2 21 13 boulder weekly by Boulder Weekly

Boulder County ’s Tr ue Independent Voice / FREE / www.boulder weekly.com / Febr uar y 21 - 27, 2013

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departments 7 LETTERS: Conspiracy theories are sometimes warranted; Thanks for the fracking cartoon; Do it for the chickens 7 THE HIGHROAD: Just say ‘No-No’ to nanos 8 DANISH PLAN: Want to bring back the draft? Here’s how. 9 DYERTIMES: Hickenlooper’s drinking problem 10 IN CASE YOU MISSED IT: What a bunch of bought and paid for jerks 26 OVERTONES: Boulder Philharmonic taps Maya Angelou 29 ARTS & CULTURE: A curious misfire from Curious Theatre 31 BOULDER COUNTY EVENTS: What to do and where to go 37 SCREEN: Beware of Mr. Baker; Side Effects 39 REEL TO REEL: Films showing locally 43 FOOD REVIEW: Pho Cafe 45 BOULDER COUNTY BEER TOUR: Basement BRU 47 APPETIZERS: Where to get your grub 49 ASTROLOGY: By Rob Brezsny 51 BOULDER MARKETPLACE: Your community resource Boulder Weekly

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Boulder Weekly

staff

letters

Publisher, Stewart Sallo Editor, Joel Dyer Director of Sales & Marketing, Hassan Evans Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Associate Editor/Special Editions, Elizabeth Miller Online Editor, Steve Weishampel Interns, Cayte Bosler, Abigail Faires, Stephanie Riesco Contributing Writers, Peter Alexander, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Alan Sculley, Tom Winter, Tate Zandstra, Gary Zeidner SALES Retail Sales Manager, Allen Carmichael Account Executives, Andrea Craven, Joe Fuchs, David Hasson, Chelsea Mack PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Jamie Peterson CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 13-Year-Old, Mia Rose Sallo February 21, 2013 Volume XX, Number 29 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink. Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2013 Boulder Weekly, Inc., all rights reserved.

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Boulder Weekly

Conspiracy theories are sometimes warranted

(Re: “The new era of conspiracy thinking,” commentary, Feb. 7.) Who are the real conspiracy theorists? I can agree with Mr. Dyer that there are nutcases out there, but I suggest he look into who is to blame for an epidemic of conspiracy theorists. I partially blame our government and mass media. Think about it this way, if you have basic critical thinking skills and

the

Highroad Just say ‘No-No’ to nanos by Jim Hightower

ave you had your minimum daily requirement of “nanos” today? Nanomaterials, that is — manufactured or natural substances that are broken down in high-tech facilities to be teensie-tiny, molecule-sized particles. Don’t look for them on the ingredient list of food packages, because the big corporate processors of our edibles don’t want us to know that their goodies include these miniscule, mysterious “things” that, when ingested, go to

someone lies to you day in, day out, for years, it’s logical to distrust the source. Our media is controlled by international corporations and defense contractors — I have no reason to trust them. In fact, a more accurate term for conspiracy theorist would be: One that blindly trusts the &^*%^* mass media and government that feeds them. Time and space prohibit a comprehensive list of lies, but here is a short one: Weapons of mass destruction, Lt.

Pat Tillman, depleted uranium, the true number of civilian casualties in Iraq, the Gulf of Tonkin incident, etc. Mr. Dyer does specifically mention the Federal Reserve. Does the fact that the Fed is private, not federal, has no tangible reserves and prints money out of thin air that is backed by nothing make me an anti-Semite or conspiracy theorist?

places in the body that regular foodstuffs don’t directly enter — such as straight into your cells. There has been precious little research on the human health impacts of nanos — though studies have shown them having unpleasant effects on mice. Also, our food regulators have flatly (and ominously) said they don’t have enough information even to evaluate the safety of nanomaterials. So why are they popping up in processed foodstuffs? No one is talking — except a few anonymous food manufacturers who express enthusiasm for the ability for the whatever-they-are to make processed foods seem “creamier” and to “brighten” food colors. A watchdog group called As You Sow sent a survey to 2,500 food manufacturers asking about their use of nanos. A whopping 26 responded, only 14 of which claimed not to use the things. The group ran its own test

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

see LETTERS Page 8

of 10 varieties of powdered doughnuts, finding that the sweet concoctions of Hostess Brands and Dunkin’ Donuts had products containing a nano called titanium dioxide. What benefit does it offer? It makes white substances brighter. Hello — an unknown number of corporate food profiteers are pumping an unknown amount of unknown nanomaterials straight into our cells, having an unknown impact on our health — for no better reason than to enhance the cosmetics of their products. That’s a definition of insanity. To fight the madness go to www.asyousow.org. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly. February 21, 2013 7

danish plan

Really BAD Ideas

Ta ste s g re a t. .. and g o o d fo r yo u to o !

Want to bring back the draft? Here’s how. by Paul Danish

First, no exemptions. This time here he goes again. Rep. everyone — everyone — will be eligiCharles Rangel, D-New ble. Men and women. Gay and York, has reintroduced his perennial bill to bring back straight. Rich and poor. Smart and dumb. White and black. Fit and frail. the draft. Honest and crooked. And so on. If This year’s version would draft you’re an American and have a body women as well as men. Rangel wants temperature of approximately 98.6 F, to bring back the draft because he you would be eligible to be drafted. thinks U.S. leaders would be less likely The only exception would be those to get into wars like Iraq and who have already served. Afghanistan if they had to fight them Second, before anyone can be with a conscript army instead of an alldrafted, Congress will have to pass a volunteer one. His proposal has nothing to do with military preparedness or formal declaration of war. If the country is going to force people to go to necessity. war for it, the least it can do for them “Reinstating the draft… would is put itself on a compel the war footing. American public Third, unlike to have a stake in the old draft, the wars we fight which was for two as a nation,” years, the duration Rangel said. of military service Militarily and THE COUNTRY for conscripts will practically, the idea be for the duration verges on insanity. GENERALLY IS BETTER of the war. This The total number OFF IF IT’S SOMEONE will provide a huge of men and MY AGE — I’M 70 — incentive to fight women currently to win, and to win serving in the U.S. THAN AN 18-YEARas swiftly as possiarmed forces — OLD. ble — and a big Army, Navy, Air disincentive to Force, Marines getting involved in and Coast Guard low-intensity, — totals roughly long-duration, no1.5 million. Every year approximately 4 million American win conflicts. Fourth, Americans would become men and women turn 18. If the milieligible for the draft upon reaching age tary were to draft them for two years 55. There would be no upper limit. To of active duty, the length of service for conscripts under the old draft, it would be sure, war is usually thought of as a young man’s game, because combat have 8 million recruits, a force more involves strength and stamina. But the than five times larger than the current proportion of military occupational military, for whom it would have no specialties that involve direct participaearthly use, but which would require hundreds of billions of dollars to equip, tion in combat is rapidly shrinking and train, billet and pay. could easily be filled by young volunStill, Rangel has a point when he teers. By most other metrics it makes argues that the Americans should have more sense for the country to fight its a personal stake in the wars we fight as wars with senior citizens instead of a nation. For both moral and pragmatic junior ones. reasons, if the country is to go to war, For example, if someone must fall everyone needs to have some skin in in battle, the country generally is better the game. A while back I offered some off if it’s someone my age — I’m 70 — modest proposals for how a resurrected than an 18-year-old who has not yet draft should be structured. Since had a chance to live, create, produce Rangel is recycling his proposal, this is see DRAFT Page 11 a good time to revisit them.

IF SOMEONE MUST FALL IN BATTLE,

8 February 21, 2013

by Joel Dyer & Dave Kirby

How frackin’ stupid does he think we are?

LETTERS from Page 7

There are nutcases that claim our president is a Kenyan socialist that will take away your guns. Yes, Fox News is nothing but lies and propaganda designed to keep morons in a state of fear, and those that believe bigfoot is beyond the 9/11 attacks. These people are nutcases, not conspiracy theorists. The term conspiracy theorist is a derogatory term, a broad brush used against those rational people that have every reason to be doubtful about what media and government tells them. Wolfie Clark/Thornton I love the Boulder Weekly, but I had serious objections with Joel Dyer’s piece on conspiracies. In many ways that article was filled with as many exaggerations and falsehoods about the Constitutionalist revival as anything you’d find on the “conspiracy” sites. He is constantly associating distrust of the Federal Reserve with anti-Semitic views. While these players no doubt exist, the most measured and accurate criticisms of the Fed come from decidedly non-bigoted people. Like Bernie Sanders and Peter Schiff (who is Jewish). I was born in Manhattan and am Jewish. Many of my friends back home are Jewish and on Wall Street. A huge percentage of them distrust the Federal Reserve for all of the right reasons. Reasons I discuss on my blog, www. libertyblitzkreig.com. Believe me, some of the most vociferous critics of the Fed’s policies of funneling wealth to the 1 percent are Jewish. I consider myself part of the Constitutionalist movement and don’t have a bigoted bone in my body. Yet I’m extremely

letters distrustful of government for very good and proven reasons. Ever heard of the NDAA? I moved to Boulder in late 2010 to get away from Wall Street-corrupted NYC. You should consider having Joel sit down with me for an interview; I’d love to discuss this topic rationally. Michael Krieger/via Internet I just read “The new era of conspiracy thinking” by Joel Dyer. It is well-written and thought-provoking. I laud what the president is doing and only wish he could do more towards gun control. I really think the problem has gotten out of hand. I was a Marine sergeant without combat experience. However, my life experience tells me that people were safer and saner prior to the proliferation of weapons occurring today. When I was young, people simply did not hoard or amass weapons and we felt a lot safer. No one thought of a gun as a means of protection. It was essentially for hunting, and lectures from my father and other elders about safety still are vibrant in my memory. I believe that we face far greater danger from uncontrolled gun ownership than from any other domestic threat to contemporary society. George Denny/Arvada

Thanks for fracking cartoon

Regarding your Photoshopped lampoon of Mayor Wilson pontificating at the podium (“Really Bad Ideas,” letters, Feb. 14) in this week’s issue: As an Erie resident and one of those see LETTERS Page 11

Boulder Weekly

DyerTimes

The future’s so bright ... I gotta wear shades

Hickenlooper’s drinking problem by Joel Dyer

here’s more than one way to lie. You can knowingly offer up false information as truth, or you can offer up little pieces of a story while leaving out other parts of the tale in order to convey a false impression without actually stating an inaccurate fact. Morally, it’s all the same. Do it and you’re a liar. The governor of Colorado, John Hickenlooper, chose the second path to setting his pants on fire, and it’s not all that funny. Technically, the governor can’t be punished for fibbing in his recent statements before the U.S. Senate Committee on Energy and Natural Resources, pity. You may recall the untruth in question came about when Hickenlooper decided to entertain the committee with his now infamous recounting of sitting around a table and drinking fracking fluid with his pals from Dick Cheney’s old employer Halliburton, apparently for no other reason than because it’s such a darn safe concoction to ingest. I guess such seemingly bizarre behavior could be excused. After all, if survivalist action hero Bear Grylls can be fascinated with drinking his own urine on a weekly basis, then why shouldn’t a former oil and gas geologist like Hickenlooper get his rocks off knocking back a few shots of fracking fluid? I say to each his own, if it’s not hurting anybody else. Not only do I not begrudge the governor his fracking fluid shooters, heck, I’ve caught myself of late wishing he’d drink a lot more of them, straight out of any fracking-fluid truck at any well site located anywhere in our state. But the governor wouldn’t do that, because he’s not crazy, he’s just a liar. Hickenlooper used his drinking story in an effort to persuade members of Congress that what Halliburton and the other oil and gas companies are doing in Colorado and across our nation is completely safe and beneficial. The governor knew at the time he was drinking Halliburton’s fracking fluid that it was only a test fluid made from food derivatives and that it wasn’t the real deal that was actually being used for commercial Boulder Weekly

energy extraction purposes in Colorado and elsewhere. In fact, it seems that the only actual use for Halliburton’s so-called experimental, non-toxic fracking fluid is that it gives industry lapdogs like Hickenlooper something they can drink and then lie about in order to deceive their constituents, and even their political peers, into believing that fracking is safe. The reason Hickenlooper won’t be accepting any challenges to slurp back any real fracking fluid is simple. He knows, or darn sure should know, that according to research by the National Academy of Sciences, real fracking fluid on average contains 632 chemicals; 25 percent of those chemicals have been linked to causing cancer or other cellular mutations; 37 percent have been found to affect hormones; 75 percent have been known to adversely affect sensory organs and respiratory and gastrointestinal systems; and between 40 percent and 50 percent can screw up your kidneys and nervous, immune and cardiovascular systems. So have one more on me, governor. No really, you deserve it. So next time you hear Hickenlooper say that Colorado has the strictest oil and gas regulations in the country, remember where his mouth has been, and take it for what it is, just another lie. Hickenlooper’s disarming smile has run its course in this state. It is clearly past time for him to use his well-earned pass through the revolving door between government and the oil and gas industry. I hope he has the good sense to move out of the Governor’s Mansion before we have to primary him out with an actual Democratic candidate in next year’s election. The sooner we get rid of this oil and gas pitchman posing as our governor, the sooner the rest of us, the 70 percent or so of Colorado residents who oppose fracking and the state’s current industry-friendly oil and gas regulatory system, can get back to putting our commitment to the environment, our children’s health and Colorado’s quality of life ahead of the profits of Hickenlooper’s pals. We’ll all drink to that. Respond: letters@boulderweekly.com

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WHAT A BUNCH OF BOUGHT AND PAID FOR JERKS On Feb. 19, some 70 elected officials from various Colorado counties and municipalities signed a letter obviously penned by some PR hack from the oil and gas industry (it reeks like a typical Colorado Oil and Gas Association ploy, but who knows). The letter is a big thank you to our governor/gas-industry pitchman John Hickenlooper for his willingness to sue the city of Longmont for having the audacity to try to create safer drilling regulations that would better maintain the city’s quality of life and protect human health. The letter states that “if left unchallenged [Longmont’s new oil and gas regulations]open the floodgates for other additional regulatory responses ... and would discourage future investment in energy development in Colorado.” In other words, sue them fast, Mr. Governor, before other citizens start believing that they, too, have a right to self-determination as opposed to being required by the state to do what the oil companies want, no matter how destructive or dangerous. It must feel like quite a threat to these little bureaucrats with cow patties for brains who signed this letter, to think that people might start believing that their governments are supposed to be doing what they want instead of doing the bidding of the oil and gas dick who bought their last round of golf. But here’s the real punchline: The elected officials who signed the letter all come from areas that have already been drilled to hell. These are actually the morons in charge of all those places like Weld County, Firestone, Brighton, Parachute, Rangely, Yuma and Mesa County, places where you have to roll up your windows and lock your doors when you drive through because they smell like ass, and the locals, after years of economic, educational, environmental and democratic degradation, look like they just stepped out of the movie Deliverance (think banjo player). Hickenlooper must be really proud that he is being praised by a bunch of local politicians from places that think that having a prison located nearby and a gas well on the front lawn of the elementary school is a sign of prestige. These ignorant letter signers represent the communities least likely to ever be featured in a Colorado tourism ad, and yet they have the yarbles to want to see Longmont get sued by the state for its effort to try to not become another oil and gas armpit like them. The disingenuous men and women who allowed the industry to prod them into putting their John Hancock on this silly letter of support claim that if Longmont doesn’t allow drilling in its neighborhoods, the oil and gas industry will become confused and leave our state. Honestly, this oft-repeated hollow threat by the industry and its lackeys is the equivalent of Cleavon Little (Sheriff Bart) holding the gun to his own head in Mel Brook’s film Blazing Saddles and threatening to shoot the N-word. And Hickenlooper and these letter signers are the movie town’s mayor saying, “Get back, I think he means it.” If the oil and gas industry isn’t willing to abide by local regulations designed to protect health, quality of life and property values in exchange for the billions of dollars in profit they can make off of our natural resources, then we say, “Don’t let the state of Colorado’s door hit you in the ass on your way out.” Respond: letters@boulderweekly.com Boulder Weekly

letters

DRAFT from Page 8

and pay taxes. Especially payroll taxes. Better to lose the potential recipients of Social Security and Medicare than those who will have to sustain the trust funds. Think of this as entitlement reform with live ammunition. The vast majority of military jobs — probably more than 80 percent of them — do not require extraordinary physical fitness or stamina, and could be filled by the middleaged just as easily as by the young.

There are millions of Americans who drive trucks, repair planes, cook meals, clean latrines and shuffle papers well into their 60s. They could obviously do the same in uniform. A healthy 55-yearold is just as capable of flying predator drones or driving remotely controlled robots as, say, a 20-year-old. (Hey, 55-year-olds have been playing video games for a lot longer.) Much of what the modern military does involves command, control and

communications — management, in other words. Americans over the age of 55 have a lot more management experience than Americans aged 18-25. Uncle Sam needs them. Their employers, who are desperate to reduce pension and health care costs, don’t. And, of course, when it comes to hatred and grudges, the stuff that wars are really made of, the old beat the young hands down. In war, the young can sustain themselves with righteous

anger easily enough, but for genuine, industrial-strength hate, for grudges that transcend time and space, for the psychic poison that fuels and sustains fights to the death, ah, that is the stuff of old men. Like I said before, war, like youth, is wasted on the young. Don’t send a boy to do a man’s job. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.

