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contents NEWS: Homeless man shares strife that led to current path by Jefferson Dodge
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departments 7 LETTERS: Crooked cops; Get to know your beer; ‘Shameful’ comparison 7 THE HIGHROAD: The ‘Beckinization’ of the far right 9 DANISH PLAN: Cops in the schools, gun control, and race 10 IN CASE YOU MISSED IT: Reality check; Sugar daddy seeks PR professional 15 NEWS: Debate over fracking intensifies 27 ARTS & CULTURE: Film at IFS will not go gently into that good night 31 BOULDER COUNTY EVENTS: What to do and where to go 37 SCREEN: Amour; The Impossible 38 REEL TO REEL: Films showing locally 43 FOOD REVIEW: Sachi Sushi 45 BOULDER COUNTY BEER TOUR: Back to basics at BJ’s 47 APPETIZERS: Where to get your grub 49 ASTROLOGY: By Rob Brezsny 51 BOULDER MARKETPLACE: Your community resource Boulder Weekly
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Publisher, Stewart Sallo Editor, Joel Dyer Director of Sales & Marketing, Hassan Evans Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Associate Editor/Special Editions, Elizabeth Miller Online Editor, Steve Weishampel Interns, Cayte Bosler, Abigail Faires, Stephanie Riesco Contributing Writers, Peter Alexander, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Alan Sculley, Tom Winter, Tate Zandstra, Gary Zeidner SALES Retail Sales Manager, Allen Carmichael Account Executives, Andrea Craven, Joe Fuchs, David Hasson, Chelsea Mack PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Jamie Peterson CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 13-Year-Old, Mia Rose Sallo January 24, 2013 Volume XX, Number 25 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink. Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2013 Boulder Weekly, Inc., all rights reserved.
cover photo: David Mayhew
Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.
Boulder Weekly
Crooked cops
The story entitled “The Chair and the Camera” (cover story, Jan. 17) brought to me a sense of deja vu after reading Boulder County Jail spokesperson Jeff Goetz’s defense of injuring and brutalizing citizens in his care. I encountered the same defensive pablum in an exchange of emails with Denver Police Department “spokespersons” after sending letters and emails of complaint to the Denver mayor and
the
Highroad
the chief of police (neither of whom bothered to respond) regarding the mistreatment of John Copeland. If you recall, Mr. Copeland was the 85-year-old disabled man who was pulled out of his bed by DPD in the middle of the night for having allegedly defended himself against a plainclothed DPD “volunteer” who refused to identify himself as he tried to take the poor gentleman’s handicapped placard. Mr. Copeland mistook the
ty that few other people in the world consider at all fearsome: The United Nations. “Agenda 21,” wails the Beckster on his subscription TV show and other forums, refers to an obscure, innocuous and non-binding resolution approved by U.N. members (including the U.S.) 21 years ago. Be very afraid, Beck bleats in alarm, for this document lays out the secret, diabolical scheme of internationalists to seize America’s autonomy. Under the guise of promoting “sustainable” development, goes the theory, the United Nations intends to ban our suburbs, take our golf courses from us, usurp our freedoms and impose a global dictatorship. To depict the horror of Agenda 21, the cover of Beck’s new book on the topic features the U.N. logo looming over an American landscape, which is impris-
The ‘Beckinization’ of the far right by Jim Hightower
P
erhaps you thought that, surely, the far right wing in American politics couldn’t get any nuttier. If so, you clearly hadn’t factored in Glenn Beck. Since losing his glory spot as a Fox TV yackety-yacker, Beck has been less visible, but no less busy, continuing to promote himself as leader of the political wacky, and still delighting them as the P.T. Barnum of conspiracy theories. His hottest-selling shtick in recent months is a piece of fear-mongering about an enti-
volunteer for a common thief but is now paying a steep price for his error. I wonder if all Colorado law enforcement public affairs staff are trained by the same PR firm, as the language they use to defend their abuse of the public is suspiciously similar. On the other hand, Goetz is rather candid as he brags that pain compliance holds “hurt like see LETTERS Page 8
For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.
oned behind barbed wire. Subtle! Silly, too. But it’s the hot new thing on the far right. “Heroic” lawmakers in Alabama and Tennessee have already banned any implementation of Agenda 21-style provisions in their states — even though none were proposed. Five other state legislatures are considering the same this year. Also, the new tea party senator from Texas, Ted Cruz, says the U.N. takeover of America will be a top issue for him. And, of course, the big rumor on the right is that Barack Obama is using CIA mindcontrol techniques to implement the U.N. dictatorship. Do these people ever even visit reality? January 24, 2013 7
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LETTERS from Page 7
hell.” Military personnel who torture innocent people have been similarly boastful. This is not surprising that, since our police and sheriff ’s departments have basically become domestic branches of our military, the same torture techniques used at Gitmo and Bagram are being used on “uncooperative” civilians in our own country. Oh, and by the way, video cameras in jails won’t protect us, as across America convenient lies are being told about the footage being mysteriously “unavailable” to courts of law. We become outraged when police kill and maim animals, but too few raise concern when they do this to humans. We comfort ourselves by telling ourselves that “those people” are “criminals” and “low-lifes” after all (even when they are not formally charged). However, we need to realize that unless police abuse is stopped, the Surveillance State is dismantled and our law enforcement is demilitarized, any of us who have the misfortune of being stopped by the police may have a place reserved for us in “the chair.” David Canaday/Denver
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BROUGHT TO YOU BY 8 January 24, 2013
While I enjoyed your article about Avery in this week’s Boulder Weekly, I suggest you learn more about characteristics of beer styles. Your comment that “while NWP offers some smokiness, it’s not a traditional porter” implies a porter should have smokiness. It should not. Please acquaint yourself with industry standards for beer styles if you want your readers to embrace your reviews. Boulder is not only very beer-friendly, it’s very beer-
by Joel Dyer & Dave Kirby
letters smart. For more information on beer styles I recommend reviewing information from the Brewer’s Association (BA), Cicerone Program or Beer Judge Certification Program (BJCP). For example, you will note that the BJCP recognizes three styles of porter, none of which traditionally have smokey qualities. BA recognizes smoke porter as a sub-category unto itself, but this should not be construed to imply that to be a porter (i.e. “portery” as you say) the beer should be smokey. And note that roasted qualities should not be confused with smoke (contrast a dark roast coffee to smoked meats, for example.) While I am not surprised to hear that your sensory perception of Avery’s NWP might not fit traditional style guidelines, I suspect that a more intense, American-style, hop flavor and bitterness explain how it goes beyond traditional categories (as many Avery beers do). Feel free to contact me if you want more information. Keep up the generally great work — and keep on learning! Boulder has a thirst for great beer articles, and your knowledge of beer styles will improve your editorial quality and readership. And thank you for your coverage of the craft beer industry and especially the many fine breweries in Boulder and Colorado. It’s a great day to love beer! Coby Royer, BJCP Recognized Beer Judge, secretary of the Hop Barley and the Alers (Boulder’s Homebrew Club)/via Internet see LETTERS Page 11
Boulder Weekly
danish plan
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Cops in the schools, gun control and race by Paul Danish
A
week after the massacre at Sandy Hook Elementary School in Newtown, Conn., the National Rifle Association called for immediately assigning armed police officers to every school in the country. It also called on Congress to appropriate the money to pay for doing so. Except for the cost — $10 billion or more a year probably — the proposal is a no-brainer. If trying to keep a mental case with a gun from shooting up your school is what you’re trying to accomplish, having one or more cops in the school at all times is the self-evident thing to do. What are you supposed to do if you think a crime is under way or about to occur? Call the police, of course. What is the only better way to deter or abort a violent crime than calling the police? Having an armed police presence at the scene before the crime goes down, of course. This is particularly true in the case of multiple victim shootings, like the ones at Sandy Hook Elementary School, Columbine High School and Virginia Tech, which typically take the form of a sneak attack on unarmed victims. Law enforcement can’t arrive quickly enough to abort such crimes once they’ve begun, and the absence of law enforcement on the scene in advance means its deterrent effect is also absent. Now a defining (albeit largely unspoken) principle of the gun control movement is that law enforcement should have a monopoly on protecting individual Americans from crime. This is the premise behind Rep. Claire Levy’s bill to ban concealed carry on campus, for example. So you would think gun control advocates would be the first to agree that putting cops in the schools to prevent massacres is an obvious course of action. But you would be wrong, that’s for sure. The initial reaction of gun control freaks and progressives generally to the NRA’s proposal for police in the schools ran the gamut from disdain to ridicule. However, a couple of weeks after the NRA made its proposal, pollsters found that a majority of Americans agreed with the NRA. A Pew Research poll found that by a two-to-one margin Boulder Weekly
(64 percent to 32 percent) Americans favored “putting armed security guards or police in more schools.” A Rasmussen poll found that 54 percent of Americans “would feel safer” if their child’s school had an armed security guard. For parents with school-aged children the figure was 62 percent. So some gun control advocates and progressives are trying a different line of attack. They’re playing the race card. They’re claiming that putting more cops in the school will discriminate against black and Hispanic students. How? Here’s how Jamelle Bouie, writing on The American Prospect website, puts it: “Schools with more police might be safer from violence, but there are also unintended consequences to exposing students to law enforcement. ‘With the increase of police in schools, we’ve seen a dramatic increase in school-based student arrests, particularly of youth of color,’ writes Judith Browne Dianis, co-director of the Advancement Project, a civil-rights group. ‘Instead of addressing infrequent, serious threats to safety, police officers in schools often respond to minor student misbehavior by handcuffing, arresting and criminalizing the very young people they are intended to protect…’” Or, as Aaron Kupchik claimed in a Washington Post opinion piece, the presence of police officers in schools “has effects that help transform the school from an environment of academia to a site of criminal law enforcement … Minorities are especially vulnerable to the overpolicing that can take place in schools, which increases both the racialacademic divide and racially skewed arrest rates …” In other words, if cops are put in schools to prevent massacres, which are rare, they will spend most of their time enforcing the law and keeping the peace, and the burden of law enforcement and peace-keeping will fall disproportionately on black and Hispanic students. I suspect there is some truth in this analysis, but it still takes a lot of chutzpah for gun control advocates to argue that cops shouldn’t be put in the schools because if they are it will
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January 24, 2013 9
NOW LIVE
icumi
in case you missed it
Reality check: millionaire cops don’t grow on trees
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Interested in featuring your events? Contact Chelsea at cmack@boulderweekly.com. 10 January 24, 2013
We remember the first time Boulder Weekly wrote about the fact that virtually none of our police officers and firefighters could afford to own a home in Boulder, the place where they risked their lives every day. It wasn’t because they didn’t want to live here. It was the simple fact that the city of Boulder’s long-standing growth and openspace policies had caused them to be priced out of the housing market on a working person’s salary. We wrote that 16 years ago, and at that time, we also reported that a couple of cops were hoping to move into what was then a new Habitat for Humanity housing project in North Boulder. Workers not living within Boulder city limits isn’t a new issue, nor is it limited to cops, firemen or other city employees. What is new is the apparent total disconnect from reality that is currently being shown by city councilwoman K.C. Becker, as demonstrated by her recent public urging, following the elk incident, for more cops to live within the borders of Boulder city limits so they can be more in touch with the organic sensibilities of the enlightened folk who live below the Flatirons. In other words, Becker apparently believes that in the outback of Boulder County in places with names like Longmont, Louisville, Lafayette and Lyons — and, God forbid, in the barbarian settlements of Weld County, where our cops and firefighters can actually afford to live — it is surely normal to blow the living crap out of an elk in the middle of a neighborhood in the middle of the night. Note to Councilwoman Becker: Not only should you get out of Boulder once in a while, but if you’re going to try and govern a city the size of Boulder, you should know that our cops don’t live here because it’s too damn expensive to own a home on what they get paid, not because they are addicted to night hunting for big game because they live in some backwards place beyond the open-space moat. So how could someone sitting on city council be so out of touch with the real world? Maybe it is the fact that Becker lives in a $1.4 million Boulder home while listing her job as stay-at-home mom and city council representative. She lists her source of income as interest on her savings and the checks that come from her family’s Floridabased business, Peace River Citrus Products. So if Becker wants our cops to share her Boulder values, then maybe she needs to introduce an ordinance requiring all of our cops to have trust funds and live in million-dollar homes. But to her credit, Becker may be onto something. Our research showed that not one cop with a trust fund and living in a mansion has ever shot and killed an elk in the middle of a neighborhood anywhere in the United States. It’s hard to argue with the councilwoman’s logic. But it’s also hard to find and hire millionaire cops.
Sugar daddy seeks PR professional
We have received what might well be the worst press release ever written. Granted, it was from something called SeekingArrangement.com, which touts itself as “the world’s largest Sugar Daddy website.” Apparently this organization serves the civic duty of connecting wealthy older men to beautiful young ladies who are just in it for the money. This would all be fine and dandy if the promotional material for its annual list of “Top 20 Fastest Growing Sugar Baby Schools” actually had anything to do with Colorado. Oh, sure, they made an effort, inserting “Denver” into a canned quote, and throwing in a factoid about the number of Colorado State University females who signed up for the service increasing by 140 percent in the first two weeks of the year. (Yes, they said since 2012.) Never mind that CSU is not based in Denver. Or that no Colorado school made the top 20. Or that the release was sent to Boulder, where last we checked, the University of Colorado is of most interest to our readers. And to add insult to injury, somebody forgot to take “Oklahoma University” out of the lead paragraph after the release was sent to that proud Sugar Baby institution east of us. Not that OU made the top 20 list either. And as for the scores of young co-eds financing their college careers with the help of a Sugar Daddy, someone initially identified only as “Wade” says, “While some may argue that these women are just using men for their own personal gain, I believe that they are proactive in pursuing a higher education.” Good stuff. Respond: letters@boulderweekly.com Boulder Weekly
danish plan
DANISH PLAN from Page 9
result in more black and Hispanic students being arrested. What in God’s name do they think will be the effect of passing tougher gun control laws on black and Hispanic communities? Black communities in places like Washington, D.C., and Chicago have horrific homicide rates, rates six or seven times higher than those in the cities’ white communities. They LETTERS from Page 8
‘Shameful’ comparison
Your snarky, presumptive ICUMI blurb (“Priorities, people,” Jan. 17), mashing together two entirely unrelated issues of a homeless person’s death and the elk shooting, was completely shameful on so many levels. Why you would try to trivialize the grief of hundreds of Boulder residents who felt a connection with that poor creature is questionable enough, but to then assert that most of us probably have little regard for the tragic death of a 36-year-old homeless man is despicable. I’m probably one of those you referred to as writing “sad poetic’” letters to the editor about the elk (printed in papers throughout the metro area — except yours), but allow me to point out here that these are two totally separate issues, and many of us have concern not only for the depraved behavior of our local police in the elk case, but also for the homeless population, whom, let us not forget, have had barriers thrown up preventing them from seeking shelter in the cold by both city officials and the police department, and you may recall that many of us have appeared at numerous meetings and demonstrations challenging these soulless anti-vagrancy regulations. … And may I add that I, for one, am a long-term volunteer at the Denver Rescue Mission — I wonder what humanitarian activity the ICUMI writer engages in while sitting in contemptuous judgment of those who were so moved by the elk shooting and dismissing our concern for the rest of humanity. Appropriate disclosure: I am a one-time BW freelancer who has written dozens of articles for your publication since 2003 … and in the wake of this ICUMI blurb, if I had a subscription I’d cancel it! Gene Ira Katz/Boulder Editor’s Note: Boulder Weekly did print a poem about the elk in last week’s issue. Boulder Weekly
also have proportionately more gun crime, like armed robberies, than the white neighborhoods. Many, if not most, of the guns used in these crimes are acquired illegally, both because Washington and Chicago already have extremely restrictive gun laws, and because a disproportionate number of young, black and Hispanic men have criminal records and therefore
can’t purchase guns legally. Moreover, otherwise law-abiding citizens in these cities buy guns illegally, not in order to commit crimes, but for selfdefense. Any imposition of new gun laws, or any increase in the enforcement of existing gun laws, will hit black and Hispanic men disproportionately hard. The people who are going to be
screwed by a crackdown on guns are not the white males progressives love to hate; it’s young black and Hispanic men. Gun control advocates, starting with President Obama, should have the honesty to acknowledge that. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.
