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contents news and views Shooters should clean up their act / 5 Gun enthusiasts sometimes leave more than smoke behind by Pamela White Turning the tables / 9 Monsanto sued by organic farmers and seed companies by Joel Dyer The ghosts of Valmont Butte / 10 Cemetery families: City in danger of digging up human remains by Jefferson Dodge

buzz On the cover: In the heart of Cirque du Soleil / 16 BW takes you behind the scenes in Montreal by David Accomazzo Arts & Culture: Getting interested in the Curious Theatre Company / 23 Overtones: Dr. Dog’s studio approach has evolved over the years / 25 Overtones: Smooth Money Gesture makes touring look easy / 25 Panorama: What to do and where to go / 29 Screen: The Grey; Man on a Ledge / 37 Reel 2 Reel: Pick your flick / 38 Cuisine: The second sex of sushi chefs / 40 Cuisine Review: The Bitter Bar / 41 Tidbites: Super pairings for Super Sunday; Even more Moe’s / 42 Elevation: Kidding around at Keystone / 47

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departments Letters: Valmont’s ghosts; Thanks, Pamela; You missed it / 4 The Highroad: Newt Gingrich: the spawn of ‘Citizens United’ / 4 In Case You Missed It: Super Bowl Siberia; ‘If I had a million dollars’ / 6 Boulderganic: Searching for a CSA / 14 Boulder Marketplace: Your community resource / 50 Free Will Astrology: by Rob Brezsny / 53

staff

Publisher, Stewart Sallo Editor, Joel Dyer Director of Sales & Marketing, Dave Grimsland Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn Editorial Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Special Editions/Calendar Editor, Elizabeth Miller Online Editor, Quibian Salazar-Moreno Contributing Editor, Pamela White Interns, Blair Madole, Amanda Moutinho, Hadley Vandiver, Steve Weishampel Contributing Writers, Peter Alexander, Krystal Baugher, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Danette Randall, Theo Romeo, Alan Sculley, Isaac Woods Stokes, Tom Winter, Tate Zandstra, Gary Zeidner Sales Retail Sales Manager, Allen Carmichael Inside Sales Manager, Jason Wing Account Executives, David Hasson, Amber Hayes, Brooke Sunness, Amaru Ward, Jim Williams Production Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Francie Swidler Circulation Team Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 12-Year-Old, Mia Rose Sallo February 2, 2012 Volume XIX, Number 26 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holds-barred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com 2012

Printed on 100% recycled paper with soy-based ink.

Boulder Weekly

February 2, 2012 3

letters Boulder Weekly welcomes your correspondence via email (letters@boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to shorter letters that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Valmont’s ghosts

(Re: “The ghosts of Valmont Butte,” cover story, Jan. 26.) In 1962 we had three babies and looked into buying property in Valmont just north of Valmont Road. We did not buy. Your article proves we made a wise decision 50 years ago. Thank you. Shirley Hirschfeld/Boulder

Thanks, Pamela

(Re: “Larceny of the heart,” Uncensored, Jan. 26.) Thanks for that article this week. It’s high time people stop lumping us indie creators in with the Hollywood elites. It’s frustrating to see so many youngens claim stealing as a birthright. In my opinion, SOPA is BS, but as someone who’s made their bones online, this conversation is long overdue. SOPA and PIPA are the manifestation of not having it until now. Patrick Mallek,Mighty Fudge Studios/ Boulder I want to thank you for publishing Pamela White’s piece regarding SOPA/ PIPA. It’s obvious most people don’t comprehend that stealing images, books and music affects the artists’ ability to

earn a living. I once Googled my own name to find several sites from overseas publishers selling “cheap Kate Zari Roberts posters” — a company in Spain and one in Portugal. I spoke to an attorney here in Boulder, only to be told that going after someone overseas is much too difficult and costly. It used to be that copyright infringement was punishable by a $10,000 fine for each infringement. Who knows how many of my photographs these companies sold without paying me? And now, I’m faced with the dilemma of — do I put my work out there on the Internet so that people can see what I do, or do I not because I know someone will steal it?

The Highroad

n its Citizens United decision, the Supreme Court upended our democratic elections by decreeing that corporations and über-wealthy individuals can dump unlimited sums of cash into campaigns to elect their favored candidates. Astonishingly, Justice Anthony Kennedy declared in his majority opinion that such a gusher of special-interest money would not “give rise to corruption or the appearance of corruption.” Who knew so much political naiveté could be cloaked in a

4 February 2, 2012

You missed it

(Re: “Deen’s diabetes,” ICUMI, Jan. 19.) Yes, in case you missed it. Butter and cream do not cause diabetes. To save words and space I will refer you to this website. http:// westonapricefoundation.com. Snidely ridiculing Paula Deen does little to either educate or inform the public. The fact that a mainstream TV host is get-

single judicial robe? Justice Kennedy, meet Sheldon Adelson — a product of your cluelessness about how real politics work. For years, this casino baron has spent lavishly on right-wing front groups to advance his personal agenda, including pouring money into Newt Gingrich’s campaign. The billionaire and The Newt became symbiotic buddies in the mid-’90s, bonding over their shared fondness for crushing labor unions. Adelson was bitterly fighting Nevada unions, pushing a state law to crimp worker rights. Gingrich, then the House Speaker, endorsed Adelson’s Nevada legislation and also backed a tax break in Congress for casinos. In turn, Gingrich got campaign cash, funding to support him after being drummed out of office in disgrace in 1998, free rides on Adelson’s corporate jet, and backing for his present

Newt Gingrich: the spawn of ‘Citizens United’ by Jim Hightower

I always post my copyright to my photos, but still, I know the work is probably stolen. Meanwhile, I struggle to earn a living and am saddened that so many people feel it’s their right to take my work. Kate Zari Roberts/via Internet

ting paid to endorse a pharmaceutical product is old news. Medical schools are built on this. Whole fats are what helped build our country. Just ask our ancestors, who lived long, healthy lives before trans fats and the low-fat diet made its entry into our mainstream. There are many great food stories; food freedom regarding raw dairy, eat fat to lose fat, and I believe you’ve been up on the GMO issue. No one gets it right all the time, but I couldn’t let this one slide. Robin Claire, producer and host, Tributaries, KGNU/Boulder see LETTERS Page 5

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

run for the presidency. In the past, the biggest personal check he could’ve taken from his casino sugar daddy was $5,000. After the Supreme’s Citizens United edict, however, Adelson can go all in to push his willing servant into the White House. So Newt got $5 million from Adelson to buy his recent South Carolina victory and another $5 million from Sheldon’s wife, Miriam, to advance Gingrich in Florida. And next — well, there’s no telling, is there, Justice Kennedy, since you’ve legalized unlimited funds for the blatant corruption of America’s elections? Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly. Boulder Weekly

Uncensored Shooters should clean up their act by Pamela White

LETTERS from Page 4

Look in the mirror, Paul

In his article “Ten years after 9/11” (Danish Plan, Sept. 8) Mr. Danish asserts: “You’ll know we’ve won the war on terror when the Islamic world is 1) reasonably democratic, 2) reasonably secular, 3) only modestly corrupt, 4) more or less committed to the rule of law, and 5) fights jihadists more fiercely than we do. Alternatively, you’ll know that we’ve won the war on terror when the Islamic world stops treating its women like shit.” Why, I ask, shouldn’t we hold our own government and country to the same standard? If one takes a moment to honestly assess things, all of these conditions are also quite applicable to our own country and government. It’s quite easy to point a high-powered intellectual opinion at others, it’s quite another thing to do the same to one’s self. Perhaps if Mr. Danish began by examining his own faults and hurdles he wouldn’t be so quick to dish out gross equivocations and reactionary pronunciamentos to the outside world.

Indeed, perhaps it’s time that we all look at how we contribute to the quality of the world we share by evaluating the morality we espouse and asking if perhaps it, too, isn’t just well-reasoned (well-to-do) immorality. Richard Saunders/via Internet

Shelter is dedicated

(Re: “Surviving shelters,” cover story, Nov. 9.) I was extremely disappointed to read Elizabeth Miller’s perspective on the Humane Society of Boulder Valley. The article made it sound as though the Humane Society would rather euthanize Sawyer than place him in a lifelong home. Nothing could be farther from the truth. The shelter workers simply contacted the rescue organization because Sawyer is a dog with special needs that might be better served through an organization that works with this uncommon breed. The shelter and veterinary staff do an incredible job making sure that pets adopted out are healthy. Most people see LETTERS Page 7

quotes “There is absolutely no reason why those who helped bring about the crisis shouldn’t pay to restore the finances.” —French President Nicolas Sarkozy, describing a 0.1 percent “Robin Hood” tax on financial transactions that will be introduced later this year to create up to $1.3 billion annually “Our sky is our sky, not the U.S.A.’s sky.” —Iraqi Minister of the Interior Adnan Al-Asadi, commenting on the American drones that were discovered patrolling the country a month after U.S. troops left Iraq “We give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world.” —Twitter, describing a new policy allowing the company to block tweets on a country-by-country basis, to comply with nation-specific laws Boulder Weekly

shredded television. Shattered glass bottles. Empty ammo boxes. Endless shotgun shells. Brass bullet casings sprinkled across the forest floor. Orange bits of clay pigeons. That’s what members of the Rocky Mountain Firearm Club (RMFC) found when they headed up Lefthand Canyon in search of a safe place for target shooting on public land. “When I go to any sort of site up in the mountains where there’s shooting, I see all this trash all over the place,” says Chris Wu, a founding member of RMFC. “It really irritates me. It makes us look like a bunch of rednecks. A few bad apples ruin the bunch. We try to police the area as much as we can, but people leave all kinds of nasty things.” It seems that the “Leave No Trace” ethic hasn’t quite caught on among recreational shooters to the same degree that it has among rock climbers, mountain bikers and other recreationists. “I wish people would take some responsibility for their messes,” Wu says. “Having a gun is a huge responsibility. So is shooting it.” Members of RMFC are expected to participate in public-service projects, in addition to cleaning up after each RMFC shooting event. “Every once in a while we go and find a place that has been trashed to heck, take a few bags and clean the place up and hope others follow the example,” Wu says. The U.S. Forest Service allows only certain kinds of targets: cardboard targets, paper targets, manufactured metallic targets specifically designed for firearms, and clay pigeons. But according to Ranger Trey Schillie, some people choose not to follow the rules. “It’s amazing what you find,” says Schillie, district ranger for the Boulder Ranger District of the Arapahoe and Roosevelt National Forest and Pawnee National Grassland. “We’ve seen everything from appliances to bottles to scrap lumber. In my office what I’m looking at right now is an old propane tank, and it’s full of holes.” Schillie says he’s seen instances in which shooters have deliberately tried to shoot trees until the trees fell over. Sadly, the U.S. Forest Service has to dedicate staff and time to cleaning up the mess these irresponsible shooters leave behind.

“We try to organize different groups to help on that, cleaning up shooting areas,” Schillie says. “We have a cadre of really responsible folks out there who pack it in and pack it out. But there always seems to be the other side of the coin — a few people who give [recreational shooting] a bad name.” Part of the problem may be the lack of established public rifle ranges. This results in shooters from the Denver metro area driving into the mountains to shoot on Forest Service land. A network of public ranges spread across the state and through the Denver metro area might help decrease shooting traffic in places like Lefthand Canyon, reducing the wear and tear on the land. It’s an issue the Forest Service and other public land managers are beginning to address. “We’re really starting to take a look at a comprehensive approach across all ownerships and across all landscapes,” Schillie says. But trash is only part of the problem. Irresponsible shooters might one day cost someone a limb — or a life. The former Allenspark dump was closed to shooting after law enforcement documented 18 instances of “near misses” when shots fired on public land made their way onto private land, nearly hitting local residents, Schillie says. “On the Front Range, we’re really fortunate to have all this public land,” he says. “Shooting is one of the more difficult [recreational uses] to manage because the consequences are very high if things go wrong,” he says. What’s a responsible shooter supposed to do? Keep your mind sharp. Shoot intelligently. Follow the rules and regulations. Fire only in areas where it’s safe, and pack out every bit of your trash. Then volunteer to clean up after other shooters who aren’t as responsible as you are so that recreational shooting doesn’t garner ill will from land managers and the public. Implied in the Second Amendment is a grave sense of personal responsibility. The Founders didn’t guarantee us the right to bear arms so that we could shoot down trees, blast refrigerators to bits and scare the hell out of nearby residents. The right to own firearms is protected under the Second Amendment. But leaving your shooting area looking like the site of a redneck family reunion is not. Respond: letters@boulderweekly.com February 2, 2012 5

icumi

TOP 10 STORIES Week of Jan. 26Feb. 2

1. The ghosts of Valmont Butte Ever since the city of Boulder purchased its Valmont Butte property, city taxpayers have been picking up the tab to pay for the environmental sins committed by more than a century’s worth of long-departed users at the site. 2. Panorama (1/26)

looking for a pet are not prepared to take on a pet with a disease that might require lifelong medical treatment and significant expense. Recently a client of mine adopted a puppy from the shelter. Prior to adoption, the puppy, Maya, had exhibited some lameness, but rather than writing her off as unadoptable or adopting her out “as-is”, the veterinary staff kept her in the hospital over a weekend for monitoring and care, and performed x-rays to ensure that she was not adopted out with a debilitating bone disease called panosteitis. The

shelter incurred significant expense and spent a lot of time with my client to make sure their dog was healthy prior to adoption, or if not, to ensure that at least the adopter knew what to expect. This is an example of the amazing care animals get at our local shelter. I invite Elizabeth or any one questioning the motives of the Humane Society of Boulder Valley to spend a day working at the shelter to see what a tough job it is. Working at a shelter is often thankless and does not pay much. The people who devote their lives

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9. Contaminants found at Valmont Butte 10. William H. Macy, Martin Sheen to visit 2012 Boulder International Film Festival

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news Turning the tables

Monsanto sued by organic farmers and seed companies

by Joel Dyer

n a recent Boulder Weekly article titled “Behind the GMO curtain” (Dec. 15), Lisa Drake, Monsanto’s Englewood-based lead for state and local government affairs, was quoted as saying “We [Monsanto] sure don’t make it a practice of suing our own customers.” Drake also told BW that those who say that Monsanto regularly sues farmers for being in possession of her company’s patented GMO seeds after those seeds have drifted onto their property through no fault of their own are making wildly inaccurate claims. As of Tuesday, Jan. 31, it seems more likely than ever that such assertions by Monsanto and its employees will finally be put to the test before a jury in a New York City courtroom. It has been a long road to reach this point. The Public Patent Foundation (PUBPAT) filed a lawsuit last year against Monsanto Company on behalf of 60 family farmers, seed businesses and organic agricultural organizations. According to PUBPAT’s website, the suit was filed “to challenge the chemical giant’s patents on genetically modified seed. The organic plaintiffs were forced to sue preemptively to protect

themselves from being accused of patent infringement should they ever become contaminated by Monsanto’s genetically modified seed, something Monsanto has done to others in the past.” The “wildly inaccurate claims” referred to by Monsanto’s Drake seem less wild every day. According to recent reporting from In These Times, “The agro-giant acknowledges that since 1997, it has filed suit against farmers 145 times and has settled another 700 alleged infringements out of court.” The current lawsuit, which is known as Organic Seed Growers & Trade Association (OSGATA), et al. v. Monsanto, was filed in federal district court in Manhattan in March. According to PUBPAT, “In June, 23 additional plaintiffs were added to the suit, bringing the total number to 83.” As of this week, the class action suit represents more than 300,000 organic farmers, seed companies and affiliated organizations. As would be expected, Monsanto filed a motion last year to have the case dismissed, a ploy that usually works for the politically influential corporation, but not this time. After Susan

Reverend Friendly, street poet, dies at 76

news

by David Accomazzo

averne Lobdell, the heavily bearded, silver-tongued street poet known as Reverend Friendly, who haunted Boulder’s open mics for decades, died on Jan. 7. He was 76. Lobdell was a fixture around town, and in his later years you could see him shuffling around town, handing out beige business cards with his photo on them, a speech bubble coming out of his mouth with the words, “Laugh and the world laughs with you / cry and you cry alone / so if you’re gonna pout stay at home.” He’d approach people and talk to them, and when he said goodbye, he’d say, “Bless your soul! May the birds of paradise fly up your nose! And may an elephant carress your toes, and