LETTERS from Page 8

pesky fractivists who just won’t get out of Joe’s carefully coiffed hair, I can only say “bravo”! And thank you! Liz Fisher/Erie

Do it for the chickens

(Re: “Advocates: Chicken flap belies true egg industry practices,” News, Feb. 7.) The focus on the warm and fuzzy adoption of chickens, effectively saving them from imminent slaughter, distracts us from the real issue: animal agriculture, regardless of scale, will never have the animal’s best interest at heart. Their lives are the last priority; they are pure commodities to be bought, owned, sold, or slaughtered. Taking their eggs throughout their lives is no different from slavery, as these chickens live and die at the hands of humans. Chickens, like all sentient, intelligent beings, have a natural order and way of life that we can’t fully understand. When in the wild, they follow complex social behaviors, establish sentries to watch over the flock, and they usually peck and eat their unfertilized eggs to absorb the calcium and other nutrients lost during egg-laying. The fetishization of “small-scale” animal agriculture has led us to this horrible situation in which thousands of chickens were slaughtered at the folly of their “owner,” proving again that CSA animal agriculture is not the answer to factory farming; it’s not a way to re-create a life with meaning in our relationship with animals. To have a truly compassionate relationship with animals, we can’t take their things which aren’t ours — their eggs or their lives. So go ahead, please adopt hens if you can, but consider adopting more than that: adopt a vegan diet. It’s the kindest thing you can do for the animals. Tommasina Miller/Fort Collins

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news

f the crackdown on bars that city of Boulder officials were discussing at a city council meeting this week sounds familiar, it’s probably because it’s similar to the approach that City Attorney Tom Carr took when he was Seattle’s city attorney. But Carr denies that he’s driving the changes, and that his reputation of having a puritan-like agenda against nightlife and bars is not deserved. Still, to some, the most recent effort to increase enforcement and regulation of establishments with liquor licenses smacks of the same authoritarian approach that city officials have been applying to other issues in recent years, from the camping ordinance that keeps homeless people from sleeping outdoors to the attempt at requiring protesters to obtain permits to the heavy-handed policing of medical marijuana dispensaries and the annual 4/20 pot smokeout. Could the Republic of Boulder, once considered a bastion of progressive thought that fiercely protected people’s freedoms and individualism, now be the biggest nanny state in the area? **** Among the changes that city officials proposed this week in a new “action plan” for dealing with alcoholrelated problems are to: • target “problem” liquor-licensed establishments, also referred to as “bad actors,” without much detail on how a business will earn that tag • remove the Beverage Licensing Authority’s power to revoke or suspend liquor licenses and give that authority to the municipal judge or a contracted attorney • create new land-use definitions that differentiate between “low-impact” restaurants and establishments that serve primarily alcohol, especially hard liquor, after 11 p.m. as “high-impact,” holding them more accountable for their effects • consider the creation of “late-night business licenses” and collect fees from bars that operate after 11 p.m., providing an “additional tool to resolve bad actors’ community impacts,” according to city council materials. The moves sound a bit like some of the tactics Carr was credited with using in increasing regulation of nightlife in Seattle. As Boulder Weekly reported in June 2010 in a piece by Seattle journalist Dominic Holden, a longtime critic of Carr, the former Seattle city attorney was at the center of what some say were heavy-handed approaches to crack down on bars. 12 February 21, 2013

Puritan déjà vu

City attorney says crackdown on bars not a reprise of his controversial past by Jefferson Dodge For example, Holden wrote, in a 2007 sting operation called “Operation Sobering Thought,” Carr and the Seattle Police Department claimed that two dozen people either illegally served minors or let undercover operatives who didn’t have valid ID into bars. But some called the campaign overzealous and sloppy. In one instance, police jailed a bar employee for 11 hours, allegedly for serving a drink to a drunk man, even though the Seattle Times wrote that the police report says the bartender only “poured him a glass of water.” Carr charged the bartenders and doormen with gross misdemeanors, punishable by a year in jail, but none of the cases resulted in a conviction. Public criticism swelled, and some speculated that the sting was politically timed one week before the Seattle City Council was set to vote on strict new rules for nightclubs. Carr offered plea agreements for lesser charges to 17 of the defendants, most of whom had no criminal history. In 2009, Holden reported, an assistant attorney at Carr’s office warned bar

owners — who had overwhelmingly come out to support Carr’s opponent, whom he eventually lost to — that police would approach apparently intoxicated pedestrians, ask them where they’ve been drinking, and try to shut down bars they named. Carr claimed problems of over-service at bars in one neighborhood were linked to rising assaults and robberies, but police records showed that those crimes in the neighborhood were actually down. According to Holden, Carr also implemented “good neighbor agreements,” which were contracts that a restaurant or bar owner would have to sign before they could obtain a liquor permit. According to nightlife advocates, one such agreement he drafted for a bar called Twist contained 54 specific regulations, including that no doors or windows could ever be open, no dancing was allowed, and that staff had to wear “finely tailored black suits.” And the Blue Moon bar had to sign an agreement that required the owner to pay for any security employed by a neighbor-

hood association, and that bar security had to carry “a high-beam flashlight.” The Blue Moon’s owner refused to sign the agreement. “If they want to kill nightlife in Boulder — make bars go away, make music venues go away — Tom Carr is your guy,” David Meinert, an owner of Seattle restaurants and bars and a leader of the Seattle Nightlife and Music Association, told Holden. In Seattle, Carr “was going in and telling restaurants that they were not restaurants and they were improperly zoned,” added David Osgood, an attorney who defended several cases against Carr. But at least one Boulder city council member said Carr’s approach to nightlife was part of the reason for hiring him. Then-Deputy Mayor Ken Wilson, a resident of the often-rowdy University Hill area, said at the time of Carr’s hiring that he was particularly impressed by Carr’s ideas to regulate bars in a section of the city that over the years has been plagued with over-service, underage drinking, binge drinking and even riots. “We have a lot of bars near the university and a lot of rental properties that become party houses,” Wilson said. “It has been a long struggle.” City Council asked the three city attorney finalists about their strategies for addressing the problem. “I felt that Tom Carr had a good, progressive attitude about holding the bars accountable for being good establishments, not over-serving and holding them to the law,” Wilson said at the time. He said Carr talked about his “good neighbor agreements,” adding that “we have tried to use those also, so I think he can help us with that.” When asked whether the council was concerned about Carr’s history with nightlife in Seattle, Wilson replied, “I looked briefly at some of the reporting on that, and it sounded like he had a pretty strong stance, and some bar owners didn’t like that and organized against him. We saw his career as a whole and saw it as being positive.” Wilson said the city may have influence over bars by changing land-use rules. “We are looking at closing times and zoning rules and where you can put bars,” he said at the time. **** Fast-forward to 2013, and the city seems to be finally moving forward with that agenda. City of Boulder officials, including Carr, went to city counBoulder Weekly

news cil on Feb. 19 to ask for permission to implement an action plan to enhance regulation of bars using similar methods. Council members gave them the green light, for the most part. Carr told BW in an interview that while the perception that he is the main driver behind the proposed changes makes for a good story, it’s not accurate. He says he is only one of many city officials involved in putting forward the recommendations, and they grew out of the findings of a community working group. For example, he says, it was Boulder Police Chief Mark Beckner who came up with the “bad actor” concept, the idea that instead of spreading enforcement and regulation efforts equally across all restaurants and bars, the city should focus its resources on the problem establishments. Carr says the idea of cracking down on “bad actors” is supported by “good actors,” because it levels the playing field. If a bar is serving alcohol to minors or over-serving, for instance, it may be lucrative, but it’s not fair to those establishments that are playing by the rules. “To be a good operator, you have to

have strong morals,” he says. “If you’re the place where, if you have a fake ID, you’re known as the place that is not going to look too hard, you’re going to get a lot of business.” He says the effort to strip the Beverage Licensing Authority (BLA) of its ability to revoke or suspend liquor licenses and hand that to a hearing officer is not an attempted power grab. According to Carr, it’s not ideal to have a citizen board working such long hours (a hearing on K’s China lasted about six hours) and performing an adjudication role, ruling on evidence like a panel of judges. For one thing, he said, it is easier to mount a legal defense of a revocation or suspension if that decision was made by a trained hearing officer rather than a citizen board. He says he would not be gaining any control over enforcement efforts if there were a switch to a hearing officer. If it were the municipal judge acting in that capacity, that individual answers to the city council; if a contract attorney were used, that person would be hired by the city manager’s office, not his office. As for his record in Seattle, he acknowledges that Operation Sobering

Thought was controversial because, unlike Boulder, Seattle had not been doing checks on whether bars were following the rules when it came to checking IDs and over-serving. The cops arrested a bunch of bartenders and bouncers, and it made such a splash that to this day, Seattle bouncers are still telling customers they could get arrested for not thoroughly checking IDs. “I got a lot of criticism for that,” he says, adding that he was tough when it came to prosecuting driving under the influence cases as well. While Carr acknowledges that having an alcoholic father who died in an alcohol-related accident falling down a flight of stairs when he was only 14 years old affected him, he does not have a personal agenda against the consumption of alcohol. “I’m Irish Catholic; I’m not morally opposed to alcohol,” he says. “My dad was an alcoholic. I saw what it does to folks. But I spent a lot of my life in bars.” Carr says his primary concern is the negative impacts associated with the excessive use of alcohol, and when there are an excessive number of bars in an area, it can create competition that drives establishments to offer drink

specials that can lead to overconsumption. At the Feb. 19 meeting, several representatives from restaurants and bars questioned city council about the motivation behind the proposed crackdown, and at one point, council member K.C. Becker even acknowledged that the city shouldn’t be a “nanny.” Stephen Schein of Half Fast Subs on the Hill said the council, if it was truly elected to represent its constituents, should follow the guidance provided by a citizen survey in which 75 percent of respondents said overconsumption is not a problem, and 86 percent did not support new zoning regulations for businesses that sell alcohol or operate after 11 p.m. Calling the action plan “heavyhanded and unnecessary regulations” that is being driven by a small group of people, he asked why the council would want to “smash a problem that may not be as big a problem as presumed. “Who are these bad actors?” Schein asked. “It doesn’t make sense to me. I feel like a target.” Dominic Holden contributed to the reporting for this story. Respond: letters@boulderweekly.com

for records she wanted. Throughout October and November, the city asked Boulder resident Mark Gelband for $2,975 for records he requested. Then, in January 2013, BW was asked for $700, then $350, then $140 for records. The last was for records related to the Camera’s CORA requests. But while some were facing new, high charges in the second half of 2012, Camera reporter Erica Meltzer wasn’t. She submitted four CORA or CORAstyle requests in 2012. One returned no documents, one was filled for free and two appear incomplete in records provided to BW. An August request from Meltzer was met with no charge and a note that the city’s central records office had no documents related to her request. Since

Meltzer had requested “emails or other written correspondence,” her request was forwarded to the city’s IT department, which handles records requests for emails. But that’s where the trail ends — in the documents provided, there are no emails between Meltzer and the IT department. In two other cases, Meltzer apparently received records without paying, according to the documents provided to BW. Meltzer offered to file a CORA request in a January 2012 email, and emails from city staff suggest she got what she requested without a formal CORA response, without charge. Most recently, city spokesperson Sarah Huntley says she forwarded Meltzer emails she requested directly, again with-

The daily discount City charges less to fill some records requests

by Steve Weishampel and Jefferson Dodge

records request submitted by Boulder Weekly has found that in 2012, reporters for the Boulder Daily Camera were given records for free most of the time, were directed to the appropriate custodian of records and were not charged as much as BW or individual citizens have been charged lately for records requests. City of Boulder employees continue to defend the city’s $35-an-hour charge to perform Colorado Open Records Act (CORA) searches, saying it represents costs from various departments and it’s only a fraction of the city’s actual costs. And city spokespeople defended Boulder’s practice of requiring requesters to pay the estimated costs of research before the research takes place, without later providing the time the research actually took and how much the requester actually should have paid. But there may not be a conspiracy to Boulder Weekly

bilk BW — or use charges to block the newspaper from accessing records. Instead, it appears there was a move in the summer of 2012 to charge a lot more than the city ever had for open records. During its 10-part series on contamination at Valmont Butte, written in the first half of 2012, BW was not charged for access to most city records. In some cases, BW reporters were allowed access to a city-owned computer with records on it and were only charged printing costs. During the same period, a Camera reporter was charged $105 for requested records. BW has not been asked for less than $140 in the past six months. But in August, only a few months after BW was given City Attorney Tom Carr’s phone records and financial disclosure forms for city council members for free, the city’s practices changed — and with a bang. Carol Affleck, a citizen concerned about the Valmont Butte cemetery, was told it would cost $1,050

BUT WHILE SOME WERE facing new, high charges, the Daily Camera wasn’t.

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out charge. Lastly, in October, city spokesperson Jennifer Bray responded to a Meltzer CORA request with the requested documents at no charge. The last remaining request filed by the Camera in 2012 was a joke on the occasion of a city employee’s retirement. Nobody responded to it, apparently. Meltzer declined to comment. Media attorney Steve Zansberg of Levine Sullivan Koch & Schulz told BW that government agencies can’t discourage negative coverage by using discrimination, retribution or retaliation. “They have to charge all members of the media the same,” he says. “The motivation is irrelevant.” City spokesperson Sarah Huntley said in an interview that the requests were filled without payment because Camera reporters’ requests are usually narrower than BW requests. **** For the CORA request asking for the Camera’s open records history, the city’s IT department estimated four hours of work, costing $140. After receiving the results of that request — six requests and 12 total emails — BW asked for a log of the department’s time. The city’s policy on open records requires that logs be kept. While Director of Communications Patrick von Keyserling told BW that one was kept, he did not provide it. As with the city’s other CORA responses, no evidence was given that the estimated time, four hours, was accurate — or that $140 was the true cost. **** When asked about the city’s approach to open records requests, Carr said in an interview that the boilerplate letter the city uses to justify the cost of providing documents and set an extended timeline for producing them is not automatically sent out in response to all requests, only large ones. Carr said his office declined a BW request for that letter because it might set a precedent that would make other materials public, like the notes used to develop it. When asked about claims by Seattle media and attorneys that he broadened

the types of materials that could be kept secret under the guise of attorney-client privilege while he served as city attorney for Seattle, Carr told BW that a Seattle newspaper initiated legal action to assert that the state’s open records law trumped attorney-client privilege, and he was simply defending that privilege. He insisted that his intent was not to broaden it, just to protect it from being compromised by the open records law, and the state’s Supreme Court ruled in his favor. He acknowledged that the city’s approach has changed in recent months, but only because the city attorney’s office has directed departments to follow the city’s policy on access to public records, which was created in 2001 and updated in 2006. He says his office has tried to educate city employees to be methodical and comprehensive about providing the requested records. “I believe we’re doing it better now,” Carr says, adding that sometimes it used to take a couple of weeks for city staff to respond to records requests. When asked how $35 an hour could possibly be viewed as a “nominal” amount of the city’s actual search and retrieval costs, as required by state law, he pointed out that the city attorney’s office normally bills $125 an hour in its budget calculations, and the planning department’s hourly rate is higher than $35 as well. Carr says that unlike other communities, which charge on a sliding scale depending on who is handling the records request, Boulder just charges a flat rate. He also said that while the city’s central records department currently reports to him, open records requests are not automatically routed through his office, they are handled by the department where the records are kept. Carr also asserted that CORA doesn’t necessarily require government agencies to produce documents within a three-day period or seven-day extension. CORA states, “The date and hour set for the inspection of records not readily available at the time of the request shall be within a reasonable time after the request. … A ‘reasonable time’ shall be presumed to be three working days or less. Such period may be extendBoulder Weekly

news ed if extenuating circumstances exist. However, such period of extension shall not exceed seven working days.” But Carr told BW that the law is not clear. He said that “it’s about what is possible” when accommodating very large requests. Carr denied that officials’ approach to BW shifted after the newspaper printed critical coverage of city government, from Valmont Butte to appearances of impropriety among city council members. He said there is no double standard in how the city has responded to requests filed by BW and the Camera. “That would not be our goal or policy,” he says. “We would treat you as we’ve always treated you. … We don’t look at who the requester is.” He says that while a stiff fee for a records search may encourage a requester to narrow the scope of his or her request, there is no concerted effort to use exorbitant fees to discourage people from asking to see the public’s documents. “That’s not my intent at all, it’s to have a system that works,” Carr says. **** In 2003’s Black v. Southwestern Water Conservancy District, the Colorado Court of Appeals ruled that any CORA fee must be “nominal,” legally defined as “trifling, esp[ecially] as compared to what would be expected.” Under that definition, the city’s actual costs — which do not include things like producing paper copies — should be higher than $35 an hour, so much higher that the totals accumulated by requesting $35 an hour are trifling in comparison. The annual salary of the average employee working on CORA requests should be much higher than $72,800, which is $35 an hour. Requesters could be paying 50 percent of their salary ($145,600), or 40 percent ($182,000), or 25 percent ($291,000). The highest-paid city employee, Executive Director of Energy Strategy Heather Bailey, makes $250,000 annually, so the city’s definition of “trifling” is higher than 25 percent. Huntley says $35 an hour is within the law’s stipulations. She points out that the city attorney’s office reviews CORA results when they include staff emails, to make sure nothing is released that should not be public record. She says that in the case of Meltzer’s free results, like the November one, she forwarded emails from city council members’ accounts. “The city’s position is that we are in compliance with the law, and the fee that we charge meets the definitions described by the court,” she says. Boulder Weekly

**** Since Carr’s arrival in 2010, Boulder has seen some visible changes from the city attorney’s office. Former City Attorney Jerry Gordon, who retired before Carr was hired, says CORA procedures have also changed under Carr. Gordon hesitated to make definitive statements, saying he couldn’t remember many particulars from his two-year stint

as city attorney. “Most requests were simply, the information was provided,” he says. “Lawyers were never involved. … “I don’t remember what the charges were then,” he says. “I don’t think I ever had anything to do with what the charges were. If I did, it was so tangential.” Gordon says that during his tenure, the office of the city attorney wasn’t

involved with CORA requests. “[Most records requests] never went to attorneys at all. There was no reason to keep it secret and it was public,” he says. “Sometimes I think the departments remembered to charge and I don’t remember what they charged. They never asked me what to charge, as far as I can remember.” Respond: letters@boulderweekly.com

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boulderganic Can third time be the charm in the uphill battle for GMO labeling? by Joel Dyer

