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contents NEWS:
Colorado Senate set to kill conversion therapy ban... again by Caitlin Rockett
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5 THE HIGHROAD: Fly away 6 THE ANDERSON FILES: Middle East meltdown 8 GUEST COLUMN: Boulder County needs an authentic choice for County Commissioner 9 LETTERS: Signed, sealed, delivered, your views 25 WORDS: ‘A New Horizon’ by Timothy Hillmer 26 OVERTONES: ‘Rock stars’ of the early music scene explore the music of the 17th century 27 ARTS & CULTURE: Boulder’s bangingest theater company ends season 12 with one 31 BOULDER COUNTY EVENTS: What to do and where to go 40 SCREEN: If ‘Rampage’ got made, no ape should be left behind 41 FILM: Alex Cole returns to IFS to decode ‘The Prisoner’ 43 THE TASTING MENU: Four courses to try in and around Boulder County 51 DRINK: Know your brew: Douple IPA 55 ASTROLOGY: by Rob Brezsny 57 WEED BETWEEN THE LINES: The right way to celebrate 420 59 CANNABIS CORNER: Senator Gardner and the art of the deal 61 SAVAGE LOVE: Down there 64 ICUMI: An irreverent and not always accurate view of the world
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Publisher, Stewart Sallo Associate Publisher, Fran Zankowski Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Editor, Joel Dyer Managing Editor, Matt Cortina Senior Editor, Angela K. Evans Arts and Culture Editor, Caitlin Rockett Special Editions Editor, Emma Murray Contributing Writers, Peter Alexander, Dave Anderson, Rob Brezsny, Michael J. Casey, Gavin Dahl, Paul Danish, James Dziezynski, Sarah Haas, Jim Hightower, Dave Kirby, Michael Krumholtz, John Lehndorff, Amanda Moutinho, Carolyn Oxley, Brian Palmer, Noël Phillips, Mollie Putzig, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Mariah Taylor, Gregory Thorson, Christi Turner, Betsy Welch, Tom Winter, Gary Zeidner Interns, Tiffany Bergeron SALES AND MARKETING Retail Sales Manager, Allen Carmichael Account Executive, Julian Bourke Market Development Manager, Kellie Robinson Advertising Coordinator, Olivia Rolf Mrs. Boulder Weekly, Mari Nevar PRODUCTION Art Director, Susan France Senior Graphic Designer, Mark Goodman Graphic Designer, Daisy Bauer Assistant to the Publisher Julia Sallo CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 18-Year-Old, Mia Rose Sallo Cover photo, Ingrid Encalada Latorre by Joel Dyer April 19, 2018 Volume XXV, Number 36 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2018 Boulder Weekly, Inc., all rights reserved.
Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.
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the
Highroad Fly away
by Jim Hightower
S
ome are born with good luck. But I was 30 years old before Lady Luck smiled on me with full radiance, arriving in the form of a petite bundle of feistiness, smarts, political savviness, warmth, playfulness and all-around beauty... named Susan DeMarco. I apologize for turning inward for a personal commentary today, but DeMarco (as she’s called by all who’ve known her) is an admirable example of the virtue of citizen activism — unsung heroes and heroines standing up for the Common Good. She’s been a teacher,
leader of public-interest groups, investigative journalist, author of three books, government official, public policy innovator, mentor and lifelong champion of economic fairness, social justice and equal opportunity for all. In other words, as one activist put it, “She’s a firecracker.” Alas, though, on the first of April, DeMarco slipped away from me and all who loved her. I was alone with her when she drew her last breath, 18 hours after I asked the hospital to honor her previously written directive that all lifesupport tubes be removed from her body. Crushingly sad, of course, yet deeply rewarding, for she not only outmaneuvered the blood clot that had slammed into her brain, but also our
For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.
society’s high-tech medical imperative that she be held captive in her own severely damaged body. And how very DeMarco that she managed to “fly away” on the 1st, which, ironically, was both Easter Sunday and April Fools’ Day! Above all, DeMarco was a free spirit — full of life, curiosity and imagination. For example, she delighted in the diversity of birds that populated her big South Austin yard, and she often had magical dreams of flying with them. She even imagined her final exit as a joyous, avian-like experience — as expressed in an old, uplifting gospel song she liked: “I’ll Fly Away.” And that’s just what she did. This opinion column does not necessarily reflect the views of Boulder Weekly. April 19 , 2018 5
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the anderson files Middle East meltdown by Dave Anderson
T
he illegal airstrikes by the a good buddy of Trump’s crown prince United States, Britain and Jared Kushner. Washington policymakFrance seem to be more of a ers have praised him as some sort of publicity stunt to demonstrate great reformer. MBS recently went on the moral virtue of the soa charm offensive in the U.S., appearcalled “civilized free world” than an ing on numerous TV shows and meetattempt to end the ing with big shots misery of the such as Bill Gates, Syrian people. Jeff Bezos, Bashar al-Assad is Richard Branson, a first-class monMichael ster, but his Bloomberg, Bill scorched-earth Clinton and strategy is winSecretary of ning. The West’s Defense James Three Musketeers Mattis. IN say that he is free Meanwhile, a SYRIA HAVE BEEN to murder his own U.N. human rights people so long as report shows that THROUGH THE USE OF he doesn’t use airstrikes by the chemical weapons. Saudi coalition CONVENTIONAL, NOT More than half have also caused CHEMICAL, WEAPONS. a million Syrians extensive damage have been killed in Yemen. Many since 2011. targets are civilian Ninety-four perbuildings like cent of the civilian schools or hospitals victims were killed by the Assador key civilian infrastructure like bridgRussian-Iranian alliance. But the vast es. Since the beginning of the war, at majority of civilian deaths have been least 5,000 children have been killed, through the use of conventional weap8,700 civilians have been killed, and ons. 50,000 civilians have been wounded. A But al-Assad isn’t the only murder- cholera outbreak has claimed the lives of at least 2,119 people, according to ous son-of-a-bitch. There’s Saudi the Red Cross. Another 8 million are Arabia’s Crown Prince Mohammed on the verge of starvation. Since the bin Salman (or MBS) who has waged Saudi-led war started in 2015, the U.S. a vicious war in Yemen since 2015 as and U.K. have supplied nearly $5 bilhis country’s defense minister. MBS is
THE VAST MAJORITY OF CIVILIAN DEATHS
Boulder Weekly
the anderson files lion worth of arms to Saudi Arabia. There has been little coverage of the Yemen war in the mainstream media. The Saudis have made it nearly impossible for journalists to cover it. They also have employed public relations outfits to help “improve the image of Saudi Arabia” in countries such as France, the U.S. and the U.K. Saudi Arabia isn’t the only foreign country to conduct such a propaganda campaign in the mainstream media. The Israeli government has been doing this sort of thing for many years. But it hasn’t been completely successful. For example, an angry MSNBC host Chris Hayes on April 4 condemned an “unconscionable” use of force by the Israeli army against Palestinian protesters in Gaza. He said that more than 750 Palestinians were shot and at least 15 were killed (the toll would end up being larger). Hayes said that a few days later, Trump and Israeli prime minister Benjamin Netanyahu had a chummy phone call and they didn’t appear to have discussed the massacre, according to the White House readout. Hayes noted that defenders of Israel’s military would say that the protest was, “endorsed by Hamas, which rules Gaza in a thuggish and anti-democratic manner and uses violence and terror in their campaign against Israel.” He said some protesters “threw rocks and Molotov cocktails and rolled burning tires at the border fence. All of which is true. But this in no way justifies what Israeli soldiers appear to have done, which is perch on a hill and pick off protesters with sniper fire.” He showed videos of teenagers being shot while running in an open field and while praying. Hayes said soldiers, “rained down bullets on unarmed protesters again and again.” Hayes said the vast majority of members of Congress have been silent. The U.S. blocked a U.N. Security Council investigation of what had happened. “From day one,” he said, the Trump administration, “has sent a message to our Middle East allies, particularly Israel and the Saudis,” that there would be, “no raps on the knuckle, no tsk-tsking about restraint. Our allies are taking that directive and running with it.” The U.S. group Human Rights Watch said, “the Israeli government presented no evidence that rock-throwing and other violence by some demonstrators seriously threatened Israeli soldiers across the border fence.” Boulder Weekly
The Israeli human-rights group B’Tselem quickly took out ads in the country’s newspapers encouraging soldiers to, “refuse to open fire on unarmed demonstrators.” The organization pointed out that, “the command to use lethal force against civilians who do not pose mortal danger is patently illegal.” Due to the Israeli and Egyptian
FREE
border closures and the Israeli sea and land blockade, the people of Gaza aren’t free to leave or enter Gaza. They can’t freely import or export goods. A number of years ago, a United Nations report estimated that Gaza would become unlivable by 2020. Eighty percent of Gaza’s population relies on humanitarian aid to survive. Over 70 percent of the population is
refugees, according to the U.N. Relief and Works Agency, from land now within the borders of Israel. Can the U.S. have a consistent and coherent foreign policy which is critical of Israel and Saudi Arabia as well as Syria? Diplomacy is needed, not war. This opinion column does not necessarily reflect the views of Boulder Weekly.
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guest column Boulder County needs an authentic choice for County Commissioner by Cliff Willmeng
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8 April 19 , 2018
eading into the 2018 elections, Boulder County faces two divergent futures — either extending the status quo with a dangerous game of insider politics, or creating a new vision for local government led by our community that prioritizes the health of the environment and the wages, benefits and living conditions of our local workforce. The people and natural environment of Boulder County need authentic representation and power. It’s time to redefine what local government can really mean. Environmentally, the stakes couldn’t be higher. The current Commissioners and Democratic Party front-runner Matt Jones have accepted, and are currently brokering, a massive industrialization of the County at the hands of the oil and gas industry: 1,800-plus projected wells and associated well pads, pipelines, compressor stations and other infrastructure for the extraction of climate-destroying fossil fuels, both gas and oil. Extraction Oil and Gas’s spacing plan includes Escuela Bilingue Pioneer elementary school. Crestone’s plan calls for over 140 oil wells on Boulder County open space. There will be more to come. The County and its environment face their most destructive industrialization since the coalfields of the early 20th century. People will suffer and some will die in industrial accidents and traffic fatalities associated with the millions of truck trips, and through the short- and long-term health effects well established in over 900 peer-reviewed medical studies. Our environment, wildlife and climate will suffer in a permanent sense. This is not the future anyone of conscience in Boulder County desires. It’s a future that will only benefit the CEOs of the fossil fuel industry, and one that is currently being mandated by every level of government. These are the most glaring ramifications of County politicians more loyal to party and collaboration with industry than to the protection of the health and fundamental rights of Boulder County community members
and the environment we rely upon. This isn’t going to get better unless a meaningful change of direction takes place. Boulder County can lead on issues as diverse as rail service and public transportation, sustainable agriculture, housing, workplace issues like wages, unionization and benefits, and a democratically run economy that functions for the people and environment. We can replace the current ingrained pattern of party politics with community involvement, mobilization and governance for a future that could serve as a global model. A home rule charter written and ratified by the people of Boulder County can establish the rights of workers, of the environment, and the empowerment of our immigrant community. For the sake of our children’s future, we must reverse the long collaboration between government and corporations and the resulting environmental destruction, racism and economic uncertainty. We need government of, by, and for the people. I am running for Boulder County Commissioner after decades of community activism and with the understanding that changes of this nature require a real movement. I am not a politician, a CEO, business leader or political insider. I am a father, registered nurse and one of thousands of individuals working tirelessly to protect Boulder County and to craft a vision for what we can accomplish, together, as a community. In the months to come I will be working with families, farmers, teachers and local leaders to build a grassroots alternative. Our campaign wants to hear from you, to bring in your voice and ideas, and to help us win more than a Commissioner’s office but a just, sustainable and democratically run Boulder County. Let’s think big and create potential for all of us along the way. This opinion column does not necessarily reflect the views of Boulder Weekly. Cliff Willmeng is from Lafayette and is running for Boulder County Commissioner. WillmengForGrassrootsPower.com Boulder Weekly
letters Second Amendment does not guarantee blanket gun ownership
Here’s what Americans need to know about gun-control and mass shootings: First, despite Paul Danish’s claims [Re: The Danish Plan, April 12] that any gun-control is only a form of prohibition that inevitably fails, an assault weapons ban, as implemented in democratic Australia, works. It has ended mass shootings there. Australia had massacres, but in 1996, 35 died at the hands of a man with a semi-automatic assault weapon — the Port Arthur killings. The country said, “Enough!” and it implemented a comprehensive national ban on assaultweapons and pump-action shotguns — it’s illegal to own, sell, repair or manufacture parts for or buy such weapons. Now, and this is important, Australians still have gun-ownership rights: one might sleep with a loaded shotgun under the bed, one might even own a handgun — all legally. A citizen just doesn’t have the right to own an assault weapon. In conjunction with the ban, thousands of Australians joined a voluntary government buyback program, and surrendered tons, literally, of personal weapons. They’d decided their extraneous guns were ruining their country. Also, Aussies now need a license to own a gun. The result: Global News journalist Katie Dangerfield reports that gun deaths in Australia have dropped dramatically: from 98 in 1996 to 35 in 2014. Most importantly, Australia has not had a single mass killing since implementation of their comprehensive assault-weapons ban. Their highest murder-victim count has been two — below the “mass killing” threshold of five. Here is prohibition that works! Danish and others seem to believe that the Second Amendment is absolute, guaranteeing blanket gun ownership without any government regulation whatsoever; in fact, the word “regulated” appears in that amendment, and it says nothing about assault-weapons. Nor have assault weapons bans here in the U.S. ever been ruled unconstitutional. We can end the mass shootings, which make a mockery of “American freedom,” but we’ll need the sense and political will to do it. Start by telling others about Australia. Paul Dougan/Boulder
On Boulder’s gun control
After the Boulder City Council makes a decision on how much of the City’s taxpayers’ money they are willing to waste on a losing lawsuit over state preemption laws; they must answer three important questions: Boulder Weekly
WE ARE BOULDER! 1) If you take the firearms from those who are disinclined to use them to kill other human beings; how many lives have you saved? 2) If you take the firearms from those who are disinclined to use them to commit crimes; how many crimes have you prevented? 3) If you take the firearms from those whose only intent is the defense of themselves, their homes and their families; how many victims have you created? When those victims are gunned down in their homes, by a criminal with a stolen firearm with the serial number ground off, the Council will read of their demise, wring their hands, and lament, “This is why we need more gun control.” Jim Peel/Longmont
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The unsettling disarray of this White House administration, coupled with the proven lies spoken by the President and his representatives, makes me sincerely fear for this country. A special counsel was finally appointed to determine the extent of Trumps collaboration with the Russians. America is heading toward a constitutional crisis, enabled by the acquiescence of people like Sen. Cory Gardner. I have family history that is pertinent to this issue. My cousin, William Mandel, was a leading Sovietologist during the 1940s and 1950s. As an academic at Stanford University’s Hoover Institution, and an expert on the Soviet Union, he often traveled there to do research. Joseph McCarthy interrogated my cousin before the House Un-American Activities Committee, accusing him of being a communist spy. McCarthy’s aggressive witchhunt violated the civil rights of thousands of United States citizens. Most were afraid to stand up to that bully. Over 2,000 government employees lost their jobs as a result. Robbed of his career at Stanford, blacklisted as a journalist and writer, punished without evidence, William behaved as any true patriot would. He stood up to the bully, refusing to submit. The irony today, the hypocrisy, is the substantial evidence of Trump’s collusion with Russia and his blatant lying to avoid justice. Trump is directly interfering with the FBI Russian investigation. This is truly un-American. Still, the majority of Republicans demonstrate their spineless cowardice by continuing to support this traitor through their silence. I ask Sen. Gardner to make a public statement demanding full disclosure of Trump’s dealings with Russia, including his tax returns. Uphold your oath, Cory, stand up to the bully. Wendy Rochman/Boulder
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Colorado Senate set to kill conversion therapy ban... again by Caitlin Rockett
A
Courtesy of Silas Musick
news
few weeks ago, Silas Musick went to the Colorado State Capitol and testified in support of a bill to ban conversion therapy, a discredited practice that attempts to change a person’s sexual orientation or gender identity. This year was Musick’s third time testifying in support of a ban in Colorado, and the fourth time this bill has been brought before the General Assembly. The bill would prohibit state-licensed mental health professionals from practicing conversion therapy on minors. California was the first state to ban the practice in 2012, and as of March 28 of this year, 11 states plus the District of Columbia have enacted a similar law or regulations — and the dominoes continue to fall. This year, nearly 50 such bills have been introduced in 24 states. All of the nation’s leading mental health, child welfare and educational organizations discredit the practice as unnecessary, ineffective and dangerous. On April 17, 11 of these organizations signed a statement urging states to make these bills a priority. And yet it looks like this will be the fourth time Silas Musick watches Colorado’s bill die in the Senate. Within hours of the House passing the bill, the Senate sent the legislation to the State, Veteran and Military Affairs Committee, known to Capitol insiders as the “kill committee,” a graveyard of sorts for bills in both chambers of the Legislature. It’s personal for Musick because he underwent conversion therapy in his early 20s at the Colorado Springs-based Focus on the Family Institute, and later at the now defunct, “ex-gay” Christian organization Exodus International. For Musick, who grew up in a loving but fundamentalist Southern Baptist home, the choice to seek conversion therapy was his own. He’d never had a same-sex relationship until college, when he and his roommate began a clandestine romance that lasted several years. But when that ended, Musick shared his story — full of pain, confusion and guilt — with a leader at the conservative Christian school he was attending. “Our scholarships were taken away, our leadership positions were taken away, we were forbidden to see each other, we were both required to go to a therapist and given a laundry list of things to do, one of which was telling my parents,” he says. It was “horrible,” Musick sobbing while his parents blamed his roommate. He finished college, regBoulder Weekly
ularly going to therapy to address his homosexuality, but the feelings were still there, front and center, no matter how hard he tried to push them away. But his parents still thought there was a chance at “redemption” for their child. “As far as I understood the world, I had screwed up to the point of no return, so I suggested Focus on the Family to them,” he says. Musick is quick to point out that Focus has pushed back against his story, claiming they never offered a conversion therapy program. Their offerings were “absolutely religious-based,” Musick says, and not led by licensed therapists. “But the content and goal was similar,” he says. The end goal, the only correct result, was to not be gay. Musick sat through “super indoctrinating” classes on marriage and family and worldviews, “basically teaching us how awful and pagan the media and parts of our culture were.” It all re-instilled the things Musick had grown up believing. He participated in an internship with Jerry Jenkins, the author of the evangelical Christian book series Left Behind, and was even once pressured into going on a “straight” date with one of his friends. “There was a lot of trying to flee temptation,” Musick says of Focus’s program. “At the onset of having sexual desires, [learning] things to do to try to stop those.” Though Musick’s experience was conversionbased, conversion therapy can involve extreme tac-
tics such as shock therapy, violent forms of roleplay, and nudity and forced intimate touching. Focus on the Family provided a statement about their stance on what they call “counseling for unwanted homosexuality”: “We oppose action by the government, gayidentified activists or mental health groups to stigmatize or ban ‘sexual orientation change efforts’ by mental health professionals. We do not endorse any one specific or singular therapeutic model to help those with unwanted homosexuality. In actuality, a wide variety of methods have helped people leave homosexuality. God is infinitely creative and uses a wide variety of means to bring life, growth and change.” Many who oppose a ban on conversion therapy use free speech as the foundation of their arguments, including Sen. Owen Hill of Colorado Springs. In 2015, Hill wrote a statement explaining why he voted no on the first iteration of the bill, saying he “was unconvinced about the need for legislation on what can be an internally moderated practice,” and that his “position as a legislator is first and foremost that individual liberties should be preserved.” Hill didn’t respond to a request for comment before press time. Daniel Ramos, executive director of LGBTQ advocacy group One Colorado, says freespeech arguments misplace the focus. “[Sen. Hill] is focused on the parent when we need to be focused on the minor,” Ramos says. “No young person should be told that who they are or who they love is wrong and should be changed.” The pressure to change created so much internal conflict in Musick that about five years after attending classes at Focus on the Family, he attempted suicide. His partner found him and got Musick to the emergency room. He spent most of the summer of 2010 in a psychiatric ward. Now, eight years later, Musick is married with two children. He’s almost two years into his transition from female to male — a truth about himself that came many years after his conversion therapy. It’s “infuriating” to listen to so-called exgays oppose legislation to ban conversion therapy by saying they never would have gotten married or had a family. “If I think about it, had I been transgender when I was young I wouldn’t be alive today,” he says. “I’m almost certain of it because I didn’t have a support system. That’s how I can push past my own vulnerability and share my story for the young queer kids out there who need role models and support. And I’m a parent now. There are parents who are truly seeking the right outlets for their kids who are trying to discover their own identity. I think most parents are well-intentioned and they are looking for guidance, too.” April 19, 2018 11
feature
SANCTUARY
360 IT TAKES A REALLY BIG VILLAGE
STORY BY ANGELA K. EVANS PHOTOS BY JOEL DYER
“If you’ve come here to help me, you’re wasting your time. But if you come because your liberation is bound up with mine, then let’s work together.” — Lila Watson, aboriginal activist
I Ingrid Encalada Latorre (top) has been living in sanctuary at the Unitarian Universalist Church of Boulder with her two sons, Anibal (left) and Bryant (bottom right). Her partner, Eliseo Juardo Fernandez, (top right) visits most nights after work.
