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contents NEWS:

State committee narrowly rejects bills that concentrate dam and reservoir permitting to one state office by Matt Cortina

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....................................................................... BOULDERGANIC:

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....................................................................... BUZZLEAD:

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departments 5 T HE HIGHROAD: Guess who’s pushing for prison reform? 6 COMMENTARY: CU Boulder workers demand $15 an hour and some respect 6 LETTERS: Thoughts on the debate; Washington School ‘co-housing’ status; Hillary and abortion; Lafayette flip flop 25 OVERTONES: Viva Yo la Tengo 27 OVERTONES: Gábor Takács-Nagy

returns to Boulder 29 ARTS & CULTURE: BETC’s latest production jackknifes 33 BOULDER COUNTY EVENTS: What to do and where to go 39 POETRY: by Robert King 41 FILM: The complete joylessness of ‘I Smile Back’ 43 CUISINE REVIEW: In Season Local Market has all the building blocks 45 TIDBITES: Food happenings around Boulder County 50 DRINK: Applejack is perfect for November 55 ASTROLOGY: by Rob Brezsny 57 SAVAGE LOVE: Readers weigh in on sexless marriages 59 WEED BETWEEN THE LINES: Council needs to clarify the ‘incidental adverstising’ issue 61 IN CASE YOU MISSED IT: Gun lobby gets credit; Short media memory Boulder Weekly

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commentary

EDITORIAL Senior Editor, Matt Cortina Associate Editor, Angela K. Evans Entertainment Editor, Amanda Moutinho Special Editions Editor, Caitlin Rockett Contributing Writers, Peter Alexander, Dave Anderson, Rob Brezsny, Chris Callaway, Michael J. Casey, Gavin Dahl, Paul Danish, James Dziezynski, Jim Hightower, Dave Kirby, Michael Krumholtz, Dylan Owens, Brian Palmer, Adam Perry, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Greg Thorson, Christi Turner, Tom Winter, Tate Zandstra, Gary Zeidner Interns, Sarah Haas, Nicole McNulty, Grant Stringer SALES & MARKETING Retail Sales Manager, Allen Carmichael Senior Account Executive, David Hasson Account Executive, Julian Bourke Market Development Manager, Kellie Robinson Inside Sales Representative, Jason Myers Marketing Coordinator, Laura Wilder Mrs. Boulder Weekly, Mari Nevar PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Assistant to the Publisher Julia Sallo Office Manager/Advertising Assistant Andrea Neville CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 15-Year-Old, Mia Rose Sallo November 5, 2015 Volume XXIII, Number 14 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink.

the

Highroad Guess who’s pushing for prison reform? by Jim Hightower

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Boulder Weekly

oo many people are behind bars that don’t belong there,” declared a group demanding major reforms to America’s throw-’em-all-in-jail, mass imprisonment policies. For nearly 50 years, politicians and prosecutors have pushed a no-mercy, “tough on crime” mantra, which has proven to be grossly unjust, exorbitantly expensive, counterproductive and needlessly destructive to families and whole

communities. “We need less incarceration, not more,” the reform group recently proclaimed. Of course, you’d expect the ACLU to urge a humane and just approach to crime and punishment — only this is not the ACLU. Called Law Enforcement Leaders to Reduce Crime and Incarceration, it’s made up of 130 of our country’s top crime fighters, including big-city police chiefs, sheriffs and prosecutors from coast to coast. These are officials who’ve built careers on the harsh, autocratic practice of police sweeps and mass arrests — especially targeting impoverished communities of color. They know the difference between actually reducing crime and posturing as “crime-busters” by hoking up charges and hustling thousands of people into prisons for minor offenses. When such a broad group steps forward to say they were wrong, that the rush to prison makes crime worse —

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

that’s a possible sea change in policing philosophy. Indeed, they’re calling for (1) more alternatives to imprisonment, especially for addicts and the mentally ill; (2) reclassifying many non-violent crimes as misdemeanors and reforming ridiculous mandatory sentencing laws; and (3) a wholesale effort to repair the dangerous rift and loss of trust between police and the communities they’re intended to serve. As one of the group’s leaders put it: “This is just common sense.” To see the group’s report and get involved in its promising push for reform, go www. BrennanCenter.org This opinion column does not necessarily reflect the views of Boulder Weekly. November 5, 2015 5

commentary CU Boulder workers demand $15 an hour and some respect by Dave Anderson

magine yourself a University of Colorado Boulder custodian cleaning a building. You are somewhat invisible in the swirl of campus life. You survive on a poverty wage and commute to work from a long distance early in the morning since you can’t afford to live in Boulder. One day, you come across the “Colorado Creed.” The creed is on display everywhere. It’s part of an enormously expensive CU-contracted public relations “rebranding” effort called “Be Boulder.” The text of the creed is framed in residence hall common areas. There are brass building plaques at locations such as Norlin Library, UMC, the Coors Events Center and Folsom Field. It’s in campus promotional literature such as admissions applications, course catalogs and email correspondence. There is a painting display of the creed in the rec center as well as embossed flagstone sidewalk slabs in key traffic areas. Here is what the “Colorado Creed” says: “Act with honor, integrity and accountability in my interactions with students, faculty, staff and neighbors. “Respect the rights of others and accept our differences. “Contribute to the greater good of this community.” Every student, faculty and staff member is supposed to live by these principles. Now imagine yourself an employee in CU’s Housing and Dining Services (the people who serve the food in the cafeterias and who are housekeepers in the dorms). You get a human resourcesapproved memo from Housing and Dining managers saying your pay is going up to nearly $15 an hour. Maybe the “Colorado Creed” isn’t just a bunch of empty platitudes designed to combat all of the bad publicity about CU being a big party school. Unfortunately, CU’s Chief Financial Officer Kelly Fox vetoed the move and said the university would have to determine what the proper “market wage” is. The Colorado WINS (Workers for Innovative and New Solutions) union protested. They represent state classified employees on campus. They want a living wage, not a “market wage.” 6 November 5, 2015

The union has started a petition campaign called “Kelly Fox: Live the Creed!” (petitions.moveon.org/sign/ kelly-fox-live-the-creed ) which calls on Fox to “contribute to the greater good of this community” by paying all CU Boulder employees $15 an hour. Timothy Morrissey is paid $13.50 an hour at his full-time job at the University Bookstore’s warehouse on east campus. He graduated with honors from CU with a bachelor’s degree in English in 2012. He looked for work for a year but the “the pickings were slim,” and he finally got a minimum wage job at a sandwich shop. It paid less than the gas station attendant job he had before he attended college. He was $40,000 in debt for his undergraduate degree. Three months later, Morrissey landed the bookstore job which pays better and has benefits. He’s married and has a 1-year-old son. He has had to work two or three jobs. At the moment, he and his wife have a small business working for several Boulder restaurants delivering meals to people in their homes. Additionally, Morrissey is a full time graduate student in Information and Communication Technology for Development (ICT4D). If that’s not enough, he’s also an active member of the Colorado WINS union. Morrissey says “unions provide an essential voice for workers. Wages are stagnating and a big reason is that unions are being destroyed.” He feels “a university should be a place of opportunity for students and staff. A university should invest in the community and in the people who need it most.” Recently, WINS filed a Freedom of Information Act (FOIA) request with the state to get pay data on state classified employees throughout Colorado. As a result, they found out that 2,586 full-time state workers currently earn below $15 an hour. They are disproportionately women and minorities. The most common salary band is $1112 an hour and the most common low wage jobs are custodians, food service workers and childcare aides. Three see ANDERSON Page 8

letters Debate farce

Good for you [ Joel Dyer] to reject the “press pass” for the GOP debate farce [Re: DyerTimes, “Why I refused my GOP debate credentials,” Oct. 29]. To accept the deal to watch the debate from a remote location would be to acquiesce to a managed deal. The Republican officials had already limited the audience to the GOP-faithful with only a handful of students allowed in, thus guaranteeing a staged event with likely no dissent from the crowd. You are correct in your complaint that the controlled environment of another room would prevent you from commenting on the crowd’s reaction to statements of the speakers, as well as the demographics of the audience. Were they predominantly white, older males that represent the core of the Republican party? We won’t know, nor will we find out about the reactions of the debaters to others’ statements. I watched the debate and longed for the moderators to have a kill switch to cut off the speakers who went over their allotted times. I just wish someone could have controlled the speakers who went way off topic. And, yes, the moderators could have done a better job to prepare and challenge the purveyors of lies and BS. But then, again, the viewers are probably used to getting their news from Fox News with little regard for truth and facts. Ken Singer/Lyons

GOP debacle

Thanks to Joel Dyer for describing his experiences with CU’s bureaucracy

prior to the recent GOP “debate” [Re: DyerTimes, “Why I refused my GOP debate credentials,” Oct. 29]. Debacle would be a better descriptor for that contrived nonevent. But, really, what could one expect from an event filtered through the bureaucratic artifices of an antediluvian such as President Bruce Benson and a bevy of regents, most of whom probably can trace their bloodlines back to the last Great Extinction some 65 million years ago. Incidentally, the “debates” which we recently have been subjected to, and which will be foisted upon us in the coming months are not really debates in the traditional sense. They are moderated discussions in which the moderators’ thinly disguised opinions and penchants are as much in play as those of the candidates themselves. I suggest that commercialized travesties such as those committed by Fox and CNBC be trashed in favor of discussions conducted under the auspices of the League of Women Voters. After all, we, the public, ultimately own the airways and cableways and we can determine the criteria under which such events are held. It is painfully obvious that the corporate media and their pliant hirelings are not to be trusted when it comes to hosting disinterested political discussion. Dave Morton/Longmont

A word to the new Council

As the election season comes to a close, I’d like to urge the new City Council — both returning members and newly elected members — to stay the see LETTERS Page 8

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LETTERS from Page 6

course on municipalization. Xcel, in its recent paid advertisement in the business section, pats itself on the back for its work in reducing emissions. I’m grateful for what they have accomplished. But their power supply mix is still over 70 percent fossil fuel. And they remain committed to running their dirty coal plants for the next half a century. Unfortunately climate change is not waiting for Xcel. Study after study shows that we need to leave most of the known reserves of fossil fuels in the ground. We’ve seen the effects of extreme weather here at home, and we look at the drought in California and begin to wonder where our food will be coming from (see: “California’s Drought Could Upend America’s Entire Food System” www.thinkprogress.org/ climate/2015/05/05/3646965/california-drought-and-agriculture-explainer). We can’t wait for Xcel to see the light. Furthermore, with the recent spate of coal company bankruptcies, Xcel’s commitment to coal is tying us to a risky economic future. Meanwhile, Boulder is home to nearly 30 clean tech start-up companies that could economically benefit the community by engaging with a municipal utility. A clean-energy municipal utility would lower our risk and support economic vitality. The recent economic modeling of a municipal utility versus Xcel shows not only that a muni has a much higher probability of lower cost to customers, but also that emissions driving climate

ANDERSON from Page 6

agencies hire nearly two-thirds (64 percent) of the low wage workers between them. They are the Department of Human Services, CU Boulder and Colorado State University. At CU Boulder, 502 classified workers make less than $15 an hour. Some of them depend on food banks to feed their families. Many have multiple jobs in order to survive. WINS Communications Coordinator Olga Robak says that while the union only represents classified workers, there are many other campus workers who are earning low wages and that their campaign is for them as well. Robak says the cost of bringing Housing, Dining and Facilities Management workers to $15 an hour would be approximately $2.3 million. The university can definitely afford it. In 2015-16, CU Boulder’s total revenue

letters change are two to three times lower over 20 years for a muni (“Model shows muni benefits” Daily Camera, Oct. 4). Until Xcel presents us with a clear plan to get to 100 percent clean energy in a reasonable period of time, I continue to believe that the muni is our best bet. Amber Hess/Boulder

Washington School ‘co-housing’ status

In 2007 I got 500 signatures to oppose the developer’s rezoning of the former Washington School. This effort was in the interest of preserving neighborhood schools. If 300 had been passed then, we would not have had to get 7-8,000 signatures citywide, but only secured 10 percent of those in the neighborhood. Then it would have gone to the ballot. What’s more, the developer had a covenant with the School District (SD) that said that if the affordability of the units was decreased, the SD would receive a premium on each unit that did so. As a result of our petition drive the developer withdrew his rezoning proposal. Therefore he upgraded some units, those fell into this higher expense category and the SD was able to extract their premium from the developer. Why didn’t the city receive this premium from the SD, when they were the ones to absorb the impacts of having less affordable housing stock and more trafsee LETTERS Page 9

commentary is $1.5 billion. Chancellor Philip DiStefano makes $441K a year ($212 an hour) and CFO Kelly Fox makes $304K a year. DiStefano has had two consecutive raises of more than $20K, which is more than the yearly salary of an entry level Housing and Dining employee. The union notes that “it would take a dining worker earning $9.50 an hour more than 22 hours to earn what DiStefano earns per hour and more than 15 hours to earn what Fox does ($146 an hour).” If you are outraged by this situation, there is a rally and march for CU Boulder’s low-wage workers on Thursday Nov. 5 at 3:30 p.m. outside Center for Community and Hallett Hall. Join us. This opinion column does not necessarily reflect the views of Boulder Weekly. Boulder Weekly

Debate deflate

Clearly Christmas came early for the Republican Party at the debate at the University of Colorado. In what was supposed to be a focus on economic issues, the bumbling incompetence of the CNBC moderators turned what was to be a substantive exploration of how Ronald Reagan’s small government/ supply-side/ trickle down/ “voodoo economics,” against all evidence, might work to bring prosperity to the middle and lower classes instead into a free-for-all bashing of the “liberal mainstream media.” And trust me, the vast spider web of conservative talk radio hosts across the country are falling all over themselves as they dance around the Christmas tree. Robert Porath/Boulder

Hillary, Benghazi and abortion

Innocent Americans were killed during the terrorism that took place at Benghazi and there are those who point their fingers directly at Hillary Clinton, who was the Secretary of State at that time. Some think she has the blood of the murdered Americans on her hands. But let’s consider her blood-stained hands stemming from her support/promotion of abortion and how this deems her untrustworthy! She believes it’s a “right” for a woman to hire another person to kill her unborn child. Oh, no, but she wouldn’t word it like that for that would reveal the evil that she really supports. She calls it a “woman’s right to choose.” Oh, how very deceitful is that satanically influenced nonsense! “Woe to those who call evil good, and good evil, who change darkness into light, and light into darkness, who change bitter into sweet and sweet into bitter” (Isaiah 5:20). Yes, the devil is active in the wordplay used by Clinton and the pro-aborts. We need to consider how a pro-abortion mentality affects a person’s thinking. We are talking about someone in Boulder Weekly

letters Hillary Clinton who seemingly cannot differentiate between good and evil. So exactly how could I trust her? Killing an innocent child is always wrong for this is written on the human heart, and anyone who cannot see this, should be disqualified from all consideration for President of the United States! Here are words of wisdom from Mother Teresa’s 1994 National Prayer Breakfast speech: “And if we accept that a mother can kill even her own child, how can we tell other people not to kill one another? Yes, how can you, Hillary? Michael Rachiele/Prairie Village, KS

The Lafayette flip flop; ethics out in Lafayette

Three years. I worked three years as a Lafayette city councilor to bring the city its own ambulance service, EMS today. The private service at the time was closing its doors. Now flooded with outside union money, the Fire Department with EMS wants to unionize. Public sector unions have been the financial bane of many cities and states. But that is for another day. Surely the Police Department will follow. At first, the city council voted 6-1 against the proposal. A current Council candidate, Cliff Willmeng, wrote an LTE highly critical of the vote. Praising Ms. Mazza for voting for it, he neglected to mention she is his mother. Then the Council put the proposal on the ballot. That avoided an intensive petition campaign, a boon to the FD and the outside union. Required Campaign Financial disclosures itemized some $16,000 of outside union cash now pouring into the campaign. Thousands of in kind contributions as well. Historically a massive amount of dollars. Mayor Berg and Councilor Lynch now support unionization, along with Willmeng and Walton. The union money is supporting the four. I have done local campaign mailers and the cost to cover the city is quite high. Also a savvy campaign ruse is to wait until after October 15th to donate and spend more because the next reporting period is at the end of the month, too late to expose other major donations. Tuesday night Berg and Lynch voted for a 65 percent pay raise which will reward them immediately if re-elected. Cliff Willmeng as well. Lafayette’s Ethics Code was adopted to prevent city employees and the Council from personally benefiting from their positions in the city. City voters can determine what the Ethics are of Berg, Lynch, Mazza and Willmeng. Flip flop. (Note: Voting for four not required.) Kerry Bensman/Erie

