
American & Southern | September 11, 2025




1001
Hobson Pittman
(American/North Carolina/Philadelphia, 1899-1972)
Still life with flowers, signed lower left “Hobson Pittman”, pastel on paper, sight 18 x 14 in.; modern gilt wood frame, 26-1/4 x 22 in., good clean surface, not examined out of frame; frame with light wear
Estimate: $800 - $1,200


1002
Arnoldus Montanus, Arx Carolina (Dutch, circa 1625-1683)
Fort Caroline on the St. Johns River, depiction of present day Jacksonville, Florida, from De Nieuwe en onbekende Weereld: of Beschryving van America, Amsterdam, 1671, Jacob Van Meurs (British, 1600-1676), publisher, copper plate engraving on two sheets of paper, 11 x 13-3/4 in.; matted and unframed, good condition, later coloring, handling creases
Provenance: Property of a North Carolina Gentleman; Brunk Auctions, Asheville, North Carolina, March 13, 2013, lot 0443; Virginia Private Collection
Estimate: $600 - $900
1003
Xanthus Russell Smith (American/Pennsylvania, 1839-1929)
South Carolina and Savannah Coastal Sketches, 1863, group of four sketches, signed lower right “X. Smith June 14 1863”, graphite on a single sheet of paper, sight 8 x 4-3/4 in.; giltwood frame, 15-3/4 x 12-1/2 in., paper in very good condition, not examined out of archival framing; frame with light wear
Provenance: Private South Carolina Collection
Estimate: $400 - $600
Completed in the Savannah area, and executed by Smith, while he was in the service of the U.S. Navy during the Civil War. The top sketch, in the four drawing series, depicts two large ships, with shoreline views of a large plantation style house, with two smaller, perhaps slave quarter cabins, behind the large house; this sketch is signed in the upper right corner ”X.S. June 14th 1863”. The second sketch from the top was labeled by Smith as “Scull Creek S.C.”; this sketch shows two shoreline houses, as well as several fisherman, three in a boat about to be launched and two onshore. The third sketch is labeled, at the bottom of the drawing, “Tybee Entrance to Savannah River”; depicted is a lighthouse, labeled “Lighthouse”, a tall flag pole with a tinted flag and a large, round tower-like structure, labeled “Martello Tower”. During the War of 1812, the Tybee Island Lighthouse was used as a signal tower to warn Savannah of possible attack by the British. Though no such attack took place, “Martello Tower” was constructed on Tybee to provide protection in guarding the Savannah River. The final sketch, signed at the bottom right corner “X.S. June 14th 1863”, is labeled “Pulaski”. Fort Pulaski National Monument is located on Cockspur Island between Savannah and Tybee Island, Georgia; it was constructed in 1847.

1004
After John White (South Carolina, 1781-1859)
General Marion Inviting a British Officer to Share His Meal, unsigned, oil on canvas, 25 x 30 in.; 19th century gilt wood and composition frame, 32 x 37 in., conserved, lined and retaining tacking edge, possibly original stretcher, re-keyed, retouch primarily in the foliage, other scattered points of retouch, please see black light image; frame with abrasions and loss to composition
Provenance: Frank M. Widner, Brooklyn, New York; by descent to his wife, Mrs. Frank Widner, Brooklyn, New York; sold by her brother-in-law Dean Widner into an unknown collection; Private South Carolina Collection
Estimate: $8,000 - $10,000
This composition is informally known as the “Sweet Potato Supper”, of which 19th century copies rarely come to auction. For a similar example, see Brunk Auctions, February 17-18, 2007, lot 0114. This painting can be found in the Frick Art Reference Library digital database number 991003377809707141; https://digitalcollections.frick.org/digico/#/
1005
William Aiken Walker
(American/South Carolina, 1838-1921)
Cotton Picker, signed lower left “WA Walker”, oil on board, 12 x 6 in.; gilt wood frame 14-1/2 x 9 in., recent cleaning and varnish, small area of retouch in sky and in cotton bales lower right; frames with light wear, Christies sticker verso
Provenance: The Jay Altmayer Family Collection; Christie’s, New York, Private South Carolina Collection
Estimate: $3,000 - $5,000
Literature: C. Seibels, The Sunny South: The Life of William Aiken Walker, Spartanburg, South Carolina, 1995, p. 141.


1006
Rare Virginia Federal Inlaid Cherry Tall Case Clock
dial signed “Jacob Craft Shepherd’s Town”, Virginia (now West Virginia), 1800-1810, elaborately inlaid waisted cherry case with inlaid rosettes, fans, quarter fans, and banding, bellflower and diamond inlaid quarter columns, eight day brass movement, winder, pendulum, and two weights present, 106 x 20-1/2 x 12 in., dial paint generally good with even crackle, blistering and paint losses at moon phase, the case with replaced feet and probably replaced central finial, lacking outer finials, shrinkage crack at base panel, other scattered repairs
Provenance: According to consignor notes, by descent in the Craft Family, (West) Virginia
Estimate: $3,000 - $5,000
This appears to be one of the most fully developed tall case clocks by Jacob Craft known. For more on Jacob Craft, see the magazine of the Jefferson County Historical Society article entitled “Tall Clocks Made by Jacob Craft of Shepherds Town, West Virginia, 1765 to 1825” by Dr. William G. Crews, Jr.

1007
Southern Federal Walnut Lift Top Cabinet in Old Dry Surface possibly Tennessee, first half 19th century, walnut throughout, interior top with early white paint, 30-3/4 x 23-1/2 x 17-1/2 in., good condition with early dry surface, bottom board possibly replaced, finish wear especially to top
Provenance: Found in Leiper’s Fork, Tennessee; Private Tennessee Collection
Estimate: $400 - $600
1008
Tennessee Coin Silver Covered Urn, James Reed Murfreesboro, mid 19th century, urn form with scroll handle, lid with acorn finial, palm and dart die rolled border, no monogram, marks for James Reed (Murfreesboro, Tennessee, working 1832-1850), 21.91 oz. T., 9-3/4 in., rim of lid bent, base repair, light scratches and typical wear
Provenance: Private Tennessee Collection
Estimate: $2,000 - $3,000


1009
15 Tennessee Coin Silver Spoons
early to mid 19th century, including five teaspoons, marks for John M. Cayce (Franklin, 1850-1870); large spoon, marks for Eldred Beverly Cayce, Sr. (Franklin, 1865-1898); two large spoons, marks for George Washington Donigan (Nashville, 1845-1864); large spoon and teaspoon, marks for William Henry Calhoun (Nashville, 1835-1865); two large spoons and one teaspoon, mark for F.H. Clark & Co. (Memphis, 1847-1876); teaspoon, “T. Gowdey” possibly Nashville; teaspoon, Edward Raworth (Nashville, 1808-1820), 13.50 oz. T., 5-1/2 in. to 9-1/4 in., some with heavy wear, all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $400 - $800

1011
Large Virginia Coin Silver Mug
Virginia, mid 19th century, round with bead border, scroll handle, inscribed “Francis M. Stallings”, marks for Joseph M. Freeman (Norfolk, Virginia, working 1828-1871), 7.72 oz. T., 4-1/4 x 5-1/4 x 3-1/2 in., marks partial, inscription on an angle, base rim bent, handle pushed in, dents, and light scratches
Provenance: Private Collection, Asheville, North Carolina
Estimate: $100 - $300

1010
Coin Silver Mug with Virginia Inscription American, 1846, engraved paneled sides, engraved “Norfolk/Academy/Feb. 12th 1847”, and Presented to W. F. Hopkin/By his/Pupils”, marks for Gale & Hayden (New York, NY, working 1845-1850), 6.5 oz. T., 3-1/2 x 4-1/2 x 3-1/4 in., dents in sides, typical wear
Provenance: Private Tennessee Collection
Estimate: $300 - $500 Norfolk Academy is an independent co-educational day school located in Norfolk, Virginia. Established in 1728, it holds the distinction of being the oldest private school in Virginia and the eighth oldest school in the United States.

1012
12 Pieces Virginia and Maryland Coin Silver Flatware mid 19th century, including large ladle, beaded handle, marks for John H. Tyler & Co. (Richmond, Virginia, working 1866-1883); three spoons, marks for Charles Gennet, Jr. (Richmond, Virginia, working 1831-1887); Mitchel & Tyler tablespoon; one tablespoon, marks for Josiah B. Greene (Leesburg, Virginia, working 18471850); two William Mitchell, Jr. teaspoons; two teaspoons, marks for G. Mayer (Norfolk, Virginia, working 1835-1870); two teaspoons, marks for Samuel Kirk (Baltimore, Maryland, working 1815-1872), 16.01 oz. T., 5-1/4 in. to 13 in., all with wear and damage
Provenance: Private Charleston Collection
Estimate: $400 - $800

1013
16 Pieces Virginia and Washington DC Coin Silver Flatware early to mid 19th century, including four pieces with marks for Charles A. Burnett (Alexandria, VA, 1793-1796 and Georgetown, DC, 1796-c. 1840), small ladle, sugar tongs, mustard ladle, and salt spoon; three forks, marks for Mitchell & Tyler (Richmond, VA, 1845-1866); four teaspoons, marks for William Mitchell, Jr. (Richmond, VA, 1818-1845); teaspoon with marks for John H. Tyler & Co. (Richmond, 1840-1883); teaspoon, marks for Robert Keyworth (Washington, DC 1822-1855); three teaspoons, marks for M.W. Galt & Bro. (Washington, DC, 1847-1871), most with monograms, 13.37 oz. T., 4 in. to 8 in., forks with heavy wear and partial marks, all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $400 - $800

1014
Helen Fleenor Pictorial Quilt
East Tennessee, 1925-2001, 56 hand pieced appliqued blocks with hand stitched verse, animal, floral, and figural designs, one panel near middle inscribed “To Laura/June 12, 1991...”, 84 x 73 x 1/4 in., vibrant color, some picked/pulled threads, some staining throughout
Provenance: Private Asheville, North Carolina Collection
Estimate: $800 - $1,200
1015
Large American Pine Burr Quilt
possibly Alabama, 20th century, 107 x 94 in., some picked/pulled threads, scattered light staining verso, a few scattered tears and losses at edges and backing
Provenance: A Private Tennessee Collection; A Private Habersham County, Georgia Collection; Private Collection
Estimate: $500 - $700

1016
Attributed to Jacques Busbee (American/Virginia, 1870-1947)
Ft. Raleigh, painted for the 1907 Jamestown Exposition, not visibly signed, oil on canvas, 20 x 31-1/2; unframed, trimmed and lined, clean bright surface, minor losses at edge; please see details for photo and print documentation
Provenance: Private Virginia Collection
Estimate: $800 - $1,200


1017
Kara Walker (American, born 1969)
The Bush; Skinny; and De-boning, 2002 steel Edition 74/100; signed and numbered 74/100 in black ink on a label affixed to the cover of the original box, published by Deutsche Guggenheim, Berlin, complete set of three free-standing, laser-cut stainless steel multiples, painted black. The Bush 6 1/2 x 5 3/8 x 5/8 in.; Skinny 5 3/4 x 6 x 5/8 in.; De-Boning 4 3/8 x 4 x 5/8 in., published by Deutsche Guggenheim, Berlin., As new condition, in original box with light wear at corners
Provenance: Phillips: Editions and Works on Paper April 2022, lot 294; Private South Carolina Collection
Estimate: $3,000 - $5,000
1018
Carew Rice
(American/South Carolina, 1899-1971)
Theodosia, 1947, signed lower right “Carew Rice”, cut paper silhouette, 5 x 3-1/2 in.; mounted on card, 7 x 5 in.; unframed, cutout with very small tear at top border, card backing with some toning at edges and tape losses on back
Provenance: Private North Carolina Collection
Estimate: $800 - $1,200


1019
Frank Finney Mallard Drake Trinket Box
Cape Charles, Virginia, belligerent pose, finely detailed relief carved wingtips, incised bill, glass eyes, wire legs, oak turned box with signature and species designation in ink at base, 6-1/4 x 5-3/4 x 5 in., good condition, light wear, center scar with filler through lid, specks of filler or paint on lid
Provenance: Private Collection, Beaufort, South Carolina
Estimate: $1,500 - $2,500
1020
Frank Finney American Robin Trinket Box
Cape Charles, Virginia, finely detailed raised wingtips, relief carved wing and tail feathers, incised bill, glass eyes, wire legs, oak turned box with signature and species designation in ink at base, 6-3/4 x 7-1/4 x 4-3/4 in., good condition, light wear, leg attachment points with filler on underside of lid, center scar with filler through lid
Provenance: Private Collection, Beaufort, South Carolina
Estimate: $1,500 - $2,500

1021

Anti-Secession South Carolina Broadside (1851) titled “Southern Rights and Co-Operation”, the broadside contains an appeal to the voters of the Lexington District to “... elect two deputies to represent this Congressional District in the Southern Congress... Let every voter, opposed to separate secession, attend the polls”, the goal being unity rather than division, sight approximately 15 x 10 in.; framed 19 x 14 in., visible toning and staining, heavy folds with partial separation, splits and fraying around periphery, not removed from frame for examination
Provenance: Private South Carolina Collection
Estimate: $500 - $700

1022
Fine Georgia Federal Paint Decorated Huntboard circa 1861, yellow pine with powder blue paint, four nail construction drawers flanking a central door, maple knobs, inscribed on the side of one drawer “M.C. Jackson 1861, Georgia, Dawson Co. Barrettsville”, inscribed behind door panel, 42 x 58 x 19-7/8 in., current layer of blue paint revealed after restoration per David Schorsch description, wear to paint throughout with exposed wood, small area of sticky residue on top left, one iron lock set missing, proper right back leg with small stable crack near frame, some loss and split at back edge, separation at rear top seam, scattered minimal losses throughout consistent with age and use, signs of old pest damage under drawer bottoms
Provenance: Descended through Jackson-Williams-Simpson family of Georgia until 1991 M.C. Jackson, William Chastain Jackson (m. Nancy Bond), Harriett Jackson Williams, Madge Williams Simpson; David A. Schorsch Antiques, Woodbury, Connecticut (with interior label and letter of description dated 1997); Property from an Important Chicago Collection
Estimate: $5,000 - $7,000

1023
Georgia Coin Silver Dipper, Griffin Collection Provenance floral repousse and engraved bowl, beaded border rim, hollow handle with engraved floral decoration, unmarked, circa 1850, inscribed “D.M. Moffett” (1870 Georgia census lists a Dorinda M. Moffatt living in Columbus, Georgia), 6.60 oz.T., 14-3/4 in., possibly missing handle tip, dents, and light scratches. Provenance: Patrick Williams, Columbus, Georgia, November 1995; reported to have been purchased from a member of the Moffett family, a prominent family from Columbus, Georgia; Brunk Auctions, The Best of Georgia: The Florence and William Griffin Collection, May 30, 2009, lot 157, hammered $2,800; Private Collection, Asheville, North Carolina
Estimate: $1,000 - $2,000
For a similar example, see Ashley Callahan and Dale Couch, Decorative Arts in Georgia: Historic Sites, Historic Contexts, page 132. A similar dipper is held by The Columbus Museum (Columbus, Georgia).


1025
Two Kentucky Coin Silver Juleps and One Sterling Julep Horse Trophy mid 19th/20th century, largest coin silver, marks for Fletcher & Bennett (Louisville, Kentucky, working 1853-1870), no monogram, 3-1/2 in.; smallest coin silver, marks for William Kendrick (Louisville, Kentucky, working 1831-1880), no monogram, 2-7/8 in.; sterling example inscribed “1954/Lexington Junior League/ Horse Show/Fancy Pony Turnout/Donated by/P.A.B. Widener, III.”, 3 in., 9.52 oz. T. total weight, all with dents and typical wear
Provenance: Private Collection, Asheville, North Carolina
Estimate: $400 - $800

1026
Two Sets of Kentucky Silver Forks, 22 Pieces mid 19th century, including set of ten coin silver knives, shield style handles, marks for Joseph Werne, Jr. (Louisville, 1856-1874), 7-3/4 in.; set of 12 sterling knives, marks for retailer Benjamin F. Meek (Frankfort, 1839-1848), maker Whiting, 7 in., all with monograms, 31.64 oz. T., wear and lose to tines, all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $700 - $900
Six Pieces Kentucky Coin Silver Flatware including ladle with shell bowl, marks for retailer Joseph Werne, Jr. (Louisville, 1856-c. 1874), 10-1/4 in.; pie server with engraved blade, marks for retailer William Kendrick (Louisville, 1831-1880), 9-3/8 in.; three teaspoons, marks for John Kitts (Louisville, 1836-1863), 5-5/8 in.; teaspoon with marks for John A. Miller, “PADUCAH, KY”, 6-1/4 in., 9.45 oz. T. total weight, some with dents in bowl, all with typical wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $300 - $600

1027
Vintage Lexington Kentucky Painted and Wrought Iron Advertising Sign early 20th century, reading “THIS FINE STABLE FOR SALE Owner John Boulton Simpson 1170 Broadway”, 18-1/8 x 22-1/2 x 1/2 in., some flaking and loss to painted surface, rust, corrosion, and wear commensurate with outdoor use
Provenance: Purchased at a local auction in Lexington, Kentucky; Private Tennessee Collection
Estimate: $400 - $600

1045
Old Homes and Gardens of North Carolina, Signed and Numbered First Edition
[Chapel Hill]: The Garden Club of North Carolina/The University of North Carolina Press, 1939, numbered 190/1000, signed by Governor Clyde R. Hoey to forward, with loose typed errata page, green linen boards, gilt particulars to spine and front board, quarto (approx. 1-5/8 x 10 x 12-5/8 in.), seller’s penciled notations to verso of front free fly, minor foxing, paper clip marks to first and last pages/pastedowns, a few pages throughout with acid marks, some small instances of soiling, text block is otherwise clean and tight, lacking slipcase
Provenance: Private Tennessee Collection
Estimate: $100 - $300

1047
[Baldwin County, Georgia] 1828 Land Grant to Elijah Hinesdale Burritt Georgia land deed and hand drawn map from William Lott’s 1807 survey, with attached wax seal, overall in frame 21-1/2 x 15-1/2 in., good overall, some toning, folds, wear or roughness at some points of periphery, dried out seal as is typical, not removed from frame for examination
Provenance: An Important Atlanta Private Collection
Estimate: $500 - $700
Elijah Hinsdale Burritt (April 20, 1794 - January 3, 1838) was an American astronomer and mathematician active in Connecticut. Burritt is often called ‘the forgotten astronomer.’ Burritt was born to an impoverished family and was initially apprenticed as a blacksmith. After an injury on the job, Burritt turned to astronomy with a passion. He studied at Williams College, from which he graduated in 1816. After graduation he moved to Milledgeville, then capital of Georgia. He taught at local schools for several years but, being a northerner, began to feel uncomfortable as his ‘yankee attitudes’ alienated his peers. He returned to Connecticut in 1829 and turned his parents home into an observatory to pursue his love of astronomy. Burritt then organized a group of 30 settlers to relocate to the newly formed Republic of Texas. There, Burritt and many of his fellow settlers contracted Yellow Fever and died. His seminal work, Burritt’s Geography of the Heavens was published from Hartford, Connecticut, in approximately 1833. The work, while primarily educational in nature, was the seminal American geography of the period.
Source: www.geographicus.com