12 April 19, 2018
t was 9 a.m. on a Saturday morning, and the church parking lot was already filling up. It was January, but still warm enough that a young couple rode up on their bikes, towing a toddler in a trailer. A volunteer with a name tag opened the locked door for each person as they arrived. Dozens of people were gathering for another round of volunteer training at the Unitarian Universalist Church of Boulder (UUCB), where Ingrid Encalada Latorre has been in sanctuary since Dec. 16, 2017. On that day, in the middle of flu season, Ingrid wasn’t feeling well. She introduced herself, via an interpreter, giving a brief summary of her journey since leaving Peru in 2000, including a felony charge for using falsified documents in 2010 and the failed attempts to appeal her conviction in both 2016 and 2017. To make matters worse, her partner, Eliseo Juardo Fernandez, was being held in detention at the Immigration and Customs Enforcement (ICE) contract facility in Aurora, and she was in the middle of planning vigils and press events in an effort to get him released on bond. She seemed exhausted. As members of UUCB’s Sanctuary Now ministry started their training, Ingrid sat onstage looking out at the full pews. Her youngest son, Anibal, 2, sat on her lap, while her oldest, Bryant, 9, leaned on her shoulder. She didn’t last long before excusing herself to her room to get some rest before the community potluck that followed the training. She thanked everyone for their support before leaving. “Our perfection is challenged in this situation,” Mary Boulder Weekly
UUCB first started supporting Mercedes García in 2011, as her husband was being deported. She now helps with childcare during the congregation’s Sunday services.
Dineen from UUCB told the crowd. “We can have a tendency to try and fix this. A) we can’t and B) we shouldn’t. This is Ingrid’s journey.” Since first entering sanctuary in November 2016 at the Mountain View Friends Society in Denver, Ingrid has become an outspoken activist, advocating for broad immigration reforms that could help not only her, but tens of thousands of other immigrants as well. She has, sometimes reluctantly, put herself in the spotlight in her effort to draw attention to what she believes is the systemic injustice of the U.S. immigration system. “Just like we are doing things outside our comfort zone that we know are the right things to do so we do them anyways, I think that’s what she’s doing,” Mary Jo Highland, volunteer coordinator and Ingrid’s interpreter told me a few weeks later. “She knows it’s the right thing to do for her community. She might not be as public if it were 100 percent up to her and there weren’t other people depending on her.” At the same time Ingrid is serving her community, she finds herself dependent on hundreds of local volunteers from more than a dozen different faith congregations and the broader Boulder County community in order for her to take sanctuary. As the group of new volunteers soon learned, sanctuary is an enormous undertaking. What started as half a dozen UUCB members meeting to discuss books about immigration in 2011 has become a massive volunteer operation. Boulder Weekly
Volunteer Laura Terpenning buckles up Anibal before taking him to preschool. His mother, Ingrid, cannot leave the church grounds.
with the immigrant community in Boulder. “This congregation has been doing a lot of work for a number of years to not [fall into] the white savior complex,” says Reverend Kelly Dignan. “How do we come alongside those who are oppressed and not do it out of charity but out of solidarity?” Mercedes García has lived in Boulder for more than two decades, and at the time UUCB was developing its sanctuary ministry in 2011, her husband was in deportation proceedings, leaving García to raise three daughters alone. “The ladies [from UUCB] would come and help keep me calm,” she says. “It’s really difficult for people who aren’t in your actual shoes to understand what’s going on. But they were a great, big help. I was afraid to tell people what was going on but they helped me feel safe.” UUCB welcomed García A religious into their community, inviting exercise her to share her story and ask Rev. Kelly Dignan of UUCB says Spearheaded by for help when she needed it. She offering sanctuary Dineen and Jenny sold tamales, burritos and flan to to undocumented immigrants “is part Fitt-Peaster, the the congregation to help make of our religious immigration minisends meet, and the church invitduty, our religious exercise.” try at UUCB began ed her to work in childcare on with education. In Sunday mornings during servicaddition to book discussions, they es, which she continues to do every hosted cultural events, held vigils at the week. ICE detention facility and organized a It’s been a difficult journey for trip to Arizona, where they walked García since her husband was deported. One of her daughters has had a particthrough the desert and saw scattered ularly rough time, experiencing deep shoes, empty water bottles and crosses states of depression, causing her to fall marking the graves of immigrants who behind in school and often not want to died trying to make it into the U.S. leave the house. But through it all With the desire to be immigrant led, García has felt supported by the the group also intentionally connected
UUCB community. “When you are in a situation like this, it can be really easy for people to judge you or throw dirt on you,” she says. “But to have open communication between people is really important in feeling supported. When we’re all supported, we’re stronger together.” There are three families from the church in particular, García says, that she knows she can call whenever she needs help. Likewise, church members, many who are elderly, have called on her to assist them after surgeries or injuries. “It feels really good to have that sense of mutual help where they know they are helping me but I also feel like I am actually helping them too,” she says. UUCB also became a founding member of the Denver Metro Sanctuary Coalition, which has supported several host congregations and immigrants in sanctuary since 2014, when Arturo Hernandez Garcia became the first person in the modern movement to take sanctuary in Colorado, spending nine months at First Unitarian Society in Denver. “These were really important steps in being able to eventually become a sanctuary church,” Fitt-Peaster says. “It really helped us be ready when the need for sanctuary arose.” By January 2017, it became apparent that more and more people might need sanctuary as the political climate grew increasingly hostile toward undocumented immigrants. UUCB helped form the Boulder County Sanctuary Coalition with several other area churches, and the group began discussing the need for a host congregation in Boulder County. See SANCTUARY Page 14
April 19, 2018 13
feature Left: Ingrid tries to wake Anibal from a nap in the room the family lives in at UUCB. Below: Volunteer Lynn Johnson helps Bryant make an exploding volcano.
SANCTUARY from Page 13
“Historically the church has been a place of sanctuary. We’re in a long line of wonderful people,” says Harriott Quin, a member of the sanctuary coalition representing Community United Church of Christ (UCC) in South Boulder. The congregation recently and unanimously adopted a resolution in support of the Boulder County Sanctuary Coalition at its annual meeting. “It is a core teaching of both the Hebrew scriptures and the New Testament, that we are to welcome the stranger, welcome the alien and, in the Hebrew scriptures, treat them as citizens of the land,” Lee Berg, interim minister at Community UCC explains. “The very fact that we call the places of our worship sanctuary implies that this is where people can feel safe.” When it comes to more modern history, churches around the country offered sanctuary to people fleeing deportation during an immigration crackdown on undocumented migrants from Central America in the 1980s, but the approach then was very different than it is today. Ministers and other church members would host immigrants in churches or their homes for brief periods of time, often without the knowledge of the congregation. While several current members of UUCB acknowledged their church took part, no one could provide much detail, as the entire operation was con14 April 19, 2018
ducted in secret. “That was clandestine,” says Fred Cole, a member of UUCB for 50 years and one of the original members of the current immigration ministry. “This is intentionally very open what we’re doing.” Protected by an ICE directive that discourages, but doesn’t prohibit, immigration enforcement in sensitive locations such as churches, the current sanctuary movement informs ICE when a church is, as they say, “hosting a sanctuary guest.” “The one thing that faith communities can do that not many other com-
munities can is offer sanctuary. This is part of our religious duty, our religious exercise,” Dignan says. “As long as a church doesn’t harbor or transport, there’s nothing illegal about what we’re doing.” Still, in-line with the structure of Unitarian Universalism, she didn’t want to make a top-down decision about becoming a host congregation. “We’re a spiritual community, so discernment is different than a regular old democratic process. Discernment comes from the same root word as discussion. Not debate but discussion,” Dignan told the congregation in spring 2017. “So we’re going to have heartfelt, soulful, discussions about this for four months and every person is going to have a chance to be in that discussion.” During the process of discernment, Dineen, Fitt-Peaster and others hosted all church forums and met with every single group and committee in the church. Most of the concerns centered around security and legal risks, not about whether or not it was the right thing to do.“It wasn’t so much the moral issue as the concerns about the legality, about safety, about did we have enough space or would we lose enough income that we wouldn’t be able to continue,” Fitt-Peaster says. In response, the immigration ministry brought in immigration lawyers and the Sheriff ’s Department to answer questions. They also started a pre-sign
up sheet for volunteers from other congregations in the Boulder County Sanctuary Coalition to ensure the congregation that they wouldn’t be in this alone. Their efforts paid off and on Oct. 29, 2017, the congregation overwhelmingly agreed to be a sanctuary church for undocumented immigrants. “It makes me really proud to be able to say my church was the first sanctuary [in Boulder,]” García says. “It means a lot to have a community that will not only listen to you but support you when you share your story.” The decision was not without risk, however. The vote wasn’t unanimous and Dignan says the congregation lost four members that she knows of for political reasons. Plus, shortly after the vote, a preschool that had been renting half of UUCB’s building shut down, leaving the church with a $35,000 shortfall for the remainder of the fiscal year. In Dignan’s sermon the Sunday after the vote, she told her congregation they were up to the challenge. “I’ve been watching, and you’re ready,” she said. “This is not going to be precise or orderly. It’s going to be chaotic, we’re going to feel like we’re out of control. Things will not be perfect. And that will be our chance to grow.” Dignan says the action of becoming a sanctuary is in line with the Unitarian Universalist tenets of faith, where every person has inherent worth and dignity. Boulder Weekly
feature Clockwise from left: Sanctuary volunteers Fred Cole, Harriott Cole, Mary Dineen and Barbara Richards.
“When the rubber meets the road, are we willing to put our own self at risk and inconvenience and maybe financial impact to offer courageous love to the world and to honor all people?” she questions. “[Another tenet] is that we are all connected so that when one strand of the web of life is torn the rest of us feel it and the rest of us are called to repair that strand. We’re a network of mutuality, we’re tied together in a garment of destiny. ... Our liberation is bound up with one another.” With this in mind, church members immediately began preparing space to host someone in need of sanctuary. They installed security cameras, did maintenance work and started training volunteers. They cleared out an archives storage room and music room, and set up the space with a donated bed, microwave, mini-fridge and TV. They hooked up a hose with a shower head at the end of it to the faucet in the nearby men’s bathroom, which already had a drain in the floor, while making plans to convert one of the stalls to a proper shower. They also trained volunteers for various duties and started a sign-up sheet for specific shifts. By the end of November, everything was ready. The only remaining question: Who would come?
WELCOMING INGRID “It was kind of like having a baby,” Dineen says. “You knew it was going to come but you didn’t know who or when.” On Saturday, Dec. 16, Fitt-Peaster and Dineen were at a Christmas party together, when around 8 p.m. they got the call that Ingrid and Anibal would be arriving in Boulder from Fort Collins soon. The two left their partners and their friends and hurried over to the church. They already knew of Ingrid, who had been at the Foothills Unitarian Universalist Church in Fort Collins for almost two months, since the day she Boulder Weekly
help at UUCB.
IT TAKES A VILLAGE
skipped out on her deportation flight and claimed sanctuary. “I fell into step with them really quickly and fell in love with them,” says Ingrid about the Fort Collins congregation. “I felt bad, because I couldn’t say goodbye to my friends and volunteers there because it was a secret that I was leaving.” As difficult as it was to leave, she was looking forward to being closer to her family in Westminster and the immigration activist community she had built in Denver. Friends could more easily visit. The move also meant her partner of eight years, Eliseo, could join her when he got off work in the evenings. He is stepfather to Bryant and father to Anibal. “I feel really good that they’re here with the support and that they’re here safely,” says Eliseo. “It’s much better having them here with me in the United States then if I were here alone.” With all this in mind, Ingrid packed up her belongings that Saturday night and drove herself to Boulder, where she was welcomed by the entire congregation the next morning at Sunday service. It wasn’t long before the resilience of the community was tested. Just a couple weeks after Ingrid took up residence at UUCB, she received an emer-
gency alert from Eliseo. Several hours later, Ingrid learned that he had been picked up by ICE on his way to the grocery store and was being held in the immigration detention center in Aurora. “We already knew that one day ICE would come to get me because of her (Ingrid). So we always had a plan. We always knew it was going to come,” says Eliseo, who has been in the U.S. for 16 years. “But still they told me it wasn’t because of her; it was because I was a criminal. But it’s not true, and we all know it’s not true because I’m just here living simply.” ICE has admitted the agency learned about Eliseo while investigating Ingrid, but maintains they did not arrest him as retaliation for Ingrid’s stay in sanctuary. After hearing about his detention, UUCB and sanctuary coalition immediately mobilized behind Ingrid, as she and his parents attempted to get him released on bond. “It made me feel a lot better that she wasn’t alone while I was locked up, and for her to have the support meant a lot,” Eliseo says. As a response to his detention, supporters held weekly vigils outside of the Aurora ICE facility, and more and more volunteers signed up to
After four training sessions, there are now approximately 200 volunteers committed to helping Ingrid in one capacity or another. In addition to grocery shopping, doing laundry off-site and providing childcare, someone has to watch the doors at all hours of the day, every day of the week. UUCB has been organizing volunteers into four three-hour shifts throughout each day, along with a 12-hour shift overnight. The door monitors are trained on who to contact in case of an emergency, and how to interact with ICE officers if they come to the door. But mostly they sit under a sign that says “welcome table,” reading, playing games with Anibal and Bryant, and talking to countless people coming and going from the church. “I underestimated the amount of work and effort it takes. On the other hand, it brings together your congregation in ways you probably didn’t anticipate,” says Larry Dansky, member of First Congregational Church UCC on Pine Street which participates in the Boulder County Sanctuary Coalition. “They may be doing this for Ingrid and because it’s the right thing to do and all of that, [but] it’s maybe the best thing this congregation has done for bringing together a community,” he says during a recent door shift. “I think there’s always a benefit to the struggle.” The Boulder County Sanctuary Coalition now has a total of 13 congregations from around the County, all of which contribute time, resources and volunteers to the sanctuary effort. “There is absolutely no way we could be a sanctuary church without the other churches,” Dignan confesses. Member congregations take up special offerings for UUCB’s preschool fund, which helps supplement the church’s operations while they search for new tenants to take the place of the See SANCTUARY Page 16
April 19, 2018 15
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Ingrid helps water UUCB’s garden with sons Bryant and Anibal. SANCTUARY from Page 15
former preschool. They organize monthly community events at UUCB, giving Ingrid the chance to socialize. They volunteer to help her with English, or lead an exercise class she can participate in or take Anibal to preschool, where he’s still so young he needs an adult with him at all times. While time-consuming, it is proving a rewarding experience for volunteers. “It’s a way of acting out my faith,” says Laura Terpenning, a retired pediatrician and member of Community UCC. “Plus, I’m still doing something for kids.” It took a little bit for Anibal to warm up to Terpenning, and he often asked for his mom when she first started taking him to school or storytime at the library. But now when she comes, he confidently puts on a small backpack and marches out the church’s
doors, leaving his mother to her life inside. “The first couple of weeks, it was hard,” says Ingrid about sending Anibal to school with someone else. “But there’s not much he can do here and it’s good for him to be with other kids.” “One of the perks of the job,” says volunteer Barbara Richards, is getting to interact with Anibal and Bryant. Like many of the volunteers, she often plays marbles, checkers and cars with the boys as she sits at the welcome table. On a recent evening shift, volunteer Lynn Johnson helped Bryant make an exploding volcano from a science kit he had been given. The two took over the kitchen while meticulously constructing the plaster mountain. “What I do is the easy part. I just show up and open the door. I’m not a planner or an organizer. I didn’t think Boulder Weekly
up the idea,” says Johnson, who lives in the neighborhood and is also a member at First Congregational Church. When he first heard Ingrid and the boys had moved into UUCB, he was inspired to help, motivated by federal policies and rhetoric. “It’s simple: pushback,” he says. Many members compared this experience to being involved in social movements like women’s suffrage, the civil rights movement or the underground railroad. “This is what we need to stand up now for,” Dineen says. “It’s easy to look back and say, ‘Oh, I would have helped them,’ but this is what it looks like to be involved or be active now.”
