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contents boulderweekly.com

news & views Defending divorce / 6 Conservatives want to make it harder to get out of marriage by Pamela White Protecting academic rigor / 11 Lawmaker wants long-term contracts for at-will faculty by Jefferson Dodge On the cover: The reintroduction of Clyfford Still / 12 Museum draws American master back onto the canvas of art history by Elizabeth Miller

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Cinema highlights / 18 Despite a dismal year in film, these 10 are worth watching by Rene Rodriguez Overtones: Afronauts founder Keeney has unusual background / 22 Overtones: Jason Isbell stops trucking, rediscovers his roots / 22 Panorama: What to do and where to go / 25 Elevation: Cyclists get creative with winter pain caves at home / 30 Cuisine: Making it bloody good / 32 Cuisine Review: Murphy’s / 33 Dessert Diva: Double Vanilla Cupcakes with a Buttercream Frosting / 35 Screen: The Iron Lady; Sherlock Holmes: A Game of Shadows / 39 Reel 2 Reel: Pick your flick / 40

@DPDough_Boulder

departments Letters: More on Danish; Other ways Danish is wrong / 5 The Highroad: Organize for 2012 / 5 In Case You Missed It: Camera whiplash / 9 Boulderganic: Energy-efficiency program is now a national model / 17 Classifieds: Your community resource / 42 Free Will Astrology: by Rob Brezsny / 45

staff Publisher, Stewart Sallo Editor, Joel Dyer Director of Sales & Marketing, Dave Grimsland Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn Editorial Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Special Editions/Calendar Editor, Elizabeth Miller Online Editor, Quibian Salazar-Moreno Contributing Editor, Pamela White Contributing Writers, Peter Alexander, Krystal Baugher, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Danette Randall, Theo Romeo, Alan Sculley, Isaac Woods Stokes, Tom Winter, Tate Zandstra, Gary Zeidner Sales Retail Sales Manager, Allen Carmichael Inside Sales Manager, Jason Wing Account Executives, David Hasson, Amber Hayes, Don Patterson Production Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Francie Swidler Circulation Team Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 12-Year-Old, Mia Rose Sallo January 5, 2012 Volume XIX, Number 22 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holds-barred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com 2012

cover copyright Clyfford Still Estate, photo by Peter Harholdt Printed on 100% recycled paper with soy-based ink.

Boulder Weekly

January 5, 2012 3

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letters boulderweekly.com/letters

More on Danish (Re: “Is Nablus Boulder’s sister?” Danish Plan, Dec. 15.) I just posted a comment to an article by Mr. Danish that focused only on the radical element in Palestine as to why Boulder shouldn’t consider Nablus as a sister city. I do appreciate the Boulder Weekly for presenting his views, whether he resolves his hatred or not. Still, I trust the Boulder City Council and the people of Boulder will welcome Nablus as a sister city to help promote peace there, which is what makes Boulder very unique. I wish I still lived there and could be part of that peace-making process. Stan Current/Winter Park Every story has two sides, but unfortunately, Paul Danish chose to tell only one regarding a possible BoulderNablus sister city relationship. In 1948, when Palestine was divided into Israel and Trans-Jordan, many of thousands of Palestinian Arabs were urged/invited/coerced/forced to leave their homes in what had become the new Jewish State. Nablus alone has three refugee camps. Consider the contention the Occupy Movement aroused in the U.S. over just a couple of months. Any wonder there is frustration among peoples who have lived in camps for six decades? Israel won the 1967 Six-Day War, began occupying West Bank and stayed for nearly 30 years. The 1991 Oslo

Accords granted the Palestinians limited self-rule, but the Israelis are still in charge, and they are not benign occupiers. Whenever Palestinians have (inevitably) revolted, Israeli forces crush them. The Israelis have built more than 120 “settlements” on the West Bank. Most “settlers” are ultra-right-wing religious zealots who willingly live behind high walls, protected by the army

The Highroad

t last, a New Year cometh! I say “at last” because, politically, 2011 was a rough ride. Let me just mention a few of the bigger bumps: non-stop Congressional gridlock, Donnie Trump, the working class depression, Obama’s serial surrenders to raw Republican partisanship, Newt Gingrich, the re-emergence of Wall Street’s Gordon Gekko arrogance, right-wing governors gone wild, Rick “Oops” Perry, more tax breaks for corporations, Newt Gingrich (again) — and, at year’s end, both Sarah Palin and The Donald suggested that they might run for president (which could set up a titanic clash of big hairdos). Yet, we should not despair about the many political downsides of the old year, for they have prompted a series of very promising uprisings at America’s grassroots. Progressives in states like Wisconsin, Boulder Weekly

(sometimes more soldiers than settlers) and linked to Israel itself by fine highways. The second-class Palestinians are left with crumbling communities and crummy, second-rate roads to keep them in check. The many Israeli checkpoints are often manned by bored teens with Uzis who entertain themselves by hassling Palestinians, and the army meets Palestinian demonstrations with over-

boulderweekly.com/highroad

Organize for 2012 by Jim Hightower Ohio, Montana, Colorado and Mississippi (yes, Mississippi!) scored big gains, and the Occupy Wall Street eruption all across the country has lifted spirits, revitalized grassroots organizing, and put some real “move” in the movement as we head into 2012. In January, for example, a strong and savvy coalition will mobilize a nationwide campaign for repealing “corporate personhood” and the Supreme Court’s infamous Citizens United edict. Also, the rise of the

whelming force, tear gas and arrests of “suspected” terrorists. Is there a Hebrew word for habeas corpus? There could be no prisoner exchanges involving thousands of Palestinians for an Israel soldier or two if Israeli were not incarcerating so many “suspects.” When I visited Palestine not long ago, I was shocked at what Israel’s “security fence” and provocative settlesee LETTERS Page 6

[

]

JimHightower.com For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

non-corporate economy is booming, with millions of Americans turning to co-ops, credit unions, farmers’ markets, fair trade shops and other local enterprises that ordinary people control, not absentee profiteers. Plus, strong, genuinely populist candidates for the U.S. Senate and House are running next year, including Elizabeth Warren in Massachusetts, Tammy Baldwin in Wisconsin, Norman Solomon in California, Ilya Sheyman in Illinois and Eric Griego in New Mexico. We have important work to do, so don’t moan about 2011 — organize for 2012. Respond: letters@boulderweekly.com January 5, 2012 5

Uncensored

boulderweekly.com/uncensored

Defending divorce by Pamela White

LETTERS from Page 5

ments look like and feel like. I met representatives of KAIROS, a human rights organization that was a force in ending apartheid in South Africa and is active in the West Bank. I remarked to an American clergyman, “I can’t believe that a country founded for the reasons Israel was can treat other humans so badly.” He replied, “How often do you [think] does the abused become the abuser?” I hope that Boulder and Nablus do become sister cities to help build bridges instead of endorsing walls. Israel is doing enough literal and figurative wall-building. Claire Walter/Boulder

Other ways Danish is wrong Regarding the Danish Plan’s antianti-GMO editorial (“Anti-GMO activism is evil,” Nov. 17) and the follow-on arguments, some scattered points which have been nearly missed: 1. The cropland at issue is 960 acres. That is 1.5 square miles, less than

1 percent of Boulder County open space holdings. The question is limited to what may be planted on countyowned land. There is no attempt to tell farmers what they may grow on their own land. 2. In Europe and the U.K., foods may contain GMOs, but each GMO requires regulatory approval, and foods containing GMOs must be labeled as such. As a result, GMO-foods are essentially nonexistent over there. You might regard this as either the response of informed consumers or the result of fear-mongering against GMOs, but it does indicate what could happen if U.S. consumers were given information and a choice. 3. One pro-GMO talking point is “helping feed a growing world.” This is refuted in various ways — for example, the problem is not a lack of food but a lack of distribution and an excess of corruption, etc. But most telling is the see LETTERS Page 8

quotes

quotes of the week

“Big Bird is going to have advertisements.” —Presidential candidate Mitt Romney, saying that if elected, he would reduce funding for public television, which he says should be supported by advertising “We declare solemnly and confidently that the foolish politicians around the world, including the puppet group in South Korea, should not expect any change from us.” —The National Defense Commission of North Korea, in a statement issued after the country named Kim Jong Un to replace his late father as supreme leader “Would it be so strange that they’ve invented technology to spread cancer and we won’t know about it for 50 years?” —Venezuelan President Hugo Chavez, suggesting that the United States might have secretly engineered the cancer cases afflicting a number of leaders in South America 6 January 5, 2012

t’s almost time for the legislative sexuality to raising children to division session to begin in Colorado, of housework. which means it’s time for those Sometimes, engaged couples break “small government” Republicans up midway through the classes, as they to search for new and more discover their perspectives toward things intrusive ways to meddle in your life. like dishes and careers simply aren’t Sen. Kevin Lundberg, R-Berthoud, compatible. No doubt breaking up is wants to enact a new law that would painful, but it’s less painful than divorce. require married couples with children to Take religion out if it, and pre-martake classes about the impact of divorce riage classes aren’t a bad idea — if you on children and then go through a want to meddle. “cooling off ” period before being The “cooling-off ” period Lundberg allowed to divorce. wants to inflict on Under current Coloradans isn’t state law, a couple such a great idea It does seem strange to can divorce in 90 when it comes to me that social days. Many coundivorce. Once two ties, including people have conservatives would Boulder and Weld decided they can’t rather make it harder counties, already stand the sight of to get out of a marriage require parents each other, there’s with minor chilreally no place to than get into one. dren to attend a go. Who can say series of parenting what kind of turclasses before their divorce is final. moil the couple is in or what impact Lundberg will most likely find him- that has on their children? But catch self fighting an uphill battle. A similar couples in the early stage of a relationbill, proposed in 2001 by another intruship, and you might make a difference. sive small-government Republican, We could start with a required class David Schultheis, R-Colorado Springs, titled, “Is It Love Or Just Hormones?” failed to garner enough support even Given that most divorces are filed by among fellow Republicans. women, there really ought to be classes Lundberg told reporters he’s optithat address the reasons women feel marriage has failed them. Unequal dismistic that his bill will get a warmer tribution of housework and childcare is reception because it makes exceptions a big one. Infidelity is another. Add for marriages in which there is partner money problems, alcohol and drug violence or sexual abuse. abuse, and emotional and sexual Well, it’s nice he recognizes the neglect, and you have the top non-viourgency of those situations. But what lence-related reasons women file for about psychological abuse? What about divorce. the woman married to the bully who Of course, I’m not seriously suggestdoesn’t hit her but controls every aspect ing the state require pre-marriage classof her life? Or the man married to the es. Yes, some people enter into marriage alcoholic who stumbles legless drunk in too lightly, and divorce is hard on kids. front of the kids? What about the perBut the state should have little to no son who brings herpes home to his or role in either marriage or divorce. her spouse? It does seem strange to me, however, A “cooling-off ” period serves no that social conservatives would rather purpose in those situations except to make it harder to get out of a marriage enforce misery. than get into one. Their religionized If Lundberg insists on meddling, as view of marriage as a one-way relationRepublicans will, he ought to make it ship ordained by God can’t change the harder to get married, not harder to get divorced. Every divorce, after all, gets its fact that some people marry the wrong person for the wrong reasons at the start with an ill-considered “I do.” wrong time. Nor should the hardship The Catholic Church, in its conassociated with divorce obscure the tinuing effort to prevent divorce, truth that sometimes divorce is a good requires prospective couples hoping to thing. marry in the church to attend classes in Respond: letters@boulderweekly.com which they explore issues ranging from Boulder Weekly

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LETTERS from Page 6

way that big agri-biz is monopolizing access to seeds, where in the Third World particularly, saving seed has been sound practice in the past. It’s so bad that there are genetic modifications used to ensure that farmers must buy new seed each year. Google “terminator gene” for one of the most egregious examples, and ask yourself how sterile seeds help feed the world. 4. Genetic modification and testing is expensive, which means that the number of GMOs of a particular plant species is very small (possibly just one).

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This results in a drastic reduction in bio-diversity, which is a very bad thing for feeding the world. Google “Irish potato famine,” and don’t think it can’t happen again. 5. If you think such controversy over control of our food supply is recent, try to find a copy of Food for People, Not for Profit, by Catherine Lerza and Michael Jacobson, 1975, by the Center for Science in the Public Interest. Also see American farmer/ writer Wendell Berry. Or look into the (misnamed) post-WWII “Green Revolution” and the well-reasoned opposition to it by Englishman Sir Albert Howard. Dick Dunn/Hygiene (Re: “Climate change: U.N. takes on wrong problem — again,” Danish Plan, Dec. 1.) Computer models confirm that global warming from manmade greenhouse gases will only result in a temperature increase of a fraction of a degree over hundreds of years. However, the changes in ocean currents are melting the north polar ice cap at an alarming rate, resulting in a significant climate change now. Unfortunately we have no idea why the ocean currents have changed! But we do need to adapt to the climate change. Cloud formation over liquid water will be much greater than over the ice cap, and extreme cold arctic temperatures will moderate. The politicians will continue to preach global warming as a means to slow down the development of world civilization. Studies about climate change will be limited. You are correct that global warming caused by greenhouse gases is a very long-term effect. However, the melting of the north polar cap is happening now. The ocean currents are moving the warm water from the tropics underneath the ice. Less water is being moved south. We do not have a clue why the currents have changed! We can expect increased rainfall as more air passes over the liquid ocean as compared to the frozen ice cap. Our primary climate change is now global warming. Unfortunately, very little effort is being spent trying to understand climate change. Tom Mueller/via Internet

[ ] Boulder Weekly

welcomes your correspondence via email (letters@boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to shorter letters that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