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fic as a consequence of centralizing schools in Boulder? The SD is 500 square miles and the City of Boulder is 28 square miles in perimeter. What’s more, the developer argued that co-housing presented a community benefit, but it appears that the signage on the building now suggests that high income senior housing has overcome the building of the commons house and this “community benefit” will never be realized. The protagonists of 300 would use this same argument to support their case against 300. Interesting. Lynn Segal/Boulder

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news Major diversion

State committee narrowly rejects bills that would concentrate dam and reservoir permitting to one state office by Matt Cortina Wikimedia Commons

tal review.” here was an effort Wocker adds that the by half of the state’s Office of the State Engineer’s Water Resources purpose is solely to “build Review Committee stuff.” last week to approve This is not to say that the two bills that would have taken current permitting process is the permitting process for new perfect, Wockner says. When dams and reservoirs away from a company or organization federal and state regulatory applies for a permit to build a agencies like the reservoir or dam with the U.S. Environmental Protection Army Corps of Engineers, the Agency (EPA), the U.S. Army Corps will not do the enviCorps of Engineers and other ronmental impact research wildlife and public health themselves. Instead, they’ll agencies and given all dam and often farm it out to engineerreservoir permit decisions soleing firms that would seem to ly to the Office of the State have an interest in seeing that Engineer. dams and reservoirs are built. The first draft bill essenInstead of that system, tially intended to strip the Wockner says, the Corps rights of state regulators, should seek out independent including the state energy The Colorado River supplies water to much of the Southwest U.S., but dams and reservoirs pose threats to experts and hydrologists at office, the water quality control its vitality. Two state legislative committee bills sought to streamline the permitting of dams and reservoirs. the state’s universities to condivision, the parks and wildlife duct the environmental commission and more from impact studies. Doing so, he believes, making decisions about any hydroelechas been the cause of death for many ment you have to have a very detailed would limit the constant public backtric energy facility (dams); certification bills, it’s unlikely the bills would gain and comprehensive state level permitlash on water projects that often come for water diversion, delivery and storany traction, but their introduction in ting process already in place, and the as a surprise to communities that are age facilities (reservoirs); and state mit- the committee might represent a much state does not have that,” Wockner affected by proposed development. igation plans for water diversions that larger push by some on the right to says. If there is a larger push for reducing affect fish and wildlife. limit permitting regulation on water To those in the know about regulation around water issues in the The second draft bill sought to issues. Colorado’s water issues, the suggestion coming months, and if any outside strip federal regulators, like the EPA, “These bills were just political posof condensing all permitting powers to interests were behind the two bills that the Army Corp of Engineers, the turing,” says Gary Wockner, executive one office seems ludicrous. But the case failed to get out of committee last week Bureau of Reclamation and others, director of Save the Colorado. “There’s made for these bills is likely to appeal remains to be seen. Wockner says he from permitting on water issues and definitely an effort afoot to gut envito a large segment, particularly those hasn’t seen similar bills introduced yet resources done at the federal level. ronmental review and fast track dams who lean right, of Coloradans: less fedin states that depend on the Colorado Both bills would have consolidated and reservoirs and jam those down the eral regulation, less state bureaucracy River, like Utah, Wyoming, Arizona, all that regulation and decision-making throats of Colorado citizens, which around permitting and a secure source Nevada and California, and that of water for the state. to the Colorado Office of the State would include further draining and Colorado has been the “most radical Engineer, otherwise known as the destroying the state’s rivers. How vast But, of course, that narrative right-wing in the Southwest,” when it Division of Water Resources. and aggressive that is and how much bypasses important functions the curcomes to water issues. rent regulatory system has in place, The bills were brought forth by money and power they have behind Wockner says. Rep. Jerry Sonnenberg (R-Wray) and them remains to be seen.” The state’s grand water regulation plan, “Because the engineer’s office were heard on Oct. 29 in the commitWockner says the bills, if reintroColorado’s Water Plan, is the product of doesn’t do professional water analysis tee. The 10-member committee voted duced and passed, would likely face an executive order by Gov. John or wildlife analysis or wetlands analy- Hickenlooper, and will manifest as a final along party lines, and with an even immediate challenges from the federal government, an expensive proposition sis, which does happen in the split of Republicans voting for and draft in December. The plan will include a with a very murky outcome for the Colorado Department of Parks and Democrats voting against the bills, more “efficient permitting process,” and state. Plus, the state would have to Wildlife and the Department of both quickly died — for now. the latest draft calls for the solicitation of Public Health and the Environment, The bills could still be presented to develop regulatory infrastructure in private funds to help build new water suporder to change the current permitting and so by getting it out of the profes- ply projects that have yet to be determined. the state legislature by Sonnenberg or sional offices, and handing it to the process for dams and reservoirs. another legislative member when the The rejected bills would’ve likely engineer, [the bills would] be gutting “In order to get the actual permitnew session convenes in January. figured into the Water Plan if the intent of any kind of environmen- passed. Given the split state legislature, which ting process away from federal governBoulder Weekly

November 5, 2015 11

news

Veterans helping veterans… sometimes

It appears a dysfunctional board may have been central to the breakdown of Longmont organization Veterans Helping Veterans Now

by Caitlin Rockett “Casualties of War” by Dorothy

t was an unseasonably basis, and so we had some holes warm October afternoon going into this year that created when Richard Connelly some challenges financially,” stood on the porch at 600 England says. “We had a great Terry St. in Longmont executive director for probably a chatting with other veterans year with Trisha Dittrick — she about the news — Veterans was [previously] the program Helping Veterans Now (VHVN) director and [had been at would be closing by week’s end. VHVN] since the founding, and “One of the guys said he when she moved on we brought Veterans Helping Veterans Now closed its doors on Oct. 30 after eight years providing free services — including mental health and transportation — to veterans and their families in Boulder County. ought to hang himself from one in someone who clearly dropped of the trees outside here to make the ball. So that started in May a point,” Connelly, a veteran of and an already-prepared alternative financial plan — kind of took the eye off the the Army and Air Force, says of his conversations could have buoyed operations for roughly another six financial aspect of it and basically created a situation that day at the Longmont-based veteran’s service months while leadership developed a more sustainwhere we were in a hole come late this summer. I organization. “There’s a lot of us that need help and able plan. don’t think the board saw how dire the situation was we’re not really getting it from anybody.” Scott England worked with VHVN for four years because it was not communicated well with us.” To add insult to injury, the end came less than and was serving as vice chair of VHVN’s board of The situation came to a head, England says, when two weeks before Veteran’s Day. VHVN closed operdirectors when the group closed. England says the the board began to discuss what direction VHVN ations on Friday, Oct. 30 after providing free services organization went through a number of leadership would take given the organization’s financial position. A divide developed between those, like England, who to local vets and their families for eight years, citing changes at both board and staff levels over the past wanted to retain existing staff positions and push forfinancial issues and the dissolution of the group’s two years that aggravated other problems, such as ward as a professional service organization, and those board of directors. funding. who wanted to go back to the foundation’s roots as a However, interviews with VHVN volunteers, staff “Because of some of these changes from a leadervolunteer-driven operation. and board members suggest that a disengaged board ship standpoint and just from a timing standpoint, “And we had a number of board members that may have been central to the organization’s closure, we had some grants that were on an every other year 12 November 5, 2015

Boulder Weekly

news

“Casualties of War” by Dorothy

really weren’t participating — sort of a I’m not talking about people not being passionate about the cause or not caring silent majority,” England says. “Through about the organization. I’m just talking that we had a chair [of the board, Craig about people not having the time or Brown,] who left in September based energy or sort of even the ability in on the disagreement of the board and some cases to do things like raise money the direction, and then we had someone for the organization.” that was going to come in and take his Higgs also verifies England’s stateplace that ultimately, because of his own ment that while the money coming into focus around his other career, couldn’t VHVN had decreased due to rotating do it. grants and other issues, the organiza“Really, at the end, we had a combition’s spending hadn’t changed. nation of financial challenges, a board When asked if she thought VHVN that wasn’t really cohesive and [a lack could have remained open and continof ] strong leadership.” ued to provide services if different deciThe staff of VHVN presented a sions were made, Higgs says she believes plan to the board that would keep the the organization wasn’t sustainable in its staff (two full-time positions, a partcurrent structure and that it is too ‘subtime position and a volunteer from jective’ to say different choices could AmeriCore VISTA) running for “six have kept it open. months, maybe a little less,” according The end of VHVN was certainly perto England. And while England says Clients, volunteers, staff and board members say that while finances contributed to the dissolution of VHVN, it was a lack of board engagement that created the sonal for the staff and clients. Program things would have been “tight,” he financial problem. Director Steven McLaughlin had only believes it was the best way to serve vetbeen with the organization for four erans. of votes to keep it open.” months, but he said it was long enough to see prob“I believe you need strong leadership, strong manBoulder Weekly reached out to five VHVN board lems with the board. agement, because we weren’t a simple organization members: England; board chair Jeff Janosko (who “You would think they would want to fight tooth anymore,” England says. “If we were where we were had actually resigned prior to VHVN closing); board and nail for this,” McLaughlin says. “I don’t know… five years ago, I’d say yes, we could do it with a small- treasurer Barb Zendig; and members JD Gifford and I can’t speak for them. Based on their actions — their er support and leadership network, possibly volunLarry Rand. Janosko and Gifford did not return calls, inactions — the last month or two… if you were teers. But we felt the reality was that we [were] serand while Zendig and Rand spoke to BW, both vested in this organization you would have done vicing over 300 veterans.” declined going on the record. some stuff a long time ago to save it.” But in the end, the rest of the board, according to While VHVN functioned like a nonprofit organiFor Richard Connelly and other vets who called England, seemed uninterested in even adding to the zation, it wasn’t registered as a 501(c)(3) and operated VHVN home over the past eight years, the closure is conversation — an interesting situation when consid- as a project under umbrella company Colorado just another affirmation that their work for this counering the board, by VHVN bylaws, is 50 percent vetNonprofit Development Center (CNDC). erans. England called a board meeting a few days CNDC President Melinda Higgs echoes try isn’t valued once they leave the military and rebefore the decision to close the doors was made, and England’s statements about the organization’s deterienter the civilian world. Connelly points to the many he says there were “barely” any responses. orating financial situation and the board’s lack of failures of the veteran’s health care system that domi“And that was kind of an indicator to us, it was very engagement (including the lack of responses to the nated headlines last year. symbolic of where we were as a board,” England says. call for a final board meeting), but she clarifies that “There are a lot of organizations out there that “We had important things to discuss and we couldn’t this problem is not unique to VHVN’s board. get monies donated, but if it gets to the vets it trickget enough people together to field a quorum.” “This is a global issue. Among nonprofits, espeles down and only gets to a few,” Connelly says. “By The decision to close the doors fell to the execucially smaller nonprofits, it’s a challenge. It’s a chaland large there’s a huge gap in this whole system in tive council: England, Barb Zendig, JD Gifford and lenge to have board members, to raise money, to have spite of the fact the government keeps saying they are Judy Nogg (one of the founders of Veterans Helping a professional life, a personal life,” Higgs says. “Just to fixing all these problems. They haven’t fixed shit from Veterans Now). England says he “pretty much ran out be clear, when I use the phrase ‘lack of engagement,’ what I can see.” Boulder Weekly

November 5, 2015 13

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14 November 5, 2015

Boulder Weekly

boulderganic Cynicism confirmed

New COGCC draft regulations fail to meet expectations by Angela K. Evans

Joel Dyer

tew and Christine Nyholm have Resources (DNR), the umbrella agency for lived in the Wadley Farms neighthe COGCC, regarding the draft regulaborhood north of Denver for close tions on Oct. 26. After receiving no to 30 years, raising five children in response, COGCC Executive Director Matt the same house. The couple enjoys Lapore, his assistant Jan Missey and DNR the quiet neighborhood and ample space it Executive Director Mike King were also provides. “We’re a small enclave of a little contacted by phone and email. They were tiny piece of unincorporated Adams County also completely unresponsive. Eventually, surrounded by Thornton,” Christine five days later and after BW had already describes. “You’re talking about a densely pushed the story a week in an effort to get a populated area that is really close to COGCC response to our questions, Denver.” Hartman responded with a link to the But in May of this year the couple disCOGCC regulations website. When asked covered plans by Synergy Resources again for an interview to specifically address Corporation to significantly add to a threeBW’s questions regarding the draft regulawell oil and gas site adjacent to the neightions, Hartman responded by asking for the borhood. They have heard estimates the questions via email to see what he could do. company plans to add between 6 and 20 More than two days later and as of press additional new wells, with the most consistime, neither Hartman nor any representatent estimate being 19, Stew says. If tive of the COGCC or DNR have respondapproved, the new, and quite massive, proed to even the emailed questions. An industrial oil and gas production platform at the corner at U.S. 66 and County duction site would sit only 505 feet from With public hearings scheduled for Nov. Road 7 in Weld County just east of Longmont. the nearest residence. 16 and 17, roughly 65 different groups and Shocked by the prospect of such a large individuals have registered as interested parindustrial facility so close to homes and schools, a oil and gas development near homes and schools ties and submitted pre-hearing statements, including group of Wadley Farm residents, including the throughout Colorado. But like Stew and Christine Boulder County and the City of Boulder, as well as Nyholms, convinced the Adams County Nyholm, several individuals as well as community several oil and gas companies and interest groups. Commissioners to postpone signing an agreement with groups, local governments and even members of Gov. Several other individuals have submitted comments or Synergy until the Colorado Oil and Gas Conservation Hickenlooper’s now-disbanded Oil and Gas Task Force have requested to speak at the hearing with a non-party Commission (COGCC) finalized new regulations are publically criticizing the draft regulations. status, with more expected before the Nov. 6 deadline. regarding large scale oil and gas facilities near residen“Unless the oil and gas conservation commission The draft regulations are based on recommendatial areas. makes significant changes and takes local governments tions No. 17 and No. 20 from Gov. Hickenlooper’s Oil “Then of course we read these regulations and we seriously as they deliberate and adopt this rule, it will and Gas Task Force, which was created as part of the realize this not only doesn’t help us, that it’s a green fall far short of addressing the problem it was created to Hickenlooper-Polis compromise. [see “Who killed the light for them to take all these smaller one-, two- or solve,” says Boulder County Commissioner Elise Jones. vote on fracking?” News, Oct. 24, 2014] This resulted three-well sites and transform them into multi-well “And it will just be another disappointing experience in the trading of a quarter of a million citizen signasites,” Nyholm says. where once again Colorado residents are not adequately tures that would have put two initiatives on the 2014 The COGCC released new draft regulations for protected from the industrial, intensive activity of oil ballot for the Task Force and other considerations. “large scale oil and gas facilities” at the beginning of and gas development in neighborhoods.” These initiatives would have given local governments October in an attempt to mitigate the ongoing conBoulder Weekly began contacting Todd Hartman, cerns of local governments and communities regarding communications director at the Department of Natural See COGCC Page 16