1046
Satchmo: My Life in New Orleans, Signed First Edition, Publisher’s Presentation Copy, by Louis Armstrong, New York: Prentice Hall, 1954, first edition, first printing, inscribed from publishers to Armstrong, signed and inscribed by Armstrong, with dust jacket, housed in half morocco clamshell case, light wear to extremities, scattered toning and light staining throughout, some creasing and small tears to dust jacket
Provenance: Property from an Important Chicago Collection
Estimate: $600 - $900

1048
John Thomason (American, 1903-1985)
South Carolina Brick Yard 1959, signed lower right “John Thomason”, inscribed verso with title and date, oil on board, 20 x 24 in.; modern wood frame, 26-1/2 x 30-1/2 in., good clean surface with minor abrasions, 2-3 small areas of retouch; frame with light wear
Provenance: Private South Carolina Collection
Estimate: $800 - $1,200
1028
Monumental Kentucky Masonic High Back Chair late 19th century, probably oak throughout with bold faux rosewood grain painted decoration, scrolled arms, straight legs, green painted globes flanking a pointed crest rail, painted globe finials, original upholstery, 82 x 26 x 28 in., surface losses and wear to paint, wear to upholstery and stuffing consistent with age and use, shrinkage cracks to finials, some deterioration to fabric back panel, overall appears to be in untouched condition
Provenance: Found in Northern Kentucky; Private Tennessee Collection
Estimate: $2,000 - $3,000

1029
Kentucky Attributed Paint Decorated Masonic Pedestal probably late 19th century, poplar throughout, in original red paint with crossed hammer decoration, 32-3/4 x 25 x 18-1/2 in., formerly fitted with a drawer at back, now missing, surface wear and paint losses, especially at top
Provenance: Found in Northern Kentucky; Private Tennessee Collection
Estimate: $500 - $700

1030
Four Carved and Painted Wood Ceremonial Masonic Staves with Metal Headpieces, American, 20th century, possibly associated with the International Orders of Odd Fellows or similar fraternal lodge, each approx. 79-1/4 x 1 x 1 in., some loss to painted surfaces, slight wear commensurate with age and use, some warping and dents to metal headpieces
Provenance: Private Tennessee Collection
Estimate: $200 - $400


1031
Ten Miniature Kentucky Stoneware Advertising Sample Jugs late 1800s to early 1900s, Bristol glazed “I.W. HARPER” whiskey jug, Albany slip and Bristol glazed “Bemiss & Thompson” whiskey jug, three Bristol glazed “JONES BROS & CO.” vinegar jugs, three “HIRSCH BROS & CO” vinegar and cider jugs, two with Albany slip and Bristol glazes, one inscribed with Albany slip glaze, two “R.M. HUGHES & CO.” fruit vinegar jugs, one with Albany slip and Bristol glaze, the other inscribed with Albany slip glaze, sizes from 3 to 3-3/4 in., glaze anomalies as made, base edge wear, small glaze frits to inscribed “R.M HUGHES” jug base edge and “R.M. HUGHES” two tone jug rim, tiny frits to base edge of “BEMISS & THOMPSON” jug with tape residue and surface abrasion, tiny frit and wear to smallest ”JONES BROS & CO.” jug, otherwise good condition
Provenance: Private Tennessee Collection
Estimate: $500 - $1,000

1032
Maud Gatewood
(American/North Carolina, 1934-2004)
Coming Home, 1983, signed lower right in fence post “MFG 83”, inscribed verso “Gatewood 83 Coming Home”, acrylic on canvas, 30 x 36 in; unframed, good clean surface; gallery wrapped stretcher, unframed
Provenance: Private Collection
Estimate: $10,000 - $20,000

1033
Robert Gwathmey (American, 1903-1988)
Prologue, circa 1962, signed upper right ‘Gwathmey’, oil on canvas, 20 x 16 in.; giltwood frame, 24-1/2 x 20-1/2 x 2 in., good clean surface, modern varnish coat, pinhole size points of retouch, conserved and restretched by Carolina Conservation Studio; frame with some losses at edge
Provenance: Terry Dintenfass, Inc., New York; Joan and Preston Robert Tisch; Private South Carolina Collection
Estimate: $10,000 - $15,000


1034
Karl Wolfe (Mississippi, 1904-1985)
Somnolent Afternoon, 1934, with portrait of blond female verso, signed lower left “Karl/Wolfe” and partially lower right, also signed and inscribed, dated 1934 with title and “Chicago World’s Fair/Chicago Galleries/ Reproduced Chicago Tribune”, oil on canvas, 20-1/4 x 18-1/8 in.; wood frame, 26 x 24 in., original stretcher and tacking edge, minute points of flaking lower left, some abrasions at edges; frame with light wear
Provenance: Elizabeth G. Dowdy, Attalia, Alabama; Brunk Auctions March 18, 2016; Private South Carolina Collection
Estimate: $4,000 - $6,000
Wolfe attended the Art Institute of Chicago, was a member of the Dixie Art Colony http://dixieartcolony.org/karl-ferdinand-wolfe/ and taught at Millsaps College. He was also instrumental in establishing the Municipal Gallery which would become the Mississippi Art Museum. He is well known for his portraiture.

1035
Corrie McCallum
(American/South Carolina, 1914-2009)
Cooper River Bridge, Charleston, signed lower left “C McCallum”, watercolor on paper, sight 17 x 23-1/2 in.; gilt wood frame, 23-1/2 x 30 in., good clean surface, bright color, not examined out of archival framing; frame with light wear
Provenance: Private South Carolina Collection
Estimate: $1,000 - $2,000
1036
Leo Franklin Twiggs (American/South Carolina, born 1934)
Untitled (Behind the Plow), signed lower right “Twiggs”, batik, sight 15-1/2 x 111/2 in.; white wood frame, 25-1/4 x 19-1/4 in., good bright color, additional fabric strip applied to center of sky (as made); frame with minor wear
Provenance: Private South Carolina Collection
Estimate: $4,000 - $6,000

1037
Kirk Repousse Coin Silver Butter Dish Baltimore, Maryland, 1846-1861, round body, floral repousse decoration, ball feet, pierced insert, cartouche, no monogram, marks for S. Kirk & Son, 20.38 oz. T., 363/4 x 8 x 6-1/2 in., base dent, liner bent, and typical wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $600 - $1,200

1039
Kirk Repousse Silver Gravy Boat and Ladle Baltimore, Maryland, coin silver gravy boat, no monogram, mark S. Kirk & Son, 1846-1861, 3-3/4 x 6-3/4 x 3-3/4 in.; sterling ladle, mark S. Kirk & Son, no monogram, 7-1/8 in., 9.38 oz. T. total, small dents and typical wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $400 - $800

1038
Kirk Repousse Coin Silver Water Pitcher Baltimore, Maryland, 1846-1861, helmet form body, floral repousse decoration, scroll handle with rams head terminal, cartouche under spout, no monogram, marks for S. Kirk & Son, 38.97 oz. T., 5-3/4 x 10 x 12-1/4 in., good condition, light wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $1,000 - $2,000

1040
Ten Pieces Maryland and Virginia Coin Silver Flatware 19th century, including Virginia sugar tongs with bright cut engraving, marks for James Gaskins (Gafkins) (Portsmouth and Norfolk, 1780-1827); sugar tongs, marks for Littleton Holland (Baltimore, Maryland, working 1800-1846); Andrew Ellicott Warner ladle, (Baltimore, Maryland, working 1864-1893); eight pieces S. Kirk & Son: two serving spoons; mustard ladle; sugar spoon; two tablespoons; teaspoon (Baltimore, Maryland, working 1861-1868), all with monograms, 12.47 oz. T., 5-1/2 in. to 9 in., Littleton tongs with crease and tear in handle, one bowl with loss to tip, all with wear wear
Provenance: Private Collection, Asheville, North Carolina
Estimate: $500 - $800

1041
20 Pieces Maryland Coin Silver Flatware early/mid 19th century, including set of six Samuel Kirk large spoons, fiddle and thread; two S. Kirk & Son large spoons, shaped fiddle handles; five tablespoons, marks for Canfield, Bro. & Co. (Baltimore, working 1845-1881); teaspoon, marks for Thomas J. Brown (Baltimore, working 1842-1884); large spoon, marks for John S. Heald (Baltimore, 1810-1812 and Pittsburgh, Pennsylvania, 1815-1841); teaspoon, retailer possibly R. Brown & Son (Baltimore, 1824-1880); one serving spoon, shell bowl, marks for retailer Andrew Ellicott Warner, Jr. (Baltimore, 1864-1893); teaspoon, partial mark, “Bailtomore”; two tablespoons, “A. Stowell” possibly Baltimore, 30.54 oz. T., 6-1/8 in. to 9-1/4 in., all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $700 - $900

1042
Two Southern Yellow Pine Fireplace Surrounds
Burke County, North Carolina, early 19th century, architectural construction, extensive molded elements with circular reeded patera, cut nails and pegged construction, 71 x 94 x 9 in., interior opening 59 x 46 in. and 72 x 92-1/2 x 11 in., interior opening 61 x 47 in., losses to wood and paint commensurate with age and use
Provenance: Private Tennessee Collection Estimate: $1,500 - $2,500


1043
Two Southern Yellow Pine Fireplace Surrounds
Burke County, North Carolina, early 19th century, yellow pine with original dark red and black paint, some grain painted vertical elements, architectural blockand-panel construction with extensive crown molding or cornice, 63 x 76 x 9 in., interior openings 47-1/2 x 43 in. and 47-1/2 x 46 in., separations and minor losses to wood and paint, wear commensurate with age and use
Provenance: Brunk Auctions, January 6, 2001; Private Tennessee Collection
Estimate: $1,000 - $2,000
1044
Two Wooden Yellow Pine Fireplace Surrounds
Burke County, North Carolina, early 19th century, yellow pine with original dark red and black paint, some grain-painted vertical elements, architectural blockand-panel construction with extensive crown molding or cornice, 63 x 76 x 9 in., interior openings both 45 x 43 in., some separations, minor losses throughout to wood and painted surface
Provenance: Private Tennessee Collection
Estimate: $1,000 - $2,000

1049
Lamar Dodd (American/Georgia, 1909-1996)
Stormy Sky, 1990, signed and dated lower right “Lamar Dodd ‘90”, inscribed in ink verso “263 Stormy Sky”, watercolor on paper, sight 11 x 14-1/4 in., gilt wood frame, 20 x 23-1/4 x 1-1/4 in., not examined out of sealed frame, slight wave to paper visible upper edge, overall good condition; frame with light wear and abrasions
Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation
Estimate: $1,000 - $2,000
1050
Lamar Dodd (American/Georgia, 1909-1996)
The Quiet Breaker, view from Monhegan, 1985, signed and dated lower right “Lamar Dodd 85”, watercolor on paper, sight 8-3/4 x 13 in.; gilt wood frame, 17 x 23 x 1 in., not examined out of sealed frame, overall good condition; frame with some wear and abrasions, mainly at corners
Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation
Estimate: $1,000 - $2,000
Literature: Dodd, Lamar, William U. Eiland, Emily Ann Arthur, and Georgia Museum of Art. 1996. Lamar Dodd: The C.L. Morehead, Jr. Collection. Athens, Ga.: C.L. Morehead, Jr.; The Quiet Breaker, circa 1985 (pg. 104).


1051
Dwight Holmes, Fall Scene (small) (Texas/California, 1900-1986)
Near Dillsborough Tennessee, signed lower left “Dwight C. Holmes”, titled and stamped verso, oil on Masonite, 9 x 12 in.; fine reproduction wood frame, 13-1/4 x 16-1/2 in., vivid color, clean surface; frame with minimal wear
Provenance: Private Collection, Florida
Estimate: $800 - $1,200
1052
Elliott Daingerfield (New York/North Carolina, 1859-1932)
Moonlight, 1912, unsigned, oil on canvas, 18-1/4 x 14-1/4 in.; carved and painted wood frame, 24-7/8 x 20 x 2-1/2 in., wax and linen lined, scattered retouch, minor craquelure; frame with wear and abrasions, chips
Provenance: Oxford Gallery, Rochester, New York (exhibition label verso)
Estimate: $5,000 - $7,000
Daingerfield often painted in Blowing Rock, NC and used his wife and daughter as models.
Exhibited: 100 Years of Presenting Art, A Celebration of the Museum’s First Exhibition, Mattatuck Museum, Waterbury, Connecticut, November 16, 2012-February 3, 2013 (label verso, lent by Oxford Gallery, Rochester, NY)



1053
Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: Grandfather Mountain - Near Linville, North Carolina (Blue Ridge Mountains), signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “Grandfather Mountain - Near Linville, North Carolina (Blue Ridge Mountains)”, etching on paper, plate 8-1/8 x 10-1/8 in., sheet 15-3/4 x 12-3/8 in.; Fort Macon, Beaufort Harbor, North Carolina, 1949, signed in pencil lower left “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “Fort Macon, Beaufort Harbor, North Carolina”, etching on paper, plate 8-1/8 x 10-1/8 in.; sheet 15-3/4 x 12-3/4 in.; The Old Mint, Charlotte, North Carolina, 1946, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “The Old Mint, Charlotte, North Carolina”, etching on paper, plate 8 x 9-7/8 in., sheet 15-3/4 x 12-3/8 in.; original archival mats, unframed , all hinged at top corners, slight wear and handling grime; matts with some wear, creasing, and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900
1054
Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: St. Thomas Episcopal Church, Bath, North Carolina; signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “St. Thomas Episcopal Church, Bath, North Carolina”, etching on paper, plate 10-1/4 x 8-1/8 in., sheet 15-5/8 x 13-3/8 in.; The Halifax House, Halifax, North Carolina, 1946, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “The Halifax House, Halifax, North Carolina”, etching on paper, plate 8 x 9-3/4 in., sheet 15-7/8 x 12-1/2 in.; Christ Episcopal Church - The Cloister, Raleigh, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “Christ Episcopal Church - The Cloister, Raleigh, North Carolina”, etching on paper, plate 10-1/4 x 8-1/4 in., sheet 15-7/8 x 12-1/2 in.; original archival mats, unframed , all hinged in at top corners, light handling wear, “Halifax” with creases lower left, mats with wear and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900

1055
Louis Orr, Two North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: Masonic Temple, New Bern, North Carolina, 1941, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “Masonic Temple, New Bern, North Carolina”, etching on paper, plate 10-1/8 x 8-1/8 in., sheet 15-3/4 x 13-1/4 in.; St. John-in-the-Wilderness, Flat Rock, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “St. John-in-the-Wilderness, Flat Rock, North Carolina”, etching on paper, plate 10-1/4 x 8-1/4 in., sheet 15-7/8 x 12-1/2 in.; original archival mats, unframed , hinged in at top corners, slight handling wear; “St. John” archival mat with heavy toning and foxing, with print unaffected
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $500 - $700

1057
Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: Presbyterian Church at New Bern, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “Presbyterian Church at New Bern, North Carolina”, etching on paper, plate 10-1/8 x 8-1/8 in., sheet 16 x 12-5/8 in.; The Blades House, New Bern, North Carolina, 1951, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “The Blades House, New Bern, North Carolina”, etching on paper, plate 8-1/8 x 10-1/8 in., sheet 15-5/8 x 13-1/4 in.; Tryon’s Palace, 1st North Carolina State Capitol, New Bern, 1950, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “Tryon’s Palace, 1st North Carolina State Capitol, New Bern”, etching on paper, plate 8-1/8 x 10-1/8 in., sheet 15-3/4 x 13-1/4 in.; original archival mats, unframed , all hinged at top corners, slight wear and handling grime; matts with some wear, creasing, and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900

1056
Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: The Old Court House, Salisbury, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “The Old Court House, Salisbury, North Carolina”, etching on paper, plate 8-1/4 x 10-1/4 in., sheet 15-3/4 x 12-3/8 in.; Davis House, 18th Century Tavern, Beaufort, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “Davis House, 18th Century Tavern, Beaufort, North Carolina”, etching on paper, plate 10 x 8 in., sheet 15-1/4 x 13-1/4 in.; The Burgwin-Wright-Cornwallis House, Wilmington, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower left, title inscribed in pencil lower left “The Burgwin-Wright-Cornwallis House, Wilmington, North Carolina”, etching on paper, plate 8-1/4 x 10-1/8 in., sheet 15-7/8 x 12-1/2 in.; original archival mats, unframed, all hinged in at top corners, slight handling wear; matts with some wear and staining `
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900

1058
Louis Orr, Two North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: Eumenean Literary Society Hall, Davidson College, Davidson, North Carolina, signed in pencil lower right, “Louis Orr”, also signed in plate lower left, etching on paper, plate 9-3/4 x 7-7/8 in.; black painted wood frame, 17-5/8 x 14-1/2 x 1/2 in.; Belo House, Winston Salem, North Carolina, 1946, signed in pencil lower right, “Louis Orr”, also signed and dated in plate lower left, etching on paper, plate 10 x 8-1/8 in.; back painted wood frame, 17-5/8 x 140-1/2 x 1/2 in.; original archival mats, unframed , not examined out of frames, toning, waviness to paper, fading; frames with wear and abrasions, mat liners with staining and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $500 - $700

1059
Louis Orr, Two North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: North Carolina State Capitol, Raleigh, West Portal, signed in pencil lower right, “Louis Orr”, also signed in plate lower left, etching on paper, plate 10-1/8 x 8-1/8 in.; black painted wood frame, 17-1/2 x 14-3/8 x 1/2 in.; The Hayes Plantation House at Edenton, North Carolina, signed in pencil lower right, “Louis Orr”, also signed in plate lower left, etching on paper, plate 8-1/8 x 10-1/8 in.; back painted wood frame, 17-5/8 x 14-1/2 x 1/2 in.; original archival mats, unframed , not examined out of frames, toning, waviness to paper, fading; frames with wear and abrasions, mat liners with staining and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $500 - $700

1060
Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: The Stanley House, New Bern, North Carolina, 1949, signed in pencil lower right, “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “The Stanley House, New Bern, North Carolina”, plate 8-3/8 x 10-3/8 in., sheet 15-5/8 x 13-1/4 in.; St. Augustine College, Raleigh, North Carolina, 1946, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “St. Augustine College, Raleigh, North Carolina”, plate 9-7/8 x 7-7/8 in., sheet 15-3/4 x 12-1/2 in.; The Leigh House, Near Edenton, North Carolina, 1951, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “The Leigh House, Near Edenton, North Carolina”, plate 8-1/4 x 10-1/8 in., sheet 15-1/2 x 13-1/4 in.; original archival mats, unframed , ”Stanley” loose, remnants of old hinge tape at upper corners, ”Augustine” and “Leigh” hinged at top corners, minor creasing, slight handling grime; mats with some wear and toning
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900