Boulder Weekly

reading written arguments for why the case should not be dismissed, Judge Naomi Buchwald agreed to move the case forward by hearing oral arguments on Jan. 31. She heard those arguments earlier this week and has announced that she will make a final decision regarding the case going before a jury no later than March 31. Judge Buchwald’s decision was enthusiastically welcomed by a gathering of organic farmers and Occupy supporters who had joined them outside the Manhattan courthouse. The lead plaintiff in the case, OSGATA, is located in Montrose, Colo. On the organization’s website, president of OSGATA Jim Gerritsen

made this statement about the lawsuit and its progress: “Today is Independence Day for America. Today we are seeking protection from the Court and putting Monsanto on notice. Monsanto’s threats and abuse of family farmers stops here. Monsanto’s genetic contamination of organic seed and organic crops ends now. Americans have the right to choice in the marketplace — to decide what kind of food they will feed their families — and we are taking this action on their behalf to protect that right to choose. Organic farmers have the right to raise our organic crops for our families and our customers on our farms without the threat of invasion by Monsanto’s genetic contamination and without harassment by a reckless polluter. Beginning today, America asserts her right to justice and pure food.” Respond: letters@boulderweekly.com

France

may you live long enough to go anywhere you please without any clothes!” A Michigan native, Lobdell, or “Rev” as friends called him, moved to Boulder in the late ’80s and began frequenting poetry readings around town. Tom Peters, the owner of the beat book shop on Pearl Street, hosted many of the open mics Lobdell attended. “I’ve never met anybody who didn’t say that he liked him,” Peters says. “Almost everybody I know at one point or another asked me if I knew him, because everybody that met him was always really impressed by him.” Lobdell’s life was a struggle with addiction, mental illness and homelessness. He experienced sporadic periods of homelessness during his two decades in Boulder, and five years ago he became one of the pilot clients for Housing First, a program that pro-

vides housing to Boulder’s chronically homeless population, provided that they meet with a case manager. Chris Byrne was Lobdell’s case manager, and he was with Lobdell the week he died. Lobdell had planned to visit a friend back in Michigan, and Byrne had made travel arrangements for him. “His friend, what he does for a living is make parade floats,” Byrne says. “And the Rev described in detail what it was going to be like when he got there. There was going to be a parade for him, ‘Welcome home, Reverend Friendly,’ and there was no doubt in my mind that he didn’t see this and believe it a hundred percent, and he passed away that night. So he had a parade [in his head]. … If you could write an ending to that story, could it not be better that he died surrounded by those who cared about him, off the streets? I mean, jeepers creepers, he was at peace with himself and he was at peace with God.” To read an in-depth profile on Reverend Friendly, visit j.mp/ReverendFriendly.

Respond: letters@boulderweekly.com

February 2, 2012 9

Direction of groundwater movement Direction of groundwater movement

Valmont Cemetery Xcel property

Lead concentration > 800 mg / Kg Locations of elevated radiation readings (URS, 2005) Possible areas where radiumcontaminated soil was buried in 1971

Area containing known contaminated groundwater

Valmont cemetery families say city in danger of digging up human remains by Jefferson Dodge

ne of the key elements that will ultimately determine how many millions of dollars will be spent cleaning up contamination that originated from milling operations once located on the City of Boulder’s 103-acre Valmont Butte property is whether or not adjacent properties were also contaminated by those operations. The city, like the EPA and CDPHE, like to quote reports indicating that there is no evidence that contamination has spilled over to other properties. This is a bit misleading, however. As can be seen on the map above, in three different locations, areas impacted by lead contamination (depicted in blue) appear to go right up to the fence line of adjacent properties, including the Valmont Cemetery and Xcel’s property to the south. For the “no evidence of off-site contamination” argument to be true, we would have to believe that a half-century’s worth of windblown contamination was stopped dead in its tracks by chain-link and barbed wire fences. As we found during our investigation, “no evidence” of contamination actually means no testing for contamination. **** As the city of Boulder prepares to begin earth-moving operations at the Valmont property, one of the most immi10 February 2, 2012

nent issues is what might be unintentionally unearthed in the process. Aside from the radioactive soils contaminated by heavy metals such as lead and arsenic that might be kicked up during remediation (officials say water trucks will be on hand to continually spray work areas down to eliminate dust), there are archeological and historical resources on the property that could also be disturbed. As Boulder Weekly continues its series on “The Ghosts of Valmont Butte” and the environmental history of the property currently being remediated by the city, we will be dealing with threats to cultural assets one by one. Before we take on the topic of why the butte is sacred to Native Americans and why some Native artifacts and burial sites could be unearthed during the project, we will first turn our attention to the excavation of the Valmont Cemetery’s parking lot, which descendants of some pioneer families say could hide unmarked graves. **** Pioneers first arrived in Boulder Valley in the late 1850s, when a party of miners made a base camp in the area. A few years later, in 1860, the town of Valmont’s first building, the Tommy Jones Stage Stop, was constructed, and the town of Valmont was platted soon after, in 1865. Historical records show that the town see CEMETERY Page 12

Lawyer: City/county could be liable for cemetery contamination

Boulder environmental attorney says the city of Boulder and/or Boulder County could be held liable if the historic Valmont Cemetery is contaminated as a result of the current remediation effort at the butte. And he doesn’t rule out the possibility that the site is already contaminated. After all, it’s unlikely that lead pollution would be stopped by the chain-link fence surrounding the property. The Valmont School District No.4 Cemetery Association is being represented by Randall Weiner, the lawyer who in 1999 helped about 300 residents of the Denver suburb Globeville win a settlement in a class-action lawsuit against a smelting plant accused of contaminating the area with lead and other heavy metals. Weiner wrote a letter to the county commissioners on June 27, prior to the commissioners’ approval of the city’s remediation plan for the site (the property, while owned by the city, is in unincorporated Boulder County and has not been annexed by the city of Boulder). Weiner asked that city and county staff meet with cemetery representatives and address their concerns about contamination on the gravesites, crosscontamination and unmarked burial sites. “The cemetery is one of the few places on Valmont Butte which receives significant public travel,” he writes. “Valmont Cemetery is still an active private cemetery where only pioneer families associated with the Valmont School District may be buried.” Weiner says in the letter that areas west of the cemetery show significant lead contamination, up

to 1,200 ppm, and are “a likely source of windborne contamination of the cemetery.” (He notes that in Globeville, the state required cleanup for lead when it exceeded 500 ppm, and many scientists insisted on a 100 ppm threshold.) “Throughout this entire process, no attempt was made by the government personnel or their consultants to reach out to the cemetery representatives to attempt to meet their concerns,” Weiner writes. “As a city representative stated to me this morning, the city ‘didn’t have a responsibility to’ consult with them. The county can and should rectify this for two reasons, a moral one, and a legal one: First, the city appropriately consulted with Native American interests concerning cultural artifacts and other issues as part of the remediation investigation. The representatives of Valmont’s early pioneers deserve no less consideration. Their cultural artifacts (gravesites, etc.) are as meaningful and important to the history of the area as those of Native Americans. “Second, it is likely that the cemetery is as contaminated as the surrounding areas, and that it will be impacted by the remediation occurring to the north and west of the cemetery,” Weiner continues. “The cemetery has a legally protected interest in its land, and, in addition to those parties responsible for the contamination, the city and/or county could be liable if they cause the cemetery to become contaminated as part of the remediation process and those conducting remedial operations. … “A little outreach and effort on see CONTAMINATION Page 13

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CEMETERY from Page 10

of Valmont, on the north side of the butte, had three blacksmith shops, two general stores, one hardware store, two hotels, a school, two churches, the offices of three doctors, a newspaper and three saloons on the west end, known as “Devil’s Row.” Valmont’s history from the town to the butte is rich with the best the times had to offer as well as the worst. For instance, according to one colorful account from 1867, while the editor of the Valmont newspaper was reportedly being entertained by friends at a local saloon, the paper’s hand-operated printing press was hijacked and taken to Boulder to be used by the Boulder Valley News. Losing its newspaper was important because Valmont had been trying to obtain the transfer of the county seat from Boulder. On a darker note, nearby Fort Chambers was used as a militia training site by the early settlers, and soldiers from there participated in the infamous Sand Creek Massacre. Today, there is little evidence remaining of those bygone days, and what little there is may now be threatened. Like the Native Americans who laid loved ones to rest at the butte, the rocky promontory above the plains was favored by Boulder Valley’s earliest Euro-American families as a suitable final resting place for the deceased. It is perhaps the last, best record of the first families who crossed the plains from the East to settle in Boulder Valley. According to a 2004 archeological history of the butte by Peter Gleichman, the land for the Valmont Cemetery, also known as the Pioneer Cemetery, was platted the same year the railroads arrived, 1873, although some graves at the cemetery predate the plat. Gleichman acknowledges in his 2004 study that local historians have said the cemetery “is not entirely enclosed by the fence. Some unmarked graves may be outside the fence, on the north and east … . These unmarked graves are from fatalities from the 1918 influenza epidemic (Teegarden, p.c). A buffer around the cemetery should be delineated, with no disturbance in the buffer. An alternative would be to attempt to locate the

unmarked graves with remote sensing, i.e., ground-penetrating radar.” But the city of Boulder plans to dig up contaminated earth that makes up the cemetery’s parking lot on the north side, within that buffer identified by Gleichman. It is an approach that has upset members of the cemetery association. **** A visit to the Valmont Cemetery, up a steep, rutted driveway off of 63rd Street, not far from the Stazio Ball Fields, offers good views of the property owned by most of the players in the Valmont Butte story. Western Disposal, which was involved in acquiring a contract for the city to buy its 103-acre parcel, has a hazardous materials processing site to the west. The fly ash-burying operations of Xcel’s Valmont Station nearly abut the cemetery to the south, with the coalburning power plant’s stacks towering just across the lake where the Allied mill once dumped at least some of its contamination. To the east, the cemetery property drops down towards the black plastic fence which now delineates the perimeter of the 17-acre primary tailings pond (see map on page 10) on the city’s tract of land. The EPA estimates that this now dry pond is holding more than 300,000 tons of radioactive and heavy metals-contaminated mine tailings. The primary tailings pond is the location that the current remediation plan, submitted by the city and Honeywell, has established as the final resting place for all contaminated soils from the property. The plan, which is mainly focused on remediating lead and other heavy metals, calls for all contaminated soils from the secondary tailings pond (see map on page 10) and other areas on the city’s property, including the cemetery parking lot, should be dug up and transferred to the primary tailings pond beginning this month. **** Carol Affleck, a spokesperson for the Valmont School District #4 Cemetery Association, and Jody Harper, whose parents, grandparents and other relatives are see CEMETERY Page 13

Boulder Weekly

CEMETERY from Page 12

buried in the cemetery, want the city to use ground-penetrating radar to detect possible graves before they start churning up the earth on the north side of the cemetery. Harper says she recalls her father telling her he knew of burials that had been done on that north side of the fenceline, where the parking lot is now. He told her some were probably shallow graves, given how hard the ground is in the winter. Affleck and Harper also say that Xcel, unlike the city of Boulder, agreed to use ground-penetrating radar along the cemetery’s property line to the south when the company started to work on that portion of its property. Using the radar allowed Xcel to discover burial sites before they could have been destroyed by earth-moving equipment. According to an August 2005 report by Greystone Environmental Consultants, Inc., which was hired by Xcel to study the area south of the cemetery, ground-penetrating radar and surface inspection “identified human bone and cultural features that may be associated with additional graves outside the currently fenced area of the Early Pioneer Cemetery/Valmont Historic Cemetery.” The company recommended re-fencing the area and including a buffer around the identified features. Affleck says the city refuses to use ground-penetrating radar before digging in the cemetery parking lot, despite the fact that one of the leading experts in the use of the technology to discover and map historic graves, University of Denver anthropology professor Lawrence Conyers, is practically in Boulder’s backyard. When asked about the plans for digging up the cemetery parking lot, Joe Castro, the city’s director of facilities and fleet management, told Boulder Weekly that workers will only be removing 18 inches of soil, and that while city officials considered the use of ground-penetrating radar, that technology did not seem reliable. “We didn’t think it would be an effective tool for the depth we would be digging to,” Castro says. Ground-penetrating radar generates many “false positives,” he says, so instead the city will have an archaeological monitor on site to keep a close eye on what is being dug up. Castro added that he had not heard that Xcel had used groundpenetrating radar and had discovered

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burial sites on the south side. “We’re concerned, but we don’t anticipate bodies being buried in the first foot and a half of soil,” adds Bill Boyes, the city’s facilities maintenance program manager. Even Gleichman has changed his stance regarding the buffer he recommended eight years ago. He explains that his 2004 study was done for a city contractor to prepare for the fire training center and bio-composting facility that were to be constructed at the property. (City officials later abandoned the plans for bio-composting and built the fire training center near the Boulder Reservoir.) Gleichman says he now believes the buffer he recommended is impossible to maintain, since contamination has been found in the ground leading right up to the cemetery gates. As for the failure to use ground-penetrating radar, he says it might be a question of cost. “At this point, they’re thinking it’s too expensive, and they covered their bases with the archeological monitor,” Gleichman says. Castro says the city didn’t look at a price comparison when it came to ground-penetrating radar, although he acknowledges that money is an issue when it comes to what remediation and renovation work is being done. In the case of restoring the historic buildings at the nearby millsite, he says the city plans to simply put a fence around the area. “We’re hoping for a donor,” Castro explains. But Gleichman says the fact that Boulder County has landmarked the site doesn’t permit such an approach when it comes to those structures. “Demolition by neglect is something that landmarking should not allow,” he says. Affleck agrees, asking whether other official county landmarks should be subjected to the same approach. “Would we treat Boulder Falls or the Flatirons like Valmont Butte?” she asks. It’s a good question, and it might just depend on who you ask — and how much it would cost if those landmarks were as contaminated as the butte. Joel Dyer and Elizabeth Miller contributed to the reporting for this story. Respond: letters@boulderweekly.com

CONTAMINATION from Page 10 the part of the county at this point would go a long way towards minimizing the risk of future conflicts, and protecting an important part of its heritage.” City officials have repeatedly claimed that there’s no evidence that contamination has left the property. But it’s hard to find evidence on the other side of a chain-link fence if you haven’t bothered to test. (City officials didn’t respond to questions about liability for

Boulder Weekly

cemetery contamination and clean-up by press time.) Weiner confirms that the cemetery has never been tested for contamination. He adds that the city has never reached out to include the cemetery in the remediation, and that if the site is already polluted, it’s possible that the city and/or Honeywell could have some liability for the contamination — and the cleanup. Respond: letters@boulderweekly.com

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Searching for a CSA by Blair Madole

f you are trying to avoid GMOs and the potential for strange growths or zombie-like qualities this summer, participating in a CSA, or Community Supported Agriculture, may be a good choice. By signing up for a CSA with a particular farm, you pay a set price to receive a variety of produce each week from that farm’s harvest. Not only does this partnership enable you to receive fresh, local produce, it also grants you the opportunity to support local farms and help them afford the seeds, equipment and labor needed to provide another harvest next year. Choosing a CSA means considering a lot of factors, including the variety of produce, pick-up times or locations, and that warm, fuzzy feeling you get when you help others. Boulder has a large selection of farms that offer a CSA, but here are a handful of options that seem promising. Beyond veggies There is certainly something fantastic about fresh and local green beans or heirloom tomatoes in the summer, but when you are receiving baskets of veggies each week for several months it might be nice to toss in something new. Boulder Family Farms, located on Cherryvale Road in East Boulder, offers both a pre-selected CSA and a choose-your-own-produce CSA. The pre-selected CSA is similar to most of those offered around town — the farmers hand you a basket of veggies they have chosen for you each week, you smile kindly and head home, then scratch your head over what you could possibly do with that many greens. The choose-your-own-produce option, however, is pretty dang cool. This CSA is like a gift card to the farm stand — you can either pay $225 for $250 of credit or $450 for $500 of credit. You then head

