark and “2813/S. Marcus”, after the model by Johann Joachim Kaendler, 10-1/4 x 3-3/4 x 3-1/2 in., overall good condition, slight wear to base, small area of repair/retouch to back of base Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

625 Three Meissen Porcelain Man and Woman Figural Groups German, 19th century, crossed swords marks to bases, incised model numbers to bases “D11”, “O174”, and “447”, largest 6-1/8 x 3-3/4 x 2-7/8 in., scattered light wear, anomalies as made, some areas of repair or retouch (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

627 Meissen Porcelain Figure of Apostle Thomas German, 19th century, crossed swords and “72094/S. Thomas” marked to base, after the model by Johann Joachim Kaendler, 9-3/4 x 4 x 3-3/4 in., overall good condition, slight wear to base, small area of retouch/repair to back right corner Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

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628 Meissen Porcelain Figure of Apostle Peter German, 19th century, crossed swords and “2819/S. Petrvs” marked to base, 8-7/8 x 3-1/8 x 3-1/4 in., slight wear to base, break and loss to key Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

629 Five Meissen Porcelain Figurines of Winged Putti 19th century, after the models by Henrich Schwabe, including one depicting cupid with bow and arrow, crossed swords marks to bases, impressed model numbers L102, L104, L119, L124, and L126, largest 7-1/2 x 3-3/4 x 3-3/4 in., good overall condition with some light wear, anomalies as made, scattered areas of repair or retouch (see blacklight photos); cupid example with break and associated repair to upper limb of bow Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

630 Group of 68 Grand Tour Plaster Medallions Italian, 19th century, depicting Greek, Roman, and Renaissance sculpture and other works; some held in two book form binders, each approx. 1-3/4 x 6-3/4 x 10-3/8 in., most pieces loose, some discoloration/surface accretion; two larger medallions with some cracks/chips Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $800 - $1,200

631 French Still Life Painting (19th century) Still Life with Goldfish in an ormolu mounted glass vase and fruit on a Napoleon III gilt and ebonized marble top cabinet, signed lower right indistinctly, oil on panel, 20-38 x 15-3/4 in.; lemon gilt wood frame, 25-5/8 x 20-3/4 x 1-5/8 in., retouch, wear at edges, cupping, abrasions at upper left; frame with wear, abrasions Provenance: Alexander Gallery, New York, New York (label verso) Estimate: $1,000 - $2,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

632 French School Painting (19th/20th century) The Courtship, signed illegibly lower right, oil on canvas, 12-3/4 x 18-1/4 in.; 19th century gilt wood and composition frame, 19-1/8 x 24-3/4 x 3-1/4 in., lined, small areas of retouch; frame with wear, abrasions, small losses, separation at corners Estimate: $1,000 - $1,500

633 Louis Etienne Timmermans, Ringling Provenance (France/Belgian, 1846-1910) Sailing vessels in harbor at sunset, signed lower left “L Timmermans”, oil on canvas, canvas stamp verso “Paul Foinet Fils...Paris”, label “John Ringling North Lot 4855...Hahn Brothers Fireproof Warehouses Inc. New York”, 21-3/4 x 15 in.; original 19th century gilt wood and composition French-style frame, label “Thurber Fine Art...Chicago”, 24 x 30-7/8 x 3 in., original stretcher and tacking edge, minor flaking and crackle; frame with some abrasions, losses to gilding and composition Provenance: John Ringling North, President and Director of the Ringling Bros. and Barnum & Bailey Circus (presumed per tag verso); Brunk Auctions, Asheville, North Carolina, January 9, 2005, Lot 405; Private Collection Estimate: $2,000 - $3,000

634 Antonio Reyna Manescau (Spanish, 1859-1937) Venice from Giudecca, signed lower right “A. Reyna/Venezia”, 13-1/2 x 29-1/8 in.; original gilt wood and composition frame, 24-1/4 x 40-1/2 x 4-1/4 in., original stretcher and tacking edge, surface dirt, crackle, stretcher marks, some abrasions at edges; frame with losses Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $3,000 - $5,000

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635 Two Italian School Watercolors of Venice (19th/20th century) Alberto Prosdocimi (1852-1925), Sunset Sailing, signed lower left “A. Prosdocimi”, watercolor on paper, sight 6-5/8 x 11-1/2 in.; Natale Gavagnin (1851-1923), Gondolier, signed lower left “Gavagnin”, watercolor on paper, 5-5/8 x 9-5/8 in.; gilt wood frames, largest, 14 x 19 x 5/8 in., both with light toning, “Sunset Sailing” with original wood backing board and frame, “Gondolier” examined out of frame, laid on board; frames with wear and abrasions Provenance: Private Collection Estimate: $500 - $700

636 Jose Echena (Spanish, 1844-1912) Painter Resting on a Terrace, signed lower left “J. Echena”, oil on canvas, 19 x 30 in.; original gilt wood and composition frame, 32-1/4 x 43-1/4 x 3-1/2 in., original stretcher and tacking edge, surface dirt, some crackle, stretcher marks, some mildew verso canvas; frame with losses to composition Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $4,000 - $6,000

