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contents news and views DEMS SHOULDN’T SMIRK OVER SANTORUM / 5 Beware of personhood amendments and the candidates who support them by Pamela White DRYING TIMES / 10 Withering Colorado River flows pose downstream dilemma by Jefferson Dodge ON THE HOOK / 14 A decision 40 years ago has come back to haunt Boulder taxpayers by Joel Dyer, Jefferson Dodge and Elizabeth Miller

buzz REALITY IS THE NEW FICTION / 18 Art exhibit stresses the blurry line between perception and reality by Krystal Baugher Overtones: András Schiff’s piano recitals are daring in their scope / 23 Arts & Culture: Denver Center knocks the Bard out of the ballpark / 25 Arts & Culture: Peggy Stephen searches for gallery space for Asian art / 25 Panorama: What to do and where to go / 31 Screen: Taken; The Secret World of Arrietty/ 37 Reel 2 Reel: Pick your flick / 38 Elevation: Filmmakers behind ‘Cold’ on life, art and suffering / 40 Cuisine: The great gluten debate / 42 Cooking with Cynicism: Better-than-restaurant-pizza project, part 1 / 42 Cuisine Review: Laudisio / 43 Tidbites: Beer pairings; Denver’s more than a week restaurant week / 44

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departments Letters: Cutting to the chase; Cell phones and drivers; Fracking stealth mission / 4 The Highroad: The poppy war in Afghanistan / 4 The Danish Plan: Vote for a third-party candidate with money sense / 6 In Case You Missed It: Only in Boulder; There’s an app for Labatt/ 6 Boulderganic: ‘Chasing Water’ tells of the once-mighty Colorado River / 11 Free Will Astrology: by Rob Brezsny / 49 Boulder Marketplace: Your community resource / 50

staff Publisher, Stewart Sallo Editor, Joel Dyer Director of Sales & Marketing, Dave Grimsland Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Special Editions/Calendar Editor, Elizabeth Miller Online Editor, Quibian Salazar-Moreno Contributing Editor, Pamela White Interns, Blair Madole, Amanda Moutinho, Hadley Vandiver, Steve Weishampel Contributing Writers, Peter Alexander, Krystal Baugher, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Danette Randall, Theo Romeo, Alan Sculley, Isaac Woods Stokes, Tom Winter, Tate Zandstra, Gary Zeidner SALES Retail Sales Manager, Allen Carmichael Inside Sales Manager, Jason Wing Account Executives, David Hasson, Amber Hayes, Brooke Sunness, Amaru Ward, Jim Williams PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Francie Swidler CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 12-Year-Old, Mia Rose Sallo February 23, 2012 Volume XIX, Number 29 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holds-barred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 2012 editorial@boulderweekly.com www.boulderweekly.com

Cover photo by Peter McBride Printed on 100% recycled paper with soy-based ink.

Boulder Weekly

February 23, 2012 3

letters Boulder Weekly welcomes your correspondence via email (letters@boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to shorter letters that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Cutting to the chase

(Re: “Foreskin follies,” Uncensored, Feb. 16.) Way to go Pamela! Thank you for your attention to the practice of infant circumcision. There are some good reasons to keep the penis intact. Like I read somewhere: “A foreskin is not a birth defect.” Patricia Kay Youngson/Boulder Thank you for your sensitive and balanced reporting on this issue. Most articles either refuse to present the other side of the circumcision debate or are simply ignorant. Not only have epidemiological studies failed to find any benefit from circumcision with respect to sexually transmitted diseases, the U.S. has both the highest rate of HIV among heterosexuals and circumcision in the developed world. This is not speculation but what the CDC and other national health services show. As an intervention, circumcision has been tried and found wanting. Now, with all the press about circumcision possibly preventing HIV infections among heterosexual men, we may be seeing risk compensation, where men who are circumcised think they are protected. This will only make the epidemic in the U.S. worse and, in my

opinion, is dangerous and unethical. Let’s compare and contrast circumcision to the polio vaccine. Both have been widely available for the last 60 years, both have clinical trials showing efficacy. Now, if the countries that had the highest vaccination compliance had the highest polio infection rate, after 60 years of use, would any sane person use it? Yet that is exactly what we see with circumcision and sexually transmitted diseases, including HIV. Polio is unheard of in the U.S., HIV is more common here than in any developed country. Not only is it more common in general, but also among heterosexual men and heterosexual women. Moreover, the U.S. has the highest rate of HIV-infected heterosexu-

al women of any English-speaking developed country: two women for every heterosexual man. Move north, across the Canadian border, and that number drops to one to one. Clearly, the U.S. is doing something very wrong, and it is infecting men and women with HIV. As for the cost of circumcisions paid for by Medicaid, the data cited by your article was only for the cost paid to the attending physician under Medicaid. Looking at the data in the National Inpatient Sample (NIS), the Kids Inpatient Database (KID) and the Statewide Inpatient Database (SID), available through the U.S. Department of Health and Human Services, shows the true expenditure to be 10 times

higher. The average circumcised child spends 0.2 days longer in the hospital and requires other interventions, all of which are charged to Medicaid. Not only does this bespeak of the risks associated with infant circumcision, it also increases the cost to Colorado from $200,000 per year to over $1.9 million, money that should be used to buy books for schoolchildren and supply needed funds for Medicaid recipients who are in critical need. Circumcision is truly tripping over dollars to pick up nickles. Scot Anderson/via Internet

see LETTERS Page 5

the

Highroad The poppy war in Afghanistan by Jim Hightower

h to be in Afghanistan again, when the poppies are in bloom! For a symbol of how America’s decade-long war is going in this faraway land, look at the beautiful fields of red poppies flowering so bountifully there. Unfortunately, that bounty symbolizes a failure of an ambitious Western initiative against the Taliban forces. Poppies are the raw material for producing 4 February 23, 2012

opium, and just one Afghan province produces some 40 percent of the world’s opium poppies. That illicit flower power fuels the Taliban with the money to buy weapons, train fighters, bribe Afghan officials and otherwise make war. So, the West’s strategy has included an all-out effort to eradicate poppy production, both by banning the crop and by helping Afghanistan’s impoverished sharecroppers switch to such alternatives as wheat and cotton. Good theory! If it works. It hasn’t. Many poppy growers didn’t like having their sure cash crop taken away from them, so they moved to a desert region that’s under Taliban control and turns out to be remarkably productive poppy land. Meanwhile, those raising wheat and cotton are producing good crops, but the Western development specialists forgot to focus on the key factor in convincing people to switch: profit. Afghan cotton is not

competitive with cheaper cotton from Pakistan, For more information on Jim Hightower’s plus, the lone cotton mill work — and to subin the region often isn’t scribe to his awardworking and is notoriwinning monthly newsletter, The Hightower ously slow in paying Lowdown — visit www. farmers. jimhightower.com. Bottom line is that more farmers are going into the desert, because, as one put it, “there aren’t any other crops where we can make enough money to fill our children’s stomachs.” Overall poppy production in Afghanistan was up by 7 percent last year and is expected to increase more this year. Trying to win the hearts and minds of the Afghan people is one thing, but first take care of the children’s stomachs. All those blooming poppies are yet another sign that we don’t know what we’re doing in Afghanistan. Respond: letters@boulderweekly.com Boulder Weekly

uncensored Dems shouldn’t smirk over Santorum by Pamela White

I LETTERS from Page 4

Cell phones and drivers

Editor’s note: The following letter was submitted by a Casey Middle School eighth grader as part of a language arts class assignment. It is presented unedited. I am writing you this letter because I want you to listen to my issue that you have to know about and help us do something better to control this issue. I argue that drivers should stop using their cell phones while driving, because death numbers and car crashes are increasing a lot each year, and they are also damaging stuff around us. It is a problem that people text while driving, because it’s very bad for our surroundings and it puts people’s life at risk. When people are texting, some of them might text because they think the text is important or because their self important. Also, people texting can cause crashes, deaths, injuries and a lot of damages. The effects on this issue is that it would cause deaths, and it might increase the number of deaths, crashes, damages and

the number of people going to prison. If people damage stuff outside, that the owners used and cost a lot of money, they are going to pay for the damage that they made. Colorado and other states should make a law that involves using cell phones while driving, if not they should make one to control this issue. Although, the people that are driving should turn off their cell phones and turn them on when there done driving, or simply they shouldn’t answer. People need to understand that they are risking their lives. Consequently they can kill them self ’s or they might injure them self ’s. In conclusion, according to a report by the National Highway Traffic Safety Administration, “In September 2009 the (NHTSA) [said] 5,870 people were killed, in 2008 [an] additional 515,000 people were injured due to distracted driving.” Do you want this to keep happening every year and a lot of deaths see LETTERS Page 8

quotes “I tell people it’s like the NCAA Final Four with no elimination. You could imagine all of us going all the way to the convention.” —Republican presidential candidate Newt Gingrich, commenting on the GOP candidates’ path to their national convention “When people read about bad Chinese factories ... they might have a moment of outrage. But then they go to Amazon and are as ruthless as ever about paying the lowest prices.” —Massachusetts Institute of Technology economist David Autor, saying that while Apple supplier Foxconn has agreed to enact labor reforms, it is not enough to make significant change “We almost couldn’t believe it ... As my colleague Congresswoman Carolyn Maloney asked, where are the women?” —House Minority Leader Nancy Pelosi, reacting via email to the composition of a male-only panel convened by House Republicans to examine denying access to birth control Boulder Weekly

n 1981, when I was a high school junior, a law was passed in the United States that made it illegal for lenders to discriminate according to sex or marital status. The law — called the Equal Credit Opportunity Act — grew out of the fact that women found themselves facing unwarranted rejection when they tried to buy property or automobiles without a father or husband’s signature to go with their own. At the time, single women represented only 11 percent of homeowners, and that was an increase caused by a surge in women’s independence and personal wealth. That surge was itself caused or deeply influenced by a Supreme Court ruling handed down in 1965, the year after I was born, Griswold v. Connecticut, that gave women free access to the pill and other contraceptives. Women’s reproductive liberty and ability to lead a life of independence and prosperity are inexorably linked. I hope young women reading this column will reflect on those dates. To someone born in 1990, the years 1965 and 1981 might seem like ancient history, but they are not. These changes took place while their mothers and fathers were young. Thanks to conservative religionists like Rick Santorum, they may be relegated to the past. The pro-choice community is sometimes guilty of viewing small challenges to a woman’s right to choose abortion as monumental threats, but what is happening right now in America is a monumental threat, not to women’s fertility, but also women’s liberty and independence. Lawmakers in Oklahoma and Virginia are on the brink of passing “personhood” amendments like the one Colorado voters have twice rejected that would give full rights to fertilized eggs and ban not only abortion, but also the pill, the morning-after pill and certain fertility treatments. One chamber in each of these states has already passed the measure, putting it one vote and one gubernatorial signature away from becoming law and setting the stage for a showdown over Roe v. Wade and Griswold. At the same time, we have a presidential hopeful who is gaining — yes, gaining — in the polls by saying that states should have the right to outlaw contraception because contraception leads to immorality; who opposes abortion in all instances; and who most

recently said he opposes prenatal testing because it gives parents the option to abort malformed fetuses. Meanwhile, the U.S. House of Representatives holds hearings about contraception and invites only men. Although the topic was ostensibly the impact on religious liberty of President Obama’s soon-to-be abandoned mandate that all women have access to contraception, the fact that only men were represented says a great deal about the violently patriarchal nature of fundamentalist religion in the United States. It’s temping to want to look at recent events and dismiss the attack on women’s reproductive liberty as the death rattle of religious conservativism that is desperately out of touch with even its own constituents. After all, polls show that 58 percent of even Catholic women don’t agree with Santorum about contraception, much less prenatal screening. And more Americans believe abortion should be legal in at least some circumstances than oppose abortion outright. Together with those who are solidly pro-choice, that’s a majority in favor of some protections for abortion. But it would be a grave mistake to not take the situation seriously. Although the majority of Americans support a woman’s right to use contraception and even her right to have an abortion under some circumstances, there are plenty of people who care more about getting Obama out of the White House than protecting young women’s reproductive freedom and the improved health and economic vitality that go with it. Remember what so many of us said in 2004? The battle cry then was, “Anyone but Bush.” Among older conservatives who missed out on the sexual revolution and for whom reproduction is a dried-up memory, the medieval ramblings of Santorum are far more tolerable than another four years of Obama. When a state house of representatives votes 34 to 8, as Oklahoma’s House did, to outlaw the pill and abortion under all circumstances, it’s time to act. To support Virginians fighting for contraceptive liberty, go to http://t.co/ f6PBwhiy. To stop Oklahoma’s war on women, go visit ocrj.org. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly. February 23, 2012 5

danish plan The intriguing David Walker by Paul Danish

nd now, the next president of the United States! David Walker! Huh? Yeah, you know, David

Walker. The former comptroller general of the United States. The guy who has been traveling around the country for years saying sensible things about money. That David Walker. The guy New York Times columnist Thomas Friedman was touting as a latter-day H. Ross Perot and third-party candidate in his column last Sunday. The guy Politico blogger Alexander Burns says has put out “an intriguing statement” on the anniversary of Ross Perot’s presidential announcement. That David Walker. Walker’s “intriguing statement” said Ross Perot ran on four key issues: “fiscal responsibility on the part of both Democrats and Republicans, political dysfunction in Washington, lack of trust in government and declining confidence in the future” — essentially the same issues that are agitating large numbers of voters today. “Today, we are worse off on all four counts,” the intriguing statement goes on. “Therefore, we need another Ross Perot-style issue campaign to provide the American people with the facts, the truth, the tough choices and some sen-

sible solutions to restore fiscal sanity.” And might it be possible that David Walker thinks he just might be the next Ross Perot? Intriguingly, the email from Walker to Politico’s Burns that contained Walker’s statement also pointed reporters to Friedman’s column, floating the idea of a third-party candidacy by David Walker. Equally intriguingly, Burns says Walker’s name has come up in association with a number of centrist and third-party efforts for 2012, including those of an organization called “Americans Elect.” Like David Walker, Americans Elect is not exactly a household name, but it should be taken seriously. The organization is using the Internet to sign up 5 million or more registered voters (nearly 2.5 million have joined so far), who will then use Internet voting to nominate a presidential ticket, which the group intends to put on the ballot in all 50 states. The reason Americans Elect should be taken seriously is that as of Feb. 6 it had qualified to have its putative ticket on the ballot in 16 states (including Colorado), with certification pending in two others and ballot access activities under way in 17 more. In other words, Americans Elect could very well provide the portal for a David Walker or some other non-party candidate to make a serious run at the

White House — in theory. So what are we to make of all this? Since the Civil War, all third-party candidates for president have flopped — as Friedman, Burns and Walker all acknowledge. They all argue that the real value of third-party candidacies lies in their shaping of the national political conversation and in bringing forward ideas and policies that are ultimately embraced by the major parties. But most intriguingly, Messrs. Friedman, Burns and Walker all neglect to mention the most substantive result of Ross Perot’s 1992 campaign — it made Bill Clinton president. Early on, the Perot campaign attracted roughly equal numbers of Republicans and Democrats, but by the time November rolled around, a lot more Republicans than Democrats ended up voting for him. Clinton would have lost if Perot hadn’t been on the ballot. It is inconceivable that Friedman, Burns and David Walker don’t all know this. Which is why I wonder if there might not be a hidden agenda in play here: Run David Walker as a supposedly nonpartisan alternative, use Americans Elect to get him on the ballot in 50 states, and hope he drains off enough Republican votes to elect Obama. But regardless of whether that’s the game, a Walker run for the Americans Elect nomination involves more than a little wishful thinking — as a quick visit to the Americans Elect website attests. Organization members have already started nominating candidates, and as of Feb. 19, the candidate with the most support was Ron Paul with 2,314 sup-

porters, followed by John Huntsman with 1,215, Bernie Sanders 913, Barack Obama 768, Michael Bloomberg 527, and Stephen Colbert 421. David Walker had a thumping 52 supporters. Which is not to say he couldn’t mount an organized campaign to move up by flooding Americans Elect with new members; any registered voter can sign up and participate. But lest you think Ron Paul’s numbers are just another example of his mastery of the Internet straw poll, consider a bit of news from Iowa: A Des Moines Register poll of Iowans likely to vote in the general election found that three of the four current Republican candidates would beat President Obama if the election were held today. The one who does best is Ron Paul, winning by a seven-point margin (49 percent to 42 percent). Santorum wins by four points (48 percent to 44 percent), and Romney by two points (46 percent to 44 percent). Paul showed “crossover power,” according to the Register. It may break Thomas Friedman’s heart to say it, but if there is a serious third- or no-party candidate this fall, it’s going to be Ron Paul, not David Walker. And given that Paul’s biggest crossover draws are his anti-war and anti-drug-war stances, he could take as many or more votes from Obama as from the Republican candidate. Now that’s really intriguing. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.

icumi

in case you missed it ONLY IN BOULDER OK, so sometimes the whole Boulder-ness of our county can get to be a bit over the top. The latest was a recent email from your Boulder County government reminding all of us green-abiding citizens that Feb. 24 is the deadline for commenting on the county’s “Climate Change Preparedness Plan.” Yep, folks, our county government has shelled out good money to a team of consultants to tell us how we can be prepared for the end of the world. Take that, you anti-science, global warming deniers. Still, our closet Republican side couldn’t help but poke a little fun at this. Were they going to

6 February 23, 2012

advise us to stockpile water? Buy some solar-powered fans? Invest in radiationproof suits? We decided to give our wise elected leaders a fair shake and check out the draft plan, which simply lays out a bunch of recommendations for emergency management and dealing with things like droughts, dwindling water supplies and wild-

fires. Alright, so those are legitimate threats, regardless of whether current trends are being caused by climate change or periodic shifts that occur naturally over thousands of years. We’d still like to insert something about beachwear. If you’d like to make suggestions too, check out the plan at bit.ly/BCCCPP. THERE’S AN APP FOR LABATT Also got an email (does anyone else need a personal assistant just to manage the never-ending stream of email flowing into various inboxes?) see ICUMI Page 9

