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B o u l d e r C o u n t y ’ s Tr u e I n d e p e n d e n t Vo i c e / F R E E / w w w. b o u l d e r w e e k l y. c o m / Fe b r u a r y 1 8 - 2 4 , 2 0 1 6


contents NEWS:

Asylum seekers fearing death at home find only prison and discrimination in the U.S. by Angela K. Evans

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....................................................................... ANALYSIS:

Snowden and the elephant in the room by Joel Dyer

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....................................................................... BOULDERGANIC:

CSU professor sows seeds of tolerance in the agriculture industry by Max Heidt

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....................................................................... ADVENTURE:

Filmmaker Ian McCluskey talks about his modern-day treasure hunt by Maalikah Hartley

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....................................................................... BUZZLEAD:

Phamaly Company sets a new standard for theater by Sarah Haas

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ARTS & CULTURE:

‘A Gentleman’s Guide to Love & Murder’ is a fun, jaunty tale by Amanda Moutinho

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departments 4 T HE HIGHROAD: Should big corporations have to pay the taxes they owe? 5 THE DANISH PLAN: How to unsettle settled science (and settled scientists) 5 LETTERS: Signed, sealed, delivered, your views 29 OVERTONES: Ars Nova Singers will perform pieces for 40 parts 33 BOULDER COUNTY EVENTS: What to do and where to go 37 POETRY: by Sharon Chmielarz 38 SCREEN: ‘Zoolander 2’ isn’t a model comedy 39 FILM: Three young men looking in

‘Oriented’ 41 CUISINE REVIEW: Mateo is simple, authentic, affordable high-end dining 49 DRINK: Odell’s newest release hits at the right time 53 ASTROLOGY: by Rob Brezsny 55 S AVAGE LOVE: I don’t wanna cuckhold; Both sides of the story 57 WEED BETWEEN THE LINES: Getting to know you 59 CANNABIS CORNER: Marijuana contra heroin and Oxycodone (not in that order) Boulder Weekly

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staff Publisher, Stewart Sallo Editor, Joel Dyer Advertising Director, Jeff Cole Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn

commentary

EDITORIAL Senior Editor, Matt Cortina Associate Editor, Angela K. Evans Entertainment Editor, Amanda Moutinho Special Editions Editor, Caitlin Rockett Contributing Writers: Peter Alexander, Dave Anderson, Rob Brezsny, Chris Callaway, Michael J. Casey, Gavin Dahl, Paul Danish, James Dziezynski, Sarah Haas, Jim Hightower, Dave Kirby, Michael Krumholtz, Dylan Owens, Brian Palmer, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Greg Thorson, Christi Turner, Tom Winter, Tate Zandstra, Gary Zeidner Interns: Alexandria Kade, Tommy Wood, Peter Ferrante, Max Heidt, Chelsea Abdullah, Avery Mcgaha, Alexa Friedman SALES & MARKETING Retail Sales Manager, Allen Carmichael Senior Account Executive, David Hasson Account Executive, Julian Bourke Market Development Manager, Kellie Robinson Inside Sales Representative, Jason Myers Classified Advertising Account Executive, Derek Rear Marketing Manager, Laura Wilder Mrs. Boulder Weekly, Mari Nevar PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Assistant to the Publisher Julia Sallo Office Manager/Advertising Assistant Andrea Neville CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 16-Year-Old, Mia Rose Sallo February 18, 2016 Volume XXIII, Number 29 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink.

Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2016 Boulder Weekly, Inc., all rights reserved.

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

4 February 18, 2016

the

Highroad Should big corporations have to pay the taxes they owe? by Jim Hightower

I

would trust a pack of coyotes to guard my little herd of lambs before I’d trust a pack of corporate hucksters to “reform” America’s tax code. Yet, Carl Icahn, a noted corporate predator, is fronting for CEOs of a small group of huge multinational conglomerates who’re demanding that Congress drastically slash the taxes they owe on foreign sales of their products. This “reform” would let them escape

paying most of the $600 billion in taxes that U.S. law assesses on some $2,600,000,000,000 in profits they’ve been hiding in foreign bank accounts. Three-fourths of these hidden profits belong to only 50 enormously profitable corporations. Putting the $600 billion they owe into America’s public treasury would fund a lot of education, infrastructure repair, green energy, social services, etc. that our people desperately need. But Icahn & Co. claim that forgiving this corporate tax debt “would allow companies to reinvest in the United States, creating thousands of jobs.” Notice that verb, “allow.” They could put this tax windfall into job-creating, U.S. investments — but the Icahners do not want Congress to require any sort of patriotic use of the money. Haven’t we seen this movie before? Ah, yes — it was in the 2008 Wall Street bailout. They said that if

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

Washington rescued them, they would then invest in Main Street and in middle-class jobs. We did, they didn’t. Carl even asserts that the corporate elites are “completely justified” in leaving America if they aren’t given this tax boondoggle. After all, he says, CEOs “have a fiduciary duty to enhance value for their shareholders.” What a self-serving crock! Shareholders are not more important or more valuable than workers, consumers, and the common good. To help stop this giveaway to corporate elites, go to www.AmericansForTaxFairness.org. This opinion column does not necessarily reflect the views of Boulder Weekly. Boulder Weekly


danish plan How to unsettle settled science (and settled scientists) by Paul Danish

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alk about getting hoist with your own petard. Australian climate scientists have succeeded in convincing the management of the country’s main research institution, The Commonwealth Scientific and Industrial Research Organization (CSIRO), that human-induced climate change is settled science. Unfortunately, The Commonwealth Scientific and Industrial Research Organization happens to be their employer. And after reflecting on the news that the debate over climate change is over, Larry Marshall, the organization’s CEO, sent an e-mail to CSIRO’s climate science units saying, in so many words, “Cool! Since the science is settled, who needs you?” Climate models and measurements have now proven the existence of global climate change, Marshall wrote, and CSIRO’s focus going forward would now be “what do we do about it,” and “how can we find solutions for the climate we will be living with?” About 220 jobs in the oceans and atmosphere and the land and water units will be cut over the next two years. The ocean and atmosphere unit will lose 110 of its 130 scientists. John Church, an expert on sea-level rise who has spent 38 years with the unit, said, “the CSIRO is effectively saying ‘climate science is done and we’re moving on to adaptation and mitigation.” “My view is that there is inaccurate and misleading science in that statement — climate science is not done,” he added. He’s got a point there, but why is it, then, that for the last four or five years scads of climate scientists have been telling us that global warming is settled science — some even going so far as attempting to suppress the publication of work by climate skeptics. If you keep saying the discussion is over, it’s not unreasonable for your boss to decide it’s not worth paying you to keep talking. Anyway, within nanoseconds of Marshall’s e-mail, an outcry ensued. Quickly followed by an up-roar. And Boulder Weekly

then by a great perturbation in the force. As of Monday, Feb. 16 some 3,000 scientists from 60 countries had signed a petition to CSIRO saying, in so many words, “climate change is not — repeat not — settled science! What were you thinking, mate! P.S. There is no such thing as settled science!” Whatever else Marshall has accomplished, chances are he’s ended the use of the settled science narrative by climate researchers until the end of the next ice age. Good. The settled science trope is just another manifestation of political correctness, and one which is both intellectually dishonest and intellectually lazy at that. Marshall is right to pivot his institute’s research toward solving the problems of adaptation and mitigation instead of the current self-evidently unsuccessful strategy of trying to stampede the world into stopping the use of fossil fuels before proper alternatives have been developed. (Proper alternatives are those that work as well as fossil fuels, that are cost competitive with them, that don’t require people to make major lifestyle changes, and that governments don’t need to coerce people into adopting.) Personally, I think adaptation and mitigation are pretty good ways of dealing with existential threats. We’ve had a lot of success with them over the last couple hundred thousand years. They got us through the last ice age and shot us right up to the top of the food chain, which is more than can be said for carbon credits. Here’s an inconvenient little bit of settled reality: In the final analysis, combating climate change is discretionary. Adapting to climate change is mandatory. However, Marshall is wrong to dump his current climate science programs. Climate change may or may not be settled science, but it is not complete science. There are still a lot of questions that remain to be answered — involving time, place and manner, for instance. And a lot of those quessee DANISH PLAN Page 6

letters TPP is worse than we thought

At long last the text of the TransPacific Partnership (TPP) has been released, and it is worse than anyone thought. It sets up a private tribunal system that can overrule government policies and bypass domestic courts, including the U.S. Supreme Court. Many safety valves and guarantees under consideration to protect the public and the environment from corporate excesses were unceremoniously ditched in a last minute frenzy to finalize the Agreement. Now, the TPP must be ratified by the 12 member states. This is where we can and must stop it. Recall that the TPP is a gigantic trade, investment and regulation agreement negotiated over six years in top secret with 600 corporate “advisers” in attendance. Only six of 30 articles are trade-related. Suggestions put forth by a handful of environmental, labor and public interest groups allowed to comment on the text were largely ignored. With the exception of a prohibition against trade in endangered flora and fauna, six of seven international environmental agreements the U.S. earlier pledged to honor are left without any enforcement mechanisms. Agreements such as the International Agreement on Regulation of Whaling, the Montreal Protocol limiting ozone destroying chemicals and the Convention on Marine Pollution are severely weakened by the TPP. Even though endangered species are afforded some protection, nations need only “commit to promote conservation and to combat the illegal take of, and illegal trade in, wild flora and fauna” (Article 20), an essentially unenforce-

able prescription. According to an extensive Sierra Club analysis the TPP will cripple nations’ ability to mitigate climate destruction. As for labor, the TPP deals all the top cards to employers. A country is only required to “discourage, through initiatives it considers appropriate, the importation of goods from other sources produced in whole or in part by forced or compulsory labour, including forced or compulsory child labour” (Article 19). And what about the public interest? Private “tribunals” will be empowered under the TPP to force countries, including the U.S., to change laws protecting the public and the environment or pay billions in “compensation” to corporations for lost or reduced profits. And that’s just the tip of a mountain of rights and privileges the TPP heaps on large multi-national corporations at the expense of workers, local business, communities, the environment and our democratic rights. TPP negotiators had intended to keep the text secret for four years after the treaty went into effect until unauthorized leaks and subsequent public pressure forced an earlier official release. As one official privy to the negotiations admitted, governments wanted extreme secrecy because they knew once people figured out what’s going on they would oppose it hands down. Now that the cat’s out of the bag, and a congressional vote is coming up, it’s imperative that people speak out. Although Congressman Polis says he is officially “undecided,” his every utterance has been favorable toward the see LETTERS Page 6

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TPP. He routinely repeats the U.S. Trade Representative’s line that private tribunals are “no big deal” because the U.S. has “never lost a trade dispute,” that protections for workers and the environment are “stronger than ever” and the TPP will benefit the economy and workers. All of these claims are demonstrably false, based on the history of past agreements and objective analyses. A recent Tufts University analysis estimates the TPP will cost American workers 448,000 jobs, many of them in manufacturing. Worse, passage of the TPP will expose Americans to many more expensive suits that will undermine basic protections as the number of foreign corporations able to take advantage of the new rules doubles. Why Mr. Polis speaks so highly of the agreement is anyone’s guess, especially since the TPP amounts to a colossal shaft job on American workers, our communities and our precious environment, all for dubious gains that will benefit a few at the expense of the many. Call Mr. Polis at 303-484-9596 and tell him you don’t want a “trade” agreement that subverts our democracy, exports our jobs, denies medicine to the poor, trashes our environment and subjects our communities to corporate predation. Tell him to vote against the TPP or count himself out as a man of the people. Ken Bonetti/Boulder

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tions have a direct bearing on what we should do about mitigating the consequences of a warming climate and how we go about adapting to it. If I were making climate policy, here are some I would like to know the answers to before I did anything rash: Is climate change going to produce winners and losers? If so, who are they; which countries will win and which lose? Will parts of the tropics become uninhabitable? Will parts of Canada, Alaska, Siberia, Greenland and Northern Europe become more habitable? Will the U.S. be a winner or a loser? Is global warming a bad thing or

a good thing? On balance, will a warmer world be a more habitable world or a less habitable one? Or is all climate change ipso facto bad? The current assumption seems to be all change is bad. I’d like to see that question addressed with some scientific rigor. CSIRO’s climatologists should not be sacked. But to the extent that they’ve been singing in the climatechange-is-settled-science amen choir they richly deserve to be slapped upside the head. Which Marshall has done. This opinion column does not necessarily reflect the views of Boulder Weekly. Boulder Weekly


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news OPPOSITE OF AMERICA

Asylum seekers fearing death at home find only prison and discrimination in the U.S. by Angela K. Evans seeking asylum, they are routinely being held in detention without parole until their cases can be heard in immigration court and more often than not, their asylum cases are being denied. Although ICE insists these determinations are made on a “case-by-case” basis, the Department of Homeland Security (DHS) has released a memorandum stating that the agency classifies the BNP as an “undesignated terrorist organization” or a “tier III terrorist organization,” although the party is not listed on the U.S. Department of

by a caretaker government and then a period of military control until the Awami League gained control of parliament in the most recent 2014 elections, which the BNP boycotted. “In Bangladesh all power resides in the parliament. It’s a very unitary constitution,” says Jim Moriarty, the U.S. ambassador to Bangladesh from 20072012. “If you don’t control the parliament in Dhaka you don’t control anything in Bangladesh. Because of that, politics is viewed as a zero sum game for both parties. What happens is that

ered to be the most violent in the country’s history, with both the opposition BNP and ruling Awami League blaming the other party for the violence. our hundred and sixtySarkar joined the BNP in 2005 two. That’s how many when he was a university student and days Mishkat Sarkar has the party was running the country. For been in America. That’s a long time, he was not an active memhow many days he’s been ber, he says, and after graduating, he in immigration detention, including the started a small social organization with last 15 months in the U.S. Immigration a few friends, teaching kids who weren’t and Customs Enforcement (ICE) going to school how to read and write. Denver Contract Detention Facility in By 2013, Sarkar says Awami League Aurora. If you’re reading this after Feb. members were threatening his business, 18, it’s been longer. trying to force him to switch parties. Wikimedia Commons/Faisal Akram Sarkar left his home country of He refused. They broke into his Bangladesh on Sept. 2, 2014 after office and attacked his friends and experiencing months of physical and family, he says. Sarkar closed down political threats by those who he says the organization and started a small are members of the ruling Awami shop instead. He also became more League political party. He crossed 17 involved in politics. borders to get to the U.S., traveling When the BNP refused to particfrom South Asia to South America ipate in the January 2014 elections by plane, and the rest of the way by over disagreements about election bus, taxi, boat and on foot. He mechanisms, the Awami League once crossed the U.S. border on Nov. 13, again gained power, and Sarkar says 2014, and immediately claimed asythe BNP leaders asked him to recruit lum after which he was put in imminew members. gration detention where he has “So I think this is not a bad idea, remained ever since. I can help maybe,” he says. “So I talk I have spoken with Sarkar several to my people… I’m not a leader, I’m times by phone over the past two just helping.” months. His voice is often desponSarkar says on May 1, 2014, his dent, with apparent frustration and local BNP party office was burned sadness about his recent life. He calls while he was meeting with other me (as I have no access to contact members inside. “They put a gun on Street protests are a common political expression in Bangladesh, despite the fact they often him) from the Aurora facility. ICE my head and said, ‘There is no other turn violent. contracts with the publicly traded party [than the Awami League] that company, GEO Group, Inc., to run you can do anything with,’” he says. the for-profit private facility. The GEO State designated foreign terrorist orgaMembers of the group went to the when a party takes power the other Group receives approximately $160 of nizations list. However, human rights party does everything it can to discredit police but were refused help. “Because federal funds per day per detainee. activists, immigration lawyers and even in Bangladesh when you go to the the [ruling] party and, if possible, to Sarkar is not alone. As of Feb. 8, former U.S. diplomatic representatives police station and the first thing they force an early election so they can get there are 425 Bangladeshis being held question DHS’ terrorist designation for asked is what political party are you back in power more quickly.” in immigration detention across the with…” Sarkar says. “Because the govthe BNP, stating that it does not fully Because of this political process, country, according to ICE. Advocacy ernment controls everything.” appreciate or understand the political whichever party is not in power at any groups assert this number has been He was attacked again on June 1, situation in Bangladesh or the climate given time often calls for protests and 2014 and then again on Aug. 8, when steadily increasing over the last two these asylum seekers are fleeing. strikes, Moriarty explains. More often Awami League members ransacked his years due to continued political upheavSince the early 1990s, two main than not these protests turn violent, store, he says. They told him, “We give al in Bangladesh. The asylum seekers political parties — the Awami League regardless whether the Awami League you a chance and you still never leave are mainly members of the Bangladesh and the BNP — have fought for conor the BNP is calling for them. your party. We are going to kill you,” National Party (BNP), the second larg- trol of the Bangladeshi parliament. “It’s something that happens in Sarkar recalls. est political party in the country. And Each party has governed the country Bangladesh history, and it’s something So he ran. He jumped in the river, they are principally Muslim, as 90 perfor different time periods separated by that happens in other countries,” cent of Bangladesh’s population practic- stretches of caretaker governments or escaped to his friend’s house and called Moriarty says. es Islam. his parents, who told him not to come military control until the parties can The most recent clashes between But while more and more home because they had already been agree on fair elections. The BNP was these two parties occurred around the Bangladeshis have come to the U.S. last in charge from 2001-2006, followed January 2014 elections and are considSee ASYLUM Page 10 “Give me your tired, your poor, Your huddled masses yearning to breathe free.” — Emma Lazarus

