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ART BLAST.............................................................PAGE 2 All hail Nia King, MFA Thesis shows & “The Original Boston Bruins” HASSLE BRIEF & PURE IMPACT.........................PAGE 3 Old Wave, Little Star, SP-MOLD, Félicia Atkinson, The Como Mamas and CHARLIE. PI: DAME HERE BE THE SHOWS......................................PAGE 4-5 Wake Up The Earth!, Fred Thomas, Lightning Bolt, Lescalleet and Cold Beat and two SCANNERS (Container + M Dwinell)! THE TARDY EAGLE..............................................PAGE 6 Comedy You Will Regret Not Seeing, Advice from a Timelord, Beer, Other Things Too!!!!!!! FILM FLAM.............................................................PAGE 7 Movies Galore: Horror @HFA, Psychedelia @ICA, The Peculiar NIGHTBREED @BRATTLE, & Much, Much, More. COMICS..................................................................PAGE 8 Salesman!, GOODBYE, two-headed David Beyers and the debut of WOOZAT SHRIMP?! PYCH: Doughboy Donuts

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Spontaneous Celebrations have shown us that it’s truly the people, working together in communities, that make big things happen. They’ve certainly been an inspiration for us, which is one reason we are so thrilled that our nonprofit, BRAIN Arts, was asked to program this year’s late-night afterparty. The Boston Hassle show-booking arm of BRAIN Arts does over a dozen DIY shows a month. They’re always a wild mix, but tonight we’ve pulled out all the stops. Kick things off with Old Wave’s country-style dance party, listen close as hip hop hound Lewis M bestows beat-based enlightenment, experience Western Mass diva Mal Devisa’s sweet, soulful lo-fi realness, JP trio The Channels’ weird noisy groove, and, finally, the unparalleled hypnotic, microtonal rock of Horse Lords, coming from Baltimore just to blow you away. It all happens 8 PMMidnight for a $10-15 suggested donation (all proceeds go to BRAIN Arts/Spontaneous Celebrations). The event is 21+ (sorry young friends), but the all-day fest is all-ages, as always! Come out and celebrate JP, spring and each other! -Sam Potrykus

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Spontaneous Celebrations: Wake Up The Earth! Saturday 5/2 Here in Jamaica Plain, birthplace of this very paper, there’s a legendary festival called Wake Up The Earth. Started 36 years ago by uninhibited artists and activists whose collective, Spontaneous Celebrations, continues to work tirelessly to preserve the radicalism and diversity of JP, WUTE celebrates everything that makes our neighborhood special. People take back their streets each May to enjoy the offerings of a plethora of local food vendors and musicians, and an epic parade led by dancing monarchs in costumes or on stilts. Meanwhile, collectives, small businesses, nonprofits and intrepid individuals set up shop all the way down the Southwest Corridor to share their projects with the community. The whole day is pure magic, but we owe it to ourselves to give props to the many volunteers and sponsors who put countless hours into making it a success. WUTE’s miracle vibes resonate throughout our city in a positive and powerful way, and whenever you pass by Stony Brook Station, even on a frigid winter day, you can feel the warmth of the flame that it keeps burning all year long.

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The Boston Compass is produced by the BRAIN Arts Organization Email us at ThatBostonCompass@gmail.com Visit us online at www.Brain-Arts.org

KEY VOLUNTEER POSITIONS AVAILABLE AT BRAIN ARTS:

DROPS ALBUM & DROPS EL

BOWS 5/4

If you’re searching for the perfect soundtrack for stuffing boys in lockers, your prayers have been answered. Tomboy’s unique flavor of pissed-off bubblegum shall suit your needs. Tomboy is a long running Boston lady punk institution who have yet to release a definitive document…until now. Tomboy’s debut 12”--titled “Sweetie”--is out now on Ride the Snake Records. Monday 5/4 at 7pm @Middle East Upstairs will be the RRRAGING record release show with Alice (NYC), and locals Ursula and Phantom Rides. All ages! Order the LP at ridethesnakerecords.com -Chris Strunk

