Chapter 10 Slides Suzie and Brennan

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Architecture Histories

Chapter

10

Reading Overview

This chapter considers history as a discussion of what makes architecture significant not just as a dry chronology.

Understanding the perspective of who is telling the story must be acknowledged.

History can be studied through many categories

Class

Gender

Representation

Environment

Materials

Ideals

Utopian Architecture
Kisho Kurokawa
Nakagin Capsule Tower
MegaStructure Architecture
Sachio Otani
Kyoto International Conference Center

Architectural Historians

Many historians have studied architecture in many different ways

Manfredo

Tafuri

Money Power

Ideology

Form

City Planning Old vs New

Architectural Drawings

Representation Priorities

Myths

Origins “The hut”

Meaning What counts as Architecture

Utopia was never timeless it was a specific persons ideology

Studied figure ground diagrams especially to understand the real difference between past and present culture

Consider the difference in communicative priorities between traditional drawing sets and new products like Grasshopper or Revit.

The first hut was the transition from convenient natural forms to intentionally manipulated shelter

Not all buildings are architecture. True architecture requires intentional meaningful design.

Colin Rowe
Robin Evans
Joseph Rykwert
Nikolaus Pevsner

The Manifesto Models for Outlining a Manifesto

Declare Intent

Public statement of priorities. What is the purpose of what you are doing?

Critique the Present

Diagnose the issue. What is happening here or now that justifies the intention.

Propose a New Direction

Where do you want to go next?

Define a Problem

What is wrong with the world?

Can be straightforward like society needs more housing or more complicated.

Define a Solution

How do you propose to solve the problem?

Define a Means

The means by which this could be achieved.

Take a Position

Architects should describe what their architecture is about.

Defend It

It could be motivated through:

• Politics

• Social Structure

• Economy

• Aesthetic

Declare Intent Architecture should be attractive through utility where sculptural qualities are derived from necessity

Form Follows Function

Corbusier and the Prototype

The Ideal Architecture

Critique the Present

Current modern design is overly ornamented and inefficient.

Define a Solution

Reminders for Architects

1. Mass: pure monolithic forms (pre-brutalism)

Current Architecture is not suitable for human needs

2. Surface: flat planes without ornamentation can be neutural or expressive

3. Plan: speaks to sensation and perception. Consider the sequence of experience.

Aspirations of Architecture

1. Streamlined tactility of an ocean liner

2. Engineered precision of a car

3. Extreme form follows function of an airplane

Applying this to our Thesis

Using These Methodologies a thesis should be a well reasoned layered argument that speaks to history context process meaning and vision

Critical Textual Analysis:

Read architectural ideas carefully. Understand the reasoning of the authors of the ideas.

Form and Comparative Analysis:

Consider Context. Old vs New, Classical vs Modern, think of architecture as a collage of styles.

Representation and process:

How are ideas explored. Methods of drawing develop different priorities than modern software.

Origin and Symbolism:

How does your building connect to human experience or cultural memory?

Defining a Scope:

Not every project has to be significant and meaningful but understanding why something matters is important.

Consider Past and Future:

Be critical but also borrow lessons from history in a way that imagines something new.

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