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Boulder Weekly

February 18, 2016 9


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there looking for him. His father more individuals, whether orgawent to the police, but was again nized or not, which engages in, or refused help. So his father gathhas a subgroup which engages in a ered his passport and documents terrorist activity,” according to its and arranged for his son to leave website. In the case of the BNP, the country. DHS has argued that the BNP’s Sarkar traveled from past affiliation with groups who Bangladesh, through Qatar to have since engaged in terrorist Brazil and then Bolivia. There, one activities in Bangladesh is reason of his father’s friends helped him enough to give the party this tier start his journey north. He went to III designation. Peru, and then traveled through “When I was there, we defiColombia, where his bag with his nitely did not consider the BNP a passport and all his documents terrorist organization,” says former were stolen on a crowded bus. ambassador Moriarty. “I have not He walked through the jungles heard anything from within the of Panama. He was held in immiU.S. government that would lead gration in Costa Rica for three me to believe that they have The ICE Denver Contract Detention Facility in Aurora, days. He took a boat through changed that. I’m not sure whose operated by the privately held Florida-based Nicaragua and the rest of Central company The GEO Group, Inc. definition of terrorist organization America before arriving in Mexico. is being used here. ... And of He was held in Mexican immigracourse it’s a Muslim majority tion for 22 days, while they confirmed country. If you use the word terrorism cal party,” he says. He asked if they his identity by sending his paperwork would release him on parole so he could in Bangladesh as opposed to political to Washington D.C., he says. “I am not gather evidence for his case and find an violence, maybe that plays a role to a terrorist. I’m not a criminal. I’m a some degree.” attorney. His request was denied. Bangladeshi citizen. They confirmed,” Moriarty continues to travel to Sarkar has been to immigration he says. “Then they released me.” Bangladesh in his new role as executive court a total of 13 times, he says. He He made his way north, and on director for the Alliance of Bangladesh tried to defend himself the best he Workers Safety. In his travels, he has Nov. 13, 2014, Sarkar crossed the U.S./ could given his limited knowledge of Mexican border in El Paso. He immenot heard of anyone linking the BNP to the legal system here and the language diately claimed political asylum after terrorist activities in the country, and he barrier. On May 16, 2015, he appeared says the U.S. State Department continmore than two months of travel. He in court for the last time. This was the ues to issue visas to high-ranking BNP finally felt safe in the country he often first time the government attorney officials. heard praised for its human rights argued the BNP is a terrorist organiza“For me the disturbing thing is that record. tion and therefore Sarkar is not eligible if you use the standard of electoral or ICE officers interviewed him at the for asylum based on the Immigration political violence as being equivalent to border and he tried his best to explain and Nationality Act. terrorism you would have to ban several the situation back home. He was told Sarkar says he answered the judge’s of the major political parties in India, in they would hold him in detention until question the best he could. He denied Pakistan, in the Philippines, and I have all his asylum paperwork came through. any terrorist or violent activity. He “Soon,” they said. That was 15 months explained again the politics of his coun- not heard of that standard being applied in any of those cases. So what ago. try. The judge said he would have a am I missing?” Sarkar spent seven days in the decision in 10 days. Moriarty is not the only one asking detention center in Texas before being Fifteen days later Sarkar received a transferred to the El Paso County Jail, written decision from the judge. “I look this question. Immigration lawyers and advocates from more than a dozen where he was housed in the same cell as at my decision paper and see he organizations across the country subinmates charged with violent crimes. believed everything I submit. mitted a letter to DHS in October He spent three weeks constantly being Everything is credible. He believes I’ve asked about selling drugs, killing people been persecuted in Bangladesh, that I’ve 2015 asking the agency to reconsider the tier III terrorist designation status and raping women, he says. been tortured. That if I go back, I can of the BNP. “Mentally I have a lot of problems be tortured again,” he says. “The court “[DHS] is ignoring the context because I’m living with criminals in believes everything but only they deny that’s on the ground in Bangladesh of there, and I can’t sleep.” On Dec. 7, because they call [the BNP] a terrorist how a lot of the political parties operate 2014, he was transferred to the Aurora organization level 3. This is the reason and how the political process operates,” facility. they denied my asylum.” says Munmeeth Soni, attorney with the “When I arrived in the detention Sarkar says he never knew his party Public Law Center in Southern center, I was waiting for my interview, was considered a terrorist organization. California who is currently representing but they said they cannot find translator “This is a party three times they are in so they didn’t take an interview,” Sarkar power in Bangladesh and when they are Sarkar in his appeal. “It’s very different from the orderly conduct that exists says. “They send my case to direct in power they help and have good relahere on voting day. But it’s an exprescourt.” tions with the United States to [comsion of people’s power.” Sarkar filled out his own asylum bat] terrorism,” he says. “And how In Soni’s estimation, a terrorist despaperwork and represented himself in could we be a terrorist organization if ignation should be reserved for groups the court proceedings. “I explained on we don’t believe [we are]?” who “validly want to use and believe in my asylum form how I am a political DHS defines an undesignated tervictim and tortured by the main politirorist organization as “a group of two or using violence to achieve their aims,” Boulder Weekly


news she says, and not legitimate political Union (ACLU), National Immigration Challenging whether the Bangladesh parties. Project of the National Lawyer’s Guild Nationalist Party is a tier III terrorist But looking at it from DHS’ perand others also argue there is no eviorganization is a very complicated legal spective, the designation could be an dence the BNP has had any affiliation matter and they’re supposed to do that easy way to bar most of the Bangladeshi with any terrorist groups and the party on their own?” asylum seekers coming to the U.S., leaders routinely and publically There are hundreds of other given the recent history of domestic denounce any use of violence. They sent Bangladeshi appeal cases Shah and othterrorism that has caused many to fear the letter to leading officials at DHS, ers are currently defending, arguing Muslim immigrants. “I sort of get their ICE, the Executive Office of against the blanket use of the terrorist approach to all of this, the arguments Immigration Review (EOIR), which is designation as reason enough to treat they are making,” Soni says. these asylum seekers differAngela K. Evans “It’s a perfect storm where ently than other groups of you have domestic terrorism migrants. that’s happened here as well “The broad brush is that as in Europe that they are none of these people had to really able to capitalize on be detained in the first this. Bottom line, their role is place,” Shah says. “They to fight every person who should have been released. tries to enter and who is tryMany of these people had ing to apply for admission so evidence of who they were that when they can make an and they had places to stay. argument that effectively ... We don’t understand why forecloses relief for a group of these people were treated people who are showing up at differently than other folks.” our borders, in their minds, On a blustery day in that’s their job.” early January, I met with two DHS’ main argument for other Bangladeshi asylum the designation is the BNP’s seekers in the small second ties to Bangladesh’s third story office of the DRUM largest political party, the South Asia Organizing hyper conservative Jamaat-eCenter in New York City, Islami party, who the BNP which advocates on behalf of had a coalition government South Asian immigrants. with in the early 2000s. The Jahed Ahmed and Abdullah Jamaat-ul-Mujahideen Aljobayer each told me their Bangladesh ( JMB) terrorist immigration stories via a organization branched off of translator. the Jamaat-e-Islami party and The stories are eerily claimed responsibility for similar to Sarkar’s despite simultaneously setting off 500 the fact that none of the bombs throughout the coun- Jahed Ahmed stands on a street corner in Queens, where he men knew each other previtry in 2005. ously. Ahmed wears a thick currently lives while he is appealing deportation. However, as the immigrascarf and leaves his jacket tion advocacy groups argue in on as we talk. He speaks their letter, and Moriarty confirms, the part of the Department of Justice, as with authority, despite being soft-sporuling BNP government actually well as the Executive Office of the ken in nature. Aljobayer still wears a cracked down on the JMB in 2005 and President. They have yet to be given a tracking anklet and has to appear at the 2006, arresting and prosecuting many response. Federal Plaza in downtown Manhattan JMB members. Moriarty confirms that The National Immigration Project about once a week to check in. At 21, the U.S. worked with the BNP when has also developed a public practice he’s less confident when the conversathey were in power on anti-terrorism advisory, which makes the arguments tion starts, answering my questions initiatives and that “the BNP governagainst DHS’ designation of the BNP with short responses. But as the converment went after them (the JMB) very for any asylum seeker to use. sation goes on, he becomes increasingly vigorously.” “The obstacles facing immigrants animated. Although Soni can understand the are incredible in immigration court,” A woman by the name of Kazi logic, the DHS’ arguments aren’t strong says Paromita Shah, associate director Fouzia translates for us. She is also enough to stand up in court, she says. of the National Immigration Project of from Bangladesh and has been in the “What’s more problematic is that the National Lawyer’s Guild. “These U.S. for a decade, working as a commuimmigration judges aren’t pushing back people have to in essence go in front of nity organizer at DRUM. Although she on them (DHS). If immigration courts an immigration judge and a prosecutor has no political affiliation back home, aren’t going to correct them where they by themselves in immigration court in a she has been accused of spreading proare so obviously wrong, then we have a language that they aren’t familiar and paganda against the Awami League and system where we don’t really have neureading documents that they cannot she says her family in Dhaka is often tral adjudication of these claims.” read. ... To be honest, immigration law harassed. She currently fields 70 to 80 The Public Law Center along with is already more complicated than the phone calls a day from Bangladeshis other immigration advocacy groups tax code and yet they are supposed to including the American Civil Liberties understand all the procedural issues. See ASYLUM Page 13 Boulder Weekly

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news ASYLUM from Page 11

around the country in detention and two minutes I could explain the answer. He asked himself what he would do facing deportation. After more than 11 But with 30 seconds it’s a problem. Yes visiting someone’s house. “When you months in detention, both Ahmed and is a problem, no is also a problem.” arrive, you knock and ask to come in, Aljobayer are out on parole following a Ahmed’s asylum case was denied, he you don’t just walk across the threshhunger strike at the El Paso Detention says, with a three-line explanation. old,” he says. center in October. “BNP is a third tier terrorist organizaSo Aljobayer asked for asylum. He Like Sarkar, Jahed Ahmed also tion. You are affiliated with BNP. So was also held at the El Paso facility, joined the BNP in 2005. He says he that is the reason why the judge decidapplied for asylum himself and like the joined because they built roads, hospied to deny your case.” others, was denied based on his affiliatals and schools in his village. His local Abdullah Aljobayer has also been tion with the BNP. representative was Saifur “After holding 11 months in Angela K. Evans Rahman, a key leader in the detention, I lost hope,” he says. BNP who worked with the “How can I even explain detenWorld Bank and other internation life? When I call my parents tional financial institutions. “I in Bangladesh, they cry and I’m was impressed by his leadership, crying here. Every single time, I’m and I think if I join BNP I would feeling that I’m not ever going to have lots of opportunity to conbe able to see them again. I don’t tribute to social development,” feel like talking or playing games. Ahmed says. I just wanted to stay in my barHe continued to work with rack all the time and sleep and be the BNP even after their last alone. ... term ended in 2006. In the coun“When I came and they put try’s 2008 elections, he was workme in detention it is the opposite ing at a voting center when side of America than I thought. I Awami League supporters beat have no choice, I have no rights him up so badly he couldn’t even to say something, or get parole. vote that day. For the next several People are treating me differently years Ahmed laid low and barely than others. It’s the exact opposite involved himself in politics. picture of America.” But when the Awami League It was at this point of depresregained power in 2014, the BNP sion and desperation that called for nationwide protests, Aljobayer and approximately 50 and Ahmed joined the crowds in other Bangladeshi asylum seekers the streets. During the demonbeing held in El Paso, including stration he witnessed the death of Ahmed, started a hunger strike. a good friend. “I brought him to After a few days of the hunger the hospital, I was a witness in strike, ICE put in for 11 of the the case. That’s why they target detainees to be transferred and me,” he says. “I was running a Ahmed was part of the group. But small business and they actually when they got to the front gate of targeted me and my shop. They the detention facility, the ICE actually come one day and officers simply released them. It Abdullah Aljobayer, in the DRUM office, reveals the destroy my shop. That’s the reawas the middle of the night in a tracking anklet he has worn since being released from immigration detention in late fall 2015. son why I have a lot of fear to strange country, in a strange city. stay in Bangladesh.” The men pooled their resources Ahmed too paid a human trafficker denied asylum and is currently appealand hired a taxi to take them to the and followed much of the same route ing his case. He joined the BNP simply nearby Muslim center, which was through South America as Sarkar, also because his entire family are registered closed. They were able to contact relalosing his passport and important docu- with the political party. He was beaten tives in New York who booked a hotel ments when a trafficker hid him and three times by Awami League supportroom for them. other immigrants underneath a tarp ers, he says. “I denied to join their party In the morning they were connected without their luggage. He also crossed so I feel scared and I flee my country.” with DRUM and eventually all 11 men the border at El Paso, and was taken to His parents were the ones who moved to New York. the El Paso Processing Center, a nearby decided to send him to America. Aljobayer wasn’t so lucky. He detention facility where he remained for “My father, my mother, even I see remained in the El Paso facility for sev11 months. in the media on the news that the eral more days. Eventually ICE brought He also argued his own asylum case, United States is a really good country in a local Bangladeshi consulate reprewhere he says it was very difficult to that follows human rights, they support sentative to negotiate with the hunger adequately explain his situation. “The other oppressed people,” he says. strikers — a Bangladeshi consulate repjudge gives me a really, really few He followed a similar route through resentative who technically represents moments to answer all the question. South America as Sarkar and Ahmed. the Awami League government in the Sometimes a judge asks me a questions When he reached the U.S. border, he U.S. and only gives me 30 seconds to debated between declaring himself and The consulate representative came answer,” he says. “I know yes or no is asking for asylum or trying to sneak into the barracks and pleaded with the not the answer. If they gave me one or into the country. remaining hunger strikers to eat. At Boulder Weekly

first, Aljobayer says, the representative was empathetic to their plight and appealed to their common language and culture. But as the day went on and the hunger strikers continued to refuse food, he became increasingly angry. Aljobayer started getting scared, thinking about the potential political repercussions. “If consulate is very angry with us and he leaves, he will have all our information and ICE will deport us, and this is a Bangladeshi consulate and they can give ICE our travel documents and we will be sent home,” he says. Eventually, the asylum seekers broke their hunger strike, the representative took photos of the men eating, which they published in a news release on the consulate website. Slowly, most of the hunger strikers were granted parole including Aljobayer, and many of them followed the previous group to New York. Queens to be exact, where there is a large South Asian community who have populated the area with restaurants, markets and businesses reminiscent of their home countries. The hunger strikers are appealing their denial of asylum and are awaiting decisions. But they are no longer in detention. When Sarkar and the 11 other Bangladeshi asylum seekers being detained in Aurora heard about the hunger strike in El Paso, as well as other hunger strikes at 10 different detention facilities across the country, they decided to join at the end of November. The first day of the hunger strike, Sarkar says ICE officers asked the group to explain the strike. “We explained how long we have been here but that we don’t know why we’ve been here that long,” he says. “We told them we came for protection. If they deport the people, then who takes the responsibility if the people go back and get killed by the political party? Who is going to take the responsibility?” After they shared their frustrations, Sarkar was taken to solitary confinement, made to walk with his hands up, like a criminal. He says the florescent lights were never turned off and officers came by every 10 to 15 minutes banging on the doors. After three of four days without food or sleep, Sarkar was taken to the medical unit. “All of these things make it… mentally I am not good,” he says. “I already go to psychotherapist one time but I cannot sleep all night. I am very much hopeless. Sometime my brain, my head isn’t working. I just sit See ASYLUM Page 14