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COGCC from Page 15

more control over oil and gas extraction and created a 2,000-foot setback for oil and gas development. Recommendations No. 17 and No. 20 seek to define large scale oil and gas facilities, where such developments can occur and increase collaboration with local governments regarding the oil and gas industry’s long-term development plans. The recommendations are an effort to mitigate impacts on and conflict with local communities. Of the 50 proposals the Task Force considered, only nine received the two-thirds majority vote and were passed on to regulating agencies. Several other recommendations received positive votes from more than half of the Task Force, but did not meet the two-thirds majority vote requirement. Task Force members Jim Fitzgerald and Matthew Sura agree that the understanding at the Task Force meetings was that any proposal which did not require new or amending legislation needed a simple majority to be forwarded to the COGCC for consideration. However, at the end of January 2015, just a month shy of the deadline for Task Force recommendations, Gov. Hickenlooper wrote a letter stating that a two-thirds majority would be needed for any recommendation to be considered for implementation. “There was no vote on this change. It was simply announced,” Fitzgerald writes in his comment letter to the COGCC. “…The result was that several important proposals to give local governments more standing have not been considered even when they had as many as 13 positive votes.” In the end, recommendations that received more than half the Task Force votes, but fell short of a two-thirds majority, were submitted to the Governor as part of a minority report but are not being considered by the COGCC for implementation. Several of the nine recommendations that received a two-thirds majority vote received unanimous support by Task Force members, including No. 17 and No. 20. The COGCC draft regulations are based on these two recommendations. “None of the people who were interested in something more serious were going to vote against these proposals so they got unanimous support,” Fitzgerald says. “But that wasn’t what we were hoping would come out of that [Task Force].” No. 17 seeks to define what constitutes a large scale oil and gas facility, the procedure for local government participation in permitting such facilities and the COGCC procedures to site such facilities. Many critics agree that the definition of a large scale facility in the draft regulations is simply too large to be near neighborhoods and are asking the COGCC to reduce the size by half. “It only deals with extra large facilities that industry can easily stop just shy of and completely bypass this rule,” Jones says. Plus, the draft regulations only apply to a few densely populated areas along the Front Range and fail to address communities threatened by oil and gas development across the state. If passed, the regulations would apply to only one percent of land in the Wattenberg gas field, which is located in Adams, Boulder, Broomfield, Denver, Larimer and Weld counties. “There are only 14 locations in the last two years that have been approved that this would have applied to. It’s less than 1 percent,” says Sura, who is also the attorney representing Boulder County at the COGCC hearings. “Everybody, including the industry at the time, [agreed] this was an issue that needed to be dealt with statewide and now it’s being interpreted to only apply to a handful of locations every year.” Boulder Weekly

boulderganic Sara Barwinski from Weld County and a member of the Task Force, who was part of the sub-committee that drafted recommendation No. 17, says the COGCC draft regulation does not fulfill the intent of the Task Force’s work. “I was very disappointed that it didn’t realize the potential of that recommendation,” she says. “We really wanted to be able to say that wherever you live in Colorado, that decisions around where these very large industrialized sites [were placed] had some oversight beyond what industry thinks is expedient or economically most practical for them.” In his pre-hearing statement, Bernie Buescher, Task Force member who also helped draft No. 17, agrees that the recommendation was intented to apply to all large scale oil and gas facilities regardless of location and suggests the COGCC reduce the size of large scale development significantly. “It refers only to the Front Range dense areas where there is a density of houses so all of us down here who’ve been suffering with this [industry] forever just got excluded from that,” criticizes Fitzgerald, who lives in La Plata County. Plus, “all they talk about is consultation, but they certainly do not ever give the local government the opportunity to refuse to offer a permit or turn down a well.” On the other hand, the COGCC is taking the intentions of recommendation No. 20 literally. This recommendation lays out communication regarding oil and gas development between industry and local municipalities for the sake of comprehensive planning. The original language in the Task Force document does not apply to county governments but only municipalities. However, Jones and Sura both affirm that throughout the COGCC stakeholder meetings, every county requested to be included under the regulation, with the exception of Weld County. “Again, the administration says we have to read these recommendations and we want to ensure that they are implemented exactly how they are written in the case of recommendation 20,” Sura says. “But in the case of recommendation 17, they’re misreading it and refusing to listen to how it’s written and implementing it very narrowly to benefit the industry.” Jones says counties are completely disregarded in No. 20 and under the current language will receive no information from oil and gas industry plans on unincorporated county lands. Which is significant given the fact that counties have land use authority over every other single industry except oil and gas development Boulder Weekly

and this development is most likely to occur on county, not municipal, land. “This development is going to happen some place, presumably getting it away from homes and schools and hospitals is the desired outcome. Well, that’s counties,” Jones says. “It makes no sense for it to be crafted this tightly. It’s as if people are going out of their way to make it apply to as little ground and as to help as few communities as possible.” Barwinski agrees there doesn’t seem

to be any rational reason to exclude counties from No. 20. “Especially when the intent is to avoid conflicts in the future, why wouldn’t you be sharing the information that could help industry plan and could help counties as well as municipalities?” she questions. But despite the requests by counties to be included in the No. 20 provisions, the COGCC draft regulations only apply to local municipalities, greatly lessening the effect of the ruling on a majority of

land where oil and gas development is set to take place. This leads to an overall sentiment by citizens and local governments that despite COGCC outreach meetings across the state throughout the summer, the agency is not listening. In addition, the Commission released second draft regulations following three days of stakeholder meetings Oct. 14-16. There is no significant See COGCC Page 20

November 5, 2015 17

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Boulder Weekly

boulderganic A NEED TO SEE

Courtesy BRON

Local film fest aims to change the way we think about nature by Grant Stringer

Viewers listen to a presentation by Cathy Carlisle at the 2014 BRON Film Festival in the Dairy Center for the Arts.

he Boulder Valley is no stranger to would in a lecture.” advocacy groups, especially of the BRON aims to draw people into unique presentaenvironmental variety. With the abun- tions of nature that will elicit an emotional response, dance of voices here, Boulder residents rather than purely provide information and promote can be flooded with so much informa- an agenda. tion that local organizations often have to find cre“The films that we chose, we chose them specifiative ways to get their message out. cally because they aren’t ‘talking head films,’” she says. For local environmental group Boulder Rights of “These films are cinematic experiences — they are Nature (BRON), that creative methvery beautiful and very compelling.” od is the upcoming BRON Film Through initiatives like the film ON THE BILL: Festival, which runs this weekend festival, BRON focuses on the indiBoulder Rights of Nature Film from November 5-8 at the Dairy vidual element of environmental Festival. 6 p.m., ThursdaySunday, Nov. 5-8, Dairy Center for the Arts. In its second activism and the belief that a personCenter for the Arts, 2590 year, the festival will screen nine al shift in the way one thinks about Walnut St., Boulder, 303-4407826. Tickets run $12 for one films that feature a range of topics nature can have large impacts. day or $30 for all four days. from permaculture to histories of Above all, BRON seeks to eradicate environmental activism and social what it believes is a false dichotomy conflict among elephants. between nature and human beings All films featured at the festival have a connecthat ultimately results in a damaged environment. tion with the Boulder community, whether the films “We try to pretend that we aren’t nature, but the truth were directed by Boulder locals or the content is that we are so interconnected and so reliant,” directly pertains to the Boulder area. However, the Hawkins says. most significant element these films have in comWhile promoting a radical shift in consciousmon is the emphasis BRON’s central message of ness, BRON aims to enact concrete change primarchanging the ways in which humans interact with ily by influencing government policy. As Boulder’s and relate to nature — a crucial change needed no representative of the Rights of Nature movement, matter where you are in the world, says Hailey BRON seeks to establish the right of nature to Hawkins, a BRON activist who serves on the Film exist as an independent entity and legally protect Festival committee. humans from interfering with that right, just as “The importance of the films that we choose to humans in the United States enjoy the protection show is that we can experience nature and see beauty of the law. in nature, whether or not that is in a far-off location,” Following after cities like Santa Monica and Hawkins says. Pittsburgh, which have both legally recognized the Hawkins, who works with BRON as part of her rights of nature, BRON lobbied to get the verbiage Master’s program at Naropa University, believes that into Boulder County law in 2013, although the initiafilm is a powerful way to raise environmental contive failed. However, Hawkins believes that BRON’s sciousness and successfully portray BRON’s message work is far from over. to the Boulder community by connecting on a person“Now is really the time to embrace and find solual level with an audience. tions,” she says. “Film is art, and art is so motivating,” she In BRON’s vision of the future, property owners says. “Often you can look at something like a would be prohibited from damaging ecosystems that painting and get so much more out of it than you may be dependent on that property, and cities would Boulder Weekly

legally recognize the rights of nature over short-term economic gain. While this vision may be interpreted as damaging to the economy, Hawkins disagrees with the notion that environmental protection and business exist independent of each other. She argues that businesses should “maybe put economic gain aside because, in reality, environmental gain is economic gain in the long term.” Hawkins cites investment in renewable energy technologies as an important step for a system with legitimate protection of nature, but she cautions that such initiatives will likely never solve the environmental crisis of our day and age. “Sustainability is a word that is so overused” she says. “Its becoming diluted, and rights of nature can help establish real sustainability.” Just as the festival will screen films featuring phenomena across the world, BRON’s call for communion in nature knows no boundaries. For Hawkins, the global call for action is necessary given the sheer scope of BRON’s goals. “All of these things are so interconnected,” she says. “[BRON’s message] is about the global environment — nothing is isolated.” While the Rights of Nature movement is centered on the protection of nature, Hawkins believes it would be short-sighted to ignore human dependence on nature — and human dependence on other humans. “We need to be bringing [nature and human beings] all together and thinking about it as one big thing, with people part of that,” Hawkins says. “We shouldn’t treat people unfairly. We shouldn’t exploit people. We should be just and fair.” Running from this Thursday through Sunday, the BRON Film Festival will also feature workshops on a variety of subjects from honeybee conservation and prairie dogs, as well as a performance by Native American grass dancers. If seeing is believing, the BRON Film Festival is set to enjoy the acclaim of its first year and continue to engage the Boulder community in a conversation that is unlikely to disappear anytime soon. November 5, 2015 19

boulderganic COGCC from Page 17

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change between the two drafts, other than reorganization, as admitted by the COGCC in a memo. Although the memo concludes by admitting that there is still significant “distance” between the regulations and interested parties. Weld County resident Anne Harper says she was pleasantly surprised by the three days of stakeholder meetings. Harper lives in the Pleasant View neighborhood just a half of a mile from Boulder County. She has been outspoken and resistant to the two five-acre oil and gas production platforms being proposed near her home and is a registered party in the upcoming COGCC hearings. “This particular stakeholder meeting was very publically welcoming and it was the first welcoming experience I’ve had with them,” she says. “[But] it didn’t change a thing. So we did those three days and then the second version came back worse. “They wrote them in this way that leaves the director all of this power, that leaves gaps the size of trucks for the industry to pretty much do what they want,” she continues. “I’m not saying take fracking out of the state of Colorado. I’m saying you need to be accurate about how you define a large scale operation in Colorado … I just want [the Commission] to hear and do something about what all these communities are saying, which is keep your large scale industrial fracking away from our homes and schools.” Commissioner Jones says that although she started the stakeholder process with optimism, ultimately the process has been disappointing. Despite her sense that the COGCC staff listened throughout the meetings, the concerns and suggestions weren’t translated into anything meaningful in the draft regulations, she says. However, Jones points out, the process isn’t over and the regulations can still be amended to address the concerns of communities. The COGCC website gives no indication of when to expect a decision by commissioners, other than to say the hearings may extend to the Dec. 7 COGCC meeting and the agency intends for the regulations to become effective as soon as bureaucratically possible. “I want to leave that door open that commission members could actually try to solve the problem that this whole process was initiated to solve, which was to give local governments a more meaningful role in the siting of oil and gas development so that they can protect their residents and assure some level of confidence that their health, quality of

life [and] property values wouldn’t be negatively affected,” Jones concludes. “The whole purpose of the Task Force was to navigate these kind of difficult situations but I don’t think as written it really gives us the tools to do that,” Barwinski says. In her estimation, Weld County should serve as a “cautionary tale” to the rest of Colorado — a situation where an economic driver, such as the oil and gas industry, can sway a local government’s allegiance away from its own citizenry in such a way that threatens democracy. However, she remains hopeful that the commission can improve the regulations and address the concerns of Task Force members, local governments and citizens. “It’s really important for Coloradans to see that a process can work and not be cynically twisted around. Instead of losing their faith in government, losing their faith in the process,” Barwinski says. “Another unfortunate casualty is people’s disillusionment with government and with government processes and with who controls decision making. That is very detrimental to democracy. Even in larger ways than the oil and gas controversy.” But Fitzgerald for one has admittedly always been cynical about the process, and the draft regulations only affirm his skepticism. “The governor has chosen to make a mockery of the entire Task Force purpose and process,” he concludes in his comments to the COGCC. “There were many who chose to participate in that Task Force who did so with much skepticism about accomplishing a whole lot. But I believe that even the most cynical of us never thought that there would be such shameless manipulation to ensure an outcome that had been pre-decided. An outcome that did not reflect in any way the hard work and sincere effort that the majority of Task Force members put into this.” Christine Nyholm also doesn’t share Barwinski’s hope. The regulations “are going to be what they’re going to be,” she says. “I don’t think they are going to be dramatically changed in the favor of homeowners or surface right owners. … I don’t see, personally, that we’re going to make a dent. It’s bent on favoring the industry.” She says that the draft regulations, as written, would not only allow Synergy to proceed with the plans in Wadley Farms, but the ruling would also open the door for oil and gas development in any neighborhood in Colorado. “If they come in here, then no neighborhood is safe from this.” Boulder Weekly

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Boulder Weekly

buzz C

ome sit and be swept away,” the Denver Film Festival boasts. And for the 38th time, it aims to do just that. Running Nov. 4-15, DFF beckons moviegoers young and old, new and seasoned, liberal and conservative, with roughly 250 features and shorts covering just about everything under the sun. Whatever your cup of tea, DFF has a kettle waiting just for you. This is especially true for those interested in what the Centennial State has to offer the world of cinema. Featuring a blend of narratives, shorts, documentaries, experimentals and music videos, DFF showcases films on a variety of different topics. It also attracts a smorgasbord of filmmakers with Colorado connections and debuts several homegrown works, including an animated short from Kelly Sears, University of Colorado Boulder assistant professor of

film studies, called “Pattern for Survival.” Playing Nov. 5-7, “Pattern for Survival” is a collection of sequential images taken from the U.S. Army Survival Manual, which Sears repurposes with see FILM FESTIVAL Page 24

Return of the Denver Film Festival by Michael J. Casey

see BUZZLEAD Page ?

Boulder Weekly

November 5, 2015 23

FILM FESTIVAL from Page 23

speakers lectures events Cultivating Peace in Times of Conflict with Ringu Tulku Rinpoche

Ringu Tulku Rinpoche is renowned for his humor and colloquial style, his understanding of the western mind, and his penetrating insights into the essential nature. Monday, November 9th 7:00 p.m. Performing Arts Center 2130 Arapahoe Avenue, Boulder $15 General // $5 Students

For more information and tickets visit Naropa.edu/events 24 November 5, 2015

great effect. “In reading this insanely detailed 300ON THE BILL: Denver Film page manual, there Festival. Nov. 4-15, at various became an aggression times and locations around to the idea of security,” Denver. For a full scedule and ticketing info Sears tells Boulder denverfilmfestival.org. Weekly. “Which I think is something that we feel around us all the time. The post-9/11 idea of a war on terror that is so amped up and so overdriven that it’s kind of a part of our psychic several, and it looked like he might fabric at this point.” have to go to a facility of some kind, From these blasé images and comrather than yet another foster home. mands, Sears crafts a sense of compulFrom there, I found this commonality sion, obsession and fear. between two people at opposite ends of “The thing that really excites me the life cycle.” about animation is taking something Although unintentional, Coloradothat’s existed in a different form and native Rob Christopher also explored responding to it and activating it,” Sears his own life cycle while making his feaexplains. “I like the idea of looking at a ture film debut, Pause of the Clock (Nov. still image or an archival film and 7-9). thinking about other visual ways it can “When I wrote the script, I was exist and other kind of stories it can basically 19, and no one really told me tell.” that this was an insane idea to do this,” “Pattern for Survival” marks the first Christopher tells BW. time that Sears’ work will be featured at They also didn’t tell Christopher DFF. This is also true of Colorado that he would take an unscheduled writer/director Arnold Grossman’s 20-year hiatus before Pause of the Clock debut, The Boat Builder (Nov. 13 and would be finished. 14) — a lighthearted drama about a Inspired by the early films of Jeanmiserly septuagenarian, Abner Luc Godard, Christopher started work (Christopher Lloyd), and a troubled on Pause of the Clock — a self-referenyoung orphan, Rick (Tekola Cornetet), tial story about a filmmaker who goes — but Grossman is no stranger to the off to college, leaving a close friend festival. In addition to being an active behind — when he was 19. To finance member in the Denver film community, the film, Christopher took a page from Grossman was the chairman of the fes- Rick Schmidt’s book, Feature Films at tival for two years in the 1970s. Used-Car Prices, and piecemealed his “[The Boat Builder] began with [me] financing from family and friends until finding two characters that I became he has enough to start shooting in very interested in — people that I actu- Golden in 1995. ally met here in Colorado,” Grossman Christopher continued filming in says. “[The older] was a man who was Colorado and Chicago — where really searching for something. He had Christopher was attending film school reached that stage in his life in his 70s, — but in 1996, Christopher complete[and] was finding that people wanted ly ran out of money for the movie and to map out a future for him. ... He for himself. Unable to complete postwanted to find his own future. The production, Christopher shelved the thing that he resisted most was a fairly project, found work as a writer and predictable consignment to any kind of moved on with his life. Then in 2013, a facility.” a fire was lit under Christopher’s keester. From this inspiration, Grossman “Roger Ebert passed away, and it crafted the character of Abner, a lifetime merchant mariner who is fixing up really affected a lot of us here in Chicago,” Christopher explains. “I a boat to sail the seas one last time. finally got around to reading his memThis endeavor is at odds with his famioir, Life Itself, which I just found to be ly’s wishes and city ordincances. so inspirational.” “Within a short time of getting to In 2002, Ebert was diagnosed with know this man, I got to know a boy papillary thyroid cancer. In 2006, he who was at the time 9 years old and orphaned and had some not very pleas- lost the ability to speak and eat when his jaw was surgically removed in hopes ant experiences in foster homes,” of obliterating the cancer. Grossman continues. “He had gone to