.S. Rep. Jared Polis, D-Boulder, knows his numbers. He knows that more than 90 percent of Americans believe that all foods that contain or are made with genetically modified organisms (GMOs) should be required to have labels that state as much. Unfortunately, he also knows that it’s going to be tough to get the number of votes needed in the House of Representatives to pass a new GMO labeling bill he intends to co-sponsor along with Rep. Peter DeFazio (D-Ore.). But that isn’t stopping him from trying. This isn’t the first attempt to get a GMO labeling bill through Congress. In late 2011, Polis joined then-Rep. Dennis Kucinich (D-Ohio) and others in an effort to attach a GMO labeling amendment to the Farm Bill. That effort failed when the entire Farm Bill vote was blocked and the previous Farm Bill was simply extended. Then came the June 2012 effort by Sen. Bernie Sanders (I-Vt.) that many felt had a good chance to pass. Sanders used an amendment to last year’s Farm Bill in an attempt to make GMO labeling an issue to be decided by each state. Several states at that point had indicated their desire to initiate labeling requirements for GMOs, only to back down under

the threat of lawsuits by big biotech companies such as Monsanto. Sanders believed that Republicans would support the amendment because it was a “states’ rights” issue and he felt sure that Democrats would join him because GMO labeling would create better consumer information and thereby, finally, consumer choice. But unlike Polis, Sanders didn’t know his numbers. It appears he underestimated the power of the millions upon millions of dollars that the biotech and other big ag corporations had dropped into the campaign coffers of his peers in Congress over the years. In the end, the vast majority of both Democrats and Republicans voted against Sanders’ amendment despite the massive support for the measure among their own constituents. Polis wants to take a different approach. The DeFazio GMO bill he intends to co-sponsor, once the exact wording can be finalized, is national in scope. It would require the labeling of all products containing GMOs throughout the United States. At least that’s the intention at this point in the process. According to Polis, one of the problems with having GMO labeling in individual states is that it creates a substantial expense to the food companies because they have to create one package

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with GMO labels for one state while creating separate packaging to be used elsewhere, and that expense would most likely be passed on to consumers in the form of higher food prices, which nobody wants. “If we require labeling nationally it won’t create additional cost,” says Polis. He also notes that his bill would open up more than 40 foreign markets for trade with countries that currently require GMO labeling. Even though the proposed GMO labeling bill makes economic sense and has the support of nine out of 10 people in the U.S., Polis knows that getting it out of the House’s Agriculture Committee, should the bill go that route, isn’t likely. “We understand that this bill doesn’t have much chance of getting through the committee to a full vote,” he says. And that is hardly a surprise, considering that the ag committee reads like a who’s who of Monsanto and friends campaign finance efforts. Rep. Frank Lucas (R-Okla.), who chairs the committee, recently helped push through the controversial FDA decision to allow the unrestricted commercial cultivation of GMO alfalfa without restrictions that would have prevented the genetically engineered crop from contaminating nearby non-GMO alfalfa. Lucas has been the recipient of more than $1.2 million in campaign donations from big ag interests, including Monsanto and the pro-GMO Farm Bureau. In other words, Lucas and his other biotech-supported politicos on

the committee will do everything in their power to make sure that any GMO labeling bill never sees the light of day. Even so, Polis is undaunted. “We want to get a bill to a full vote of the House,” he says, “so we will most likely need to attach it as an amendment to a relevant bill dealing with ag.” Even though it is an uphill fight, Polis understands the value of that fight. He explains that the bill he intends to co-sponsor is about creating public awareness. “The more public awareness, the more people will write and call their representatives and tell them to vote for GMO labeling,” says Polis. “If we can get this to a vote on the floor, then people can finally see how their representative actually voted on this issue.” Yes, Polis knows his numbers. He understands that with overwhelming support among the public, if he can get a GMO labeling bill to a full vote of the House, it becomes very difficult for politicians to publicly go on record voting for their campaign donors’ interests instead of those of the men and women who elected them, and who have the power to send them back home in the next election cycle. Whatever winds up happening with Polis’ GMO labeling bill, it will have been another important step in the fight for a consumer’s right to know and choose what they put into their bodies — and their children’s bodies. Respond: letters@boulderweekly.com

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eco-briefs

by Boulder Weekly staff Johan Gunséus

NUCLEAR SENSORS COULD BE USED TO PREDICT TSUNAMIS AND TRACK GREENHOUSE GASES

Tomas Brodin, lead author of a study on psychiatric medication and fish behavior, at work on his research in a lab at Umea University in Sweden.

A network of sensors used to track nuclear weapons since the Cold War could be used for environmental monitoring instead, according to a study published in Science last week. The international monitoring system uses more than 254 seismic and waterbased sensors to track sound waves, which ripple through the ground after a nuclear explosion. These sensors could have been used, the authors say, to predict the 2004 tsunami in the Indian Ocean that claimed 230,000 lives. Their study focuses on the sensors’ potential use by the scientific community, but the sensors could also provide a way to avoid governmental control of data, says Christopher Stubbs, an experimental physicist at Harvard University. He envisions citizen scientists, equipped with sensors, contributing to a map of global greenhouse emissions — including in countries unfriendly to emissions tracking. “Suddenly we find ourselves with 500,000 CO2 sensors distributed around the world without any government

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intervention whatsoever,” Stubbs told LiveScience. — Cecelia Gilboy

WEALTHY CONSERVATIVE DONORS FUND CLIMATE-CHANGE SKEPTICISM

SCIENTISTS STUDY FISH ON DRUGS

A common psychiatric medication may affect fish behavior, according to a new study published in Science. Researchers in Sweden exposed wild perch to varying concentrations of Oxazepam, a drug prescribed for anxiety. Like the estrogen from birth control that scientists found “feminizing” fish in Boulder Creek, Oxazepam travels from bathrooms to waterways, escaping wastewater treatment. Researchers reported that fish exposed to Oxazepam became less social and more aggressive eaters. After exposure, “they were totally different fish,” lead author Tomas Brodin told The New York Times. The repercussions, he says, are unclear. Perch populations could benefit from more aggressive eating habits, or they could be eaten more often, if their chemically induced boldness makes

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Right-wing billionaires have funneled $120 million through secretive donation channels to fund climate-change skepticism, The Guardian reported last week. The donations helped create a network of more than 100 think tanks and activist groups intended to re-brand climate change as a partisan issue, rather than a scientific fact. The funds were routed through two trusts, Donors Trust and Donors Capital Fund, which generally receive donations of more than $1 million. The chief executive of Donors Trust won’t reveal donors’ names, but their money flows to conservative causes, especially groups opposing environmental regulation and denying human involvement in climate change. — Cecelia Gilboy

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courtesy of The African Attachment

Continental

drift ‘5 Races, 5 Continents’ explores what motivates ultrarunners, whatever country they call home by Elizabeth Miller

omewhere over the more than two years of interviews that went into making 5 Races 5, Continents, which tracks toward the emotional core of trail running, the conversation among the filmmakers and one of their central subjects, Killian Jornet, turned to the growing popularity of the sport. “Killian said it to me — it was one of the things he said to us when we were discussing the growth of the sport and making money from it — ‘There’s a lot easier ways to make money than run 100 miles,’ so I don’t think it’s something you could run for money,” says Dean Leslie, director of 5 Races, 5 Continents and co-founder, with Greg Fell, of The African Attachment, an independent film production company. “It’s got to be a lot more than that because of the mental strength needed

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more the reasons why, and no one can to run something like that, so you’ve answer straight away why you do it, it’s got to have this deeply underlying pasmore a case of discussing random sion wanting to take you there. That’s things,” Leslie says. one of the intriguing things about the The film started as a series of web sport.” episodes for Salomon Running follow5 Races, 5 Continents is a 10-minute, ing Jornet, but while the film shadows music-laden meditation on trail runJornet closely, the soul of what they’re ning and, particularly, running those tapping into — a tight-knit community trails for 100 miles at a time up mountain passes and in bad weather. A short- that looks different but is fundamentally the same across the world — really er cut created by request for the Banff emerges in hearing how Jornet’s perFilm Festival screens in Boulder Feb. 27. The film explores the many intrigu- spectives match those of other runners, whatever corner of the globe they call ing things about a sport that’s only just home. Those conversations, which entering the American consciousness. include Boulder-area residents Scott The film blends footage of runners in Jurek, Geoff Roes and Joe Grant, Australia, Africa, Europe, Asia and explore the idea of life asFootwear, movement North America with interviews with Our Entire Inventory of Clothing, and running through the mountains as those runners that cut right to the meat Camp & Travel Gear & Sunglasses the simple, effective and efficient way of their motivation, in so much as that’s of exploring the world. even possible. “It seems to me like Greg and Dean “What we concentrate on filming is

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are constantly working on two, three projects down the line, and over the past two and a half or so years I’ve probably chatted with them and done interviews with them on three or four different projects they’ve been working on, and this just sort of morphed out of some of that,” Roes says. “My favorite thing about this film and this project is the way it sort of showcases trail ultrarunning around the world. … I think it is relatively new in most places, certainly in the U.S. it’s been much more of a niche, kind of like cultish thing until fairly recently.” Among the races Leslie and Fell visited was the Leadville 100 in Colorado’s Rocky Mountains and the Hard Rock 100 race in the Sierra Nevada in California. “Those were probably some of my favorite memories of filming because I

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On the Ultra-Trail du Mont-Blanc

think the American trail running community is just so cool and so down to earth, and the guys who run it are just such cool guys,” Leslie says. Grant was interviewed both at the Hard Rock 100 and the Ultra-Trail du Mont-Blanc (UTMB), which circumnavigates Mont Blanc, traveling through three countries to do so. “The first time I ran 100 miles was UTMB,” he says. “I was really taken by the course — you’re running around Mont Blanc, it’s just a very iconic mountain, so I went into it, I think, a little bit naïve, in terms of I wasn’t worried at all about the distance and it was more just like, ‘Oh we’re running around this incredible mountain.’ … I got to mile 70 and didn’t really know what was happening to me. I couldn’t really put down any food any more, and I just ran through the whole night, and

so it was a bit odd from a physical standpoint because I wasn’t really quite sure sort of where my limits were. Am I doing real damage to myself or am I going to collapse here and be taken out on a stretcher or something? Or am I just being kind of soft here and I should just march it in? And that is the battle that you have when it’s a new distance and you’re not quite sure, twothirds of the way in, whether you’re going to be able to do this or not.” The full race distance gets broken down into smaller goals of subsequent aid stations, exiting the borders of Switzerland or Italy, or simply completing the task at hand — missing the rocks on the trail while continuing to put one foot in front of another. “It’s just a long walk, really, you’re sort of jogging along and hiking the uphills and then running the downs,

and so when you kind of break it down it’s very simple,” Grant says. “You just — you eat, you drink, you run, and so I like to think that I can do that, you know?” 5 Races, 5 Continents is just a taste of a much larger body of work that’s appeared in Salomon Running’s episodes and was informed by the work Fell and Leslie did on Wandering Fever, which focuses on their lifelong friend Ryan Sandes and his rocketspeed leap into the forefront of the ultrarunning scene. Their footage on Sandes got the attention of Salomon Running, one of his sponsors. “It was good timing — they were actually looking for a film crew at the time,” Leslie says. “They emailed asking us to join in the 5 Races, 5 Continents project. It was quite last minute and fairly loose, but the initial mail was kind of, ‘We’re shooting on five continents following Killian Jornet around the world, and would you like to shoot it?’ And our response was, obviously, ‘Of course.’” Two weeks later, they were in Australia, having met no one, including Jornet. They’ve released episodes on Salomon Running TV that focus on each race individually. And while Australia stands out for the challenge of sleep deprivation — Leslie says they

adventure

were on the road for nine days and got a full night’s sleep perhaps four of them — the Leadville 100, which was filmed for Wandering Fever instead of 5 Races, stood out for its own reasons. It’s the ending of Wandering Fever, which added some emotion, and the course itself posed challenges in terms of altitude and a late-night arrival followed by an early morning race start. “It’s maybe not the most beautiful out of all the races, but there’s something there, I think it’s a mixture of the history and the people, and that’s always going to trump anything,” Leslie says. “There’s not a lot of people at the finish line, but it’s probably, it’s almost like the UTMB is so big that you lost that connection that you would have because it’s such a spectacle. At Leadville, you have a lump in your throat when you’re standing at the finish line. That’s one of the things I love about the sport is you can get all these different experiences.” “If I was to never race again, I wouldn’t say it wouldn’t bother me, I enjoy racing, but truly just being out in the mountains is kind of what drives me,” Grant says. “But there’s this community coming together aspect that I think is really powerful, particularly since it’s quite a small community, so you tend to know a lot of people and feel pretty at home.” Grant started as a climber and hiker, and transitioned to running as a way to simplify his experience in the mountains, reducing the amount of gear. “I wouldn’t say that initially running was secondary, but it was more just kind of, OK, this is a way to engage with this see RUNNING Page 20

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environment in a primary sort of way and stripped-down way,” he says. “There’s not a lot of things between you and that experience. It’s very, very primal in some ways ... I think the racing aspect is interesting because of the community appeal. I’m not a particularly competitive person, but I do like the framework of the race that enables you to push yourself, and it enables you to kind of share this experience with other people, and it’s a very different sort of thing when you’ve got a catered race where every five, six miles you’ve got an aid station and there’s support, so you can really just kind of run and experience that. Whereas when you’re by yourself in the mountains you’re dealing with a lot of other factors, and it’s not that you’re not pushing yourself hard, it’s just a different type of effort because you have to get yourself up the hill and there’s no real contingency plan other than, well, either I can do this or I can’t.” And while the sport may be blossoming into increasing popularity and notoriety, the boundaries it draws — and the requirement, particularly in trail running, to go it alone and be comfortable alone — will thin the starting line crowds. “Even when you’re competing with hundreds of other people, it’s much more individual, and so I think it caters to people who primarily want to kind of have that experience and people that are comfortable being out on their own,” Roes says. “I just think that it’s kind of the spiritual thread that weaves through going out in the mountains by yourself for a long period of time. I think that’s just a huge, inherent part of the sport, and people who don’t have that that get into ultrarunning, they don’t tend to, I think, stay as passionate about it. If you don’t have this larger thing pulling you into it, it’s pretty easy to get emotionally and/or physically just completely burnt out on it. It’s a really

grueling thing to do, so there has to be something larger driving you.” 5 Races 5 Continents is screening at the Banff Film Festival on Wednesday, Feb. 27, at the Boulder Theater. Tickets are sold out to both nights of the film festival. Episodes from 5 Races, 5 Continents are available at www.salomonrunning.com.

Boulder does Banff

As with so many outdoor endeavors, Boulder is well represented in the Banff Film Festival. The latest installment from the Camp Four Collective, which includes Boulder resident Renan Ozturk, is The Denali Experiment, in which freeride skiers and snowboarders team up with mountaineers to climb up and ski down Denali in Alaska. Gimp Monkeys records the first alldisabled summit of the route Zodiac on the southeast face of El Capitan in Yosemite National Park. Unicorn Sashimi is a visual feast of deep powder skiing in Japan set to a pulsating soundtrack of Japanese drums, and features Boulder- and Coloradobased athletes and filmmakers. Admire the insanity in Reel Rock’s Wide Boyz, about two guys from Britain who come to the U.S. solely to climb off-widths, having spent months training on man-made off-width cracks in their basement. Their main testpiece: an almost entirely horizontal crack in the Utah desert that Steve “Crusher” Bartlett did the first aid ascent of. There’s no Boulder connection — that we know of — for Lily Shreds Tailside, but when else are you going to get to see a tiny dog drafting off the rear wheel of a mountain bike? Bad ass. More information is available at www.banffcentre.ca/mountainfestival/ worldtour/. Respond: letters@boulderweekly.com Boulder Weekly

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February 21, 2013 21

buzz David Accomazzo

Multiple plans are being proposed for the National Guard Armory on Broadway.

Making space for art

Group of NoBo artists want an art district where National Guard Armory now stands

n the past few years, a group of North Boulder artists, coalescing as the NoBo Art District, has been diligently showing its work, holding monthly First Friday exhibitions at various locations north of Pearl Street. Talk among the group has revolved around establishing a strong geographical identity — including an actual, physical art center that would showcase work while also housing affordable studio space and housing for member artists. Official plans for such a gathering place have yet to be agreed upon. A handful of individual artists aren’t waiting for that day to cheerfully announce itself. Not with a prime North Boulder site up for re-development for the first time in 65 years — one that has already been associated with a couple of recent brushes with controversy. The National Guard Armory is “the last big parcel left up here” and “a keystone property,” says Aaron Brockett, a member of the Boulder Planning Board and also a resident of the Holiday neighborhood, which sits just to the east and south of the 8.5acre compound at the southeast corner of Broadway and Lee Hill Road. “How it develops is critical to how the North 22 February 21, 2013

by Jim Lillie Broadway commercial corridor ends up getting developed,” Brockett says. “Integrating it with the NoBo Art District would be fantastic. How those old buildings might get integrated into a new plan might be tough.” Whether the concrete block structures stay or go is one of many concerns about what might occupy a new Armory site. Others involve the amount and type of commercial versus residential square footage; the existence of an anchor retailer to attract small businesses; and an overall design and layout that serves as an inviting gateway to the north end of the city, which currently welcomes visitors with industrial-strength locations such as a strip club, a homeless shelter and various warehouse spaces. Then there are the controversies, beginning with a plan, unsuccessfully pitched to neighbors a few years ago by local developer Jim Loftus, to build a big box-style supermarket on the site, a continuation of an earlier lost cause when Loftus proposed a similar store a few blocks down Broadway at the current Uptown business/residential center. On top of that, just last year, some in the neighborhood waged a campaign opposing Boulder Housing Partners’ plans

to construct 31 apartments for the chronically homeless at a site located diagonally across the street from the Armory. That project got the green light, but not without a bitter fight that left many vowing to yell even louder about further development, including what happens with the Armory. For now, things are on hold until the city finishes reviewing the North Boulder sub-community plan, which is expected to take until late spring or early summer. Once that’s finished, though, will Boulder be on course for the mother of all development battles? Or will the Armory project prove a unique chance for residents and developers to come together on a plan that works for everybody? Is that even possible? While the players involved will get an opportunity to air their views, one major key to some battleground questions rests with how the Armory’s codevelopers, Bruce Dierking and Loftus, choose to interact with individuals from the NoBo Art District — a point both sides acknowledge. “I know what the neighborhood thought five years ago,” says Dierking, a Boulder attorney. “But I don’t know what the neighborhood thinks now. Do people still want a neighborhood center for North Boulder, and what will that mean? We want to do Boulder Weekly