February 18, 2016 13


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down and think why did I come here for help? I should have gone somewhere else.” Nothing has changed for Sarkar since the hunger strike. He is still in detention. He filed his appeal on June 7 and is still waiting to hear from the Board of Immigration Appeals. And his family continues to tell him he can’t return home without risking his life to Awami League supporters. A loud cheer erupts behind Sarkar as he begins to describe the depression that often overcomes him. He explains someone from Ghana is being released today after eight months in detention. Sarkar does not join the others cheering. He continues to describe his daily routine: 5 a.m. breakfast. 11 a.m. lunch. 5 p.m. dinner. In between meals he exercises or sits in front of the T.V., which is often on a Spanish channel he can’t understand. Maybe he’ll make some handicrafts to try and sell to buy extra food from the vending machine and make phone calls back home. And he’s also been given less and less work since the hunger strike ended. The desperation in his voice grows as he talks about his family back home and his father’s declining health. Sarkar says he often cries together with his family on the phone, and they constantly ask him questions about his case that he does not have answers to. But sometimes he’s so depressed he doesn’t even want to call his family. He often sits in his cell by himself, sleeping or trying to read the Koran in English. He prays by himself most days but Muslims from different ethnicities gather together on Friday for prayer. They are not allowed to invite an Imam to visit. On his better days, Sarkar talks about being released, about working with organizations to help people in the U.S. understand the political situation in Bangladesh, about speaking up for others still stuck in detention. He talks about working to help his family back home and living a peaceful life. But soon the desperation returns, the hopelessness returns. He begins talking in circles around the concept of justice, wondering if he’ll ever understand what it means, wondering if such a thing actually exists. He often says, “I don’t know what I’m going to do” in closing our conversations. But there is some hope. In July 2015, a New Jersey Immigration judge ruled that the BNP was not a terrorist organization after

reviewing the evidence herself in a case of a young Bangladeshi seeking asylum. The judge said the DHS claim that the political party is a terrorist organization is a “novel one.” She went on to say in her decision that “the record does not include any statement from an American governmental body suggesting that the BNP is a terrorist organization.” And on Feb. 9, James R. Clapper, director of National Security, told the Senate Armed Services Committee that the Awami League’s “continuing efforts to undermine the political opposition in Bangladesh (the BNP) will probably provide openings for transnational terrorist groups to expand their presence in the country.” He said that despite the Awami League’s insistence that recent attacks throughout the country were conducted by the BNP in an effort to undermine their authority, ISIS has actually claimed responsibility for up to 11 attacks. This has put the Awami League on the defense and given further credence to the arguments made by members of the BNP seeking asylum and their lawyers. Given this, it remains unclear who is responsible for the tier III terrorist organization designation DHS has given the BNP, and no one from the agency has yet to respond to my repeated emails and calls. What is clear is that young politically minded Bangladeshis are fleeing the violence of their country and coming to the U.S. for safety. In response, the U.S. government is treating them differently than other groups of migrants and accusing them of terrorism based on their country of origin, political affiliation and presumably their religion. At a time when conservatives are calling for a ban on all Muslim immigrants, and the Democrats, including President Obama, are saying that such a ban would conflict with the constitution and the character of America, it appears that within the Department of Homeland Security the conservative position may have already been implemented. And for that, I’m left wondering the same thing as Sarkar. “I come here because I cannot have justice in my own country,” he says. “So I came here because I know here has the highest level of human rights, highest level of justice. I came here for help, but I cannot find any justice. I don’t know how long I need to look for justice.” Mishkat Sarkar is a pseudonym. Boulder Weekly


analysis Snowden and the elephant in the room by Joel Dyer

I

t was 5 a.m. in Moscow when own work they were lying to Congress, former National Security Agency which happens to be a crime. But more (NSA) contractor Edward importantly, because they were lying Snowden began his conversation and withholding the true scope of their with the more than 2,000 people unauthorized and, subsequently who gathered at the University of declared, illegal mass surveillance of Colorado’s Macky Auditorium to hear the American people, Snowden realhim speak on Tuesday night, Feb. 16. ized our democracy was being threatSnowden spoke to the audience from ened at its very foundation. Russia by way of the Internet via “Consent is only consent if it is Google Hangouts, which allowed him informed,” he said. And he knew to make a rather Orwellian impression Americans were not informed. But he as a 10-foot-high talking head on a also said he knew something else: “The giant screen dangling above the main only way terrorism can win is if we stage. Sharing the stage in person and abandon our free and open society in in actual size was Joel Dyer fear of it.” Pulitzer PrizeYet, that’s winning journalist exactly what we did following and author Ron 9/11 and continSuskind, who ue to do to this moderated the day. And that is event though it why we are losing really needed no the war despite such intervention. our unparalleled Snowden military and knows what he intelligence capaneeds and wants bilities. to say and does so In a very telleloquently with seemingly great ing moment on conviction and Tuesday night, humility. Snowden showed If he is not an documents to American hero, back up his he most certainly description of a plays the role meeting between Edward Snowden appeared via Google accompanied by Pulitzer Prizeconvincingly. But Hangouts, then President winning journalist Ron Suskind at CU’s DisI suspect and George Bush, tinguished Speakers Board event on Feb. believe the eviVice President dence shows he isn’t acting. Dick Cheney and NSA Director Most of us know Snowden’s story Michael Hayden. The authorization by now. He was recruited by the CIA that had supposedly made it possible to right out of high school even before he collect the phone calls and Internet could graduate. He did a number of records of all Americans had expired. jobs for the CIA and NSA which utiThe U.S. Attorney General was refuslized his abundant computer skills and ing to reauthorize such surveillance which ultimately led to his having top- activity, noting that it was clearly secret clearance. He was living the unconstitutional. So Cheney and Bush good life with his girlfriend in Hawaii, asked Hayden if he would continue to making six figures a year as a contracspy on all of us despite lacking any tor for the NSA in what he called “par- authority to do so and despite knowing adise” when the wheels began to come it was therefore illegal. He agreed. off his life as the result of a crisis of One could argue that American conscience. democracy died in that room at that As he began to watch the congresmoment. An optimist might say it was sional testimony of his bosses — the only anesthetized and will one day directors and managers of the U.S. awaken, like maybe in November 2016. intelligence agencies — he became See SNOWDEN Page 61 concerned because he knew from his Boulder Weekly

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n inclusive workplace environment means and seeing the animals and working with the animals everything in a world that grows smaller made me get very interested in veterinary medicine.” every day. The U.S. agriculture industry, After completing her undergraduate degree in predominated by migrant workers from all veterinary medicine at the University of Puerto Rico, over the globe, is a particularly diverse Roman-Muniz went on to study veterinary medicine work setting. In fact, according to the U.S. at the University of Wisconsin. Realizing she wanted Department of Labor, seven out of 10 agricultural further training in her field, she moved to Colorado workers were born outside Courtesy of Noa Roman-Muniz and completed an internship of the U.S., making agriin internal medicine and culture one of the most surgery at CSU. During this ethnically diverse trades in internship, she noticed a disour nation. connect between the mostly That’s why Dr. Noa Caucasian management and Roman-Muniz, associate the Hispanic laborers at the professor in the department dairy farms they visited. of animal sciences and the “To me it was a little extension dairy specialist at puzzling that people in Colorado State University charge of taking care of our animals, in charge of pro(CSU), has devoted her ducing food, that there was a career to developing culturcommunication gap between al sensitivity in the agriculmanagement and the guys ture industry. who were actually taking Roman-Muniz attricare of the animals,” she butes her interest in her says. current field of work to the Although being bilingual science and agriculture she helped Roman-Muniz to was raised around. Romanbridge this gap, she saw the Muniz grew up in Aguada, problem was more than just Puerto Rico; her mother is a retired microbiologist a language barrier — it was a who worked for the cultural one. Veteran’s Administration in Dr. Roman-Muniz brings multicultural awareness to the Following the internship, Puerto Rico and her father, Colorado agriculture industry. she completed a master’s also retired, bought a dairy degree in clinical sciences when Roman-Muniz was young. Her interest in the with an emphasis in adult education, specifically how to animals she grew up around bloomed into a passion facilitate educational interventions with a multicultural for agriculture. audience. She went on to work at the veterinary hospital “It became a hobby,” she says. “You know, you’re 9 at CSU where she designed and facilitated training sesyears old and you like getting close to the cows and sions for agricultural workers, emphasizing not only linhorses, and I think that combination of microbiology guistic but also cultural sensitivity issues to create a

more equitable work environment. To her, the issue resonates on multiple levels. “If you have a healthy and happy workforce,” she says, “you’re going to have animals that are well taken care of, and so you have healthy agriculture.” The concept of inclusivity is a persistent issue in the agriculture field today, especially considering the volume of migrant workers employed by the industry. According to the National Center for Farmworker Health, 3 million agriculture laborers are migrant workers. Nations in Latin America, where many of these workers come from, cannot all be lumped into one general cultural category; each have distinct customs, unique dialects and a diverse wealth of cultural practices. Roman-Muniz believes issues of generalization and insensitivity extend beyond the workplace. “When we generalize, we perpetuate these biases that are dividing our country,” she says. When the extension dairy specialist position at CSU opened up in 2008, she crossed from the realm of veterinary medicine into animal sciences. But her concern for multicultural sensitivity remained steadfast. She continues to be a figurehead for cultural inclusivity in agriculture, and she will speak as part of the Perspectives on Labor panel at the Governor’s Forum on Colorado Agriculture on Feb. 18 in Denver. Her seminar will address the current downward trend of available agriculture workers, and how to retain productive employees in the industry. Part of her focus is on improving management and the relationships between employers and employees. Roman-Muniz believes a good manager needs to get to know their workers, regardless of cultural differences. Camaraderie is crucial to the health of any working environment. “It’s that concept of health that goes beyond your physical health,” Roman-Muniz says. “It’s mental. It’s emotional. It’s the health of the community. “We just want everybody to be seen, to be heard and to be healthy.”

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A panel commissioned by the Food and Drug Administration (FDA) found it is “ethically permissible” to create “three-parent babies” through mitochondrial replacement techniques (MRT). The committee recommends that the FDA approve testing but only for women who have severe mitochondrial diseases that could lead to a child’s early death or an extreme disability. All people have two types of DNA: mitochondrial and nuclear. The MRT process removes the mitochondria from the mother’s egg combining Courtesy of CDC/JIm Gathany the father and mother’s nuclear DNA with a mitochondrial donation from another woman. The committee suggests only creating male embryos through MRT so future generations do not inherit the genetic mutations since only females can pass along mitochondrial DNA. “Although MRT would not treat a person with a mitochondrial disease, its pursuit could satisfy prospective parents’ desire to bear genetically related offspring with a significantly reduced risk of passing on mitochondrial disease,” said Jeffrey Kahn, chair of the committee and a professor of bioethics at Johns Hopkins Berman Institute of Bioethics in a press release. “The limitations on MRT that we propose focus on protecting the health and well-being of children born as a result of the techniques.” If research and testing can prove the alterations are safe, the policy may change to include females. Legislators in Great Britain approved the process a year ago. In the U.S., the process still awaits congressional approval. However, the fiscal year 2016 budget prohibits government from using any funds to handle applications for experiments that genetically modify human embryos. —Alexandria Kade

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Boulder Weekly


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ADVENTURE ON THE BILL:

Voyagers Without Trace. Feb. 24-27, Dairy Arts Center, 2590 Walnut St., Boulder. Tickets $6-$11

‘Voyagers Without Trace’ combines whitewater history and adventure

Filmmaker Ian McCluskey talks about his modern-day treasure hunt by Maalikah Hartley

Ian McCluskey pulled together a group of three to recreate an earlier expedition of the Green and Colorado rivers.

Megan Torgerson

B

ack in the Old West, being the first to expedition down the Green and Colorado rivers on kayaks for two and a half months just for the sheer adventure of it isn’t something you would think an inexperi- McCluskey says the trip connected him to the past, but enced French trio pioalso helped him conquer personal fears. neered. But that’s exactly liner from France to New York before what happened back in 1938, and it’s what inspired filmmaker Ian McCluskey driving out West to kayak the Whitewater Rivers (as they were known to recreate the same journey to find all the missing pieces of this historical puz- back then) was all but lost until a roadside marker containing a faded photozle. graph of the young trio sparked Oh, and the fact that McCluskey had never kayaked before was not about McCluskey’s child-like curiosity for a modern-day treasure hunt. to deter him. The story of Parisian adventurer “They came with kayaks and camera and beer, and I just thought it was such Bernard De Colmont, his young bride Genevieve De Colmont and their friend a curious story,” McCluskey says. “In the Antoine De Seyne traveling on an ocean course of learning about their adventure, Boulder Weekly

Megan Torgerson

Paul Kuthe and his fiancée, Kate. Following behind them on two rafts, filming ahead of them from the shoreline, or capturing aerial drone footage of the landscape was a small, all-volunteer production team, including a couple of McCluskey’s friends The original French trio of Bernard de Colmont, Genevieve De Colmont and Antoine De Seyne. from Uncage the Soul Productions. McCluskey I decide that I have to follow their foot- says they faced all the challenges any steps down the river and learn how to crew filming in remote areas would face, kayak myself. So then I end up having a like keeping batteries powered and prokayak adventure, and the film is really tecting expensive cameras in very wet two adventures woven together, past and and sandy conditions. present.” “The cinematography is amazing,” In Voyagers Without Trace — which McCluskey says. “We always had the has been screened at a half a dozen film cameras out and ready for some beautifestivals nationwide and is set to debut ful moment. The camera team was up in Boulder at the Dairy Arts Center before dawn, ready to shoot and catch Feb. 24-27 — McCluskey forms his see VOYAGERS Page 22 own kayaking trio with kayaking expert February 18 , 2016 21


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In order to catch early light, McCluskey’s crew slept only about four hours each night for a month. VOYAGERS from Page 21

first light, shooting all day long, shooting the sunset, shooting the stars at night, and so for 31 days I think we were averaging three or four hours of sleep a night.” In Voyagers, the past comes to life in footage from Bernard De Colmont’s 16 mm camera that he brought along during the original trio’s journey. According to McCluskey, the film moved from Bernard’s possession to Antoine’s and then to his son, Raymond De Seyne. It had gone unseen for 75 years, sitting on an attic shelf in De Seyne’s old country chateau in France. “And [Raymond] pulled it out, and he’s like, ‘Would you like to see this?’ And we’re like, ‘Yes,’” McCluskey says. “Forty to 50 percent of [Voyagers] is their original, color archival footage. And it’s beautiful. It’s really pretty footage ’cause it’s color, and they shot it before Hollywood had even started shooting the first Hollywood color movie.” Compared to the French trio’s journey, McCluskey’s trip took less than half the time as he traversed over modern day dams and reservoirs, including a couple stretches out of Lake Powell. According to the director, the differences between then and now are clear maps, roads, EMT helicopters, satellite phones and state-of-theart gear. The original trio sported inflatable life vests and American football helmets while riding in wood and canvas kayaks that wouldn’t make the entire journey in one piece. In comparison, the plastic hard-shelled kayaks of today are more reliable. “So we had it way, way easier than they had it,” McCluskey says. “We don’t make any pretense that we’re roughing it like they’re roughing it, but we did want to kind of touch that spirit of being in very remote places that they felt. ... But I still felt, to me, the consequences were still very scary. That adrenaline and that fear of being capsized and being underwater while your head goes knocking against rocks ... those rocks are just as real. Just because it seemed like a good idea at the time, it actually was a lot harder and a lot sort of above my ability. I wasn’t just making a film, I was facing a personal fear about drowning and about putting myself in danger, and I walked away with a lot of courage and a sense of accomplishment.” The crew’s search didn’t go in vain either as they would explore all the small towns the original trio passed through, meet a person who actually met the kayaking pioneers, come in contact with locals and archivists and stumble upon photos of the trio and original letters written by them. “Most importantly what we found were these deep and ancient canyons that were essentially completely unchanged since they paddled 75 years before us,” McCluskey says. “I think I took away a real deep respect for the trip that they had made. By reaching into the past to relate to them we can make those similar experiences part of our life in the present, and that is really like the definition and the meaning of legacy: an ordinary person like me can have an extraordinary journey like they did.” The journey didn’t end for McCluskey and crew at the end of the river, however. He traces the trio’s story back to France and the lives they lived at the beginning of WWII when the Nazis overtook Paris. Among the crew’s finds is not only the lineage and legacy the original trio left behind, but also one of the original kayaks, which was secured in an ancient fortress on a mountaintop. “On the literal level it’s a story of kayakers and sort of whitewater outdoor recreation, but really it’s more a story, just the spirit of adventure,” says McCluskey. “By them going somewhere they had never been and doing something they’d never done, it inspired me to do something I had never done and go to a place I had never been. Their legacy just keeps inspiring others.” Boulder Weekly


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Boulder Weekly


BUZZ

Phamaly Theater Company

L

ive theater requires a suspension of belief. The audience must take the real actor they see, and believe that he or she is the actual character on stage. For Phamaly Theater Company, there is an extra element for the audience to consider: the actors all have disabilities. Phamaly productions, then, are shaped through the unique lens of disability, seen in both the characters on stage and in the actors themselves. Phamaly’s current production of Fuddy Meers, now playing at the Aurora Fox Arts Center through Feb. 21 and showing later this month at the Arvada Center for the Arts, gives the audience a chance to see what it is like from the actor’s perspective, to be seen by people for their disability first and not for who they truly are. “The play asks us to wonder how it is that people are seeing us through funny mirrors [‘fuddy meers’],” says Bryce Alexander, artistic director of Phamaly. “Perhaps it is the mirror that really makes us look funny and not our true reflection. Maybe the stories we tell ourselves are just reflections, whether we are looking at ourselves through the funny mirror or looking at the world through one. Maybe it is all a matter of perspective. Maybe we can demonstrate to the audience that they are looking through a funny mirror at the actors, through the lens of disability.” The mission of Denver-based Phamaly Theater Company is to make the stage more accessible to performers with disabilities. It aims to inspire people to re-envision disability through professional theater. By challenging their own ideas of what is possible, they hope to affect the limits society sets for them and show just how arbitrary those boundaries really are. Fuddy Meers tells the story of an amnesiac who wakes up each morning with a blank slate on which her family must imprint a semblance of her context. One morning she is abducted by a limping, lisping man who claims that her family wants to kill her and then mayhem begins. Ultimately, the story proves that everything is not what it appears to be and warns that you should be careful what you wish for. The blank slate offered by the main character’s amnesia carries a sense of unlimited possibility, but it also comes with a cost — the cost of her identity. In losing her memory of the people, experiences and ideas that compose her, she also loses what makes her unique. It is common to talk about disability as something lost — the annotation of the word is “not capable,” as if people with disabilities are somehow less than those who can. While most of the actors would never discount their own experience by hoping for a fresh start, the temptation to wish that for them lingers, especially when witnessing their experience of pain or exclusion. “You would be amazed how many of our actors

Phamaly Theater Company’s re-envisions disability through live theater.