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LETTERS from Page 5

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The tenacity of the oil and gas business is almost impressive. The advent of horizontal fracking engineering has representatives delivering the rhetoric of new jobs and rosy times. The usual smooth-talking suspects are EOG Resources, Halliburton, Anadarko, Noble Energy, Chesapeake and other competitors looking to win land bids and break hearts. If fracking continues as planned, their stealthy tactics and expectant stakeholders will be rewarded with billions of dollars worth of profit. And that’s just on the Front Range. Determined to understand how this all works, I did some metaphoric digging. I flipped back through journals from a summer spent touring natural gas drilling sites, meeting with BLM staff, hearing from communities in proximity to platforms and wells, and talking with representatives of Xcel and other buyers. The process of sticking tentacles into the ground, drawing up gas locked in shale, and getting it to market seems intentionally confusing. There are many parties involved and stops along the way. This is basically how it works. An operator from a drilling company determines areas of interest. Recently, land in Longmont and in Weld County by Erie’s public schools became very interesting after it was deemed profitable. Contracts are negotiated, or forced, between the oil company and the landowner. Sometimes a homeowner will own the land and not the minerals underneath, making it justifiable for the company to slip access what’s underground. If a homeowner refuses, the Landmen, the official title of the person knocking on your door, can move forward under a “forced pulling” pretense. In cases where the BLM has cited possible species extinction warnings, the drilling has happened despite. The rhetoric

of an economy boost trumps health concerns, rights of individuals and the unfortunate habitat placement of plants and animals. I do not think I’m taking liberty in saying this: Historically, when someone has said “no,” the rules change, straight answers fall to the wayside, and the bully on the playground wins. Here’s an example of a governmental safeguard. The Colorado Oil and Gas Conservation Commission monitors spills. For public convenience, if a spill occurs, like the 25 gallons of diesel fuel on the highway of Weld County on Feb. 24, 2011, or the 100 gallons of hydraulic fluid onto the land in Weld County on May 16, 2011, a citizen can file a complaint form. Like spilt milk, it’s wiped up and a report is prepared and posted online with the reassurances of “no further action needed,” “report pending” and “no impact identified.” Compared to the unfathomable million-year timeline formation of shale — a mineral once a vegetation mud pack in shallow waters — the digging up and shipping off of this controversial commodity seems to be happening with a disconcerting lack of hesitation. EOG (a drilling company) addresses drilling strategy on their website in a letter to stockholders. “Our explorationists quietly scout different areas and analyze rocks that are amenable to substantial development potential.” No strategies for community health precautions; just a promise of sneaky feet and good eyes. It leaves me wondering, with wells springing up next to playgrounds, with investors tiptoeing in backyards, can we afford to let fracking be a stealth mission? Can we afford to lie down with the familiar promises and assurances being whispered in our ears? We need to decide what the community response will be to fracking projects, other than filing paper work and stomping our feet. For participation in community discussion and action, attend “The Truth About Fracking” on Sunday, Feb. 26, 2–3:30 p.m., at Trail Ridge Middle School Auditorium, 1000 Button Rock Dr., in Longmont. Cayte Bosler/via Internet Boulder Weekly

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from a company that has developed a handy iPhone case. With a bottle opener. Yes, we knew there would come a day when smartphones would become as handy as Swiss Army Knives, complete with awls, screwdrivers, toothpicks and tweezers. The bottle-opening cover, dubbed the “Intoxicase,” also comes with an app that uses your iPhone’s gyroscope sensor to count how many bottles of beer you’ve opened in one sitting, lets you keep track of what kinds of beers you’re drinking (it comes preloaded with 400

brands) and even logs how many gallons you’ve consumed over time. Plus, when you realize you’ve had too many, it can locate local taxi companies and connect you to a ride home with one touch. Ah, just in time for March Madness, St. Patrick’s Day and spring break. Next, they need to add a breathalyzer. Check it out at intoxicase.com. Just don’t drunk-text ex-boyfriends. Respond: letters@boulderweekly.com

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boulderganic Pete McBride

Drying times

Withering Colorado River flows pose downstream dilemma by Jefferson Dodge

n Colorado, when we think of snow, we often think of skiing. But for the tens of millions of people who live in the river basin that bears our state’s name, in places like Arizona and California, our snowpack means much more. It means water. And in recent decades, that water has been dwindling. The rally held at the state Capitol in Denver this week to protest the Windy Gap Firming Project, which would divert even more water from the upper Colorado River basin to quench the Front Range’s thirsty development, is only a microcosm of a larger question: What can be done to address competing water interests in the basin as a whole, when demand is increasing and supply is on the decline? It’s a question addressed in the Peter McBride

film Chasing Water, which is showing next week in Boulder (see story, page 11). Tom Yulsman, co-director of CU-Boulder’s Center for Environmental Journalism, co-authored a two-part article with journalism master’s student Brendon Bosworth called “Running Toward Empty” in early 2011. One of the questions they asked was whether last winter’s heavy snowpack made a dent in reversing the effects of a decade-long drought that has created “bathtub rings” at shrinking Lake Mead and Lake Powell. Their response was, yes, but it was a small dent, and most signs point to the problem getting worse, not better. “We are taking more water out of the Colorado River basin than actually flows out of the Colorado River basin,” Yulsman tells Boulder Weekly, adding that “savings banks” like Mead and Powell have been

the only thing keeping the lower reaches of the Colorado from drying up even more. (Yulsman and Bosworth note in their article that the city of Las Vegas began drilling for a new intake pipeline at Mead because of worries that water would eventually dip below existing outflow points.) Scientists debate whether the current drought is a symptom of climate change, or just a naturally occurring dry spell that happens periodically. Either way, its effects are real and demand attention. “We tend to think, OK, the mountains look snowy, things must be OK,” Yulsman says. “We tend to have a short-term outlook, but we’re talking about a long-term process that takes place over years.” For more answers, Boulder Weekly turned to See WATER Page 12

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boulderganic Pete McBride

Song of The River

‘Chasing Water’ tells the tale of the once-mighty Colorado River by Traci Hukill

n a sense, photographer Pete McBride has been preparing to make Chasing Water all his life. Raised on a cattle ranch in the Roaring Fork River Valley, he grew up working hay fields irrigated by the snowmelt that carved the Grand Canyon and slaked the thirst of the Southwest. “I often used to think about water,” he says in the film. “I wondered how much went into our fields and how much returned to the creek.” Later, as a photographer for National Geographic, Outside and Men’s Journal, McBride traveled to some of the world’s most exotic locales — often, as it happened, shooting stories that related in some way to water. His 18-minute documentary, judged the Best McBride shot some HD video, and the idea for a Short Mountain Film of the 2011 Banff Film film took hold. McBride connected with fellow Festival and screening Wednesday at the Boulder Coloradan and film editor Anson Fogel (also of the Theater, didn’t begin as a film at all. Banff triumph Cold, see story on page 40), who con“This started as a magazine assignment for the vinced him to participate in the film as a narrator. now-defunct National Geographic Adventure,” Shot almost entirely from overhead, Chasing McBride said in November in a conversation at Water, the film, follows the river’s progression as it Banff. The original flows southwest from idea was to shoot its mountain headwawriter Jonathan ters through the Chasing Water (NR; 18 min.) screens Wednesday night as Waterman’s paddling Grand Canyon and part of the Banff Mountain Film Festival, which is running at trip down the length southern California the Boulder Theater on Feb. 28 and Feb. 29. Other films include Ice Revolution, Towers of Ennedi, Kadoma, Sketchy of the Colorado River, toward its ignominiAndy, Winter, Hanuman Airlines and The Freedom Chair on one of the most heavous end in the Feb. 28 and Origins: Obe & Ashima, Blue Obsession, On the Trail of Genghis Khan, C.A.R.C.A., Ski Bums Never Die and ily diverted waterways Mexican desert, All.I.Can on Feb. 29. Proceeds will benefit the CU Outdoor in the world. “Then I drained by the thirst Program and Boulder Mountainbike Alliance. Tickets are available online at www.bouldertheater.com and at REI. was like, ‘This is too of 30 million people dear to my heart,’ and and 3.5 million acres I thought maybe we of farmland. The vancould get a book, and then sponsors showed up.” tage point gives the piece a cerebral aspect: There’s In fact, two books resulted from the project: nothing like an aerial view to show the cold logic of Waterman’s Running Dry and the McBride/ dams and canals, and the 100-foot “bathtub rings” around Lake Powell serve as a grim reminder that Waterman coffee table stunner The Colorado River: Flowing Through Conflict. While taking aerial footage the water demands of the Southwest far exceed its diminishing supply. for the book from the cockpit of his father’s plane,

Ultimately, though, Chasing Water is essentially an artistic film because of its remarkable beauty and its shockingly personal impact. When McBride as cameraman deplanes, leaving behind lyrical views of the turquoise river meandering through red sandstone to meet up with the kayak-bound Waterman in what McBride calls “the frappuccino pit” in the Delta, it’s like a kick in the gut. The foaming sludge of agricultural effluent and raw sewage, what is now the graveyard of the Colorado River, used to be a braided network of lagoons where birds nested and shrimp hatched. McBride and Waterman had to walk the last 29 miles to the Sea of Cortez in order to complete their mission of following the river’s old course. Only the remoteness of the Delta has allowed this to happen, McBride said. “The river stopped reaching the sea in the ’80s,” McBride explained, “but during the spring runoff it would reach it. Not a drop has reached since the late ’90s, but most people don’t know that. And that’s a big issue, I think. Because if the river ended in San Diego they’d freak out. They’d be like, ‘Where’s our river?’” Traci Hukill is editor of the Santa Cruz Weekly. Respond: letters@boulderweekly.com

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boulderganic WATER from Page 10

Jennifer Pitt, Colorado River Project director for the Environmental Defense Fund. Below is the exchange, edited for length. Boulder Weekly: For those here in Boulder County who may not be intimately familiar with the water management challenges that we’re facing on the Colorado, would you give a quick snapshot of what you’re working on right now? Jennifer Pitt: From a basinwide perspective, I think there’s been a recent realization that demands on the river for water actually have been exceeding supply. That’s in part caused by the fact that we’ve been in an 11or 12-year drought. But drought notwithstanding, especially if demands keep rising, we’re at the point where use of the river’s water is unsustainable. Everybody believes that the region will continue to grow, there’s a great quality of life in the mountain West, in the Southwest, and people are attracted to this region for a variety of reasons. And there’s no reason

to think that’s going to stop or that it’s not going to pick up as the economy improves. That will cause water demands to continue to increase, and there’s a lot of concern that climate change will cause supply to decrease, possibly because of decreased precipitation in the region, but certainly because of increased temperatures that will increase evaporation rates and demands for water. BW: So it’s kind of like a perfect storm where supply is dwindling and demand is increasing. JP: Exactly. So that’s the essence of the challenge. Every institution and agency that is a stakeholder in the river and the river’s water is concerned about it. From the environmental perspective, we are concerned that because there is no inherent right to water for the river itself, and because of historically how the river has been managed

Drought notwithstanding, especially if demands keep rising, we’re at the point where use of the river’s water is unsustainable. — where the environment usually gets last dibs — if we are not proactive, there will be bad outcomes for the river. We have the first look at that kind of outcome in the delta of the Colorado River down at the U.S./ Mexico border. BW: There’s no water reaching the sea, is there? JP: That’s correct, and it’s been that way for more than a decade now, and when the news came out a few years ago that supply on the river was not keeping up with demand, those of us who have been working on trying to restore flows to the delta of the Colorado River were not surprised, we

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knew that already, and that’s because we knew there was no water reaching the sea. … The most fundamental challenge I can describe to you is how to keep this region thriving in an economic and quality-of-life frame, without destroying the river that’s so essential to our quality of life, to jobs that are created by the recreation economy, and also to the 70 percent of wildlife in the region that depends on the rivers for some part of their life cycle. BW: You’ve written about water management and removing barriers to water trading and transferring. Can you talk about what that entails and how difficult that is? JP: I will need to caveat that and say that I don’t think anyone in the environmental community would advocate for an unregulated market, because we already have a theme in the water world, See WATER Page 13

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Boulder Weekly

boulderganic WATER from Page 12

which is “water flows uphill to money.” With that said, it is fair to anticipate the day, sometime in the future, when urban conservation does not supply enough water to meet the growing demands of the urban areas of the Southwest. So we’d like to see some ability for water-sharing, basically between agricultural users, which have the vast majority of water rights on the river. We don’t want to see agriculture go out of business by any stretch, by any means. Agriculture is an essential part of the region’s economy, and there’s a lot to be said for our local food supplies, and for the environmental benefits that agriculture supplies and for the quality-of-life benefits that agriculture supplies. We don’t want to see that disappear, but we do believe that there are ways that agriculture might be able to share water, particularly in dry times, and provide for some of those urban needs. And the reason why this is important is that at this moment, when we’ve realized that demands on the river exceed supply, if you don’t allow for transfers, what you’re ultimately doing when you

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take a new increment of water out of the river is you’re causing a shortage somewhere else. If you think of it as one big bucket, with a lot of straws, if we’re already using everything that gets poured into the bucket, then the new straw that gets put in is inevitably creating a shortage somewhere else. So we think we need more attention to how transfers can be done well to optimize benefits across sectors. BW: This may require a complex answer, but what are the keys to the solution to this challenge? JP: Water conservation in all sectors. I think there are opportunities for conservation by urban municipalities down to the retail level, consumer level. And I also think there are opportunities for water conservation on the agricultural side, and there are certainly opportunities for conservation in system efficiency, in our water distribution networks, which are often aging infrastructure. And we probably need more investment there to increase efficiency, which doesn’t really save you water —

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although certainly for exports from the basin it does. New flexibilities in water sharing, for the right deals, are going to help, and probably increased awareness by everybody that lives in this region that we live in an arid part of the country and we should be living lives that respect that if we want to maintain our quality of life. BW: What advice would you give to people living in Boulder County or in Colorado in general if they want to get involved and make a difference? JP: Every river needs a friend. If we want the rivers of the Colorado River basin to continue to be healthy, and to provide us with the recreational benefits and the wildlife benefits and all the things we love rivers for, if we want those to persist, what will keep that for us and our children and grandchildren is paying attention to what happens there. … There isn’t a group called the Friends of the Colorado, but there are a lot of environmental organizations working to make sure we have plenty of water not only for our communities but also for the river itself.

And when I say that, I mean that very deliberately. We’re not trying to shut down water use by our society’s traditional water users. We want healthy communities in this region, but we believe that can be done in a way that allows us to have healthy rivers in our watershed. Learn where your water comes from. … I’ve heard it said that the history of the West is written in water, and our question is, how does that story end? We live in a place that is water-short, and yet a lot of us don’t pay very much attention to it. It’s probably the lowest utility bill we get at home, and we’re very lucky to be able to take advantage of a fabulous quality of life in one of the most beautiful states in the nation. And I think the importance of you doing a story like this is to remind people you can’t take that for granted. If you want thriving communities and a wonderful environment in which you can go and recreate, we need to make conscious decisions to make sure we keep all of that. Respond: letters@boulderweekly.com

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news At right, a 1976 hand-drawn map located in Colorado Department of Public Health and Environment files shows the location of the disposal pit for the Third and Pearl radiumcontaminated soils buried at Allied’s Valmont Butte mill site in 1971. It seems to fit with the 1971 aerial photo evidence.

1 —EPA PIT 2 —VBC PIT 4 —Boulder Weekly Pit

3 —CITY PIT

Yellow= Location of the VCUP primary tailings pond cap. Blue= Lead contamination,>800 Mg White line = Approx. outline of primary tailings pond in 1971. Black circle = Possible radium burial site Black border box = Area shown in 1971 aerial photo

On the hook

A decision 40 years ago has come back to haunt Boulder taxpayers by Joel Dyer, Elizabeth Miller and Jefferson Dodge

hen the city of Boulder buried radium-contaminated soil years ago at Allied Chemical’s Valmont Butte mill site, it carried serious ramifications. Ramifications that continue to haunt the site. Now, the 102-acre property is owned by the City of Boulder, which purchased the land and closed-down mill in 2000. But the city’s connection to the contamination on the property, and at least some of its responsibility for the site’s ultimate cleanup costs, goes back more than 40 years — long before that questionable real estate deal. In October 1971, the Housing Authority of the City of Boulder (predecessor to Boulder Housing Partners) began breaking ground on a vacant lot at Third and Pearl streets to build a 34-unit, low-income housing complex. 14 February 23, 2012

The lot had previously been the location of the old city yards, used primarily to park city vehicles and store other maintenance materials. According to a 12-page summary report filed with the Colorado Department of Public Health and Environment (CDPHE), a resident living in the area saw the excavation getting under way and notified the Housing Authority that “a tungsten-radium mill had been in operation at the Third and Pearl site in 1918 and that the area might be radioactive.” This notification by a concerned citizen, whom later reports would identify as a former employee of the mill, seems to be the first clue that something was wrong at the construction site. It appears city officials may not have considered how the location had been used prior to purchasing the land near the mouth of Boulder Canyon and establishing the city yard and, later, the housing project.

This aerial photo is dated Nov. 14, 1971. It appears to show the Third and Pearl contaminated soils (in piles) and various pits being dug and filled at Allied’s Valmont Butte site. Copyright: Colorado Aerial Photo

In that sense, the Third and Pearl site seems to have something in common with Boulder’s more recent acquisition of the Valmont Butte location. In both instances, the municipality seems to have bypassed — or disregarded — a thorough search of public records prior to spending taxpayer money to purchase seriously contaminated properties that subsequently required substantial dollars to remediate. Had such a search been conducted on the Third and Pearl site, the city would have discovered that it was the former location of a radium mill. In fact, had the records been carefully examined, the city would likely have discovered that there were a total of 13 closely clustered locations that had all been either tungsten or radium mills, or areas where radioactive soil was dumped as a result of milling operations. The area containing the contaminated locations is bor-

dered by Pearl Street on the north, Ninth Street on the east, Arapahoe Avenue on the south and the first quarter mile of Boulder Canyon to the west. These sites were part of a total of 40 radium-contaminated locations in Colorado eventually identified by the CDPHE and the Environmental Protection Agency (EPA) in the late 1970s. In media accounts from that time, Al Hazle — who was head of the state health department’s division of radiation and hazardous wastes — said that, “due to a lack of funding, only one site had been cleaned up.” Presumably that “one site” was Third and Pearl. Hazle also estimated that clean-up of all of the radium sites could cost as much as $25 million — money that, depending on who you asked, the state didn’t have or See VALMONT Page 15

Boulder Weekly

VALMONT from Page 14

was at least unwilling to allocate for such a purpose. As a result of this perpetual lack of funding, it appears that much of the contamination at the 13 sites, with the exception of Third and Pearl, has been left in place and in some instances covered with clean fill dirt. The best documented of these remaining sites is the radium-contaminated area along the bike path near Boulder Creek between the children’s fishing pond east of the Justice Center and the sculpture park farther to the east. In 1983, what was then known as the Colorado Department of Health (CDH) recommended that the contaminated soil in “hot spots” along the path be removed from the area. However, it appears that instead of removal, contamination was simply covered in place by clean fill dirt. At the time, it was considered a temporary measure until a longterm solution — and hopefully more money — could be found. It is unclear if any further clean up was ever done. The remediation of those sites — or lack thereof — is a story for another day. As for what transpired at Third and Pearl in 1971, after the city had been notified that its low-income housing site was radioactive, a member of the CDH was quickly dispatched to measure radiation levels on Oct. 4 of that year. While most of the radioactive materials were considered moderate to low-level, according to media accounts at the time, some were found to be as high as 20,000 times background levels. As a result, the Boulder City/County Health Department (BCCHD) — now Boulder County Public Health — issued a ceaseand-desist order, prohibiting further construction activity on the site until a clean-up plan was in place for the contaminated areas. After emergency meetings that included the city, the CDH and BCCHD, among others, officials decided that the most highly contaminated material would be placed in 55-gallon drums and shipped to a licensed radioactive disposal facility in Nevada operated by Nuclear Engineering Inc. They determined that the low-level contaminated soil would be sent to Allied’s Valmont Butte site, where it would be buried somewhere on the property. In order to accept the city’s radium contamination, Allied had to request an amendment to its radioactive materials license, which was already in place as a requirement for storing its radioactive tailings in the 17-acre primary tailings pond at the site. The amendment was issued by the CDH on Oct. 22, and the first truckloads of radium-tainted soil arrived at the butte four days later. By Oct. 28, 57 truckloads of contaminated soil had been removed from Third and Pearl and taken to the Allied properBoulder Weekly

ty. The original plan called for the contaminated soil to be buried in a 90-foot ditch. However, by Nov. 3, the 90-foot ditch was full, and the trucks were still coming. According to the 12-page report from the CDPHE, “Due to the overwhelming amount of soil thus far removed, it was necessary, at Allied’s request, to dig a second pit for soil disposal. This was done by the Fagre Construction Company.” By the end of the Third and Pearl remediation on Nov. 11, between 150 and 200 truckloads of radium-contaminated soil had been buried in at least two pits on Allied’s Valmont Butte property. This equates to approximately 1,500 to 2,000 cubic yards of radium-tainted soil. Third and Pearl was, for the most part, now a clean site. But the problem with its transplanted contamination was just beginning. As pointed out in Part 3 of The Ghosts of Valmont Butte series, since the Superfund laws were enacted in 1980, the EPA has used four criteria to determine who has to pay for remediation costs at a contaminated site. The short version is this: If you authorized moving contaminated material to the site, if you transported contaminated material to the site, if any of the material at the site is attributable to you, or if you are the owner of the site, you can be named as a potentially responsible party (PRP). Even if a PRP only qualifies for one of the four criteria, that party can still be held financially responsible for the entire costs of cleaning up a site. It then falls to the PRP to sue other parties that may also be responsible for contaminating the site to help with clean-up costs. As a result, the decision by the city to move the Third and Pearl contamination to Allied’s Valmont Butte site some 40 years ago most likely sealed its fate as a party responsible for at least some of the eventual remediation costs, down the line. And if Third and Pearl weren’t enough to guarantee it would be laying out taxpayer money to clean up the butte someday, the city decided to double down and became the sole owner of the contaminated property in 2000. As a result, taxpayers are already into the property for more than $5 million dollars, and that number could soar higher as the full extent of the actual contamination becomes more clear. The City of Boulder purchased the property in 2000 for more than $2.5 million, and has subsequently committed another $2.5 million to the site’s initial cleanup plan. The previous owner of the property shelled out just $700,000 for the parcel in 1994. In other words, the city paid nearly three and a half times more than the previous owner for the contaminated property, just six years later, and it didn’t even bother to get an see VALMONT Page 16