check-in isn’t until September 2019, but “it doesn’t feel that long,” he says. Despite the challenges, the family feels safe at UUCB, grateful they are all together. “We’ve gotten into a rhythm of life, somewhat,” Ingrid says. Her favorite thing to do is take her kids to the church’s playground, enclosed by a fence that protects her from ICE. She says she enjoys the views and breathing in the fresh air, but it’s also challenging, a harsh reminder of the freedom she no longer has. “I see people, running for example, and it makes me sad because I can’t do it,” she says. “I used to run a lot but now I’m here and I can’t do it anymore.” A NEW NORMAL She’s rarely bored, she says, and it Ingrid has now been at UUCB for certainly appears she has a lot going on almost four months. It’s been six despite her confined circumstances. Once a month, months since she attends the she’s been back Boulder County to her apartment Sanctuary in Westminster, Coalition meetwhere Eliseo, ings, where she who was released shares with the from ICE custofaith communities dy after posting bond in early about her life, her February, still needs and her resides. plans. She meets “A house is with organizers where you eat from around the and you sleep,” state, like Jeanette Ingrid says. Vizguerra, who “Right now I drew national consider this attention during (UUCB) my her sanctuary stay house.” in Denver last year. Plus, there are Ingrid talks with There are chala variety of activities taking place at volunteers from Community United lenges to raising the church every day. Church of Christ kids in a church, “There’s a lot of groups that Julie Leonard and Laura Terpenning she admits. They come through and I try to involve at the welcoming all live in one myself with most of them, not table. small room with necessarily to talk about immigraan even smaller closet. tion, but to do things like the garFor the first few months they took dening or music,” Ingrid says. bucket showers in the men’s bathroom She’s working on her English and by boiling hot water. It was really stress- computer skills and recently applied for ful, and the bathroom often flooded into a grant to start college classes. She her room. Building the shower took dreams of being a lawyer to help other longer than expected, and was just immigrants who find themselves in recently finished through the help of similar situations. With little legal volunteers, including former Denver recourse at this point, she is committed sanctuary seeker Arturo Hernandez to the sanctuary cause, calling for broad Garcia, who came up in the evenings policy changes from inside UUCB. after work to tile the bathroom. While there’s nothing easy about Having a shower has made things being in sanctuary, Ingrid takes comsignificantly easier, Ingrid says. Still, fort in the fact that there’s always there are often activities during the someone to talk to and she enjoys evenings and it’s difficult to keep her spending time each day sitting at the kids on a consistent schedule. Almost welcome table with volunteers, trying every night Eliseo drives up to Boulder to learn all of their names, exchanging to help put the kids to bed and see her. stories and laughing together. “Just like anyone who works a long “I think I’d rather not even call day, I just want to go home and relax them volunteers and just call them but then I’m alone,” he says. “So I want friends,” she says. “Because they are to come here.” His next scheduled ICE always here for me.” Boulder Weekly
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boulderganic The Nature Fix
ON THE BILL: Florence
Florence Williams to share the science behind how nature positively affects our brains at Chautauqua talk by Matt Cortina
E
arly in her book, The Nature Fix, Florence Williams writes, “[We] think of nature as a luxury, not a necessity. We don’t recognize how much it elevates us, both personally and politically.” To counter this, Williams uses the book to share study after study that enumerate the ways nature benefits our bodies and minds. She writes about how these studies can be put into practice, recounting her experiences visiting communities around the globe who do just that. Backed by her own research, Williams makes the case that nature experiences are as essential to living a healthy life as food, water and sleep. To build the case, Williams participated in experiments with scientists in the Utah desert, visited healing forests in South Korea, rambled in Scotland, hooked herself up to machines and collated years of nature-based neurological research. What she found, time and again, is that nature has tangible, positive effects on the brain, and it often works at subconscious or biological levels. For instance, the smell of spring has an intrinsic, almost mystical mood-lifting quality, but it also is comprised of very real tree aerosols, like pinosylvin, which directly impact our brain chemistry through our nose and act as a mild sedative, while increasing respiration. Indeed, there are countless examples of how the sight, smell, touch, sound and even taste of nature benefits the human condition, with research to back it up. But Williams is also careful to address the
skeptical reader: How do we know nature has inherent benefits that we can’t just get from other means of relaxation or from simply removing ourselves from sources of harm, like traffic, work stress and technology? “I think there are a lot of avenues people can pursue, and that includes art and performance and music; any kind of analogic thing is [having] a resurgence,” Williams says. “What’s great about nature though is ... a lot of us can experience nature, it’s free. It’s not like a symphony you need a high-
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price ticket to. And I think unlike a lot of other [avenues], it does engage all our senses at once and research is showing that’s one of the secrets to using our brains the way nature has intended.” Even the hard-to-quantify spiritual benefits of being in nature have research to back them up — Williams documents the progress PTSD patients make in nature, and uses a convincing array of nature writing from Thoreau, Emerson, Wordsworth and more to create a common thesis about nature’s restorative effect on the soul. With the skeptic in mind, though, Williams turns to the electroencephalogram (EEG) to track the brain activity of people who are exposed to nature. Researchers in Edinburgh put EEGs on 25 people, set them loose in nature, and found lower levels of frustration and higher levels of what they called meditation. (When Williams conducted the same study with herself, she found similar results, but noted the sound of traffic near the city park in which she walked likely contributed to increased levels of frustration.) Though Williams points out that nature is independently beneficial, it’s hard not to read the book through the lens of technology’s effect on society and our individual psyches. With the role of Facebook in the 2016 election and the ensuing Cambridge Analytica ordeal, more people are becoming aware of the heavy-handed way in which social media is disrupting our lives. Too, the ubiquiSee NATURE FIX Page 20
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ty of technology from personal assistants like Alexa and Echo, to Chromebooks that are given to elementary school children, has some people seeking for a way out. Nature, surely would be a part of that neoLuddite lifestyle. “I think there are a lot of reasons why we are becoming fast disenchanted with technology,” Williams says. “So I’m not surprised that people are seeking an antidote to the feeling that we are overly connected to our digital devices. I think people are desperately looking for authentic experiences.” You can’t help but look at a toddler instinctively flick his finger across an iPad on a long flight, or watch a whole family bury their faces in their phones while dining out, and not wonder if we’ve just ruined our brains beyond a level that even nature can repair. Williams doesn’t think so, and doesn’t think it’s just kids these days who have a problem. “I think a couple generations now are disconnected from nature, but certainly it becomes that much harder to leave the indoors when you can have the whole world at your fingertips,” she says. “I think the disconnection started a generation ago. [But] I think there’s this new level of anxiety and this new kind of urgency leading the quest for real lived experiences, and so in some ways, maybe this youngest generation will be the beneficiaries of this anxiety because we’re learning better.” Williams, who wrote the book after moving from Boulder to
Washington D.C. and wondering why she felt depressed, says finding even little bits of nature in your everyday life, even in places as harried as the nation’s capital, will have a large impact. Her credo: “Go outside, often, sometimes in wild places.” “I think I used to have a snobby standard for what nature is and that’s because I lived in the Rockies for so long. I thought it had to be some empty, secluded alpine peak. [But] I’ve come to have a much more generous definition of it,” she says. Williams says being in nature “seems to work on a subconscious biological level,” and so not every trip needs to be framed as a mind-clearing and soul-affirming trek. “You see kids, even babies, going out and playing on the grass. They’re not consciously looking for a nature experience, and you see them become really alert, and they wake up,” Williams says. “Nature sort of wakes us up in this great way and provides so many fascinating things to look at and experience without much effort.” In order to make those benefits last after you return to the rat race, Williams says the key is to stay curious. “I think we can learn to cultivate a sense of beauty and a sense awe. Even though I live in a very urban environment now in D.C., I feel throughout the writing of this book I’ve become better at seeking out moments of beauty, and that’s a way to always have a little bit of connection to nature and to prolong the sense of connection.” Boulder Weekly
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April 19 , 2018 21
All photos by Emma Murray
buzz
SMiLE,
IT’S GOOD FOR YOU
Boulder’s incognito street artist on a life of rebellion
BY EMMA MURRAY
T
en minutes before I turn onto Pearl Street, my phone vibrates. A message: “I forgot to ask... Will you keep my identity a secret?” I’m en route to a cafe, meeting the person responsible for the impressionist cats, portraits and landscapes sprinkled around Boulder’s downtown electrical boxes, alleyways and forgotten doors — like the tri-color tabby’s face that stares at me from a brick wall on 17th Street. “Of course,” I reply. Inside, I order a coffee and scan the crowd. What does an incognito graffiti artist look like? Painted or dirty nails? Long hair, makeup? Grunge or hipster? Another vibration. “Look for a pair of sunglasses resting on the table,” he (which he may or may not be) tells me. I walk toward the back of the room and spot them: The glossy lenses staring up from a two-top, flanked by an elbow on each side. One hand loosely cups a mug, the other rests flat on the table. The person is leaning forward, shoulders slightly rounded, gazing down as though examining the creamy chai’s layered design. As I approach, he looks up. “You must be Emma,” he says. So this is what a graffiti artist looks like. Not what I expected. More babysitter, less hoodlum. “You must be SMiLE,” I whisper as I sit down. He glances around the room with fugitive eyes, nods, and we begin. I ask him about his artwork — the intricate, layered paintings that decorate downtown, some legal, some illegal, all clearly influenced by the likes of Matisse and Van Gough and Bansky — and how he got started in the graffiti business. “Well, I’ve been in art my whole life,” he says, rotating the mug around in his hand. After graduating high school in Boulder, “I was actually doing gallery shows, trying to get into the art world.” But something didn’t quite click for him — it required conformity. “It didn’t happen; it wouldn’t work for me in there. I’ve always been this very wild, rebellious person,” he says. “And you know... you have to harness your strengths in life.” He won’t tell me the kind of art he practiced in the gallery setting. “I won’t get into that,” he says, eyeing me as though I might use the info to trace his identity. Though creating public art without permission is technically illegal in Boulder, SMiLE (who wishes to remain anonymous) regularly paints portraits of animals and humans downtown.
22 April 19 , 2018
He didn’t always go by SMiLE, his current pseudonym. The name came to be late in 2015, and though it was something of a spontaneous decision, he liked how it encompassed his art’s primary mission: to zap people on the street into the present moment, to deliver a quick spritz of happiness.
Boulder Weekly
In SMiLE’s eyes, street art is a form of modern rebellion — demanding people be in the present moment while mainstream society draws them to worry about the future and the past. Being in the present, according to SMiLE, is the key to happiness.
SMiLE’s first painting was a cat, a simple one, which eventually evolved into a trademark of sorts. He estimates about two dozen of them now look over the streets of Boulder. “To be honest, I’m kind of a cat fanatic,” he tells me with an honest-person’s shrug. “I love cats, I grew up with them, I was an only child. I had a lot of family and good friends, but they’re not there at 9:15 p.m. on a Tuesday night. So I’d hang out with him, well, a couple cats, but one in particular for a long time. I painted him around town.” SMiLE leans in a little closer, “Every single time I’m out, a cat comes up like, ‘What are you doing hanging out on Pearl this late?’ They’re curious. I kind of feel they also have this sense of running wild, out there at night.” Soon after nixing traditional art, SMiLE left Boulder. Weaving through the humid streets of the Middle East and tip-toeing around Europe’s cobblestones, he used public art as a way to navigate and understand foreign cultures. “The whole time I was traveling, what stood out to me, and still does, is graffiti, street art, everywhere I go.” It was like a shared language he could tap into and use to gather tales of history and culture and politics and social realities, he says. “Paris is the heart of it all,” he says, describing the place where the origin story of street stencil art began. His voice grows incrementally louder as he retells lessons from French artistes de rue — about how during the 1968 French social revolution it was students that cultivated the power of stencil art. On street corners, they’d use little paintings to coordinate movements and rallies. And after the French riots simmered down, painted stencil images continued to pop up as a form of antiestablishment expression, fomenting a surge of European stencil art that swept through streets in the ’70s. Eventually the style migrated to the U.S., and by the ’80s, stencil art became a popular manifestation of cultural identity and counter-cultural statements. After traveling, “I knew my strength in art, and realized street art is a way to have social impact,” Boulder Weekly
SMiLE says. “Sure, I could’ve gotten into murals, but it’s corporate, it’s predictable. This incognito stuff, I felt like this is a strength.” Back in Boulder, SMiLE began populating the city with his art — a way to infuse Boulderites with a healthy dose of make-you-reconsider-the-status-quo reminders. In a world that’s always rushing, he wants people to slow down; when society demands we fret about the future, he wants to reel you back to the present. “To me that’s powerful, having a modern rebellion.” It’s dark and 21 degrees in Boulder, and SMiLE is huddled over his garage table. A light illuminates a sheet of glossy, flexible-but-durable paper in front of him. Using an exacto knife, SMiLE slices one of a thousand little slits in the sheet with surgical precision. In an hour or so, once the streets calm down a bit
more, he’ll take this sheet and three others (also dotted with cuts and slices) downtown. As he exhales, a cloud of fog dissipates. One more carve and slice, and it’s done. Each sheet is cut and treated as one layer or one color, of the finished painting. It used to be some paintings would require up to eight layers, but now SMiLE can do the same in four. He gathers his things — a few cans of spray paint, the four completed stencils — and gets dressed — a button-up shirt, slacks. Dressing like a typical party-goer on Pearl Street has helped him evade the curiosity of police late at night. Spray paint cans work well as a faux cell phone in the cover of darkness, he’s learned. When he started painting the streets, choosing a place to arrange his art wasn’t as obvious a decision as it is for him now. In hindsight, he says it’s no surprise the Bob Marley portrait on the old folks’ home was covered up in less than three days. A music shop would’ve been a much better canvas. Overall, SMiLE says he tries to paint “in spots I feel are respectable — not really on a business or where it’s new and shiny. I try to put them in places that look defunct and derelict. “This is like my home,” he adds, gesturing down Pearl Street. “That’s a lot of it, adding something to our community that’s surprising people. People see it and wonder, ‘How did he do that? Whoa, did they come out in the middle of the night? Is it against the law? Did they get permission?’ And I like that sense of liminality, unknown. “But typically, one person’s complaint is all it takes,” he says, “and they’ll cover it up.” SMiLE estimates about a third of his paintings are eventually removed. “It’s part of the game, I guess. I don’t like it to happen, but it’d part of the risk you take.” You have to be strong and power through it, he admits, but he doesn’t deny it adds to the allure. “About a hundred feet that way, that portrait in the little alley, it’s been there for six months. Just now I walked by and it’s covered over. It’s OK, I don’t even mind. I kind of smile, like hey, it was there for that see SMiLE Page 24
April 19 , 2018 23
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SMiLE from Page 23
long. I know a lot of people liked it because they’d share it online. That’s just kind of part of the organic process. Some make it four days, some make it two years. “One of the first ones I ever put up, on the side of Boxcar cafe, is still there. If I would’ve known it was going to make it that long, I would’ve planned it out, some big, giant cat or something. But you never know,” he says with a shrug. “It’s a thrilling, addicting type of thing.” (I later asked a Boxcar Coffee Roasters barista about having a graffitied piece of art on the building’s exterior, and he told me, “I think it’s cool. I like it.”) Once midnight passes, SMiLE approaches his brick canvas. He has a window between 12-2 a.m. After that, the bars close and hanging outside becomes too suspicious. He places one stencil up on the wall and sprays smooth across the sheet. The glossy white hue settles on the exposed brick. He removes the stencil and steps back, waiting for it to dry. It can take between one and four minutes, depending on the color, before he can start the next layer. Because it’s white, SMiLE waits three minutes, then places the next stencil on top and sprays again. Within 15 minutes everything is done. He packs up, returns home, and wakes up with just enough time to get to the office by 8 a.m. SMiLE imagines people walking down the street and seeing the Starry Night Flatirons painted on the Fox Theatre’s door, or Chief Niwot’s portrait on an electrical box in Settler’s Park, or bell hook’s face on the side of Falafel King’s white brick wall. “The world is pretty locked-down,” he says. “We don’t ever feel our eruptions; at least it’s rare in our culture nowadays. ... They see something that is illegal and they like it; they get excited and that kind of helps turn them. They’re like, ‘Huh, maybe all law-breaking isn’t bad.’ So, I think it gives them the impression like: ‘Hey, there’s someone with their hand up, too.’ Loosen up. The system is getting too tight.” He takes a deep breath. “Look. I don’t have a very good car. I live in a dump. I work a poor-man job and it sort of evolved into what I’m doing. You make a commitment to do certain things, and unless you’re wealthy you’re gonna have to short yourself elsewhere.” He looks down at his now-empty chai mug. “Where I’m at now, it’s worth all I’ve got.” We leave the cafe and SMiLE walks me down the block to the Pharmaca building. A black-and-white cat with yellow eyes is painted on the lower southeast corner of the exterior. Someone else has added a soft red mark between its ears. I’d been in Pharmaca before, to ask the two women behind the counter what they thought about having the cat painted on their building. “I love it,” one said before I even finished my question. “It adds culture, you know?” When I stopped a pedestrian passing Pharmaca to ask how they felt when they saw the cat, they told me, “It’s quaint.” Then they took a closer look and said, “I guess I didn’t really notice it before.” Another storefront manager, one who has a pizza-box-sized SMiLE portrait on the stairway that leads to his office door, told me, “In my personal belief, do I enjoy seeing artwork walking down the street? Absolutely. “It creates vibrancy to any community when you see real artists placing art on any medium they choose. I don’t prefer going to an art gallery; I prefer the organic stage of what the art may be. That is a talented artist who did that. I have no issues with that, personally.” No one, as far has he knows, has complained about SMiLE’s art. “That’s the thing, would you prefer to see a plain brick wall?” “When they see my art, I want them to be startled,” SMiLE explains, gesturing toward the Pharmaca cat. “They’re thinking about whatever the heck — their cat or their sick grandma or their grades or whatever — you know, something where they’re not present. I want them to see a painting and become present.” When we leave Pharmaca, I ask SMiLE if he’s ever been caught. In Boulder, any graffiti or street art without permission is technically illegal. He tells me about a few close calls, but he’s never been caught. Ultimately, “They don’t care,” he says and we agree the police probably have bigger fish to fry. SMiLE starts walking again. “I’m a pretty present person, for better and for worse. This is kind of like a way to help people join in,” he says in stride. “Like, come on into the moment. Hopefully, when people are present they’re happier. They’re gonna go back to thinking about their cat or grandma or whatever, but just for that moment to help them get present, I think that is the essence. That is what I get when I see street art, and that’s what I want to share.” Before he says goodbye, SMiLE looks up at the sky. “I’d like to stay incognito forever. Eventually I’d like to live in Paris or Rome, part time. I know that sounds rich, but all I want to do is paint in the streets. Art inspires me.” Boulder Weekly
Vincent Van Gogh Via Wikimedia Commons
A New Horizon
by Timothy Hillmer For Esther and Johnson Medidi at the dedication of the New Horizons Safehouse in Podu, India, and for the young women of New Horizons.
Even now you travel to us, Our daughters, our sisters, Some faceless, Some voiceless, Some homeless; You are ravaged warriors, Your souls unbroken, Your spirits resilient, fierce As you march, Pulled along By the slender possibility of shelter. Even now you travel to us Through shadow country, Your hopes laced with dreams Of mango orchards, of a shaded road Protected by sturdy fencing And impenetrable brick, Of a home where scarlet butterflies Flicker across pure white tile, Where bedrooms are safe-sealed Behind doors of burnished teak. No hand or hammer or hatred Shall break this seal, These vows we make to you, Our lost daughters, our lost sisters So far from home. Even now you travel to us Over rough paths which intersect
The way streams bleed Into one river Flowing south to Podu. Even now you travel to us And hold one another close, Providing breath when needed, Clinging hand to hand when necessary, And thrusting your heads high Above the drowning, Above the roar. And when you arrive, Our lost daughters and sisters, We shall wait with gifts Of fresh mango And garlands of rose and lily And chrysanthemum. We shall say Please step inside Into this sanctuary of light Which is now yours. And we shall know this to be true: You were lost, Our daughters, our sisters, And you have been found By following the beacon of your hearts In unison At last to home. Welcome.