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something that’s worthy of today. … There are things that pay the freight and things that cost money, and we need to balance that out.” At least three Boulder artists see reciprocal value in working with Dierking and Loftus to form a consensus approach to developing the Armory. Buffy Andrews, Sally Eckert and Amy Tremper, all NoBo Art District members as well as Holiday residents, say that their artistic/architectural backgrounds, connections and skills can enhance any planned development while helping Dierking and Loftus save — and make — more money. Tremper points out that a Minneapolis-based outfit called Artspace specializes in turning old buildings, including a granary in Loveland, into art centers that include studios and living spaces. Artspace representatives plan to visit the Boulder/Loveland area next month and offer some preliminary ideas, for free, as to how that might work with the Armory — including possible access to grant money that could shave down construction costs. Any new buildings, Tremper says, could be built around the existing ones. “Or, the developers could build other things and someone else could build the art center,” Tremper says. Plus, says Andrews, any plans to develop the Armory shouldn’t stop at the current boundaries of the property. “We need to include [the planned homeless apartments at] 1175 Lee Hill in the rest of the community,” she says. To that end, Andrews has suggested design changes to the developers of that property that include opening up the Boulder Weekly

complex’s entrance, as opposed to plans to close it off, to the intersection of Lee Hill and Broadway. “We don’t want to work against the developers,” she says. “We’re offering our creative services to help develop this community.” Eckert’s message to Loftus and Dierking includes a plea to think long-term. “It’s a pivotal piece of development for the next 10, 20 years,” Eckert says. “There’s a way, architecturally, to make this happen without gearing up for a fight. Let’s be creative. Let’s talk about how these men can make a lot of money by doing something creative. Our vision is that if you create artist housing, you can have high-end lofts next to an artist’s home, which keeps a good mix in the neighborhood while also keeping artists in their homes. If we start working together now, we can save them money.” Dierking, for his part, allows that, “Occasionally neighbors come up with better ideas than developers.” Also, whatever anyone might think of past controversies, he and Loftus “are willing to listen to everybody.” And, says Brockett, they will. “Boulder focuses on the public input and process. If you bring in something people will hate, it’s harder to get approved. There has to be some kind of give-and-take process that works for developers and the neighborhood. Spending time to work upfront with neighbors is more efficient for them.” Not to mention more profitable all the way around. Respond: letters@boulderweekly.com

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February 21, 2013 23

24 February 21, 2013

Boulder Weekly

overtones Cowgirl Radio looking to cross mediums Local musician has eyes on Hollywood

Saturday, Februar y 23

by Dave Kirby

Lisa Bell & Dennis Wanebo CD Release Concert

courtesy of Jerry Greene

othing happens quickly in Jerry Greene’s world, at least when it comes to developing and staging his erstwhile music project Cowgirl Radio. The Boulder-based guitarist has staged the band, with varying personnel, off and on at The Laughing Goat for a couple of years now, nipping a little bit of local press in the process (usually prompted by linestages and bigger crowds may be a logiup changes), even releasing a CD’s cal destination for this band, but in the worth of material (Innocent) last June. meantime there’s a sound and feeling By one set of band blueprints, he’s mining. He says he’s getting there. Cowgirl Radio would be copping its “We’re kind of thinking out of the share of blogger and periodical column box,” he explains, “in terms of the space and giving the odd interview in sound and the instrumentation. We’ve faraway towns, previewing the band’s had to do some experimentation and upcoming live appearance. But the try different people who could think project continues to evolve, and with out of the box with us. So it’s been kind the exception of an about once-month- of a journey to get the right concept ly appearance at the Goat, where and to be able to pull it off live.” Greene also works sound, it swoons and Greene knows where the key is with breathes its murmured this group: his singer paeans of loss and Langley. ON THE BILL: Cowgirl yearning, exhausted “She’s phenomeRadio plays The Laughing Goat hope and rusted nal,” he says. “But as on Friday, Feb. 22. Show starts redemption in the well as having a great at 9 p.m. Show is free. Flock opens at 8 p.m. 1709 Pearl St., confines of its selfvoice, she’s great at Boulder, 303-440-4628. produced YouTube recording. I’ve worked video presence and with a lot of singers Greene’s studio. — probably 40 or 50 Informed heavily by Mazzy Star singers — and she’s got the best voice and probably less heavily by Cowboy of everyone. We go down in my studio, Junkies, Greene’s aesthetics lean toward and from start to finish, after never the lonely-highway ballad and firsteven hearing a song, she’ll nail it in 45 person confessional. Lots of space in minutes. the arrangements, slurred and distorted “I kind of make a sketch of a meloguitar fractals scarring a hazy tonal bed, dy and then she puts her own twist on light synths in the background, songs it, and inevitably it’s exactly what I was seemingly rousing themselves from looking for. … We’re trying to steer drowsy half-dreaming, their humanity away from something that’s really clibuoyed warmly and richly through lead ché; lyrically, we’re influenced by stuff singer Allison Langley, pitch perfect like The Doors and Counting Crows. but treading the line between singing Lyrics that make you think and make and whispering. an image in your head.” Stage validation is all well and And the songs — delicately crafted good, and Greene concedes that bigger and impeccably produced — reside Boulder Weekly

Upcoming Events at eTown Hall !

neatly as subtexts to their videos, usually hand-held camcorder vignettes of street scenes (Boulderites will recognize some locations), diffident and abstract. And they are in fact, in some ways, practice for the kind of trade that Greene envisions for Cowgirl Radio. “One of things I’m trying to do is get songs into film and TV,” Greene explains, “and I’ve actually signed a couple of deals with some agents in New York and Los Angeles, and one that works with MTV. A lot of TV shows and commercials have this kind of ethereal background music, so I’m kind of writing for that market. I’ve got a couple of agents who really like my stuff and are shopping it around.” For now, though, taking the project on the road doesn’t appear to be an active option for Greene. “Eh, probably not,” Greene says. “We’re all pretty well tied down in Boulder. I have a full-time job at CU and I’m raising a 10-year-old son. … I mean, if all of a sudden some record company wants to put me on tour for six months,” he trails off. What about his son? “Take him with me. Like Jackson Browne, take him on the tour bus with me,” Greene says. Which could be a dicey proposition, since his son, indirectly, is the reason Greene appears with a cast on his right hand in some press shots from last year. “It was a serious thumb sprain that I got playing after-school football with my son and a bunch of his friends,” Greene says. “I stepped in a hole on the field. It’s weird because I spent a lot of time doing extreme sports — rock climbing, kayaking, wind surfing — and the worst injury I ever got was playing football with my son.” Respond: letters@boulderweekly.com

Monday, February 25

Sold Out

“eTown Radio Show Taping”

Martin Sexton

& The Milk Carton Kids

Saturday, March 2 Jane Roche Orchestra Music for Kids scholarship benefit

Sunday, March 3 An evening with Joe Pug Tuesday, March 5 “eTown Hall Film Series” Chasing Ice Sunday, March 10 “eTown Radio Show Taping”

Solas and Terry Allen

Sunday, March 17

Sold Out

“eTown Radio Show Taping”

Judy Collins & Ari Hest

Thursday, March 21 The Pines & more

Friday, March 22 Melissa Ferrick & Seth Glier

Tuesday, March 26 “eTown Hall Film Series” Searching for Sugar Man

Thursday, March 28 “eTown Presents” concert

Elizabeth Pitcairn plays the Red Violin Stradivarius (concert with brief lecture and Q&A)

eTown Hall - 16th & Spruce Street Tickets at www.etown.org February 21, 2013 25

LAKERS FINAL trip to Denver!! #35 Kenneth Faried

denver nuggets vs. LA LAkers

#24 Kobe Bryant

Mon., Feb. 25, 7:00pm

Buy tickets at nuggets.com or call 303.53.HOrse 26 February 21, 2013

overtones courtesy of the Boulder Philharmonic

ssembling a work of art is like putting together a puzzle: Sometimes it’s a struggle to make the pieces fit, and sometimes they just fall into place. The latter surely happened with A Woman’s Life, a cycle of songs for soprano and orchestra by Richard Danielpour, based on seven poems by Maya Angelou. Recounting the stages of life from childhood to old age, A Woman’s Life will be presented by the Boulder Philharmonic Saturday in a program with Brahms’ German Requiem (7:30 p.m., Macky Auditorium). Joining the philharmonic and Director Michael Butterman will be soprano Angela Brown, baritone Patrick Mason and the Boulder Chorale. Danielpour wrote A Woman’s Life for Brown after she sang in the 2005 premiere of his opera Margaret Garner. Afterwards, she asked him if he would write some songs for her. Jokingly, she decided to “go for broke,” she says, and suggested Angelou for the texts. “He looked at me very seriously,” Brown recalls. “He said, ‘You know, she’s been like a second mother to me. I’ve known Dr. Angelou for a very long time.” Not long after, Danielpour visited Angelou. He remembers, “I told her I wanted her to write a series of poems based on the cycle of a woman’s life, and she said, ‘I’ve already done that. They’re all hidden in my collected [poems]. I’ll read them for you.’” And then creative lightning struck. Danielpour describes the moment: “At her dining room table in her Harlem townhouse she read eight poems, sometimes with her eyes closed, sometimes reading the book, sometimes holding our hands as if we were in a church service, and it was one of the greatest per-

her interpret Angelou’s texts. “The only way I could relate to these pieces was to act them out,” she says. “I’ve been able to refine it so you know when I’m a little girl, you know when I’m that precocious girl that’s not scared of anything, you know when I’m that woman that thinks she’s being beguiling. This piece is one I’ve grown into.” Butterman sees A Woman’s Life complementing Brahms’ familiar German Requiem in two ways. There’s what he calls “the ON THE BILL: Boulder Philharmonic plays Macky feminine connection,” Auditorium on Saturday, Feb. since Brahms was 23. Show starts at 7:30 p.m. thinking of his mothTickets start at $13. For tickets and more information, visit er and her recent www.boulderphil.org/concerts/ death when he wrote the-beauty-of-life. the Requiem. “The other part of it,” Butterman Angela Brown explains, is that “A Woman’s Life is a reflection back on the totality of one’s life formances I’ve ever witnessed. experience — the very kind of reflec“We were all in tears. It was such an uplifting experience, but what was tion that I think Brahms asks of listeners in his Requiem. I felt in that way, really so instructive about it was the they made a very nice complementary rhythm of her speaking, and somepair.” times she clapped and stamped her They work well together in part, feet — in the rhythm of her speaking Butterman says, because Brahms chose I had everything I needed to set his own Biblical texts for the German those poems, and actually it was fairRequiem. Unlike the liturgical Requiem, ly effortless to write this piece.” it does not deal with the terror of judgHaving music written for you by a ment. leading composer, with texts by one of “Rather than focusing on the the country’s preeminent poets, would departed and the consequences of one’s be a privilege for any performer. “It has life, the focus would seem to be much been magical,” Brown says. “I feel very more on those remaining,” Butterman blessed. … It’s a wonderful piece.” says. “The first reference of the text is Wonderful, but also, Brown admits, not about the person who’s died, but a little intimidating. She says it took ‘Blessed are they who are mourning’ — awhile to come to grips with the emoin other words, people who are still tional center of the work. here, because they shall receive comfort. “It chronicles a woman’s life from a So I think the whole message of the little girl where she’s just babbling and talking, on to where she’s not afraid any piece is to provide some sense of comfort and of reassurance to the ones who more, on to when she’s becoming a are mourning.” woman and beginning to make some Paired together, Danielpour takes mistakes in life,” she says. “The last you through the stages of A Woman’s three pieces, I always say I haven’t necLife, and, Butterman says, “Brahms essarily gotten there yet, where it starts takes you across the threshold, as it to talk about love and loss and those were.” things that women may go through in That should be enough. their later years.” Respond: letters@boulderweekly.com Brown’s operatic experience helped Boulder Weekly

THIS WEEKEND

Friday, February 22 – 8pm

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CASEY JAMES PRESTWOOD & THE BURNING ANGELS with BETTER THAN BACON UPCOMING EVENTS

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WOLCOTT - DORAN JAZZ DUO

Wednesday, February 27 – 6pm (In the Tavern)

SCRAMPIANO ORCHESTRA Friday, March 1 – 8pm

DEADPHISH ORCHESTRA Saturday, March 2 – 8pm

TIM CRAWFORD BAND Tuesday, March 5 – 6pm (In the Tavern)

CRAIG CORONA

Wednesday, March 6 – 6pm (In the Tavern)

STRANGEBYRDS Friday, March 8 – 8pm

FUNKIPHINO

Saturday, March 9 – 8pm

LAST MEN ON EARTH

Boulder Weekly

February 21, 2013 27

MICHAEL BUT TERMAN, MUSIC DIREC TOR

The Beauty of Life The vocal/orchestral event of the season! ANGELA BROWN, SOPRANO PATRICK MASON, BARITONE BOULDER CHORALE SAT., FEB. 23—7:30 PM Macky Auditorium in Boulder

DANIELPOUR—A Woman’s Life BRAHMS—A German Requiem Featuring 180 musicians, this “irresistibly moving” work by Brahms will be an auditory sensation. With hints of jazz, A Woman’s Life is based on poetry by MAYA ANGELOU written for our soloist, Met Opera soprano ANGELA BROWN.

www.BoulderPhil.org 303.449.1343 x2 Tickets start at $13; Students $5

Boulder’s Upstart Crow Theatre Company presents

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Feb. 22 - Mar. 9, 2013 byGeorge Bernard Shaw Directed by Joan Kuder Bell Performed at The Dairy Center for the Arts, 2590 Walnut St., Boulder. Tickets: $20 General Admission $17 Students/Seniors Thursdays Name-Your-Price Nights!

Tickets available at www.theupstartcrow.org or call (303) 442-1415. Performances may sell out - we strongly recommend reservations for all performances

DANÚ

Tuesday, March 5, 7:30 p.m. Macky Auditorium

Tickets start at $14

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Acclaimed Irish ensemble Danú returns to the Artist Series bringing an unforgettable high energy celebration of the Emerald Isle. Using traditional instruments, flute, tin whistle, fiddle, button accordion and bouzouki, the band’s music is clever and fun. Danú’s irresistible blend of ancient Irish music with contemporary works has won two BBC Awards and the Irish Music Magazine Award.

Global performance. World-class entertainment. You have to be here.

28 February 21, 2013

Boulder Weekly

arts & culture

PRESS PLAY

Wherever you go, there you are

d e e t n a r Gua core to S

A curious misfire by Curious by Gary Zeidner

nto every theater company, a little surgeon, and Katha is at least middle failure must fall. Now in its 15th management in the publishing industry. season, the Curious Theatre The couple lives in a beautiful apartCompany has consistently ment (more likely a paid-for condo) in impressed me and thousands of a vibrant city, but apparently “someother theater-goers with its choices of thing” is missing. plays and executions thereof. See any three Curious offerings in a Curious Theatre Company given season, and you’re virtually guaranteed to witness an awardwinning production or, at least, performance. Curious’ latest, then, is an outlier. A statistical anomaly. It’s the exception that proves the rule and, even so, it’s not chewoff-your-foot-to-escape-it bad, it’s just not very good. Primary blame must be placed on playwright Jordan Harrison, for his Maple and Vine takes an intriguing premise and then misses every single opportunity to wring something meaningful or memorable from it. We first meet yuppie couple Katha and Ryu (Karen Slack and Dale Li, respectively) in bed in front of a beautiful treeshaped, built-in bookshelf that was, in a way, the highlight of Maple and Vine for me. I’m not overly focused on decorating details and will take serviceable over whimsical most any day of the week, but I expect I’ll be keeping an eye out for a chance to buy or build something like the Tree of Knowledge bookshelf (my After a chance encounter with Dean appellation — all rights reserved). ( Josh Robinson), Katha learns that Katha’s name appears to have been cho- there is an entire community of disafsen solely to allow her to change it to fected wonks just like herself that have Kathy later in the play to demark her retreated to a gated, The Village-style, acceptance of a new and highly consynthetic 1955 to escape the horrors of trived reality. I would love to believe the Internet and delivery sushi. Dean that Ryu’s name was selected by and his wife, Ellen (C. Kelly Leo), are Harrison in homage to the Street the leaders of this group known as the Fighter video game franchise, but I Society of Dynamic Obsolescence highly doubt that is the case. (SDO), and they convince Katha and Touched off by an immediately Ryu to join them for a six-month trial obvious, eventually revealed event but period. really symptomatic of a generalized, That the only significant plot develnon-differentiated and completely opment that occurs after Katha and pedestrian lower-upper-class ennui, Ryu arrive in the SDO’s Epcot CenterKatha is in the throes of depression. like bubble centers on another characShe has a loving, devoted husband. She ter, and is so on-the-nose obvious that has no financial concerns because that it borders on unforgivably cliché, is but loving, devoted husband is also a plastic the largest problem I had with Maple Boulder Weekly

and Vine. As the playwright is well aware, there are real people all over the world who retreat from their lives by becoming Civil War recreationists, pretend Mars colonists or by devoting themselves to any number of other make-believe realities. A play examining the psychology of such a person, or mining what would seem to be easy-pickings humor from this particularly flamboyant strain of obsession, would likely be a joy. Sadly, Harrison’s Maple and Vine not only fails to explore these ideas at all, it stumbles over its own feet with even the most basic plot and character choices. As noted above, there is the second act revelation that is anything but revelatory. Before that, though, Harrison expects the audience to swallow that a successful plastic ON THE BILL: Maple and Vine surgeon of plays through Japanese descent Feb. 23 at 1080 would — even Acoma St. in Denver. Tickets for the love of are $18-$44. For his borderline tickets or inforhysterical wife mation, call 303623-0524 or visit — willingly www.curiousthesequester himself atre.org. in a pre-civil rights, 1955 version of America in which he will not only be a second-class citizen but also squander his years of training and sacrifice to become a doctor. The flat, unbelievable characters (with the exception of Robinson’s Dean, who is spot-on throughout), lazy plotting and lack of insightfulness are exacerbated by a structure that seems somehow to have more scene changes than scenes. The actors have no chance to establish rhythms because the stage hands are front and center every two minutes moving floating walls and furniture about to no particular end. Of all the plays I’ve seen, many of the best were presented by the Curious Theatre Company. Though Maple and Vine is a moxie-free miss, I’ve no doubt that Curious will be knocking socks off again next time around. Respond: letters@boulderweekly.com

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Boulder Weekly

Chase Creative Photography

BOULDER COUNTY BOMBERS THE SEASON-OPENING BOUT FOR BOULDER’S ROLLER DERBY TEAM IS SATURDAY, FEB. 23, AT THE BOULDER COUNTY FAIRGROUNDS

Thursday, February 21 music Archnemesis & Wick-it the Instigator — With The Floozies. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Benefit for Lyons Montessori School. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Big Daddy Love. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Blues Doctors. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Danny Shafer & The 21st Century. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

colorado. edu/PWR/ diversityconference. html.