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appraisal for the property at the time. Had the city gotten an appraisal, it likely would have discovered that the potential liability for the contamination exceeded the value of the land. The $2.5 million in clean-up costs that has been committed to the butte thus far is primarily for the Voluntary Cleanup Plan (VCUP), which has been approved by the CDPHE. The plan calls for moving earth at the butte this month. As part of the VCUP, the city and its clean-up partner Honeywell — which inherited Allied’s responsibility at the site when it purchased the company — are scheduled to move much of the contamination currently scattered across the property into the 17-acre primary tailings pond before capping it. The city’s property has a variety of contamination, including lead, the Third and Pearl radium soils, radioactive hotspots and contamination from a secondary tailings pond that is to be transferred into the primary tailings pond, which already contains approximately 427,000 tons of radioactive tailings that includes heavy metals such as lead and arsenic (see map on page 14). Once everything has been moved into the primary tailings pond, the city and Honeywell intend to construct a dirt cap on the pond and then cover the dirt with rocks approximately eight inches in size. The rocks are intended to keep prairie dogs from burrowing into the contamination below the soil cap and releasing lead and radioactivity as air-borne hazards, which has happened repeatedly in the past. The project is estimated to cost $5 million, which will, at least for now, be split by the city and Honeywell. But the EPA has recommended a cap that is also capable of lessening the potential threats associated with water, a cap that would help prevent surface water and rain from soaking into the contaminated tailings below and pooling in the primary tailings pond. The EPA’s 2005 reassessment of the site has already determined that such pooling of subsurface water is already occurring in the pond. The cap that Honeywell and the city intend to build over the primary tailings pond is not such a water-resistant cap, which would cost more to construct. The issue of the cap is important, as it plays directly into the Third and Pearl soils situation. As previously reported in this series, there is considerable debate as to where exactly the city’s Third and Pearl radium-contaminated soil was buried in 1971. Three different locations have been identified in the public record and by persons familiar with the Allied site. But after researching the site for more than two months, Boulder Weekly’s investigation has come to a different conclusion. We believe that there is strong evidence that a fourth location that we have

identified may well be the actual location. For the purposes of this article we will refer to these differing supposed radium disposal locations as the city pit, the Valmont Butte Corporation (VBC) pit, the EPA pit, and the Boulder Weekly pit. The EPA pit is identified in the agency’s 2005 reassessment of the Allied site. The report even shows radioactive readings (Albeit near background levels) taken at this location by the EPA’s contractor. The general area of the EPA’s supposed pit location received some confirmation recently during an interview between Boulder Weekly and Tom Hendricks. Hendricks is likely more familiar with the Allied property than any other living person. He first came to the mill to apply for a job as a college student in 1969. He didn’t get the job, but later, in 1977, he would convert Allied’s fluorspar floatation mill into a mill capable of crushing his own gold ore from the Cross Mine in Caribou. By this time, the mill had been sold to a company called Tusco, which leased the mill to Hendricks. Hendricks may have come somewhat late in the mill’s long history, but his friend and mentor, Al McGowan, had been there from the beginning. McGowan worked at the mill when it was first established as a gold operation by St. Joe Mining Company, in 1935. He later became the mill’s general superintendent for Allied Chemical. By the time Allied shut down its operations in the 1970s, McGowan had started his own ore-testing company, which he moved to the Allied site, where he was given free work space. It was McGowan who showed Hendricks how to convert the mill from a fluorspar operation to a gold mill. And it was primarily McGowan — along with other former Allied mill employees who had gone to work for Hendricks — who informed him about the long history of the site, including its history of contamination. In the Boulder Weekly interview, Hendricks looked at a map of the site where he had spent almost every day for 15 years, and examined the various locations that others were claiming to be the burial site for the Third and Pearl soils. Hendricks pointed to the EPA’s disposal location on the map and said it was “just about right.” Hendricks is about as close as it comes to an eyewitness after 40 years. As for the Valmont Butte Corporation pit, the description of this supposed resting place for the Third and Pearl soils comes from a document titled “Valmont Butte Corporation Environmental Report,” dated Oct. 10, 1996. While it is unclear from the description where exactly the corporation is claiming the pit is located, it is clear that it is not at any of the other proposed sites.

The corporation’s environmental report states, “We have also covered the area where the city of Boulder buried the waste from the 3rd and Pearl site with approximately 25 feet of clean fill dirt, by extending the upper level out and over the disposal site.” If this claim is to be believed, then the pit would have to be located under the front edge of the existing 20- to 25-foot slope that runs between the EPA pit and the city pit. It should be pointed out that Valmont Butte Corporation’s environmental report appears to have been prepared for the purpose of convincing the CDPHE that the state should terminate the company’s required hazardous materials license, which was at the time required to be attached to the property as long as the hazardous tailings and the Third and Pearl soils were stored at the site. Eventually, the state terminated that license, clearing the way for the Valmont Butte Corporation to sell the land to the city of Boulder for roughly three and half times what it had paid for the parcel just a few years earlier. But it is clear that many of the claims put forth by Valmont Butte Corporation in gaining that license termination have subsequently been proven to be wrong. According to Bill Boyes, the city’s facilities maintenance program manager, and Joe Castro, director of facilities and fleet management — the two city officials spearheading the clean-up efforts at the butte property — the location of the city pit was chosen for a number of reasons. There are several documents filed in various health departments that seem to indicate that the disposal pit was near the western edge of the primary tailings pond. And, in the best piece of evidence to date, city officials point to an aerial photo taken in 1971 that seems to show some type of ditch activity taking place directly in front of the western end of the tailing pond (see 1971 aerial photo on page 14). Giving the photo even more credence, it was, according to Colorado Aerial Photo Service, taken on Nov. 14, 1971. That date, according to the 12-page CDPHE summary report, would have put the photo being snapped exactly in the span of time when the Third and Pearl radium-contaminated soil was being buried at the Allied site. Very strong evidence indeed. Based on the above evidence, the city and Honeywell believe that they have found a very convenient and cost-effective way to deal with the radium soil problem. Instead of having to dig up at least 150 dump-trucks worth of contaminated soil and move it into the primary tailings pond before capping the pond, they have simply planned within the see VALMONT Page 17

Boulder Weekly

VALMONT from Page 16

VCUP to extend the cap to the west to incorporate the site where the city thinks the radium is located. On Feb. 22, Castro told Boulder Weekly that Boulder officials believe the radium pit is within the trapezoidal area (see map on page 14) designated as the area to be capped, labeled as the primary tailings pond. He further said city officials don’t believe that the EPA and Hendricks are correct in their assessment of the pit’s location. City officials have told Boulder Weekly that they have never actually dug down into the city pit and taken appropriate radiation measurements that would once and for all determine if the radium is actually located in that site. The location of the Boulder Weekly pit is based on much of the same evidence the City of Boulder used to choose the location of the city pit. A crudely produced hand-drawn map created in 1976 (see map on page 14) by persons sent to take a reading from the actual disposal pit illustrates the location. We believe that the aerial photo taken in 1971 does capture the Third and Pearl radium-contaminated soil being buried. However, we also believe, based on this photographic evidence, that the city has incorrectly identified the location of the radium contamination pit. In fact, the entire primary tailings pond cap being proposed in the VCUP only covers a portion of the area actually covered by the primary tailings pond, shown in the 1971 photo as the area under water. Other aerial photos from different years likewise show that, at one time, the tailings pond extended considerably farther to the west than where the proposed VCUP cap is going to be placed. While Boulder Weekly and the city are relying on the same aerial photo, we believe the city misinterpreted how far west the pond stretched. Based on the photographic evidence, we have created a map of the Valmont Butte site showing the area that in 1971 was covered by the tailings pond waters, as well as overlaying the outline of the city’s VCUP primary tailings pond cap area (see map on page 14). By using fixed points in the aerial photo that have not changed over time, such as the northeastern corner of the Valmont Cemetery and the road near its corner, the western end of the primary tailings pond dike dam and other definable areas of the dike that are in the same location today, Boulder Weekly was able to identify the site. We should point out that the highresolution photo we aquired from Colorado Aerial Photo Service shows a fairly significant area being worked. It shows the Boulder Weekly pit area, but it also looks like another pit may be in the area of the EPA pit. In this photo, the city pit would be considerably to the Boulder Weekly

east and under water. The photo offers strong evidence, but only additional digging and testing will find the two or more pits containing the Third and Pearl radium. This is crucial, because as of now, despite the controversy over where the Third and Pearl radium-contaminated soils are actually buried at Valmont Butte, it is the city and Honeywell’s intention to proceed as early as this month with construction of the primary tailings pond cap as the final remediation of the Third and Pearl soils. But what if they are wrong as we and the

EPA believe? One thing is for sure: The city’s current solution is definitely the cheapest solution, far less expensive than having to find and relocate at least 150 dumptruck loads of radioactive soil into the primary tailings pond. But cheapest isn’t always the best when it comes to radioactive contamination. It seems incomprehensible that neither the city nor Honeywell are willing to spend the money necessary to confirm that their supposed location of the radium is the real location, and that the rest of us are wrong.

Is this guesswork-type handling of the Third and Pearl radium-contaminated soil indicative of the quality we should expect for the entire upcoming Valmont Butte cleanup? Unfortunately, as serious as it may seem, the Third and Pearl radium problem may actually pale in comparison to other, yet undisclosed contamination problems at the butte. Those ghosts will be making their appearance in the near future, as our series continues. —Blair Madole and Hadley Vandiver contributed to this article. Respond: letters@boulderweekly.com

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inside Page 23 /

Overtones:

Schiff’s piano recitals are daring

Page 25 / Arts and Culture: Denver Center presents ‘Shrew’

Page 42 / Cuisine:

The great gluten debate

buzz cuts SuperCollider plays the Laughing Goat on Tuesday, Feb. 28.

THURSDAY, FEB. 23

Boulder’s Upstart Crow: Harvey — A 1944 play by American playwright Mary Chase. Ongoing through March 3. 7:30 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

FRIDAY, FEB. 24

Boulder Ballet: Stepping Out 2012 –– The classiest way to spend your Friday night. 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

SATURDAY, FEB. 25

Queer Realities 2012 — With films I Am, Legalize Gay and Vito. 3 p.m. Nomad Theatre, 1410 Quince Ave., Boulder, 303-443-7510.

SUNDAY, FEB. 26

eTown: Blues Traveler –– Up close and personal with a ’90s-radio mainstay. With Ruthie Foster. 6 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

MONDAY, FEB. 27

Live Birds and Reptiles from the Denver Zoo visit the University of Colorado Museum of Natural History — The answer to the question: How can I burn a few hours with the kids? Also, the wonders of nature, blah, blah, blah. 6 p.m. and 7:15 p.m. University of Colorado Museum of Natural History, CU campus, 303-492-6892

TUESDAY, FEB. 28

SuperCollider — An exciting night of lively jazz. 8:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

WEDNESDAY, FEB. 29

Homegrown Singer/ Songwriter Night — Check out the local talent. With Bonnie & Taylor Sims. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. see REALITY Page 20

18 February 23, 2012

Boulder Weekly

JUAN

A BLUEGRASS INTERPRETATION OF

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This global setting of blurred reality set and act in the film. It includes and fantasy is currently on display at scenes representing inside living spaces the CU Art Museum with a groupsuch as an entryway and outside spaces showing of contemporary South Korean like the building and tearing down of a art titled Keeping it Real: Korean Artists grain field. in the Age of Multi-Media All of it is shot on set. This leads to Representation, curated by J.P. Park, questions about what is performance, CU assistant professor of art history. what is an authentic moment, and perThe exhibition consists of tradihaps even more philosophically, how tional forms of art — sculpture, phospaces and our relationships to one tography and paintings — re-imagined, another are created and why? as well as mixed-media technologies, An environmentally concerned including 3-D video. Though the show audience would probably be drawn to displays many different mediums, the Yong-ho Ji’s work, as he uses recycled unifying theme of perceived reality is materials, mainly tires and steel, to heavy and holds steady throughout. create elaborate sculptures. His jaguar “For our audience here, there’s is a hard-to-miss piece displayed in probably varying degrees of familiarity the center of the museum. This use of with contemporary Korea; this show recycled materials has become almost can help broaden that understanding,” as popular as the use of paint or clay, says Lisa Becker, director of the CU but Ji’s reinterpretation of tires to Art Museum. “The audience can see build these larger-than-life animal how much commonality there is sculptures plays on both the green between our society and Korea today movement as well as the fantastical. and [with] global society in general.” His well-executed use of the materials These eight South Korean artists is in a way inspiring; to see something show that the world doesn’t have to as ugly as a rubber tire get transexist exactly as it formed into someappears. In fact, we thing gorgeous helps all have the ability to remind us that ON THE BILL: Keeping it reshape what we see almost anything in Real runs in full until March 24 at and form it into life can be renovated the CU Art Museum, 1085 18th St., Boulder. Admission is free. something thoughtand re-imagined. provoking for others. But that’s the Photo: Jeff Wells / © CU Art Museum Jaye Raye’s “Cherry allure of art, its Blossoms” consists of magic. Its ability to five monitors showcapture and draw in an audience, as well as ing a falling motif of change peoples’ percherry blossoms, ceptions of how they later understood as view the world. This not blossoms at all Sun K. Kwak’s “Untying Space” show strongly lends but something quite itself to those elethe opposite, and not nearly as ascetically pleasing. It begs us ments. There are many remarkable things to ask questions about desire, beauty happening in the world of art today. and our own perceptions of reality. The globalization of our world has Kyung Woo Han does something rather brilliant in “Star Pattern Shirt.” helped connect us and bring us closer to innovative thoughts and experiences. Simple, yet executed well, the mixed“One of the most exciting things media piece is a perfect representation of repurposing perspective. Han plac- about our moment in terms of art is that it’s a pluralistic concept,” Becker es a surveillance camera behind caresays. “It’s a wide-open field of experifully spaced household objects — a mentation.” desk, a table, a shirt — so that the This experimentation has led to resulting 2-D image looks like an artists generating impressive new American flag. People then walk in works that encapsulate this hybrid front of the camera and become part mentality of mixing mediums, genres, of the piece, part of the American thoughts, theories and emotions. dream icon, and also part of the American overly protective big broth- These mixings give way to a better understanding and discovering of ourer nightmare. selves and our connections to one One of the strongest components another through both the creation of, comes from the exhibition’s ability to and the examining of, the blurred borplay with, combine and deconstruct ders. moments of reality and fiction, as in The binary of fantasy and reality, Yeondoo Jung’s 85-minute video east and west, black and white, fades, Documentary Nostalgia. In one long and we’re left immersed in all the shot, it encapsulates our structures of many places, shades and colors. perception by following a group of Respond: letters@boulderweekly.com people as they both put together a film Boulder Weekly

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February 23, 2012 21

Tommy Castro Monday & Tuesday March 12 & 13 Call Now for Tickets

$15

MICHAEL BUT TERMAN, MUSIC DIREC TOR

THE CREATIVE & THE GREAT

2012 FESTIVAL WEEK

FEBRUARY 24-MARCH 4 BRANDENBURG & MORE

JOSHUA ROMAN, CELLO

SAT., FEB. 25—7:30 PM at Macky Auditorium, Boulder

SUN., FEB. 26—3 PM

JOSHUA ROMAN CELLIST AND 2011 TED FELLOW

at St. Luke’s Methodist Church, Highlands Ranch* SHOSTAKOVICH Jazz Suite No. 1 GULDA Cello Concerto SCHUBERT Symphony No. 9, “The Great”

*The Feb. 26 concert will feature pianist Peter Mathys, winner of our Young Artists Concerto Competition, in place of soloist Joshua Roman.

RICK ERICKSON, MUSIC DIRECTOR

Visit our website for a full schedule of FREE “Bach in the Community” events for kids & families!

ORGAN RECITALS THIS WEEKEND in DENVER & BOULDER!

FESTIVAL FINALE CONCERT

MICHAEL UNGER, 2008 Winner of the Guild of Organists’ National Young Artists Competition Fri., Feb. 24, 7:30 PM—St. John’s Cathedral, Denver Sat., Feb. 25, 7:30 PM—First Congr. Church, Boulder

FESTIVAL CHAMBER CONCERT Festival Artists, Players & Chamber Choir Brandenburg Concertos Nos. 2 & 4 and more Wed., Feb. 29, 7:30 PM—First Congr. Church, Boulder

WWW.BOULDERPHIL.ORG 303.449.1343 ext. 2

Tickets start at $13; Students $5!

Rick Erickson, conductor Festival Artists, Players & Chorus Brandenburg Concerto No. 1 Cantatas 147 and 187 Sat., Mar. 3, 7:30 PM—Mtn. View Methodist Church

Tickets are $30. Attend 3 concerts above for $75. Children, $5; Students, $10. Buy early & save—online at www.brownpapertickets. com/producer/18122 or at the door (we are unable to take credit cards at the door).