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Camera whiplash On Dec. 18, the day before the Boulder County commissioners were to announce their decision regarding the planting of GMO crops on county open space lands, the Camera decided to give them plenty of political cover by endorsing the use of these frankencrops on our open space. After duly noting in its editorial that the “politically popular” position would be to oppose GMOs — this is an acknowledgement that the majority of Boulder residents are opposed to the use of genetically modified crops on their open space — the daily newspaper went on to explain its position. “We were swayed by the scientists who said GMOs are safe ... We were swayed by the members of the Cropland Policy Advisory Group (CPAG), who spent the most time on this issue ... We were swayed by the conventional farmers, who were treated most unfairly ... So when some of the overblown fears about GMO crops have been angrily expressed — pollen drift, or massive soil erosion, or even sick corn-fed chickens — it just doesn’t ring true.” While the editorial made no mention of those opposed to GMOs trying to secure uranium from Niger, you get the point, and apparently so did the commissioners. But hold that thought. Exactly 10 days later, on Dec. 28, after the damage had already been done, the front page of the Camera was singing a different tune. This time the paper ran a well-researched Associated Press story by Rick Callahan that declared: “One of the nation’s most widely planted crops — a genetically engineered corn plant that makes its own insecticide — may be losing its effectiveness because a major pest appears to be developing resistance more quickly than scientists expected.” We assume that these are not the same scientists who “swayed” the Camera’s editorial board. The Callahan piece went on to say, “The U.S. food supply is not in any immediate danger because the problem remains isolated.” This statement implies, of course, that the food supply could be threatened if this situation stops being isolated and spreads, which is possible only because there is hardly any non-GMO corn left in the U.S. The genetically modified corn that the Camera is now warning us about is the same socalled Bt corn that we are currently growing on our open space lands. The same corn the newspaper “swayed” us to believe was safe just 10 days earlier when it referred to Boulder residents’ concerns about GMO crops as “overblown.” And worse yet, not everyone, including the EPA, is convinced that the problem is all that isolated. According to Callahan’s AP story, “The Environmental Protection Agency recently chided Monsanto, declaring in a Nov. 22 report that it wasn’t doing enough to monitor suspected resistance among rootworm populations. The report urged a tougher approach, including expanding monitoring efforts to a total of seven states, including Colorado, South Dakota and Wisconsin. The agency also wanted to ensure farmers in areas of concern begin using insecticides and other methods to combat possible resistance.” Odd advice, since one of the main arguments touted for growing GMO crops during the public input hearings was that the crops made it possible to avoid using the dangerous insecticides that the EPA is now advising farmers in states like Colorado to start using, due to the problems with Bt corn. Those problems are similar to other GMO crop failures, such as Bt cotton in India, which studies show led to increased, not decreased, insecticide use once pests were resistent. Just to make sure there is no confusion, scientists have been aware of this problem since 2009, and the EPA report referred to on the front page of the Camera on Dec. 28 came out the month prior to the paper’s endorsement of GMO crops on open space. Note to Camera editorial board: Next time you tell the majority of Boulder citizens that their concerns are “overblown” and fly in the face of science, tell your wire editor not to run an actual news story that proves that the citizens are right, and that you are wrong. It’s enough to cause a bad case of editorial whiplash. Respond: letters@boulderweekly.com Boulder Weekly

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Protecting academic rigor

Lawmaker wants long-term contracts for at-will faculty by Jefferson Dodge

state lawmaker is proposing legislation that would let colleges and universities give more job protection to at-will instructors, a group that some say are particularly susceptible to outside political pressures and “popularity contests” among students. An increasing number of university courses are being taught not by tenured professors, but by non-tenure-track faculty who are generally paid less and can be fired for almost any reason. Tenure was created in part to protect the “marketplace of ideas” from outside influence — faculty charged with creating new knowledge and testing theories shouldn’t be subjected to political pressures that might affect their employment or their findings. When a non-tenure-track faculty member is fired for what is perceived to be political reasons, it can create a chilling effect that causes other at-will instructors to rein in views that might be controversial. And evaluations of nontenure-track faculty tend to be heavily reliant on student assessments, which can encourage instructors to give high marks so that students will return the favor. Rep. Randy Fischer (D-Fort Collins) says the increasing reliance on non-tenure-track instructors is not good for education. He is introducing a bill in the upcoming legislative session that would let state colleges and universities give at-will instructors, or “contingent” faculty, renewable five-year employment contracts. (His bill stipulates that such contracts can be terminated if the institution can demonstrate that financial hardship justifies it.) “If we’re going to rely on them, they should at least be afforded some due process rights and the academic freedom that other categories of employees have in the state,” Fischer says. Fischer agrees with the findings of reports issued on Nov. 1 by the Colorado Conference of the American Association of University Professors (AAUP) regarding the termination of two CU faculty members: senior instructor Phil Mitchell and professor Ward Churchill. While the Churchill Boulder Weekly

case involved the firing of a tenured professor with radical leftist views who wrote a controversial essay and was later found guilty of research misconduct, the Mitchell case involved an at-will senior instructor who claimed that his appointment was not renewed because of his ultra-conservative religious and political views. The AAUP reports recommend that “faculty in search of employment consider a position at the University of

Rep. Randy Fischer

Colorado only as a last resort because of the University of Colorado’s indifference to the ideals of academic freedom.” Fischer says his bill is not aimed at the Churchill decision or expanding tenure. “I’m hoping we can keep those issues separate,” he says. “All I’m trying to do here is provide a mechanism whereby colleges and universities can keep and retain and reward appropriately their contingent faculty, who are really becoming the workhorses of the academic environment.” He says his primary concern revolves around the impact of student evaluations on non-tenure-track faculty. “They really are in a unique employment category, in that they are subject to kind of a popularity contest among the students,” Fischer says. “If their coursework is deemed to be too rigorous, for example, I’ve heard of faculty members being dismissed because students thought they were having to work

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too hard. That’s an academic freedom issue that I think is something that’s kind of a sad commentary on our education system. “The folks becoming the majority of the faculty members on university campuses need to have some academic freedom rights to be able to do their jobs, hold students accountable, have rigorous curricula and maintain the standards of excellence in their universities and colleges,” he adds. “Is the administration going to support a faculty member who holds their students to high standards?” Fischer stresses that his bill is “totally permissive” — in other words, it doesn’t dictate that colleges and universities must offer five-year contracts, it simply gives them the option to do so. Don Eron, a senior instructor at CU who was the lead author of the AAUP reports, says he’s not optimistic that CU officials will support the legislation, because it would take away their standard excuse for not increasing job security and academic freedom for at-will instructors, which is that state law does not allow it. Fischer says CU officials have not committed to endorsing — or even not opposing — his bill, but he has received positive signs that the CSU administration will not oppose the legislation. He says colleges and universities had a telling reaction to a bill he carried unsuccessfully last year that would have simply required them to provide fired at-will faculty with a written statement about the reason for termination. “Even that was met with almost unanimous opposition from the higher education community,” he says, adding that higher ed officials were concerned it would “open the door to a flood of wrongful termination lawsuits.” CU spokesperson Ken McConnellogue told Boulder Weekly that CU officials have not yet reviewed Fischer’s legislation and may not have a position on it until after the session starts on Jan. 11. Respond: letters@boulderweekly.com

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Arts & Culture boulderweekly.com/artsculture

Self-portrait (PH-382), 1940 © Clyfford Still Estate

PH-455, 1949 © Clyfford Still Estate

1949 No. 1 (PH-385), 1949 © Clyfford Still Estate

The reintroduction of Clyfford Still Museum draws American master back onto the canvas of art history

by Elizabeth Miller

ven art enthusiasts who believed they knew the work of leading American abstract expressionist Clyfford Still had surprises waiting when the museum of his work opened in Denver. But for everyone else, it was a surprise just knowing the man existed at all. What reputation preceded him was that of an elitist who hid his work away. At a time when Still was being recognized as one of the most important working painters (1950s), he elected to withdraw his work from galleries, would show it only selectively and sell it rarely. When the museum opened on Nov. 18, 2011, it brought to light paintings that had never been seen before. Staff began the decades-long task of restoring paintings that spent half a century rolled up and stored. And while the paintings had waited, Clyfford Still had drifted out of the consciousness of American art, leaving his contemporaries, Jackson Pollock and Mark Rothko among them, to become the better known artists. They were more willing to compromise the ethic they all shared for exhibiting their work as a body and it served to raise their profile above that of the recalcitrant Still.

12 January 5, 2012

PH-77, 1936 © Clyfford Still Estate

Boulder Weekly

“It is simply that in this particular issue of exposing my work a network of associations and evaluations entirely at variance with the implications of my act in painting are brought to bear. I find these not only futile but disturbing in many ways.”

But while the work by Rothko and Pollock scattered to various museums and galleries, Still went on to get a museum of his own — in part because his work merits it and his last will and testament demanded it, and in part because of the devotion and commitment of those who loved him. Perhaps one of the more significant hurdles in setting up a museum for Clyfford Still in Denver or anywhere else was convincing Patricia Still to let go of the paintings that had filled her home for half a century. Patricia met Clyfford as a student in his art class at Washington State University. He was 15 years her senior, married with a child. She would go on to follow him to San Francisco, where he and his first wife would have a second daughter. Eventually, Clyfford and Patricia moved to New York City together, where she supported him by working as a bookkeeper. “That devotion that Aunt Pat had starting as a very young person, age 20, persisted until the day she died,” says Dr. Curt Freed, a professor and head of clinical pharmacology and toxicology at the University of Colorado School of Medicine. His mother was Patricia’s sister. “I think that attachment accounts for some of the challenges in actually getting this museum to happen.” Patricia and Clyfford married 17 years after they met. Her commitment to Clyfford caused a family scandal that estranged Patricia PH-313, 1942 © Clyfford Still Estate from her mother for decades, and they were only ever “kind of ” reconciled, Freed says. Clyfford stipulated in his will that his works of art, many of which Md., had been passed over). had never been seen, be given to an American city that would build a “I accused her of not wanting to part with these paintings,” Freed separate museum to house only them. says. He persuaded her to reconsider Denver when Mayor John “I found it kind of amazing that, given that independence, he would Hickenlooper came to office. Hickenlooper visited her at her home in die and say, ‘I trust that the world will some day recognize the incredible Maryland to discuss the option of Denver. After 20 years of discussion, value of my work and that some city somewhere in the United States will and entreaties from as many cities, the matter was settled eight months build a museum just for me,’” Freed says. “So the same guy that queslater. Denver would receive the donation of 2,400 works and would build tioned the sort of ethics and influence of the critical art world at the time a museum — which cost $29 million — to house them. The museum that he was painting had this incredible trust in the future.” would host no other artists’ works, and would not lend or sell any part of From his death in 1980 to the year before hers in 2005, Patricia was the collection. solicited with offers from as many as 20 cities interested in housing that Patricia died a year after the agreement was finalized. The asset museum, all of which she turned down. Freed, aware of her health, at one Denver acquired is priceless. Just four paintings, which were sold with the point was concerned that she wouldn’t make the decision before her estate’s permission to fund the museum’s endowment, earned $29 million death. at auction. “I had the feeling that she wasn’t really that eager to have a deal,” he When the museum’s opening was announced in May, ArtInfo greeted says. “Still was so fundamental to her life and herself, she would actually it as a “castle for a curmudgeon,” but those who knew, or have tried to drive around in her car with his hat sitting on the seat next to her. And come to know Still, see him differently. you know, literally, she had physical control of all the paintings and her Freed was 9 years old when he met Clyfford — his first impression house had Still paintings hanging on every wall, and then the majority of was of a large, black painting that dominated the living room of a New paintings were actually stored in one form or another in her home.” York City apartment above a typewriter store. He saw Patricia and The note she wrote to Freed in 1999 now hangs on the wall of the Clyfford occasionally when they stopped by to visit Freed’s family in museum. It reads, “It just occurred to me to wonder, what would you Ohio, driving up in Clyfford’s signature silver Jaguar. think of having the Clyfford Still Museum in Denver?” “He was a very formal person, I would say. And yet, you know, a corDiscussions broke down at one point during Mayor Wellington dial and courteous person,” Freed says. “I thought he was, you know, deciWebb’s administration, when Daniel Libeskind, the architect for the sive. I remember, it’s funny, to be having family guests in the house and Hamilton Wing of the Denver Art Museum, arranged to visit Patricia. yet have his art and work come up in discussions, sort of over the dinner Clyfford had been clear. He wanted his own building, not a wing (it was for this reason that Baltimore, near his long-time home in New Windsor, see STILL Page 14 Boulder Weekly

January 5, 2012 13

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STILL from Page 13

table, and in that environment I remember being struck by this idea that said, ‘I want to keep my work together and I am not in the business of selling paintings.’ And he remained true to that.” “I think he was incredibly principled. There was no such thing as moral ambiguity with him,” says Dee Covington, who wrote Clyfford Still: Daring the Light, produced by the Curious Theatre Company this fall. She looked to his letters, personal items in the museum’s collection from his teaching slides to the Kraft foods jars for mayonnaise and fruit salad he used for mixing his paints, his record collection, his fedora, documentaries and video of his daughters to compile a vision of him as a character. “One of his quotes is, ‘Clear thinking is clear painting.’ And I think he always really insisted on clarity of purpose, clarity of intention, clarity of action,” Covington says. “If you misquoted him or misunderstood his work or put something out there about him that wasn’t true, he would push back because it was his obligation to do so. … He was always pretty darn sure he was right, and I think time has revealed that he was. … Once you look at everything he was experiencing with hindsight, you realize he was right. … I don’t know if that makes him a curmudgeon or not. I just think he was holding consciousness for an entire time.” Still wrote to Betty Parsons, who had been showing his work alongside Pollock, Rothko and Barnett Newman, in 1951, stating that he was withdrawing his work from public exhibition. “It is simply that in this particular issue of exposing my work a network of associations and evaluations entirely at variance with the implications of my act in painting are brought to bear,” he wrote. “I find these not only futile but disturbing in many ways.” In Covington’s play, Parsons’ response to this letter is, “Good for him. Sad for us.” His counterparts, even those who had signed the infamous “Irascibles” letter withdrawing their work from a Metropolitan Museum of Art show they felt was giving the public a “dumbed-down” version of abstract expressionism, went on to paint commissioned works. But Still refused to compromise for the sake of a sale. “He would have someone interested in his paintings and then they would say, ‘I’d like one of your paintings,’ and he would say, ‘Well, I’ll think about it, and then I’ll also decide which one you get,’” Freed says. “So the typical thing was to offer two paintings and say ‘Do you want either one of these?’ and if the person said no, then he said, ‘Well, I guess we won’t have a deal then.’ … He would decide what the match was between an individual and the painting he was willing to sell.” Clyfford demanded solo status for his art when it was exhibited, which drove him to take his work to a gallery in Buffalo, N.Y., that would show it alone, and led major museums, including the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, to host solo exhibits of his work in the years just before his death. “The final show at the Met … it was the largest exhibit ever given to a living artist at the time that that happened,” Freed says. “And he knew he had colon cancer at the time of this, and so it was quite a tragic but dramatic finish to his life to have such a major exhibition.” “He thought there was an ideal way to see his art,” says Dean Sobel, director of the Clyfford Still Museum. “I don’t think he felt this was only due to him, but he believed in it enough to forego the money. … It’s not ours to quibble with how he wanted to have his art shown.” This first exhibit at the museum arranges Still’s work in the order it was made, grouped by place. As visitors move through the galleries, they track Still’s evolution from a style that bears the marks of European influence to one increasingly advanced and original. Expressionistic human forms, their faces distorted and limbs elongated, become approximated by skeletal or bonelike structures, traces of hair and a line like a profile. Eventually, those motifs vanish in favor of rising vertical forms, which later give way to torqued masses and flamelike touches of color in compositions that refuse to acknowledge the boundaries of their canvases. “There’s a kind of continual emptying out, but never emptying out of meaning or even, kind of, subject matter,” Sobel says. “The subjects or what’s embedded in the paintings don’t change. It’s how we choose to describe them that has changed.” Traces of European art — which took geometry as central to its abstraction, leading off from Cubism — vanished by the mid 1940s as Still began to forge his own path. “You see this line in his abstract paintings … it’s kind of what’s left of the figure. So again these artists, I think not just Still, but these artists were very interested in having subject and some kind of meaning behind these pictures,” Sobel says. “They’re just not pretty colors and shapes. They’re meant to be expressing kind of universal timeless themes.” see STILL Page 21

14 January 5, 2012

Boulder Weekly

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Envelope, please

An energy-efficiency program conceived in Boulder just might convert you

Stories

Top 10 Stories

by Sara Wright

Boulder Weekly

1. Opening doors Frank Alexander started

helping the needy in high school, volunteering for Habitat for Humanity and food pantries in tiny Hopewell, N.J. Now, decades later, he’s still helping the less fortunate, just on a much larger scale in Boulder County as director of housing and human services.