MASSART FEATURES FUTURE FASHION ROYALTY @ THE CASTLE 5/9 Another year, another treasure trove of talent coming out of MassArt’s fashion department. From Erin Robertson’s handmade, graphic textiles to Gloria Im’s clean but conceptual unisex designs, we promise you’ll be impressed. This year’s show “Vision” is @The Castle at Park Plaza on Saturday 5/9 at 7pm. $40 advance tickets are available at MassArtFashion2015.eventbrite.com. -CEEK

YOUTH PRIDE FESTIVAL 5/16

The Boston Alliance of Gay, Lesbian, Bisexual, Transgender Youth (BAGLY) is making 5/16 a daylong celebration Massachusetts of Youth Pride. BAGLY provides a huge range of support for queer youth, including “everything from social support to radical activism to free health services,” says development director Kurtlan Massarsky. Join in a day-long pride festival @City Hall Plaza starting at 11am, including a march at noon and BAGLY prom at 7pm. If you’re looking for a way to get into queer activism, check it out. More info at BAGLY.org. -Josie Grove

FIRST, YOU’SDAYS, KATIE MCSHANE TAKE THE REIGNS Women’s music is wonderful music. First Tuesday of every month, 8pm @Midway in JP. Katie McShane showcases composers, improvisers, songwriters & bandleaders who are making Boston sound better. Vital underground sounds and a huge range of way-out experiments where some of the best folks in town are in charge. This month, the first T is crossed on 5/5 and features Cassandra, Listening Woman, Phurnne, Leah Raczynski, and me too. -Angela Sawyer. “I went last month and it was rad” -Sam P

SISTER SISTER RELEASES NEW ANTHOLOGY WITH EXHIBIT 5/21

CHAPBOOK

Esther White, founder of Sister Sister Books & Fugitive Arts Project, has been busy assembling her new knockout multimedia collage exhibition “Piecework” @Mill Arts Project in Easthampton--including a new chapbook anthology of “remnant and scrap-based poetry” with guest editor Halie Theoharides. The installation is a collaboration with painter/sculptor Cathe Janke and musician/multi-media artist Meghan Minior evolving throughout the run from 5/5 to 5/30. Make the trip on 5/9 from 5-8pm for the opening or on Saturday, 5/21 from 5-8pm for the chapbook release party. SisterSisterBooks.tumblr.com. -CEEK

BRAIN ARTS ORG MARKETING AND PROMOTION MANAGER This position entails working with our shows and events team, and the BRAIN Arts Org’s managerial team in promoting and creating public understanding of our non-profit’s projects and functions within Boston and New England’s art and music communities. Press releases, community relations, and press and promotional relationship building are all part of the functions of this position. HASSLE WEBSITE CONTENT CURATOR This position entails fostering, and foraging for and creating a place on the web for interesting, weird, and awesome videos (short films, docs, sketch comedy, “video podcasts”, interviews, performance, web series), animation, photography, podcasts, streaming radio programs, and other forms of web based creativity. Various forms of the written word; from journalistic adventures on through creative and experimental writing, and short stories are included among the breadth of content that the Boston Hassle website so craves. FILM SECTION MANAGER This position entails managing and curating film content and listings, as well as the writers creating each, in the Compass newspaper and on the Hassle website. Join our non-profit arts organization and create a dynamic, entertaining, and thoughtful portal for the broad spectrum of the film of the world, all while contextualizing Boston and New England’s film community as part of this world of moving images.