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14 February 2, 2012

Boulder Weekly

CSA from Page 15 photo

to the BFF farm stand, open 24 hours a day, seven days a week, and choose from a variety of veggies and fruit, as well as artwork and BFF clothing — which isn’t included in the regular CSA. Payment is on the honor system, and the only restriction is that you finish your balance by Oct. 5. “People love stopping by to choose their produce,” says Jade Sabatino, an owner of Boulder Family Farms. “They get a quick chat, see the chickens, then head on their way and look good to the family.” Convenient customer care Grant Family Farms, a large farm located in Wellington, has the ability to deliver more than half of your weekly grocery needs extremely close to your home and helps prepare you for what you will be receiving each week. The farm delivers to several different locations throughout Boulder to help people get their shares easily. When signing up for a CSA, Grant Family Farms lets you choose which of their delivery points is most convenient for you. Also, the CSA offers a larger variety of products because of the farm’s partnerships with local bread makers, cheese mongers and fruit growers. When signing up for your CSA, you can select a share of vegetables, fruit, artisan bread, local cheeses, eggs or Hazel Dell mushrooms. With these options, your weekly grocery trips could be reduced to milk and meat for the carnivores of the family. Grant Family Farms also sends weekly emails to let you know what produce you will be receiving each week, as well as recipes and cooking tips. “Honestly, join any CSA,” says Jessica George, the CSA representative at Grant Family Farms. “It is about keeping food in Colorado, keeping our soil alive and treating the environment better. It is also better for your health. We are a good option because we won’t run out of shares. We have a huge variety since we have been farming since the ’70s, and our produce is certified organic.” Heartfelt help In conjunction with their Cultiva Youth Project, which teaches local high school kids farming and business skills, Growing Gardens has decided to offer a CSA for the first time this year. “The cool thing about what we do is that we work with the youth,” says Connor Murphy, a grower at Growing Gardens. “People who join the CSA get to develop relationships with these kids. We’re also located in town, so people can ride or take the bus or walk to pick up their CSA.” Boulder Weekly

Participants in the Cultiva CSA can pick up their produce at the Cultiva Youth Garden in North Boulder on Wednesdays from 4:30 to 6:30 p.m. When you sign up for the 20-week CSA, either the partial share for one to two people for $320 or the full share for three to four people for $540, the money will be used to support the Cultiva program as well as plant for next season. So you wouldn’t just be eating healthier this summer, you would also be helping the kids. Respond: letters@boulderweekly.com

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Boulder Weekly dives into the company’s Montreal headquarters and gets a behind-the-scenes look at how it all happens story and photos by David Accomazzo

David Accomazzo

ut the name of Quebec billionaire Guy Laliberté, the mercurial founder of Cirque du Soleil, into YouTube, and the first result isn’t circusrelated but a six-and-a-half-minute clip from a high-stakes game of Texas Hold ’em. A few minutes in, Laliberté has poker pro David Benyamine up against a wall. Benyamine is all-in with an extremely weak hand, and Laliberté has a 2:1 chance to win and walk away with $600,000 of Benyamine’s money. All he has to do is let the hand play out. But Laliberté, worth $2.5 billion, is feeling charitable. Perhaps it’s because the money would increase his net worth by just one tenthousandth of one percent, or maybe it’s because Benyamine is French. “I know this is a lot of money for you,” Laliberté says in his slight French-Canadian Facundo Gimenez applies clown accent as he waves his hand dismissively. “It’s makeup in one of more important [for you], that pot, than it is Cirque du Soleil’s dressing rooms. for me. “I know I’m very favorite, so I’ll make you a deal. I’ll take the middle [pot, maybe $100,000] and forget it.” It’s an incredibly unorthodox move by Laliberté, completely out of left field and completely unnecessary, and it’s extremely generous. There’s no crying in poker, after all. Benyamine, who had the trembling look of a guy about to be executed, instantly takes the deal. Instead of potentially losing $600,000, he loses $50,000. Laliberté doesn’t play by any rulebook, be it in poker or in the performing arts. He loves to travel. He spent $35 million to visit space. Cirque du Soleil, his life’s work, is far from conventional; he has taken the traditional circus, pumped it with steroids and mescaline, and created a billion-dollar company. When he plays poker, you get the feeling

16 February 2, 2012

it’s not about the money, it’s about play, about the challenge, maybe even having fun. And what kind of jerk lets a little thing like half a million dollars ruin a good time? ~~~ Laliberte’s company employs 5,000 people, including more than 1,300 artists. Two thousand of them work at the beating heart of Cirque du Soleil’s global, extremely profitable operation, the company’s 118,000-square-foot headquarters in Montreal. It’s where, in addition to the expected corporate duties, top brass create new shows, train persee CIRQUE Page 17

Boulder Weekly

Gymnasts work on their routine in Cirque du Soleil’s Montreal headquarters.

A Cirque du Soleil artisan sews a pair of clown shoes on one of Cirque du Soleil’s gnarly sewing machines.

CIRQUE from Page 16

formers, make costumes, mold athletes into artists and more. The building is also home to a massive costume workshop, where Cirque employs artisans and fashion designers to make the elaborate costumes, headpieces, shoes and wigs that make the Cirque shows so visually appealing. I got a chance to see the headquarters up close and personal after Cirque du Soleil invited me to see Dralion, coming to the 1stBank Center in Broomfield Feb. 8-12, in Montreal. They flew me out to Canada, set me up in a hotel downtown and gave me a tour of the headquarters and costume workshop. I got a rare glimpse at a side of Cirque du Soleil most never get to see — the unsung workers who keep the costumes shiny and clean, the artisans who make them, and the studios where the acrobats and performers perfect their craft. The training process for new Cirque du Soleil performers lasts at least 16 weeks. About half of all performers come from an athletic background, so Cirque puts them through a training program designed to help them transition from athlete to athletic performance artist. (See Jan. 26 story “Inside the heads of circus performers.”) “We give them tools to develop their artistic potential,” says Cirque du Soleil’s corporate PR manager, Chantal Côté. “We will not give them all the answers. They will have to find them, learn to cope with ambiguity, which is not an easy thing to do.” “When you are competing, you just comBoulder Weekly

pete. You have to do your routine, and that’s it,” says 36-year-old Alejandro Cuenca, a Barcelona, Spain, native who was competing in international trampoline competitions before joining Dralion. “When you’re a performer, you don’t only have to do your skills, you have to perform. You have to do some choreography, to do movements, to do makeup. To be in character, it’s absolutely different. It’s a different world.” Cirque du Soleil doesn’t employ makeup artists as part of the touring shows; rather, each artist applies his or her makeup individually. Simple makeup designs take up to an hour to apply, and the more complex ones can take even longer — some of the performers on Dralion, says show publicist Julie Desmarais, have seven layers of colors to apply around their eyes alone. Learning how to apply makeup is a complex process that takes a couple of training sessions, but it explains why, as you walk around Cirque’s headquarters, you might pass by a woman wearing gym clothes and elaborate silver and red makeup. All the costumes for all 22 Cirque shows are designed and produced by hand at the Montreal headquarters. The average life for a Cirque do Soleil show is 12 to 15 years, and that creates problems when designing costumes. You can’t just buy a decade’s worth of cloth at one time; it’d be impossible to store. And that’s just for one costume, not thousands. So Cirque solved that problem by doing everything in-house, from silk-screen-

ing to bath-dyeing to painting directly on the fabric. “Let’s say we see a nice blue on the market somewhere,” Côté explains. “In order to have enough blue to last the show for the next 15 years, we would need to buy rolls and rolls and rolls of this, since next year fashion would make it unavailable for us. “So we buy it white, and we’ll just dye it and print it as needed.” The supply area for the costume workshop is impressive, with shelves filled with hundreds of rolls of brightly colored fabrics. Tall shelves filled with zippers, sequins, straps, buttons and more stretch as far as the eye can see. One section contains dozens of gallon-sized jugs of different colors of glitter. Every costume has a production “bible” that specifies how much red, yellow or green the workers need to produce a specific color. To make the process even easier, the bible also includes the measurements of the performer that the costume needs to fit. Cirque takes very exact measurements when the performers come to Montreal to train, down to a 3-D model of the performer’s head. This allows the costume workers in Montreal to tailor each costume in Montreal, which minimizes the time the show’s wardrobe supervisors have to meddle with the costume once it gets shipped out to the performer on tour. All the shoes worn by performers are see CIRQUE Page 18

February 2, 2012 17

Workers apply dye to a silk screen. Cirque du Soleil dyes about 80 percent of the fabrics they use for costumes in-house.

Extra fabric is stored in Cirque du Soleil’s vast supply room and categorized by show, costume and performer. CIRQUE from Page 17

made in Montreal as well. The shoe workshop is a busy, cluttered place filled with beastly looking industrial sewing machines and work tables. On one wall sits dozens of different-sized shoe molds that the shoemakers use to create shoes entirely from scratch. In other cases, athletic shoes or ballet shoes are painted or dyed to fit the specific needs of the costumes. On average, the workers produce nearly 3,000 pairs of shoes each year. ~~~ Creating a show, designing the costumes, making the shoes, and training the performers is just the first step. The next step is sending the show out on the road. Dralion premiered in Montreal in 1999. The show blends Chinese circus arts with Cirque du Soleil presentation, and it was recently adapted to tour small arenas. It takes 18 53-foot semis to transport the show’s elaborate set and wardrobe, and 24 full-time crewmembers manage everything during the show. At each stop on the tour, 75 to 100 local volunteers help set up and tear down the show, and with all that help, it only takes a few hours. “In some places, the little things don’t count, but for us it’s very important. Just maintaining that is very important. … Our job is to make sure the artists feel 100 percent secure and comfortable,” says Mike Newnum, the interim production manager. That means doing everything from

18 February 2, 2012

checking each light bulb before the show to regulating the temperature backstage. There are literally thousands of pounds of rigging that must be hung from the rafters of each arena. Technicians must oversee all the moving parts in the show, anything that’s automated. All the sound systems must be checked. It’s a massive operation. “Every city we go to, before we ever do a show before the audience, almost every act goes on stage,” Newnum says. “Our artists have hardcore work ethics. We want to make sure they’re not questioning what they’re doing, because what they do is pretty crazy. So we want them to make sure that when they’re on that stage, even if it’s a new arena, they know where the suite lights are, they know where the exit lights are, so when they’re spinning around and doing all the things that they do, they have those reference points and they know what to ignore. And we’ll do that every week.” The wardrobe alone takes up one and a half semis. Melody Wood, a Londoner, supervises all the wardrobe operations, which includes setting up six washing machines and two dryers and a number of fans to speed the air-drying process. “As a rule, if they wear it, whether it be their face or their body, then we take care of it,” Wood says. That includes wardrobe, makeup, shoes, etc. Dralion employs four full-time wardrobe workers with them, who are responsi-

ble for putting out any wardrobe-related fires, including sudden rips, tears, alterations and replacements. They carry a whole filing-cabinet-sized drawer full of shoelaces, packets of replacement beads, dozens of different colors of threads and hundreds of spare cases of foundation and creams. “It’s about assisting the artist, whether it’s about providing them with makeup, makeup removers, whether the elastic is stretched on the hats,” Wood says. “Ultimately it’s about preparing. We do a lot of washing, a lot. But that’s part of any show because items are being used every day and have to be clean. That’s a challenge for us because we change cities every week. Water can be very different from city to city. So sometimes a costume can feel very soft, and sometimes it can feel very stiff.” ~~~ Cirque’s success is in flaunting the rules, taking the unusual and making it extraordinary. Part of Dralion is an incredible act that involves a woman balancing on one or two hands on a small, circular platform raised five or six feet off the ground. With her back to the audience, she curves her torso so that her head is facing the audience, and then slowly brings her feet to her head. It’s as if instead of bending forward to touch her toes, she bent backwards. It’s an astounding display of strength see CIRQUE Page 20

Boulder Weekly

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February 2, 2012 19

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Boulder Weekly

Arts and Culture Curiouser about Curious

Why it’s worth getting interested in this Denver theatre company

ON THE BILL: 9 Circles plays at the Curious Theatre Company through Feb. 18. Tickets start at $18. 1080 Acoma St., Denver. For more information call 303623-0524 or visit www.curioustheatre.org. From left, Karen Slack, Erik Sanvold, Sean Scrutchins, Michael McNeill in 9 Circles

by Elizabeth Miller

bout 10,000 playwrights live and work in the country, but in the past 10 years, there have been an average of two new plays produced on Broadway each year, according to Jason Loewith, executive director of the National New Play Network. The task of finding new playwrights who are chronicling our time falls to smaller, mid-size theaters, and one of the leading lights in Colorado’s theater scene, a theater that has built its reputation on premiering new works, is Denver’s Curious Theatre Company. “In our current economy, institutions are fleeing from the risk of new plays,” Loewith says. “That’s why the small to mid-size theaters that specialize in new plays are so essential to the health of the sector because they’re the only ones who are really doing it, who are investing in playwrights that are not already household names.” The National New Play Network organizes rolling premieres, a series of three productions of a new play that puts it in front of three audiences and reviewers, in three communities, done by three groups of artists, helping to vet the play so that it might be picked up by a company as a solid work, rather than a risky endeavor. In 28 rolling premieres coordinated by the NNPN, Curious, Colorado’s only NNPN member theater, has participated in eight, Loewith says. “Part of the reason we started the company was we felt like there was an opportunity in the cultural community for doing both new work and work that has a fairly high degree of social relevance,” says Chip Walton, Curious Theatre Company’s artistic director and one of the company’s co-founders. “We really try not to produce anything in Colorado that’s ever been produced before [here],” Walton says. “It’s just really exciting to me that we’re bringing all of these playwrights, the next generation of great American playwrights are being introduced to Denver audiences through the work that we’re doing.”

Their lineup for this, their 14th season, includes a Tony Award-winning play and a Pulitzer Prizewinning play. In other words, they bring work you might otherwise have to go to New York City to see. “Our mission is to engage our community in contemporary issues through modern theater,” says Christy Montour-Larson, who has been with the company for 11 years and directed nine productions. “We like to create a path for our audiences and our community to think deeper about the world we live in.” Those world premieres, regional premieres and newer plays are “plays that ask questions about what does it mean to be a human being on this planet,” Montour-Larson says. Their current production, American playwright Bill Cain’s 9 Circles, tells the story of Daniel Reeves, a soldier who served in the Iraq War and was put on trial for war crimes, accused of multiple killings and rape. For all the questions a play embattled with current events like that might raise, Curious hosts talkbacks after every show, giving audience members a chance to ask questions and converse with the artists. “Theater is an art form that is all about the live community experience, which means that playwrights are in a unique position to enter into cultural conversation with communities in a way that other artists often are not,” Loewith says. “Great plays and playwrights are real chroniclers of our time, and they are vital to the cultural health of our communities and our nation.” Curious Theatre is also one of the NNPN’s only members to host a playwright in residence three of the five years since that program’s launch.

