American & Southern | February 26, 2026

American & Southern

1001

Arthur Parton (American, 1842-1914)

Hay Harvesters in a Valley, 1872, signed and dated lower right “Arthur Parton 1872”, oil on canvas, 24 x 40 in.; fine reproduction gilt wood and composition frame, 30 x 46 in.,lined, areas of retouch throughout; frame with some wear

Provenance:Brunk Auctions, November 2015; Private Collection of a Southern Lady

Estimate: $5,000 - $7,000

Exhibited: Georgia Museum of Art, 2018.

1002

James Fairman (New York/California, 1826-1904)

Landscape with Bridge, signed lower right “J. Fairman”, oil on canvas, 32 x 45 in.; gilt wood and composition frame, 38-3/4 x 51-3/4 x 1-3/4 in., linen lined, retouch, surface dirt; frame with wear and abrasions, chips to corners

Estimate: $2,000 - $3,000

1003

Louis Henry Charles Moeller (New York/New Jersey, 1855-1930)

A Good Joke, signed lower right “Louis Moeller N.A.”, oil on canvas, 18 x 24 in.; fine reproduction gilt wood and composition frame, 26 x 32 x 4-1/2 in., wax and linen lined, crackle, remnant of original stretcher bar attached verso with original title inscription; frame with minor wear

Provenance:Vose Galleries of Boston, Boston, Massachusetts (label verso); Private Collection, Atlanta

Estimate: $3,000 - $5,000

1004

John George Brown (American, 1831-1913)

Home Comfort, 1893, signed lower left “J.G. Brown. N.A.”, oil on canvas, 35-1/4 x 40 in.; fine reproduction carved gilt wood frame, 44-3/4 x 49-3/4 x 3 in., surface clean and stable, linen lined, scattered spots of retouch; frame with wear and losses

Provenance:Charles and Ann Spaulding (per exhibition label); D. Wigmore Fine Art Inc., New York, New York (label verso)

Estimate: $6,000 - $9,000

Exhibited: Country Paths and City Sidewalk : The Art of JG Brown, George Walter Vincent Smith Art Museum, Springfield, Massachusetts, nd.

1005

Arthur Parton (American, 1842-1914)

Late Summer Afternoon, unsigned, oil on canvas, 23-1/2 x 39-1/2 in.; fine reproduction gilt wood frame, 30 x 46 x 2-1/2 in.,laid on panel, retouch scattered throughout, stabilized crackle; frame with minimal wear

Provenance:Private Collection of a Southern Lady

Estimate: $5,000 - $7,000

Exhibited: Henry Green Symposium, Georgia Museum of Art, Athens, Georgia, 2018.

1006

Louis Henry Charles Moeller (New York/New Jersey, 1855-1930)

A Geographical Question, signed lower right “Louis Moeller N.A”, oil on canvas, 12 x 16 in.; burlwood frame, 16-3/4 x 20-3/4 x 2-1/4 in., linen lined, small areas of retouch along edges, otherwise good condition; frame with minor wear and abrasions

Provenance:Sotheby’s, New York, New York, May 30, 1984; Private Collection, Atlanta Estimate: $1,800 - $2,200

1007

Regis Francois Gignoux (French/America, 1816-1882)

Winter Scene with Blacksmith Shop, signed above door “Gignoux”, oil on canvas, 28-1/2 x 24 in.; fine reproduction gilt wood frame, 35-3/4 x 31 in.,clean, stable surface, linen lined, areas of retouch scattered throughout, stabilized crackle; frame with small areas of loss

Provenance:Richard York Gallery, New York, NY (label verso)

Estimate: $20,000 - $30,000

(English/America, 1783-1872)

1009

Severin Roesen (German/America, c. 1815-c. 1871)

Still Life with Flowers and Nest, signed lower center “S. Roesen”, oil on canvas, 34 x 28 in. oval; fine period carved gilt wood and composition oval frame, 43-1/2 x 37-1/2 in.,lined, retouch throughout, stabilized crackle; frame with cracking, small losses, re-gilt

Provenance:Mount Pleasant Galleries, Mount Pleasant, New Jersey; Private Collection

Estimate: $20,000 - $40,000

This lot has been authenticated by Judith O’Toole, the recognized authority on the work of Severin Roesen.

1010

Xanthus Russell Smith (American, 1839-1929)

U.S. Gunboat Seneca at the Bombardment of Port Royal, titled pencil lower center “Seneca”, inscribed verso “U.S. Gunboat Seneca/at the Bombardment of Port Royal/ Commanded by Capt. Ammen”, oil on paper, 6 x 8 in.; period carved gilt wood frame, 11 x 13 x 1-1/2 in.,slight surface wear, small tear at upper edge with tape repair verso, spots of accretion at upper right corner, appears to be drops of clear wax; frame with some wear

Provenance:Vose Galleries, Boston, Massachusetts (label verso); Charleston Renaissance Gallery, Charleston, South Carolina (label verso); Private Collection, Johns Island, South Carolina

Estimate: $6,000 - $8,000

1011

James Bard (American, 1815-1897)

United States, 1852, signed lower right “Picture Drawn & Painted by James Bard NY 1852 686 Washington St”, additionally inscribed lower left “Built by....Engine built by Morgans Works NY”, oil on canvas, 43-1/2 x 65-1/2 in.; fine reproduction carved gilt wood frame, 51-1/2 x 74-1/2 x 4 in.,lined, with an aluminum plate that has been sandwiched between the original canvas and lining, crackle, cupping, tiny spots of flaking and paint loss primarily in water, small areas of retouch throughout; frame with wear and small surface losses

This work was recently assessed by Yost Conservation. Their treatment proposal is available upon request.

Provenance:Private Collection Florida

Estimate: $30,000 - $50,000

Literature: Peluso, Anthony J., and Mariners’ Museum (Newport News, Va). 1997. The Bard Brothers : Painting America under Steam and Sail. New York: H.N. Abrams, in association with the Museum. pp. 47, ill., 171.

1012

John Joseph Enneking (American, 1841-1916)

Stormy Sky, signed lower right “Enneking”, oil on canvas, 20 x 24 in.; wood and gilt wood frame, 30-1/2 x 34-1/2 x 2-1/2 in.,crackle, stretcher marks, retouch at upper right; frame with minimal wear

Provenance:John Dennison Fine Art

Estimate: $2,000 - $3,000

1013

Reginald Cleveland Cox Maritime Scene (American, 1855-1927)

Return of the Fleet, not apparently signed, oil on canvas, 30 x 50 in.; fine ornate period carved painted and gilt wood frame, 46 x 66 in.,lined, stabilized crackle, retouch, surface dirt; frame with wear

Provenance:Estate of Gary L. Johnson, Virginia

Estimate: $1,000 - $2,000

1014

Jeremiah Theus Wedding Portrait (Charleston, South Carolina/Chur, Switzerland, 1716-1774)

Rare and Important Wedding Portrait, circa 1760, not visibly signed, oil on canvas, 29-1/2 x 24-1/2 in.; period and possibly original bolection frame, bald cypress strainer, 32-1/2 x 27-3/4 x 1-1/4 in.,fine brushwork and excellent detail, surface with crackle and stretcher marks, modern varnish coat, lined and re stretched with original stretchers retained, please see extensive conservation report and blacklight photos; frame with some glue repairs at corners, nicks and dings on molding, good age/patina verso, substantial custom built crate that will confer to the buyer

Provenance:Acquired by the current owner from the sale of the Estate of George Withers, Sommerset, England

Estimate: $50,000 - $70,000

We are excited to share the recent discovery of a previously unknown work by Jeremiah Theus. It was offered at a regional English house, Dore & Rees, lot 21, February 21, 2024. Sold in a lot of four English portraits from the estate of the dealer/collector, George Withers, link to bio - https://www.doreandrees.com/the-private-collection-of-george-withers) this is the portrait that was pictured online.

While the sitter has not been identified, there are stylistic similarities that point to a possible connection with a well documented portrait of William Richardson, by Theus. https://artgallery.yale.edu/collections/objects/45313

This portrait is held by the Yale University Art Gallery. Style would appear to place our portrait around the same time of execution. If the painting on offer is a wedding portrait then one might assume there would be a pendant portrait of the groom. Anne Magdalen Guignard married Capt. William Richardson in St. Philip’s Parish, Charleston on 13 October 1768. The portrait of William Richardson could be this wedding portrait executed in advance of his military service. Perhaps we are looking at a portrait of his young bride Anne. The couple lived and are buried at Bloomhill Plantation in Sumter County, South Carolina. An advertisement in the Charleston Courier (online) 31 July 1869 references that Bloomhill Plantation and its contents were purchased by two English Gentleman (see image in note). Perhaps this rare Charleston portrait found its way to England with one of them.

There is room for continued research, and perhaps the sitter’s name will remain an enigma.

To read Martha R. Severens, Jeremiah Theus of Charleston: “Plagiarist or Pundit?”, published in Southern Quarterly; Hattiesburg Vol. 24, Iss. 1, (Fall 1985): 56 visit: https://issuu.com/brunkauctions/docs/martha_r._severens_jeremiah_theus_of_ charleston_?fr=xKAE9_zU1NQ

1017

Saussy (American/Georgia, 1890-1978)

1015

Attributed to Charles Fraser, Landscape (American/South Carolina, 1782-1860)

Landscape with figures, not visibly signed, oil on board,10 x 12 in.; early gilt wood and molded plaster frame, 15 x 17 in.,some wear and abrasion at corners and edges due to frame rubbing, surface with minor abrasions, some dirt and discolored varnish; frame with wear, losses to plaster, areas resurfaced, separation at corners, good patina verso, possibly original Provenance:Private Florida Collection Estimate: $4,000 - $6,000

1016

Rare Painting by Oliver Frazer After Bartolome Murillo (American/Kentucky, 1808-1864)

The Immaculate Conception of Los Venerables, circa 1834-1838, unsigned, painted after the painting by Bartolome Esteban Murillo (Spanish, 1617-1682) circa 1665, held by the Museo del Prado, oil on canvas, 57 x 35-1/4 in.; original carved and gilt wood Florentine frame, 77 x 54-1/2 x 3 in.,original stretcher, conservation attempt with wax applied verso for stabilization, one patch, one side with strip lining, surface dirt, canvas slack, abrasions, some flaking at edges, crackle, stretcher marks; frame with losses to decoration, some areas of attempted restoration, separations, losses to tips of crescent moon

Provenance: Sold to benefit Christ Church Cathedral Estimate: $2,000 - $3,000

Likely painted while the original Murillo painting resided in the Marshal Soult Collection, Paris 1813-1852.

Wooded Landscape, signed lower right “Hattie Saussy”, oil on canvas. 20-1/4 x 14 in.; gilt wood frame, 23

x 17 x 2 in.,clean surface; frame with minor losses and wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $2,000 - $4,000

1018

Elizabeth O’Neill Verner

(American/South Carolina, 1883-1979)

View of St. Michael’s Steeple, signed lower right “Elizabeth O’Neill Verner, pastel on panel, 18 x 14-1/8 in.; modern molded frame, 31 x 27 in.,pastel is stable and color is bright, un-smudged, board is attached to archival backing; frame has minimal wear

Provenance:The Charleston Renaissance Gallery, Charleston, South Carolina; Private Collection, Georgetown, South Carolina

Estimate: $10,000 - $20,000

1020

Elizabeth O’Neill Verner

(American/South Carolina, 1883-1979)

Two etchings: Magazine Street, Charleston, signed lower right “Elizabeth O’Neill Verner” etching, 10 x 7 in.; wood frame, 21 x 15-1/2 in.; Old Alleyway, Charleston, signed lower right “Elizabeth O’Neil Verner”, etching, 2-3/4 x 2 in.; early painted wood frame, 7 x 5-1/4 in.,Magazine Street with toning, especially at mat edge; Old Alley way with light foxing; neither examined out of frame

Estimate: $1,000 - $1,500

1019

Elizabeth O’Neill Verner

(American/South Carolina, 1883-1979)

Emmaline, circa 1955, signed lower right “Elizabeth O’Neill Verner, pastel on board, 17-3/4 x 13-3/4 in.; modern gilt molded frame, 31 x 27-1/2 in.,good bright color, strong clean lines, mounted in archival foam core; frame with minimal wear

Provenance:The Charleston Renaissance Gallery, Charleston, South Carolina; Private Collection, Georgetown, South Carolina

Estimate: $8,000 - $10,000

1022

Collette Pope Heldner

(American/New Orleans, 1902-1990)

Strong Man, signed lower left “Colette Pope Heldner/Paris 1929”, inscribed verso “Strong Man” April in Paris (rue St. Etienne du Mort) Quartier Latin Paris 1929-31 by Colette Pope Heldner”, oil on canvas, 29-3/4 x 24 in.; gold-painted wood frame, 32-3/4 x 27 in.,light surface dirt, abrasion bottom edge and bottom right corner; frame with light wear

Provenance:Private Collection, Beaufort, South Carolina

Estimate: $2,000 - $4,000

1024

Newbold Hough Trotter (American, 1827-1898)

Geese Flying In, 1873, signed lower right and lower left “N. H. Trotter/1873”, remnants of now illegible inscription canvas verso, oil on canvas, 14 x 20-1/4 in.; modern gilt wood frame, 19-1/8 x 25-3/8 x 2 in., original stretcher and tacking edge, crackle, small indent with crack at upper left corner, surface dirt; frame with wear

Provenance:Kim Iocovozzi, Savannah, Georgia (label verso); Private Collection, Savannah, Georgia

Estimate: $800 - $1,200

1021

Athos Menaboni

(American/Georgia, 1895-1990)

Mute Swan with her cygnets, signed lower right “Athos Menaboni”, oil on Masonite, 33 x 45 in.; painted wood frame, 383/4 x 51 x 2 in., surface is good, clean; frame with light wear

Provenance:Private Collection, Atlanta

Estimate: $3,000 - $5,000

1023

Collette Pope Heldner (American/Louisiana,1902-1990)

Mardi Gras, signed lower left “Colette Pope Heldner”, inscribed verso “Mardi Gras (Old New Orleans) French Quarter by Colette Pope Heldner”, oil on canvas, 24 x 30 in.; gold-painted wood frame, 26-1/4 x 32-1/2 in.,good color and some surface dirt; frame with light wear

Provenance:Private Collection, Beaufort, South Carolina

Estimate: $2,000 - $4,000

1026

Attributed to Noah North (New York, 1809-1880)

1025

Newbold Hough Trotter (Pennsylvania, 1839-1935)

Elk in the Woods, signed lower left “N.H. Trotter”, oil on canvas, 28 x 40 in.; gilt wood frame, 36 x 48 x 2 in.,original canvas and stretchers, tiny spots of retouch, surface dirt; frame with wear, separation

Provenance:Private Collection, Savannah, Georgia

Estimate: $2,000 - $3,000

Portrait of a Gentleman, unsigned, oil on canvas, 28-1/4 x 24 in.; period painted wood frame, 34 x 30 x 2 in.,wax and linen lined, crackle, surface dirt, retouch frame with wear and abrasions

Provenance:Private Collection

Estimate: $1,000 - $2,000

It has been suggested that this also bears a resemblance to the work of Milton Hopkins, (1789-1844).

1027

Folk Portrait Lady in Bonnet (American, 19th century)

Holding her Eyeglasses, unsigned, oil on cradled panel, 28-1/2 x 23 in.; period carved painted and gilt wood frame, 32 x 27 x 3-1/4 in.,accretion, surface dirt, retouch, three inch crack down center of panel frame with wear

Provenance:Private Collection

Estimate: $1,000 - $2,000

1028

Portrait of a Pennsylvania Dutch Couple (American, 19th century)

A Pair of Portraits; Mr. and Mrs. Bayer, one signed illegibly and dated “1856” lower right, each one inscribed verso: Mr. Bayer “Adam Bayer/77th Lebensjahr (year of life)”; Mrs. Bayer: “Philipine Bayer/geboren Weber/im 64th Lebensjahr”, both with New York colourman stamps canvas verso, each 30 x 25 in.; fine modern wood frames, 36-1/2 x 31-1/4 x 1 in.,loose canvas, both with old patch repairs verso, loose canvas, retouch; frames with minimal wear

Provenance:Private Collection, Manchester-by-the-Sea, Massachusetts

Estimate: $1,800 - $2,800

1029

Jim Rataczak

(American, born 1965)

Grouse Strutting, signed lower left “Rataczak”, oil on canvas, 21 x 32 in.; burlwood frame, 28 x 39 in.,good clean surface; frame with light wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $1,000 - $2,000

1030

Luke Frazier

(American/Utah, born 1970)

Safety of the Den, 1999, signed, dated, and titled verso “ 1999/Safety of the Den/L. Frasier”, oil on Masonite, 16 x 20 in.; gilt wood frame, 21-1/2 x 25-1/2 x 2-1/4 in., overall good condition, some surface dirt; frame with minor wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $2,000 - $3,000

1031

Luke Frazier

(American/Utah, born 1970)

Under Watchful Eyes, 1997, signed upper right “L Frazier”, inscribed lower left “97”, signed, titled, and dated verso “Under Watchful Eyes/L. Frazier 97”, oil on board, 18 x 24 in.; reproduction gilt wood frame, 27-3/8 x 33-3/8 x 3-1/2 in., dry, uneven surface, surface dirt; frame with wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $1,000 - $2,000

1033

John James Audubon, Western Duck (New York, 1785-1851)

1032

John James Audubon, Yellow-breasted Chat (New York, 1785-1851)

Pl. CXXXVII (Pl.137) from Birds of America, Robert Havell, London, 1827-1838, hand-colored etching, engraving and aquatint on wove paper with “J. Whatman/1838” watermark, sheet 38-1/8 x 25-1/2 in.; parcel gilt and wood veneer frame, French mat, 42-5/8 x 34-3/8 x 1-1/2 in., hinged at top with archival tape, full sheet with binding edge present at right, good strong color, some handling creases, finely achieved paper restoration at former tear bottom margin near and slightly into plate, archivally framed, small points of foxing, slight toning; frame with abrasions

Provenance:W. Graham Arader, III, Philadelphia, Pennsylvania (label verso); Private Collection, Atlanta, Georgia

Estimate: $2,000 - $4,000

Plate CCCCXXIX (Pl. 429), from Birds of America, Robert Havell, London, 18271838, hand-colored etching, engraving and aquatint on wove paper with “J. Whatman/1838” watermark, sheet 25-1/2 x 38-1/8 in.; parcel gilt and wood veneer frame, French mat, 35-1/2 x 47-1/4 x 1-1/2 in.,hinged at top with archival tape, full sheet with binding edge present at top, good strong color, archivally framed, small points of foxing, slight toning at edges; frame with abrasions

Provenance:W. Graham Arader, III, Philadelphia, Pennsylvania (label verso); Private Collection, Atlanta, Georgia

Estimate: $1,000 - $1,500

1035

John James Audubon, Purple Martin (New York, 1785-1851)

1034

John James Audubon, Republican or Cliff Swallows (New York, 1785-1851)

Pl. LXVII (Pl. 68) from Birds of America, Robert Havell, London, 1827-1838, handcolored etching, engraving and aquatint on wove paper with “J. Whatman/1838” watermark, sheet 38 x 25-1/2 in.; veneer ogee style molding frame, 44-1/4 x 37-1/4 x 1-1/2 in.,hinged at top with archival tape, full sheet with binding edge present at right, good color with some slight fading, some handling creases and smudges, two tiny pin-sized holes in left and right margins

Provenance:W. Graham Arader, III, Philadelphia, Pennsylvania (label verso); Private Collection, Atlanta

Estimate: $2,000 - $3,000

Pl. XXII (Pl. 22) from Birds of America, Robert Havell, London, 1827-1838, hand-colored etching, engraving and aquatint on wove paper with “J. Whatman/1837” watermark, sheet 38-1/8 x 25-1/2 in.; ogee style wood veneer frame, French mat, 44-1/2 x 37-1/8 x 1-1/2 in., hinged at top with archival tape, full sheet with binding edge present at right, good strong color, some handling creases, some ghosting from another impression

Provenance:W. Graham Arader, III, Philadelphia, Pennsylvania (label verso); Private Collection, Atlanta, Georgia

Estimate: $5,000 - $8,000

1037

Thomas Hart Benton, The Race (American, 1881-1975)

or Homeward Bound (Fath 56), 1942, from the edition of 250, signed in pencil lower right “Benton”, Associated American Artists, publisher, with detached original label, image 8-15/16 x 13-1/8 in., sheet 10-15/16 x 14-7/8 in.; metal frame, 15-1/4 x 19-1/4 x 7/8 in.,hinged in, pencil framing inscription in margin lower right, some light toning

Provenance:Private Collection, Flat Rock, North Carolina

Estimate: $8,000 - $12,000

Literature: Fath, Creekmore. The Lithographs of Thomas Hart Benton. Austin: University of Texas Press, 1979, No. 56 pp. 132-133.