SEE FULL EVENT LISTINGS ONLINE, INCLUDING HAPPY HOURS. To have an event considered for the calendar, send information to calendar@ boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

The Fossil Record and the Evolution of Beetles — Lecture by Dr. Dena Smith. 6:30 p.m. University of Colorado Museum of Natural History, Henderson Building, CU campus, cumuseum.colorado.edu. The Hollywood Librarian. 6:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Ignite Boulder 20 — 6 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Ginga. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Rocky Mountain Balboa Blowout Kickoff — Presented by Community-Minded Dance. 8 p.m. Mercury Cafe, 2199 California St., Denver, 303-883-6691.

The People’s Abstract. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

Friday, February 22

Quantum Jazz. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Rachel and the Ruckus. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Reviving Cecilia. 7:30 p.m. Swallow Hill Music Café, 71 E. Yale Ave., Denver, 303-777-1003. T. Moody solo. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303485-9400. The Yawpers. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

events Bouldering Poets. 8 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Colorado Environmental Film Festival. 6 p.m. American Mountaineering Center, 710 10th St., Golden, ceff.net. Dynamics of Inclusion — Fourth annual undergraduate conference on diversity. 8 a.m. – 12:30 p.m. British Studies Room in the Norlin Library, CU campus, www.

Boulder Weekly

music The By All Means Band. 7 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Colan Simpson. 5 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Eddie Turner. 8 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Cherry Veil. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Elliott Carter, In Memoriam — Presented by the Boulder Symphony Chamber Music Series with The Playground. 7 p.m. First Presbyterian Church Chapel, 1820 15th St., Boulder, 970-577-1550. Flock & Cowgirl Radio. 8 p.m. & 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Faelust and Annsanity watch a Durango Roller Girls team member get knocked out of bounds at the High City Derby Dames tournament in October.

Irie Still — 9:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-4636683.

Jonathan Stout & his Campus Five — Part of Rocky Mountain Balboa Blowout. 8 p.m. Denver Turnverein Dance & Cultural Center, 1570 Clarkson St., Denver, 303-883-6691. Koffi Togo — West African Dance. 7:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Kris Allen — With Jillette Johnson. 8:30 p.m. Old Main, 1600 Pleasant St., Boulder, 303-492-7389. Lawrence Holmefjord-Sarabi — Classical pianist. 6 p.m. Boulder Library Theater, 100 Arapahoe Ave., Boulder, 707-433-8111. The Mighty Twisters. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Mosey West. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Rob Roper. 6 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847. Steve Law Band — With Sweet Talk Radio. 8 p.m. Swallow Hill Daniels Hall, 71 E. Yale Ave., Denver, 303777-1003. Thumpin! 8 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384. Vibesquad — With Project Aspect, Seied & Check One. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-4433399.

The Foreigner — Presented by Phamaly Theatre Company. 7:30 p.m. The Arvada Center, 6901 Wadsworth Blvd., Arvada, 303-575-0005. Fourth Friday Urban Flow — Yoga and dance. 7:15 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Turf — Mixed media event on the significance of place with artist Nick Cave. 6 p.m. Denver Art Museum, 13th and Broadway, Denver, 720-865-5000.

Saturday, February 23 music The Beauty of Life — Presented by Boulder Philharmonic Orchestra. 7:30 p.m. Macky Auditorium, 1595 Pleasant St., Boulder, 303-449-1343, ext. 2. Bonnie & the Clydes. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Casey James Prestwood & The Burning Angels — With Better Than Bacon. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384. Cahalen & Eli. 8 p.m. Chautauqua Auditorium, 900 Baseline Rd., Boulder, 303-442-3282. Cascade Kinzie & Eldren. 8 p.m. & 9:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Cedar Avenue — 8 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Colorado Chamber Players — 11 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-4413100. Dechen Hawk. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

Vin de Glo. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Eldren — With Cascade Kinzie. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

events

Garrett Sayers Trio. 9 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Family Dog Band. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303485-9400.

American Meat — Pro-farmer documentary presented by Chipotle. 6 p.m. Humanities 1B50, CU campus, Boulder, americanmeatfilm.com.

Halden Wofford & the Hi*Beams. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Colorado Environmental Film Festival. 1:30-9 p.m. American Mountaineering Center, 710 10th St., Golden, ceff.net.

Jababa. Conor O’Neill’s, 1922 13th St., Boulder, 303449-1922. The Jake Leg Shakers & The Odd-o-matic. 8:30 see EVENTS Page 32

February 21, 2013 31

events

arts

Georgia O’Keefe in New Mexico: Architecture, Katsinam, and the Land is on view at the Denver Art Museum

Monday - Friday: 10:00AM - 7:00PM Saturday: 10:00AM - 4:00PM Sunday: 10:00AM - 2:00PM

Alchemy — Bronze sculptures by Kerry Cannon. Andrew J. Macky Gallery, Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-4247. Through March 24. Art of the State — Featuring 160 Colorado artists. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7255. Through March 31.

Monday - Friday: 10:00AM - 7:00PM Saturday: 10:00AM - 4:00PM

Black Maps — A solo show by David Maisel. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through May 11. From Cherry Blossoms to Snow Gardens — Japanese prints. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through March 23.

WE’RE Your ...

St. Patrick’s Day Headquarters!

Georgia O’Keefe in New Mexico: Architecture, Katsinam, and the Land. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720865-5000. Through April 28. Ira Upin, Erik Geschke and Aspen Hochhalter. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328. Through Feb. 26.

“Church Steeple” by Georgia O’Keefe

Joining Forces: Book Arts in Collaboration — With Kitty Maryatt and Sammy Lee. Norlin Library East Lobby and West Lobby, CU campus, Boulder, ucblibraries.colorado.edu. Through March 8. Laura Letinsky: Still Life Photographs, 1997-2012. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720-865-5000. Through March 24. Museum of Broken Relationships. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through May 26. Out West: Photographs by Loretta YoungGautier. The Byers-Evans House Gallery, 1310 Bannock St., Denver, 303-620-4933. Through Feb. 23. Primal Seen — Selections from the CU photography collection. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through June 22. Resonance — Solo exhibition by Greeley sculptor Hee-Hun Cho. Muse Gallery, 356 Main St., Longmont, 303-678-7869. Through Feb. 23. Rethinking Western — Contemporary artists on the American West. Gallery 1261, 1261 Delaware St., Denver, 888-626-1261. Through Feb. 23.

EVENTS from Page 31 & 10:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Theatrical Costumes, Etc! #2

JoBro. 4 p.m. Bootstrap Brewing, 6778 79th St., Niwot, 303-547-6152. The Long Run — Tribute to The Eagles. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

695 S. Broadway • 303.494.1770

Na’an Stop. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847.

www.theatricalcostumes.com

Prairie Scholars. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303776-1914 x313.

Hours 10am-7pm • 7 days a week

Robinson Quintet. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

New digs. New data center. Everything you need for local colocation. Give us a call and we’ll be happy to show you around.

Rocky Mountain Jewgrass — Purim Show. 8 p.m. Swallow Hill Tuft Theatre, 71 E. Yale Ave., Denver, 303-7771003. Savoy. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Ten Pound Elephant. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303485-9400. Technicolor Tone Factory — With Trichome & Summa. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Tom Weiser & Paul Fowler Jazz Duo. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

events AscenDance Project Auditions. 10 a.m. – 12 p.m. AscenDance Studios, 5721 Arapahoe Ave. Unit C, Boulder, email isabel@ascendanceproject.com. Bee Keeping Workshop. 3 p.m. Lyons Farmette, 4121 Ute Highway, Lyons, 720-865-3519.

Internet services since 1994

303-546-9151 info@indra.com

•

www.indra.com

32 February 21, 2013

•

5435 Airport Blvd., Ste. 100, Boulder

Colorado Environmental Film Festival. 11 a.m. – 11 p.m. American Mountaineering Center, 710 10th St., Golden, ceff.net. The Doctor Is In — Educational seminar on Parkinson’s disease. 9:45 a.m. – 2 p.m. Dayspring Christian Church, 8005 Highland Meadows Parkway, Fort Collins, 866-718-2996. Empower Yourself — Workshop for women hosted by Hope Is There. 10 a.m. – 4 p.m. 627 Kimbark St., Longmont, 303-717-8645. God Bless the Child — A performing arts tribute to Billie Holiday. 7 p.m. Su Teatro, 721 Santa Fe Drive, Denver, 720-224-5990. A Light in Your Community — Fundraiser for Legacy of Learning with Zimbabwean music by the Kutandara Center. 5:30 p.m. Dreamcatcher Direct Instruction Centers, 5540 Conestoga Court, Boulder, 303-444-8422. Main Library Renovation Community Input Vision Meeting. 1:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. That Book Inside You — Writing and publishing workshop with Colorado author Teresa R. Funke. 9 a.m. – 4 p.m. Mulligan’s Pub, 2439 S. College Ave., Fort Collins, 970215-4155. Roller Derby — Season opener for the Boulder County Bombers. Doors at 6:30 p.m. Boulder County Fairgrounds, 9595 Nelson Road, Longmont, www.brownpapertickets. com. WOW — Women of Wisdom at Meadows. 2:30 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390. Yesterday Today Tomorrow — Celebrating 15 years of Lafayette Public Library’s Baseline location. 10 a.m. – 5 p.m. 775 W. Baseline Road, Lafayette, 303-665-5200.

Benefit concert and silent auction for Arvada West Dog Park — With SoHo Band. 3 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Sunday, February 24

Bent Lens Cinema Presents “Cloudburst” in Performance Space. 7:30 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

The Big Pick — Hosted by Family Dog. 8 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

music

Boulder Bach Festival — Festival Week opening

Boulder Weekly

Blues Jam — With Heavy Cats. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303443-3322. Bluegrass Explosion. 10 p.m. Mountain Sun Pub, 1535 Pearl St., Boulder, 303-546-0886. Chaos Assassins. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384. The Drunken Hearts. 10 p.m. Vine Street Pub, 1700 Vine St., Denver, 303-388-2337. JC & The Water Walkers. 8:30 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384. Mello Cello Sundays — With Sam Rae. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Pete Kartsounes, Soulo Loop. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Steve Itterly duo. 6 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303485-9400. The Strangebyrds. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Traditional Irish Session. 7:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

events Colorado Environmental Film Festival. 1:30-6 p.m. American Mountaineering Center, 710 10th St., Golden, ceff.net. Discovery — An evening of art presented by Boulder RAW Artists. 6 p.m. Absinthe House, 1109 Walnut St., Boulder, www.RAWartists.org/boulder/discovery. The Foreigner — Presented by Phamaly Theatre Company. 2 p.m. The Arvada Center, 6901 Wadsworth Blvd., Arvada, 303-575-0005.

ens Opera House, 300 Main St., Longmont, 303-834-9384. Wedding Preview and Vendor Showcase. 11 a.m. – 2 p.m. Dickens Opera House, 300 Main St., Longmont, 303834-9384. Yesterday Today Tomorrow — Celebrating 15 years of Lafayette Public LIbrary’s Baseline location. 1 – 5 p.m. 775 W. Baseline Road, Lafayette, 303-665-5200.

Monday, February 25 music Electric Blues Jam. 7:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Ultra Violet Hippopotamus. 10 p.m. Southern Sun Pub, 627 S. Broadway, Boulder, 303-543-0886.

“So, You’re a Poet” — Open Poetry Reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-4404628. Trivia Quiz. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Women of the West Monday. 11:30 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-4413100.

Tuesday, February 26 music Gasoline Lollipops. 8:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

The Second Set. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Wolcott-Doran Jazz Duo. 6 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384

Movement Mass — With Melissa Michaels. 10:45 a.m. The Avalon, 6185 Arapahoe Rd., Boulder, 303-415-0272.

events

Permaculture Potluck. 4 p.m. Lyons Farmette, 4121 Ute Highway, Lyons, 720-865-3519.

Banff Mountain Film Festival. 7 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Trickster Tales — Join naturalists for a moderate 2-mile hike to learn more about coyotes. 10 a.m. Hall Ranch Open Space, Boulder, 303-678-6214.

Boulder World Affairs Discussion Group at Meadows. 10 a.m. Boulder Public Library Meadows Branch, 4800

Wedding Preview & Vendor Showcase. 11 a.m. Dick-

see EVENTS Page 34

theater

Phamaly Theatre Company is presenting encore performances of The Foreigner at the Arvada Center Feb. 22-24

The Foreigner — Presented by Phamaly. Arvada Center for the Arts and Humanities,

Boulder Weekly

Sat, Feb 23, 9am-5pm Sun, Feb 24, 10am-4pm

Come Experience Alpacas!

on Facebook for local news, article links, & weekly giveaways!

For more information:

970.484.9420 www.abanc.org

The Colors of the Mountain. 6:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

God Bless the Child — A performing arts tribute to Billie Holiday. 2 p.m. Su Teatro, 721 Santa Fe Drive, Denver, 720-224-5990.

Close Ties — Presented by Coal Creek Theatre of Louisville. Louisville Center for the Arts, 801 Grant St., Louisville, 303-665-0955. Through March 9.

Boulder County Fairgrounds in Longmont

BOULDER WEEKLY

My Village, My Lobster — A premiere of the documentary film and fundraiser for Water For People. 7 p.m. Nomad Theatre, 1410 Quince Ave., Boulder, 303-4437510.

Monarch High Jazz Concert. 7 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

Church Basement Ladies— Boulder’s Dinner Theatre, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through May 12.

FREE TO THE PUBLIC

events

Free Form Yoga. 10 a.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Caesar & Cleopatra. Boulder’s Upstart Crow Theatre Company at The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303442-1415. Through March 9.

“Like”

www.facebook.com/boulderweeklymedia

concert. 4 p.m. St. John’s Episcopal Church, 1419 Pine St., Boulder, 303-776-9666.

events

10th Annual

Michael Ensminger

Jeremy Palmer and Jamie Lewis

6901 Wadsworth Blvd., Arvada, 720-898-7200. Through Feb. 24. Catch Me If You Can — Presented by the Denver Center Theatre Company. Denver Performing Arts Complex, 14th and Curtis streets, Denver, 303-893-4100. Through March 10. Maple and Vine. Curious Theatre, 1080 Acoma St., Denver, 303-623-0524. Through Feb. 23. Once Upon a Mattress. Lakewood Cultural Center and Performance Now Theatre Company, Lakewood Cultural Center, 470 S. Allison Pkwy., Lakewood, 303-987-7845. Through Feb. 24 The Unsinkable Molly Brown. Candlelight Dinner Playhouse, 4747 Marketplace Dr., Johnstown, 970-744-3747. Through March 30.

Come See Fiber Turn Into Fashion!

Theatrical Costumes, Etc!

EASTER

EGG HUNT

JOIN IN THE CELEBRATION!

Happening In March! Prizes in Every Egg! Theatrical Costumes Etc! Theatrical Costumes Etc #2 669 S. Broadway, Boulder 695 S. Broadway, Boulder 303-494-1770 303-440-8515 theatricalcostumesetc.com Check our videos on costumesetc.com

NEW OWNERSHIP

NEW! YOGAfit Classes do yoga. get fit. save time. Tuesday, February 26th and Thursday, February 28th 6:30 – 7:30 pm Yoga certified, Nicole Adams will be our guest YOGAfit instructor. This class combines the benefits of yoga with the POWER PLATES to create a workout that tones, builds strength, and stretches every muscle in your body.

CALL NOW TO RESERVE! Members: $12/class. Non-members: $18/class.

HURRY! Class is limited!

303.993.7361 www.quickfitboulder.com 2835 Pearl St., Suite C, Boulder February 21, 2013 33

LIKE US!

Ted Kerasote, author of Merle’s Door: Lessons from a Freethinking Dog, reads from his latest book, Pukka’s Promise, at 7:30 p.m. on Thursday, Feb. 21

Seeds and Starters are In!!!!! • Start your plants indoor now! • Stop in for supplies, advice and do it yourself garden projects! 691 S. Broadway, Boulder • 303.499.7211 • www.tablemesahardware.com

Beginning of semester concerns? Come to the Ombuds Office – a free, confidential resource for students with CU-related complaints or problems. Center for Community, Room N440

words

• Starting Kits, Seed, Soils.

Call 303-492-5077 for an appointment ombuds.colorado.edu • facebook: CUOmbudsOffice

A Neighborhood Gathering Place in Downtown Louisville

Thursday, February 21

Sunday, February 24

The Average American Marriage — by Chad Kultgen. 7:30 p.m. Tattered Cover Bookstore, 1628 16th St., Denver, 303436-1070

Local Authors Afternoon. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074

Clint Locks — Poetry reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644. Pukka’s Promise: The Quest for Longer-Lived Dogs — By Ted Kerasote. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074

Friday, February 22 PBJ Friday. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-5791644. Saturday, February 23

Why not let us help you with yours?

David Mason & Thomas Andrews — Poetry reading. 2 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.

ma e h t e t u l a th 6 to s 2 y r a u r eb F , y a d s e u bash T irthd 81st b

Baseline Rd., Boulder, 303-441-4390. Henriksen Amps Presents: Sean McGowan’s Jazz Guitar Night. 6:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Parks and Open Space Grassland & Shrubland Management Policy Open House. 5:30 a.m. 5201 St. Vrain Rd., Longmont, 303-678-6269.

Delta Sonics Blues Jam. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Goodrattle. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. iPop Shuffle — Fairview High School 2013 Pop Show. 7 p.m. Fairview High School, 1515 Greenbriar Blvd., Boulder, 720-561-3100.