Michael Ensminger

Steve Moulds, this season’s playwright in residence, compares the time the residency provides to an island in the constant swim that is keeping a playwrighting career afloat, thereby keeping American theater relevant and fresh. “I think we’re, right now in the United States, in a time period where a lot of things are getting kind of repurposed,” Moulds says. “All of our movies seem to be preexisting properties based on a book or based on an old board game or just musicals that are based on movies that are then made back into movies again. … I think it’s important to fund the playwrights and support the playwrights, because otherwise the content won’t get made.” Curious has also fostered young playwrights through Curious New Voices, a teen writing program, and local voices through Denver Stories. And their $1.1 million budget was supplemented this year with the national “Think It” and “Do It” grants, which funded having two producers in residence, MontourLarson and Karen Slack, to essentially be paid to be artists and represent the artists’ perspective in some of the other decisions driving the organization. They’re re-imaging the model for artists in theaters, Walton says. “These companies are ... giving a new generation of theatergoers an appreciation for risk and experimentation, and that’s what’s most exciting about a place like Curious,” Loewith says. “Chip hasn’t built an institution based on what’s the hottest play on Broadway and what star can I bring in to do it and what classic will interest the most people. He’s built an audience that is hungry for work that they’ve never heard of by playwrights they’ve not yet become familiar with, in many cases, and that’s exciting.” Respond:letters@boulderweekly.com

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Boulder Weekly

overtones Keep it simple

Dr. Dog’s studio approach has evolved over the years

courtesy of Anti-

ON THE BILL: Dr. Dog plays the Boulder Theater on Friday, Feb. 3. Doors at 8 p.m. Purling Hiss opens. Tickets are $22.50. 2032 14th St., Boulder, 303-7867030.

by Chris Parker

ands are chemistry experiments, and the introduction of a couple new elements can change the mix in not readily apparent ways. Dr. Dog has been together for more than a dozen years and released six albums of widescreen psych-pop, redolent of hooks and rather rollicking rock energy. Though their approach hasn’t necessarily changed — it still sounds like a Dr. Dog album — the addition of drummer Eric Slick and multi-instrumentalist Dmitri Manos has had a dramatic impact on the new album, To The Void. “[Slick’s] open to anything and by far the best mechanical player in the band, with the best feel. He’s probably the best musician in the band,” says bassist Toby Leaman. “We’re a different band, and the four of us that have been in the band are all better players, all have a better idea what our roles are and what our strengths are.” Slick’s addition since the last album has made a subtle difference in how the band writes, which — along with Slick’s accomplished playing — is partially responsible for Be the Void’s irrepressible energy. Over the years, the members of Dr. Dog developed a manner of bringing their songs into the studio partially

completed. After laying down what they had, they’d encourage everyone to make suggestions for the rest of the parts, whether they play the instrument or not. “So guitar lines get written by people that don’t necessarily play guitar. Same thing with drums, bass and keys. It’s whoever has the best idea, that’s who gets to write the part,” Leamon explains. Such a democratic, open-ended process tends to result in more and more recording layers, sometimes to the point of overcrowding the sonic field. While they would try to peel the production back, the songs would still sometimes sound stiff from porting around so many sounds. Slick helped fix this issue, driving the band toward their most rocking effort to date. It’s much more upbeat and affirming than 2010’s dark, dour, life-questioning Shame Shame. “Eric is really good at coming up with parts,” says Leamon. “You don’t have to spend a lot of time filling in the gaps, which is what we did before. We overdubbed heavily. A lot of times the rhythm was the last thing to be solidified. So we’re doing all this hyper arranging to get it to sound the way we wanted when really what we needed was just for it to move. I feel all the stuff on

this record does that.” Indeed, Be the Void features a spirit akin to their live shows. Absent the 25 or so musicians needed to replicate all the multi-tracked instrumental nuance occupying their songs, their performances have always leaned more toward the swaggering ’60s-garage side of their psychedelic antecedents. That energy can’t always be measured in beats per minute. “Do the Trick” has a ballad pace, but creates plenty of momentum with its pulsing keyboards, tasteful harmonies and lively, varied percussion. Others, like “These Days,” strut like a forgotten Strokes trying to find its way back to “Last Nite.” The band even delivers a raging live freak-out in “Warrior,” which sets a riff

reminiscent of the Kinks’ “Lola” on the Jefferson Airplane. “It’s just recorded live and it was a party,” says Leamon. “Just a straight up party.” The addition of Manos was intended to improve their ability to bring their multi-faceted arrangements to life. Capable of playing several instruments, he’s taken a load off rhythm guitarist Frank McElroy and keyboardist Zach Miller, who used to have to work out all the live extras between themselves. But like the addition of Slick, Manos’ presence also seems to be pushing the band toward a less overdubbed approach. It’s a direction the band has tried to see DR. DOG Page 26

Gesturing across the country

Susan France

Smooth Money Gesture makes touring look easy by Matt Conner

ON THE BILL: Smooth Money Gesture and Kung Fu play at the Fox Theatre on Thursday, Feb. 2. Doors at 8:30 p.m. Tickets are $10, $12 for under21. 1135 13th Street, 303-443-3399.

t’s rare for people to live out their childhood dreams, but the Diminico brothers are doing just that. Ever since the two were 13 and 12 years old, respectively, Doug and Dan Diminico have practiced and played together in a family trio that included their father. Eighteen years later, the siblings comprise the core membership of Smooth Money Gesture, a funk/jam/psych-rock quintet with a non-stop tour schedule. Doug says Smooth Money Gesture was originally the name of a cover band the brothers played in while living in Alaska from 2002 to 2005. When they finalsee SMOOTH Page 26

Boulder Weekly

February 2, 2012 25

SMOOTH from Page 25

ly settled in Colorado, the tunes switched to originals, and the band blossomed to six, then five, members. As the group expanded, so did the band’s sonic palette. “I feel like the music has always stayed the same — at least the styles that go into it,” says Doug. “Even when we listen to early recordings, it can sound totally different, but yet I can still hear the many styles that go into it. If you listen to the CD that we have available, you’ll find these bluegrass moments, hard rock moments and so many others. There’s a lot going on, and we all like a lot of dif-

ferent types of music. We don’t really limit ourselves to one style.” The disparate styles are a by-product of their varied tastes and background. Doug says he and Dan were both fans of the grunge movement when they first started playing music. Bands like Nirvana, Pearl Jam and Soundgarden were early influences that eventually gave way to the Grateful Dead and Phish. When listening to the band, it’s possible to hear those tastes coming through the music, but the most interesting flavors are the bluegrass inflections found throughout. When the two moved to

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Alaska, Doug says he found himself playing a lot of bluegrass, which accounts for the addition to his repertoire. Smooth Money Gesture is playing the Fox Theatre this Thursday with Kung Fu, a quick stop as they swing through Colorado on their way through the Midwest. While some bands struggle to find tour stops, SMG will have played in 10 different states this year before February is even finished. Doug says he wouldn’t have it any other way. “It’s a great time to be out there. We all love to play music, and that’s why we’ve booked so many shows this

year already. It’s just a fun time for us to play music every night, hang out with the band and then talking about the show on the next long drive. When someone wants to drive, everyone else can just relax. So our goal right now is just to play as many shows as possible, and we’ve set ourselves up to do that.” The beauty of playing out so much comes from the unexpected nature of the shows. Doug says recent shows have been very good for the band, especially as they’ve developed their sound and their light show. “We had an awesome time in Park City, Utah,” Doug says. “There’s a small city right around there that was somehow really good. We really didn’t expect that. Even in Idaho, we didn’t expect anything and it was the other way around. Sometimes you expect a lot in terms of an audience reaction and you get nothing, and then sometimes the opposite is true.” With so much touring, Doug says he and the rest of Smooth Money Gesture have no plans to rest if given some down time. Instead, he has more than enough plans to last the rest of the year. “We’re really wanting to do an East Coast tour, mainly in the Northeast, but we’ll see what happens,” he says. “That will come along with some other places that we may have not been to yet in the Midwest. We’d also like to do a string of shows back in Alaska again, but that’s really expensive, so we’ll see what happens. Then I’m pushing for another CD. Obviously not all of that can happen in one year, but we’ll try to fit in as much as we can.” Respond: letters@boulderweekly.com DR. DOG from Page 25

move toward since 2007’s obsessively beautiful We All Belong, which they fiddled with for practically two years. One problem is that between songwriters Leamon and guitarist Scott McMicken, the band can come up with as many as 50 songs every album cycle — requiring them to narrow the pool down ahead of time, since it’s hard to learn that many songs well. The other is that once you’re in the studio, it’s hard to resist tarting the songs up. “I think as a recording band we’re going to move a little more in that live direction. The ambition for the band — on probably the last three records — has been to get the songs, get the demos learned, go woodshed as a band for a couple weeks, then record it live,” Leamon says. “Of course, I think what I’m saying now I’ve said about every record since Toothbrush. We shall see.” Respond: letters@boulderweekly.com Boulder Weekly

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More information: (303) 530-5933 or admissions@bcmt.org Boulder Weekly

Locally-Owned

& Woman-Owned

February 2, 2012 27

Photo art by Brad Hatch. Dancer: Kathryn Wagner

BOULDERBALLET

Stepping Out

28 February 2, 2012

2012

February 17 & 18 at 8 pm February 19 at 2 pm Dairy Center for the Arts 2590 Walnut Street, Boulder Choreography by Ana Claire, Peter Davison and Valerie Madonia Tickets $25 adult, $17 student/senior Box office: 303.444.SEAT (7328)

www.boulderballet.org

Boulder Weekly

LOVE

IN THE DIGITAL AGE — Ballet Nouveau Colorado. 8 p.m. Feb. 3-4, 2 p.m. Feb. 5. Lakewood Cultural Center, 470 S. Allison Pkwy., Lakewood, 303-466-5685.

Thursday, Feb. 2 music

Acoustic Open Mic Night. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-9932094. SEE FULL PANORAMA LISTINGS ONLINE To have an event considered for the calendar, send information to buzz@boulderweekly.com or Boulder Weekly’s Calendar, 690 S. Lashley Lane, Boulder, 80305. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

Bonnie Lowdermilk. 7 p.m. Cuvée, 946 Pearl St., Boulder, 303-447-0475. Chordis Bell. 8 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036. Craig Corona. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Danny Shafer. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847. Dechen Hawk. 6:30 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Eric Wiggs Trio. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Emma Back Trio, Statue of Liberty. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Genga! 7:30 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Genghis Barbie Horn Quartet. 7:30 p.m. Grusin Music Hall, CU campus, 303-492-8008. see PANORAMA Page 30

Boulder Weekly

February 2, 2012 29

panorama Jim Adams — With John Stilwagen. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Kung Fu — With Smooth Money Gesture. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

BOULDERDENVER AREA

arts

Max Wagner Trio. 6:30 p.m. Treppeda’s, 300 2nd Ave., Niwot, 303-652-1606. Morsoul. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. The Real Nasty. 9 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

events

Beginning Flamenco Dance. 6:157:30 p.m. Kakes Studios, 2115 Pearl St., Boulder, 303-786-7050, www.flamencoboulder.com. Boulder Salsa Social. 6:30 p.m. The Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 720-934-2028.

Colorado Skies: Celestial Mechanics — A discussion about the motions of celestial obejcts under the planetarium dome. 7:30 p.m. Fiske Planetarium, 2414 Regent Dr., Boulder. 303-492-5002 Comedy Works — Presenting Kevin Fitzgerald. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

LIVE MUSIC every Sun, Mon, & Wed @10pm & Fridays @ 5pm EVERY TUESDAY! $3 Premium Drafts all day $5.00 Cheeseburger & Fries after 4pm

Fri., February 3rd

Lee Johnson

Sun., February 5th • 9pm

Open Stage

Wed., February 8th

Hwy 287

Demetri Martin. 8 p.m. Hosted by CU Program Council at Macky Auditorium. 1505 University Ave., Boulder. 303-4927704. Hula Dance — Ongoing/intermediate/advanced hula 5:50-7 p.m., beginning hula 7-8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. The Invisible Made Visible — Opening celebration and talk. 6 p.m. University of Colorado Museum of Natural History, Henderson Building, 15th and Broadway, Boulder, 303-492-6892. Kevin Smith: Live From Behind Featuring Jay and Silent Bob Get Old. 7:30 p.m. Century Boulder, 1700 29th St., Boulder, 303-444-0583.

Angela Facciotti and others. Artist’s Studio and Gallery, 915 Walnut St., Louisville, 720-340-0084. First Friday grand opening celebration 4-8 p.m. Feb. 3.

Astrid Paustian, Pam Simich and Calvin Whitehall. OpenArts Gallery @ Rembrandt Yard, 1301 Spruce St., Boulder, 303-444-1862. CU Art Museum — The Anxiety of Influence: From CU’s ceramics collection. CU Art Museum, 1085 18th St., Boulder, 303-492-1320. Through June 25. Erin King, Ken Schmeelk. NCAR Mesa Laboratory, 1850 Table Mesa Dr.,

Ironwood Rain, Hazardous Matthew, Catsmelvin Freakabout. 6 p.m. D Note, 7519 Grandview Ave., Arvada, 303-4636683. Lee Johnson. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-939-9900.

Boulder, 303-497-2408.Through Jan. 31. INVST Community Leadership Program Photo Exhibit. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644. Through Feb. 19. Jim Post Photography, Anthony Grant Paintings. Anthony Grant Studio Gallery at The Art Underground, 917 Front St., Louisville, 303-408-5533. Lisa Michot. KGNU Radio Station, 4700 Walnut St., Boulder. Through Feb. 29. First Friday reception 5 p.m. Feb. 3. Phyllis Stapler. Boulder Arts and Crafts Gallery, 1421 Pearl St., Boulder, 866-656-2667. Through March 4.

events Chinese Lion Performance. 6 p.m. Lee Yuan Restaurant, 4800 Baseline Rd., Suite A110, Boulder, 303-494-4210. Friday Night Yoga Club — Shanti Medina with Scott Medina & Band. 5:30 p.m. Shine, 2027 13th St., Boulder, 303-4490120.

Friday, Feb. 3

The Lemonheads — With Meredith Sheldon. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Aakash Mittal Trio. 7 p.m. Cuvée, 946 Pearl St., Boulder, 303-447-0475.

Mr. Anonomous. 8 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036.

I Am Watch Television Zombie — A multimedia celebration of our addiction to television. 7:30 p.m. ATLAS Black Box Theatre, CU campus, atlas.colorado.edu.

The Outside Alliance, Grub Street Writer. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Laser: Daft Punk. 7:30 p.m. Fiske Planetarium, 2414 Regent Dr., Boulder. 303492-5002

Ricky Earl. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-443-3322. Selassee. 7 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Love in the Digital Age — Ballet Nouveau Colorado. 8 p.m. Lakewood Cultural Center, 470 S. Allison Pkwy., Lakewood, 303-466-5685.

Something Underground. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303665-2757.

Smart Regs Energy Inspector Training. 8:30 a.m. – 4:30 p.m. Alfalfa’s, 1651 Broadway, Boulder, bgbg.org.

Tom Weiser & Paul Fowler Jazz Duo. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Saturday, Feb. 4

Wendy Woo Band. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-8236685.

Alabama Shakes — With A. Tom Collins. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

music

Boomchicken. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Chris Kroger Trio. 8 p.m. The Rib House, 1801 13th St., Boulder, 303-442-RIBS. Clark’s Quark. 5 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-4425847.

Friday, Feb 10th - Jubal Sunday, Feb 12th - Open Stage, 9pm Monday, Feb 13th - The Heavy Cats Wed., Feb 15th - Longest Day Of The Year

Danny Shafer’s 21st Century Band. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303485-9400.

Friday, Feb 17th - Dechen Hawk Sunday, Feb 19th - Open Stage, 9pm Monday, Feb 20th - George Nelson Quartet Tues., Feb 21st FAT TUESDAY, Nobody Cares 10pm String Band Wed., Feb 22nd - Monocle Stash

Dr. Dog. 6:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030

30 February 2, 2012

From Wild Life: Photos by Lisa Michot, showing at KGNU in Boulder

Erik Deutsch Band. 7:30 p.m. Grusin Music Hall, CU campus, 303-492-8008. Gasoline Lollipops. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

music

The Ariel Fletcher Band. 7:30 p.m. Rock Boulder Weekly

Bolder Nights is one of the year-round events delivered under BolderLife Festival programming. Visit us at WWW.BOLDERLIFEFESTIVAL.COM BOLDERLIFE FESTIVAL

The Most Innovative Evening of Entertainment in Boulder!

Presented the second Sunday each Month

Sunday, Feb 12 at 7 PM Sunday, Mar 11 at 6:30 PM Sunday, Apr 8 at 6:30 PM

Nomad Theatre

1410 Quince Ave Boulder

24/7 TICKET HOTLINE:

1-800-838-3006 ORDER ONLINE: WWW.BROWNPAPERTICKETS.COM/EVENT/224370 Tickets: $12 - $17. Group and series pass discounts available! ROGRAM WPHERE : :

7:00 –Theatre LIVE MUSIC & ART EXHIBIT: View art in the lobby and groove to live music on stage. Nomad 1410 Quince Ave 7:30 – PLAY IN A DAY: Formerly known as Hitching Post Theater, two exciting short plays North Boulder written, rehearsed and performed in one day. 8:00 – SCHMOOZER: Meet and greet with artists, actors, writers, directors and our beloved

bartender.