FEMMECHANICS PRESENT GRRREASE TIME @BIKES NOT BOMBS 5/11 The mercury is rising and the snow has cleared which means it’s time to get those two-wheelers back in gear. If you’re a femme/trans/woman cyclist who is looking for some tips and tools to keep your wheels turning smoothly, Femmechanics offers GRRREASE TIME, a free monthly workshop every second Monday from 7 to 9pm @Bikes Not Bombs in JP. Don’t let a flat tire slow you down this spring. Save your money, get some exercise, and avoid the MBTA by riding a bike! Femmechanics.wordpress.com. -CEEK

BOSTON REPRESENTS AS SOCIALISM CONVERGES IN CHICAGO ON 7/2-7/5

“Socialism 2015” is a four-day conference put on by the International Socialist Organization that brings together over 1,500 socialists and radical activists from around the country to take part in discussions about Marxism, working-class history, debates, and strategies for organizing today. Every year, the conference aims to be a place where activists can share lessons from their struggles—with topics ranging from the boycott, divestment, and sanction campaign for Palestine, to the fight for LGBT liberation, the Fight for $15, the struggle to stop the destruction of the planet, the fight against racism, and more. With well over 100 meetings, the weekend will feature leftwing authors and thinkers discussing the critical debates of today, as well as meetings on the hidden history of working-class and socialist struggles. The Boston Branch of the ISO will be mobilizing people to Chicago, so if you’re interested in coming, please email keeganxobrien89@Gmail.com. For more information, go to socialismconference.org - Keegan O’Brien

DOWNTOWN BOYS UNLEASH FULL COMMUNISM

This month PVD’s Downtown Boys are set to bring their new album/ way of life “Full Communism” to a city near you! Catch the boisterous band’s record release show on 5/8 at 8pm @Machines with Magnets in Pawtucket, RI with Fleabite, Secret Lover, and Lovesick ($8). Can’t make it to Rhode Island? Catch them in Boston 5/9 @Make Shift Boston at the Break the Chains all ages/all gender dance party with Bad Boys, Bell’s Roar, BlackOUT!, Evan Greer + Friends, and SO many more. Later this month on 5/30 the band will be playing at Flywheel in WMass with local darlings Laika’s Orbit and Potty Mouth. Can’t wait to get your hands on a record? Head over to Don Giovanni Records and order yourself a copy. Don’t snooze, or you might miss the revolution. – Ali Donohue

Pro Arts Seeks Student Art ists!

Turn “The Wheel” When we think of wheels, ideas such as progress, revolution, energy, and modernity spring to mind. Boston’s art community embodies these qualities, absorbing the current condition of art, music, performance, writing, and design, and spinning them on a new axis. The Wheel, a new online gallery, aims to showcase the innovative efforts of these students. If you’re an undergraduate or graduate student working in the creative arts, The Wheel wants to know what you’re doing. Help spread the word about fresh talent in our schools to the Greater Boston Area and beyond. Submit your work at: proartswheel.org/submit. -Melanie Bernier

REMEMBERING LILLY KATE CHRISTOPHER Last month the Hassle family lost our friend and fellow volunteer, Lilly Christopher. A sophomore journalism student at Emerson College and a volunteer with The Hassle for the past 2 years, Lilly came to weekly meetings, documented shows and contributed killer flyers. Not only did she make great art, she brought a positive energy and enthusiasm that is truly rare, even in a large collective such as ours. Lilly really got it. She was very passionate about our culture and was a very active member of it. She will be deeply missed by her friends and fellow volunteers, and remembered as a radical artist and lover of the counter culture. Thanks for everything, Lilly <3 -Sam Potrykus

Friday 5/1

5-7pm [Reception] Fine Arts Student Exhibit @ Suffolk University Gallery (Downtown) 4/26-5/5 5:30-6:30pm [Reception] VES Thesis 2015 @ Carpenter Center for the Visual Arts (Harvard Sq) 5/1-5/28 5:30-9pm SoWa First Fridays @ 450 Harrison Ave (S. End) 6-8pm [Reception] BFA Thesis Exhibition @ 808 Gallery (BU) 5/1-5/8 6-8pm Somerville Open Studios @ Washington Street Art Center 5/1-5/3 6-8pm[Opening Reception] James Montford: Persuasions 1990-2015 @ Mills Gallery (BCA) Now-6/21 6-9pm [Flash Forward Festival] The Gun Show @ FPAC Gallery (Fort Point) 6-9pm Ash Ferlito: Have a Nice Day @ Find & Form Space (South End)