2. Free transit service offered for New Year’s Eve 3. New Year’s Eve calendar 4. Exclusive Q&A with Occupy Movement founder Kalle Lasn 5. The simple made special for New Year’s 6. Going Euro 7. Flatiron Rock: Black Sleep of Kali 8. Tidbites: New Moroccan restaurant in Louisville 9. Yonder Mountain String Band occupies Boulder Theater 10. Astrology (12/29)

Polls Last Week

Polls

various researchers and consultants to develop the new energy-efficiency model that includes assigning an advisor to each client. Before, “people would get this energy audit report and it would sit on their kitchen counter for months and months and months,” says Yael Gichon, residential sustainability coordinator for the City of Boulder. “That was identified as one of the biggest barriers, was getting people from audit to action. So the one-step shop and the advisor, it was that hundredth monkey theory.” Since June, participation in the program has snowballed, particularly among landlords seeking to get a jump on SmartRegs’ 2019 energy-efficiency deadlines. About half of Boulder’s homes are rentals. “We have currently reached/enrolled [through advisor services, upgrades and rebates] more than 3,400 homes and more than 1,400 businesses,” says Beth Beckel, an energy efficiency and sustainability specialist with EnergySmart. About $3.6 million has been spent so far in the local economy upgrading buildings, says Mazal. EnergySmart’s goal is to see at least 10 percent of homes —10,000 countywide — and 3,000 businesses upgraded before funding ends in May 2013. City officials envision the program helping to usher in an energy-use decline. According to the Community Guide to Boulder’s Climate Action Plan 2010/2011 Progress Report, “With the launch of EnergySmart services and SmartRegs in January 2011, reductions in residential energy consumption are expected in the 2011 inventory, even as the number of housing units may continue to slowly increase.” The progress report is available online at www.bouldercolorado.gov. Respond: letters@boulderweekly.com

Do you think the Occupy movement has run its course? • Yes. Nothing has changed. 47% • No. People are still missing the point. 20% • Maybe. Let’s move to the next step. 13% • Don’t care. Still occupying my couch. 20%

This Week

Should at-will CU instructors be given five-year contracts? • Yes. Protect academic freedom! • No. Keep them on their toes! • Maybe to keep the good ones. • Don’t care. College sucks.

Vote Now! boulderweekly.com/poll-124.html

Boulder Weekly’s app! Spotlight

ueled by federal David Neiger of grant dollars and Populus conducts a blower door test powered by a team of advisors, the EnergySmart program is proving catalytic in the way it helps people take action after receiving an energy audit. “We’re presenting nationally on this model because of our conversion rates,” says Boulder County Sustainability Coordinator Susie Strife. More than half of EnergySmart program participants take steps to improve their homes after receiving an energy audit, Strife says. That’s compared to a national average of about 15 percent who make a similar conversion, according to the “Community Guide to Boulder’s Climate Action Plan 2010/2011 Progress Report.” “We look at those who have been enrolled [in EnergySmart] at least 30 days Program Manager Danielle Sass or more and have done something,” Byrnett. EnergySmart is sponsored in says Andy Mazal of Populus, the suspartnership with Boulder County, the tainable design firm hired as cities of Boulder and Longmont, Xcel EnergySmart’s manager. “Action is the Energy and the Platte River Power key.” Authority, and is one of 41 grant proIn 2010, the Boulder County comgrams nationwide that comprise the missioners office won a $12 million Better Buildings Neighborhood grant to kick-start EnergySmart via the Program. American Recovery and Reinvestment Before moving to Louisville in July, Act (ARRA) and the Department of Martin Kelly and his wife, Lisa, lived Energy’s Better Buildings Program. in a drafty house in Connecticut that The Department of Energy consid- shivers in their memory. The couple ers buildings upgraded when they have sought advice from EnergySmart achieved a total energy savings of 15 Advisor Gaby Larrea in rendering their percent. “new” 1928 home cozy and energyEven within this strict definition, efficient. Boulder contractor EcoSmart EnergySmart is an emerging leader Homes helped the couple reduce the nationwide. natural air changes per hour in their “With ... an impressive record of home from 63 percent to 43 percent, helping homeowners make the decision better sealing the home’s envelope. “I was quite pleased,” Kelly says. “If to proceed from evaluation to upgrade, we had done this ourselves, I wouldn’t EnergySmart is among the top 10 persay it would be haphazard, but to get cent of Better Buildings Neighborhood the broader perspective and get the Program partners in completing energy options available was quite helpful.” improvements,” says Department of City of Boulder staff worked with Energy Better Buildings Neighborhood

Week of Dec. 29-Jan. 4

If you have an iPhone or an iPad, our new app is now available in the App Store. You can read the digital edition of our weekly newspaper, share stories on Twitter and Facebook or email links to friends. You can even have select stories read to you if you’re too busy driving to read it yourself. The app features our archives of the past two years and is a free download. Grab it today!

January 5, 2012 17

inside

Page 22 / Overtones:

Afronauts founder is genre jumper

Page 22 / Overtones: Jason Isbell stops trucking

Page 30 / Elevation:

[cuts]

Cyclists create winter pain caves

buzz

inside

Can’t-miss events for the upcoming week

The Thurston Group will light up The Laughing Goat on Jan. 10.

Thursday, Jan. 5

Satellite Tap Room — Try some solid beers from the Widmer Brothers Brewing Co. 6:30 p.m. The West End Tavern, 926 Pearl St., Boulder, 303-444-3535.

Friday, Jan. 6

The Wailers — Which comes closer to the experience of actually seeing Bob Marley: seeing one of his sons, or seeing The Wailers? With Outernational. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Moneyball

Saturday, Jan. 7

Pete Kartsounes Band — Local band that’s worth the effort. With Dr. Phil Good and Smack Thompson. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Sunday, Jan. 8 ow bad of a year was it for movies? As late as August, I was wondering if there would be enough films to fill a list of 10. Then came the fall movie season and everything changed. Overall, 2011 will be remembered as a mediocre year for cinema. But the bright spots burned really, really bright. These 10 films from 2011 were very worthwhile. 1. Moneyball: Director Bennett Miller used the factbased story of Billy Beane, the Oakland A’s manager who thought outside the box, to illustrate the ways in which every conceivable industry has been forced to transform to survive in the brave new online world. The script, written by the formidable duo of Aaron Sorkin and Steven Zaillian, made dry subject matter such as budgetary constraints and salary negotiations utterly absorbing, and the performances by Brad Pitt as Beane and Jonah Hill as the young statistician who becomes his advisor brought humor and warmth to what should have been a somewhat dull movie. Instead, Moneyball was funny, thrilling, illuminating and affecting. Like the best sports movies, it transcended its genre to become a resonant commentary on contemporary culture. 18 January 5, 2012

(A bonus: Some of the most exciting baseball games I’ve ever seen in a film, and baseball usually puts me to sleep.) Melancholia 2. Melancholia: Lars von Trier’s first film born out of his bout with depression, 2009’s Antichrist, was an intimate study of a married couple mourning their dead son who did horrific, unwatchable things to each other. Melancholia is also about depression, and it, too, centers on two characters, sisters (Kirsten Dunst and Charlotte Gainsbourg) struggling to understand each other. But von Trier’s scope this time was cosmic, with a planet on a collision course with Earth hurtling closer. With apolosee MOVIES Page 19

Takács Chamber Series — The works of Britten, G. Kerry and DeBussy. 4 p.m. Grusin Music Hall, CU campus, 303-492-8008.

Monday, Jan. 9

Embracing Israel/Palestine — Rabbi Michael Lerner presents a new way to look at the turmoil in Israel. 7 p.m. St. John’s Episcopal Cathedral, 1350 Washington St., Denver. For more information, contact Earl Staelin at estaelin@comcast.net.

Tuesday, Jan. 10

The Thurston Group — A cool, smooth blend of jazz and hiphop that makes for pretty fine lounge jazz. 8:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Wednesday, Jan. 11

Songs from the Silo — Wendy Woo. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover, Longmont, 303-485-9400. Boulder Weekly

MOVIES from Page 18

gies to T. S. Eliot: This is the way the world ends — not with a whimper but a colossal, mind-blowing bang. 3. A Separation: This deceptively simple drama from Iranian writerdirector Asghar Fardahi, about the consequences following a A Separation married couple’s legal separation, is nothing less than a miracle — a movie that holds its own with literature of the highest order, and an uncommonly wise and empathetic study of familial bonds and the great pain we can inadThe Tree of Life vertently cause to the people we love the most. The fact that the movie doubles as a commentary on the rules and mores of modern-day Iranian society is a bonus. A masterpiece. (Opens Jan. 27) 4. The Tree of Life: The most audacious — War Horse and beautiful — movie of the year, the story of a family in 1950s Texas seen primarily through the eyes of three brothers. Director Terrence Malick captures the essence of childhood like no other filmmaker before, but his vision is expansive enough to include a flashback to the Big Bang, conversations with God and an interlude involving dinosaurs. The movie grapples with big themes in a daringly poetic manner, including how the ideologies of our parents are permanently imprinted on us, sometimes for the worst. The film is probably too ambitious — this is the rare kind of picture where you wish Sean Penn’s performance had been cut out of the movie entirely — but despite its flaws, The Tree of Life is a monumental achievement. Even if you hate it, you can’t stop talking about it. 5. War Horse: Steven Spielberg’s epic about the bond between a boy and his horse is a distillation of all the qualities that make him one of the all-time great filmmakers: A sweeping vision, earnest emotion, astounding action sequences, a profound love of cinema, a masterful command of camera and framing, and a narrative that uses historical events to illustrate the impact of war on ordinary people. The most common criticism being leveled at the movie is that it is too saccharine and schmaltzy. But it would take an awfully stony heart not to be moved by this tale about the ways animals impact our lives. Not everyone is going to like War Horse. But if you hate this film, you Boulder Weekly

probably hate movies, too. Sorry. 6. Martha Marcy May Marlene: Sean Durkin’s psychology study of a young woman (Elizabeth Olsen) trying to readjust to the real world after fleeing a creepy cult was the most impressive directorial debut of the year — a precise, hypnotic and hallucinatory thriller that gradually builds an enormous aura of dread and terror, then pays off in an unpredictable manner. The final scene alone proves Durkin is a major talent to watch. 7. The Interrupters: Hoop Dreams director Steve James returned with this documentary about a year in the lives of a group of social activists and former gang members trying to stop the perpetual cycle of crime, drugs and violence afflicting a neighborhood in Chicago. As engrossing as a feature film, only everything in this one is true. 8. Poetry: South Korean director Lee Chang-dong’s sublime, heartrending drama about a woman (played by the amazing Yun Jung-hee) with earlyonset Alzheimer’s who enrolls in a poetry-writing class is both a clear-eyed lamentation on the potential for evil we all harbor and the overwhelming beauty of the world around us. 9. I Saw the Devil: David Fincher’s The Girl with the Dragon Tattoo may have gotten all the attention. But the year’s best revenge drama is Kim Jeewoon’s relentless thriller about a police officer who tracks down the serial killer who murdered his pregnant girlfriend. But instead of executing the monster, the cop decides to exact prolonged, horrific revenge. Sometimes, in the name of justice, we become exactly what we’re trying to fight against. 10. Drive: The coolest, funniest, most exciting genre picture of the year, with Ryan Gosling as a stoic driver, Albert Brooks as a murderous mob boss and Carey Mulligan as a mother in peril. A towering feat of mood, ambience and imaginative direction by Nicolas Winding Refn, who constantly surprised you with sudden shifts in tone — none better than a scene in an elevator that goes from tender and romantic to brutally violent in the span of 10 seconds. (c) 2011 The Miami Herald —MCT Respond: letters@boulderweekly.com

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Boulder Philharmonic

with Benjamin Hochman, piano

SUN JAN 15 • BOULDER THEATER • 7:00 PM

Leftover Salmon and

Darrell Scott

French Impressions

Country rocker

Sat., Jan. 14 - 7:30 PM at Macky, Boulder Sun., Jan. 15 - 6:30 PM at Vilar Performing Arts Center, Beaver Creek Music infused with the spirit of France, including works by Satie, Ravel, Gershwin and Hanson

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Joshua Radin and

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Formerly of The Duhks

THU JAN 26 • LINCOLN CENTER, FT. COLLINS • 7:00 PM

The Jayhawks & Justin Townes Earle Ticket info at 20 January 5, 2012

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Tickets start at $13 Boulder Weekly

1957-J No. 2 (PH-401), 1957 © Clyfford Still Estate

STILL from Page 14

As for process, Still worked with palette knives, which created a textured surface, a torn-paper quality. Clumps of glistening paint remain. “You have the sense of the surface of the painting and the way in which the artist lays down and shows us marks and gives us that sense that they were painted by a person at a particular moment in time is all very clear. … They’re very much alive, I think, in that way,” Sobel says. “It’s looser paint handling. They’re not tight geometries and again that expressiveness, that the quality of the line is anything but geometric. It’s almost kind of ephemeral in certain ways and it almost kind of disappears at certain times and fades into the twilight.” Still’s work also quickly abandoned a sense of central composition. “The whole image is kind of what we’re supposed to be taking in,” Sobel says. “And the kind of boundlessness of this, the fact that things are cropped at the edges and new things are Clyfford Still Museum, 1250 Bannock coming in, it seems as though St., Denver. Open Tuesday through they’re just little subsets of the Sunday 10 a.m. – 5 p.m. Open Friday larger kind of universe, like takuntil 8 p.m. ing a picture of clouds or the clyffordstillmuseum.org sky, you know, you can only contain part of it.” The last image in the exhibit, which dates from 1977, three years before his death and two years before his last painting, is 85 percent blank canvas. “It’s almost as if things have just exploded apart, almost to the point like the last painting, had he lived long enough, would have been just empty,” Sobel says. Visitors are often first struck by the richness of the color, he says. A concrete background, textured from the rough-cut fir used to form it, and daylight through skylights bring the palette to its best. Many of Still’s paintings arrived rolled around tubes, as they have been in some cases for 50 or 60 years. At least one of them was so large — 17 feet — that, had it arrived at the museum stretched on a frame, it wouldn’t have fit through the doors. “Each one of them was a kind of lesson,” Sobel says. “Every painting is a moment to pause, look, understand. … Every now and then you come across a masterpiece you hadn’t even known existed.” Museum staff unrolls the canvases and lets gravity begin the process of flattening them, later employing heat and suction to work toward Boulder Weekly

getting the canvas taut around a wood frame. Storage spaces just down the hall from the restoration room tease the viewer with glimpses of the many works the museum holds but does not have room to display. — an expected 93 percent of the collection at any given time. Museum staff will spend the next 20 years unrolling paintings and working them through the weeks of restoration necessary to prepare them for viewing. In the galleries upstairs, the paintings are prefaced with only brief introductions. Still never titled his paintings, and they’re marked only with the date on which they were painted and a unique number. All information to help the visitor unpack their meaning comes from a sidelined educational gallery and downstairs, where visitors can use interactive timelines and a set of custom-built cases to come to better know the man and fit his work into the historic events surrounding it from wars and the Great Depression to the emergence of pop culture icons James Dean and Elvis Presley. Among his personal effects on display are his painting jacket, palette knives, artists materials from charcoal to Crayola crayons, his books, record collection, a baseball glove and a photo of him with his daughters standing in front of his silver Jaguar. As they have unpacked the deliveries to the museum, museum staff has found works in books and in file cabinets. The number of works on paper believed to be in the collection has risen to 1,700. “There’s no question that he was revolutionary,” Sobel says. “[The museum] is finally putting him into the narrative that he had written himself out of.” The museum kicks off a series of events as a community-wide celebration on Jan. 6 with gallery talks and behind-the-scenes tours. Other events, which continue through the end of the month, include a screening of a documentary by Amie Knox called Still, presentations by and about other abstract artists and partnered exhibits at other area museums. “I think Still and my aunt would have been thrilled to see this outcome. They could not have imagined anything better than this. Not a better building and not a better reception by a city,” Freed says. “This is a perfect outcome, and then the enthusiastic embrace by Denver has been wonderful. … Particularly for my aunt, I’m just sorry she’s not alive to appreciate this.” Respond: letters@boulderweekly.com January 5, 2012 21

[

overtones boulderweekly.com/overtones

On the Bill

The Afronauts play The Laughing Goat on Saturday, Jan. 7. Show starts at 8 p.m. Show is free. 1709 Pearl St., Boulder, 303-440-4628.