8:30 – BOLDER SERIAL THEATRE: Experience a 3-part theatre miniseries, in an audience

inspired “choose your own adventure” format. Join in our audience talk-back after each month’s episode and help decide the character’s fate!

panorama N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108.

Maxwell Boykoff answers the question, “Who speaks for the climate?” at 7:30 p.m. on Feb. 8 at the Boulder Book Store.

Boa & Jody. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Rd., Unit B, Longmont, 303-776-1914. Bob Marley Birthday Party — With DJ Uplifter, MC Black Rhino. 8 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Chordis Blue. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-4425847. The Congress — With Brother Bagman. 8 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036. Deja Blu. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757. The Galt Line — With Dustin Edge. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

words

Bill McKay Band. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922.

Thursday, Feb. 2

Monday, Feb. 6

Between the Covers Bookclub — The Beekeeper’s Lament. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Sandra Bowen. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644. Tuesday, Feb. 7

Laura Melling. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644.

Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303579-1644.

Friday, Feb. 3

The Weird Sisters — by Eleanor Brown. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303447-2074.

Leonard Peltier Commemoration Concert — Feat. Dango Rose and Sage Cook of Elephant Revival, Ellen Klaver, Silent Bear and more. 6 p.m. Ozo Coffee House, 1015 Pearl St., Boulder, www. ozocoffee.com.

Matthew Cooperman & Aby Kaupang. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644.

Lisa Bell — With Bob Story and Chris Malley. 7 p.m. Cuvée, 946 Pearl St., Boulder. 303-447-0475

Lawrence J. King. 12 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644.

Saturday, Feb. 4

Wednesday, Feb. 8 Who Speaks for the Climate? — by Maxwell Boykoff. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

King Stan. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Mestizo. 6:30 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Midwinter Bluegrass Festival — With Hayward Stranger, Blue Canyon Boys, Statue of Liberty Band. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Mojomama. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-443-3322. Onda. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Randall Dubis Band. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-8236685.

events Adobe Flash Hands-On Intensive. 9 a.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276. Annual Chocolate Affair. 11 a.m. – 2 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Bee Keeping Class. 3 p.m. The Lyons Farmette, 4121 Ute Highway, Lyons, 303746-6266. Ethical Fashion Show for a Better World — Hosted by INVST and Un Mundo. 6:30 p.m. Absinthe House, 1109 Walnut St., Boulder, www.unmundo.org/ fashionforabetterworld. I Am Watch Television Zombie — A multimedia celebration of our addiction to television. 7:30 p.m. ATLAS Black Box Theatre, CU campus, atlas.colorado.edu. 32 February 2, 2012

Longmont Chinese New Year Celebration. 2-5 p.m. Silver Creek High School, 4901 Nelson Road, Longmont, 303-7766050. Love in the Digital Age — Ballet Nouveau Colorado. 8 p.m. Lakewood Cultural Center, 470 S. Allison Pkwy., Lakewood, 303-466-5685. Old-time Square Dance and Snack Potluck. 7-10 p.m. Odd Fellows Hall, 4th and High Streets, Lyons, 303-823-0816.

Open Stage. 9 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-939-9900. Saxton Rose, bassoon, and Elizabeth Pacheco Rose, soprano. 2 p.m. Grusin Music Hall, CU campus, 303-492-8008. Square Groupers. 10 p.m. Mountain Sun Brewery, 1535 Pearl St., Boulder, 303-5460886.

events

Playback Theatre West: A Night of Improvisational Theatre. 8 p.m. Dairy Center for the Arts. 2590 Walnut St, Boulder. 303-440-7826

Beginning iPhone and iPad Development Hands-On Intensive. 9 a.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

Second City-Laugh Out Loud Tour. 7 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Derech Chayim — “A Way of Life” 6 p.m. Boulder’s Rabbinic Council at Har Hashem Congregation, 3950 Baseline Rd., Boulder, contact Jodi for more details at 503-780-7470.

Salsa Lessons and Dancing. 8:30 p.m. Millennium Harvest House Hotel, 1345 28th St., Boulder, 303-998-3805.

Sunday, Feb. 5 music

Bluegrass Pick. 12 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Jazz Jam — With Mark Diamond. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-443-3322. The Lone Garage Massacre. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303440-4628.

Love in the Digital Age — Ballet Nouveau Colorado. 2 p.m. Lakewood Cultural Center, 470 S. Allison Pkwy., Lakewood, 303-466-5685. Salsa Dancing. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Monday, Feb. 6 music

Brad Goode Jazz Quartet. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303499-2985. Colorado Spirit Chorus — Weekly reBoulder Weekly

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Jonas Custom Guitars Look for Jonas Guitars on facebook Visit www.JonasGuitars.com located at 75th and Arapahoe - 720-999-1223

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is now enrolling for our next seasons shows AC/DC, Nirvana, and 80’s New Wave

Now accepting applications for this summers performance and recording camps. Call now or enroll online before they fill up!

Wanna learn more? Call 303-532-1201 or visit WWW.sChoolofroCk.Com Boulder Weekly

February 2, 2012 33

RECENT WRECK Have you JACKED UP?

panorama THEATRE DANCE

CAFE OF LIFE can help

Located in front of Whole Foods next to Turleys Restaurant

“A man too busy to take care of his health is like a mechanic too busy to take care of his tools.” -Spanish Proverb

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Boulder Longmont 303.447.2873 303.682.2440 Golden West Manor 303.939.0591

George Nelson Quartet. 10 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303939-9900. Guest Recital — Jennifer Hayghe, piano. 7:30 p.m. Grusin Music Hall, CU campus, 303-492-8008. Jay Ryan’s Big Top. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

about

ordinary

rsity everyda T h e at y life re Bu February 1-4 ildin @ 7:3 tix: http://th eatredance.col 0pm, Feb. 5 @ 6:30pm | ma g | L o f t T h e at r e tinees Feb. 4 orado.edu | s m usi c & 5 @ 2:00pm 303.492.8181 um

| www.f

e muse

acebook.com/ cutheFeb. Arvada, 720-898-7200. Through atredance19. Phantom. Boulder’s Dinner Theatre, 5501 Arapahoe Ave., Boulder, 303-4496000 x4. Through Feb. 18. Present Laughter. Miners Alley Playhouse, 1224 Washington Ave., Golden, 303-935-3044. Through Feb. 12. The Turn of the Screw. Living Room Theatre at the Byers-Evans House Museum, 1310 Bannock St., Denver, 303-620-4933. Through Feb. 18. The Winter’s Tale. Tara Performing Arts High School at the Nomad Theatre, 1410 Quince Ave., Boulder, 303-440-4510. Feb. 3-5. student

AR TS arts & cultural enrichment

303-363-2300. Salsa Caliente Mondays. 8 p.m. lesson, 9 p.m. salsa, merengue, cha cha cha. The Rib House, 1801 13th St., Boulder, 303-442RIBS. “So,You’re a Poet” — Open poetry reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Tuesday, Feb. 7 music

Bluegrass Pick. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-8236685. Blues Jam — With Dan Treanor. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-443-3322.

Mike Dillon of Garage a Trois — With Yojimbo. 8 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036.

Gasoline Lollipops. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

Open Mic. 7 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-4435108.

events Digital Video Camera and Lighting Basics. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

34 February 2, 2012

rt plays

the extra

Un i v e

Jet Edison. 10 p.m. Southern Sun Pub, 627 S. Broadway, Boulder, 303-543-0886.

Open Mic. 5 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847.

Power Plate classes now available

n Nigro

Four sho

hearsals and auditions. 6:30 p.m. Boulder Valley Christian Church, 7100 South Boulder Road, for more information contact Nicci at 303-460-8651 or Joy at 303-641-4122. Electric Blues Jam. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400.

Ives & Do

atr

9 Circles. Curious Theatre, 1080 Acoma St., Denver, 303623-0524. Through Feb. 18. Everything You Can Imagine is Real — An evening of one-act plays. Loft Theatre, University Theatre Building, Boulder, 303-492-8181. Through Feb. 5. Glengarry Glen Ross. The Edge Theater Company, 9797 W. Colfax Ave., Lakewood, 303-232-0363. Through Feb. 19. The Importance of Being Earnest. Arvada Center, 6901 Wadsworth Blvd.,

by David

ar t danc

2835 Pearl Street Unit D • Boulder, CO 80301 303.444.7744

theater

JUST CALL THE CAFE FOR AN EVALUATION TODAY!

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We Accept MEDPAY & Most Major Insurances Our staff will handle your claim and allow you to concentrate on your healing.

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Everything You Can Imagine is Real is being performed at the Loft Theatre in the University Theatre Building

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The Fringe Lottery Party — 2012 Fringe Festival artists get drawn from a hat amidst theatre, dance and music previews. 7-10 p.m. Shine, 2027 13th St., Boulder, www.boulderfringe.com/big-time. Pearl Street Bus Community Blood Drive. 10-11:40 a.m. and 1-3:30 p.m. Bonfils’ mobile bus, 1340 Pearl St., Boulder,

The Joints. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Monarch Jazz Recital. 7 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757. Open Stage. 8 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Wind Symphony & Symphonic Band. 7:30 p.m. Macky Auditorium, CU campus, 303-492-8008.

events

Barefoot Improv Jam Association — Public dance jam every Tuesday. 7:30-10:30 p.m.The Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 720-934-2028. Flamenco Dance Technique. 5:50-7 p.m. Kakes Studios, 2115 Pearl St., Boulder, 303-786-7050, www.flamenco-boulder. com. Boulder Weekly

panorama Wednesday, Feb. 8 music

Bill McKay. 6:30 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. The Clamdaddys Transcendental Blues Jam. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. The Get Down Easy’s — With Silent Bear. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Hwy 287. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-939-9900. Keyboard Conversations — Presented by Jeffrey Siegel. 7:30 p.m. Arvada Center, 6901 Wadsworth Blvd., Arvada, 720-8987200.

Sunday, Feb. 5 Go Club. 2 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Snow, Trees and Furry Mammals! 1 p.m. stories for ages 2 to 4, 1:35 p.m. nature detective scavenger hike, 2 p.m. stories for ages 4 to 6. Chautauqua Ranger Cottage, 900 Baseline Rd., Boulder, naturehikes.org.

Monday, Feb. 6 Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave.,

Boulder, 303-441-3100. Reading Buddies. 4:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Tuesday, Feb. 7 Drop-in Storytime. 10:15 a.m. Erie Community Library, 400 Powers St., Erie, 720-685-5200. Reading Buddies. 4:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Tactile Tuesday. 9 a.m. WOW! Children’s

Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Wednesday, Feb. 8

Cruisers and Crawlers. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. French with Veronique. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424. Watercolor Wednesdays. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Open Bluegrass Pick. 8:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922. Reggae Wednesdays — Feat. Rising Lion. 8 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036. Songs from the Silo — With Mollie O’Brien & Rich Moore. 7:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Tommy and the Tangerines. 8 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303665-2757.

events Drop-in Meditation. 5 p.m. Boulder Shambhala Meditation Center, 1345 Spruce St., Boulder, 303-444-0190. Patagonia CEO and President Casey Sheahan on Corporate Responsibility. 6:30 p.m. Stadium Club at Folsom Field, CU campus, www.outdoorindustry.org. Wednesday Waltz Etcetera. 7 p.m. Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 303-449-5962.

Kids’ Calendar Thursday, Feb. 2 Kid’s Concert — With Amy Haywood, Jeff Kagan, Kelye Lotz and Susie Adams. To benefit Children’s Alley. 5:30-6:30 p.m. Mountain View Methodist Church, 355 Ponca Place, Boulder, 303-413-1711. Toddler Time. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303441-3100.

Friday, Feb. 3 Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Saturday, Feb. 4 Free Family Days. University of Colorado Museum of Natural History, 15th and Broadway, Boulder, 303-492-6892. French/English Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. How I Became a Pirate — A Children’s Musical, costumes encouraged. 11 a.m. Arvada Center for the Arts, 6901 Wadsworth Blvd., Arvada, 720-898-7200. Boulder Weekly

February 2, 2012 35

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36 February 2, 2012

Boulder Weekly

screen

The film shrewdly does not tip its hand about who’s living and who’s dying.

Neeson vs. wolf by Michael Phillips

he title 8 Million Ways to Die was already taken, so The Grey had to settle for The Grey, named for the plus-size wolves waging war on the desperate human survivors of an Alaskan wilderness plane crash. Tough situation. Frostbite. Wolf bite. Drowning. Falling from great heights. Harsh outcomes abound for both man and beast. And yet the film takes some time to let its characters ruminate, by way of dialogue, on their circumstances, which gives The Grey a distinctly late-20thcentury feel. The film stars Liam Neeson, a bona fide 59-year-old action hero, as an oil refinery sharpshooter charged with keeping predators at bay. Working from a short story by Ian Mackenzie Jeffers, who wrote the script’s first draft, co-writer and director Joe Carnahan places the formidable Neeson in the middle of a scary and

bracing picture with more on its mind than advertised. Some of The Grey is phony, and it was a mistake to make the rogue wolves large enough to be mistaken for critters out of Twilight. But Carnahan is smart enough to keep fullview images of the antagonists in check. And there’s an actual human element to go with Carnahan’s Jack Londoninspired depiction of humans against the elements. We meet Neeson’s character, a heartbroken loner named John Ottway, on the verge of suicide and thinking back, obsessively, to the woman who got away. His demons temporarily quelled, Ottway boards a small plane with his fellow refinery workers and in one of the most nerve-racking flights ever put on film, the aircraft runs afoul

of bad weather and crashes. (For a turbulence wimp like me, this scene was not easy.) Eight survive, at first. Ottway, the alpha male, knows what he’s doing. So does the alpha male of the wolf pack on their trail. The rest of the humans are played by an interesting ensemble of non-stars, including Dermot Mulroney, Dallas Roberts, Nonso Anozie, Frank Grillo and others. The film shrewdly does not tip its hand about who’s living and who’s dying. Carnahan indulges himself in ways most filmmakers would avoid: He gives several of the men, for example, extended soul-searching discussions about God’s existence (or not), about owning up to one’s fears, about the precarious nature of love. The best parts of The

Details matter

So many details eat away at our engagement with this picture.

by Michael Phillips

man edges along the 21st-story ledge of a midtown New York City hotel. He’s an ex-cop and a convicted thief on the lam, straight out of Sing Sing, and he’s threatening suicide. Sam Worthington, of Avatar and Clash of the Titans, plays this character, Nick Cassidy, and it is odd to see Worthington on a precipice without winged beasts or blue friendlies buzzing about his head. The only thing buzzing in Man on a Ledge are little gnats of narrative improbability. Like the more antic Tower Heist a few months back, Man on a Ledge exploits populist rage against corrupt bazillionaires as it spins a tale of a high-risk revenge burglary in the high-rent Manhattan district. Unlike Tower Heist, though, Man on a Ledge confines its protagonist to a thin sliver of concrete for much of its 102 minutes. While Nick is up to something out there, on the ledge, a police negotiator played by Elizabeth Banks argues with another cop (Edward Burns, doing what he should be doing for a living — acting, that is, instead of writing/directing) about how to talk him down. Banks is a skillful actress, particularly in comedy, but she doesn’t easily suggest “hard-bitten.” You can say this for screenwriter Pablo F. Fenjves’ story: It stays busy. It starts in the hotel, moves to the ledge and then swoops back into a one-month-earlier Boulder Weekly

Grey connect the interior lives of these roughnecks with their newfound and lethal obstacles to safety. Carnahan made Smokin’ Aces (which I hated) and The A-Team (which wasn’t bad, actually); wisely, he shot and edited The Grey like neither of those pictures. This one’s more relaxed in its rhythms, a brooding drama about a brooding man in a terrible situation. Only occasionally are there computer-generated ravines that must be leapt across; thankfully much of the action was shot in northern British Columbia, and a lot of the wind and snow and scenery is real. —MCT, Tribune Media Service Respond: letters@boulderweekly.com

flashback, explaining how Nick got there, why he went to prison in the first place and how he managed to turn a furlough for his father’s funeral into an opportunity for escape. Nick asserts his innocence regarding the theft of the $40 million Monarch diamond, the one owned by a monster capitalist played, or rather sniveled, by Ed Harris. So many details eat away at our engagement with this picture. Why wouldn’t the negotiator notice Nick has an earpiece and a habit of murmuring aloud? Why does the distance between the ledge and the pavement seem to vary from shot to shot, depending on whether we’re watching actor-harnessed action filmed on location or actors doing their thing on a mock-up of the

location? Why does the guy in the crowd below holler “Attica! Attica!” as if that weren’t one of the signature moments from Dog Day Afternoon? Jamie Bell plays Nick’s younger brother, in cahoots with his fiance, Genesis Rodriguez, whose preferred heist wardrobe is the Salma Hayek lingerie line from After the Sunset. Anthony Mackie, a terrific actor, brings some artful ambiguity to the role of Nick’s colleague from his police force days. Danish director Asger Leth gets the job done with minimal style and a generally indistinct tone. The supporting players in Man on a Ledge bring more to the party than the leads, and my suspension of disbelief seems to have gotten hung up in traffic while attempting to cross the suspension-of-disbelief bridge from the Brooklyn side. —MCT, Tribune Media Service Respond: letters@boulderweekly.com

February 2, 2012 37

reel to reel

For a list of local movie times, visit boulderweekly.com/movie-times.html

Addiction Inc In the 1980s, Victor DeNoble was a research scientist at a major tobacco company, where he was given the task of finding a substitute for nicotine that would not cause heart attacks. He succeeded, but in the process he proved something that the industry had been denying for years: that cigarettes were addictive. At Boedecker Theater. — Boedecker Theater

Haywire

One for the Money

All the big hair in New Jersey couldn’t save this movie from belly-flopping into sexist stereotypes and failing one-liners.