Saturday 5/2

12-6pm Somerville Open Studios @ throughout Somerville 5/2 & 5/3 3-6pm [Opening Reception] Rick Zonghi: Amusements and Diversions @ HallSpace (Dorchester) 5/2-6/6 7pm [Performance Art] Le Lieu | Mobius Exchange @ Mobius (Central Sq)

Sunday 5/3

9:30am-1pm Annual Autism Symposium and Art Show @ University Hall, Lesley University (Porter Sq) 12-6pm Somerville Open Studios @throughout Somerville 2-6pm The Birthday Flea Market @ AS220 (Providence) 3-5pm Art 4 Music @James’ Gate (JP)

Monday 5/4

5-9:30pm [Harbor Booze Cruise] Art to Dream Tour @60 Rowes Wharf (Harbor) // Free w/ RSVP marc@ deepeddyvodka.com 7pm [Reading] A Night of Readings by Queer Writers of Color @ Make Shift Boston (South End)

Wednesday 5/5

4-9:45pm FREE Admission @MFA // Every Wed

5pm Laylah Ali’s: John Brown Song!

@ Carpenter Center for the Visual Arts (Harvard) Contemporary artist LAYLAH ALI is talking shop about her on-line video art project which brings to surface American history and culture, and what it’s relationship to the present means about us. This project was commissioned by the Dia Art Foundation and explores the history of abolitionist John Brown’s story and the cultural evolution of the Civil War era song “John Brown’s Body” into “The Battle Hymn of the Republic” while documenting how it is remembered today by 19 various people. See for yourself at AWP.DIAart.org/Ali including videos of the eternally eloquent James Baldwin juxtaposing a performance by Whitney Houston. This talk is closing out the CARPENTER CENTER FOR THE VISUAL ARTS’ (CCVA) Black History/ Art History Lecture and Performance Series which will hopefully be back next year. ccva.fas.Harvard.edu -ceek

Thursday 5/14

5-7pm[Opening Reception]Spring Open Studio Group Show @FPAC Gallery (Fort Point) 5/7-5/28 5:30-8pm [Reception] MFA Thesis Shows 2015 Exhibition II @Bakalar and Paine Galleries, MassART (Fenway) 5/11-5/23

Friday 5/8 5/8, 6pm 5/9, 5pm Performance @ Mobius Art from Further West: SLC! (Centr. Sq)

The process of simplification, the creation of the collective unconscious, the myriad ways to reinvent the self, “the frictional spark of physical memory:” these mysteries will all be revealed—or at least explored—thanks to the third edition of the Performance Art from the Further West series. For two nights only, in support and promotion of the SLC Library’s annual Performance Art Festival, five Salt Lake City-based performance artists will be featured including GRETCHEN REYNOLDS, EUGENE TACHINNI, ERIN ESPLIN, PAUL REYNOLDS, and KRISTINA LENZI. Join them on a journey through the unknowable. www.Mobius.org -sarah selevitch

Saturday 5/9

11am-4pm New Blue Maker’s Market @Out of the Blue Too Art Gallery (Central Sq) 2-8pm Zine Release + BBQ @Abandoned Bear Dens 4:30pm[Artist Talk] August Ventimiglia and Ken Landauer @New Art Center (Newton) 5-8pm [Reception] Piecework & Easthampton Art Walk @Mill Arts Project (Easthampton, MA) 5/5-5/30 5pm Performance Art from Further West: SLC! @ Mobius (Central Sq)

Wednesday 5/27

6-7pm [Gallery Talk] Contemporary Craft: Celebration and Critique @Sharf Visitor Center (MFA)

Saturday 5/30

6-8pm [Reception & Performance] A Tension by Meghan Minior @Mill Arts Project (Easthampton, MA)