1036

John R. Johnston (American, 1820-1895)

Monumental Landscape with Black Figure, not visibly signed, oil on canvas, 61-1/2 x 50 in.; period gilt wood and composition frame, 72 x 60 x 3 in.,surface with crackle throughout, lined and returned to original stretchers, small areas of retouch scattered throughout, especially at corners and figure, please see blacklight photo; monumental frame with minor losses

Provenance:Estate of Gary L. Johnson, Virginia

Estimate: $2,000 - $4,000

1038

Homer Ellertson

(American/ Tryon, NC, 1892-1935)

Still life with Zinnias, signed lower right “Ellertson”, watercolor on paper, sight 29 x 20-1/2 in.; gilt wood frame, 40 x 31-1/4 x 2 in.,good bright color, light foxing at top edge, not examined out of frame; frame with minor abrasions

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $2,000 - $3,000

1039

Robert Stark

(American, born 1939)

The Rowboat, Nantucket, signed lower left “R. Stark”, oil on canvas, 14-3/4 x 30 in.; modern gilt wood frame, 22-1/8 x 37-1/4 x 2 in.,good condition overall; frame with some wear, crackle

Estimate: $2,000 - $4,000

1040

Jane Wooster Scott (American, born 1933)

Village Scene, a lampshade design, unsigned, labelled verso, oil on semi circular board, 11-1/4 x 41 in.; shaped wood frame, 15 x 46-1/4 x 1 in., as made surface; frame with very minimal wear

Provenance:Franklin Mint, Concordville, Pennsylvania; partial archive purchased 2019

Estimate: $1,000 - $2,000

1041

Rare American Chippendale Scalloped Top Applewood Chest of Drawers

18th century, poplar and white pine secondary, boldly shaped top with good overhang, quarter columns with brass mounts, old brasses appear original, dovetailed foot facings, 32-3/4 x 44-1/2 x 21 in.,in very good near original condition, attractive old surface, scattered stains to top, crack to rear foot facing, some faint red wash to base

Provenance:Per consignor notes, found in Vermont; John Walton; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $3,000 - $5,000

Accompanied by correspondence between the consignor and Michael Brown of MFA Boston discussing the chest in 1977. Also with a copy of a Wallace Gussler detailed examination report conducted in 2000.

1042

Pennsylvania Chippendale Paint Decorated Corner Cupboard, Samaha Provenance, late 18th century, poplar and pine, in two parts, single glazed door cabinet concealing light blue painted shelved interior, 87-1/2 x 41-1/4 x 24 in.,old stained surface with losses, finials with restoration or losses, some glass cracked, interior electrified, separation to molding above door, drawer with patch at rim, one spur replaced the other reattached, later hinges and pulls

Provenance:Per consignor notes Samaha’s Early American Antiques, August 1, 1968; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

Old faded inscriptions to top of top and bottom with single illegible line above “Newfields New Hampshire”. Labels for American Railway Express Co in Newfield New Hampshire. Back of top section with “JH”.

1043

New England Chippendale Figured Mahogany Serpentine Chest of Drawers Massachusetts, late 18th century, white pine secondary, figured drawer fronts, original ogee bracket feet, 38-1/4 x 46-3/4 x 24-1/2 in.,top with later strip to back, scattered typical minor chips and scuffs; loss to proper right rear foot facing with partial replacement; original feet and most blocking held with a combination of handmade screws and rosehead nails; later brasses

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,500 - $2,500

1044

Delaware Valley Chippendale Walnut Dressing Table, Samaha Provenance probably Pennsylvania, 18th century, yellow pine and walnut secondary woods, two board top, two long drawers, the lower drawer with false three front, 28 x 32-1/2 x 20 in.,mellow old surface, interior backboard with minor repair, knot loss to proper right rear knee and two later pins (possible repair?), later brasses

Provenance:Purchased from Samahas Early American Antiques, June 16, 1969, $11,440 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

The Samaha receipt claims the piece is 100% original with the exception of the brasses which are period.

1045

Portrait of George Washington after Joseph Wright (American, 18th century)

After the 1790 drypoint by Joseph Wright (American, Bordentown, New Jersey 1756-1793), this likely done circa 1798 when Washington was recommissioned, unsigned, titled recto “Lt Gen GEO WASHINGTON”, watercolor on paper, partial watercolor sketch of a horseman verso, 6-1/4 x 5 in., toning, fading, bleeding; frame with wear

Provenance:Skinner Auctions, Boston, Massachusetts (per consignor); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1047

Fine Federal Figured Mahogany Tilt-Top Candlestand likely Salem, Massachusetts, late 18th/early 19th century, circular dish tilt top with applied reeded edge, 28 x 19-3/4 x 19-3/4 in.,top with stains and shrinkage cracks, separations and small repairs to applied edge molding of top, base with antique spider brace

Provenance:Purchased from Priscilla & Howard Richmond Antiques, October 1, 1968, $879.75 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1046

Framed Wedgwood George Washington Profile Plaque 19th century, stamped “Wedgwood” and inscribed “Washington” verso, sight 5-3/4 x 4 in.; gilt wood frame, 9 x 7 x 1 in.,surface dirt and smudges; frame with surface dirt, small corner chips, some cracking to leather mat

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $100 - $300

1048

American Federal Heart and Filfot Inlaid Walnut Single Drawer Tray Top Stand, Samaha Provenance, Probably Western Pennsylvania, early 19th century, poplar secondary wood, top with inlaid hearts to corners centering fylfot, inlaid skirt, 29 x 18-1/4 x 17-3/4 in.,good condition and integrity overall, scattered restoration and minor loss to inlay throughout; minor shrinkage separation to top with small inlay loss; small patch to top molding, later plugged screws for top attachment, later pull (additional condition notes in Wallace Gusler assessment)

Provenance:Samahas Early American Antiques, September 11, 1965, $463.50 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1051

Pair of Federal Bell Metal Ball Top Andirons and Four Fireplace Accessories

American, comprising: a pair of bell metal andirons in the Newport style, likely late 19th century; period federal iron and bell metal shovel and tongs; two brass jambs; largest 18-1/2 x 11-1/4 x 19 in.,typical surface wear and corrosion consistent with age and use,; one lock stop loose; tool handles slightly loose

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1049

American Sailor Made Spanish Cedar Box, Great Seal Decoration, late 18th/ early 19th century, ash? inlay of stars and great seal, whale bone top handle, escutcheon, and inlay initialed “CED”, hinged lid opens to single partition interior, felt lining at bottom, 5 x 9-1/8 x 5-3/4 in.,areas of discoloration, some lifting, splitting, and warping to veneer, notably at lid, loss to veneer along front edge of lid, right hinge nearly detached at body, one inlaid star element restored, lacking key

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

1050

Five English and Continental Candlesticks

18th/early 19th century, comprising: pair of brass candlesticks, English or Continental, with removable bobeches and circular bases; pair of English bell metal candlesticks with formed bases; George III brass taper stick with stepped quatrefoil base; largest 5 x 5 x 9-1/4 in.,scattered areas of verdigris and spotting, verdigris and wax accretion to interiors of cups, some scattered pitting and scratching throughout; one candle cup with significant tarnishing and verdigris at top

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1052

Fine Pair of English Bell Metal Shell Base Candlesticks

circa 1760, 9 x 5-1/4 x 5-1/4 in.,heavily polished, scattered scratches and surface abrasions, some verdigris and wax accretion at cup interiors

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

A very similar pair sold Sotheby’s, Lot 928, April 21, 2023.

1053

Pair of Silver Plate and Mahogany Back Wall Scones early 19th century, probably Sheffield, each of two part construction with removable cup liners, each approximately 6-1/4 x 4-1/8 x 8-1/4 in.,some tarnishing, scratching, and other typical light wear, one loose on mahogany back plate; wood backs probably later

Provenance:Anne Wood Antiques, Ivy, Virginia; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1055

American Queen Anne Tiger Maple Drop Leaf Table 18th century, in fine mellow surface, oak and poplar secondary woods, while closed 27-1/2 x 48-3/4 x 13-1/2 in, open 27-1/2 x 48-3/4 x 48 in.,good integrity, old surface with some distress and stains, leaf joint with restoration to 3 inch break, scattered minor chip losses at edges and tip of foot

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1054

American Folk Art Painted Yellow Pine Dresser Box probably Pennsylvania, mid 18th century, yellow pine scored and painted Prussian blue, 10-1/2 x 5-1/8 x 5-7/8 in.,wear to paint, minor losses to raised decoration, surface scratching throughout, age splits and checking, some old insect damage to rear and bottom panels, old pencil markings to interior

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

An accompanying note reads “Descended in the family of Benjamin Sharples. He was a well known Pennsylvanian artist.”

1056

Very Rare American Turned and Figured Maple Dish Top Tray, Schorsch Provenance probably New England, 18th century, single highly figured maple board “waiter”, rare American form, 3/4 x 23 x 22-1/2 in.,some distress and stains, shrinkage crack at edge with partial infill, patches at edge

Provenance:Per consignor notes purchased from David Schorsch; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1058

1057

Fine Philadelphia Chippendale Carved Mahogany Dish Top Tea Table Pennsylvania, 1760-1780, round dish top, birdcage support, turned standard with compressed ball, knees carved with foliate vines, ball and claw feet, 29-1/8 x 34 x 34 in.,base with fine old surface, top with some added color and minor distress and some minor shrinkage cracks; one batten, brass latch, birdcage key and retaining collar replaced; the collar with a small chip loss, loss and infill to underside of one leg, some repairs at joint of pedestal and birdcage with later leather washer (see additional condition notes from Wallace Gussler 2001 assessment)

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $5,000 - $7,000

New England Painted Sack Back Windsor Armchair, Historic Paint late 18th century, in old green and yellow paint over pale green over black, 37-1/2 x 25-1/4 x 20-1/2 in.,some wear and alligatoring to later paint

Provenance:Philips-Selkirk Auctions, lot 741, 2 Day Autumn Gallery Auction, year unknown; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1059

Fine New England Queen Anne Maple Porringer Top Tea Table in Old Surface 18th century, thin rectangular two board porringer top with dramatic overhang, turned legs on small pad feet, 26-3/4 x 33-1/4 x 23-3/4 in.,very good condition with mellow old surface, top with scattered dark stains and red wash to edges, two board top with open seam held by slightly loose butterfly keys underneath, knot loss to middle of one leg, legs and feet with minor cracks

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $3,000 - $5,000

1061

Rare Pair of Steel Scallop Base Taper Sticks

1060

Regency Brass Mounted Leather Wrapped Sarcophagus Form Sewing Box

English, 19th century, hinged lid opens to divided interior housing pin cushion and other sewing accessories, silk panel with transfer of neoclassical scene to interior of lid, ivory pin lock releases drawer, 6-1/4 x 11-1/2 x 9-1/2 in.,discoloration to leather and tarnishing to metal, some scuffing and abrasions, areas of cracking, lifting, and losses to leather, some chips/losses along front edge of lid, later/replaced hinges, losses to paper interior, lacking key

Provenance:Liza and Wallace Gusler, Williamsburg, Virginia; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

unmarked, undersides of bases painted red, 4-3/8 x 4-3/8 x 5 in.,scattered scratches and areas of discoloration, accretion to interiors of candle cups, losses to red paint

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

According to consignor notes, a metal analysis determining steel composition was performed by the Winterthur Museum.

1063

Chippendale Parcel Gilt Carved Mahogany Mirror

British or American, 18th century, crown with relief carved shell issuing leafy vine, 37 x 19-1/4 in x 1-1/4 in.,plate later, old surface with gilding losses, repairs to crest, some scroll losses

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1062

Fine New England Queen Anne Red Painted Tea Table 18th century, maple, top with applied molding, scalloped apron, splayed legs with small pad feet, 27-3/4 x 23-3/4 x 21 in.,old but later paint with some distress, alligatoring, and loss, shrinkage split with minor warping to top, splintered loss at leg and top joint where the peg securing the top broke through, with (additional condition details in Wallace Gusler assessment)

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

1065

American School Painting of Boston State House (19th century)

On Beacon Hill, circa 1820-1840, unsigned, artist, presumably, doodles in pencil verso, oil on panel, 14 x 16-3/4 in.; painted wood frame, 14-1/2 x 17-3/8 x 1 in., retouch mostly along edges, yellowed varnish, craquelure, surface dirt; frame with minor wear

Provenance:Samaha & Son Antiques, Inc., Milan, Ohio, January 22, 1971 (accompanied by an original invoice); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1066

Pair of New England Watercolor Miniature Portraits (American, 19th century)

Edmund Kimball and Ann Kimball Alain, unsigned, inscribed on frame of female “circa 1810, by Nixon, in partnership with Bache from 1809-1810/ Phil.”, watercolor on paper, each 5-1/2 x 4-1/2 in.; matching carved gilt wood frames, Ann with oval eglomise liner, 8 x 7 x 1 in.,not examined out of frames, some toning, especially on Mr. Kimball; frames with separation, Edmund with replaced mat

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $700 - $900

According to the consignor, The Magazine Antiques (September, 1928) includes research on Nixon and Bache. Edmund Kimball was born in Newburyport, Massachusetts, in 1793, and died in Wenham, Massachusetts, 1873.

1067

J.F. Kallenbach Miniature

1064

1835 Massachusetts Village Scene (American, 19th century)

View of North Attleboro, Massachusetts, dated 1835 lower center, pastel on paper, 16-1/4 x 25-1/4 in.; original gilt wood frame, 21 x 30-1/4 x 1-3/4 in.,not examined out of sealed frame, small water stain at upper center, small area of apparent toning; frame with wear

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,800 - $2,800

Portrait of Jon Van Meter, signed and dated lower right “ J.F. Kallenbach 1826”, watercolor on ivory, 3 x 2-1/2 in.; velvet easel frame with metal liner, 7 x 6 in.,not examined out of sealed frame, appears in good condition; frame with wear to velvet

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $800

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

https://live.brunkauctions.com/auctions/brunk/americansouthern-february-26-2026-22238/catalog#catalog

1068

Miniature Folk Portrait of Two Boys (American, 19th century)

Two Children with Rocking Horse, unsigned, watercolor and pencil on card, sight 7-1/4 x 6-1/2 in.; period gilt wood frame, 9-1/4 x 7-7/8 x 3/4 in., mounted to board, toning, fading, crackle; frame with wear

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $800

1069

Pair Early Connecticut Watercolor Portraits (Connecticut, 18th century)

Mr. Doolittle and Miss Manwell, from Wallingford, Connecticut, unsigned, each bust length profile ink and watercolor on paper, with name of sitter inscribed beneath image recto, sight (him) 5 x 4 in.; (her) 6 x 4-1/2 in.; in matching wood frames with eglomise mats, 9-1/2 x 8 in.,not examined out of frames, toning, fading and surface wear apparent, commensurate with age

Provenance:The Collection of Mrs. Charles Montgomery (per Samahas records); Samahas Early American Antiques, Milan, Ohio, March 8, 1969 (accompanied by original receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $700 - $900

Titus Doolittle was born in 1749 in Wallingford CT., died 1837 in North Haven. Note inscribed verso (him) listing names, places, persons in New York to get joiners’ saws, and chisels from “William Hiers, in Smith Street and John B. Dash, Broadway,1780-1790”.

1070

Henry Walton Pair of Early Miniatures (American, 1804-1865)

Portrait of a Young Couple, circa 1825, signed verso (but currently unreadable in sealed frames), watercolor on ivory, each 2-1/2 x 2 in. ovals; original oval metal miniature frames with “window” verso, 2-3/4 x 2-1/8 in., presented in modern wood easel frame,not examined out of sealed frames, both appear in good condition overall with vibrant color; frames with wear and oxidation, small chips

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

Exhibited: Artist of Ithaca: Henry Walton and His Odyssey, 1988, Herbert Johnson Museum of Art, Cornell University, Ithaca, New York. Accompanied by registrars receipt.

Note: This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1073

Virginia Federal Walnut Low Post Rope Bed

possibly Mecklenburg County, late 18th/early 19th century, turnings to legs, posts, and headboard; 38 x 50-3/4 x 83-3/4 in.,surface with some wear and distress throughout, scattered chips to turnings, proper left side rail partially replaced with splice repair

Provenance:Bozarth of Yorktown Period Antiques, March 28, 1967 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

Receipt claims the bed was found between Lively and Kinsale, Virginia; very similar bed is in Stratford Hall Plantation House.

1071

Scarce American Chippendale Tester Bedstead

Probably Pennsylvania, late 18th century, stained tulip poplar, tall fluted posts with canopy frame, Marlborough legs, 96 x 50-3/4 x 75-1/2 in.,lacking headboard, later finish with distress and minor loss, proper left front foot facing with chips

Provenance:Reportedly purchased from “Dr. Kelly”; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1985 wood sample assessment from Gordon Saltar states that the missing headboard was American pine from the Taeda Group, and that the rails and posts are tulip tree. Copy of assessment with more detail included with this lot. 1969 appraisal from Adelaide G. Briggs also included.

1072

American Queen Anne Mahogany Drop Leaf Table with Possible Revolutionary Connection, Possibly Virginia or Rhode Island, 18th century, oak and pine secondary woods, small pad feet, 26-1/2 x 36-1/4 x 13-1/4 in, open 26-1/2 x 36-1/4 x 38 in.,top and leaves with stains, minor wear, and patches at corners; proper right apron with patches at side, top of proper right standing and swing legs with restorations to breaks, foot of proper left standing leg with partially tipped replacement

Provenance:Per consignor notes this table came from Marshall Goodman; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,200 - $1,800

Antique mostly illegible hand written label to underside indicates this table was owned by Dr. Caleb Fiske M.D. (1753-1834). Dr. Fiske was from Rhode Island and a direct descendent of Roger Williams, the founder of Rhode Island. Fiske was a surgeon in the revolutionary war, and went on to be President of the Rhode Island Medical Society. The Caleb Fiske prize for medical essays is still given out to this day.

1074

Massachusetts Village Scene (American, 19th century)

Village Life, thought to be East Falmouth, Massachusetts, in a faux painted surround, unsigned, oil on canvas, 35 x 41-1/2 in.; painted black wood frame, 35-1/4 x 42 x 1-1/8 in.,not examined out of secured frame, wax lined, retouch with evidence of old tears, crackle, old stretcher marks; frame with wear

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,000 - $2,000

1075

Henry Young Fraktur Birth Certificate (American/Pennsylvania, 1792-1861)

Toasting to daughter Sarah Ann Girdon, born on the 25th day of October, 1814, in Madison Township, Columbia County, State of Pennsylvania, ink inscriptions upper center, watercolor and ink on paper, sight 9-5/8 x 7-5/8 in.; carved wood frame, 11-1/4 x 9-3/8 x 1 in., acid free card, mounted with archival tissue in at least four places, toning, fading, restored tear along lower left edge, small closed tear left edge, small repair along right edge, specks lower right corner; frame with light wear

Provenance:Christie’s; Hattie Brunner, Reinholds, Pennsylvania; Gordon Collection (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $4,000

1076

Attributed to Joseph Whiting Stock Miniature (American, 1815-1855)

Mother and Child, circa 1830, watercolor on ivory, 1-3/4 x 2-1/4 in. oval; gold colored metal frame, 2-3/4 x 3-1/4 in. square,not examined out of sealed frame, surface appears in good condition, possible slight surface wear commensurate with age; frame with wear, appears glued shut

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $4,000

1077

Two Folk Art Watercolors (American, 19th century)

American Eagle, signed lower center “Seranna Lenher, 1832”, illegibly inscribed in brown pen verso, watercolor and ink on paper, 6-1/2 x 7-3/4 in.; period burl maple frame, 11-1/2 x 13-1/2 x 1-1/2 in.; together with an unsigned theorem, Basket of Fruit, circa 1840, sight 12-1/2 x 10-1/2 in.; period carved gilt wood frame, 15 x 13 x 1 in.,eagle with toning, fading, bleed from verso, hinged in at upper corners; frame with separation, wear; Fruit not examined out of frame, some staining, creases and small tears visible at edges; frame with wear and abrasions commensurate with age

Provenance:The Old Print Shop, New York, New York, June 17, 1968 (accompanied by old facsimile of original invoice); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $800

1078

Folk Art Watercolor (19th century)

Fruit Basket, circa 1810-1830, unsigned, watercolor on paper, sight 11-3/8 x 9-3/8 in.; period painted wood frame, 14-1/4 x 12-3/8 x 7/8 in.,not examined out of sealed frame, toning, some small areas with loss; frame with attractive crackled patina, wear and abrasions, losses, slight separation at corners

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1080

Folk Painting of West Point

(American, late 19th/early 20th century)

unsigned, oil on board, 24-1/2 x 18 in.; modern gilt wood frame, carved liner only, 27 x 20-1/2 x 1in.,laid on Masonite, possibly cut down, stable crackle, yellowed varnish; frame with wear

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $800

1079

Primitive River Scene with Sidewheeler (American, late 19th/early 20th century) with village scene, unsigned, oil on canvas, 17 x 27-1/2 in.; period carved gilt wood frame, 20-1/2 x 31 x 2 in.,wax lined; frame with wear

Provenance:Pook & Pook, Downingtown, Pennsylvania, n.d.; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1081

Fraktur and Landscape (American, 19th century)

Farmstead, Germantown, Pennsylvania, circa 1820, unsigned, watercolor on paper, 8 x 13-1/2 in.; period gilt wood frame, 9-1/2 x 15-1/8 x 1 in.; Peter Lett’s House, August 23, 1800, unsigned, watercolor and ink on paper, 8 x 7-3/4 in.; painted wood frame, 12-1/4 x 14-1/4 x 1 in.,“Farmstead” mounted on paperboard, toning, foxing, fading; “Peter Lett” with paper backing, partially mounted to board, toning, fading, handling grime; frames with wear and abrasions, losses

Provenance:The Old Print Shop, New York, New York, July 5, 1968 (accompanied by an original invoice); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $800

1082

Henry S. Moyer Framed Fraktur dated 1823, pen and ink on paper family record by Henry S. Moyer, inscribed lower center “Drawn by Henry S. Moyer November 20, 1823”,15-3/4 x 12-1/4 in.; faux painted wood frame, 20-1/8 x 16-1/8 x 3/4 in.,overall good condition, some wear and loss commensurate with age

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

This fraktur was exhibited at the Museum of American Folk Art from December 6, 1990-March 3, 1991 (label verso).