Hugo To write off this dreamy, overwhelmingly beautiful movie as mere kids’ stuff would be an injustice. This adaptation of Brian Selznick’s illustrated children’s book The Invention of Hugo Cabret (John Logan wrote the screenplay) is as much of a personal Martin Scorsese picture as Raging Bull or Taxi Driver. Rated PG. At Century and Colony Square. — Rene Rodriguez/MCT

The Adventures of Tintin When an intrepid young reporter purchases a model ship that holds the key to a mystery, he and his dog embark on a globe-trotting adventure. Rated PG. At Colony Square. — Los Angeles Times/MCT Albert Nobbs Glenn Close stars in this emotional and thought-provoking tale of a woman forced to live as a man, Albert Nobbs, in order to work and survive in 19th-century Ireland. After 30 years of keeping up the charade, a new love threatens to destroy everything she’s worked so hard to build. At Century and Esquire. — Landmark Theatres The Artist Hollywood 1927. Silent movie matinee idol George Valentin is enjoying the good life, although he seems fonder of his faithful dog than of his trophy wife. He meets funny, sexy young extra Peppy Miller, a dancer set for a big break, and sparks fly. With the advent of the talkies George’s career nosedives, while Peppy’s takes off. At Century and Chez Artiste. — Landmark Theatres

In the Land of Blood and Honey

dreams. Rita is a beautiful singer with an extraordinary voice. Their journey — in the tradition of the Latin ballad, the bolero — brings heartache and torment. A sensual animated love story set to seductive Latin rhythms. At International Film Series. — IFS

life-threatening boating accident off of Waikiki. At Century, Colony Square and Esquire. — Landmark Theatres

Chronicle

Those krazed VHS-hunting pupz from Everything Is Terrible! (everyone’s favorite found footage chop shoppe) are back with their third inner-eye-opening feature — containing a feat never before attempted in either human or canine history. At Denver FilmCenter/Colfax. — Denver Film Society

After making a surprising discovery, three high school students develop uncanny powers and begin to lose control. At Century. — Los Angeles Times/MCT

Ballet: Sleeping Beauty – Bolshoi

The Conquest

The second of Tchaikovsky’s three ballets, Sleeping Beauty garnered more accolades at its premiere than Swan Lake. Sadly, the composer did not live long enough to see its success outside of Russia. At Boedecker Theater. — Boedecker Theater

The Conquest covers the facts surrounding French president Nicolas Sarkozy’s dramatic rise to power — his service under Jacques Chirac, his rivalry with Dominique de Villepin, and his subsequent election (against all odds) to highest office in 2007 — amid personal turmoil. At Denver FilmCenter/Colfax. — Denver Film Society

Beauty and the Beast A three-dimensional version of the classic animated tale about a princess taken captive by a monster who may be more than meets the eye. Rated G. At Century and Twin Peaks. — Los Angeles Times/MCT Big Miracle Amid the Cold War, a small-town reporter and his environmentalist ex-girlfriend lead an unlikely international coalition to save a family of gray whales trapped in the Arctic circle. At Century. — Los Angeles Times/MCT Broken Embraces Mate Blanco is a film director who was blinded and lost the love of his life in a brutal car accident 14 years earlier. He has become a successful writer, living under a pseudonym. After his secretary’s son is injured, Harry takes care of him and begins to tell him of the events of 14 years ago. At Boedecker Theater. — Boedecker Theater Chico & Rita Chico is a young piano player with big 38 February 2, 2012

Mixed martial arts star and model Gina Carano holds her own in this sauntering, multi-city film that’s slyly funny at times as various men in the spy game underestimate agent Mallory Kane (Carano). Or don’t underestimate her. Rated R. At Century, Colony Square and Twin Peaks.

Contraband A former international smuggler is forced to re-enter the criminal underground to settle his brother-in-law’s debt and protect his own family. Rated R. Colony Square and Twin Peaks. — Los Angeles Times/MCT A Dangerous Method Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships among fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. At Mayan. — Landmark Theatres The Descendants From Alexander Payne, creator of the Oscar-winning Sideways, comes The Descendants, a sometimes humorous, sometimes tragic journey for Matt King (George Clooney), a distracted husband and back-up parent to two girls who is forced to re-examine his past and embrace his future when his wife suffers a

DOGGIEWOGGIEZ! POOCHIEWOOCHIEZ!

Drive Breakout Danish director Nicolas Winding Refn throttles into the fast lane with this precision-crafted action caper, winner of the Best Director award at the Cannes Film Festival. Ryan Gosling stars as Driver, a Los Angeles wheelman for hire, stunt-driving for movie productions by day and steering getaway vehicles for armed heists by night. At Boedecker Theater. — Boedecker Theater Extremely Loud & Incredibly Close Stephen Daldry (The Hours) directs this adaptation of Jonathan Safran Foer’s novel about a young boy (Thomas Horn) trying to make sense of the world after his father (Tom Hanks) is killed in the attack on the World Trade Center on Sept. 11. Rated PG-13. At Century, Colony Square and Twin Peaks. — Rene Rodriguez/MCT The Girl With the Dragon Tattoo Mikael Blomkvist and his colleague, the heavily pierced bisexual fantasy pin-up Lisbeth, go about nailing a killer of women. All roads lead to a rich family led by Henrik Vanger, whose relatives have a lot to hide. Rated R. At Century. — Michael Phillips/TMS The Grey See full review Page 37. Rated R. At Century, Colony Squre and Twin Peaks.

Set against the backdrop of the Bosnian War that tore the Balkan region apart in the 1990s, In the Land of Blood and Honey is the story of Danijel and Ajla, two people from different sides of a brutal ethnic conflict. At Denver FilmCenter/Colfax. — Denver Film Society Into the Abyss Into the Abyss is Werner Herzog’s latest documentary. Never afraid to tackle difficult subjects, he uses a triple homicide case to probe the human psyche and ask why people kill and why a state kills. At Boedecker Theater. — Boedecker Theater The Iron Lady This biopic presents a portrait of Margaret Thatcher, the only woman to be prime minister of the United Kingdom. Rated PG-13. At Century, Colony Square and Mayan. — Los Angeles Times/MCT Kevin Smith: LIVE from Behind A live and interactive Q&A with independent filmmaker Kevin Smith. At Century. Le Havre In this warmhearted portrait of the French harbor city that gives the film its name, fate throws a young African refugee into the path of a well-spoken bohemian who works as a shoeshiner. A heart-wrenching but ultimately inspirational film. At International Film Series. — IFS Martha Marcy May Marlene Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult. The horror aesthetic — that the unseen is more frightening than the seen — is carried to a merciless extreme in this unnerving debut by Sean Durkin. At International Film Series. — IFS Mission: Impossible – Ghost Protocol The latest in the “M:I” franchise begins with a Moscow prison break, proceeds to a terrorist bombing of the Kremlin, skedaddles off to Dubai and the world’s tallest building, and then heads to Mumbai, chasing nuclear Boulder Weekly

My Week With Marylin In the early summer of 1956, 23-year-old Colin Clark came down from Oxford determined to make his way in the film business. He worked as a lowly assistant on the set of The Prince and the Showgirl, the film that famously united Sir Laurence Olivier and Marilyn Monroe, who was also on honeymoon with her new husband, the playwright Arthur Miller. At Mayan. — Landmark Theatres One for the Money A newly divorced, recently laid-off woman lands a job with a shady bail-bond business and gets swept up in a world of murder and deception. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT

Pariah FS(((UNDERGROUND))) coming soon

A good student at her local high school with aI flair poetry, Alike N Tfor ER N AT I OisNquietly A L but firmly embracing her identity as a lesbian. With the sometimes boisterous support of her best friend, out lesbian Laura (Pernell Walker), Alike is especially eager to find a girlfriend. At Chez Artiste. — Landmark Theatres

SERIES

FILM

Silent Souls This Russian drama unfolds as a series of perplexing, fascinating snapshots, yet the predominant story about saying goodbye — to people and customs — are universal.At International Film Series. — IFS Tinker, Tailor, Soldier, Spy Tinker, Tailor, Soldier, Spy is the feature film version of John le Carré’s classic bestselling thriller. The Cold War of the mid-20th century continues to threaten international relations. Britain’s Secret Intelligence Service (SIS) is striving to keep pace with other countries’ espionage efforts. At Century and Chez Artiste. — Landmark Theatres

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The Tree of coming Life soon

FILM

The Tree of E LifeRisNthe impressionistic INT AT I O N A L story of a Midwestern family in the 1950s. At Denver FilmCenter/Colfax. — Landmark Theatres Underworld: Awakening

After skipping the previous film, Kate U E N Z I N G E R AU D I TO R I U M M UENZIN G E R toAU I TO R I U M Beckinsale returns theD werewolf-versusPaul Goodman Changed my Life LORADO AVE WEST OF FOLSOM STADIUM IN BOULDER ON COLORADO AVE WEST OF FOLSOM STADIUM IN BOULDER vampire franchise she helped make famous, W. I N T E R N AT I O N A L F I L M S E R I E S . C O M W W W. I N T E R N AT I O N A L F I L M S E R I E S . C O M with EPaul N E RGoodman A L A D M IChanged S S I O N - My $ 6 Life S T Uimmerses DENT $ 7this G E time N E R Ajoining L A D Mforces ISSION - $ 6her S T lycanUDENT in an era highProgrammed intellect Since (that thrope pals toSeries bag- Locally the most dangerous ’syou 1st Arthouse Seriesof - Locally 1941heady, Boulder’s 1st Arthouse Programmed Since 1941 cocktail-glass juncture that Mad Men has so game of all: humans. Rated R. At Century, WEDNESDAy & THURSDAy THURSDAy effectively New York was ColonyjANUARy Square and Peaks. jANUARyexploited) 25-26 @ 7 & when 9:30 PM 26 @Twin 7 & 9:30 PM — Rene peaking culturally and artistically; when Rodriguez/MCT ideas, and the people who propounded them, seemed to punch in at a higher War Horse weight class than they do now. At Denver During World War I, a horse is separated from FilmCenter/Colfax. the young man who tamed and trained him, threatening their special bond and sending the PerfectfRiDAy & SATURDAy & SATURDAy animal on anfRiDAy extraordinary Rated jANUARy 27-28 @ 7 & 9 PM jANUARy 27-28 @ 7 &journey. 9 PM Perfect is pure 1980s fluff, complete with a PG-13. At Century. — Los Angeles Times/MCT swingin’ John Travolta (mousse-filled hair and all) as Adam, a magazine journalist looking to The Way expose the fitness and aerobic-class craze as Martin Sheen plays an American doctor nothing but a replacement for the 1970s who comes to France to collect the polyester-filled singles bar faze. At Denver remains of his adult son (played by Emilio FilmCenter/Colfax. — Denver Film Society SUNDAy Estevez), killed SUNDAy in the Pyrenees in a storm jANUARy 29 @ 7PM ONLy jANUARy 29 @ 7PM ONLy while walking the Camino de Santiago. Red Desert Rather than return home, he decides to Thematically, Red Desert is a distillation of embark on the historical pilgrimage. At Antonioni’s preferred themes and imagery: Boedecker Theater. — Boedecker Theater alienation, anxiety, modern life and industrialized landscapes. At International Film The Woman in Black Series. — IFS When a widowed lawyer is sent to a WEDNESDAy WEDNESDAy fEbRUARy 1 @ 7 PM ONLy @ 7 PM ONLy remote fEbRUARy village to 1settle the affairs of a Red Tails deceased eccentric, he discovers the place Producer George Lucas labored for years to holds a deadly secret. At Century. — Los make this film about the crew of AfricanAngeles Times/MCT American pilots (including Cuba Gooding Jr., Terrence Howard and Method Man) in the Young Goethe in Love Tuskegee training program who were called Germany 1772 — the young and tumultuTHURSDAy & fRiDAy THURSDAy & fRiDAy into action in World War II. Rated PG-13. At fEbRUARy 2-3 @ 7 & 9 PM fEbRUARy 2-3aspires @ 7 & 9 PM ous Johann Goethe to be a poet but Century, Colony Square and Twin Peaks. after failing his law exams is sent by his father to a sleepy provincial court to mend Shame his ways. A lively, deeply felt film that conBrandon shuns intimacy with women but vinces us a historical figure’s life was as feeds his desires with a compulsive addiccompelling as the work he achieved. At tion to sex. When his wayward younger sis- International Film Series. — IFS ter moves into his apartment, stirring mem- FOR MORE INFORMATION CALL 303-492-1531, OR: MORE INFORMATION CALL 303-492-1531, OR: WWW.INTERNATIONALFILM SERIES.COM WWW.INTERNATIONALFILM SERIES.COM ories of their shared painful past, Brandon’s E D I life A spirals S Pout O N O R SAt Chez M E D I A S P O N S O R S insular of Scontrol. Artiste. — Landmark Theatres

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See full review Page 37. At Century, Colony Square and Twin Peaks.

If you enjoyed the first Guy Ritchie retelling of Sherlock, then you’ll likely leave the sequel feeling satiated. If you hated the first one, you’ll probably find so little pleasure in this that, sometime around the seventh gamer-style action sequence, you may ponder: Is this doing permanent damage to the medium? At Century and Twin Peaks. — Michael Phillips/MCT

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February 2, 2012 39 FEBRUARY 9

cuisine

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Jeffers

The second sex of sushi chefs

For women, mastering this difficult profession is only part of the story by Steve Weishampel

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Break Potato fast es

omen’s hands are too warm, the argument goes, to handle the ingredients. They’d damage the raw fish. The perfume or makeup or lotion on women’s hands would ruin the salmon and tuna. Of course, these are animals that live in some of the filthiest ecosystems this side of the Death Star’s trash compactor. Yuki Sanda, sushi chef at Boulder’s Sushi Zanmai, has heard every excuse in the book — both in her native Japan and in the U.S., where she relocated in 1995. And the arguments still hang around, Sanda says, even today. Sanda is part of a growing group of women being given the opportunity to work as sushi chefs, a position typically — almost entirely — held by men until recently. And she says that she enjoys the work, but it comes with a certain amount of resistance among traditionalists in the sushi world. “People think we have very warm hands [and] it’s not good for the raw fish. That was the main reason I heard,” she says. “And many women put on makeup or [get a] manicure, so that’s not good for the very delicate cuisine.” (By the way, there’s scientific evidence that women’s hands are a little bit colder on average.) These aren’t some long-past prejudices, either, especially in Japan, where women are still shut out of the position. “It’s very rare in Japan,” Sanda says. “I haven’t seen any. I heard [of ] a few people, but I haven’t seen.” She notes that there’s a markedly different mindset in the U.S. than in Japan. “It’s more open-minded, I think, here. In Japan, a little bit more conservative, I think,” she says. “Especially my boss is very open-minded. He’s Japanese, he’s from the southern part of Japan.” Her boss, Naoto Kanda, shocked Sanda when she started at Zanmai in 1995. She’d just arrived from Japan, having worked for years as a kitchen chef for her parents at a restau-

English Muffin

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see SUSHI CHEFS Page 43

FRUIT & CORN BREAD!