637 Count Urbain Garin de Cocconato (French, 1813-1877) A View of Beaulieu et Villefranche near Nice, title and artist identified on inscribed label applied verso canvas, oil on canvas, 22-3/8 x 34-3/4 in.; original gilt wood and composition frame, 32-1/4 x 42-1/4 x 4-1/4 in., original stretcher and tacking edge, surface dirt, abrasions, yellowed varnish, stretcher marks; frame with losses and wear Provenance: Private Collection, Virginia Estimate: $1,000 - $1,500 48

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

638 Thure Nikolaus Cederstrom (Swedish, 1843-1924) Musical Monks, signed lower right “Th. Cederstrom”, oil on canvas, 22-1/2 x 28-1/4 in.; Louis XVI style gilt wood and composition frame, 28-3/4 x 34-3/8 x 3-1/4 in., original canvas and tacking edge, craquelure, yellowed varnish, scattered areas of retouch; frame with wear Provenance: Private Collection Estimate: $2,000 - $3,000

639 Albert Gustav Schwartz (German, born 1833) View from the Konig Wilhelm Bad Spa in Swinemunde (then Prussia, now Poland), signed lower left “Albert Schwartz/1890”, oil on canvas, 12 x 18-5/8 in.; unframed, original stretcher and tacking edge, some surface dirt Estimate: $600 - $900

640 Alexander Wust (Dutch/New York, 1837-1876) Sunset in the Forest, 1868, signed and dated lower right “Alex Wust 68”, oil on canvas, 13-7/8 x 27-5/8 in.; fine reproduction gilt wood and composition frame, 21-1/2 x 35-1/4 x 3-1/4 in., lined with linen, re-stretched on original stretcher, tacking edge intact, stabilized crackle, retouch, yellowed varnish; frame with minor abrasions Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

641 Three Miniature Meissen Porcelain Perfumes German, late 19th/early 20th century, each with underglaze crossed swords mark, comprising: Monch als Flacon, incised “2472”; Hund, incised “E64”; Hund als Flakon, incised “B13”; largest 3 x 1-1/2 x 2 in., anomalies, some wear to base, scattered small repairs and retouch (see blacklight photos); Monch als Flacon lacking second stopper; Hund (E64) possibly later mounted as perfume Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

642 Two Meissen Porcelain Allegorical Figures, Winter German, late 19th/early 20th century, each with crossed swords mark to base, comprising: one incised “2731”; one incised “c 83”, with one strike denoting second grade; larger 9 x 4-1/2 x 4-1/2 in., anomalies and some loss to gilt/enamel, wear to bases; 2731 with small chip to branch; c83 with repair to proper left hand Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

643 13 Meissen Porcelain Figures in Chinoiserie Attire German, late 19th/early 20th century, assorted Japaner and Japanerin figures of varying size, design, and pose, each with crossed swords mark and model number to base, largest 71-8 x 23-8 x 3-8, minor firing cracks, anomalies, and wear to bases, some scattered small repairs (please see blacklight photos) man in yellow jacket (2672) with cracks and repairs to feet and base; one seated boy with replaced held element; one seated girl with break and repair at neck (E31); male figure with umbrella (434) with repairs to hand and face Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $4,000 - $6,000 50 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

644 Pair of Meissen Porcelain Figural Groups, Children with Goats German, late 19th/early 20th century, after the models by Johann Carl Schonheit, crossed swords marks to bases, “Madchen mit Ziegenbock” and “Knabe mit Ziege” or “Girl with a Billy Goat and “Boy with a Goat”, larger 5-7/8 x 4-1/2 x 3-1/2 in., areas of fluorescence under blacklight due to surface accretion and/or restoration; Girl with break and associated repair to right hand (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

645 Meissen Porcelain Bird in Tree Figure German, late 19th/early 20th century, “Seidenschwanz” or “Waxwing”, after the model by Johann Joaquin Kaendler, crossed swords mark to base, inscribed to base “274”, 9-1/2 x 6-1/2 x 4 in., good overall condition, some surface dirt, some areas of repair or restoration, notably to branch and tail (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

646 Pair of Meissen Porcelain Cupid Figural Groups with Hunting Motif German, late 19th/early 20th century, after the models by August Ringler, crossed swords marks to bases, comprising: “Amor auf der Pirsch” or “Cupid on the Prowl”, inscribed to base “Q182”; “Amorette auf der Pirsch” or “Amorette on the Prowl”, inscribed to base “R148”; larger 6 x 5-1/2 x 3-1/8 in., good overall condition, scattered areas of repair or retouch (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

647 Pair of Meissen Porcelain Reclining Figures with Orange and White Attire German, late 19th/early 20th century, Orientalin mit Flote and Mohr mit Kakadu, each with crossed swords and “A1146/A1068” marked to bases, larger 8 1-2 x 9 1-2 x 4 3-4 in., minor firing anomalies and wear to bases; Mohr with chip to proper left toe Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,500 - $2,500