1084

Large 19th Century Black Toleware Tray with Steamboat Scene American, 19th century, titled at image lower left “S. Anthony’s Nose / North River” (Easton, Pennsylvania), steamboat with American flag, 21-5/8 x 30-1/4 x 1/2 in.,minor dents and warping commensurate with age and use, scattered areas of flaking and loss to paint, surface dust

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,000 - $1,500

1083

Framed Silhouette of Boy 19th century, hollow cut of left facing boy over fabric with penciled details, signed “Doyle” in pencil, eglomise mat, sight 3-1/2 x 2-3/8 in.; painted wood frame, 5-7/8 x 5 x 1/2 in.,not examined out of frame, some discoloration to paper; losses to paint at frame, some losses to wood of frame at back

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $100 - $300

A label at the back notes this silhouette came from the collection of Elizabeth L. Maurier, a collector of profiles.

1085

Four Pieces of Paint Decorated Red Toleware American, 19th century, comprising: two trays; tea caddy; syrup pitcher; largest 2-3/4 x 12-3/4 x 7-7/8 in.,all with minor dents and warping commensurate with age and use, scattered areas of paint flaking and loss, rust and corrosion; creamer with solder repairs to lid and base

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1086

Six Paint Decorated Black Toleware Trays

probably American, 19th century, of varying size and form, largest 3 x 12-1/2 x 8 in.,all with minor dents and warping commensurate with age and use, scattered areas of paint flaking and loss, scratches; one octagonal tray with tear at one corner seam

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1087

Five Paint Decorated Black Toleware Boxes probably American, 19th century, largest 6-1/2 x 8-7/8 x 4-1/4 in. including handle,all with minor dents and wear commensurate with age and use, scattered areas of paint flaking and loss, scratches; one with close mechanism broken

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1088

Four Paint Decorated Black Toleware Boxes probably American, 19th century, largest 8 x 9-1/4 x 5 in.,minor dents and warping commensurate with age and use, scattered areas of paint flaking and loss, scratches, surface dust, some rust and corrosion; one with close mechanism broken

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1089

American Classical Giltwood and Parcel Ebonized Eglomise Mirror

19th century, panel with fruit basket still life, 27-1/2 x 13 x 2 in.,gilt with dulling and minor touch ups, eglomise paint with losses, later mirror plate

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $100 - $200

1090

Fine Diminutive Rhode Island Federal Inlaid Mahogany Sideboard, Sack Provenance, probably Newport, possibly from the shop of Goddard & Engs, late 18th/ early 19th century, white pine, poplar, and maple secondary woods, dramatic herringbone inlay, old inscription to proper left interior board appears to read “T. Winsor”, center drawer with antique label reading “Sideboard, Elizabeth Engs”, 39-1/4 x 56-1/4 x 25-1/2 in.,Scattered minor veneer repairs and distress including patches at escutcheons, antique but later George Washington brasses (accompanied by a Wallace Gusler condition assessment)

Provenance:Israel Sack, June 14, 1972, $19,000 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $6,000 - $9,000

In 1782 the Providence newspaper carried the advertisement “Goddard & Engs, Cabinetmakers from Newport”.

1091

Fine American Child’s Diminutive Inlaid Cherry Blanket Chest 19th century, holly and burl maple inlay with heart motifs and star suspended from kite inlaid escutcheon, dovetailed construction, till to interior, original feet, 15 x 23-1/4 x 12-3/4 in.,Fine condition overall, crack and some looseness at hinges, till drawer pins have broken; losses to spur returns; small loss to rear bracket of left rear foot

Provenance:Per consignor notes purchased from David A. Schorsch; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1092

New England Federal Maple One Drawer Stand early 19th century, white pine secondary wood, single board shaped top and scalloped skirt, 27-3/4 x 17-1/8 x 17-1/2 in.,old surface with some alligatoring, distress and minor loss; the top with stains and scratches, (accompanied by Wallace Gusler assessment)

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $800

1093

New England Fancy Grain Painted Whale End Hanging Shelf first half 19th century, likely white pine secondary wood, five graduated shelves, rosewood grain paint with yellow stringing, 38 x 26-1/4 x 8 in.,Original paint is in good condition considering age and use with some chipping to edges and ring stains, other expected wear

Provenance:Per consignor notes Pam Boynton Antiques; Purchased from Taylor B. Williams Antiques, November 12, 1999 (with receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1095

24 Reference Titles, American and Southern Furniture and Interiors including five signed by authors: American Furniture: The Federal Period by Charles F. Montgomery, New York: The Viking Press, 1966; The Worlds of Thomas Jefferson at Monticello by Susan R. Stein, New York: Harry N. Abrams, 1993; The Treasure House of Early American Rooms by John. A. Sweeney, New York/London: W. W. Norton & Co., 1963; American Windsor Furniture: Specialized Forms by Nancy Goyne Evans, New York: Hudson Hills Press, 1997; American Rococo, 1750-1775: Elegance in Ornament by Morrison H. Heckscher and Leslie Greene Bowman, New York: Harry N. Abrams, 1992; and others (see additional photos of spines for titles),good overall, scattered small tears and losses to dust jackets

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1094

Two Glass Bodied Table Lamps wired for electricity, comprising: royal blue and opaque white cut double overlay lamp, white glass base with gilt decoration; milk glass lamp with polychrome floral and avian decoration, black painted wood base; larger 21-1/8 x 4 x 4 in.,not tested for functionality, some surface scratches and grime; blue and white example with loss to gilt; milk glass example with loss to polychrome and with scattered minor nicks to base

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1096

33 Art Reference Titles and Auction Catalogs comprising: 19 reference titles on Decorative Arts, Folk Art, Pottery, and other subjects pertaining to collecting (including: English Pottery 1650-1800: The Henry H. Weldon Collection by Leslie B. Grigsby, Sotheby’s Publications, 1990, numbered 237 of 800, with dust jacket and slipcase; A Passion for Pottery: Further Selections From The Henry H. Weldon Collection by Peter Williams and Pat Halfpenny, Sotheby’s Publications, 2000, numbered 1,212 of 1,500, with dust jacket and slipcase); 14 assorted auction catalogs from Sotheby’s, Pook & Pook, Skinner, and Christie’s; (see additional photos of spines for titles),good overall, some small tears and losses to jackets, catalogs with some creasing and dog ears

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1097

Staffordshire Whieldon Type Lead Glazed Earthenware Pineapple Teapot

18th century, press molded, 6-1/2 x 4-1/4 x 4-1/4 in.,firing flaws and anomalies, repair and retouch to top of handle, repair to interior of lid

Provenance:Sotheby’s, New York; Leo Kaplan Ltd., New York, New York, September 2003 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $2,000 - $3,000

1098

Four Pieces of Whieldon Type Melon Palette Teaware 18th century, comprising: teapot, tea caddy, open creamer, lidded creamer, largest 4-3/4 x 7-1/2 x 4-1/4 in.,firing flaws and anomalies; caddy lacking lid, repair/retouch to mouth; open creamer with firing cracks/hairlines; lidded creamer with firing crack at top of handle, areas of repair/restoration

Provenance:(teapot) Robert Hunter, Yorktown, Virginia, February 1998 (accompanied by copy of receipt); (tea caddy) Sotheby’s, New York; (open creamer) Sotheby’s New York; (lidded creamer) Leo Kaplan Ltd., New York, New York, January 1999 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,000 - $1,500

1100

Pair of Staffordshire Agateware Footed Sauce Boats 18th century, paw feet, 7-3/8 x 4-1/8 x 3-3/8 in.,firing flaws and anomalies, one sauceboat with repair/ restoration to spout

Provenance:Frank Partridge Works of Art, London and New York (label); Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,000 - $2,000

1099

Whieldon Type Hexagonal Teapot 18th century, 9-3/8 x 6-1/2 x 4-3/8 in.,firing flaws and anomalies, areas of repair/ restoration around top of teapot, at spout, and to lid

Provenance:Zimmerman Collection (label), Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1101

Staffordshire Salt Glazed Solid Agateware Seated Cat Figure mid 18th century, hollow interior, 4-7/8 x 3-1/2 x 2-5/8 in.,firing flaws and anomalies, small area of possible repair/retouch to underside of proper left paw

Provenance:Dr. Henry P. Deyerle (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1102

Two Staffordshire White Salt Glazed Dishes 18th century, press molded with openwork rims, larger 10-7/8 x 10-7/8 x 1-1/2 in.,overall good condition

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $300 - $500

1103

Staffordshire Salt Glazed Polychrome Teapot and Sauce Boat with Pecten Shell Motifs, mid 18th century, larger 5-1/2 x 7-1/4 x 4-1/4 in.,firing flaws and anomalies; teapot with heavy repair/restoration to lid, part of body and spout; sauce boat with firing crack at top of handle

Provenance:(teapot) Brown Collection (label); Lindsay Grigsby, Richmond, Virginia, December 1988 (accompanied by copy of receipt); Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1104

Staffordshire Double Walled Creamware Teapot and Bowl circa 1775, each in polychrome decoration with pierced outer wall, larger 4-5/8 x 8 x 4-1/8 in.,firing flaws and anomalies, scattered firing cracks throughout, crazing, some chips along edges; finial of teapot lid broken but retained, repair and retouch to lid

Provenance:Bonhams Skinner, Massachusetts, British Pottery & Porcelain Sale 28204, December 10-20, 2022, Lot 21 (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1105

Two Staffordshire Earthenware Fruit Form Tureens, Grapes and Pineapple circa 1785, each with molded underplate, larger 7-1/4 x 8 x 7 in.,firing flaws and anomalies, a few small chips along edges, repairs to lids

Provenance:(pineapple and grape) Liza and Wallace Gusler; (pineapple) Root Collection (label); Skinner, (pineapple) Boston, European Furniture & Decorative Arts Sale 2663B, July 12, 2013, Lot 1052 (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1107

Staffordshire Salt Glazed Enamel Decorated Creamware Teapot mid 18th century, 5-1/4 x 8 x 4-5/8 in.,firing flaws and anomalies, repair and retouch to lid, notably at finial

Provenance:Gary Atkins (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $300 - $500

For a similar example, see The Metropolitan Museum of Art, New York, object number 34.165.132a, b, see: https://www.metmuseum.org/art/collection/ search/197595

1106

Three Staffordshire Yellow Ground Paint Decorated Dishes 18th century, comprising: double handled cup; lobed rim bowl; footed bowl; largest 4-3/4 x 6-3/4 x 4 in.,some surface dirt, scattered losses to paint decoration, tape/sticker remnants; lobed rim bowl with restorations throughout, hairline crack to rim; footed bowl with a few hairline cracks to rim

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1108

Three Pieces of English Salt Glazed Polychrome Decorated Teaware in Raised Decoration, mid 18th century, comprising: molded sauce boat; teapot with applied grape decoration; teapot with applied floral decoration; largest 3-5/8 x 7-3/4 x 3-5/8 in.,firing flaws and anomalies, some scattered firing cracks present; sauce boat with repair and retouch; teapots with chips and losses to interior rims; grape teapot with repair and retouch to lid and part of spout

Provenance:(sauceboat) Leo Kaplan Ltd., New York, New York, September 2009 (accompanied by copy of receipt); (grape teapot) Garry Atkins (label); (floral teapot) Jonathan Horn (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1109

Two English Salt Glazed Teapots with Applied Sprigging, One Footed mid to late 18th century, larger 4-1/8 x 7 x 4-3/8 in.,firing flaws and anomalies, areas of repair and retouch throughout; gray example with chipping to mouth of spout; blue and white example with repaired crack through body

Provenance:(larger/gray teapot) Garry Atkins (per consignor notes); (larger/gray teapot) Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1110

Two English Salt Glazed Enamel Decorated Teapots mid to late 18th century, larger 5-1/8 x 8 x 4-3/4 in.,firing flaws and anomalies, a few scattered minute chips, both with significant repair and restoration

Provenance:(smaller teapot) D. M. & P. Manheim, New York (per consignor notes); (smaller teapot) Lindsay Grigsby, Richmond, Virginia (per consignor notes); (larger teapot) Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $400 - $600

1111

Two English Polychrome Enamel Decorated Creamware Floral Teapots 18th century, larger 5-3/8 x 7-1/2 x 4-3/4 in.,firing flaws and anomalies, chipping along rims and edges; larger teapot with hairline to body, hairline to interior, possible are of retouch to finial of lid

Provenance:(larger teapot) The Kanter Collection (label), Skinner (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1112

Large English Pearlware Armorial Teapot, Russell

English, late 18th/early 19th century, with coat of arms for the Russell family opposed by text, 9-3/4 x 13-3/4 x 7 in.,firing flaws and anomalies, crazing, loss of glaze at handle and spout, some small losses to enamel decoration, areas of repair and retouch to spout, handle, and rim of lid

Provenance:Liza and Wallace Gusler; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1113

Three Pieces of English Blue and White Chinoiserie Decorated Creamware late 18th century, comprising: teapot, bowl, waste bowl, largest 5-1/4 x 7-3/4 x 4-1/4 in.,firing flaws and anomalies, crazing, some scattered small chips particularly along edges; breaks and losses to inner rim of teapot lid, lid with area of retouch

Provenance:Peter Tillou, Litchfield, Connecticut; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

According to consignor notes, these pieces all may possibly be attributed to William Greatbatch.

1114

Three Pieces of English Enamel Decorated Teaware mid 18th century, comprising: pearlware lidded sugar, baluster form open creamer, open creamer, largest 2-1/4 x 3-7/8 x 3 in.,firing flaws and anomalies, some scattered firing cracks; lidded sugar with some chipping/loss to enamel along edges, hairline at base

Provenance:(creamers) Taylor B. Williams, Chicago, Illinois (labels); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $300 - $500

1115

Three English Salt Glazed Enamel Decorated Creamware Teapots mid to late 18th century, smallest teapot in Dutch style decoration, largest 5 x 8 x 4-5/8 in.,firing flaws and anomalies, areas of repair and retouch, notably to lids and spouts; largest teapot with some hairlines near top of handle; cylindrical teapot with crazing

Provenance:(largest teapot) Ginsberg & Levy, New York; (largest teapot) Troy D. Chappell, Williamsburg, Virginia; (largest teapot) Liza and Wallace Gusler, Williamsburg, Virginia; (largest teapot) Alistair Sampson Antiquities (label); (smallest teapot) Kidd Collection; (cylindrical teapot) Earle Vandekar, New York (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1116

Two English Chintz Decorated Creamware Teapots late 18th century, larger 5-1/4 x 8-1/8 x 4-1/2 in.,firing flaws and anomalies, chips and losses along edges and rims, areas of repair and retouch throughout; smaller teapot with hairline to body near handle

Provenance:(smaller teapot) D.C. Towner (label), (smaller teapot) Jacobs Collection (label), (larger teapot) Wynn A. Sayman Early English Pottery & Porcelain, Richmond Massachusetts (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1117

Four Pieces of English Chintz Decorated Creamware Teaware 18th century, comprising: teapot, open creamer, tea bowl, saucer, largest 4-7/8 x 6-3/4 x 3-3/4 in.,firing flaws and anomalies, some wear and loss to enamel decoration, a few scattered small areas of repair/retouch, especially at rims/edges; repairs to body of tea bowl

Provenance:(teapot) Wynn Sayman Early English Pottery and Porcelain, Richmond, Massachusetts (label); (open creamer) Gary Atkins (label); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $800 - $1,200

1119

Three Framed Liverpool Fazakerley Delft Tiles late 18th century, polychrome floral decoration, sight approx. 4-5/8 x 4-5/8 in.; in modern frames, approx. 6 x 6 x 1-1/4 in.,firing flaws and anomalies including pinholes, some scratching, areas of loss to enamel and glaze, a few chips/losses along edges, not examined out of frames

Provenance:Garry Atkins, London, England, January 2006 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $100 - $300

1118

Three English Salt Glazed Floral Decorated Service Pieces mid 18th century, comprising: lidded jug, sauce boat, teapot, largest 3-1/4 x 7-3/4 x 3-1/4 in.,firing flaws and anomalies; lidded jug with some chips along spout; sauce boat with some firing cracks; teapot with area of repair/retouch at spout, spider crack under handle

Provenance:(lidded jug) Marie and Peter Warren Antiques, Ltd. (label); Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); (sauce boat) Zimmerman Collection (per consignor notes); (teapot) Ginsburg & Levy, Inc., New York (label); Troy D. Chappell, Bonhams Skinner, Marlborough, Massachusetts, European Furniture & Decorative Arts 2920M, July 15, 2016, Lot 301 (tag); Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes)

Estimate: $600 - $900

1120

Four Framed Bristol Blue and White Delft Tiles 18th century, urn and floral decoration, sight approx. 4-7/8 x 4-7/8 in.; in modern frames, approx. 7-7/8 x 7-7/8 x 7/8 in.,anomalies and firing flaws including pinholes, crazing, and glaze voids, not examined out of frame; frames with some scattered abrasions

Provenance:Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $200 - $400

1122

1121

Framed Polychrome Dutch Delft Tile Grouping 17th century, four tiles, each approx. 5 x 5 x 5/8 in.; modern frame, approx. 12 x 12 x 1-3/8 in.,firing flaws and anomalies, pinholes and crazing, wear and chips/ losses along edges and to corners; frame overall good condition, not examined out of frame

Provenance:Robert Hunter, Yorktown, Virginia, September 2000 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

Two English Enamel Decorated Earthenware Table Objects last quarter 18th century, pearlware punchbowl; ribbed creamware urn, possibly Wedgwood; larger 5-1/8 x 11-1/8 x 11-1/8 in.,firing flaws and anomalies, crazing; bowl with some scattered areas of discoloration, firing crack to base; urn with wear and losses to painted decoration, repair/restoration to lid

Provenance:(urn) Liza and Wallace Gusler, Williamsburg, Virginia (per consignor notes); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1123

English Salt Glazed Creamware Landskip Pattern Teapot, Possibly Wedgwood, mid 18th century, 4-5/8 x 7-1/2 x 4-3/8 in.,firing flaws and anomalies, some firing cracks, a few areas of repair/retouch, notably to lid and spout

Provenance:A.C.J. Wall Collection (label); The Kanter Collection (label); Maria and Peter Warren Antiques, Inc., Southport Connecticut, January 2002 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $1,500 - $2,500

A related bowl sold at Dreweatts 1759 Fine Sales, Newbury, The Stanley F Goldfein Collection, June 27, 2024, Lot 1033, see https://auctions.dreweatts.com/ past-auctions/drewea1-10465/lot-details/5c757d319480-40bc-a5d2-b17f00cf60cd

1124

Five Pieces of Wedgwood Caneware with Spode Lidded Tureen late 18th century/early 19th century, caneware impressed Wedgwood to base, comprising: large pitcher, blue decorated teacup with matching saucer, red decorated teacup with matching saucer, lidded tureen; tureen impressed Spode to base; largest approx. 8-1/8 x 7-1/4 x 6-1/4 in.,firing flaws and anomalies, some scattered areas of discoloration throughout, overall good condition; pitcher with firing crack to top of handle; tureen with areas of repair and retouch, crazing at interior

Provenance:(pitcher) Sotheby’s, New York; (red and blue saucer) Leo Kaplan, New York, New York, January 2000 (accompanied by copy of receipt); Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $500 - $700

1125

Wedgwood Caneware Child’s Tea Set, 28 Pieces probably early 19th century, each piece impressed Wedgwood to underside of base, comprising: teapot; tea caddy; hot water kettle; coffee pot; open creamer; oval tray; round tray; eight tea cups; seven tea bowls; six saucers; largest 6-7/8 x 5-5/8 x 5/8 in.,firing flaws and anomalies, a few scattered small chips and areas of repair/retouch, some surface dirt, areas of discoloration, and adhesive residue; tea caddy with break and loss to rim of mouth; hot water kettle with break and loss to handle, chips along rim of mouth; coffee pot lacking lid

Provenance:Leo Kaplan Ltd., New York, New York, January 2000 (accompanied by copy of receipt); Liza and Wallace Gusler; Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

1126

Staffordshire Lead Glazed Pineapple Teapot and Lidded Milk Jug, v18th century, press molded, lidded creamer 5-3/8 x 3-3/4 x 3-1/8 in.; teapot 4-1/4 x 6-1/2 x 3-1/2 in.,typical pinholes, glaze voids, and anomalies; creamer with small hairline near handle; teapot with repairs to spout Provenance:(teapot) Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $3,000 - $5,000

1127

Staffordshire Lead Glazed Earthenware Pineapple Teapot, 18th century, press molded, 4-1/2 x 7-3/4 x 4-3/8 in.,glaze crazing, minor firing anomalies to base and lid underside

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $2,000 - $3,000

1128

Staffordshire Lead Glazed Cabbage/Chard Form Covered Teapot 18th century, 5 x 8 x 3-3/4 in.,some firing cracks visible around foot and at interior, restoration to spout

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1129

Three Staffordshire Cauliflower Ware Tea Objects 18th century, comprising: covered teapot, 4-1/2 x 6-1/2 x 4 in.; two tea caddies, larger 4-1/2 x 3-1/8 x 3-1/4 in.,glaze crazing, surface dirt, tape remnants and residue; teapot lid with restorations to rim and finial; caddies lacking lids

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1130

Two Pieces of Staffordshire Melon Palette Teaware 18th century, teapot, 5 x 6-3/4 x 3-5/8 in.; tea caddy, 5 x 2-3/8 x 2-3/8 in.,glaze crazing, pinholes; caddy lacking lid, chip to base; teapot with a few small chips to lid rim and foot, crack and possible repair to handle terminal, a few hairlines visible at interior body

Provenance:(caddy) Wynn A. Sayman, Richmond, Massachusetts (sticker); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1131

Staffordshire Solid Agateware Pecten Shell Teapot and Cover, 18th century, 5-1/2 x 6-3/8 x 3-1/2 in.,some surface dirt and accretion, tape residue, significant restorations to lid

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $3,000 - $4,000

1132

Staffordshire Solid Agateware Footed Teapot mid 18th century, 4-1/4 x 6-1/4 x 3-3/4 in.,some crazing, small rim chip, repairs to lid, rim, and spout tip

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1133

Staffordshire Agateware Covered Teapot 18th century, 4-3/4 x 6-1/4 x 3-5/8 in.,glaze crazing, tape remnants, restorations to rim and spout tip, chip to lid finial