POTATOES & PANCAKES!

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40 February 2, 2012

Sushi at Zanmai, which employs three female sushi chefs.

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rant in Osaka. She says she was all set to take the same job at Zanmai, but Kanda had other plans. “I arrived as a kitchen chef here,” she says. “And my boss gave me the opportunity to be [a sushi chef ], so I was kind of shocked. When he asked me, ‘Why don’t you do sushi chef?’ I refused, because I [had] no idea woman sushi chef existed.” Kanda — who had employed several women before Sanda — won out, and Sanda began working as a sushi chef soon after. “My mother was so surprised when I started,” she says. “It was very funny. She was wondering, how I can do it? Can I do it? And also her restaurant’s customers, they’re surprised, my friends in Osaka — everybody is surprised.” A healthy dose of inequality between the genders keeps women out of sushi kitchens — inequality Sanda says she hopes is in the past. “In Japan, right now, it’s pretty much equal,” she says.

Boulder Weekly

cuisine review

The Bitter Bar 835 Walnut St., Boulder 303-442-3050

Clay’s Obscurity Corner Food noir, part one

Nothing bitter about this bar by Clay Fong

Susan France

t was once a happy place, and now it’s bitter. The Bitter Bar occupies the Walnut Street space previously inhabited by the Happy Noodle House, which, like its successor, was operated by the Big Red F Restaurant Group. Given the new enterprise’s heavy focus on libations, it’s unsurprising that this spot retains a hip, lounge-like vibe that lends itself well to casual cocktails or an informal dinner. Drinks range from original award-winning concoctions such as the Gone Fishin’, featuring naval-strength rum and ginger liqueur, to old chestnuts like Irish Coffee. However, the attention paid to the drinks doesn’t detract from the food. I discovered this on a recent evening when friend Shirly and I decided to split the $35 prix fixe dinner, along with an entrée and small plates. When we ordered, there was a brief moment of panic, as the light was too dim to read the menu, and I feared I was growing old and blind. Fortunately, only one of those was the case, and our enterprising server brought over a floor lamp to facilitate our reading. The first round of the prix fixe dinner consisted of a decadent, velvety duck pâté. The undeniable richness of the smooth liver was pleasantly offset

by a bright-tasting red onion jam. We also ordered two seafood small plates, the first being an $11 oil-cured hamachi tuna, served with tapenade and tomato. The tomato had the complex flavor associated with San Marzano fruit, and the olive relish packed a punch. Unfortunately, both of these assertive preparations overshadowed the subtle flavor and texture of the tuna. We fared better with a $9 bowl of mussels in a pork and corn broth. The

broth was especially compelling, and lent itself to frequent dunkings of toast. The prix fixe salad featured a duck confit with an endearingly crisp exterior and properly moist and tender meat inside. Humboldt Fog goat cheese, fresh arugula, sweet pear and a subtle dressing allowed the bird to properly shine through. Shirly ordered the $15 Thursday night special, lobster risotto. The kitchen wisely resisted the temptation to weigh down this dish, and a light broth with a whisper of seafood savor underscored the fresh, clean taste of the crustacean. A smattering of greens contributed color and vibrancy. I bypassed the Delicata squash gnocchi for the short rib, ricotta and mushroom lasagna. This was one of the better lasagnas I’ve had, carrying an almost stewlike heft and surprisingly nuanced flavor resulting from the depth of meat and mushroom, and the cheese’s creaminess. For dessert, we had the subtly spicy gingerbread cake sided with ice cream. One of the more unusual, albeit curiously compelling, elements was a garnish of caramel bacon popcorn, punctuated by crisp porcine bits. I couldn’t help but wonder if this masterstroke was inspired by someone who witnessed

Jim Adams & John Stilwagen

Blues Jams Every Tuesday & 2nd & 4th Sunday Jazz Jams Every 1st & 3rd Sunday PlayErS WElcomE Boulder Weekly

Sat Feb 4 8-10:30pm

riting about food in this town, you have to be kind of a tough guy, see? Heard the boys across town at the Obscura, or whatever they call it, had a new gun, the Lady in Gray. Normally, this wouldn’t bug me, but she knew what she was talking about. She had worked in kitchens and went to the CIA, the one that mattered, the Culinary Institute of America. Word on the street was she was asking about me, and then I got an invite to a sit-down with her, real friendly-like… TO BE CONTINUED.

a pig falling into a vat at the Cracker Jack factory. This then begged a question: What was a pig doing there? The Bitter Bar’s culinary strengths lie in simpler preparations such as duck pâté and the lasagna. While a $35 prix fixe dinner isn’t cheap, we were pleasantly surprised by the ample portions, leaving us with plenty to share. Whether it’s for a drink or informal repast prepared with flair, there’s no bitterness at this bar. Respond: letters@boulderweekly.com

Ricky Earl Fri Feb 3 8-10:30pm

Thurs Feb 2 7:30-10pm

Mojomama

Eef Guitar w/ Blues Express Thurs Feb 8 7:30-10pm

February 2, 2012 41

All You CAn EAt SuShi tuESdAYS 5:00 - 10:00 pm • $29.95 per person

Wednesday: 99¢ SAlmon And Shrimp All day, All night

lunch happy hour Sushi menu monday - Saturday

hAppY hour

Everyday 5:00 - 6:30 pm

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1136 pearl St., Boulder 303.938.0330 www.boulderjapango.com

tidbites

Food Happenings Around Town

SUPER PAIRINGS FOR SUPER SUNDAY

Restaurants around Boulder are offering a step up from Bud Light and chips and salsa for the Super Bowl. Black Cat: Farm-Table-Bistro is hosting a “Super Dinner” beginning at 5:30 p.m. on Super Bowl Sunday, Feb. 5, featuring Italian winemakers who practice biodynamic farming, a method which treats a farm as a single living organism and aims to improve the health of the land and the surrounding ecosystem. Dinner for the evening will be an eight-course tasting menu, prepared by Black Cat Executive Chef Eric Skokan, with dishes to pair with each wine. Dinner is $85, or $130 with wine pairings. Produce from Black Cat Farm will be used wherever possible, and the farm will provide the chicken, pork and lamb for the meal as well. For more information, visit www.blackcatboulder.com and to RSVP, call 303-4445500.

FINE DINING AND FOOTBALL

Radda Trattoria is hosting a Super Bowl brunch from 9 a.m. to 3 p.m. on Super Bowl Sunday. Radda Trattoria is the second restaurant of Chef Matthew Jansen, and is inspired by the cuisine and culture of Tuscany, Italy. Reservations are recommended for parties of six or more. Call 303-442-6100 or visit www. raddatrattoria.com.

EVEN MORE MOE’S

The Southern soul food chain Moe’s Original Bar B Que opened a new Boulder location on Jan. 31. The 30th Street location has a rustic, woody and comforting feel, with a clear separation between the family dining area and bar top seating along the open-air windows. The restaurant also offers a 16-seat patio, a full premium bar and a rockin’ nightlife scene. Moe’s is located at 675 30th St. in Boulder.

ALCOHOL AND ART

The second installment in Twisted Pine Brewery’s Twisted Artisan Ale project will be released at noon on Saturday, Feb. 4, at Twisted Pine’s Walnut Street ale house. February’s beer is an Imperial India Black Ale named Canis Lupulus. The resinous, dark, double-hopped beer carries an evergreen and lemon scent. Canis weighs in at 10 percent ABV and 90 IBU. The label for Canis Lupulus features a piece called “Silver Stars and Moon” by local Boulder artist Chris Huang, who will be on hand for the release Saturday at the brewery. The Artisan Ale Project is a yearlong celebration of Colorado’s artistic creativity. Each month in 2012, Twisted Pine will release a new, small-batch beer in 750 ml bottles with labels featuring a different Colorado artist. More information is available at www.twistedpinebrewing. com.

Respond: letters@boulderweekly.com

42 February 2, 2012

Boulder Weekly

Sushi’s second sex FREE

12oz. cup of fair trade organic coffee with purchase of one bagel with cream cheese Exp. 2/29/12

Sanda outside Zanmai, which is decorated with Japanese ads featuring women.

SUSHI CHEFS from Page 40

“But a long time ago, the woman was very low-estimated, underestimated,” Sanda says. “So that’s one of the reasons, I think.” But she says there’s evidence that the past isn’t too far gone. Even at Zanmai she’s had customers unhappy to have their sushi made by a woman. “A few people, they’re surprised. Especially Japanese people, when they come to eat and they sit in front of me, they say, ‘Are you gonna cook for me?’ It’s a — ” Sanda says, then pauses. “I was very disappointed for somebody to say that to me.” A block away, life isn’t much different for Hapa on Pearl sushi chef Brenda Wong, a five-year veteran who says she’s seen many of the same issues Sanda describes. “People make comments,” Wong, an American who started at Hapa in 2006, says. “It’s like, is this 2012? Can’t women do anything they want?” Wong, like Sanda, says that customers usually simply express surprise that a woman is working behind the sushi bar. “I get comments all the time: ‘Oh, cool, you’re a chick,’” she says. “But I’ve worked with a lot of female sushi chefs. When people say they’ve never seen one before, I want to say, ‘Have you ever been out before?’” Five years ago, Wong got a start similar to the one Sanda got back in the ’90s: Management just made the call. “I didn’t [want to]. I worked front-of-house and they put a knife in my hand and told me to start slicing. It was never anything I sought out,” she says, although she says she does enjoy the work. Wong says she isn’t sure why, but she thinks there are more female sushi chefs in Boulder per capita than in larger cities like San Francisco and Los Angeles. “Here, it’s a lot more acceptable,” she says. But she has faced some of the same old sexism. “There’s looks you get from customers,” she says. “Like when it’s me and four male chefs, some people migrate toward the males. But rarely does that happen.” Wong even has a response ready for anybody who tells her women’s hands are too warm for raw fish: She says, with a laugh, “Women are way more cold-blooded than men.” Respond: letters@boulderweekly.com

Boulder Weekly

February 2, 2012 43

Great Date Night Location! VALENTINE’S SPECIALS

Shine

2027 13th St., Boulder 303-449-0120

1515 Main St., Longmont 303-684-8400

oulder’s Shine is the newest venture from the Emich triplets, late of Trilogy fame. Shine is a bar and restaurant as well as a performance and gathering space showcasing everything from world music concerts to yoga classes. The menu features healthful offerings ranging from locally sourced, grassfed beef burgers to meatless jackfruit tacos. There’s also a selection of housemade beer, and various elixirs and potions flavored with herbs and touted for their restorative qualities.

95a Bistro and Sushi

1381 Forest Park Circle, Lafayette 303-665-3080

5a Bistro and Sushi is a wor thwhile addition to the East County dining scene. It provides an oppor tunity for a reasonably priced lunch prepared with care, an intriguing small plate meal, or a dinner combining comfor ting home cooking with gourmet flair. Winning small plate choices, none of which cost more than $7, include clams and chorizo, braised pork over potato, and chile pepper and avocado tempura.

Live music on valentine’s day! WINE WITHOUT PRETENSE Offering a casual, relaxed and warm atmosphere. Over 20 wines by the glass, half glass and flight of three. Food specials weekly and revolving wine and craft beer list.

Tuesday - Thursday until 6:00pm

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1739 Pearl St., Boulder 303-442-7233

hef Radek Czerny’s L’Atelier, deeply influenced by classic French cuisine, builds upon a traditional foundation. At dinner, starters range from Thai-spiced mussels to traditional escargot and shrimp Louis. Classicism marks the entrée menu, which includes filet mignon and rack of lamb. The lunch menu features lighter options like a tuna nicoise salad and a salmon, lettuce and tomato panini, and both meals feature the can’t-miss lobster ravioli.

Murphy’s

2731 Iris Ave., Boulder 303-449-4473

or those desiring a lighter, reasonably priced meal combining bar standards with a touch of gourmet, tr y the small plates menu at the Nor th Boulder location of Murphy’s. Marked down for happy hour, this menu includes south of the border specialties like Six Bite Nachos, larger than the name would suggest. Other winning options include the fallingoff-the-bone Caribbean pork ribs with habanero mango sauce and the smoked salmon with brie on crostini.

Aloy Thai Cuisine

2720 Canyon Blvd., Boulder 303-440-2903

ormerly Chy Thai, Aloy Thai Cuisine claims the same ownership and food as its predecessor with an upgraded dining room. Indeed, the solid Thai selections of the old venue live on, and the lunch menu provides an oppor tunity to enjoy several classic choices for less than $9. Lunch highlights include the red roast chicken curr y and Pad Kra Pow, a basil-scented stir-fr y. 44 February 2, 2012

HAPPY HOUR

HOURS: Tue-Wed 4pm-9pm • Thurs-Sat 4pm-10pm • Closed Sun & Mon

L’Atelier

Brooklyn Deli

he Grateful Dead is the main influence on the ambience at Minglewood, a new eater y primarily catering to a lunchtime worker crowd near 55th and Arapahoe. Hot and cold sandwiches, entrée salads and a rotating selection of soups and desser ts make up the bulk of the menu. Rotating special highlights include the lamb meatball panini and cream of red pepper soup.

Korea House

2750 Glenwood Dr. #4, Boulder 303-449-1657

nder new management since last spring, Boulder’s Korea House has a newly upgraded ambience. It still ser ves up a menu of Japanese items such as sushi and teriyaki, as well as classic Korean specialties such as barbecue beef and shor t ribs. The gal bi, or shor t ribs, are a can’t-miss selection featuring tender beef and a marinade balancing soy, garlic and a hint of sweet.

Tossa Pizza

2400 Arapahoe Ave., Boulder 720-214-3254

ocated at Folsom and Arapahoe in Boulder, Tossa Pizza functions as a typical fast-casual, order-at-thecounter joint during lunch. Come late afternoon, it switches to table service throughout dinner and until closing. This affordable Italian-accented eatery dishes out pizza, salads, pasta and panini of a quality that’s pleasantly surprising for the price. Highlights include the macaroni and five cheeses and the arugula and mushroom pizza.

1617 Pearl St., Boulder 303-225-7344

nooze, a self-described “a.m. eatery” that originated in Denver, now has a Pearl Street outpost. The menu includes a variety of eggs Benedict interpretations, like the delightful Upstream, featuring a hunk of delicately honeyed smoked salmon. There are also several $7.50 pancakes, which include the usual suspects, like blueberry, as well as more unique selections like a dessert-like pineapple upside-down version. Of course, a full complement of egg dishes, ranging from omelets to huevos rancheros, are available, as are oatmeal, granola and French toast.

Synopses of recent restaurant reviews. To read reviews in their entirety, visit www.boulderweekly.com

1606 Conestoga St. #3, Boulder 303-442-0585

Snooze

appetizers Minglewood

ongmont’s Brooklyn Deli brings a taste of the Big Apple to the Front Range. Classic selections include a can’tmiss Reuben with a choice of turkey, pastrami or corned beef on grilled r ye, and a satisfyingly homespun matzo ball soup. Other star attractions include Long Island A&S bagels topped with cream cheese and lox from Brooklyn’s Acme Smoked Fish.