buzz

“Here was a guy who could have just retired with his legacy intact and been remembered that way,” Christopher says. “But instead, he redoubled his efforts and became a better writer than he ever had been before. ... That was a real inspiration for me to finish my own project.” And thanks to a successfully funded Kickstarter campaign, Christopher could afford to finish his project. On Nov. 7, Pause of the Clock, and a unique slice of 1995, will make its debut. “I was very adamant when I decided to finish the film that I didn’t want to add any additional footage, I didn’t want to record any digital voice over, anything like that,” Christopher explains. “Except for some of the music tracks, basically everything that you see and hear in the film is from that time. “I wanted [Pause of the Clock] to be a time capsule without calling attention to itself,” Christopher says. What makes DFF special for Colorado filmmakers is not simply the work, but a chance for the workers to establish a community. “I’m looking forward to the Denver Film Festival because there are a lot of bridges between wild stories and experimentation,” Sears tells BW. “My film gets to open up for the gonzo-seeming ‘Crumbs,’ and I can see a program of Nathaniel Dorksy’s work for the Stan Brakhage Award. As an animator and professor, I’m either holed up working with a project or working a lot with my students. ... I’m looking [forward to] meeting other filmmakers and getting a sense of other film scenes here.” “There are great opportunities here for the film business,” Grossman says. “Particularly, since about three years ago, the incentive program was strengthened and made more competitive.” Cinema always has been, and always should be, a democratic endeavor and the Denver Film Festival is working to ensure that the grassroots aspects of Colorado’s film scene develop and take off. Boulder Weekly

overtones Viva Yo la Tengo

Consummate indie pioneers embrace history as they forge ahead by Chris Barr

Dusdin Condren

ver fantasize about being somebody else or doing something else with your life? James McNew, longtime bassist for indie rock grandees Yo la Tengo, doesn’t know what the hell you’re talking about. “I think this is what we all wanted to be,” says McNew, speaking for the band. “Zero regrets.” Who could blame him? Yo la Tengo has been defining and setting the standard for indie music since the mid ’80s with their first full-length, Ride the Tiger. Thirty years and 13 albums later, Yo la Tengo is back with their latest, Stuff Like That There. “Back,” of course, would imply the band had gone somewhere. They Members of indie rock band Yo la Tengo, including original guitarist Dave Schramm, haven’t — nor will they be hanging up are currently touring to promote the new album Stuff Like That There. their guitar straps soon. When asked if there is ever talk of taking a break or the band making its final stage call, being shouted, we’re just trying them. is just kind of growing every day. If McNew doesn’t hesitate and doesn’t And Dave is quick enough, and is a things, cover songs, or our own songs, equivocate: “No.” It doesn’t get clearer fluid enough player, to just kind of fit occur to us during sound check, then than that. “It’s our lives. It’s what we do in and find a spot really fast when it’s we’ll start learning them. ... Songs just every day, and what we think about. a song he’d never played before. … keep piling up.” There’s no corporate retreat. There’s not We are playing songs from our entire That level of expertise doesn’t come a lot of focus meetings. ... I think it’s catalog.” easily, McNew admits. “I think it was just what we do, and it’s who we are.” The effect of Dave Schramm’s really just a matter of getting to a cerGuitarist and former bandmate return isn’t just a matter of nostaltain level where I could be confident Dave Schramm has gia. On Stuff Like to try things that I hadn’t tried before, rejoined the ensemble That There Yo la as far as playing songs. ...” he says. “To ON THE BILL: An for the album and curTengo incorporates get to that level where things can be Acoustic Evening with Yo la rent tour. It’s the first overt, guileless counspontaneous — maybe not 100 percent Tengo featuring Dave Schramm, 8 p.m. Monday, time he has worked try and Americana accurate, but spontaneous — I think Nov. 9th, Boulder Theater, with Yo la Tengo since textures and influenc- was my goal. I was the last piece of the 2032 14th St, Boulder, 303the group’s classic es, to a degree not on puzzle.” 786-7030. Tickets: $22.50 adv., $25 day of show. 1990 album Fakebook. display since at least Beyond the current tour, which It also marks the first the aforementioned brings Yo la Tengo to Boulder Theater occasion Schramm and Fakebook. Actually, Nov. 9, the band plans to tour in 2016 McNew have recorded unlike Fakebook, or as well. But McNew says the band and toured together in any other Yo la Tengo doesn’t like to plan too far ahead. “I think we genuinely love playing the band. “That dude’s a joy,” McNew album, Stuff Like That There can be together, and maybe that’s the biggest says. “He’s real fun to be around, and heard as a straight-up country part: We all love music. We listen to a spectacular guitar player. He fits album. Yo la Tengo hasn’t traded music all the time,” he says. right in with the three of us. … There indie cachet for large belt buckles As for fans of McNew’s side projare times, now, when I feel like I’m and chaws of tobacco, but the album ect, Dump, they will have to wait fitting in with the three of them,” doesn’t sound much like anything before anything new crops up. McNew adds McNew, who joined the band in else from their oeuvre, and should says he has no immediate plans for the the ’90s after Schramm’s exit. come as a surprise to longtime fans, group since touring and recording with “But it’s great. It’s really fun, playas well as critics. At least, that is, Yo la Tengo occupies so much of his ing with the four of us. It’s gotten to until one remembers the band’s time, though he assures that Dump the point now, where it’s now becomcareer-long commitment to experiisn’t defunct. ing spontaneous, and songs that we mentation while culling from all As for Yo la Tengo, McNew says, didn’t know yesterday, we’re learning aspects of popular music. at sound check, or requests that are As McNew puts it, “The repertoire “We’re all kinda holding steady.” Boulder Weekly

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overtones Home again

Gábor Takács-Nagy returns to Boulder with the Irish Chamber Orchestra by Peter Alexander

ON THE BILL: CU Presents: Irish Chamber Orchestra, Gábor TakácsNagy, conductor, with István Várdai, cello, 7:30 p.m. Friday, Nov. 6, Macky Auditorium, 1595 Pleasant St., Boulder. Tickets: 303-492-8008 or tickets.cupresents.org

ábor Takács-Nagy is coming home. cellists on the scene.” The founding first violinist of CU’s resident “He plays in a way that is unbelievably great,” TakácsTakács Quartet lived in Boulder for six years, Nagy says. 1986–92, until a hand problem forced him to Of the two concertos Várdai will play, the Haydn withdraw from playing. He returns to Boulder Concerto in C major is quite well known, but Takács-Nagy Friday as a conductor, leading the Irish Chamber Orchestra believes that the audience will enjoy discovering the C.P.E. (ICO) in a concert of music by Haydn, C.P.E. Bach and Bach concerto. “I did not know it, but it is fascinating and Bartók (7:30 p.m. Friday, Nov. 6, in Macky Auditorium). full of unexpected harmonies,” he says. Takács-Nagy’s place in the Takács Quartet was taken in Carl Philipp Emanuel was the fifth child of J.S. Bach. 1993 by English violinFar less known to audiist Edward Dusinberre, Courtesy of University of Colorado ences than his father, who remains the quarhe was long employed tet’s first violinist. Of by Frederick the Great the original quartet, in Berlin. He wrote violinist Károly Schranz symphonies — some of and cellist András Fejér the earliest works of the remain. genre — and many The Nov. 6 concert concertos for keyboard and orchestra, one of will also feature cellist which may represent István Várdai playing the original form of the Haydn’s Cello Concerto A-major Cello in C major and C.P.E. Concerto. Bach’s Cello Concerto He is known for in A major, Wq. 172. writing in an idiosynAlso on the program cratic style, full of are the Symphony No. unexpected pauses and 49 in F minor by sudden changes of harHaydn (“La Passione”) mony. Or as Takácsand the Divertimento for String Orchestra by Gábor Takács-Nagy returns to CU as a conductor, leading the Irish Chamber Nagy says, “It has a lot Orchestra on November 6. Bartók. of pepper, a lot of spice After leaving the in it. It’s very emotionTakács Quartet and Boulder, Takács-Nagy returned to al, highly temperamental music [by] an exciting composer.” Europe and played for a while with other groups, but he has The Bartók Divertimento for Strings might seem an odd not performed in concert since 2008. In the meantime, he choice for an Irish orchestra. Musical styles are often deeply has conducted several orchestras. He is currently principal rooted in language and folk music, and in both respects conductor of the Manchester Camerata in England and Hungarian, with spiky, asymmetrical rhythms and uneven principal guest conductor of the Budapest Festival phrases, is far removed from Irish folk song. But TakácsOrchestra. He has been principal artistic partner of the ICO Nagy says, “They are really doing this very well. since 2013. “This is one of my absolute favorite pieces,” he contin“The Irish Chamber Orchestra are really good, close ues. “I did it many times with the orchestra. Like every friends, all of them in the orchestra,” he says. “The orchestra Bartók piece, the Hungarian language and Hungarian folk is fantastic with this (program).” music is very strongly in it. There are many motives that The concert opens with the F-minor Symphony by remind me of Hungarian folk songs I heard from my greatHaydn — a composer, along with Bartók, that Hungarians grandmother. consider to be partly theirs, since he spent so many years of “I talked with the orchestra about the Hungarian lanhis life working for the Hungarian Esterházy family. The F guage, and even sang to them Hungarian folk songs. minor Symphony was composed for the Esterházy orchestra Somehow they feel it very, very well, I have to say. I was in 1768 and is considered an example of Haydn’s dramatic quite surprised, because I thought only Hungarians can feel sturm und drang (storm and stress) style. it so deeply, but they are not only a very good orchestra, but “Nobody will be bored for a second during this,” Takács- they feel these kinds of things.” Nagy says. “Haydn has so much contrast, so many unexpectTakács-Nagy says he loves the music on the program, ed things that’s it’s fascinating. It’s like a Krimi (a crime but it is the Boulder homecoming that has him really excitnovel or film). You never know what’s happening in the next ed. “I’m really very happy to go back to Boulder after so second.” many years,” he says. “It will be a homecoming. We will have At the age of 30 Várdai is building an international a dinner after, and I’m so happy I’m counting the days. career. A three-time winner of the David Popper “I’m really so happy and grateful to [members of the International Competition in Budapest, he was described by quartet] that they continue what we started together, on Takács-Nagy as “brilliant, brilliant” and “one of the great such an unbelievably high level.” Boulder Weekly

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arts & culture Mothertrucker

BETC’s latest production jackknifes by Gary Zeidner

oneliness, one of the most elemental of emotions and an inextricable part of the human experience, serves as the basis for, or at least informs, much great art. Think of the solitary figure in Edvard Munch’s haunting The Scream. Or watch Christian Bale descend into isolated, emaciated madness in The Machinist. Or marvel at the subjective hell of JeanPaul Sartre’s No Exit. Or nod your head knowingly to Jimi Hendrix singing that “loneliness is such a drag.” Like love, sorrow, wonder and joy, loneliness may serve as excellent inspiration for art. Translating that inspiration into a superlative final product, however, is no easy feat. In the context of live theater, it requires the playwright, the director and the actors — among others — to excel individually in order to astound collectively. The Boulder Ensemble Theatre Company (BETC) achieves this difficult, lofty goal the vast majority of the time. During the past decade or so that I have been reviewing BETC productions, I can count on one hand the instances when I was underwhelmed or disappointed. Unfortunately, The Few tops that very short list. Set in 1999 for no particularly compelling reason, The Few, an alleged meditation on and explication of loneliness, features three characters and one location. The location is a rundown office in a trailer off of I-90 in northern Idaho. The office is the home of the titular trucker-centric newspaper. QZ (Lindsey Pierce) runs the paper. Nineteen-year-old Matthew ( John Hauser) is QZ’s sole employee. The play opens with the unheralded return of the paper’s owner, and QZ’s former lover, Bryan (Michael Morgan). Four years earlier, following the traumatic loss of one of QZ and Bryan’s closest friends, Bryan disappeared without a word or a trace. During his absence, QZ took what was essentially a loose collection of

ON THE BILL: The Few — presented by Boulder Ensemble Theatre. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-4407826. Through Nov. 15. Tickets at betc.org, $16 and up.

musings and ramblings about life on the road — one single trait, and the plot, such as it is, meanders along that was hemorrhaging cash — and turned it into a without momentum or direction. hardcopy truckers’ Tinder whose cover-to-cover perBETC is a bastion of superb acting. Even in its sonals ads are broken up only occasionally lesser shows, the Michael Ensminger by horoscopes and a column, work of the actors is nearly both penned by QZ. Thanks to always a highlight. Yet in The these changes, QZ has been Few all three performances eking from the paper the tiniest feel forced, almost amateurish. of profits. Pierce, who I praised in From the first scene, Bryan BETC’s Mauritius, plays QZ and QZ fight. They fight about with such stridency that it is the content of the newspaper. difficult to identify with her, They fight about Bryan abanlet alone sympathize with her. doning both the paper and QZ. I enjoyed Hauser in BETC’s For most of the play’s 90 min2014 production of Ambition utes, they yell and weep and Facing West, but his Matthew damn near rend their clothing, is so cranked up I wondered if this all leading up to an unwarhe was on crank. His stamranted and unsatisfying conclumering, wild-eyed energy, sion. The only respites from the serves as a caricature rather marathon lovers’ quarrel are a than a character. Morgan, a handful of scenes in which Denver Post Ovation Award Matthew desperately tries to winner, mumbles and fumbles make peace to save the paper his way along as Bryan rather and, thereby, his job. than emoting in any meaningThe circumstances needed ful way. for The Few to diverge to such All of which leads me to a degree from BETC’s usual wonder about the direction (Left to right) Michael Morgan, Lindsey Pierce, level of accomplishment bogprovided by Kate Folkins. Her and John Hauser, the cast of The Few gles my mind. BETC has an resume is filled with work at almost uncanny ability to the venerable Denver Center choose outstanding plays to produce. Samuel D. and Curious Theatre, but one has to wonder how Hunter has been touted as a gifted, young playwright much of The Few’s failure rests on her shoulders. by many people over the past few years, and BETC Pacing, tone, line deliveries, even blocking are the appears to have believed the hype. But based on The province of the director, after all. Few, Hunter’s reputation is just that, hype. The Y2K Pick your metaphor. The Few jackknifes. It spins setting is facile and reflects Hunter’s inability to say out. It’s a stretch of rough road. It hits every pothole. anything substantial about the focus of his play — It had me saying, “Mothertrucker!” only maybe not loneliness. Each of the three characters is defined by a quite so family-friendly.