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648 Pair of Meissen Porcelain Figures, Shepherd and Shepherdess German, late 19th/early 20th century, each with crossed swords mark to bases, incised model numbers “1295” and “1296”, after the models by Johann Joachim Kaendler, larger 10-3/4 x 4-1/4 x 4 in., typical anomalies, slight wear to bases; shepherd figure with firing crack to base, small chips to base, jacket, and robe; shepherdess with repair and retouch to proper left arm and back (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

650 Two Meissen or Style Porcelain Satyr Figural Groups German, late 19th/early 20th century, crossed swords marks to bases, both depicting two jubilant fauns or satyrs, one with inscribed model number “1691”, the other incised “3”, larger 9-1/8 x 8-1/2 x 7-3/8 in., wear commensurate with age, anomalies as made, chips and loss to foliate elements, both with areas of repair or restoration (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $300 - $500 52

649 Three Meissen Porcelain Gentlemen in 19th Century Dress German, 19th century, crossed swords marks to bases, after the models by Johann Joaquim Kaendler, comprising: “Jager zu Pferde” or “Mounted Hunter”, inscribed to base “1133”; “Danisher Brauer” or “Danish Farmer”, inscribed to base “E12”; “Tabulettkramer” or “Pill-Peddler”, inscribed to base “1030”; largest 10-5/8 x 9 x 7-1/2 in., light wear throughout commensurate with age; Mounted Hunter with areas of repair or retouch (see blacklight photos), some loss to foliate decoration; Dutch Farmer with chip to vegetable in proper right hand Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

651 Meissen Porcelain Figural Shepherd Group German, late 19th/early 20th century, crossed swords and “A41” marked to base, after the model by Johann Carl Schoenheit, 7 1-2 x 6 3-4 x 5 in., some minor firing cracks and anomalies, some scattered small losses to fine floral and foliate decoration, chips to rim of hat beside gentleman figure, break and loss to tip of spear (possible later piece retained), some repair and retouch throughout (please see black light photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $300 - $500

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

652 Viennese Enameled Jeweled Silver Architectural Clock Austria, late 19th century, four column structure topped with three urns, ribbon and festoon decoration, two putto with with flowers, rectangular base with pieced lapis floor, paw feet, all highlighted with pink sapphires, garnets, emeralds, aquamarine, and pearls, movement inscribed B. Eppner & Co, silver unmarked, .950 fine (with XRF), 8-1/4 x 6 x 5 in., loss to enamel, missing several stones, and typical wear Provenance: Skinner, July 19-20, 2014, lot 170, $12,300; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,000 - $3,000

653 Viennese Silver Rock Crystal Clock With Bacchus Austria, late 19th century, central figure holding click with vine and amethyst grape decoration, accented green stones, on rock crystal silver base, enamel highlights, movement inscribed “Ferdinand Reuff in Wien” unmarked, probably Austrian, test .958 fine (with XRF), 7-3/4 in., some stones missing, loss to enamel, wear and discolored Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,000 - $3,000

654 Viennese Jeweled Enameled Silver Clock Austria, late 19th century, central clock with seed pearl surround, tree form post, monkey finial, two blackamoor figures, mushroom, blue enamel base, emerald, pink sapphire and seed pearl accents, unmarked, test .964 fine (with XRF), 4-3/4 x 4-1/4 x 2 in., cracks in enamel, figures loose, lacking several pearls and stones, enamel damage, typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $1,000

655 Viennese Silver Enamel and Jeweled Silver Clock late 19th century, clock mounted on ostrich with articulate, native figure with headdress holding arrow and bow, cartouche form base with lapis floor, highlighted with blue sapphires and rubies, and enamel, marked on base of one foot, test .950 fine (with XRF), 5 x 4 x 1-1/2 in., missing finial, one foot of figure disconnected, repair to ostrich legs, leach not connected, missing stones, loss to enamel, and typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $1,000

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656 Austrian Two Handle Jeweled and Enamel Oval Agate Bowl 19th/20th century, oval banded agate, bowl with silver mounts, figural soldier handles, conforming openwork base, enamel, emeralds, garnets, and seed pearl decoration, unmarked, probably Austrian, test .957 fine (with XRF), 4 x 7 x 3-3/4 in., missing several pearls and stones, some enamel damage and typical wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $1,000

657 Viennese Gilt Silver Enameled Bird on Amethyst Stand late 19th century, small bird with enamel, pink and blue sapphire accents, mounted on Amethyst base, unmarked, test .937 fine (with XRF), 3-3/4 in., loss to enamel, damage to stones, and wear Provenance: Christie’s, London, May 20, 2021, part of lot 182; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $800

658 Viennese Enameled Silver Jeweled Figural Lidded bowl late 19th century, ostrich with rock crystal lidded bowl, native figure with headdress holding spear, hexagon form base with lapis floor, highlighted with pink sapphires, emeralds, and enamel, marked on base of one foot, 6 x 4-1/2 x 4-1/2 in., damage to enamel, spear probably a replacement Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $1,000

659 Viennese Silver Enamel Clock with Rose Quartz Austria, late 19th century, urn finial with floral garland, central rose quartz tablet with key wind clock with key, surround by pearl, flanked by a woman and child, rectangular stepped base, enamel, emeralds, pink and blue sapphire highlights, unmarked, test .931 fine (with XRF), 5 x 4 x 2 in., some missing stones, chips to enamel, and typical wear Provenance: Skinner, Marlborough, Massachusetts, July 19-20, 2014, lot 186, $3,690; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