34 February 21, 2013

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Weekly Open Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644. Wednesday, February 27 Living Life Fully — by Bill Karelis. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Toddler Time. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Friday, February 22 Boulder Flycasters Youth Night. 6 p.m. East Boulder Community Center, 5660 Sioux Drive, Boulder, 303-413-7200. Punch and Judy — Presented by Boulder Puppet Theatre. 5:30 p.m. First Presbyterian Church, 1820 15th St., Boulder, email missamyh@gmail.com.

Punch and Judy — Presented by Boulder Puppet Theatre. 4:30 p.m. First Presbyterian Church, 1820 15th St., Boulder, email missamyh@gmail.com.

Sunday, February 24

Pendulum New Music. 7:30 p.m. ATLAS Center, Black Box Theatre, 1125 18th St., Boulder, 303-735-1605.

Baby Boogie. 2 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Scrampiano Orchestra. 6 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

The Prairie Saga — Puppet show. 1 p.m. Chautauqua Ranger Cottage, 900 Baseline Road, Boulder, www. naturehikes.org.

High Performance Building Series: Envelope Assemblies. 2 p.m. Habitat for Humanity Building, 3245 Eliot St., Denver, meagan@bgbg.org.

SERVING THE HIGHEST QUALITY INGREDIENTS REAL FOOD • REAL PEOPLE • REAL MUSIC

Power Systems — by David Barsamian. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Saturday, February 23

Drinks: $4 shots of Jack Daniels and $6 Bud Light with Jack Daniels Shot

Shwag: Free Johnny Cash merchandise (bracelets, guitar picks, bumper stickers, and Jack Daniels promotions

Tuesday, February 26

Junior Ranger Adventures — Learn about ice safety, building a snow shelter, how to safely start a fire and making ice cream with Boulder County Parks and Open Space Rangers. 11 a.m. Mud Lake Open Space, Peak to Peak Highway and County Road 126, Nederland, 720-352-7041.

events

Attire: Dress up according to Johnny Cash era and receive a free beer

So, You’re a Poet? — An open reading. 7 p.m. The Laughing Goat Coffee House, 1709 Pearl St., Boulder, 303-440-4628.

The Boulder Blues Trio. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Food: Johnny Cash comfort food menu (fried chicken, mashed potatoes, green beans, jack daniels pecan pie.) Dessert: Free Johnny Cash Birthday Cake from Sweet Cow

The Smitten Kitchen Cookbook — by Deb Perelman. Book signing. 7:30 p.m. Tattered Cover Bookstore, 1628 16th St., Denver, 303-436-1070

music

Trio con Brio. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Music: Gasoline Lollipops

Monday, February 25

EVENTS from Page 33

Wednesday, February 27

Y T R A P T U O K C A L B n in black

events

Banff Mountain Film Festival. 7 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Forts & Furs — Historical Lecture on Front Range fur trade in the 1800s. 7 p.m. The Left Hand Grange, 195 Second Ave., Niwot, 303-444-4640. The Snowmastodon Project. 7 p.m. Chautauqua Auditorium, 900 Baseline Rd., Boulder, 303-442-3282.

KIDS CALENDAR Thursday, February 21 Musical Storytime with Alice and Melanie. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Monday, February 25 Monday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Nature, Nature Everywhere — Story time and children’s hike. 10 a.m. Chautauqua Ranger Cottage, 900 Baseline Road, Boulder, www.naturehikes.org.

Tuesday, February 26 Storytime Creekwalk. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Zumbatomic for Kids — Dance Fitness for Kids. 4 p.m., The Avalon, 6185 Arapahoe Rd., Boulder, 303-604-9098

Wednesday, February 27 Storytime for Children At Meadows Branch. 10:15 a.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390. Watercolor Wednesday. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

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’13

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screen

ock stars don’t always have the prettiest personal lives. John Lennon (pre-Yoko) intimidated and threatened the women in his life. Sid Vicious may or may not have killed Nancy Spungen. Buddy Rich allegedly verbally abused every member of his band, making scores of enemies in the process. Which brings us to Beware of Mr. Baker and its protagonist, Ginger Baker, the fire-haired drummer for Cream and Blind Faith. A virtuoso on the kit, Baker was an absolute mess of a man, running through and neglecting multiple wives and children as he compulsively tore through life. Now arthritic and in old age, the documentary starts out with an enraged Baker inflicting a bloody nose on director Jay Bulger. The fire is still alive. The documentary tells Baker’s life story through interviews with the drummer himself and with a slew of people he played with — Eric Clapton, Jack Bruce, Steve Winwood, Carlos Santana, Johnny Rotten and more. Bulger fills in hand-drawn animations. Everyone is basically in agreement: wonderful drummer, slightly insane man. Baker grew up in post-World War II Britain without a father, and his earliest memories of music involved acting as a decoy while his buddies nicked

always identify himself as a jazz drummer who played rock rather than the other way around. The documentary respects this and shows not just his time as a rock drummer, but the time he spent seeking the approval of jazz drummers, who he considered to be at the top of the craft. The way the documentary treats the famous rock music Baker made is also refreshing. It focuses on the music through the drum-bass battery, instead of through the usual guitar-singer lens. Clapton, for example, is treated as a sideman to the Jack Bruce-Ginger Baker show while part of Cream. Baker’s personality is the most engaging part of the documentary. He’s a wreck, constantly insulting the interviewers while dodging uncomfortable questions about his life. At one point, Bulger asks him, “Do you consider yourself to be a tragic hero?” Baker fires back, “Go on with the interview and quit trying to be an intellectual dick head.” He’s volatile, talented and ornery. Therefore, he’s perfect for a documentary. Beware of Mr. Baker screens at the International Film Series on Thursday, Feb. 21. Respond: letters@boulderweekly.com

The original crazy drummer ‘Beware of Mr. Baker’ explores one of rock’s most interesting personalities by David Accomazzo albums from a record store. But it was during one of these heists that Baker first heard The Quintet of the Year, a heavyweight jazz quintet featuring Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus and, most importantly, drummer Max Roach. Upon hearing Roach, Baker recognized a kindred spirit. He knew then and there, he would become a drummer. Though Baker is widely recognized as being one of the first and best rock ’n’ roll drummers, he would

Restless leg syndrome  ‘Side Effects’ will have you twitching with anxiety

by Ryan Syrek

eel free to call director Steven Soderbergh’s latest film (and potentially last, if you believe his retirement threats) a wacky mallard because it is one odd duck. If a Hitchcock movie took a Dateline NBC segment behind the art house theater and got it pregnant, Side Effects is what would emerge from the birth canal. Like Frankenstein’s monster or fans of Two Broke Girls, this film shouldn’t exist and definitely shouldn’t work. And yet, it does. Boy howdy, does it ever. Writer Scott Z. Burns’ script plays chess while other thrillers of this ilk are content to bumble their way through a drunken game of checkers. And Soderbergh sets the hook in the audience by using some tasty bait: Rooney Mara. The angsty, elfish waif crushes it as Emily Taylor, who we meet visiting

Boulder Weekly

her husband (Channing Tatum) in jail, where he’s doing time for insider trading. Upon his release, Emily’s ongoing battle with depression goes from “it’ll get better, kiddo” to “hide all sharp objects.” After playing chicken in her car with a brick wall (which, by the way, did not flinch), Emily finds herself randomly in the care of the on-duty psychiatrist at the hospital, Dr. Jonathon Banks ( Jude Law). For reasons that shan’t be spoiled or soiled here, Banks winds up having to contact Emily’s old therapist (Catherine ZetaJones). And that’s when things go from maudlin to “mwahahaha.” Knowing that a luminary like Soderbergh is on the project will tempt you to scan the film for some kind of social commentary on our overmedicated, pharmaceutical complex-controlled society: Resist that urge for the red her-

ring it is. Any observations about the impropriety of drug advertising are purely Burns and Soderbergh having some cheeky fun. This is an old-school thriller, a whodunit where we know who did it. And damn does it crackle. Just as Liam Neeson’s turn last year in The Grey, and that film itself, was forgotten by the time the designated period in which we reward performances and films rolled around, so too will Mara and Soderbergh find themselves on the outside looking in come next year’s back-patting ceremonies. Which sucks. Mara absolutely obliterates a role that requires more 180-degree turns than the Winter X-Games. Meanwhile, Law punches

far above his usual weight class as a remarkably complex protagonist. Hell, even Channing Tatum doesn’t totally blow! This is because Soderbergh is an elite director who has never, and may never, get the full credit he deserves. His ability to coax audiencefriendly films to the upper echelon of their genre is a gift we overlook too willingly. Like his exceptional last project, Haywire, Side Effects will be lost due to its place in cinematic limbo: it is too well-acted, methodically paced and smart to be popcorn fare and too full of slow-burn, mainstream thrills to be considered art. Please don’t leave us with an “either/or” world in which movies are either entertaining or creative, Steven. Please…don’t go… — This review first appeared in The Reader of Omaha, Neb. Respond: letters@boulderweekly.com

February 21, 2013 37

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Boulder Weekly

reel to reel

For a list of local movie times, visit boulderweekly.com/ movie-times.html

order to service the Japanese military in Southeast Asia. At SIE FilmCenter. — Denver Film Society

56 UP

Starting in 1964 with Seven UP, the UP series has explored the Jesuit maxim, “Give me the child until he is seven and I will give you the man.” The original concept was to interview 14 children from diverse backgrounds from all over England, asking them about their lives and their dreams for the future. At Chez Artiste. — Landmark Theatres

LAND OF HOPE In the prefecture of Nagashima, the Ono family is torn apart when an earthquake causes a nuclear meltdown. The government draws danger zones across the prefecture, going right down between the houses of two next-door neighbors: the Onos and the Suzukis. At SIE FilmCenter. — Denver Film Society

AMOUR

Georges and Anne are a couple in their 80s about to experience one of the perils of mortality, dementia. Rated PG-13. At Century and Chez Artiste. — The Reader of Omaha, Neb.

LA PIROGUE

ANNA KARENINA

ESCAPE FROM PLANET EARTH 3D

Leo Tolstoy’s novel of love and infidelity comes to life thanks to director Joe Wright. Rated R. At Chez Artiste. — The Reader of Omaha, Neb.

When you put on your 3D glasses, this piece of space junk looks exactly like the muffler off a 1976 Volkswagen Rabbit.

ARGO Ben Affleck’s latest directing project (in which he also stars) is based on true events from the Iranian revolution in 1979. Rated R. At Esquire.

A commendably told and the moving story about a group of Senegalese men drifting in the Atlantic with dreams of starting a better life in Europe. At Muenzinger Auditorium. — International Film Series A LETTER TO MOMO A touching, fantastical tale of a young girl’s grief and the three mischievous spirits sent to look after her. At SIE FilmCenter. — Denver Film Society

ESCAPE FROM PLANET EARTH

HYDE PARK ON HUDSON

LIFE OF PI 3D

A Romeo and Juliet-esque love story set in a supernaturally charged South. Rated PG-13. At Century, Colony Square and Twin Peaks.

An animated space hero (voiced by Brendan Fraser) fights to defend his planet, Beeb. Rated PG. At Century, Colony Square and Twin Peaks.

BMX BANDITS

ESCAPE FROM PLANET EARTH 3D

An interesting tale from 1939 when the King and Queen of England stay overnight at President Franklin Delano Roosevelt’s country estate. Rated R. At Chez Artiste. — Landmark Theatres

Think Goonies with a dash of Rad and a sprinkle of acting. Starring Nicole Kidman. Part of Mile High Sci Fi at SIE FilmCenter. — Denver Film Society

Same as above only you get really cool glasses. Rated PG. At Century, Colony Square and Twin Peaks.

A storm ravages a boat carrying a zookeeper’s family and menagerie, and the only survivors are the family’s son, Pi, and a Bengal tiger. Shot in 3-D, the film is a visual feast. Rated PG. At Century and Colony Square. — The Reader of Omaha, Neb.

BEAUTIFUL CREATURES

BREATHING Youthful mistakes, redemption, and guilt are the main themes in this German psychological drama about a young man in jail who finds work in a morgue. At Boedecker. — Boedecker Theater BEASTS OF THE SOUTHERN WILD A 6-year-old girl exists on the brink of orphanhood. Buoyed by her childish optimism, she believes that the natural world is in balance with the universe until a fierce storm changes her reality. At SIE FilmCenter. — Denver Film Society CHASING ICE James Balog tracks the alarming rate at which rate glaciers are melting and raising the oceans’ water levels. At Muenzinger Auditorium. — International Film Series DARK SKIES A couple begins to fear for the saftey of their family after they’re plauged by a series of unexplainable events. Rated PG-13. At Century, Colony Square and Twin Peaks. DJANGO UNCHAINED Quentin Tarantino does to slave owners what he did to Nazis in Inglourious Basterds. Rated R. At Century and Colony Square. — The Reader of Omaha, Neb. Boulder Weekly

A GOOD DAY TO DIE HARD Bruce Willis is back as John McClane. Bad guys in Russia die. Rated R. At Century, Colony Square and Twin Peaks. GRAVE OF THE FIREFLIES In the final days of World War II, 14-yearold Seita and his 4-year-old sister Setsuko are orphaned. At SIE FilmCenter. — Denver Film Society HANEZU The Asuka region is the birthplace of Japan. The patience of ancient times now collides with the modern belief that we control our own destiny. At SIE FilmCenter. — Denver Film Society HANSEL AND GRETEL: WITCH HUNTERS The Brothers Grimm fairy tale is the latest victim of the ever-expanding quest to produce a gritty reboot of every franchise or concept in storytelling history. Rated R. At Twin Peaks. THE HOBBIT: AN UNEXPECTED JOURNEY 3D This adaptation of J.R.R. Tolkien’s original tale of hobbits and wizards is every bit as good as the Lord of the Rings series. Rated PG-13. At Century and Twin Peaks. — The Reader of Omaha, Neb.

IDENTITY THIEF The director of Horrible Bosses returns with an Odd Couple meets Planes, Trains and Automobiles redemption tale. Starring Melissa McCarthy and Jason Bateman. Rated R. At Century, Colony Square and Twin Peaks.

LINCOLN

THE IMPOSSIBLE

MAMA

A beautifully acted survival tale based on the 2004 tsunami in Eastern Asia. Rated PG-13. At Mayan. — The Reader of Omaha, Neb.

Five years after they disappeared, sisters Victoria and Lilly are found in a half-collapsed cabin in the woods. But when they come to civilization to live with their relatives, the girls don’t come alone. Rated PG-13. At Twin Peaks.

IN SEARCH OF UNRETURNED SOLDIERS

Daniel Day-Lewis as Lincoln during the Civil War trying to pass the 13th Amendment. Rated PG-13. At Century and Colony Square.

In Malaysia, Imamura follows one false lead after another as he tries to locate unreturned Japanese who had given up the culture of their birth to integrate with Malaysian society. At SIE FilmCenter — Denver Film Society

A MAN VANISHES

JOHN DIES AT THE END

ONE LIFE

Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. But that’s not what it gets. At SIE FilmCenter. — Denver Film Society

This film focuses on the cyclical journey taken by all living things, from their own birth to the moment they deliver youngsters of their own and the next generation is born. At Mayan. — Landmark Theatres

KARAYUKI-SAN - THE MAKING OF A PROSTITUTE A film about another kind of “unreturned soldier” than Shohei Imamura has profiled elsewhere, Karayuki-San finds the filmmaker traveling to Malaysia to interview Kikuyo Zendo, one of the countless Japanese women who were kidnapped or otherwise sold into sexual slavery in

The film follows the case of Tadashi, a handsome businessman who has suddenly vanished. At SIE FilmCenter. — Denver Film Society

OSCAR-NOMINATED SHORT FILMS 2013: ANIMATED Featuring all five Academy Award nominees in the category of Best Animated Short and more, this year’s program will be hosted by last year’s winners, directors see REEL TO REEL Page 40

February 21, 2013 39

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BoedecKer theater independent film & cultural performances in high definition. wine, local beer and organic treats available.