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(Cost: $15) Rick Erickson, conductor Festival Artists & Players

Sun., Mar. 4, 4:15 PM—Grace Lutheran Church

www.boulderbachfestival.org 303.776.9666

22 February 23, 2012

Boulder Weekly

overtones Classically ambitious

András Schiff’s piano recitals are daring in their scope by Peter Alexander

ery few pianists follow a full recital program with a 20-minute encore. Very few, as in one: András Schiff, the Hungarian pianist who comes to Macky Auditorium as part of the University of Colorado’s CU Presents series at 7:30 p.m. Monday, Feb. 27. Last fall Schiff, esteemed equally for uncompromising musical integrity and an unwavering sense of social responsibility, played the same challenging program that he brings to Boulder in New York’s legendary Carnegie Hall. And for an encore, rather than a showy bagatelle, he sat down and played a complete Beethoven piano sonata, Op. 109 in E major. Schiff was rewarded for his taxing audacity with an unusually glowing New York Times review. “Master is a term applied too loosely in classical music,” wrote Anthony Tommasini. “But somehow you know one when you hear one, as was clear on Monday night when the pianist András Schiff played a recital before a full house of rapt listeners at Carnegie Hall.” Tommasini went on to single out the encore as “the most affecting demonstration of mastery,” and then to ask, “How did he have the focus and sheer energy for such an eloquent, calmly authoritative performance of the sonata after his demanding program?” Apparently, it’s all part of being András Schiff: taking on daunting tasks has become an almost routine part of his career. Most pianists find playing all 32 Beethoven piano sonatas once a major undertaking; Schiff played the full cycle 20 times from 2004 to 2009. Cycles of works by one or two composers would

fill most performers’ repertoires; Schiff has undertaken cycles of major works by Bach (a particular specialty), Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin and his fellow-countryman, Bartók. Reviews show that Schiff manages such marathon tasks with no sacrifice of quality. “Schiff stands with perhaps only a handful of pianists in his total achievement,“ wrote a critic for the Philadelphia Inquirer, while a New York Times critic observed that “There is nothing more reliable in the world of classical music today than pianist András Schiff playing Bach.” Schiff has also gained praise for his political courage. In

ON THE BILL: András Schiff plays Macky Auditorium on Monday, Feb. 27. Show starts at 7:30 p.m. 1595 Pleasant St., 303492-8423. For tickets and more information, visit http://cupresents.org/ default/index.cfm.

January 2011 he wrote a letter to the Washington Post deploring the political environment in his native Hungary. “The latest news is indeed alarming,” he wrote. “Tolerance levels are extremely low. Racism, discrimination against the Roma, antisemitism, xenophobia, chauvinism and reactionary nationalism — these symptoms are deeply worrying. They evoke memories that we have hoped were long forgotten.”

This was no empty gesture. Schiff was subjected to threats — including one posted online to cut off his hands — and he now doubts that he will return to Hungary anytime soon. “It’s not that I’m afraid,” he has said in the past, “but I don’t want to take the risk.” The program Schiff brings to Boulder is highly individual, intriguingly mixed and filled with challenges of different orders. Long known for his Bach performances, Schiff starts with the 15 Three-Part Inventions. Originally composed as teaching exercises, the inventions are not customary recital fare. Fifteen short three-part contrapuntal studies do not lend themselves to being played as a set. Performed that way, they challenge the performer to find the individual mood of each piece and make them all as interesting and expressive as possible. After this restrained, almost academic opening, Schiff turns to one of the most brutal and explosive pieces in the repertoire, Bartók’s fiendishly difficult Piano Sonata. Raised in Hungary and trained at the Liszt Academy in Budapest, Schiff is on his home territory here, but that does not help him conquer the technical difficulties of the piece. The program closes with a test of another kind: the “Diabelli” Variations of Beethoven. The score is based on a rather dull waltz tune by Viennese publisher Anton Diabelli, who requested a variation from major and minor Austrian composers; the set was intended to promote his publishing business. Contributing to the project with a single variation each were, along with others long forgotten, Franz Schubert, Carl Czerny (remembered for his many volumes of piano studies), and the 7-year-old Franz Lizst. But Beethoven, who literally could not take up a musical idea without exhausting its possibilities, provided not one, but 33 variations. The result is a multihued garden of delights for the listeners — and obstacles for the performer. The variations range from charming to humorous to beautiful to virtuosic, and everything in between. The challenge to the pianist is to bring out the character of each variation while simultaneously keeping the shape of the set as a whole. Altogether, it adds up to a daunting program, and Schiff is one of the very few pianists in the world who could undertake it. Respond: letters@boulderweekly.com

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Boulder Weekly

arts & culture

Kathleen McCall f Front Range theand Leslie atre were baseball, Alexander in the Denver Center the Denver Center Theatre Company’s Theatre Company production of The Taming of the Shrew would be the Major League. Walking into the Stage Theatre is like walking into a pro ballpark. The energy crackles in a way that it simply doesn’t in many smaller venues, and audience expectations are understandably higher than they would be at a “minor league” performance. For 33 years and under the leadership of only three men, the Denver Center Theatre Company has produced some of the most consistently thrilling, challenging and fulfilling theatre in the Rocky Mountain region. The DCTC continues its tradition of excellence with Shakespeare’s anachronistic but immortal The Taming of the Shrew. David M. Barber’s scenic design sets an ebullient tone the moment one steps inside the theatre. An outsized map of the United States featuring Italian stand-ins for the cities and towns dominates the rear of the stage. It, along with the advertisements that flank the stage, is done in a retro style perfectly evocative of the 1950s setting and vibe Director Kent Thompson chose for this production. Thompson’s choice to set this Shrew in the ’50s is genius. Those young enough to not remember a time before the Internet — let alone a time before color television — may not realize that sexual politics and the nature of marriage differed drastically just those few decades ago. A man’s home truly was his castle, and a wife’s place was — to a much wider degree than today — inside it. It was a time when nobody batted an eyelash when Ralph Kramden regularly threatened

ON THE BILL: The Taming of the Shrew plays through Feb. 26 at the Denver Center for the Performing Arts, 1101 13th St. Tickets are $10-$57. For tickets or information, call 303-893-4100 or visit www. denvercenter.org.

I love Shrew-cy

two daughters, the fair Bianca (Christy McIntosh) and the foul Katherine (Kathleen McCall), reside in Padua — Chicago here, as evidenced by Gremio’s (Randy Moore) Midwestern drawl. Joining the fray are Petruchio ( John G. Preston) and his servant Grumio (Andrew Schwartz), who arrive from Verona (aka Dallas) and are the steer hornadorned Cadillac equivalents of their guido brethren. The young, attractive and vacuous Bianca is the prize sought by Lucentio, Gremio and Hortensio ( JohnMichael Marrs doing a fabulous Elvis impersonation for a time). Baptista has proclaimed that Bianca shall not marry until Katherine — known more regularly as Kate — finds a husband. For a handsome fee from the three suitors and the hope of a large dowry from Baptista, Petruchio takes up the challenge of taming the shrewish Kate. Though common in the original time of the play — and, to a lesser degree, in the 1950s — Petruchio’s approach to breaking Kate’s spirits and Kate’s eventual submission are the apex of political incorrectness today. Many versions of The Taming of the Shrew attempt thematic aikido by turning Kate’s “evolution” from harridan to happy homemaker into a pseudo-feminist triumph. That approach fails more often than it succeeds, so Thompson’s decision to eschew it is quite welcome. Everything about The Denver Center Theatre Company’s Shrew is excellently done. The Taming of the Shrew is a theatrical grand slam. Respond: letters@boulderweekly.com

Denver Center knocks the Bard out of the ballpark by Gary Zeidner

Home is where the art is Peggy Stephen searches for space for her collection of Asian art by Elizabeth Miller Boulder Weekly

to beat his wife with the then-classic line, “Bang! Zoom! Straight to the moon!” The culturally ingrained sexism of the Eisenhower era echoes the phallocentric world of the play and thereby makes the play’s misogyny somewhat less unpalatable. More than that, however, Thompson uses the setting to great comic effect by pointing up the regional differences that have largely faded away since the advent of inexpensive air travel, the 24-hour news cycle and the foreshortening of the online universe. Lucentio (Drew Cortese) and his servant Tranio (Matt Zambrano) hail from Pisa, which is New York City in this Shrew, and they ooze so many East Coast Italian stereotypes that one feels they’d be just as at home working for Tony Soprano as courting Baptista Minola’s daughter. Baptista (Robert Sicular) and his

elling art out of your house has certain virtues. Art in a gallery can look distant and cool, far too impressive for living room walls. But bring paintings home and they seem to change shape, take on greater intimacy, join the family and get comfortable on the furniture. Peggy Stephen just watched that happen with a 57-inch painting of a woman looking over her scorpion-tattooed shoulder, Bolit Antara’s “Bali Bukan Bali 3” — which is currently for sale out of a bedroom in Stephen’s

house. “In the gallery it looks good, but it wasn’t that compelling,” Stephen says. In the bedroom, “the lighting, it just changes the piece altogether.” That’s a bit of a metaphor for taking Asian art out of Asia — the pieces change. They both look surprisingly comfortable in their new setting, and they need a little bit of interpretation to understand them. It’s been Stephen’s goal to provide the education and exposure. After eight years of working in the art business, running galleries around Southeast Asia, China

and the Middle East, she’s decided to open a gallery in the United States, and has targeted Boulder’s Pearl Street for a new location. But it’s been a bit of a struggle. She’s had two temporary locations and a near miss for a lease on a permanent space. This weekend, she’ll just skip the formalities and have clients over to her house for a meal she’ll prepare and a chance to peek in on that Antara painting in a fresh setting. Stephen has a personal relationship see ART Page 26

February 23, 2012 25

arts & culture ART from Page 25

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with these artists and has been nurturing her connections and their work for the duration of her career — which started in marketing and with the expectation she’d work with language, not paintings. Then she began to get to know the artists. “Most of the things I’ve learned, I’ve learned through the artists themselves,” she says. Her appreciation for the artwork grew through learning the artists’ stories. Many of them come from countries with tumultuous histories, were born into situations like Vietnam during the Vietnam War, and have labored through decades of limited expression. “So when they do express, it’s very rich,” Stephen says. “Each stroke is not just oil on canvas. It’s an accumulation of history.” It’s also the first whiffs of changes coming into these countries — and here’s where the education comes into play. Knowing, for example, that smoking is taboo for women in Asia makes Liu Baojun’s painterly images of fullfigured Chinese women with long pipes, blissfully exhaling smoke while draping their curvaceous limbs over the furniture, pearly cleavage nearly bursting out, all the more provocative. “I love the way they’re so unapologetic,” Stephen says. “Not just Chinese women but all Asian women are taught to behave a certain way, meant to be demur. What Baojun does is show the reversal of these norms. They’re voluptuous, sensual. They’re smoking their opium pipes in a way that says, really, ‘I don’t give a fuck.’” They’re stunning even without a translation. And Stephen says business has been good, even since the doors closed on her last physical gallery space, the former Ku Cha Tea House location on 13th Street, on Dec. 24. Before that, she had an exhibit at 915 Pearl St. in October. She had a tentative deal lined up for a split-use space on Pearl Street and might have opened doors this month, but it fell through. “I don’t think I’m fazed by the challenges,” she says. “Not to have the space is actually a good challenge to have. It means that the market is doing well.” But selling out of her home isn’t a permanent solution. “It’s just impossible to run the kind of scale which I want to run,” she says. A gallery space in a pedestrianheavy zone will let people come in and learn a little bit about the art, even if they’re not buying a painting to take home. “It’s supposed to be more than just

Peggy Stephen

coming into a gallery and buying art. It’s supposed to be a whole experience,” Stephen says. “You build relationships with everyone who walks into the gallery. … It’s not just offering a product.” Eventually, she’d like to host educational events with artists, lectures and workshops, and host solo exhibits from some of the popular Asian artists. She also aims to acquire some of the higherrisk pieces from Asian artists, like pieces by Chen Wenling, the Chinese sculptor whose politically charged works include “What You See Might Not Be Real,” which depicts the Wall Street bull smashing Bernie Madoff against a wall. Ten years ago, his works sold for $8,000. Now, just to display them, a gallery has to purchase the paintings, and they sell now for more like $38,000. Does Boulder have the market for that? Stephen says she wasn’t originally sure, but has been persuaded. One of the Vietnamese artists she’s working with, Pham Thanh Van, paints impressionistic landscapes with a single color field — all yellow, all blue, all green skies and bodies of water surrounding trees laid in with thick swipes of paint that dwarf the neighboring small redroofed houses. Her work has been so popular that her paintings, which sell for thousands of dollars, have been tough to keep on the gallery walls. With a gallery space, Stephen says, she could organize a solo exhibit of Thanh Van’s work. “Our hope is to have a space where people will come in and leave understanding a little more,” Stephen says. “This is a passion, not a business.” Stephen can be reached via her art consultancy business, Artist’s Proof Art Consultancy, at www.apartconsultancy. com and at 303-359-8543. Respond: letters@boulderweekly.com Boulder Weekly

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Boulder Weekly

judith anne condon helping you find the love of your life and the life you love SEE FULL PANORAMA LISTINGS ONLINE To have an event considered for the calendar, send information to calendar@boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

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Boulder. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-4433322.

LIVE MUSIC every Sun, Mon, & Wed @10pm & Fridays @ 5pm EVERY TUESDAY! $3 Premium Drafts all day $5.00 Cheeseburger & Fries after 4pm Thursday, Feb. 23

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music

Sodium Bride. 9 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Acoustic Open Mic Night. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Blues Ambassadors. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322.

Tuscadero and Tuscadero — With Gryph of the Dovekins. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Wallpaper –– With Aviva and Trouble Maker. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Dechen Hawk. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720406-9696.

Zoogma — With Eminence Ensemble Trio. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Janine Gastineau. 7 p.m. Cuvée, 946 Pearl St., Boulder. 303-4470475. Ladies’ Night Dance Party — With The Shake It Band. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757. Matt Flaherty Band. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Randall Dubis. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-4859400. Roda de Choro –– With Daniel Ondaro and friends. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-

events In Search of Vertical Virgin Earth

Beginning Flamenco Dance. 6:157:30 p.m. Kakes Studios, 2115 Pearl St., Boulder, 303-786-7050, www.flamencoboulder.com.

Cliff-Nesting Raptors in the Flatirons. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-5839970. Elephant Walk — Talk show with Waylon Lewis. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Fri., February 24th

Danny Shafer

Sun., February 26th • 9pm

Open Stage

Mon., February 27th

The Heavy Cats

Wed., February 29th

Monocle

Friday, Mar 2nd - Keith Summers Sunday, Mar 4th - Open Stage, 9pm Monday, Mar 5th - George Nelson Quartet Wed., Mar 7th - Thurston Group

see PANORAMA Page 32 Friday, Mar 9th - Strangebyrds Sunday, Mar 11th - Open Stage, 9pm Monday, Mar 12th - The Heavy Cats Wed., Mar 14th - Guta

Boulder Weekly

February 23, 2012 31

panorama In Search of Vertical Virgin Earth. 8 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303499-8866. Viviane Le Courtois’ Edible? and Jason Rogenes’ Sp4c3cr4ft — Opening reception. 5:30 p.m. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122.

Friday, Feb. 24 music Brad Upton Quarter. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Bonobo (DJ set) — With Human Agency. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Boulder Laptop Orchestra (BLOrk). 7:30 p.m. ATLAS Black Box Theatre, CU campus, music.colorado. edu/events. Clark’s Quark. 7 p.m. Cuvée, 946 Pearl St., Boulder. 303-447-0475. Terablu Band

MATT FLINNER TRIO & GRANT GORDY QUARTET Sat 02.25 $17 advance

LAURENCE JUBER Fri 03.09 $18 advance KGNU 88.5FM/1390AM and Twist & Shout present

SOLAS

Sat 03.24

$26 advance

WILLIAM FITZSIMMONS w/Denison Witmer

Sat 03.24 $18 advance

MARTIN ZELLAR & CHARLIE PARR Sat 03.31 $15 advance album release

Louisville, 303-993-2094.

Country Touch. 9:30 p.m. Waterloo, 809 S. Main St.,

BOULDERDENVER AREA from Jason Rogenes’ Sp4c3cr4ft

arts

Getting Started with Adobe InDesign, Part 2. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

Aurelius Rune, Ashley Williams. NCAR Mesa Laboratory, 1850 Table Mesa Dr., Boulder, 303497-2408.Through March 31.

Viviane Le Courtois’ Edible? and Jason Rogenes’ Sp4c3cr4ft. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-4432122. Through June. 17. Opening reception 5:30 p.m. Feb. 23.

Cocktails and Casseroles: Entertaining in the 20th Century. Radius Gallery, Lakewood Heritage Center, 801 S. Yarrow St., Lakewood, 303-987-7879.

Georgia Landman’s photographs. Amante Uptown, 4580 Broadway, Boulder, 303-448-9999. Through March 29.

CU Art Museum — The Anxiety of Influence: From CU’s ceramics collection. CU Art Museum, 1085 18th St., Boulder, 303-4921320. Through June 25.

Dave Tamkin, Author Unknown, Bailout. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Deja Blu. 8 p.m. The Eagle Grill, 1600 Hover Road, Longmont, 303-772-2555.

Iris DeMent — With Stephanie Bettman & Luke Halpin. 8 p.m. Swallow Hill, 71 E.Yale Ave., Denver, 303-777-1003. Ironwood Rain — With Andy Ard. 7:30 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303443-5108.

303-485-9400. Signel-Z. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. TC & Sass. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

John Lee Hooker Jr. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Terablu Band. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-443-3322.

Kick Down — Electronic DJs. 9 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Wasabi @ Cedars. 9 p.m. Millenium Hotel, 1345 28th St., Boulder, 303-998-3805.

The Magic Beans –– With Sunsquabi, Pamlico sound and Funkhouser. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

The Zimmermans. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

School of Rock. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont,

Adobe Illustrator Hands-On Intensive. 9 a.m.

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303.777.1003 x 2 32 February 23, 2012

theater

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GLEN PHILLIPS

Red Light — Tragic Beauties and Other Objects of Desire. manifest ART gallery, 108 2nd Ave., Niwot, 303652-0952.

Hellen Highwater. 8 p.m. The Rib House, 1801 13th St., Boulder, 303-442-RIBS.

events

REED FöEHL Fri 04.13 $15 advance

Phyllis Stapler. Boulder Arts and Crafts Gallery, 1421 Pearl St., Boulder, 866-656-2667. Through March 4.

Boulder Ballet: Stepping Out 2012 –– 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Gabriel Masson’s Black and White –– An original, evening-length one-man show by director/choreographer Gabriel Masson. 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Queer Realities 2012 — with films Out Boulder BOLD Youth Films and Romeos. 5:15 p.m. Nomad Theatre, 1410 Quince Ave., Boulder, 303-443-7510. Wildlife in Winter: How Do They Do It? 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970.

Saturday, Feb. 25 music

The Elephant Man, presented by PHAMALY

The Elephant Man. PHAMALY, Arvada pre Center, 6901 Wadsworth sen ted by Blvd., Arvada, 720-898& 97 7200. Through. Feb. 26. .3 KB CO Harvey. Upstart Crow Theatre Company, The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through March 3.

Boulder Digital Arts, 1600 Range St., Boulder, 303875-0276.

Bill McKay Band. 7 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Boulder Laptop Orchestra (BLOrk). 7:30 p.m. ATLAS Black Box Theatre, CU campus, music.colorado. edu/events. Boulder Philharmonic — The Creative & The Great with Joshua Roman, cello. 7:30 p.m. Macky Auditorium, CU campus, www.boulderphil.org, 303449-1343 x2. Cary Morin. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

High Society. Lakewood Cultural Center, 470 S. Allison Parkway, Lakewood, 303-987-7845. Through Feb. 26. The Shape of Things. Devil’s Thumb Productions, The Wesley Chapel, 1290 Folsom St., Boulder, brownpapertickets.com. Through Feb. 25. Shipwrecked! Boulder Ensemble Theatre Company, 2590 Walnut St., Boulder, 303-444-7328.Through Feb. 25.

The Cops Fighting Cancer Restitution Show –– With ERYA, Shasta Baca, Covergeist, Merlson Project. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-4636683. Cowboy Dave. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Danny Shafer and the 21st Century. 9 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Doug Yager Jazz Trio. 7 p.m. Cuvée, 946 Pearl St., Boulder. 303-447-0475. Indulgers. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. John Lee Hooker Jr. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303485-9400.