Provenance:Freeth Pottery Collection (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1134

Staffordshire Agateware Covered Teapot 18th century, 4-5/8 x 6-1/2 x 4 in.,glaze crazing, restorations to lid finial, rim, neck, and spout, tape and sticker remnants

Provenance:Mary Russell Antiques, Brighton, O. Lenhart Collection (stickers on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1135

Two English Staffordshire Ceramic Cat Figures 18th century, one solid agateware example, 4-3/4 x 4 x 3-1/4 in.; slip decorated example on rectangular base, 4-1/4 x 3-1/4,glaze crazing, a few minor firing cracks/ anomalies

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1136

Near Pair of Staffordshire Pottery Squirrels 18th century, manganese, yellow, and green glaze on white ground, larger 7-1/2 x 2-3/4 x 5-5/8 in.,typical glaze voids, firing cracks, and wear; larger with repair and retouch to ears and base (see blacklight); smaller with repair and retouch to one ear and base

Provenance:Earle Vandekar, New York (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $2,000 - $3,000

1137

Two Staffordshire Redware Covered Teapots 18th century, floral sprigging, larger 5-1/4 x 6-1/4 x 3-3/4 in.,minor surface dirt; smaller with tape/sticker residue, small chip to lid; larger with a few small chips to lid rim, small chips to spout tip

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $1,000 - $2,000

1138

Staffordshire Salt Glazed Pink Teapot with Naturalistic Raised Accents circa 1760, with raised and painted decoration of scrolling grape vines, butterflies, and animals, naturalistic spout, finial, and handle, 4 x 7-1/4 x 4-1/4 in.,good overall condition, some dust to crevices, spout with break and associated repair (see blacklight)

Provenance:D.M. & P. Manheim (lid label); Wynn A. Sayman, Richmond, Massachusetts (base label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $1,000 - $2,000

1139

Two Staffordshire Pink Ground Salt Glazed Covered Teapots 18th century, larger 5 x 7 x 4-1/8 in.,pinholes and other small firing anomalies; smaller with restorations to lid and spout; larger with significant restorations to rim

Provenance:(smaller) Wynn A. Sayman, Richmond, Virginia (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1142

Four Diminutive Delftware Decorative Objects

possibly English, 18th century, comprising: pair of miniature brackets; flower brick; miniature candlestick; largest 2-3/4 x 4-3/4 x 1-3/4 in.,all with numerous edge chips and losses, crazing, scattered pinholes, surface dirt

Provenance:(brackets) Ruth Troiani Fine Antiques, New York (sticker); (candlestick) Anthony S. Werneke Fine Antiques (sticker); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1140

Two Staffordshire Salt Glazed Pink Ground Covered Teapots 18th century, larger 5-3/4 x 7-1/4 x 4-3/8 in.,scattered glaze voids, pinholes, and other small anomalies, each with restorations to spouts, handles, and lids; larger with restorations and retouch to body

Provenance:(larger) Maria and Peter Warren Antiques, Inc. (sticker on base); (smaller) Wynn A. Sayman, Richmond, Massachusetts (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1141

English Delft William and Mary Octagonal Plate probably late 17th century, polychrome decoration, approx. 1-1/4 x 7-1/2 x 7-1/2 in.,pinholes, glaze voids, firing flaws, wear and loss to enamel notably at rim, some chips/losses to rims, typical wear to base

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $1,000 - $2,000

1143

Two Miniature English Delft Tea Bowls with Saucers 18th century, one pair blue and white, the other polychrome, larger cup 1-1/4 x 2-1/4 x 2-1/4 in.; larger saucer 7/8 x 4-1/4 x 4-1/4 in.,wear commensurate with age and use, scattered anomalies as made ; polychrome example with retouch to decoration (see blacklight photos), saucer and cup with chip to rims; blue and white example with chip and repair to rim of cup

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1144

Dutch Delft Blue and White Apothecary Jar mid 18th century, foliate and floral cartouche centering “violet;”, with brass lid, 8-5/8 x 6-1/4 x 6-1/4 in.,pinholes, glaze voids, and some chipping and loss at rim/ base, discoloration and warping to brass lid

Provenance:Mark & Marjorie Allen Antiques, Guilford, New Hampshire (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1145

Two English Delft Polychrome Dishes 17th/18th century, comprising: dish with bird and abstract landscape; dish in manganese and yellow with sticker to base reading “London 1680-90”; larger 1 x 8-5/8 x 8-5/8 in.,wear commensurate with age and use, pinholes, glaze voids, and other anomalies as made; bird example with large areas of fluorescence under blacklight (see blacklight photos); manganese example with chips to rim and crazing

Provenance:(bird example) Pook & Pook, Inc. (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1146

Pair of English Delft Polychrome Chinoiserie Plates 18th century, 1 x 9 x 9 in.,overall good condition, minor anomalies, glaze voids, crazing, and chipping along edges

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1147

English Delft Blue and White Bowl 18th century, with floral sprays, 3-5/8 x 9-1/4 x 9-1/4 in.,pinholes, glaze voids, and other anomalies as made, crazing, wear to rim and foot, spider crack to base

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1148

Two English Delft Blue and White Chinoiserie Plates 18th century, larger 1-1/8 x 9-1/8 x 9-1/8 in.,typical anomalies, glaze voids, and slight chipping to glaze; smaller example with minor spider crack to base; larger with chips to rim

Provenance:(smaller) Pook & Pook Inc., Downington, Pennsylvania (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1149

English Delft Polychrome Floral Decorated Bowl 18th century, with floral and leaf motifs, 3-3/8 x 8-3/4 x 8-3/4 in.,pinholes, glaze voids, and other anomalies as made, wear to rim, wear and chip to foot, minor loss to polychroming

Provenance:Pook & Pook, Inc. (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1150

Staffordshire Whieldon Type Molded Covered Teapot 18th century, molded floral, cow, and sheep decoration, 5 x 8 x 4-1/2 in.,glaze crazing, break and repair with retouch to lid rim, tape remnants to base

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1151

Six Staffordshire Whieldon Type Plates

English, 18th century, in mottled tortoiseshell glaze, largest 1 x 10-3/4 x 13-1/4 in.,good overall condition, anomalies as made, crazing throughout; one plate with two chips to rim; one plate with breaks and associated repairs (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1152

Seven Staffordshire Whieldon Type Plates

English, 18th century, in mottled tortoiseshell glaze, largest 1 x 9-1/2 x 9-1/2 in.,good overall condition, scattered anomalies as made, crazing throughout; larger foliate pair with sticker residue to bases; smaller foliate pair with areas of repair or retouch (see blacklight photos)

Provenance:(larger foliate pair) Jean and Kenneth Chorley (labels); (smaller foliate pair) Ruth Troiani, Avon, Connecticut (label): Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1153

Seven Staffordshire Whieldon Type Plates

mid/late 18th century, in mottled tortoiseshell glaze, largest 1-1/2 x 10 x 10 in.,good overall condition, crazing throughout; one dish with areas of repair to scalloped rim (see blacklight photos)

Provenance:(one plate) Bleier Collection (label); (another plate) Earle D. Vandekar of Knightsbridge, New York (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1154

Staffordshire Whieldon Type Tortoiseshell Glaze Teapot and Butter Tub

18th century, vibrant green and brown glaze atop cream ground, 4-3/8 x 6-1/4 x 3-1/4 in. and 4-3/4 x 5-5/8 x 5-5/8 in.,typical crazing and glaze anomalies, some chipping to undersides of lids; teapot with small chip to rim, restoration to lid; butter tub with hairlines to rim and base

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1155

Two Small Staffordshire Whieldon Type Teapots

18th century, each in green, yellow, and brown glaze, floral finials, 3-1/2 x 5-1/2 x 3 in. and 4-1/2 x 6-3/4 x 4 in.,typical crazing and firing anomalies, some small chips to rims and lids; larger with some repairs to spout and lid

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1156

Five Staffordshire Whieldon Type Plates with Scalloped Rims English, 18th century, in mottled tortoiseshell glaze, largest 1 x 10-3/4 x 13-1/4 in.,good overall condition, anomalies as made, crazing throughout Provenance:(one plate) Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1157

Three Staffordshire Whieldon Type Basketweave Plates mid/late 18th century, in mottled tortoiseshell glaze, two with reticulated rims, largest 1-1/4 x 10-3/4 x 10-3/4 in.,crazing throughout; large reticulated dish with areas of repair and retouch; unreticulated plate with crack and areas of repair or retouch (see blacklight photos)

Provenance:(reticulated plates) Wynn A. Sayman, Richmond, Massachusetts (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1158

Three Staffordshire Whieldon Type Platters English, 18th century, in mottled tortoiseshell glaze, largest 1 x 10-3/4 x 13-1/4 in.,good overall condition, crazing throughout, scattered areas of scratching Provenance:(smallest) D.M. & P. Manheim Antiques Corp, New York, New York (label); Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1159

Three Pieces Staffordshire Whieldon Type Melon and Leaf Form Tableware 18th century, comprising: tureen with attached underplate, 6 x 10 x 8-1/8 in.; two leaf form dishes, each approximately 1 x 6 x 3-3/4 in.,glaze crazing, surface dirt; tureen with crack to base, several restorations to leaf edges and lid rim, several chips and losses to molded vine elements; one leaf dish with restoration to rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1160

Three Whieldon Type Pottery Wall Pockets

18th century, each decorated with bird and in polychrome glaze, largest 9 x 6-5/8 x 3-1/4 in., typical crazing, pinholes, and glaze voids; largest example with repair to floral/foliate decoration at rim (see blacklight)

Provenance:(pair) Revd. L. Philip Auden; Earle Vandekar, New York (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1161

Pair of Whieldon Type Mask Form Wall Pockets

18th century, in green, brown, and yellow glazes, 12 x 7-1/2 x 2-3/4 in., typical crazing, firing cracks, and pinholes, some potential restoration to rims

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1162

Staffordshire Polychrome Glazed Pitcher and Tea Caddy

18th century, comprising: Whieldon type pitcher, 6-1/2 x 6 x 4-7/8 in.; tea caddy with figural decoration, 4-3/4 x 3-1/2 x 2-1/4 in.,typical crazing, pinholes, and glaze voids; pitcher with hairlines to rim, body, and base, chip to spout, repair to foot; tea caddy lacking lid, hairlines to rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1163

Four Miniature Staffordshire Whieldon Type Animals

18th century, comprising: sheep; bear; rooster; squirrel; largest 4-1/4 x 2-1/2 x 1-1/2 in.,glaze crazing, pinholes, sheep with heavy restorations; bear and squirrel with restorations to bases

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1164

Four Miniature Staffordshire Whieldon Type Figures

18th century, comprising: sheep; bear; seated woman with hen; seated figure with jug; largest 3-3/4 x 2-1/8 x 1-1/2 in.,glaze crazing, some edge roughness and small chips, tape remnants; bear and woman with hen figure with breaks and restorations

Provenance:(bear) Wynn A. Sayman, Richmond, Massachusetts (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1165

Four Miniature Staffordshire Pottery Objects

18th century, comprising: Whieldon type footed stand; Whieldon type covered pill box; green glazed miniature basket; enamel decorated miniature plate; largest 2-1/4 x 5-1/8 x 1-7/8 in.,all with glaze crazing, scattered kiln debris, and other firing anomalies; basket with restoration to rim; plate with small rim chip and repair

Provenance:(stand, basket) DM & F Antiques, New York (stickers on bases); (basket) Wynn A. Sayman, Richmond, Massachusetts (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1166

Staffordshire Whieldon Type Mottled Gray Glazed Teapot

18th century, overlapping double strap handle and floral finial, 5 x 7-3/4 x 4-3/4 in.,typical crazing, pinholes, and firing cracks, minor chipping to underside of lid, repair to top of floral finial (see blacklight)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1167

Staffordshire Enamel Decorated Salt Glazed Stoneware Teapot

18th century, 5 x 7 x 4 in.,scattered firing anomalies and kiln debris, spout restored, some retouch to lid rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1169

1168

Two Staffordshire Salt Glazed Enamel Decorated Teapots 18th century, Chinoiserie floral and bird motifs, larger 3-3/4 x 6-1/2 x 3-3/4 in.,scattered small craters and pinholes as made, each with significant restorations (bodies, spouts, handles, etc.)

Provenance:(footed example) Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $600

Staffordshire Salt Glazed Polychrome Enamel Decorated Pitcher 18th century, initialed “B” on base, 9-1/8 x 6-1/2 x 6-1/2 in.,large restoration to rim/ upper section, scattered craters and other small firing anomalies, rim with small hairline crack, scattered losses to enamel decoration

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1170

Three English Enamel Decorated Salt Glazed Teapots probably Staffordshire, 18th century, largest 5-1/8 x 7-1/4 x 4-1/8 in.,scattered glaze voids and other small firing anomalies; largest lid is a later replacement; two with restorations to spout tips

Provenance:(largest) Wynn A. Sayman, Richmond, Virginia (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1171

Staffordshire Salt Glazed Enamel Decorated Covered Teapot 18th century, 4-1/2 x 7-1/4 x 4-1/8 in.,pinholes and other small firing anomalies, small chip to foot, significant restorations to lid, handle, spout, and foot

Provenance:Wynn A. Sayman, Richmond, Massachusetts (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1172

Staffordshire Creamware Dated Enamel Decorated Tea Caddy 18th century, initialed “M B”, dated “1775”, and marked “Bohea.Tea”, 4 x 2-3/4 x 2-3/4 in.,lacking lid, scattered losses to enamel decoration, restoration to rim

Provenance:Maria & Peter Warren Antiques, Inc. (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1173

Staffordshire Polychrome Enameled Chinoiserie Plate English, 18th century, 5/8 x 8-1/2 x 8-3/8 in.,good overall condition with minor loss to enamel, scattered anomalies as made, areas of repair or restoration to rim (see blacklight photos)

Provenance:Maria & Peter Warren Antiques, Inc., Monroe, Connecticut (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1174

Four Pieces Staffordshire White Salt Glazed Teaware English, 18th century, comprising: matching teacup and saucer; teacup; tea bowl; largest 1-1/8 x 5-1/8 x 5-1/8 in.,scattered anomalies as made, including notable glaze voids; matching teacup and saucer and tea bowl with small chips to rims

Provenance:Wynn A. Sayman, Richmond, Massachusetts (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1175

Staffordshire White Salt Glazed Teapot and Two Creamers

18th century, comprising: teapot with lid, small open creamer, and large lidded creamer, largest approx. 5 x 7 x 4 in.,firing flaws and anomalies, typical wear to bases and rims of lids; teapot with restoration to lid and spout; small creamer with numerous areas of restoration (see blacklight)

Provenance:(teapot and small creamer) Wynn A. Sayman, Richmond, Massachusetts (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1176

Five Pieces Staffordshire Salt Glazed Teaware English, 18th century, comprising: tea strainer; caster; small goblet; bucket; stand with pierced foot; largest 1-7/8 x 5-1/4 x 5-1/4 in.,wear commensurate with age and use; anomalies as made; bucket, goblet, and caster with areas of repair or restoration (see blacklight photos)

Provenance:(all but caster) Wynn A. Sayman, Richmond, Massachusetts (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1177

Staffordshire Salt Glazed Footed Covered Teapot

18th century, grapevine sprigging, 3-3/4 x 6 x 3-3/8 in.,some small firing cracks at sprigging and around feet, restorations to lid rim, three hairlines at base extending upwards along body

Provenance:Newman Collection, Maria and Peter Warren Antiques (stickers on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1178

Staffordshire Scratch Blue Teapot and Gadrooned Sauceboat English, 18th century, larger 3 x 3-3/4 x 6-5/8 in.,both with large areas of repair or restoration (see blacklight photos), scattered anomalies as made, other minor wear commensurate with age and use

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1179

Staffordshire Salt Glazed Pecten Shell Footed Teapot

18th century, 4-1/2 x 6-1/2 x 3-5/8 in.,surface dirt and accretion at crevices, firing crack to lid interior, small firing cracks around feet, restorations to lid, rim, and spout tip

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1180

Staffordshire White Salt Glazed Basket and Underplate

English, 18th century, 2-7/8 x 9 x 6-3/4 in.; underplate 3/4 x 10 x 8-1/2 in.,anomalies as made, basket with areas of repair or restoration (see blacklight photos)

Provenance:Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1182

Staffordshire White Salt Glazed Reticulated Butter Tub and Underplate

English, 18th century, 4-1/4 x 5-1/2 x 4-5/8 in.; underplate 1 x 8-1/4 x 7 in.,wear commensurate with age and use, anomalies as made, lid with crack, lid and tub with hairlines, tub with area of repair or retouch (see blacklight photos) and small chip to rim

Provenance:Maria & Peter Warren Antiques, Inc., Monroe, Connecticut (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1181

Three Small Staffordshire White Salt Glazed Dishes

English, 18th century, comprising: heart form dish; fish form dish; scalloped dish with chinoiserie scene and floral motif; largest 1 x 4-3/4 x 3-1/4 in.,good overall condition, anomalies as made; heart and chinoiserie examples with areas of repair or restoration (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1183

Staffordshire Molded Salt Glazed Covered Creamer

18th century, hunt motif, 5 x 3-1/2 x 2-1/2 in.,glaze crazing, small chip to foot, break and repair to lid finial, some small firing cracks around rim and spout

Provenance:Wynn A. Sayman, Richmond, Virginia (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1184

Three Staffordshire Salt Glazed Reticulated Basket Weave Plates

mid/late 18th century, two with reticulated rims, largest 1-3/8 x 11-3/8 x 11-1/2 in.,good overall condition, anomalies as made; smaller reticulated dish with areas of possible repair or retouch (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1185

Staffordshire White Salt Glazed Cress Dish and Underplate

English, 18th century, 2-1/2 x 10-3/8 x 7-3/8 in.; underplate 1-1/2 x 9-1/2 x 8-1/8 in.,good overall condition, scattered anomalies as made, cress dish with small chip to rim and one handle

Provenance:Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1186

Staffordshire Astbury Type Covered Footed Teapot 18th century, grapevine sprigging, 5 x 7-1/8 x 4-1/4 in.,glaze crazing, surface dust, small firing cracks at sprigging, restorations to spout and lid finial, hairline crack extending from rim through body

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1187

Three Staffordshire Astbury Type Covered Teapots

18th century, floral sprigging, largest 4-1/4 x 7-1/2 x 4-1/2 in.,all with glaze crazing, small firing cracks at sprigging, sticker and tape remnants; smaller examples with restorations to lids

Provenance:(two) Wynn A. Sayman, Richmond, Massachusetts (stickers on bases); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1188

Staffordshire Astbury Type Footed Teapot 18th century, grapevine sprigging, branch form handle and spout, 5-1/8 x 6-1/4 x 3-1/2 in.,glaze crazing, small chip to lid rim, restorations to bird finial, spout tip, and rim, kiln debris to feet

Provenance:Chappell Collection of English Pottery (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1189

Two Staffordshire Salt Glazed Blue and White Teapots

English, mid 18th century, both with impressed scrolling, pecten shell, and acanthus motifs, larger 4-1/8 x 4-1/4 x 7 in.,wear commensurate with age and use, scattered anomalies as made; smaller teapot with areas of repair or restoration (see blacklight photos)

Provenance:(larger) The Harriet Carlton Goldweitz Collection (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1190

Two Staffordshire Salt Glazed Blue and White Covered Teapots 18th century, blue floral sprigging, larger 5-1/4 x 7 x 4-1/8 in.,surface dirt, tape/ sticker remnants and residue; smaller with old gold painted restoration to lid rim, extensive cracks and probable repairs around handle extending from rim; larger lid with possible retouch

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1191

Staffordshire Salt Glazed Guglet with Chinoiserie Decoration mid to late 18th century, 9 x 4-1/2 x 4-1/2 in.,scattered pinholes, minor losses to enamel

Provenance:Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1192

Six Pieces Staffordshire Green Glazed Tableware 18th century, comprising: dish with scalloped rim; dish with round rim; two small tea bowls with saucers; largest 1-1/2 x 7-1/2 x 7-5/8 in.,wear commensurate with age and use, scattered crazing and anomalies as made; round dish with small chip to rim; tea bowls with fluorescence to exteriors under blacklight (see blacklight photos), one with hairline; one saucer with small chip to foot Provenance:(dishes) Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania Estimate: $800 - $1,200

1193

Four Staffordshire Pottery Novelty Figural Whistles

18th century, comprising: monkey; spotted bird; green bird; seated man with fruit; 4 x 2-3/4 x 1-7/8 in.,all with glaze crazing, surface dirt and accretion, a few with small edge and spout chips

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1194

Two Wedgwood William Greatbatch Creamware Teapots

18th century, molded fruit and polychrome glaze decoration, 4-1/8 x 6-1/2 x 4 in. and 4-7/8 x 8 x 4-1/2 in.,typical crazing, pinholes, and firing cracks; smaller example with repairs to rim, lid and tip of spout; larger with repairs to finial and base of spout (see blacklight)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1195

Four Staffordshire Whieldon Type Tortoiseshell Dishes

18th century, including reticulated basket, pair of octagonal dinner plates, and an elongated octagonal tray, largest 3-1/4 x 10-7/8 x 10-7/8 in.,typical crazing, pinholes, firing cracks, and glaze voids; tray with hairline crack

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1196

Two Staffordshire Whieldon Type Tortoiseshell Bowls 18th century, molded vine and leaf decoration, one lidded with bird finial, 3-3/4 x 4-1/8 x 4-1/8 in. and 2-1/2 x 5-5/8 x 5-5/8 in.,typical crazing, pinholes, firing cracks, and anomalies; lidded example with overspray and likely repairs (fluoresces under blacklight)

Provenance:(lidded bowl) Rous Lench Collection; Earle Vandekar, New York (labels); (bowl) Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1197