ONGOING

THE CYCLORAMA SHOW: MASTER OF FINE ARTS THESIS EXHIBITION @The Cyclorama at the Boston Center for the Arts (South End) Reception: 5/14 7:30-10pm On view 5/11-5/14 The SCHOOL OF MUSEUM OF FINE ARTS and TUFTS UNIVERSITY are showing this year’s newest crop of freshly minted MFA graduates at the South End’s Cyclorama. Dedicating two years of blood, sweat, tears (and fears), these emerging artists are now proudly showing the fruits of their labor. These 52 artists of SMFA will display film/video, performance, painting, drawing, sculpture, photography, installation, and other media to the public on view 5/11-14th, with a closing reception on the 14th. www.smfa.edu/cyclo-show -krystle brown

Friday 5/15

5:30-7:30pm[Reception] Interior Design Student Exhibit @Suffolk University Gallery (Downtown) 5/8-6/5 6-8:30pmRepurposed Spaces: Artists of the Claflin School Studios @NAC (Newton) 5/14-5/23

Saturday 5/16

1-3pm [Artist Talks] MFA Thesis Shows 2015 Exhibition II @Bakalar and Paine Galleries, MassART (Fenway) 5/11-5/23

Tuesday 5/19

6-8pm [Fashion Show] The Look of Local @Workbar (Central Sq) // Free food & raffle

Wednesday 5/20

7:30-9:30pm AniMAtics Boston @Arts at the Armory (Somerville)

Thursday 5/7

2-9pm [Performance] Sandrine Schaefer: Investigations in Wandering @ICA Boston 2-9pm // Free after 5 5-9pm FREE Admission @ICA // Every Thurs 6-9pm[Reception] The Graduates: Matthew Monteith @Aviary Gallery (JP) 5/7-5/31 6:30pmArtsEmerson ‘15-’16 Season Preview Event @Emerson/Paramount Center // Free w/ RSVP 7-10pm Art is Life Itself @Haley House Bakery Cafe (Dudley Sq) // Every Thurs

Saturday 5/23

10am-4pm Spring Time Book Sale @BPL (South Boston)

6pm Typographic Journeys: An Exploration of Environmental Graphics @BSA Space (Downtown) Calling all font nerds. Graphic designers ANITA MEYER and COCO RAYNES will give a “fun, fast-paced” presentation around crowdsourced photos of typography in the built environment. The presentation will touch on everything from building materials to the way typography affects perception and mood. Head downtown to 290 Congress St for a visual education of our everyday urban landscape. www.Architects.org -josie grove

Thursday 5/21

6-8pm [Reception] Naked @Nave Gallery Annex 5/21-6/20 6-8pm Sister Sister: Chapbook Anthology Release @ Mill Arts Project (Easthampton)

James Montford: PERSUASIONS 1990-2015 @ Mills Gallery (BCA) Talk: 6-7:30pm On view 5/1-6/21

Mammies in space helmets outfitted with feathered headdresses. Since the 1970s, James Montford has collaged provocative symbols to ex-plore racial identity and class struggle, presenting uncomfortable images in bizarre contexts. Montford specializes in grimly comic collages, with elements of magical realism in the vein of Sherman Alexie. Come hear the artist and the exhibit’s curator, VERA INGRID GRANT discuss his work on May 21 at the Boston Center for the Arts, 539 Tremont St. It’s worth noting that Montford is a teaching professor of art history at Rhode Island College, and has written about his ethic of audience engagement. This work and this talk will be pretty accessible, so don’t be intimidated. www.BCAonline.org -josie grove