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Boulder Weekly

arts & culture The language of self

‘Tribes’ examines the role of effective communication by Amanda Moutinho

ON THE BILL: Tribes. Denver Performing Arts Complex, 1345 Champa St., Denver, 720865-4239. Through Nov. 15.

he word tribe has many another form of conversation outside brother Daniel, who’s tangled in a web connotations: family, comof spoken English. of mental illness and struggling with his munity, belonging, an entity The play examines how communiown identity crisis. As Billy and Dan you’re initiated or born into. cation can intertwine with identity. At stand silent and motionless, the projecBut inclusion doesn’t guarthe beginning we see Billy struggle to tion reads, “Why did you do it?” “I antee the perfect fit. be heard, then eventually we see him don’t know,” a vague yet loaded Nina Raine explores this concept in gain a voice and demand that his family exchange between the two that unexher play Tribes, now playing at the learn how to sign or he will abandon pectedly opens the door to authentic Denver Center for the Performing Arts them, which he ultimately does. Both communication. through Nov. 15. Her play follows Billy, Billy and Sylvia mirror each other in Tribes is relatable to anyone who’s the only deaf person in a hearing family. terms of access to the hearing and deaf ever felt misunderstood and unheard. It’s not just any family, but a group of world. As Billy learns to sign, shuns the With a talented cast, the subject boisterous busy bodies who Adams Visual Communications material shines, as does routinely mock and judge the direction by Boulder each other and everyone Ensemble Theatre else. There’s Christopher Company co-founder the pompous patriarch writStephen Weitz. Through er, and Beth, the matriarch his work, Weitz is able to writer with her heart in the tell a complex story, right place, and their three allowing each character kids: Billy, the deaf college room for development. student, Ruth, the aspiring The actors behind opera singer, and Daniel the Billy’s family — Andrew academic wannabe. All Pastides (Daniel), three children live at home, Kathleen McCall (Beth), to their parent’s known chaStephen Paul Johnson grin, and each family mem(Christopher) and Isabel ber attempts to carve out Ellison (Ruth) — are all their own life, with lack of superb. The introduction As the play goes on, its projected subtitles refer more to the subtext then the actual spoken or signed dialogue between characters. familial support. to the family is quite a On the surface the famishock as they’re a loud, ly members heavily interact with each people he’s grown up with and embrac- foul-mouthed bunch with some conother, but it’s clear that not much real es the deaf community, Sylvia does the troversial opinions. But each actor communication is taking place. And opposite. As a hearing child born to adds a certain amount of depth to communication, or lack thereof, is at deaf parents, Sylvia grew up signing their character, making the audience the heart of Tribes. Billy has been raised and spent her life as a citizen of both empathize with their personal strugto speak and to read lips, but since his worlds, but when we meet her we learn gle. Pastides gives an especially voice isn’t the loudest in the room, he’s she’s starting to lose her own hearing, exceptional performance taking his rarely heard. In multiple scenes, Billy’s becoming a permanent member of the character on an emotional journey family races around him slinging insults deaf world. She begins to push against through rejection, doubt and insecuat each other, not allowing him to catch the deaf community as she comes to rity. up or follow along. When people storm terms with who she now is, sans the The stars of the show, Kate Finch out of the room, Billy asks, “What hap- ability to hear. as Sylvia and Tad Cooley as Billy, also pened?” Only to be appeased by a famiEach character in the play has his or provide standout performances. Finch ly member with, “Nothing.” her own obstacle to overcome — learn- excels as Sylvia, who borderlines the While his family does acknowling to navigate newfound freedoms or manic pixie dream girl trope, but actuedge Billy’s place in the family — regaining a sense of self after hardship. ally serves as a well-rounded character often calling him the best member — The play often cites the limitation of who’s trying to find her place in the Billy lives isolated in a cocoon, with communication, and as the play proworld. The best moment of the show his channels of communication often gresses it starts to focus on the non-ver- goes to Cooley as he gives an expressive ignored or controlled by his family. bal subtext of what we say. Not everyspeech in sign language, finally standing Billy soon finds a sort of savior in thing needs to be spoken or signed to up to his family and demanding them friend/girlfriend Sylvia, who teaches be understood. And we see this when to listen. Cooley’s passion is palpable him American Sign Language (ASL) instead of subtitles, we read what’s not and his signing beautiful. and finally gives Billy another avenue being said. At the end of the play, we see opento express himself. The ASL subtitles In one poignant scene, after Billy ness, acceptance and forgiveness, provare projected onto various blank areas has displaced himself from the family ing that as the members of tribes grow of the set, allowing the audience to and gotten into a bit of trouble, he and change, so do the entities themfollow along as Billy and Sylvia utilize comes home and comes across his selves. Boulder Weekly

November 5, 2015 31

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Boulder Weekly

THE TRAVELIN’ MCCOURYS, 8:30 P.M.

THURSDAY, NOV. 5, FOX THEATRE, 1135 13TH ST., BOULDER, 720-645-2467. Courtesy of Travelin’ McCourys

SEE FULL EVENT LISTINGS ONLINE. To have an event considered for the calendar, send information to calendar@ boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

Music Austin Tuley, Collin Harris Jr. 6 p.m. Rosalee’s Pizzeria, 461 Main St., Longmont, 303-485-5020. The Blackberry Bushes. 8:30 p.m. Fox Theatre, Boulder, 303-4470095. Bluegrass Jam. 7 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Cancellieri, Latlaus Sky. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Chris Sheldon and Friends. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

On Gratitude 6:30 p.m. Tuesday, Nov. 10, Boulder Public Library Canyon Theater, Ninth Street and Canyon Boulevard, 303-441-3100. Anyone can think of one thing to be thankful for. And, thankfully, most of us have a long list of things. Yet, our culture seems to struggle with gratitude. If you want to celebrate the things in your life, then stop by the Boulder Public Library for On Gratitude, An Evening with Len Barron and May Snowden. Barron is a playwright, director, performer, writer and dancer, and Snowden is a business leader who has championed global diversity and inclusion in various companies. Together they will explore the concept of gratitude and how society can take too many things for granted.

Give Thanks

Courtesy of Len Barron

Boulder Weekly

Danny Shafer. 7 p.m. Samples World Bistro, 370 Main St., Longmont, 303-327-9318.

Thursday, November 5

Learn Isis from Multiple Perspectives

Elephant Wrecking Ball. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. George Nelson Trio. 9 p.m. License No. 1, 2115 13th St., Boulder, 303-442-4344. Power Lung Rangers. 10 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. The Retrosonics. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Selby Clyman Duo. 7 p.m. Por Wine House, 836 1/2 Main St., Louissee EVENTS Page 34

Listen Courtesy of CU

4:30 p.m. Wednesday, Nov. 11, Eaton Humanities, Room 250, CU Boulder, 303-735-5122 As headlines from all over the world cover the Islamic State of Iraq and Syria, otherwise known as ISIS, CU is taking a deeper look with their panel: ISIS from Multiple Perspectives. The event will cover several topics including, “ISIS Islamic?,” “ISIS’s War on the Past,” “The Geopolitics of Political Islam,” and “Histories of ISIS: The Politics of Fundamentalism and Sectarianism.” Presenting these topics will be CU faculty members Aun Ali (religious studies), Jeanne M. Nijhowne (physics), Najeeb Jan (geography) and Haytham Bahoora (Asian languages and civilizations), respectively. It is sure to be an enlightening event that will provide a better understanding of ISIS from all angles.

Reel Hope Boulder: An Evening with Writer Marc Sotkin 5:30 p.m. Sunday, Nov. 8, Naropa Nalanda Campus Events Center, 6287 Arapahoe Road, 303-415-1025. Courtesy of JFS

Marc Sotkin has been a writer for nearly 40 years. His work has appeared on more than 350 sitcom episodes, including Lavern & Shirley and the Golden Girls. Sotkin’s been nominated for Emmys and Golden Globes and also won a Writers Guild Award. If you’re curious to hear more about Sotkin from the man himself, head to Naropa for Reel Hope Boulder. This is Jewish Family Service of Colorado’s third annual fundraiser. The money raised goes to support members in the community in times of need. Tickets are $90.

November 5, 2015 33

events EVENTS from Page 33

UPCOMING AT eTOWN HALL

ville, 970-259-3555. Tommy Emmanuel. 8 p.m. Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-8423. Events

arts

Boulder Rights of Nature Film Festival. 6:30 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

Concert and Fundraiser

Nov Bold Voices: featuring ...

Liz Barnez, Rebecca Folsom & Hazel Miller

GED Classes. 10 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. GoDoh Story Club. 4 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390. Ignite Adaptive Sports Volunteer Orientation Meeting. 7 p.m. Boulder Jewish Community Center, 3800 Kalmia Ave., Boulder, 303-998-1900. Irrational Man. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Meet the Patels. 2:30 p.m and 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-4407826.

Nov

Concert & Workshop Trance Blues Festival

Otis Taylor Tony Trischka & Chuck Campbell

Secrets for Successful Relationship. 7:30 p.m. Edie Stone’s Office, 2027 Broadway, Suite H, Boulder, 303-415-3755. SOAR Movie Night & Cocktails. 6 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Views & Brews Halloween Film Series: V for Vendetta. 6 p.m. Longmont Museum, 400 Quail Road, Longmont, 303-651-8374. Whoo are the Owls? 7 p.m. Louisville Public Library, 951 Spruce St., Louisville, 303-335-4849. Friday, November 6 Music Acoustic Stew. 6 p.m. Sun Rose Cafe, 379 Main St., Longmont, 303-651-3533.

Nov

Dec

Radio Show Taping

Madisen Ward & The Mama Bear and Lindi Ortega

Radio Show Taping

Bob Schneider & Joan Shelley

Nov 14 Workshop: Joseph Campbell: Cri de Coeur (The Heart’s Cry for Meaning) Nov 18 Forum: CanopyBoulder Demo Day Nov 21 Concert Series: Ottmar Liebert Nov 30 Concert Series: Michael Martin Murphey’s Cowboy Christmas

Antonio Lopez Trio. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698.

Revolt 1680/2180: Virgil Ortiz. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-8655000. Through Jan. 10.

Celebrating Dia de los Muertos. Firehouse Art Center, 667, Fourth Ave., Longmont, 303651-2787. Through Nov. 9. Fired: Glass, Iron, and Ceramics. Arvada Center, 6901 Wadsworth Blvd., Arvada, 720-898-7200. Through Dec. 20.

The DAM’s new exhibit features father and son Andrew and Jamie Wyeth’s art side by side.

Gunther Gerzso: A Mexican Master. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Jan. 3.

Showing Off. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Jan. 3.

Super Indian: Fritz Scholder, 1967-1980. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Jan. 17.

Painted Paper Movements Through Collage. BMoCA at Macky, 285 University Ave., Boulder, 303-492-8423. Through Nov. 15.

Susan Wick: Wild Women Never Get the Blues. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through Jan. 3.

Pastel Paintings by Xenia J. Sease. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-497-1174. Through Nov. 28.

Wyeth: Andrew and Jamie in the Studio. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Feb. 7.

Pretty/Dirty. Museum of Contemporary Art,

MaryLynn Gillaspie. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555.

Big Thompson Flood, Hippo Temple. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355.

The Mighty Twisters. 8 p.m. The Tandoori Next Doori, 623 S. Broadway, Boulder, 303-543-7339.

Bold Voices. 6:30 p.m. eTown Hall, 1535 Spruce St., Boulder, 303-443-8696.

New Vintage. 9 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303- 823-6685.

Bonnie and the Clydes. 9 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303- 823-6685.

Nick Willis Band. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE.

The Brothers Warde. 8:30 p.m. The Roost, 526 Main St., Longmont, 303-827-3380.

North Boulder Underground. 8 p.m. Liquid Mechanics Brewing Company, 297 U.S. 287, Lafayette, 720-550-7813.

Bryce Merritt. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Burns Twice. 8:30 p.m. Dillingers, 1202 Centaur Village Drive, Lafayette, 303-666-6979. Carbone Family Band. 10 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Cat Jerky. 7 p.m. Rosalee’s Pizzeria, 461 Main St., Longmont, 303-485-5020. Chris Daniels & The Kings. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 303-543-1411. Dear Landlords. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.

Dec 11 Radio Taping: Noah Gunderson & more

First Friday Jam. 6 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258.

34 November 5, 2015

1485 Delgany St., Denver, 303-2987554. Through Jan. 31.

Atomic Pablo. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Dec 5 Concert Series: Tha Gathering

TICKETS: eTOWN.org

Alec Soth: Colorado Dispatch. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Nov. 29.

The Aristocats. 7:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625.

Eric Elliott, Roy Catlin. 9 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-4404628.

WHERE: eTOWN Hall 1535 Spruce Street Boulder, CO 80302

Courtesy of the DAM

Friday Afternoon Club. 5 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Irish Chamber Orchestra. 7:30 p.m. Macky Auditorium, University of Colorado, Boulder, 1595 Pleasant Ave., Boulder, 303-492-8423. Joe Teichman. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303776-1914.

Pete Lewis Quartet. 6 p.m. Espresso Vino by Brewing Market, 2770 Dagny Way, Lafayette, 720-8903993.

The West Virginia Hitchers. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303442-5847. Whiskey Autumn, BLVD. 8 p.m. The Riverside, 1724 Broadway, Boulder, 720-443-2322. Events Boulder Rights of Nature Film Festival. 6 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Cannabis Legal Updates 2015. 6 p.m. Wolf Law Building, Room 204, University of Colorado, Boulder, 303-492-8047. Club de Literatura en Español. 4 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Phat Daddy. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757.

Family Game Night. 4:30 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390.

Phutureprimitive with Bass Physics & Toy Box. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303447-0095.

First Friday Art Show. 6 p.m. Settembre Cellars Winery & Tasting Room, 1501 Lee Hill Road, Suite 16, Boulder, 303-532-1892.

Rachel & the Ruckus. 9:30 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094.

How to Make Money with Your Blog. 1 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647.

Samsara Sisters. 6 p.m. Upslope Brewing Company (Lee Hill), 1501 Lee Hill Road, Suite 20, Boulder, 508-873-9185.

I Smile Back. 8:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Tim Smisek, Alex & Sam. 7 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-4490120.

Impressionistic Oil Painter Lyudmila Agrich. All day. Smithklein Gallery, 1116 Pearl St., Boulder, 303-444-7200.

Todd Adelman & The Country Mile. 9 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461.

Irrational Man. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Torbin Hadlock. 6 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Unit 112, Nederland, 303-2583770.

Meet the Patels. 2:30 p.m and 6:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303440-7826.

Unicorn Driftwood. 10 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.

NoBo First Friday Artwalk. 6 p.m. NoBo Art District, North Broadway from Pine Street to Highway 36, Boulder, 888-827-8566, ext. 8000.

Vine Street Vibes. 9 p.m. Stage Stop, 60 Main St., Rollinsville, 303-258-0649.

see EVENTS Page 36

Boulder Weekly

Holiday

Open House Fri, Nov 6th, 10-8 Sat, Nov 7th, 10-5 Sun, Nov 8th, 11-4

All regular priced merchandise

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excluding local artists and Sid Dickens

Refreshments will be served Come enjoy our new selection of Mark Roberts Fairies and so much more!

901 Front Street n old town louiSville 303-666-7864 n WWW.THEFUZZYANTLER.COM Mon-Fri 10aM-6pM n Sat 10aM-5pM n Sun 11aM-4pM

Boulder Weekly

November 5, 2015 35

events EVENTS from Page 34

theater

R100. 10:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Saturday, November 7

PROUD SPONSOR!

WEEKLY EVENTS

THURSDAY: OPEN MIC in the Opera House

UPCOMING EVENTS Friday, Nov 6 • 8pm

CHRIS DANIELS & THE KINGS

Saturday, Nov 7 • 8pm

FACE

Monday, Nov 9 • 7:30pm

MOVIE NIGHT & TAP TAKEOVER: “OFFICE SPACE” w/ SKEYE BREWING Thursday, Nov 12 • 5:30pm

BOULDER WEEKLY’S BEST OF BOULDER EAST COUNTY AWARDS W/ HINDSIGHT Friday, Nov 13 • 8:30pm

WAITIN’ ON RAY

Saturday, Nov 14 • 8pm

GIRLS ON TOP!

Monday, Nov 16 • 7:30pm

Music Americana Highway. 6:30 p.m. St Julien Hotel and Spa, 900 Walnut St., Boulder, 720-406-9696. The Angle. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Augustus. 8:30 p.m. The Roost, 526 Main St., Longmont, 303-827-3380. Bruce and the Heartbeats. 6 p.m. Thai Shi House, 3033 28th St., Boulder, 303-444-3133. Cancellieri. 7 p.m. Twisted Pine Brewery, 3201 Walnut St., Boulder, 303-786-9270. Cat Jerky. 7 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258. Daniella Katzir Trio. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. Danny Shafer. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698. David Booker. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE. David Potter. 8 p.m. Liquid Mechanics Brewing Company, 297 U.S. 287, Lafayette, 720-550-7813.

MOVIE NIGHT & TAP TAKEOVER: “SPACEBALLS” w/ LIQUID MECHANICS BREWING

COMEDY NIGHT 2nd & 4th Wednesday of every month

Tribes, playing at the DCPA, explores being deaf in a hearing family and the obstacles in communication. Read more about Tribes on page 31.

Murder for Two. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through Feb. 21.

Tribes. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through Nov. 15.

The Twilight Zone: A Parody. Theater Company of Lafayette, 300 E. Simpson St., Lafayette, 720-209-2154. Through Nov. 14.

Gasoline Lollipops. 9 p.m. Stage Stop, 60 Main St., Rollinsville, 303-258-0649.

Twiddle. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

George Nelson Band. 9 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728.

Weary Bones. 8 p.m. Samples World Bistro, 370 Main St., Longmont, 303-327-9318.