have been stopped on the street for someone to pray for them to get better,” Alexander says. “But not one time, as a part of a script or as what an actor is thinking, does an actor wish that he could wake up tomorrow and not have to deal with this [disability].” And then there is the role of Gerdie, played by Lucy Roucis, who speaks a language all her own. Roucis is an established actor with a degree, an impressive resume and more than 22 years with the company. She has had Parkinson’s disease for 29 years and as the years go on, her tremors increase and it becomes more difficult for her to speak. “Gerdie has a problem communicating because she had a stroke,” Roucis says. “And just about any array of problems can happen with a stroke, so the fact that my

disabilities and potentials differently,” Alexander says. “It means our volunteers, it means our staff, it means our designers, it means the professional theater community, who before Phamaly didn’t have a lot of experience with disability. By asking them to re-envision their own understanding of disability and theater the mission becomes all-encompassing, which is what makes Phamaly so powerful.” Founded in the late ’80s when few people in the theater world were willing to entertain the idea that theater and disability could co-exist, Phamaly once dreamed of a world in which their company could be evaluated just like any other, to celebrate when they earned it and get slammed when they didn’t. Crucial to getting there was the willingness of critics to hold Phamaly productions accountable to the established standards that they held for other companies. Alexander says the company’s current success wouldn’t have been possible without local critics who judged them without the bias of disability. In many ways, Phamaly achieved the goal they set out to pursue as they tour around the state, nation and world, accumulate awards and win lucrative grants from the National Endowment for the Arts. But just as the company reached its goals, the members realized that the very same goals were evasive and success is not as simple as once imagined. As it turns out, it isn’t about meeting the standard — it’s about changing it. No longer interested in being measured by the standard it once pursued, Phamaly set its sights on the audience’s experience of their productions and how their biases are evolving. It is difficult to measure that kind of progress, but the metrics that are available are encouraging. Patrons are coming back and bringing their friends. Donations to the nonprofit are up. Perhaps more important than the data is the sentiment behind it — the notes that people write, the feedback they give and the anecdotal

may the best actor win

Phamaly company sets a new standard for theater

Boulder Weekly

by Sarah Haas movement is jerky and Parkinson’s-like doesn’t matter because it could have been the stroke, so I go ahead and let my Parkinson’s hang out.” With or without a disability, one of the greatest things that an artist could hope for is to be able to shed light on the human experience, its joys and its suffering. Roucis says that, because of her Parkinson’s, she has been able to do that in a profound way, working with the disease to find an artistic satisfaction that she never thought possible. She hopes that the next generation of Phamaly actors are confronting a whole new set of prejudices than the ones she helped to change in her career. “Our mission is to affect those people in our audiences, but it starts with our actors viewing their own

see PHAMALY Page 26

February 18, 2016 25


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PHAMALY from Page 25

stories the company hears about how the performances affect theatergoers’ lives. After a recent tour through local schools, Alexander recounts a teary phone call from a grateful mother. Her child, who is blind, typically has a hard time connecting with her peers. But after attending the Phamaly production, she wanted to go talk to her friends about herself and her disability for the first time in her life. “We are doing something that is not only relevant to the community but is having an impact,” Alexander says. “That is hard to measure, but our mission isn’t just about numbers. We are trying to produce something that evokes a different kind of response.” To do that, the company is sticking firm to its ON THE BILL: Fuddy Meeres, Aurora Fox Arts artistry, producing plays that offer satisfying artistic Center, Through Feb. 21, opportunity for its actors, directors and designers. Arvada Center for Arts and This strategy has led the company in a new direcHumanities, Feb. 26-28. tion toward shows that are personally meaningful, FS/MS like last fall’s production of Cabaret, which the actors #1loved for its ability to shed light on the experience of those with disabilities in Weimar, Germany. Cabaret is a musical about 1931 Germany as the Nazis were rising to power. Amid the swirling political revolutions is Fräulein Schneider, a business woman falling in love with an older Jewish man, who finds herself in circumstances out of her control, but is adamant in holding her own moral and physical ground. Roucis was cast in this role, but there were a lot of people who didn’t think she could do it, at least not anymore. Twenty-eight years into her diagnosis, her Parkinson’s disease was just too advanced, and it was only getting worse. She was told that her days of having speaking roles were over, and a critic even went so far as to say that Roucis’ shaking was a distraction. But after being shaky for most of her adult life, Roucis knew that she still had what it takes to be on stage. Being told that she couldn’t do it sparked a fire in Roucis. For Alexander, she offered an inspired and heartfelt performance that shed new light on Schneider’s character. Roucis thought she did pretty good herself: “I kicked butt. I did. I worked so hard.” In her last line in the play, Schneider famously vows to stick her ground and Roucis’ performance added new meaning to the resolve such determination requires: “All my life I have managed for myself, and it is too old a habit to change. I have battled alone, and I have survived. There was a war, and I survived. ... There was an inflation, billions of marks for one loaf of bread, but I survived! And if the Nazis come, I will survive. … For, in the end, what other choice have I? This is my world!” Living with Parkinson’s disease has its challenges, but so does living itself. “It’s just a different way to live,” Roucis says. “I didn’t want anybody to comment on my degeneration with Parkinson’s. I wished they would see how I am working with it. Every year my Parkinson’s changes and gets worse. I’d like to see people with disabilities cast in roles all over the medium, whether it’s for a role of a person with a disability or if they can open their minds to cast people with disabilities in roles that don’t necessarily call for someone with a disability. May the best actor win.” Boulder Weekly


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dirty revival

Feat marc broWnstein, aron

Mar

Feat shark Fin souP & native color

Friday march 11

revenge oF the 90’s

Radio Show Taping

saturday February 20

W/ ryan viser, mikey thunder, digital vagabond & jason burruss Feat Pickles visuals

W/ skydyed, lucid vision &

Mar

Friday February 19

sister sParroW & the dirty birds W/ neW orleans susPects & mama magnolia

oFFicial beanstalk Festival PreParty

Radio Show Taping

text cervantes to 91944 to sign uP 2/18: the lil’ smokies W/ marty o’reilly & von stomPer 3/3: WhiteWater ramble PerForms the grass WaltZ W/ evergreen grass band & We dream daWn Feat sage Formerly oF elePhant revival

tea leaF green & hot buttered rum 2/27: dragondeer

Concert Series:

grass For that ass

hieroglyPhics (Feat all original members including del the Funky homosaPien, PeP love, oPio, a Plus, casual, Phesto & tajai) W/ the reminders, reason the citiZen & jiggy thomPson

Friday aPril 1

Felabration Feat dave Watts oF the motet & members oF euForquestra & atomga & euForquestra W/ the beatserver

saturday aPril 2

mobb deeP tuesday aPril 5

denZel curry

the big Wu W/ ben caPlan

Friday February 26

jon Wayne & the Pain W/ rastasaurus & satsang

saturday February 27

skiZZy mars W/ P-lo

monday February 29

Pell

W/ daye jack, j.i.d. & rooke5

Wednesday march 2

gonZo

W/ johnny love & mindstate

Friday march 4

bloodkin W/ Funk trek

monday march 7

the exPanders Wednesday march 9

the last revel & von stomPer Friday & saturday march 11-12

joey Porter’s shady business

Feat nigel hall (lettuce), adam “schmeens” smirnoFF (lettuce), robert “sPut” searight (snarky PuPPy) & jenniFer hartsWick, natalie cressman & james casey oF trey anastasio band 3/11: booster 3/12: cory henry (snarky PuPPy) Presents the revival

monday march 14

le1F “riot bar” Friday march 18

the heavy Pets

PerForm Walrus – a beatles tribute & naïve melodies – a talking heads tribute

saturday march 19

2055: the ultimate exPerience

marco benevento

Feat allan kingdom & jk the reaPer

Friday march 25

thursday & Friday aPril 14-15

Flatbush Zombies W/ a$aP tWelvyy & remy banks

thursday aPril 21

aFroman

sol

W/ brothers From another & otieno terry

saturday march 26

Wave racer

W/ jacklndn, mosis & lemon Future

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28 February 18, 2016

Boulder Weekly


overtones Surround sound

Ars Nova Singers will perform pieces for 40 parts by Peter Alexander

I

n the history of European choral music, there are two The spatial basis of the music is especially interesting in major works that were composed for 40 different voice the case of the Tallis, which may have been performed at parts. Nonsuch Palace, an extravagant building project that was Yes, that’s four-zero, 40 parts, which is really a lot, started by Henry VIII, completed after his death and later and the size alone has made these Brobdingnagian destroyed. Nonsuch included an octagonal banquet hall with works well known. For the same reason, they are not often eight balconies above the main floor that would have been heard live, but both will be performed on the same concert by ideal for the eight separate choirs. Boulder’s Ars Nova Singers and director Thomas Edward “We will perform both of these pieces in almost a comMorgan. plete circle, surrounding the audience,” Morgan says. “It is Titled “Renaissance Retrospective,” the concert will be very much a surround sound experience, and that’s so much a performed in Denver on Friday and in Boulder on Saturday. part of the construction of the pieces that it’s really critical to Both works were written in the 16th century, and indeed perform them that way.” one probably inspired the other. The first was Ecce beatam While both pieces have 40 separate parts, they are in lucem by Italian some ways quite difCourtesy of Ars Nova composer ferent. “Tallis relies Alessandro Striggio on the very initial from the 1560s. gesture that starts Shortly after it was with two voices and introduced in goes all the way England in that around the ensemble with each individual decade, it was folvoice entering sepalowed by the more rately,” Morgan says. famous Spem in “Striggio’s work in alium by English contrast starts with composer Thomas eight voices together, Tallis. Those two and the choirs are works serve as already laid out in bookends on the more of a multi-choir program, which presentation.” opens with Striggio and closes with This makes the Tallis, recalling the Tallis easier for lisorder in which they Ars Nova’s latest concert will feature 40-part pieces by Alessandro Striggio and teners to follow, Thomas Tallis. were written. because the separate In between, Ars lines are easier to Nova will perform music by Carlo hear, but harder for the singers, because ON THE BILL: Renaissance Gesualdo and Orazio Vecchi, Italian they have to count so carefully. The Retrospective: Music for Many Voices. 7:30 p.m. Friday, Feb. 19, St. composers who were working a couple of Striggio, in contrast, is more of a massed Paul’s Lutheran Church, 1600 Grant decades after Striggio and Tallis. All the sound with less differentiation among St., Denver. 7:30 p.m. Saturday, Feb. music will be sung a capella. the parts, making it easier for the singers 20, St. John’s Episcopal Church, 1419 Pine St., Boulder. Tickets: 1-800“This is a wonderful opportunity to to know where they are but a little hard838-3006, or online at hear [the Striggio and Tallis] pieces perer for listeners to follow. arsnovasingers.org/concerts/ formed live,” Morgan says. “It’s rare, Carlo Gesualdo is best known to hisespecially to hear both of them together.” torians for two things: the brutal murder To achieve the total of 40 voice parts, of his wife and her lover, and the compoboth pieces divide the choir into multiple groups. “Striggio sition of highly expressive madrigals that seem to anticipate the imagined the 40 parts probably as five eight-part choirs,” chromatic harmonic language of the late 19th century. He also Morgan explains. “The Tallis piece is a little different, for wrote a number of scared works, including a set of Responsoria eight five-part choirs.” (Responsories) for Holy Week, published in 1611. Several of In the late Renaissance period, the presence of multiple the Responsoria will be performed by Ars Nova. choirs always suggests that singers would be placed in differ“In many respects they are as harmonically adventurous as ent spaces around a church or performance area, and that the madrigals,” Morgan says. “These are a little more stately, seems to be the case for both works. “It’s clear in the conI would say, because they were written for the church. They struction of the pieces that the composers were thinking are very expressive, but a little more formal. about how the sound moves in a room,” Morgan says. “That’s “Over the course of our history we’ve performed all of the not something that we get again until the 20th century.” Responsoria. It’s music that I find particularly appealing, both This practice is connected to St. Mark’s Basilica in because of their musical content, with really imaginative harVenice, where the presence of multiple choir lofts gave commonic constructions that Gesualdo gets into, but also because posers the opportunity to have music coming from various they’re so expressive. directions. But “this is really another level beyond that,” “I don’t think there’s anything quite like it in the reperMorgan says. toire.” Boulder Weekly

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SOUL SCHOOL “Dance / R&B”

Sunday February 21

LEWIS & CHURCH EXPEDITIONS “Jazz” FREE ADMISSION

Wednesday February 24

NELSON RANGELL “Contemporary Jazz”

Thursday February 25

THE JAM KNIGHTS “Acoustic Classic Rock” FREE ADMISSION

Friday February 26

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LIVE eTOWN RADIO SHOW TAPING AT eTOWN HALL

WITH HOSTS NICK + HELEN FORSTER PLUS THIS WEEK’S GUESTS:

multi-instrumentalist, singer/songwriter

SAM AMIDON

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BILL FRISELL

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eCHIEVEMENT AWARD® AND MORE!

TUE FEB 23 7:00 PM | $29 THIS IS A RADIO SHOW TAPING AT eTOWN

30 February 18, 2016

Boulder Weekly


arts & culture Don’t judge a musical by its title

‘A Gentleman’s Guide to Love & Murder’ is a fun, jaunty tale by Amanda Moutinho

T

here’s a special place in hell Rank: The Autobiography of a Criminal, but not sprinting — show that is easy reserved for musicals with Gentleman’s Guide is an original creto follow and keeps you on your toes. long titles. Hardly do they ation that’s refreshingly void of any The bulk of the musical happens in roll off the tongue, but franchise grip. It’s what you’d describe the first act, which was an applauded instead tumble awkwardly as a good ol’ fashioned musical, not choice. It allowed room for the second out of your mouth: You’re a Good Man, necessarily political, controversial or act to breathe and take its time, making Charlie Brown; A Funny Thing experimental, but instead filled with it even funnier than the first act — a Joan Marcus Happened on the Way to the tough task to accomplish. Forum; How to Succeed in Business The musical was supWithout Really Trying; I Love plied with a brilliant cast. You, You’re Perfect, Now Change. Touring companies are usuIt’s exhausting even getting ally top-notch substitutes for through the name. the Great White Way, but And along comes a new this touring cast was superb. member of the club: A Talent overflowed off the Gentleman’s Guide to Love & stage and every note was Murder. But while its title is exceptional. There were no laborious, the show is anything duds in sight, and every but. actor infused his or her Winner of four Tonys, character with charm and including best musical of 2014, personality. A Gentleman’s Guide to Love & Kevin Massey, who Murder is a jaunty tale that played our fateful hero Kristen Beth Williams, Kevin Massey reminds us how pleasant theater Morty, packed an expert and Adrienne Eller deliver homerun can be. Now playing at the Buell punch. He plays a truly performances in A Gentleman’s Guide to Love & Murder. Theatre through Feb. 28, the rotten character who lies, musical follows Montague cheats and murders, but “Monty” Navarro. Monty finds does it with such boyish out he’s a member of the prestigious, toe-tapping tunes, amusing gags, a charisma that you can’t help but love and rich, D’Ysquith family and is ninth well-designed set and a talented cast. him. In a musical filled with extravain line to inherit the earldom of The musical greatly benefitted from gantly odd characters, Massey’s Highhurst. Monty knows what he has its structure. If you stop by the straight man didn’t get overshadowed to do, and in a series of Clue-style Gentleman’s Guide Wikipedia page, but instead was every bit as fun to deaths, Monty takes down his family you’ll see just how much plot they fit in watch as everyone else. His two leadwithout even flinching. two hours and 20 minutes by reading a ing ladies, Kristen Beth Williams Set in the early 1900s, the musical detailed synopsis of the show (2,400 (Sibella) and Adrienne Eller takes a notoriously heavy time period words long, three times the length of (Phoebe), had impressive pipes and and makes it a silly backdrop for its this review and longer than the Les were also equally entertaining. shenanigans, filled with sharp, quick Miserables Wikipedia synopsis). But this And of course, it’s impossible to not wit that’s always playful and lightis where Gentleman’s Guide succeeds: give John Rapson a well-deserved hearted. Based on the 1907 novel Israel efficient storytelling. It’s a fast-paced — shout-out for playing the entire

ON THE BILL: A Gentleman’s Guide to Love & Murder. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through Feb. 28.

D’Ysquith clan — nine characters in all. Rapson was consistently hilarious, and it’s a stunning feat to watch him exit stage as one character, usually after being violently murdered, only to return a few seconds later as someone completely different. A highlight was the loud-mouthed, last-in-succession Lord Adalbert, who was brilliantly matched with Lady Eugenia (played by Kristen Mengelkoch) as the squabbling old couple that despise each other the way only husband and wife can. The show was rounded out with a playground-like set that was constantly changing and moving and filled with lush backdrops. And it’s no surprise Linda Cho took home the Tony for best costume design as Gentleman’s Guide features a never-ending parade of beautiful attire. The only downfall of the musical is the music itself. The songs are funny and perfectly lovely to listen to during the show, but it’s not a soundtrack that begs you to pour over every song. Songs sort of blended together and nothing pops out. This can be a problem for musicals, but with a strong storyline and interesting characters, it wasn’t a complete detriment. That being said, the show really could benefit from at least one show-stopping song — it had the talent to provide one, but no follow through. In the end, A Gentleman’s Guide to Love & Murder is a fun nod to the Golden Age of musicals that came before it. And who could have thought murder could be so delightful?