Now-5/4 [Reception] MFA Thesis Shows 2015 Exhibition I @Bakalar and Paine Galleries, MassART (Fenway) FREE 4/22-5/4 Now-5/10 When the Stars Begin to Fall: Imagination and the American South @ICA Boston (Fort Point) // Free After 5 Every Thursday Sonic Arboretum: Sculpture by Ian Schneller / Sound by Andrew Bird @ICA Boston // Free After 5 Every Thurs The Birds and the Bees @Nave Gallery Annex (Somerville) Now-5/16 Flash Forward 10 @Gallery Kayafas (South End) Now-5/20 Abstract Realities @ Distillery Gallery (South Boston) Personal Portfolio @ 555 Gallery (South Boston) Now-5/23 [Reception] MFA Thesis Shows 2015 Exhibitions @Bakalar and Paine Galleries, MassART (Fenway) Now-5/25 StereoType: New directions in typographty @ BSA Space Now-5/29 Drapetomania: Grupo Antillano and the Art of Afro Cuba @Cooper Gallery, Hutchins Center (Harvard) Now-5/31 Metal and Fire @Nave Gallery (Somerville) Now-6/9 [Flash Forward Fest] Guitar Heroes: Photographs from Behind the Six String @Panopticon Gallery (Kenmore Sq) 3/20-6/9 Now-7/5 Joan Jonas: Selected Films and Videos 1972 2005 @MIT List Center (Central) 5/5-5/17 Experiments in Photographic Interpretation @ Koppelmann Family Gallery, Tufts (Somerville) 5/20-6/7 The Homework Project @Laconia Gallery (South End) 5/22-7/26 Anicka Yi: 6,070,430 of Digital Spit @Reference Gallery, MIT List Visual Arts Center (Central) 5/27-8/2 24 Hours in the Life of a Swiss Cuckoo Clock @ Gallery 360 (Northeastern) Now-8/16 STUDENTS CURATE STUDENTS: Some Assembly Required @SMFA Courtyard Gallery Now-8/9 The 2015 James and Audrey Foster Prize @ICA Boston (Fort Point) 4/22-8/9 // Free Every Thurs after 5 Meleko Mokgosi @ICA Boston (Fort Point) // Free Every Thurs after 5 Hokusai @MFA (Fenway) // Free After 4 Every Wed Now-9/13 Gonzalo Fuenmayor: Tropical Mythologies @ MFA // Free After 4 Every Wed Now-11/8 Herb Ritts @ MFA // Free After 4 Every Wed

Nia King

As a self-described “young punk” in Boston, Nia King could be found perusing the shelves at the Lucy Parsons Center or the Papercut Zine Library, and frequenting shows at venues like Brighton’s House of Sufferin’ Succotash. In these spaces she absorbed the city’s DIY culture, found an artists’ community in zines and music, and first encountered Colorlines, a news magazine addressing issues of racial injustice. King was already forming her identity as a writer, artist and activist. It didn’t take long for the young punk to take up the pen and begin writing zines of her own. Says King, “Self-publishing definitely helped me find my voice at a young age and process a lot of stuff around being mixed-race, racist microaggressions, and passing as white when it all felt very raw and urgent.” Her work has since evolved and grown to encompass a blog, a monthly podcast (each episode of which is transcribed for the deaf and hard-ofhearing audience members) and a self-published collection of artist interviews, Queer & Trans Artists of Color: Stories of Some of Our Lives, which hit the stands this past summer. Both her book and her podcast, We Want the Airwaves, present an extensive collection of conversations with innovative minds challenging social and political norms, while also providing an incredible resource for the artist striving to make work as well as a living. (In fact, she has a whole podcast episode dedicated to the issue of artists working for free.) Her advice to artists seeking resources? Make connections. “Start with who you know and work from there,” urges King. “It will also really help illuminate where some of the boundaries between communities exist.” To date, King has conducted and documented interviews with over 40 queer and trans artists of color — and there’ll be more to come. Tune into her podcast this month and you’ll hear her conversation with TextaQueen, an Australian visual artist working primarily with fibre-tipped markers. King now resides in Oakland, but she’ll be back in town for an east coast tour to promote her book (a second edition of which is already in the works). Catch her at Makeshift Boston on May 4th! www.artactivistnia.com - scout hutchinson

New Zineland Papercut Zine Librarian and lady of liberated literature Sarah Rigatoni unleashes a local history lesson in zine form called “The Original Boston Bruins: A brief history of the bear dens at Franklin Park.” The spot in question raises a bunch of questions. Once a point of pride for the Franklin Park Zoo at it’s opening in 1912 only to become completely abandoned , find out who it’s furry residence were and why they lost their home. Today they stand grandly and somewhat abstractly, hidden at the top of a hill off a beaten path in Franklin Park, with no public purpose. The veteran zinester spent the past two years uncovering newspaper clippings, pics and even took the time to learn about zoo ethics and the treatment of bears in captivity. All her findings have been put into print and will be available at the zine release bbq. Where? Where else. - ceek