Louis Orr, Three North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: St. Mary’s Episcopal School for Girls, Raleigh, North Carolina, 1949, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower right, title inscribed in pencil lower left “St. Mary’s Episcopal School for Girls, Raleigh, North Carolina”, etching on paper, plate 10 x 7-7/8 in., sheet 15-3/4 x 13-1/4 in.; President Andrew Johnson’s Birthplace, Raleigh, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower right, title inscribed in pencil lower left “President Andrew Johnson’s Birthplace, Raleigh, North Carolina”, etching on paper, plate 9-7/8 x 8 in.,15-3/4 x 12-1/2 in.; General Lillington’s House, Wilmington, North Carolina, signed in pencil lower right “Louis Orr”, also signed in plate lower right, title inscribed in pencil lower left “General Lillington’s House, Wilmington, North Carolina”, etching on paper, plate 10-1/8 x 8-1/8 in., sheet 15-7/8 x 12-1/2 in.; original archival mats, unframed, all hinged in at top corners, slight handling wear; some creasing and toning to archival mats
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $600 - $900
Louis Orr, Two North Carolina Etchings (American, 1879-1961)
From the series North Carolina Etchings, completed between 1939 and 1952: Davidson County Courthouse, Lexington, North Carolina, 1951, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “Davidson County Courthouse, Lexington, North Carolina”, etching on paper, plate 10-1/4 x 8-1/4 in., sheet 14-3/8 x 11-3/4 in.; City Hall and Auditorium, Wilmington, North Carolina, 1950, signed in pencil lower right “Louis Orr”, also signed and dated in plate lower left, title inscribed in pencil lower left “City Hall and Auditorium, Wilmington, North Carolina”, etching on paper, plate 8-1/8 x 10-1/8 in., sheet 15-5/8 x 13-1/8 in.; original archival mats, unframed , all hinged in at top corners, slight handling wear; matts with some wear and staining
Provenance: Patricia Mesquite, Koloa, Hawaii
Estimate: $500 - $700

1063
Large Burlon Craig Catawba Valley North Carolina Stoneware Jug (Vale, North Carolina, 1914-2002) tapered form, dark olive green alkaline glaze, green and rutile glassy sparkle melt runs down from two large arching ridged strap handles, incised wavy line decoration at shoulder, incised bands up to neck, large flared spout, stamped on base “B.B. CRAIG VALE. N.C.”, 20 in., glaze voids and anomalies as made, bubbles in glaze, very good condition
Provenance: Private Collection, Florida
Estimate: $300 - $500

1065
Burlon Craig Catawba Valley North Carolina Stoneware Jar (Vale, North Carolina, 1914-2002) tapered form, light olive green speckled alkaline glaze, green glassy sparkle melt runs with tannish streaks down from four applied lug handles around shoulder, ridged shoulder, tapered neck, flared rim, stamped “B.B. CRAIG VALE. N.C.” on base, 18-1/4 in., glaze voids and anomalies as made, minor surface abrasions, residue, very good condition overall
Provenance: Private Collection, Florida
Estimate: $300 - $500

1064
Burlon Craig Catawba Valley North Carolina Stoneware Churn (Vale, North Carolina, 1914-2002) tapered form, olive green alkaline glaze to top of churn, green and tannish glassy sparkle melt runs down from four applied lug handles at shoulder, stamped “5” under and next to a handle, ridged shoulder, banded wavy line decoration at neck, flared rim, lid ledge, stamped “BBC” on base, 19-1/4 in., glaze voids and anomalies as made, minor surface wear and abrasions, very good condition overall
Provenance: Private Collection, Florida
Estimate: $300 - $500

1066
North Carolina Coin Silver Ladle, John C. Palmer
19th century, beaded and scroll handle, monogram, marks for John C. Palmer (Raleigh, Oxford, Haywood and Salisbury, working 1821-1889), 6.81 oz. T., 13-1/2 in., two dents in bowl, typical wear
Provenance: Private Collection, Asheville, North Carolina
Estimate: $300 - $600

1067
Eight Pieces Virginia, North Carolina, and Georgia Coin Silver Flatware mid 19th century, including set of four fiddle and thread forks, no monograms, marks for Joseph M. Freeman (Norfolk, Virginia, working 1828-1871); serving spoon, marks for Moses Eastman (Savannah, Georgia, working 1826-1850); one teaspoon, marks for John Y. Savage (Raleigh and Salisbury, North Carolina 1818-1826; Richmond, Virginia, 1829-1832; and New York, NY 1839-1860); two salt spoons, marks for Mitchell & Tyler (Richmond, Virginia, working 1845-1866); one salt spoon, marks for Oscar J.H. Dibble (Savannah, Georgia, working 1839-1843), 11.06 oz. T., 3-3/4 in. to 8-1/4 in., Eastman with handle repair; some pieces with partial marks
Provenance: Private Collection, Asheville, North Carolina
Estimate: $400 - $800

1069
Three Pieces Southern Silver Hollowware paneled mug with arabesque style decoration, marks for James E. Spear (Savannah, Georgia, working 1840-1844 and Charleston, South Carolina, working 1845-1871), 4-3/4 in.; round open salt with floral repousse decoration, marks for Geo. W. Webb & Co. (Baltimore, Maryland, working 1830-1890), 1-3/4 x 3 in.; possibly Southern, pap boat with reeded border, partial marks, possibly William Roe (William Roe, Albany, New York 1776; Kingston, New York 1776-1800; Troy, New York 1805-1825; and New York, NY 1826-1830), 1-3/4 x 4-3/4 x 2-1/2 in., 8.23 oz. T. total weight, mug with repair to base and possibly altered; pap with repair and possibly monogram removal, all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $500 - $800

1068
17 Pieces Coin Silver Flatware, North Carolina, Georgia, and Missouri early to mid 19th century, including two teaspoons, marks for Alvan Wilcox (Norwich, CT 1805-1816; Newark, NJ 1816-1819; Fayetteville, NC 1819-1823; New Haven, CT, 1824-1857); three teaspoons with sickle and wheat, and sugar tongs with marks for Frederick Marquand (Savannah, Georgia, working 1820-1826 and New York, NY, working 1826-1839); set of ten large spoons, marks for Louis Jaccard (St. Louis, MO, 1829-1848); one large spoon, marks for E. Jaccard & Co. (St. Louis, MO, 1852-1901); solid handle butter knife, marks for D.C. Jaccard & Co. (St. Louis, MO 1864-1873), 27.71 oz. T., 6 in. to 8-1/2 in., all with wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $800 - $1,200

1070
Three Coin Silver Mugs, Charleston and New Orleans mid 19th century, including one with floral decoration, inscribed, marks for Hyde & Goodrich (New Orleans, Louisiana, working 1828-1861), “H”; one mug with shaped sides and applied die rolled borders, marks for John Ewan (Charleston, South Carolina, working 1823-1852); one with paneled sides, scroll handle, marks for Gregg & Hayden (Charleston, South Carolina, working 1843-1845), 9.34 oz. T., 3 in. to 3-1/2 in., Ewan piece with handle repair and pushed in; paneled example with handle repair and damage, all with dents and wear
Provenance: Private Collection, Asheville, North Carolina
Estimate: $400 - $800

1071
34 Pieces Sterling and Coin Silver Flatware, Charleston Related mid 19th century, including eight spoons Gregg & Hayden/Hayden & Gregg; one William Ewan tablespoon; three teaspoons, marks for Nathaniel Hayden (Charleston, South Carolina 1832-1843 and New York, NY 1843-1855); set of twelve tablespoons, beaded borders, marks for William Carrington (Charleston, South Carolina and New York, working 1835-1901); ten teaspoons, marks for John Baptiste Dumoutet (Philadelphia, Pennsylvania, working 17921813; Trenton, New Jersey working 1797-1799; and Charleston, South Carolina working 1802-1813), 38.32 oz. T., 5-1/2 in. to 7 in., 7 in. all with wear and damage
Provenance: Private Charleston Collection
Estimate: $1,000 - $1,500
1072
13 Pieces Hyde & Goodrich Coin Silver Flatware
Louisiana, early/mid 19th century, fiddle and thread handles, six large spoons, one fork, and six teaspoons, monograms on back, marks for Hyde and Goodrich (New Orleans, Louisiana, 1816-1861), 20.83 oz. T., 5-3/4 in. to 8-5/8 in., all with typical wear
Provenance: Estate of Harriet S. Keyes, Franklin, Tennessee
Estimate: $400 - $800


1074

1073
Charleston Coin Silver Pap Boat
South Carolina, mid 19th century, helmet form with ring foot and scroll handle, three letter script monogram, marks for Gregg Hayden & Co. (Charleston, South Carolina, working 1846-1852), 3.60 oz. T., 2-1/2 x 6 x 3-1/4 in., handle pushed in, dents, and typical wear
Provenance: Weaverville, North Carolina Private Collection; Brunk Auctions, January 3-4, 2009, lot 293; Private Collection, Asheville, North Carolina Estimate: $500 - $1,000
South Carolina Presentation Coin Silver Mug, Hayden & Gregg Charleston, mid 19th century, urn form with acanthus decoration, gilt interior, scroll handle, central cartouche inscribed “H.W, Oppenheim/to his friend/Richard Yeadon”, marks for retailer Hayden, Gregg & Co. (working 1838-1842), pseudo hallmarks, maker possibly William Gale, 13.31 oz. T., 6-1/2 x 5-3/4 x 4 in., side dent and typical wear
Provenance: Private Collection, Asheville, North Carolina
Estimate: $400 - $800
1075
Five Pieces Baltimore and Charleston Coin Silver Flatware mid 19th century, including Charleston cake knife, thread handle, engraved blade, marks for Hayden & Whilden (Charleston, South Carolina, working 1855-1863) with fitted case, 11-1/2 in.; five pieces S. Kirk & Son: soup ladle, two teaspoons and small spoon (Baltimore, Maryland, working 1861-1868), 4 in. to 13 in., 13.18 oz. T. total weight, silver with typical wear; case hinge broken
Provenance: Private Collection, Asheville, North Carolina
Estimate: $600 - $900
https://live.brunkauctions.com/auctions/brunk/americansouthern-september-11-2025-17911/catalog#catalog


1076
Winfred Rembert (American/Georgia, 1945-2021)
Whiskey Still, inscribed top right in truck ”Rembert”, inscribed verso “This is a Whiskey Still/To Chicken George/from Winfred Rembert”, dye on carved and tooled leather, 10-1/4 x 23-1/2 in.; black gallery frame, 11 x 25 in., surface has bright color with minor abrasions; frame with light wear
Provenance: Purchased from the artist
Estimate: $20,000 - $40,000

1077
Winfred Rembert
(American/Georgia, 1945-2021)
Self Portrait, inscribed bottom right ”Winfred Rembert”, dye on carved and tooled leather, sight 11 x 7 in.; white gallery frame, 16 x 12-1/2 in., surface with minor losses, framed under glass; frame with minor wear
Provenance: Purchased from the artist
Estimate: $10,000 - $15,000
1078
Winfred Rembert
(American/Georgia, 1945-2021)
Water Break, inscribed bottom right in cotton bail “W Rembert”, dye on carved and tooled leather, 13 x 11-1/2 in.; black gallery frame, 15 x 14 in., mounted on foam core, surface is clean and good clear texture in clothing and basket; frame with light wear
Provenance: Purchased from the artist
Estimate: $10,000 - $20,000



1079
Howard D. Goodson (Alabama, 1919-1975)
Cliff Dwellers No. 3, signed on exhibition label verso, sand and acrylic on canvas, 34-1/4 x 42 in.; parcel gilt wood lattice type frame, 35 x 43-1/8 x 1-3/8 in., some cleavage at edge turn; frame with abrasions
Provenance: Property from an Important Chicago Collection
Estimate: $300 - $500
Exhibited: Alabama State Fair (label verso)
1080
William and Mary Walnut Drop Leaf Table with Spanish Feet probably New England, 18th century, 29 x 16-1/4 x 43-1/2 in., opens to 47-1/2 in., restorations and repairs, one skirt restored, foot facings likely restored (see detailed photos), reconfiguring and scattered restorations to drop leaves, other repairs
Provenance: An Important Atlanta Private Collection
Estimate: $800 - $1,200

1081
Very Fine and Rare Federal Inlaid and Figured Mahogany and Rosewood Sideboard Boston, circa 1810, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), with ivory key hole escutcheons, white pine and mahogany secondary, appears to retain its original cast brass stamped “HJ” for Hands and Jenkins, together with four early 19th century hand blown rectangular engraved glass bottles, 42-1/2 x 71-1/4 x 27-1/4 in., good overall condition, shrinkage cracks to veneer on doors and to top, with two keys and one loose glue block, minor patching to string inlay and corners of drawers, wear commensurate with age and use
Provenance: Descended in the Pratt Family of Roxbury and Dedham, Massachusetts; Bernard & S. Dean Levy, Inc., New York; Virginia F. White Interiors, Atlanta, Georgia, October 1984, (accompanied by copy of receipt for $28,500); The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior
Estimate: $10,000 - $15,000
This sideboard was illustrated in Bernard & S. Dean Levy, Inc., Distinguished American and English Antiques, vol. 3, p. 49.
A related sideboard owned by Richard Crowninshield Derby of Salem, Massachusetts, is illustrated in Robert Mussey, The Furniture Masterworks of John & Thomas Seymour, catalog no. 40.
This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1082
Classical Mahogany Parcel Gilt and Eglomise Paneled Looking Glass probably Salem, Massachusetts, attributed to the school of Samuel McIntire, white pine secondary, 51-1/2 x 23-1/2 in., regilded, mirror plate replaced, one rosette loose, some loss and retouch to eglomise paint (particularly around hat and back of head of seated gentleman)
Provenance: Virginia F. White Interiors, Atlanta, Georgia, June 1983 (accompanied by copy of receipt); The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior
Estimate: $1,200 - $1,800
1083
Fine Folk Art Paint Decorated Dressing Table Maine, circa 1830, comb painted with gilt highlights, single dovetailed drawer, scrolled backsplash with floral decoration, stamped pulls, 34-1/4 x 32-1/2 x 16 in.
As the Allan Katz receipt indicates, “The wonderful condition, along with the tapered legs and various painted highlights, makes this dressing table standout from most others.”, minimal loss to paint, some scratches and minor dents to surface, in overall very good condition
Provenance: Allan Katz Americana, 1998 (accompanied by copy of receipt); Property from an Important Chicago Collection
Estimate: $600 - $900

1084

Fine Springfield, Massachusetts Folk Art Paint Decorated Dome Top Trunk the interior papered with Springfield Newspaper dated 1819, top with initials “SR”, with Prussian blue, red, and green paint decoration on ochre ground, iron carrying handles and lock, 13 x 29 x 14 in., fine condition with old dry paint surface, typical cracks and wear to top, lacking part of lock catch
Provenance: An Important Atlanta Private Collection
Estimate: $1,500 - $2,500

1085
Pair of Coin Silver Entre Dishes, Frederick Marquand American, mid 20th century, rectangular form with shell, floral, and cornucopia border, bud finial, no monograms, marked “FM” and “F. MARQUAND” (Frederick Marquand, Savannah, Georgia, working 1820-1826; New York City 1830-1838), with pseudo hallmarks, 147.06 oz. T., 5-1/4 x 13 x 10-1/2 in., good condition, all pieces with clear marks, each pair with matching engraved number “4” and “6”, probably part of a set, interior scratches, small dents, and typical wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $2,500 - $3,500

1086
Illinois Coin Silver Agricultural Pitcher
American, mid 19th century, pear form with engraved acorn and foliate decoration, inscribed “First Premium/Illinois/State Fair/1859.”, no makers mark, 10.86 oz. T., 9-1/4 in., good condition, small dent in vase, light wear
Provenance: Private South Carolina Collection
Estimate: $500 - $800

1087
Philadelphia Coin Silver Teapot, John McMullin Pennsylvania, early 19th century, oval form with urn finial, wooden carved handle, monograms and coat of arms, marks for John McMullin (Philadelphia, Pennsylvania, working 1790-1841), 18.26 oz. T., 7 x 12 x 4-1/4 in., good condition, clear marks, small dents, and typical wear
Estimate: $600 - $900
The arms are those of Butler Family. ”Butler a boo” is a historical battle cry or motto associated with the Butler family, an Anglo-Norman family that rose to prominence in Ireland. The phrase is an Anglicization of the Irish “Butler abu,” meaning “Butler forever” or “Butler to victory”. It reflects the family’s Irish heritage and their martial prowess.
Comme je trouve” is a French phrase meaning “as I find” or “I take things as I find them.” It’s used as a motto, particularly by the Butler family (of Kilkenny, Ireland). The Butler family also has a significant history in South Carolina. Pierce Butler, son of Sir Richard Butler, 5th Baronet of Cloughgrenan and Henrietta Percy, resigned his commission in the British Army in 1773 and settled with Mary Middleton in South Carolina. After fighting in the American Revolutionary War, he served as a state legislator and was a member of the Congress of the Confederation, where he signed the United States Constitution. He was also a member of the United States Senate.
1088
Leo B. Blake
(Illinois/Massachusetts, 1887-1976)
New England Homestead, signed lower left “Leo B. Blake”, titled with original artist studio label verso, oil on canvasboard, 20 x 24 in.; wood frame, 23 1/2 x 27-1/2 in., yellowed varnish, surface dirt; frame with minimal wear
Provenance: Private Collection
Estimate: $1,000 - $2,000

1089
Antonio Pietro Martino (American, 1902-1989)
West Manayunk, signed lower right “Antonio P. Martino”, titled on stretcher verso “West Manayunk”, oil on canvas, 12-1/4 x 16 in.; wood frame 14-7/8 x 18-3/4 x 1-1/4 in., original condition, some pigment related fluorescence in sky area; frame with light wear
Provenance: Acquired directly from the artist; Descended in the family; Private Collection, Asheville, North Carolina; Brunk Auctions, Asheville North Carolina, November 18, 2023; Private Collection, Asheville, North Carolina
Estimate: $800 - $1,200
Exhibited: Salmagundi Club Thumb Box Exhibition, n.d. (label verso)



1090
Carl Wuermer (German/New York/California, 1900-1981)
Winter Afternoon, signed lower right “Carl Wuermer”, original artist labels preserved backing verso, oil on canvas, 25 x 30 in.; carved gilt wood frame, 281/2 x 33-1/2 x 2 in., original canvas and stretcher, tiny spots of retouch, possibly pigment related, canvas slightly loose upper right corner; frame with wear and abrasions, areas with loss to gilt
Estimate: $2,000 - $3,000
1091
John W. McCoy II (Pennsylvania/California, 1910-1989)
Maine Landscape, signed lower right “John W. McCoy”, watercolor on paper, sight 13-1/2 x 19-1/4 in.; silver finished carved wood frame, 23 x 29 x 1 in., vivid color, not examined out of sealed mat, appears in good condition; frame with near complete loss to silver finish
Estimate: $700 - $900
1092
Samuel George Phillips (Pennsylvania, 1890-1965)
Bucks County, Autumn, Signed lower left “S. George Phillips”, oil on canvas, 25 x 30 in.; carved gilt wood frame, 30-3/4 x 35-1/2 in., surface dirt; frame with abrasions and losses to gilt
Estimate: $4,000 - $6,000

1093
Malvina Cornell Hoffman, Two New Mexico Watercolors (New York, 1887-1966)
Views of Ghost Ranch, one signed lower left “Malvina/May 1 ‘36”, watercolor on buff paper, sight each 9-3/4 x 13-3/4 in.; both matted and framed, one with silver mat and frame, 17-1/4 x 20-3/4 x 1 in.; one with gilt wood frame, 15-3/4 x 19-3/4 x 1 in., one with tiny tear at upper left corner, sheets with torn sketch book edge, mounted, mat burn, toning; frames with wear, silver mat with abrasions, cream mat with toning
Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022, sold for $850; Private Collection Estimate: $800 - $1,200

1094
Michael Workman (Utah, born 1962)
Dark Hill #3, signed lower right “M. Workman”, oil on panel, 24 x 34 in.; carved gilt wood frame, 27 x 37 x 3 in., very good overall condition; frame with minimal wear
Provenance: Meyer Gallery, Park City, Utah, May 6, 1992; Property from an Important Chicago Collection
Estimate: $2,000 - $3,000


1095
Donald Teague
(New York/California, 1897-1991)
Pool of London, signed lower right “Donald Teague London NA”, watercolor on paper, sight 15-1/4 x 22-1/2 in.; silver finished wood frame, 24 x 31 x 1-1/4 in., not examined out of sealed frame, appears in good condition; frame with minimal wear
Provenance: Acquired directly from the artist; descended in family; Private Collection, Denver
Estimate: $800 - $1,200

1096
Charles Webster Hawthorne (New York/Massachusetts, 1872-1930)
Lady with White Hair, signed upper right ”C.W. Hawthorne”, oil on canvas, 44-1/2 x 34-1/4 in.; reproduction gilt wood frame, 483/4 x 38-3/4 x 2 in., old canvas lining, scattered retouch, surface dirt, canvas with three small tears at frame edge, yellowed varnish; frame with wear and abrasions, chip lower right
Provenance: Sotheby Parke Bernet Auction, New York, New York, October 27, 1977; Deaccessioned from the Granville County Historical Society Museum, Oxford, North Carolina; Buscaglia-Castellani Art Gallery of Niagara University, Lewiston, New York (label verso); Sotheby’s, New York, New York, June 22, 1984; Leland Little Auctions, Hillsborough, North Carolina, June 13, 2009; Eldred’s Auction Gallery, Dennis, Massachusetts, July 30, 2021
Estimate: $5,000 - $7,000
This is likely “Lady with White Hair” as listed in the Smithsonian American Art Museum’s Inventories of American Painting and Sculpture database, control number 60630156. It is listed with a provenance of Vose Galleries of Boston, Massachusetts.