Timothy Hillmer lives in Louisville and is the author of The Hookman (Scribner) and Ravenhill (University of New Mexico Press). He is currently on the board for New Horizon Safe House, which has raised half a million dollars to construct a care facility in Podu, India, for young women who have been rescued from sex trafficking.
Boulder Weekly
April 19, 2018 25
Quicksilver Baroque brings ‘Strange and Wonderful Music’ to Macky ‘Rock stars’ of the early music scene explore the music of the 17th century by Peter Alexander
H
overtones
ow many pieces of chamber music for two violins, trombone, bassoon and lute can you name? None? Meet Quicksilver, a Baroque ensemble specializing in the music of the 17th century: They can not only name them, they play them. Quicksilver brings that combination, plus pieces that call for viola da gamba, harpsichord, organ and lute to Macky Auditorium on Friday, April 20 for the CU Presents Artists Series. Their program, titled “Strange and Wonderful Music of the 17th Century,” includes pieces by composers you have probably never heard of, including Dario Castello, Antonio Bertali, Massimiliano Neri, Johann Schmeltzer, Matthias Weckmann and Johan Rosenmüller. It says something that the best-known composer on the program is Johann Kaspar Kerll. Violinist Julie Andrijeski, co-director of Quicksilver with fellow violinist Robert Mealy, relishes the unknown aspect of the 17th-century repertoire. “We love bringing music that people haven’t heard,” she says. “Sometimes we haven’t heard it before we discover it in manuscript or in a library and play though it. “There are a lot of manuscripts online, and we do a lot of combing of those archives. We love finding things that nobody’s done before, and we’ve found some real gems.” That is one reason Quicksilver has turned to music of the 17th century — the opportunity to find music that is largely unknown to players and listeners alike. Another is the sense of virtuosity that pervades the music. “There’s so much virtuosity in this music for every instrument in our group — the strings as well as the dulcian, which is an early bassoon, and the trombone,” Andrijeski says. “So it fits us well and we have an affinity for it.” The Boulder program opens and closes with music by Costello. “His music is stunning,” Andrijeski
26 April 19 , 2018
Jan Gates
says of the Italian composer. “It shows up with the interpretation — which is one (in manuscripts) throughout Europe of the reasons why we love performing through the 17th century, so his music this music.” was known.” The individuality of the players is a His music was known, but today the significant feature of Quicksilver’s percomposer is not. His birth and death formances. “One of the joys of playing dates are unknown, as are any details with this group is that every musician about his career. His music was pubbrings their own experience and their own knowledge, and their own means of lished in Venice, where he worked in the expression,” Andrijeski says. early decades of the 17th century. He “Every time we may have died in the come into a performance plague of 1630, since he it’s a discovery for us as stopped publishing at ON THE BILL: well. We might crescenthat time. Quicksilver Baroque Ensemble “Stile Moderno: do where we de-crescenBut his music is what Strange and Wonderful doed before, we might interests Andrijeski. “He Music from the 17th slow where we sped up is the poster child for Century.” 7:30 p.m. Friday, April 20, Macky before, we might do this early 17th-century disAuditorium, 1595 Pleasant ornament rather than covery and invention,” St., Boulder. the other ornament. she says. “He is one of Tickets: cupresent.org There’s a lot of freedom the most virtuosic comthat is really exciting for posers out there, and us.” often gives solos for the The freedom and the versatility of different instruments, and those solos the individual players has caught the can be quite elaborate.” attention of other early music performAndrijeski also favors Bertali, whose ers. According to The New York Times, music served as the topic of her dissertaQuicksilver is “revered like rock stars tion in graduate school. “He shows a within the early music scene.” combination of the Italian and German But Andrijeski believes the perforstyles,” she explains. “This is really intermance style should serve the expression esting, the Italian style being more specof the music. “One of our main goals is tacular and virtuosic and the German style being more organ-like, with chordal to reach out and touch the emotions of the audience,” she says. “One way to passages and rich harmonies.” approach (the concert) is to come preA piece to listen for will be the pared to be told many musical stories. Sonata for two violins by that “best Maybe there will be a sad section folknown” composer, Kerll. “It’s not only lowed by a happy section followed by a beautiful, but it also speaks to the audifrenzied section, and all of these different ence,” Andrijeski says. “There are several (emotions) and colors affect the listeners times when Robert (Mealy) will have a and make them feel differently as we solo, and then I’ll have the same solo. play through our music. “I’ll play it in a different style, show“So I wish that the audience comes ing my own personality, interpreting the same notes. This shows what you can say with an excitement to be filled with wonder.” with the music and how free you can be Boulder Weekly
arts & culture
A
theist, agnostic or true believer. Which one are you? Whichever it is, you probably feel quite firmly that you’re right and the other two groups are, depending on your temperament and the number of adult beverages you’ve had that day, intellectually feckless or spiritually hopeless. Traditional thinking is that we won’t know which camp has it right until after we die, but tradition can suck it. It takes an exactly equal amount of blind faith to believe in a supreme being or meaning to life as it does to claim to know with certainty that neither exists, so the only logical choice is to admit that no one knows what happens when we die and join the ranks of the devout agnostics. Despite that elegant proof, I suspect people will continue to debate theology until either God herself or the Flying Spaghetti Monster sits down with Ellen for a nice chat. Until then, all anyone can hope for is more respectful debate and less suicide bombing. More charity and less evangelizing. More love and less lunatic zealotry. Going to a Place Where You Already Are is a sanguine step in that direction. Penned by the “It”-girl theater and TV writer of the moment, Bekah Brunstetter, of This Is Us fame, Going to a Place Where You Already Are wears Brunstetter’s Christian upbringing on its sleeve. Thankfully, it does so more like a happy face button and less like a yellow Star of David or pink triangle, and its message is more “be good and good things will happen” than “live in fear or suffer for eternity.” If the fact that the Boulder Boulder Weekly
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Ensemble Theatre Company (BETC) interest, but as a very real, very flawed is the troupe that has brought this human, and Jonas defies audience regional premiere to the Dairy Arts expectations in an equally dramatic Center isn’t enough to assure you that way. you’re in for a night of exceptional Shortly thereafter during a seemtheatre — and it should be — the ingly routine MRI, Roberta has a sight of Anne Sandoe and Jim Hunt near-death experience during which sitting on a church pew center stage she thinks she glimpses heaven. That when the lights go up will. These two episode becomes the engine for the accomplished thesps have been wowrest of Going to a Place Where You ing Boulder audiences for years at the Already Are. Roberta and Joe face her Colorado Shakespeare potentially terminal Festival, BETC and diagnosis through their beyond. increasingly disparate Sandoe’s Roberta philosophical filters. ON THE BILL: Going and Hunt’s Joe are husEver the man of scito a Place Where You band and wife attendence, Joe craves second Already Are — presented by Boulder Ensemble ing the funeral of one opinions and treatment Theatre company. Dairy of Joe’s coworkers. As options. Challenged by Arts Center, 2590 Walnut often occurs in such the conversation she St., Boulder, www.betc. org, $20 and up. situations, their discusseems to have had sion turns to matters of with an actual angel the afterlife. At the end ( James O’Hagan of it, Joe has reaffirmed Murphy), Roberta his staunch atheism while Roberta has begins to question formerly firm run headlong into a crisis of lack-ofbeliefs about life, the universe and faith. That scene, and more important- everything. ly the way that Brunstetter wrote it, How Going to a Place Where You immediately establishes both the playAlready Are plays out from there is fabwright’s facility with dialogue and the ulously fresh and emotionally affectplay’s intent not to hew too close to ing, and I won’t spoil a moment of it. the expected. Once again, BETC has chosen a wonThe next scene introduces us to derfully unusual play and brought it to Roberta and Joe’s granddaughter, Ellie life via excellent direction from (Anastasia Davidson), and reaffirms Rebecca Remaly and assured yet vulthe play’s determination to be purnerable performances from the entire posefully and perfectly off-kilter. Ellie cast. Davidson, in particular, made me and Jonas (Trenton Schindele) loll in sit up and take notice by delivering an bed post-assignation. They cuddle and Ellie as believable a shrew as she is as jest like longtime lovers, but this is a babe in the woods. actually the tail end of a one-nightLeave it to BETC to close season stand, or at least a first-night-stand. 12 with such a bang that it will have Quickly enough, Ellie reveals herself theater lovers counting the days until not as a stereotypical, rom-com love season 13.
COLORADO GYPSY JAZZ FESTIVAL
La Pompe, Aaron Walker Quartet feat. Björn Thoroddsen, and Harmonious Wail
Sat 04.21 $ 20 advance
More music. Less show.
RAILSPLITTERS w/300 Days
Fri 04.27 $20 advance
Where music resounds
Music for you. Music for all.
GLEN PHILLIPS w/Sweet Talk Radio
04.28 $24 advance TakeSat a break from streaming and start experienceing.
JOHN NÉMETH w/Color
Fri 05.04 $21 advance
TRIO BRASILEIRO w/Wood Belly
Sat 05.05 $22 advance
swallowhillmusic.org
April 19 , 2018 27
West Side Story West Side Story: Bernstein at 100
APRIL 28 CONCERT ALMOST SOLD OUT!
Tickets start at $13; Students $5
www.BoulderPhil.org
SATURDAY, APRIL 28―7:30 PM Macky Auditorium, Boulder Michael Butterman, conductor Robert Neu, stage director
BERNSTEIN West Side Story in concert a collaboration with Central City Opera
Leonard Bernstein Tribute Concert
Leonard Bernstein’s West Side Story stands as one of the signal achievements of American Monday, April 23―7 PM musical theater. Join us as we present the Levin Hall at the Boulder JCC entire score in dramatic concert with full Join musicians and singers from the symphony orchestra and soloists. Boulder Phil and other local orgs to celebrate Leonard Bernstein with words and music. CONCERT SPONSORS: Steve & Jayne Miller Tickets: www.boulderjcc.org 28 April 19 , 2018
Boulder Weekly
a r t s & culture ALL ARE WELCOME New documentary gives voice to homeless choir by Angela K. Evans
T
he art of filmmaking can be tedious, admits director and producer Susan Polis Schutz. Projects can take years to complete, and after finishing her seventh film in mid-2017 she was ready for a break. But then she heard about the Voices of Our City Choir on a local news program in San Diego, and she knew she had to start filming her new documentary, The Homeless Chorus Speaks, right away. “Their music was so moving and it was just an incredible story,” says Schutz, a longtime Boulder resident, who now spends a lot of her time in San Diego. The documentary follows musicians Nina Deering and Steph Johnson as they recruit members for the choir by walking the streets of San Diego, asking people experiencing homelessness if they enjoy music or play an instrument. But neither is a prerequisite to join the choir. All are welcome. The duo created the choir in 2016 in response to the growing California housing crisis. Latest estimates put San Diego’s homeless population at 9,160, the fourth largest in the nation according to a congressional report, following New York, Los Angeles and Seattle. “Singing provides a positive sense of community and solidarity for people facing extreme hardships,” the choir’s website states. “It reduces stress, heightens awareness, empowers minds, strengthens bodies and sets the stage for peace and healing.” The group performs covers of famous songs like “Amazing Grace,” “We are Family” and “Lean on Me,”
in addition to original music written by Deering and Johnson. “When I sing ‘Somewhere Over the Rainbow,’ you just forget all of your problems, you forget all of your stress and hurts and pains,” Janet, a choir member, tells the camera. “It’s like I’m in another world.” The group rehearses once a week and performs up to 15 times a month. Since its inception, the choir has helped 27 members secure housing. “The stories are so compelling and so sad,” Schutz says. “And yet the choir is so positive.” Throughout the film, Schutz interviews 14 different choir members from all walks of life. Some have jobs,
some don’t. Some have master’s degrees, others experienced horrific trauma as victims of abuse, rape or hate crimes. Others have disabilities or have been in and out of mental health facilities. There’s a veteran, a poet, a meth addict and a family of 10 who all live in one tent. “I really got a cross section of the population,” Schutz says. “But they all said, ‘You’re only seeing a small part of what we’re like. You’re only seeing the homeless part, but we all have our stories, we all have our reasons for being homeless.” With a nine-month production schedule, there was
an urgency to this film that Schutz didn’t have on previous projects. “Homelessness is such an emergency and tragedy in the country right now,” Schutz says. “I wanted people to know that homeless people are just like you and me, they are just like everybody, and how horrible and inhumane they are treated.” Filming started in late August 2017 in the midst of a deadly Hepatitis A outbreak in San Diego that primarily affected the homeless population. Easily spread in unsanitary conditions, through fecal contamination or contact, the City has been admittedly short of public restrooms for years. All said and done, San Diego County Health and Human Services reported almost 600 cases, including close to 400 hospitalizaMichele Zousmer tions between September 2017 and the end of January 2018. Twenty people died. More than anything, Schutz hopes the film humanizes people experiencing homelessness in a way that breaks ON THE BILL: The down stereotypes Homeless Chorus and misconcepSpeaks screening and Q&A with directions. tor/producer Susan “They’re Polis Schutz. 1:15 human beings, p.m. Saturday, April 21, Boulder Public we’ve got to treat Library, 1001 them like human Arapahoe Ave., beings,” Schutz Boulder. says. “We need solutions right away. My only advice, other than on a human level and treating them well, is to start a grassroots movement and only elect politicians that care about this.” It’s not only a problem facing San Diego, she admits. According to the Denver Metro Homeless Initiative, there were just over 5,000 people experiencing homelessness in the seven metro-area counties in 2017. It’s estimated that there are 1,800 in Boulder. “I guarantee if I made this movie in Boulder or Denver, I would get the same type of results,” Schutz says. “Every place could have a choir where these people can feel like human beings, at least for part of the day.”
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THE BLITZ1 via Wikimedia Commons
GET WILD TO SAVE WILD 3 P.M., FRIDAY, APRIL 20, RAYBACK COLLECTIVE, 2775 VALMONT ROAD, BOULDER. As a polar adventurer, Eric Larsen has spent two decades exploring the most remote and extreme environments on the planet. He also lives in Boulder and is hosting the second annual Get Wild to Stay Wild Earth Day celebration. Enjoy carnival games, gear giveaways, a speaker series, adventure photo exhibit, a live DJ and of course great food and drinks, all in support of local nonprofits working in natural resource conservation, open space and public lands advocacy. The event is free and open to the public. Peruse the calendar to find other ways to celebrate Earth Day!
see EVENTS Page 32
PLANT TREES FOR EARTH DAY AT FOURMILE CANYON.
EARTH DAY PLANTING ON LEFT HAND CREEK.
9 a.m. Saturday, April 21, 849 Melvina Hill Road, Boulder.
11 a.m. Sunday, April 22, Ollin Farms, 8627 N. 95th St., Longmont.
One Tree Planted, a Vermont-based nonprofit, is hosting a community tree-planting day at Fourmile Canyon. The Fourmile Fire in 2010 burned 160 homes and left whole mountainsides scorched and without vegetation. Fourmile Canyon has experienced flooding and landslides in the subsequent years. Thousands of trees have been lost as a result of multiple disasters. Planting trees and re-vegetating helps stabilize the soils on steep slopes, improves habitat and contributes to improved water quality in the rivers. If attending, please register here: bit.ly/plant-trees-boulder.
Celebrate Earth Day at Ollin Farms with a community day of planting. There will be a variety of planting activities, including the installation of Ollin’s new 25-tree plum orchard, Honeycrisp apple planting in a new research area and a creek restoration project led by the Lefthand Watershed Oversight Group aimed at increasing the health of the creek ecosystem. This is an educational, hands-on, family friendly event. Planting activities will wrap up around 2 p.m. Stick around for some social time and refreshments.
John G. Elliott, U.S. Geological Survey via Wikimedia Commons
Boulder Weekly
NASA via Wikimedia Commons
EARTH DAY CELEBRATION. 5:30 p.m. Monday, April 23, Jill’s Restaurant & Bistro at St Julien Hotel and Spa, 900 Walnut St., Boulder. Join us Monday, April 23 for a gourmet vegan dinner in celebration of Earth Day. One-hundred percent of dinner proceeds will directly benefit the important work Greenwood Wildlife Rehabilitation Center does on behalf of all creatures who call planet Earth home. A nonprofit organization, Greenwood Wildlife Rehabilitation Center, is devoted to the rehabilitation and release of orphaned, injured and sick wildlife. It is the largest wildlife rehabilitation center of its kind in Colorado, treating approximately 3,400 mammals, birds and waterfowl every year. Reservations are recommended and can be made by calling 720-406-7399.
April 19 , 2018 31
events EVENTS from Page 31
Thursday, April 19 Music Angels and Devils. 7 p.m. Colorado Ballet’s Black Box Theatre, 1075 Santa Fe Drive, Denver, 303-8378888.
CU BOULDER EVENTS
Artist Development: Creative Entrepreneurship. 6 p.m. CoSolve, 350 Terry St., Longmont, 720-3401780.
For more information on any event, visit calendar.colorado.edu.
THURSDAY, APRIL 19
Foxfeather Duo. 6 p.m. The Tasty Weasel, 1800 Pike Road, Longmont, 303-776-1914.
Women, Trans, Femme Cycling Workshop.
King Lil G. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 720-645-2467.
8:30 a.m. Performance Bicycle, 2450 Arapahoe Ave., Boulder.
Maya Bennett. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 720-201-3731. Scott Slay & the Rail. 7:30 p.m. Swallow Hill Music, 71 E. Yale Ave., Denver, 303-643-5817. Events Brent Morin. 8 p.m. Comedy Works, 1226 15th St., Denver, 303-595-3637. Celebrate the Earth Musical Storytime. 4 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303441-3100. Colorado International Cannabis & Hemp Film Festival 2018. 5 p.m. Denver Open Media Project, 700 Kalamath St., Denver, 720-222-0159. Concentrates Tour: World Cannabis Week. 1 p.m. and 4 p.m. My 420 Tours, 3881 Steele St., Denver, 855-694-2086.
Exclusively for women, trans, femme, genderqueer and non-binary folks, covering topics ranging from basic bike maintenance to routefinding in a safe and welcoming space for all expressions and bodies.
Book Talk: ‘Brave New Arctic.’ 5 p.m. Cooperative Institute for Research in Environmental Sciences (CIRES) Auditorium, 1665 Central Campus Mall, Boulder.
Brave New Arctic is Mark Serreze’s riveting firsthand account of how scientists from around the globe came together to find answers to a changing climate.
‘Containment’ — A Film by Peter Galison and Rob Moss.
1125 18th St., Boulder.
Invite your friends and come collaborate on something cool! Code an app. Paint a painting. Write a song. Work on anything, and the most popular creation wins a prize! The competition is open to anyone, and you don’t need to be a member of the BTU Lab. Free pizza and drinks too!