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news Susan France
O
nesimus only gives out his one-word missionary name these days. He’s not your typical homeless man. His beard and clothes are clean, and he carries a cell phone that was recently given to him. The signs of early trauma evident in many transients are not immediately visible as he greets people with a slow bow, hands pressed together at his chest in prayer position. Onesimus, pronounced “Oh-nessuh-mous,” carries a stick engraved with the date June 29, 1980, the date that he devoted his life to God. “That’s a prayer staff, my friend, not a cane,” he says with a smile and clear eyes, responding to questions with a polite “Yes, sir.” Onesimus speaks softly, slowly, thoughtfully, occasionally tilting his head back to accommodate deep laughter. On one occasion in a park east of the Boulder Public Library, he sits on a bench near the shuffleboard courts and raises a tobacco pipe to his mouth, emitting small whisps of smoke above his red and grey beard. His peaceful, gentle mannerisms belie a tumultuous past. “I’ve been homeless all of my life,” Onesimus says. “I ran away from home when I was 2 years old.” He explains that his parents used to tie him to his crib to keep him from escaping his house, as he was wont to do. But he became good at untying the knots. “They would find me down the road in the middle of the night,” Onesimus says. “In desperation, they handcuffed me.” He says the Lord has shown him an image of himself as an infant, a giant dark figure looming over his crib, saying “You’re mine now.” He’s convinced it was an evil spirit. Onesimus says his father was a functional alcoholic and his mother was selfish. “I felt like she hated me,” he explains. “She always pushed me away, threw me away. She used to say, ‘Let the devil take him.’ And the devil did.” Onesimus says he would run away because of the emotional distress at home. His father loved him but didn’t know what to do with him. He found solace down the street at the home of a Boulder Weekly
Onesimus
Before the Lord
Homeless man shares strife that led to current path by Jefferson Dodge young girl named Weezer, who Onesimus found comforting because she cared about him. Life dealt Onesimus other blows before he decided to assume his current nomadic, disciple’s lifestyle. He attributes the lack of hearing ability in his left ear to dirty water from Lake Erie absorbed during his childhood. Complicating matters was the tumor above his left ear that was pushing against his brain, a growth that was removed when he was an adult, leaving him on his back for six months. “I couldn’t put a sentence together,” Onesimus says of the recovery period. He still suffers from a migraine condi-
tion. The Ohio native attended bible college in Kansas City, graduating in 1982. “I was a truth seeker as a teenager,” he says of his time exploring meditation, ESP and various philosophies. “For me, Jesus Christ was the only one who answered all the questions.” After college, he worked manual labor jobs, from helping build a Christian youth camp in Kansas City to factory work in his hometown of Elyria. Then he spent seven years at a Christian radio station, delivering sermons, playing music, even writing and producing commercials. Then he got married.
“I had to go back into the real workforce,” he says. “I had a wife to take care of.” That meant working as a security guard for a couple of years, then a truck driver for another six. Onesimus describes those occupations as frustrating for someone who felt that his true calling was being a pastor. And then the marriage failed. “We had a rough time,” he says. “We lost four babies to miscarriage. And I lost her. She lost her mind because of the grief.” According to Onesimus, his wife suffered from bulimia and weighed 450 pounds when they got married. He describes her as someone who was initially humble but became “large and in charge.” She had traditional values, wanted to be a mother badly, and blamed herself for each miscarriage, thinking she had killed her own babies, he recalls. His wife divorced him after 11 years, and he suffered a complete nervous breakdown. He says he never abused alcohol or other substances. When he did start drinking in moderation around 1990, he says he used alcohol “not to lose control but to maintain control. I didn’t want to lose my temper or be aggressive.” Onesimus says the Lord told him to get a new start in Amarillo, Texas, where he lived in a motel for six weeks in 2004. As he was picking up the phone to call a company about getting another job “driving truck,” he says he was struck by a realization: “I can’t do this anymore. It’s not who I am.” So he prayed for a new direction, and decided to “leave the common world.” He left his car, full of all his worldly possessions, as a donation to an Amarillo church. Onesimus says he packed one bag, “even though Jesus said take nothing with you,” and started walking. “I came to an intersection, sat down, prayed and said, ‘All right, Lord, which way are we going?’” After walking 20 miles the first day, a couple let him sleep in an old car outside their home — and sent him on his way the next day with breakfast and a jacket. “I’ve seen God move people’s heart See ONESIMUS Page 14
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time and time again,” Onesimus says of his travels over the past eight years. Since blisters were slowing him down, he recalls praying for a ride from a Christian, and his request was granted when up pulled an old Jeep driven by a man headed for Moab, Utah. Onesimus’ wandering has also taken him to Tabernash, Kremmling, Laramie, Wyo., and Fort Collins. Onesimus attributes most of his moves to directions from God — and Christians who took him in or gave him a ride. In Fort Collins, he spent six months in an abandoned house next to a junkyard before a Loveland family that he met at church took him in for a month and shared Thanksgiving dinner with him. After he moved on, while walking through knee-deep snow in Longmont, an old Hispanic man in a truck stopped to pick him up, saying the Lord had told him to take Onesimus to the Boulder homeless shelter, where he dropped him off and gave him $20. He says he stayed at the Boulder shelter the maximum 90 days, then met a family at a Quaker Friends meeting who let him live with them for several years. He did chores, like washing dishes, to earn his keep, but moved on in April 2012. He spent last summer on the street, or as he describes it, “staying outside.” Last summer, he completed the three-month First Steps phase of the Boulder homeless shelter’s wait-listed program that helps homeless people get back on their feet, and has now entered
the organization’s Transitions stage. He has a guaranteed place to sleep and a support system to help him reintegrate. Onesimus cringes at the idea of applying to get a disability check. After all, he has been a “working man” all his life, and never thought about being disabled, even though he qualifies. “It never sat well,” he says of the disabled tag. “It still doesn’t. But I’m beginning to recognize my limitations.” Onesimus insists that he has overcome the demons of his earlier years. “I don’t think there’s too much lurking in there,” he says. “I spent 30, 40 years working on those issues.” Onesimus adds that he could have spent thousands of dollars on a psychologist’s couch, but “my couch was Jesus,” and from those sessions he learned that “you’re not truly free from your past until you can be truly thankful for it.” He says he hopes the Boulder Weekly series of profiles on homeless people shows who they really are: just human, like anyone else, “flawed, imperfect, doing what we can with what we’ve had to work with.” Onesimus pauses, puts down his pipe, then recites a scripture about how Jesus wanted to be treated. “Whatever you’ve done to the least of them, you do to me,” he says. “How would you treat Jesus if he was strung out on heroin or in prison? “In my early days, I might have walked past him.” Respond: letters@boulderweekly.com Boulder Weekly
news Debate over fracking intensifies
ELDORADO
by Jefferson Dodge
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Research findings, legal filings add fuel to the feud
T
Jefferson Dodge
he local battle over fracking has been heating up this week on several fronts, from a new study on oil and gas impacts on ozone levels to volleys fired in the city of Longmont’s legal defense of its ban on hydraulic fracturing. And the county commissioners were scheduled to meet Jan. 24 to consider extending the moratorium on applications for oil and gas development, to allow county staff more time to plan and implement the county’s new oil and gas regulations. The commissioners were also expected to review an oil and gas road impact study and consider additional transportation fees for oil and gas operations to mitigate those impacts. The aforementioned ozone study, conducted by a joint institute of the University of Colorado Boulder and the National Oceanic and Atmospheric Administration, found that emissions from oil and gas operations north of Denver seem to be contributing to local levels of ozone pollution. A team led by research chemist Jessica Gilman of the Cooperative Institute for Research in Environmental Sciences found high levels of volatile organic compounds (VOCs) like propane in the area, and determined that the specific composition of the compounds was attributable to oil and gas — as opposed to other possible sources. “When our first measurements came out, people would ask, ‘How do you know the high level of pollutants is from natural gas? How do you know it’s not from car exhaust, or cattle farms, or people’s propane grills?’” Gilman said in a news release. “But we discovered that emissions from oil and natural gas activities have a unique ‘chemical signature’ that’s very different from emissions from other sources, and it definitively identifies oil and gas wells as the major source of the high levels of VOCs like ethane and propane.” The scientists also found that the VOCs were migrating significant distances — they were detected in Boulder and Fort Collins as well. “Sometimes people forget that we all live downwind of somebody,” Gilman said. In related news, attorneys for the Boulder Weekly
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city of Longmont filed motions Jan. 14 in response to a lawsuit from the Colorado Oil and Gas Association (COGA), the industry group that is challenging the ban on fracking approved by voters in November. One motion challenges COGA’s effort to have the lawsuit heard in Weld County instead of Boulder County. (A small portion of the city of Longmont lies in Weld, which has been much friendlier to oil and gas interests than Boulder County. COGA filed the suit in Weld County District Court.) The motion notes that Longmont’s city charter describes it as a city in Boulder County and that the city council’s resolution formally adopting the voter-approved ban was passed in Boulder County. The city’s motion also asserts that COGA itself has acknowledged that Boulder County is the proper venue for the matter: When it intervened in the state’s separate lawsuit challenging Longmont’s recently approved oil and gas regulations, the association wrote that “venue in this district is proper,” citing the same provisions in the Colorado Rules of Civil Procedure that it is now using to argue for the case to be heard in Weld. The city’s second motion challenges COGA’s claim that the ban represents “unconstitutional takings” by depriving mineral leaseholders access to their resources, namely the oil and gas they have a right to. Among their arguments, attorneys for the city maintain that COGA has failed to show that it has been damaged by the ban or to seek compensation for that damage. They also allege that COGA can’t ask for a court judgment to overturn the law, that the association hasn’t shown a taking of “any particular property owned by any particular person” and that the group doesn’t have the standing to file a takings claim on behalf of its members. Respond: letters@boulderweekly.com
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boulderganic The hidden effects of green homes
We focused on the type of particles concentrated supposed to be, then that may balance it inside and found that harmful particles coming from out. So just a word of caution: When you the outside were double the inside concentration.” solve one problem you may create another These particles mostly came from car emissions. one.” “In that case, we want a tight building, otherwise The Environmental Protection Agency the contaminants will be sucked in has confirmed that as Courtesy of National Jewish Medical Center through the windows,” Zhai says. homeowners work to “Tight” refers to how effectively a save energy, ventilation structure is sealed off. systems are not bringing Zhai and Rabinovich both said in enough outdoor air. one guideline is to open a window Inadequate ventilation of when cooking, especially on a wooda room can also occur when an air burning stove. Contaminants genervent is blocked and outdoor air does ated from cooking, however, are not properly reach main areas like a more of an issue found in developliving room. The EPA confirms that A child takes a breathing test. ing countries. indoor allergens and irritants play a “There are a ton of factors that can explain lung more significant role in triggering asthma attacks than health,” says Joe Collida, a home performance contracoutdoor allergens. Common triggers include cigarette tor and owner of Indoor Air Quality, Inc. “Materials, smoke, pets, cooking smoke and molds. for instance, are important if you have a home that is But the rise in asthma cannot solely be attributed truly tight. If people are concerned about the air they to indoor air quality. “It depends on each environment, but Boulder isn’t are breathing, a monitor can put a number to the dust. Beijing, so pollution in the outside environment is not The house may need more mechanical ventilation.” so much the issue,” says John Zhai, a professor in the An EPA study concluded that modifying materials University of Colorado Boulder’s civil, environmental, used to build energy-efficient homes could be a and architectural department. healthy and cost-effective fix. Zhai says he agrees with Rabinovich that the corRabinovich says he thinks the solution will be mulrelation between new building techniques and asthma tifaceted. triggers is evident when looking at indoor contami“We could really change things if we changed nants, but the solution is not always as simple as open- behavior,” he says. “We don’t focus on the environment ing or closing a window to let the bad stuff out. enough because it is hard to convince people to change “You don’t always want uncontrolled ventilation their behaviors. An effective approach will be a public like an open window,” Zhai says. “You have to consider health approach. How we are building homes, for your surrounding environment. Are you in a rural area example? How can we make foundations less prone to or an urban one? We did a study three years ago testdampness? Things like this.” ing four buildings, two in Boulder and two in Denver. Respond: letters@boulderweekly.com
Energy-efficient houses raise questions about increase in asthma by Cayte Bosler
T
hough inactivity, smoking, and a lack of time spent in the great outdoors have all contributed to the staggering rise in asthma in past decades, some of the factors that contribute to asthma, which now affects an estimated 24.6 million Americans, may be aggravated by the way indoor air quality changes in green homes. “Since the 1970s, asthma rates have tripled,” says Dr. Nathan Rabinovich, an asthma specialist at National Jewish Health. “It’s possible that we ended up increasing air pollution exposure because if you increase humidity then you increase house dust, mites, and mold. If you just do that, you may be getting into trouble. We have drastically changed how we’ve built homes. Energy-efficient homes causing sickness is a possibility I put forth.” Energy-efficient homes became popular in an effort to save money, reduce emissions and conserve resources. “Studies show that if you weatherize a home, your temperature and humidity go up, but also so do your allergens, like mold and dust,” Rabinovich says. “In green housing, if you do the insulation and make sure you have decent ventilation and fans where they are
eco-briefs
by Boulder Weekly staff COLORADO THIRD AMONG TOP LEED STATES
Dennis Schroeder/NREL
California, Texas and New York also added significant numbers of LEED-certified space, with 54,252,993, 36,017,979 and 34,378,286 respectively, but those figures come out to less than two square feet per person.
The U.S. Green Building Council has announced the top 10 states for new Leadership in Energy and Environmental Design (LEED) certifications in 2012, and Colorado landed third on NREL’s Research Support Facility the per-capita list. Colorado added SUNNY DAYS AHEAD FOR 10,553,881 square feet of LEED-certified CU’S SOLAR POWER space, or 2.10 square feet per resident, in The University of Colorado Boulder is 2012 in the form of projects like the University installing a new array of solar panels that will of Colorado Boulder’s Jennie Smoly Caruthers double the campus’s solar power producBiotechnology Building, the Denver Police tion. Crime Lab, the Denver Animal Shelter, the “The 500-kilowatt system is capable of U.S. Department of Energy National Renewproducing 725,000 kilowatt-hours of enable Laboratory Research Support Facility in Golden and the Red Hawk Elementary School ergy per year, enough to power about 100 average-sized houses,” according to a press in Erie. The total LEED-certified square footage release from the university. It will bring total in the state is now 62,180,180. capacity for solar power at CU to 1,000 For per capita additions this year, Colorakilowatt hours of energy. The new system, do fell just behind Virginia’s 3.71 square feet.