]

Harlin Savage

fronauts bassist Eric Keeney is a self-proclaimed music geek. For much of his life as a musician, he played in bands that cater to music geeks — complex and technically impressive, but not necessarily conducive to an all-night dance party. That all changed, however, when a chance encounter at a college radio station opened him up to a music form that is pretty much one big dance party: afrobeat. “It’s weird, because I came from playing in metal and rock bands in Portland,” Keeney says. “I didn’t get turned on to afrobeat until I went back to school in 2004. I was working on this documentary about a college radio station where I was introduced to Fela Kuti’s Expensive Shit, which really turned me on to the genre.” Going from metal to afrobeat may seem like a huge change, but Keeney had always wanted to play something a little more loose and accessible. When he moved to Boulder, Keeney found the perfect combination of a community that would be receptive to the genre and musicians who were excited to team up with the former metal bassist. In March of 2011, Keeney placed an ad on Craigslist and the Afronauts were born. “I’ve always played music for musicians,” Keeney says, “but I also always wanted to play music that got people dancing and got the crowd more involved. When I got to Boulder, it just seemed like this community and the folk who lived here would be really supportive of this type of music.”

Genre jumper

have some strange songs that are kind of contemporary jazz or post-rock songs that we will save for venues like the Goat, where people are less likely to dance and be more of an audience.” Keeney says the most rewarding thing about the group has been watching the evolution of the musicians playing together. What started as nine strangers who met on Craigslist has developed into one of Boulder’s hottest live acts. The group has started writing more original material, and they continue to incorporate new tracks into their set list. For now, the Afronauts are keeping their band as loose and fun as the music they play. Nearly everyone in the group plays with other bands around town, so the group’s gigging and practice schedule is kept pretty light. Keeney says they only plan to play a few times a month and they only practice about once a week. This attitude has helped the group overcome some of the standard trials and tribulations that often plague bands in their infancy. Playing to a half-empty venue is a lot more fun when you enjoy playing with the musicians you share the stage with, and those small stages seem less crowded when everyone is having a good time. “The music is fun to play,” Keeney says, “and when you hit your stride it can be challenging to play. … I’m just amazed at the sounds that come out of the other members of the group at rehearsal. I’m sur-

Afronauts founder Eric Keeney has unusual background

Joshua Black Wilkins

by Cory O’Brien Of course, traces of Keeney’s music-geek past can still be found in the Afronauts. When they play a venue like Shug’s, with the crowd all decked out and ready to get down, the nine-piece group can fully embrace their fun and funky side. But you’re just as likely to see the group at The Laughing Goat, where their sets venture into quieter, weirder territory that incorporates more aspects from Keeney’s past. “We have enough tunes now that our catalog is diverse enough to shape our set depending on where we play. We’ll definitely play traditional afrobeat and play a lot of Fela Kuti at some venues, but we also

see AFRONAUTS Page 23

Alabama memories

ou might say Jason Isbell’s third studio album Here We Rest began at his grandparents’ house in Alabama. It’s there that he first learned his love of music, and it’s to that area that he returned to recharge his batteries. It’s reflected in the album’s quiet, oft reflective tone and largely acoustic instrumentation. It was truly a back-to-the-roots album. “[Growing up] we couldn’t afford to pay for day care so I just spent all my time with my grandparents. Luckily they were musicians, and to keep me occupied we either watched baseball games or played. So I spent hours every day playing old-time country and

Jason Isbell stops trucking, takes break to rediscover his roots by Chris Parker

22 January 5, 2012

gospel songs,” says Isbell. “[Prior to recording Here We Rest] I spent a lot of time with the remaining members of the family, and thought about those days and what I learned and why I started playing in the first place.” While his band, the 400 Unit, took nearly all of see ISBELL Page 23

Boulder Weekly

ISBELL from Page 22

2010 off, Isbell used the time to reconwould’ve happened.” nect, after spending a dozen years on While some of this might come off the road with the Drive-By Truckers as brashness, Isbell wears it well. He’s a and on his own. He’s not convinced this passionate performer who really cares lower key, country-folk/rock approach about music and his connection with they took for the album will hold for the audience. Indeed it’s sort of the the next, but it carried the moment. subject of one of the album’s best songs, “It just felt like the right place to be. “Codeine.” The fiddle-driven track is The whole band has spent a lot of time ostensibly about a woman who runs in Alabama, and I think we all wanted from herself and the narrator into to do something that reflected that,” he drugs. says. “I guess that’s the way to keep on The year they took off in 2010 was smiling where you are,” Isbell dryly a perhaps needed mental break. Isbell opines. Interestingly, the song opens joined the with a cover Drive-By band going Truckers in 2001 through the On the Bill Jason Isbell and the 400 Unit plays the just as they were motions, seemFox Theatre on Thursday, Jan. 5. Doors becoming one of ingly a misdeat 7:30 p.m. Band of Heathens opens. the undermeanor, but in Tickets are $17 in advance, $20 day of show, plus $2 for under-21. 1135 13th ground’s most this context and St., Boulder, 303-443-3399. Isbell’s opinion, well-regarded a symbol of sellguitar rock acts. ing yourself A half-dozen short — or out. years later, he left the band and “It really pisses me off when people divorced his wife, DBT bassist Shonna think ‘I’m just playing at this bar in my Tucker (who left the band last month), hometown or I’m playing for 10 people embarking on a solo career. He quickly released two albums of well-crafted and in Buffalo at the Mohawk on a Tuesday eclectic rootsy rock/pop, hitting the night, so I don’t have to really put road with a vengeance. myself into it.’ I see that so much,” he His experience with the Truckers says. “Yet I hear people all the time, gave him a chance to grow as a song‘Why am I still stuck in this town? I writer and learn some of the pitfalls of work so hard. I play five, six nights a being a touring band. week.’ Yeah but every time I see you, “I think we hit almost all of them. you’re just sitting there going through But back in those days we got along. It the motions.” was before money had come along and It’s something you won’t catch Isbell caused everybody to bicker about doing. He’s all about plainspoken honesty things,” Isbell says. “I definitely fell into and authenticity. Even the conversational a good spot because I didn’t have to tone of his songs sounds like something lead my own band at that point, didn’t overheard or confessed moments earlier. have to be in control of the whole pace It’s about the fact that the most complex of the show, and didn’t have to take a truths sometimes are best described with whole lot of weight on my own shoulbut a few simple words. ders. But sometimes I wish I had just “The people that I’m around most done it myself the whole time.” of the time,” Isbell says, “although they It’s not that he’s ungrateful. may be very intelligent people, their “It helped me out when I went out poignancy doesn’t come from decoraand tried to find my own audience. tion.” There were already some folks built in, The same thing goes for songwritso that was a really nice thing,” he coning, as Isbell’s clearly aware. tinues. “But you never know what Respond: letters@boulderweekly.com

[

]

1722 14th st. #105, Boulder M - F 7:30a.m. - 5:30p.m. emergency? call anytime

AFRONAUTS from Page 22

rounded by some pretty top-notch players, and when they gel in their comfort zone together, those skills come out naturally.” It’s nice to think of Keeney laying down a bass line in the Afronauts practice space, nodding his head in wonder at the sounds coming out of his band. A year ago, he was a music geek with a love for a niche genre. The fact that he was able to find eight other musicians who share his love for the genre — or at least shared an openness to play the genre — is impressive. What’s more Boulder Weekly

impressive is that the Afronauts are only just now starting to come into their own. The coming year should find the group continuing to grow — still getting people out of their seats and onto the dance floor while finding their own signature sound. “We’re evolving,” Keeney says. “We’re writing our own material more, and I think that’s really the next step for the band. But everyone is in the same mindset, and the music is just really fun to play.” Respond: letters@boulderweekly.com January 5, 2012 23

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Jan 27 ................................................................................ Emmitt-nErshi Band Jan 28 ............................................................................................................ kraddy fEB 1 ..................................................................................................... El tEn ElEvEn fEB 2 .................................................... kung fu & smooth monEy gEsturE fEB 3 ............................................................................................ thE lEmonhEads fEB 4 ........................................................................................... alaBama shakEs fEB 9 ................................................................................. grEEnsky BluEgrass fEB 10 ................................................................................................. Conspirator fEB 11 ...................................................................................... pErpEtual groovE fEB 17-19 ...................................................... soulivE w/ JJ grEy (of mofro) fEB 21 .................................................... whitEwatEr ramBlE and friEnds

jan 29 ................................................ Boulder Wedding ShoWcaSe 2012 feB 4 ............................................................................. Second city on tour feB 22 ...................................................... danceS for future anceStorS feB 28 & 29 ............................................................ Banff mtn film feStival mar 2 ................................ nerdiSt podcaSt live! W/ chriS hardWick mar 3 ............................................................................................. ani difranco mar 9 ................................................................................................... loS loBoS mar 26 ...................................... henry rollinS - the long march tour apr 7 ............................................................ Bela fleck & the flecktoneS apr 13 ...........................the travelin’ mccouryS ft. keller WilliamS apr 25 ................................................................................... laurie anderSon

Boulder Weekly

panorama boulderweekly.com/panorama

Jim Post at the Anthony Grant Studio Gallery

music

arts

Thursday, Jan. 5 Acoustic Open Mic Night. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303993-2094.

Clay Kirkland — With Trunko & Briggs. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Connolly & Ramey. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Doug Yager Quartet. 6:30 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-4069696. Honeycomb. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

BoulderDenver Area Boulder Museum of Contemporary Art — Zach Reini’s Suburban Lawns, Thomas Scharfenberg’s Obvious Invisible, Amanda Marie Ploegsma’s Purity & Credence. 1750 13th St., Boulder, 303443-2122. Through Jan. 29. Burning Issues — The Fourmile Canyon Fire. University of Colorado Museum of Natural History, Henderson Building 218, Boulder, 303-4926892. Through Jan. 26. CU Art Museum — The Anxiety of Influence: From CU’s ceramics collection. CU Art Museum, 1085 18th St., Boulder, 303-492-1320. Through June 25.

Erin King, Ken Schmeelk. NCAR Mesa Laboratory, 1850 Table Mesa Dr., Boulder, 303-497-2408. Through Jan. 31. Jim Post Photography, Anthony Grant Paintings. Anthony Grant Studio Gallery at The Art Underground, 917 Front St., Louisville, 303408-5533. Street Cred — Graffiti Art from Concrete to Canvas. Longmont Museum, 400 Quail Rd., Longmont, 303-651-8374. Through Jan. 22.

Isabelle Davis, Dechen Hawk & Kara Hesse. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Jason Isbell & The 400 Unit — With Band of Heathens. 7:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Martin Gilmore’s Picking Circle. 9 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Matt Fuller Trio. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Patrick Dethlefs. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-448-5847.

events Beginning Flamenco Dance. 6:15-7:30 p.m. Kakes Studios, 2115 Pearl St., Boulder, 303-786-7050, www.flamenco-boulder.com.

Boulder Salsa Social. 6:30 p.m. The Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 720-934-2028.

Satellite Tap Room — Widmer Brothers Brewing Co. 6:30 p.m. The West End Tavern, 926 Pearl St., Boulder, 303-444-3535.

Comedy Night. 9 p.m. The Bitter Bar, 835 Walnut St., Boulder, 303-442-3050.

Friday, Jan. 6

Comedy Works — Presenting Jeff Harms, Matt Baca, MC Bill Leblanc. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

music

Expert Talk — With Zach Reini. 6:30 p.m. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. National Caregiver Training Program Begins — Training for family caregivers of older adults. 1:30 p.m. Longmont, 303-6786116.

Amazon Eye Shadow. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-4404628. Eldren. 9 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036. Hamilton Loomis Band. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303443-3322. Jenn Cleary Solo. 7 p.m. Sun Rose Cafe, 379 Main St., Longmont, 303-651-3533.

words

Thursday, Jan. 5 Poetry Reading — With Troy Suben. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644. Tuesday, Jan. 10

Dien Cai Dau for the Living Poets Society

Lionel Young Band. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Lucky 7s. 7:30 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108. Mojomama. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

Living Poets Society — Poetry Bookclub Meeting on Dien Cai Dau, by Yusef Komunyakaa. 7 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Rahim AlHaj. 8 p.m. Swallow Hill, 71 E.Yale Ave., Denver, 303-777-1003.

Poetry Open Mic. 7 p.m. Innisfree Poetry Bookstore, 1203 13th St., Ste. A, Boulder, 303-579-1644.

Tom Weiser & Paul Fowler Jazz Duo. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Smack Thompson. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922.

Treehouse Sanctum, Steven Cohen, Sound Rabbit, Stealth Hippo. 6:45 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Turn 4. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. The Wailers — With Outernational. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Boulder Weekly

events Deadline for applications to the Lafayette Cultural Arts Commission. www. cityoflafayette.com/joinus. Michael Jackson The Immortal World Tour — Cirque du Soleil. 8 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303405-1100.

Saturday, Jan. 7 music The Afronauts. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Amazon Eye Shadows. 7 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-4069696. Boulder School of Rock Presents Drum Wars — Feat. Carmine Appice & Vinny Appice. 12 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Danny Shafer and the 21st Century. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Dwight Carrier,The Bell Jar, Reviving Cecilia. 6:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Johnny O Band. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. The Jurassicasters. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757. Lo down on the Mothership. 9:30 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036. Patti Fiasco Band. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Pete Kartsounes Band — With Dr. Phil Good and Smack Thompson. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-4433399. January 5, 2012 25

panorama boulderweekly.com/panorama

The Procrastinators. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-448-5847. Quiet American. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Rd., Unit B, Longmont, 303-776-1914. Sons and Brothers. 8 p.m. Swallow Hill, 71 E.Yale Ave., Denver, 303-777-1003. Teresa Lynne. 8 p.m. Boulder Outlook Hotel, 800 28th St., Boulder, 303-443-3322.

events Beginning Hoopdance. 10 a.m. Kakes Studio, 2115 Pearl St., Boulder, 303-9186617. Bent Lens Cinema — Presenting The Night Watch and Tomboy. 7 p.m. Nomad Theater, 1410 Quince Ave., Boulder, www. bentlens.org. Michael Jackson The Immortal World Tour — Cirque du Soleil. 8 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303405-1100.