Breathing

Th, Feb 21 - 7:00 talkback with Chris Nelson Fr, Feb 22 - 4:00 & 8:30 | Sa, Feb 23 - 4:00 & 8:00

radio UnnameaBle Th, Feb 21 - 4:30 | Fr, Feb 22 - 6:30 Sa, Feb 23 - 2:00 & 6:00

royal opera hoUse’s

les troyens

Su, Feb 24 - 12:00 | Tu, Feb 26 - 1:00

academy awards party Feb 24 - red carpet at 5:00

somewhere Between

Tu, Feb 26 - 7:00 talkback with Jane Butcher We, Feb 27 - 4:30 | Th, Feb 28 - 4:30 Fr, Mar 1 - 2:00 & 7:00 | Sa, Mar 2 - 4:30

patang

IFS

MUENZINGER AUDITORIUM

ON COLORADO AVENUE WEST OF FOLSOM STADIUM FRI-SAT-SUN FEB 22-23-24 @ 7 & 9 pm IN mUENZINGER

OSCAR NOmINATED

ANImATED SHORTS

TUESDAY FEB 26 @ 7 & 9 pm IN mUENZINGER

We, Feb 27 - 7:00 talkback with Glenn Webb Th, Feb 28 - 2:00 | Fr, Mar 1 - 4:30 Sa, Mar 2 - 2:00 & 7:00 WORLD PREMIERE

the Keymaster: patricK olwell’s story Th, Feb 28 – 8:00 with filmmaker Jem Moore

asiFa-colorado memBer reel

WITH SpECIAl GUESTS

WEDNESDAY FEB 27 @ 7 & 9 pm IN mUENZINGER

therese desqUeyroUx Su, Mar 3 - 1:30 with streaming Q&A with Audrey Tautou

303.440.7826 x 110 www.thedairy.org 40 February 21, 2013

REEL TO REEL from Page 39

William Joyce and Brandon Oldenburg. At Muenzinger Auditorium and Mayan. — Landmark Theatres

resurrected as a successful, inspirational hero in a totally different country? At Mayan. — Landmark Theatres

OSCAR-NOMINATED SHORT FILMS 2013: DOCUMENTARY

SERENITY

This year’s nominated films are hosted onscreen by Academy Award Winning Filmmaker Daniel Junge. At SIE FilmCenter. — Denver Film Society OSCAR-NOMINATED SHORT FILMS 2013: LIVE ACTION Featuring all five Academy Award nominees in the category of Best Live Action Short, this year’s program will be hosted by last year’s winner: Luke Matheny, writer/director of “God of Love.” At Mayan and Muenzinger Auditorium. — Landmark Theatres PATANG

INTERNATIONAL FILM SERIES

FOR MORE INFORMATION CALL 303-492-1531, OR: WWW.INTERNATIONALFILM SERIES.COM m E D I A S p O N S O R S

FEBRUARY 21

When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle. At Esquire. — Landmark Theatres SIDE EFFECTS See full review page 37. Rated R. At Century, Colony Square and Twin Peaks. SILVER LININGS PLAYBOOK

Although the film has the trappings of drama, everything is sanitized and clichéd enough to make this a feel-good romance between attractive people. Rated R. At Century, Colony Square and Twin Peaks. — The Reader of Omaha, Neb. FILM SER INTERNATIONAL

SCREENING IN 2 VENUES THEcity CU BOULDER CAMPUS SCREENING IN 2 VENUES ON THE CU BOULDER CA A poetic journey to theONold of $7 GENERAL ADMISSION- $6 STUDENT- $4 SUN. MATINEE $7 GENERAL ADMISSION- $6 STUDENT- $4 SUN. MA Boulder’s 1st the Arthouse Series -of Locally Since 1941 SNITCH Boulder’s 1st Arthouse Series - Locally Programmed Sinc Ahmedabad, stories six Programmed people are woven together by the excitement of India’s Dwayne “The Rock” Johnson playsAUDITORIU a dad largest kite festival. Boedecker. — VISUAL ARTSAtCOMPLEX AUDITORIUM VISUAL ARTS COMPLEX who must become a drug cartel-fighting Boedecker Theater informant to save his son from a wrongful conviction. Rated PG-13. At Century, (((underground))) (((underground))) PENANCE PART I AND PART II Colony Square Peaks. N O R T H O F T H E E U C L I D A U T O PA R K N O R Tand H OTwin F THE E U C L I D A U T O PA R in partnership in partnership Divided into five chapters, the film tells the with the with the SOMEWHERE BETWEEN story of Asako, whose daughter Emili was THURSDAYwhile FEB 28in@elementary 7:30 pm ONlY THURSDAY mAR 7 @ 7:30 pm ONlY brutally murdered IN THE vAC IN THE vAC This documentary interlaces the lives of school. At SIE FilmCenter. — Denver Film four adopted teenaged girls living throughSociety out the U.S. who are victims of China’s “One Child Policy.” At Boedecker. — POSTCARD Boedecker Theater Kaneto Shindo’s 49th film is a tragedy set in THERMAE ROMAE 1944 about a young soldier. At SIE FilmCenter. — Denver Film Society AUDITORIU Few things inMUENZINGER life are as comforting as a good bath. No one knows this better than QUARTET MUENZINGER AUDITORIUM Lucius, a thermae architect in ancient Rome who designs glorious bathing complexes for A singer returns home and shocks everyCOLORADO AVENUE OF FOLSOM STADI city-state’s elite.WEST At SIE one. Rated PG-13. At Century and Esquire. the imperial ON FilmCenter. — Denver Film Society — Landmark Theatres

IFS

ON COLORADO AVENUE WEST OF FOLSOM STADIUM

IFS

FRI-SAT-SUN mAR 8-9-10 @ 7 & 9:30 pm IN mUENZINGER

RADIO UNNAMEABLE

TRAILER WAR

mUENZINGER This documentaryINchronicles the career of Bob Fass, a radio personality who launched the notion of free expression on the air waves. At Boedecker. — Boedecker Theater

It’s not so much a movie as it is a featurelength compilation of trailers — gloriously bizarre, gleefully tasteless vintage trailers from low-budget exploitation flicks, in the vein of the old 42nd Street Forever compiTUESDAY mAR 12 @ 7 & 9 pm lations. At SIE FilmCenter. — Denver Film IN mUENZINGER Society

FRI-SAT-SUN mAR 1-2-3 @ 7 & 9 pm

ROCKY HORROR PICTURE SHOW

The longest-running midnight movie of all TUESDAY mAR 5 @ 7 & 9 pm time. Enough said. At Esquire. — Landmark IN mUENZINGER Theatres ROYAL OPERA HOUSE’S LES TROYENS

Original Animation Su, Mar 3 – 6:00

2590 walnUt street - BoUlder

reel to reel

Eva-Maria Westbroek’s “big, shimmering, dark-hued voice [is] ideal” raves the New York Times. At Boedecker. — Boedecker Theater WEDNESDAY mAR 5 @ 7 pm ONlY IN mUENZINGER

WARM BODIES Adding some laughs to the paranormal teen romance genre, Warm Bodies tells the story of unlikely love in the zombie apocoWEDNESDAY mAR 13 @ 7 pm ONlY lapyse. When zombieINRmUENZINGER (Nicholas Holt) meets still-human Julie (Teresa Palmer), human feelings begin filling his decayed heart. Rated PG-13. At Century, Colony Square and Twin Peaks.

SAFE HAVEN

ZERO DARK THIRTY

In the latest tearjerker from a novel by Nicholas Sparks, a young woman moves to a small town looking to leave a dark past behind. Doesn’t happen. Rated PG-13. At Century, Colony Square and Twin Peaks.

IN THE vAC we shot Have you heard about the time Osama bin Laden? Have you ever wondered the painstaking decade of research that went into that moment? Well, you’re in for a treat, as Maya (Jessica Chastain), the investigator who broke the case open, searchesFOR forMORE bin Laden. Rated R. At INFORMATION CALL 303-492-1531, WWW.INTERNATIONALFILM SERIES.COM Century, Colony Square. — The Reader of m E D I A S p O N S O R S Omaha, Neb.

SEARCHING FOR SUGAR MAN

FOR MORE INFORMATION CALL 303-492-1531, OR: WWW.INTERNATIONALFILM SERIES.COM

How is m it possible that aS musician could E D I A p O N S O R S bomb with two albums in the U.S., disappear into obscurity for years and then be

FEBRUARY 28

THURSDAY mAR 14 @ 7:30 pm ONlY

MARCH 7 Weekly Boulder

cuisine The transformative potential of travel and food A woman’s passion for traversing cultures by Cayte Bosler

Merete Mueller

omewhere in An olive oil tasting an old suitin Italy case, Peggy Markel has a photograph of her father as a young man in the military, breaking bread with Gypsy (also known as Roma) children in Florence, Italy. For her, this image captures what she values about her relationship to food: kinship, adventure and unexpected good stories. Cooking is never a chore for Markel. It’s an adventure. It’s about transforming her relationship to others and the world region has to offer.” — something she has been doing in 20 After each trip, Markel says, she years of building a business that creates returns to Boulder invigorated to share personalized trips for people to dine in what she has gained. She says parts of Europe, Africa and India. American diners have to do some reor“I choose each region because of the dering of values around their food. pride surrounding the food,” she says of “Since the industrial revolution the locations her business, Culinary America has been homogenized,” says Adventures, takes foodie travelers to. Markel. “We have trucks that take veg“In the United States, we have unfortu- etables back and forth even when they nately misunderstood a place like Italy are out of season; we have huge superfor being spaghetti and meatballs markets where we can get anything at because when the immigrants came any time. We haven’t been educated to over that is what we knew. For the lon- taste as we have to convenience and gest time, it was this and checkered availability. When you look at smaller tablecloths. That couldn’t be further regions, they go by what is available, from the truth as far as what each and even corner to corner of each town

is different. In this country it is difficult because we haven’t been educated in this way.” But in the last 10 years or so, Markel says she has noticed a shift in awareness around food that she believes is in part due to the slow food movement, which has a strong foothold in Boulder. “If you look at, for example, the slow food movement, and body and mind awareness groups, you’ll see that people are starting to value what they have and what is around, “ she says. While her culinary adventure trips provide a chance to see the world, Markel says she believes you don’t have to leave your neighborhood to connect to a rich history. “Here in the Southwest, when the Indians were prevalent, they had handfuls of various squashes, beans, wheat, rye and buffalo,” she says. “There was a real gestalt about how they grew, the wisdom of how to kill an animal, how to use every bit of it, that was in har-

tidbites

Food happenings around town

WAHOO’S TURNS 25

In celebration of its 25th anniversary, Wahoo’s Fish Taco is offering a new special on the 25th of each month. On Feb. 25, the self-described Mexican/Brazilian/Asian restaurant will offer scratch-off coupons. Visitors can win a surprise menu item, and Wahoo’s will launch a new menu item March 25. The franchise, with restaurants across the country, is also launching a loyalty card for customers. Customers who visit a Wahoo’s every month are entered to win an unnamed grand prize at the end of the year. To see more about Wahoo’s 25-year anniversary promotions, visit www. wahoos.com.

WHOLE FOODS CELEBRATES “ALL THINGS RED CARPET”

In honor of the Oscars, Whole Foods on Pearl Street will host weekend activities dedicated to the awards and will provide snack ideas for red carpet gatherings. On Feb. 22 at 5 p.m, a see TIDBITES Page 44

see TRAVEL Page 44

Boulder’s Online Deals Marketplace SAVE BIG at great local restaurants like:

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BROUGHT TO YOU BY

February 21, 2013 41

HAPPY HOUR 4-8pm Mon-Sat! TUESDAY

$2 Smirnoff Drinks $3 Select Local AY D S Brews WEDNE rink D dies8-Close! a L , Y MONDA FREE iskey ur Wh nesday Happy Hoose! l Wed Petey Open to C DJ 0 / l l o w R Rock & 10:3 @ o Bing @ 10:30

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1911 11th St., Boulder • 303.443.9902 • boulderwalrus.com 42 February 21, 2013

Boulder Weekly

cuisine review

Susan France

rguably, some of the county’s best Asian dining can be found near the intersection of South Public Road and South Boulder Road in Lafayette. Further evidence for this Pho Cafe increasingly solid 1085 South Public Road, proposition comes in Lafayette the form of the Pho 303-665-0666 Cafe, another affordable strip mall spot. Like many pho restaurants nowadays, this humble spot has diversified its portfolio beyond beef noodle soup. But for my purposes on this cold day, I intended to bypass enticing rice and noodle plates as well as Thai-inflected entrees for a lunch of this eatery’s namesake specialty. Given the weather, I ordered a hot $3.50 Vietnamese coffee to and the rice paper wrapping’s silky rubbery exterior. combat the chill. This beverage adhered texture indicated this starter had been True pho aficionados understand to traditional presentation with a metal freshly assembled. Less enjoyable there’s a touch of low-grade ritual coffee press dripping dark roast brew versions are prepared too far in advance, leading up to their enjoyment of their into a glass with a hit of sweetened and are characterized by an unpleasant soup. First, a server brings a small paper condensed milk on the bottom. After the coffee finished brewing, I poured the syrupy mix into a mug of hot water. In retrospect, I should have reduced the amount of hot water. The java was more diluted than I would have liked, and it was my own darn fault. However, the deep chocolatey tones of the coffee ike many pho restaurants worth their salt, available condiments shone through, and to its credit, this include fiery Huy Fong Sriracha sauce and smooth hoisin sauce restorative beverage wasn’t from Lee Kum Kee. It’s not a reach to say that Lee Kum Kee is to overwhelmingly sweet. Asian sauces what Heinz is to ketchup. Both companies started in the second half of the 19th century, although Lee Kum Kee inventA $4.95 pair of shrimp spring rolls ed its most well-known item, oyster sauce. While it’s not as many as were larger than expected. The stuffing Heinz’s famed 57 varieties, there are seven variations of Lee Kum was a touch heavy on the noodles, and Kee oyster sauce. These include the premium brand, featuring a the flavor could have been perked up label illustrated with disturbingly large, arguably mutant, oysters. with fresh basil. However, the featured shellfish was meaty and fresh tasting,

Sampling the county’s top Asian food — in Lafayette by Clay Fong

Clay’s Obscurity Corner Mutant oysters

We offer a variety of sandwiches, salads and soups. We also have specials from diverse cuisines that change daily.

sack containing utensils, in this instance the expected chopsticks, as well as a fork for those less practiced with the Asian implement. Next up is the platter of garnishes, and the quality and quantity of this plate often foreshadows the quality of the soup itself. Happily, this was a decent pile of crisp bean sprouts, juicy lime wedges, fiery jalapeño slices and fragrant basil. The main event, a $7.25 medium bowl of pho sac biet, arrived swiftly, freighted with a beefy smorgasbord of rare steak, well-done flank, tendon, meatball and tripe. The thin steak had a slightly pinkish cast, indicating that the meat had been properly slipped into the steaming broth moments before serving. I didn’t detect much tripe, but that’s not necessarily a bad thing, and the tendon darn near melted in the mouth. For many, the true measure of a pho’s quality lies in the broth. Although this version lacked the depth of what you’d find in a topnotch Bay Area Vietnamese joint, it still should satisfy most soup cravings. The balance of seasonings was right, with hints of star anise, onion and not too much salt. Additionally, this soup was less greasy than others. I felt the broth’s relative lightness was evidence of the chef ’s legitimate decision to make a healthier soup than indicative of someone in the kitchen who didn’t know how pho should taste. While it might not serve the exact soup found in an urban ethnic enclave, Pho Cafe’s namesake dish could be the county’s best at a properly affordable price. Respond: letters@boulderweekly.com

NEW DINNER MENU LIVE MUSIC HAPPY HOUR

Monday-Saturday $3 Anchor Steam Drafts during Happy Hour EVERY DAY!

Our lounge and patio are worth the visit!

Monday - Friday 11:00 a.m. - 9:00 p.m. • Saturday 4:00 p.m. - 9:00 p.m. • 1606 Conestoga Street, Suite 3, Boulder • Reservations: 303.442.0585 Boulder Weekly

February 21, 2013 43

tidbites

¿Quieres hablar español?

Classes Begin March 25th

www.Spanish-Institute.org

Coupon Code: BW-Spr2013

Enter this code when registering to save $15! * First time registrations only *

2850 Iris Avenue, Boulder & 9725 East Hampden, Denver P. 303-350-5533

Food happenings around town

TIDBITES from Page 41

class will teach attendees how to make their own body scrubs, face pillows and healthy hors d’oeuvres. (Space is limited and reservations are required; see the store location’s website for details.) On Feb. 23, Whole Foods “team members will be dressed as your favorite stars,” a press release says, and a red carpet will be provided for shoppers to enjoy photo opportunities. The store will also be suggesting food ideas for red-carpetthemed get-togethers.

FREE FOOD AND FARM FILM

Deviant Dale’s Drafts

$5.00

Maker’s Mark Whisky

$4.00

CO. Craft Drafts

$3.00 2 for 1

303.440.4BBQ (4227) Located 30th & Baseline

Colorado Cans Well Shots

$1.00

HAPPY HOUR EVERYDAY 5:00 - 6:30PM

LUNCH HAPPY HOUR MONDAY-SATURDAY 1136 Pearl St., Boulder • 303.938.0330 www.boulderjapango.com Delivery • Catering • Gift Cards

Chipotle will sponsor the screening of a documentary on farms at 6 p.m. Feb. 22 on the University of Colorado campus. American Meat, which Chipotle describes in a press release as a “pro-farmer documentary” on livestock production in the U.S., will screen free in the 1B50 classroom of the Humanities building. Panelists will be on hand to discuss the evolution of the agricultural industry. Chipotle will provide free food. To see more on the film, visit one of the greatest URLs on the Internet, americanmeatfilm.com.

TRAVEL from Page 41

mony with nature. They were living with the elements at all times, so there was an understanding. I think we are regaining some of that. Markets are now appreciated based on a particular berry they sell, or native foods. Towns like Boulder are starting to have an identity for food.” She says she hopes to see a shift in lifestyle away from people eating canned soup in front of their computers and toward sharing stories at the dinner table. According to research done by CBS, approximately half of American families eat dinner together each night, but usually distractions like cell phones and televisions are present. “Sitting around the table is the home perch for the family, it’s where you sit and have conversation,” says Markel. “If you are away for meal time, you lose touch. And bonding at dinnertime is important for children as well. In many of the places I visit, you would never find someone eating in front of their computer. That would never take priority.” She recalls a visit from the 15-yearold son of a chef friend from Italy. During his visit, she planned a day to explore the mountains. They took off one afternoon in the car with packed lunches. “He just stared at me with his sandwich in his lap and this big grin,” she says. “He told me he’d never eaten in a car in his entire life.”