660 Neoclassical Giltwood Mirror British or Continental, late 19th century, crest with floral wreath, crossed torch and quiver, bottom hung with swag held in lion’s mouth, beveled mirror plate, 46 x 27-3/4 x 3 in., later mirror plate, frame near top of mirror plate with repairs to breaks on both sides, typical scattered cracks and repairs to breaks with some gilt retouch and restoration Provenance: Private Collection Estimate: $500 - $700

661 Pair of Louis XVI Style Gilt Metal Two-Light Wall Sconces 20th century, central columns surmounted by urns issuing two scrolled arms, 19 x 11 x 5-1/2 in., wired for electricity, wires cut, some paint transfer, scratches, and variation to gilt surface Provenance: The Delany Collection of American Furniture and Decorative Arts Estimate: $300 - $500

662 Set of Edgar Brandt Wrought Iron Andirons and Fire Tools Edgar Brandt (French, 1880-1960), comprising the pair of stacked scroll andirons inscribed “E. BRANDT”, 13 x 10-1/2 x 16-1/2 in.; matching fire tool set with shovel, tongs, and stand, the stand 24-1/2 x 9-3/4 in., typical wear commensurate with age and use Provenance: Private Collection, New York Estimate: $3,000 - $5,000 Literature: Andirons illustrated in Henri Martinie, La Ferronnerie, 2ème série, (1929), fig. 45.

663 Louis XVI Style Giltwood Mirrored Top Table Suite first half 20th century, comprising central round table and six semicircular surrounding tables, all with mirrored tops and stretcher bases, central table 30-1/4 x 15-3/4 x 15-3/4 in., semicircular tables 30-1/4 x 23-1/4 x 16-3/4 in., top edges and stretchers with scattered repairs to breaks (most with some play), gilt with some loss and minor distress, mirror plates with scattered scratches, some with desilvering Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

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664 A Set of Four Louis XVI Style Gilt Metal Three-Light Wall Sconces 20th century, each central column surmounted by urn issuing three scrolled arms, 20-1/2 x 12-1/8 x 6-1/2 in., wired for electricity, wires cut, casting anomalies, slight minor wear Provenance: Collection of George and Florence Blumenthal, New York, NY; Christie’s, New York, NY, “Christie’s Interiors”, October 2-3, 2012, lot 415; The Delany Collection of American Furniture and Decorative Arts Estimate: $1,200 - $1,800

665 Kazak Runner early 20th century, eight central medallions with stepped edges, brown field, rust and white borders with star, leaf designs and quadrupeds, 9 ft. 11 in. x 3 ft. 10 in., professional restorations, uniform pile throughout Estimate: $1,000 - $1,500

666 Two Kazaks, One Eagle Kazak late 19th century, repeating rows of medallions with hooked elements, 6 ft. 3 in. x 5 ft.; mid 20th century, Eagle Kazak with diamond shaped medallion, 6 ft. 10 in. x 4 ft. 1 in., losses and overcasting to ends, considerable wear to pile, fading; fading and loss to pile Estimate: $500 - $600

667 Persian Runner 20th century, blue field with leafy flowering vines, 3 ft. 9 in. x 9 ft. 11 in., abrash, in good condition overall Provenance: Private Asheville Collection Estimate: $400 - $600

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

668 Turkmen Rug 20th century, red field with six polygonal medallions, geometric borders, 6 ft. 5 in. x 5 ft. 1 in., overall good condition with minimal wear Provenance: Private Asheville Collection Estimate: $400 - $600

669 Persian Runner 20th century, nine central medallions on red ground, geometric designs, 2 ft. 5 in. x 10 ft., overall good condition with minimal wear Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

670 Sitzendorf Porcelain Figure, Tailor Riding Goat German, late 19th/early 20th century, makers mark to base, 9-1/4 x 3-3/8 x 7-3/4 in., lacking proper right hand, some surface dirt, anomalies as made, small area of repair or restoration (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $200 - $400

671 Large Meissen Porcelain Figural Group, Luna in a Chariot Pulled by Stags, German, late 19th/early 20th century, “Luna im Gottwagen” or “Luna in the Chariot of the Gods”, after the model by Johann Joaquim Kaendler, crossed swords mark to base, inscribed to base “14”, 12 x 17-1/8 x 9-1/2 in., dust to crevices with some surface accretion, several areas of repair or retouch, especially to stags (see blacklight photos), cracks to stag legs and antlers Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $3,000 - $5,000

https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

672 Meissen Porcelain Figural Group, Forge of Vulcan German, late 19th/early 20th century, “Allegorie-Das Feuer” or “Allegory-Fire”, after the model by Michel Victor Acier, crossed swords mark to base, inscribed to base “D80”, 9-1/8 x 9 x 7 in., good overall condition with scattered minor losses, area of possible repair or retouch to rear of cannon (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