Todd Reynolds and Luke DuBois performance. 7:30 p.m. Roser ATLAS Center, Black Box Experimental Studio, 1125 18th St., Boulder.
Boulder Laptop Orchestra (BLOrk) celebrates its 10th anniversary with a performance by Todd Reynolds and Luke Dubois.
SATURDAY, APRIL 21 Astronomy Day. 1 p.m. Fiske Planetarium and Science Center, 2414 Regent Drive, Boulder
Old School Film School New School Film School. 9 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.
Free events throughout the day — come for an hour or stay all day. Join us for planetarium 5 p.m. Eaton Humanities, 1B90, 1610 shows, science on a sphere talks, activities for Pleasant St., Boulder. kids, observing with telescopes, student activity Part observational estables, prizes and more! Mandee Johnson via Wikimedia Commons say filmed in weapons TEDxCU 2018. plants, Fukushima and deep underground 6 p.m. University — and part graphic Memorial Center novel — Containment (UMC), Glenn Miller explores the idea that Ballroom, 1669 Euover millennia, nothing clid Ave., Boulder. stays put. Second Organized by CU screening: 6:30 p.m. students and alumni, April 19, Eaton HumaniTEDxCU provides a proties, 135. fessional and thoughtAn Evening With provoking stage for our Hasan Minhaj. speakers to deliver their “idea worth sharing” 7 p.m. Macky Auditorium, 1595 Pleasand spark intellectual collisions between the ant St., Boulder two communities. Hasan Minhaj, comedian, actor, writer and senior correspondent on The Daily Show, will MONDAY, APRIL 23 speak at 7 p.m. Thursday, April 19, at Macky Auditorium.
Tad Pfeffer: Ice in the World. 7 p.m. Chautauqua Community House, 900 Baseline Road, Boulder, 303-440-7666.
In Search of Turkey’s Jews: Public Talk with Renown Photographer Laurence Salzmann.
UN and International Affairs. 1 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.
7 p.m. University Club, Chancellor’s Silver and Gold Room, 972 Broadway, Boulder.
eTown Comedy Live! 8 p.m. eTown, 1535 Spruce St., Boulder, 303-443-8696. A Fantastic Woman. 2 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Greenhouse Tour: World Cannabis Week. 11 a.m. My 420 Tours, 3881 Steele St., Denver, 855694-2086. Inside Out: Widening the Museum’s Reach Through Online Media. 6:30 p.m. CU Museum of Natural History, Henderson Building, 1036 Broadway, Boulder, 303-492-6892. Mantra: Sounds Into Silence. 4:30 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-4407826. Mountain Kids Story Time. 12 p.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.
Wellness Tour: World Cannabis Week. 11 a.m. My 420 Tours, 3881 Steele St., Denver, 855-6942086. Friday, April 20 Music 311. 9 p.m. The Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874. AFK, SVDDEN DEATH. 8 p.m. The Fox Theatre, 1135 13th St., Boulder, 303-447-0095. Artist’s Opening Reception: Art of April Bliss with music by Brooks Steele. 5:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Broadway Boomers Show: Transformations. 7 p.m. Center for Musical Arts, 200 E. Baseline Road, Lafayette, 303-665-0599. Cary Morin. 5:30 p.m. The Tasty Weasel, 1800 Pike Road, Longmont, 303-776-1914.
In his public lecture “In Search of Turkey’s Jews,” Laurence Salzmann will explore the Sephardic communities of Turkey, using his extensive collection of photographs and notes about the people the Salzmann’s met, places they visited and lessons they learned along the way.
FRIDAY, APRIL 20 BoulderTalks: Building Bridges at First Congregational Church. 11:30 a.m. First Congregational Church, 1128 Pine St., Boulder.
Join fellow community leaders for an interfaith conversation. BoulderTalks and the city of Boulder are working to make our community an atmosphere of respectful and productive civic dialogue.
BTU Monthly Hackathon. 6 p.m. Roser ATLAS Center, BTU Lab,
Author Talk: Selma and the Liuzzo Murder Trials.
Noon. Wolf Law, Wittemyer Courtroom, 2450 Kittredge Loop Drive, Boulder. James Turner, a 1957 graduate of the University of Colorado Law School, will discuss his new book, Selma and the Liuzzo Murder Trials: The First Modern Civil Rights Convictions.
Author Panel: Women Authors in Science Fiction and Fantasy. 4 p.m. Norlin Library, E113, 1157 18th St., Boulder.
Creating Frankenstein: Women Authors in Science Fiction and Fantasy will feature two local woman authors and will focus on the unique challenges of being a woman in a heavily maledominated genre.
WEDNESDAY, APRIL 25 25th Annual Campus Sustainability Summit. University Memorial Center (UMC), Ballroom, 1669 Euclid Ave., Boulder.
The annual information-sharing forum features strategic updates, goal setting and inter-departmental discussion on campus sustainability initiatives.Register at colorado.edu/ecenter/css.
see EVENTS Page 34
32 April 19 , 2018
Boulder Weekly
Boulder Weekly
April 19 , 2018 33
theater
Michael Ensminger
Lady Day at Emerson’s Bar & Grill. 7:30 p.m. Denver Center for the Performing Arts, 1101 13th St., Denver. Through April 23.
Aladdin. Denver Center for Performing Arts, Buell Theatre, 1345 Champa St., Denver. Through April 28.
LIVE MUSIC FRIDAYS & SATURDAYS
8:00pm NO COVER 4/20 Dear John & The Whale Riders 4/21 Steve Thomas Band
Alfred Hitchcock’s The 39 Steps. Miners Alley Playhouse, 1224 Washington Ave., Golden. Through April 29.
Little Red Riding Hood. Miners Alley Playhouse, 1224 Washington Ave., Golden. Through April 28.
Always Patsy Cline. BDT Stage, 5501 Arapahoe Ave., Boulder. Through May 20.
Macbeth. 7:30 p.m. Denver’s Dangerous Theatre, 2620 W. Second Ave., Suite 1, Denver. Through May 27.
Anastasia. 3 p.m. Jesters Dinner Theatre, 224 Main St., Longmont. Through May 5.
Native Gardens. Denver Center for Performing Arts, Space Theatre, 1101 13th St., Denver. Through May 6.
Annie. Jesters Dinner Theatre, 224 Main St., Longmont. Through July 8. Bullets Over Broadway: The Musical. Vintage Theatre, 1468 Dayton St., Aurora. Through May 27. The Diary of Anne Frank. John Hand Theater, 7653 E. First Place, Denver. Through April 28. The Electric Baby. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada. Through May 4. Going to a Place Where You Already Are — presented by Boulder Ensemble Theatre Company. 2590 Walnut St., Boulder. Through May 6. HAIR: The Musical. University Theatre, University Theatre, 1515 Central Campus Mall, Boulder. Through April 22.
A Picasso — presented by Cherry Creek Theatre Company. Mizel Arts and Culture Center, 350 S. Dahlia St., Denver Through April 29. Sense and Sensibility. Arvada Center for Performing Arts, 6901 Wadsworth Blvd., Arvada. Through May 6. Siren Song: A Pirate’s Odyssey. Buntport Theatre, 717 Lipan St., Denver. Through May 14. Sleeping Beauty — presented by Denver Children’s Theatre. Mizel Arts and Culture Center, Elaine Wolf Theatre, 350 S. Dahlia St., Denver. Through May 4. The Who’s Tommy. Denver Center for Performing Arts, Stage Theatre, 1101 13th St., Denver. Opens April 20. Through May 27.
EVENTS from Page 32
The CBDs. 6 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Suite 112, Nederland, 303-4991829.
Courtesy of Boulder Book Store
Chillbillies Bluegrass Band in Concert. 7 p.m. East Simpson Coffee Company, 414 E. Simpson St., Lafayette, 720-320-7231. Cigarettes After Sex. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
The Constellation Collective. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 720-201-3731.
4/28 Arena Rock Allstars 5/4 Hazel Miller Band 2251 KEN PRATT BLVD
LONGMONT CO 80501
720-600-4875
TheWildGameLongmont.com 34 April 19 , 2018
Friday Afternoon Concert: Altius Quartet. 2:30 p.m. Longmont Museum, 400 Quail Road, Longmont, 303-651-8374. Friday High-Day: An Elevated Experience. 5:30 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637. JAHvanilla Barrel Aged Ten FIDY Release on 4/20. 4:20 p.m. The Tasty Weasel, 1800 Pike Road, Longmont, 303-776-1914.
Music of India Singing Class. 12 p.m. Hamsa Arts, 1919 Spruce St., Boulder, 303-449-5030.
Thursday, April 19 Kevin Griffin — One Breath at a Time. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder. Monday, April 23
No Kicks Band. 6 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont, 303-652-4186.
So, You’re a Poet. 9 p.m. Wesley Chapel, 1290 Folsom St., Boulder.
Oskar Blues 21st Anniversary — with Arthur Lee Land Trio. 8:30 p.m. Oskar Blues, 303 Main St., Lyons, 303-823-6685.
Tuesday, April 24
Quicksilver Baroque Ensemble: Stile Moderno: 17th Century Music. 7:30 p.m. Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-8423.
words In his new book ‘Gold!,’ Ian Neligh examines the rich history of the miners and treasure hunters who came to face danger and hardships in the unforgiving Rocky Mountains. ‘Gold!’ brings together the story of this metal’s glittering legacy in the Centennial State and the madness, murder and mayhem that came along with it. Neligh will speak about his book at Boulder Book Store on Wednesday, April 25 at 7:30 p.m.
Comedy for Cambio: Bollywood-Style. 5:30 p.m. Boulder JCC, 6007 Oreg Ave., Boulder, 303-9981900.
4/27 Papa Juke
Joe says no to the idea of heaven. His wife, Roberta, is starting to wonder. Their granddaughter, Ellie, barely knows how to exist when her iPhone is dead. In this nuanced and deftly funny story, two generations wrestle with love and life well-lived…. and curiosity about what comes next. ‘Going to a Place Where You Already Are’ is now showing at the Dairy Arts Center through May 6. See page 27 for a review of the show.
CU Student Creative Nonfiction. 5:30 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave., Boulder.
Innisfree Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave., Boulder. Russell Brakefield & Julie Carr — Field Recordings and Someone Shot my Book. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder. Wednesday, April 25 Norse Poetry Night. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave., Boulder. Ian Neligh — Gold!. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder.
Salasee Duo. 3 p.m. The Tasty Weasel, 1800 Pike Road, Longmont, 303-776-1914. Smoke Crafted | Drinks + Eats + Live Music. 4:30 p.m. Greens Point Catering, 1240 Ken Pratt Blvd., Suite 3, Longmont, 303-772-2247.
Get Wild to Save Wild. 3 p.m. Rayback Collective, 2775 Valmont Road, Boulder, 513-907-5207.
Events
Ghost Stories. 8:45 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
Beyond Beginner Line Dancing. 6:30 p.m. Platt Middle School, 6096 Baseline Road, Boulder, 720561-5968. Blossom Ball 2018 Fundraiser. 6:30 p.m. Lionsgate Event Center, The Dove House & Gatehouse, 1055 S. 112th St., Lafayette, 303-665-6525. Community Event Spark Preschool Carnival. 4 p.m. Airborne Dance, 1816 Boston Ave., Longmont, 303-684-3717.
Honorable Disorder. 8 p.m. Cleo Parker Robinson Dance Studio, 119 Park Ave. West, Denver, 303295-1759. Local Lab 2018 New Play Festival. 5:30 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 917617-6260. Local Lab 2018: Clockwork. 6:30 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 917-617-6260.
Mantra: Sounds Into Silence. 2:30 p.m. and 7 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Poetry Writer’s Workshop. 7 p.m. Firehouse Art Center, 667 Fourth Ave., Longmont, 303-651-2787. Senior Fish-off. 6:30 a.m. Wally Toevs Pond, Walden Ponds Wildlife Habitat, Boulder, 303-6786219. Shamanic Exploration Group. 7 p.m. Edie Stone’s Office, 2027 Broadway, Suite H, Boulder, 303-9319806. see EVENTS Page 36
Boulder Weekly
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Registration is required. Space is limited. Register online at www.BoulderCountyRecycles.org
Cut through the myths and Internet rumors and learn how to do it right in our little corner of Colorado. Boulder Superior Lafayette 6-8 p.m. Monday, April 16 Boulder County Recycling Center, Education Room, 1901 63rd St.
6-8 p.m. Thursday, April 26 Superior Sports Stable Community Room 1 Superior Drive
Erie
10 a.m.-12 p.m. Saturday, April 21 Erie Community Center, Mitchell Room 450 Powers St.
6-8 p.m. Monday, April 30 Louisville Library, First Floor Meeting Room, 951 Spruce Street
Longmont
Boulder
6-8 p.m. Tuesday, April 24 Boulder County Parks & Open Space, Prairie Room 5201 Saint Vrain Road
10:30 a.m.-12:30 p.m. Saturday, May 5 Boulder Public Library, Arapahoe Room 1001 Arapahoe Avenue
Louisville
6-8 p.m. Monday, May 7 Lafayette Public Library Lower Level Meeting Room 775 W Baseline Road
Resource Conservation
720.564.2220 resourceconservation@bouldercounty.org
This free workshop is taught by Melanie Nehls Burow, a Master Composter in Colorado. Boulder Weekly
April 19 , 2018 35
events
arts
UPCOMING AT eTOWN HALL
Image courtesy and © Millie Chen.
Significant events of injustice and social unrest reshape Millie Chen’s memory of her formative years. A Slinky, bell bottoms, psychedelic designs, and other cultural touchstones of the 1970s are integrated in her graphic works with those of protest and human-perpetuated violence occurring around the world. ‘Millie Chen: Four Recollections’ is now showing at University of Colorado Art Museum’s Visual Arts Complex through July 21.
Act On It: Exhibit on CU Student Activism. Norlin Library, STEAM Gallery, 1157 18th St., Boulder. Through Aug. 15. Arthur Jafa: Love Is The Message, The Message Is Death. Museum of Contemporary Art, 1485 Delgany St., Denver. Through May. 13.
Apr
19
Cleon Peterson: Shadow Of Men. Museum of Contemporary Art, 1485 Delgany St., Denver. Through May 27.
eTown Comedy Live!
Degas: A Passion for Perfection. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver. Through May 20.
Featuring comedians Mike Stanley, Caitie Hannan, Andres Becerril & Jo Kimbrell.
Diego Rodriguez-Warner: Honestly Lying. Museum of Contemporary Art, 1485 Delgany St., Denver. Through May 13.
Kimberlee Sullivan: Weather Pattern. Macky Auditorium (foyer), 1595 Pleasant St., Boulder. Through May 6.
Drawn To Glamour: Fashion Illustrations by Jim Howard. Denver Art Museum. 100 W. 14th Ave. Parkway, Denver. Through July 22.
Large Format Fine Art Prints From Paper Collage — by Kimberly Mcclintock. NCAR/UCAR Community Art Program, National Center for Atmospheric Research, Gallery I, 1850 Table Mesa Drive, Boulder. Through April 28.
Elemental Forms. University of Colorado Art Museum, Visual Arts Complex, 1085 18th St., Boulder. Through May 2018.
Apr
Eyes On: Xiaoze Xie. Denver Art Museum, Hamilton Building, 100 W. 14th Ave. Parkway, Denver. Through July 8.
eTown & Homevibe Present
Ganesha: The Playful Protector. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver. Through October.
Phillips 26 Glen & Sweet Talk Radio
Millie Chen: Four Recollections. University of Colorado Art Museum, Visual Arts Complex, 1085 18th St., Boulder. Through July 21. Nathan Abels: History of the Future. Boulder Museum of Contemporary Art, 1750 13th St. Through May 28. Past the Tangled Present. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver. Through Oct. 28.
Infinite Diversity in Infinite Combinations (homage to Gene R.) — photography by Vandy Vandervort. NCAR/UCAR Community Art Program, National Center for Atmospheric Research, Gallery II, 1850 Table Mesa Drive, Boulder. Through April 28. Stampede: Animals in Art. Denver Art Museum, Hamilton Building, 100 W. 14th Ave. Parkway, Denver. Through May 19. A Vulnerable Paradigm of Wonder. Vision West Contemporary, 2605 Walnut St., Denver. Through May 5. Wopo Holup: Endless Places, Present. Boulder Museum of Contemporary Art, 1750 13th St. Through May 28.
EVENTS from Page 34
Shut Up & Listen! 6:30 p.m. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554.
staff pick
Saturday, April 21 Music
Apr
Radio Show Taping
27 Bettye LaVette & Vilray
A Beatles Tribute: Featuring the Denver Pops Orchestra & Mike Masse and The Rubber Souls. 4 p.m. The Church, 1160 Lincoln St., Denver, 303-832-2383.
Matt Gale Photography 2018
SUNDAY IN THE PARK WITH GEORGE Various dates and times through May 6. Arvada Center Main Stage Theatre, 6901 Wadsworth Blvd., Arvada.
Bluebird Music Festival featuring The Tallest Man on Earth. 7 p.m. Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-8423. Colorado Earth Day. 9 a.m. State Capitol Grounds, 200 E. Colfax Ave., Denver. The Colorado Gypsy Jazz Festival. 4 p.m. Swallow Hill Music, 71 E. Yale Ave., Denver, 303-7771003.
The Arvada Center for the Arts and Humanities closes its 42nd theater season with Stephen Sondheim’s Sunday in the Park with George, directed by Rod A. Lansberry. Inspired by the painting, “A Sunday Afternoon on the Island of La Grande Jatte” by Georges Seurat, Sunday in the Park with George merges past and present into beautiful, poignant truths about life, love and the creation of art. This moving piece won a Pulitzer Prize and was nominated for an astounding 10 Tony Awards, including Best Musical. Performances are Tuesday through Saturday at 7:30 p.m., with matinees on Wednesdays at 1 p.m., and Saturday and Sunday at 2 p.m., through May 6.
Dan Rodriguez House Concert (Adults Only). 7 p.m. Sounds of Simon House Concerts, 1086 E. Roggen Way, Superior.
May
eTown & Homevibe Present
12 Paul Kimbiris
w/ Foxfeather & The Fremonts
4/21 BCAP's Big ToP: A sPringTime CirCus FundrAiser 4/30 neurodiversiTy, Women & The sPiriT oF CourAge 5/14 Full ConCerT: mAking movies W/ Alex CuBA 5/18 Full Concert: Daphne Willis w/ Dave Tamkin 5/21 Radio Taping: Hiss Golden Messenger & Chris Hillman
WHERE: eTOWN Hall 1535 Spruce Street Boulder, CO 80302 TICKETS: eTOWN.org
Book eTown Hall for your next event. Contact digger@etown.org 36 April 19 , 2018
Eric and Carter. 4:30 p.m. The Tasty Weasel, 1800 Pike Road, Longmont, 303-776-1914. Erik Boa and the Constrictors. 8 p.m. Oskar Blues Tap Room, 921 Pearl St., Boulder, 303-776-1914. Erik Yates Band. 8:30 p.m. Oskar Blues, 303 Main St., Lyons, 303-823-6685. Get Delirious: Dance, Boulder, Dance. 8 p.m. The Studio, 3550 Frontier Ave., Suite A2, Boulder, 720-378-8015. The Homeless Chorus Speaks - Documentary Film Screening. 1:15 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 858-456-2336. The Long Run - Colorado’s Tribute to The Eagles. 8 p.m. The Soiled Dove Underground, 7401 E. First Ave., Denver, 303-830-9214. Los Cheesies. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Mike Garson: Bowie’s Piano Man. 6 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. A Night of Middle Eastern Magic Fun-Raiser. 6 p.m. A View of the World Gallery, 1930 Central Ave., Boulder, 303-530-3860.