Riffs Urban Fare

1115 Pearl St., Boulder 303-440-6699

iffs Urban Fare occupies the former site of Boulder’s Bookends Café. Featuring small plates, Riffs also offers larger dishes like short rib ravioli and lobster risotto appropriate for an entrée or sharing. Soups, salads and sandwiches are also on tap, including a Colorado’s Best Beef Burger and a Kentucky Hot Brown, featuring cheese sauce over turkey. Top choices here include the tangy house-made pickles and a perfectly prepared duck confit worthy of a Parisian bistro.

Tiffin’s

2416 Arapahoe Ave., Boulder 303-442-2500

oulder’s new Tiffin’s showcases vegetarian Southern Indian street food at reasonable prices. What it lacks in ambience it makes up for with friendly service and unique, fresh flavors. Start with the dosa, a rice crepe served up with a pair of chutneys. The samosa chat features a potato and vegetablestuffed turnover smothered with onion, cilantro and curry, and is a more than satisfying choice. The Bhel Puri, a puffed rice, noodle and vegetable “trail mix,” is a citrusy counterpoint.

Saxy’s Cafe

2018 10th St., Boulder 303-786-8585

owntown Boulder’s tranquil Saxy’s Café is both coffee house and light-meal venue, serving up bagels, pastries and breakfast pressed sandwiches like the Fast Start, featuring egg and smoked salmon. Other items include vegetarian as well as prosciutto panini and entrée salads, featuring such ingredients as turkey, goat cheese and intriguing dressings exemplified by the maple balsamic vinaigrette. The tuna panini features albacore, capers and arugula on toasted foccacia. Respond: letters@boulderweekly.com Boulder Weekly

Anniversary Party!

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February 2, 2012 45

GRAMS OF KIEF

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was born blind in my right eye due to a detached retina, and in 2001 I had laser surgery to stop the retina in my left eye from detaching. After surgery I was left 99% blind in my left eye and suffered from Michael: 53 year old Glaucoma. Every morning I wake up with pain that starts in my head and Glaucoma Patient radiates through the rest of my body. After a year or so of no real relief I decided to get my Colorado medical marijuana red card. I found that using very strong medical cannabis created very significant pain relief—providing 4 - 6 hours at a time completely free from pressure and pain. Using heavy narcotics to manage the pain always left me feeling out of it and unfocused, but after using the medical cannabis I still felt in control.

ithout a doubt, I feel much better on the medical cannabis and I feel like it has given me back quality of life. Hours: Monday - Friday 11am - 6:45pm • Saturday 12pm - 6pm • Sunday 12pm - 4pm

1534 55th Street • Boulder, CO • email: info@optionsmedicalcenter.com • 303.444.0861 46 February 2, 2012

Boulder Weekly

elevation

upcoming events

Kidding around at Keystone by Isaac Woods Stokes

taught my wife, a blonde Midwest beauty, to ski when she was 20 — or rather, she allowed me to teach her. We always joke we don’t need any marriage counseling after those tear-filled seasons on the blue ice runs of Vermont — no appearances for us on Dr. Phil’s couches. And the heavenly runs we share now two decades later under bright bluebird skies in Colorado at spots like Keystone are all the sweeter after some, well, “intense” discussions in the dark redolent hardwoods back in the day. So it wasn’t lightly that I bellied up to the task of teaching our 5-year-old son Logan to ski. “Labor of love” is right. Fortunately, your child learns to walk innately. Imagine trying to describe the mechanics of elemental mobility and coaching a mini person to put one foot in front of another. Now visualize trying to do this at 9,000 feet, in freezing temperatures, with long plastic sticks stuck to his feet. I always tell my buddies sans kids that in parenting every day is an epic. Life before children is emotional 2D, and now you are in 3D with corresponding highs and lows. When, last year, Logan made his first true glide in the fall line for just a few feet on the greenest baby bunny run, I felt a high that matched any of the deepest powder days ever bestowed on me. Set yourself up for success is my mantra — parental and otherwise. These days, our favorite place to point the 105-cm skis of Master Logan is Keystone. This mountain see KEYSTONE Page 48

THURSDAY, FEB. 2 Adventuring in the I.O.N. Wilderness Areas — Idaho, Oregon and Nevada. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. Alpine Touring Gear Clinic — With Gary Neptune. 7 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303499-8866. Alpine Touring in the Austrian Tirol — Presentation by Gary Neptune. 7 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303499-8866. Groundhog Day. 7:30 a.m. Chautauqua Ranger Cottage, 900 Baseline Rd., Boulder, www. naturehikes.org. SATURDAY, FEB. 4 Prairie Winter Hike. 1 p.m. Rock Creek Farm, Stearns Lake Trailhead, South 104th St., Louisville, 303-678-6214. Snow Dash — Extreme 5K. Echo Mountain, snowdashcolorado.com. Winter Cycling Workshop. 9 a.m. Community Cycles, 2805 Wilderness Pl., Ste. 1000, Boulder, 720-565-6019. MONDAY, FEB. 6 Fred Beckey. 7:30 p.m. Patagonia Boulder, 1212 Pearl St., Boulder, 720-479-2387. Leave No Trace Backyard Session. 6 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. TUESDAY, FEB. 7 Birds of Prey Slide Show. 7 p.m. George Reynolds Branch, Boulder Public Library, 3595 Table Mesa Dr., Boulder, 303-678-6214. Norway and North. 7 p.m. Changes in Latitude Travel Store, 2525 Arapahoe Ave., Boulder, 303786-8406. Kiki Bikes Across the U.S. in 86 days — Kiki Holl’s bike ride to raise money for Multiple Sclerosis. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-5839970. WEDNESDAY, FEB. 8 Avalanche Awareness. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. To list your event, send information to: editorial@boulderweekly.com. attn: “Elevation.”

Boulder Weekly

February 2, 2012 47

photo

credit

Some other kid-friendly resorts to consider: Arapahoe Basin — Superior oldschool ambiance, and a great A-frame lodge with tons of kid friendly spaces on the upper level. Eldora — 19 miles from Boulder, need we say more for kid-friendly outings? Many excellent and popular teaching programs for children. Steamboat — Classic western and family centric resort away from the busy I-70 corridor. Wonderful family memories to be made among the aspens.

We Deliver Lunch & Dinner (Minimum $18)

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Sun-thurS 11am-10pm fri-Sat 11am-10:30pm

KEYSTONE from Page 47

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BoUldeR’S BeSt Boot Sale all $200+ BootS are $100 off! all otheR BootS now $50-$90 off! Ugg, Sorel, Keen, merrell, and moRe!

comfortableshoes.com on the downtown mall at 1425 Pearl St. 303-449-5260 & in the village next to McGuckin 303-449-7440

UP TO

48 February 2, 2012

25% off

is, in my humble opinion, the most kid friendly and user friendly resort around — admittedly, it’s a popular favorite and can get crowded. Tag that kid in neon to keep track of him in the crowd. At Keystone you get close in free parking at River Run Village, and a pretty walk through the village, not a brutal schlep and bus ride from a remote parking lot that seems located in another time zone. If the crew needs a pit stop pre-ski (and when couldn’t Daddy use another coffee?), Inkspot and Spoon are excellent affordable choices within minutes of the gondola. Which brings us to the next plus: The gondola is a climate-controlled way to get you up plenty of vertical and regroup with the inevitable mitten, goggle, neckwarmer, God knows-whatelse readjustment. A friend of mine’s mom said that, after a decade plus of being sherpa to her kid’s skis, she insisted that, as adults, they carry hers. Great idea, Logan buddy, can’t wait till 2022! Actually, Keystone has cleverly addressed this with full sized cargo wagons distributed by smiling staff to help you haul kids and gear from the parking lot to the lifts. Guess who was the mule? Sadly, I got a bit of head rush from pulling the wagon. Good training for hiking the alpine bowls, I suppose. The staff at Keystone makes a huge effort to embrace kids. Logan receives, and truly loves, multiple high fives from the lifties and ski patrol on every visit. His helmet is now proudly covered with stickers from the area, and each marks a

day of priceless family bonding. On the more watchful side, the mountain crew is genuinely on guard at every turn to help Junior up after a crash, give them a boost onto chairlifts, and we even had a ski patrol lift up an on trail sign that Logan had managed to bear hug/tbone … much to his/our

delight. Central to any kid-centric visit are the regular Kidtopia weekends with visits to the massive mountaintop snowfort, disco tubing, music, and arts and crafts events. If for some reason your kiddo resists bedtime (and when don’t they?) Keystone offers the largest night skiing operation in Colorado. Another superlative is the Outpost Lodge — at 11,444 feet, it’s home to the country’s highest full service gourmet restaurant, the Alpenglow Stube, offering such delicacies as Colorado lamb with arugula pesto and venison in a cotes-du-rhone sauce. Yum. Also for foodies, the Winter Wine Weekend is Feb. 17-18 with chef demos and tastings. Upcoming events include Keystone Winter Bluegrass Weekend, Feb. 2-4: With performances by Willy Porter and the Mealies, The Mossgatherers, The Pine Beatles, The Haunted Windchimes, The Steel Pennies and Finnders & Youngberg. (Doors open at 7 p.m.) And if Mom needs a little “me time,” check out the Best Fest weekends with clinics with video analysis, nutrition advice, and women’s equipment information. Viva Mom. Respond: letters@boulderweekly.com Boulder Weekly

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February 2, 2012 49

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Boulder Weekly

judith anne condon

ARIES

MARCH 21-APRIL 19:

astrology

helping you find the love of your life and the life you love LIBRA

SEPT. 23-OCT. 22:

Sad but true: A lot of peoI stumbled upon an engineering textbook for ple seem to be perpetually undergraduates. There in a state of wanting what Go to RealAstrology.com to check out was a section on how to they don’t have and not Rob Brezsny’s EXPANDED WEEKLY AUDIO do technical writing, as wanting what they actuHOROSCOPES and DAILY TEXT MESSAGE opposed to the literary ally do have. I’m begging HOROSCOPES. The audio horoscopes kind. It quoted a poem you not to be like that in are also available by phone at 1-877by Edgar Allan Poe: the coming weeks, Aries. 873-4888 or 1-900-950-7700. “Helen, thy beauty is to Please? I’ll tell you why: me / Like those Nicean More than I’ve seen in a barks of yore / That genlong time, you will have tly, o’er a perfumed sea, / The weary way-worn wanderer everything going for you if you want precisely what you do bore / To his own native shore.” Then the book gave have — and are not full of longing for what’s unavailable. advice to the student: “To express these ideas in techniDo you think you can you manage that brilliant trick? If so, cal writing, we would simply say, ‘He thinks Helen is you will be amazed by the sublimity of the peace that will beautiful.’“ Don’t take shortcuts like that, Libra. For the settle over you. sake of your emotional health and spiritual integrity, you can’t see or treat the world anything like what a techniTAURUS cal writer would. APRIL 20-MAY 20: Of all the signs of the zodiac, Tauruses are the least likely SCORPIO to be arrogant. Sadly, in a related development, they’re also among the most likely to have low self-esteem. But your OCT. 23-NOV. 21: tribe now has an excellent opportunity to address the latter Are you ready to start playing in earnest with that riddle problem. Current cosmic rhythms are inviting you rather wrapped in a mystery inside an enigma? Are you looking loudly and dramatically to boost your confidence, even forward to the rough and tumble fun that will ensue after at the risk of you careening into the forbidden realm of you leap into the middle of that sucker and start trying to arrogance. That’s why I recommend Taurus musician Trent decipher its impossibly interesting meaning? I hope you Reznor as your role model. He has no problem summoning are primed and eager, Scorpio. I hope you can’t wait to feelings of self-worth. As evidence, here’s what he confessed try to answer the question that seems to have no answer. when asked about whether he frequents music social netBe brave and adventurous, my friend — and be intent on having a blast. works: “I don’t care what my friends are listening to. Because I’m cooler than they are.”

GEMINI

MAY 21-JUNE 20:

“If Mark Twain had had Twitter,” says humorist Andy Borowitz, “he would have been amazing at it. But he probably wouldn’t have gotten around to writing Huckleberry Finn.” I think you’re facing a comparable choice, Gemini. You can either get a lot of little things done that will serve your short-term aims, or else you can at least partially withdraw from the day-to-day giveand-take so as to devote yourself with more focus to a long-range goal. I’m not here to tell you which way to go; I just want to make sure you know the nature of the decision before you.

CANCER

JUNE 21-JULY 22:

You now have a special talent for helping your allies tap into their dormant potentials and latent energy. If you choose to use it, you will also have a knack for snapping lost sheep and fallen angels out of their wasteful trances. There’s a third kind of magic you have in abundance right now, Cancerian, and that’s the ability to coax concealed truths out of their hiding places. Personally, I’m hopeful that you will make lavish use of these gifts. I should mention, however, that some people may resist you. The transformations you could conceivably set in motion with your superpowers might seem alarming to them. So I suggest that you hang out as much as possible with change-lovers who like the strong medicine you have to offer.

LEO

JULY 23-AUG. 22:

“Publishing a volume of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo,” said author Don Marquis, speaking from experience. Something you’re considering, Leo, may seem to fit that description, too. It’s a project or action or gift that you’d feel good about offering, but you also wonder whether it will generate the same buzz as that rose petal floating down into the Grand Canyon. Here’s what I think: To the degree that you shed your attachment to making an impact, you will make the exact impact that matters most. Give yourself without any expectations.

VIRGO

AUG. 23-SEPT. 22:

Comedian Louis CK told a story about his young daughter. She had a fever, and he gave her some Tylenol that was bubble gum flavored. “Ewwww!” she complained. Louis was exasperated. “You can’t say ‘ewwww,’“ he told her. What he meant was that as a white kid in America, she’s among the most privileged characters in the world — certainly far luckier than all the poor children who have no medicine at all, let alone medicine that tastes like candy. I’m going to present a similar argument to you, Virgo. In the large scheme of things, your suffering right now is small. Try to keep your attention on your blessings rather than your discomfort.

Boulder Weekly

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SAGITTARIUS NOV. 22-DEC. 21:

Lessons could come to you from unforeseen sources and unanticipated directions during the next few weeks, Sagittarius. They will also come in expected forms from all the familiar influences, so the sum total of your learning could be pretty spectacular. To take maximum advantage of the opportunity, just assume that everyone and everything might have useful teachings for you — even people you usually ignore and situations that have bored you in the past. Act like an eager student who’s hungry for knowledge and curious to fill in the gaps in your education.

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CAPRICORN

DEC. 22-JAN. 19:

“The consuming desire of most human beings is deliberately to plant their whole life in the hands of some other person,” said British writer Quentin Crisp. If you harbor even a small tendency in that direction, Capricorn, I hope that in the coming days you will make a concentrated effort to talk yourself out of it. In my astrological opinion, this is a critical moment in the long-term evolution of your healthy self-sufficiency. For both your own sake and the sake of the people you love, you must find a way to shrink your urge to make them responsible for your well-being.

AQUARIUS

JAN. 20-FEB. 18:

If you go to California’s Yosemite National Park this month, you might get the chance to witness a reddish gold waterfall. Here’s how: At sunset, gaze up at the sheer east face of the rock formation known as El Capitan. There you will see what seems to be a vertical river of fire, also known as Horsetail Fall. I nominate this marvel to be your inspirational symbol for the coming weeks. According to my reading of the astrological omens, you will have the power to blend fire and water in novel ways. I encourage you to look at the photo here — bit.ly/fluidicfire — and imprint the image on your mind’s eye. It will help unleash the subconscious forces you’ll need to pull off your own natural wonder.

PISCES

FEB. 19-MARCH 20:

After singer Amy Winehouse died, actor Russell Brand asked the public and media to scale back their derisive opinions about her struggle with intoxicants. Addiction isn’t a romantic affectation or glamorous self-indulgence that people are too lazy to overcome, he said. It’s a disease. Would you mock a schizophrenic for his “stupid” propensity for hearing voices? Would you ridicule a victim of multiple sclerosis for not being vigorous? I’m of the opinion that all of us have at least one addiction, although it may not be as disabling as Winehouse’s weakness for liquor and narcotics. What’s yours, Pisces? Porn? Sugar? Internet? Bad relationships? The coming weeks would be a very good time to seek help in healing it.

February 2, 2012 53

54 February 2, 2012

Boulder Weekly

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