1097
David Davidovich Burliuk (New York/Ukrainian, 1882-1967)
Snow Scene, signed lower right “Burliuk”, oil on canvas board, 12 x 16 in.; Arts & Crafts style gilt wood frame, 15 x 19 x 1-1/4 in., yellowed varnish, wear along edges and corners, surface dirt, some previous nail holes along left and right edges; frame with wear and abrasions, chips
Provenance: Private Collection, Asheville, North Carolina
Estimate: $800 - $1,200

1099
Rococo Revival Gilt Bronze and Frosted Glass Four Light Chandelier probably American, mid 19th century, central column issuing four scrolled arms supporting burners and reservoirs with frosted glass shades, approx. 39 x 36 x 36 in., chain 20 in., wired for electricity, wires clipped, surface probably regilt, scattered areas of discoloration and verdigris, lacking prisms, shades with typical light wear and chips to rims
Provenance: Nancy Braithwaite Interiors, Atlanta, Georgia, June 18, 2001 (accompanied by copy of cost sheet priced $22,750); An Important Atlanta Private Collection
Estimate: $1,000 - $2,000
1098
George Rogers Wilson (New York/Ohio, 1919-2007)
Logging Trail, 2005, signed lower right “Wilson”, oil on board, 16-1/2 x 22-1/4 in.; silver gilt wood and composition frame, 23-3/4 x 29-3/4 x 2-1/2 in., surface dirt, yellowed varnish; frame with wear and abrasions, losses at corners
Provenance: Orchard Studio, Granville, New York (label verso); Gallery North Star, Grafton, Vermont (label verso); Private Collection, Florida
Estimate: $500 - $700

1100
Overlay and Cranberry Cut Glass Lamp Base
19th century, unmarked, possibly Boston & Sandwich Glass Co., brass mountings and marble base, approx. 16-3/4 x 6-3/4 x 6-3/4 in., lacking chimney, shade, and burner, patina to brass, some wear to base, scattered small abrasions and losses to opaque white overlay
Provenance: Private New York Collection
Estimate: $600 - $900

1101
Harold Von Schmidt (California/Connecticut, 1893-1982)
Tugboat Annie Takes a Chance, an illustration for Saturday Evening Post, signed upper left “Harold Von Schmidt 1955”, oil on canvas, 30 x 44 in.; fine carved gilt wood and composition frame, 38-3/4 x 52-3/4 in., surface dirt, yellowed varnish; frame with abrasions
Provenance: The Estate of Sylvia and Richard Garrett, Maryland
Estimate: $2,000 - $3,000
Original Saturday Evening Post label attached verso, with title and date 6/1/55


1102
Frank Duveneck N.A. (Ohio/Kentucky, 1848-1919)
Head of a German Peasant, signed with monogram lower right “FD”, oil on canvas, 16 x 12-7/8 in.; period carved gilt wood frame, 23-1/8 x 20 x 2 in., old linen lining, retouch, crackle; frame with wear and abrasions, chips
Provenance: Museum of Fine Arts, Houston, Texas, deaccessioned on March 19, 2007 (label verso); Mrs. Willimina Borland, Houston Texas (label stretcher verso); Sotheby’s, New York, New York, sold on June 13, 2007; Stair Galleries, Hudson, New York, sold on April 26, 2008
Estimate: $2,000 - $3,000
1103
John Steuart Curry (Kansas/Pennsylvania/Connecticut/Wisconsin, 1897-1946)
Portrait of Kathleen Curry, the Artist’s Wife, 1938, signed and titled lower left “Kathleen/John Steuart Curry”, oil on shaped canvas, 55 x 34 in.; original frame with arched spandrel, 67 x 46 in., laid on Masonite, crackle, retouch, yellowed varnish, varnish poorly applied with significant drips; frame with some wear, spandrel surface appears to have been waxed, with waxy surface dirt layer
Provenance: na
Estimate: $3,000 - $5,000
Exhibited: National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., label verso with accession number, title and “Lent by Mrs. Kathleen Curry”
1104
Ward Nichols (North Carolina/West Virginia, born 1930)
Untitled, Barn in the Snow, 1975, signed lower right with conjoined monogram “WHN”, artist’s stamp on stretcher verso and inscribed with date “2/3/75”, oil on canvas, 18-1/4 x 23-7/8 in.; painted wood frame, 24-1/2 x 30-1/2 x 2-1/4 in., yellowed varnish, stretcher marks, crackle; frame with light wear and abrasions
Provenance: Private Collection; Brunk Auctions, Asheville, North Carolina, March 15, 2014; Private Collection, Florida
Estimate: $2,000 - $3,000
1105
Wilhelm Heinrich Dethlef Koerner Western Illustration (New Jersey/New York/Montana/Germany, 1878-1938)
He Fired Again, initialed lower left “WHDK”, inscription in pencil verso on remnant of original stretcher, oil on canvas, 16 x 36 in.; silver gilt wood and composition frame, 22-1/8 x 42-1/8 x 2-1/2 in., canvas lined, areas of fluorescence; frame with abrasions
Provenance: The Estate of Sylvia and Richard Garrett, Maryland
Estimate: $2,000 - $4,000
inscribed verso on remnant of original stretcher, likely pertaining to the story this was illustrating; “...But just as he reached the edge of the arroyo...fired again”.



1107
Texas Oil Town, 1951 (American, 20th century)
1106
Tom Nicholas (Massachusetts, Connecticut, born 1934)
By the Sea, Stonington, Maine, signed lower left “Tom Nicholas, NA, oil on Masonite, 12 x 16 in.; fine gilt wood frame, 18-3/4 x 22-3/4 in., slight surface dirt; frame with minimal wear
Provenance: Private Collection Estimate: $700 - $900
Modernist Town Scene with Oil Fields, signed and dated lower right “‘51 Green”, oil on canvasboard, 16 x 20 in.; natural wood frame, 20 x 24 x 2 in., surface dirt; frame with wear and separation at corners
Provenance: Private Tennessee Collection Estimate: $700 - $900


1108
James Castle (Idaho, 1899-1977)
Untitled, Orange Dog, pigment on paper with collage on found paper, 3-1/8 x 6-5/8 in.; maple frame, 11-1/2 x 14-3/8, floated, good condition, not removed from frame
Provenance: AC Wade Castle Collection LP to J J Christ, 1996; Property from an Important Chicago Collection
Estimate: $5,000 - $7,000
This lot is accompanied by a facsimile of an original receipt.
1109
James Castle (Idaho, 1899-1977)
Untitled, a double-sided drawing: Village with Duck recto and ”Ross/For/Governor/White Think” verso, unsigned, tobacco, spit, and charcoal on found paper, sight 8-3/8 x 10-7/8 in.; maple frame, sandwiched glass, 20-1/4 x 18-1/4 x 1-1/4 in., loose, some toning, not removed from framing
Provenance: Property from an Important Chicago Collection
Estimate: $6,000 - $9,000


1110
William Wegman (American, born 1943)
By Association, 1988, Polaroid, Polacolor II photograph, sheet 20 x 24 in.; dark wood frame, 31-1/4 x 27-1/4 x 1-1/2 in., not examined out of sealed frame, surface appears in excellent condition; frame with minimal wear
Provenance: Dart Galleries, Chicago, Illinois (label verso); Property from an Important Chicago Collection
Estimate: $2,000 - $3,000

1112
William Wegman (American, born 1943)
Untitled (Picnic Trio), 1992, Ektacolor print, 14 x 11 in. with rounded corners; fine black finished wood frame, 22-1/8 x 18 in., not examined out of sealed frame, print surface appears excellent; frame with minimal wear
Provenance: Lisa Sette Gallery, Scottsdale, Arizona (label verso); Property from an Important Chicago Collection
Estimate: $1,000 - $2,000

1111
George Bellows (New York/Ohio, 1882-1925)
The Red Barn, signed lower left “G.W. Bellows”, oil on repurposed board, 11 x 14 in.; unframed, surface dirt layer, wear at edges and corners
Provenance: Private Collection
Estimate: $1,000 - $2,000

1113
Fine William and Mary Walnut and Pine Tavern Table in Early Surface
New England, 18th century, walnut legs and stretchers with pine top and skirts, single dovetailed drawer, fine turnings, 25-1/2 x 40 x 23-3/4 in., fine condition and integrity overall, large shrinkage crack and separation to top, five inch patch to breadboard molding, other typical cracks and surface wear overall
Provenance: An Important Atlanta Private Collection
Estimate: $1,200 - $1,800


1115
1114
Fine Assembled Set of 12 Carved and Figured Mahogany Klismos Side Chairs, New York, circa 1815, ash secondary, saber legs, cornucopia backs, fine green silk upholstery with embroidered bees, 31-3/4 x 18-1/2 x 19 in., fine overall condition; crack at one rear leg attachment (fragile), very minor repairs at ears, five with replaced slip seats; chair XII with matching period slip seat; chair XI with unmarked period slip seat; chair VIII with matching period slip seat; chair X with matching period slip seat; chair III with period slip seat VI; two unmarked chairs with unmarked period slip seats
Provenance: The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior
Estimate: $3,000 - $5,000
Fine Philadelphia Chippendale Highly Figured Mahogany Bow Front Chest, Pennsylvania, 1775-1785, highly figured veneers, inset quarter columns, original boldly formed ogee bracket feet, poplar, white cedar, and yellow pine secondary, 37-1/2 x 42 x 23-1/2 in., excellent condition overall, original feet and blocking, brasses replaced, minor surface wear to top, other minor surface flaws
Provenance: Samuel Eyre (b. 1734), to his son; Nathan Eyre (1767-1819), to his son; Joseph Eyre (1806-1880), to his son; Edward Hopkins Eyre (18401925), to his daughter; Helen Lewis Eyre (1889-1969), to her son; Duncan MacAlester Eyre; Deanne Levison, American Antiques; Private Collection, purchased from the above August 3, 1987 (accompanied by copy of receipt); An Important Atlanta Private Collection
Estimate: $3,000 - $5,000
1116
Labeled John Elliott and Sons Philadelphia Chippendale Parcel Gilt Mirror 18th century, with large label for John Elliott, pierced crest and distressed mirror plate, 34 x 19-3/4 in., restorations and repairs, two ears restored, restorations and resurfacing to bird figure, scattered veneer repairs, distressed mirror plate possibly original (not removed for exam), back corners of frame with later letter L brackets
Provenance: Private Collection, Arden, North Carolina
Estimate: $700 - $1,000


1117
American Chippendale Figured Walnut Dish Top Candle Stand Pennsylvania, 18th century, in old surface, single board figured dished top, tripod base with baluster turned support, 27-1/2 x 21-3/4 x 22 in., old dry surface, edge losses to top molding with one associated crack, some color retouch at legs, original iron spider
Provenance: Elizabeth Stvan, Williamsburg, Virginia
Estimate: $600 - $900

1118
Fine Eglomise, Silk and Watercolor Pictorial Needlework probably American, 1800-1820, title and signed “The Parting of Hector and Andromache / Caroline Cook”, silk on silk with watercolor elements, sight 171/4 x 21-3/4 in.; giltwood eglomise frame, 26 x 29-3/4 x 3-1/2 in., some areas of shattering and loss along edges, a few picked/pulled threads, appears fragile (not examined out of frame); frame with losses to eglomise panel, light wear and abrasions
Estimate: $1,500 - $2,500

1119
Framed American Alphabet Needlework Sampler possibly Southern states/South Carolina, signed and dated “Mary Elizabeth Crenshaw / 1828”, silk on linen, 17-1/2 x 17-1/2 in.; framed, 19-3/4 x 19-1/4 x 1/4
in., stitched in on mat, some tears and losses at lower right edge, some old stitched repairs along lower edge, scattered light staining, moderate fading; frame with light wear and abrasions
Provenance: Private South Carolina Collection
Estimate: $800 - $1,200
Records can be found for a Mary Elizabeth (nee Crenshaw) Saxon, born August 29th, 1815 in Newberry County, South Carolina, to Archibald and Mary Finch Crenshaw. She died January 31st, 1848 at age 32, and is buried at Wetumpka City Cemetery in Elmore County, Alabama, where her husband, Lydall Parke Saxon, is also buried.

1120
Large American Double Handled Burlwood Bowl probably Woodlands Indians, New York, possibly mid 18th century, white ash burl, 7-5/8 x 22-1/2 x 18-1/4 in., numerous cracks along grain, some age splits, edge roughness, unfinished interior surface
Provenance: George and Debbie Spiecker Fine Americana, Shawnee Mission, Kansas, June 20, 1993 (accompanied by copy of receipt for $3,900); Property from an Important Chicago Collection
Estimate: $500 - $800


1122
Large and Unusual Shaker Iron Clad Painted Lidded Utilities Box
1121
Large Early Ash Burl Bowl with Unique Patina Northeast, New York State, circa 1760-80, rich, dark, and complex surface with two in-period iron staple repairs and one lead fill repair, 7-7/8 x 19-1/2 x 19-1/2 in., old iron staples/supports to crack, lead infill, wear commensurate with age and use
Provenance: According to consignor notes this bowl was purchased from Steven S. Powers in 2018; Private South Carolina Collection
Estimate: $1,000 - $2,000
Literature: For similar examples please see North American Burl Treen: Colonial & Native American by Steven S. Powers, pg. 34 & 123.

1123
American Sheet Metal Folk Art Trotting Horse Weathervane probably Pennsylvania, 19th century, iron with old distressed brick red paint, with stand, 67 x 42-1/2 x 10 in. on stand, discoloration and flaking to painted surface, numerous areas of rust and corrosion, stand with scattered scratches and abrasions
Provenance: Peter D. Hynson Antiques, Baltimore, June 21, 2000 (accompanied by copy of receipt for $6,900); Property from an Important Chicago Collection
Estimate: $600 - $900
New York, 19th century, red and blue painted ground with traces of white, iron strap mounts, conforming lid, 17-1/2 x 20-1/2 x 15-1/2 in., heavy flaking and losses to paint, several age splits and separations, rust and corrosion to iron banding, surface dust
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $400 - $600
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, Nov. 3 1848 to April 4, 1921, with descent to the consignor’s family. According to consignor notes, this box was used to transport seed to Pleasant Hill Farm in New York.

1124
Large Vintage Painted Alcoa and Aluminum Greyhound Trade Sign painted aluminum, stamped verso “ALCOA” with numeral, 17-3/4 x 83-1/4 x 1/2 in., heavy flaking and losses to paint, scattered surface scratches, some rust at mounts verso
Provenance: Property from an Important Chicago Collection
Estimate: $600 - $900


1125
American Carved and Polychromed Pine Hanging Shelf, Sotheby’s
Provenance, possibly New Mexico, probably 19th century, 10-1/4 x 34-1/4 x 8 in., top board and support bracket are modern, crackle, flaking, and losses to painted surfaces, typical wear and abrasions at edges, some holes from old pest damage
Provenance: Collection of Mr. and Mrs. Al Luckett, Jr.; Sotheby’s, New York, January 15, 1998, lot 200 (accompanied by copy of invoice for $1,200); Property from an Important Chicago Collection
Estimate: $500 - $800

1127
Union Porcelain Works Porcelain Oyster Plate
late 19th century, soft paste shell form dish with six oyster shell forms, one scallop form, decorated with pink and blue glaze, marked on base “UPW / Pat. Jan 2, 1881”, 10-1/4 x 7-3/4 x 1-1/2 in., in good condition overall with some slight discoloration to edge of plate
Provenance: Private Collection
Estimate: $400 - $600
1126
Union Porcelain Works Turtle Vase
American, late 19th century, white glaze, molded form of a turtle hugging a pitcher plant, incised mark on base, approx. 8-3/4 x 4-1/2 x 3-3/4 in., crack above turtle’s head on plant, small repair at rim, manufacturing flaws
Provenance: Private Collection
Estimate: $500 - $700
According to consignor notes, these were sold at the Philadelphia Centennial, see The Magazine Antiques, July 1976.