Resonance Women’s Chorus: Deep Breath. 5 p.m. First United Methodist Church, 1421 Spruce St., Boulder, 303-473-8337.
Denver Digs Trees Earth Day Sale. 12 p.m. City Park Green House, 2500 E. 23rd Ave., Denver, 303722-6262.
Starwood: Tribute to John Denver & Harry Tuft. 8 p.m. The Dickens Opera House, 300 Main St., Longmont, 303-834-9384.
Denver Spring Wine Festival. 4 p.m. Lil Devils, 255 S. Broadway, Denver, 303-733-1156.
Women in Song hosted by Shanna in a Dress. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 720-201-3731. Events Art Stop. 10 a.m. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Ballet Petit: The Sleeping Beauty. 11 a.m. and 2 p.m. Niwot High School Auditorium, 8989 Niwot Road, Longmont, 303-772-1335.
Earth Day Celebration and Fundraiser. Noon. Refill Revolution, 3350 Arapahoe Ave., Boulder, 715-933-858. Earth Day Farm Chores and Happy Hour. 5 p.m. Mountain Flower Goat Dairy, 3240 Broadway, Boulder, 301-938-3953.
see EVENTS Page 38
Boulder Weekly
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SOUL SCHOOL
WOMEN IN SONG HOSTED BY SHANNA IN A DRESS
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FACE
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SUNDAY APRIL 22 8PM
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Thursday April 26th
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MONDAY APRIL 23
ROBERT PATRICK TIEMAN 5J BARROW 9PM
“Rock” FREE ADMISSION
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TUESDAY APRIL 24
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April 19 , 2018 37
events
EVENTS from Page 36
Earth Day: Meet the Author Kayann Short. 4 p.m. Used Book Emporium, 346 Main St., Longmont, 303-776-6561. Earth Month Spanish/English Storytime: Read and Play in Spanish. 10:15 a.m. NoBo Corner Library, 4600 Broadway, Boulder, 303441-4250. Experiencing Deep Nature. 2 p.m. Chautauqua Park, 900 Baseline Road, Boulder, 720-565-9388. Explore Earth and Space with CU Science Discovery. 11 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Glitz & Glam Gala. 6 p.m. Shupe Homestead, 11931 N. 61st St., Longmont, 303-485-7488.
Local Lab 2018 New Play Festival. 1:30 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 917-617-6260. Local Lab 2018: Ladybits. 6 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 917-617-6260. Longmont Earth Day Celebration. 10 a.m. Longmont Museum, 400 Quail Road, Longmont, 303-651-8374. Party for the Planet. 10 a.m. Downtown Aquarium, 700 Water St., Denver, 303-561-4450. Plant Trees for Earth Day! 9 a.m. Fourmile Canyon, 849 Melvina Hill Road, Boulder, 917-8461760. TimeBank Boulder: Picnic at a local, active Organic Farm’s Spring Fest. Noon. 63rd St. Farm, 3796 63rd St., Boulder, 720-938-3059.
Sunday, April 22
Events
Music
The Bernstein Centenary: Royal Ballet. 1 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303440-7826.
Third Annual Earth Celebration & Plant Music Concert. 1 p.m. The Dome, 6374 Niwot Road, Longmont. Earth Day Festival. 5:30 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637. Invisible Audience Presents: Rim of the Well. 7:30 p.m. Center for Musical Arts, 200 E. Baseline Road, Lafayette, 303-665-0599. Pianist, Lisa Harrington. 2 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Resonance Women’s Chorus: Deep Breath. 3 p.m. First United Methodist Church, 1421 Spruce St., Boulder, 303-473-8337.
Earth Day Raised Salad Beds — with Richard Johnson. 1 p.m. The Craftsman & Apprentice, 1325 E. 22nd Ave., Denver, 303-507-8788. Free Earth Day Class: Ladybug Love. 11 a.m. Natural Grocers, 368 S. Broadway, Denver, 303733-3033. Local Lab 2018 New Play Festival. 1 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 917-617-6260. Project V.E.T.S.: New and Recycled Pet Supply Drive. 10 a.m. P.C.’s Pantry, 2828 30th St., Boulder, 303-819-2501. The Sleeping Beauty. 1 p.m. Niwot High School Auditorium, 8989 Niwot Road, Longmont. Monday, April 23 Music Bernstein at 100: Leonard Bernstein Tribute Concert. 7 p.m. Boulder JCC, 6007 Oreg Ave., Boulder, 303-998-1900. The Prairie Scholars. 6:30 p.m. Samples World Bistro, 370 Main St., Longmont, 720-684-6102. Events Citizenship Classes. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. An Inconvenient Sequel: Truth to Power. 6 p.m. Boulder Center for Conscious Community, 1637 28th St., Boulder, 720-480-4266. Movement Mondays. 7 p.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299. Tuesday, April 24 Music Brandon Taylor. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 720-201-3731. CU Denver Signature Jazz Guitar Ensemble. 7 p.m. King Center, Recital Hall, 855 Lawrence Way, Denver, 303-556-2296. CU Symphony Orchestra. 7:30 p.m. Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-8423. Rabblefish. 7 p.m. Post Brewing Co., 2027 13th St., Boulder, 720-372-3341. Events Boulder World Affairs Discussion Group. 10 a.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-3100. Youth Maker Hangout. 4 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Wednesday, April 25 Music Dairy Presents: Katie Glassman & Snapshot. 2 p.m. The Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826. Mmmwhah!’s Music & Movement Meditation! 7 p.m. Boulder Circus Center, 4747 N. 26th St., Boulder, 720-588-6592. Shanna in a Dress Single Release with Bonnie & Taylor Sims. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064.
UPCOMING SHOW Saturday, June 9 – 8:00 pm The Wild Game - Longmont 38 April 19 , 2018
Unplugged Drop-in Acoustic Jam. 6 p.m. 300 Suns Brewing, 335 First Ave., Suite C, Longmont, 720-442-8292. Events 60 Minutes in Space. 7 p.m. Denver Museum of Nature & Science, 2001 Colorado Blvd., Denver, 303-370-6000. El Mar La Mar. 7 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Florence Williams: The Nature Fix. 7 p.m. Chautauqua Community House, 900 Baseline Road, Boulder, 303-440-7666. Loving Vincent. 4:30 p.m. Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
Boulder Weekly
LIVE eTOWN RADIO SHOW TAPING AT eTOWN HALL
WITH HOSTS NICK + HELEN FORSTER PLUS THIS WEEK’S GUESTS:
VILRAY ICONIC SOUL SINGER
BETTYE LAVETTE PLUS, THE WINNER OF THE
NICK & HELEN
A P R I L
FRIDAY APR 27 7:00PM | $25
M A Y
Copland’s Rodeo Conducted by Andrew Litton
CLASSICS
Brett Mitchell, conductor
APR 6-8 FRI-SAT 7:30 SUN 1:00
HalfNotes
THIS IS A RADIO SHOW TAPING AT eTOWN HALL
These performances include FULL SCREENING OF THE FEATURE FILM!
Andrew Litton, conductor Alban Gerhardt, cello
The American Voice
Jurassic Park In Concert MAY 3-4 THU-FRI 7:30
■
eCHIEVEMENT AWARD® AND MORE!
LISTEN/HEAR
APR 12 THU 7:30
Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director
Béla Fleck: Concerto for Banjo and Orchestra No. 3
SPECIAL
Jurassic Park Trademark & © Universal Studios. All Rights Reserved. Jurassic Park – Film with Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC and The Gorfaine/Schwartz Agency, Inc.
Pirates of the Symphony Seas!
Buntport Theater and the Colorado Symphony
MAY 6 SUN 1:00
Christopher Dragon, conductor
Mozart’s “Elvira Madigan” Piano Concerto No. 21
APR 13-14 FRI-SAT 7:30
Brett Mitchell, conductor Béla Fleck, banjo
FAMILY
HalfNotes
CLASSICS
MAY 11-13 FRI-SAT 7:30 ■ SUN 1:00
Wagner: The Ring Without Words
CLASSICS
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Boulder Weekly
April 19 , 2018 39
screen This would-be B-movie takes too long to get to the part where a giant gorilla fights a giant wolf and a giant crocodile. Also, somebody buy The Rock one properly fitting shirt.
Wherefore art thou, Magilla Gorilla?
If ‘Rampage’ got made, no ape should be left behind by Ryan Syrek
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SPON SORS
Arno & Brenda Niemand
Caccavallo Investment Consulting Kelley & Forsyth Financial Consulting Group James E Johnson, Complex Manager
FCI Constructors Inc. FirstBank JB Fieldworks John & Jill Sheldon Webroot
40 April 19 , 2018
Ross Management Group Boulder Luncheon Optimist Club Kingsbery CPA’s Deneuve Construction
Avery Brewing Co. Ron’s Printing Suerte Tequila Altitude Spirits Whole Foods Market® Boulder
an Andreas and Jurassic Park III were provided abstinence-only education, didn’t use intellectual property protection and had an illegitimate Rampage baby. Oh yeah, while you weren’t looking, they made a whole movie based on a video game in which big animals punch buildings. Literally everything will one day be turned into a movie. What’s near you right now? A box of cereal? “Director Martin Scorsese brings you Robert DeNiro as Grape and Leo DiCaprio as Nuts. This fall, get ready for some loose bowels!” Point is, if they’re willing to spend $120 million making a movie where The Rock plays a primatologist who yells “George!” at an albino monkey who makes a penetrative sex joke, we better get a goddamn mega-budgeted Magilla Gorilla movie with Daniel Day-Lewis coming out of retirement to method act the titular voice-over role. I’m standing firm on this one. Rampage pitches a tent in the uncanny valley between Mount Schlocky Good Time and Mount Gritty Disaster. The Rock plays Davis Okoye, a man whose ongoing feud with all clothing manufacturers on the planet means he will never wear a shirt in which his nipples aren’t more visible than airplane landing beacons. He’s a former Special Forces dude who now makes the same single gesture in sign language at a gorilla a thousand billion times. An evil corporation put genetic editing tech into cans on a space station, which crashes. George the poorly pigmented primate, a wolf and a crocodile all get exposed to the bad science juju and become impossibly large and quasi-unkillable. For some fantastically nonsensical reason, the mustache-twirling CEOs of the Megadick Corporation use the former Sears Tower to broadcast a frequency that attracts the monsters. Then, just like in every third movie, Chicago gets treated like an artery after horking down one of its signature hot dogs. Whatever this city did to Hollywood to warrant it’s repeated Blagojevich-ing on screen, it was likely Rahm Emmanuel’s fault. When the film finally gets to the part where the big animals punch buildings, which was again the entire concept of the movie, it’s fine. Although, the only thing that pleasures VFX folks more than sodomizing Chicago is apparently having a big ape fight a big lizard. There’s nothing new here, other than The Rock sweating a lot in the general vicinity. The big problem is that the movie has the audacity to both attempt character development and to let Jeffrey Dean Morgan refer to himself as a “cowboy” in every single line of dialogue. Making a quality B-movie is actually quite hard, and Rampage sure feels like nobody told director Brad Peyton what it was he was making. I’ll tell you what he wasn’t making: the Magilla Gorilla movie this broken world so desperately needs. Listen, we are damned to live in an era where studios feel more comfortable tying their fortunes to semi-recognizable creative content than experimenting with original fare. Fine. Can we at least pick fun, semi-recognizable, creative content? And can we at least ditch the labored, gritty attempts to “ground” fantastical bullshit in some silly measure of realness? Embrace a goofy tone, take a unique angle and choose the right properties. Put a talking gorilla in a bow tie and top hat, and in doing so, liberate us all from the sad oppression of reality! This review previously appeared in The Reader of Omaha, Nebraska.
Boulder Weekly
film I am (not) a number
Alex Cox returns to IFS to decode ‘The Prisoner’ by Michael J. Casey
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ho is Number One? So asks Number Six, the ON THE BILL: I Am (Not) a Number: Decoding prisoner, played by actor and The Prisoner. 7:30 p.m. April show co-creator, Patrick 20 & 21, International Film McGoohan. And so asked the Series Muenzinger Auditorium, University of hoards of TV viewers across Canada, Britain and Colorado Boulder, 1905 the U.S. when The Prisoner was first broadcast in Colorado Ave., Boulder, 1967 and 1968. A young Alex Cox was among internationalfilmseries.com. them. At 13 years old, he was completely taken by the show’s premise of surveillance and control — its puzzle box allure and its famously unsatisfying conclusion, one that irritated viewers for its resistance to be filed, indexed, stamped, briefed, debriefed or numbered. “It’s incredible,” Cox tells Boulder Weekly. “It’s the best episodic television series ever. It’s the most puzzling, and the most complete in a weird way, too.” Mysterious in setup and execution, The Prisoner follows Number Six as he tries to escape The Village — an idyllic seaside town populated by what seems to be former government agents. “There’s nothing irrelevant in it,” Cox continues. “Nothing that isn’t interesting and doesn’t have something to do with the larger whole; even when it contradicts itself.” As McGoohan has pointed out in multiple interviews, all the secrets to The Prisoner are contained within the show’s 17, 50-minute episodes; and the subject of Cox’s latest book, I Am (Not) a Number: Decoding The Prisoner. For the book, Cox went back through the series, this time viewing the episodes in the order they were shot, not broadcast. In 1967, The Prisoner episodes were oddly jumbled: episode two, “Free For All,” was broadcast as episode four and episode six, “Once Upon a Time,” was broadcast as episode 16. Cox’s approach brings a new level of coherency to an already rich and fascinating series. “It’s visually original and striking, and hasn’t aged,” Cox says. “It’s a frightening, frightening series about science, technology and surveillance.” And, as Cox points out, The Prisoner was well ahead of its time when it came to the casting of women: not as love interests, but as “strong, interesting and often menacing characters.” Cox plans to delve into all of this when he presents “Decoding the Prisoner” at the International Film Series on Friday, April 20 and Saturday, April 21. “I’m going to show two shows and clips,” Cox explains. “The first night, I’m going to look at three different version of the introduction to the series and how it changed. And then we’re going to watch the complete episode ‘Free For All.’” On Saturday, Cox plans to look at The Village in which Number Six is trapped, and how it operates as “a scientific experimentation holiday camp.” “Some of the stuff that happens in it is terrifying,” Cox says. “There’s never been a television series where the hero is frequently threatened with a lobotomy.” Even more frightening, The Prisoner was merely a harbinger of things to come. As Cox points out, “the tiny world Number Six was trapped in is now the prison we all inhabit.” It’s also a damn fun show to watch and talk about; if it weren’t, we would’ve forgotten it long ago. Boulder Weekly
April 19, 2018 41
SI M P L E
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578 Briggs Stre e t Erie, CO 80516 303.828.1392
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Boulder Weekly
Four courses to try in and around Boulder County this week
menu THE TASTING
Midnight Chocolate Gelato
Photos by staff
Fior di Latte 1021 Pearl St. and 1433 Pearl St., Boulder, fiordilattegelato.com
G
elato is one of life’s simple pleasures. On a warm day, a bite into silky, cool gelato transports you to the streets of Florence, where, OK, it may still be hot, but at least you’re in Italy. Fior di Latte turns the gelato game on its head by offering a selection of vegan, dairy-free gelato (in addition to its milk-based offerings). And, it comes in flavors that people actually like — like the midnight chocolate. It’s as dark as it sounds, with enough counteracting lightness in texture and sweetness in the body to make it as pleasant as eating gelato can be. Which is pretty pleasant. $4.45.
Suckling Pig with Farro
Island Tacos
Black Cat market stand Boulder Farmers Market, 13th St., blackcatboulder.com
Street Frites food truck Mobile, Boulder County, streetfritesdenver.com
D
on’t let the name fool you: the Street Frites food truck can and does make a lot of great non-potato-based food. Take its remarkable fish tacos. Chunky, moist and blackened wild-caught mahi mahi is laid atop smashed avocado, mango slaw, adobo pepper sauce and cilantro. The fish’s sweetness is drawn out by the fruity mango slaw and tart pepper sauce. The texture of each bite is balanced between crunchy slaw, buttery fish and creamy avocado. $12.
I
f you’re waiting for an occasion to visit Black Cat or Bramble & Hare, you can bide your time and still taste Chef Eric Skokan’s farm-fresh creations via his tent at the Boulder Farmers Market. Their seasonal menu includes only a few rotating items, but chances are, on any given day, they’re all worth taking the dive. One example is the arrangement of unbelievably tender suckling pig, a chocolate barbecue sauce, herbed faro and fresh early season greens. It’s righteously served plainly, letting each element shine on its own. The faro, in particular, is spectacular; it tastes like a field of clovers and its chewiness is just fun. $10.
Steak Quesadilla
Illegal Pete’s 1124 13th St. and 1447 Pearl St., Boulder, illegalpetes.com
I
llegal Pete’s clearly strikes a chord in Boulder with its low-key, local, fast-casual shop of burritos, tacos, bowls and more. And why wouldn’t it? Cold beer, hot food, laid-back vibes... it’s Boulder County in a nutshell. If you’ve only been going for the esteemed burritos, check out what it does with the quesadilla. Thick tortilla is crisped to a cracker and jam-packed with a choice of protein or veggie, and cheese. The grilled steak is tender and robust, and makes for a substantial bite. $7.99.
DINE IN • TAKE OUT 1085 S Public Rd. Lafayette (303) 665-0666 Hours: Tues. Weds. Thurs. Sun 11am - 9pm Fri. Sat 11am - 9:30pm Closed Monday Boulder Weekly
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April 19 , 2018 43
nibbles
Susan France
BY JOHN LEHNDORFF
REASONS TO CELEBRATE
Susan France
Remarkable eats and deals lure diners up the Diagonal for Longmont Restaurant Week
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here was a time when nobody thought about “dining” and “Longmont” in the same sentence. “When I was growing up, my parents always had to drive to Boulder for a date night dinner,” says Karen Stallard, membership director of the Longmont Chamber of Commerce. However, this is not your Mom’s and Dad’s municipality. “If you haven’t been to Longmont and dined here in the past year or two, you really don’t know Longmont,” she says. “So many new food and drink options have opened that people in Longmont and in Boulder don’t know about,” says Leah Winkler, event and program director for the Chamber.