With the advent of fast food and drive-throughs in America, many of us eat on the road as habit. Though her trips are in part about breaking routine and trying new customs, there is something much deeper at play that the traveling component encourages. “A travel experience connected to food can be transformative because when we are outside of our normal environments, we are vulnerable and more open,” she says. “You examine yourself and cross your own personal boundaries because you have to have courage to do so. When you are willing to meet with cultures it opens your understanding to a different way of looking at things than you thought was possible. With food it is fundamental. Even with your biggest enemy it can be a way of sharing. It crosses all political, religious and what-have-you notions of separatism and puts you in relationship to each other. We don’t get stuck in our dramas.” It was coincidence that Markel’s second home after Boulder is Florence, where her father fed those children years ago. But her dad’s kindness did teach her an important lesson that she hopes people who take her trip can learn: Despite cultural differences, food is a shared constant among us that can strengthen bonds and transform people. Respond: letters@boulderweekly.com Boulder Weekly

BAGEL POWER

Boulder County

beer tour

Located in GOLDEN on Route 93 303.279.1481 Also in BOULDER at Meadows Shopping Center 303.554.0193 LAFAYETTE 489 US Highway 287 303.665.5918 LONGMONT Prospect Village 1940 Ionosphere, Ste. D 303.834.8237

FREE

Basement BRU

Brilliant nanobrewery deserves new digs by Steve Weishampel

est Pearl Street is no place for a beer nerd. On the heels of news that Ian Clark, head chef at Jax Fish House, is planning to open a brewpub under his quickly expanding BRU Beer brand, we visited Jax on West Pearl to try BRU in its current home. And let’s just say we’re excited to see BRU’s restaurant get started. Clark, one of Boulder’s biggest beer nerds, needs a bigger, more beer-centric stage for a nanobrewery that should be ranked among the state’s best. Joel Dyer A veteran homebrewer, Clark first brought BRU to the public as head chef at El Centro. When he was transferred to fellow Big Red F restaurant Jax, BRU came with him. It’s also distributed in bomber bottles in some liquor stores. For our visit, Jax had just one BRU beer on tap, though it wasn’t on the chalkboard menu. So what we took at first to be a very, very flat version of BRU’s Obitus Brown Ale was in fact Clark’s pumpkin porter. And it was very, very flat for a reason, as he explains to us when he steps out of the kitchen to greet us. “That’s a real ale,” Clark says, refer,ring to an unfiltered, unpasteurized, low-carbonation beer style. Ohhh. It all makes sense. That’s only a glimpse of Clark’s deep understanding of the craft of beer. He tells us how excited he is to start brewing a Scottish wee heavy; he describes in detail the kinds of flavors to expect from the pumpkin porter; he recites ABVs by memory. Boulder Weekly

He’s saving our trip, basically. Especially when he tells us three other BRUs are stocked in the cooler in Jax’s basement — information the bartender didn’t have. So we get to try Obitus after all, as well as Citrum IPA and Beezel Belgian. And we don’t blame the bartenders here. This isn’t Falling Rock or Backcountry Pizza. These guys are used to mixing drinks and recommending wines, and we get the sense beer nerds rarely make a pilgrimage here to try garage-made craft ales. But they should, because BRU’s beer is flat-out awesome. The bright, apricotand honey-flavored Beezel, “champagnelike” in Jeff ’s words, is drained in minutes. Citrum wins over the IPA-shy in our group — “That is one of my favorite pale ales I’ve ever had,” Joel says — even as hophead David says it’s a little too malty. Elizabeth calls it “mild-mannered” as far as IPAs go. Naturally, I liked it a lot. Obitus, meanwhile, wins praise from all around. “That’s how I want all brown ales to taste,” David says, which Elizabeth seconds. We’re more than impressed. We’re marking our calendars for that planned mid-April opening of BRU Handbuilt Ales and Eats at 5290 Arapahoe Ave. because we always celebrate the blossoming of another beer nerd in Boulder. Next stops: Fate, 1600 38th St., Boulder, 5 p.m. Feb. 21; Gravity, 1150 Pine St. Unit B, Louisville, 5 p.m. Feb. 28. Members of the public are welcome. Respond: letters@boulderweekly.com

12oz. cup of fair trade organic coffee

with purchase of one bagel with cream cheese EXP. 3/15/13

Voted Best Tibetan Restaurant!

TIBET KITCHEN SIMPLE, FRESH, HEALTHY FOOD

Lunch Specials

Dinner Specials

Monday - Friday 7 Days a Week 11am - 2:30pm $6.95 - $9.75 +tax Starting at $4.95 +tax FREE CHAI mom (1 Cup PER CUSTOMER) o s, no od severales, curries and l vegetari an choices

OPEN M-Sa 11am-10pm Su 5pm-10pm

t B o u ld e r ’s B e s

M O M O ’S !

Arapahoe & Folsom, Boulder 303.440.0882 • www.tibetkitchen.com

Now Open!

same owners as taj mahal in louisville 15 years expertise specializing in northern indian cuisine

Everyday Lunch Special $ 7.99

Mon - Sat: Lunch 11:00 - 2:30 Mon - Thurs: Dinner 5:00 - 9:30 Fri - Sat: Dinner 5:00 - 10:00 (closed Sunday) Dine In and Carry Out

Grand Opening Special

Buy 1 Entrée, Get 2nd 50% off For dinner only. Offer expires 2/28/13

1214 Walnut Street, Boulder, CO 80302 303.442.0999 free customer parking upon validation

February 21, 2013 45

ristorante

fine italian dining

Join us for

Jazz at Ristorante L Every Monday night from 7-10

Brad Goode’s Jazz Jam Session

“The lyrical genius of the trumpet....”

Join recording artist and many of Colorado’s finest instrumentalists for an evening of straight-ahead jazz.

—Chicago Tribune Hapa_BoulderWeekly_UDON_Chopsticks.pdf

10/30/12

11:38 AM

NO COVER CHARGE• HAPPY HOUR FOOD AND DRINKS

(303) 442 1300

29th & canyon

RistoranteL.com

2012

how to use chopsticks to stay warm.

rub together

stop

enjoy udon bowl

$9 udon bowls. landmark center 5380 greenwood plaza blvd. 303.267.8744

46 February 21, 2013

denver cherry creek 2780 e 2nd avenue 303.322.9554

boulder pearl street mall 1117 pearl street 303.473.4730

LoDo - now open 1514 blake street 720.354.5058

Boulder Weekly

appetizers

Five Spice

3325 28th St., Unit 5, Boulder 720-565-0707 orth Boulder’s Five Spice, like most decent Chinese restaurants, is a pleasantly unfussy place with straightforward service and reasonable prices. It also differs from similar places in that it offers a farreaching range of Asian dishes, including Japanese tempura, Vietnamese rice noodle bowls and Thai curries. Asian pastas are a strong suit, particularly the flavorful drunken noodles and the delightfully crunchy Hong Kong-style pan-fried noodles.

The Parkway Cafe

4700 Pearl St., Boulder 303-447-1833 on’t expect anything too fancy at the Parkway Cafe, a classic American diner nestled among light industrial businesses off East Pearl Street. Serving up classic breakfast and lunch fare, this unpretentious eatery spotlights friendly service and expertly prepared staples like Denver omelets and not-too-spicy green chile burgers. Other dishes worth checking out include the breakfast burritos and Friday New England clam chowder.

Piece, Love & Chocolate

Synopses of recent restaurant reviews. To read reviews in their entirety, visit www.boulderweekly.com.

N EAT ALL YOU&CSAID ES RIBS

AYS ON WatiEonDonNly. WhESileDsupplies last..

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24 BEERS ON TAP

805 Pearl St., Boulder 303-449-4804 he go-to spot for all things chocolate in Boulder, Piece, Love & Chocolate, might also be the place you’d most likely spot an Oompa Loompa peering out of the back room. Featuring an impressive selection of artisan chocolate bars, drinking chocolates and housemade truffles, cookies and cakes, there’s plenty here for the most ardent cocoa connoisseur. Top choices include the basil and ginger truffles, and the salted caramel chocolate truffle torte.

1395 Smoked Prime Rib

friday nigh

At Lyons locati on on Cannot be comb ly. While supplies last. ined with Dine in only. Ex any other offers. pires 2/28/13

3 Margaritas

3390 28th St., Boulder 303-998-1234 oulder’s 3 Margaritas is a local outpost of a Colorado-centric Mexican restaurant chain. A self-described family restaurant, this ethnic eatery features reasonably priced combination plates spotlighting classic tacos, burritos and enchiladas, presented alongside chips and salsa, as well as rice and beans. Comforting selections include the chock-full-of-pork chile verde and the complex chicken mole.

228 Main St., Lyons

The Rib House

1335 Broadway, Boulder Ting’s Place 303-823-RIBS (7427) www.smokindavesq.com 303-442-RIBS 1265 South Public Road, Lafayette he Rib House, formerly located in 303-666-9559 downtown Boulder, has relocated afayette’s recently reopened Ting’s West Flanders Brewing Company to University Hill, bringing with it loads of classic Place has all of the staples of Chinese1125 Pearl St., Boulder American barbecue meats perfumed with wood American cooking, such as sesame and lemon chicken and 303-447-BREW smoke. The hickory-scented offerings include the achKung Pao dishes of different stripes. But perhaps its earl Street’s West Flanders Brewing Company unsurprisingingly tender baby back ribs, hauntingly smoky brisket strengths are in some of the more traditional and authenly features several Belgian-inspired brews of its own creand sides ranging from traditional cole slaw to mac tic offerings, such as the spiced duck with steamed buns, ation among its beverage offerings. These include the Daisy and cheese wedges. Top these off with the house baressentially a scaled-down Peking duck. Another top-shelf Cutter, which is a strong ale, the Trippel Lutz and the dark red becue sauces, such as the sweet and subtly peppery selection is the superlative steamed flounder, seasoned St. Mark’s Dubbel. Besides beer, they also serve standout bar XXX hot version, and you’ll have yourself a classic with such traditional Chinese aromatics as ginger, scallions food like ale cheddar soup, grass-fed beef burgers and more smokehouse experience. and cilantro. atypical offerings such as pumpkin risotto and pork chops.

Sachi Sushi

7980 Niwot Road, Niwot 303-652-0238 undays are ramen days at Sachi Sushi, nestled in the Niwot Market grocery store. The noodle soup here is a far cry from the dime-a-pack fare favored by starving students, and comes with a choice of salt, soy sauce or spicy miso broth. Toothsome noodles couple with such ingredients as pickled red ginger, sweet corn, fish cake and roast pork. For those desiring something other than noodles, this family-friendly spot also features reasonably simple sushi rolls and nigiri.

Basta

3601 Arapahoe Ave. (inside the Peloton), Boulder 303-997-8775 izzeria Basta recently changed its name to Basta — not necessarily a bad thing, as this eatery also dishes out exceptional contemporary fare in addition to its signature pies. Chef Kelly Whitaker makes the most of the restaurant’s impressive wood-fired oven and time-consuming sous vide slow-cooking techniques to turn out distinctive preparations. These include wood-fired vegetable salads and Niman Ranch chuck flap beef sided with smoked potato.

Boulder Weekly

Moe’s Broadway Bagel

3075 Arapahoe Ave., Boulder 303-442-4427 he three Boulder branches of Moe’s Broadway Bagel have been pleasing local appetites for doughy discs for two decades. Bagel varieties include sweet staples like blueberry and cinnamon raisin as well as savory specialties like onion and tomato cheddar.The more complex bagel sandwiches are more than worthy of consideration and include The New Yorker, a classic lox bagel with such garnishes as red onion and capers, as well as the classic Reuben, piled high with corned beef and sauerkraut.

Rincon Argentino

2525 Arapahoe Ave., #A05, Boulder 303-442-4133 he recently opened Rincon Argentino brings Argentine fare to Boulder in the form of traditional hot sandwiches and exquisite empanadas. This friendly, order-at-the-counter spot also features such beverages as Malbec wine and yerba mate, the traditional South American tea. Top choices include the archetypical steak sandwiches, available in both a basic and completo version augmented by ham and mozzarella. Can’tmiss empanadas include the spicy steak, and the vegetarian will likely enjoy the Patagonia, an open-faced number featuring garlic, onion and cherry tomato.

Pizzeria Locale

1730 Pearl St. Boulder 303-442-3003 oulder’s Pizzeria Locale has solidified its position as a go-to spot for wood-fired, Naples-style pie. Starters such as arancini, an addictingly rich fried melding of risotto and cheese, and desserts like the sensual butterscotch budino, an upscale pudding, have also burnished this eatery’s reputation. Firsttimers might want to try the Margherita, perhaps the most emblematic of Naples pie, with buffalo milk mozzarella, basil and tomato.

Dizzy’s Donuts

1606 Conestoga St. Boulder 303-494-5331 onuts seem to have supplanted cupcakes as the retro sweet of the moment, and Boulder’s Dizzy’s Donuts is riding this wave by offering fresh takes on this pastry. Dizzy’s brews Ozo coffee alongside unique creations like maple bacon donuts. Other new-school selections include S’More and pumpkin cheesecake varieties, although classics like the first-rate apple fritter are more than satisfying. Respond: letters@boulderweekly.com

February 21, 2013 47

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astrology ARIES

MARCH 21-APRIL 19:

Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

In the course of her world travels, writer Jane Brunette has seen many wonderful things — as well as a lot of trash. The most beautiful litter, she says, is in Bali. She loves the “woven palm leaf offerings, colorful cloth left from a ceremony, and flowers that dry into exquisite wrinkles of color.” Even the shiny candy wrappers strewn by the side of the road are fun to behold. Your assignment, Aries, is to adopt a perceptual filter akin to Brunette’s. Is there any stuff other people regard as worthless or outworn that you might find useful, interesting, or even charming? I’m speaking metaphorically as well as literally.

side of the road. But a growing body of research revealed it would be better if everyone drove on the right-hand side. So on Sept. 3, 1967, the law changed. Everyone switched over. All nonessential traffic was halted for hours to accommodate the necessary adjustments. What were the results? Lots of motorists grumbled about having to alter their routine behavior, but the transition was smooth. In fact, the accident rate went down. I think you’d benefit from doing a comparable ritual sometime soon, Libra. Which of your traditions or habits could use a fundamental revision?

SCORPIO

TAURUS

OCT. 23-NOV. 21:

The Old Testament tells the story of a man named Methuselah, who supposedly didn’t die until he was 969 years old. Some Kabbalistic commentators suggest that he didn’t literally walk the earth for almost 10 centuries. Rather, he was extra skilled at the arts of living. His experiences were profoundly rich. He packed 969 years’ worth of meaningful adventures into a normal life span. I prefer that interpretation, and I’d like to invoke it as I assess your future. According to my analysis of the astrological omens, Taurus, you will have Methuselah’s talent in the coming weeks.

SAGITTARIUS

APRIL 20-MAY 20:

GEMINI

MAY 21-JUNE 20:

In the coming weeks, I’m expecting your life to verge on being epic and majestic. There’s a better than even chance that you will do something heroic. You might finally activate a sleeping potential or tune in to your future power spot or learn what you’ve never been able to grasp before. And if you capitalize gracefully on the kaleidoscopic kismet that’s flowing your way, I bet you will make a discovery that will fuel you for the rest of your long life. In mythical terms, you will create a new Grail or tame a troublesome dragon — or both.

CANCER

JUNE 21-JULY 22:

Jackalopes resemble jackrabbits, except that they have antlers like deer and tails like pheasants. They love whiskey, only have sex during storms, and can mimic most sounds, even the human voice. The milk of the female has curative properties. Strictly speaking, however, the jackalope doesn’t actually exist. It’s a legendary beast, like the mermaid and unicorn. And yet Wyoming lawmakers have decided to honor it. Early this year they began the process of making it the state’s official mythical creature. I bring this to your attention, Cancerian, because now would be an excellent time to select your own official mythical creature. The evocative presence of this fantastic fantasy would inspire your imagination to work more freely and playfully, which is just what you need. What’ll it be? Dragon? Sphinx? Phoenix? Here’s a list: tinyurl.com/MythicCritters

LEO

JULY 23-AUG. 22:

The temptation to hide what you’re feeling could be strong right now. You may wonder if you should protect yourself and others from the unruly truth. But according to my analysis, you will be most brilliant and effective if you’re cheerfully honest. That’s the strategy most likely to provide genuine healing, too — even if its initial effects are unsettling. Please remember that it won’t be enough merely to communicate the easy secrets with polite courage. You will have to tap into the deepest sources you know and unveil the whole story with buoyantly bold elegance.

VIRGO

AUG. 23-SEPT. 22:

The word “chain” may refer to something that confines or restricts. But it can also mean a series of people who are linked together because of their common interests and their desire to create strength through unity. I believe that one of those two definitions will play an important role in your life during the coming weeks, Virgo. If you proceed with the intention to emphasize the second meaning, you will minimize and maybe even eliminate the first.

LIBRA

SEPT. 23-OCT. 22:

People in Sweden used to drive their cars on the left-hand

Boulder Weekly

When a woman is pregnant, her womb stretches dramatically, getting bigger to accommodate the growing fetus. I suspect you’ll undergo a metaphorically similar process in the coming weeks. A new creation will be gestating, and you’ll have to expand as it ripens. How? Here’s one way: You’ll have to get smarter and more sensitive in order to give it the care it needs. Here’s another way: You’ll have to increase your capacity for love. Don’t worry: You won’t have to do it all at once. “Little by little” is your watchword.

NOV. 22-DEC. 21:

Do you floss your teeth while you’re meditating? Do you text-message and shave or put on make-up as you drive? Do you simultaneously eat a meal, pay your bills, watch TV and exercise? If so, you are probably trying to move too fast and do too much. Even in normal times, that’s no good. But in the coming week, it should be taboo. You need to slowwww wayyyy dowwwn, Sagittarius. You’ve got . . . to compel yourself . . . to do . . . one thing . . . at a time. I say this not just because your mental and physical and spiritual health depend on it. Certain crucial realizations about your future are on the verge of popping into your awareness — but they will only pop if you are immersed in a calm and unhurried state.

CAPRICORN

DEC. 22-JAN. 19:

To make your part of the world a better place, stress-loving workaholics may need to collaborate with slow-moving underachievers. Serious business might be best negotiated in places like bowling alleys or parking lots. You should definitely consider seeking out curious synergies and unexpected alliances. It’s an odd grace period, Capricorn. Don’t assume you already know how to captivate the imaginations of people whose influence you want in your life. Be willing to think thoughts and feel feelings you have rarely if ever entertained.

AQUARIUS

JAN. 20-FEB. 18:

Gawker.com came up with colorful ways to describe actress Zooey Deschanel. In a weird coincidence, their pithy phrases for her seem to fit the moods and experiences you will soon be having. I guess you could say you’re scheduled to have a Zooey Deschanel-according-to-Gawker.com kind of week. Here are some of the themes: 1. Novelty ukulele tune. 2. Overemphatic stage wink. 3. Sentient glitter cloud. 4. Over-iced Funfetti cupcake. 5. Melted-bead craft project. 6. Living Pinterest board. 7. Animated Hipstamatic photograph. 8. Bambi’s rabbit friend. 9. Satchel of fairy dust. 10. Hipster labradoodle.

PISCES

FEB. 19-MARCH 20:

You may have heard the thundering exhortation, “Know thyself!” Its origin is ancient. More than 2,400 years ago, it was inscribed at the front of the Temple of Apollo in Delphi, Greece. As important as it is to obey this command, there is an equally crucial corollary: “Be thyself!” Don’t you agree? Is there any experience more painful than not being who you really are? Could there be any behavior more damaging to your long-term happiness than trying to be someone other than who you really are? If there is even the slightest gap, Pisces, now is an excellent time to start closing it. Cosmic forces will be aligned in your favor if you push hard to further identify the nature of your authentic self, and then take aggressive steps to foster its full bloom.

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