Boulder Weekly
the largest on a campus that already has several rooftop solar panel installations, will be ground-mounted on 2.5 acres of land near Foothills Parkway on Colorado Avenue, in CU’s Research Park. “This project complements and extends our commitment to leveraging solar energy throughout campus to provide power in a low-cost and responsible manner,” Moe Tabrizi, CU-Boulder’s campus sustainability director, said in a press release. The installation is financed by rebates from Amendment 37, the mandate for 20 percent use of renewable energy statewide that was passed by voters in 2004, as well as by incentives through Xcel Energy, federal tax credits and third parties.
Respond: letters@boulderweekly.com
January 24, 2013 17
adventure
courtesy of Eric Larsen
Climbers looking up at Cerro Torre from Laguna Torre.
E
ric Larsen is at it again. The Boulder-based explorer and environmentalist has just returned to Colorado from Antarctica after an attempt to cycle to the South Pole, a project dubbed the Cycle South expedition. While Larsen failed to make it to the pole, there’s no doubt that he managed to set a record for distance traveled by bicycle in the harsh environment of Antarctica.
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“This was not the first time that this icy place has turned back an expedition,” says Larsen, who admits that pulling the plug seven days into the trip was “tough.” Larsen is used to facing adversity. Resilient and focused, the adventurer has chalked up some notable successes, including a massive year in which he made it to both the North and South poles and summited Mount Everest as part of his Save
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courtesy of Eric Larsen
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Pushing his bike through snowdrifts made for slower than expected travel on Eric Larsen’s expedition to bicycle to the South Pole.
The Poles expedition in 2009 (“Ice Man,” Boulder Weekly, Nov. 18, 2010). But in addition to his exploits, Larsen is also an activist. In the face of global warming, he’s banging the drum loudly for the preservation of the coldest places on the planet. Places that, because of their very nature and unique ecosystems, are at grave risk from a warming climate. He’s committed to other causes, too, putting his apparently boundless energy into improving the planet, as well as the lives of people who live on it. The Save the Poles project was born of his environmental commitment. Larsen came face to face with dramatic changes on a second trip to the North Pole in 2006. “There was much more open water, and it brought home how dramatic the changes were,” Larsen recalls of that
journey. “These are some of the last true wildernesses left on the planet. I didn’t want to have the feeling that it’s too late. I wanted to tell their stories and wanted people to act, but not some huge action, just do one or two little things.” And it’s the little things that matter, says Larsen. Things like riding your bike rather than taking your car when you head down to Pearl Street can become a personal impact on climate change. “If you decide that you’re going to ride your bike one day a week, that can make a big difference,” Larsen says. And you can bet good money on Larsen jumping on his bike when he wants to go to Pearl Street. “I actually do a lot of biking in general,” says Larsen, who made cycling the centerpiece of his Cycle South
expedition. “I worked in bike shops in high school and college and the majority of my training is on bikes for expeditions. The long hours lend themselves to what you experience when you’re on a trip. Expedition travel is a steady pace. It is a battle of attrition.” For his Cycle South project, Larsen chose a Surley Moonlander. “The bike is pretty standard,” he says. Along with its massively fat tires, designed for riding on snow and ice, the Surly had another key attribute. “The bike has an offset fork,” Larsen explains. “So you can run the rear wheel on the front.” This design meant that Larsen could use a front wheel with a single-speed hub, a crucial consideration if any of his drivetrain components failed.
SATURDAY, JANUARY 26 Fly Tying Classes. Orvis, 629B South Broadway, Boulder, 303-554-0122. Snowshoeing Hike with Fitness for Living. 8:30 a.m. Justice Center parking lot, 6th and Canyon, Boulder, 303-550-3491. SUNDAY, JANUARY 27 Winter Heritage Day. 1-3 p.m.Walker Ranch Homestead, 7701 Flagstaff Mountain Road, Boulder, 303-776-8848. TUESDAY, JANUARY 29 Running for Brews. 6 p.m.Walnut Brewery, 1123 Walnut St., Boulder, www.runningforbrews.com. Cross-Country Skiing Basics. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. WEDNESDAY, JANUARY 30 Avalanche Awareness Presentation — With Friends of Berthoud Pass and the CU Backcountry Club. 7 p.m. Humanities 1B50, CU campus, www.berthoudpass.org. Sanborn Western Camps Road Show — With camp directors Elizabeth Rundle and Mike MacDonald. 7 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303-499-8866. Wednesday Fun Run. 6 p.m. Boulder Running Company, 2775 Pearl St. #103, Boulder, 303-786-9255. Winter Survival Skills. 6:30 p.m. REI Store, 1789 28th St., Boulder, 303-583-9970. To list your event, send information to: editorial@boulderweekly.com. attn: “Adventure.”
see POLE POSITION Page 20
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January 24, 2013 19
adventure
courtesy of Eric Larsen
He can teach you how to install over 9,312 electrical items. So you don’t teach your kids a bunch of new words.
Eric Larsen uses his trips to extreme environments to raise awareness about the ways those places are changing. POLE POSITION from Page 19
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FOR FALL 2013
G R E A T L O C A T I O N + U P G R A D E D F I T N E S S C E N T E R + F U L LY F U R N I S H E D
A P P LY O N L I N E T O D AY @ U V B O U L D E R .C O M 3 0 3 . 4 4 3 . 2 5 2 1 • 2 6 0 0 TA F T D R I V E
20 January 24, 2013
“If anything broke,” says Larsen, “I reach a temporary station at the South could run the fixed gear on the back, Pole before it was dismantled, and that that was really important from a safety to continue on his quest would result in consideration.” needing to be rescued, or even in death. His bike was only one part of the “I had a specific objective. To not equation. reach it is disappointing,” says Larsen, “When you do something that no who admits that he sat down and cried one has done before,” Larsen adds, in his tent when it became apparent “there’s nothing to go by. You have to that the South Pole was out of reach. figure it out yourself.” Still, now that the adventurer is Larsen designed his boots for ridback in Boulder, he’s gaining some pering. He also designed the panniers he spective on the exact magnitude of used to haul gear. what he was able to accomplish, no These latsmall feat given ter elements the remote and are the hidden harsh landscape aspect of an of the Antarctic. expedition. “I call myself A RELUCTANT MOUNTAIN“The plana reluctant mounning and preptaineer,” admits EER. I’M NOT SO OBSESSED aration was 10 Larsen. “I’m not times the work so obsessed with WITH THE SUMMIT. I LIKE of actually the summit. I like going on the the process.” THE PROCESS. trip,” he says. And, as with “It’s a lot of all of his expedi— ERIC LARSEN effort.” tions, a big part Once the of the process planning was and how his done and he climbed on his endeavors will be ultimately judged bike and took the first pedal, lies in their larger impact. For the Larsen came face to face with the chal- Cycle South expedition, the project lenges of the actual trip. combined adventure and advocacy to “It was a hard trip, I’m not going to demonstrate the ways people can use a bicycle to protect the environment, lie,” he says. “A lot of the time is spent but also set a goal of raising $10,000 managing stress. You break each hour for research into finding a cure for into little segments: I’m riding this far, Parkinson’s disease. wind is this speed.” Despite the fact that the expedition As the miles unfolded there were is finished for Larsen, the $10,000 goal amazing highs, says Larsen, though has yet to be reached, so in reality, the they didn’t come as often as on his project is ongoing, and true success is other projects. still within reach. Given Larsen’s track “One day I was looking at the sasrecord, we won’t have to wait long to trugi, these arcing forms of snow, and pop a cork on the bubbly and celebrate to be out there in a place where you a job well done. don’t see anyone, biking along for two To learn more about Eric Larsen, weeks without seeing any other see photos and videos of his the Cycle humans, imagine that happening in South expedition or assist him with his your normal life, that’s an incredible goal of raising $10,000 to help combat experience,” he says. Parkinson’s disease, visit www.eriAnd there were the lows, particularclarsenexplore.com. ly when it became obvious that he Respond: letters@boulderweekly.com wasn’t making fast enough time to
I CALL MYSELF
Boulder Weekly
AUSTIN CYCLNG CAMP 2013 January 30th to February 3rd • Austin, Texas
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January 24, 2013 21
buzz
In June 2011, photographer David Mayhew chased a storm that produced at least seven tornadoes and captured this series of images of one of them.
Stormy
inspiration Photographer David Mayhew aims his lens at the dark sky by Elizabeth Miller David Mayhew’s “Golden Ambience”
ON THE BILL: David Mayhew’s photography is on view at the galleries at the National Center for Atmospheric Research along with the work of Ralena Gordon, creator of “The Empty Places,” a body of photographic work on abandoned mental hospitals. A closing reception for their exhibition is scheduled for 4-7 p.m. Jan. 26, at NCAR. Additional information can be found at www.davidmayhewphotography. com and www.thehouseofraphoto.com.
22 January 24, 2013
A
t one point in his life, David Mayhew gave up on art. An art teacher in high school pushed an impressionist style when he wanted to go for a realistic one. The conflict steered him toward design engineering and graphic drawing — the career track that led to him arriving in the United States in 2004. That he started chasing tornadoes shortly thereafter had more to do with geography than anything else. “I’ve always said, every country you go to, you’ve got to do something unique to each country that you can’t do anywhere else,” says Mayhew, who grew up in Ipswich, England. Down the road from where he was living in Chicago,
the College of DuPage offered meteorology classes and field studies that involved storm chasing. So he started going out with the storm chasers. “I hooked up with them and got into storm chasing, and later on I decided to quit my engineering career and go into photography and combined my two hobbies,” he says. Two years later, he was a fulltime photographer spending the summer months chasing tornadoes and super-cell storms across the Midwest. The result, in addition to plenty of hail dents in his car and a new rear window after one was blown out in a storm, is a body of work that shows a lifelong interest in looking at the skies. The photos — which hold to that original aes-
thetic of authenticity and are only adjusted in Adobe Photoshop for contrast and saturation — seem like such an appropriate fit for exhibiting at the National Center for Atmospheric Research that it’s a bit of a surprise that it’s taken him three years since his relocation to Colorado to get there. “So many people work in big cities where they’re surrounded by big buildings and often don’t get to see the sky, and there are just so many colors, details and natural beauty around all of us every day, and people often forget to look up,” Mayhew says. “And the sky can produce so many emotional qualities, like the serene beauty of a nice sunset or obviously the drama and the energy of a tornado. It’s got all the emotional scales,
Boulder Weekly
David Mayhew’s “Tempest”
from joy and pain and fear and hate to tranquility.” He travels from Mexico to Canada and Colorado to Indiana in pursuit of storms, but says the area around Colorado, Kansas and Nebraska is his favorite. The area tends to get laterseason storms that move more slowly — across land as flat as a pancake that’s got a low population density and a good network of roads. “My favorite is the isolated super cell storm, which hopefully, if you get a slow-moving one, you can position yourself pretty well,” he says. “But the tough question is whether to go in close and hope for tornado shots or pull back and get the structure of the storm and get nice sunsets and formations and details. So it’s a tough call.” Mayhew draws on knowledge of the weather built in meteorology class-
Boulder Weekly
es at DuPage, in addition to weather models, to select a target area and tries to arrive an hour or more ahead of the storms. Once there, he’ll reassess and adjust based on what’s happening in the atmosphere. He’s had a few close encounters along the way, he says. The car engine is left running and pointed in the direction of the exit route. He keeps in mind when to take that exit, no matter how strong the lure of potential photos might be. “There was a chase last year, it was my best chase ever, and that was June 20, 2011 — I saw seven tornadoes that day,” he says. “I could have seen more, but if you look at the images, you’ll see that the storm turned into this massive wall of black, dark ominous stuff heading straight at me, so I didn’t want to get too close to that for fear of that same bye-bye Kansas.”
He uses quick set-up tripods “even with tornadoes heading at me,” he says, “because, A, it’s dark under the storm and B, my hands are probably shaking, so a tripod’s always pretty useful.” Why go into hand-shaking territory at all? Well, he says, a landscape without a dramatic sky is just kind of boring for him. “The point of art is to create an emotional response in the viewer, no matter what the art is and no matter what the response is to it, so the sky’s an obvious choice,” he says. “And you get different reactions to the same thing. For example, one person is amazed by the beauty of the tornado, whereas another has fear and obviously doesn’t want to put the tornado in their house, so you get complete contrasts in reactions.” Respond: letters@boulderweekly.com
January 24, 2013 23
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24 January 24, 2013
Boulder Weekly
overtones courtesy of Rebecca Folsom
A
Rebecca Folsom’s old-school multimedia extravaganza
couple of years removed from her successful duo tour with Celeste Krenz, singer/songwriter Rebecca Folsom returns to a Boulder stage this weekend with a new CD, her first in four years and her ninth overall. Why not? “Celeste and I had made a couple of songs, we were thinking that we were going to do another album,” she explained last week, “and then we both decided, eh, let’s not, maybe we’ll take some of these and use them individually, and one of those songs we recorded up at John Magnie’s Knucklehead Studio up in Fort Collins. But most of these songs were born out of, ‘OK, yeah, I want to make this album, pretty sure it’s going to be called Reunion — I don’t know why, I hadn’t written anything yet — and then began the process of writing. “I also have my B.F.A. in fine art, and I painted for a number of years, showed my work, had a couple of art shows … but after I graduated college, my music came to the forefront and that’s what I concentrated on. So … I really wanted to reclaim that. “I just wanted to do all my art together, rather than having them compartmentalized in my world. [Instead of ] spending two years doing an album and touring, and then stopping and getting off the road and then writing poetry books and doing that, and then painting, it was like, ‘Wow, what would it be like to just do all of them at the same time?’” Artistic ambition is not an unfamiliar trait for Folsom, who has been publishing poetry in between her touring schedule for some years now, and it’s pretty unlikely anyone will find that the music got shortchanged this time around. Folsom’s recorded output has long been a textbook study in deeply crafted songwriting and letter-perfect Boulder Weekly
by Dave Kirby
singing influenced by the Nashville scene (where she worked and lived for several years up until her return to the Front Range a couple of years ago) and the classic songwriting stylists of the 1970s. The new CD features guest appearances by Tim O’Brien and Nick Forester of Hot Rize, John Magnie of the subdudes, Greg Garrison from Leftover Salmon and Richie Furay. And judging by the poised, achingly delivered gospel-shrouded title tune (ironically, the last song she actually finished for the already-titled CD), her local fan base will be glad to have her back. For Folsom, though, seeing her original idea through to the end was part satisfaction and part relief — the most carefully assembled plans can frequently turn into something else entirely by the time the final mix goes down. “Right, yeah, sometimes it morphs,” she agrees. “And so I was very pleased at how the album and everything came together. It was like, ‘Oh, I get it, I get what the snapshot is, I get what the mood is.’ I don’t know if I can put it into words, but I was getting sort of feeling like, ‘That’s what this is about.’ While I was in it, I was kind of in this swirl of dancing with the muse, with the painting and the poetry and different intuitions that would come. And the different things that inspired it.
ON THE BILL: Rebecca Folsom plays eTown Hall on Saturday, Jan. 26. Doors at 6 p.m. Tickets are $20, $100 for VIP tickets. 1535 Spruce St., 303443-8696.