Two Staffordshire Whieldon Type Tortoiseshell Teapots 18th century, molded vine and leaf decoration, bird finials, larger 4-1/4 x 7-1/2 x 4-5/8 in.,typical crazing, firing cracks, and loss to gilt, chipping to rims; larger example to repair to bird finial; smaller example with repairs to bird finial and spout (see blacklight)

Provenance:(smaller) Earle Vandekar, New York (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1198

Large Staffordshire Whieldon Type Tortoiseshell Teapot probably 18th century, molded vine and leaf decoration, 7-5/8 x 12 x 7-7/8 in.,typical crazing and firing cracks, repair to finial and molded decoration (see blacklight)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1199

Staffordshire Whieldon Type Tortoiseshell Glaze Creamer and Teapot 18th century, mottled polychrome glaze on cream ground, molded leaf and vine decoration, larger 4-1/4 x 6-1/4 x 4 in.,typical crazing and glaze anomalies as made, wear commensurate with age and use, both with areas of repair and restoration (see blacklight photos); creamer with breaks and associated repairs to two legs

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1200

Three Pieces Staffordshire Whieldon Type Tortoiseshell Teaware 18th century, comprising: diminutive teapot, 3-3/8 x 6-1/2 x 4 in.; two creamers, larger 4-1/8 x 3-3/8 x 2-5/8 in.,typical crazing and firing cracks; teapot with repair to lid

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1201

Three Staffordshire Whieldon Type Tortoiseshell Teacups and Saucers 18th century, pair with molded vine decoration, cup 1-1/2 x 3 x 3 in., saucer 1 x 4-5/8 x 4-5/8 in.; tortoiseshell glaze set, cup 1-7/8 x 3-1/4 x 3-1/4 in., saucer 1-1/4 x 4-7/8 x 4-7/8 in.,typical crazing and firing anomalies; pair with loss to gilt, minor chipping to rims, repairs to rim of one cup and rim of one saucer (see blacklight)

Provenance:(tortoiseshell example) Earle Vandekar, New York (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1202

Staffordshire Whieldon Type Tortoiseshell Footed Teapot 18th century, molded vine and leaf decoration, 5 x 8-7/8 x 4-1/2 in.,typical crazing, glaze voids, and firing cracks, some chipping to rim, loss to gilt decoration, repair and retouch to spout and bird finial (see blacklight)

Provenance:Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1203

Four Miniature Staffordshire Tortoiseshell Glazed Teabowls and Saucers 18th century, each cup approx. 1 x 1-3/4 x 1-3/4 in., each saucer approx. 3/4 x 2-3/4 x 2-3/4 in.,typical crazing and minor firing anomalies

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1204

22 Pieces of Historic Blue Staffordshire Tableware English, early 19th century, American Eagle pattern, comprising: lidded teapot; lidded sugar bowl; creamer; two waste bowls; eight cups; eight small dishes; two saucers; largest 7 x 11-1/4 x 5 in.,typical wear commensurate with age and use, some firing cracks and anomalies as made, glaze crazing, scattered hairlines, surface dirt; teapot and sugar bowl with small chips to rim interiors; teapot with hairlines visible at interior and at foot; creamer with dirt accretion to interior; one small dish with breaks and repairs

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1205

Five Historic Blue Staffordshire Table Objects

English, early 19th century, Lafayette at Franklin’s Tomb pattern (one Washington), comprising: large covered teapot; two pitchers; small dish; dinner plate; largest 11-3/4 x 11 x 6-1/4 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing; coffee pot with chips and restorations to spout tip, hairlines to foot and interior near spout; dish with small rim chip

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1206

Two Large Historic Blue Staffordshire Platters

English, early 19th century, comprising: Niagara from the American Side, 1-1/2 x 14-3/4 x 11-5/8 in.; Detroit, 1-1/2 x 18-1/4 x 14-1/2 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing and dirt accretion

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $800 - $1,200

1207

Three Large Historic Blue Staffordshire Platters

English, early 19th century, each with American scenes, comprising: State House, Boston; Lake George, State of New York; Landing of General Lafayette; largest 1-1/2 x 16-1/2 x 12-3/4 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing and dirt accretion; two with hairlines and small restorations to rims

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1208

Five Historic Blue Staffordshire Table Objects

English, early 19th century, America and Independence pattern, comprising: pitcher; bowl; 8-5/8 in. plate; teacup; saucer; largest 4 x 12-1/8 x 12-1/8 in.,wear commensurate with age and use, some anomalies as made, glaze crazing; 8-5/8 in. plate with numerous breaks and repairs; saucer with spider crack to base and possible restoration to rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1209

Five Historic Blue Staffordshire Table Objects

English, early 19th century, Mt. Vernon, seat of the late Gen. Washington pattern, comprising: covered teapot; covered sugar; creamer; tea bowl; saucer; largest 6-1/4 x 10-1/4 x 4-1/4 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt; teapot with hairline through base; creamer with small rim chip

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1210

Eleven Historic Blue Staffordshire Dishes

English, early 19th century, each with American landscape and architectural scenes, various subjects including the Capitol at Washington, Church in the City of New York, and others, largest 2-1/2 x 11-3/8 x 11-3/8 in.,wear commensurate with age and use, some anomalies as made, glaze crazing, several rim hairlines throughout; largest Capitol dish with cracks and restorations to rim; one Capitol plate with rim chip and restoration

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1211

Two Historic Blue Staffordshire Wash Basins and Pitchers

English, early 19th century, each with American scenes, comprising: pair commemorating the landing of General Lafayette at Castle Garden; pair depicting the Erie Canal aqueduct bridge at Little Falls; larger pitcher 9-3/4 x 6-5/8 x 8-3/4 in.; larger basin 4-1/2 x 13 x 13 in.,overall good condition, wear commensurate with age and use, some anomalies as made, crazing; Erie Canal pitcher with small chip to rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1212

Two Historic Blue Staffordshire Wash Basins and Pitchers English, early 19th century, each with American scenes, comprising: basins featuring the Lawrence Mansion, Boston, larger 4-1/8 x 13-1/8 x 13-1/4 in.; one pitcher with New York almshouse and Connecticut Deaf and Dumb Asylum, one with old Washington capital building, larger 9-1/2 x 6-3/4 x 9 in.,overall good condition, wear commensurate with age and use, some anomalies as made, crazing; larger bowl with two hairlines and small area of retouch to rim

Provenance:(Almshouse pitcher) Pook & Pook, Inc. (tag); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1214

Staffordshire Salt Glazed Lozenge Form Teapot

English, 18th century, pecten shell and Greek key motif, animal form finial, 4 x 5 x 2-1/4 in.,some minor wear commensurate with age and use, scattered anomalies as made, possible break and repair to finial (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1213

Five Pieces of Miniature Staffordshire White Salt Glazed Teaware

English, 18th century, comprising: lidded teapot; lidded creamer; teacup and saucer; ladle; largest 4-3/8 x 2-1/4 x 3 in.,wear commensurate with age and use, scattered anomalies as made; teapot with chip to spout and lid rim; creamer with hairline from rim; saucer and ladle with areas of repair or restoration (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $600 - $900

1215

Staffordshire Salt Glazed Lozenge Form Teapot

English, 18th century, pecten shell and Greek key motif, sea serpent form handle, 5 x 6-1/4 x 3-1/4 in.,some minor wear commensurate with age and use, scattered anomalies as made, areas of possible repair or restoration throughout (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $500 - $700

1216

Three Staffordshire White Salt Glazed Dishes English, 18th century, comprising: scalloped plate with foliate border; William Pitt commemorative plate; openwork reticulated basket; largest 3/4 x 9-1/4 x 9-1/4 in.,foliate example with areas of repair or retouch (see blacklight photos); William Pitt example with chip to rim

Provenance:(Pitt plate) Bridges Collection (label); (Pitt plate and basket) Wynn A. Sayman, Richmond, Massachusetts (labels); (foliate plate) D.M. & P. Manheim Antiques Corp, New York, New York (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1217

Set of Three Staffordshire White Salt Glazed Plates

English, 18th century, 3/4 x 8-3/8 x 8-3/8 in.,good overall condition, minor anomalies as made, one plate with chip to rim and two small areas of repair or restoration to foot (see blacklight photos)

Provenance:Wynn A. Sayman, Richmond, Massachusetts (labels); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1218

Staffordshire White Salt Glazed Sweetmeat Dish

English, 18th century, 2-3/4 x 6-1/4 x 6-1/4 in.,wear commensurate with age and use, scattered anomalies as made, large areas of repair or restoration (see blacklight photos)

Provenance:Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1219

Staffordshire White Salt Glazed Reticulated Basket and Underplate

English, 18th century, 2-1/8 x 8-3/8 x 5-3/4 in.; underplate 3/4 x 8-1/8 x 6-7/8 in.,good overall condition, wear commensurate with age and use, anomalies as made

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1220

Staffordshire White Salt Glazed Butter Tub and Underplate English, 18th century, with cow finial, 4-3/8 x 6-1/8 x 5 in.; underplate 5/8 x 8 x 6-5/8 in.,good overall condition with scattered minor wear, some anomalies and firing cracks as made, cow head with area of repair or restoration (see blacklight photos)

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1221

22 Historic Blue Staffordshire Dishes

English, early 19th century, each with American and nautical scenes, various sizes from 1/2 x 3-5/8 x 3-5/8 in. to 1 x 8-1/4 x 8-1/4 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt, scattered hairlines

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1222

15 Historic Blue Staffordshire Plates

English, early 19th century, most with American scenes, various subjects including: City of Albany, New York; Wright’s Ferry on the Susquehanna; Landing of General Lafayette; and others; largest 3/4 x 9-7/8 x 9-7/8 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt; one with large rim crack

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1223

19 Historic Blue Staffordshire Dishes

English, early 19th century, most with American landscape scenes, including: Pine Orchard House, Hudson; New York from Brooklyn Heights; View of Trenton Falls; comprising: 17 plates, various sizes from 1/2 x 3-5/8 x 3-5/8 in. to 1 x 10-1/4 x 101/4 in.; two rectangular serving dishes, larger 1-1/2 x 10-5/8 x 8-1/2 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt; one small plate with rim hairline

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1224

20 Historic Blue Staffordshire Saucers and Small Plates

English, 19th century, most with American landscape and architectural scenes, including: Athenium, Boston; Insane Hospital, Boston; Park Theater, New York; and others; various sizes from 1/4 x 3-1/8 x 3-1/8 in. to 3/4 x 7-1/8 x 7-1/8 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt, several with hairline cracks at bases or rims, a few with small rim chips and restorations

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania Estimate: $300 - $500

1226

Three Large Blue Staffordshire Platters

English, early 19th century, each with fruit and shell still life scenes, all approximately 1-1/4 x 16-1/2 x 13-3/8 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing and dirt accretion; shell example with rim hairline; one fruit example with heavy dirt accretion and discoloration to glaze at underside

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1225

15 Historic Blue Staffordshire Dishes

English, 19th century, comprising 13 dishes of varying size and form, most with American landscape and architectural scenes, including: Winter View of Pittsfield, Mass.; Courthouse of Baltimore; St. Paul’s Church, Boston; largest 1-1/4 x 10-1/2 x 10-1/2 in.; reticulated basket and under tray, Asiatic Palaces pattern, 4-1/2 x 12-1/2 x 10 in. overall,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt, scattered hairlines and small edge chips; two large plates with significant breaks and repairs

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania Estimate: $300 - $500

1227

14 Assorted Historic Blue Staffordshire Table Objects

English, 19th century, most with seascape and landscape scenes, comprising: two teapots (one covered); two teacups; four tea bowls; two saucers; three rectangular serving dishes; deep bowl with lobed rim; largest 9 x 12-1/4 x 4-1/2 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt, scattered small rim chips; one teacup with significant restorations to rim and handle; deep bowl with hairline through base; both teapots with spider cracks visible at interiors, larger with small chip to spout; largest serving dish with spider crack to base

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1228

Seven Assorted Historic Blue Staffordshire Table Objects

English, 19th century, most with American landscape and riverscape scenes, including Mt. Vernon, comprising: pitcher; covered tureen with ladle; three covered custard cups; creamer; fish form spoon rest; largest 6-1/2 x 8 x 5-1/2 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt; one custard cup with large chip to lid rim interior, areas of discoloration to glaze at interior

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania Estimate: $200 - $400

1230

Staffordshire Salt Glazed Checkerboard Tea Bowl and Saucer 18th century, bowl 1-1/2 x 2-5/8 x 2-5/8 in.; saucer 1 x 4-1/8 x 4-1/8 in.,scattered pinholes, minor losses to enamel; bowl with hairline crack to rim, small rim chip and restoration

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1229

Eight Assorted Historic Blue Staffordshire Table Objects

English, 19th century, all with landscape and architectural scenes, comprising: two pitchers; three sauceboats; three tea bowls; largest 7-1/4 x 8-1/2 x 5-1/2 in.,typical wear commensurate with age and use, some anomalies as made, glaze crazing, surface dirt; larger pitcher with restoration to handle terminal and spout tip; smaller pitcher with significant restorations and retouch to body; one sauceboat with large break and repair; tea bowls with tape remnants, one with significant breaks and restorations

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1231

Staffordshire Yorkshire Type Prattware Figural Group

English, late 18th/early 19th century, depicting a sheep, shepherdess, and two lambs, 6-1/8 x 6-1/8 x 3 in.,good overall condition, crazing and minor wear throughout, base and sheep’s ears with small chips

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1232

Five Pieces of English Jackfield Pottery Tableware 18th century, comprising: cow form creamer; covered teapot; pitcher form creamer; cup and saucer; largest 4-3/4 x 5-1/2 x 3-1/2 in.,surface scratches and dust, rubbing and losses to gilding, tape remnants/residue; saucer with small rim chip; cow form creamer with old worn down break and loss to proper right horn

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1234

Two Staffordshire Prattware Cottage Form Money Banks English, early 19th century, both with polychrome decoration, larger 5 x 4-3/8 x 3 in.,wear commensurate with age and use, anomalies as made, crazing throughout; round example with large areas of repair or restoration (see blacklight photos) Provenance:(round bank) Meeks Collection (label); Wynn A. Sayman, Richmond, Massachusetts (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1233

Four Staffordshire White Salt Glazed Wall Pockets

18th century, comprising: pair of ridged pockets; two pockets with mask decoration; largest 10-1/2 x 7-1/2 x 3-1/2 in., typical pinholes, firing cracks, and anomalies, scattered restorations throughout (please view blacklight photos)

Provenance:(smaller mask) Maria & Peter Warren Antiques, Inc., Monroe, Connecticut (label); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $300 - $500

1235

Staffordshire Scratch Blue Plate with Flowers

18th century, 7/8 x 9-1/4 x 9-1/4 in.,wear commensurate with age and use, anomalies as made, some dirt in incised decoration, old chip to rim

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1236

Staffordshire Maroon Ground Salt Glazed Covered Teapot 18th century, 5 x 7-1/8 x 4 in.,scattered pinholes, surface dirt, tape/sticker remnants and residue

Provenance:Earl Vandekar, New York (sticker on base); Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1237

Two English Polychrome Wall Pockets 18th century, both with an impressed woman in central cartouche with foliate motifs, larger 11-3/4 x 8-5/8 x 3-3/8 in.,both with large areas of repair or restoration (see blacklight photos), scattered anomalies as made, other minor wear commensurate with age and use

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $400 - $600

1238

English Porcelain Bowl with Chinoiserie Decoration 19th century, 4-1/2 x 9-5/8 x 9-5/8 in., some glaze voids, pinholes, and anomalies, some scratches and loss to enamel decoration

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1239

Three Pieces of 19th Century English Ceramics comprising: canary ware child’s mug inscribed “For my dear girl.”; leedsware blue feather edge plate with Great Seal, impressed “ADAMS” mark to base; pink lustreware bowl, Allerton mark to base; together with a modern leaf-form dish, impressed mark to base; largest 3-5/8 x 6-3/4 x 6-3/4 in.,good overall condition, scattered anomalies as made, minor wear commensurate with age and use; Allerton example with area of repair or restoration to rim (see blacklight photos); Williamsburg Restoration example with areas of discoloration

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $200 - $400

1240

Eight Assorted Ceramic Table Objects

20th/21st century, including pieces by Royal Copenhagen, Williamsburg Restorers, and Goebel, largest 2 x 9 x 7-3/8 in.,good overall condition, minor wear throughout; Goebel honey pot with break and repair to rim (see blacklight photos); pair of turtles with chips to tails

Provenance:Collection of Dr. Richard and Carol Lamb, Kennett Square, Pennsylvania

Estimate: $100 - $300

1241

Rare and Important English Brown Glazed Footed Cup, Initialed IC and Dated 1717, South Wiltshire or North Hampshire, the body with impressed floral decoration, four applied handles, and “whistle”, the rim inscribed “HEAR | I | STAND | TO | WAIT | THE | OUR | TO | HOLD | THE | DROPS | OF | A | PLESENT | SHOUR | 1717”, initialed beneath date “IC”, 9 x 12 x 12 in.,lacking cover, rim with some chips, repairs and retouch to foot and “whistle” piece at rim

Provenance:An Important Atlanta Private Collection

Estimate: $7,000 - $10,000

A similar example is pictured in The Longridge Collection of English Slipware and Delftware by Leslie B. Grigsby, fig. S74, pg. 132-133. This example sold at Sotheby’s, Syd Levethan: The Longridge Collection, January 24, 2011, lot 47 for $26,250. Grigsby notes that “pottery of this type traditionally has been associated with South Wiltshire, but recent research supports its attribution to North Hampshire, probably just south of Fordingbridge”.

A Rare and Important Staffordshire Slipware Bird Charger bearing notably similar initials of “IC” sold with us in our Important Historic Americana, October 17, 2024, lot 1007 for $36,900, see: https://live.brunkauctions.com/online-auctions/brunk/rare-and-importantstaffordshire-slipware-ic-bird-charger-6277777.

Another similar example dated a year later can be seen in the collection of The Fitzwilliam Museum in Cambridge, England, see Object Number C.368 & A-1928, https://data.fitzmuseum.cam.ac.uk/id/object/74690.

1242

English Polychrome Delft Tulip Charger probably Bristol, early 18th century, in yellow ochre, green, and blue with tulips and other flowering plants, with blue dash border, 3 x 13-1/2 x 13-1/2 in.,some pinholes, glaze voids, and roughness and chipping to rim, repair and retouch to lower left rim (see blacklight photos)

Provenance:Collection of John B. and Marie-Teresa Vander Sande, Newbury, Massachusetts

Estimate: $1,000 - $2,000

For a similar example, see English Delftware in the Bristol Collection by Frank Britton, pg. 56, fig. 3.16.

1244

Two Toby Mug Form Syrup Dispensers

English, 18th century, each of similar form, one cream glazed, the other white salt glazed, each with conforming pewter hinged lids, each approx. 5-1/4 x 4-1/2 x 3-1/4 in.,some spotting and discoloration to pewter elements cream example with large hairline crack to base lid of white salt glazed example not currently attached, lacking pins, hairline crack at rim interior, some discoloration and accretion to glaze, firing crack at base

Provenance:Collection of John B. and Marie-Teresa Vander Sande, Newbury, Massachusetts

Estimate: $400 - $600

1243

Three Delft Lobed Dishes with Chinoiserie Decoration 17th/18th century, each with central decoration of seated scholar, one blue and manganese, largest 2-1/2 x 13-1/4 x 13-1/4 in.,pinholes, glaze voids, crazing, hairlines, and some chipping to rims and feet; blue and manganese example with staple repair and infill

Provenance:Collection of John B. and Marie-Teresa Vander Sande, Newbury, Massachusetts

Estimate: $600 - $900

1245

Four English White Salt Glazed Table Objects

18th century, comprising: lidded teapot, creamer, small pitcher, and cradle form vessel, largest 4-1/4 x 5-1/2 x 3-1/2 in.,all with scattered small edge chips, pinholes, and small firing anomalies, some with tape residue; break and repair to teapot spout tip, several hairlines to rim, putty accretion to base, kiln debris/firing anomaly at foot rim, lid possibly associated, does not sit flush; creamer basket with firing crack to rim at handle pitcher with small break and repair to handle; cradle form vessel with several hairlines and crater at interior, some areas of possible retouch

Provenance:Collection of John B. and Marie-Teresa Vander Sande, Newbury, Massachusetts

Estimate: $500 - $700

1246

Three Blue and White Delft Brass Lidded Tobacco Jars, Dutch, 19th century, each with cobalt blue floral decoration and stepped brass lids with finials, largest 16-3/4 x 9-1/4 x 9-1/4 in.,firing anomalies, some scratching and crazing to surfaces, largest jar with chip to underside of base

Provenance:A Private North Carolina Collector

Estimate: $1,800 - $2,200

1248

Pair of Whieldon Type Tortoiseshell Glaze Platters English, second half 18th century, reticulated and shaped rims, 1 x 10-3/4 x 9 in.,crazing, glaze voids, and some chipping, wear to bases

Provenance:An Important Atlanta Private Collection

Estimate: $100 - $300

A similar platter is pictured in The Frank P. and Harriet C. Burnap Collection of English Pottery by Ross E. Taggart, pg. 121.

1247

Whieldon Type Pottery Group, Sheep and Lamb English, 18th century, creamware body with running manganese glaze, 4 x 5-1/8 x 4 in.,some crazing, glaze voids, and firing cracks, wear to base, some chips to glaze, repair to ears and tail of sheep

Provenance:Art Trading Ltd., New York, NY, November 12, 1984 (accompanied by receipt); An Important Atlanta Private Collection

Estimate: $500 - $700

A similar example is pictured in The Illustrated Guide to Staffordshire Salt-Glazed Stoneware by Arnold R. Mountford, fig. 242.