673 Large Meissen Porcelain Bacchus Figural Group German, late 19th/early 20th century, underglaze blue crossed swords and “C35x” to base, after the model by Ernst August Leuteritz, 13-1/2 x 10-1/2 x 6 in., some typical anomalies, small losses, repair, and retouch to fine foliate details, repair and retouch to proper left leg of satyr Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

674 Meissen Porcelain Figural Group, Family Under Apple Tree German, late 19th/early 20th century, “Gartnergruppe am Apfelbaum” or “Group of Gardeners by the Apple Tree”, after the model by Michael Victor Acier, crossed swords mark to base, inscribed to base “D94”, 10 x 5-3/4 x 5-1/2 in., areas of repair or retouch, notably to tree (see blacklight photos), firing crack to rear of man’s jacket, loss to leaves at rear of tree Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

675 Meissen Porcelain Hussar on Horseback German, late 19th/20th century, Husar zu Pferde, underglaze blue crossed swords and “1132” marked to base, 10-1/2 x 8 x 4-1/4 in., anomalies and pinholes, residue accretion to base, break and loss to sabre Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

676 Meissen Porcelain Figural Group, Kavalier mit Hund German, late 19th/early 20th century, crossed swords mark to base, after the model by Jakob Ungerer, incised model number to base “L162”, 9-1/4 x 4 x 4-1/4 in., good overall condition with some light wear, losses to lace detail, anomalies as made Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

677 Meissen Porcelain Figure, Herr mit Gehstock German, late 19th/early 20th century, crossed swords mark to base, after the model by Jacob Ungerer, inscribed model number to base “M133”, 9-3/8 x 4-1/4 x 4 in., anomalies as made, small chip to rear of base, several areas of repair or retouch (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

679 Rare Illustration of Crampton French Steam Locomotive No. 122 (French, 19th century) 678 Locomotive A Grande Vitesse (Systeme Crampton) Construile par MM. Derosne et Cail Four Meissen Porcelain Satyr Figural Scenes a Parts, signed lower right “Imbert Delphin”, titled at top with key, scaled along German, late 19th/20th Century, each with crossed swords marked to base, bottom edge, ink and watercolor on paper, 22-1/4 x 31-3/4 in.; painted frame, comprising: Satyr madchen, numbered “D 47”; Satyr mit Eecken, numbered “d50”; 24-5/8 x 34-1/4 x 3/4 in., laid down, small areas of pest damage, with some retouch, Satrykind mit Dudelsack, numbered “D46”; Satry mit Trommel, numbered “D49”: toning, two stabilized tears lower right, one stabilized tear upper right, loss to paper Satyr mit Kind, numbered “D51”; largest 7 x 5 x 3 in., some small losses to delicate upper left, vertical crease; frame with wear, abrasions foliate decoration, four with repair and retouch to foliage (see blacklight photos), Provenance: Alexander Gallery, New York, NY (label verso) some wear to bases, firing anomalies Estimate: $1,000 - $2,000 Provenance: Collection of Steve Stewart, Lake Lure, North Carolina The Crampton French Steam Locomotive No. 122 broke early train speed records Estimate: $1,000 - $2,000 in 1855, and laid the foundation for future high speed rail travel in France. https://live.brunkauctions.com/auctions/brunk/british-conti59 nental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

680 American or German School Landscape (19th century) Distant View of the Alps, 1887, signed and dated lower right “EOM 1887”, oil on artist board, 9-1/2 x 13-1/2 in.; fine gilt wood and composition frame, 17 x 21 x 3-3/8 in., wear at edges, minimal crackle, surface dirt, yellowed varnish; frame with wear and some abrasions Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $1,000 - $2,000

681 Pierre Charles Eugene Lenoir (French, 1879-1953) Art Nouveau Bust of a Woman, signed lower right “Lenoir”, marble, 15 x 12-1/2 x 5-1/2 in., some surface dirt at bottom Provenance: Estate of Mark S. Levine Estimate: $600 - $900

682 Constantine Kluge (French, 1912-2003) Le Pont Neuf, signed lower right “C. Kluge-”, oil on canvas, 23-5/8 x 36-1/4 in.; original gilt wood and composition frame, 36 x43-1/4 x 3 in., original stretcher and tacking edge, good condition; frame with minor abrasions Provenance: Wally Findlay Galleries, No. 140464 (label verso); Private Collection Estimate: $6,000 - $8,000 60

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

683 Marcel Dyf (French, 1899-1985) Dejeuner sous Pergola, signed lower right “Dyf”, oil on canvas, 18 x 20-3/8 in.; original gilt wood and composition frame, 24-7/8 x 28-1/4 x 2-7/8 in.;, original strainer and tacking edge, canvas slightly slack, good condition; frame with minor abrasions Provenance: Private Gainesville, Georgia Collection Estimate: $3,000 - $5,000

684 Ossip Linde (Connecticut/France/Illinois/Russian, 1871-1940) View of Venice, signed lower right “Ossip L. Linde”, oil on canvas, with colourman stamp “Lucien Lefebvre Foinet/ Paris”, 25-5/8 x 32 in.; painted wood frame, 30-3/8 x 36-3/4 x 1-1/2 in., original canvas, stretcher, abrasions, accretion, loose canvas, minimal crackle, tear at upper center through to back, subsequent retouch; frame with wear Provenance: Lucien Lefebvre Foinet, Paris, No. 9286 (label verso stretcher); Private Collection Estimate: $2,000 - $3,000