1128
Two Large United States Flags, 38 and 45 Star Examples
circa 1877-1890, with 38 hand sewn linen stars (8-7-8-7-8) on blue canton, and 13 hand sewn bars, linen hoist marked “Lamprell & Marble, 357 Com’l St. Boston”, approximately 92 x 170 in.; and a second larger flag, circa 1896-1908, as before but with 45 hand sewn stars (irregular 6-6-7-6-7-6-7 pattern), approximately 106 x 190 in., each with considerable distress from usage, numerous stains, also visible tears, separations, and fraying
Estimate: $500 - $700

1129
Rare Labeled American Federal Inlaid and Parcel Gilt Mirror circa 1820, back with partial paper label for “Hosea Dugliss, Looking Glass Manufacturer, 11 Chatham Row... New York”, the scrolled crest issuing a trumpet form vase with gilt flowers and leaves, old, probably original mirror plate with inlaid surround, 58 x 23 x 3 in., very good condition overall, distressed mirror plate, probably original streamers with one damaged and retouched rosette, other possible restorations at streamers, typical veneer cracks and flaws with some repairs at lower ears, central ornament appears to be original with later screw attachment
Provenance: Deanne Levison American Antiques, 1988 (with copy of receipt); An Important Atlanta Private Collection
Estimate: $1,200 - $1,800

1131
Rare Northern New Mexico Carved and Painted Diminutive Chest possibly Taos, 19th century, paneled sections with starburst design, iron strap hinges and lock, 21-1/2 x 33-1/2 x 17 in., areas of loss and repair consistent with age and use, sturdy, vibrant color, 4 inch strip patch at back of lid, later shims at front edges of case, some old losses at tenon joints, probably late 19th century green paint over traces of early blue. As the Sotheby’s catalog indicates, “Has undergone typical native usage... the signs of usage are typical in furniture of the Northern Frontier. In original, “as found” condition.”
Provenance: Cordova Family Collection, Taos; Cordova Family Collection, Aguilar, Colorado; Collection of Mr. and Mrs. Al Luckett, Jr.; Sotheby’s, New York, January 15, 1998, lot 188 for $34,500 (accompanied by a copy of receipt); Property from an Important Chicago Collection
Estimate: $3,000 - $5,000

1130
American Federal Lift Top Chest in Early Red Paint
pine with ash(?) legs, lid lifting to a divided interior, iron carrying handles, 30 x 40 x 20-1/2 in., extensive wear and edge losses to lid distress and losses to paint
Provenance: Private Tennessee Collection
Estimate: $300 - $500

1132
Attributed to Victor de Grailly (French, 1804-1889)
Riders on Horseback, circa 1850, unsigned, oil on canvas, 16 x 21 in.; reproduction gilt wood and composition frame, 20 x 25-1/4 in., lined, areas of retouch upper right edge, foreground lower left, lower left edge, crackle; frame with Provenance: Kennedy Galleries, New York, NY (label verso); Brunk Auctions, Asheville, North Carolina, January 26, 2019, lot 1096, sold for $1,500; Virginia Private Collection
Estimate: $1,000 - $2,000
Victor de Grailly was a French landscape painter trained under neoclassical master Jean-Victor Bertin. He exhibited at the Paris Salon for nearly fifty years, earning recognition and medals in 1840 and 1844. Though rooted in neoclassicism, his style evolved toward Romanticism, known for its vivid color contrasts and dramatic skies. De Grailly gained acclaim for his idealized American landscapessuch as views of the Hudson River Valley, Niagara Falls, and Mount Vernon-despite no documented travel to the U.S. Drawing inspiration from travel literature and engravings, he successfully exhibited his work in major American cities between 1845 and 1858. Today, his paintings are held in major U.S. institutions, including the Metropolitan Museum of Art, the White House, and several prominent regional museums, as well as collections in France.
1133
Attributed to Henry Ary (New York/Rhode Island, 1807-1859)
Overlooking the Hudson, unsigned, oil on canvas, 24 x 32 in.; reproduction gilt wood frame, 29 x 37 x 1-1/2 in., lined, areas of retouch, stabilized crackle; frame with abrasions and small chips
Provenance: na
Estimate: $3,000 - $5,000


1134
American School Western Panorama (19th century)
Western Landscape, unsigned, oil on canvas, 22 x 36 in.; fine period carved gilt wood frame, 30-1/2 x 44 in., original canvas and stretchers, crackle, yellowed varnish, canvas cleaned by Muir Fine Arts, Pisgah Forest, North Carolina, 2011; frame also restored by same company, some wear
Provenance: Nancy L. Huff and Thomas Chandler Antiques, Roanoke, Virginia, August 7, 2008, sold for $2,400; Virginia Private Collection
Estimate: $900 - $1,200
1135
Alfred Wordsworth Thompson (New York/Maryland/New Jersey, 1840-1896)
Crossing the River, signed lower right “Wordsworth Thompson”, oil on canvas, 8-3/4 x 17-1/4 in.; fine gilt wood and composition frame, 16-1/2 x 25-1/4 x 3-3/4 in., wax and linen lined, minor surface dirt, scattered spots of retouch; frame with wear and abrasions, losses, some separation to corners, likely regilt
Provenance: Kennedy Galleries, Inc., New York, New York (label verso); Godel & Co., Inc., New York, New York (label verso); Private Collection, New York, New York; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 24, 2019, (label verso); Private South Carolina Collection
Estimate: $2,000 - $3,000


1136
Andrew John Henry Way
(District of Columbia/Maryland, 1826-1888)
Oysters, 1872, initialed and dated lower right “A.W.’72”, oil on academy board, 6 x 9-3/8 in.; period gilt wood frame, 9-1/2 x 12-1/2 x 1-3/4 in., crackle/surface anomaly lower edge, possibly pigment related, retouch and abrasions at edges under frame; frame with wear and losses commensurate with age
Provenance: The Collection of William and Abigail Gerdts, Washington, D.C.; Doyle Auctions, New York, New York, March 27, 2019, sold for $4,500; Private South Carolina Collection
Estimate: $3,000 - $5,000
Literature: Gerdts, William H., and Philbrook Art Center. 1981, Painters of the Humble Truth; Masterpieces of American Still Life, 1801-1939. Columbia, Mo., [Tulsa, Okla.]: University of Missouri Press; Philbrook Art Center. pg. 110, figure 5.22.
Exhibited: The American Federation of Arts, A Century of American Still-Life Paintings: 1813-1913, October 1966-October 1967, exhibition number 66-12 (label verso); Philbrook Art Center, Tulsa, Oklahoma, Painters of the Humble Truth: American Still Life Painting, September 27, 1981-July 4, 1982, no. 134 (label verso); Mead Art Museum, Amherst College, Amherst, Massachusetts, February 27-April 26, 1998, also at Berry-Hill Galleries, New York, New York, May 9-June 26, 1998: For Beauty and For Truth: The William and Abigail Gerdts Collection of American Still Life (labels verso); Triton Museum of Art, San Jose, California (label verso)

1137
Alfred Rudolph Waud, Important Civil War Drawing (New York, 1828-1891)
The Excavation of Dutch Gap, circa 1880-1884, initialed lower left “ARW”, titled in ink lower right “The excavation of Dutch Gap”, Bristol Boards blindstamp upper right with crown motif, ink stamp upper center “3274”, ink on wove Bristol paper, sheet 14 x 18 in.; gilt wood and composition frame, 25-3/4 x 29-3/4 x 1-3/4 in., loose, held in with plastic corners, restoration at corners and upper edge, toning, handling grime; frame with minimal wear
This lot was conserved in 2010 by paper conservator, Patricia Hamm.
Provenance: Adamson-Duvannes Galleries, Los Angeles California (label verso)
Estimate: $800 - $1,200
Excavation of the Dutch Gap Canal in Virginia was begun in 1864. The excavation was performed largely by a unit of African American soldiers, which took continual fire from Confederate troops. The bravery of the soldiers was mentioned by General Grant in his memoirs. Alfred Waud attended every major engagement of the Army of the Potomac, sketching the action and sending his sketches back to Harpers.

1138
Day Lowry, War Ship Painting (American, 20th Century)
Coast Guard’s “Corsair Fleet”, signed lower left “Day Lowry”, oil on canvas, 30 x 25 in.; painted wood frame, 33 x 28 in.; together with a photograph of the same type of boat, manned by the consignor’s grandfather, some crackle, some paint loss, especially in wave under the bow, original surface, stretcher and tacking edge; frame with light wear
Provenance: Private Collection, Virginia
Estimate: $1,000 - $2,000
The Corsair Fleet was also known as the Coastal Picket Force and they were active during World War II. Day Lowry is known for both Maritime scenes and American Patriotic scenes, sometimes used for posters. This work combines the two genres.
1139
Elizabeth Williams (California, 1844-1889)
Abundant Still life with Roses, signed lower left “EWilliams”, oil on canvas, 27-1/2 x 34-1/2 in.; carved gilt wood frame, likely early/mid 20th century, 32 x 38-3/4 in., original canvas and stretchers, unrepaired tear at center, stabilized by tape verso, surface dirt, crackle, yellowed varnish; frame with wear, cracking Provenance: By Descent in the family of Edwin Bryant Crocker and his wife Margaret, founders of the Crocker Museum, Sacramento, California
Estimate: $6,000 - $8,000


1140
Severin Roesen (German/America, c. 1815-1871)
Still life with Grapes, signed lower right “S. Roesen”, oil on panel, 9-1/2 x 12 in.; period carved gilt wood frame, 13-3/4 x 16-1/4 x 1-1/2 in., scattered areas of paint loss to grapes, also at edges under frame, yellowed varnish, surface dirt, areas of fluorescence; frame with abrasions consistent with age
Provenance: Acquired directly from the artist; Edmund Koch, Williamsport, Pennsylvania; descended in the family to his daughter, Alvina Koch (Mrs. Howard Murray Ritter), Williamsport, Pennsylvania
Estimate: $5,000 - $7,000
Literature: “Not Quite Forgotten, a Study of Williamsport Painter S. Roesen”, by Richard Stone, Lycoming Historical Society Proceedings and Paper, November 1951, nos. 59. A copy of the paper accompanies this lot.

1141
A Fine American Classical Pineapple Carved Four Poster Bedstead circa 1820s, with four fully carved, bed posts in probably original varnished surface, each with leaf and pineapple decorated posts, finials, and legs, brass cuff feet with casters, maple rails with early red stain, 92 x 79 x 59, inside 53 x 73, overall good condition, chips and losses to carving, scattered wear, one bolt broken off inside cavity, lacking 4 rope pegs
Provenance: Private Collection, Asheville, North Carolina
Estimate: $2,000 - $3,000


1142
A Federal Gilt White Painted and Eglomise Decorated Mirror
New York, with label for “Muhlenberg & Schmidt, New York . . . Looking Glasses . . .”, the gilt and painted frame centering an eglomise plate with pale blue surround and landscape scene with dock and figures, 46-1/2 x 27 x 5-1/5 in., some flaking to eglomise plate (not removed for exam), mirror plate and backboards replaced (backboards refitted with cardboard), overall pleasing surface with even crackle to white paint, scattered minor flaking at edges, other cracks and wear to gilding, and typical surface distress
Provenance: label verso for Ginsburg and Levy; An Important Atlanta Private Collection
Estimate: $1,500 - $2,500

1144
1143
Fine Set of Four American Classical Grain Painted, Stenciled, and Gilt Side Chairs, mid Atlantic states, 1820-1840, each finely decorated “fancy” chair with rush seat and loose cushion, 33 x 17-3/4 x 18-1/2 in., generally good condition with original paint surface, some distress and discoloration to varnish overcoat, especially at backs, expected paint wear and losses, especially at seat frames and edges of tablet backs, wear and tears to upholstery
Provenance: An Important Atlanta Private Collection
Estimate: $1,000 - $1,500
Tiffany Studios Harp Desk Lamp early 20th century, base stamped “Tiffany Studios/New York/419”, patinated bronze with yellow-gold damascene glass shade signed “L.C.T.”, 13-1/4 x 9-1/4 x 6-7/8 in., not tested for functionality, some light wear to patinated bronze base, a few chips and abrasions to socket rim and top, some verdigris, shade with some very minor scratches to interior, “L.C.T” only visible under raking light
Provenance: Macklowe Gallery, New York, November 10, 2003 (accompanied by copy of receipt for $13,000); Property from an Important Chicago Collection
Estimate: $2,000 - $3,000
Literature: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models by Alastair Duncan, 2007, pg. 88, fig. 349.

1145
Four Pieces Tiffany Sterling Hollowware American, 20th century, including round friendship tray, 13 signatures on front, “20220...11770”, 13 in.; two small Revere style bowls, 3-1/4 x 5-1/8 in. and 2-1/4 x 4 in.; folding frame with original bag and box, 3-3/8 x 5-1/8 in., 42.95 oz. T. total, good condition with typical wear
Provenance: The Estate of Sylvia and Richard Garrett, Maryland Estimate: $1,000 - $1,500

1147
Three Pieces Silver Hollowware American, 20th century, including oval Reed & Barton sterling bowl, inscription on base, 12-1/2 in.; round dish with stepped border, marked “Shep”, “Handmade”, and “Sterling”, 5-3/8 in.; silver plate creamer, 6 in., 20.57 oz. T. excluding silver plate, all with typical wear
Provenance: From the Collection of L. Nelson and Virginia Bell, Waynesboro, Virginia, who resided in China between 1916 and 1941; by descent in family Estimate: $500 - $700

1146
Two Sets of Four Sterling Candlesticks one set in the Georgian style, marks for Currier & Roby (New York, NY 1901-1943), 10-1/4 in.; one set with bead borders, marks for Bailey, Banks & Biddle (Philadelphia, Pennsylvania, working 1878-2019), 10 in., both set weighted, Currier & Roby set in good condition, one bobeche bent; Bailey, Banks & Biddle set with dents, creases, all with wear
Provenance: The Estate of Sylvia and Richard Garrett, Maryland Estimate: $800 - $1,200

1148
Reed & Barton Sterling Eight Light Candelabra American, 20th century, acanthus borders, marks for Reed & Barton, weighted, 20-1/2 x 13-1/4 x 13-1/4 in. , good condition, typical wear
Provenance: Private Collection, Charleston, South Carolina Estimate: $300 - $600

1149
Reed & Barton Frances I Sterling Flatware, 64 pieces
American, 20th century, including nine 9 in. hollow handle knives; nine 7-1/4 in. forks; nine 6-1/4 in. salad forks; nine 6 in. teaspoons; nine 7-1/4 in. oval soup spoons; ten 7-3/4 in. ice tea spoons; cocktail fork; three hollow handle butter knives; ladle; sugar spoon; jelly server; serving spoon; slotted serving spoon, no monograms, all with marks for Reed & Barton, 79.41 oz. T. excluding hollow handle pieces, average wear
Provenance: Private Collection
Estimate: $2,500 - $3,000

1151
20 Pieces Reed & Barton Francis I Sterling Flatware American, 20th century, including four oval soup spoons; four round soup spoons; eight ice tea spoons; serving spoon; solid handle butter knife; two piece hollow handle salad set, some with monograms, all with marks for Reed & Barton, 28.09 oz. T. excluding hollow handle pieces, average wear
Provenance: From the Collection of L. Nelson and Virginia Bell, Waynesboro, Virginia, who resided in China between 1916 and 1941; by descent in family
Estimate: $800 - $1,200

1150
26 Pieces Red & Barton Francis I Sterling Serving Pieces American, 20th century, including 8-1/4 in. serving spoon; 8-3/8 in. pierced slotted serving spoon; 4-3/4 in. lemon fork; 9-5/8 in. paster server; 5-3/4 in. jelly server; 5-3/4 in. ladle; 4-3/4 in. ladle; 6-1/8 in. sugar spoon; 5-7/8 in. pickle fork; 4-1/4 in. sugar tongs; 8-1/8 in. tomato server; 7-7/8 in. cold meat fork; 4-5/8 in. bon bon; 10-1/8 in. asparagus server; 6 in. sardine server; 9-1/ in. pierced ice serving spoon; two piece solid handle salad set; eight hollow handle pieces with stainless blades: three pieces hollow handle carving set, 12-5/8 in. cake knife, 10-1/4 in. pie server; 7-1/8 in. cheese server, and 8-3/4 in. bar knife, thee with monogram, all with marks for Reed & Barton, 43.44 oz. T. excluding hollow handle pieces, average wear
Estimate: $1,500 - $2,000

1152
Frederick De Bourg Richards (New York/Delaware, 1822-1903)
Pennsylvania Landscape, signed lower right “F.D.B. Richards”, oil on canvas, 20 x 30 in.; reproduction gilt wood and composition frame, 25-1/2 x 35-1/2 x 2-1/2 in., wax lined, scattered retouch along edges, crackle, yellowed varnish, surface dirt; frame with wear and abrasions
Provenance: Kennedy Galleries, Inc., New York, New York (label verso)
Estimate: $1,000 - $2,000

1153
William Louis Sonntag (New York/Ohio, 1822-1900)
A Grey Morning, 1893, signed lower left “W.L. Sonntag N.A. 93”, oil on canvas, 20-1/4 x 31-1/4 in.; reproduction gilt wood frame, 27-1/4 x 38 x 3 in., linen lined, scattered spots of retouch, surface dirt; frame with wear and abrasions, chips and areas of loss to gilt, linen liner with surface dirt
Provenance: Barridoff Auctions, South Portland, Maine, August 4, 2006, sold for $17,775
Estimate: $2,000 - $3,000

1155
James Wells Champney (American, 1843-1903)
Never Too Late to Mend, signed lower right “J. Wells Champney”, remnant of original artist label verso, oil on panel,13 x 9-3/4 in.; period carved gilt wood frame, 17-1/2 x 14-1/2 x 1-1/2 in., areas of retouch; frame with wear and surface losses
Provenance: na
Estimate: $800 - $1,200

1154
Harrison Bird Brown (American,1831-1915)
Ships in Casco Bay, signed lower left “HB Brown”, oil on canvas, 25 x 48 in.; period carved gilt wood frame, 32-1/2 x 55-1/2 x 2 in., original canvas and stretchers, crackle, yellowed varnish; frame with wear and losses
Estimate: $3,000 - $5,000

1156
John Califano (American/Italian, 1864-1924)
Mountain Landscape, signed lower right “J. Califano”, oil on canvas, 13-3/4 x 22 in.; reproduction gilt wood frame, 18-1/2 x 26-5/8 x 1-3/4 in., scattered retouch throughout sky, overall good condition, yellowed varnish, slight surface grime; frame with wear and abrasions
Estimate: $600 - $800

1157
John Francis Murphy (New York/Illinois, 1853-1921)
Autumn landscape, signed lower left “J. Francis Murphy.”, oil on prepared canvas board, 20 x 24 in.; possibly original fine gilt wood and composition frame, 29 x 331/8 x 2 in., scattered spots of retouch, crackle, yellowed varnish, surface dirt; frame with wear at corners
Estimate: $800 - $1,200

1159
Lucien Whiting Powell American, 1846-1930)
Venice, Grand Canal, signed lower right “Lucien Powell/Venice”, oil on paperboard, 11-7/8 x 18-1/4 in.; gilt wood and composition frame, 19 x 25 in., good bright color, light surface dirt, frame with minor losses and some resurfacing
Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas
Estimate: $1,000 - $2,000

1158
Frank Von Der Lancken (American/Oklahoma, 1872-1950)
Along the Road, circa 1902-1911, signed lower right “F. Von Der Lancken”, artist/ estate stamp verso, oil on canvas, 11 x 15 in.; fine reproduction gilt wood and composition frame, 17-5/8 x 21-5/8 x 1-3/4 in., apparently restretched to a smaller size at unknown date, small spots of fluorescence; frame with minor wear and abrasions
Provenance: From the Estate of the Artist
Estimate: $800 - $1,200

1160
Ralph Albert Blakelock (American, 1847-1919)
Forest Interior, signed lower left “R.A. Blakelock”, oil on board, 7-1/8 x 4-3/4 in.; fine reproduction gilt wood frame, 13-3/4 x 11-1/2 x 1-1/4 in., areas of retouch at edges under frame; frame with abrasions
Estimate: $800 - $1,200
University of Nebraska Blakelock Inventory label attached verso, No. NBI-2011-II

1161
American Chippendale Mahogany Lolling Chair Massachusetts, probably late 18th century, with arched top and upholstered arms, square molded legs, brass casters, initials “JC and FR” 43 x 27-1/2 x 23 in., tacking scars throughout frame, some typical edge wear at legs and stretchers, replaced blocks, break to proper left arm at top of support, loss to proper right arm at top of support, replaced supports under both arms, restoration to stretcher, replaced casters
Estimate: $800 - $1,200
1163
Classical Carved and Figured Mahogany Pembroke Table New York, attributed to the school of Duncan Phyfe, circa 1815, poplar secondary, triple lobed table top, brass wheeled paw feet, 29-1/2 x 24 x 38-3/4 in., opens to 50 in., two legs with cracks at junction of standard, brass pull replaced, some varnish distress, drawer with lock patch
Provenance: Joe Kindig, Jr.; Sotheby’s January 29, 1983 lot 380; The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior
Estimate: $5,000 - $7,000

1162
American Federal Tiger Maple One Drawer Table in Old Surface
Middle Atlantic states, early 19th century, highly figured maple with cherry, walnut, and poplar, 28-3/4 x 20-3/4 x 20-1/4 in., old patinated surface with wear and stains, brass pull replaced, minor wear and losses at turned feet
Provenance: Private Tennessee Collection
Estimate: $300 - $500


1164
Fine Classical Carved Mahogany Bedstead
New York, circa 1815, attributed to the school of Duncan Phyfe, with original maple rails and headboard, 89-3/4 x 60-3/4 x 78-1/4 in., bed interior 73 x 54-1/4 in., to include custom made vintage pleated canopy, bed skirt, and drapery in a yellow neo-classical design with robed figures, yellow coverlet with round bolster pillow with green accents, rails lacking buttons, later fitted with metal L brackets for box spring (subsequently removed)
Provenance: By descent in the McCoy family of Philadelphia, Pennsylvania; Francis Bealey American Arts, Essex, Connecticut, March 1985; Virginia F. White Interiors, Atlanta, Georgia, March 1985 (accompanied by copy of receipt); The Furnishings from Historic Iris Court: An Important Edward Vason Jones Interior Estimate: $3,000 - $5,000

1165
Double Handled Shaker Collection Basket
New York, 19th century, 6-3/4 x 15 x 12-1/4 in., height approximately 12 in. with handles raised, good overall, typical light wear and small chips to splints, some surface dirt and paint splatter
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $300 - $500
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, Nov. 3 1848 to April 4, 1921, with descent to the consignor’s family.