44 April 19 , 2018
That lack of awareness was the spark that led to the inaugural Longmont Restaurant Week — actually 10 days, from April 20-29. Winkler says that more than 42 Longmont restaurants, bakeries, breweries and pizzerias stepped forward to feature multi-course prix fixe meals, food specials and sipping experiences priced at $18.71. The cost is to honor the year Longmont was founded and to make this showcase of the food scene affordable and accessible. What will $18.71 get you? At Samples World Bistro, it’s a meal of roasted Brussels sprouts with bacon, a short rib poutine burrito and a Wibby Downtown Hop, while Next Door American Eatery dishes a wild Coho salmon burger with cucumber relish, sesame aioli, garlic smashed potatoes and
organic garden salad and a craft Top: Pan roasted Tasmanian ocean ale or wine. trout; Above: “We’re so Sugarbeet owners Ari Kara happy that (left) and Ben Longmont has its Wheelon. own restaurant week. We hope to see new diners who haven’t discovered Longmont’s dining scene,” says Ari Kara, new co-owner with Ben Wheelon of Sugarbeet restaurant. At Sugarbeet, dining week visitors have a choice of four entrees. The first is pan-roasted ocean trout with couscous, asparagus ribbons and lemon thyme beurre blanc. Other options include pasta puttanesca with meatballs, salsa verdeBoulder Weekly
stuffed chicken with fingerlings, and mushroom fettucine with braised fennel. Wines paired to the dishes are available separately. Kara dispensed with a few “myths” about Longmont, especially for Boulder diners. First, Longmont is close, only a 15 minute drive away. You’ll spend more time than that driving in circles around Boulder’s Downtown Mall trying to find a spot. Parking in Longmont is “much less of a hassle,” Kara says. Longmont’s event is inspired by winter and spring restaurant weeks that have become hugely popular in Denver, Boulder and Fort Collins, but with some only-in-Longmont twists. April 21’s Food Truck Pair-Up to benefit Longmont Food Rescue is a three-course, $18.71 feast with sips from Left Hand Brewing Company, St. Vrain Cidery and Longtucky Spirits, and appetizers from three local food trucks: Summit Tacos, Yolk’n Around, and The G-Spot Noshery. Restaurant weeks have tended to focus on bistros, trattorias and finer dining establishments, but Longmont welcomed any hospitality business that asked to be part of the events. For instance, Longmont’s long-standing Blackjack Pizza delivers a family-offour pizza deal, and La Momo Maes Bakery, 900 S. Hover Road, offers a friends’ get-together deal of three large specialty coffees and one fruit and cheese ring. The dining week has multi-course meals to satisfy any dietary approach. At Breakers Grill, it’s a Caesar salad plus a six-ounce prime rib with baked potato, horseradish and au jus topped off with apple pie. At Bin 46 Craft Bar & Restaurant, the vegan and glutenfree feast features beet tartare, an entrée of roasted Aspen Moon Farm spaghetti squash, acorn squash, carrots and butternut squash with coconut cream and pomegranate, and mango brûlée for the finale. Other Longmont Restaurant Week participants include longtime institutions like Mike O’Shay’s as well as newly opened spots like Treat Snack House. Others include Flavor of India, Georgia Boys BBQ, Jefe’s Tacos & Tequila, The Post, Martini’s Bistro, Dickens Tavern, Rosalee’s Pizzeria, Caprese Trattoria and 2020 Food and Wine Bar. longmontrestaurantweek.com
Local food news
Peachy’s Superfruit Cafe has opened at 1926 14th St. in Boulder ... The Sun Rose Cafe has closed at 379 Main St. in Longmont after nine years in business. ... Brandon and Lisa Boldt Boulder Weekly
of Lafayette’s Odd13 Brewing have launched another specialty brewery, Primitive Brewing, 2025 Ionosphere St. in Longmont. Primitive lives up to its name by making sour beer fermented in an open container with spontaneous yeast from the air. This carbonation-free Lambic-inspired beer is sold like wine in 1.5-liter bags in cardboard boxes with a spigot. Primitive’s tasting room is open only on the second and fourth Saturday of every month. ... Boulder’s Centro Mexican Kitchen now accepts pesos for certain items on the weekend brunch menu, including Bloody Marias and huevos rancheros. Biscuits and gravy is $10 or 100 pesos, a fairly favorable exchange rate. (Now we need a place to ditch leftover Euros.)
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Two major battles — one live and one on film — star at Rumble in the Rockies: Get Your Chefs Challenge On, taking place April 29 at The Riverside in Boulder. The live chefs challenge will be emceed by chef Theo Adley of The Populist and features two teams. One team is led by chef Ryan Gorby of Denver’s Cho77 (who worked with legendary chef JeanGeorges Vongerichten) and the other by Kyle Mendenhall of Boulder’s Arcana (who recently cooked at the James Beard House). Other team chefs include Steve Redzikowski (OAK at fourteenth) and Thach Danny Tran (Ace Eat Serve). Each team cooks two dishes to be judged by the audience and by a team of judges including Kelly Jeun, new co-executive chef of Frasca. The tasting is followed by a screening of the Hong Kong chefs challenge comedy Cook Up a Storm. Proceeds benefit Boulder’s Flatirons Food Film Festival. Details: flatironsfoodfilmfest.org
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Front Range Food for Front Range Families Voted East County’s BEST Gluten Free Menu
Taste of the week
Sunday brunch with my sister at Lafayette’s Morning Glory Cafe was a perfect formula of two crispy potato latkes with mild peach salsa, two eggs over easy with black beans and sour cream, one nice blueberry pancake with butter and raspberry jam, plus a steady supply of good coffee.
Words to chew on
“Many people hate the taste of beer to begin with. It is, however, a prejudice that many have been able to overcome.” — Winston Churchill John Lehndorff hosts Radio Nibbles 8:25 a.m. Thursday on KGNU (88.5 FM, 1390 AM, kgnu.org), podcasts at news.kgnu.org/category/radio-nibbles.
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Boulder Weekly
Susan France
community
TABLE
Susan France
Save the plate
Challenges, opportunities lie ahead for Longmont Food Rescue after first year of helping save the city’s food by Matt Cortina
EVERY COMMUNITY
wastes food. Many just send it to the landfill. More evolved communities connect food suppliers with food banks, and cans of beans and hearts of palm find new homes. But in truly evolved food communities, you’re likely to find magical food fairies riding on bicycles, trucking a trailer full of fresh food rescued from the trash to people and groups across town. Nearly one year ago, Longmont became the latest Front Range city to support one such food rescue organization. Kelly Mahoney quit her job as an engiBoulder Weekly
neer and founded Longmont Food Rescue Longmont Food Rescue volunteers to fill in the gaps of what Becky and Lauren existed in Longmont’s Thelen work together to gather and transfood system and to help port food from Whole bring food to the city’s Foods to a church in need of assistance. neediest and to those in its food deserts — neighborhoods where accessing healthy, affordable food is a challenge for its residents. Despite the proliferation of food waste awareness and of food rescues (like the Food Rescue Alliance, of which Longmont Food Rescue is a member, that provides assistance to groups around the country), Mahoney says education is the first step in reducing food waste. “We’re coming to a realization that the food system right now currently is not sustainable and even though there are so many services out there, the need [to reduce food waste] has grown year after year, so something is not quite matching up,” Mahoney says. Mahoney and the other Front Range food rescues are hosting the annual Forward Food Summit on April 28, and they’ll be concentrating on the intersection of gentrification and food scarcity — how pricing lower income people out of their longtime neighborhoods pushes them into areas that have less access to healthy, affordable food. Panels at the summit will seek solutions for this issue, which no doubt affects plenty of Front Range communities, but Mahoney see LONGMONT Page 48
April 19 , 2018 47
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says it’s a complicated problem that will require people to plunge deep into how their food choices, however innocuous seeming, affect people. “One example is community gardens can actually be like gentrifying a neighborhood because it takes up land or it makes the property surrounding it a lot more expensive,” Mahoney says. Longmont represents a unique testing ground for the concepts espoused by the Longmont Food Rescue. On the one hand, Mahoney says “people are involved here, they really are,” and recounts all the advocates for political, environmental, animal rights and other causes she’s come across in her year in the city’s nonprofit space. On the other hand, only one grocery store in Longmont currently donates food seven days a week. Restaurants still produce thousands of pounds of wasted food every year. And, Mahoney says, there are challenges presented by the community itself. “It might be one of those issues, you know Boulder County seems like they might be attuned to it or they’re all about composting or sustainability, but when you dig down to it, they’re really not,” Mahoney says. That’s not meant as a slight; it’s validation of the quest to educate people in the community about what it really means to be part of a food system. Mahoney says there are other food rescues that have easier times navigating their communities; it might be that because Longmont and Boulder County are so big, and so relatively wealthy, that there is a disconnection between food producers and those in need. But Longmont Food Rescue is finding creative ways to get their message before community members, to hasten their education. Once a month, the group hosts a “produce in the park” event, where food is procured from a local farm or store, and people can come to their stand at a rotating park and take food for free, no questions asked. “It’s just a great gathering of different people from all walks of life,” Mahoney says. “It’s homeless individuals, homeless families that are showing up, to people that pick up for their neighbor because they know their neighbor is housebound. ... And then you have the folks who maybe are just walking through the park, and we start up a conversation with them and they say, ‘Oh no, I don’t need that food.’ But it’s a good conversation-starter to be like, ‘When you say that, you’re perpetuating the notion that you’re above someone who quote-unquote needs that food.’” Mahoney encourages everyone, of all means, to visit and take food from the park events, because it’s meant to be a wholly communal experience — though Longmont Food Rescue does direct most
of their regular deliveries of rescued food to people of lesser means. One benefit of a food system that still hasn’t embraced salvaging as much food as possible is that there’s plenty of room to grow. Mahoney says her goal is to get every grocery store in Longmont to shift to seven-day-a-week donations; currently only Whole Foods manages to do that. Mahoney says, “We don’t really care who they donate to either,” because it could ultimately mean thousands of pounds of saved food annually. “I mean, if you go behind grocery sites and you see the dumpsters, they’re still overflowing,” Mahoney says. “They really rely on the falsehood of their liabilities. But there’s really great national and state laws that protect any kind of donor, including the grocery stores.” The Bill Emerson Good Samaritan Food Donation Act protects people who donate food they believe to be in good condition from liability should the food turn out to be bad. In the 22 years since its creation, Mahoney says there have been no challenges to it, indicating liability is an excuse for many potential donors. Too, Mahoney says, grocery stores are escaping the liability issue while also touting their greenness by composting wasted food. “A lot of businesses are picking up the idea of composting as the new thing, but through that whole movement, people have forgotten that before composting comes the really important step of donating that food,” Mahoney says. “So when they compost, they think they’re doing really good, and they’re promoting their business as being sustainable, but they’re really missing the point. We’re trying ... to say, ‘Hey, composting is great, but if you’re composting, you’re missing one really important step before that, which is donating.” But change starts at the individual level, and Longmont Food Rescue is practicing that principle through the Fresh Food Connect program. People can sign up at freshfoodconnect.org, and a member of the team will pick up excess produce from home gardens via an electric tricycle and trailer. And to ensure that community members who are not turned onto these issues are aware of their work, Longtucky Spirits, Left Hand Brewing and St. Vrain Cidery are hosting the Food Truck PairUp on Saturday, April 21 from 4-9 p.m. at St. Vrain Cidery. It’s a part of Longmont Restaurant Week, and 100 percent of proceeds from drink sales will benefit Longmont Food Rescue. It’s the ideal marriage of a burgeoning food scene and a nonprofit dedicated to getting food into the hands of those less fortunate. And for Longmont, it’s a sign of good things to come. For more information and event info, visit longmontfoodrescue.org. Boulder Weekly
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Boulder Weekly
drink Know your brew: Double IPA Bring forth the bitter by Michael J. Casey
T
hough India pale ales (IPAs) are still enjoying a multi-year residency atop the craft beer throne — placement unlikely to be usurped anytime soon — they weren’t always the darlings of the beer drinker’s portfolio. Originally developed by English brewers in the 18th century, IPAs didn’t catch on until the 1840s, when the British Raj was all the rage, and some marketing genius decided to start slapping the words “India pale ale” on their hoppy beers. Jump forward another century, to 1975 to be exact, and we find San Francisco’s Anchor Brewing launching Liberty Ale. Though loaded with Cascade hops — an American-IPA staple — Liberty Ale bears little resemblance to the IPAs you’ll find today. Enter the Double IPA (aka DIPA, IIPA and Imperial IPA), ostensibly created by Vinnie Cilurzo in 1994 by accident when Cilurzo leaned on bitterness to mask any off flavors. Like Michael J. Casey penicillin and the Reese’s Peanut Butter Cup, the accident gave way to discovery, and a bigger, bolder, bitterer style of IPA was born. In 2003, the Great American Beer Festival officially added the category to their competition. Typically high in alcohol (7.75-10 percent ABV), the hallmark of the DIPA is full-bodied, hoppy flavor and a good deal of perceivable bitterness. The benchmark still belongs to Cilurzo, with his Pliny the Elder from Russian River Brewing Company. It’s hoppy, it’s bitter, and it’s unbelievably balanced. And though most writings and descriptions of DIPA tend to focus on hops and bitterness, it’s the malt balance that makes or breaks the beer. Not enough, and the beer becomes an astringent bitter bomb; too much, and you end up with treacle reminiscent of cough syrup. Take Gravity Brewing’s Acceleration: deep gold in the glass, practically copper, with strong lacing, a soft nose and an open and inviting flavor. If served too cold, the brew holds back its secrets. Allow it to warm, and you’ll find a perfect balance of sweet and lively, malty and hoppy. Heading over to the Front Range Brewing Company in Lafayette, their DIPA, Hogback, features 100 International Bittering Units. That might put some off, but Hogback has a surprisingly smooth mouthfeel and fruit-forward characteristics that make it an ideal beer for the warming months. Both Acceleration and Hogback lean on bitterness for stylistic expression, but that isn’t the only way to approach DIPA. Ska Brewing’s BHC DIPA is big and juicy; Outer Range Brewing Co.’s Two Pound Tent — with its bright orange citrus and creamy mouthfeel — might be one of the best hazy DIPAs in the state; and Rails End takes their already grapefruit and tangerine-y DIPA and infuses it with blood oranges to make a Blood Orange Double IPA — an ideal beer for brunch, and an even better beer to encourage the mid-morning nap. Few beers are as versatile as the IPA, and when you expand the canvas to the double, there are many discoveries to be found. Sure, they’ll bite, but you might like it. Boulder Weekly
April 19 , 2018 51
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On April 23, an exoplanet named Nibiru, which is currently hurtling toward Earth, will crash into our planet and destroy all humanity. Christian numerologist David Meade told the Daily Express that after a deep reading of the Bible and the cosmos, it became clear that an apocalypse of Biblical proportions was heading our way. Other news outlets reached out to NASA scientists for a comment on the plausibility that Nibiru is coming to end life as we know it. A sampling of comments from the top scientists in the fields of astronomy, physics and mathematics included, “I don’t have time for this,” “Are you being serious right now?” “I went to MIT for 56 years of rigorous study and I am this close to finding a wholly renewable energy source and you’re asking me about what?” and “Nibiru will come on the wings of an angel and deliver us from evil to our heavenly celestial resting place.” When an intrepid journalist asked for a name to attribute to the last quote, noting that it seemed a little fishy for a NASA scientist to be so brazen about Nibiru, the voice said, “Shmavid Shmead” and hung up giggling. Look, if Nibiru does come and destroy all humankind, at least we’re going out at the peak of our existence, right? Half the world’s coral reefs died in the last two years, a reality TV star is the most powerful man in the world, and Facebook knows everything about us. We can’t do much better than this.
GET ’EM WHILE THE GETTING’S GOOD Quick! Better start hoarding your mini fire-making-machines right now: A lighter shortage is predicted to strike sometime on April 20, possibly as early as 4:20 a.m. “Tens of thousands of people” are expected to congregate in Denver throughout the day, according to USA Today, and they will all be needing lighters. The prediction comes from the extrapolation of officials’ word that a large percentage of Denver’s Mile High 420 attendees will be coming from out of state, and we all know TSA won’t let you fly with fire. Most of the visitors will be coming from southern states who haven’t quite gotten the green memo, they say, and once they touch down on the runway, it’s straight to the dispensaries for their yearly cannabis indulgence and a Colorado-decorated lighter to boot. Honestly, we’re just letting you in on the lighter-shortage scoop in case you need or want to be prepared. The sudden demand of products and welcoming the pilgrimage of outsiders into our state is technically a great thing, because according to the cannabis company LeafLink, retailers across the nation will sell more than $1 billion worth of marijuana products on April 20 — basically the pot industry’s version of Black Friday. So, now you know. And don’t forget to use those lighters responsibly. Boulder Weekly
astrology
for the movie Blue Velvet. Orbison denied the request, but Lynch In the early history of Go to RealAstrology.com to check out incorporated the tune the automobile, electric Rob Brezsny’s EXPANDED WEEKLY AUDIO anyway. Surprise! Blue engines were more popuHOROSCOPES and DAILY TEXT MESSAGE Velvet was nominated lar and common than HOROSCOPES. The audio horoscopes for an Academy Award gasoline-powered engines. and played a big role in are also available by phone at They were less noisy, reviving Orbison’s fame. 1-877-873-4888 or 1-900-950-7700. dirty, smelly and difficult Later the singer came to to operate. It’s too bad appreciate not only the that thereafter the techcareer boost, but also Lynch’s unusual aesthetic, testifynology for gasoline cars developed at a faster rate than ing that the film gave his song an “otherworldly quality the technology for electric cars. By the end of the first that added a whole new dimension.” Now let’s meditate decade of the 20th century, the petroleum-suckers were on how this story might serve as a parable for your life. in ascendance. They have remained so ever since, playing Was there an opportunity that you once turned down a significant role in our world’s ongoing environmental but will benefit from anyway? Or is there a current degradation. Moral of the story: Sometimes the original opportunity that maybe you shouldn’t turn down, even idea or the early model or the first try is better. According if it seems odd? to my analysis of the astrological omens, you should consider applying this hypothesis to your current state SCORPIO of affairs. OCT. 23-NOV. 21: You’ve been to the Land of No Return and back more than anyone. But soon you’ll be TAURUS APRIL 20-MAY 20: The Chesapeake Bay is a fertile visiting a remote enclave in this realm that you’re not very familiar with. I call it the Mother Lode of Sexy Truth. estuary that teems with life. It’s 200 miles long and holds It’s where tender explorers go when they must transform 18 trillion gallons of water. More than 150 streams and outworn aspects of their approach to partnership and rivers course into its drainage basin. And yet it’s relatively togetherness. On the eve of your quest, shall we conduct shallow. If you’re six feet tall, you could wade through an inventory of your capacity to outgrow your habitual over a thousand square miles of its mix of fresh and salt assumptions about relationships? No, let’s not. That water without getting your hat wet. I see this place as sounds too stiff and formal. Instead, I’ll simply ask you an apt metaphor for your life in the coming weeks: an to strip away any falseness that interferes with vivacious expanse of flowing fecundity that is vast but not so deep and catalytic intimacy. that you’ll get overwhelmed.
ARIES
MARCH 21-APRIL 19:
GEMINI
MAY 21-JUNE 20: You’ll soon arrive at a pressure-
packed turning point. You’ll stand poised at a pivotal twist of fate where you must trust your intuition to reveal the differences between smart risks and careless gambles. Are you willing to let your half-naked emotions show? Will you have the courage to be brazenly loyal to your deepest values? I won’t wish you luck, because how the story evolves will be fueled solely by your determination, not by accident or happenstance. You will know you’re in a good position to solve the Big Riddles if they feel both scary and fun.