Flights of Fancy: An Evening of Inspired Invention. 7:30 p.m. Frequent Flyers Productions, 3022 Sterling Circle, Boulder, 303-245-8272.

The Heartstring Hunters. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-4404628.

Weston Smith. 9:30 p.m. The Dark Horse, 2922 Baseline Road, Boulder, 303-442-8162.

Holly and the Husbands. 5:30 p.m. Tandoori Grill Southside Bar, 619 S. Broadway, Boulder, 303-5437339.

Adobe Illustrator Hands-On. 9 a.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-8004647.

Kill Paris. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.

LeesaAnn. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Longmont Live. 7 p.m. Kay Carol and Priscilla Gallery, 364 Main St., Longmont, 720-271-3544. Mitchel Evan & The Mangrove. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555.

Events

Annual “Dance is for Every Body!” Showcase. 11 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Best of NYICFF: Party Mix. 12:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303440-7826. Boulder Rights of Nature Film Festival. 6 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

I Smile Back. 6:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Irrational Man. 2:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Longmont Comedy Hour. 7:30 p.m. La Vita Bella Coffeehouse, 475 Main St., Longmont, 720-2046298. Meet the Patels. 4:30 p.m and 8:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303440-7826. Wildlife and Winter Hike. 10 a.m. Mud Lake Open Space, Boulder, 303-678-6200. Sunday, November 8 see EVENTS Page 38

words

Nevei Kodesh Presents: Planina in Concert. 7:30 p.m. Nevei Kodesh, 1925 Glenwood Drive, Boulder, 303-443-4567.

Thursday, Nov. 5

Nick O’Connor. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064.

Steve Knopper — MJ: The Genius of Michael Jackson. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Otis Taylor’s Trance Blues Festival. 10 a.m. eTown Hall, 1535 Spruce St., Boulder, 303-4438696.

The Lune Presents Jack Collom. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Paul Sullivan’s Folk-a-rama. 7 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-6650625. Purple Squirrel. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985. Rogue 2. 6:30 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-3390767. Seth Strickland of Big Medicine and Friends. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Thunk. 7 p.m. Rosalee’s Pizzeria, 461 Main St., Longmont, 303-485-5020.

36 November 5, 2015

How I Learned to Drive — presented by Square Product Theatre. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through Nov. 7.

Ecstatic Dance. 10 a.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299.

Lee Johnson. 7 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont, 303-651-7886.

Monday, Nov 23 • 7:30pm

The Few — presented by Boulder Ensemble Theatre. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through Nov. 15.

TinCup. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355.

Friday, Nov 20 • 9pm

Saturday, Nov 21 • 8pm

Cult Following. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through Feb. 23.

Face. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 303-543-1411.

JC and the Deadly Sins. 10 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303449-1922.

THE JOE COOL BAND

Adams Visual Communications

Eric Stone. 6 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Unit 112, Nederland, 303-258-3770.

MOVIE NIGHT & TAP TAKEOVER: “PRINCESS BRIDE” w/ ODD 13 BREWING EGO LIKENESS, DIE SEKTOR & THE RAIN WITHIN

BUDDY: The Buddy Holly Story. BDT Stage, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through Nov. 14.

Monday, Nov. 9 “So, You’re a Poet” Open Poetry Reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Tuesday, Nov. 10 Mirabai Starr — Caravan of No Despair. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Innisfree Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Melissa Knopper

Local author Steve Knopper covers a musical icon in his latest book, MJ: The Genius of Michael Jackson. He’ll be stopping by the Boulder Book Store on Nov. 5.

Wednesday, Nov. 11 Clay Evans — Behind the Green Vest. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303447-2074.

Boulder Weekly

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WE HAVE THE TOP BRANDS OF HOOKAH TOBACCO AND A HUGE VARIETY OF SMOKING ACCESSORIES THanks to our Sponsors! (as of October 28, 2015)

Producer

Boulder An Evening with Writer Marc Sotkin Sunday, November 8, 2015 at 6:00 p.m. (Sponsor reception at 5:30 p.m.) Naropa University • Nalanda Events Center • 6287 Arapahoe Road

Casting Director

Associate Producer

Join us for a fun, enlightening evening with writer Marc Sotkin, who is recognized for his work on numerous television situation comedies, including Laverne & Shirley and The Golden Girls. He has been honored with multiple Emmy, Golden Globe, and CableACE Award nominations and has won a prestigious Writers Guild Award. Marc will share his humorous insights on the business of writing. All proceeds benefit Boulder JFS.

Boulder Jewish Community Center

Tickets $90—available at www.jewishfamilyservice.org/reelhopeboulder. Sponsorships are available. For more information, contact Emily Andrews at 303.415.1025 or eandrews@jewishfamilyservice.org.

Margery Goldman

Cinematographers Boulder Jewish News

Robert Krenz and Carolyn Grant David and Roberta Levin Bruce and Rhonda Wildman David Fulker and Nicky Wolman

303.415.1025 • www.jewishfamilyservice.org/boulder Boulder Weekly

Mark Wong and Jacqueline Sprinces Wong November 5, 2015 37

events

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EVENTS from Page 36

Music Acoustic Jam. 3 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. Evan Cantor Celebrates 1965. 5 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461. Evergreen Grass Band. 10 p.m. Mountain Sun Pub, 1535 Pearl St., Boulder, 303-546-0886. The Heartstring Hunters. 10 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. Mark Cormican, Starwood. 7 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Miner’s Ghost. 4:30 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258. Monica Whittington. 11 a.m. The Post Brewing Company, 105 W. Emma St., Lafayette, 303-5932066. The Noah Cornelius Band. 6 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303- 823-6685. Porch Song. 4:30 p.m. Owsley’s Golden Road, 1301 Broadway St., Boulder, 720-849-8458. Some Train Yard. 6 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Sundays at Vic’s. 12 p.m. Vic’s Espresso & News, 2680 Broadway, Boulder, 303-440-8209.

Change Trio. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Denny Driscoll & Gang. 6 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Gasoline Lollipops. 8:30 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Pro-Leisure. 6 p.m. Upslope Brewing Company (Flatiron Park), 1898 S. Flatiron Court, Boulder, 508873-9185. Events I Smile Back. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Lightweight Backpacking Meeting. 7 p.m. Colorado Mountain Club Office, 633 Broadway, Unit K, Boulder, 303-554-7688. Mirabai Starr — Caravan of No Despair. 7:30 p.m. Boulder Bookstore, 1107 Pearl St., Boulder, 303-447-2074.

Open Code for Youth with Coder Dojo. 4 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303441-3100.

Unite The Vibe and Nate Hancock. 3 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.

Research Rendezvous — National History Day. 3:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Willow Tree Collective, Mitchel Evan & The Mangrove. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628.

Shelter. 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Events Annual “Dance is for Every Body!” Showcase. 1 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Boulder Rights of Nature Film Festival. 6 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. CU Museum: Dogs Are Our Heroes. 3 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303441-3100..

Monday, November 9 Music Abby Morin Duo. 9:30 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768. Gasoline Lollipops. 9:30 p.m. Southern Sun Pub & Brewery, 627 S. Broadway, Boulder, 303-543-0886. Takács Quartet. 7:30 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411.

38 November 5, 2015

Music

Traditional Irish Session. 7 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303449-1922.

Seventh Annual Colorado Cheese Festival. 10 a.m. The Best Western Plaza Event Center, 1850 Industrial Circle, Longmont, 303-776-7417.

Hours: Mon-Sat 10am-5pm Later on Friday and Saturday!

Tuesday, November 10

November Brown Bag: Building Code Update Part I: An Overview of Key Changes. 12 p.m. Boulder County Courthouse Annex (Caribou Room), 2045 13th St., Boulder, 303-441-3930.

L’Histoire de Manon: Paris Opera Ballet. 1 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

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Science on Screen: Gravity. 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Takács Quartet. 4 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411.

I Smile Back. 4 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

• Artisan pieces, unique jewelry and gift ideas for every budget. • Lotions, handbags, boutique and metaphysical items in stock!. • Jewelry and watch repair, repurposing and design services.

I Smile Back. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Yo La Tengo & Dave Schramm. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Events Cinema Program Free Screening: San Souci Festival. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Cosmology and Modern Physics. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-4413100.

Wednesday, November 11 Music Blues Jam. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Café Phil Open Rehearsal. 7:30 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303440-7826. Delta Sonics. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. JC McKim. 8 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Macy Gray with Valise. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Nice Work Jazz Combo with Heidi Schmidt. 6:30 p.m. St Julien Hotel and Spa, 900 Walnut St., Boulder, 720-406-9696. Pizza Night: The Prairie Scholars. 7 p.m. Rosalee’s Pizzeria, 461 Main St., Longmont, 303485-5020. Tridium. 6 p.m. Espresso Vino by Brewing Market, 2770 Dagny Way, Lafayette, 720-890-3993. Von Disco. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Events Above and Beyond. 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. L’Histoire de Manon: Paris Opera Ballet. 1 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. The Rotary Club of Longmont St. Vrain. 7 a.m. First Lutheran Church, 803 Third Ave., Longmont, 303-776-2704. This Is Happening. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.

Boulder Weekly

American Life in Poetry: Column 546 by Robert King

They say that when undergoing cancer treatment, the patient’s attitude is all-important. Here Robert King, a poet now living in Colorado, looks with wit and bemusement at his chemotherapy. His most recent book is Some of These Days, (Conundrum Press, 2013). — Ted Kooser, U.S. Poet Laureate

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VOTED BEST OF BOULDER 2013

It’s called a port, a harbor, haven, home, a city on the coast of my chest opened for a passage into my heart—which we say is where emotions live—and it’s embedded, slipped into a shallow nest of flesh, a bump, a lump under the skin on the right so the narrow street can reach the marketplace of the aorta, receptive to any incoming ship, needle, boat, barge, unloading its spices, crates of dates, barrels of poisons, Etoposide phosphate, amethyst, amaranth, Cisplatin, amphorae of wine and olives. I carry it secretly under my skin because it is easier. I carry everything under my skin, so lightly I barely notice, watching from the ramparts the dangerous rocky anchorage below where goods and evils, bundled together and tied, arrive, waiting to be unloaded and poured out into a welcoming country. We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Barbara Crooker, “25th Reunion,” from Selected Poems, (Futurecycle Press, 2015). Poem reprinted by permission of Barbara Crooker and the publisher. Introduction copyright © 2015 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Send poetry submissions of 250 words or fewer to poetry@boulderweekly.com.

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Boulder Weekly

November 5, 2015 39

THURSDAY NOVEMBER 5 9:00 PM LASER: DAFT PUNK

Live Entertainment Nightly at our 1709 Pearl St location THURSDAY NOVEMBER 5

CANCELLIERI 8PM

LATLAUS SKY: MUSIC FOR MALALA 9PM FRIDAY NOVEMBER 6

ERIC ELLIOTT 8PM ROY CATLIN 9PM

SATURDAY NOVEMBER 7

LEESA ANN 8PM THE HEARTSTRING HUNTERS 9PM SUNDAY NOVEMBER 8

WILLOW TREE COLLECTIVE 8PM

MITCHEL EVAN & THE MANGROVE 9PM MONDAY NOVEMBER 9 8PM

POETRY NIGHT: 28TH ANNIVERSARY “So, You’re a Poet,” presents

28 YEARS OF CONSECUTIVE MONDAY OPEN POETRY READINGS TUESDAY NOVEMBER 10 8PM

JAZZ NIGHT with CHANCE TRIO WEDNESDAY NOVEMBER 11 8PM

JAZZ NIGHT with VON DISCO

Happy Hour 4-8 Every Day THELAUGHINGGOAT.COM 40 November 5, 2015

FRIDAY NOVEMBER 6

7:00 PM LIVE FACULTY TALKS: SECRETS OF POLYNESIAN NAVIGATION 9:00 PM LASER: NO DOUBT 10:30 PM LIQUID SKY MUSIC SHOW 11:59 PM LASER: JIMI HENDRIX

SATURDAY NOVEMBER 7 NO SHOWS DUE TO A CU HOME GAME

SUNDAY NOVEMBER 8 12:00 PM

DOUBLE FEATURE: ZULA PATROL AND PERSEUS & ANDROMEDA 1:30 PM MOONS AND LASERS 3:00 PM DYNAMIC EARTH 4:30 PM BLACK HOLES: THE OTHER SIDE OF INFINITY

Fiske Planetarium - Regent Drive

(Next to Coors Event Center, main campus CU Boulder)

www. fiske.colorado.edu 303-492-5002

YourFascinations.com Boulder Weekly

film I hate myself and I want to scream

The complete joylessness of ‘I Smile Back’ by Michael J. Casey

aney Brooks (Sarah Silverman) has problems. She tells her husband ON THE BILL: I Smile ( Josh Charles) that she doesn’t want Back. November 6–10, The her children to have a dog because Boedecker Theater, 2590 they will fall in love with the dog, Walnut St., Boulder, 303-4407825. Tickets start at $6 at causing them to be devastated when it eventuwww.thedairy.org. ally dies. Since things die, why bother loving them in the first place? He patiently explains that loving the pet and losing the pet is a part of life, a part that they will have to confront, like it or not. He is sympathetic. He knows that she is in the clutches of depression and despair, but he believes that he might be able to love her enough to make everything better. What he doesn’t know is that after his wife dropped the kids off at school, she went to a neighbor’s house and snorted several lines of cocaine before letting the neighbor sodomize her. Surfaces can be deceiving. Laney then goes downstairs to prepare sack lunches for her kid’s, drinks a bottle of vodka, calls a fellow parent to scream at her, does a little more coke and then wanders into her daughter’s room and proceeds to masturbate with her daughter’s teddy bear while her daughter sleeps a foot or two away. After Laney climaxes, she breaks down in tears. And this is just the first 15 or so minutes of I Smile Back, an 85-minute joyless slog through rock bottom after rock bottom. Unfortunately, the business with the bear In I Smile Back Sarah Silverman is sad, sad, sad, but lacks comes early in the movie, much depth underneath that. meaning that after Laney admits she has a problem and checks into rehab it is only a matter of time until she relapses, and relapses hard. There isn’t any suspense to it; just a question of how hard she’ll hit the ground. Not every movie needs a happy ending, nor should we expect one, but movies should offer some sort of insight for the viewer. In the case of I Smile Back, there is no insight, just the endurance contest of watching a woman with mental illness and addiction. Director Adam Salky seems content with simply sitting back and watching the trainwreck, which kind of makes Silverman’s performance seem brave, but it is so stripped clean of any pretense that it never manages to engage. Silverman is a phenomenal performer, but even the best performances require direction. Case in point: Silverman’s excellent supporting role as an alcoholic mother in Sarah Polley’s criminally under-seen Take this Waltz. With no release or catharsis, I Smile Back finds no joy in existence and no reason to go on living. Why sober up in a world this miserable and vapid? I Smile Back is set in an New York suburb filled with white people, white houses, white cabinets, white walls and pure white snow covering everything else. In the middle of all this shocking whiteness, stands Sarah Silverman, with her jet-black hair, a broken version of her Jewish comedian persona in an cookie cutter world. There are lots of reasons that people don’t fit in a particular world, but if that is all I Smile Back’s got, then it doesn’t amount to a hill of beans. Boulder Weekly