1166
Two Four-Finger Shaker Bentwood Sewing Boxes
New York, 19th century, each of ”four finger” construction, one with single arc handle, each approximately 5-3/4 x 14-1/2 x 9-1/2 in., typical light scratches and surface abrasions, minor warping, some crackle to old stain/varnish; one lid stuck on (likely adhered from old varnish), old patch and repair to lid; one with old split and repair to lid, some paint splatter at top
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $800 - $1,200
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, Nov. 3 1848 to April 4, 1921, with descent to the consignor’s family.
1167
Two Shaker Bentwood Miniature Pantry Boxes
New York, 19th century, copper tacks/pins, one with applied interior red silk lining, larger 2-1/4 x 5-1/4 x 3-1/2 in., good overall, some scattered light surface scratches and abrasions; larger with some crackle to old stain/varnish, staining at interior edges
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $800 - $1,200
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, Nov. 3 1848 to April 4, 1921, with descent to the consignor’s family.

1168
Shaker Attributed Panel Door Hanging Cupboard in Original Red Paint
19th century, panel door opening to shelved interior, probably pine throughout, 32-1/2 x 11-1/2 x 11-1/2 in., lacking one interior shelf, some edge losses to top, surface wear and distress to old red paint
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $600 - $900
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, November 3, 1848 to April 4, 1921, with descent to the consignor’s family.

1170
New York Shaker Candle Stand in Old Surface
attributed to Waterveliet, New York Shakers, 19th century, cherry or maple with old varnished surface, metal ring at top of standard, 28-1/2 x 17-1/4 x 17-1/4 in., surface wear and distress throughout, minor shrinkage, separations at top
Provenance: From the Collection of David Male, Mars Hill, North Carolina
Estimate: $2,000 - $3,000
This table was appraised on Antiques Roadshow in 2022 for $4,000-5,000.
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, November 3, 1848 to April 4, 1921, with descent to the consignor’s family.

1169
Shaker Ladder Back Side Chair in Early Cream Paint
19th century, tilting side chair with original split seat, 40 x 19 x 14-1/2 in., rear legs lacking tilters, three coats of paint with cracks, losses, and surface dirt, some breaks and losses to split seat
Provenance: From the Collection of David Male, Mars Hill, North Carolina Estimate: $200 - $400
Accompanied by copy of records from the County of Albany (New York) Clerk’s Office indicating property in the possession of the United Society of Shakers, November 3, 1848 to April 4, 1921, with descent to the consignor’s family.

1171
New York Folk Art Portrait of Two Young Girls (American, 19th century)
unsigned, partially legible inscription verso ”Property of...New York, New York...”, oil on canvas, 36 x 27-1/2 in.; period gilt wood frame, 42- 33-1/2 x 2 in., strip lined, small amounts of scattered retouch, crackle, old patch repair lower center; frame with wear and abrasions, separation at corners, chips
Provenance: Bonhams Skinner, Marlborough, Massachusetts, August 11, 2013, sold for $3,600; Private Collection, Blacksburg, Virginia
Estimate: $1,000 - $2,000

1172
Pair of Folk Art Portraits (American, 19th century)
A handsome couple with blue eyes, unsigned, both oil on panel, 29-1/2 x 24 in.; matching period gilt wood and composition frames, 36 x 30-1/4 x 2-1/2 in., rubbing and abrasions at edges, not visible under frames, some expected warping to panels; frames with wear and abrasions, chips
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $2,000 - $3,000

1174
Malvina Cornell Hoffman, Three Figure Drawings (New York, 1887-1966)
Two Travel Portraits: one signed, dated, and inscribed lower right; Tunis/M.H. 1925”, charcoal on paper, sheet 18 x 12 in.; dark wood frame, 22-1/4 x 18-1/4 in.; one signed lower right “1933 Malvina Salum India”, pastel and charcoal on tan paper, 25-1/2 x 19-1/2 in.; dark finished wood frame, 27-1/4 x 21 in.; Western Man, signed lower left “Malvina Hoffman and dated 1936 lower right, pastel on buff paper, 25-1/4 x 19-1/2 in.; wood frame, 26-1/2 x 20-1/2 in., ”Tunis” taped in, mat burn; “India” with pinholes on far left side, some smudging as made, “Western” with approximately four small tears at edges and corners and slight water stain upper right corner; frames with small areas of abrasion and wear
Provenance: Estate of the Artist; Brunk Auctions, Asheville North Carolina, September 16, 2022; Private Collection
Estimate: $500 - $700

1173
Portrait of a Youth with a Dog (American or British School, 19th century)
unsigned, oil on canvas, 24 x 20 in.; period carved gilt wood frame, 31-1/4 x 27-1/4 x 2 in., linen lined, scattered retouch, crackle; frame with wear and abrasions
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $1,000 - $2,000

1175
Malvina Cornell Hoffman, Two Landscape Drawings (New York, 1887-1966)
Tree Studies, both signed lower left “Malvina”, one dated May 2 ‘36”, watercolor and pencil on buff paper, sight 14-1/2 x 10 in.; matching gilt wood frames, 15-1/2 x 20 in., pages with torn spiral bound sketch book edges, mounted, mat burn, toning; frames with wear
Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022; Private Collection
Estimate: $500 - $700
According to the family of the artist these drawings were done while Malvina was a guest of Georgia O’Keefe at Ghost Ranch.

1176
Folk Portrait Attributed to Isaac Sheffield (Connecticut, 1798-1845)
Portrait Mrs. Bissellot, New London, Connecticut, unsigned, oil on canvas, 30-1/4 x 25 in.; reproduction burl wood frame, 34-1/2 x 29-1/2 in., wax lined, scattered spots of retouch; frame with minimal wear
Provenance: Private Collection, Cornelius, North Carolina
Estimate: $3,000 - $5,000

1178
Folk Art Portrait of a Child (American, 19th century)
Holding hat with roses, unsigned, oil on panel, 30-1/2 x 24 in.; carved gilt wood frame, 37-1/4 x 31 x 3 in., small areas of scattered retouch, unstable vertical split to panel lower center, 11-1/4 in., evidence of old glue repair; frame with wear and abrasions
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $800 - $1,200

1177
American School Portrait (American, possibly Connecticut, 19th century)
Portrait of Joseph Beck (1794-1854, per note verso), painted circa 1840, unsigned, oil on canvas, 26 x 22 in.; carved burlwood frame, 32-1/2 x 28-1/2 x 1-1/2 in., laid on board, areas of retouch, crackle, uneven varnish; frame with wear and small losses
Provenance: Purchased in Litchfield, Connecticut from a New Haven Estate (per note attached verso); Private Collection, Cornelius, North Carolina
Estimate: $800 - $1,200

1179
Folk Art Portrait of Girl in Blue Dress (American, 19th century)
unsigned, oil on canvas, 30 x 25 in.; reproduction painted wood folk art style frame, 34-3/4 x 30 x 2 in., scattered retouch, three old patch repairs verso, crackle; frame with wear and abrasions
Provenance: Private Collection, Blacksburg, Virginia
Estimate: $600 - $800

1180
Folk Art Still Life with Fruits (19th century)
Abundant Fruits, among glassware and atop marble counter, unsigned, oil on canvas, 22 x 30 in.; period gilt wood and composition frame, 26 x 34-1/4 x 1-1/2 in., original canvas and stretcher, small retouch, stretcher marks, crackle, pinhole upper right above purple grapes; frame with wear and abrasions, losses to gilt
Provenance: Private Tennessee Collection
Estimate: $1,000 - $2,000

1182
Victorian Carved Rosewood Mirror Door Secretaire a Abattant American, 19th century, with fall front opening to a finely fitted bird’s eye maple veneered interior, white pine and poplar secondary, 54-3/4 x 25 x 14 in., generally good condition, cracks to trestle form base (top is heavy and base is unsteady), distress to leather lined writing surface, mirror plate possibly replaced
Provenance: Property of the Virginia Museum of Fine Arts
Estimate: $500 - $700

1181
Pair of Vintage Black Painted Wrought Iron Floor Lamps
circa 1900, each electrified form with three lights, wrought iron and possibly other metals in later black paint, 75 in. tall, later black paint, lacking one finial, scattered bumps and wear to paint, later electrification (not tested for functionality)
Provenance: Private Collection, North Carolina
Estimate: $400 - $600

1183
Union Porcelain Works King Gambrinus Beer Bung New York, circa 1886, partial green “U.P.W.” stamp to base, approx. 1 x 4-3/8 x 4-3/8 in., crazing, firing flaws throughout, wear to foot rim
Provenance: Private Collection
Estimate: $200 - $400
A similar example can be found in the collections of the Brooklyn Museum (1994.3): https://www.brooklynmuseum.org/objects/2217

1184
Union Porcelain Works Green and White Mug late 19th/early 20th century, stamped “Union/Porcelain/Works/N.Y.” in red to base, partial green stamp to base reading ”U.P.W”, approx. 4-3/4 x 4-3/4 x 3-1/2 in., some wear to rim and base commensurate with age and use, small area of possible retouch at rim near handle, lighter areas with some discoloration, otherwise good condition
Provenance: Private Collection
Estimate: $500 - $700
According to consignor notes, the monogram reading “Detroit” indicates this piece was customized for Russell House, a famous hotel located in Detroit, Michigan. The relief may be similar to a mug reported in the Union Porcelain Works exhibition at the Philadelphia Centennial, which was described as a drunken sailor being dragged away by an authority figure.

1186
Otto August Kuhler, Steel Castles (New Mexico/Colorado, 1894-1976)
Train loading, circa 1925, signed in pencil lower right “O Kuhler”, etching, plate 165/8 x 13-3/8 in.; wood frame, 28-5/8 x 24-1/2 x 3/4 in., margins trimmed, laid down on card, toning; frame with abrasions
Provenance: Property from an Important Chicago Collection
Estimate: $100 - $300

1185
Unusual Diminutive George Huey Merganser Drake Decoy Friendship, Maine, circa 1900, unusual 2/3 size form, classic low profile with strong chine, raised tail, inletted head, carved eyes, recessed rigging loop at base, unweighted, 5-3/4 x 13 x 3-3/4 in., majority of body with later varnish, separation at neck, neck not flush at inlet, shot strike, chips and losses to paint particularly at tail tip, collector’s label and sticker (137) at base
Provenance: An Important Atlanta Private Collection
Estimate: $1,000 - $1,500

1187
Pair of Francis and Louisa Jauncey Ketchum Watercolors (New York, 1800-1832/1797-1890)
After prints by William Curtis (British, 1746-1799): Angular Stalked Cranes Bill, circa 1818-20, initialed in pencil lower lower right “L.K”, titled in ink lower left “Angular Stalked Cranes Bill”; Heart- Leaved Geranium, a native of the Cape, circa 1818-20, unsigned, titled in ink lower left “ Heart- Leaved Geranium, a native of the Cape”, both watercolor and ink on paper, sight 8-3/8 x 6-1/2 in.; matching gilt wood frames, black mats, 14-1/4 x 12-3/8 x 1 in., not examined out of sealed frames, slight toning, and handling grime; frames with light wear and abrasions
Estimate: $300 - $500

1188
Victor De Grailly (French, 1804-1889)
The Road to Town,1839, apparently unsigned, oil on canvas, 23-1/2 x 28-3/4 in.; reproduction gilt wood frame, 29-3/4 x 35 x 2-1/2 in., lined, stabilized crackle, yellowed varnish, areas of retouch; frame with wear small losses
Provenance: Mark and Marjorie Allen Antiques, Gilford, New Hampshire; Private Georgia Collection
Estimate: $1,000 - $2,000


1189
Virginia Granbery (New York, 1831-1921)
Still Life of Grapes, signed lower left “V. Granbery”, oil on canvas, 14 x 10 in.; period carved gilt wood frame, 16 x 12-1/4 x 1 in., original stretcher and canvas, small spots of retouch; frame with wear and abrasions, sized to fit
Provenance: Private Collection, Rochester, New York; Private Collection
Estimate: $800 - $1,200

1190
Warren Sheppard (New Jersey, 1858-1937)
Moonlight Sailing, signed lower right “Warren Sheppard”, oil on canvas, 10-1/8 x 20 in.; reproduction wood frame, 11-3/4 x 21-1/2 x 1-3/4 in., original stretcher and canvas, crackle, surface dirt, yellowed varnish; frame with light wear
Estimate: $1,000 - $2,000
1191
William Brewster Conely (American, 1830-1911)
Two Children Reading, 1878, signed and dated lower left “W.B. Conely 1878”, oil on canvas, 45 x 35 in.; reproduction gilt wood frame, 50 x 40 x 2 in., retouch, resin lining, scattered small areas of loss; frame with abrasions
Provenance: Bennington Museum, Bennington Vermont; Private Collection, Cornelius, North Carolina
Estimate: $1,000 - $2,000

1192
Thomas Hiram Hotchkiss
(New York/New Hampshire/Italy, 1834-1869)
The Mountain Path, unsigned, inscribed verso “Hotchkiss”, oil on board, 8 x 6 in.; dark wood frame, 14 x 12 x 2 in., tiny spots of fluorescence, some areas with fine crackle; frame with abrasions, gilt liner with wear
Provenance: Private South Carolina Collection
Estimate: $800 - $1,200

1194
New England Glass Company Attributed Pressed Compote with Three Bunches of Art Glass Grapes, mid 19th century, largest approx. 8-3/4 x 9-1/4 x 9-1/4 in., some scratching throughout commensurate with age and use; compote with chips to interior of foot rim, some hairlines, air bubbles as made; grapes with scratching, oxidation to wire
Provenance: Private Tennessee Collection
Estimate: $200 - $400
For a similar example, see object number 0.1284 at the Chrysler Museum of Art: https://chrysler.emuseum.com/objects/9874/compote

1193
American Brilliant Period Cut Glass Punch Bowl
early 20th century, six large hobstars with fans, wide vesicas and cross hatching, matching base with hobstars and stepped prisms, 13-1/2 x 15 x 15-1/4 in., fleabites and small chips to high relief areas, especially at inner rim of bowl, some minor scratches
Provenance: Private Tennessee Collection
Estimate: $300 - $500

1195
Five Piece Sterling Tea Service
American, late 19th century, round forms with floral swag and bow decoration, ivory spacers, no monograms, marks for J.H. Johnston & Co. (New York, NY, working 1889-1897), 77.35 oz. T. total, including 8 in. coffee pot with matching teapot, lidded sugar, creamer, and waste, some dents, light scratches, and typical wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $2,000 - $2,500
This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.