Jan. 6 — Michael Jackson The Immortal World Tour

Cirque du Soleil has created a tribute to the King of Pop, and if it’s half as bombastic and fascinating as any Cirque show, it should be a blast. 8 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.

Playback Theatre West — Benefit show for One Action – One Boulder. 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

Sunday, Jan. 8 A Neighborhood Gathering Place in Downtown Louisville

music

UPCOMING SHOWS

Beck Burger Trio. 4 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

THURSDAY JANUARY 5 • 8:30pm

Blues Jam — With Heavy Cats. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-443-3322.

Beginning 9:30 Nightly

Acoustic open Mic NO MINORS

FRIDAY JANUARY 6

HILLBILLY HELLCATS ESTHER SPARKS

Danny Shafer. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628. Gadzukes! 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Karen Karsh. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

SATURDAY JANUARY 7

Paradiso. 1:30 p.m. OM Time, 2035 Broadway, Boulder, 720-565-6115. The Strangebyrds. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-8236685. Takács Chamber Series. 4 p.m. Grusin Music Hall, CU campus, 303-492-8008.

events Derech Chayim — “A Way of Life” 6 p.m. Boulder’s Rabbinic Council at Har Hashem Congregation, 3950 Baseline Rd., Boulder, contact Jodi for more details at 503-7807470. Michael Jackson The Immortal World

Tour — Cirque du Soleil. 8 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303405-1100. Sunday Afternoon Tea Dance. 1 p.m. Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 303-449-5962. Story Sharing Circle. 3:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Thrive — Refreshments at 3:30 p.m., film at 4 p.m., discussion at 6 p.m. Nomad Theater, 1410 Quince Ave., Boulder, www.bentlens. org.

Monday, Jan. 9 music Brad Goode Jazz Quartet. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303499-2985.

MONDAY JANUARY 9

$6 BURGER & FRIES!

Electric Blues Jam. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400.

GASOLINE LOLLIPOPS

Jay Ryan’s Big Top. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

TUESDAY JANUARY 10 • 8:30pm

Open Mic. 7 p.m. Rock N Soul Cafe, 5290 Arapahoe Ave., Ste. I, Boulder, 303-443-5108.

WEDNESDAY JANUARY 11 • 8:30pm

TRIVIA NIGHT

Takács Chamber Series. 7:30 p.m. Grusin Music Hall, CU campus, 303-492-8008.

SERVING THE HIGHEST QUALITY INGREDIENTS REAL FOOD REAL PEOPLE • REAL MUSIC

events

Jan. 8

The Strangebyrds. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

809 MAIN ST. • 303.993.2094 Simply Louisville WWW.WATERLOOLOUISVILLE.COM

26 January 5, 2012

BNC Dance & Fitness Free Week. The School of Ballet Nouveau Colorado, 3001 Industrial Ln. #12, Broomvield, www. bncdance.com. Embracing Israel/Palestine — With Rabbi Michael Lerner. 7 p.m. St. John’s Episcopal Cathedral, 1350 Washington St., Denver. For more information contact Earl Staelin at estaelin@comcast.net. “So,You’re a Poet” — Open poetry Boulder Weekly

LIVE MUSIC every Sun, Mon, & Wed @10pm & Fridays @ 5pm EVERY TUESDAY! $3 Premium Drafts all day $5.00 Cheeseburger & Fries after 4pm

Fri., January 6th • 9pm

Nick Dunbar

Sun., January 8th • 9pm

Open Stage

Mon., January 9th

The Heavy Cats

Wed., January 11th

Thurston Group

Friday, Jan 13th - Prairie Scholars Sunday, Jan 15th - Open Stage, 9pm Monday, Jan 16th - George Nelson Quartet Wed., Jan 18th - Holden Young Trio Friday, Jan 20th - The Prairie Scholars Sunday, Jan 22nd - Open Stage, 9pm Monday, Jan 23rd - The Heavy Cats Wed., Jan 25th - Jababa

Boulder Weekly

January 5, 2012 27

panorama boulderweekly.com/panorama

reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Spiritual Embodiment Class Starts. 7 p.m. Whole Being Explorations, 1800 30th St., Ste. 307, Boulder, 303-545-5562. RSVP requested.

Friday, Jan. 6

Tuesday, Jan. 10 music Bluegrass Pick. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Blues Jam — With Delta Sonics. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., 303-443-3322. The Thurston Group. 8:30 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303440-4628.

events Boulder Improv Jam Association — Public dance jam every Tuesday. 7:30-10:30 p.m.The Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 720-934-2028. Producing the Documentary. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

Wednesday, Jan. 11 music Bill McKay. 6:30 p.m. St. Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Tactile Tuesday. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424. Toddler Hour. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Auditions for Dynamix Singer — For singers ages 13 – 18. Studio, 11905 W. 107th Ave., Broomfield, for an audition appointment call 303-466-8275.

Wednesday, Jan. 11

Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Saturday, Jan. 7

French with Veronique. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

French/English Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Watercolor Wednesdays. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Sunday, Jan. 8 Go Club. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Monday, Jan. 9 Children’s Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Tuesday, Jan. 10 Drop-in Storytime. 10:15 a.m. Erie Community Library, 400 Powers St., Erie, 720-685-5200. Lap Babies. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303441-3100.

The Clamdaddys. 7:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-4636683.

See full Panorama listings online

[ ] Panorama

To have an event considered for the calendar, send information to buzz@boulderweekly. com or Boulder Weekly’s Calendar, 690 S. Lashley Lane, Boulder, 80305. Please be sure to include address, date, time and phone number associated with each event. The deadline is Thursday at noon the week prior to publication for consideration. Boulder Weekly does not guarantee the publication of any event.

decker, Judson Claiborne & Lizzie Huffman. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder. 303-440-4628.

Songs from the Silo — With Wendy Woo. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Rd., Longmont, 303-485-9400. Willie Houston and the Blues Band. 7:30 p.m. Nissi’s, 2675 N. Park Dr., Lafayette, 303-665-2757.

events Drop-in Meditation. 5 p.m. Boulder Shambhala Meditation Center, 1345 Spruce St., Boulder, 303-444-0190. National Caregiver Training Program Begins — Training for family caregivers of older adults. 1:30 p.m. Boulder, 303-678-6116. Wednesday Waltz Etcetera. 7 p.m. Avalon Ballroom, 6185 Arapahoe Rd., Boulder, 303-449-5962.

Kids’ Calendar Thursday, Jan. 5 Auditions for P’zazz Children’s Choir — For singers ages 9 to 12. Studio, 11905 W. 107th Ave., Broomfield. For an audition appointment, call 303-466-8275.

Dearly Departed

theater

Reggae Wednesdays. 9 p.m. Shug’s Low Country Cuisine, 2017 13th St., Boulder, 720-398-9036.

Avenue Q. Vintage Theatre, 2119 E. 17th Ave., Denver, 303-839-1361. Through Jan. 8. Dearly Departed. The John Hand Theater, 7653 E. 1st Pl., Denver, 720-880-8727. Jan. 7 through Feb. 11. Phantom. Boulder’s Dinner

Theatre, 5501 Arapahoe Ave., Boulder, 303449-6000 x4. Through Feb. 18. Present Laughter. Miners Alley Playhouse, 1224 Washington Ave., Golden, 303-935-3044. Through Feb. 12.

Children’s Storytime. 10:15 a.m. Boulder 28 January 5, 2012

Boulder Weekly

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Danny & Karli Sherwinter

Saturday, February 4, 2012 6:30 pm Omni Interlocken Resort Over 15 amazing items in the Live Auction including:

• Insprirato - One week luxury resort vacation • VIP tour of LA Zoo • Skybox for four at Avalanche game • Signed guitar by Big Head Todd & the Monsters For more live auction items visit www.facebook.com/boulderjcc

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Peter Haley/Tacoma News-Tribune/MCT

Luke Brechwald has a bike clamped into a bike trainer in the garage of his Lacey, Wash., home. There, he watches DVDs as a box fan blows, a phone book keeps the bike level, and a sweat mat below him keeps the carpet from smelling like a locker room.

upcoming events Thursday, Jan. 5 Outdoor Divas Demo Day — Women’s specific demo day. Loveland Ski Area, 303-569-3203. Long’s Peak in the Winter. 8 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303-499-8866. Friday, Jan. 6 Avalanche Transceiver Basics. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. Saturday, Jan. 7 Boulder Cycling Club Saturday Morning Ride. 9:30 a.m. Meet at Bicycle Village, 2100 28th St., Boulder, 303-8752241. Form Clinic. 10 a.m. Newton Natural Running, 1300 Walnut St., Ste. 20, Boulder, 303-4940321. Winter Trails Day — With REI. 10 a.m. Echo Lake Park, near Mt. Evans, st444@rei.com. Monday, Jan. 9 Traveling to Falklands, South Georgia and Antarctica. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. Tuesday, Jan. 10 A South African Adventure! 7 p.m. Changes in Latitude Travel Store, 2525 Arapahoe Ave., Boulder, 303786-8406. GPS Basics. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970.

ost cyclists have a torture maybe a e a room or b t h er ig b m am It ch se. in their hou someplace e suffering cGil vray, th M le y e. K r ag ce ar eg e ra corner of th oss and mountain bik e in Tacoma, Wash. ngs cr o om h cl cy is s burning, lu h r g o f F o le t e, en er th em im in the bas u can find h takes place inter day yo ing his eyes. w en iv g y On an sweat sting manager of mercy and ay, assistant begging for the pain he likes. vr il cG M id And that ’s oredom,” sa me is the b s et g at h “W yc le. ld Town Bic Tacoma’s O

30 January 5, 2012

Wednesday, Jan. 11 Avalanche Awareness. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. Waxing for Cross Country Ski Touring. 7 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303499-8866. Wednesday Fun Run. 6 p.m. Boulder Running Company, 2775 Pearl St., Boulder, 303-786-9255. To list your event, send information to: editorial@boulderweekly.com. attn: “Elevation.”

Boulder Weekly

Brazel’s setup includes a rowing machine to change up his workouts, an MP3 player loaded with music and the mother of all trainers — a $1,650 CompuTrainer. Welcome to the pain cave. It’s a place no cyclist really wants to be, but it’s a necessary evil if you live in a cold climate. Each fall when the weather turns cold and wet and daylight becomes scarce, cycling outside is, at best, inconvenient and, at worst, dangerous. For those who want to keep riding, the best way is indoors. For as little as $150, cyclists can buy a trainer, a device that attaches to their rear wheel, converting their ride into a stationary bike. Voila, winter workouts are instantly as convenient as summer mornings. Except for one pesky issue. “After about an hour you just want to poke your eyeballs out,” said Mike Brazel, a 49-year-old racer from Federal Way, Wash. Cyclists are constantly looking for ways to liven up their time on the trainer. “You do things you usually wouldn’t do,” McGilvray, 26, said. “Like listen to Lady Gaga.” After 25 years of racing, Brazel thinks he solved the boredom problem with a pain cave that can transport him to Hawaii. Brazel’s setup includes a rowing machine to change up his workouts, an MP3 player loaded with music and the mother of all trainers — a $1,650 CompuTrainer. The CompuTrainer attaches to a computer and records a variety of stats, from mileage and wattage output to pace and speed. He can load different race courses from around the world — including the Ironman route in Hawaii — and watch actual footage on the monitor while the computer matches the resistance. CompuTrainer also offers 3-D upgrades. Boulder Weekly

“It basically turns my bike into a video game,” Brazel said. “The longest I used to ride my trainer was about an hour. ... Now I can ride two or three hours and it’s not too bad. “I think it was a good investment.” For most cyclists, a CompuTrainer won’t fit the budget. So they improvise. McGilvray streams videos of cyclocross (a hybrid of road and mountain biking) races free to his laptop via YouTube, then blasts classic rock and what he calls “really bad current pop music.” Then he fires up a fan to stay cool and cranks out a workout that lasts 30 minutes to an hour. Luke Brechwald, a mountain bike racer and co-owner of Lacey’s Joy Ride Bikes, has an old 28-inch TV and a fan set up in front of his bike in his home workshop. Whenever he gets hooked on a TV series, he tells himself he can watch only when he’s on his trainer. Sometimes he sets up his iPad in front of the bike to watch cyclocross race footage. While cyclists love to hate their Pain Caves, these spaces have their upsides. “It’s so much easier than getting all kitted up and going out or riding in the dark,” Brechwald said. “And you don’t have to play the stoplight game all the way out of town before you even start your workout. You can get in there and get it done.” And it’s warmer. “Of course, I’d always rather be riding outside than inside staring at the wall,” McGilvray said. ©2011 The News Tribune (Tacoma, Wash.) —MCT Respond: letters@boulderweekly.com

Spanish Courses • Study Abroad • Free Social Events

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2850 Iris Ave. Boulder, CO • (303) 350-5533 Currently on display Andre de Dienes photographs of Marilyn Monroe 1945-1949

303-443-0821 From the Collection of Mark Sink

2347 South Street Boulder

www.mrpoolinc.com 653 S. Broadway, Boulder 303.499.2011 table mesa shopping center

M-F 10am-7pm • Sat 10am-6pm Sun 11am-5pm

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We have a HUGE selection of hockey gear and ice skates for sale! playitagainsportsboulder.com January 5, 2012 31

cuisine

hamb

Bob C

geles

s An rlin/Lo

/MCT

Times

boulderweekly.com/cuisine

Making it bloody good

by Chris Erskine

olotov had his cocktail; I have mine — a fiery Bloody Mary, three parts tomato juice, one part vodka. Crumble in bits of crispy bacon, add a splash or two of horseradish and hot sauce for extra tingle. There’s more to this classic drink, but that’s the basic plotline, the can’tmiss equation. Stick with me a moment and you’ll know more about Bloody Marys than you do your own mom. True, mothers are hard to know — so saintly, so selfless, I don’t even try anymore. By comparison, Bloodys are easy to understand. Named for Mary I of England, or Mary Pickford, or a barmaid named Mary in Chicago — your choice — the Bloody Mary might be the greatest American cocktail, certainly the best with which to toast a bowl game or parade. Purists, and pureeists, may make their tomato mix from scratch, but that time-consuming process isn’t necessary, thanks to some inspired new mixes. Here’s how to pick one: Hold it to a harsh light, X-ray it if you will. Are there flecks of pepper in the mix? Rule of thumb, the bigger the flecks, the better the mix. A good mix almost has its own melanin, the darker the better, an almost Irish-cheeked ruddiness. If light passes through, it is probably too thin, like the crummy fluid many bars now serve, tepid stuff with the consistency of Kool-Aid. Blah-humbug. “There’s lots of premium vodkas out there,” says K.C. Cranfill, one of the founders of a new über-mix called Hoosier Momma. “We thought, why not have a premium Bloody Mary mix?” In fact, I can’t think of any substance in American life with the range — from bad to good — as Bloody Mary mix.