Boulder Weekly

NLL aLL-star

John Grant Jr. #24

AdAm Jones #16

FRIDAY

FEBRUARY 24 AT 7PM VS. Colorado Mammoth

Calgary Roughnecks

National Western Stock Show Night

The Colorado Mammoth and National Western Stock Show have teamed up for a special halftime performance!

To order tickets call 303.53.Horse or visit TicketHorse.com. ColoradoMammoth.com

YOUR TV HOME OF THE COLORADO MAMMOTH.

panorama Us On

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TICKETS to all Spring Avalanche games! Become our fan to be eligible to win.

words

If You

Backstage Past, by Barry Fey

Thursday, Feb. 23 Backstage Past — by Barry Fey 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Mark DuCharme. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303579-1644. Presentation & Booksigning with Patricia Schultz — Author of 1,000 Places to See Before You Die. 7 p.m. Tattered Cover, 1628 16th St., Denver, 303-436-1070. Monday, Feb. 27

www.facebook.com/boulderweeklymedia

“So,You’re a Poet” — Open poetry reading. 8 p.m. The Laughing

Judy Collins –– With Amy Speace. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Matt Flinner Trio — With Grant Gordy Quartet. 8 p.m. Swallow Hill, 71 E.Yale Ave., Denver, 303-777-1003.

The nation’s

music educator

is now enrolling for our next season’s shows Bob Marley, Rolling Stones and Beastie Boys vs. Beck

Now accepting applications for this summer’s performance and recording camps. Call now or enroll online before they fill up!

WANNA LEARN MORE? CALL 303-532-1201 OR VISIT WWW.SCHOOLOFROCK.COM 34 February 23, 2012

Goat, 1709 Pearl St., Boulder. 303440-4628. Buttercup Yellow Straw Boaters: Deconstructions of War — by Harry Reid. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303447-2074. Tuesday, Feb. 28 Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303579-1644. Wednesday, Feb. 29 Storytime with Judy Volc. 10 a.m. Barnes & Noble at Crossroads Commons, 2999 Pearl St., Boulder, 303-444-0349.

Ave., Boulder, 303-443-7510. Wheel Truing Workshop. 9 a.m. Community Cycles, 2805 Wilderness Pl., Ste. 1000, Boulder, 720-5656019.

Poor Man’s Whiskey — Feat. Michael Kang of the String Cheese Incident. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Sunday, Feb. 26

Richie Furay. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

Adam Bodine. 6 p.m. Cuvée, 946 Pearl St., Boulder. 303-447-0475.

Sammy Dee. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-443-3322.

Blues Jam — With Heavy Cats. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-4433322.

Richie Furay

SoundRabbit. 8:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303440-4628. Terry Kishiyama. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Rd., Unit B, Longmont, 303-776-1914.

events

music

Bluegrass Pick. 12 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303485-9400. eTown: Blues Traveler –– With Ruthie Foster. 6 p.m. Boulder Theater, 2032 14th St., Boulder, 303-7867030.

Adobe Dreamweaver Hands-On Intensive. 9 a.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

Kate Jaworski — With Joe Ramas. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-4404628.

The Air We Breathe Ain’t What it Used to Be — With Russell Schnell, NOAA atmospheric scientist and Nobel Peace Prize co-recipient. 10 a.m. Eaton Humanities Building, Room 150, CU campus, 303-492-7511.

The Mountain Sun Bluegrass Explosion. 10 p.m. Mountain Sun Brewery, 1535 Pearl St., Boulder, 303546-0886.

Gabriel Masson’s Black and White –– An original, evening-length one-man show by director/choreographer Gabriel Masson. 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Playback Theater. 7:30 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108. Queer Realities 2012 — With films I Am, Legalize Gay and Vito. 3 p.m. Nomad Theatre, 1410 Quince

Richie Furay. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757. School of Rock. 2 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303485-9400. Wild Road. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Boulder Weekly

panorama events Derech Chayim — “A Way of Life” 6 p.m. Boulder’s Rabbinic Council at Har Hashem Congregation, 3950 Baseline Rd., Boulder, contact Jodi for more details at 503-780-7470. Israel vs. Israel film and discussion. 2 p.m. Nomad Theatre, 1410 Quince Ave., Boulder, 303-443-7510. Salsa Dancing. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Monday, Feb. 27 music András Schiff, piano. 7:30 p.m. Macky Auditorium, CU campus, 303-492-8008.

nie & Taylor Sims. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Katie Herzig — With Churchil and Holly Lovell. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Open Mic. 7 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108.

events

Bluegrass Pick. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Flipcrash. 7:30 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108. Gasoline Lollipops. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Henrickson Amps Presents: Sean McGowan’s Jazz Guitar Night. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Lyons High School Jazz Band. 7 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. SuperCollider. 8:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

events Barefoot Improv Jam Association — Public dance jam every Tuesday. 7:30-10:30 p.m.The Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 720-934-2028. Basics of Blogging. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276. Packing Light Clinic. 7 p.m. Changes in Latitude Travel Store, 2525 Arapahoe Ave., Boulder, 303-7868406.

LAMB 10.00

CHICKEN 9.00

FISH 10.00

SHRIMP 12.00

VINDALOO CHICKEN 8.00

LAMB 9.00

FISH 10.00

SHRIMP 12.00

MASALA THE BEST OF BOTH WORLDS, MASALA INVOLVES TANDORI COOKING AND PREPARATION SIMILAR TO THAT OF CURRY WITH FRESH TOMATOES, CASHEWS & CREAM CHOOSE FROM:

CHICKEN 9.00

LAMB 10.00

FISH 10.00

SHRIMP 12.00

Vegetarian and Vegan NAVARATAN KURMA MIXED VEGETABLE CEYLONE* ALOO GOBI* SAAG PANEER BHARTA MAKhNI ALOO BHARTA* ALOO BANGAN* CHANA MASALA* DAL MAHNI TARKA DAL* MUTTER PANEER ALOO MUTTER MALIA KOFTA BENDI MUSALA* MUSHROOM MUTTER*

Sunday, Feb. 26 Go Club. 2 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Wildlife in Winter. 1 p.m. Lehigh Street entrance to Shanahan Ridge, Boulder, www.naturehikes.org.

Monday, Feb. 27 Tactile Tuesdays. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

7.95 7.95 6.95 7.95 7.95 5.95 6.95 6.95 6.95 6.95 7.95 6.95 7.95 6.95 7.95 (*VEGAN)

Special Dishes

Toddler Hour. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Watercolor Wednesdays. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-6042424.

LAMB 10.00

A TRADITIONALLY SPICED DISH COOKED WITH POTATOS CHOOSE FROM:

SunSational Exhibit Activities. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Tactile Tuesday. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

SHRIMP 12.00

Saag

The Odyssey — By Homer, a Puppet Theater Production. 2 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Reading Buddies. 4:30 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Road, Boulder, 303441-4390.

FISH 10.00

THIS DISH COMBINES SPINACH AND CURRY STYLE MEATS WITH A SAUCE CONSISTING ON SPINACH, GARLIC AND CREAM CHOOSE FROM:

Jus Goodie and Friends Family Dance Party — Fundraiser for New Horizons Preschool with kids hiphop group Earth Guardians. 5-8 p.m. Ozo Coffee Shop, 1015 Pearl St., Boulder, 303-645-4885.

Wednesday, Feb. 29

Boulder Weekly

CHICKEN 9.00

Saturday, Feb. 25

music

Homegrown Singer/Songwriter Night — With Bon-

Korma A VERY SPECIAL MILD DISH COOKED WITH NUTS RAISINS, CREAM, AND DELICATE SPICES CREATING A THICK AND TASTY SAUCE CHOOSE FROM:

Friday, Feb. 24

Tuesday, Feb. 28

9.00 11.00 10.00 9.00 10.00 11.00 14.00 8.00

(ALL ENTRES COM WITH RICE)

Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Wednesday, Feb. 29 Dylan and Band. 7:30 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108.

CHICKEN MALAI KEBOB LAMB TIKKA KEBOB SHEEK KEBOB SHAMI KEBOB CHICKEN TIKKA KEBOB FISH TANDORI SHRIMP TANDORI TANDORI CHICKEN

Thursday, Feb. 23

Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Blues Jam — With Gretchen Troop. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-443-3322.

Kebob

Kids’ Calendar

Salsa Caliente Mondays. 8 p.m. lesson, 9 p.m. salsa, merengue, cha cha cha. The Rib House, 1801 13th St., Boulder, 303-442-RIBS.

3.00 3.50 3.00 3.00 2.50 3.00 3.50 3.50

(ALL ENTREES COME WITH RICE AND MAY CONTAIN NUTS) BAKED TO ORDER IN CLAY OVENS AFTER MARINATING IN YOGHURT, GARLIC, GINGER & SPICES)

In a Queer Embrace: Christ, the Cross and Resurrection People — Workshops led by Sarah Bloesch, ordained in the United Church of Christ. 5:15 p.m. First United Methodist Church of Boulder, 1421 Spruce St., Boulder, 303-442-3770.

Open Space Story Hour. 1 p.m. Chautauqua Ranger Cottage, 900 Baseline Rd., Boulder, www.naturehikes. org.

music

Snacks

VEGETARIAN SOMOSA (2pcs) MEAT SOMOSA (2pcs) ONION BAJI (6 pcs) DAL PURI (2 pcs) TOMATO SOUP DAL SOUP CHICKEN SOUP HOUSE SALAD

events

Live Birds and Reptiles from the Denver Zoo visit the University of Colorado Museum of Natural History. 6 p.m. and 7:15 p.m. University of Colorado Museum of Natural History, CU campus, 303-4926892.

Tuesday, Feb. 28

DINE IN ONLY

Rachel Eisentat, Flower Jacket. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Dances for Future Ancestors. The Planet Motion Community Dance Troupe presents a journey of music and motion. 6 p.m. Boulder Theater, 2032 14th St., Boulder, 303-7867030.

Open Mic. 5 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847.

Lunch Specials: $7.95 Dinner Specials: $8.95

Open Bluegrass Pick. 8:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Dead Winter Carpenters. 10 p.m. Southern Sun Pub, 627 S. Broadway, Boulder, 303543-0886.

Jay Ryan’s Big Top. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

(Halal Food)

Nelson Rangell. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

Copywriting for the Web. 9 a.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-8750276.

Kort McCumber

Cuisine of India

Kort McCumber. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Brad Goode Jazz Quartet. 7:00 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303499-2985.

Electric Blues Jam. 7:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303485-9400.

CURRY n KEBOB

3050 28th St. Boulder CO 80301 720.328.4696

CHICKEN LAMB CEYLONE-COOKED WITH COCONUT CREAM 10 11 KASHIMIRI- COOKED WITH MIXED FRUIT 10 11 MALAYA- COOKED WITH PINEAPPLE 10 11 CHICKEN MAKHNI- COOKED WITH FRESH TOMATOS 10 MAGHILAI KURMA- COOKED WITH NUTS AND CREAM 11 KACCHI BIRYANI- COOKED WITH BASMATI RICE 10 12 VEGETABLE BIRYANI- COOKED WITH MIXED VEGETABLES 8 8

Nan, Parathas & Rotis

NAN GARLIC NAN KABULI NAN ONION KULCHA KEEMA PARATHA KERALA PARATHA ALU PARATHA MUGLAI PARATHA ROTI

1.50 2.00 3.00 2.50 3.50 2.50 3.50 3.50 1.50

February 23, 2012 35

GET YOUR POOCH

READY FOR WARM WEATHER!

March 2, 2012 : 7 pm Featuring National Slam Poetry Champion

Sonya Renee

TRY OUR SAMPLER FOR ONLY $29*

Founder of The Body Is Not An Apology, an international movement focused on radical self love and body empowerment.

Also featuring 14 local youth and adult performers

*Up to One Month Contact for Details

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Nomad Theatre 1410 Quince Ave Boulder, Colorado 80306 www.boulderbodyslam.com Sponsored by Spine West Physiatry & Sports Physicians 303-494-7773

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Purchase tickets at www.boulderbodyslam.com. A limited number will be available at the door.

BBQ DEMO

Saturday, February 25th from 10 am to 2 pm

We will be outside on the East side of McGuckin Hardware answering questions and demonstrating a Weber Grill

Get a FREE McGuckin APRON

with PURCHASE of a GAS or CHARCOAL GRILL

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36 February 23, 2012

FREE

MODEL KIT MAKE 'N TAKE SATURDAY, FEBRUARY 25, 2012 10 am to 2 pm on the East Side of store Choose from 4 different easy snap-together model kits.

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HURRY! While supplies last. Limited quantities. One kit per child

2525 ARAPAHOE • In The Village • Boulder (303) 443-1822 • mcguckin.com Boulder Weekly

screen

endrik Coetzee was not a man easily dominated. After he led the first expedition from the source of the Nile in Uganda to the Mediterranean — a 4,100mile trip he undertook in 2004 to show the humanitarian situation in that part of the world — some people griped that he hadn’t started at the true source of the storied river. The next year he traveled the extra 465 miles from Kagera to Lake Victoria to silence his critics. Coetzee, nicknamed Kadoma, also kayaked solo down Murchison Falls on the Nile, which looks like Jaws on a river, a feat so daunting that pro kayakers-turned-filmmakers Ben Stookesberry of Mt. Shasta, Calif., and Chris Korbulic of Rogue River, Ore., didn’t even consider it. With Coetzee as their guide, they were set on

A smooth crossover by Michael Phillips

ompared to so much American animation, which seems hell-bent on putting a global audience of addled kids in a paradoxical manic stupor, the work of Japan’s Studio Ghibli sets its own pace, establishes its own, meticulously observed realms of the fantastic and respects a moviegoer’s senses — any moviegoer’s, of any age. The Secret World of Arrietty is the latest import from the collective responsible for Princess Mononoke, Spirited Away, Howl’s Moving Castle (a clear inspiration for Disney-Pixar’s Up) and, more recently, Ponyo. A big success in Japan and elsewhere, Arrietty opens this week in a slightly Americanized edition overseen and released by Disney. It’s lovely, both in spirit and in its simple, supple, hand-drawn visual allure. The story comes from Mary Norton’s book The Borrowers (in Japan, the film was titled The Borrower Arrietty), so if you or your child happened to read one or more of the Borrowers books, there’s another access point for you. Arrietty, 14 and ready to bloom, lives under the floorboards of a house with her equally Boulder Weekly

attempting the first kayaking expedition down the Lukuga River in the Democratic Republic of the Congo, a feat documented in their film Kadoma and reported in Outside magazine in 2011. The trip is fraught with difficulties of a bureaucratic nature and the danger posed by armed guerrilla

factions waging a nasty civil war. Still, the three encounter the welcoming generosity of villagers in locations so remote the nearest telephone is 80 miles away. One hundred miles into their 120-mile journey down the Lukuga, tragedy strikes the trio. Maybe the most haunting thing about it is how it comes at midday, amid surreal calm that swallows up disaster as if it had never even existed. Kadoma (NR; 42 min.) screens Tuesday at the Boulder Theater as part of the Banff Mountain Film Festival. Proceeds will benefit the CU Outdoor Program and Boulder Mountainbike Alliance. Tickets are available online at www.bouldertheater.com and at REI. Traci Hukill is editor of the Santa Cruz Weekly. Respond: letters@boulderweekly.com

This is a warm, comforting breeze of a picture.

miniature father and mother. While dodging the odd house cat, they “borrow” what they need to survive from their unwitting, fullsize human hosts: a sugar cube here, a knickknack there. When a visiting full-scale human teenager discovers Arrietty, the wee family’s safety is threatened, and the fullsize cranky housekeeper’s suspicions become well and truly roused. But this tale of friendship, and of responsible, imaginative recycling of the earth’s material goods, is a warm, comforting breeze of a picture. The perils remain ever-present in Arrietty’s world, and her family’s plight echoes once and future refugees the world over. But the narrative breathes; it doesn’t conspire every minute to work on an audi-

ence’s nerves or its sense of narrative dread. Three years ago, Disney’s American release of Ponyo didn’t find the audience it deserved. The Secret World of Arrietty is even more deserving of an audience, though its voice casting neither helps nor hinders those chances. Disney TV star Bridgit Mendler brings an effective if limited friendliness to Arrietty; Will Arnett and Amy Poehler are relatively restrained as her parents; Carol Burnett runs through a career’s worth of vocal flourishes and aural panic attacks as the housekeeper. Disney can be thanked for leaving firsttime director Hiromasa Yonebayashi’s feature more or less alone. (The script is by the great Hayao Miyazaki, co-founder of Studio Ghibli and an inspiration to countless animators and directors.) Will its easygoing charm be enough for the average American preteen consumer, already flattened by one too many Ice Ages? There’s only one way to find out. —MCT, Tribune Media Service Respond: letters@boulderweekly.com

February 23, 2012 37

ACT OF VALOR

Ghost Rider: Spirit of Vengeance

After the rescue of a kidnapped CIA operative leads to the discovery of a terrorist plot against the U.S., a team of Navy Seals is dispatched on a worldwide manhunt to foil the attack. At Century. Colony Square, Twin Peaks. — Los Angeles Times/MCT

If you squint hard enough, it almost looks like a good movie.