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cuisine review

Matt Cortina

ou aren’t likely to stumble upon this place. From the outside, In Season Local Market in North Boulder looks like it could sell solar panels or dog food as much as it looks like what it actually is: a simple market with every type of grain and seed for sale, with an easy-going style of service and a simple, cheap deli. In Season has three walls full of whole and crushed grains, seeds, flours, nuts and other base elements. There are five different types of chia seeds, and you can get about two dozen varieties of regular, old white flour. Bags of ancient grains and traditional grains sit beside one another on the shelves, and if you don’t know what to do with them, a store clerk will help you out or else point you to a stack of books in the store that you can take to one of the big farmhouse tables in the center of the store. Aside from the ingredient stock, In Season also has a variable deli that serves sandwiches, soups and smoothies based on what is… in season. It’s all written up on a chalkboard, and everything is assembled and cooked by hand when it’s ordered, so when I order a whole bunch of stuff, I sit and wait at the table and drink some of the complimentary tea. There’s an iced fruit-infused chai and a hot pot of something purple, so I sip a little of both and regard the chalkboard. In the upper-left corner, away from the day’s menu items is the Rumi Corner, a daily quote from Rumi, a 13th century Islamic scholar. It read, “How

sold out, a Turkish omelet, toast and honey, and a lot of hot, spiced herbal teas. The wrap on the lavash was filled with turkey, pepper jack cheese (you can choose your deli meat out of whatever is available that day at In Season), tomato, onion, avocado, lettuce and some leafy sprouts that had been cut from a little container in the refrigerator. The toasted lavash had a deep, rye-like flavor and, as mentioned previously, toasted In Season Local extremely well and sturdy. The Market 4593 Broadway, sandwich ingredients were fresh, Boulder, 303-444and the whole wrap was well1065 proportioned. I also had a vegetable sandwich. (The chalkboard offers, refreshingly and simply, a meat sandwich and a veggie sandwich.) The veggie sandwich came on an oversized and toasted English muffin, with house-made spicy fig mustard, avocado, onion, tomato and lettuce. Unfortunately, zucchini and cucumber were out that day, so the sandwich happy I am, in love with a king. Silent as a fish since lacked a little bit of depth, but for $5, it made a I was freed from existence. Why draw me back into nice accompaniment to the soup. it?” It’s at once an affirmation of the power of closeThe soup was a chunked pumpkin and squash ness to some supreme order or being; but it’s also a soup with quinoa, sprouts and a vegetable broth. The pretty good thing to read while you’re waiting for ingredients had all been deconstructed and so meldlunch. ed very well together. The pumpkin and squash bits What draws me back into reality from some were sweet and soft, while the quinoa provided a calmness that Rumi and In Season had created are hidden texture in every spoonful. two sandwiches, a cup of soup and a green smoothie. Lastly, the green smoothie — again, you get There is a slight Middle Eastern bent to the food what’s available — was some mixture of kale, banana, at In Season. One of the sandwiches, a wrap, is walnut, fig and some other role players. It was thin, served on lavash, an Armenian flatbread that is but flavorful, and exemplified what In Season does slightly thicker than a tortilla and crisps much better best — simple food prepared simply. than one. There’s also a Persian soup that had just

Fully stocked

In Season Local Market has all the building blocks for about everything by Matt Cortina

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CELEBRATE CHEESE The seventh annual Colorado Cheese Festival is coming to Longmont on Sunday, Nov. 8 from 10 a.m. to 5 p.m. at the Plaza Convention Center. The price of admission is $35, but that covers all the cheese samples you can handle. There will be about 35 local cheese and cheese-related vendors at the festival, including Cheese Importers, Haystack Mountain Goat Dairy, Rogue Creamery, Sartori Cheese, Ugly Goat Milk Dairy and many more. In addition to the tastings, there will be events throughout the day. At 10 a.m., and again at 1:30 p.m., The Art of Cheese and Haystack Mountain Goat Dairy will be teaching a class entitled “Goat Cheese 101: Chèvre and Beyond!” At 11:30 a.m. and 2:30 p.m., you can learn how to make mozzarella at home from the folks at Wine and Whey. There will also be a fondue class at 12:30 p.m. The event is hosted by Fromage to Yours, and tickets are available at www.cocheesefest.com.

THANKSGIVING FOOD DRIVE You’re likely to see a number of charitable organizations hosting food drives this year for Thanksgiving, and one of your first

Boulder Weekly

opportunities to donate to the needy this holiday season is at the Beautiful Savior Lutheran Church in Broomfield on Friday, Nov. 6, starting at 9 a.m. The church will be collecting frozen turkeys, stuffing, sugar, flower, gravy and mashed potato mixes, and canned fruits and vegetables like yams, cranberries, corn and carrots. The church is located at 6995 W. 120 Ave. in Broomfield, and you can stop by any time after 9 a.m.

WHITE TRUFFLE AND BAROLO WINE DINNER Frasca Food and Wine is hosting their ninth annual White Truffle and Barolo Dinners on Dec. 7 and 8 at 6:30 p.m. on each night. According to Frasca: “Italian white truffles imported directly from Italy during peak truffle season will serve as the star of the menu, with fresh truffles being shaved tableside throughout the evening. Master Sommelier Bobby Stuckey will also be on-

hand working the floor alongside winemaker Gaia Gaja pairing each course with wine. Gaia, who is from Italy’s renowned Piedmont region, is the fifth generation of her family to work at the award-winning Gaja Winery.” Guest chef Mark Ladner, chef at the acclaimed Del Posto restaurant and the 2015 James Beard Award winner for best chef in New York City, will join Frasca chef Lachlan Mackinnon-Patterson and chef di cucina, Ian Wortham. Now, this all comes at a price, so don’t get mad. Consider it a holiday present to yourself. Tickets are — brace yourself — $970, per person, not including tax and gratuity, and a 50 percent deposit will be required at the time of booking. Each evening will be limited to 42 guests. But it’s Frasca; it’s Del Posto; it’s truffles; and it’s Barolo. Do it.

TWISTED PINE RELEASE Boulder’s Twisted Pine Brewing Company will release it’s annual winter brew, the Northstar Imperial Porter, at a party at the brewery on Friday, Nov. 13. The event will be celebrated with a sixvintage vertical tasting of the Northstar the day before the party — you can purchase tickets, which are going quickly, from the brewery’s website. The Northstar Imperial Porter, according to the brewery, is “rich and robust,” and at 9.5 percent ABV, it is “an exemplary winter warmer.” It has won a World Beer Cup, two European Beer Star awards and holds a 97 rating on RateBeer.com. It also ages well in the cellar.

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cuisine Board silly

The charcuterie board is at once an expression of taste and exercise in fun by Matt Cortina

here is not much better in the culinary world than a well-assembled charcuterie board. It is as ideal for entertaining as it is for sampling local fare in a new city, particularly abroad. It can be a creative snack or a full meal depending on the design. More than anything though, the charcuterie board is a palette of foodstuffs that says a lot about the tastes of the person who designed it. The core of what makes the charcuterie plate great has been lost a little bit in recent years. It’s become a trendy, Instagram-able plate of food that more often reflects solely the aesthetic tastes of the board curator. To each his or her own, but the joy of assembling the charcuterie plate for me lies in complementing and contrasting taste, smell, texture, temperature, size and more in addition to the prettiness of it. That said, charcuterie should be fun. We’re talking about cured meats and sausages, cheeses, terrines, pâté, confit, fruits, breads, nuts and more. You needn’t spend a lot of money or time to acquire enough of those items to put together a board, nor should you have to drop a lot of money at a restaurant for its boards. Whether you want Hormel pepperoni or jamón ibérico de bellota is your call. Heck, Lunchables were nothing more than a children’s charcuterie plate if you think about it. So given that the charcuterie plate should reflect your personal taste, there are a couple anchor categories that you should think about having on the plate: cured whole muscle, cured sausage, a pâté or terrine, hard and soft cheese, a crispy starch, some form of fruit or sweet jam, and then anything else you feel compelled to throw on there. But the first place to start is the board. You’re likely to find a lot of creative reclaimed and refinished

Boulder Weekly

Wikimedia Commons

A charcuterie plate with whole muscle, sausage, pâté, olives and pickles.

wood boards of varying sizes throughout Boulder County — local places like Cheese Importers in Longmont or Cured in Boulder will have some, and so will chains like Williams-Sonoma and Sur la Table. A wood board will absorb all the oils from your meats and cheeses, which will wear it in over time in an organic way — though you should probably still wash it after each use. Conversely, you’ll want to get a board

that has been finished with food-friendly oils. You can also work with other board surfaces like marble, granite or even a salt slab. When it comes to selecting your meats and cheeses, the best course of action is to head down to a charcuterie and cheese purveyor like Cured, Cheese Importers, Blackbelly Market, or just to your local grocer’s deli section — King Sooper’s and Whole Foods have surprisingly large selections of cured meats and cheese. There, you can pick the brains of the cheese, charcuterie and salumi (Italian cured meats) experts both on individual food items and on the direction of your board as a whole. Starting with the first major category for your board, cured whole muscles, you’ll have a lot of options. Prosciutto, specifically those from Parma and San Daniele, are the cream of the crop for Italian cured pork meats. Or, from Spain, you can splurge on the jamón ibérico. Both items are dry cured from the ham, or hind leg, of the pig, anywhere from a couple months to a year. When curing is complete, the prosciutto or jamón is sliced from the leg fresh, and great care is usually put into maintaining the larger cured ham. On the cheaper side, you can find decent prosciutto prepackaged by the slice from reputable American producers like Creminelli. Other whole muscles you could consider for your plate are pancetta (pork belly), speck (spiced and smoked prosciutto), coppa or capicola (pork neck), bresaola (dry cured beef top round) and duck prosciutto. The next category you’ll want to poke around in is cured sausages. These are your salami and saucissons. What’s nice about this meat category is that you can get flavorful cured sausages for pretty cheap in the see BOARD Page 48

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U.S., but if you’re looking for nuance, mouthfeel on every bite. Manchego there are plenty of opportunities. Wild has long been paired with jamón ibériboar salami and saucisson de Lyon (beef co, and its sharpness complements the and bacon sausage) will be robust, while buttery ham perfectly. cured chorizo will be spicier and almost Again, a good cheese purveyor fruity, and something like salame should be able to walk you through Finocchiona is fennel-infused and really exactly what you’re looking for. snappy. Here’s an opportunity to comNow we get into some personal plement meats: coppa and saucisson de choices. When it comes to starches, Lyon; or contrast meats: smoked duck you’re probably choosing between bread breast and cured chorizo d’Espana. and crackers. Crackers don’t do it for Then you’ll be well-served to put on me, and I like the temperature differa pâté or terrine. You’ll likely recognize ence that toasted bread can bring to a them as the Jello-crusted-looking charcuterie plate. I like a baguette that is things in upscale or European meat crusty on the outside and chewy on the shops, but here is an opportunity to get inside, sliced about a half-inch thick. wild. Fish terrine could be a bridge to Another must for the charcuterie some sharp cheese, Matt Cortina plate is a bowl of olives. or liver pâté can be I like to go nuts and a salty nugget that get a variety, so that ties into the other each bite is a bit of a meats or nuts you surprise — that is, have on the board. alternating the rich flaYou can go with vors that olives bring chicken liver or amplifies the taste rabbit, or heavy receptors and keeps the and traditionally combos fresh. You’ll French with deer want, at least, some or boar terrine. salty kalamatas, sweet As a last note castelvetranos and buton meats, it tery cerignolas (these oval, puke green olives wouldn’t hurt to are ubiquitous in olive consider somedishes). You could even thing like lardo, go with straight-up which is basically canned California black cured pork fat. A Tuscan salumi board highlighted by olives — there’s no When well-made tonno di Toscana, a marinated and shame in that. and fresh, it’s like cured pork. The nut that you butter and can choose will largely depend on the complement the meats above or be cheeses you select. Almonds are a favoreaten with bread. ite because of their substance and their By this point, your board is likely palate-cleansing properties, and somefilling up, but now comes the cheese. thing woody like walnuts would be Cheese, for me, is complementary. It good to pair with a jamón ibérico de complements wine, meat, bread and oil bellota, which comes from a pig that and changes so drastically on each bite that paying attention to your meat pair- only feeds on acorns. But cross-reference the nuttiness of your cheeses to ings is critical. My only criteria for make sure you’re hitting on the complechoosing cheeses to go on a board are mentary or contrasting taste you’re that one is hard and one is soft, and seeking. preferably that one is from goat’s milk And then finally, a lot of folks put and one is from cow’s or buffalo’s milk. out dried fruits like apricots, raisins or My two favorites, if the meat I mangoes on a plate, which is fine — have on hand is something familiar or they add a texture for sure. But I like mild like prosciutto or Genoa salami, the texture and temperature of fresh are Humboldt Fog goat cheese and fruit more, and I think there is no betand either mozzarella di bufala or ter flavor combination than prosciutto manchego. The Humboldt Fog is a and melon or white peach. You could world-renowned chèvre from also put on apples or blood oranges for California and really changes from grassy to citrusy to nutty depending on different feels. A board should also have a bottle of what my last bite was. Mozzarella di olive oil nearby and some salt and pepbufala can come from any number of per, and maybe some vinegar or glaze if producers, but it’s best from the proyou’re inclined. tected designation of origin that spans But no matter what you select, take from Lazio to Campania in Southern chances and have fun. It’s just meat and Italy. Thick, juicy slices of the buffalo cheese after all. mozzarella immediately changes the Boulder Weekly

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drink Old spirit

Applejack is perfect for November and tells an intriguing tale to boot by Matt Cortina

ow is the time for applejack. It is the perfect liquor to ease you from fall into winter. With a strong punch, a hint of apple and a compelling story to boot, it’s worth the $20 investment to a buy a bottle, stoke a fire and think about George Washington. Applejack is a spirit born out of the American colonies. The primitive process of making applejack involved fermenting apple cider, usually with sweet apples plucked in the fall, and freezing the fermented cider underground, then separating the resulting ice from the now highly alcohol-concentrated drink; a process called freeze distilling. If it sounds easy and appealing, think twice; you can get some real bogus liquor through this process so leave it to the colonists. Tastewise, it’s essentially apple brandy, and will taste similar to something like Calvados. But the fascination about applejack exists because it was once the favorite drink of early Americans, and now you hardly see it. Communities were making their Matt Cortina jacked-up hooch for years before “mass” production of applejack started in New Jersey with Laird’s Applejack Company — the country’s first distillery. One of the earliest Lairds, who came from Scotland in 1698, started selling their applejack at their family-run Colts Neck Inn to travelers. In 1760, George Washington wrote to the Lairds for the recipe, and an entry in the future president’s journal includes the recipe for “cyder spirits.” In 1780, Robert Laird (who served in the Revolutionary War under Washington) officially founded the applejack distillery on behalf of his family. Johnny Appleseed also planted apple tree saplings designed to produce fruit not for eating, but for making applejack in the Ohio Valley, ahead of westward expansion, according to the drink encyclopedia, Alcohol in Popular Culture by Rachel Black. Despite moving a number of times throughout the Garden State, Laird’s Applejack is still available today, and it’s just about the only distiller that makes the spirit. It lost its appeal pretty quickly as the now-quintessential American spirits, rye and Bourbon whiskey took hold. It then hung on for dear life in the 20th century, slanderized with the nickname “Jersey Lightning,” which now actually sounds pretty cool. Now, 300 years later you can pick up a bottle of Laird’s Applejack in Boulder — though the apples used are grown and distilled in Virginia, the company still has several business locations in New Jersey. Given the illustrious history of America’s oldest spirit, it’s worth a try even if hard liquor isn’t your thing. And to be honest, applejack is a bit like drinking moonshine with a splash of apple juice. It’s potency and relative sweetness was actually the main reason why it was so valued in the colonial world — they valued the bang for their buck just like we do today. But if sipping it doesn’t work, you can whip up a couple cocktails with the spirit. None is more common than the Jack Rose, a mix of applejack, lemon juice, grenadine and an optional splash of egg white for consistency. The acidic lemon juice and sweet grenadine balance the applejack for a really nice November sipper. You can also replace the whiskeys in the Old Fashioned and the Manhattan with applejack for a sweeter, harder taste. Or you can do what George Washington did: chugged a bottle, crossed the Delaware and won us a country. So thanks, applejack, and thanks, New Jersey, for saving our country. Boulder Weekly