1249

Three Whieldon Type Tortoiseshell Glazed Pottery Serving Pieces mid 18th century, all with grapevine sprigging and supported by lion’s paw feet, comprising: teapot and cover; creamer; coffee pot and cover; largest 10 x 8-1/2 x 4-1/2 in.,glaze crazing, scattered firing cracks (especially at feet), and other small firing anomalies throughout, scattered small chips to rim interiors small restoration to creamer spout tip teapot with restorations to lid finial and spout tip coffee pot with restoration to lid finial

Provenance:An Important Atlanta Private Collection

Estimate: $600 - $900

For similar examples, see: The Earle Collection of Early Staffordshire Pottery, pg. 106-107, no. 226; The Frank P. and Harriet C. Burnap Collection of English Pottery by Ross E. Taggart, no. 423-425, pg. 117; A Passion For Pottery: Further Selections From The Henry H. Weldon Collection by Peter Williams & Pat Halfpenny, no. 82, p. 141.

1250

Staffordshire White Salt Glazed Pitcher with Pictorial Panels circa 1750, eight vertical panels of figural and animal decoration, 9 x 7-1/2 x 6-1/4 in.,notable restoration at rim, foot, and lower body, hairline to rim above handle and at foot, typical glaze voids and roughness to foot underside, some small chips and losses at rim

Provenance:Mr. and Mrs. Jerome Blum, Willow Corners Antiques, Lisbon, Connecticut; Sotheby’s, New York, January 20-23, 2005, lot 217; Tonnesen Collection, New Hampshire

Estimate: $700 - $1,000

An identical jug is illustrated by Peter Walton, Creamware and other English Pottery at Temple Newsam House Leeds, p. 36 no. 76. The origin and significance of the relief decoration remains entirely unclear. Walton notes, on p. 12, that the jug is one of a group of pieces with related decoration, including a jug at the Colonial Williamsburg Foundation molded with the initials ‘O.B.’ A jug of this form was in the Collection of Dr. and Mrs. Samuel J. Phillips, sold in these rooms, April 24, 1982, lot 94.” - Sotheby’s.

1251

Staffordshire Salt Glazed Teapot and Creamer in Polychrome Floral Decoration, English, 18th/19th century, teapot with base inscribed “Moses Glass”, 4-1/4 x 6-1/2 x 4 in.; creamer 3-1/4 x 3-1/4 x 2-5/8 in.,scattered pinholes and small firing cracks; teapot with small chip to lid rim creamer with small hairline to rim near handle

Provenance:(teapot) Hollis E. Brodrick, Portsmouth, New Hampshire, June 1997; Tonnesen Collection, New Hampshire

Estimate: $400 - $600

1253

Three Staffordshire Salt Glazed Pottery Sauceboats, with Block Mold circa 1760, each of similar form with identical molded rose pattern, possibly by or after William Greatbach, largest 3 x 7-1/4 x 3-1/2 in.; block mold, 3-1/2 x 6 x 4 in.,scattered small pinholes and firing anomalies throughout, some sticker remnants; white example with restoration to rimmold with wear commensurate with age and use, some edge roughness and surface craters, large hairline through top

1252

Two Staffordshire White Salt Glazed Stoneware Sauce Boats English, 18th century, comprising: handled sauce boat in mosaic and “basketwork” pattern; double spout sauceboat with three feet; larger 3 x 6-1/2 x 4 in.,both with scattered pinholes, voids, and firing anomalies; double handled example with significant restorations throughout Provenance:(double spout sauceboat) Hollis E. Brodrick, Portsmouth, New Hampshire, November, 2016; Tonnesen Collection, New Hampshire

Estimate: $400 - $600

Provenance:(small painted sauceboat) D.M. & P. Manheim, New York, NY (label); (salt glaze sauceboat) Art Trading Ltd., New York, NY, May 7, 1991 (accompanied by copy or receipt); (large sauceboat) Art Trading Ltd., New York, NY, October 25, 1985 (accompanied by copies of receipts); (mold) E. N. Stretton Collection (label); An Important Atlanta Private Collection Estimate: $500 - $700

For a similar example to the sauceboats, see The Frank P. and Harriet C. Burnap Collection of English Pottery by Ross E. Taggart, no. 256, pg. 258.

Note: According to consignor notes, the largest sauceboat marked with a blue “x” to the base was molded from the same master mold as the block mold.

1254

Munster - Americae Sive Novi Orbis Nova Descriptio

Sebastian Munster, Basel, 1598, hand colored, sight 12-7/8 x 14-5/8 in.; frame 21 x 23 x 1 in.,some foxing, ghosting, not examined out of frame; frame with some rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up)

Estimate: $500 - $700

1256

Four 19th Century Maps of The United States and Major Cities

Two by Samuel Augustus Mitchell Jr. (Plan of New York & c.; Plan of the City of Washington. The Capitol of the United States of America) Philadelphia, 1860-1861; Joseph Hutchins Colton, The City of Savannah Georgia [with] The City of Charleston South Carolina, New York, 1855; Alexandre Emile Lapie, Carte Des Etats-Unis D’Amerique..., Paris, 1837; engravings on wove paper with hand colored highlights, largest sight 16-1/2 x 22 in.; framed, largest 26-1/4 x 32 x 1-3/4 in.,not examined out of frames, good overall with minimal toning and light staining throughout; frames with light wear and abrasions, one lacking glass

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by copies of write ups and invoices)

Estimate: $300 - $500

1255

Two Early Maps of European Settlements in North America

Herman Moll, A Map of the English Plantations in America, London, 1695; John Hinton, A Map of the British and French Settlements in North America, London, 1755; engravings on laid paper with hand colored highlights, larger sight 11-1/4 x 15-1/2 in.; carved and gilt wood frames, 20-1/8 x 24-1/2 x 1-1/2 in.,not examined out of frames, probable later color, otherwise good overall with minor warping to paper; frames with light wear and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write ups);

Estimate: $600 - $900

1257

Ruscelli - Tierra Nueva Giorlamo Ruscelli, Venice, 1574, laid paper, sight 8-1/8 x 10-3/4; frame 16-1/2 x 191/4 x 1-1/2 in.,overall toning commensurate with age, minor foxing, not examined out of frame; frame with some rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of receipt)

Estimate: $300 - $500

1258

Three Framed Early World Maps

Pieter van der Aa, A Knivets Zeldzame Reystogt door de Straat Magellan na de Zuyd Zee tot aan ayn Vlugt in Angola agtervolgt, Leiden, 1706; Jodocus Hondius & Gerard Mercator, Designatio Orbis Christiani, Amsterdam, 1607; Emanuel Bowen,

A New Chart of the Vast Atlantic Ocean..., London, 1755; engravings on laid paper with hand color, largest sight 12-1/4 x 17 in.; framed, largest 19-3/4 x 24-1/2 x 1 in.,not examined out of frames, probable later color, otherwise good overall with some minor foxing; frames with light wear and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write ups and invoices)

Estimate: $400 - $600

1260

Marshall - Plan of the Siege of Charlestown in S. Carolina.

John Marshall, Philadelphia, 1807, hand colored, wove paper, 10-5/8 x 15-1/2 in.; frame 17-5/8 x 21-5/8 x 1 in.,toning, foxing, and ghosting throughout, not examined out of frame; frame with scattered abrasions

Provenance:From the Estate of William Tinkler, Jr., a distinguished trial lawyer

Estimate: $400 - $600

1259

Blunt - Untitled Coast Chart of North Carolina

E & GW Blunt, New York, circa 1842, some places highlighted with hand coloring, sight 25-1/2 x 37-3/8 in.; frame 41 x 53 x 2-1/4 in.,areas of discoloration, repairs throughout, notably at right and left margins, not examined out of frame; frame with abrasions throughout, mildew to frame backing

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of invoice)

Estimate: $600 - $900

1261

Faden - Plan of the Siege of York Town in Virginia. William Faden, London, 1794, laid paper, sight approx. 11-3/8 x 13 in.; frame 19-7/8 x 21-7/8 x 1-3/8 in.,toning, minor foxing, some ghosting, map lifting from mat along right fold line, not examined out of frame; frame with abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of receipt)

Estimate: $400 - $600

1262

Nolin - Partie Meridionale des Possessions Angloises en Amerique...

Jean Baptiste Nolin, Paris, 1755, likely later color on laid paper, sight 8-1/2 in. x 105/8 in.; frame 16-5/8 x 18-3/4 x 1 in.,some fading to yellow color, not examined out of frame; frame with some rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up)

Estimate: $200 - $400

1264

Five Framed Maps of the Southern States

Pierre Antoine Tardieu, Carte De La Floride et De La Georgie, Paris, circa 1795; John Payne, Georgia from the Latest Authorities, New York, 1799; Universal Magazine, A New and Accurate Map of the Province of South Carolina in North America, London, 1779; A. Krevelt, Carte De La Caroline Et Georgie, Amsterdam, 1770; C. Dilly Poultry (pub.), Map of the Southern Part of the United States of America, London, 1798; engravings on laid/wove paper with hand color, largest sight, 13-3/4 x 17-1/4 in.; framed, largest 23 x 27-1/4 x 1 in.,not examined out of frames, all with handling creases, some light toning and staining, some probable later color; frames with light wear and abrasions

Provenance:(Krevelt, Universal Magazine) Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California; (Payne) Antonio Raimo Galleries, Ltd., Atlanta, Georgia, (accompanied by write ups and invoices)

Estimate: $600 - $900

1263

Tiebout - New Map of the States of Georgia South and North Carolina...

Cornelius Tiebout, New Map of the States of Georgia South and North Carolina Virginia and Maryland Including the Spanish Province of West and East Florida From the latest Surveys, New York, 1793, laid paper, sight approx. 12-1/8 x 14-7/8 in.; 19-3/4 x 22-1/2 x 1 in.,repaired closed tear approx. 4-1/2 in. into image from right margin, scattered handling smudges and foxing, fading or weak impression at top left corner, not examined out of frame; frame with rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of receipt)

Estimate: $400 - $600

1265

Ogilby & Montanus - Virginiae Partis australis, et Floridae partis orientalis... John Ogilby and Arnoldus Montanus, Virginiae Partis australis, et Floridae partis orientalis, interjacentiumq regionum Nova Descriptio, London/Amsterdam, 1671, attractively hand colored on laid paper, sheet 11-3/4 x 14-1/4 in.; frame 22 x 24-3/8 x 1-5/8 in.,a few small areas of foxing, not examined out of frame; frame with some rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up)

Estimate: $500 - $700

1266

Gordon - The Carolina’s, with part of Georgia.

William Gordon, London, 1788, hand colored outlines on laid paper, sight approx. 13-7/8 x 14-1/4 in.; frame 22-1/4 x 22-5/8 x 2 in.,overall toning, foxing and ghosting throughout, not examined out of frame; frame with a few scattered abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of receipt)

Estimate: $500 - $700

1267

Three 19th Century Maps of the American South Carey & Warner, The Southern States and Mississippi Territory, Philadelphia, 1812; Hinton, Simpkin & Marshall, Map of the States of Alabama and Georgia, London, 1832; Samuel Lewis, South Carolina, published by Thomas & Andrews, circa 1863; engravings on wove paper with hand colored highlights, largest sight 10 x 15-1/2 in.; framed, largest 18-1/4 x 24-1/2 x 1-1/8 in.,not examined out of frames, all with minor toning and very light foxing; frames with light wear and abrasions

Provenance:(Carey & Warner) Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up and copy of invoice);

Estimate: $100 - $300

1268

Two 18th Century Maps of Georgia and Florida Rigobert Bonne, Carte de la partie sud, des Etats Unis de L’ amerique septentrionale..., Paris, circa 1787; Johannes Covens & Cornelis Mortier, Carte De La Louisiane, Maryland, Virginie, Caroline, Georgie, avec une Partie de la Floride..., Amsterdam, 1758; engravings on laid paper with minimal hand color, larger sight 17-1/4 x 24; framed, larger 26-1/4 x 33 x 1 in.,not examined out of frames, good overall, minimal toning and warping to paper; Bonne map with probable later color; frames with light wear and abrasions

Provenance:

Estimate: $600 - $900

1269

Morse & Dilly - A Correct Map of the Georgia Western Territory

Jedidiah Morse and Charles Dilly, London, 1798, vibrant later outlines on laid paper, sight approx. 7-1/2 x 6-3/8 in.; frame 16-1/8 x 15 x 1-1/8 in.,some minor scattered foxing, not examined out of frame; frame with some rubbing and abrasions

Provenance:Barry Lawrence Ruderman Antique Maps Inc., La Jolla, California (accompanied by write up)

Estimate: $300 - $500

1270

Winfred Rembert

(American/Georgia, 1945-2021)

Winfred at School, signed lower right “Winfred Rembert”, inscribed verso “To George from Winfred Rembert”, “This is a Self Portrait of Me and Mrs. Pratrer 5th Grade Randolph Training School”, dye on carved and tooled leather, 15-1/4 x 9-1/2 in.; modern black frame, 17-1/4 x 11-1/2 x 1 in.,painting is in very good condition; frame with light wear

Provenance:Purchased from the artist

Estimate: $20,000 - $30,000

Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - “Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South” - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his future wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.

In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York. Their relationship continued until Rembert’s death in 2021.

1271

Winfred Rembert

(American/Georgia, 1945-2021)

Watermelon Pocketbook, circa 2012, inscribed front and back “Winfred Rembert”, dye on carved and tooled leather, 7 x 12 x 5 in., drop from shoulder, 16-3/8 in.,very good color, minor abrasions

Provenance:Purchased from the artist

Estimate: $20,000 - $30,000

The maker, Winfred Rembert was a supporter of Barack Obama and First Lady Michelle Obama, for whom he purportedly made this pocketbook. According to the owner and the artist, the offering of this rare purse had to be refused as she was unable to accept personal gifts while in office. Eventually the purse came to the consignor, a close personal friend of Rembert’s.

Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - “Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South” - was awarded the Pulitzer Prize in 2022.

It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his future wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York. Their relationship continued until Rembert’s death in 2021.

1272

Winfred Rembert (American/Georgia, 1945-2021)

Mama and Me Baking, signed lower right “Winfred Rembert”, inscribed verso “Mama Can’t Inhale Flour so She Wears a Mask”, dye on carved and tooled leather, 12 x 9-1/2 in.; modern black frame, 13-1/2 x 11 x 1 in.; Together with a drawing of Butch Jordan’s Cafe signed “To my friend Chicken George/Winfred Rembert’, inscription verso that relates to the painting “the is Mama and Me (Winfred) Mama used to make cake and cookies, she could not inhale flour dust, She would put a rag over her face. So thanks mama for taking a chance on your life so I could eat your cakes and cookies/Winfred Rembert”, pencil on paper, 12 x 18 in.; in mylar sleeve attached to the painting,painting is in very good condition; frame with light wear; drawing folded in half and in a mylar sleeve attached to the back of the painting

Provenance:Purchased from the artist

Estimate: $10,000 - $20,000

Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - “Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South” - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.

After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York. Their relationship continued until Rembert’s death in 2021.

1273

Winfred Rembert

(American/Georgia, 1945-2021)

Silas Green and Two Characters from the Show Silas Green (Two Works), each signed lower right “Winfred Rembert”, Silas Green inscribed verso “To My Buddy George/ Winfred Rembert, both dye on carved and tooled leather, Silas Green:14-3/4 x 8 in.; modern black metal frame, 15-1/2 x 8-1/2 x 1 in.; Two Characters: 9 x 7-1/2 in.; modern black frame, 14 x 11 x 2-1/2 in.,Two Characters painting is in very good condition, floating in frame, not examined out of frame; Silas Green painting with some discoloration upper right corner; frames with light wear

Provenance:Purchased from the artist

Estimate: $8,000 - $10,000

Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - “Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South” - was awarded the Pulitzer Prize in 2022.

It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his future wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York. Their relationship continued until Rembert’s death in 2021.

1274

Winfred Rembert

(American/Georgia, 1945-2021)

The Cotton Pickers, signed lower left “W Rembert”, dye on carved and tooled leather, 9-1/2 x 7 in; unframed; together with a signed copy of “Don’t Hold Me Back, My Life and Art” by Winfred Rembert,painting is in very good condition, some irregularities in color - as made

Provenance:Purchased from the artist

Estimate: $1,000 - $2,000

Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - “Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South” - was awarded the Pulitzer Prize in 2022.

It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his future wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings.

After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases.

In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York. Their relationship continued until Rembert’s death in 2021.

1275

Sulton Rogers (American/Mississippi, 1922-2005)

Woman in Green Dress, unsigned, carved and painted wood, 19-1/2 x 8-3/8 x 6-1/2 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $1,000 - $1,500

1276

Sulton Rogers (American/Mississippi, 1922-2005)

Haint in Tan Suit, unsigned, carved and painted wood, 16-1/4 x 3-3/4 x 5 in.,overall good condition, lacking two fingers on proper left hand (one piece retained), bottom two fingers on same hand repaired

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $1,000 - $1,500

1277

O.L Samuels

(American, 1931-2017)

Festive palm tree, initialed to base “O.L.”, carved wood, found objects, glitter, and paint, 14-1/2 x 8-1/2 x 4 in.,overall good condition, minor losses to paint and glitter throughout

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1278

Paul Lancaster (Tennessee/Colorado, 1930-2019)

Woodland Solitude, 2006, signed and dated lower right corner “Lancaster/06”, oil on canvas, 24-1/4 x 30-1/4 in.; carved wood frame, 29 x 35 x 1-1/8 in.,overall good condition; frame with minor bumps and abrasions

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $600 - $900

1279

Betty Sue Matthews

(American/Alabama, born 1950)

Mama Duck & Ducklings, signed to lower right, tempera on matboard, sight 11 x 17-3/4 in.; gilt wood frame 19-1/2 x 25-1/4 x 1-1/2 in.,overall good condition; frame with some minor bumps and abrasions

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1281

LaVon Van Williams, Jr.

(American, born 1958)

Father’s Day, signed and titled to base, carved and painted wood, 24-1/4 x 18 x 9-1/4 in.,overall good condition, some wear to wood as made, some minor losses to paint

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1280

Betty Sue Matthews (American/Alabama, born 1950)

double sided work: Girl with Dog/Flower Pot, each signed to lower border, mixed media on assembled wood, 26-1/2 x 27 x 1-1/4 in.,some checking, cracks, losses to wood and protruding nails throughout likely as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1282

LaVon Van Williams, Jr. (American, born 1958)

Big Foot Country Boy, 2011, signed, titled, and dated to base, carved and painted wood, 40-1/2 x 18-3/4 x 9-3/4 in.,overall good condition, wear to wood as made, minor losses to paint throughout

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1283

Roy Ferdinand

(American/Louisiana, 1959-2004)

Drive By Shooting, 2004, multimedia on paper, signed dated to lower left, sight 27 x 21-1/4 in.; modern wood frame, 35 x 30 x 1 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $1,500 - $2,500

1284

Roy Ferdinand

(American/Louisiana, 1959-2004)

Baptism Scene, signed to lower left corner, multimedia on paper, 22 x 28 in.,overall good condition, some slight creasing

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $600 - $900

1285

Lisa Cain (American/Mississippi, born 1962)

Christmas Service, signed lower right corner “Lisa Cain”, acrylic on canvas, 18 x 24 in.; white painted frame with gilt metal fillet, 21-3/8 x 27-3/8 x 1-1/2 in.,overall good condition; frame with bumps, abrasions, and loss to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1286

Lisa Cain

(American/Mississippi, born 1962)

Storm Clouds, signed lower right corner, acrylic on canvas, 15-3/4 x 20 in.; carved and gilt wood frame, 19 x 23 x 1-3/4 in.,overall good condition; some discoloration and minor wear to frame

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1288

Brooks Yeomans

(American, born 1957)

The back of the studio, Wednesday, May 26, 2004, signed lower right corner, acrylic on canvas board, 12 x 16 x 1/8 in.; unframed,overall good condition, some slight lifting and minor fraying at corners

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1287

Lisa Cain (American/Mississippi, b. 1962)

two paintings: Cotton Picking and Town Scene, each signed to lower right, acrylic on canvas, sight 7-5/8 x 15-1/2 in. each; carved wood frames, 13 x 21 x 1-1/2 in. each,each in overall good condition; some minor bumps and wear to frames, not examined out of frames

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1289

Brooks Yeoman (American, born 1957)

Inside a Restaurant in Switcherland (sic) called La-Siesta Brugis. Tues. Feb. 14, 2006, signed recto, titled and dated verso, incised and painted wood, 15-3/4 x 20 x 1/8 in.; unframed,overall good condition, some wear to wood as made, some minor losses to paint

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1290

Bernice Sims

(American/Alabama, 1926-2014)

Tent Revival, signed lower left “B. Sims”, acrylic on canvas, 20 x 16 in.; black painted wood frame, 23-1/8 x 19-1/8 x 7/8 in.,overall good condition; frame with some chipping, small chip near upper left corner

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $600 - $900

1292

Bernice Sims (American/Alabama, 1926 -2014)

Watering Can, signed “B Sim” to underside of spout, acrylic on tin, 14-1/2 x 15 x 8 in.,some dents and slight warping (likely as made), some slight flaking and loss to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1291

Bernice Sims (American/Alabama, 1926-2014)

Untitled Religious Scene, signed “B. Sims” to lower right corner, acrylic on artist’s board, 14 x 11 in.; carved wood frame, 16-1/4 x 14-1/4 x 1 in.,overall good condition; minor bumps and paint transfer to frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1293

Mose Tolliver (American/Alabama, 1919-2006)

Expressive Self Portrait, signed “MOSET” to lower right corner, paint on board, 241/2 x 24-1/2 x 1/2 in.,overall good condition, checking and wear to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $1,000 - $2,000

1294

Mose Tolliver

(American/Alabama, 1919-2006)

Drum Beaters, signed “MOSET” recto, paint on board, 22-1/2 x 32 x 1/4 in.,some checking and wear as made, some splintering verso, one splinter and loss near bottom left corner

Provenance:Lynne Ingram Southern Folk Art, Milford, New Jersey; Property from the Collection of Ted and Ann Oliver

Estimate: $1,000 - $2,000

1295

Mose Tolliver

(American/Alabama, 1918-2006)

Freedom Bus, signed “MOSET” to lower right corner, paint on board, paint on board, 11-1/4 x 22 x 3/4 in.,some cracks and wear to wood as made, slight losses to paint, surface dirt

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $800 - $1,200

Accompanied by a letter from Buddy Mitchell stating that he purchased this piece from the artist in the early 1980s.