685 Elizabeth Rouviere (French/America, 1908-1994) Purple Irises, signed lower left “Rouviere”, oil on canvas, 36 x 29 in.; gilt wood and composition frame, 42-1/4 x 35-1/4 x 2-3/4 in., vibrant color, accretion; frame with wear, abrasions Provenance: Private Collection, Georgia Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

686 Jules Rene Herve (French, 1887-1981) Le Bon Quatre Heure signed lower right and verso “Jules-Rene Herve”, titled on label verso, oil on canvas, 8-5/8 x 11-3/4 in.; Les Enfants a Table, signed lower left and verso “Jules-Rene Herve”, oil on canvas, 8-3/4 x 10-3/4 in.; 20th century French carved and gilt wood frames, both stamped verso, largest, 14-5/8 x 16-1/2 x 2 in., both with vibrant color, small areas of retouch; frames with wear and abrasions Provenance: Private Collection Estimate: $800 - $1,200

687 Ben Carre, Three Landscape Paintings (French/America, 1883-1978) Mountain Sunset, signed lower right “Ben Carre”, oil on canvas board; In the Forest, signed lower right “Ben Carre”, oil on canvas board; Town Scene, signed lower left “Ben Carre”, oil on panel, largest, 12 x 16 in.; unframed, ”Mountain Sunset” with vibrant color, “In the Forest” with small paint flake center left, tape remnants verso, “Town Scene” with small knot hole in panel center left, surface dirt Provenance: Gift from the artist to William K. Everson; Private Collection Estimate: $700 - $900

688 Three Elizabeth Rouviere Paintings (French/America, 1908-1994) each signed lower left “Rouviere”, oil on canvas: Pink Roses, 26 x 21 in.; White Roses, 26 x 21 in.; Yellow Poppies, 24 x 20 in.; matching gilt wood and composition frames, largest, 32-1/4 x 27-1/2 x 2-1/2 in., all with vibrant color, accretions, “Poppies” with areas of pigment loss; frames with wear, abrasions Provenance: Dr. Charlton Palmer (all with labels verso); Private Collection, Georgia Estimate: $800 - $1,200

689 Two Meissen Porcelain Swan Figures German, late 19th/early 20th century, each with crossed swords and “2213” to base, each approx. 4 x 3-1/8 x 3-1/4 in., anomalies and slight wear to bases; one with slight abrasions to tail feather Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $300 - $500

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

690 Two Meissen Porcelain Paperweights with Pugs German, late 19th/early 20th century, each with underglaze blue crossed swords, one with four strikes denoting faulty ware, one incised “1645”, each approx. 2-1/4 x 7-1/2 x 1-1/4 in., minor anomalies and loss to enamel/gilt, each with repairs and retouch to pugs (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

691 Large Meissen Porcelain Figural Elephant Group German, late 19th/early 20th century, Perser auf Elefant mit Mohr, crossed swords and “1165” marked to base, 10 1-4 x 11 1-4 x 4 in., some minor firing anomalies and wear to base, minor loss to enamel and gilt, some repair and retouch to proper right side of elephant and rider, axe, and trunk (please see black light photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,000 - $3,000

692 Large Meissen Porcelain Figural Elephant Group German, late 19th/early 20th century, Perser auf Elefant mit Mohr, crossed swords and “1165” marked to base, 10 3-4 x 10 3-4 x 3 in, minor firing anomalies and wear to base, some slight loss to enamel and gilt, the Moor figure with break and loss to held axe (piece retained), rider in chinoiserie attire with break and repair to proper left wrist Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,000 - $3,000

693 Meissen Porcelain Opera Figure, Romerin German, late 19th/early 20th century, crossed swords and “2733” marked to base, after the model by Johann Joachim Kaendler, 8 x 10-3/8 x 4 in., overall good condition, slight wear to base Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600 https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

694 11 Meissen Porcelain Commedia Dell’Arte Figures German, late 19th/early 20th century, each with crossed swords and incised numerals to base, characters include Harlequin, Pulcinella, Dottore Boloardo, Fritellino, Stenterello, among others, largest 6-1/4 x 2-1/4 x 2 in., minor firing anomalies and wear to bases, scattered small repairs and retouch (see blacklight photos); break and loss to Fritellino’s sword, repair and retouch to head; break and loss to one harlequin’s held element Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $4,000 - $6,000

695 Three Meissen Porcelain Putti Figurines German, late 19th/early 20th century, one as Saint George, one as a beggar, and one with a red mask, after the models by Henrich Schwabe, crossed swords marks to bases, impressed model numbers L110, L112, and L113, largest 7-1/2 x 3-3/4 x 3-3/4 in., good overall condition with minor wear throughout, some areas of retouch or restoration (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000 64