Seeing red

Lately, bar and restaurant Bloodys are not so much bloody as barely bleeding. They’ll use good vodka, then skimp on the tomato-y stuff, when it should be the other way around. I’ve embraced many important causes over the years, but if I can get bartenders to replace that thin swill with something substantial, my life will be complete and I can go off to

ere are some good Bloody Mary mixes to get you started: • Hoosier Momma, not for wimps, this new kid on the block may become the gold standard; available by mail order at www.hoosiermomma.com. • Zing Zang, award-winning peppery blend, almost as thick and turbocharged as Hoosier Momma, and available in most supermarkets and liquor stores. • Dr. Swami & Bone Daddy’s, another rich blend. Rule of thumb, if it’s red as a firetruck, it’s no good. This mix, like the others, is almost burgundy; available at Bristol Farms. • Demitri’s, highly popular spice kit that comes in several blends. Remember to buy tomato juice, for unlike the others, this is a spice kit, not a full mix. Available on Amazon. • If you want to go local, check out the Coloradobased Freshies brand and its tasty Bloody Mary mix at www.freshies.com.

see BLOODY Page 34

Clay Kirkland

w/ Trunko & Briggs Thurs Jan 5 7:30-10pm

Hamilton Loomis Fri Jan 6 Band 8-10:30pm $10 cover

Teresa Lynne

Blues Jams Every Tuesday & 2nd & 4th Sunday Jazz Jams Every 1st & 3rd Sunday PlayErS WElcomE 32 January 5, 2012

Mistress of the Blues Sat Jan 7 8-10:30pm

Boulder Weekly

cuisine review boulderweekly.com/restaurantreview

[

]

Murphy’s 2731 Iris Ave. Boulder 303-449-4473

Bar and grill bites that satisfy

oming off the holiday season, a full-course dinner may seem excessive after weeks of seasonal indulgence. Something lighter is the order of the day, and if it can be enjoyed in an unfussy environment without spending too much, so much the better. The reasonably priced happy hour menu at the Murphy’s in North Boulder ably fills this bill in a bright and lively locale evoking a textbook bar and grill. Local stalwart Murphy’s retains its longstanding atmosphere of conviviality, being equally suitable for both families with children and the solitary diner seeking a simple brew and burger at the bar. It was packed on the evening that friend Norma and I paid a visit, and the vibrant feel was enhanced by the presence of a gentlemanly practitioner of the art of sleight of hand. While some diners were happily tucking into full-bore meals, we availed ourselves of the shared plates menu, a blend of bar food favorites and more gourmet options marked down for happy hour. The Murphy’s on South Broadway serves up a similar bill of fare, although there are some differences in the available offerings. We opened our small-plate smorgasbord with two south of the border specialties, the $3 guacamole with tortilla chips, and the similarly priced Six Bite Nachos. The avocado dip was marked by an appealing textural consistency and color. However, the flavor of the main ingredient was masked by a heavy surplus of cumin. The name of the nachos dish was misleading, as it consisted of far more than six bites. For the money, it was

by Clay Fong

Clay’s Obscurity Corner

Susan France

Magic man

a generous portion, and enough for two people. The tasty mix of chips, cheese and jalapeños evoked favorable comparisons to my favorite Boulder nachos of all time, the heaping platter from the now defunct Oasis on Canyon. In the global faceoff between the $3.25 Asian wings and the $3.99 Caribbean jerk ribs, pork prevailed over chicken. The teriyaki-glazed wings were standard bar fare, with few distinguishing characteristics. On the other hand, the Jamaican-style pork ribs possessed fine meaty qualities, namely a luxurious falling-off-the-bone texture enhanced by a tangy habanero mango sauce that nicely balanced sweetness and fire. Other options included a pair of light seafood bites. One was a $4 crab cake, moistened with apple and scented with what tasted like Old Bay Seasoning. While East Coaster Norma was accustomed to spicier takes on this preparation, the freshness and subtle crustacean

creaminess shone through, as the seasoning didn’t overwhelm. A lemon mayonnaise provided an appropriately delicate accompaniment, as did a side of slaw. Norma found the $3.99 smoked salmon preparation an interesting variation on classic bagels and lox. While the accompanying strawberry sauce may not be for everyone, this light mix of capers, brie and fish displayed a surprising French flair. Crostini made from ciabatta bread contributed a crunchy complement to the subtly smoked salmon, which was closer in flavor to fresh fish than heavily cured lox. We ended our meal with the longrunning $1.79 “smallest dessert in town,” a modest cube of brownie paired with a petite scoop of vanilla ice cream, just enough to round out the meal. In many respects, this ending epitomized the finer aspects of Murphy’s ambitious happy hour, as it was fairly priced, of decent quality and just the right size. Respond: letters@boulderweekly.com

ne legendary practitioner of sleight of hand was Jean Eugène Robert-Houdin, a 19th century French magician. His fame was such that Napoleon III’s government dispatched him to Algeria to help quell an indigenous uprising. Rebel leaders would perform “miracles” as a recruiting tool, and the government felt RobertHoudin could counter these convincing illusions. One of his illusions involved switching on an electromagnet to anchor a metal box to the floor. Robert-Houdin convinced volunteers he had sapped their strength, as they had been previously able to lift the box. It’s said the magician was somewhat successful in tamping down the uprising. Respond: letters@boulderweekly.com

A Taste of Bauman College Join us for a fun and inspirational evening of nutrition and wellness. Hear about our programs, enter to win a raffle, watch a fun cooking demo with samples, and learn how you can find optimal health with Bauman College. Monday, 1/23 • 5:30-7:30 PM 1128 Pine Street, Boulder, CO

Free Event

January 5, 2012 33

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TIDBITES Food happenings around town Oatmeal Festival returns Lafayette will host the 16th annual Quaker Oatmeal Festival from 7:30 a.m. to 1 p.m. on Saturday, Jan. 14. The family event, which focuses on a healthy lifestyle, includes an oatmeal breakfast, certified 5K, health fair and oatmeal baking contest. The oatmeal breakfast will be held from 7:30 a.m. to 12:30 p.m. at Pioneer Elementary, 101 East Baseline Rd. The Health Fair, which will feature more than 50 booths, will be held from 8 a.m. to 1 p.m. at the Bob L. Burger Recreation Center at 111 West Baseline Rd. The Quicker Quaker 5K Walk/Run, which starts at 9:30 a.m., will begin at the Rocky Mountain Center for Musical Arts, at 200 East Baseline Rd. The 5K Walk/Run is open to runners and walkers of all skill levels. Kids, strollers and dogs are welcome (limit of one dog per participant). Cash prizes will be awarded to the top male and female finishers. The 5K fees are $17 in advance until Jan. 13, and $27 on race day. Fees also include the oatmeal breakfast. A free shuttle will run continuously between the Flatirons Community Church at 350 S. Boulder Rd. and Pioneer Elementary from 7:30 a.m. to 1:30 p.m. To register, visit www.lafayettecolorado.com or call 303-666-9555. Smiling Moose expands menu Smiling Moose Deli has recently added new items to its menu. The signature Mighty Mo, a cheeseburger grinder, now has an entire line that incorporates southwestern, BBQ and vegetarian Boca burger versions. In addition, breakfast burritos are served all day, custom-chopped salads are prepared according to the customer’s wishes, and hot or iced espressos have become popular. The kids’ menu has been expanded and now includes a pizza bagel and a yummy treat. Smiling Moose Deli also has a gluten-free menu that includes soups, salads and sandwiches. Smiling Moose, which got its start in Colorado, recently opened a store in Bozeman Mont. Respond: letters@boulderweekly.com BLOODY from Page 32

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the forest and chase wood nymphs with a little net — my end game, my dream. Lately, I’ve also taken to studying vodka, with hopes of one day creating the ultimate Bloody Mary. One day, I hope to add an extra molecule of vodka to the vodka, creating a super vodka. It’s like oxygen becoming ozone. One extra molecule can make all the difference. Just for kicks, I might split it. I am merely one MacArthur “genius” grant away from making this all happen. Until then, the best Bloodys happen at home. Order some of this Hoosier Momma mix through the mail, the best in my 40 years of research. Thick as paint, this stuff — a mitzvah, a miracle of spiced tomatoes. For just the right bounce, I blend the spicy version 50-50 with the regular (the spicy version alone is too hot for even me). Or, head down to the supermarket for a bottle of Zing Zang, another worthy mix. These premium mixes are pre-

spiced and need little help. With simple tomato juice or the blander mixes such as Smirnoff, you’ll need to goose it a little, with horseradish, Tabasco, Worcestershire, cracked pepper. In either case, a good Bloody can be a brunch in itself. I start with a highball glass, rim it with salt. Add ice, vodka, your mix, a teaspoon or two of the crumbled bacon I mentioned before, maybe a chilled jumbo shrimp. Don’t forget a slice of lime, a stab of celery and blue-cheese-stuffed olives the size of a baby’s fist. I am not above adding anchovies or — for cheeseheads — a wedge of smoky Wisconsin cheddar. Even a splash of very black coffee on the toughest mornings. Then raise a glass to the winter light and toast the person who made it all happen: You. Slurp. Sigh. Repeat. Respond: letters@boulderweekly.com ©2011 the Los Angeles Times —MCT Boulder Weekly

Dessert Diva Double Vanilla Cupcakes with a Buttercream Frosting

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12oz. cup of fair trade organic coffee with purchase of one bagel with cream cheese Exp. 1/31/12

by Danette Randall

ell, I’m sure you thought, “It’s 2012, the beginning of the year, the time we all try and re-invent ourselves.” I’m also pretty sure you thought I would come out low-fat, gluten-free, no sugar, blah, blah-ing you to death. But nope, not the case. I’m giving you an awesome recipe that is fullon everything. It was a request, and I promised myself that 2012 will be the “do as you’re told” year. This is just “do as you’re told” from readers, mind you, not every schmuck I meet in my dayto-day dessert diva trollings. So what did a reader suggest for the first dessert of the year? I know the anticipation is killing you. Insert fake drum roll here ... Double Vanilla Cupcakes with a Buttercream Frosting. Take that, you Johnny-come-lately new year dieters. This is a great recipe, always a big hit when I whip them up. I believe the request came from someone throwing a baby shower. I like that she didn’t want to do mini-cupcakes, and wanted the full mack-daddy cupcake. These are almost as easy as making them from a box (ugh) and oh so much better (obviously). I use pure vanilla extract, and a vanilla bean. Nothing beats the little flecks of vanilla streaming through the cupcake. Even if you can’t tell a difference, believe me, there is. Try it, you will like it. You will feel fancy, and don’t we all want a little fancy in the new year? I guess this could really be called triple vanilla, now that I think about it. There is a nice amount of vanilla in the frosting as well, so if you love you some vanilla, this is your dessert! I would suggest some delicious chilled vodka with this treat, but I am trying to cut back on the pairing of liquor with every dessert. If I was still pairing the two, then that would be my suggestion, but I’m not, so I won’t. Did I confuse you? I need to stop drinking the vanilla vodka when I’m making these cupcakes. Now, follow the directions, put Boulder Weekly

some love into it, and invite me over when it’s done.

Double Vanilla Cupcakes with a Buttercream Frosting 3/4 cup unsalted butter (room temperature) 1 1/2 granulated sugar 3 eggs 1 tbsp. vanilla 1 vanilla bean, seeds scraped 1 1/4 cups milk 2 1/2 cups flour 1/2 tsp. salt 2 tsp. baking powder Preheat oven to 350. Line two 12-count muffin tins with cupcake wrappers (or grease muffin tins). This recipe makes approx. 15-16 cupcakes. In small bowl, combine flour, salt and baking powder. In large bowl, cream butter and sugar. Add eggs one at a time. Mix in vanilla, vanilla bean and milk. Combine flour ingredients slowly into wet mixture. Divide evenly between cupcake liners, filling about two-thirds of the cup. Bake for 15-18 minutes, until toothpick in center comes out clean (17 minutes was perfect in my oven). Take out and let cool in pan for 10 minutes, take out of pan. Cool completely before frosting. Vanilla Buttercream Frosting 1/2 cup unsalted butter (softened) 4 cups powdered sugar 1 tsp. vanilla 2 tbsp. milk (might need a little more, add slowly) Beat all ingredients until smooth. You may need to add more milk, or a tad more sugar, depending on what consistency you desire. Enjoy! You can watch the Dessert Diva every Monday at 8:35 a.m. on Channel 2. To contact Danette at the station, visit 2thedeuce.com, and click on Daybreak on the Deuce. To chat and/or send comments and suggestions, write to jdromega@aol.com. Respond: letters@boulderweekly.com

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Aloy Thai Cuisine

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ormerly Chy Thai, Aloy Thai Cuisine claims the same ownership and food as its predecessor, as well as an upgraded dining room. Indeed, the solid Thai selections of the old venue live on, and the lunch menu provides an opportunity to enjoy several classic choices for no more than $9. Lunch highlights include the red roast chicken curry and Pad Kra Pow, a Thai basil-scented stir-fry.

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Minglewood 1606 Conestoga St. #3, Boulder 303-442-0585

he Grateful Dead is the main influence on the ambience at Minglewood, a new eatery primarily catering to a lunchtime worker crowd near 55th and Arapahoe. Hot and cold sandwiches, entrée salads and a rotating selection of soups and desserts make up the bulk of the menu. Rotating special highlights include the lamb meatball panini and cream of red pepper soup.

Korea House 2750 Glenwood Dr. #4, Boulder 303-449-1657

nder new management since last spring, Boulder’s Korea House has a newly upgraded ambience. It still serves up a menu of Japanese items such as sushi and teriyaki, as well as classic Korean specialties such as barbecue beef and short ribs. The gal bi, or short ribs, are a can’t-miss selection featuring tender beef and a marinade balancing soy, garlic and a hint of sweet.

Tossa Pizza 2400 Arapahoe Ave., Boulder 720-214-3254

ocated at Folsom and Arapahoe in Boulder, Tossa Pizza functions as a typical fast-casual, order-at-the-counter joint during lunch. Come late afternoon, it switches to table service throughout dinner and until closing. This affordable Italian-accented eatery dishes out pizza, salads, pasta and panini of a quality that’s pleasantly surprising for the price. Highlights include the macaroni and five cheeses and the arugula and mushroom pizza.

Brooklyn Deli 1515 Main St., Longmont 303-684-8400

ongmont’s Brooklyn Deli brings a taste of the Big Apple to the Front Range. Classic

36 January 5, 2012

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selections include a can’t-miss Reuben with a choice of turkey, pastrami or corned beef on grilled rye, and a satisfyingly homespun matzo ball soup. Other star attractions include Long Island A&S bagels topped with cream cheese and lox from Brooklyn’s Acme Smoked Fish.