1296

Mose Tolliver

(American/Alabama, 1918-2006)

Freedom Bus signed “MOSET” to lower left, titled and dated verso, paint on board, 11-1/2 x 25 x 1/2 in.; unframed,some cracks and wear to wood as made, slight losses to paint

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $800 - $1,200

Exhibited: “Pure Paint: A Retrospect of Montgomery’s Mose T,” The National Center for the Study of Civil Rights in AfricanAmerican Culture, Alabama State University, Montgomery, Alabama, May 6-July 3, 2007.

1297

Mose Tolliver

(American/Alabama, 1919-2006)

Jesus on the Cross, signed “MOSET” lower center, paint on board, 17 x 18 x 1/2 in.,some wear and loss to wood as made, scattered small losses to paint throughout Provenance:According to consignor notes, this piece was purchased from the artist on March 21, 1988; From the Collection of Micki Beth Stiller, Esq.

Estimate: $600 - $900

1299

Mose Tolliver

(American/Alabama, 1918-2006)

Teal Turtle, signed “MOSET” to lower right corner, paint on board, 16-1/4 x 20-1/4 x 1/2 in.,checking and wear to wood as made

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $500 - $700

Exhibited: “Pure Paint: A Retrospect of Montgomery’s Mose T,” The National Center for the Study of Civil Rights in African-American Culture, Alabama State University, Montgomery, Alabama, May 6-July 3, 2007.

1298

Mose Tolliver (American/Alabama, 1919-2006)

Nall, signed “MOSET” lower right corner, paint on board, 36-1/4 x 24 x 1/2 in.,some checking and wear to wood as made

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $600 - $900

1300

Mose Tolliver (American/Alabama, 1918-2006)

Wedding Girl, 1991, signed “MOSET” to lower right, titled and dated verso, paint on board, 24-1/2 x 15-1/8 x 1/4 in.; unframed,some cracks and protruding nails as made, some small losses to paint

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $400 - $600

Exhibited: “Pure Paint: A Retrospect of Montgomery’s Mose T,” The National Center for the Study of Civil Rights in African-American Culture, Alabama State University, Montgomery, Alabama, May 6-July 3, 2007.

1301

Mose Tolliver

(American/Alabama, 1919-2006)

Purple Portrait, signed lower left “MOSET”, paint on board, 28-1/2 x 23-5/8 x 1/8 in.,some rough edges and wear to wood as made, some chips to corners, protruding nail at top corner

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $400 - $600

1303

Mose Tolliver

(America/Alabama, 1920-2006)

Vodka Birds and Spotted Cats, signed to lower border, paint on board, 24 x 32 x 1/2 in.,some checking and wear to wood likely as made, some splintering to top edge, some slight losses to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

1302

Mose Tolliver (American/Alabama, 1918-2006)

Airplane, signed “MOSET” lower left corner, paint on board, 12 x 21-1/4 x 1/8 in.,some checking and wear to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

Accompanied by a copy of email correspondence from Alan Baltazar that this piece was purchased directly from the artist in 1985.

1304

Mose Tolliver (American/Alabama, 1918-2006)

Untitled floral composition, signed “MOSET” lower center, paint on board, 16 x 231/2 x 1/2 in.; unframed,checking and wear to wood (likely as made)

Provenance:According to consignor notes, this piece was purchased from the artist on September 21st, 1983; From the Collection of Micki Beth Stiller, Esq.

Estimate: $300 - $500

1305

M.C. “5 Cents” Jones (American/Louisiana, 1917-2003)

Picking Cotton, signed at upper left corner, multimedia on paper, 13-5/8 x 17-1/2 in.; unframed,some stray marks and light stains, three small punctures to right border

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1307

Fred Webster (American/Alabama, 1911-1998)

I Told You Peter Would Deny Christ Three Times Before the Cock Crowed, signed and inscribed to base “Fred Webster/Berry. Ala.”, carved and painted wood, 11-3/4 x 9-1/4 x 4-1/2 in.,visible glue at bottom of taller figure’s feet, fence detached at left side

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1306

M.C. “5 Cents” Jones (American/Louisiana, 1917-2003)

Two Blue Roosters, signed to upper corner “MCJONES”, mixed media on poster board, sight 15-5/8 x 19-3/8 in.; black painted wood frame, 19 x 23 x 7/8 in.,overall good condition; frame with some bumps and abrasions

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1308

Eddie Owens Martin, St. E.O.M. (American/Georgia, 1908-1986)

Figure Studies, unsigned, ink on paper, 11-7/8 x 8-3/4 in.; unframed,overall good condition, some toning and foxing

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1309

Carl McKenzie

(American/Kentucky, 1905-1998)

Lucy, signed “Carl McKenzie” to base, carved and painted wood, 17 x 4-1/4 x 4 in.,overall good condition, some minor losses to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1311

Henry Speller

(American/Tennessee, 1900-1988)

Riverboat, 1994, signed to lower right corner, marker and crayon on paper, 17-1/4 x 23-1/4 in.; unframed,hinged on mat, overall good condition, some slight foxing, scuffs and stray marks to mat

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $600 - $900

1310

Royal Robertson (American/Louisiana, 1930-1997)

double sided work: Vision I Jurney [sic] to the Future Town, 1985, signed, titled, and dated across top, paint and pen on poster board, 28 x 22-1/8 in.,holes along edges and corners from prior suspension, some bumps and abrasions to edges, slight creasing and loss to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $800 - $1,200

1312

Mike Esslinger (American/Georgia, born 1949)

Twisted Flowers (pair of four light candelabra), unsigned, wrought iron, 14-1/2 x 10-1/2 x 10 in.,some discoloration and minor rust

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $400 - $600

1313

Georgia Attributed Paint Decorated Yellow Pine Huntboard 19th century, yellow pine throughout with red, green, and yellow painted decoration; frame and panel construction, 35 x 60-1/4 x 18 in.,paint with fading and wear throughout (1986 correspondence states that this current coat of paint was under a latex or epoxy layer), warped top with distress, staining and restoration to shrinkage cracks; drawer lips with minor chipped loss, some later wire nails at leg and apron joints, shrinkage separation between bottom panel and back, upper proper right rear leg with loss, later brasses

Provenance:Gene Massey Antiques June 28, 1986 (with copy of receipt); Private Collection, Georgetown, South Carolina

Estimate: $2,500 - $3,500

Gene Massey notes state that this piece descended in the Blair-Davis families of Cornelia-Demorest areas, Habersham Country, Georgia

1314

North Carolina Chippendale Blue Painted Yellow Pine Blanket Chest

late 18th/early 19th century, dovetailed construction, robust blue/green painted surface, till to proper right side interior, 27 x 49-1/2 x 22-1/2 in.,old paint surface with typical distress and wear, losses to top, minor pest damage to back, original hinges, lock catch currently detached, lid fits tightly

Provenance:A Private North Carolina Collector

Estimate: $1,000 - $1,500

1315

James Gheen Attributed North Carolina Federal Walnut Chest of Drawers

Rowan County, late 18th century, top with molded edge, unusually shaped bracket feet with continuous blocking, 39 x 39-1/2 x 21-1/4 in.,fine condition with mellow patina, top with stains and minor pest damage and later board to back edge, drawers with typical scattered chips at edges, one escutcheon with small loss, original feet and blocking, later brasses

Provenance:A Private North Carolina Collector

Estimate: $5,000 - $8,000

1316

Rare MESDA Documented North Carolina Henry Macy Walnut Tall Case Clock, Guilford County, circa 1815, poplar secondary wood, Seth Thomas painted wood dial and movement, arched bonnet, low waisted case on short ogee bracket feet with scrolled returns, 90-3/4 x 20-1/4 x 11 in.,has not been tested, married movement, bonnet glass later, the dial with discoloration and later pencil inscription along arched top of dial, very minor shrinkage cracks to case; repairs and losses to shoulder molding and restoration at keyhole

Provenance:A Private North Carolina Collector

Estimate: $8,000 - $12,000

Museum of Early Southern Decorative Arts (MESDA) # S-2451. In the MESDA photo, the clock has a different dial. For another similar example see The Magazine Antiques, May 1973, pg. 972, figures 9 and 10, previously attributed to Jesse Needham.

1317

North Carolina Queen Anne Walnut Single Drawer Table Attributed to Davie County, 18th century, yellow pine secondary wood, drawer thumbnail molded on three sides, 28-1/4 x 38-1/2 x 23-3/4 in.,top with patches to cracks and loss, and at one drawer corner; later nails to legs at interior base, split with restoration to proper right apron, feet with restoration and some chips loss, pulls with modern screws but possibly original

Provenance:A Private North Carolina Collector

Estimate: $1,800 - $2,200

1318

Queen Anne Figured Mahogany Dropleaf Table 18th century, beech and elm? secondary woods, traces of black paint, two fixed and two fly turned legs with pad feet, 28 x 40 x 15-3/4 in., each leaf adds 15 in.,scratches to later finish, and breaks and repairs at top edge and leaf; pest damage to secondary surfaces, break at screw attachment where top meets the base; later rubber strip buffers screwed to leaf undersides

Provenance:A Private North Carolina Collector

Estimate: $400 - $600

1319

North Carolina Queen Anne Walnut Chest on Frame Randolph County, late 18th century, yellow pine secondary wood, base with trifid feet and shaped apron, 49-1/4 x 42-3/4 x 18-3/4 in.,excellent condition throughout, proper rear left corner of top with stains, top drawers don’t sit flush, small loss to proper right rear leg at joint with rail; antique pulls show a witness mark and indentation on the drawer fronts suggesting these are later

Provenance:A Private North Carolina Collector; seller notes this was found in a house near the corner of Lassiter Mill Road and Farmer Road in Randolph County

Estimate: $6,500 - $8,500

1320

Southern Chippendale Walnut One Drawer Tavern Table probably Eastern Virginia, 18th century, yellow pine secondary wood, chamfered square legs with box stretcher, 28-1/2 x 45-1/2 x 34-3/4 in.,finish with some distress and stains, patch to top underside edge, later pull

Provenance:Found in Pennsylvania

Estimate: $500 - $800

1321

North Carolina Painted Poplar Chest of Drawers probably Randolph Country, early 19th century, poplar throughout, cornice lifts to reveal three hidden short drawers, 61 x 46 x 23-1/2 in.,restored old paint obscures patches and repairs, some rebuilding to drawers with several later bottoms, proper right front foot tipped in with 2 inch replacement, scattered breaks and restorations to foot facings, later antique brasses

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $1,200 - $1,800

Underside of cornice with graphite inscription reading “Ralph Newsom June 1 1978 Coleridge NC, bought at auction priced $2,100 paid $1,000 to get it restored, $85 for new brasses.”

1322

Southern Federal Cherry Candlestand

South Carolina attributed, early 19th century, round three board dished tilt top top, 27-3/4 x 21-1/4 x 21-1/4 in.,top with some scratches, stains, and repair at edge; top and base possibly married (top resurfaced at back); restoration to breaks where legs meet the stand

Provenance:A Private North Carolina Collector

Estimate: $300 - $500

1323

An Exact prospect of Charles Town, Engraving

South Carolina, titled “An Exact prospect of Charles Town, the Metropolis of the Province of South Carolina”, circa 1762, published by [Gentleman’s Monthly Intelligencia] (or [London Magazine]), three cities were published, New York, Philadelphia, Charleston, based on map by Bishop Roberts, 1739, hand-colored engraving on laid paper, British, 18th century, 6-3/4 x 20-1/4 in.; painted wood frame, 11 x 24 in.,hand colored, paper slightly toned, laid down on acid free board; frame with some wear and separation at corners

Provenance:Private Collection

Estimate: $2,000 - $4,000

1324

Louise Sarrazin

(American/Louisiana, 1888-1967)

Old John’s Place, signed lower right “Louise Sarrazin” and inscribed on mat “Old Johns Place/Louise Sarrazin”, watercolor on paper, sight 7-1/4 x 10-1/4 in.; wood frame, 16 x 18 x 1 in.,good color, not examined out of frame; frame with light wear, intentionally distressed

Provenance:Private Collection, Savannah, Georgia

Estimate: $600 - $800

1325

Ken Herrington (American/Georgia, born 1948)

Westside Savannah, signed in pencil lower left “Ken Herrington”, watercolor and pencil on paper, sight 10-1/4 x 13-1/2 in.; gilt wood frame, 18-3/8 x 21-7/8 x 1-1/8 in.,not examined out of sealed frame, overall good condition; frame with light wear

Provenance:John Tucker Fine Arts, Savannah, Georgia (label verso); Private Collection, Savannah, Georgia

Estimate: $600 - $800

1327

Frank Stanley Herring (American/Georgia, 1894-1966)

Out for a Ride, signed lower right “Frank Stanley Herring”, watercolor on paper, sight 15 x 22 in.; cove molded wood frame, 27 x 34-1/4 in.,good color, not examined out of frame; frame with light wear at corners

Provenance:Private Collection, Savannah, Georgia

Estimate: $400 - $600

1326

Frank Stanley Herring (American/Georgia, 1894-1966)

Country Lane, signed lower right “Frank Stanley Herring”, watercolor on paper, sight 16-1/2 x 15 in.; wood cove molded frame, 34 x 28-1/2 in.,good bright color, not examined out of frame; frame with light wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $400 - $600

1328

Elisabeth Paxton Oliver (North Carolina/Georgia, 1891-1977)

Archway-Casa Blanca, unsigned, oil on panel, 18-1/4 x 14-12 in.; fine reproduction gilt wood frame, 27 x 23-1/4 x 2 in., some crackle; frame with wear

Provenance:C. Duncan Connelly Fine Art, Atlanta, Georgia (labels verso); Private Collection, Savannah, Georgia

Estimate: $800 - $1,200

1329

Elisabeth Paxton Oliver (North Carolina/Georgia, 1891-1977)

Two Figures Outside White House Tomb, Meracesh, unsigned, oil on panel with Lucien LeFebvre-Foinet colorman stamp verso, 18-1/4 x 14-1/2 in.; fine reproduction gilt wood frame, 26-3/4 x 23-1/4 x 2 in., some surface dirt, otherwise good condition; frame with wear

Provenance:C. Duncan Connelly Fine Art, Atlanta, Georgia (labels verso); Private Collection, Savannah, Georgia

Estimate: $800 - $1,200

1330

Elisabeth Paxton Oliver (North Carolina/Georgia, 1891-1977)

Marketplace-Casa Blanca, signed lower right “E Paxton Oliver”, oil on illustration board, 13-1/2 x 11 in.; fine reproduction gilt wood frame, 21 x 18-1/2 x 2 in., overall good condition; frame with wear

Provenance:C. Duncan Connelly Fine Art, Atlanta, Georgia (label verso); Private Collection, Savannah, Georgia

Estimate: $700 - $900

1331

Charles Henry Reinike, Two Watercolors (American/Louisiana, 1906-1983)

Cabin with Cart and Cabin with Chimney, both signed lower right “Reinike”, watercolor on paper, sight 7-1/4 x 10 in.; matching modern wood frames, 16 x 183/4 x 1 in.,good color, light foxing, not examined out of frame; frames with light wear and some separation at corners

Provenance:Private Collection, Savannah, Georgia

Estimate: $1,000 - $2,000

1332

Southern Chippendale Figured Walnut Corner Cabinet probably Virginia, late 18th century, yellow pine secondary wood throughout, two sections, glazed top section interior with three shelves, door panels to bottom section with single shelf interior, dentil molded cornice, 95-3/4 x 42 x 20 in.,Cornice is a later addition, abrasions to proper right glazed door below escutcheon, scattered patches at hinges and paneled doors (from previous locks), original feet (crack at rear foot)

Provenance:Private Collection

Estimate: $1,000 - $2,000

1333

Southern Green Painted Yellow Pine Tea

Table, N.C. Provenance, traces of green paint, top with large overhang, 28-1/4 x 28-3/4 x 22-3/4 in.,likely modern paint and underside resurfaced, making determination of date uncertain; presents very well over, top with minor stains, one side of top with possible 4 inch strip patch

Provenance:Hayden Allen Jr. purchased from Kidd’s Grocery, Bennet, North Carolina, October 7, 1970 (with documentation); Per consignor notes Ralph Newsome, 1977; Private Collection, Georgetown, South Carolina

Estimate: $300 - $600

1334

Southern Federal Yellow Pine Secretary in Early Paint

late 18th/early 19th century, fine old surface, yellow pine throughout, dovetailed construction, top section doors painted with millrind motif, three shelf interior, fitted desk interior, one loper with illegible pencil inscription, 83-1/2 x 41-1/2 x 21 in., early with distress and wear throughout, slant lid is replaced, cornice with minor restorations and loss, shelves with stains, base section with some separation to front panel, all feet with restorations to breaks, four spurs with loss and another with restoration to break, later pulls

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $1,000 - $2,000

1335

Southern Federal Figured Walnut Chest on Frame Virginia attributed, 19th century, yellow pine secondary wood throughout with mixed highly figured veneers, top with molded edge, string inlay to base, 44-1/2 x 41 x 20-1/2 in.,top with some wear and distress, infilled cracks and patch; beaded drawer edges with scattered patches and wear, one short drawer with large patch at lock and catch, one side with crack and loss, patches at one front leg, inlay restorations to frame, later brasses

Provenance:A Private North Carolina Collector

Estimate: $1,000 - $1,500

1336

Southern Chippendale Walnut Chest on Frame possibly Winchester area Virginia, 18th century, poplar, white cedar, and yellow pine secondary woods; shaped top, dovetailed construction, scalloped apron, well formed trifid feet, 67 x 41-1/2 x 23-1/2 in.,very good condition overall, probably original batwing brasses, minor surface wear and finish distress, some water spotting, other typical shrinkage cracks, wear and minor repairs

Provenance:Howard Smith, 1979; Collection of Laurence and Helen Alspaugh, Greensboro, North Carolina; Brunk Auctions, Premier Auction, March 28, 2020; A Private North Carolina Collector

Estimate: $3,000 - $5,000

1337

Southern Chippendale Yellow Pine Two Drawer Blanket Chest probably Virginia, 18th century, yellow pine throughout, interior till with two drawers, 28-3/4 x 51 x 19-1/2 in.,cracks and some infill to top, front and sides as well as proper left escutcheon; breaks and repairs to both front corners, lips of both drawers and drawer surrounds; underside of lid with later finish; feet with breaks and repairs to facings and losses and replacements to spur returns

Provenance:Discovered in an Eastern Virginia estate

Estimate: $400 - $700

1338

American Painted Rustic Root and Branch

Armchair, possibly West Virginia, late 19th/early 20th century, lattice back, arms terminating in burls, canvas upholstered back and seat cushions, 38 x 25-1/8 x 25-1/2 in, seat height 18 in.,frame stable, surface with patina, loss, and chipping; some splits throughout

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $400 - $600

1340

Georgia Federal Paint Decorated Step Back Pewter Cupboard, Jim Williams

Provenance, 19th century, retains original blue/green paint over red wash, scalloped cornice, yellow pine throughout, 77 x 40-1/4 x 16-1/4 in.,paint with surface wear and distress; shrinkage split to proper left upper side, some later nails

Provenance:James Arthur Williams, September 4, 1985, $6,000 (with copy of receipt); Private Collection, Georgetown, South Carolina

Estimate: $1,500 - $2,000

James Williams notes state that this cupboard was found in Gilmer County Georgia, Gene Massey purchased this cupboard from Mr. Rawlings who lived around Stone Mountain Georgia and later moved to Homer Georgia around 19791980, Gene sold the cupboard to Williams

1339

Southern Red and Green Painted Poplar Table Cabinet probably Georgia, 19th century, poplar throughout, cabinet interior with two shelves and row of pigeon holes, faded interlaced ribbon pattern to slanted front, later red inventory numbers to underside, 36x 37-1/8 x 17 in., old and probably original painted finish with stains and distress to top, bottom, and drawer; chips to shelf edges, losses to cupboard latch

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $500 - $1,000

1341

St. Louis Coin Silver Presentation Agricultural Pitcher Missouri, mid 19th century, urn form with scroll handle, inscribed “The Lafayette Agricultural & Mechanical Afsociation[sic]/Presented to/John P. Bowman Secy/1857”, marks for E. Jaccard & Co.(St. Louis, Missouri, working 1852-1901), 14.40 oz. T., 10 x 7 x 5 in.,base rim bent, small dents, and wear

Provenance:To Benefit WNC Bridge Foundation

Estimate: $500 - $1,000

1342

Southern Federal Parcel Painted Yellow Pine Lazy Susan Dining Table, mid 19th century, lazy Susan held on pole resting on the stretcher of the parcel ebonized square leg base, 33-3/4 x 55 x 55 in., table height 28-3/4 in.,top with stains and wear from use, later ebonized paint to base, crack to support under table, various stages of nails and screws securing the top

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $800 - $1,200

1343

Edgar Hewitt Nye (American/Washington DC, 1879 - 1943)

Country Landscape, signed lower right E Nye, oil on canvas, 37 x 42-1/2 in.; painted wood frame, 42-1/2 x 478-1/2 in., light surface dirt, original stretchers and tacking edge; frame with some dirt and light separation at corners

Provenance:Estate of Gary L. Johnson, Virginia

Estimate: $1,000 - $2,000

Edgar Hewitt Nye worked and taught privately at his studio in Washington D.C. He studied at the Corcoran School and with J.N. Barlow of England. He was a member of the Society of Washington Artists; Washington Watercolor Club; and the Washington Landscape Club. His works were included in exhibitions of the Society of Washington Artists; Corcoran Gallery Biennials, (4 times); Corcoran Gallery (solo, 1922); Washington Watercolor Club (winning prizes in 1926, 1927, 1933, 1937); Gr. Washington Independent Exhibition, 1935 (winning the purchase prize); the Society of Independent Artists; and the Washington Landscape Club. His works are included in the collections of the Phillips Memorial Gallery in Washington, D.C.; the Plymouth Gallery in England; the National Museum of American Art; Georgetown University; Corcoran Gallery of Art; University of Georgia Museum; and the High Museum of Art in Atlanta, Georgia. Edgar Hewitt Nye is listed in Who Was Who in American Art, and McMahan’s Artists of Washington, D.C.