“You know, I realized, as I was sending my press releases out, that it had been four years since I released an album. That’s a long time ... and there were a lot of things that happened in that time. The Fourmile Fire that happened up here, we’re right in the middle of that. That was very impactful for my whole neighborhood. Fifty percent of the people I know lost their homes. “With the Rhythm Angels ending, the fire — there were a number of things during this period I went through where I felt like things were ending. But I’ve learned over the years that there’s a season for everything. Winters come in the art. So I kind of relaxed into it.” Folsom’s art and poetry will hang at the eTown Hall on Spruce Street until mid-February. After her gig this weekend, she plans to line up a national release for the CD and head back on the road when the weather warms up. Folsom is planning to keep the business stuff in-house for now, but one never knows. Four years is a minor eternity in the music business; a decade and half of recording and touring experience puts Folsom in a good place but, despite persistent claims of its imminent demise, the music business is still awash with artists chasing their own niche markets, and a little of the personal touch still counts for something. “I think we’ll self-distribute,” she says. “But we’ll see, I really don’t know at this point. “I remember somebody asking me about a new CD, ‘How do you make it stand out’? I remember walking into the Fox [Theatre] years ago when I had just released a new album, and there were just literally stacks of CDs on the guy’s desk. I was just so pleased that I had gone through the trouble of handing it to him in person.” Old school, indeed. Respond: letters@boulderweekly.com
THIS WEEKEND Friday, January 25
JAKARTA
Saturday, January 26
WEEKEND MEDICINE Sunday, January 27
HAMILTON LOOMIS UPCOMING EVENTS Friday, February 1 – 8pm
CATFISH KRAY BLUES BAND
Tuesday, February 5 – 6pm (In the Tavern)
BOBBY DORAN
Wednesday, February 6 – 6pm (In the Tavern)
DANNY SHAFER
Friday, February 8 – 8pm
BLINDCHILD
Saturday, February 9 – 8pm
VERTICAL FUSION BURLESQUE SHOW Tuesday, February 12 – 6pm (In the Tavern)
PETE KARTSOUNES SOULO LOOP
Wednesday, February 13 – 6pm (In the Tavern)
CLEASON DUNN WRIGHT Friday, February 15 – 8pm A ROCKIN’ VALENTINE’S PARTY WITH
HINDSIGHT
Saturday, February 16 – 8pm
WENDY WOO BAND with JEFF BRINKMAN
Tuesday, February 19 – 6pm (In the Tavern)
ASH GANLEY
Wednesday, February 20 – 6pm (In the Tavern)
SHARON & GRANT COUNTRY DUO Friday, February 22 – 8pm
THUMPIN!
Saturday, February 23 – 8pm
CASEY JAMES PRESTWOOD & THE BURNING ANGELS with BETTER THAN BACON
Tuesday, February 26 – 6pm (In the Tavern)
WOLCOTT - DORAN JAZZ DUO
Wednesday, February 27 – 6pm (In the Tavern)
SCRAMPIANO ORCHESTRA
January 24, 2013 25
BOULDERBALLET
2013 Stepping Out
Contemporar y B a l l e t T h e a t r e
Seven sessions between February 2 and April 6 4 hr. sessions for teens (11-18 years old), $399 2 hr. sessions for junior rockers (6-10 years old), $250 • Each band will write a full set of original music, with a final performance at The Fox Theatre in Boulder! • Everyone will be prepared to audition for the Boulder Creek Festival “Teen Stage” and the Capital Hill People’s Fair in Denver. Call us to find out more about Adult Camp, Monday and Tuesday evenings. 26 January 24, 2013
SHAKE UP YOUR SPRING!
Spring Camps:
The Einaudi Collection Choreography by Jayne Persch (formerly ABT & Royal Ballet)
Anything Goes
Choreography by Alex Davison (formerly Miami City Ballet)
Pygmalion
Choreography by Peter Davison (Ballet Builders Award, New York)
Friday February 15 • 8 PM Saturday February 16 • 8 PM Sunday February 17 • 2 PM Dairy Center for the Arts 2590 Walnut Street, Boulder $25 Adult • $17 Student/Senior Box Office: 303.444.SEAT (7328)
www.boulderballet.org Melissa Heslep and Matthew Helms. Photo by Sue Daniels
Celebrate Valentine’s Day with the romance of flamenco!
PACO PEÑA
“FLAMENCO VIVO!”
Thursday, February 14, 7:30 p.m. Macky Auditorium
Tickets start at $14
cupresents.org | 303.492.8008
Paco Peña embodies both authenticity and innovation in flamenco. “Flamenco Vivo!” is a journey that displays the highest level of modern flamenco featuring both fiery music and intricate dance. Peña highlights the rhythmic complexities of its modern variations of song, dance and guitar, while looking back to the most primitive and pure forms of this captivating art and paying respect to that legacy.
Global performance. World-class entertainment. You have to be here.
Boulder Weekly
arts & culture
D
on’t get him wrong. Pablo Kjolseth loves the aesthetic qualities of celluloid. But as the director of the International Film Series (IFS), he is keenly aware that the future of moving pictures is digital. 2013 will mark a key moment in the history of cinema; it is the last year major Hollywood studios will make prints on 35 mm film. From here on out, Kjolseth says, most everything will be ones and zeros. “The writing has been on the wall. It’s been on the wall for awhile,” Kjolseth says. “But it’s only in the past year that they’ve basically put our backs to the wall. This year, 2013, is the last Cuban zombie flick Juan of the Dead screens Feb. 7 in the Visual Arts Complex on the CU year they will be making film campus. And yes, the movie’s tagline is “He’s Havana killer day.” prints, the studios. Then it will be gone. It’s not even going to be there.” Do not ask for whom the bell tolls, 35 mm film projectors, for it tolls for thee. And Hollywood is manning the clapper. Studios sped the demise of film by offering multiplexes discounts on movie prints if they got rid of their 35 mm projection equipment, including the acclaimed Samsara on Feb. Women on Feb. 5. Matheson will discuss Kjolseth says. 12 and the global warming documentary a film she produced, 1995 Oscar winner Going forward, in order to keep Chasing Ice on Feb. 26. for best foreign language film Antonia’s showing new films, the IFS must invest Wednesdays will be home to obscure Line, on Feb. 6; someone to-be-deterin new equipment to keep up with the art-house films, like the fantastically mined involved with the making of times. And no, it’s not as simple as placweird Holy Motors (Feb. 13) by French Chasing Ice will appear on Feb. 26; and ing a Blu-ray disc into a projector. The director Leos Carax and the tortured South Park Animation Director Eric new projection standard requires somemish-mash of animation styles Stough will give a Q&A on how one of thing called a Digital Cinema Package Consuming Spirits (March 13). the show’s funniest episodes in recent (DCP), and movies are distributed on Thursdays host selections from memory, “A Nightmare on Face Time,” special encrypted hard drives that require Alamo’s library, like the Cuban zombie was made. a massive equipment investment to projflick Juan of the Dead (Feb. 7) and a docTechnology might be changing, but ect. The IFS is looking at a bill between umentary on horse-ass crazy drummer the IFS will remain committed to cellu$50,000 and $80,000, Kjolseth says. (The Ginger Baker, Beware of Mr. Baker (Feb. loid, Kjolseth says. The move away IFS has already raised $23,000 towards 21). Fridays through Sundays will host from 35 mm is a crime against history, that end; to donate, visit www.internascreenings of “festival favorites” such as he adds. tionalfilmseries.com the French movie “Here’s the crime; here’s the reason and click on the “help about an unlikely why that’s a huge shame: If you look at keep the IFS alive” friendship, The the films of the past, if you look at all the ON THE BILL: The International Film Series runs from button.) Intouchables (Feb. 1-3), movies that are made, there is a huge Jan. 29 to April 21. Visit www. Look no further and Ang Lee’s latest number of movies out there that are not internationalfilmseries.com for a Oscar bait, Life of Pi than the IFS’ upcomever going to be restored digitally,” complete schedule and more information. (March 8-10). ing season to see the Kjolseth says, noting that while certain “This semester, signs of the times. classics (Rocky, 2001: A Space Odyssey, what it boils down to, Last semester, 75 peretc.) get restored, they represent a tiny cent of the scheduled films were available I keep trying to toss stuff against the wall fraction of the films made throughout to see what sticks,” Kjolseth says. on 35 mm prints; this semester, it’s only history. “Part of our mission is keeping Special guests to visit include Hoop 40 percent. The IFS’ continued partnerthe past alive. That’s the legacy of cineship with Alamo Drafthouse Cinema Dreams director Steve James, whose new ma. So for someone like me, when I hear provides steady access to Alamo’s extendocumentary No Crossover: The Trial of that studios are incentivizing multiplexes sive 35 mm library, but the bulk of the Allen Iverson screens Jan. 29; and to get rid of their 35 mm projectors, that, rest of the films will be shown digitally. Margaret Matheson and Boulder resito me, is bullshit. It’s criminal. But the The IFS has a simple breakdown this dent Tod Davies, who will discuss a doc- studio doesn’t care. It’s all about the botsemester. On Tuesdays, documentaries umentary on female superheroes and tom line.” will screen in Muenzinger Auditorium, Respond: letters@boulderweekly.com feminine empowerment called Wonder
So long, celluloid
Film at the IFS will not go gently into that good night
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Boulder Weekly
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28 January 24, 2013
The hidden sounds of Alabama Boulder director makes Sundance with documentary on Muscle Shoals sound by Stephanie Riesco
T
ON THE BILL: Muscle Shoals will screen at the Sundance Film Festival on Saturday, Jan. 26. The documentary will also show during the Boulder International Film Festival. For more information, visit www.biff1.com.
Still from Muscle Shoals courtesy of Greg Camalier
he section of the Tennessee River that forms the northern border of Muscle Shoals, Ala., didn’t always go by that name. Early Native Americans called it “The Singing River” and believed a river princess sang its soft melody. With the river’s song coursing through its veins, Muscle Shoals became home to two highly influential music studios: FAME Studio and, later, Muscle Shoals Sound Studio. Musicians like Willie Nelson, The Rolling Stones and Lynyrd Skynyrd visited the tiny Alabama town to record some of their most famous hits. However, few know that this hotbed of American music even exists. Muscle Shoals documentary director and Boulder resident Greg “Freddy” Camalier discovered it by accident on a 2008 road trip with a friend. “One night we were tired and we saw Muscle Shoals on the map,” Camalier says. “We knew some of our favorite music was from there, so we turned around and spent the next 24 hours there. We were blown away by the town and the story that hadn’t been told.” Ever since 2009, first-time director Camalier and filmmaker Stephen Badger have worked tirelessly to tell the Muscle Shoals story. Camalier recently took another road trip, but this time he traveled to Utah to view his completed documentary at this year’s Sundance Film Festival. Muscle Shoals features cinematography by Anthony Arendt (Avatar), along with celebrity interviews that include Mick Jagger, Aretha Franklin and Bono. Though corralling busy musicians was no easy task, Camalier says many felt compelled to talk about this rich piece of music history. “[The musicians] had respect for the story and the players,” Camalier says. “I loved interviewing them all; they all brought great stories and insights, which collectively made an awesome tapestry in the film.” One of Muscle Shoals’ central players is Rick Hall, the founder of FAME
Studio. Elton John, Paul Simon and Bob Dylan were just a few of the performers who enlisted The Swampers to add that Muscle Shoals magic to their songs. More recently, The Black Keys recorded their acclaimed 2010 album Brothers in the famous studio. Camalier interviewed the three surviving Mick Jagger members of the The Swampers, Jimmy Johnson, Roger Hawkins and David Studio. Hall started producing hits in Hood (Barry Beckett died in 2009). the 1950s, and he worked with many Camalier says the men were glad to artists, like R&B legends Franklin and finally participate in a film about their Wilson Pickett. The film shows Hall recording in the studio and explores his contributions to music. “They were pretty receptive to the role in creating the Muscle Shoals Still courtesy of Greg Camalier idea and super-friendly,” sound. Camalier says. “It was “[Hall] is a fascinatgreat to work with them ing character,” Camalier to tell the story; they says. “He was driven. He were happy someone really wanted to make was going to tell it.” something of himself Beyond telling the and succeed. He’s a claslong-awaited story of sic American figure, very Rick Hall and The genuine, very authentic.” Swampers, the film Hall wasn’t the only looks at Muscle Shoals, one shaping the Muscle Aretha Franklin the town. Aspects of Shoals sound, which American history, like Camalier describes as Photo courtesy of Greg Camalier race relations in the “funky and propulsive.” Deep South, make As a long-time music appearances in the film. lover, Camalier says it “You’re in Alabama, was exciting to meet the the center of racism at people who worked on that time,” Camalier says. classic tracks like “Sweet “It makes it even more Home Alabama” and fascinating in the belly of “Brown Sugar.” the beast, but people “When I was youngmade great music er I always wanted to be together that lasted fora musician,” Camalier Greg “Freddy” Camalier ever. That’s a fascinating says. “I loved a lot of this part of the film.” music from Muscle With Sundance this week and the Shoals. … What I knew from there was Boulder International Film Festival [Lynyrd] Skynyrd and The Allman coming up soon, Camalier is looking Brothers. But when I started making forward to gaining feedback on the the film I realized that there was even more music that I had always loved, but film. But to him, he’s glad to have unearthed a place that embodies the I didn’t know it had been cut by The spirit of music. Swampers.” “I think it’s more than just a music The Swampers, who were originally documentary,” Camalier says. “It’s a story part of the FAME Studio Rhythm that we’d like to tell about music.” Section, split from FAME in 1969 to Respond: letters@boulderweekly.com form their own Muscle Shoals Sound Boulder Weekly
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SEE FULL EVENT LISTINGS ONLINE, INCLUDING HAPPY HOURS. To have an event considered for the calendar, send information to calendar@ boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.
Thursday, January 24
Chakra Workshop. 7 p.m. Adi Shakti Kundalini Yoga Center, 2014 Pearl St., Boulder, 720252-3962.
music Blake Haverton Lord. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.
Power Within — Dance-climb fusion class level one. 6 p.m. AscenDance Studio, 5721 Arapahoe Ave., Unit C, Boulder, 857-919-1548.
Clark’s Quark. 6:30 p.m. Treppeda’s, 300 2nd Ave., Niwot, 303-652-1606. Damn Quails. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.
p.m. Boulder County Courthouse, 1325 Pearl St., Boulder, 303-678-6268.
& Solids, 1555 S. Hover Road, Longmont, 303-4859400.
David Richey & Jordan Ramsey. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.
Public Hearing: Oil and Gas Development Moratorium. 4 p.m. Commissioners’ Hearing Room, Third Floor, Boulder County Courthouse, 1325 Pearl St., Boulder, 303-441-3930.
G’Jai’s Jook Joint. 8 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322.
The Disco Biscuits — With Future Rock. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-7867030. Georgann Low. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Greg Schocket and Kyle Ussery Trio. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847. Open Mic. 7 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. Policulture. 10:30 p.m. The Walrus, 1911 11th St., Boulder, 303-443-9902. Tribal Seeds — With Stick Figure & the Maad T-Ray. 7 p.m. Fox Theatre, 1135 13th St., Boulder, 303-4433399. The Strange Parade — A tribute to The Doors. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Trio con Brio. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Willie Houston. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Words in Flight. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.
Reverend James Peters — On Dr. Martin Luther King, Jr. 7 p.m. Glenn Miller Ballroom, University Memorial Center, CU campus, www.one-action.org. WordPress — Creating Image Galleries. 6 p.m. Boulder Digital Arts, 1600 Range St. #100, Boulder, 303-8004647.
Friday, January 25 music Aural Elixir — With Jane Uitti. 6 p.m. Sun Rose Cafe, 379 Main St., Longmont, 303-651-3533. The Big Motif. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Big Universe. 7:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. Blue Grama. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. The By All Means Band. 7 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Casey James Prestwood & the Burning Angels. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.
events
Chris Thompson and Coral Creek. 7 p.m. Swallow Hill Tuft Theatre, 71 E. Yale Ave., Denver, 303-7771003 x2.