Gorgeous Guitars on Sale

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3101 28th St, Tebo Plaza, Boulder Boulder Weekly

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hbwoodsongs.com February 18, 2016 31


THURS, MARCH 13 with • 8CASEY PM COLLINS, ERIK DEUTSCH, L

The Onion Presents

Free with valid CU ID

A TRIBUTE TO BJORK with CASEY COLLINS, ERIK DEUTSCH, LIZA, SONYA VALLET, NICK URATA and more www.BoulderTheater.com

www.BoulderTheater.com

14TH &

14TH & PEARL • BOULDER

303.786.7030

JUST ANNOUNCED

JUST ANNOUNCED

MAR 5 ................................................................... ELL-ESHA & ARTIFAKTS MAR 26 ........................................................................... NAIVE MELODIES APR 8 .................................................................................... MANIC FOCUS

JUNE 7 .............................. SAM BEAM (OF IRON & WINE) & JESCA HOOP

THURS. FEB 18 8:30 PM

97.3 KBCO & DAILY CAMERA PRESENT

THURS. FEB 18 7:30 PM

THE PHARCYDE

KONTRAST AND FO’CHIEF & HIGH FIVE FRI. FEB 19 8:30 PM COLORADO DAILY PRESENTS

RIPE

FRI. FEB 19 7:30 PM BOULDER MOVIE PREMIERE

ROLLING PAPERS

THE MAIN SQUEEZE

A SPECIAL Q & A WITH THE DENVER POST’S RICARDO BACA

SAT. FEB 20 8:30 PM

RADIO 1190 & BOULDER WEEKLY PRESENT

LADY AND THE GENTLEMEN & BOOSTER AWESOME FACTORY PRESENTS

K THEORY + LIQUID STRANGER SPACE JESUS, AU5 & BIG MAKK FRI. FEB 26 8:30 PM

ANALOG SON FEAT JASON HANN THE PAMLICO SOUND

SAT. FEB 27 8:30 PM COLORADO DAILY PRESENTS BACK 2 YOU TOUR

MIKE STUD

OCD: MOOSH AND TWIST & FUTURISTIC TUES. MAR 1 8:30 PM

YELLOW CLAW MOKSI

WED. MAR 2 8:30 PM

AFROLICIOUS & ATOMGA THURS. MAR 3 8:30 PM 97.3 KBCO & COLORADO DAILY PRESENT

THE REVIVALISTS COLD RIVER CITY

FRI. MAR 4 8:30 PM

KUNG FU EARPHUNK

THURS. MAR 10 8:30 PM BOULDER WEEKLY PRESENTS

ZACH DEPUTY FRI. MAR 11 8:30 PM KGNU PRESENTS

TROUT STEAK REVIVAL

CARIBOU MOUNTAIN COLLECTIVE & AUGUSTUS SAT. MAR 12 8:30 PM

VIBESQUAD

THURS. FEB 25 7:30 PM

STRFKR & COM TRUISE FAKE DRUGS SAT. FEB 27 7:30 PM 21+ MOUNTAIN SUN PUB & BREWERY PRESENT 23 YEARS OF FUNKY GOOD TIMES ANNIVERSARY SHOW

PEARL STREET ALL STARS

GEORGE PORTER JR, KYLE HOLLINGSWORTH, JENNIFER HARTSWICK, EDDIE ROBERTS, ISAAC TEEL & JANS INBGER EUFORQUESTRA **A BENEFIT FOR KGNU**

THURS. MAR 10 7:00 PM

JAKE SHIMABUKURO ARTHUR LEE LAND

SAT. MAR 19 7:30 PM

GOGOL BORDELLO

CELEBRATES 10 YEAR ANNIVERSARY OF GYPSY PUNKS: UNDERDOG WORLD STRIKE FRI. MAR 25 7:30 PM 97.3 KBCO PRESENTS

CITIZEN COPE

AN INTIMATE SOLO / ACOUSTIC PERFORMANCE MON. MAR 28 7:00 PM

TAL WILKENFELD SAT. APR 2 7:30 PM 93.3 KTCL PRESENTS

THE DANDY WARHOLS MON. APR 4 7:00 PM

AN EVENING WITH

STEVE HACKETT PERFORMING GENESIS CLASSICS (1970 - 1977) WOLFLIGHT

THURS. APR 7 8:00 PM CVII LIVE BAND TOUR

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FRI. APR 8 7:00 PM

ANDERS OSBORNE

UNLIMITED ASPECT LIVE BAND, UNLIMITED GRAVITY, PROJECT ASPECT & GODLAZER

SISTER SPARROW & THE DIRTY BIRDS

TUES. MAR 15 8:30 PM

MON. APR 11 6:30 PM

COMMON KINGS

THE FRONT BOTTOMS

THURS. MAR 17 8:30 PM

THURS. APR 14 - SAT. APR 16 7:30 PM

TOMORROW’S BAD SEEDS & MINDSTATE

MOON TAXI THE CONGRESS

FRI. MAR 18 8:30 PM KGNU & BOULDER WEEKLY PRESENT

BRICK + MORTAR & DIET CIG

BOULDER WEEKLY PRESENTS

AN EVENING WITH

DARK STAR ORCHESTRA MON. APR 18 7:00 PM DAILY CAMERA PRESENTS

MARCO BENEVENTO

JOHNNY CLEGG

THURS. MAR 24 8:30 PM

FRI. APR 22 7:00 PM

MAMA MAGNOLIA

ANUHEA & THROUGH THE ROOTS FRI. MAR 25 8:30 PM

40 OZ TO FREEDOM

32 February 18, 2016

G. LOVE & SPECIAL SAUCE

JESSE CLEGG

24TH ANNUAL MICROBREWERIES FOR THE ENVIRONMENT FEAT THE MAGIC BEANS & GREAT AMERICAN TAXI WED. APR 27 7:00 PM 97.3 KBCO PRESENTS

SUBLIME TRIBUTE BAND

GRAHAM NASH

MAR 29 ............................................................................. MURDER BY DEATH MAR 31 ...................................................................................... FELABRATION APR 1 ............................................................. PIGEONS PLAYING PING PONG APR 2 ................................................................................... OZRIC TENTACLES APR 4 ............................................................................................ SAN FERMIN APR 12 ............................................................................... BEN MILLER BAND

APR 29 ....................... RICHARD CHEESE & LOUNGE AGAINST THE MACHINE MAY 7 ................................................................................. BOB MOULD BAND MAY 9 ............................................................................................... THE WAIFS MAY 10 & 11 ............................................................................. DAVID SEDARIS MAY 20 ............................................................................... DESERT DWELLERS AUG 26 ....................................................................................................... MOE.

Boulder Weekly


Chattman Photography

AOIFE O’DONOVAN & MARTY O’REILLY. 7 P.M. SATURDAY, FEB. 20, ETOWN HALL, 1535 SPRUCE ST., BOULDER, 303-443-8696.

Thursday, February 18

Drive, Unit 112, Nederland, 303-258-3770.

Music

Colin Kelly. 6:30 p.m. Cafe Aion, 1235 Pennsylvania Ave., Boulder, 303-993-8131.

Bluegrass Jam. 7 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Boulder Swing Collective. 9 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094.

DJ Done. 9 p.m. Breaker’s Grill, 380 Main St., Longmont, 303-772-3839.

Brazil Night With Members Of Ginga. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628.

G. Sauce, Special Sauce, Ripe. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Casey Russells Souls Shack. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

George Nelson Trio. 9 p.m. License No. 1, 2115 13th St., Boulder, 303-442-4344.

Celtic Session hosted by the Gael. 6 p.m. Very Nice Brewing Company, 20 Lakeview

Courtesy of Nieve Heskin

Rejoice

7:30 p.m. Friday, Feb. 19, 2 p.m. and 7 p.m. Saturday Feb. 20, Old Main Theatre, 1600 Pleasant St., Boulder, 303492-6329. In 1996, Eve Ensler started a revolution with a powerfully political tool: the vagina. Her play The Vagina Monologues started off as a one-woman show lamenting vaginal woes and triumphs, but since has grown to feature a full cast of women and has been performed all over the world. From gynecologist visits to war-torn countries to relationships to the C-word, the monologues cover a wide range of topics about this particular genitalia. This weekend, check out the University of Colorado’s annual performance, where all proceeds go to iEmpathize, a nonprofit combating crimes against children.

Boulder Weekly

Rolling Papers

Guest Recital: Hal Galper Trio. 7:30 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411.

Courtesy of Rolling Papers

8 p.m. Friday, Feb. 19, Boulder Theater, 2032 14th St., Boulder, 303-786-7030. The impact of legal marijuana has been felt throughout Colorado. It’s that impact that is the subject of new documentary Rolling Papers. The film takes a look at the novelties of legalization through the lens of The Denver Post, by exploring the dynamics of the newspaper biz and the marijuana industry. It follows Ricardo Baca, editor of the Post’s The Cannabist, as he’s tasked with aggregating content for and about this new market. The Boulder Theater screening will feature a Q&A with Baca and will be moderated by Jake Browne.

Blaze Up

The Vagina Monologues

Complete Unknowns. 7 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685.

King Cardinal. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Ladies Night with Under Two Tables. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Miles Wide. 7:30 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555. The Nice Work Jazz Combo. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696. Open Jam. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. see EVENTS Page 34

Courtesy Bonnie Lowedermilk

Bonnie Lowdermilk 6:30 p.m., Thursday, Feb. 18, Treppedas Italian Ristorante, 300 Second Ave., Niwot, 303-652-1606.

If you’re itchin’ for a night of jazz tunes, look no further than local musician Bonnie Lowdermilk. Feb. 18, Lowdermilk takes the stage at Treppedas alongside Gary Sloan on bass and Jill Frederickson on drums. Lowermilk’s been playing music since she was 6 years old, and she has had a successful career playing cities around the U.S. and Europe. She’ll be playing music from throughout her career and her latest album, Borderless Crossings. Plus, she’ll fill out the night with some classic favorites. The hoppy jazz sounds matched with Lowdermilk’s silky vocals will make for a fine night of music.

Toe Tap

SEE FULL EVENT LISTINGS ONLINE. To have an event considered for the calendar, send information to calendar@ boulderweekly. com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

February 18, 2016 33


events

EVENTS from Page 33

arts

Open Mic Night. 6:30 p.m. Dickens Opera House, 300 Main St., Longmont, 303-543-1411. Sawyer Bernath. 9 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303-449-0884. Sherefe (Arabic Mediterranean Fusion). 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.

Live Entertainment Nightly at our 1709 Pearl St location THURSDAY FEBRUARY 18 8PM

THE LAUGHING GOATS 10 YEAR ANNIVERSARY

BRAZIL NIGHT

Steve Manshell. 7 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Tim Ostdiek. 7:30 p.m. Samples World Bistro, 370 Main St., Longmont, 303-327-9318. Events Bi-Monthly Artist Gathering. 6 p.m. Firehouse Art Center, 667 Fourth Ave., Longmont, 303-651-2787. BLDG 61 Makerspace Grand Opening. 5 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

FRIDAY FEBRUARY 19 8PM

Boulder Singles Dance Night. 7 p.m. Free Motion Community Dance Center, 2126 Pearl St., Boulder, 720-379-8299.

THE LAUGHING GOATS 10 YEAR ANNIVERSARY

Late Night At The Museum. 6 p.m. Longmont Museum, 400 Quail Road, Longmont, 303-651-8374.

DECHEN HAWK, COLIN ROBISON, JARRAD MENARD, BRETT RANDELL, & JEREMY PARKER SATURDAY FEBRUARY 20

THE LAUGHING GOATS 10 YEAR ANNIVERSARY

THE HEARTSTRING HUNTERS 8PM MANY MOUNTAINS 9PM SUNDAY FEBRUARY 21 8PM

THE LAUGHING GOATS 10 YEAR ANNIVERSARY

WOMEN IN SONG

MONDAY FEBRUARY 22 8PM

THE LAUGHING GOATS 10 YEAR ANNIVERSARY

POETRY NIGHT

“So, You’re a Poet,” presents

REED BYE & JACK COLLOM

My Journey for Freedom: From Mao’s Young Pioneer to Libertarian. 7 p.m. Hale 270, University of Colorado, Boulder. Friday, February 19 Music 50 Shades of Blue. 9 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303-449-0884. Agustus, Blvd. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. Arthur Lee Land. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE. Big Paddy. 10 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Brian Rezac. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768. Dan Treanor & Afrosippi. 8:30 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Dechen Hawk, Colin Robison, & Jarrad Menard. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Fully Belly. 10 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094.

Lanny DeVuono

Make Your Own Friends — by Brian Bress. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through July 3.

A Place in the Sun. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720865-5000. Through April 24. Above the Fold: New Expression in Origami. The Longmont Museum, 350 Kimbark St., Longmont, 303-776-6050. Through May 1. Arrangement for a Silent Orchestra — Julie Comnick. Firehouse Art Center, 667, Fourth Ave., Longmont, 303-6512787. Through Feb. 28.

Mardi Gras Kids: An Untold Story. The Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826. Through Feb. 26. Stop by the Museum of Contemporary Art in Denver for four new exhibits, including a spotlight on artist Lanny DeVuono, including her piece “Study for Outer Space, Large Drawing” (2015).

Art of the State 2016. Arvada Center, 6901 Wadsworth Blvd., Arvada, 720-898-7200. Through March 27.

Plien Air Pastel Painting by Sandra Haberkorn. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-497-1174. Through April 1.

Case Work. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through April 17.

Phantom Touch — by Laura Shill. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through July 3.

Critical Focus: Lanny DeVuono — by Laura Shill. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through June 5.

Revolt 1680/2180: Virgil Ortiz. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through May 1.

The Engaged Object. Foothills Art Center, 809 15th St., Golden, 303-279-3922. Through March 26.

Robert Therrien. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Aug. 7.

Life and Afterlife: Selections from the King Collection of Ancient Chinese Art. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through June 25.

When the Winds Whisper. Arts Longmont Gallery, 356 Main St., Longmont, 303-678-7869. Through Feb. 27.

Max Wagner. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.

Saturday, February 20 Adam Bodine Trio. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696.

10 YEAR ANNI(VERS)ARY OF OPEN POETRY AT THE LAUGHING GOAT

Gasoline Lollipops. 8:30 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685.

TUESDAY FEBRUARY 23 8PM

Groove a Licious. 9 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Pete Laffin, Coby Mandell. 6:30 p.m. Cafe Aion, 1235 Pennsylvania Ave., Boulder, 303-993-8131.

Henscratch. 5 p.m. Vindication Brewing Company, 6880 Winchester, Circle Suite F, Boulder, 303-530-0642.

The Prairie Scholars. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.

Intuit Band. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696.

The Robin Davis Duo. 7:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625.

Irin Poellot To Perform. 2:30 p.m. Golden West Senior Living, 1055 Adams Circle, Boulder, 303-444-3967.

Sandra MacDougall. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698.

WEDNESDAY FEBRUARY 24 8PM

JAZZ NIGHT with ALEX HEFFRON QUARTET THURSDAY FEBRUARY 25 8PM

GRUPO CHEGANDO LÁ AND FRANCISCO MARQUES

Happy Hour 4-8 Every Day THELAUGHINGGOAT.COM 34 February 18, 2016

Jacob Larson Band. 9 p.m. Breaker’s Grill, 380 Main St., Longmont, 303-772-3839. Journey Thru Time (A Tribute to Journey) and Paradise Theater (A Tribute to Styx). 7 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. MacKenzie Jazz Event. 7 p.m. First Congregational Church of Boulder, 1128 Pine St., Boulder, 303-442-1787. The Main Squeeze with Lady and the Gentlemen. 8:30 p.m. The Fox Theatre, 1135 13th St., Boulder, 720-645-2467. MaryLynn Gillaspie. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555.

Pastel Paintings by Diane Wood. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-497-1174. Through April 1.

Be Here Now: Conversations Between Objects. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through March 19.

The Mojo Medicine Show. 6 p.m. Grossen Bart Brewery, 1025 Delaware Ave., Longmont, 214-770-9847.

JAZZ NIGHT with MATT MICHAUD GROUP

The Neighbors — by Arne Svenson. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through June 5.

Sophie Kloor. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Steve Selinsky. 6 p.m. Upslope Brewing Company (Lee Hill), 1501 Lee Hill Road, Suite 20, Boulder, 508-873-9185. Wendy Woo & Liz Barnez. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. You Knew Me When. 8 p.m. Liquid Mechanics Brewing Company, 297 N. U.S. Highway 287, Lafayette, 303-449-8623. Events Rocks Karma Arrows. 7 p.m. Louisville Center for the Arts, 801 Grant Ave., Louisville, 303-666-4361. Steamworks. 4 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390.

Music

Aristocats. 6:30 p.m. Front Range Brewing, 400 W. South Boulder Road, Suite 1650, Layfayette, 303-339-0767. Bakersfield Band. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698. Big Something. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. Bonnie & The Clydes. 8:30 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685. Bugaboo. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Choral Showcase: A Choral Celebration of Black History Month. 7:30 p.m. First United Methodist Church, 1421 Spruce St., Boulder, 303-442-3770. Cleason-Dunn-Wright. 8:30 p.m. Samples World Bistro, 370 Main St., Longmont, 303-327-9318. Cosy Sheridan. 7 p.m. Jensen Guitars, 350 Main St., Longmont. David Coile. 11 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. Defunct Railroad. 5 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258. DJ Big Spade. 9 p.m. Breaker’s Grill, 380 Main St., Longmont, 303-772-3839.