1344

Horacio Renteria Rocha (Mexican, 1912-1972)

Untitled, nina con un gallo, signed lower right “Horacio”, oil on canvas, 23-3/4 x 18 in.; painted wood frame, 28-1/4 x 22-1/2 x 3-1/4 in., laid on fiberboard, areas of retouch, mostly along edges, surface dirt, flaking, minor crackle; frame with wear and abrasions

Provenance:Scott Schuneman, Florida (as stated by consignor); Private Collection

Estimate: $2,000 - $3,000

1345

Homer E. Ellertson

(American/Tryon, North Carolina, 1892-1935)

Man with Pipe and Cane, signed lower right “Ellertson”, label verso “The Second Annual Wisconsin Salon of Art”, watercolor on paper, sight 22 x 17 in.; painted wood frame, 33 x 27 in.,good color and fine condition, not examined out of frame; frame with some wear at corners

Provenance:Private Collection, Georgetown, South Carolina

Estimate: $400 - $600

1347

Harry Fisk

(Harry Fisk, 1887-1974)

The John C. Calhoun Monument, Marion Square, Charleston, South Carolina (removed June 2020), signed lower right “Fisk”, oil on board, 16 x 12 in.; modern frame, 17-1/2 x 13-1/2 in.,surface with light crackle and pin sized losses, minor abrasions; frame with light wear

Provenance:Estate of Gary L. Johnson, Virginia

Estimate: $800 - $1,200

1346

Barker Fairley, Fauve Landscape (Canada/England, 1887-1986)

Green, Black, Blue, and Yellow, 1977, signed lower left “Fairley”, dated, signed and titled verso, oil on board, 11-5/8 x 13-7/8 in.; fine modern gold leaf frame, 19-5/8 x 22-1/8 x 1-1/2 in.,light surface dirt; frame with minor abrasions at edge

Provenance:Marianne Friedland Gallery, Toronto (label verso); Property from an Important Chicago Collection

Estimate: $1,800 - $2,400

1348

Harry St. John Dix (American, 1907-1968)

Joe St, Savannah, signed lower left “Harry Dix”, gouache on illustration board, sight 14-1/2 x19-3/4 in.; modern painted wood frame, 21-1/2 x 26-3/4 x 2-3/4 in., worn edges with some pinholes not visible in frame; frame with light wear

Provenance:Private Collection, Savannah, Georgia

Estimate: $1,000 - $2,000

1349

Four Piece Kirk Sterling Tea Service with Tray

Maryland, 20th century, urn forms with engraved decoration, ivory spacers, no monograms, marks for S. Kirk & Son, 188.34 oz. T., 11 in. coffee pot with matching teapot, covered sugar, creamer, and 25-3/4 in. two handle tray (not engraved),good condition, light scratches, and typical wear

Provenance:Private Collection, South Carolina

Estimate: $5,000 - $7,000

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1350

Kirk & Son Shell Sterling Flatware, 102 pieces

Maryland, 20th century, including twelve hollow handle knives, most with French style blades; twelve forks; eleven salad forks; seventeen teaspoons; six round soup spoons; nine ice tea spoons; twelve solid handle spreaders; four serving spoons; two tomato servers; solid handle spreader; sugar spoon; two serving forks; bon bon; cocktail fork; sauce ladle; slotted serving spoon; large bowl slotted serving spoon; hollow handle salad set, wood bowls; hollow handle carving set; hollow handle cheese spreader; hollow handle salad set, stainless bowls; infant spoon in plastic bag, no monograms, all with marks for Kirk, 123.0 oz. T. excluding hollow handle pieces; with wood case,average wear

Provenance:Private Collection

Estimate: $5,000 - $6,000

1351

Kirk & Sons Maryland Engraved Sterling Flatware, 70 Pieces

Maryland, 20th century, including eight hollow handle knives; eleven forks; eight salad forks; sixteen teaspoons; eight round soup spoons; seven solid handle spreaders; two ice teaspoons; three serving spoons; hollow handle carving set; solid handle butter knife; sugar spoon; tomato server; bon bon; ladle, monograms, all with marks for Kirk & Son, 78.89 oz. T. excluding hollow pieces; with wooden case,average wear

Provenance:Private Collection, Flat Rock, North Carolina

Estimate: $4,500 - $5,500

1352

Large William Waldo Dodge Sterling Waterfall Bowl Asheville, 1931, round with waterfall decoration, no monograms, mark for shop of William Waldo Dodge (Asheville, North Carolina, working 1923-1942), 26.30 oz. T., 2 x 11-1/4 in., partial marks, spot of heavy tarnish and typical wear

Provenance:Private Collection

Estimate: $1,000 - $2,000

1353

Extremely Rare Monumental Burlon Craig Two Tone North Carolina Stoneware Face Jug, (Vail, North Carolina, 1914-2002) olive green alkaline underglaze, overglaze with large green glass sparkle melt runs with sparse rutile highlights down from shoulder of jar to below face, ears, handles and the entire back of jar, applied kaolin clay facial features, green glaze to eye balls, broken china teeth, incised banded line decoration around shoulder, large applied arched ridged strap handles, large spout with flared rim, stamped on base “B.B. CRAIG. VAIL. N.C.”, 19-3/4 in.,glaze voids and anomalies as made, bubbles in glaze as made, very small firing line under handle as made, some tiny firing lines to facial features as made, great as made condition

Provenance:A Private North Carolina Collector

Estimate: $2,000 - $4,000

Previously sold at Brunk Auctions January 2004 sale, lot 558, for $5,060.

1354

Two Pieces of Georgia Marie Rodgers Figural Pottery female pottery figural inscribed “Marie Doll” to upper body, brownish green glaze, articulated features, white clay eyes with cobalt pupils, inscribed “Marie Rogers” and stamped “M. ROGERS” on back”, 7-1/4 in.; figural pottery bottle inscribed “Confederate Soldier” on lower body, articulated features with white clay eyes, shouldering a rifle, applied handle, inscribed “Marie Rogers” and stamped “M. ROGERS” on back”, 7-1/2 in., glaze anomalies as made, some residue to surface of doll figural, various firing separations to the figural doll as made, otherwise good as made condition

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $100 - $300

1355

Three Pieces of Contemporary Georgia and South Carolina Pottery face mug, speckled olive green glaze, applied facial features and handle, kaolin eyes with cobalt pupils, broken china teeth, inscribed on base “Grace Nell Hewell 9.14. 2000”, 3-3/4 in.; pig face jug, runny blue rutile over brown glaze, applied facial features and handle, flared rim, inscribed on lower rear body “ Stanley Ferguson # 26” and on base “Jamie Ferguson Gillsville, GA 7th Gen, 1-2001”, 5-1/2 in.; Edgefield style face jug, brownish olive green glaze, applied facial features, white clay teeth and eyes, collared spout, arched strap handle, inscribed on base “patton” and stamped “T.R. SC.” for Greg Patton, 6 in.,glaze anomalies as made, great as made condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1356

Burlon Craig North Carolina Stoneware Face Jug (Vale, NC, 1914-2002) runny olive green alkaline sparkle glaze, rutile highlights at lip and nose, applied facial features, broken china teeth, white clay eyes with cobalt pupils, banded decoration to upper shoulder of jar with wavy line decoration, applied ridged strap handles, large spout with flared rim, stamped “BBC” on base, 15-1/2 in.,glaze voids and anomalies as made, firing separation in pupil as made, very good as made condition

Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $600

1357

Beverly Buchanan (America/Georgia, 1940-2015)

Happy Shack, signed and titled recto, sight 22 x 14-1/4 in.; modern wood frame, 31-3/4 x 24 x 1-1/4 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $2,500 - $3,500

1358

Beverly Buchanan (American/Georgia, 1940-2015)

Spring Shack, 2003, signed and dated lower right corner, oil pastel on paper, sight 211/4 x 28-1/2 in.; modern wood frame, 32 x 39 x 1-1/2 in.,overall good condition, some minor chips at corners of frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,500 - $2,500

1359

Beverly Buchanan (American/Georgia, 1940-2015)

Fiery Shotgun Shacks, 1989, signed and dated lower right corner, mixed media on paper, sight 13 x 10 in.; modern wood frame, 21-5/8 x 17-5/8 x 1 in.,overall good condition, some minor bumps and abrasions to frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,500 - $2,500

1360

Beverly Buchanan (American, 1940-2015)

Irises No. 2 (Blue), 2003, signed lower left, titled and dated verso, oil pastel on paper, sight 11-3/4 x 8-3/4 in.; modern black frame 19-3/4 x 16-7/8 x 1 in.,overall good condition; some minor bumps to corners of frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

1361

Beverly Buchanan (American/Georgia, 1940-2015)

Flower Arrangement, 2004, signed lower right, oil pastel on paper, sight 8-1/2 x 111/4 in.; gilt wood frame 18-1/2 x 22-5/8 x 2 in.,overall good condition; minor bumps and abrasions to frame, notably at lower left corner

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $600 - $900

1363

Beverly Buchanan (American, 1940-2015)

White China Bowl with Flowers, 2002, signed and dated lower right corner, oil pastel on paper, sight 7-1/4 x 9-1/4 in.; carved and gilt wood frame, 13-3/4 x 17-3/4 x 1-1/4 in.,overall good condition, some bumps and losses to frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1362

Beverly Buchanan (American, 1940-2015)

Angel, signed lower right corner “Beverly Buchanan”, marker and pen on paper, sight 6-1/2 x 4-1/2 in.; modern wood frame, 11-1/2 x 9-1/2 x 3/4 in.,overall good condition; some abrasions to frame, small chip/crack to right edge

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $600 - $900

1364

Ronald Cooper (American/Kentucky, 1931-2012)

County Jail, 1991, signed, titled, and dated lower right corner, carved and painted wood construction, 7-3/8 x 9-3/4 x 12-1/2 in.,overall good condition, some surface dust

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1365

James Harold Jennings

(American/North Carolina, 1930-1999)

Mini Skirt Girl Sits on James Harold Jennings, signed verso, carved and painted wood, 13-3/4 x 17-3/4 x 1 in.,overall good condition, chip and loss to lower left corner and bottom of L in “Girl”

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

1367

Betty Sue Matthews

(American/Alabama, born 1950)

Body Builder Posing, signed recto, tempera on poster board, 28 x 22 in.,bumps, some small tears, and wear to edges, crease to lower right corner, water stain to left border, possibly as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1366

James Harold Jennings (American/North Carolina, 1930-1999)

Birdhouse Duplex, signed verso “James Harold Jennings”, carved and painted wood and tin, 12-1/2 x 11-1/2 x 9-1/4 in.,some surface dirt and accretion, warping to tin and wear to wood as made, some loss to paint

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $100 - $300

1368

Alfred Taplet (American, born 1932)

Future Delta Queen, 1995, signed and dated across bottom, oil based enamel on slate, 12 x 18 x 3/8 in.,rough edges likely as made, some rust to wire hanger

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1369

Sybil Gibson (American/Florida, 1908-1995)

Two female portraits, 1994, each signed and dated lower center, each tempura on brown paper bag, larger sight 16-1/4 x 8 in.; each in carved wood frame, larger 183/8 x 10-1/4 x 1 in.,overall good condition; frames with minor bumps and abrasions, smaller frame with separation and chips to veneer at lower left corner

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $500 - $700

1371

Sybil Gibson (American/Florida, 1908-1995)

Portrait of a Blonde Lady, signed lower right, tempera on brown paper bag, sight 13-1/4 x 9-1/2 in.; modern wood frame, 22-1/4 x 18-1/4 x 3/4 in.,overall good condition

Provenance:Collection of Micki Beth Stiller, Montgomery, Alabama

Estimate: $200 - $400

1370

Sybil Gibson (American/Florida, 1908-1995)

Blue Vase with Purple Flowers, signed lower right corner, tempera on brown paper bag, 9-1/4 x 4-3/4 in.; carved and black painted wood frame, 14-3/8 x 11-1/4 x 1-5/8 in.; Portrait on Blue, 1992, signed and dated lower center, tempera on brown paper bag, sight 13-7/8 x 9-3/4 in.; carved wood frame, 20-5/8 x 16-1/4 x 1 in.,overall good condition, frames with minor bumps, abrasions, and separations at seams

Provenance:From the Collection of Micki Beth Stiller, Esq.

Estimate: $500 - $700

1372

Roy Finster (American/Georgia, 1941-2021)

I’m Now in Heaven with Jesus (portrait of Howard Finster), 2002, signed lower right and dated verso, paint and marker on board, 13-1/8 x 10-1/4 x 3/8 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $800 - $1,000

1373

Michael Banks

(American/Alabama, born 1972)

Angel of Lust, signed lower right and titled verso, paint and tar on board within found drawer, 23 x 13-1/2 x 11 in.,overall good condition, some loss to paint along edges of box

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

1375

Minnie Adkins

(American/Kentucky, born 1934)

Minnie Chair, 2017, signed and dated to lower right corner “M. Adkins/2017”, carved and painted wood, 13-5/8 x 6-1/8 x 6-1/8 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $100 - $200

1374

Minnie Adkins (American/Kentucky, born 1934)

Blue Rooster, 2017, signed and dated to base “M. Adkins/2017”, carved and painted wood, 11 x 2-1/2 x 5-1/2 in.,overall good condition, minor wear to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1376

Carter Wellborn (American/Georgia, 1927-2013)

Untitled Double-Sided Composition (Long Stick Dogs), signed recto, marker on board, 11-1/2 x 16-1/4 x 3/8 in.,general wear to wood likely as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $100 - $300

1377

Alpha Andrews (American/Georgia, 1932-1996)

Beware the Hand’s Shadow, 2005, signed at lower right corner, multimedia on mat board, sight 10-1/4 x 14-1/4 in.; gilt wood frame, 20-1/2 x 24-3/8 x 1-1/4 in.,overall good condition; some small chips at corners of frame

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1379

Alpha Andrews (American/Georgia, 1932-1996)

Fish and Fowl, signed at lower right, mixed media on paper, sight 7-1/2 x 10-3/4 in.; carved gilt wood frame, 18-1/2 x 23-1/4 x 3/4 in.,overall good condition; minor abrasions to frame

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

1378

Alpha Andrews (American/Georgia, 1932-1996)

Five Works: Why Are you So Darn Happy?, The Pink Puppy, Center of Universe, All Twisted Up, A Hologram with an Attitude, each signed to lower right corner, multimedia on paper, largest 18 x 24 in.; each unframed,some slight staining and stray markings to margins, some slightly bumped corners and edges

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $400 - $600

1380

Alpha Andrews (American/Georgia, 1932-1996)

Live by a Slogan Die by a Slogan, signed lower right corner, mixed media on paper, 9-1/2 x 12-1/4 in.; modern black painted wood frame, 19 x 22-5/8 x 1 in.,overall good condition; rubbing and abrasions to frame

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1381

Jimmy Lee Sudduth (American/Alabama, 1910-2007)

Self Portrait in Coveralls with Toto, signed “Jim Sudduth” to upper right, paint and mud on plywood, sight 23-1/4 x 23-1/2 in.; modern wood frame, 25-1/2 x 26 x 1 in.,overall good condition, checking and wear to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,500 - $2,500

1383

Jimmy Lee Sudduth

(American/Alabama, 1910-2007)

Woman with Flowers in Hair, signed “Jim Sudduth” to lower left, paint and mud on board, sight 23-1/2 x 23-/22 in.; modern wood frame, 26-1/2 x 26-1/2 x 3/4 in.,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,200 - $1,800

1382

Jimmy Lee Sudduth (American/Alabama, 1910-2007)

Washington Monument, signed to lower right “Jim Su...”, paint and mud on board, 48 x 28-1/8 in.; found and assembled wood frame, 52 x 28 x 1-1/2 in.,general wear and loss to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,500 - $2,500

1384

Jimmy Lee Sudduth (American/Alabama, 1910-2007)

Engine and Passenger Train, signed on engine “Jim Sudduth”, acrylic and mud on plywood, 16-1/4 x 72-1/8 x 1/8 in.,overall good condition, some minor loss to paint throughout, some minor loss to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $1,000 - $2,000

1385

Jimmy Lee Sudduth

(American/Alabama, 1920-2007)

Milking the Cow, signed “Jim Sudduth” numerous places recto, paint and mud on board, 36-1/8 x 48-1/8 x 1/4 in.,minor wear to wood as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $1,000 - $2,000

1386

Jimmy Lee Sudduth (American/Alabama, 1910-2007)

Mansion with Doric Columns, signed “Jim/Jim Sudduth” recto, paint and mud on plywood, 23-1/2 x 23-3/4 in.; green painted wood frame, 26-1/2 x 27 x 3/4 in.,overall good condition, some checking and wear to wood as made; minor bumps to frame

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $600 - $900

1387

Jimmy Lee Sudduth

(America/Alabama, 1910-2007)

Log House/Cabin, 1988-90, signed “Jim Sudduth” lower right corner, paint and mud on paneling scrap, 16 x 22 x 1/8 in.,some rough edges, checking, and wear to wood likely as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

1388

R.A. Miller

(American/Georgia, 1912-2006)

Five Works: Two Angels, Two Devils, and Lady in White, each signed “RA Miller” to legs, paint on tin, largest 39 x 12 in.,some rust and sharp edges as made, some warping and slight loss to paint throughout

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $500 - $700

1389

R.A. Miller

(American/Georgia, 1912-2006)

Two works: Angel with Green Wings and Devil Angel, each signed “RA MILLER” recto, marker on matboard, each 20 x 16 in.; unframed,bumped corners; angel with some creasing; devil with some smudging to right side

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1391

Herman Hayes

(American/West Virginia, 1923-2012)

Carved Totem, carved and assembled wood, 14 x 6 x 3 in.,overall good condition, some visible glue residue as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1390

R.A. Miller

(American/Georgia, 1912-2006)

Blue Rabbit with Yellow Dots, signed lower center “RA MILLER”, paint on tin, 12-1/4 x 25 in.,some rust, sharp edges, and warping as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $50 - $150

1392

Bobby Williford

(American/North Carolina, born 1959)

The Hand, initialed “B.L.W” and dated 1996(?), ink and colored pencil on paper, 17-7/8 x 12 in.; unframed,overall good condition, minorly bumped corners

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $50 - $150

1393

Lorenzo Scott

(American/Georgia, born 1934)

The Blessed Children (Cartoon for painting church ATL), signed recto, oil on canvas, 9-1/8 x 12-1/4 in.; unframed,cut/unfinished edges, slight creases to center

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $400 - $600

1395

Chris Clark

(American/Alabama, 1958-2011)

Sunday Church, signed to lower right side, acrylic on cardboard and found objects, 17 x 10-1/2 x 8-1/4 in.,some surface dust, warping and lifting as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1394

Chris Clark (American/Alabama, 1958-2011)

Go Tell It On the Mountain, Over the Hill and Everywhere, 2005, signed and dated lower left and verso, titled verso, acrylic on bulletin board, 17 x 23 x 3/4 in.,overall good condition, some slight loss to paint

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $400 - $600

1396

Jerry W. Coker

(American/Florida, born 1938)

Mule, signed “J. Coker” underneath, mixed media, 8-1/2 x 11-1/2 x 2-1/2 in.,overall good condition, rust and warping as made

Provenance:Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1397

Jerry W. Coker

(American/Florida/Arkansas, born 1938)

Abstract Floral, signed recto, multimedia on matboard, 28 x 22 in.; unframed,bump and crease to bottom left corner, some minor stray marks

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1398

James “Buddy” Snipes (American/Alabama, born 1943)

Funeral Home, signed to one side, painted and assembled found objects, 17-3/4 x 8-1/2 x 9 in.,overall good condition, warping and wear as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $300 - $500

1399

James “Buddy” Snipes

(American/Alabama, born 1943)

Sometimes Children Are Just Trash, signed on top, painted and assembled found objects, 16 x 10-1/2 x 10 in.,overall good condition, warping and wear as made

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300

1400

Ralph Griffin (American/Georgia, 1925-1992)

Faces, initialed “RG” to right side, painted and assembled wood, 18-1/2 x 6-1/4 x 3-1/2 in.,slightly loose and fragile construction

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1401

Six Folk Art Birds, Bryan Well (American, 20th century)

four signed to base, carved and assembled wood and plant material, largest 101/4 x 7 x 5-3/4 in.,fragile construction as made due to use of natural material

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $200

1402

Wallace Knox Wilkinson, Jr. (American/Georgia, 1954-2016)

Interior Scene, 1985, signed and dated lower right “Wallace Knox Wilkinson Jr/Aug 14th 1985”, marker on paper, 18 x 23-3/4 in.; unframed,overall good condition

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $200 - $400

1403

Wallace Knox Wilkinson, Jr. (American/Georgia, 1954-2016)

Three Interior Sketches, each signed at lower border, one dated “1982”, ink on paper, each approx. 12 x 18 in.,overall good condition, minor creases and wear, two with some foxing

Provenance:Property from the Collection of Ted and Ann Oliver

Estimate: $100 - $300