1196
Three Pieces Sterling Hollowware, One Cartier 20th century, including round tray with pinch points, marks for Cartier, 11 in.; Towle Virginia Carvel serving dish, 13-3/4 in.; Towle rectangular serving dish, monogram, 1-1/4 x 16-1/2 x 11-1/4 in., 68.16 oz. T. total weight, all with wear and scratches
Provenance: The Estate of Sylvia and Richard Garrett, Maryland
Estimate: $1,500 - $2,000

1198
International Royal Danish Sterling Bowl
American, 20th century, square form with openwork corners, no monogram, marks for International, “D229-2”, 22.57 oz. T., 2-1/2 x 12 x 12 in., small spots of pitting, light wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $400 - $800
1197
Arthur Stone Sterling Footed Bowl, J.P. Morgan, Jr. Family Provenance American, 20th century, round with footed, monogrammed “JNM” for Jane Norton Morgan (Nichols), marks for Arthur Stone (Gardner, Massachusetts, working 19011958), 12.60 oz. T., 3-1/8 x 7-1/8 in., light scratches and typical wear
Provenance: according to consignor notes, this bowl was acquired by the consignor directly from the great-grand daughter of Jane N. Nichols Page, who was the daughter of Jane Norton Morgan Nichols and granddaughter of J.P. Morgan, Jr. and Jane Norton Grew Morgan
Estimate: $400 - $800

1199
Wallace Grand Baroque Sterling Flatware, 112 Pieces
American, 20th century, including twelve hollow handle knives; twelve forks; twelve salad forks; twelve teaspoons; twelve round soup spoons; twelve ice tea spoons; twelve solid handle spreaders; seventeen salt spoons (six in original bags); eleven serving pieces: two serving spoons, slotted serving spoon, tomato server, bon bon, sauce ladle, sugar spoon, jelly server, serving fork, and two pickle forks, no monograms, all with marks for Wallace, 126.27 oz. T. excluding hollow handle pieces; with wooden case, like new condition
Provenance: Private Collection
Estimate: $3,200 - $3,600

1200
International Prelude Sterling Flatware, 58 Pieces
American, 20th century, including eight hollow handle knives; eight forks; eight salad forks; sixteen teaspoons; six cocktail forks; serving fork; sugar spoon; ladle; solid handle butter knife; pickle fork; two piece hollow handle carving set, no monograms, all with marks for International, 58.45 oz. T. excluding hollow handle pieces, average wear
Provenance: Private Collection
Estimate: $1,500 - $2,000


1201
Fairfax Sterling Flatware, 73 Pieces
American, including 11 hollow handle knives, three sizes; 18 forks; 11 salad forks; eight teaspoons; eight ice teaspoons; 12 round soup spoons; one large round soup spoon; one lemon fork; one sauce ladle; three serving spoons, most with monograms, marks for Durgin and Gorham, 79.32 oz. T. excluding hollow handle pieces, average wear
Provenance: From the Collection of L. Nelson and Virginia Bell, Waynesboro, Virginia, who resided in China between 1916 and 1941; by descent in family
Estimate: $2,000 - $2,500

1202
Two Southwestern Coiled Baskets
early 20th century, the first a very sturdy basket bowl with polychrome cross motif, 3-1/2 x 11-1/4 in.; together with a storage basket, possibly Pima, with geometric decoration and lashed rim, 6 x 11-1/2 in., both in very good overall condition, some overall handling wear, no visible breaks or losses, minimal fading
Provenance: Property from an Important Chicago Collection
Estimate: $700 - $900
1203
Tommy Takpanie Inuit Carved Bear (Canadian, born 1964)
Polar Bear, unsigned, with two labels on feet, “Carving Number 939-1918” and “Tommy Takpanie”, carved soapstone,5-1/4 x 11 x 3-1/2 in., very good overall condntion, no visible chips or breaks
Provenance: Property from an Important Chicago Collection
Estimate: $600 - $900

1204
Ken Payne Bronze (New Mexico/Arizona, 1938-2012)
Judas Bull, edition 3/100, 1992, signed and inscribed verso “ Ken Payne/92 3/100”, patinated bronze atop a green marble and wood swivel base, overall 15-1/2 x 15-1/4 x 7-1/4 in., light to dark brown and brown and golden patina, surface dirt, marble with miniscule chip to front edge, wood with small abrasion
Provenance: Private Collection, Florida
Estimate: $1,000 - $1,500


1205
George Carlson Bronze (Idaho/Illinois/Colorado, born 1940)
Perching Eagle, edition 2/8, signed and inscribed below claws “Carlson/1983 2/8”, patinated bronze on black marble base, 13-1/2 x 10-1/2 x 6-1/2 in., light and dark brown patina, verdigris, surface dirt
Provenance: An Important Atlanta Private Collection
Estimate: $1,000 - $2,000

1207
Two Folk Art Northern Flicker Carvings
1206
John Kearney Bronze Whale Sculpture (American, 1924-2014)
Jonah and the Whale signed “Kearney” along proper right side of body and “Finn” on tail underside, in two pieces, divided interior housing Jonah figure reclining with book, patinated bronze, 4-3/4 x 17 x 10 in., dark brown to green patination, color variation at fin tips probably as made, presents well
Provenance: Property from an Important Chicago Collection
Estimate: $600 - $900
1980s, both with accurate field marks for the subspecies groups, glass eyes, raised wing tips, wire legs, mounted on rough cedar planks with later stands, comprising: male yellow shafted flicker with gray nape, red crescent, black moustache, primaries lined with yellow, 15 x 4-3/4 x 3-1/2 in. with plank, 22 in. overall; male red shafted flicker with brown nape, red moustache, primaries lined with red, 151/4 x 5-1/4 x 3-1/2 in. with plank, 24 in. overall, yellow shafted: tip of bill repaired, separation at right cheek, plug at left cheek as made, chip at tip of tail, minor chips to paint at edges of wings, tail and tip of bill, later paint splatter, surface dirt; red shafted: chips with losses at tip of tail, minor chips to paint, later paint splatter, surface dirt and accretions possibly from being outdoors
Provenance: An Important Atlanta Private Collection
Estimate: $700 - $900

1208
Four Kentucky Odd Fellows Folk Art Carved and Painted Wood Objects 20th century, including hourglass, beehive, cross, and chain, largest 12-1/2 x 5-3/8 x 5-3/8 in., some crackling and loss to painted surfaces; hourglass with some bumps and abrasions, loose pillars
Provenance: Found in Northern Kentucky; Private Tennessee Collection Estimate: $400 - $600

1209
North Carolina Attributed Odd Fellows Folk Art Frame with Portrait 20th century, wood frame with assorted painted metal adornments, housing photographic image of an odd fellow inscribed “Nelson Dulaney”, 23-1/2 x 15-1/2 x 3-1/8 in., some loss to painted surfaces, wire support on bottom arrow loose, some bumps and chips to wood
Provenance: Found in Charlotte, North Carolina; Private Tennessee Collection Estimate: $500 - $800

1210
of Tom Corbin Antelope Tables 20th century, patinated bronze frames decorated with antelopes, oak plank tops, signed
30 x 66 x 46, overall good condition, some minimal scratching consistent with age and use
Provenance: Property from an Important Chicago Collection Estimate: $5,000 - $7,000


1211
Restoration Hardware Easton Oxblood Leather Sofa 20th century, oxblood leather, decorative brass tacks, label for Mitchell Gold/ Restoration Hardware”, 30 x 96 x 43 in., in overall good condition with some minimal wear to leather
Provenance: Private New York Collection
Estimate: $1,000 - $2,000

1213
Capitalism and Freedom, Signed Presentation Copy by Milton Friedman, Chicago: University of Chicago Press, 1962, first edition, first printing, signed and inscribed by Milton and Rose on title page, original blue publisher’s cloth, 8-3/4 x 5-3/4 x 3/4 in., lacking dust jacket, otherwise very good overall
Provenance: purchased from Bauman Rare Books, Philadelphia/New York, December 13, 1996 (accompanied by write up, priced at $100); Property from an Important Chicago Collection
Estimate: $1,000 - $1,500
1212
Leaves of Grass, Third Edition, First Printing by Walt Whitman, Boston: Thayer and Eldridge, 1860, George C. Rand & Avery and Boston Electrotype imprint to copyright page, frontispiece variant C (“S A Schoff”), with additional variant A (“Schoff” with brown background) laid in, in original brown blindstamped and gilt cloth, 8 x 5-1/4 x 2 in., very minor scuffs and staining to boards, otherwise good overall with very light wear to extremities
Provenance: Bauman Rare Books, Philadelphia/New York (accompanied by write up); Property from an Important Chicago Collection
Estimate: $1,000 - $1,500

1214
Atlas Shrugged, First Edition, First Printing by Ayn Rand, New York: Random House, 1957, with dust jacket, 8-3/4 x 6 x 2-1/4 in., very good overall, minor scuffs and light wear to extremities
Provenance: purchased from Bauman Rare Books, Philadelphia/New York, October 9, 1997 (accompanied by write up and copy of invoice records); Property from an Important Chicago Collection
Estimate: $1,000 - $1,500

1215
Capitalism: The Unknown Ideal, Signed Limited First Edition by Ayn Rand, New York: The New American Library, 1966, numbered 296 of 700, signed by Rand, original green cloth, original gray board slipcase, 9 x 6 x 1-1/2 in., very good overall, some light wear and toning to slipcase
Provenance: purchased from Bauman Rare Books, Philadelphia/New York, October 28, 1996 (accompanied by write ups and copy of invoice); Property from an Important Chicago Collection
Estimate: $800 - $1,200

1217
An Account of the Receipts and Expenditures of the United States, for the Year 1793, published [for] the House of Representatives, Philadelphia: John Fenno, 1794, blue paper wraps, chain laid paper with several foldout charts, housed in quarter morocco over blue cloth chemise with gilt particulars to spine, 16-5/8 x 10-7/8 x 3/4 in., foxing, toning, and some chipping to wraps, moisture marks at corners of wraps near head of spine do not appear to extend to text block, “by order of” has been redacted and changed to “for” at title page, transfer and ghosting from ink to previous and following pages, rubbing/loss to area of pg.57/58 with some small losses to text, some very minor foxing throughout an otherwise clean and serviceable copy
Provenance: The Antiquarian Shop, Scottsdale, Arizona, 1996(?) (accompanied by receipt for $1,607); Property from an Important Chicago Collection
Estimate: $2,000 - $4,000

1216
For the New Intellectual: The Philosophy of Ayn Rand, Signed by Ayn Rand, New York: Random House, 1961, first edition, first printing, signed by Rand, with dust jacket, light staining and very small tears to dust jacket, otherwise good overall
Provenance: purchased from Bauman Rare Books, Philadelphia/New York, October 28, 1996 (accompanied by write up and copy of invoice); Property from an Important Chicago Collection
Estimate: $600 - $900

1218
Six Assorted Books on Economics and History including: The Theory of Economic Development by Joseph A. Schumpeter, Cambridge, Massachusetts: Harvard University Press, 1934, first edition in English; The Population and Riches of Nations by Sir Egerton Brydges, London: Rob. Triphook, 1819; The Principles of Scientific Management by Frederick Winslow Taylor, first edition; Money by Francis A. Walker; The Home of Washington by Benson J. Lossing; The Political Text Book: Containing the Declaration of Independence..., all with moderate wear, scuffs and losses to leather, some toning and foxing throughout; Walker lacking front board; Political Text Book front board starting
Provenance: (Schumpeter, Walker, Brydges, Taylor) Bauman Rare Books, Philadelphia/New York (accompanied by write ups, Walker accompanied by write up priced $350); Property from an Important Chicago Collection
Estimate: $400 - $600

1219
The Writings of Mark Twain, Autograph Edition, 23 Volumes
Hartford: The American Publishing Company, 1899-1907, each volume numbered 485 of 512 copies, attractively bound in art nouveau inspired full purple morocco, teg, fore-edges deckled, interior boards with inlaid lily decoration and gilt inner dentelles, spines of vols. XXIV and XXV with inlaid green morocco, cream silk moire endpapers, some pages uncut, some pages with “Clemens” watermarks, signed by Samuel Clemens/Mark Twain to limitation page of vol. I The Innocents Abroad (part I), signed by Brander Matthews to p. xxxiii of vol. I, manuscript page from Thoughts Suggested by Mr. Froude’s “Progress” by Charles Dudley Warner bound in after limitation page of vol. IV Following the Equator(part II), vol. X The Gilded Age (part I) signed by co-author Charles Dudley Warner to limitation page, some frontispieces signed in pencil by artists, including Benjamin West Clinedinst, Charles Noel Flagg, and Frank V. DuMond, approx. 8-3/4 x 6-3/8 x 1-3/4 in., Lacking vols. XII The Adventures of Tom Sawyer and XIII Adventures of Huckleberry Finn, uniform loss to gilt top edges at corner, spines faded, instances of small losses to leather to spine bands, notably vol. XV and vol. XX, vol. XXIV with bumped corners, bookplates of Harriet A. Ellwood to versos of endpapers, text blocks are overall clean and tight, tissues guards overall intact
Provenance: Private Collection
Estimate: $3,000 - $5,000
The manuscript sheet differs slightly from the published work and reads: …revival there has been a neglect of training in the direction of skilled labor, and we all suffer more or less from cheap and dishonest work. But the way out of this is forward and not backward. It is a good sign ^(and not a stigma upon this “era of progress”) that people desire education and not a a stigma upon this “era of progress”. But this education must be of the whole man; he must be taught to work as well as to read, and he is, indeed, poorly educated if he is not fitted to do his work in the world. We certainly shall not have better workmen by having ignorant workmen. I need not say here, when a university is founded for the people, that the [?] education is that which will best fit a man for performing well his duties in life. If Mr. Froude, instead of his plaint…

1220
Capitalism, Socialism and Democracy, Presentation Copy
by Joseph A. Schumpeter, New York: Harper and Brothers, 1942, initialed and inscribed by Schumpeter, original black cloth, housed in custom half morocco clamshell case, 10 x 7-1/4 x 2-1/2 in., light wear to extremities, gilding at spine faded, otherwise good overall
Provenance: Bauman Rare Books, Philadelphia/New York, August 1999
(accompanied by write up and copy of receipt for $2,270); Property from an Important Chicago Collection
Estimate: $1,000 - $1,500

1221
Pardon Signed by James Madison and James Monroe; Two Engravings pardon dated October, 15, 1811 and signed by President James Madison and Secretary Monroe, relieving Frederick Baskadore of his gaming charge for which he was fined “thirty seven dollars” and sentenced to six months in prison, embossed seal at lower left, unframed and approximately 16 x 10 in. if intact; along with D. Appleton/H.B. Hall, Jr. Presidential engravings of Madison and his successor James Monroe, each approximately 10 x 6 in., pardon with full horizontal separation, also 2-1/2 in. fragment present but detached, folds, periphery splitting and chipping, light toning throughout, may benefit from professional conservation; engravings with toning and top edge damage
Provenance: Property of the Virginia Museum of Fine Arts
Estimate: $600 - $900
https://live.brunkauctions.com/auctions/brunk/americansouthern-september-11-2025-17911/catalog#catalog

1222
Malvina Cornell Hoffman, Bronze (New York, 1887-1966)
Untitled, head of an Asian man, 1931, No. 2, signed “Malvina Hoffman 1931”, patinated bronze, bronze 5-3/4 x 4 x 4-1/2 in., marble stand 4-5/8 x 3-1/2 x 3-1/2 in., coppery patina, good condition
Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022, sold for $550; Private Collection
Estimate: $500 - $700

1224
Malvina Cornell Hoffman, Alabaster Bust (New York, 1887-1966)
Profile of a Balinese Woman, 1929, signed at base “M Hoffman 1929”, carved alabaster 9-5/8 x 6-5/8 x 2-3/4 in., some dirt and abrasions, some plaster verso Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022; Private Collection
Estimate: $600 - $900

1223
Victor Salmones, Bronze (Mexican, 1937-1989)
Protection, edition 6/11, incised, possibly later, signed on base “Victor Salmones”, patinated bronze, 48-1/2 x 14 x 17 in., dark brown, green, and black patina, verdigris finish, surface dirt, wear and abrasions
Provenance: The Charles R. Wood Foundation, gifted to support museum operations of The Hyde Collection, Glens Falls, New York, presumed; Blanchard’s Auction Service, Potsdam New York, March 4, 2023, sold for $1,599; Private Collection, Habersham County, Georgia, presumed; Private Collection
Estimate: $1,000 - $2,000
A facsimile of the digital invoice accompanies this lot.

1225
Malvina Cornell Hoffman, Leopard Sculpture (New York, 1887-1966)
Leopard, unsigned, painted plaster, 8-1/2 x 7-3/4 x 4-1/4 in., repairs and repaint to base and limb through leopard, some cracks
Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022, sold for $550; Private Collection
Estimate: $200 - $400

1226
Malvina Cornell Hoffman, Two Koala Sculptures (New York, 1887-1966)
Koala, signed at base “M. Hoffman”, green patinated bronze, 9-3/4 x 6 x 3-3/4 in.; possible original conceptual sculpture for Koala, circa 1940, signed “Malvina 1940”, glazed ceramic, 9 x 4-1/2 x 2-3/4 in., both good condition
Provenance: Estate of the Artist; Brunk Auctions, Asheville, North Carolina, September 16, 2022, sold for $900; Private Collection
Estimate: $800 - $1,200

1227
Katharine Ward Lane Weems (Massachusetts, 1899-1989)
Circus Horse, circa 1930, signed on top of bronze base “Katharine W. Lane”, patinated bronze on walnut plinth, overall 23 x 26-3/4 x 10 in., generally good condition
Provenance: The Estate of Sylvia and Richard Garrett, Maryland
Estimate: $3,000 - $5,000
1228
Elbert Weinberg, Model for The Federal Reserve Bank of Atlanta (Connecticut/Massachusetts, 1928-1991)
unsigned, a model (to scale 1”=1’) with some minor variations for Federal Reserve Bank of Atlanta, bronze 10 x 16 x 7-1/2 in., 19 in. with marble base, good condition
Provenance: An Important Atlanta Private Collection
Estimate: $1,000 - $2,000
When the Federal Reserve Bank of Atlanta moved into its new headquarters building in 2001, the Bank brought along some of its history. Five columns from the Bank’s first permanent home, which was built in downtown Atlanta in 1918, stand in front of the current headquarters building. Perched atop one of the columns is a 3,300-pound cast bronze eagle that was crafted for the Bank’s previous building. The eagle, which was completed in 1964, was made in Rome, Italy by American sculptor Elbert Weinberg. It has a wing span of 16 feet. (See https://www.atlantafed.org/about/atlantafed/branches/atlanta-fed-eagle)
https://live.brunkauctions.com/auctions/brunk/americansouthern-september-11-2025-17911/catalog#catalog

& Southern | September 11, 2025

1229
Bonnie MacLeary, Ouch! (Texas, 1886?-1971)
Young girl with crab, signed on base, “B. MacLeary”, stamped Gorham Co Founders/ OFCW”, patinated bronze, 6-1/2 x 3 x 2-1/4 in., green to brown patina, underside filled with plaster
Provenance: Estate of Alfred Cooper, Auctioneer, New York, New York; Simpson Galleries Auctioneers, Houston, Texas, September 25, 2021, Lot 550; A Private Habersham County, Georgia Collection; Private Collection
Estimate: $600 - $900
A facsimile of original receipt accompanies this lot.