Boulder Weekly


events Flatirons Jazz Orchestra (Big Band). 8 p.m. Avalon Ballroom, 6185 Arapahoe Road, Boulder. Free Range Sessions, Live. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Greg Schochet And Katie Glassman. 7 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont, 303-651-7886. Interstate Stash Express. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. Jet Set. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE. Jim Bradford Band. 9:30 p.m. The Dark Horse, 2922 Baseline Road, Boulder, 303-442-8162. K Theory, Liquid Stranger, Space Jesus, Aus & Big Makk. 9 p.m. The Fox Theatre, 1135 13th St., Boulder, 720-645-2467. Kirtan at Shine. 7:30 p.m. Shine Restaurant and Gathering Place, 2027 13th St., Boulder, 303-449-0120. Liebermonster. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Many Mountains, The Heartstring Hunters. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Marcus Lucas Show. 9 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Masontown & The Road West. 7:30 p.m. Harmony Music House, 2525 Broadway St., Boulder, 303-444-7444. The Mighty Twisters. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985. Miranda Kennedy. 6:30 p.m. Cafe Aion, 1235 Pennsylvania Ave., Boulder, 303-993-8131. Moses Jones Quintet. 9 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728. Selby Clyman Duo. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555. Soul School. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Sphere Ensemble: Divergence. 7:30 p.m. Rocky Mountain Center for Musical Arts, 200 E. Baseline Road, Lafayette, 303-665-0599. Ultralowfi. 8 p.m. Liquid Mechanics Brewing Company, 297 N. U.S. Highway 287, Lafayette, 303-449-8623. Whiskey Autumn. 7:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Events Boy and the World. 1:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. The Crusty Rocks of Rabbit Mountain. 9:30 a.m. Rabbit Mountain Open Space, 14950 N. 55th St., Longmont, 303-678-6200. Friends of the Longmont Library Book Sale. 9 a.m. Longmont Public Library, 409 Fourth Ave., Longmont, 303-651-8470. L’Amour Art Opening. 8:30 p.m. The Corner Studios, 318 Main St., Lyons, 303-903-2165. Oscar Shorts — Live Action. 3:30 p.m. and 8 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Out Boulder Red Party. 8 p.m. Twisted Pine Brewing Company, 3201 Walnut St., Boulder, 303-786-9270. Sembene! 6 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Sunday, February 21 Music Bach for Kids. 2 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Banjo Andy. 11 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. Barefoot Movement. 7:30 p.m. Chautauqua Community House, 301 Morning Glory Drive, Boulder,

Boulder Weekly

theater Joan Marcus

4000 Miles. Miner’s Alley Theatre, 1224 Washington Ave., Golden, 303-935-3044. Through March 6. A Gentleman’s Guide to Love & Murder. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through Feb. 28. The Addams Family. BDT Stage, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through Feb. 27.

PROUD SPONSOR

All the Way. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239. Through Feb. 28. Boeing Boeing. Longmont Theatre Company. 513 Main St., Longmont. 303-772-5200. Through March 5. Fade. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239. Through Mar. 13.

Tony-Award winning A Gentleman’s Guide to Love & Murder heads to the DCPA through Feb. 28. Check out BW’s review on page 31.

Murder for Two. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239. Through Feb. 21. The Nest. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239. Through Feb. 21. Twelve Angry Jurors — presented by The Upstart Crow. The Nomad Playhouse, 1410 Quince Ave, Boulder, 303-443-7510. Through Feb. 28.

303-442-3282. Blackdog Duo. 3 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303776-1914. Bluegrass Jam. 2 p.m. Black Canyon Distillery, 13710 Deere Court, Unit B, Longmont, 720-2099701. Bluegrass Pick. 3 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. David Booker. 6 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

words

Foxfeather. 5 p.m. 300 Suns Brewing, 335 First Ave., Longmont, 720-442-8292. JC and The Deadly Sins. 10 p.m. Mountain Sun Pub, 1535 Pearl St., Boulder, 303-546-0886. Lewis & Church Jazz Explorations. 7 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Open Bluegrass Pick with Pat Fiddle and New Grass. 1 p.m. Owsley’s Golden Road, 1301 Broadway St., Boulder, 720-849-8458. Rusty 44. 3 p.m. Oskar Blues Brewery, 303 Main see EVENTS Page 36

Courtesy of Boulder Book Store

Joshua Berman. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Truth be Told Story Slam Third Annual All-Star Grand Slam Championship. The Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826. Monday, Feb. 22 “So, You’re a Poet” Open Poetry Reading. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628.

9pm-1am

LIVE BAND ON FRIDAY NIGHTS Fri. Feb. 19

Jacob Larson Band

AKA - Dr. Xclusive

9pm-1:30am

Friday, Feb. 19

Sunday, Feb. 21

EVERY THURSDAY

DJ Big Spade

Duende Entendre. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Word by Word Journeys with Jack Colom. 2 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

DJ Done & LADIES NIGHT

DJ ON SATURDAY NIGHTS Sat. Feb. 20

Pam Moore — There’s No Room For Fear in a Burley Trailer. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Saturday, Feb. 20

KARAOKE

9pm-1am

Thursday, Feb. 18

Rebecca Morgan Frank and Grahma Foust. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

WE OFFER Large Menu Selection & Daily Specials Daily Drink Specials 28 Taps & Large Selection of Craft Beers 16 Large Screen TVs 8 Billiard Tables Dart Boards Video Games

In Marah Hardt’s new book, Sex in the Sea, she talks about how overfishing, climate change and pollution are affecting oceanic procreation.

NOW SERVING

Sunday Brunch 10am-2pm

Tuesday, Feb. 23 Innisfree Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303. Marah Hardt — Sex in the Sea. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Wednesday, Feb. 24 MFA Reading: Hector Ramirez. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

380 Main St. Longmont, CO 303-772-3839 longmontrestaurants.co February 18, 2016 35


The Upstart Crow Theatre Company presents

Twelve Angry Jurors

events

Now thru Feb 28, 2016 by Reginald Rose

Directed by Richard Bell Produced by Special Arrangement with Dramatic Publishing Performances begin at 7:30pm, Matinees at 2:00pm Tickets: $25 General Admission $21 Students/Seniors Thursdays: Name-Your-Price Nights! Tickets available at www.theupstartcrow.org or call 303-442-1415

Performances may sell out - we strongly recommend reservations for all performances

see EVENTS Page 35

St., Lyons, 303-823-6685. Seth Phillips. 4:30 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258. Traditional Irish Session. 7 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Women in Song. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Events Boulder Comedy Show. 7 p.m. and 9:15 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Fold McDonald: Beginner Origami. 3 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Performed at

Friends of the Longmont Library Book Sale. 1 p.m. Longmont Public Library, 409 Fourth Ave., Longmont, 303-651-8470.

1410 Quince Ave, Boulder.

Movement Mondays. 7 p.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299.

THE NOMAD PLAYHOUSE

Mulholland Drive. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

concerts classes community

Triwizard Tournament. 2 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Monday, February 22 Music Adrian Engfer Duo. 9 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.

THURSDAY FEBRUARY 18 7:00 PM

COLORADO SKIES: WEEKLY TOPICS 9:00 PM

LASER: JOURNEY

KNEEBODY & DAEDELUS w/Dave Devine Relay Sat 02.27 $24 advance 8pm @ Oriental Theater

FRIDAY FEBRUARY 19 7:00 PM

BLACK HOLES: THE OTHER SIDE OF INFINITY 9:00 PM

LIQUID SKY MUSIC SHOW 10:30 PM

LASER: OUTKAST 11:59 PM

LASER: OZZFEST SATURDAY FEBRUARY 20 12:00 PM

PLANETS AND LASERS 2:00 PM

I, HUMANITY—LIVE READING BY JEFF BENNETT 3:30 PM

MAX GOES TO THE MOON 9:00 PM

SUPERVOLCANOES 10:30 PM

an intimate evening with

RICKIE LEE JONES Sun 02.28 $41 advance 7pm @ Oriental Theater

DOUBLE FEATURE: TWO SMALL PIECES OF GLASS & PERSEUS AND ANDROMEDA

Open Stage. 6 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. Pocket Vinyl, Lost Shapes, The Beeves. 5:30 p.m. The Forge, 4919 Broadway, Boulder, 303-396-8145. Salasee And The FaFa Family. 9:30 p.m. Southern Sun Pub & Brewery, 627 S. Broadway, Boulder, 303-543-0886. Events Boulder Industry Night! 9 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Cinema Program free screening of Full of Life. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Music Bill Frisell & Sam Amidon. 7 p.m. eTown Hall, 1535 Spruce St., Boulder, 303-443-8696. Gasoline Lollipops. 8:30 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094.

BACK TO THE MOON FOR GOOD BELLA GAIA: BEAUTIFUL EARTH

4:30 PM

Jalbatross. 9 p.m. Owsley’s Golden Road, 1301 Broadway St., Boulder, 720-849-8458.

Fiske Planetarium - Regent Drive

Matt Michaud Group. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-4404628.

www. fiske.colorado.edu 303-492-5002

Open Jam Hosted by Lady and The Gentlemen. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355.

(Next to Coors Event Center, main campus CU Boulder)

Open Mic Night with The Prairie Scholars. 6 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698. Psychodillo. 6 p.m. Upslope Brewing Company (Flatiron Park), 1898 S. Flatiron Court, Boulder, 508-873-9185. Events Boulder World Affairs Discussion Group. 10 a.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390. Das Boot Trivia. 7 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Wednesday, February 24 Music Alex Heffron Quartet. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Blues Night. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Jazz Combos. 7:30 p.m. CU Boulder Old Main Chapel, 1600 Pleasant St., Boulder, 303-492-6329. Josh Max. 8 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Karaoke. 9 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328.

Live Dead featuring The Schwag. 7 p.m. Owsley’s Golden Road, 1301 Broadway St., Boulder, 720-8498458.

Guest Master Class: Matt Albert, Strings. 4:30 p.m. Chamber Hall, Imig Music, CU-Boulder, 1020 18th St., Boulder, 303-492-6352.

3:00 PM

Open Mic Hosted By Danny Shafer. 8 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Open Mic. 8 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303-449-0884.

Tuesday, February 23

12:00 PM

Open Mic Hosted by Brian Rezac. 8 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728.

Lenten Organ Recital. 12:15 p.m. First Presbyterian Church, 1820 15th St., Boulder, 303-402-6400.

LIQUID SKY MUSIC SHOW SUNDAY FEBRUARY 21

Open Mic Hosted by Black Dog. 9 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Open Jovan. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

Climate Change after Paris. 7 p.m. Eaton Humanities Room 150, University of Colorado, Boulder.

11:59 PM

STARS AND LASERS

36 February 18, 2016

Music Theory Colloquium: Hovhaness’s Armenian Period. 2 p.m. Chamber Hall, Imig Music, University of Colorado, 1020 18th St., Boulder, 303-492-6352.

LIQUID SKY MUSIC SHOW

1:30 PM

The concerts listed here take place at The Oriental Theater, 4335 W 44th Ave, Denver, CO 80212.

Concert Band: Live Tweet Concert. 7:30 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411.

Open Mic. 7 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767.

Nelson Rangell. 8 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Open Bluegrass Pick. 7 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont, 303-651-7886. Open Bluegrass Pick Hosted by Kyle Ussery. 8:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Open Mic. 6:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Patrick Dethlefs, Macon Terry and Austin Crane. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Pendulum New Music: Electro-Acoustic Event. 7:30 p.m. CU-Boulder’s ATLAS Black Box Studio, Roser ATLAS building, 1125 18th St., Suite 320, Boulder. Ron LeGault Jazz. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696. You Knew Me When. 7 p.m. Rosalee’s Pizzeria, 461 Main St., Longmont, 303-485-5020. Events Comedy Night. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 303-543-1411. Cosmology and Modern Physics. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Oscar Shorts — Animation. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Voyagers Without Trace. 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Boulder Weekly


American Life in Poetry: Column 566 by Sharon Chmielarz

When grief is so heavy that we need to set it down, poetry is a good place to set it. Here’s a fine poem by Minnesota poet Sharon Chmielarz from her book with photographer Ken Smith, Visibility: Ten Miles, published by North Star Press of St. Cloud. — Ted Kooser, U.S. Poet Laureate

Playing His Heart Out That day we were trapped between chartreuse living room walls and the godly cleanliness of afghans saving sofas and chairs. We were talking about anything except Uncle Carl— gone, how we’d miss him— when Uncle Gus came down the hall and stood in the archway, his wiry body strapped under a black accordion. “Haven’t played,” he said, “for a long time.” So he played a waltz and I squirmed in my chair under the slow flow of grief. He played a polka and I heard my sister clapping lightly for the mourner bending over the keys. His cheek-bones, red as Helgoland’s cliffs on the North Sea. Gulls whirled and screamed around the black load on his heart. We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Sharon Chmielarz , “Playing His Heart Out,” from Visibility: Ten Miles, (North Star Press of St. Cloud, Inc., 2015). Poem reprinted by permission of Sharon Chmielarz and the publisher. Introduction copyright © 2015 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. Send poetry submissions of 250 words or fewer to poetry@boulderweekly.com.

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Boulder Weekly

February 18, 2016 37


Affordable Guitar and Violin Repairs Awesome Inventory New, Used, and Vintage

screen Not a good look

‘Zoolander 2’ isn’t a model comedy by Ryan Syrek

facebook.com/larrys-guitars

508 5th Ave., Longmont CO 80501 • 720-340-4169 • www.larrysguitars.com An evening with the Pulitzer Prize-winning Author of A VISIT FROM THE GOON SQUAD

JENNIFER

EGAN

In conversation with novelist Laird Hunt © Pieter M. Van Hattem

7 p.m. Thursday

March 17, 2016

Canyon Theater

Boulder Public Library

1001 Arapahoe Avenue, Boulder, CO 80302

$20 General Admission or $40 Library All-Star*

Made possible through the generous support of the

*Includes pre-show reception with the author! Proceeds from ticket sales support programming at the Boulder Public Library.

Tickets:

boulderlibrary.org/speaker-series Books for sale courtesy of Boulder Book Store.

38 February 18, 2016

M

ore plot!” demanded not one single fan of the original Zoolander. So, of course, writers Justin Theroux, Ben Stiller, Nicholas Stoller and John Hamburg begin Zoolander 2 with a convoluted, nonsensical, unnecessarily intricate setup involving elements of The DaVinci Code and, oddly enough, cannibalism. What they left out, however, was “the funny.” “The funny” being absolutely integral to the enjoyability of an intentionally stupid parade of buffoonery, this was a ballsy choice. As such, Zoolander 2 feels mostly like a kick-to-the-ballsy choice. We pick up more than a decade after the original film, with Derek Zoolander (Ben Stiller) having become a recluse (or, as he says, a “hermit crab”) after his wife died in the collapse of the Derek Zoolander School for Kids Who Can’t Read Good and Want to Do Other Stuff Good Too. That collapse also “horribly disfigured” Derek’s best friend, Hansel (Owen Wilson), who has moved to the middle of a desert and began a monogamous relationship with all the collective participants of a particularly good orgy (including Kiefer Sutherland as himself ). Years later, Billy Zane shows up to offer Derek and Hansel a chance to return to their modeling ways, working for top fashionista Alexanya Atoz (Kristen Wiig). Of course, it’s a setup. And of course the setup involves the evil Mugatu (Will Ferrell). With the aid of former swimsuit model-turned-Interpol “fashion police” division officer Valentina (Penelope Cruz), the dunderheaded duo must try to thwart another assassination attempt and reunite Derek with his estranged, plus-sized son. There are also more cameos than successfully landed jokes. Zoolander 2 could’ve been a lot better. The first Zoolander was gloriously silly. It reveled in a nonstop barrage of self-deprecating jokes and had a plot so flimsy it barely existed. Here, we get secret societies that may or may not be real; a derivative subplot about “the chosen one,” who may or may not be real; and a strange abundance of mean-spirited jokes about a preteen’s weight. When dealing with shallow characters, they should be the butt of the jokes. Watching Derek and Hansel debate over whether “being fat makes you a bad person” doesn’t read as an indictment of their narcissism so much as ribbing at a character who, it should be noted, is played by a real live human being who possesses the body type being mocked. The good news is Mugatu is still hilarious. This makes the decision to hold him out until the last third maddening, as the trailers let us know he was coming. And benching the comedy’s funniest character falls squarely under the heading “bad move, yo.” From its reintroduction on, Zoolander 2 regains its giddy goofiness and screwball satirizing. But like an undersized elf showing up for work at Santa’s toy factory on December 26, it’s too little, too late. Zoolander 2 fails by attempting to service a story no one was asking to be included. Had this just been Hansel and Derek adjusting to a new world where “high fashion” is no longer elaborate couture but hipster-adored slovenliness, and had it used its best character earlier and more often, it could have been blissfully ignorant instead of wilfully dumb. This review first appeared in The Reader of Omaha, Nebraska.

Speaker Series Boulder Weekly


film ON THE BILL:

Oriented. February 21, 5:30 p.m. Mizel Arts and Cultural Center, 350 S. Dahlia St., Denver, 303–316–6323, maccjcc.org. Tickets start at $11.

Oriented follows three gay Palestinian twentysomethings, as they navigate family, love, politics and acceptance.