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ARIES MARCH 21-APRIL 19: In 1978, Ben Cohen and Jerry Greenfield began selling their new ice cream out of a refurbished gas station in Burlington, Vermont. Thirty-seven years later, Ben & Jerry’s is among the world’s best-selling ice cream brands. Its success stems in part from its willingness to keep transforming the way it does business. “My mantra is ‘Change is a wonderful thing,’” says the current CEO. As evidence of the company’s intention to keep re-evaluating its approach, there’s a “Flavor Graveyard” on its website, where it lists flavors it has tried to sell but ultimately abandoned. “Wavy Gravy,” “Tennessee Mud,” and “Turtle Soup” are among the departed. Now is a favorable time for you to engage in a purge of your own, Aries. What parts of your life don’t work any more? What personal changes would be wonderful things? TAURUS APRIL 20-MAY 20: Before he helped launch Apple Computer in the 1970s, tech pioneer Steve Wozniak ran a dial-a-joke service. Most of the time, people who called got an automated recording, but now and then Wozniak answered himself. That’s how he met Alice Robertson, the woman who later became his wife. I’m guessing you will have comparable experiences in the coming weeks, Taurus. Future allies may come into your life in unexpected ways. It’s as if mysterious forces will be conspiring to connect you with people you need to know. GEMINI MAY 21-JUNE 20: Small, nondestructive earthquakes are common. Our planet has an average of 1,400 of them every day. This subtle underground mayhem has been going on steadily for millions of years. According to recent research, it has been responsible for creating 80 percent of the world’s gold. I suspect that the next six or seven months will feature a metaphorically analogous process in your life. You will experience deep-seated quivering and grinding that won’t bring major disruptions even as it generates the equivalent of gold deposits. Make it your goal to welcome and even thrive on the subterranean friction! CANCER JUNE 21-JULY 22: Here’s the process I went through to create your horoscope. First I drew up a chart of your astrological aspects. Using my analytical skills, I pondered their meaning. Next, I called on my intuitive powers, asking my unconscious mind to provide symbols that would be useful to you. The response I got from my deeper mind was surprising: It informed me that I should go to a new cafe that had just opened downtown. Ten minutes later, I was there, gazing at a menu packed with exotic treats: Banana Flirty Milk ... Champagne Coconut Mango Slushy ... Honey Dew Jelly Juice ... Creamy Wild Berry Blitz ... Sweet Dreamy Ginger Snow. I suspect these are metaphors for experiences that are coming your way. LEO JULY 23-AUG. 22: The Beatles’ song “You Never Give Me Your Money” has this poignant lyric: “Oh, that magic feeling, nowhere to go.” I suggest you make it your motto for now. And if you have not yet begun to feel the allure of that sentiment, initiate the necessary shifts to get yourself in the mood. Why? Because it’s time to recharge your spiritual battery, and the best way to do that is to immerse yourself in the mystery of having nothing to do and nowhere to go. Put your faith in the pregnant silence, Leo. Let emptiness teach you what you need to know next. VIRGO AUG. 23-SEPT. 22: Should a professional singer be criticized for her lack of skill in laying bricks? Is it reasonable to chide a kindergarten teacher for his ineptitude as an airplane pilot? Does it make sense to complain about a cat’s inability to bark? Of course not. There are many other unwarranted comparisons that are almost as irrational but not as obviously unfair. Is it right for you to wish your current lover or best friend could have the same je ne sais quoi as a previous lover or best friend? Should you try to manipulate the future so that it’s more like the past? Are you justified in demanding that your head and your heart come to identical conclusions? No, no and no. Allow the differences to be differences. And more than that: Celebrate them! LIBRA SEPT. 23-OCT. 22: In the mid-19th century, an American named Cyrus McCormick patented a breakthrough that had the potential to revolutionize agriculture. It was a mechanical reaper that harvested crops with far more ease and efficiency than handheld sickles and scythes. But his innovation didn’t enter into mainstream use for 20 years. In part that was because many farmers were skeptical of trying a new technology and feared it would eliminate jobs. I don’t foresee you having to wait nearly as long for acceptance of your new wrinkles, Libra. But you may have to be patient. SCORPIO OCT. 23-NOV. 21: Is it possible to express a benevolent form of vanity? I say yes. In the coming weeks, your boasts may be quite lyrical and therapeutic. They may even uplift and motivate those who hear them. Acts of self-aggrandizement that would normally cast long shadows might instead produce generous results. That’s why I’m giving you a go-ahead to embody the following attitude from Nikki Giovanni’s poem “Ego Tripping (there may be a reason why)”: “I am so perfect so divine so ethereal so surreal / I cannot be comprehended except by my permission.”

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astrology

SAGITTARIUS appear. That’s excellent news, NOV. 22-DEC. 21: because the coming weeks Regard the current tensions will also be a time when you and detours as camouflaged especially need new teachings. gifts from the gods of growth. Your good fortune doesn’t end You’re being offered a potent there. I suspect that you will opportunity to counteract have an enhanced capacity to the effects of a self-sabotage learn quickly and deeply. With you committed once upon a Go to RealAstrology.com to check out all these factors conspiring in time. You’re getting an excelyour favor, Capricorn, I predict Rob Brezsny’s EXPANDED WEEKLY AUDIO lent chance to develop the that by January 1, you will be HOROSCOPES and DAILY TEXT MESSAGE strength of character that can smarter, humbler, more flexHOROSCOPES. The audio horoscopes blossom from dealing with ible and better prepared to get are also available by phone at 1-877soul-bending riddles. In fact, what you want in 2016. 873-4888 or 1-900-950-7700. I think you’d be wise to feel a surge of gratitude right now. AQUARIUS To do so will empower you to JAN. 20-FEB. 18: take maximum advantage of the disguised blessings. American author Mark Twain seemed to enjoy his disgust with the novels of Jane Austen, who died 18 years before he was CAPRICORN born. “Her books madden me so that I can’t conceal my frenzy,” DEC. 22-JAN. 19: he said, even as he confessed that he had perused some of her You are slipping into a phase when new teachers are likely to work multiple times. “Every time I read Pride and Prejudice,” he

wrote to a friend about Austen’s most famous story, “I want to dig her up and beat her over the skull with her own shin-bone.” We might ask why he repetitively sought an experience that bothered him. I am posing a similar question to you, Aquarius. According to my analysis, the coming weeks will be an excellent time to renounce, once and for all, your association with anything or anyone you are addicted to disliking.

PISCES FEB. 19-MARCH 20: The Sahara in Northern Africa is the largest hot desert on the planet. It’s almost the size of the United States. Cloud cover is rare, the humidity is low and the temperature of the sand can easily exceed 170 degrees F. (80 degrees C.). That’s why it was so surprising when snow fell there in February of 1979 for the first time in memory. This once-in-a-lifetime visitation happened again 33 years later. I’m expecting a similar anomaly in your world, Pisces. Like the desert snow, your version should be mostly interesting and only slightly inconvenient. It may even have an upside. Saharan locals testified that the storm helped the palm trees because it killed off the parasites feeding on them.

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DEAR READERS: Two weeks ago, I announced I would be taking a nice long break from questions about miserable sexless marriages. (I don’t get questions about happily sexless marriages.) I tossed out my standard line of advice to those who’ve exhausted medical, psychological, and situational fixes (“Do what you need to do to stay married and stay sane”), and I moved on to other relationship problems. Readers impacted by sexless marriages — men and women on “both sides of the bed” — wrote in to share their experiences and insights. I’ve decided to let them have the last word on the subject. Dear Dan: Since you don’t want to give any more advice to readers stuck in sexually unfulfilling marriages they can’t or don’t want to end, will you allow me to give a little advice from the perspective of the other woman, i.e., the person who makes it possible for them to “stay married and stay sane”? I contacted an old flame when my marriage ended. He was married. His wife refused to have sex with him but also expected him to stay faithful to her. Their kids were still in school. He honestly believed that staying together was the best thing for the kids. I went into it thinking it was going to be a fling, a temporary thing to get me over my husband and back in the game. But the sex was mind-blowingly good. And here’s the

SAVAGE by Dan Savage

thing about amazing sex: It bonds people. We fell in love all over again. He told me our affair made his sexless marriage bearable. He was happier and a more patient father, he bickered less with his wife. He made me feel beautiful, desirable, known and accepted — all feelings that had been lacking in my marriage. But I was in the shadows. Every assignation was a risk. I couldn’t introduce him to my friends, my son or my family. After four years, I couldn’t take it anymore. My ego was shredded. So I ended it. I was tired of the fear, lying and hiding, and being secondary. My advice to readers stuck in sexless marriages who cheat to “stay sane”: Beware of unintended consequences. You can have an affair with the most discreet, careful partner who accepts your circumstances, who makes no demands, who provides you with both a warm body to fuck and the passion that has drained out of your marriage. You can be careful not to get caught. It might be incredible for a while. But the chances of nothing going wrong and of everyone remaining happy over the long term are vanishingly small.

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It’s a matter of time before someone gets hurt. — Ruby Tuesday Dear Dan: Your advice to people whose partners have checked out of their sex lives is on target. But would you be willing to share a voice from the other side of the bed? Until a year ago, I was always appalled when I would read letters like these. Who would stop having sex?! Who would stay with someone who didn’t want to have sex?! Then I got sick. My illness came on slowly, but the first noticeable symptom was my sex drive vanishing. My lady parts were drier than a desert. No amount of lube helped. Sex hurt, and I didn’t want it. My journey through the medical system was a battle. Trained medical professionals poo-poo’d me. They told me this is what all perimenopausal women experience and I should just deal with it. I was told to “get started” and then maybe I would enjoy it. I was given lists of supplements to try. Finally, in response to other health problems, my doctor diag-

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nosed me with diabetes. Within weeks of taking medication and changing my diet, my engine started running again. It’s not what it was, but I don’t feel dead below the belly button anymore. During this time, my husband was supportive. I did my best to make him happy. I’d like to think that if I had continued to suffer a loss of libido for years, I would be brave enough to give him permission to find satisfaction elsewhere, but it would break my heart. My points, briefly: Legitimate things happen to people that make them lose their sex drive. Medical support for people brave enough to say “I’ve lost my mojo and need help to get it back” is not always there, and the solutions aren’t always easy or fast. Too often, people (especially women) are told that losing their sex drive is normal and they should just get used to it. No one should be forced to accept a sexless relationship if that’s not what they want. And if you’ve lost interest in sex and don’t really care to get it back, you don’t have the right to impose celibacy on another person. But in a long relationship, each partner is going to face challenges — and one of those challenges might be helping your partner fight to regain their libido. — Bed Death Survivor Send questions to mail@savagelove.net follow @fakedansavage on Twitter.

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EEDBETWEENTHELINES

by Leland Rucker

Council needs to clarify the ‘incidental advertising’ issue

Leland Rucker

hat a long, strange trip it’s become, even though it’s just been a little more than a month. Boulder City Council decided to take a look at its cannabis regulations, and the first of three readings took place Sept. 30. For the most part, municipalities and counties in Colorado that allow cannabis sales adopted the state regulations written after the passage of Amendment 64. For whatever reasons, the City of Boulder came up with its own complex set of rules, which often differ from the state’s. Confusion over the differences was at least one reason to prompt the reconsideration. On Oct. 8, two local dispensaries, The Farm and Terrapin Station, were cited by City Code Enforcement Officer Beverly Bookout, who had been provided photos of the two dispensaries’ booths as part of their sponsorship of the Boulder Pridefest event in September. The citations quoted Boulder code 6-16-8-D (D), which bans advertising which is purely incidental to sponsorship of a charitable event by a recreational marijuana center or a recreational marijuana-infused products manufacturer. The tickets are just another example of the kind of inconsistent enforcement cannabis business owners have been trying to point out. Chris Woods, owner of Terrapin Station and Jan Cole of The Farm, both local residents who have been operating here for years, argue that they are legal local businesses that aren’t allowed to sponsor community events, support nonprofits or participate in happenings that are open to the rest of the community. “I am outraged that we have been cited for noncompliance with the City’s ordinance for publicly showing support for the LGBT community at an event celebrating social equality,” Woods wrote in an angry letter to the council. City Attorney Tom Carr responded by explaining that the rules were written according to Council’s wishes. “Several parents had stated that they wanted

Boulder Weekly

to be able to enjoy festivals and events, and move around Boulder with their children without having to explain all the marijuana issues. The advertising limitations were Council’s response.” Attorneys Brian Vicente and Christian Sederberg, who helped write Amendment 64, weighed in. “State law contains a thorough and comprehensive definition of advertising that was painstakingly drafted to narrowly tailor the language to what is typically considered commercial speech, and thus entitled to more limited free speech protections,” they wrote in an analysis of city codes sent to Council. “By using its own definition, Boulder fails to take advantage of the efforts of the Attorney General’s Office and potentially creates differences in the advertising restrictions imposed on Boulder licensees by the state and by the city.” The issue came up again at a cannabis forum Oct. 16 at eTown Hall that was attended by 13 candidates, including two sitting Council members up for re-election. When The Farm’s Cole asked a question from the audience about the fairness of the Pridefest citations, Councilman Macon Cowles stood up and said that the citations were “just wrong,” a statement that was met with applause all around. I attended a press conference last Wednesday

afternoon at Terrapin Station. Across the street, members of Out Boulder and the cannabis industry were protesting the Pridefest citations at the old gas-station property. (The media were running after Republican candidates up on campus.) Taylor West of the National Cannabis Industry Association and Ean Seeb of Denver Relief talked about the growing industry here and how local businesses are working to become part of their communities. Rep. Jonathan Singer spoke of how Colorado is at “the edge of the tipping point” while signs across the street called for “Equal Rights 4 Canna-businesses” and motorists honked while making the left turn onto Canyon. It was almost as surreal as navigating the “rightsized” Folsom a couple months ago. The third reading of the ordinance comes on Tuesday. Packets were unavailable before deadline, but I spoke with Councilwoman Lisa Morzel, who said that she was going to push to clarify the advertising question at the meeting and hoped there was support among other members to get it done. Some questions brought up on first and second readings have already been punted to a stakeholders’ group that will come back with recommendations next year. This shouldn’t be one of those. Parents have the right to shield their kids, but to suggest that City Council should be in the business of excluding local businesses from local events because some people don’t want to talk to their children is among the most specious arguments I’ve ever heard. Woods intends to file a complaint in federal court on free speech grounds if the city goes through with fines for these violations. I hope it doesn’t come to that. But local cannabis businesses deserve to know whether staff and Council are really supporting them or not. You can hear Leland discuss his most recent column and Colorado cannabis issues each Thursday morning on KGNU. http://news.kgnu.org/weed

November 5, 2015 59

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THE IDIOT GUN LOBBY GETS THE CREDIT FOR LATEST COLORADO TRAGEDY

Well, it appears the gun lobby has yet another deadly incident it deserves credit for. This time it’s the horrendous killing of two young mothers and a 35-year-old bicyclist dad in Colorado Springs on Halloween. Here’s what the organization Colorado Ceasefire said in its release regarding the shooting: “Quite alarming was [the] response of the dispatcher to a 911 call reporting a man with an assault rifle walking down the street. According to the Washington Post, when ‘Naomi Bettis called 911 to report a man with a long black rifle outside her home,’ the dispatcher began telling her about the open carry law, indicating it was legal for the man to be carrying the rifle publicly. Bettis then hung up, but called back when the ‘man with the gun opened fire on a bicyclist outside her door.’ “Bettis said ‘I don’t think she thought it was an emergency until I made the second call.’ The shooter then continued walking down the street, shooting and killing the two women [mothers with two children each]. “Although all the details have yet to emerge, it appears that police were not dispatched to the scene until the shooting began (Colorado Springs police have yet to release the 911-dispatch tapes).” And there you have it, folks. Thanks to the insanity of open carry laws in many Colorado counties, a mad murderer walked right down the middle of the street carrying an assault rifle, and the cops didn’t even have the power to bother him until after he started murdering innocent people. Thanks NRA and all you other paranoid gun nuts who’d rather see mothers and fathers gunned down in the streets than to allow laws that might keep guns out of the hands of those with mental illness. Is it really worth this ongoing slaughter of the innocent so you and your pals can play Red Dawn, preparing for some make believe UN troop invasion with your unregistered firearms? Here’s to hoping that all you politicians who are too cowardly to stand up to the murderous idiots who comprise the gun lobby have as much trouble sleeping and looking yourself in the mirror as you do to saying “no” to their blood money. It’s time to stop mincing words. If you support keeping gun laws insanely week, then you are responsible for these ongoing tragedies. Period. Guns don’t kill people. Stupid idiots who support weak gun laws kill people.

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Wednesday’s Washington Post headline summed it up this way: “Why Matt Bevin’s win in Kentucky could be the future of America’s politics.” It’s over, folks. Democrats are doomed. Everything has now shifted to the right. We may never see another Democratic president in Wikimedia Commons our lifetime. But wait. As I peruse the headlines from 2008, I find newspaper after newspaper declaring that the Republican Party is dead, vanquished, no more. The media declared that Obama’s victory was such a monumental shift in the electorate that the Republican Party had become just another footnote in history. And the moral of the story is… the news media should read more Harry S. Truman — the only thing new is the history you don’t know. Headlines like the Post’s declaring that the victory of a Tea-Party Republican (Bevin) in Kentucky is the harbinger of a permanent political shift in America is the kind of nonsensical reporting that happens when you offer buyouts to every journalist with 10 or more years of experience in an effort to get rid of all those pricy newshounds actually making a living wage. Young news scribes, take it from us old-fart journalists: what goes around comes around. Republicans may win this year or next but then we will declare the next permanent political shift back to Democrats the year after that. At which point your daily paper will lay you off and reload with a fresh, cheap j-schooler who will be shocked when they learn that each election cycle isn’t the beginning of a permanent political dynasty. But it does make for dramatic headlines.

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10.99

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SALE ENDS NOVEMBER 30

Serving our communities for a brighter future • waytogrow.net •