1231
Martin Silverman (New York, born 1950)
Weekend in the Country Bucket, 1993, edition 2/6, signed on edge of base “MZ”, New Foundry, bronze, 37 x 16 x 13 in., oxidized to verdigris for weather exposure, surface dirt
Provenance: Alan E. Koppel/SAG, Chicago, purchased June 19, 1995; Property from an Important Chicago Collection
Estimate: $800 - $1,200

1230
Jerry Peart (Illinois/Virginia/Arizona, born 1948)
Step Lightly, 1974, painted aluminum, 54 x 60 x 42 in., flaking with voids and cleavage, weathered, surface dirt
Provenance: Richard Gray Gallery, Chicago, Illinois, June 3, 1988 (lot accompanied by original appraisal for $12,000); Property from an Important Chicago Collection
Estimate: $600 - $900

1232
William Zorach, Sculpture (New York/California/Maine, 1887-1966)
Study for Pioneer Family, circa 1927, signed on base “W Zorach”, also inscribed with “X”, plaster, 23-3/4 x 16-1/4 x 10-5/8 in., surface dirt, accretion, air bubbles, chips, cracks
Provenance: The Tatti Family Collection
Estimate: $1,500 - $2,500


1234
Dominic & Haff Individual Sterling Hot Water Kettle on Stand
1233
Set of 12 Towle Lady Constance Sterling Goblets
American, 20th century, no monogram, marks for Towle, 68.03 oz. T., 6-1/2 in., one with base pushed in, one with base bent, small dents, and wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $1,500 - $2,500

1235
Sterling Centerpiece Bowl
American, 20th century, round form with openwork swag and floral borders, silver plate frog, marks for Dominick & Haff, “3549/47”, 62.56 oz. T. excluding silver plate frog, 9 x 16-1/2 in., frog missing bolt, typical wear
Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas
Estimate: $1,800 - $2,500
American, 20th century, oval form, base with openwork decoration and bamboo style legs, ivory spacers, monogram, pot with marks for Dominick & Haff, base unmarked but test .900 or better, 22.63 oz. T., 9-1/2 x 6-3/4 x 4-1/4 in., base possibly associated (larger and unmarked), light scratches, dents, and typical wear
Provenance: Private Collection, Charleston, South Carolina
Estimate: $600 - $900
This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1236
Oneida Heiress Sterling Flatware, 76 Pieces
American, 20th century, including thirteen hollow handle knives; thirteen forks; eight salad forks; twenty one teaspoons; nine round soup spoons; eight solid handle spreaders, four serving pieces: two ladles, serving fork, and solid handle butter knife, no monograms, marks for Oneida, 70.99 oz. T. excluding hollow handle pieces; with one drawer wooden case, average wear
Provenance: Private Collection
Estimate: $2,000 - $3,000

1237
Reed and Barton Francis I Sterling Flatware, 122 Pieces
American, 20th century, including twelve 9-3/4 in. hollow handle knives; twelve 9 in. hollow handle steak knives; twelve 8 in. forks; eleven 6-1/2 in. salad forks; eleven 6 in. teaspoons; eleven 5-7/8 in. solid handle spreaders; twelve ice tea spoons; twelve 5-5/8 in. cocktail forks; twelve 4-1/4 in. demitasse spoons; twelve 6-3/4 in. oval soup spoons; five serving pieces: ladle, two serving spoons, slotted serving spoon, sugar spoon, and hollow handle butter knife, no monograms, all with marks for Reed & Barton, 126.09 oz. T. excluding hollow handle pieces, average wear
Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas
Estimate: $3,200 - $3,600

1239
Towle Lady Mary Sterling Flatware, 70 Pieces American, 20th century, including eight 9-3/4 in. hollow handle knives; eight 7-3/4 in. forks; eight 6-1/4 in. forks; eight 7-1/4 in. forks; sixteen 5-7/8 in. round soup spoons; eight 6-1/4 in. round soup spoons; seven 5-7/8 in. solid handle spreaders; seven serving pieces: three serving spoons, ladle, jelly, sugar, and pickle fork, no monograms, all with marks for Towle, with four assorted sterling teaspoons, 72.92 ox. T. total weight excluding hollow handle pieces (74 pieces total), average wear
Provenance: Kansas City Private Collection
Estimate: $1,800 - $2,200

1238
Gorham Crown Baroque Gold Sterling Flatware, 55 Pieces
American, 20th century, including seven hollow handle knives; five forks; ten salad forks; eight teaspoons; four oval soup spoons; five ice tea spoons; nine hollow handle spreaders, serving spoon; slotted serving spoon; serving fork; sugar spoon; pickle fork; two piece hollow handle carving set, no monograms, marks for Gorham, with five hollow handle knives, 70.47 oz. T. excluding hollow handle pieces, (60 pieces total), average wear
Provenance: Estate of Timothy B. Johnston, Russellville, Arkansas
Estimate: $1,800 - $2,200

1240
Pair of Vintage Gothic Style Oak and Iron Benches
19th century, each with oak back and seat with mellow dark surface, on trestle form base, 32-1/2 x 78-3/4 x 17-1/2 in., lacking three pierced splats (four additional off but present), iron mounts are loose, each fitted with later stretcher
Provenance: An Important Southern Institution
Estimate: $200 - $400

1241
American Cast Iron Garden Settee
Probably New York, late 19th/early 20th century, the Arlington pattern curtain style settee, no visible mark or stamp, fine old green painted surface, 36 x 43 x 13 in., very good overall condition, no visible breaks, losses or repairs, attractive rusty green painted surface commensurate with age and outdoor use
Provenance: Steven J. Rowe Antiques, Newton, New Hampshire, March, 1999; Property from an Important Chicago Collection
Estimate: $800 - $1,200


1242
Three Wicker Chairs with Table 20th century, unmarked, three barrel armchairs, with overall later black paint, 32 x 28 x 28 in.; together with an accompanying round wicker side table, later black paint, 22 x 24 in., overall good condition commensurate with age and outdoor use, losses to paint, scattered areas of loose wrapping, no major breaks or losses
Provenance: Private Collection, North Carolina
Estimate: $700 - $900

1243
Four Wicker Chairs with Round Table
20th century, unmarked, four continuous back armchairs, with later black paint, 36 x 29-1/2 x 27 in.; with accompanying round wicker pedestal side table, black paint, 22 x 24 in., overall good condition commensurate with age and outdoor use, scattered areas of loose wrapping, wear to paint, no major breaks or losses
Provenance: Private Collection, North Carolina
Estimate: $800 - $1,200
1244
Wicker Chaise Lounge
possibly early 20th century, unlabeled, rolled head rest and arched back, with later black paint, 36 x 73-1/2 x 24 in., good overall condition commensurate with age and use, scattered areas of loose wrapping, scattered minor breaks and losses
Provenance: Private Collection, North Carolina
Estimate: $800 - $1,200

1245
Two Wicker Chairs
the first a Victorian style side chair, with wood and cane seat, 44 x 22 x 16-1/2 in.; together with a 20th century, unmarked continuous arm easy chair with paint decoration, cushioned seat, 38 x 30 x 35 in.;, the first with expected wear, no major losses or breaks, cane on seat possibly replaced; the second with an area of (good) unvarnished repair on front and one arm, wear to surface as expected, minor losses, cushioned seat with wear
Provenance: Private Collection, North Carolina
Estimate: $500 - $700

1247
After John Woodhouse Audubon, Cinnamon Bear (New York, 1812-1862)
Plate CXXVII Ursus Americanus, Pallas, from The Viviparous Quadrupeds of North America, J.T. Bowen, Philadelphia, New York: 1845-1848, large folio, hand-colored lithograph with gum arabic on wove paper, sheet 21-1/8 x 27-1/4 in.; wood frame, 31-1/4 x 37-1/2 x 1-1/4 in., good strong color, hinged in, slight handling smudges; frame with abrasions
Provenance: W. Graham Arader III, Pennsylvania (label verso interior backing); An Important Atlanta Private Collection
Estimate: $2,000 - $3,000

1246
After John Woodhouse Audubon, American Black Bear (New York, 1812-1862)
Plate CXLI Ursus Americanus, Pallas, from The Viviparous Quadrupeds of North America, 1848, J.T. Bowen, Philadelphia, New York, 1845-1848, large folio, handcolored lithograph with gum arabic on wove paper, sheet 21 x 27-1/2 in.; wood frame, 31-1/4 x 37-1/2 x 1-1/2 in., hinged in, good strong colors, chipping at bottom edge, slight handling smudges at edge; frame with abrasions
Provenance: W. Graham Arader III, Pennsylvania (label verso interior backing); An Important Atlanta Private Collection
Estimate: $2,000 - $3,000

1248
Mark Catesby, The Little Thrush (British, 1679-1749)
T. 31 from The Natural History of Carolina, Florida and The Bahama Islands, London, 1754, hand colored engraving on laid paper with Strasburg Lily water mark, plate 13-7/8 x 10-3/8 in., sheet 18-3/8 x 13-1/8 in.; parcel gilt wood frame, 24 x 19-3/8 x 1 in., hinged in, good color, light toning, some speck upper left, very light foxing, pencil inscriptions; frame with abrasions
Provenance: Private Collection
Estimate: $600 - $900

1249
Mark Catesby, The Red Bird (British, 1679-1749)
T. 38 The Red Bird/Pig-nut/HiccoryTree, from The Natural History of Carolina, Florida and The Bahama Islands, 1754 or 1771 edition, Vol. 1, hand-colored engraving on laid paper lacking watermark, plate, 13-3/4 x 10-1/4 in., sheet 185/8 x 12-5/8 in.; wood frame, 22-3/4 x 18-1/2 x 1 in., good color, taped at top with cellophane tape, light toning and foxing; frame with abrasions
Provenance: Private Collection
Estimate: $600 - $900


1251
Boris Riab, Pair of Sporting Watercolors (French/Russian, 1898-1975)
English Setter with a Partridge; Pointer with Peasant; both signed lower left “B. Riab”, watercolors on paper, both sheets 12-1/2 x 9-1/4 in.; matching wood frames, 18-5/8 x 15-1/8 x 1 in., both hinged at top edge, foxing, toning; frames with light wear, mat liners with surface dirt
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $600 - $900
1250
Four John Gould Ornithological Lithographs (British,1804-1881)
one from The Birds of Europe, 1832-1837: Purple Heron, volume 4, plate 274; one from Birds of Asia, 1850-883: Red-backed Pitta, volume 5, plate 72; two from Birds of Australia, 1840-1848: Fawn-Breasted Kingfisher, volume 2, plate 20; Blue-winged Kookaburra, volume 2, plate 19; all hand colored lithograph on paper, largest sight 21 x 14-1/4 in.; three similar cream print frames, 31-1/2 x 23-1/2 x 1 in., one black print frame, 29-3/4 x 22-1/4 x 7/8 in., not examined out of frames, varying amounts of foxing, toning, fading; frames with wear and abrasions
Provenance: Private Collection, Highlands, North Carolina
Estimate: $600 - $900

1252
Robin Hill, Long-Eared Owl (Australian/America/Britain, born 1932)
original drawing for the large print portfolio titled “Birds”, 1973, signed and dated lower center “Robin Hill ‘73, also titled lower center “long-eared owl”, watercolor on illustration board, 27-1/2 x 21-1/2 in.; unframed, remnants of old adhesive along lower edge recto, also verso, some handling grime, minor foxing, worn edges and corners
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $500 - $700

1253
Robin Hill, Wood Duck (Australian/America/Britain, born 1932)
original drawing for the large print portfolio titled “Birds”, 1974, signed and dated lower center “Robin Hill ‘74”, also titled lower center “Wood Duck”, watercolor on cardstock, 30 x 22 in.; matted and unframed, bold and bright color, mounted to mat backing, slight handling grime, some rubbing and wear from mat liner near edges, old mat liner with wear and foxing
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600

1255
Robin Hill, Great Blue Heron (Australian/America/Britain, born 1932)
original drawing for the large print portfolio titled “Birds”, 1974, signed and dated lower right “Robin Hill ‘74”, also titled lower right “Great Blue Heron”, watercolor on illustration board, 30 x 22 in.; matted and unframed, mounted to board backing, remnants of old adhesive along edges, handling grime, worn edges, minor foxing; old mat with wear, foxing, old adhesive
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $500 - $700
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.

1254
Robin Hill, Red-Bellied Woodpecker (Australian/America/Britain, born 1932)
original drawing for the large print portfolio titled “Birds”, 1974, signed, dated, and titled lower right “Red-Bellied Woodpecker, Robin Hill ‘74”, watercolor on illustration board, 30 x 22 in.; matted and unframed, bold and bright colors, wear along margins, corners and edges, foxing; mat liner with wear and old tape remnants
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.

1256
Robin Hill, Two Illustrations (Australian/America/Britain, born 1932) for Robin Hill’s Novel Birds of the Australian Rainforest: Purple-Crowned Pigeon/ Superb Fruit Dove (Ptilinopus Superbus), sheet 16 x 14 in.; Golden Bowerbird (Priondura Newtonia), sheet 13-3/4 x 12-3/4 in.; unsigned, titled in pencil lower margin, watercolor, gouache, and body color on cardstock; in archival folders, unframed, both with bold and bright color, taped down on left and right edges, some small abrasions, slight handling grime along margins; archival folders with some wear
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500

1257
Jeanne Holgate, Four Large Watercolors (British/America, 1920-2010)
From Flowers of America: Racoon, with rhododendron, 1974; Deer Mouse, with Alaska forget-me-not and South Dakota pasqueflower, 1976; Young long-tailed weasel, with Colorado blue columbine and Wyoming Indian paintbrush, 1975; Pika, with California poppy, Nevada sagebrush, Montana bitterroot, and Utah sego lily, 1975; all signed and dated lower left “Jeanne Holgate”, all watercolor on illustration board, Racoon and Deer Mouse 22 x 28 in., Weasel and Pika 28 x 22 in.; unframed, bright colors, boards with varying amounts of separation at corners, worn edges, toning, slight handling grime along edges
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $500 - $700

1259
Anthony J Rudisill, Four Illustrations (Pennsylvania, New Jersey, born 1934)
Plate designs for Birds of the Countryside, with color pallette blocks: Barn Swallow; Goldfinch; Rivoli Hummingbird; Cardinal; all except “Goldfinch” signed lower right “A.J. Rudisill”, all gouache on paper, images 9 x 9 in., sheets 15 x 13-1/4 in.; unframed, foxing, handling grime, worn corners, creasing, “Goldfinch” and “Hummingbird” taped to board, ”Barn Swallow” and “Cardinal” loose
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500
This lot is accompanied by facsimiles of Franklin Mint Art Archives inventory paperwork.

1258
Jeanne Holgate, Three Large Watercolors (British/America, 1920-2010)
From Flowers of America: Red Squirrel, with Virginia Dogwood and Maine Pine, 1973; Chipmunks, with Minnesota Showy Lady’s Slipper, Rhode Island Violet, and Massachusetts Trailing Arbutus, 1973; Elf Owl, with Giant Cactus and Yucca, 1974; all signed and dated lower left “Jeanne Holgate”, all watercolor on illustration board, squirrel 22 x 28 in., owl and chipmunks 28 x 22 in.; unframed, bright colors, boards with varying amounts of separation at corners, worn edges, toning, slight handling grime along edges
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600

1260
Anthony J Rudisill, Two Illustrations (Pennsylvania, New Jersey, born 1934)
Senegal Spoonbill (Platalea alba), likely stamp design, signed in ink lower right “A.J. Rudisill”, gouache on board, image 8 x 8 in., board 15 x 15 in.; Mangrove Cuckoo (Coccyzus minor), stamp design for Birds of the World series, signed in ink lower right “A.J. Rudisill”, gouache on board, image 9 x 10 in., board 15 x 15 in.; unframed, toning, worn corners, handling grime, “Spoonbill” with warping to board Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $200 - $400
This lot is accompanied by facsimiles of Franklin Mint Art Archives inventory paperwork.


1261
Anthony J Rudisill, Two Stamp Illustrations (Pennsylvania, New Jersey, born 1934)
Two stamp designs for Birds of the World series: Wallcreeper (Tichodroma muraria), gouache on board, image 8-1/2 x 8-1/2 in., board 15 x 15 in.; Osprey (Pandion haliaetus), gouache on board, image 10 x 9-1/4 in., board 15 x 15 in.; unframed, toning, light foxing, wear along edges, handling grime
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $200 - $400
This lot is accompanied by facsimiles of Franklin Mint Art Archives inventory paperwork.

1263
Basil Ede, Barn Owl
(District of Columbia/Pennsylvania/England, 1931-2016)
Plate design for Franklin Porcelain, Birds of Prey, 1981, signed and dated in ink lower right “Basil Ede 1981”, Franklin Mint stamp lower right, gouache on cardstock, 11-1/4 x 12-5/8 in.; matted and unframed, bold colors, toning, worn corners, remnants of tape upper right; old matting with wear and abrasions, toning, loose tape at edge, tears
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.
1262
Ede Basil, Watercolor (District of Columbia/Pennsylvania/England, 1931-2016)
Quail, 1982, signed on mat backing lower right “Basil Ede, 1982”, titled lower left “Quail Coturnix Coturnix”, watercolor on cardstock, 13 x 18 in.; matted and unframed, mounted to mat backing, some toning, light handling wear; mat liner with wear and abrasions, handling grime, mounted to cardboard
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.

1264
Basil Ede, Pair of Avian Illustrations (District of Columbia/Pennsylvania/England, 1931-2016)
Snowy Egret, Franklin Mint Vase Design, 1979, signed and dated lower right ”Basil Ede 1979”, watercolor and gouache on board, 13 x 18 in.; Woodcock, Tankard Project, 1981, signed and dated in ink lower right “Basil Ede 1981”, watercolor on paper, 11-1/4 x 15-1/2 in.; in archival folders, unframed, bold and bright color, toning, handling grime, worn corners, “Woodcock” mounted on board, folders with handling wear
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.

1265
Basil Ede, Pair of Waterbird Illustrations
(District of Columbia/Pennsylvania/England, 1931-2016)
Waterfowl Plate Designs for the Franklin Mint: Pied avocet (Avocet-Recurvirostra avosetta), 1980, signed and dated in ink lower right “Basil Ede 1980”, gouache on cardstock, image 9 x 9 in., sheet 13-1/2 x 11 in.; unframed and unmatted; WhiteFronted Goose (Anser albifrons), 1980, signed and dated in ink lower right “Basil Ede 1980”, gouache and watercolor on cardstock, image 9 x 9 in., sheet 13-1/2 x 11 in.; matted and unframed, ”Pied avocet” loose, with toning, wear, creasing, worn corners handling grime, remnants of old tape, surface dirt, “Goose” with toning, worn corners, mat with detached front cover, toning, wear
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500 This lot is accompanied by Franklin Mint Art Archives inventory paperwork.


1266
Basil Ede, Porcelain Plaque Design (District of Columbia/Pennsylvania/England, 1931-2016)
Goldfinches and Blue Titmice with Forsythia, 1981, signed and dated in ink lower right “Basil Ede 1981”, artist stamp on folder recto, pen, ink, and watercolor on board, image 11 x 14 in., board 15-1/4 x 18 in.; in archival folder and unframed, bold and bright colors, handling grime, wear mainly to corners, some red paint accretion; folder with handling grime and wear
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $300 - $500
This lot is accompanied by Franklin Mint Art Archives inventory paperwork

1268
1267
Basil Ede, Three Game Bird Illustrations (District of Columbia/Pennsylvania/England, 1931-2016)
From the Game Birds of the World plate series: Wood Grouse (Capercaillie), signed lower left “Basil Ede”, gouache on cardstock, image 10 x 10 in., sheet 15 x 11-3/4 in.; Ptarmigan (Lagopus mutus), signed lower right “Basil Ede”, gouache on cardstock, image 10-3/4 x 10-3/4, sheet 12-1/2 x 11-1/8 in.; Black Grouse (Lyrurus tetrix), signed lower right “Basil Ede”, gouache on cardstock, image 10 x 10 in., sheet 14 x 11-1/2 in.; all matted and unframed, wear, toning, handling grime, worn corners, “Wood Grouse” mounted to board, “Ptarmigan” loose with remnants of old adhesive, ”Black Grouse” hinged in at top edge; mats with wear and abrasions, loose hinging
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.
Collection of Five Butterfly Illustrations (American, 20th century)
Most being plate designs for Franklin Porcelain: Monarch butterfly, unsigned, colored pencil on tracing paper, image 4-3/4 x 4-3/4 in., sheet 12 x 12 in.; Western blue charaxes (Charaxes smaragdalis), signed lower center “Davis Meltzer” (American, 1930-2017), gouache on board, image 5 x 9 in., board 11 x 15-1/2 in.; three illustrations signed “Ian D. Loe” (British, born 1946): Goliath birdwing (Ornithoptera goliath), Blue morpho (Morpho menelaus); Owl butterflies (Brassolidae), all three watercolor on paper, images 10 x 10 in., sheets 15-1/4 x 14 in.; all matted and unframed, toning, fading, creasing, “Monarch” hinged at top edge, “Charaxes” with remnants of old tape accretion upper edge, overlay sheet taped along upper edge, ”Blue morpho” and “Goliath” loose with remnants of old adhesive
Provenance: Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019
Estimate: $400 - $600
This lot is accompanied by Franklin Mint Art Archives inventory paperwork.