A

s the American presidential race continues to heat up, more and more Americans divide themselves across party lines and political predilections. Yet, few see these divisions as dividing — they see them as unifying: this is my identity, and these are the people who feel the same. Individual identity within a larger whole is one of the most desirable aspects of being human, and it is a topic cinema loves to explore. And not just explore, but empower. Cinema doesn’t just give its subjects a voice, but an undeniable image as well. That undeniable image is the driving force behind Oriented, a documentary about three gay Palestinian friends who use images — namely viral videos — to effect change during the Israel-Gaza Conflict in 2014. The three subjects documentarian Jake Witzenfeld follows fit the bill perfectly, and are open, candid and honest to boot: Khader, the son of Muslim mafia now living with his Jewish boyfriend; Fadi, a Palestinian nationalist in love with an Israeli soldier; and Naeem, who has yet to come out to his family. All three men are gay, in their mid-20s, and the eclectic port city of Jaffa offers cheap housing and a chance to move out from under the thumb of their conservative families. But gentrification has enflamed the delicate Arab/Israeli relations and Khader, Fadi and Naeem are caught in the middle, trying their best to understand, to communicate and to educate. But mostly, they are trying to understand the men they are becoming. That realization comes across clearest when Fadi falls for an American Jew fighting in the Israeli Defense Forces. Fadi speaks to Witzenfeld’s camera candidly, almost surprised, that he is sleeping with the enemy. For Fadi, politics is a major, if not the major, aspect of his life. But Fadi is young, and the young are full of passion. Part of growing up is challenging that passion in the face of love and attraction. The heart wants what the heart wants, and Fadi’s somewhat shocked eyes are reminders of how jarring that realization can be. While the issue of identity lies at the core of Oriented, the movie’s most fascinating aspect is its appeal as a piece of playful ethnography. These are not shy subjects, and they allow Witzenfeld to observe the less cinematic moments of their lives. Be it sitting around the living room silently checking their phones, early morning confession sessions where the pleasures of the night gives way to the clear light of day, or simple unfocused conversations over beers on the way to, or coming back from, the nightclub. These moments don’t just color these individuals’ lives, they are crucial to defining them. Oriented is playing at the 20th Denver Jewish Film Festival at the Mizel Arts and Cultural Center. The MACC is dedicated to “illuminating the Human Experience —” precisely Witzenfeld’s, and his subjects’, goal. There are no solutions in Oriented, just ideas, passions and the blunt, but joyous, aspects of growing up and finding out who you really are.

The never-ending battle of identity Three young men looking in ‘Oriented’ by Michael J. Casey

Boulder Weekly

IFS

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VOYAGERS WITHOUT TRACE

Retracing the first kayak trip down the Colorado Feb 24 - 7:00 | Feb 25 - 4:30 | Feb 26 - 2:00 & 6:30 Feb 27 - 3:30 & 7:30

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Free Range Food for

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40 February 18, 2016

Boulder Weekly


cuisine review Susan France

M

ateo is the place you wish existed in the U.S. when you’re abroad, eating simple and wonderful food, so abundant that you hate yourself for settling on meals back home, and so then you entertain thoughts of opening your own niche restaurant, with focus on just those same simple and wonderful foods, made accessible to the commoner. In fact, one assumes that’s how many restaurants begin — and how many pre-chefs are inspired to become chefs. Many fail, or settle, or simply become something else, but Mateo is one of the few restaurants in Boulder County that has retained the authenticity of the region from which its food is inspired, while also keeping its fare affordable and restaurant casual. The region from which Mateo culls its menu is Provence, a geographically diverse and horticulturally robust region in southeast France that packs in blue water coasts, snow-capped peaks and lavender fields, among a bunch else. Mateo’s menu spans and condenses the region’s cuisine, with rotating specials alongside bistro staples. And indeed, what Mateo also pulls in is the Provençal bistro vibe. Abstract oil paintings largely in topaz bring the diner to the Cote d’Azur. The distance between tables — about six inches — calls back memories of cultural claustrophobia, though the way Mateo has arranged them funnels conversation only to your partner in some small acoustic feat. There’s also a colorful, relaxed outdoor dining area that wasn’t open in the cold weather when I visited the restaurant recently. We started the night with a charcuterie plate — le plateau Provençal — which had three meats, three cheeses and some accoutrements. The coppa and prosciutto were freshly sliced, and thus moist and vanished on the tongue. The smoked duck sausage was thin-sliced and had a hoppy, herbal flavor. The three cheeses were soft, medium and hard. The medium was a cow’s milk, havarti-like cheese, which sort of expanded on the tongue. By far the biggest revelation of the plate, and of the night, was the BrillatSavarin. Soft, with a thin, malleable crust of about 3 millimeters, this cheese was unstoppable. Made of cow’s milk, it was fatty and just a bit sour, with a funk that awoke every bit of every taste bud on my tongue. It was, like, effervescent, almost

Mateo

like eating creamed hay wetted from an excessively foggy morning that was then distilled into sparkling wine and rested until it solidified back into its creamy wonder. Damn. We opted for bistro favorites over the next courses: moules Provençal, steak frites and a burger. The steak was cooked perfectly, and served without much hullabaloo. Seared, its surface was smoky, thick and black, while the meat on the inside was tender, pink and warm. Minimal seasoning helped the meat shine for itself, but the warm lemon butter accompaniment was hard to resist on each bite. The frites came in a big paper sack, and were girthy, crisp and substantial. They came with choices of dipping sauces, and I only mention that because the spicy ketchup tasted an awful lot like Tabasco sauce and ketchup mixed together, or the Heinz-andTabasco-branded blend sold in stores, or at least a dead ringer for the marriage, so no it’s not totally authentic to the region, maybe, but whatever, it’s ketchup. The burger, too, was simple and powerful. Zinging gruyere cheese, lettuce, tomato and caramelized onion were all that adorned the burger. The meat was from a sirloin cut, and the bread was thin but slightly chewy, and so it was perfect for a burger. The mussels, meanwhile, were dressed in a tomato, herb and anise liqueur broth, which was colorful, bright and simple — like the region itself. It all paired well with a couple glasses of 2012 Saint Cosme Côtes-du-Rhône rouge. Mateo, whose chef and owner Matthew Jansen is a master sommelier, has a lot of affordable hits on its wine list. Last, we had a plate of profiteroles. The flaky pastry ends were a little moist and a little crunchy, yielding the spotlight to the cream filling — somewhere between the consistency of very cold cream and warmed ice cream. Chocolate and pistachios were laid overtop the cream puffs, and each was a demonstration in elegant simplicity. It might just be me, but it seems like of the Boulder County higher-end restaurants, at least those on Pearl, Mateo is kind of forgotten about. But for its simplicity, authenticity and affordability, it’s hard to deny its excellence. 1837 Pearl St., Boulder, 303-443-7766

REPRESENT

Mateo is simple, authentic and affordable high-end dining BY MATT CORTINA

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February 18, 2016 41


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Boulder Weekly


nibbles Susan France

File under

‘Mouthwatering’ Check out heirloom tomatoes at the Boulder Public Library

by John Lehndorff Susan France

T

here are no late fees when you borrow parsley, sage, rosemary or thyme from the Living Seed Library inside the Boulder Public Library. The Living Seed library is really a filing cabinet with 25 drawers filled with seed packets. Instead of the Dewey Decimal System, they are subdivided by greens, herbs, bee-friendly flowers and diverse heirloom and hybrid vegetables from squash and radishes to carrots and cukes. The seeds were donated by Boulder companies including Lake Valley Seed and BBB Seed. On the seed desk are handouts and reference books on gardening. “You can read about the variety and the best way to start the seeds and transplant them,” says organizer Ross Well Rodgers of Boulder’s Living Seed Library, which supports local seed swaps. He pointed out that seeds require some see NIBBLES Page 44

Irene Leary, barista, Seeds Library Cafe, Boulder Public Library

Boulder Weekly

February 18, 2016 43


nibbles

Kim Long

NIBBLES from Page 43

The banh mi sandwich from Vinh Xuong Bakery.

knowledge and growing advice and starting with plants may be easier for many gardeners. “There is no requirement but eventually we hope that gardeners will bring back seeds from their crop to share,” Rodgers says. The seed nook is located on the library bridge near the locally focused

Seeds Library Cafe. Chef Matt Collier, formerly with Bradford Heap’s restaurants, including Colterra, is the new general manager at the one-year-old café. Collier will also operate a Seeds Cafe food stand at the Boulder County Farmers’ Market, which opens for the season in Boulder and Longmont on April 2.

BOULDER DINING NEWS

Cupid's Combo Wine Dinner February 1 – 29, 2016 $100 per couple ($50 per person) Includes a four-course meal and a select bottle of wine. The month of February is the month of love at The Melting pot of Louisville. Cupid set up his combo with a four-course meal and a bottle of wine starting at only $100 per couple. Mention “Cupid's Combo” when making your reservation. Restrictions may apply. Not valid on February 12 -14, 2016.

RESERVATIONS RECOMMENDED (303) 666-7777 732 MAIN STREET, LOUISVILLE ,CO 80027 MELTINGPOT.COM 44 February 18, 2016

Arcana restaurant is open at 909 Walnut St. in Boulder. … Scott’s on Alpine has opened in Boulder in the space next to Ideal Market previously occupied by Ella Fine Diner, Radda Trattoria, Masa Mexican Grill and about 20 years ago, the Italian Market Restaurant. … Arvada’s Sushi Aji will open a second eatery at 489 U.S. Hwy 287 near Baseline Road in Lafayette … Boulder’s Pica’s Taqueria opens a second location this spring at 901 Front St. in Louisville. … Lonni Byrd has opened a restaurant dishing the rarest of cuisines — vegan soul food — at Love, Peace & Sol Cafe, 3435 Albion St. in Denver’s Park Hill neighborhood. … If you eat out in the Denver metro area you probably have enjoyed bread from the Grateful Bread Company. The bakery offers a rare retail window for their fine baked goods 10 a.m.-2:30 p.m. Saturdays at 425 Violet St. in Golden.

CULINARY CALENDAR

Two remarkable tasting opportunities are coming up. At The Blind Cafe March 3, 4 and 5 in Boulder, blind waiters will serve diners a vegan dinner in total darkness with live music. Details: theblindcafeboulder.com. Cochon 555 is a star-studded feed March 6 at Denver’s Ritz-Carlton designed to showcase sustainable farming of heritage breed pigs and snoutto-tail use of the animals. At last year’s Cochon, I sampled n’duja (spreadable salami), whipped lardo dip, pork broth spiked with bourbon, artisan SPAM, doughnuts filled with chocolate-pig’s blood ganache and foie gras hot dogs washed down with barrel-aged coffee hazelnut bacon ale. For dessert: chocolate and pig blood pot au creme. Plus: Folks walked around with jars full of candied heirloom bacon strips. Information: cochon555.com

INTERNATIONAL FOOD NEWS UPDATE We are not sure why the world

see NIBBLES Page 46

Boulder Weekly


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February 18, 2016 45


nibbles NIBBLES from Page 44

Spam Snacks are a thing.

needs this, but Spam Snacks are now available in the jerky aisle at your local superstore. They are teriyaki- or baconflavored “dried SPAM bites.” That means they are not accompanied by the odd SPAM Jell-O that forms on the top of the cans of that pork and ham product. At the recent National Retail

Federation show, a new smart refrigerator was displayed, which uses facial recognition software to read grocery shoppers’ expressions and recommend purchases. I imagine my refrigerator analyzing my face and always telling me: “John, you need a quart of Nutella gelato.” We often refer to certain junk foods

as “addictive.” The Associated Press reports that several dozen eateries in China were being investigated recently on suspicion of adding opium to their food to ensure repeat customers. Target is testing a checkout lane concept that puts organic and betterfor-you snacks on the shelves that surround shoppers as they check out. Retailers normally design the area to be a resistance-is-futile gauntlet through the valley of junk food. It’s one more good reason to use self-checkout despite the annoying voice prompts. Every time I hear the computer shout, “Thank you valued customer,” I shoot back with a snarky “Yo, thank this!” After that, I feel stupid for yelling at a machine.

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I love wandering into the original location of Vinh Xuong Bakery tucked in a corner of the busy Far East Center at Alameda and Federal in Denver. The cramped Vietnamese bakery is stacked with trays of raisin bread loaves, croissants, bao, moon cakes and giant slabs of banana bread. Some of their crusty buns are shipped a little ways down Alameda to the second Vinh Xuong Bakery run by the owners’ son. This place is a hip and sunny café with tables and couches where you can sit and sip artisan Novo coffee drinks or a dark Vietnamese coffee with a cookie. Don’t miss the madeto-order banh mi sandwiches: a fresh buttered roll filled with barbecue pork, ham and pate plus pickled daikon and carrots, cucumber, cilantro and jalapeno. Vinh Xuong Bakery, 375 S. Federal Blvd.; 2370 W. Alameda Blvd., Denver; 303-922-4968

WORDS TO CHEW ON

One Block from Pearl Street FREE Parking with validation at One Boulder Plaza 1801, next to the restaurant

“The first gatherings of the garden in May of salads, radishes and herbs made me feel like a mother about her baby - how could anything so beautiful be mine. And this emotion of wonder filled me for each vegetable as it was gathered every year. There is nothing that is comparable to it, as satisfactory or as thrilling, as gathering the vegetables one has grown.” - Alice B. Toklas

1214 Walnut Street • Boulder, CO • 303-442-0999 www.JaipurIndianRestaurant.com

John Lehndorff hosts Radio Nibbles at 8:25 a.m. Thursdays on KGNU (88.5 FM, 1390 FM, kgnu.org). Read his blog at: johnlehndorff.wordpress.com. Send your comments to: Nibbles@boulderweekly.com.

46 February 18, 2016

Boulder Weekly


UÊ Õ Ê >ÀÊUÊ >ÌiÀ }Ê-iÀÛ Vià UÊ V i ]Ê > L]Ê-i>v `ÊEÊ6i}iÌ>À > UÊ Õ V ÊEÊ iÀÊ > Þ

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drink Odell Brewing

FROM THE DIVIDE TO YOUR DOOR!

INTRODUCTORY OFFER Free Two 5-Gallon Bottles of Water & One Months Rental on the Dispenser of Your Choice Odell’s new release, The Meddler, is a sour and malty oud bruin ale.

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T

his week, Odell Brewing kicked off their “cellar series” by releasing The Meddler, an oud bruin ale. There will be six more releases in the barrelaged series this year. The oud bruin, which means “old brown” in Dutch, is named for its color, which is created during a long aging process. Odell brewed their take on the oud bruin according to traditional Belgian standards, using specific brewing, barreling and aging guidelines. Brewed as a brown ale with little bitterness, Odell hit the batches with souring agents and lactobacillus before sending it to toasted oak barrels. There was some variability in the aging process, as some batches only received eight months of barrel-aging, while others received up to two years. A small amount of newer, unsour beer was added to each batch so as to balance the brew. The barrels were all then blended for consistency, and the resulting complexity gave birth to the brew’s name: The Meddler. What results is a drinkable sour brown ale that has an 8.6 percent ABV. The flavors you’re supposed to pick out, according to the brewery, are “sweet vanilla oak, light fruit berry and a tart cherry finish.” Odell has been working on The Meddler for three years after the beer’s initial run in 2012. “This beer is a unique style,” said Brent Cordle, Odell’s pilot brewer and barrel aging manager, in a press release. “Recently, we relocated our barrel room and now have the ability with our new wild barrel house to attack projects like this with more control over risk of cross contamination. The Meddler received a lot of love the last time we released it. It was a brewery favorite, and the excitement was apparent in all the employees’ eyes once we announced it would be coming back this year.” I was able to get my hands on a bottle of The Meddler from my local beer store, eager to try a marriage of two of my go-to beer styles: brown ales and sours. It’s got a light mahogany, slightly cloudy color that makes you, the drinker, curious about what you’re about to get into. It’s got a zippy sourness, for sure, and more than anything, I tasted that tart cherry finish as well as raspberry. There’s also a nice foundation of malt, leftover from the beer’s origins as a high gravity brown ale, which makes the brew easily drinkable. It’s also slightly sweet, which I don’t mind generally, and particularly in a sour. It also strikes me that The Meddler hits at a pretty good time of year — you might say Odell has this whole marketing thing figured out. As the sweet and sour smells of spring start to come (and then go because of some snow dump, and then come again), The Meddler is at once a contemplative sipper and a taste-awakener. It is at once warming and delicate. You can pick up The Meddler in 750 mL corked bottles throughout Boulder County. Or you can stop into their Fort Collins brewery to get it straight from the source. Boulder Weekly

February 18, 2016 49


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astrology Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

ARIES

perplexed you for a long time. Be super-receptive and extra wide-eyed!

sometimes becomes transparent,” said playwright Lillian Hellman. “When that happens, it is possible to see the original lines: a tree will show through a woman’s dress, a child makes way for a dog, a large boat is no longer on an open sea.” Why does this happen? Because the painter changed his or her mind. Early images were replaced, painted over. I suspect that a metaphorical version of this is underway in your life. Certain choices you made in the past got supplanted by choices you made later. They disappeared from view. But now those older possibilities are reemerging for your consideration. I’m not saying what you should do about them. I simply want to alert you to their ghostly presence so they don’t cause confusion.

LIBRA

MARCH 21-APRIL 19: “Old paint on a canvas, as it ages,

TAURUS

APRIL 20-MAY 20: Let’s talk about your mouth. Since

SEPT. 23-OCT. 22: Poet Barbara Hamby says the Russian word ostyt can be used to describe “a cup of  tea that is too hot, but after you walk to the next room, and return, it is too cool.” A little birdie told me that this may be an apt metaphor for a current situation in your life. I completely understand if you wish the tea had lost less of its original warmth, and was exactly the temperature you like, neither burning nor tepid. But that won’t happen unless you try to reheat it, which would change the taste. So what should you do? One way or the other, a compromise will be necessary. Do you want the lukewarm tea or the hot tea with a different flavor?