CANCER
JUNE 21-JULY 22: Strong softness is one of your spe-
cialties. So are empathetic rigor, creative responsiveness and daring acts of nurturing. Now is a perfect time to summon and express all of these qualities with extra flair. If you do, your influence will exceed its normal quotas. Your ability to heal and inspire your favorite people will be at a peak. So I hereby invite you to explore the frontiers of aggressive receptivity. Wield your courage and power with a fierce vulnerability. Be tenderly sensitive as an antidote to any headstrong lovelessness you encounter.
LEO
JULY 23-AUG. 22: In 1973, Pink Floyd released the
album The Dark Side of the Moon. Since then, it has been on various Billboard charts for over 1,700 weeks, and has sold more than 45 million copies. Judging from the astrological aspects coming to bear on you, Leo, I suspect you could create or produce a beautiful thing with a similar staying power in the next five months. What vitalizing influence would you like to have in your life for at least the next 30 years?
VIRGO
AUG. 23-SEPT. 22: I beg you to take a break sometime
soon. Give yourself permission to indulge in a vacation or recess or sabbatical. Wander away on a leave of absence. Explore the mysteries of a siesta blended with a fiesta. If you don’t grant yourself this favor, I may be forced to bark “Chill out, dammit!” at you until you do. Please don’t misunderstand my intention here. The rest of us appreciate the way you’ve been attending to the complicated details that are too exacting for us. But we can also see that if you don’t ease up, there will soon be diminishing returns. It’s time to return to your studies of relaxing freedom.
LIBRA
SEPT. 23-OCT. 22: Singer-songwriter Roy Orbison
achieved great success in the 1960s, charting 22 songs on the Billboard Top 40. But his career declined after that. Years later, in 1986, filmmaker David Lynch asked him for the right to use his tune “In Dreams”
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SAGITTARIUS
NOV. 22-DEC. 21: In 1824, two British explorers climbed a mountain in southwestern Australia. They were hoping to get a sweeping view of Port Phillip Bay, on which the present-day city of Melbourne is located. But when they reached the top, their view was largely obstructed by trees. Out of perverse spite, they decided to call the peak Mount Disappointment, a name it retains to this day. I suspect you may soon have your own personal version of an adventure that falls short of your expectations. I hope — and also predict — that your experience won’t demoralize you, but will rather mobilize you to attempt a new experiment that ultimately surpasses your original expectations.
CAPRICORN
DEC. 22-JAN. 19: Capricorn rock musician Lemmy Kilmister bragged that he swigged a bottle of Jack Daniel’s whiskey every day from 1975 to 2013. While I admire his dedication to inducing altered states of consciousness, I can’t recommend such a strategy for you. But I will love it if you undertake a more disciplined crusade to escape numbing routines and irrelevant habits in the next four weeks. According to my reading of the astrological omens, you will have a special knack for this practical art.
AQUARIUS
JAN. 20-FEB. 18: Germany was one of the big losers of World War I, which ended in 1919. By accepting the terms of the Versailles Treaty, it agreed to pay reparations equivalent to 96,000 tons of gold. Not until 2010, decades after the war, did Germany finally settle its bill and fulfill its obligation. I’m sure your own big, long-running debt is nowhere near as big or as long-running as that one, Aquarius. But you will nonetheless have reason to be ecstatic when you finally discharge it. And according to my reading of the astrological omens, that could and should happen sometime soon. (P.S. The “debt” could be emotional or spiritual rather than financial.)
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PISCES
FEB. 19-MARCH 20: “I would rather have a drop of
luck than a barrel of brains,” said the ancient Greek philosopher Diogenes. Fortunately, that’s not a choice you will have to face in the coming weeks, Pisces. According to my reading of the cosmic signs, your brain will be working with even greater efficiency and ingenuity than it usually does. Meanwhile, a strongerthan-expected flow of luck will be swirling around in your vicinity. One of your main tasks will be to harness your enhanced intelligence to take shrewd advantage of the good fortune.
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EEDBETWEENTHELINES
by Sidni West
The right way to celebrate 420
A
nother April 20 is upon us, aka 420 aka the day for getting baked out of your mind and eating approximately 10,000 bowls of Cap’n Crunch. Each year, marijuana enthusiasts light up all over the world to celebrate the unofficial holiday for cannabis culture. But why do we celebrate weed on Hitler’s birthday? Does it have something to do with a police code for smoking or numbers in that one Bob Dylan song? Why is Destiny via Flickr 420 associated with pot at all? And what’s the point of celebrating a holiday when you don’t know the history behind it? You’re right, there is no point. All you need to know is that it started in the ’70s as an inside joke between a group of teenage stoners from a bougie-ass suburb outside of San Francisco. I could launch into the whole story about how the friend group, known as “The Waldos,” would meet up every day after school at 4:20 p.m. to hotbox a Chevy Impala and apparently they were super tight with the Grateful Dead, but it’s pretty irrelevant at this point. No one cares about a bunch of hippies wearing bell bottoms and smoking reefer 50 years ago. No one really cares how the date got chosen. The hazy history of 420 remains obscure for a reason. The only thing that matters is that it’s a special day for stoners. People from all walks of life come together to celebrate a shared philosophy: mari-
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juana is dope. Let’s talk about the true glory days of 420: high school or college or whatever stage of your life that involved less responsibilities than you have now. Prohibition was still a thing when I was younger, which made 420, like, the funnest thing ever. My best friends and I would stock up on snacks like we were preparing for the apocalypse. Mixed CDs burned with our favorite stoner music, like Sublime and Rebelution, played the soundtrack of our lives as we spent the entire day packing whatever strain of shake our dealer sold us that week into an assortment of bowls and blunts and homemade gravity bongs. Friends would drop by between classes, and you could barely tell who you were talking to through the dense cloud of smoke hanging over the living room. It didn’t matter if we had actual shit to do because celebrating our beliefs was more important than being sober. But how you celebrate today probably looks a lot different than how you celebrated when your parents were still paying your cellphone bill. If you’re casual about it and only smoke on special occasions, you might partake in an after work sesh with your more stoner-y friends. Or maybe you just plan on liking whatever they post on Instagram instead of actually participating because weed turns you into a messy, paranoid weirdo. If you are a total pot head, though, you
will probably be coasting along, high all day because you’re not going to let little things like going to work or school get in the way of celebrating the holiest of high holidays. True enthusiasts have no limits on how they spend 420, no matter what week-day commitments they are expected to fulfill. Many people even clear their schedule altogether to join the thousands of others who gather for the annual 420 rally in Denver. The intentions behind the rally have become controversial in recent years. Some believe the tradition no longer bears any political significance since everyday is 420 when you live in a legalizedmarijuana state, making a massive crowd of people smoking weed together in Civic Park seem more like a party and less like a noble act of rebellion. The real activists (and the side of history that you definitely want to be on) see it as a way to stand together to fight against the biased laws that have disenfranchised entire communities and resulted in the mass incarceration of people of color. Sorry to be a buzzkill, but while legalizing marijuana sounds revolutionary and all, it’s really just benefiting the same class of rich white people that control all the other industries. It doesn’t feel right to post artsy weed photos on social media for doing the same thing that others have literally died in prison over. So while 420 may not hold the same place in your heart as it did when you were 19, the holiday is important for remembering where we’ve come from and the work that still needs to be done today. While so many of us have the privilege to get stoned in broad daylight with zero consequences, there are thousands of others who might never be able to make the transition from imprisonment to empowerment. So join a rally, spark a jay and initiate uncomfortable conversations with your white friends about how weed isn’t legal for everyone quite yet.
April 19, 2018 57
cannabis corner
by Paul Danish
Senator Gardner and the art of the deal
F
ar out. Colorado Republican Senator Cory Gardner struck a mighty blow for marijuana legalization and states’ rights recently. If things play out like Gardner thinks they will, it may turn out to be the most important step toward legalization in a generation. Gage Skidmore via Wikimedia Commons
If. Here’s the deal. Literally. Last week the Washington Post reported, and the White House confirmed, that Gardner had made a deal with President Trump regarding federal marijuana policy as it applies to Colorado and to the country as a whole. Gardner said that Trump told him the federal government would not interfere with Colorado’s marijuana legalization of recreational marijuana and would take a similar hands-off policy with regard to the other eight states that have legalized recreational pot. That in itself is a big deal. It essentially pulls the rug out from under Attorney General Jeff Sessions’s guerilla war on legal marijuana. But Gardner got a second promise from
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Trump as well: The Senator said Trump also told him he would support federalism-based legislation that will allow states to decide how they want to regulate marijuana without federal interference. That’s a really big deal. In return, Gardner promised to lift his blockade on Senate consideration of U.S. Department of Justice nominees. Under Senate custom and rules, individual Senators have broad discretionary power to block consideration of executive branch appointees that require Senate approval. Gardner had used that authority to embargo most Justice Department nominees since January, after Sessions revoked the Cole Memorandum, which set out a federal hands-off policy toward states that had legalized either recreational or medical marijuana. Gardner went ballistic because Sessions had lied to him during his confirmation hearing regarding what he’d do about marijuana. Sessions howled like a stuck pig, but Gardner held firm until he got Trump’s promises. Now that’s the art of the deal. Gardner said he was working on a bill with Colorado Democratic Senator Michael Bennet, Massachusetts Democratic Senator Elizabeth Warren, and Kentucky Republican Senator Rand Paul that he hopes will be moving soon. Gardner told the Denver Post’s Cannabist website that in addition to taking a states’ rights/ federalist approach to marijuana, it would address issues like banking, taxes and research. In an ideal world, the bill would remove marijuana from the list of controlled substances and start treating it like alcohol in federal law. A more modest approach would write the Cole Memorandum into federal law and leave the issue of marijuana’s contemptible classification as a Schedule I controlled substance (like heroin) for another day, which might make the bill
easier to pass. Trump has been known to change his mind in a heartbeat. So will he stick with the deal? There are a lot of reasons to think he will: • There’s virtually no political downside for him. While the only two demographics that still oppose legalization are Republicans and Americans over 65, Trump isn’t likely to lose many Republican or geezer votes over pot. • There’s a lot of political upside. Nationally, more than six in 10 Americans support legalization; support among millennials is more than 70 percent in most polls. Millennials have been trending Democrat; Trump and the GOP generally will need to win more millennial support to avoid a blow-out in the 2018 mid-terms and to keep 2020 competitive. Leading on marijuana legalization could get them some. Opposing legalization could lose them a lot. • Marijuana is becoming an issue in the midterms. Candidates are running on marijuana legalization and getting traction on the issue. By supporting a states’ rights approach to legalization, Trump is putting himself on the popular side of the issue. And his support helps Republican candidates with tough races in blue and purple states defuse an issue that could kill them. • States’ rights is an idea that matters to Republicans, because most of them favor de-centralized government. Pairing states’ rights with marijuana could make the idea of marijuana legalization more palatable to them, and the idea of states’ rights more palatable to Democrats. • Trump keeps his promises. During the 2016 campaign, Trump promised to take a states’ rights approach to marijuana. Whatever you think of Trump, he’s been better than a number of recent presidents about keeping his promises. He doesn’t have any good reason not to keep his promise to Gardner. And a lot of good ones to keep it.
April 19 , 2018 59
Dear Dan: Background: I, a 21-year-old male, enjoy receptive fisting. I’ve also had constipation problems all my life. Question: I saw my doctor recently, and he tried to link my enjoyment of anal sex to my constipation. (Granted, I didn’t tell him everything I do down there.) My understanding was that there was no causal relationship, assuming no serious injuries occur. Is there something I don’t know? Was my doctor just trying to be helpful? —Fearing Inner Sanctum Tarnished Dear FIST: “There are many myths about anal sex, but this is the first time I’ve heard this one,” said Dr. Peter Shalit, a physician in Seattle and a member of the Gay and Lesbian Medical Association. It’s also the first time I’ve heard anyone associate fisting with constipation — typically when fisting is mentioned in the same sentence as constipation, FIST, it’s as a cure. But it’s a myth that fisting cures constipation, of course, along with anal sex being inherently dangerous. “Fisting is a safe activity, provided that both the top and bottom are sober at the time,” said Dr. Shalit. “It does not cause damage or constipation or any other type of bowel problem. The same applies to other anal sexual activities including anal receptive intercourse (getting fucked) and use of toys (dildos, vibrators, etc.) for anal stimulation — again assuming this is voluntary on the part of the bottom and that both partners are not under the influence of mind-altering drugs during sexual activity.” (For safety’s sake, of course, buttfuckers should use condoms and gay and bi men get should get on PrEP.) While many people engage in anal play while under the influence of drugs or alcohol, and most emerge unscathed, uninfected and un-constipated, FIST, getting fucked up before fisting is not a butt sex best practice. A fucked-up top can quickly become an out-of-control top, and a fucked-up bottom can be numb to feelings of discomfort that mean “slow down,” “stop and add more lube” or “stop altogether.” Despite the fact that millions of people safely engage in anal play, many people believe that anal play does irreparable harm to the anus — or the soul — and that sadly includes many doctors. “There is a misconception that these activities can cause damage by stretching or tearing the tissue, when actually the anus is very elastic and much of the ‘permission to enter’ actuBoulder Weekly
SAVAGE by Dan Savage
ally involves intentional relaxation of the muscles by the bottom” and not force applied by the top, Dr. Shalit affirmed. (The top applies gentle pressure, the bottom breathes, relaxes and opens up.) “If a person suffers from constipation, that should be addressed as its
Love
own problem and not blamed on any type of anal sexual activity,” said Dr. Shalit. “In addition: For obvious reasons, it’s not fun to bottom if you’re constipated, so it would be good to have this problem evaluated and treated by a nonjudgmental health-care provider who understands that anal
penetration — by fist, penis or dildo — does not cause constipation.” Finally, FIST, your doctor was misinformed, which is not helpful. If you don’t feel comfortable telling your doctor everything you’re doing “down there,” you can find a new doctor — one you can breathe, relax and open up to (in a different way) — under “find a provider” at GLMA.org. Send questions to mail@savagelove. net, follow @fakedansavage on Twitter and visit ITMFA.org.
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I am committed to making your car buying experience easy and fun! Awarded Best of Boulder by the Daily Camera
20% OFF
with Student or Military ID, or Med Card
Call Elizabeth Today!
303-772-2900
2801 Iris Ave., Boulder, CO
CONCERT TICKET GIVEAWAYS
Shows at Red Rocks, The Fillmore & Fiddler's Green!
Consciously-Grown, Natural Flower & Extracts: Award-Winning since 2009 All Joints Rolled Daily with Fresh-Ground Elite Nug
Boulder – 1144 Pearl St. 303-443-PIPE Westminster – 3001 W. 74th Ave. 303-426-6343 Highlands Ranch – 7130 E. County Line Rd. 303-740-5713 Denver – 2046 Arapahoe in LoDo 303-295-PIPE
www.boulderwc.com 5420 Arapahoe, Unit F, Boulder
“Weed Between the Lines” on pageDOWNLOAD 57. THE
TERRAPIN APP, ORDER AHEAD, SKIP THE WAIT!
Cleanest Artisan Cannabis & Extracts
FOR SPECIALS ON
OUNCES and CONCENTRATES & EDIBLES
For CO medical marijuana patients only.
720.379.6046
Grower-Owned & Dedicated to Maximum Flavor & Terpene-Content
serving Boulder since 2009
HOURS 9AM-9PM MON-SAT, 10AM-5PM SUN 1750 30th Street, Suite 7, Boulder *See ad on PG 55 for restrictions.
BEST OF BOULDER
Practical legal advice for anyone interested in legalized marijuana and vigourous defense of all criminal charges.
•It’s 4-20 all month long, deals every day on our unrivaled BWC-grown flower •Exclusive 4/20 drops from Elbo X Olio,Green Dot labs, 710, and Nomad •New pack deals in time for 4/20 and beyond 5420 Arapahoe • Unit F • 303.442.2565 • www.boulderwc.com Now open til 8p Thurs, 9p Fri & Sat, 6p Sun, 7p Mon-Wed
Taste for yourself Ask about our 30 day free trial 303-604-3000 www.eldoradosprings.com
“STRONG LEGAL ASSISTANCE” BOULDER DAILY CAMERA Voted Best Law Firm by COLORADO DAILY and BOULDER WEEKLY Voted one of Colorado’s top cannabis attorneys in 5280 MAGAZINE
Call (303) 499-3040 or visit: www.marijuanalawscolorado.com www.gardlawfirm.com
$
Craft Cannabis
IT’S IN OUR NATURE!
28th & Iris • www.thefarmco.com
303.440.1323
Met Your Soul Drum Yet? HAND DRUMS, DRUM SETS, AND LESSONS FOR KIDS OF ALL AGES.
wax or shatter
($22.05 pretax)
($33.75 pretax)
($385.87 pretax)
($38.59 pretax)
VALID THRU 4/30/18. WHILE SUPPLIES LAST. NOT COMBINABLE WITH OTHER OFFERS. LIMITS MAY APPLY. must present coupon.
recreational ($99.64 pretax)
wax or shatter
pINE sTREET
alternatives
pINE sTREET
SPRUCE STREET
SPRUCE STREET
1537 PEARL ST, SUITE B BOULDER, CO 80302
(720) 287-0645 Open 10am -7PM Daily On Pearl Street, Across from the Mall, next to Mountain Sun and down the stairs. Free parking Available at the Garage on Pearl & 15th!
www.trillcannabis.com
alternatives
PEARL STREET mALL
LAWRY LANE
WALNUT STREET
PEARL STREET
15TH & pEARL
PARKING GARAGE
PEARL STREET
16TH STREET
one gram
eight grams
The Drum Shop 3070 28th St., Boulder 303-402-0122
15TH STREET
one gram
one gram med distillate syringe
rec live resin
Best Selection of Concentrates in Boulder! Craft, Concentrate Supply Co., Hummingbird,The Lab, Viola Extracts, Keef Cola, Indigo Pro
16TH STREET
$
$
med ounce top shelf
med live resin
Get $29 grams of The Farm-sourced Craft™ Wax or 4 grams for $93. Hummingbird Hash Oil--BOGO 1/2 off
15TH STREET
$
$100 HALF OZ Strains* Strains will rotate. For available strains, visit thefarmco.com/shop * Not to be combined with other discounts. While supplies last. Some exclusions may apply.
it’s 4/20 all month long at trill!
24.00 42.00 420 42.00 124
$
Early Bird Special* Receive 15% off your entire purchase 8-10 am Monday - Friday, 9-10 am Saturday!
14TH STREET
Keep it TrilL
Save Time. Order Online! Same day pickup. Ordering available 24/7.
Strain of the Week* Cherry Mender 20% off all quantities.
www.terrapincarestation.com See our ad below
See Ad on PG 55
See our full-page ad across from Cannabis Corner. Voted Boulder’s Best Recreational Dispensary 2015-2017! Open daily until 9:45 pm
WALNUT STREET