Juliet of the Spirits. 6 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.
Damon Wood's Harmonius Junk. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
Parks and Open Space Advisory Committee. 6:30
Full Belly. 8 p.m. Oskar Blues Home Made Liquids
Boulder Weekly
Great American Taxi & Poor Man’s Whiskey — With Shannon McNally & Amy Lavere: Chasing the Ghost. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Jakarta. 8 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. The Mighty Twisters. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Mosey West. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Patrick Tutt and Jennifer Griffin. 6 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847. Rush Archives and Dreamboat Annie — A tribute to Rush and a tribute to Heart. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Suzy Boggus. 8 p.m. Swallow Hill Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003 x2. Whiskey Autumn. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.
events Adobe Photoshop: The Heart of Color Correction. 10 a.m. Boulder Digital Arts, 1600 Range St. #100, Boulder, 303-800-4647. All Souls Church of Boulder: Wine and Art Celebration. 7 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Boulder Winter Jam — Contact Improv Dance. 7 p.m. The Avalon, 6185 Arapahoe Rd., Boulder 303-440-4838.
Searching for Sugar Man — Screening and talk back. 7 p.m. Louisville Center for the Arts, 801 Grant Ave., Louisville, www.oldtowncinema.org.
Saturday, January 26 music 19 Years of Funky Good Times — A Mountain Sun Pub and Brewery celebration and KGNU Community Radio fundraiser feat. Pearl Street All Stars. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Atomic Pablo. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Bluezhouse. 8 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322. Brian Parton. 10 p.m. No Name Bar, 1325 Broadway St., Boulder, 303-447-3278. Dan Treanor & The Afrosippi Band — With Erica Brown. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Dechen Hawk. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094. Fierce Bad Rabbit — With The Widow’s Bane and Nautical Mile. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399. Grayson Erhard & John Runnels, Maynard & the Walnut, Indien. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Greg Schochet & Kyle Ussery. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914 x313. Hafla. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. see EVENTS Page 32
January 24, 2013 31
events
arts
Kerry Cannon’s bronze sculptures in Alchemy retell the story of an alchemist trying to unravel the secrets of the Philosopher’s Stone. On view at Macky Gallery.
Abandoned — Photography by Mark Ivins. The Longmont Museum and Cultural Center, 400 Quail Road, Longmont, 303-651-8374. Through Feb. 17.
Alchemy — Bronze scupltures by Kerry Cannon. Andrew J. Macky Gallery, Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-4247. Through March 24. Art of the State — Feat. 160 Colorado artists. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7255. Chief Niwot: Legend & Legacy. Boulder History Museum, 1206 Euclid Ave., Boulder, 303-4493464. Through Feb. 10. Cover Story — Works by Daniel Pitín. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through Jan. 27. Dana Schutz: If the Face had Wheels. Denver Art Museum, 100 W. 14th Ave., Denver, 720865-5000. Through Feb. 13. Ira Upin, Erik Geschke and Aspen Hochhalter. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328.
Sunday: 10:00AM - 2:00PM
Joining Forces: Book Arts in Collaboration — With Kitty Maryatt and Sammy Lee. Norlin
Library East Lobby and West Lobby, CU campus, Boulder, www.ucblibraries.colorado.edu. Through March 8. Out West: Photographs by Loretta YoungGautier. The Byers-Evans House Gallery, 1310 Bannock St., Denver, 303-620-4933. Through Feb. 23. Random Walk with Drift — Works by Marius Lehene. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through Jan. 27. Expert talk at 6:30 p.m. Jan. 24. Resonance — Solo exhibition by Greeley sculptor Hee-Hun Cho. Muse Gallery, 356 Main St., Longmont, 303-678-7869. Through Feb. 23. Rethinking Western — Contemporary artists on the American West. Gallery 1261, 1261 Delaware St., Denver, 888-626-1261. Through Feb. 23. Sky Black — Surrealist paintings. Trident Cafe and Bookstore, 940 Pearl St., Boulder, 303-4433133. Untitled #53— Aftermath, on the photos of Laura Letinsky. 6-10 p.m. Jan. 25. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720865-5000.
EVENTS from Page 31
Art Therapy Psychotherapy Phototherapy
Heal Change Grow Cindy Gordon, PhD, ATR-BC Registered Psychotherapist (CO: #13953)
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WOMEN’S ART THERAPY GROUP Starting in February CONTACT CINDY FOR MORE INFORMATION 32 January 24, 2013
Jews Do Cohen — A Tribute To Leonard Cohen. 8 p.m. Swallow Hill Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003 x2.
Adobe Illustrator Hands-On Intensive. 9 a.m. Boulder Digital Arts, 1600 Range St. #100, Boulder, 303-800-4647.
Kelli Said. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.
Birds of Prey Driving Tour. 9:30 a.m. Location given to those registered, Boulder, 303-678-6214.
Music Lessons Of Westminister Garage Band Show. 1 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.
Boulder County AIDS Project: Rococo— An Evening of Competitive Singing and Musical Pizzazz. 8 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.
Niftee + Janksta — With PhuturePhil and COPA. 8 a.m. – 5 p.m. Club 156, UMC's Connection, CUBoulder campus, Boulder, 303-492-6352. No One Cares String Band. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-4425847. Robinson Quintet. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. The Sal Magundi. 6:30 p.m. Shine, 2027 13th St., Boulder, 303-449-0120. Tom Weiser & Paul Fowler Jazz Duo. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-4992985. Weekend Medicine. 8 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. The Yawpers. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Zimmermans. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
events Abundant Health Cooking Class — With Hayley Porter. 11 a.m. Adi Shakti Kundalini Yoga Center, 2014 Pearl St., Boulder, 720-252-3962.
The Mandala of the 5 Elements — Art workshop. 11 a.m. – 5 p.m. Hamsa Arts, 1919 Spruce St., Boulder, 303-449-5030. Power Within — Dance-climb fusion class level two. 5 p.m. AscenDance Studio, 5721 Arapahoe Ave., Unit C, Boulder, 857-919-1548. Town Hall Meeting with Sen. Rollie Heath. 10:15 a.m. Boulder Public Library George Reynolds Branch, 3595 Table Mesa Drive, Boulder, 303-866-4872.
Sunday, January 27 music Big Pick Bluegrass & Folk Jam. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Bluegrass Pick. 12 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.
Blues Jam — With Heavy Cats. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303443-3322.
Hamilton Loomis. 7 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. Mike Finders and Alex Johnstone. 6 p.m. Oskar
Boulder Weekly
events Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.
8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.
Shook Twins, Ghost Dream. 9 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.
Na'an Stop with Policulture & Branded Bandits. 8:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-443-3399.
Trout Steak Revival. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Women's Songwriter Showcase. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-4404628.
events 2013 Boulder Wedding Showcase — With The Boulder Theater & Rembrandt Yard. 11 a.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Winter Heritage Day at the Walker Ranch Homestead — Learn about typical winter chores for early settlers while you explore the historical ranch. 1 p.m. 7701 Flagstaff Road, Boulder, 303-678-8848.
Monday, January 28
Nelson Rangell. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757. Open Bluegrass Pick. 8:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
events
303-440-4324.
Chasing Ice. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
KIDS CALENDAR
If These Stones Could Talk — Stories from Columbia Cemetery. 7:30 p.m. Boulder Public Library Carnegie Branch for Local History. 1125 Pine St., Boulder, 303-441-3110.
Friday, January 25 A Punch and Judy Puppet Show — With Boulder Puppet Theater. 5:30 p.m. First Presbyterian Chapel, 1820 15th St., Boulder, 303-402-6400.
Pendulum New Music. 7:30 p.m. CU-Boulder College of Music, 18th St., Boulder, 303-492-6352.
One Night Stand: Creating a Play in a Day. 7:30 p.m. Century Boulder, 1700 29th St., Boulder, 303-4440583.
Spanish with Kena. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-6042424.
Sundance. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.
Piece, Love and Chocolate & Avery Beer Pairing. 7 p.m. Avery Tap Room, 5757 Arapahoe Ave., Boulder,
see EVENTS Page 34
Owen-Hayz Duo. 8 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384.
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Romano Paoletti’s Open Stage. 6 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914 x313.
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Zimmermans. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
15th & Canyon Downtown Boulder 303-449-3374 OPEN 7 DAYS A WEEK 8am - 11:45pm
events Annual Community Dance Meetings. 12 p.m. Boulder Public Library, Boulder Creek Room, 1001 Arapahoe Ave., Boulder, 303-441-4391.
Women of the West Monday. 11:30 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303442-8776.
Thursday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.
Maryse Conde Speaks from the Heart — Film screening. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.
music
The Descendants — A Cinema Program Screening. 6:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.
Thursday, January 24
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Tuesday, January 29 music
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Ash Ganley Trio. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Bluegrass Pick. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.
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John McKay. 6 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. Jordan Hunsucker. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.
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Open Mic. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Open Stage. 8 pm. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
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events Public Hearing: Boulder Valley Comprehensive Plan 2010 Major Five Year Update. 9 a.m. Commissioners’ Hearing Room, third floor, Boulder County Courthouse, 1325 Pearl St., Boulder. 720564-2608.
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What Natural Products Expo West Attendees and Exhibitors Should Know. 11:30 a.m. New Hope Corporate Offices, 1401 Pearl St., Boulder, www. naturallyboulderproducts.com.
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Wednesday, January 30 music Bill McKay. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Blues Jam — With The Firebreathers. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Blues Jam — Hosted by Todd Johnson. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683. The Boulder Blues Trio. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985. Holiday Blue — With Ken and the Action Figures.
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Thursday, January 24 All Knowledge Must Be Shared — An Open Mic. 7 p.m. Left Hand Books, 1200 Pearl St., Boulder, 201-8736728. Carol Grever — Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644. Magnolia — By Carolina Garcia-Aguilera. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Saturday, January 26 Cruising in Your Eighties is Murder — by Mike Befeler. 11 a.m. Barnes & Noble, 2999 Pearl St., Boulder, 303-444-0349.
Monday, January 28 The Antidote: Happiness for People Who Can’t Stand Positive Thinking — by Oliver Burkeman. 7:30 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727. So, You’re a Poet? — Open Poetry Reading. 7 p.m. The Laughing Goat Coffee House, 1709 Pearl St., Boulder, 303-4404628. Tuesday, January 29 Weekly Open Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644. Wednesday, January 30 Cosmic Hum — With Jonathan & Andi Goldman. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.
EVENTS from Page 33
Saturday, January 26
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34 January 24, 2013
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Wednesday, January 30
Tracking Tales — Nature for Kids & Parents. Shanahan Ridge, 1903 Lehigh St., Boulder, www.naturehikes.org.
French with Veronique. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-6042424.
Monday, January 28
A boy taking etiquette classes decides to do whatever it takes to get a perfect score in Mrs. Mannerly. Richard Pegg
42nd Street. Boulder’s Dinner Theater, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through Feb. 13. Blithe Spirit — by Noël Coward. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Boulder Fringe Festival — Applications for performances accepted through Jan. 30. www.boulderfringe.com or 303-803-5643. The Complete Works of William Shakespeare Abridged. Special New Year’s Eve performance. Jesters Dinner Theatre, 224 Main St., Longmont, 303-682-9980. Through Jan. 27.
809 MAIN ST. • 303.993.2094
Tuesday, January 29 Zumbatomic for Kids — Dance Fitness for Kids. 4 p.m., The Avalon, 6185 Arapahoe Rd., Boulder, 303-604-9098
FRIDAY JAN 25
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Go, Snow Go! — Storytime and Children’s Hike. 10 a.m. Chautauqua Ranger Cottage, 900 Baseline Road, Boulder, wwwnaturehikes.org.
A Punch and Judy Puppet Show — With Boulder Puppet Theater. 4:30 p.m. First Presbyterian Chapel, 1820 15th St., Boulder, 303-402-6400.
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The Night the Moon Ate My Room — By Jesse Wilson. 11 a.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.
Mrs. Mannerly. Miner’s Alley Playhouse, 1224 Washington Ave., Golden, 303-935-
3044. Through Feb. 17. Newark Violenta — World premiere by Colorado playwright Jonson Kuhn. The Edge Theater Company, 9797 W. Colfax Ave., Lakewood, 303-232-0363. Through Jan. 26. The Unsinkable Molly Brown. Candlelight Dinner Playhouse, 4747 Marketplace Dr., Johnstown, 970-744-3747. Through March 30.
Simply Louisville WWW.WATERLOOLOUISVILLE.COM
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January 24, 2013 35
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Boulder Weekly
screen You’ll need a Haneke ‘Amour’ will ruin you by Ryan Syrek
O
h, hell no. Why you gotta do us like that, writer/director Michael Haneke? Is life not already emotionally dense enough that you have to go and drop Amour on us just to remind us how finite and precious this human experience is? This is the sort of film you don’t watch first thing in the morning (because your whole day is shot wallowing in the reality of mortality) or last thing at night (because good luck sleeping while wondering how age will one day feast on you). There isn’t a pleasant moment in Amour. Even when it is sweet, that sweetness is cyanide-laced. What Haneke has done is make the definitive modern end-of-life narrative. In a world where “more” has long been a synonym for “better,” we long ago stopped considering whether squeezing these future corpses we walk around in for a few more years of “life” is actually worth it. To see Amour is to think “maybe not.” Georges ( Jean-Louis Trintignant) and Anne (Emmanuelle Riva) love the shit out of each other. Now in their 80s, the couple is affluent, cultured and about to stare into the abyss. One day, over breakfast, Anne stops communicating normally. It is the first domino to fall, as her flesh rapidly decays, first para-
lyzing half of her body and then taking the rest of her mind. Her daughter, Eva (Isabelle Huppert), is sympathetic in her visits, but it is Georges who must deal with a new reality, which is one in which his wife evaporates in front of him while he cleans her diapers. Amour sounds fun, doesn’t it? As unflinching as it is arguably important, Haneke’s movie comes at a pivotal time. Science is at a tipping point where it can provide the kind of long life that people mere decades ago couldn’t fathom, without questioning whether it should. Amour explores this with nuance, as is evident in a haunting sequence of exchanges between Georges and a wayward pigeon. In some ways, this is a slasher film, with the aging process as Jason Voorhees. There is no questioning the art on display, but entertainment is definitely lacking. On a scale of emotions, the needle moves from “sad” to “really sad” to “ensure no sharp objects are around.” What’s remarkable is that the year’s two best female perfor-
White people nearly died
T
he 2004 tsunami that struck Eastern Asia was the sixth deadliest “act of God” in recorded history and quieted just fewer than 300,000 lives. The first major motion picture to tackle the subject, The Impossible, is about a group of white folks who get injured and significantly inconvenienced while brown people all around them die in horrible fashion. This is equivalent to making a Holocaust movie about a family of Jehovah’s Witnesses who very nearly got taken to Auschwitz once but now run a nice online newsletter. How deplorable are we as a people that the most palatable story we found attractive enough to tell stars the pasty Ewan McGregor and the quasi-translucent Naomi Watts? And as if it wasn’t enough to focus a story set in this maelstrom of human tragedy on tourists, the picture of the real family who inspired this film is shown over Boulder Weekly
mances come from the diametric opposite ends of life. Quvenzhané Wallis (Beasts of the Southern Wild) is 9 years old; Riva is 85. If there is justice in this world, the oldest or youngest performer in history will take home that trophy come Oscar night. Which lady you root for will depend on your preference: Do you enjoy resilient and vibrant optimism or sophisticated and nuanced reality? Amour is quietly devastating, importantly hard-towatch and reluctantly crucial. The truth that it speaks is one that no one wants to hear, told in a way that few artists have been able to tell it. It is the most remarkable film achievement to ever make you want to take a shower while crying and wishing for immortality. —This review first appeared in The Reader of Omaha, Neb. Respond: letters@boulderweekly.com
But knowing that this is the result, knowing that this family will, at some point, enjoy a miracle that 300,000 souls will never know trivializes the suffering to such a gobstopping degree it is hard to power through. The Impossible, as a movie, is actually pretty good. It is supremely wellshot, passionately acted and brilliantly paced. The Impossible, as a signifier, is horrifying. It suggests that white suffering is the worst suffering, that we are incapable of empathy for those who do not look like us and almost mocks the loss felt by so many families. There’s no doubt when the film was green-lit, a room full of suits envisioned the “Best Picture of the Year.” How wonderful to see them disappointed. —This review first appeared in The Reader of Omaha, Neb. Respond: letters@boulderweekly.com
‘The Impossible’ and the hierarchy of suffering by Ryan Syrek
the credits: And they’re Hispanic. Good God, how do you even process this as a movie when so much gut-wrenchingly vile cultural chaff is in the way? Let’s pretend it’s possible to set aside the putrid and quasi-xenophobic trappings of The Impossible and focus on what director Juan Antonio Bayona and writers Sergio G. Sánchez and María Belón presented. Maria (Watts) and Henry (McGregor) take their sons, Lucas (Tom Holland), Thomas (Samuel Joslin) and Simon (Oaklee Pendergast), on a trip to Thailand at, quite literally, the worst possible point in time. When the wall of water hits, the family is scattered into two groups:
Maria and Lucas assume that Henry, Thomas and Simon are dead, and vice versa. What follows is a relatively gorgeous, well-paced, thrilling and emotional look at survival in the face of absolutely inconceivable circumstances. Although Watts got the Oscar nod, Holland pretty easily gives the best performance in the movie, encapsulating quite perfectly a boy who became a man in the space of one natural disaster. Bayona’s film is spectacular to look at, engrossing to watch and horrifyingly simplistic and narcissistic to think about for any length of time. There’s no denying this happened, and that the real event is a tally mark on the side of the ledger for believing a guiding hand is at work in this world.