MABUL With his bar mitzvah rapidly approaching, Yoni’s already complex life is further complicated when his autistic brother, Tomer, unexpectedly returns home after living in an institution for the past 12 years. At Denver FilmCenter/Colfax. — Denver Film Society

ALBERT NOBBS Glenn Close stars in this tale of a woman forced to live as a man, Albert Nobbs, in order to work and survive in 19th-century Ireland. After 30 years, a new love threatens to destroy everything she’s worked so hard to build. At Esquire. — Landmark Theatres

MY AUSTRALIA When two brothers are caught vandalizing a Jewish neighborhood, their mother is distraught. Determined to build a new and better life for her boys, she decides they must leave Poland. At Denver FilmCenter/Colfax. — Denver Film Society

THE ARTIST Hollywood 1927. Silent movie matinee idol George Valentin is enjoying the good life. He meets funny, sexy young extra Peppy Miller, a dancer set for a big break, and sparks fly. At Century, Colony Square and Chez Artiste. — Landmark Theatres

MY BEST ENEMY

reel to reel

BETWEEN TWO WORLDS Between Two Worlds uses five unique stories to go beyond the superficial to reveal the debates over identity and generational change that are taking place within today’s American Jewish community. At Denver FilmCenter/Colfax. — Denver Film Society

For a list of local movie times, visit boulderweekly.com/movie-times.html

BIG MIRACLE

Denver Film Society

Amid the Cold War, a small-town reporter and his environmentalist ex-girlfriend lead an unlikely international coalition to save a family of gray whales trapped in the Arctic circle. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

EXTREMELY LOUD & INCREDIBLY CLOSE

CHRONICLE After making a surprising discovery, three high school students develop uncanny powers and begin to lose control. Rated PG-13. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT A DANGEROUS METHOD A Dangerous Method takes a glimpse into the turbulent relationships among fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. At Boedecker Theater and Esqure. — Landmark Theatres THE DESCENDANTS An indifferent father of two girls is forced to re-examine his life when his wife suffers a boating accident and he’s confronted with a big decision. At Century, Colony Square and Esquire. — Los Angeles Times/MCT DOLPHIN BOY A high school student from an Arab village in northern Israel who is kidnapped and severely beaten by classmates suffers from post traumatic stress disorder, leaving him disconnected and unable to communicate. At Denver FilmCenter/Colfax. — Denver Film Society EICHMANN’S END The thrilling true story of how a blind Holocaust survivor living in Argentina eventually uncovers the hidden history of his neighbor. At Denver FilmCenter/Colfax. — 38 February 23, 2012

stranger tries to convince a lovely young woman that they had a passionate affair a year ago. At Denver FilmCenter/Colfax. — Denver Film Society

Stephen Daldry (The Hours) directs this adaptation of Jonathan Safran Foer’s novel about a young boy trying to make sense of the world after his father (Tom Hanks) is killed in the attack on the World Trade Center on Sept. 11. Rated PG-13. At Colony Square. — Rene Rodriguez/MCT GEI ONI Fania, her baby daughter, emotionally scarred brother and her uncle are all that is left of her family after the Russian pogroms. They join the first wave of European Jews seeking new lives in late 19th century Palestine. At Denver FilmCenter/Colfax. — Denver Film Society GHOST RIDER SPIRIT OF VENGEANCE 3D Still struggling with his curse as the devil’s bounty hunter, the supernatural antihero Ghost Rider risks everything to team with a rebel monk to save a young boy and himself. Rated PG-13. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT GONE A woman who escaped a kidnapping a year earlier comes home to find her sister missing and suspects the same serial killer, whom she then races to track down and stop before it’s too late. At Century and Twin Peaks. — Los Angeles Times/MCT THE GREY When their plane crashes in the Alaskan wilderness, a group of roughneck oil rig workers struggle to survive injuries, the elements and a pack of wolves. Rated R. At Century and Colony Square. — Los Angeles Times/MCT THE HELP Best Picture nominee The Help stars Emma Stone as Skeeter, Academy Award nominee

Viola Davis (Doubt) as Aibileen and Academy Award nominee Octavia Spencer as Minny — three very different, extraordinary women in Mississippi during the 1960s who build an unlikely friendship around a secret writing project. At Denver FilmCenter/ Colfax. — Denver Film Society HUGO In 1930s Paris, an orphan living in a train station tries to unlock a mystery left behind by his late father. Rated PG. At Century and Colony Square. — Los Angeles Times/MCT THE HUMAN TURBINE When an Israeli physicist offers to help his Palestinian neighbors harness renewable energy, a partnership is formed. At Denver FilmCenter/Colfax. — Denver Film Society THE IRON LADY This biopic presents a portrait of Margaret Thatcher, the only woman to be prime minister of the United Kingdom. Rated PG-13. At Mayan. — Los Angeles Times/MCT JOURNEY 2: THE MYSTERIOUS ISLAND 3-D A family embarks on an adventure to a mysterious island in this sequel to the 2008 film Journey to the Center of the Earth. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT KILL LIST

Betrayal, role-reversal, romance and intrigue combine in this suspenseful caper about two friends who play cat-and-mouse with each other in Nazi-occupied Europe. At Denver FilmCenter/Colfax. — Denver Film Society MY REINCARNATION Namkhai Norbu rises to greatness as a Buddhist teacher in the West, while his son, Yeshi, recognized at birth as the reincarnation of a famous spiritual master, breaks away from his father’s tradition to embrace the modern world. At Denver FilmCenter/ Colfax. — Denver Film Society MY WEEK WITH MARILYN During the filming of The Prince and the Showgirl in 1956, a young British assistant introduces actress Marilyn Monroe to some of the charms of British life and helps her escape the pressures of Hollywood. At Mayan. — Los Angeles Times/MCT OPERA: DON CARLO – LA SCALA Don Carlo is considered by many to be Verdi’s ultimate dramatic accomplishment: a rich, nuanced score, paired with a complex, emotional story. At Boedecker Theater. — Boedecker Theater OSCAR-NOMINATED SHORT FILMS 2012: ANIMATED This year’s Academy Award nominees in the category of Best Animated Short. At Chez Artiste and International Film Series. — Landmark Theatres OSCAR-NOMINATED SHORT FILMS 2012: LIVE ACTION This year’s Academy Award nominees in the category of Best Animated Short. At Chez Artiste. — Landmark Theatres OSCAR-NOMINATED SHORT FILMS 2012: DOCUMENTARY

Eight months after a botched job in Kiev, Jay is an out-of-work hitman with no job, no money, no health insurance and a wife constantly on his case. When his business partner comes over for dinner, Jay quickly finds himself back in the game. At Denver FilmCenter/Colfax. — Denver Film Society

God is the Bigger Elvis, Incident in New Baghdad, Saving Face, The Barber of Birmingham, The Tsunami and the Cherry Blossom. At Denver FilmCenter/Colfax and International Film Series — IFS

LAST YEAR AT MARIENBAD

When Roger Ebert said that 3-D is “unsuitable for grown-up films of any seriousness,” he probably didn’t reckon with the mind of Boulder Weekly

At a lavish European hotel, a handsome

PINA

German director Wim Wenders, who chose the new technology to film his documentary on the late German choreographer Pina Bausch. The film that Wenders, the mind behind the breathtaking cinematography of the 1987 film Wings of Desire, has made uses 3-D to film Bausch’s work, and the results are gorgeous. Wender’s use of 3-D for art, as opposed to spectacle, is nothing short of groundbreaking. At Century.

Popular Girl. At Denver FilmCenter/Colfax. — Denver Film Society

RABIES

TINKER, TAILOR, SOLDIER, SPY

Take the ingredients of the American slasher flick, a touch of camp and a sly cinematic wink, then stir the whole thing up in an Israeli national park and what do you get? Israel’s first bona fide horror film! At Denver FilmCenter/Colfax. — Denver Film Society

The Cold War of the mid-20th century continues to threaten international relations. Britain’s Secret Intelligence Service (SIS) is striving to keep pace with other countries’ espionage efforts. At Chez Artiste. — Landmark Theatres

REMEMBRANCE

TOMBOY

Remembrance is the true story of two lovers who meet in a concentration camp in 1944. Tomasz, a Polish prisoner, pulls off a daring rescue, escaping from the camp with his Jewish lover Hannah Silberstein. At Denver FilmCenter/Colfax. — Denver Film Society

Filmmaker Céline Sciamma brings a light and charming touch to this drama of childhood and gender identity, highlighting the relationship between one’s body and one’s heart. At Boedecker Theater. — Boedecker Theater

ROMANCING THE STONE Remember when Kathleen Turner was still a woman and Danny DeVito was still occasionally sober? When you knew Michael Douglas as that guy from China Syndrome doing a poor man’s Indiana Jones vs. that guy from Fatal Attraction doing Catherine Zeta Jones? At Denver FilmCenter/Colfax. — Denver Film Society SAFE HOUSE A rogue CIA operative who has been on the run for a decade forms an unlikely partnership with a frustrated rookie agent. Rated R. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

THIS MEANS WAR Two deadly CIA partners and best friends fall for the same woman and employ their skills and arsenals against each other to win her. Rated PG-13. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

TYLER PERRY’S GOOD DEEDS A successful businessman with a restless fiancee is jolted out of his routine after meeting a struggling single mother who works for the cleaning crew at his office building. At Colony Square and Twin Peaks. — Los Angeles Times/MCT WANDERLUST A stressed-out Manhattan couple leaves the big city and stumbles upon an unusual freewheeling community populated by colorful characters. At Century and Colony Square. — Los Angeles Times/MCT WEEKEND

See full review on page 37. Rated G. At Century and Twin Peaks.

This apocalyptic farce — Alice in Wonderland as reconceived by the Marquis de Sade — would mark both the high point and the end of Godard’s meteroic career as a popular artist. At International Film Series. — IFS

A SEPARATION

THE WHALE

Simin wants to leave Iran to provide better opportunities for her daughter. When her husband refuses to leave behind his Alzheimer-suffering father, Simin sues for divorce. But her request fails, so she returns to her parents’ home — without her daughter. At Mayan. — Landmark Theatres

When Luna, a baby orca, gets separated from his pod and unexpectedly starts making contact with people along a scenic fjord in British Columbia, no one can quite believe it. At Boedecker Theater. — Boedecker Theater

THE SECRET WORLD OF ARRIETTY

THE SKIN I LIVE IN Ever since his wife was burned in a car crash, Dr. Robert Ledgard (Antonio Banderas), an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. At Boedecker Theater. — Boedecker Theater STAR WARS: EPISODE I – THE PHANTOM MENACE 3D

WINSTON CHURCHILL: WALKING WITH DESTINY Many say, if not for Churchill’s determination to fight Hitler’s invasion of Britain at any cost, the Nazi flag would wave over Europe today. At Denver FilmCenter/Colfax. — Denver Film Society THE WOMAN IN BLACK

A 3-D version of the spacefaring adventure about Jedi knights and interplanetary intrigue. Rated PG. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

When a widowed lawyer is sent to a remote village to settle the affairs of a deceased eccentric, he discovers the place holds a deadly secret. Rated PG-13. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

TEEN WITCH

THE VOW

Louise was just another misfit teenager who pined for a handsome boy and a popular life — until a chance meeting with Madame Serena reveals she is a direct descendant of Salem witches. Now, if she can figure out how to use her powers, she’ll trump all her old antagonists and become The Most

After waking from a coma caused by a car accident, a newlywed wife copes with severe memory loss while her husband tries to win her heart again. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

Boulder Weekly

ECO-CONSCIOUS

& INDEPENDENT

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February 23, 2012 39

elevation Cory Richards photography

A scene from Cold

s the camera pans away from the glare of the rising sun, jagged white and blue ice peaks fill the screen. In the middle distance, the tallest catches the first pink light of dawn. In the foreground we see a climber encased in his red down survival spacesuit. He is walking very, very slowly, inching up a steep knife-edge ridge toward us. As the scene shifts to slow motion, we can see that he is stumbling. Watching that scene from the film Cold at the Banff Mountain Film Festival in November, I was almost choking with dread. Ten minutes into the film, I had already come to care about this climber and his two partners, who, alone in the world’s highest wilderness, were trying to do one of the most difficult things any human has done. Their quest had become an epic metaphor, and the man at the center of the story was my new hero (or antihero). Cold, Grand Prize winner at the Banff Mountain Film Festival, which arrives in Boulder next week, documents an expedition on Gasherbrum II in the Pakistani Himalayas, the first successful winter ascent of an 8,000-meter (26,246-foot) mountain by an American. It succeeds as an adventure flick, and more so as a powerfully moving self-portrait of the young Boulderbased climber and photographer Cory Richards, who shot the film, which was brilliantly directed and edited by Anson Fogel, who lives in Carbondale. Marshalling a combination of artistic courage and cheerful, fuck-all belligerence, these two men, along with writer Kelly Cordes, have created an astonishing 20-minute masterpiece that has been wowing audiences and sweeping festivals all winter long. Cold brings the adventure documentary into new territory that seems perfectly suited to its two subjects: elite alpinism and the soul of a mountaineer. Just as the new breed of pure alpinists scorn the armies of porters and the boatloads of gear that characterize modern “siege” mountaineering (shunning even supplemental oxygen), Cold steers clear of the macho glamour that too often surrounds the adventure sports

over a stunning soundtrack by Academy Award-winning composer Gustavo Santaolalla (Babel, Brokeback Mountain). “I love the mountains. Grew up in them, climbing with my dad. He gave me this. But I was such a fuck-up. Until climbing. “Beautiful. Spectacular. Free. But it’s just… so… cold. “What the fuck am I doing here?” As the days tick by and the men climb, the temperature drops into the low minus-40s. When they summit, Moro is curled in a ball, coughing and puking into the snow. And the real ordeal hasn’t yet begun.

Inside mountaineering

Beauty and Terror Talking about their film in a cafe at the stunning Banff Centre the afternoon before the film was awarded the Grand Prize, Richards and Fogel seemed to be still struggling to understand this thing they had created together. Cold’s triumphant screening at Banff occurred fewer than nine months after the expedition it documents. Its creation was apparently a flurry of networking and partying followed by a creative marathon. It began with an email from a friend. While still in Pakistan, Richards had uploaded some raw footage to a blog maintained by The North Face, the expedition’s sponsor. That could very well have been the end of it; Richards was there primarily as a still photographer to document the expedition, and the video footage was bonus. But the posts blew up — drawing upwards of 30,000 views. Julie Kennedy, founder of Climbing magazine as well as the 5 Point Film Festival, saw some footage of a riveting moment of grief and terror (spoiler alert) following an avalanche that almost killed Richards, and forwarded a link to Fogel. “I thought, there’s something incredible here,” Fogel recalls. “But immediately I thought, This needs to be something different. Because — I’m not a mountaineering filmmaker; I just want to make films about

The filmmakers behind ‘Cold,’ Banff’s Grand Prize winner, on life, art and suffering by Eric Johnson scene. It feels raw, real and truer than any outdoor film I’ve seen. The film is almost halfway over by the time we get that first full-blown panoramic alpine shot. Prior to that, we meet Richards and his fellow climbers Simone Moro of Italy and Denis Urubko of Kazakhstan (both of whom are superstars in mountaineer-worshiping Europe) in a series of scenes that illustrate the grueling and human-sized — rather than the heroic or grandiose — aspect of the enterprise. We are with the men inside their dark tent, where the walls have iced over and spindrift crystals swirl about while Moro coughs incessantly. And later we’re inside a bright tent as the two veteran mountaineers engage in a comical dialogue made more charming by their quirky and creative command of the English language. But mostly, we are inside Cory Richards’ head as he battles death and demons. Trudging steeply up one (gorgeously photographed) steep grade after another, Richards engages in a straightforwardly poetic inner monologue, spoken

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the human condition. I saw these clips and was just immediately like, Cold (NR; 19 min.) screens Wednesday as part of the Banff Mountain Film Festival. Other films ‘Wow, there’s something really true at the festival, which is running at the Boulder and real and essential going on Theater, include Ice Revolution, Towers of Ennedi, Kadoma, Sketchy Andy, Winter, there.’ And kind of dark, which Hanuman Airlines and The Freedom Chair on appeals to me too.” Feb. 28 and Origins: Obe & Ashima, Blue Obsession, On the Trail of Genghis Khan, When the two men met, they C.A.R.C.A., Ski Bums Never Die and All.I.Can quickly determined that this thing on Feb. 29. Proceeds will benefit the CU Outdoor Program and Boulder Mountainbike was going to happen. Alliance. Tickets are available online at www. “A film can only be made if bouldertheater.com and at REI. there’s lots of trust between the filmmaker and a subject,” Fogel says. So he was blunt: “I said, ‘You’re going to end TV commercials as well as advenhave to bare your soul onscreen. And it’s ture films, had invited his friend Kelly not going to make you look like a hero.’” Cordes, an alpinist who writes for That was just fine with Richards (who Patagonia’s blog, to join him and has since been named a 2012 Explorer of Richards in Carbondale. the Year by National Geographic). “We spent a day and half there, sit“I’m always horrified when I go ting at my house talking and drinking climbing,” he says. “I spend the entire tequila,” Fogel says. “And that was two months scared. You go through ice- essentially the interview. We talked fall and see all these huge pieces of ice about what we thought the film should that came down since the last time you be and decided that it was going to be were there. And you know that it could pretty weird. And we knew that was happen again at any second. pretty risky.” “You’re exhausted. You’re dehydrated. Again, that was mother’s milk for You’ve got nothing left, so you do some- Richards, who apparently spent his adothing stupid. Or you’re just too tired to lescence at war with the world. do something smart. Like — on your After starting high school in down suit, there are these little eyelets Boulder two years early, Richards says, he “got screwed up by the social imbalthat you fasten your mitten to so you won’t lose it. And you forget to fasten it. ance” and dropped out at 14. “I hated authority,” he says. “I was a Then you reach down to tie your boot or little shit and I didn’t listen to anybody. something and your mitten falls out of Anybody that said I had to do someyour coat where you stuffed it and it thing, I was like ‘No, I won’t do it.’ I was blows away. You’re probably going to die. such a junk show that my parents basi“It’s fucking terrifying. And I really cally threw me out of the house.” believe all alpinists experience that He spent the next couple of years doubt and fear, and the experience of couch-surfing and barely avoiding the working through it. And you leave base camp knowing, ‘This could be it. This street. might be it.’ But you try not to think of “In that time,” he says, “I think I it on that frontal level.” developed an ability and an aptitude to Richards says the film managed to suffer.” portray what he loves about alpinism: “When it’s not about getting to the top, Bottoming Out at 8k but about climbing. The soul of climbing. When you’re pushed to a place Richards’ ability to abide suffering is where you’re having to look into why evident from the first frame of Cold to you’re doing it.” the last. But it is the veteran Moro, a Fogel, whose production company, longtime hero of Richards, who is clearForge Motion Pictures, produces highly in the worst kind of hurt.

We learn in an early scene that the trio has decided to take advantage of a two-day break from winter storms to reach the peak. That means breaking camp before they’ve been able to fully acclimate to the altitude. And it means racing the weather up the mountain. “We were going at a pace that was sort of a gamble,” Richards concedes, then adds, “a very big gamble.” For Moro, the leader of the expedition, the result was a bad altitude cough — a condition that alpinists frequently face. “He’d get up in the morning and cough a lot,” Richards recalls, “and he was coughing blood. His lungs were just raw. He suffers more than anybody.” Richards addresses the situation matter-of-factly in the film: “In the morning Simone pukes, and we all piss so dark it looks like blood. The storm rages harder. We pack up our gear and work our way down.” For Fogel, the ordeal came later. Having gotten all of the raw footage from Richards, he had to race to get it produced in time for showing at the 5 Point Festival, which takes place in his hometown. “I logged all the video in three 16-hour days,” he says, groaning from the memory. He then had less than two months to cut and mix the whole thing. Sitting in Banff six months later, before Cold won the biggest of its string of awards, both men are adamant that the other deserves the lion’s share of the credit for its success. Richards is proudest that Moro, his friend and onetime idol, likes the finished product: “Simone said, ‘It’s the first time I’ve ever seen an honest movie about mountaineering.’” But he insists that it’s Fogel’s movie. “I think what you did is you made a new kind of mountaineering film,” he tells his colleague. “You’ve changed the way people will look at mountaineering films.” Eric Johnson is a contributor to the Santa Cruz Weekly. Respond: letters@boulderweekly.com

Red carpets, big screens by Tom Winter

ith the spread of cheap, highquality video cameras, cheap editing software and the ability to share the final product via the Web, budding filmmakers have more opportunities than ever before to showcase their work. And like Hollywood, the adventure filmmaker ecosystem includes awards, festivals and other red-carpet events. If you’re a filmmaker or just want to eat popcorn in front of the big screen, here are our top picks. The star that burns brightest is the Banff Mountain Film and Book Festival. Thirty-five years in, the festival receives more than 300 entries and selects approximately 50 for the late October event. Winning entries then go on tour, including stops in Colorado. Banffcentre.ca Montana’s Cold Smoke festival focuses on skiing and snowboarding, including a Web-driven “Viewer’s Choice” award. With stops in Denver, Durango and Silverton, a People’s Choice tour brings the winning films to the masses. Coldsmokeawards.com Boulder’s own Adventure Film Festival features an eclectic mix of productions. Last year’s films included 20/20, the journey of a blind snowboarder, and Almost Stuck on Earth, which follows musicians on tour via bike from California to Mexico. Adventurefilm.org For those who want more information about making a film themselves, Boulder Digital Arts offers an array of classes, including lighting, production and editing classes. Boulderdigitalarts.com The University of Colorado’s film studies program has classes in narrative, documentary and avantgarde filmmaking and offers a degree program. Colorado.edu/ filmstudies Boulder-based Michael Brown of Serac Films is one of the instructors at Outside Adventure Film School. Outside magazine hosts classes on location, from Peru’s Macchu Piccu to Vail’s Teva Games. Adventurefilmschool.com

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by Hadley Vandiver

he term “gluten-free” has become something of a catchphrase around Boulder. There are gluten-free restaurants, gluten-free frozen foods, gluten-free cookies, bagels and breads. Though gluten-free foods are becoming a norm in Boulder, there is some debate about whether going gluten-free is just a fad or truly a healthier life choice. Executive Chef Jeff Barbour of Restaurant 4580 in North Boulder says that when he moved to Boulder six years ago, he was taken aback by requests for gluten-free foods. “I thought it would be a bit like the Atkins Diet fad. I didn’t know what it was or what the deal was,” Barbour says. “I had never heard of it before I came to Boulder, but then when you work with people that have to deal with having an intolerance on a daily basis, you realize how important it is for them.” About 80 percent of the menu at 4580 is now gluten-free. In working with Restaurant 4580, whose owners are gluten-intolerant, Barbour says that he has found ways to make gluten-free foods that do not sacrifice taste. “Now I realize that some people are more intolerant than others, and people saying they’re gluten-free aren’t necessarily phony,” Barbour says. “Our owners understand what it’s like if you have a gluten intolerance and you go out to a restaurant and you don’t have that many options.” Gluten intolerance or sensitivity occurs to varying degrees, from celiac

English Muffin

y err ead b e r Blu orn B C

FRUIT & CORN BREAD!

ood-fired, brickoven Napoletana. Put this in front of the word pizza, and people will pay about $18 for a tiny 12-inch pie made with less than $4 of ingredients. The problem is, in my experience, the success rate for traditional ’za, good enough to bring a tear to any giant Italian grandmother’s eye (I’m Italian, so I can say this), is about 10 percent. Here’s a challenge: grab a take-and-bake pie from your local grocery store, then spend about $10,000 building a pizza oven in the backyard. Once you get that sucker to 600-900 degrees, slide your pizza skin in, wait about 7 minutes, pull it out and take a bite. Tastes amazing, right? No, it tastes like mediocre pizza. You can do better, even though, as we’ve all heard, pizza is like sex — even when it’s bad, it’s, uh, sticky and hot and people can tell it was made in that room long after it’s finished. I’m pretty sure that’s how see PIZZA Page 45

POTATOES & PANCAKES!