696 Two Meissen Porcelain Animal and Figural Groups German, late 19th/early 20th century, crossed swords marks to bases, comprising: “Scheidersfrau auf Ziege” or “Tailor’s Wife on Goat”, after the model by Johann Friedrich Eberlein, inscribed to base “155”; “Knabe mit Schaf” or “Boy with Lamb”, after the model by Johann Carl Schonheit, inscribed to base “H67”; largest 7-3/8 x 6-1/2 x 3-3/8 in., scattered wear throughout, some areas of repair or retouch (see blacklight photos); Tailor’s Wife with chip to proper left horn of goat; Boy with Lamb with chip to proper left ear of lamb, break and loss to stump and reins Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $600 - $900

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

697 Three Piece Meissen Porcelain Palanquin Group, Shirley Temple Provenance German, late 19th/early 20th century, “Sanfte” and two “Sanftentrager” or “Palanquin” and two “Palanquin Bearers”, crossed swords mark to bases, numbered “2243” and “2163” respectively to bases, largest 4-1/2 x 1-7/8 x 1/2 in., one soldier lacking proper right thumb and proper right carrying pole ring, sedan lacking two brass loops, probably lacking carrying poles or similar element, some scattered minor areas of accretion Provenance: (label) Heritage Auctions, Dallas, Texas, “The Personal Collection of Shirley Temple Black,” December 6, 2016 Lot 63062 for $3,000; Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $600 - $900

699 Five Meissen Porcelain Figurines, Cupids with Hearts German, late 19th/early 20th century, after the models by Henrich Schwabe, all cupids or putti with burning or broken hearts, crossed swords marks to bases, impressed model numbers L101, L108, L116, L122, and L126X, largest 8-1/8 x 3-3/4 x 3-3/4 in., good overall condition with minor wear throughout, some areas of retouch or restoration, anomalies as made; putti balancing heart on foot with large area of repair or retouch (see blacklight photos) Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

698 Two Meissen Porcelain Satyr and Goat Figural Groups German, late 19th/early 20th century, two “Satyrgruppe” figural scenes of satyrs riding goats, crossed sword marks to bases, one drinking wine numbered “D44”, the other eating grapes numbered “D45”, larger 7 x 6-1/2 x 3-1/2 in., areas of restoration and retouch to both, more notably to drinking example (see blacklight photos), some losses to leaves Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $800 - $1,200

700 Eight Richard Wehsener Dresden Porcelain Footed Sherbets with 11 Saucers German, late 19th/early 20th century, each with “W/Dresden” marks to bases and iridescent violet ground, comprising: footed sherbets, 3-1/8 x 3-3/8 x 3-3/8 in.; saucers with monogram “IKK (?)”, 3/4 x 5-3/8 x 5-3/8 in., typical anomalies, some scratches and loss to enamel/gilt; one sherbet with crack and repair, one with hairline from rim Provenance: Private Collection, New York City Estimate: $800 - $1,200

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701 Ten Richard Wehsener Dresden Porcelain Cabinet Plates German, late 19th/early 20th century, “W/Dresden” marked to bases, enamel and gilt decoration over iridescent violet ground, 1 x 10-1/8 x 10-1/8 in., typical anomalies, wear to bases, and slight loss to gilt/enamel Provenance: Private Collection, New York City Estimate: $400 - $600

702 Three Meissen Porcelain Animal and Figural Scenes German, late 19th/early 20th century, each with crossed swords and “F 20” to base, after the models by Michel Victor Acier, largest 4-1/2 x 2-3/8 x 2-1/4 in., anomalies and minor loss to gilt/enamel; girl example with break to lamb’s proper right ear (piece retained); boy in blue hat with repair to proper left thumb Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $300 - $500

703 Teplitz Porcelain Figurine, Elephant and Rider early 20th century, marked “18” to proper right front foot, “44” to proper right rear foot, and “1875” to underside, 15-1/8 x 7 x 15 in., small areas of light wear throughout,, small chip to proper right tusk, surface dust, break and associated repair to neck of rider (see blacklight photos) Provenance: Private Georgia Collection Estimate: $500 - $700

704 Large Black Forest Hunt Themed Cuckoo Clock German, late 19th/20th century, acorn form weights and bone hands, mechanical movement, approx. 37 x 22 x 14 in., not tested for functionality, repair to leg of bird, some rubbing and abrasions to surface, some glue residue at cuckoo hatch and dial, general wear to wood commensurate with age and use Provenance: Private Collection Estimate: $800 - $1,200

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

705 Mahal Carpet early to mid 20th century, red field 10 ft. 3 in. x 11 ft., wear with overall low pile, abrash, fading, professional restorations, infill color Estimate: $1,000 - $2,000

707 Persian Runner 20th century, red field with flowering bouquets, trailing vines, white and red borders, 2 ft. 10 in. x 9 ft. 6 in., running of colors at one end, one area at center with wear to pile on front and crease to underside, abrash Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

706 Two Turkmen Rugs late 19th century, runner with tan field, leaf and checkerboard design, 7 ft. 8 in. x 2 ft. 6 in.; two octagonal medallions, 2 ft. 6 in. x 3 ft. 9 in., both with significant wear with exposed foundations Estimate: $400 - $600

708 Persian Runner 20th century, nine central medallions, red field, geometric designs, “Made in Iran” label, 2 ft. 4 in. x 9 ft. 4 in., overall good condition with minimal wear Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