SCORPIO

your words flow out of it, you use it to create and shape a lot of your experiences. Your mouth is also the place where food and drink enter your body, as well as some of the air you breathe. So it’s crucial to fueling every move you make. You experience the beloved sense of taste in your mouth. You use your mouth for kissing and other amorous activities. With its help, you sing, moan, shout and laugh. It’s quite expressive, too. As you move its many muscles, you send out an array of emotional signals. I’ve provided this summary in the hope of inspiring you to celebrate your mouth, Taurus. It’s prime time to enhance your appreciation of its blessings!

OCT. 23-NOV. 21: Russian writer Ivan Turgenev was a

GEMINI

NOV. 22-DEC. 21: Asking you Sagittarians to be patient may be akin to ordering a bonfire to burn more politely. But it’s my duty to inform you of the cosmic tendencies, so I will request your forbearance for now. How about some nuances to make it more palatable? Here’s a quote from author David G. Allen: “Patience is the calm acceptance that things can happen in a different order than the one you have in mind.” Novelist Gustave Flaubert: “Talent is a long patience.” French playwright Moliere: “Trees that are slow to grow bear the best fruit.” Writer Ann Lamott: “Hope is a revolutionary patience.” I’ve saved the best for last, from Russian novelist Irène Némirovsky: “Waiting is erotic.”

MAY 21-JUNE 20: Coloring books for adults are best-

sellers. Tightly-wound folks relieve their stress by using crayons and markers to brighten up black-and-white drawings of butterflies, flowers, mandalas and pretty fishes. I highly recommend that you avoid this type of recreation in the next three weeks, as it would send the wrong message to your subconscious mind. You should expend as little energy as possible working within frameworks that others have made. You need to focus on designing and constructing your own frameworks.

CANCER

JUNE 21-JULY 22: The Old Testament book of Leviticus presents a long list of forbidden activities, and declares that anyone who commits them should be punished. You’re not supposed to get tattoos, have messy hair, consult oracles, work on Sunday, wear clothes that blend wool and linen, plant different seeds in the same field or eat snails, prawns, pigs and crabs. (It’s OK to buy slaves, though.) We laugh at how absurd it would be for us to obey these outdated rules and prohibitions, and yet many of us retain a superstitious loyalty toward guidelines and beliefs that are almost equally obsolete. Here’s the good news, Cancerian: Now is an excellent time to dismantle or purge your own fossilized formulas.

LEO

JULY 23-AUG. 22: “I would not talk so much about

myself if there were anybody else whom I knew as well,” said the philosopher and naturalist Henry David Thoreau. In accordance with your astrological constitution, Leo, I authorize you to use this declaration as your own almost any time you feel like it. But I do suggest that you make an exception to the rule during the next four weeks. In my opinion, it will be time to focus on increasing your understanding of the people you care about — even if that effort takes time and energy away from your quest for ultimate self-knowledge. Don’t worry: You can return to emphasizing Thoreau’s perspective by the equinox.

VIRGO

AUG. 23-SEPT. 22: You are entering the inquisitive phase of your astrological cycle. One of the best ways to thrive during the coming weeks will be to ask more questions than you have asked since you were five years old. Curiosity and good listening skills will be superpowers that you should you strive to activate. For now, what matters most is not what you already know but rather what you need to find out. It’s a favorable time to gather information about riddles and mysteries that have

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Scorpio. Midway through his first novel Rudin, his main character Dmitrii Nikolaevich Rudin alludes to a problem that affects many Scorpios. “Do you see that apple tree?” Rudin asks a woman companion. “It is broken by the weight and abundance of its own fruit.” Ouch! I want very much for you Scorpios to be spared a fate like that in the coming weeks. That’s why I propose that you scheme about how you will express the immense creativity that will be welling up in you. Don’t let your lush and succulent output go to waste.

SAGITTARIUS

CAPRICORN

DEC. 22-JAN. 19: “If you ask for help it comes, but not

in any way you’d ever know.” Poet Gary Snyder said that, and now I’m passing it on to you, Capricorn. The coming weeks will be an excellent time for you to think deeply about the precise kinds of help you would most benefit from — even as you loosen up your expectations about how your requests for aid might be fulfilled. Be aggressive in seeking assistance, but ready and willing to be surprised as it arrives.

AQUARIUS

JAN. 20-FEB. 18: For a limited time only, 153 is your lucky number. Mauve and olive are your colors of destiny, the platypus is your power animal and torn burlap mended with silk thread is your magic texture. I realize that all of this may sound odd, but it’s the straight-up truth. The nature of the cosmic rhythms are rather erratic right now. To be in maximum alignment with the irregular opportunities that are headed your way, you should probably make yourself magnificently mysterious, even to yourself. To quote an old teacher, this might be a good time to be “so unpredictable that not even you yourself knows what’s going to happen.”

PISCES

FEB. 19-MARCH 20: In the long-running TV show M*A*S*H*, the character known as Sidney Freedman was a psychiatrist who did his best to nurture the mental health of the soldiers in his care. He sometimes departed from conventional therapeutic approaches. In the series finale, he delivered the following speech, which I believe is highly pertinent to your current quest for good mental hygiene: “I told you people something a long time ago, and it’s just as pertinent today as it was then. Ladies and gentlemen, take my advice: Pull down your pants and slide on the ice.”

February 18, 2016 53


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SAVAGE by Dan Savage

Dear Dan: My new girlfriend blurted out that she had a cuckolding past with her ex-husband. She says her ex badgered her into arranging “dates” with strangers and that he picked the guys. Her ex would © LaRae Lobdell then watch her having sex with a guy in a hotel room. The ex only watched and didn’t take part. I am really bothered by her past. She says she did it only because her ex pressured her into it and she wanted to save her marriage, so she agreed. But I suspect she may have enjoyed it and may have been testing me to see if I wanted to be a cuck. What should I do? I am really torn by my feelings toward her. — Confused In NOVA Dear CINOVA: You suspect she may have enjoyed fucking those other

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men? I hope she enjoyed fucking those other men — and you should too, CINOVA. Because even if cuckolding wasn’t her fantasy, even if she fucked those other men only to delight her shitty ex-husband, anyone who cares about this woman — and you do care about her, right? — should hope the experiences she had with those other men weren’t overwhelmingly negative, completely traumatizing, or utterly joyless. And, yes, people will sometimes broach the subject of their own sexual interests/fantasies using the passive voice or a negative frame because they’re afraid of rejection or they want an easy out or both. (“My ex was into this kinda extreme thing,

Love

and I did it because I felt I had to.” “That’s gross.” “Yeah, I totally hated it.”) But cuckolding is almost always the husband’s fantasy — it’s rare for the wife to initiate cuckolding scenes/relationships — so odds are good that your girlfriend is telling you the truth about those other men being her ex-husband’s idea/fantasy and not hers. As for whether she’s testing you: That’s a pretty easy test to fail, CINOVA. Open your mouth and say, “Cuckolding isn’t something I would ever want to do. The thought of you with another man isn’t a turn-on for me. Not at all.” It’s an easy F. What should you do? If you can’t let this go, if you can’t get over the sex your girlfriend had with her exhusband and those other men, if you can’t hope she had a good time regardless of whose idea it was, if you can’t take “I’m not interested in cuck-

olding you!” for an answer — if you can’t do all of that — then do your girlfriend a favor and break up with her. She just got out from under a shitty husband who pressured her into “cheating.” The last thing she needs now is a shitty boyfriend who shames her for “cheating.” Dear Dan: It’s always a little frustrating to read columns where we hear only one side of the story. Maybe you could solicit letters from both partners? A couple would agree in advance what the problem was and both send in a letter, but they should not read each other’s letters. Keep up the great work! — Just An Idea Dear JAI: I love this idea, JAI. Any game couples out there? Throuples welcome, too! Send questions to mail@savagelove.net and follow @fakedansavage on Twitter.

February 18, 2016 55


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EEDBETWEENTHELINES

by Sarah Haas

Getting to know you

W

ith just over 12 weeks of writing this column, I am still pretty green when it comes to cannabis. I am no expert, rather the opposite, an inquiring mind with a lot of questions to pursue and subjects to learn about. In many ways, I find that my journey of getting acquainted mirrors the current state of cannabis, itself in a stage of exploration. I dedicate a lot of my attention, time and brain- Susan France power to cannabis and find few answers. Rather, I encounter a lot of opinions based on a slew of new information largely interpreted with attitudes and theories formed during prohibition. Lately, there has been talk that the media is not accurately reporting on marijuana. The arguments claim everything from the pressure of pro-marijuana advertising dollars, to an industry that holds power over writers, to stereotypes of journalist stoners happily writing about their long awaited hey-day. In a recent International Business Times article by Joel Warner, “Marijuana Has Become A Media Darling, But Are Journalists Too Soft On Pot?” he asks, “after years of critical reporting on marijuana issues (with marijuana as an illegal and stigmatized drug), if they (journalists) bother to cover the subject at all, have the media as a whole moved too far in the opposite direction? Are reporters and editors now so high on the topic of cannabis that they’re going too soft on the subject?” Journalists and writers serve a lot of functions, among the most important of which is to describe

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society to itself. Here we are, in this specific moment in time, barely post-prohibition, collectively painting a picture of what is. New information is constantly emerging as is speculation about what it all means. So, are journalists too soft on pot or are we just in a soft moment in time? In the archives of The Denver Post is a speech given by Mrs. Stuart P. Dodge just before the repeal of alcohol prohibition went into effect in Denver in 1933. The talk distinguishes between four phases of post-prohibition: “First we must face the liquor question honestly and courageously. Second we must work for honest and decent legislation, realizing that whatever we do at the outset must be in the nature of legal experimentation. Third we must enact legislation which will be both an inspiration and a challenge to the youth of the country, who in the next 10 years either will be the lawmakers or the lawbreakers of the country. Fourth we must work for a new form of temperance.” It has only been two years since marijuana was legalized for adult use in Colorado, the first state to do so in the U.S. In this post-prohibition moment we are untangling all of the prejudices that accumulated since national anti-cannabis legislation passed in 1937. For the first time in 79 years we are doing our best to confront cannabis “honestly and courageously.” Whether or not people agree with Amendment 64, it passed. And now state officials must work with the industry to create legislation that accommodates legal cannabis, while keeping society orderly and safe. Colorado is in the thick of an age of market experi-

mentation — a vastly different set of issues than those ripe for reporting during prohibition or in the established market that is to follow. In digging between the lines, I am learning how much we think we know, when the real truth of this moment in time is that we know very little. As new data comes in everyday, it adds evidence to our theories, not quite confirming them, although getting us closer. What is important now is the quality of the experimentation. The key to that quality? The ability to fairly and patiently scrutinize all of this information so that our “new form or temperance” is not based on old habits but on new and accurate information. In writing this column, I quickly learned not to underestimate the power and influence of decades of anti-marijuana propaganda in establishing social prejudices. In many ways our society has been brainwashed for generations into thinking that cannabis is bad — bad for business, bad for our health and bad for the economy. There is a tale in cannabis circles about the powerful and mighty businessmen of the 1930s who stood behind the criminalization of marijuana, Treasury Secretary and oil baron Andrew Mellon and paper king William Randolph Hearst, whose nephew headed the Drug Enforcement Agency. The businessmen’s interests in the oil and paper industry led them to collude against all things cannabis, but mostly all things hemp. In a notorious if not brilliant marketing move, they coined the word marihuana and created a social fear of Reefer Madness, leading congress to make cannabis illegal and sending the country into an era of prohibition. It turns out that the long-assumed dangers of pot are largely constructed. It’s not that we’ve gone soft — it’s that we are finally in an era of genuine conversation. Now that Colorado is taking the opportunity to learn for itself about cannabis, the spectrum of opinions once recognized as valid appears rather constructed.

February 18, 2016 57


cannabis corner

by Paul Danish

Marijuana contra heroin and Oxycodone (not in that order)

I

f you spent any time following the New Hampshire primary, you probably noticed that heroin has turned into a hot issue in New England. It turns out there’s been a big spike in heroin overdose deaths in the last few years, both nationally and in New England in particular. But it also turns out there is more to the latest heroin epidemic than heroin. The “heroin epidemic” is really an opiod painkiller epidemic that includes both heroin and prescription opioid painkillers like Oxycodone. The prescription opioids account for roughly two-thirds of the deaths. In New Hampshire, for example, there were 203 deaths from heroin and prescription opioids in 2013, of which only 68 were from heroin. Nationally, in 2013 there were 24,492 heroin and prescription opioid deaths, of which 8,257 were ascribed to heroin. The comparable national figures for 2014 were 29,467 from prescription opioids and heroin, with 10,574 due to heroin. What does this have to do with marijuana? Plenty, it turns out. And in a good way. The prescription painkiller/heroin epidemic has prompted Massachusetts Senator Elizabeth Warren to write Thomas Friedan, the head of the Centers for Disease Control and Prevention (CDC) urging him to have the CDC investigate, among other things, 1) “the use, uptake and effectiveness of medical marijuana as an alternative to opioids for pain treatment in states where it is legal” and 2) “the impact of the legalization of medical and recreational marijuana on opioid overdose deaths.”

The Warren letter in turn prompted the Washington Post’s Christopher Ingraham to compile a short list of what researchers have already found out so far. Three studies in particular stand out: • A 2014 study published in one of the journals of the American Medical Association (JAMA Internal

Medicine) found that states with medical marijuana laws had fewer painkiller overdose deaths. States in which medical marijuana was available saw a 24.8 percent reduction in opioid overdose deaths compared with states without such laws. • A 2015 Canadian study published in the journal Drug and Alcohol Review looked at the use of cannabis “as a substitute for alcohol, illicit substances and prescription drugs” among 473 adults who were using marijuana for medical purposes. It found that 87 per-

cent of the study’s subjects reported substituting pot for alcohol, illicit substances, or prescription drugs or some combination of them — with 80 percent reporting substitution for prescription drugs, 51 percent for alcohol and 32 percent for illicit substances. In other words, the medical marijuana users were less likely to drink or take other painkillers. • A working paper published in 2015 for the National Bureau of Economic Research (NBER), a highly respected Massachusetts think tank found that the presence of marijuana dispensaries in an area was associated with a 15 to 35 percent drop in substance abuse admissions and a similar drop in overdose deaths. “Our findings suggest that providing broader access to medical marijuana (and presumably by extension recreational marijuana) may have the potential benefit of reducing abuse of highly addictive painkillers,” the researchers concluded. While the studies tend to focus on medical marijuana, probably because medical marijuana still represents the majority of legally sold pot in most places, the findings pretty obviously apply to recreational marijuana as well. To be sure, all three studies show correlation, not cause and effect, but they are highly suggestive, and the CDC would be derelict if it did not aggressively follow up on them. Beyond that, these studies bear on the broader national debate about marijuana legalization. Pot prohibitionists and marijuana recriminalizers routinely claim that marijuana is a “gateway drug,” which will lead its users to try and become addicted to hard drugs like heroin. What these studies suggest is that the putative gate marijuana opens is the one out of addiction, not into it.

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analysis Joel Dyer

Snowden speaks to a group of more than 2,000 people about the state of American democracy in the age of mass surveillance.

SNOWDEN from Page 15

We’ll see. For Snowden, whose top-secret security clearance allowed him to know that the American public was being unknowingly spied upon by our own government in illegal ways, the time for truth had come. “We all have this line inside where we can brush it off... there’s a level of instability or inhumanity or injustice that we can accept,” he said. But for Snowden, his ability to simply accept what the government was doing had reached its end. And so he carefully began to leak information to journalists so that Americans would finally know what was really being done to them. He said he never wanted to draw attention to himself or be the story. “I set out to let the public have the information they always should have had,” he said. In the end, he had to flee to Hong Kong to escape arrest and likely imprisonment. From there, he had to escape to Russia, where he was stranded in an airport on his way to South America when the U.S. government canceled his visa. He now lives in an apartment near Moscow while he waits to return to the U.S., the country he says he loves, and the country for which he has clearly sacrificed nearly everything. Was it worth it? “Progress, great change, change that gives us a better world in a distinct way, often happens through the transgression of the law,” he said. “Doing nothing at no cost to me is so much worse than doing something that costs Boulder Weekly

me everything. ... I don’t regret it.” Snowden was given the opportunity on Tuesday to politicize his predicament. He was asked to comment about the current presidential elections. He spoke briefly about the fact that both parties are basically the same, divided by only a few wedge social issues, and noted that many of our government’s more unsavory intelligence gathering practices actually increased under the Obama administration. But all in all, he went out of his way to not point fingers at candidates. While it’s understandable why he likely did so — his ability to return home in the future and restart his life with friends and family will surely depend on the grace of some future president — it left a rather large elephant in the room. In many ways, this election is a referendum on the Washington establishment, the very establishment that has and continues to invade our right to privacy despite our constitutional protections to the contrary. Snowden’s revelations and personal sacrifice are at the very heart of this election cycle. Like Edward Snowden says, we all have a line inside of us, a point of how much instability or inhumanity or injustice we can take before we snap and have to take proper action to make it right. I think if we look hard at the current state of our democracy, our elected leaders and our corrupt campaign finance system, we will find that we all should have crossed the line to action some time ago. February 18, 2016 61


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