Buttermilk Biscuit

42 February 23, 2012

To a

nch Fre ast To

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a an n Ba ut d N rea B

range of gastrointestinal effects, including diarrhea and bloating. “Celiac disease is not a fad,” Reagan says. “If someone has celiac disease it’s a serious condition, where they have to permanently keep gluten out of their diet for the rest of their lives.” At The Kitchen, requests for glutenfree meals have greatly increased in the past five years, according to Kyle Mendenhall, executive chef for all of The Kitchen’s restaurants. “When I started in 2008, we would only have a very small amount of glutenfree bread available,” Mendenhall says. “I remember that there were two people that would come in for brunch every weekend

Bre Potaakfast toes

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disease to a mild sensitivity, says Jane Reagan, a registered dietitian and clinical nutritionist at Essential Nutrition in Boulder. In celiac disease, the body attacks the microvilli in the small intestine when gluten is ingested, preventing people with the disease from getting the vitamins, minerals and calories necessary for normal bodily functions. People who are intolerant to gluten can experience a

that used to bring their own gluten-free bread in, and we would grill it for them. Over time, the requests became more and more frequent, and now it’s something that we carry on a regular basis.” Currently, about one in every 133 Americans has celiac disease, and awareness about gluten intolerance is increasing, Reagan says. “I think a lot of people who don’t feel good are deciding to remove gluten from their diet and finding that they feel better, and that is something that wouldn’t have been an option in the past,” Reagan says. “More people are aware of this being a potential culprit in their health problems, and so they’re more willing to try.” On the other hand, there are people who aren’t glutenintolerant but choose to remove it from their diet anyway, under the assumption that if so many people are doing it, it must be the healthier way to go. “That’s such a farce,” Reagan says. “Gluten-free foods are often times less healthy, because they will have less fiber and they are less nutrient-rich. Instead of your whole-grain flours or rye or barley flours, you’re now using white rice flour, tapioca flour or potato flour, a lot of white starches that don’t have the nutrients that the whole grains do. They also add a lot of sugar to those products. I know people who go on gluten-free diets and actually gain weight.” For people with gastrointestinal problems, Reagan suggests removing gluten from the diet completely for a couple of weeks. If the problems improve, celiac disease or gluten intolerance could be the culprit, and Reagan recommends further consultation or testing. Respond: letters@boulderweekly.com

with cynicism

The great gluten debate

The better-thanrestaurant-pizza project, part 1 by Theo Romeo

cooking

cuisine

Boulder Weekly

cuisine review

unday morning was rough. I had injured Laudisio my knee the day 1710 29th St. Suite 1076, before, resulting in Boulder, 303-442-1300 an ER visit and an unsure prognosis. My friend Ann suggested an ameliorative brunch, and I was game, but not necessarily up for one of those popular joints with a long wait and hip vibe. Nor was I necessarily enthused about hitting an in-and-out coffee shop for quick ham and eggs. I sought something a touch more elevated than that; a place where I could have a leisurely prepared meal with a few more flourishes. Ann proposed Laudisio, where we were met by another friend, Lauren. Upon entering, I took the elegant but unpretentious setting as just what the doctor ordered, if he or she was prescribing ambience over say, knee immo- lated sugar. Ann pointed out that powbilizers. The servers were attentive dered sugar might have been a better without being overly familiar, the atmo- choice and, like the aranciata, a smidge sphere was peaceful, and the menu was less sweet would have benefited this divided into egg dishes, sweet specialpastry. But a quick bite vaporized this ties and brunch pizzas. More rarefied quibble, as the piping hot and nearly selections included an $11 Susan France duck confit accompanied by poached eggs and potato cake, while those with a smaller appetite might opt for the $6 blend of yogurt, fruit and granola. I started off with a $3 aranciata fresca, a house-made cousin of the citrusy soft drink popularized by San Pellegrino. Laudisio’s version features organic orange juice and simple syrup, although in this case the beverage would be better served by a whisper, rather than an inside voice, of sweetener. creamy but crumbly interior carried the Nonetheless, it was an agreeable day. refresher lacking the acidity of its Ann opted for the $13 prosciutto imported counterpart. crudo pizza with a $4 upcharge for a Next up was a helping of $5 sepgluten-free crust. I suspect that I would pole, or donut holes dusted with granu- enjoy the fuller body of a wheat foun-

Clay’s Obscurity Corner Ice cream and cake

Susan France

s one might guess, comfort food is key right now, and unsurprisingly, I was pleased to hear that bakers Kim and Jake’s Cakes (641 S. Broadway, Boulder 303-499-9126) have teamed up with Glacier Ice Cream. For Valentine’s Day, K&J and Glacier collaborated on a limited edition Red Velvet ice cream, combining cake and a cream cheese ice cream base. While that’s likely sold out now, their Mardi Gras King Cake collaboration is available at Glacier’s 4760 Baseline location in Boulder (303-499-4760).

A laudable weekend brunch by Clay Fong

dation, but I also know that many gluten-free diners don’t have a choice, and I certainly didn’t have any problem with the crispness of this house-made crust. The toppings of arugula, eggs, crushed tomato, mozzarella and cured meat would have made for a fine omelet in their own right. Each element was distinctive, but none overwhelmed the others. Lauren had the $13 bistro steak and eggs, garnished with bright arugula. The Never Ever steak carried a clean, grassy flavor, and was one of the better cuts of meat I’ve had in this breakfast standard. The hearty home fries were properly crisp on the outside, with the requisite soft interior. An $11 plate of lemon ricotta pancakes topped with whipped cream and almond slivers hit the spot with fluffy texture and fresh lemon tang, subtly enhanced by the cheese. Just the right measure of sweetness rendered the maple syrup superfluous, and the overall effect of this stand-

by was that it held enough heft to satisfying without making one feel weighed down. While Laudisio is best known for its Italian-influenced lunches and dinners, it certainly satisfies with its solidly constructed brunch menu, which is only offered on the weekends. My needs on the morning of my visit were more specific than usual, and the serene feel, simple but well-executed preparations, and detail-oriented but unobtrusive service made Laudisio a recuperative experience. Respond: letters@boulderweekly.com

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February 23, 2012 43

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Mateo Restaurant will hold its third annual Oscars party at 4 p.m. Sunday, Feb. 26. For $25, guests can watch the pre-show and the awards ceremony and cast ballots for which actors and films they think will take home a trophy. Prizes will be awarded to the best-dressed — black tie is suggested — and the most accurate ballot. Mateo will offer appetizers, dessert and drink specials. Make a reservation at 303-443-7766.

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Devil’s Thumb Ranch in Tabernash will hold the second dinner and beer pairing in its yearlong Brewmaster Dinner Series Feb. 24, when they’ll offer three tastings from Steamworks Brewing of Durango. Executive Chef Evan Treadwell and his culinary team coordinate with specially selected breweries and their brewmaster to customize menus that showcase each beer’s qualities. Members of the brewery will also be on hand to share insights on the process. Seats are $39, which includes a threecourse dinner with beer pairings. The events run from 6 to 9 p.m. and reservations are recommended. Devil’s Thumb will also host cooking classes led by Treadwell in the newly opened Yager House, which includes a demonstration kitchen. Classes include a demonstration followed by a three-course dinner, a recipe book, a Devil’s Thumb Ranch signature chef’s apron and wine pairings. The classes cost $125 and advanced reservations are required. The class is 5:30-9:30 p.m. Feb. 29. For more information, visit www. devilsthumbranch.com or call 970-726-5632.

UH, GUYS, THAT’S NOT A WEEK

To celebrate “the culinary scene of Denver” and to combat that dead time between Valentine’s Day and the summer, scores of Denver-area restaurants will participate in Denver Restaurant Week, Feb. 25 to March 9. That’s right — Denver Restaurant “Week” lasts for two weeks. And the “Denver” part isn’t entirely true either — 23 restaurants in the Boulder area will participate this year, from Louisville to North Boulder, including several in downtown Boulder. Participating restaurants offer a multi-course menu for $52.80 for two or $26.40 for one. Reservations are generally recommended. A full list of participating restaurants is available at the event’s website, www.denver.org/denverrestaurant.

MOUNTAIN SUN GETS HAIRY

At the culmination of two bizarre honorary months, both of Boulder’s Mountain Sun pubs will host Stout Month and Chop Month celebrations at 10 p.m. Feb. 29. Mountain Sun and Southern Sun will offer drink specials for Stout Month and will host Chop Month competitions, which celebrate facial and head hairstyles. Employees and owners are encouraged to cut their hair in unusual styles and shapes, and contestants will compete for audience votes for best hair and facial hair. Do in public what you do in your head all the time and cast votes on others’ hair. Respond: letters@boulderweekly.com

(303) 442 1300 44 February 23, 2012

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PIZZA from Page 42

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that saying goes. Good pizza is made with good ingredients. Ovens help, but a perfectly cooked piece of shit is still shit. So I’ve been trying, over the past few months, to master a pizza that tastes like it was cooked in a Tuscan backyard. And I believe I’ve done it, with no less than the worst oven I have ever had in any home I have ever lived in. But you have to be patient. There are a lot of components that need to W to execute this. But oncen C come together in order o O you finish, I promise you,PitEwill your mind ar yout r N ablow b i L t n i N l or that little of your head and into your car, and guy will drive all the way to Trinidad and put itself on a waiting list to get a sex change. How can a brain get a sex change? You’re over-thinking this. So this week, I’m only going to cover the starter for the dough. This is a starter I lifted from Tartine Bread, one of the best books on baking bread I’ve ever come across (Thanks, Mo!). It takes three to five days to develop a starter, but once it’s finished, you’ll have it for life, unless you kill it. Note: Don’t kill it.

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Starter for seriously awesome pizza dough 2 tbsp. wheat flour 2 tbsp. white flour About ¼ cup water Additional flour for feeding In a small jar or Tupperware container, mix flours together, then add enough water to achieve the consistency of pancake batter. Let the mixture sit for 24 hours with either a tea towel or paper towel over it. By this time, tiny bubbles should have formed on the sides of the container (if not, let it sit another day), which is a good sign it’s ready to be fed. Before you do that, though, smell it. You’re looking for a sourdough/stinky cheese scent. If you got the bubbles and the stank, then throw away about 80 percent of it. Trust me. Add another 2 tbsp. each of both white and wheat flour, and an equal amount of water (that’s 4 tbsp. if you’re not counting) to the remaining mixture, stir to combine, and re-cover for another 24 hours. Continue to discard and feed every 24 hours until the starter has a consistent clock, meaning it bubbles up and fills the container about 5-8 hours after each feeding. This can be achieved in as short as two feedings or as many as six. You’re looking for predictability, and once you have it, you have yourself a starter. If you begin today, then it will be ready by next week’s installment: the pizza dough and sauce. Respond: letters@boulderweekly.com

Boulder Weekly

February 23, 2012 45

appetizers Oak at Fourteenth

Synopses of recent restaurant reviews. To read reviews in their entirety, visit www.boulderweekly.com

1400 Pearl St., Boulder 303-444-3622

ak at Fourteenth is back with a vengeance, serving up winning gourmet fare inspired in part by American regional cuisine. A sleek interior coupled with denim-clad waitstaff give it a subtle cowboy-meets-foodie feel, accented by attentive service. Dinners include a porterhouse steak for two and house-made pastas. At lunch, the shrimp grits are sublime and the winning $11 burger lunch special includes two grass-fed patties, Old Bay seasoning-scented tater tots and house-made root beer.

1606 Conestoga St. #3, Boulder 303-442-0585

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Smoked Prime Rib

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agyu steak is a pricey delicacy, and the Pearl Street Steak Room is a coolly retro venue where people can indulge their taste for this artisan beef. Richly marbled, sweet and tender, the Wagyu filet’s a good way to go, especially after one of their smooth martinis. The adventurous can start their meal with chicken-fried sweetbreads, but more sedate choices like duck confit also tempt.

Minglewood

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The Bitter Bar

835 Walnut St., Boulder 303-442-3050

he Big Red F Restaurant Group’s foray into the world of artisan cocktails, The Bitter Bar, has taken over the former Happy Noodle venue. Drinks here range from original award-winning concoctions such as the Gone Fishin’, featuring naval-strength rum and ginger liqueur, to old chestnuts like Irish Coffee. But the focus on libations doesn’t detract from the food, which includes such winning options as a fresh-tasting lobster risotto and the unique gingerbread cake garnished with bacon caramel popcorn.

Shine

2027 13th St., Boulder 303-449-0120

oulder’s Shine is the newest venture from the Emich triplets, late of Trilogy fame. Shine is a bar and restaurant as well as a performance and gathering space showcasing everything from world music concerts to yoga classes. The menu features healthful offerings ranging from locally sourced, grass-fed beef burgers to meatless jackfruit tacos. There’s also a selection of housemade beer, and various elixirs and potions flavored with herbs and touted for their restorative qualities.

95a Bistro and Sushi

1381 Forest Park Circle, Lafayette 303-665-3080

5a Bistro and Sushi is a worthwhile addition to the East County dining scene. It provides an opportunity for a reasonably priced lunch prepared with care, an intriguing small plate meal, or a dinner combining comforting home cooking with gourmet flair. Winning small plate choices, none of which cost more than $7, include clams and chorizo, braised pork over potato, and chile pepper and avocado tempura.

46 February 23, 2012

L’Atelier

1739 Pearl St., Boulder 303-442-7233

hef Radek Czerny’s L’Atelier, deeply influenced by classic French cuisine, builds upon a traditional foundation. At dinner, starters range from Thai-spiced mussels to traditional escargot and shrimp Louis. Classicism marks the entrée menu, which includes filet mignon and rack of lamb. The lunch menu features lighter options like a tuna nicoise salad and a salmon, lettuce and tomato panini, and both meals feature the can’t-miss lobster ravioli.

Murphy’s

2731 Iris Ave., Boulder 303-449-4473

or those desiring a lighter, reasonably priced meal combining bar standards with a touch of gourmet, try the small plates menu at the North Boulder location of Murphy’s. Marked down for happy hour, this menu includes south of the border specialties like Six Bite Nachos, larger than the name suggests. Other winning options include the falling-off-the-bone Caribbean pork ribs with habanero mango sauce and the smoked salmon with brie on crostini.

Aloy Thai Cuisine

2720 Canyon Blvd., Boulder 303-440-2903

ormerly Chy Thai, Aloy Thai Cuisine claims the same ownership and food as its predecessor with an upgraded dining room. Indeed, the solid Thai selections of the old venue live on, and the lunch menu provides an opportunity to enjoy several classic choices for less than $9. Lunch highlights include the red roast chicken curry and Pad Kra Pow, a basil-scented stir-fry.

he Grateful Dead is the main influence on the ambience at Minglewood, a new eatery primarily catering to a lunchtime worker crowd near 55th and Arapahoe. Hot and cold sandwiches, entrée salads and a rotating selection of soups and desserts make up the bulk of the menu. Rotating special highlights include the lamb meatball panini and cream of red pepper soup.

Korea House

2750 Glenwood Dr. #4, Boulder 303-449-1657

nder new management since last spring, Boulder’s Korea House has a newly upgraded ambience. It still serves up a menu of Japanese items such as sushi and teriyaki, as well as classic Korean specialties such as barbecue beef and short ribs. The gal bi, or short ribs, are a can’t-miss selection featuring tender beef and a marinade balancing soy, garlic and a hint of sweet.

Tossa Pizza

2400 Arapahoe Ave., Boulder 720-214-3254

ocated at Folsom and Arapahoe in Boulder, Tossa Pizza functions as a typical fast-casual, order-at-thecounter joint during lunch. Come late afternoon, it switches to table service throughout dinner and until closing. This affordable Italian-accented eatery dishes out pizza, salads, pasta and panini of a quality that’s pleasantly surprising for the price. Highlights include the macaroni and five cheeses and the arugula and mushroom pizza.

Brooklyn Deli

1515 Main St., Longmont 303-684-8400

ongmont’s Brooklyn Deli brings a taste of the Big Apple to the Front Range. Classic selections include a can’t-miss Reuben with a choice of turkey, pastrami or corned beef on grilled rye, and a satisfyingly homespun matzo ball soup. Other star attractions include Long Island A&S bagels topped with cream cheese and lox from Brooklyn’s Acme Smoked Fish.

Snooze

1617 Pearl St., Boulder 303-225-7344

nooze, a self-described “a.m. eatery” that originated in Denver, now has a Pearl Street outpost. The menu includes a variety of eggs Benedict interpretations, like the delightful Upstream, featuring a hunk of delicately honeyed smoked salmon. There are also several $7.50 pancakes, which include the usual suspects, like blueberry, as well as more unique selections like a desser t-like pineapple upside-down version. Of course, a full complement of egg dishes, ranging from omelets to huevos rancheros, are available, as are oatmeal, granola and French toast. Respond: letters@boulderweekly.com Boulder Weekly

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astrology ARIES

MARCH 21-APRIL 19:

Go to RealAstrology.com to check out Rob Brezsnyâ€™s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

I invite you to identify all the things in your life that you really donâ€™t need any more: gadgets that have become outdated, clothes that no longer feel like you, once-exciting music and books and art works that no longer mean what they once did. Donâ€™t stop there. Pinpoint the people who have let you down, the places that lower your vitality, and the activities that have become boring or artificial. Finally, Aries, figure out the traditions that no longer move you, the behavior patterns that no longer serve you, and the compulsive thoughts that have a freaky life of their own. Got all that? Dump at least some of them.