January 24, 2013 37
reel to reel ANNA KARENINA
For a list of local movie times, visit boulderweekly.com/ movie-times.html
Leo Tolstoy’s novel of love and infidelity comes to life thanks to director Joe Wright. A unique narrative device illuminates the theatrical behavior of randy Russian nobles who can’t help trying to sleep with each other’s spouses. Rated R. At Esquire. — The Reader of Omaha, Neb.
Legendary actress Isabelle Huppert stars in the first English film from South Korean master Hong Sang-soo. Three French women visit a Korean resort town and encounter a flirtatious director, a lovestruck lifeguard and far too much soju in an effortless, laugh-out-loud comedy that plays like a lost French New Wave classic. At Boedecker. — Boedecker Theater
ARGO Ben Affleck’s latest directing project (in which he also stars) is based on true events from the Iranian revolution in 1979. Militants storm the U.S. embassy and take 52 Americans hostage. Rated R. At Esquire.
THE LAST STAND The most wanted drug kingpin in the U.S. has escaped jail and is headed straight for the border with Mexico. But first he’s got to get through Summerton Junction, where the sheriff is waiting for him. Rated R. At Century, Colony Square and Twin Peaks.
BEASTS OF THE SOUTHERN WILD In a forgotten but defiant bayou community, a 6-year-old girl exists on the brink of orphanhood. Buoyed by her childish optimism, she believes that the natural world is in balance with the universe until a fierce storm changes her reality. At SIE FilmCenter. — Denver Film Society
HANSEL AND GRETEL: WITCH HUNTERS
While film producers continue to struggle with coming up with new concepts for stories, fairy tale heroes continue to labor through new incarnations.
BILL W.
Bill W. tells the story of William G. Wilson, co-founder of Alcoholics Anonymous. Interviews, recreations and rare archival material reveal how Bill Wilson, a hopeless drunk near death, found a way out of his own addiction and then forged a path for countless others to follow. At Chez Artiste. — Landmark Theatres BROKEN CITY The mayor of New York City (Russell Crowe) hires a former cop (Mark Wahlberg) to spy on his wife. The private eye uncovers a scandal much larger than an extramarital affair. Rated R. At Century, Colony Square and Twin Peaks. CHASING ICE Acclaimed National Geographic photographer James Balog was once a skeptic about climate change. But through his Extreme Ice Survey (EIS), he discovers undeniable evidence of our changing planet. At Chez Artiste. — Landmark Theatres DIANA VREELAND: THE EYE MUST TRAVEL An intimate portrait and vibrant celebration of one of the most influential women of the 20th century, who has influenced fashion, beauty, publishing and culture. Vreeland edited several magazines, popularized the Met’s Costume Institute and advised Jackie Onassis. Rated PG-13. At Boedecker. — Boedecker Theater DJANGO UNCHAINED Quentin Tarantino does to slave owners what he did to Nazis in Inglourious Basterds, 38 January 24, 2013
taking therapeutic cinematic revenge upon them with Django, a freed slave turned bounty hunter. He and his partner, Dr. King Schultz, attempt to rescue Django’s wife from Calvin Candie and his head slave. Rated R. At Century, Colony Square and Twin Peaks. — The Reader of Omaha, Neb. DREAMSCAPE Have you ever had a dream that you couldn’t wait to tell everyone? Then you tell a lame-ass dream story that nobody wanted to hear anyway. Now imagine someone made a movie about the same thing. Mile High Sci-Fi will be ripping the 1984 sleeper hit Dreamscape, starring the least sexiest Quaid, “Dennis,” and the least sexiest Capshaw, “Kate.” At SIE FilmCenter. — Denver Film Society GANGSTER SQUAD In the violent underground of 1940s Los Angeles, Mickey Cohen (Sean Penn) calls the shots with the police firmly in his pocket. But some cops can’t be controlled, and John O’Mara (Josh Brolin) and Jerry Wooters (Ryan Gosling) form a group of tough, civic-minded police determined to protect their city from crime. Rated R. At Century, Colony Square and Twin Peaks. HANSEL AND GRETEL: WITCH HUNTERS The Brothers Grimm fairy tale is the latest victim of the ever-expanding quest to produce a gritty reboot of every franchise or concept in history. Rising action stars Jeremy Renner and Gemma Arterton are the titular siblings, on a mission to exterminate witches from the planet. Rated R. At Century, Colony Square and Twin Peaks. A HAUNTED HOUSE In the vein of the Scary Movie series he helped create, Marlon Wayans stars in this parody of found-footage haunted house films like Paranormal Activity and The Devil
LES MISERABLES
Inside. Rated R. At Twin Peaks.
Hugh Jackman gives his all as Jean Valjean, the unluckiest bread thief in history. Russell Crowe’s relentless Javert and Anne Hathaway’s Fantine are also great. Unfortunately, director Tom Hooper filmed this adaptation of the beloved stage classic in extreme close-up, making for a hideous, excruciating endeavor. Rated PG-13. At Century, Colony Square and Twin Peaks. — The Reader of Omaha, Neb.
HELLO I MUST BE GOING
LIFE OF PI 3D
A recent divorcée, demoralized and uncertain of her future, moves in with her parents and begins an affair with a 19-year-old actor that jumpstarts her passion for life. Blythe Danner co-stars in this modern, honest, humorous and unconventional love story. Rated R. At Boedecker. — Boedecker Theater
A storm ravages a boat carrying a zookeeper’s family and menagerie, and the only survivors are the family’s son, Pi, and a Bengal tiger, Richard Parker. Shot in 3-D, the film is a visual feast and is almost certain to receive a Best Picture nomination. Rated PG. At Century and Colony Square. — The Reader of Omaha, Neb.
THE HOBBIT: AN UNEXPECTED JOURNEY 3D
LINCOLN
BEWARE OF MR. BAKER Ginger Baker’s first memory was running after a train that carried his father off to death in WWII. From his music to his life, at the expense of family and fortune, the world’s greatest drummer would never be left behind on the tracks again. At SIE FilmCenter. — Denver Film Society
IN ANOTHER COUNTRY
Peter Jackson goes back for an Unexpected Journey that produces expected results, as this adaptation of J.R.R. Tolkien’s original tale of hobbits and wizards is every bit as good as the Lord of the Rings series (and is, in some ways, even better). Rated PG-13. At Century, Colony Square and Twin Peaks. — The Reader of Omaha, Neb. HOW TO SURVIVE A PLAGUE How To Survive A Plague is the story of the efforts that turned AIDS into a mostly manageable condition — and the improbable group of men and women who, with no scientific training, infiltrated government agencies and the drug industry and helped identify promising new compounds. At SIE FilmCenter. — Denver Film Society HYDE PARK ON HUDSON In June 1939 the King and Queen of England stay overnight at President Franklin Delano Roosevelt’s country estate Hyde Park in upstate New York. This was the first-ever visit of a reigning English monarch to America. At Century and Chez Artiste. — Landmark Theatres THE IMPOSSIBLE See full review page 37. At Century, Colony Square and Mayan.
This is all about the creation of the penny. OK, kidding. This is Daniel Day-Lewis proving he’s the best there is (maybe ever) at embodying the emancipatory president as he works to get the 13th Amendment through a divided Congress in the midst of war. Rated PG-13. At Century and Colony Square. — The Reader of Omaha, Neb. MAMA Five years after they disappeared, sisters Victoria and Lilly are found in a half-collapsed cabin in the woods. But when they come back to civilization to live with their uncle and his girlfriend, the girls don’t come alone. Based on a short film by the director, Andres Muschietti. Rated PG-13. At Century, Colony Square and Twin Peaks. MANOS: THE HANDS OF FATE At a lonely ranch in the desert, The Master rules over a coven of enslaved women with the help of his trusty helper, Torgo. For The Best of RiffTrax Live. At Century. THE MASTER
The Master unfolds the journey of a Navy veteran who arrives home from war unsettled and uncertain of his future — until he is tantalized by The Cause and its charismatic leader. At SIE FilmCenter. — Denver Film Society Boulder Weekly
reel to reel MOVIE 43 The biggest ensemble cast in the history of ensemble casts carries this comedy about three kids searching for a banned video. The film’s 12 segments were directed by 12 different people, including Elizabeth Banks and Bob Odenkirk. Rated R. At Century, Colony Square and Twin Peaks. NOT FADE AWAY Inspired by the Rolling Stones, three friends form a rock band in what is both a coming of age story and a tribute to the ’60s. At Colony Square. OPERA: LA BOHEME — ROYAL OPERA HOUSE Rolando Villazon leads a top-tier cast in John Copley’s definitive production of traditional opera at its best. PARENTAL GUIDANCE A grandfather and his wife face new challenges when they babysit their three grandchildren while the parents are away, and they find they must adjust their methods when faced with the problems of a younger generation. Rated PG. At Century and Twin Peaks. PARKER Jason Statham stars as a criminal with a troubling past but a strict code of ethics who finds a perfectly valid reason to fire a gun a bunch of times. Rated R. At Century. PLEASANTVILLE A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s-style television show. Here they have loving parents, old fashioned values and an overwhelming amount of innocence and naivete. Part of the For Breaking the Fourth Wall series. At SIE FilmCenter. — Denver Film Society
RUST AND BONE Academy Award-winning actress Marion Cotillard gives a tour-de-force performance in Rust and Bone that rivals anything she has done before. She plays Stéphanie, a whale trainer at a marineland on the French Riviera who suffers a devastating injury. Rated R. At Mayan. — Landmark Theatres SEARCHING FOR SUGAR MAN How is it possible that a musician could bomb with two albums in the U.S., disappear into obscurity for years and then be resurrected as a successful, inspirational hero in a totally different country? Searching for Sugar Man tells the uplifting, almost unbelievable true mystery of Rodriguez. At Mayan. — Landmark Theatres THE SESSIONS
INTERNATIONAL FILM SERIES
Based on the autobiographical writings of journalist and poet Mark O’Brien, The Sessions tells the story of a man confined to an iron lung who is determined — at age 38 — to lose his virginity. At Esquire. — Landmark Theatres
SCREENING IN 2 VENUES ON THE CU BOULDER CAMPUS
$7 GENERAL ADMISSION- $6 STUDENT- $4 SUN. MATINEE
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SILVER LININGS PLAYBOOK When Pat is released from court-mandated institutionalization after beating his wife’s lover, he meets Tiffany, a young widow struggling with grief. Although the film has the trappings of drama, everything is sanitized and clichéd enough to make this a feel-good romance between attractive people. Rated R. At Century and Colony Square. —The Reader of Omaha, Neb. SUNSET BOULEVARD Billy Wilder’s biting, cynical black comedy about Hollywood in decay stars screen legend Gloria Swanson as Norma Desmond, a proud, unstable silent luminary who takes in a penniless screenwriter (William Holden). At Esquire. — Landmark Theatres
N O R T H O F T H E E U C L I D A U T O PA R K
inON partnership COLORADO AVENUE WEST OF FOLSOM STADIUM with the
tuESDAy JAN 29 @ 7 PM ONly IN MuENZINGER
BoeDeCker theAter Independent film & cultural performances in high definition. wine, local beer and organic treats available.
In Another Country
Starring Isabelle Huppert Th, Jan 24 – 7:00 talkback with Albert Hand | Fr, Jan 25 – 4:00 & 8:30 | Sa, Jan 26 – 7:00
the revIsIonArIes Th, Jan 24 – 4:30 | Fr, Jan 25 – 6:30 Sa, Jan 26 – 4:30
QUARTET
THIS IS 40
the royAl operA house’s
The rumor circling the halls at Beecham House is that the home is soon to play host to a new resident. Word is, it’s a star. For Reginald Paget, Wilfred Bond and Cecily Robson, this sort of talk is par for the course. But they’re in for a special shock when the new arrival turns out to be none other than their former singing partner. At Esquire. — Landmark Theatres
Judd Apatow’s latest writing and directing effort depicts the marriage of two of the characters from Knocked Up. Paul Rudd and Leslie Mann play a couple struggling through marriage in this emotional comedy. Rated R. At Century.
Su, Jan 27 - 1:00 | Tu, Jan 29 - 6:30
THE REVISIONARIES The highly politicized Texas State Board of Education periodically rewrites teaching and textbook standards for its nearly 5 million schoolchildren, influencing the whole nation’s textbooks. Don McLeroy, an avowed young-earth creationist, leads the Religious Right charge, challenged by a group of academics. At Boedecker. — Boedecker Theater THE ROCKY HORROR PICTURE SHOW The longest-running midnight movie of all time stars Tim Curry as the kinky yet endearing “transsexual from Transylvania” Dr. Frank N. Furter. At Esquire. — Landmark Theatres Boulder Weekly
THE WAITING ROOM
America’s health care system is broken and nowhere is it more evident than in The Waiting Room. A composite 24-hour period at Highland Hospital in Oakland offers a raw, intimate and even uplifting look at how patients, staff and caregivers cope with disease, bureaucracy and hard choices. At SIE FilmCenter. — Denver Film Society ZERO DARK THIRTY Have you heard about the time we shot Osama bin Laden? Have you ever wondered the painstaking decade of research that went into that moment? Well, you’re in for a treat, as director Kathryn Bigelow walks you through the events prior to the raid by focusing on Maya (Jessica Chastain), the investigator who broke the case open. Rated R. — The Reader of Omaha, Neb.