Snooze 1617 Pearl St., Boulder 303-225-7344

nooze, a self-described “a.m. eatery” that originated in Denver, now has a Pearl Street outpost. The menu includes a variety of eggs Benedict interpretations, like the delightful Upstream, featuring a hunk of delicately honeyed smoked salmon. There are also several $7.50 pancakes, which include the usual suspects, like blueberry, as well as more unique selections like a dessert-like pineapple upside-down version. Of course, a full complement of egg dishes, ranging from omelets to huevos rancheros, are available, as are oatmeal, granola and French toast.

Riffs Urban Fare 1115 Pearl St., Boulder 303-440-6699

iffs Urban Fare occupies the former site of Boulder’s Bookends Café. Featuring small plates, Riffs also offers larger dishes like short rib ravioli and lobster risotto appropriate for an entrée or sharing. Soups, salads and sandwiches are also on tap, including a Colorado’s Best Beef Burger and a Kentucky Hot Brown, featuring cheese sauce over tur-

y its own description, Lafayette’s (503) Cafe highlights reasonably priced international cuisine, with a variety of American, Salvadoran, Thai and Italian options. For lunch, choices include prime rib sandwiches, pad thai and jicama root topped with lemon and salt. Dinner choices include the rib eye with pan sauce over garlic mashed potatoes, and a chicken Marsala atop Parmesan risotto.

key. Top choices here include the tangy house-made pickles and a perfectly prepared duck confit worthy of a Parisian bistro.

7960 Niwot Rd., Unit D12 Niwot 303-652-0200

his hospitable watering hole offers such expected bar food staples as a range of burgers, chicken wings and nachos. But the tavern also surprises with unexpected selections such as edamame and a hot clam dip loaded with cheese. Other notable menu items include the hearty beef Stroganoff and shitakeencrusted ahi sided with compelling Asian-style noodles and carrots scented with garlic.

Backcountry Pizza and Tap House

Tiffin’s 2416 Arapahoe Ave., Boulder 303-442-2500

oulder’s new Tiffin’s showcases vegetarian Southern Indian street food at reasonable prices. What it lacks in ambience it makes up for with friendly service and unique, fresh flavors. Start with the dosa, a rice crepe served up with a pair of chutneys. The samosa chat features a potato and vegetable-stuffed turnover smothered with onion, cilantro and curry, and is a more than satisfying choice. The Bhel Puri, a puffed rice, noodle and vegetable “trail mix,” is a citrusy counterpoint.

2319 Arapahoe Ave. Boulder 303-449-4285

oulder’s Backcountry Pizza and Tap House ably builds on the foundation of its Nederland parent. The menu spotlights buildyour-own (with a gluten-free crust option) and specialty pizzas, ranging from the all-encompassing Meat Grinder to the Vegan Love. One satisfying option is The Works, a classic combo of mushrooms, sausage, ground beef, banana peppers, black olives and feta. There are also burger, sandwich, salad and entrée options.

Moongate Asian Bistro 1628 Pearl St., Boulder 720-406-8888

Saxy’s Cafe 2018 10th St., Boulder 303-786-8585

owntown Boulder’s tranquil Saxy’s Café is both coffee house and light-meal venue, serving up bagels, pastries and breakfast pressed sandwiches like the Fast Start, featuring egg and smoked salmon. Other items include vegetarian as well as prosciutto panini and entrée salads, featuring such ingredients as turkey, goat cheese and intriguing dressings exemplified by the maple balsamic vinaigrette. The tuna panini features albacore, capers and arugula on toasted foccacia.

lassic Chinese-American cookery is one of the stars of the show at Moongate Asian Bistro, with such venerable chestnuts as Kung Pao chicken and broccoli beef on tap. Moongate also offers several Thai, Japanese and Vietnamese selections, including pad thai, sushi and Saigon soft-shell crab. Don’t-miss items include the udon noodles, with a hearty mushroom-infused broth, and the classic Chinese-American starters of coconut shrimp and crab Rangoon. Respond: letters@boulderweekly.com Boulder Weekly

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Iron performance by Dave Taylor

n the surface, former British Prime Minister Margaret Thatcher might not seem like a good subject for a biopic. She wasn’t flamboyant, there’s no romantic back-story, and she was more known for her steel will than her diplomacy. In these politically charged times, however, The Iron Lady is surprisingly timely, with its profile of the greengrocer’s daughter who rose through — fought her way through — the British political ranks to become one of the most powerful women in the Western Hemisphere. The narrative roughly follows her personal history, starting with her school years and showing how she rose to become the first female member of Parliament, then prime minister of Britain for 11 years, during which time she wrestled with the recession of the 1980s, the birth of the European Union, the antiapartheid movement in South Africa, a massive miner’s strike, the Argentine fight over the Falkland Islands and the bombings and rebellion of the Irish, including frequent bombings — emotionally portrayed in the film — from the Provisional Irish Republican Army. As Thatcher, Meryl Streep is superb. From her makeup and wardrobe to her speech and the behaviors and mannerisms of a woman in her 40s, 50s and older,

Streep vanishes in her portrayal of the Iron Lady, and it’s a wonder to behold in an era where films are about their stars as much as they are about the characters in the movie. It’s the anti-Tom Cruise, if you will. The film opens with a touching scene where Thatcher is retired, her husband Denis (played well by Jim Broadbent) has passed away a few years earlier but is still very much a tangible, physical presence to her, and she has eluded her minders and gone down to the local grocers for a pint of milk. Shocked at the price, she comes back and discusses it with Denis. Except he’s been dead for a few years to everyone but Thatcher. In addition to a fascinating and reasonably neutral political narrative that focused on Thatcher and the cost her family paid in her single-minded devotion to her career, The Iron Lady was surprisingly touching and more than once I felt a wave of emotion sweep over me as I watched her children fight for attention,

hile I enjoyed the 2009 Guy Ritchie reinvention of the fabled detective in Sherlock Holmes, applying the same formula in this newer film Sherlock Holmes: A Game of Shadows proved more a boring, tedious exercise in special effects and self-conscious filmmaking and less an engaging and narratively ingenious film. In the original books by Arthur Conan Doyle, Sherlock Holmes is a fastidious, rather odd bird with extraordinary knowledge and powers of observation. Famously able to deduce things from the tiniest speck of dust or wrinkle in a hem, he was the anti-hero, someone who was generally unlikeable but brilliant. Reimagined by director Guy Ritchie and action star Robert Downey Jr. (think Iron Man), Holmes is completely different in A Game of Shadows and looks more like a homeless vagabond than a celebrated detective. As with the books, the narrative is from the perspective of his long-suffering companion and friend Dr. John Watson ( Jude Law), who applies his medical background and experience to aid in solving particularly perplexing mysteries. Except in A Game of Shadows, there’s not much mystery, there’s not really a case, there’s no client, and the story unfolds in an increasingly baffling and incoherent manner.

a beloved advisor killed in an IRA bombing, or her longsuffering husband Denis sit on the sidelines as he realized yet again he couldn’t compete with her passionate love of service. Still, the best part of The Iron Lady is Streep’s performance. It’s truly that good. The film itself is a touching and engaging biopic, but will ultimately be of more interest to students of history and those who seek a sense of the battles she had to fight as the first female member of parliament and the first female head of a Western power. Well worth watching in this context, it’s a reminder of the power of cinema to let us peek into the life of a powerful, amazing woman. Respond: letters@boulderweekly.com

ing Mary for the rest of the film and forcing Watson to reluctantly take on this, their last case together. The special effects are impressive, but even there the innovations of the first film are overused in this sequel to the point where it’s bizarre and at one point even breaks the narrative wall. Near the end of the film, Holmes plots out the specific moves he’ll use in a fight against Moriarty, who then looks at Holmes and says, “two can play at that, sir” and similarly plots out, in graphic slow motion, his anticipated moves in the upcoming scuffle. But how does Moriarty know that Holmes was figuring out his attack? I’ve always been a fan of the enigmatic, brilliant Sherlock Holmes, but I think that from a cinematic and narrative perspective Sherlock Holmes: A Game of Shadows leaves a lot to be desired. It’s visually pretty, but there’s much that doesn’t make sense. Ritchie and Downey have created a completely new Holmes that has nothing to do with the fictional creation of Doyle, and while it’s entertaining, it’s also overly long, tedious and confusing as heck. I’d wait until it’s on DVD and make sure you’ve got some popcorn to munch on during the overly long later scenes. Respond: letters@boulderweekly.com

Sherlock Holmes minus the mystery

Boulder Weekly

by Dave Taylor The story revolves around Holmes uncovering a plot by the nefarious Professor James Moriarty ( Jared Harris) to start a world war and then profit by selling arms and ammunition to both sides. Watson has just married Mary (Kelly Reilly), and it’s during their honeymoon that Holmes intervenes in a plot by Moriarty to murder Watson, conveniently sidetrack-

January 5, 2012 39

reel to reel

For a list of local movie times visit boulderweekly.com

The Adventures of Tintin Based on the popular comic books, this motion-capture animation feature by Steven Spielberg can’t seem to shake the limits of its mo-cap technology. Tintin (Jamie Bell), and his dog Snowy, come into possession of a model sailing ship, which contains a clue to the whereabouts of a vast treasure. Our boy-man hero then becomes the pawn in an age-old duel between the alcoholic Capt. Haddock (Andy Serkis) and the sinister Sakharine (Daniel Craig). It’s all a dramatic, drawn out chase scene, and the mo-cap just feels fake. Rated PG. At Century, Colony Square and Twin Peaks. — Michael Phillips/TMS

War Horse

A boy-and-his-dog story leads into the story of men and their wars. Promising work from Spielberg.

In a Better World In a Better World treats difficult issues of how we deal with injustice and revenge as children and adults. Part of the “How to Watch a Movie Series,” the 7 p.m. show will include a talk back with Jill Clatemen, director of Old Town Cinema’s Film in Education programs. Her talk will focus on how to watch a movie with your kids. At Boedecker Theater. — Boedecker Theater Melancholia

Alvin and the Chipmunks: Chipwrecked The chipmunks’ third digitally animated turn on the big screen parks the guys, their three Chipette counterparts and their human family on a deserted island. The return of Jason Lee as Dave, the rodent wrangler who keeps our pop-singing ground squirrels in line, gives the picture a hint of the heart that made the original film work, at least for its intended audience. Parents shouldn’t expect much, but most kids will enjoy the show. Rated G. At Century, Colony Square and Twin Peaks. — Roger Moore/TMS

local theaters Movie times have moved. See our special interactive listings at boulderweekly.com/ movie-times.html

Arthur Christmas Arthur Christmas is not a perfect gift, but it does feature enough holiday cheer and silly fun to make it more entertaining than 10 lords a-leaping. Rated PG. At Century and Colony Square. — Rick Bentley/MCT The Artist Hollywood 1927. Silent movie matinee idol George Valentin is enjoying the good life, although he seems fonder of his faithful dog than of his trophy wife. He meets funny, sexy young extra Peppy Miller, a dancer set for a big break, and sparks fly. With the advent of the talkies George’s career nosedives, while Peppy’s takes off. At Chez Artiste. — Landmark Theatres Crazy Wisdom Raised and trained in the rigorous Tibetan monastic tradition, Trungpa came to the West and shattered preconceived notions about how an enlightened teacher should behave. He openly smoked, drank and had intimate relations with students — yet his teachings are recognized as authentic, vast and influential. At Boedecker Theater. — Boedecker Theater A Dangerous Method Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships among fledgling psychiatrist Carl Jung (Michael Fassbender), his mentor Sigmund Freud (Viggo Mortensen) and Sabina Spielrein (Keira Knightley), the troubled but beautiful young woman who comes between them. At Esquire. — Landmark Theatres 40 January 5, 2012

and Blue Valentine) falls prey to backroom politics, the treacherous manipulations of veteran operatives and seduction by a young intern. At Denver FilmCenter/Colfax. — Denver Film Society

Justine (Kirsten Dunst) and Michael (Alexander Skarsgård) are celebrating their marriage at a sumptuous party in the home of her sister Claire (Charlotte Gainsbourg), and brother-in-law John (Kiefer Sutherland). Despite Claire’s best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth. At Mayan and Boedecker Theater. — Landmark Theatres Midnight in Paris Midnight in Paris, a new romantic comedy from writer/director Woody Allen, tells the story of a family that travels to the picturesque French capital on business. Rated PG-13. At Mayan. — Landmark Theatres Mission: Impossible – Ghost Protocol

The Darkest Hour Five young people stranded in Moscow fight to survive in the wake of a devastating alien attack. Rated PG-13. At Colony Square and Twin Peaks. — Los Angeles Times/MCT The Descendants From Alexander Payne, creator of the Oscar-winning Sideways, comes The Descendants, a sometimes humorous, sometimes tragic journey for Matt King (George Clooney), a distracted husband and back-up parent to two girls who is forced to reexamine his past and embrace his future when his wife suffers a life-threatening boating accident off of Waikiki. At Century and Esquire. — Landmark Theatres The Devil Inside Twenty years after her mother confessed to three brutal murders, a woman travels to Italy and recruits two young exorcists to find out what really happened and set things right. Rated R. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT The Girl With the Dragon Tattoo Mikael Blomkvist (Daniel Craig) and his unlikely colleague, the heavily pierced bisexual fantasy pin-up Lisbeth (Rooney Mara), go about nailing a killer of women. All roads lead to a rich family led by Henrik Vanger

(Christopher Plummer), whose relatives have a lot to hide. Director David Fincher is a true talent working with an exceptional cast, so if you needed another version of Stieg Larsson’s combo of prurience and payoff, here you go. Rated R. At Century, Colony Square and Twin Peaks. — Michael Phillips/TMS Good Morning As Japan finally begins to rise from the devastation of World War II, two boys grow petulant because their parents refuse to buy them a TV. At Denver FilmCenter/ Colfax. — Denver Film Society Hugo To write off this dreamy, overwhelmingly beautiful movie as mere kids’ stuff would be an injustice. This adaptation of Brian Selznick’s illustrated children’s book The Invention of Hugo Cabret (John Logan wrote the screenplay) is as much of a personal Martin Scorsese picture as Raging Bull or Taxi Driver. Rated PG. At Century, Colony Square and Twin Peaks. — Rene Rodriguez/MCT The Ides of March The Ides of March is an intense tale of sex, ambition, loyalty, betrayal and revenge. The film takes place during the frantic last days before a heavily contested Ohio presidential primary, when an up-and-coming campaign press secretary (Ryan Gosling of Drive

Long-time Pixar director Brad Bird debuts in live action with the latest in the “M:I” franchise. It begins with a Moscow prison break, proceeds to a terrorist bombing of the Kremlin, skedaddles off to Dubai and the world’s tallest building, and then heads to Mumbai, chasing nuclear madmen, goons and Mrs. Patton’s cleavage. Rated PG-13. At Century, Colony Square and Twin Peaks. — Michael Phillips/TMS Moneyball Moneyball is based on the true story of Billy Beane (Brad Pitt) — once a would-be baseball superstar who turned his fiercely competitive nature to management. Heading into the 2002 season, Billy faces a dismal situation: his small-market Oakland A’s have lost their star players (again) to big market clubs (and their enormous salaries) and he is left to rebuild his team and compete with a third of their payroll. At Denver FilmCenter/Colfax. — Denver Film Society The Muppets The oddest, sweetest movie you’re likely to see this season is The Muppets, a quirky little musical fantasy about plush frogs, diva pigs, friendship and dreams. Those who fondly remember The Muppet Show will get a kick out of seeing old friends again; those who don’t just might realize what they missed. Rated PG. At Century, Colony Square and Twin Peaks. — Moira Boulder Weekly