TAURUS

APRIL 20-MAY 20:

If youâ€™re a woman, you could go to the perfume section of the department store and buy fragrances that would cause you to smell like Jennifer Lopez, Britney Spears, Eva Longoria, or Paris Hilton. If youâ€™re a man, an hour from now you could be beaming an aroma that makes you resemble a celebrity like Antonio Banderas, Usher, David Beckham, or Keith Urban. You could even mix and match, wearing the Eva Longoria scent on your manly body or Usher on your female form. But I donâ€™t recommend that you do any of the above. More than ever before you need to be yourself, your whole self, and nothing but yourself. Trying to act like or be like anyone else should be a taboo of the first degree.

GEMINI

MAY 21-JUNE 20:

â€œI try to take one day at a time,â€? says Ashleigh Brilliant, â€œbut sometimes several days attack me all at once.â€? I think you may soon be able to say words to that effect, Gemini â€” and thatâ€™s a good thing. Life will seem more concentrated and meaningful than usual. Events will flow faster and your awareness will be extra intense. As a result, you should have exceptional power to unleash transformations that could create ripples lasting for months. Would you like each day to be the equivalent of nine days? Or would four be enough for you?

CANCER

JUNE 21-JULY 22:

When actor Ashton Kutcher is working on the set of his TV show Two and a Half Men, he enjoys spacious digs. His trailer is two stories high and has two bathrooms as well as a full kitchen. Seven 60-inch TVs are available for his viewing pleasure. As you embark on your journey to the far side of reality, Cancerian, it might be tempting for you to try to match that level of comfort. But whatâ€™s more important than material luxury will be psychological and spiritual aids that help keep you attuned to your deepest understandings about life. Be sure youâ€™re well-stocked with influences that keep your imagination vital and upbeat. Favorite symbols? Uplifting books? Photos of mentors? Magic objects?

LEO

JULY 23-AUG. 22:

Veterans of war whoâ€™ve been wounded by shrapnel often find that years later, some of the metal fragments eventually migrate to the surface and pop out of their skin. The moral of the story: The body may take a long time to purify itself of toxins. The same is true about your psyche. It might not be able to easily and quickly get rid of the poisons it has absorbed, but you should never give up hoping it will find a way. Judging by the astrological omens, I think you are very close to such a climactic cleansing and catharsis, Leo.

VIRGO

AUG. 23-SEPT. 22:

Distilled water is a poor conductor of electricity. For H2O to have electroconductivity, it must contain impurities in the form of dissolved salts. I see a timely lesson in this for you, Virgo. If you focus too hard on being utterly clean and clear, some of lifeâ€™s rather chaotic but fertile and invigorating energy may not be able to flow through you. Thatâ€™s why I suggest you experiment with being at least a little impure and imperfect. Donâ€™t just tolerate the messiness. Learn from it; thrive on it; even exult in it.

LIBRA

SEPT. 23-OCT. 22:

According to my reading of the astrological omens, you are neither in a red-alert situation nor are you headed for one. A pink alert may be in effect, however. Thankfully, thereâ€™s

Boulder Weekly

no danger or emergency in the works. Shouting and bolting and leaping wonâ€™t be necessary. Rather, you may simply be called upon to come up with unexpected responses to unpredicted circumstances. Unscripted plot twists could prompt you to take actions you havenâ€™t rehearsed. It actually might be kind of fun as long as you play with the perspective Shakespeare articulated in As You Like It: â€œAll the worldâ€™s a stage, and all the men and women merely players.â€?

SCORPIO

OCT. 23-NOV. 21:

â€œDear Rob: For months Iâ€™ve had a recurring dream in which I own a pet snake. Hereâ€™s the problem: The only cage I have to keep the snake in is sadly inadequate. It has widely spaced bars that the snake just slips right through. In the dream I am constantly struggling to keep the snake in its cage, which is exhausting, since itâ€™s impossible. Just this morning, after having the dream for the billionth time, I FINALLY asked myself, whatâ€™s so terrible about letting the snake out of its cage? So I gratefully wrote myself this permission note: â€˜It is hereby allowed and perfectly acceptable to let my dreamsnake out of its cage to wander freely.â€™ - Scorpio Devotee.â€? Dear Devotee: You have provided all your fellow Scorpios with an excellent teaching story for the upcoming weeks. Thank you!

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SAGITTARIUS NOV. 22-DEC. 21:

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CAPRICORN

DEC. 22-JAN. 19:

There are many examples of highly accomplished people whose early education was problematical. Thomas Edisonâ€™s first teacher called him â€œaddled,â€? and thereafter he was homeschooled by his mother. Winston Churchill did so poorly in school he was punished. Benjamin Franklin had just two years of formal education. As for Einstein, he told his biographer, â€œmy parents were worried because I started to talk comparatively late, and they consulted a doctor because of it.â€? What all these people had in common, however, is that they became brilliant at educating themselves according to their own specific needs and timetable. Speaking of which: The coming weeks will be an excellent time for you Capricorns to plot and design the contours of your future learning.

AQUARIUS

ent

John Q. Pati

JAN. 20-FEB. 18:

Nigeria has abundant deposits of petroleum. Since 1974, oil companies have paid the country billions of dollars for the privilege of extracting its treasure. And yet the majority of Nigerians, over 70 percent, live on less than a dollar a day. Where does the money go? Thatâ€™s a long story, with the word â€œcorruptionâ€? at its heart. Now let me ask you, Aquarius: Is there a gap between the valuable things you have to offer and the rewards you receive for them? Are you being properly compensated for your natural riches? The coming weeks will be an excellent time to address this issue.

PISCES

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FEB. 19-MARCH 20:

Gawker.com notes that American politician John McCain tends to repeat himself â€” a lot. Researchers discovered that he has told the same joke at least 27 times in five years. (And itâ€™s such a feeble joke, itâ€™s not worth re-telling.) In the coming week, Pisces, pease please please avoid any behavior that resembles this repetitive, habit-bound laziness. You simply cannot afford to be imitating who you used to be and what you used to do. As much as possible, reinvent yourself from scratch â€” and have maximum fun doing it.

JVII KVEQ IEGL [IIO

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February 23, 2012 49

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5290 Arapahoe Ave #A, Boulder Past Foothills, 2 traffic lights on right side.

( 303 ) 449-8005

720.565.6854

Open 7 days a week • Hours: 9:30am-10:00pm Visa & Mastercard accepted

1666 30th St. Boulder, CO. 80301

Peking Therapeutic Massage www.peking-massage.com $45 / hr $60 / 90 min. $80 / 120 min.

We Offer:

• Deep Tissue Massage • Swedish Massage • Sports Massage •Reflexology • Cupping

Monday -Sunday 9am-10pm • Call for an appointment ... or drop in anytime

6821 W. 120th Ave. #F • Broomfield, CO 80020 NW Corner of 120th Ave. and Main St. Behind the Burger King

303-351-2502 • www.peking-massage.com

It works! Call for special rates!

Advertise in Maximum Wellness...

Open 7 Days 9am-10pm

W/ Ad • Exp. 7/31/11

303-635-2200

MAXIMUM WELLNESS

303-494-5511 x 115

DEEP TISSUE & SWEDISH MASSAGE

3999/Hour

Call Boulder Weekly Classifieds for Special Rates and Offers 303-494-5511 x115

10th Ave. 6th Ave.

Conoco Gas Station

BOULDER

1004 Depot Hill #1-D, Broomfield, CO 80020

Midway

HWY 36

Only 15 min. from Boulder

HWY 287/121 Broomfield

303-494-5511 x 115

NEW STAFF NEW MANAGEMENT

The Boulder County Resource for: Personal Growth, Fitness & Movement, Natural Nutrition, Counseling/Therapy, Healing & Bodywork, Life Coaching, Mind & Spirit, Classes & Workshops

It works! Call for special rates!

Depot Hill

Advertise in Maximum Wellness...

SPRING SPA

SERVICE DIRECTORY

Boulder marketplace – 2005, Burgundy. Asking $7,500

BODYWORK

NOTICE

TANTRIC MASSAGE for WOMEN & COUPLES Office in South Boulder. call Paul Sterling. 303 807 0159 www. TantraForYou.com

NOTICE TO CREDITORS Estate of Osvaldo Omar Luna Garcia, Deceased Case Number 2012 PR 24 All persons having claims against the above-named estate are required to present them to the Personal Representative or to District Court of Boulder, County, Colorado on or before June 9, 2012, or the claims may be forever barred

BUSINESS OPPORTUNITIES Internet Marketers Wanted http://club100K.com David 303.619.4100 REAL WORK FROM HOME opportunities. Go to: http://www. ProfitBank.com/index-18121.html

LEGAL SERVICES Experienced trial attorney will help you recover money for your auto accident injuries; help you deal with criminal charges; help you handle divorce or child custody. Call Matt Walker at 720-484-6396 or visit www.trueinjurylaw.com

52 February 23, 2012

K. Michelle AmRhein #42144 Attorney for Personal Representative Ricardo Luna Garcia Otis, Coan & Peters, LLC 103 W. Mountain Avenue, Suite 2B Fort Collins, CO 80524

TICKETS ALL TICKETS - BUY/SELL NFL-NBA-NHL-NCAA-MLB WWW.DENVERTICKET.COM 303-420-5000 or 800-500-8955

PERSONAL SERVICES Sensual Massage By a beautiful blonde 303-519-2614 Complimentary Sensual Massage for Women or Couples by a Man. Please call for more info regarding this free nonsexual offer. 720-308-9355. Body Rubs at your Location or Mine … 720.253.4710 A Nice Touch… Soothing, tension relief body rubs. 303-588-6757 Body Rubs by Jamie 720.323.9490 DELIGHTFUL Call between 7:30am-8:00pm 720-277-1215

MOVING SALE MOVING SALE IN NEDERLAND: Electronics, musical instruments, Including a Jackson Guitar, Original Play Station

Collectors Light, collectables, furniture, art work, grow equipment, propane grill, kitchen items, electronic games and dvds. Full house must go! Great deals. 90B S. Jefferson St. Nederland, CO. Saturday, Feb. 11th. 10am - 5pm. ….

ROOM FOR RENT Private Room in Table Mesa with Remodeled Guest Bath. Music Lover Preferred / Practice Your Music. Full time Employed or Student (sorry no work at home) One block from RTD, close to University. Month to Month Lease at $495 per month plus (1/4 Utilities, not to exceed $75) Internet Optional $15 Month. Deposit $500. Sorry no pets. (720) 569-9889.

REAL ESTATE Home on 1 Acre in Boulder! Lender owned 3 Bedroom, 2 Bath Ranch, well water $338,900 Georgianna Dirga ERA HG 303-579-0564

Land For Sale Price Reduced!! 35.93 Acres just South of Fairplay. Beautiful mountain views. Easy access to Ski Resorts and Mountain Towns. All utilities accessible. $35,000. Contact: Adell Shrout @ 303-494-9167 Property listed by Cherryvale Realty For Sale By Owner 3 Bed 2 Bath 2 Car Garage $379,000 Available 10.1.10 RV parking. Central location near 55th and Baseline. Rent w/ option to buy available with negotiable down payment. Call 720-536-8869 or 307-699-0779

THERAPY Past life regression Sophie Rose (303) 494-5474 www.astrosouls.com Therapy for Heart and Mind I am a licensed professional counselor looking to help clients discover kindness towards themselves and self-awareness. I look forward to meeting you! Nikolas Maslow MA LPC CGP 719-2140004 nmaslow74@yahoo.com

HELP WANTED

As the world leader in next generation mobile technologies, Qualcomm is focused on accelerating mobility around the world. Qualcomm Innovation Center, Inc., a wholly owned subsidiary of Qualcomm, has the following positions available in Boulder, CO: • Senior Linux Software Engineer: Proficiency in Linux and Software Architecture and Integration req’d (FR-KRS05-L) • Software Engineer/IPA Software: Proficiency in C or C++ and Wireless Communications req’d (FR-ADV16-L) Multiple openings avail. Mail resume w/job code to Qualcomm Incorporated, P.O. Box 919013, San Diego, CA, 92191-9013. EOE Delivery Driver Wanted Lee Yuan Chinese Cuisine. Full time or part time. Call Nancy 303-494-4210

Boulder Weekly

OMC

OPTIONS MEDICAL CENTER • BOULDER

FEBRUARY BLOWOUT

Come see why 1795 active patients shop at OMC

MEMBER PRICES FOR EVERYONE!

$15 per 8th

5% OF ONE OF OUR FLOWER ROOMS GOT SEEDED AND 15 LBS MUST GO. $120 AN OUNCE. TOP SHELF STRAINS THAT ARE NORMALLY NOT DISCOUNTED, ARE SELLING AT GRAB BAG PRICES. YOU WON’T BELIEVE YOUR EYES. OUR MISTAKE IS YOUR GAIN! OUR REGULAR TOP SHELF STRAINS (flo, golden goat, nycd, mango, purple wreck, island sweet skunk, red dragon, double diesel, hong kong diesel, trainwreck, sour kush, pez, bubble gum, romulan, violator kush)

$22.75 per 8th

A FEW SUPER POTENT STRAINS AND PURPLE STRAINS = $22.75 per 8th (og ghost, og chocolope, plushberry kush, gnarley marley, super sour d)

ALL MEDS (FLOWER) SOLD TAX INCLUDED

ARABIAN SAND Super Kief = $7/g • Regular Blond Keif = $5/g Bubble Hash = $7/g • Best Pure Blond Earwax/Budder in Colorado = $25/g Caviar Spice is back (oiled kush bud covered in kief) = $15/g BHO oil with applicator tube = $20/g FIRST TIME CUSTOMERS GET A JOINT WITH PURCHASE JOIN AS A MEMBER AND GET ONE OUNCE FOR $50 ALSO MEMBERS GET ONE EIGHTH PER MONTH OF TOP SHELF OR GRAB BAG FOR 50% OFF WE PAY YOUR RED CARD FEE • WE HONOR YOUR BIRTHDAY BY GIVING YOU 50% OFF AN ADDITIONAL 8TH MEMBERS THAT REFER A FRIEND THAT JOINS OUR MEMBERSHIP PROGRAM GETS 50% OFF NEXT PURCHASE UP TO $100 For medical marijuana patients only Hours: Monday - Friday 11am - 6:45pm • Saturday 12pm - 6pm • Sunday 12pm - 4pm

1534 55th Street • Boulder, CO • email: info@optionsmedicalcenter.com • 303.444.0861

54 February 23, 2012

Boulder Weekly

Coloradoâ€™s Premium Caviar

TRIPLE DOSE INFUSION LAYERED with HASH OIL ROLLED IN KEIF

*** Jack Herer Blowout Sale $9/g & $150/oz ***

NOW AVAILABLE AT YOUR LOCAL DISPENSARY INCLUDING:

Boulder Weekly

February 23, 2012 55

30+

last word

Strains Featuring:

303 Kush Afghani Kush Crystal Chunk Cindy 99

4 Strain Hash Sampler! Edibles * Hash * Kief * Oil *

Divine Resonance Massage & Skin Care Also offering organic makeup. Please see ad on page 50.

The Hill Cannabis Club

Come Celebrate our 2 Year Birthday Specials All Month Long • Joint with Ad Ear Wax, Strongest Edibles, Tinctures, THC Drinks 1121 Broadway G-1, On ‘The Hill’ 303-245-9728

www.divineresonance.com 503-536-5131

Infused Bud Credit Cards Accepted and ATM Available Free Convenient Parking

OPEN EVERYDAY 11AM-7PM 1750 30TH STREET, SUITE 7 720.379.6046

ALWAYS SMALL BATCH ALWAYS FRESH Colorado’s Premier Boutique Dispensary AlterMeds.com Louisville, Colorado 720-389-6313

mile high pipe

The Drum Shop Michelaii Massage PURE HARMONY 720.438.5642

House & Garden

Premium Dutch Nutrients & Additives 1387 E South Boulder Rd., Louisville, CO

303.66.HYDRO (664.9376) victoryhydro.com

tobacco

glass with class! 1144 Pearl St. Boulder 303-443-PIPE Westminster 3001 W. 74th Ave. 303-426-6343 • Highlands Ranch 7130 E. County Line Road 303-740-5713 African drumming classes with Fara Tolno Tuesday nights, 6-7:30pm 2095 30th St., in Boulder. 303-402-0122

Now Featuring

and

Siam Sensation Massage

Ask about Valentine’s Day Specials 720-385-4840 For more information go to page 51.

$50/Top Shelf Ounce*

BLUE DREAM IS BACK $185 OUNCE

Other Strains: $8 grams, $25 eighths, $45 quarters, $165 ounces. Members get 10% discount always. $25/gram CO2 Honey OIL.

THAT’S THE WAY WE DO IT! *For medical marijuana patients only. www.thefarmco.com

303.440.1323

*If you make us your caregiver, and receive monthly benefits thereafter! Applies to first 50 patients on a first come, first serve basis

Come Visit Us!

Caddy Corner to St. Julien • Free Parking West of 9th Street • We Validate St. Julien Garage Parking

WHERE NATURE & MEDICINE MEET

We’ve Lowered Our Prices

Over 50 Strains • Open 7 Days A Week! Mon-Fri 10:30am-7pm Sat 11am-7pm - Sun 12pm-5pm 3370 Arapahoe, Boulder – 303-449-1905 www.HighGradeAlternatives.com

THE BEST WAX DEAL IN TOWN! $15 1/2 grams all the time REDISCOVER THE

BOULDER WELLNESS CENTER Open Daily 11am-7pm

303.442.2565

5420 Arapahoe Ave. (Unit F) Boulder Between Connestoga & 55th. Going east, make right after Conestoga w w w. b o u l d e r w c . c o m

New Year=Amazing Medicine from our New Farm! eat-4-free.com GOURMET SANDWICHES

Located at 1801 13th St. Menu available @ BoulderCreekMarket.com See coupon on page 7.

20th Anniversary Edition! Over $2000 in LOCAL Restaurant Savings!! $20 in Groupon(Chicago based) saves you $20 $20 for “EAT” (We created LOCAL in Boulder 20 yrs ago!) saves you OVER TWO GRAND!!!! Please order it & REALLY support Local Order on line or call 720-938-5989

CALL TODAY about our 2 for 1 Specials!

2714 28th St. Boulder, CO 80301 www.helpinghandsherbals.com

303.444.1564

FULLY ALIVE MEDICINE

A Holistic Family Practice : Treating chronic dis-ease. Teaching optimal self-care.

HEALING ARTS CENTER MMJ Evaluation and Renewals

Bring this in for 1/2 OFF CAVIAR, that’s only $10/gram!

organic cannabis

$8 GRAMS on select premium strains EVERYDAY

specializing in smoke-free alternatives 1st time patients $25 1/8th & 25% off FOL infused products

WWW.FLOWEROFLIFEBOULDER.COM

$110 New Evaluations • $85 Renewals • +$25 without Records

n Our doctors spend 1/2 hour n Confidential, affordable, professional. evaluating & educating our patients. n 100% state compliant. n We have a notary on staff and complete n Offering complete Men’s & Women’s health care, Bodywork/Massage, Acupuncture, Naturopathic, all paperwork on-site. Functional Medicine & Spiritual Counseling n Hours by appointment Mon-Fri, 9-5pm

Highest Quality MMJ Evaluations in Colorado Also Providing Treatment for Your Chronic Condition

303.444.1183

Online appointments at www.FullyAliveMedicine.com or call 303.404.2232

3970 North Broadway, Suite 201A, Boulder (Park FREE in Lucky’s Shopping Center, just above Dagabi)

3000 Center Green Dr. Suite 130, Boulder (corner of Foothills and Valmont)