FREEW SH O
The director of HOOP DREAMS returns to the world of sports to look at the 1993 bowling alley riots that exposed a racial divide in Hampton, VA. Free screening made possible thanks to a grant from the Roser Visiting Artist Program.
wEDNESDAy JAN 30 @ 7 & 9 PM IN MuENZINGER
lA Boheme
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We, Jan 30 - 4:30 | Th, Jan 31 - 7:00 talkback with Lynne Foote | Fr, Mar 1 - 4:30 | Sa, Mar 2 - 7:00
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We, Jan 30 - 7:00 talkback with Aimee Heckel Th, Jan 31 - 4:30 | Fr, Mar 1 - 7:00 Sa, Mar 2 - 4:30
royAl BAllet’s
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The Sundance Institute Art House Project unites select independent theaters to promote the growth and appreciation of cinema culture in local communities nationwide. Scheduled to coincide with Sundance 2013.
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Su, Feb 3 – 1:00 | Tu, Feb 5 – 1:00
sACreD sItes oF the DAlAI lAmAs
With speaking appearance by Lisa Wimberger, author of “New Beliefs, New Brain” Su, Feb 3 – 4:00 & 7:00
loCAl FIlmmAkers’ showCAse Feb 4 – 6:30 | $5
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Nominated for nine Ce s ar award s , this touching and inspiring comedy and drama is loosely based on the real life friendship bet ween a quadriplegic and his caretaker.
FOR MORE INFORMATION CALL 303-492-1531, OR: WWW.INTERNATIONALFILM SERIES.COM M E D I A S P O N S O R S
JANUARY January 24 24, 2013 39
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The brewing process at Oskar Blues in Longmont
In the heartland of homebrewing Boulder craft breweries foster beer-geek culture By Abby Faires
F
or Boulder craft brewers, business is booming. But it’s not just beer drinkers to whom local brewers attribute much of their success; it’s also Boulder’s deep-rooted homebrewing community. For the majority of local craft brewers it seems that reaching out to the homebrewing community isn’t necessarily about saying “thank you.” It’s about cultivating a special relationship that’s been around Boulder for a long time: the relationship between homebrewers and commercial craft brewers. In that collaborative spirit, Twisted Pine is making use of its new expansion to host its new Brew-U course Jan. 26. According to the Twisted Pine website, the three-hour course will target “the budding homebrewer and those desiring to learn about the brewing process.” Bob Baile, owner of Twisted Pine, has “wanted to cultivate this beer-geek
culture that’s all around Boulder, and the Brew-U course is just the first part of it,” says Justin Tilotta, Twisted Pine logistics manager. The Brew-U course sold out within two weeks of being announced, and although the class was open to anyone wanting to learn more about brewing craft beer, Tilotta expects the majority of the pupils to be homebrewers. After all, many Boulder breweries were founded by passionate homebrewers. So local breweries tend to encourage and assist amateur beermakers. “Well, if you look around Boulder, most of the craft brewers here were homebrewers first,” says Tilotta. In fact, we’ve got the “guru of homebrewing right here in Boulder,” he adds. Tilotta was talking about Charlie Papazian, who, along with Charlie Matzen, formed the American Homebrewers Association (AHA) in 1978. Founded in Boulder, the AHA
was the first national homebrew organization in the United States. According to Tilotta, the homebrewing community makes Boulder a “stomping ground for breweries.” Baile, Twisted Pine’s owner, started in the business by homebrewing in his garage. Upslope, Avery and Oskar Blues also began with homebrewers, and the tradition lives on with some of the area’s newest craft breweries. Bootstrap Brewing in Niwot was founded last year by husband and wife homebrewers Steve and Leslie Kaczeus, and Boulder’s new Wild Woods Brewery was started by homebrewers Jake and Erin Evans. “Yeah, the craft brewers around here are extremely supportive of homebrewers. I know for a fact that Left Hand is, because that’s how they started out,” says Don Blake, homebrewer and founder of Longmont homebrew club
Food happenings around town
tidbites
cuisine
courtesy of Oskar Blues
THE BLACK CAN BEER
North Boulder’s Upslope Brewing Company has released its blackcanned Foreign Style Stout, a limited release available in several local liquor stores. The 6.9 percent ABV stout, previously distributed to celebrate Upslope’s one-year anniversary, is described as “exceptionally smooth” with a roast flavor. The Foreign Style Stout will be available through March. It’s also on tap at the Upslope taproom at 1501 Lee Hill Road, along with a Chili Pale Ale and Session Extra Pale Ale. Visit www.upslopebrewing.com to learn more. HAPPY HOUR AT THE HARE Bramble & Hare, the companion restaurant to nextdoor neighbor Black Cat Farm Table Bistro, has announced a daily happy hour with small plates, beer, wine and cocktails for $5. The happy hour, running from 4 to 5:30 p.m., includes ricotta with pear butter and walnuts, a shaved apple salad, farmhouse soup and other farm-to-table specialties. Bramble & Hare’s happy hour beers are Fort Collins Brewery’s 1900 Amber Lager and Racer 5 IPA from California’s Bear Republic Brewing Company. see TIDBITES Page 44
see BREWERS Page 44
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January 24, 2013 41
HAPPY HOUR 4-8pm Mon-Sat! TUESDAY
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Y A ishbowls D F S R $2 Smirnoff U H T Coke Drinks $3 Stoke & Shots stery E y V M Y O 0 L .5 $3 Select Local A 3 & $ SD ROOTS J Petey D Brews WEDNE rink ! T H G I es DClose! REGGAE N i FRIDAY @ 10:30 d a L g in DAY ,8 Y featur A N E D N E U O S R M F Fishbow skeyay i e r r h u u inks l t o l s r u H c W y i D d l p o l p s P l $ a 3 Stoke H We ! dne tey e 1 s e o $ l & ght h C i t C W 4 o L t o 2 e k n y s r e e a r p P u O $3.50 M Jan Coo hers DJ 0 6 / l y $ l s o w t R e r & 3 y itc P Rock 10:30 10: @ S h @ o t s 7pm Bingo @ n e Op @ 10:30 Monday-Saturday: 4pm-2am • Sunday: 7pm-2am 1911 11th St., Boulder • 303.443.9902 • boulderwalrus.com 42 January 24, 2013
Boulder Weekly
cuisine review Don’t give this grocery sushi short shrift by Clay Fong
W
inter had finally arrived with a vengeance, and singledigit temperatures prompted me to investigate eateries offering warming soups that could serve as a satisfying one-dish meal. It was Sunday, and I remembered this is the day that Sachi Sushi, nestled in the Niwot Market grocery, dishes out authentic bowls of restorative Japanese ramen. While some may be rightfully skeptical of a sushi spot nestled in a grocery, Sachi handily distinguishes itself from chain supermarket operations that truck in fare from afar. First of all, few other venues boast a chef with the pedigree of Tsukasa-san, born and raised in Osaka, and an alum of Boulder’s Sushi Tora. As I walked into this spot at the tail end of lunch hour, I noted that the customer base mostly consisted of Asian families. Each table had ordered at least one bowl of noodle soup, and for my money, these observations boded well for the ramen. There are three distinct varieties of noodle soup on tap. For $9 you can get a bowl with salt (shio) or soy sauce (shoyu) broth. A dollar more buys you a
spicy miso base. The regular menu features multiple donburi rice bowls topped with items like baked salmon, teriyaki chicken and Korean barbecue beef. Curries freighted with chicken or beef over rice are also among the nonsushi choices. Sushi consists of reasonably simple rolls and individual nigiri anchored by such standby fish as salmon, tuna and yellowtail. I helped myself to a welcome cup of piping hot green tea, while the low-key sushi chef crafted a roll stuffed with spicy yellowtail, avocado and cucumber. While such a choice may be skirting
We offer a variety of sandwiches, salads and soups. We also have specials from diverse cuisines that change daily.
Sachi Sushi 7980 Niwot Road, Niwot 303-652-0238
the edge of what would be authentic fare in Japan, it was an appealing choice for $6.25. What I got was a more than fair helping of eight pieces of sushi, ringed by expertly prepared rice, lightly dusted with toasted sesame seeds. The fish was better then one would expect at this price, featuring a fresh oceanic flavor. Crisp cucumber and buttery avocado provided a cooling counterpoint to the red pepper-based spicing. In retrospect, I might have been better off getting the non-spicy version, as the peppery seasoning detracted a bit
Clay’s Obscurity Corner Samurai Westerns
T
he samurai films of legendary director Akira Kurosawa have deeply influenced Western cinema. Kurosawa’s Seven Samurai inspired The Magnificent Seven, and many cite the masterless samurai of Yojimbo to be the filmic predecessor of Clint Eastwood’s Man With No Name in Sergio Leone’s spaghetti westerns. Most are unaware though, that Yojimbo drew heavily on the writings of hardboiled noir writer Dashiell Hammett, who penned The Maltese Falcon. Kurosawa cited the film adaptation of Hammett’s The Glass Key as a major source of his film’s story. Film historians point to another of Hammett’s stories, Red Harvest, as another likely influence.
NEW DINNER MENU LIVE MUSIC HAPPY HOUR Monday-Saturday
from the subtler tones of the clean-tasting seafood. My main course of shoyu ramen was a far cry from the dime-a-pack stuff favored by starving students. While ramen noodles of all sorts share similar size and texture, it was the adornments and broth that made this preparation stand out. The pleasantly textured noodles were adorned with a colorful mix of sweet corn kernels, ringlets of scallion and strips of pickled red ginger. Slices of roast pork, a morsel of white fish cake set off by a curlicue of red, and half a hard-boiled egg contributed additional heft. A meaty richness permeated the soup, with a hint of saltiness lightened by the flavorful vegetables. For a second, I imagined myself as a Kurosawa warrior hero, fed this hearty soup as a reward for protecting hapless villagers. Perhaps that’s the most you can ask for from a family-friendly Japanese joint in Niwot. While Sachi Sushi eschews trendy presentation and ambience, it never fails to deliver unpretentious fare that leaves the diner more than content. Respond: letters@boulderweekly.com
Our lounge and patio are worth the visit!
Monday - Friday 11:00 a.m. - 9:00 p.m. • Saturday 4:00 p.m. - 9:00 p.m. • 1606 Conestoga Street, Suite 3, Boulder • Reservations: 303.442.0585 Boulder Weekly
January 24, 2013 43
WEDNESDAY: 99¢ SALMON & SHRIMP ALL DAY ALL NIGHT THURSDAY: HAPPY HOUR DRINKS ALL NIGHT FRIDAY & SATURDAY: LATE NIGHT HAPPY HOUR 10:00 - 11:00 pm $3 Off All Special Rolls $2.50 Handrolls $2 Kirin, $3 House Wine, $4 Sake
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tidbites
HAPPY NEW YEAR! from Japango
Food happenings around town TIDBITES from Page 41
Some of the small plates on the happy hour menu are also available a la carte on the dinner menu, some for $5 and some for more. Bramble & Hare will also have a “daily community crossword puzzle” on an easel during happy hour. For more information, visit www.brambleandhare.com. ONE MORE SUN Under the Sun, Mountain Sun’s newest restaurant, is now open for “preview” hours, according to a sign on its door, serving dinner starting at 5 p.m. Thursday through Saturday. The restaurant’s Facebook page says it closes
at 10 p.m. The “eatery and taphouse,” located at Broadway and Table Mesa, is still developing its menu, centered around a wood-fired oven. Mountain Sun Pubs hasn’t announced when the restaurant will be fully open. See more at the Under the Sun Facebook page.
Respond: letters@boulderweekly.com
BREWERS from Page 41
Indian Peaks Alers. Blake became familiar with Left Hand around 1996, when a Left Hand rep brought the baby brewery’s beers to the Residence Inn in Boulder. Blake had just moved to the area and happened to be staying at the hotel. By then, Blake had been homebrewing himself for about three years. “We got to talking, and I invited him back to my room,” says Blake, “where I had about two or three cases of my homebrew from Chicago, and I think we ended up going through almost all of it that night.” Soon enough Blake was making regular trips to Left Hand and got to know owners Dick Doore and Eric Wallace. “I’ve always just been a big supporter of what they do, and now, you know, I consider Dick, Eric and the brewers to be good friends,” said Blake. Blake said that he and the Left Hand owners tried to get a club for homebrewers started in the late ’90s, but “it kind of fell by the wayside.” Shortly thereafter, Cinzia Wallace, Eric Wallace’s wife, convinced Blake to teach homebrewing classes at Left Hand. “I capped the classes at eight people because I wanted everybody to get their hands on things. So, over the course of five weeks, we would brew two to five batches of beer, and at the end, everybody could take home a couple of sixpacks,” says Blake. “It was a cool idea, and it worked out pretty well.” Eventually Blake was torn between doing more classes and “just getting everybody together on a more regular, kind of permanent basis.” He finally landed on forming the Indian Peaks Alers club, which would be a little less formal. The Alers still meet once a month,
usually in the Left Hand Tasting Room. While it’s a social group, the Alers host educational activities like brew demos and style seminars. The social aspect of the Alers group has attracted other breweries. Twisted Pine, for example, often hosts meetings for Hop Barley and the Alers, a Boulder homebrew club. Plus, Avery has its own Homebrew & Bottle Collector Support Group, and Oskar Blues has jumped on board with its Can Can Girls Beer Club. These groups are “a way of giving back locally, you know, and getting local people involved in the whole craft beer movement,” says Brittany Dern, Oskar Blues’ online community manager. Drawing the line between “giving back locally” and “giving it all away,” however, seems a little tricky for Boulder brewers. Avery has no qualms about posting recipes of 12 of its most popular beers online. In fact, there is an entire recipe page on the Avery website. “You know, yeah, you might think why should I, as a business, teach people to make something that I’m trying to sell,” says Blake. “But the more interested you get people, the more interested and excited they are about promoting you as a commercial brewer. So it fosters a really good sense of community.” “If you asked Bob for the recipe of Hoppy Boy, he would give it to you under the condition that you bring him a couple bottles of what your homebrew of Hoppy Boy was whenever you’re done. He’ll even give you yeast or let you borrow hops,” says Tilotta of Twisted Pine. “You know, it’s kind of like what goes around, always comes back.” Respond: letters@boulderweekly.com Boulder Weekly
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Lunch Specials
Back to basics at BJ’s
Brewhouse seems to aim for the mainstream by Steve Weishampel
F
rom Avery to here?” Elizabeth asks. “Oh my God.” Ten minutes into our visit to BJ’s Restaurant and Brewhouse, our tour of Boulder County breweries becomes a roller coaster. We’re going from an East Boulder warehouse to the 29th Street Mall; from a local favorite to a national chain; and from Peter Forsberg-level flair to Adam Foote-level dependability. Where Avery and many others in Boulder take risks, BJ’s plays it safe. The key word here is most definitely “clean.” A majority of the brewhouse’s beers carry their flavors through without lingering aftertastes, unusual risks or unexpected twists of any kind. In cases like the P.M. Porter, the result is an ideally sweet, smooth dark beer with moderate malt tones. And the Harvest Hefeweizen is clean and unadorned by citrus, coriander, fruit or any of the other additives that can sneak into wheat beers. Other brews practicing BJ’s apparent Clean Flavors Doctrine are the Piranha Pale Ale, where hops take a backseat to drinkability; the apple-like Belgian Grand Cru; the Bud-Lightbut-better Lightswitch Lager; and the Brewhouse Blonde. BJ’s Jeremiah Red was the favorite, light on the hops and amber-like in maltiness. The beers aren’t vanilla, exactly. But when the menu asserts beer “doesn’t get much more intense than” the Tatonka Stout, we have to disagree. The supersmooth stout hardly moves the needle on our intensityometer. “It’s good for beginners,” Elizabeth Boulder Weekly
says of the whole beer list. In this town that’ll draw scoffs. But it’s a valuable addition to a beer scene where memorizing hops varieties appears to be a pastime. One exception to the rule was the brown ale, Nutty Brewnette, with its distinctly Belgian floral flavors. Brown ale standards like Ellie’s or Upslope’s bear no resemblance to this beer. But the brew that got us talking the most wasn’t a beer at all. It was Berry Burst Cider — and “burst” hardly even covers it. The sugary sweetness is Halloween night in a glass. “It tastes like when you’re sneaking wine coolers from your mom’s fridge in high school,” Abby says. “It tastes like a couple Jolly Ranchers.” “It’s fun and flirty,” she declares. Whether you call it good for beginners or buy into Abby’s more cynical take — “It’s corporate and mainstream. They don’t want to turn people off ” — BJ’s is a starting point in the long, strange journey into craft beer. And the hefty menu is a reminder: BJ’s isn’t banking on its beer. This isn’t the place to taste the cutting edge of brewing. It’s more like a vision of what those ubiquitous chain restaurants could be, if they’d drop the neon-bright cocktails with names like Bahama Blast and make something worth drinking. This week we’re off to Niwot’s Bootstrap Brewing, which opened in June. Instead of food pairings, Bootstrap provides music matches for each of its beers. Time to put some calypso on the iPod. Respond: letters@boulderweekly.com
Dinner Specials
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1214 Walnut Street, Boulder, CO 80302 303.442.0999 free customer parking upon validation
January 24, 2013 45
ristorante
fine italian dining
Join us for
Jazz at the L
Every Monday night from 7-10
Brad Goode’s Jazz Jam Session
Join recording artist and many of Colorado’s finest instrumentalists for an evening of straight-ahead jazz.