Macdonald/MCT

The Soft Skin

My Week With Marilyn

A haunting score by Georges Delerue enhances the mood in The Soft Skin, François Truffaut’s dark and suspenseful follow-up to Jules and Jim. While on a business trip, married literary critic Pierre Lachenay (Jean Desailly) meets a beautiful airline hostess (Françoise Dorleac) and begins an affair. At Denver FilmCenter/Colfax. — Denver Film Society

Marilyn Monroe, at the height of her pin-up popularity, is making a movie in London with master actor Laurence Olivier. Behind the scenes she is a complete mess — doped up, paranoid and suffocating in insecurities. Monroe finds solace in one of Olivier’s young assistants, Colin Clark (the film is based on his memoir). Rated R. At Mayan. — Tom Horgen/MCT New Year’s Eve A bloated cast of stars interconnect through eight narratives, which are all set in New York City on Dec. 31. Hilary Swank (Claire) oversees the ball drop. Robert De Niro (Stan) is dying in a hospital, hoping to see the ball drop one last time. Halle Berry (Aimee) is his nurse. Ashton Kutcher and Lea Michele are stuck on an elevator. You get the picture. You could do worse, but director Garry Marshall has a knack for pitting his actors against their own material. Rated PG-13. At Century and Twin Peaks. — Michael Phillips/TMS Opera: Queen of Spades-Liceu Music historian Richard Taruskin calls The Queen of Spades “the first and possibly the greatest masterpiece of musical surrealism.” The composer himself, Pyotr Tchaikovsky, was shocked by how well the opera was received. At Boedecker Theater. — Boedecker Theater Outrage In a ruthless battle for power, several yakuza clans vie for the favor of their head family in the Japanese underworld. At Denver FilmCenter/Colfax. — Denver Film Society Race to Nowhere Are the young people of today prepared to step fully and productively into their future? We hear from students who feel they are being pushed to the brink, educators who worry students aren’t learning anything substantive, and business leaders concerned that their incoming employees lack the skills needed to succeed in the business world: passion, creativity and internal motivation. At Boedecker Theater. — Boedecker Theater Romy & Michele’s High School Reunion Two not-too-bright party girls (Mira Sorvino and Lisa Kudrow) reinvent themselves for their high school reunion, armed with a borrowed Jaguar, new clothes and the story of their success as the inventors of Post-it notes. At Denver FilmCenter/ Colfax. — Denver Film Society Shame Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. When his wayward younger sister moves into his apartment, stirring memories of their shared painful past, Brandon’s insular life spirals out of control. At Mayan. — Landmark Theatres Sherlock Holmes: A Game of Shadows See full review Page 39. At Century, Colony Square and Twin Peaks. Boulder Weekly

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Tinker, Tailor, Soldier, Spy Tinker, Tailor, Soldier, Spy is the long-awaited feature film version of John le Carré’s classic bestselling thriller. The time is 1973. The Cold War of the mid-20th century continues to threaten international relations. Britain’s Secret Intelligence Service (SIS) is striving to keep pace with other countries’ espionage efforts. At Chez Artiste and Century. — Landmark Theatres

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The Twilight Saga: Breaking Dawn In the first half of the conclusion to the Twilight series, human Bella and vampire Edward wed and conceive a child, with dangerous unforeseen consequences. Rated PG-13. At Twin Peaks. — Los Angeles Times/MCT

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War Horse Steven Spielberg’s enthusiasm and excitement glows in every single frame of War Horse. There isn’t a moment in the movie where you don’t feel Spielberg’s passion for this simple story, and this time, the film is worthy of his enthusiasm. It’s a knockout. The story is based on Michael Morpurgo’s 1982 children’s novel about the bond between a boy and his horse during World War I. Rated PG-13. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT We Bought a Zoo Benjamin Mee (Matt Damon) is a widower with two children who quits his job and, searching for a fresh start for his preteen daughter, played by Maggie Elizabeth Jones, along with his grieving son, played by Colin Ford, finds exactly what he wasn’t looking for: a zoo on the skids. Scarlett Johansson plays the head zookeeper, conveniently single. Snakes and grizzlies get out of their cages, and the corn falls from the Cameron Crowe-directed sky. Damon deftly stays true and above the corn. Parts of this are enjoyable, but it’s pretty weak overall. Rated PG. At Century, Colony Square and Twin Peaks. — Michael Phillips/TMS The Whale When Luna, a baby orca, gets separated from his pod and unexpectedly starts making contact with people along a scenic fjord in British Columbia, no one can quite believe it. As word spreads about Luna, people become torn between their love for the lonely young whale and fears that human contact might harm him. At Boedecker Theater. — Boedecker Theater Young Adult When a YA writer returns to her small hometown to relive her glory days and reunite with her now-married high school sweetheart, things don’t go quite as she’d planned. Rated R. At Century. — Los Angeles Times/MCT

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Boulder Weekly

astrology

YEAR END CLEARANCE SALE

boulderweekly.com/astrology ARIES

March 21-April 19:

“It is surely a great calamity for a human being to have no obsessions,” says poet Robert Bly. That’s why he decided to learn to love his obsessions. I urge you to keep his approach in mind throughout the coming months, Aries. You are likely to thrive to the degree that you precisely identify and vigorously harness your obsessions. Please note I’m not saying you should allow your obsessions to possess you like demons and toss you around like a rag doll. I’m not advising you to fall down in front of your obsessions and worship them like idols. Be wildly grateful for them; love them with your fiery heart fully unfurled; but keep them under the control of your fine mind.

TAURUS

April 20-May 20:

“Everyone is a genius, but if you judge a fish by its ability to climb a tree it will spend its whole life believing it is stupid.” Rumor has it that this pithy observation was uttered by Albert Einstein. I bring it to your attention, Taurus, because you’ll be smart to keep it in mind throughout 2012. According to my astrological analysis, you will have an excellent opportunity to identify and hone and express your specific brilliance. So it is crucial that you eliminate any tendency you might have to see yourself as being like a fish whose job it is to climb a tree.

GEMINI

May 21-June 20:

In his book Priceless: How I Went Undercover to Rescue the World’s Stolen Treasures, former FBI agent Robert K. Wittman tells the story of the world’s second largest crystal ball. Worth $350,000 and once belonging to the Chinese Dowager Empress, it was stolen from a museum. Wittman never located the actual robber, but years later he tracked down the crystal ball to a person who had acquired it quite innocently and by accident. She was a young witch in New Jersey who, unaware of its origins or value, kept it on her bedroom dresser with a baseball cap on top of it. I suspect you may have a comparable adventure in the coming months, Gemini. If you look hard and keep an open mind, you will eventually recover lost riches or a disappeared prize in the least likely of places.

CANCER June 21-July 22:

It’s impossible for the human body to run a mile in less than four minutes — at least that’s what the conventional wisdom used to say. And indeed, no one in history ever broke that barrier until May 6, 1954, when Roger Bannister raced a mile in three minutes, 59.4 seconds. Since then, lots of athletes have done it and the record has been lowered by another 17 seconds. In fact, the sub-fourminute mile is now regarded as a standard accomplishment for middle-distance runners. I suspect that in 2012 you will accomplish your own version of Bannister’s feat — a breakthrough that once seemed crazy difficult or beyond your capacity.

LEO

July 23-Aug. 22:

Back in 1958, 17-year-old Bob Heft created a 50-star American flag for a high school project. Hawaii and Alaska were being considered for U.S. statehood at that time, and a new design was needed to replace the old 48-star flag. Heft’s teacher originally gave him a grade of B- for his work. But when his model was later selected to be the actual American flag, the teacher raised his grade to an A. I suspect that a similar progression is in store for you in the coming year, Leo. Some work you did that never received proper credit will finally be accorded the value it deserves.

VIRGO

Aug. 23-Sept. 22:

Greek philosopher Plato suggested that we may become more receptive to spiritual beauty by putting ourselves in the presence of physical beauty. The stimulation we get when inspired by what looks good may help train us to recognize sublime truths. I’m not so sure about that. In my experience, people often get so entranced by their emotional and bodily responses to attractive sights and sounds that they neglect to search for higher, subtler sources of splendor. But I do believe you may be an exception to this tendency in the coming months. That’s why I’m giving you the go-ahead — indeed, the mandate — to surround yourself with physical beauty.

LIBRA

Sept. 23-Oct. 22:

Before he died in 1902, Libran cartoonist Thomas Nast left a potent legacy. Among his enduring creations were

Boulder Weekly

the modern image of Santa Claus, the iconic donkey for America’s Democratic Party, and the elephant for the Republican Party. I’m guessing that 2012 is going to be a Thomas Nast kind of year for you Librans. The work you do and the ripples you set in motion are likely to last a long time. So I suggest you choose the influences you unleash with great care and integrity.

SCORPIO Oct. 23-Nov. 21:

“If you’re in a good relationship, chances are you’re bored out of your mind,” spouts comedian Chris Rock in his show Never Scared. “All good relationships are boring. The only exciting relationships are bad ones. You never know what’s going to happen tomorrow when you’re in a bad relationship. You never know when they’re gonna walk through the door and say, ‘Hey, you gave me crabs.’ That’s exciting!” Rock is making a satirical overstatement, but it does contain grains of truth. Which is why, in accordance with the astrological omens, I deliver the following request to you: In 2012, cultivate stable relationships that are boring in all the best ways.

SAGITTARIUS Nov. 22-Dec. 21:

Once every decade or so, you’re asked to make a special point of practicing forgiveness and atonement. According to my reading of the astrological omens, that time will be the next few months. I think it’ll be quite important for you to cleanse the grungy build-up of regrets and remorse from your psyche. Ready to get started? Compose a list of the sins you could expiate, the karmic debts you can repay, and the redemptions you should initiate. I suggest you make it into a fun, creative project that you will thoroughly enjoy.

CAPRICORN Dec. 22-Jan. 19:

Happiness isn’t a state you acquire by luck. It takes hard work and relentless concentration. You have to rise up and rebel against the nonstop flood of trivial chaos and meaningless events you’re invited to wallow in. You have to overcome the hard-core cultural conditioning that tempts you to assume that suffering is normal and the world is a hostile place. It’s really quite unnatural to train yourself to be peaceful and mindful; it’s essentially a great rebellion against an unacknowledged taboo. Here’s the good news: 2012 will be an excellent time for you to do this work.

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AQUARIUS Jan. 20-Feb. 18:

More and more musicians and authors are choosing to self-publish. That way they retain the full rights to their creative work, keeping it from being controlled and potentially misused by a record label or publishing company. One example is singer-songwriter Terri Hendrix, who owns all 14 of her master recordings. She lives by the motto, “Own Your Own Universe.” I urge you to adopt her approach in 2012, Aquarius. The coming months will be prime time for you to do all you can to take full possession of everything you need to become what you want to be.

PISCES

Feb. 19-March 20:

The coming months will be a time when you’ll thrive by seeking out novel ideas, using new words, and regarding your imagination as an organ that’s as important to feed as your stomach. In that spirit, I’m offering you a slew of freshly made-up terms that’ll help tease your brain in ways that are in alignment with the upcoming astrological factors. They all come from the very NSFW dictionary at http://tinyurl.com/Dixtionary. 1. Assymectricity: energy generated by lopsidedness. 2. Enigmagnetic: a person who attracts mysteries. 3. Indumbnitable: incapable of being dumbed down. 4. Beneviolent: helpful chaos. 5. Fauxbia: a fake fear. 6. Craptometry: ability to see through all the BS. 7. Adoregasm: when you treasure someone to the point of ecstasy.

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Ad_Boulder Weekly 301211 Ask for Great Holiday Specials! SiamAd_Boulder Sensation Massage Weekly 301211.ai 1 720-385-4840

303-819-5707

Full Mobile Service

Winner of Best of Boulder 2011!

1/3/12

See ad on page 43

Become a Member of the Farm Team

and get a $200 store credit.

Call for details. CO2 extracted Honey Oil, 28 strains of Cannabis, Phil Lesh ticket give away, 10% off everything every day, free haircuts and member privileges.

THAT’S the way we do it!

12:20www.alpinedetailing.com PM

*For medical marijuana patients only. www.thefarmco.com

call 303.579.9398

303.440.1323

MMJ CARDHOLDERS C

Learn how to maintain your own 6 plants utilizing a perpetual harvest cycle that will provide high quality Mall natural medicine every month. Become self-sufficient using only 25 sq. ft. of space and 600 watts of power. Y Meet Robin, Emma and Alexandra.

Free initial consultation. 1 on 1 instruction. Call Mike at Ancient Solutions,

720-442-3189

CMY

Photographed in Big Bear, California, the girls are wearing the Unisex Stripe Fisherman’s Pullover, Long Sleeve Turtleneck and Gloves by American Apparel.

BRING IN a NEW PATIENT $169 OZ for BOTH of you! 2031 16th St. (16th & Pearl) 720-235-4232 www.budforlife.org

Retail Locations: Boulder—Pearl Street Mall Denver—Writer Square To learn more about our company, to shop online, and to find all store locations, visit our web site: americanapparel.net

WHERE NATURE & MEDICINE MEET

The Best Wax Deal in Town!

Made in Downtown LA—Sweatshop Free

$15 1/2 grams all the time Rediscover the

Boulder Wellness Center Open Daily 11am-7pm

303.442.2565

5420 Arapahoe Ave. (Unit F) Boulder Between Connestoga & 55th. Going east, make right after Conestoga w w w. b o u l d e r w c . c o m

Piano Man

Issue Date January 6th Boulder, Colorado READY FOR THE SNOW?

Locally owned and operated by a Certified Snow Professional. We service ALL of Boulder County for both commercial and residential snow removal. We are 100% dedicated to snow and fully insured. Contact us now to receive a proposal for high quality eco-friendly service at a competitive price! DON’T FORGET TO ASK ABOUT OUR NEIGHBORHOOD DICOUNTS FOR RESIDENTIAL SERVICES!

The Hill Cannabis Club

Now Open! We are your best bud in Boulder. $5 first time Gram Special!/ $190 OZ Special! Ear Wax, Strongest Edibles, Tinctures, THC Drinks 1121 Broadway G-1, On ‘The Hill’ 303-245-9728

Available for all occasions. Acoustic or digital piano, with or without vocals Dave Grimsland 720-841-1940

HAVE THE LAST WORD! Call Jason at 303-494-5511 x115

303-248-6460 EcoSnowRemovalBoulder.

Specials

LIMITED TIME ONLY

Ocean Forest 9.95 per 1.5 cu. ft bag

Boulder 6395 W. Gunpark drive – 303.473.4769 deNVer 301 e. 57th Avenue – 303.296.7900 Fort ColliNs 3201 e. Mulberry street – 970.484.4769 lAKeWood 11989 W. Colfax Ave – 303.546.3600

– waytogrow.net –