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709 Tabriz Rug 20th century, blue field with leafy flowering vines, red border, 5 ft. 8 in. x 4 ft. 4 in., overall good condition Provenance: Private Asheville Collection Estimate: $300 - $500

710 Bokharra Rug 20th century, blue field with repeating medallions, multiple geometric borders, 9 ft. 1 in. 6 ft. 1 in., in overall good condition Provenance: Private Asheville Collection Estimate: $300 - $500

711 Empire Style Round Marquetry Center Table with Bronze Mounts 20th century, marquetry top with glass cover, pedestal base, outswept legs, paw feet, 33 x 47-1/4 x 47-1/4 in., fading and surface wear to top, base with scattered repairs, top rests on base with no fasteners (unstable), typical wear throughout Provenance: Private Collection, Richmond, Virginia Estimate: $400 - $600

712 Syrian Damascene Marquetry Double Pedestal Desk 20th century, geometric marquetry throughout with shell, single doors to pedestals concealing four interior drawers, top of each pedestal branded with “IMPORTE SYRIE”, with protective glass top, 31-3/4 x 47-1/2 x 29-3/4 in., typical minor surface wear, marquetry with typical repairs throughout Provenance: Private Collection, Richmond, Virginia Estimate: $500 - $700

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026

713 Directoire Style Marble and Inlaid Mahogany Center Table late 19th/early 20th century, black fossil marble top and shelf to stretcher, brass galleries, lion head mounts, and paw feet on casters, 29-3/4 x 32-1/2 x 32-1/2 in., in very good condition overall, brass inlay with some loss and lifting, lion head mounts with holes in mouth for loops not present, typical minor surface wear Provenance: Property of the Thalhimer Family, Richmond, Virginia Estimate: $500 - $700

714 20 Pieces English and Continental Silver Flatware 19th/20th century, including set of 12 English silver hollow handle fruit knives with English silver blades, marks for 1809, various markers “PS” possibly Paul Storr, “MB”, and “RP”, .925 fine, 7-1/4 in.; five Czechoslovakian silver individual asparagus tongs, .800 fine, 4-1/4 in.; sterling fork and two silver plate fork, 7.33 oz. T., excluding hollow handle and silver plate pieces, all with wear Provenance: Private Asheville, North Carolina Collection Estimate: $400 - $800

715 German Silver Dish 20th century, German silver openwork footed dish with central courting scene, .800 fine., 14.85 oz. T., 12-1/2 in., paint residue, base pushed in with damage Provenance: Shippen Family Estimate: $400 - $800

716 Brandimarte Italian Silver Covered Tureen Florence, 20th century, two handle pot form, no monograms, marks for Brandimarte, .800 fine, 52.73 oz. T., 8-1/2 x 10 x 8-1/4 in., light scratches and typical wear Provenance: Private Collection, New York Estimate: $1,000 - $2,000

https://live.brunkauctions.com/auctions/brunk/british-continental-september-24-2026-23231/catalog#catalog Click here to view lots and detail photos.

717 101 Piece Richard Ginori La Scala Pattern Porcelain Service Italian, 20th century, gilt bands and scrollwork with green foliate motifs, each marked to base, comprising: six demitasse cups and saucers; 12 flat cups and saucers; lidded teapot; large oval serving platter; small oval serving bowl; lidded sugar dish; creamer; 12 salad plates; 12 bread plates; 12 soup bowls; 12 soup saucers; 12 dinner plates; largest 1-1/2 x 14-1/2 x 10-3/8 in., good overall condition with minor loss to enamel/gilt, some discoloration at gilt rims Provenance: Private Collection Estimate: $800 - $1,200

718 Minton-Spidell Pair of Louis XVI Style Barrel Back Bergeres 20th century, patinated white painted carved frames, oatmeal linen and cotton blend upholstery, labels to undersides, 38-3/8 x 31-1/2 x 33 in., seat heights 18 in., intentionally distressed frames may be masking minor wear, upholstery with minimal wear Provenance: Private Asheville Collection Estimate: $800 - $1,200 Minton-Spidell item no 6037.11, model name “Louis XVI Barrel Back Bergere”.

719 Louis XV Style Carved Walnut Settee 20th century, voided velvet leaf on vine upholstery, walnut frame with scrolled arms, shell and foliate carvings to seat rail, cabriole legs with stretcher, two floral needlework and velvet cushions included, 46-1/2 x 67-1/2 x 31 in., seat height 19 in., upholstery with very light wear overall, area of very small white spots to back of seat, frame with typical minor scuffs to feet, stretcher with break at middle Provenance: Private Collection Estimate: $400 - $600

720 Louis XVI Style Painted Marble Top Oval Center Table 20th century, thick marble top, white paint with parcel gilt trim, apron with floral swag, stretcher surmounted with urn, 32 x 43-1/2 x 29-3/4 in., paint with consistent minor wear and retouch, marble with infill throughout as made Provenance: Private Collection, Richmond, Virginia Estimate: $500 - $700

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nental-september-24-2026-23231/catalog#catalog British & Continental | September 24, 2026