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Hapa_BoulderWeekly_seaUrchin.pdf
1
11/8/12
7:14 PM
NO COVER CHARGE• HAPPY HOUR FOOD AND DRINKS 29th & canyon
thel.com
2012
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the sea urchin sees its shadow. 6 more weeks of winter. $9 udon bowls. landmark center 5380 greenwood plaza blvd. 303.267.8744
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denver cherry creek 2780 e 2nd avenue 303.322.9554
boulder pearl street mall 1117 pearl street 303.473.4730
LoDo - now open 1514 blake street 720.354.5058
follow us on twitter @hapasushi
Boulder Weekly
appetizers
Basta
3601 Arapahoe Ave. (inside the Peloton), Boulder 303-997-8775
Synopses of recent restaurant reviews. To read reviews in their entirety, visit www.boulderweekly.com.
P
izzeria Basta recently changed its name to Basta — not necessarily a bad thing, as this eatery also dishes out exceptional contemporary fare in addition to its signature pies. Chef Kelly Whitaker makes the most of the restaurant’s impressive wood-fired oven and time-consuming sous vide slow-cooking techniques to turn out distinctive preparations. These include wood-fired vegetable salads and Niman Ranch chuck flap beef sided with smoked potato.
West Flanders Brewing Company
First-timers might want to try the Margherita, perhaps the most emblematic of Naples pie, with buffalo milk mozzarella, basil and tomato.
Dizzy’s Donuts 1606 Conestoga St. Boulder 303-494-5331
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1125 Pearl St. Boulder 303-447-BREW
Kasa Japanese Grill
P
earl Street’s West Flanders Brewing Company unsurprisingly features several Belgian-inspired brews of its own creation among its beverage offerings. These include the Daisy Cutter, which is a strong ale, the Trippel Lutz and the dark red St. Mark’s Dubbel. Besides beer, they also serve standout bar food like ale cheddar soup, grass-fed beef burgers and more atypical offerings such as pumpkin risotto and pork chops.
Moe’s Broadway Bagel
1468 Pearl St. Boulder 303-938-8888
K
228 Main St., Lyons 303-823-RIBS (7427) www.smokindavesq.com
3075 Arapahoe Ave., Boulder 303-442-4427
T
he three Boulder branches of Moe’s Broadway Bagel have been pleasing local appetites for doughy discs for two decades. Bagel varieties include sweet staples like blueberry and cinnamon raisin as well as savory specialties like onion and tomato cheddar. The more complex bagel sandwiches are more than worthy of consideration and include The New Yorker, a classic lox bagel with such garnishes as red onion and capers, as well as the classic Reuben, piled high with corned beef and sauerkraut.
Rincon Argentino
2525 Arapahoe Ave., #A05 Boulder 303-442-4133
T
he recently opened Rincon Argentino brings Argentine fare to Boulder in the form of traditional hot sandwiches and exquisite empanadas. This friendly, order-at-the-counter spot also features such beverages as Malbec wine and yerba mate, the traditional South American tea. Top choices include the archetypical steak sandwiches, available in both a basic and completo version augmented by ham and mozzarella. Can’tmiss empanadas include the spicy steak, and the vegetarian will likely enjoy the Patagonia, an open-faced number featuring garlic, onion and cherry tomato.
Piece, Love & Chocolate 805 Pearl St. Boulder 303-449-4804
T
he go-to spot for all things chocolate in Boulder, Piece, Love & Chocolate, might also be the place you’d most likely spot an Oompa Loompa peering out of the back room. Featuring an impressive selection of artisan chocolate bars, drinking chocolates and housemade truffles, cookies and cakes, there’s plenty here for the most ardent cocoa connoisseur. Top choices Boulder Weekly
this pastry. Dizzy’s brews Ozo coffee alongside unique creations like maple bacon donuts. Other new-school selections include S’More and pumpkin cheesecake varieties, although classics like the first-rate apple fritter are more than satisfying.
include the basil and ginger truffles, and the salted caramel chocolate truffle torte.
3 Margaritas
3390 28th St., Boulder 303-998-1234
B
oulder’s 3 Margaritas is a local outpost of a Coloradocentric Mexican restaurant chain. A self-described family restaurant, this ethnic eatery features reasonably priced combination plates spotlighting classic tacos, burritos and enchiladas, presented alongside chips and salsa, as well as rice and beans. Comforting selections include the chock-full-of-pork chile verde and the complex chicken mole.
Ting’s Place
1265 South Public Road Lafayette 303-666-9559
L
afayette’s recently reopened Ting’s Place has all of the staples of Chinese-American cooking, such as sesame and lemon chicken and Kung Pao dishes of different stripes. But perhaps its strengths are in some of the more traditional and authentic offerings, such as the spiced duck with steamed buns, essentially a scaled-down Peking duck. Another top-shelf selection is the superlative steamed flounder, seasoned with such traditional Chinese aromatics as ginger, scallions and cilantro.
Pizzeria Locale 1730 Pearl St. Boulder 303-442-3003
B
oulder’s Pizzeria Locale has solidified its position as a go-to spot for wood-fired, Naples-style pie. Starters such as arancini, an addictingly rich fried melding of risotto and cheese, and desserts like the sensual butterscotch budino, an upscale pudding, have also burnished this eatery’s reputation.
asa Japanese Grill is unmatched in its design aesthetic and hospitable service. This Asian eatery offers all the standbys of Japanese cuisine, including fried tempura options, donburi rice bowls, yakitori skewers, noodles and, of course, sushi. Attention to detail is evident in offerings such as the perfectly steeped Sencha green tea and the agedashi tofu appetizer, and the bento lunches provide fine value.
Colterra
210 Franklin St., Niwot 303-652-0777
L
ow-key and locavore, Niwot’s Colterra spotlights fresh takes on traditional fare in a homey yet elegant setting. Weekend brunch options feature oatmeal, griddle cakes and egg dishes such as a reimagining of the classic Benedict with proscuitto and polenta cakes. Other top morning choices include a Long Farm sausage frittata and Grand Marnier beignets.
Tangier Moroccan Cuisine 3070 28th St., Boulder 303-443-3676
D
espite its nondescript 28th Street strip mall location, Tangier Moroccan Cuisine is a sensual delight that makes one feel far from Boulder. Featuring North African specialties, this restaurant also has a visually rich ambience. Can’t-miss dishes include the bastilla, a delightfully flaky savory pie stuffed with either vegetables or chicken, and the flavor-packed couscous selections. Tagines, gluten-free North African stews featuring such intriguing combinations as lamb with apple and apricot.
Shaggy’s Famous Poutine
1310 College Ave., Ste. 210, Boulder 303-449-4265
S
haggy’s Famous Poutine brings Canada’s foremost contribution to guilty pleasure chow to Boulder’s University Hill. Poutine is a mix of french fries, gravy and cheese curds. Shaggy’s dishes out filling portions of basic poutine, as well as sophisticated versions featuring jalapeños, chili and guacamole. One offering is the French Tickler, poutine featuring beef gravy and Montreal-style smoked meat. Respond: letters@boulderweekly.com January 24, 2013 47
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astrology ARIES
MARCH 21-APRIL 19:
Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.
The German government sponsored a scientific study of dowsing, which is a form of magical divination used to locate underground sources of water. After 10 years, the chief researcher testified, “It absolutely works, beyond all doubt. But we have no idea why or how.” An assertion like that might also apply to the mojo you’ll have at your disposal, Aries, as you forge new alliances and bolster your web of connections in the coming weeks. I don’t know how or why you’ll be such an effective networker, but you will be.
TAURUS
APRIL 20-MAY 20:
The United States Congress spends an inordinate amount of time on trivial matters. For example, 16 percent of all the laws it passed in the last two years were devoted to renaming post offices. That’s down from the average of the previous eight years, during which time almost 20 percent of its laws had the sole purpose of renaming post offices. In my astrological opinion, you Tauruses can’t afford to indulge in anything close to that level of nonsense during the next four weeks. I urge you to keep time-wasting activities down to less than 5 percent of your total. Focus on getting a lot of important stuff done. Be extra thoughtful and responsible as you craft the impact you’re having on the world.
GEMINI
MAY 21-JUNE 20:
What if your unconscious mind has dreamed up sparkling answers to your raging questions but your conscious mind doesn’t know about them yet? Is it possible you are not taking advantage of the sly wisdom that your deeper intelligence has been cooking up? I say it’s time to poke around down there. It’s time to take aggressive measures as you try to smoke out the revelations that your secret self has prepared for you. How? Remember your dreams, of course. Notice hunches that arise out of nowhere. And send a friendly greeting to your unconscious mind, something like, “I adore you and I’m receptive to you and I’d love to hear what you have to tell me.”
CANCER
JUNE 21-JULY 22:
In his book Our Band Could Be Your Life, Michael Azerrad says that the Cancerian singer-songwriter Steve Albini is a “connoisseur of intensity.” That means he’s picky about what he regards as intense. Even the two kinds of music that are often thought of as the embodiment of ferocious emotion don’t make the grade for Albini. Heavy metal is comical, he says, not intense. Hardcore punk is childish, not intense. What’s your definition of intensity, Cancerian? I see the coming weeks as prime time for you to commune with the very best expressions of that state of being. Be a connoisseur of intensity.
LEO
JULY 23-AUG. 22:
There’s a butterfly sanctuary at the Como Park Zoo and Conservatory in St. Paul, Minn. It’s called the Enchanted Garden. As you enter, you see a sign that reads, “Please do not touch the butterflies. Let the butterflies touch you.” In other words, you shouldn’t initiate contact with the delicate creatures. You shouldn’t pursue them or try to capture them. Instead, make yourself available for them to land on you. Allow them to decide how and when your connection will begin to unfold. In the coming week, Leo, I suggest you adopt a similar approach to any beauty you’d like to know better.
LIBRA
SEPT. 23-OCT. 22:
Novelist Jeffrey Eugenides says he doesn’t have generic emotions that can be described with one word. “Sadness,” “joy,” and “regret” don’t happen to him. Instead, he prefers “complicated hybrid emotions, Germanic train-car constructions,” like “the disappointment of sleeping with one’s fantasy” or “the excitement of getting a hotel room with a mini-bar.” He delights in sensing “intimations of mortality brought on by aging family members” and “sadness inspired by failing restaurants.” In the coming days, Libra, I think you should specialize in one-of-a-kind feelings like these. Milk the nuances! Exult in the peculiarities! Celebrate the fact that each new wave of passion has never before arisen in quite the same form.
SCORPIO
OCT. 23-NOV. 21:
After analyzing your astrological omens for the coming weeks, I decided that the best advice I could give you would be this passage by the English writer G. K. Chesterton: “Of all modern notions, the worst is this: that domesticity is dull. Inside the home, they say, is dead decorum and routine; outside is adventure and variety. But the truth is that the home is the only place of liberty, the only spot on earth where a person can alter arrangements suddenly, make an experiment or indulge in a whim. The home is not the one tame place in a world of adventure; it is the one wild place in a world of set rules and set tasks.”
SAGITTARIUS NOV. 22-DEC. 21:
My general philosophy is that everyone on the planet, including me, is a jerk now and then. In fact, I’m suspicious of those who are apparently so unfailingly wellbehaved that they never act like jerks. On the other hand, some people are jerks far too much of the time, and should be avoided. Here’s my rule of thumb: How sizable is each person’s Jerk Quotient? If it’s below 6 percent, I’ll probably give them a chance to be a presence in my life — especially if they’re smart and interesting. According to my analysis of the astrological omens, Sagittarius, this gauge may be useful for you to keep in mind during the coming weeks.
CAPRICORN
DEC. 22-JAN. 19:
The French painter Cezanne painted images of a lot of fruit in the course of his career. He liked to take his sweet time while engaged in his work. The apples and pears and peaches that served as his models often rotted before he was done capturing their likenesses. That’s the kind of approach I recommend for you in the coming days, Capricorn. Be very deliberate and gradual and leisurely in whatever labor of love you devote yourself to. No rushing allowed! With conscientious tenderness, exult in attending to every last detail of the process.
AQUARIUS
JAN. 20-FEB. 18:
“Nobody can be exactly like me. Even I have trouble doing it.” So said the eccentric, outspoken, and hardpartying actress Talullah Bankhead (1902-1968). Can you guess her astrological sign? Aquarius, of course. Her greatest adventure came from trying to keep up with all the unpredictable urges that welled up inside her. She found it challenging and fun to be as unique as she could possibly be. I nominate her to be your role model in the next four weeks. Your assignment is to work extra hard at being yourself.
VIRGO
PISCES
Do you ever fantasize about a more perfect version of yourself? Is there, in your imagination, an idealized image of who you might become in the future? That can be a good thing if it motivates you to improve and grow. But it might also lead you to devalue the flawed but beautiful creation you are right now. It may harm your capacity for self-acceptance. Your assignment in the coming week is to temporarily forget about whom you might evolve into at some later date, and instead just love your crazy, mysterious life exactly as it is.
The Dardanelles Strait is a channel that connects the Black Sea to the Mediterranean Sea, separating Europe from Asia. In some places it’s less than a mile wide. But the currents are fierce, so if you try to swim across at those narrow points, you’re pushed around and end up having to travel five or six miles. In light of the current astrological omens, I’m predicting that you will have a comparable challenge in the coming days, Pisces. The task may seem easier or faster than it actually is. Plan accordingly.
AUG. 23-SEPT. 22:
Boulder Weekly
FEB. 19-MARCH 20:
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Boulder Weekly
January 24, 2013 51
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Boulder Weekly
Boulder Weekly
January 24, 2013 55
last word The Drum Shop
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