Nugs of Knowledge Somewhere between poet and playwright, Sarah Kane lets her audiences fend for themselves. Having suffered a personal loss of faith, her fourth play CRAVE was a departure from her typical heavy-handed stage directions opting for a minimalist approach to narration overall. This May 1st and 2nd at 8pm you can catch Machine 5 Theatre Works’ production of it over @ Green Street Studios in Cambridge. $20/$15 students. SOMERVILLE OPEN STUDIOS (SOS) is one of the most established of all open studios, which happen year-round, throughout town by neighborhood. This year’s is May 2nd & 3rd from 12-6pm and continues to allow the public to know thy neighbor while gaining a better understand/ap-preciation of how artists work. Click around www.SomervilleOpenStudios. org to see who’s there. Knock, knock. If you’ve got some long limbs and fashion is your thing, Cambridge Local First’s fashion show, THE LOOK OF LOCAL is looking for ladies to make clothing come to life on the runway Tuesday, May 19th from 6-9pm @ Workbar in Central Square. Get in touch with Alexis@CambridgeLocalFirst.org to see what’s what. If strutting your stuff holds no appeal to you, just show up and check out some local designers. CALL FOR WORK - The NAVE GALLERY is looking to showcase the work of local ladies emerging in the art scene for their upcoming exhibit RECLAMATION. This is all about women reclaiming their roles in our fucked up society and they’re looking for work that exemplifies the female perspective and narrative. Details at NaveGallery.org/wp/ reclamation-cfe/ with the deadline on August 1st, 2015. - ceek

FÉLICIA ATKINSON

BOSTON HASSLE BRIEFS

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SP-MOLD

OLD WAVE

JUST LIKE CATCHING LIGHT IN A JAR

MIDDEN LEAVING RECORDS (2015) A midden is a pile of refuse. This album (this three-hour album) called MIDDEN is a gigantic pile of wobbly outcast funk. Miniature funk bits composed of bass, electric piano, and drums. Sometimes there’s no piano. Sometimes other sounds invade. Brief clips just long enough for anti-groove to be established and then the rug is pulled out from under each small thing. All of this sounds like it was recorded in the tunnel system beneath Las Vegas. Maybe that’s what this is? The music of the tunnel people of Vegas . . . an untrue thought, though it actually makes sense (to me anyway) . . . Naw, SP-MOLD is Matthewdavid, the producer behind releases on BRAINFEEDER, PLUG RESEARCH, and LEAVING RECORDS (his own label). These include collaborations with the likes of SUN ARAW and rapper SERENGETI. Matthewdavid, and thus SP-MOLD, is not the creator of funky, dusty breakbeats. However, he IS the (prolific) creator of off, slightly broken, and funky subterranean breakbeat notions. With Midden, Matthewdavid unloads a dump truck of weird funk on the world. Via LEAVING RECORDS, and FREE no less. Three hours of washed-out, shakyhands, deflated funk. I’ve only been able to listen to “2012” thus far, but really, just listen to this. It’s been putting me in a great mood for days now. The record is FREE to download. All three hours of it. Do this. Do your work / school work / shitty shit to this shit. It will elevate your game. I don’t understand how it’s getting me exactly. All I know is that it is getting me. Intoxicating weirdness. You’re gonna love it. Favorite moment: the coyote solo. -Dan Shea

SELF-RELEASED (2015) How great that in 2014 a bona fide cosmic Americana band can emerge on the underground music scene. Has me hopeful that certain music traditions, seemingly lost to time, can be celebrated and even grow to relevance once again through the cultural movement at hand. It must be powerful, of course, and it must be genuine, and that is what we have here. Old Wave is a story, a psychedelic folk yarn. When it rains, it’s pourin’ joyous melodies and rich, heavenly harmony. When it’s cold, they wrap you in a blanket of warm chordal textures. Every day starts and ends with the sun, at least. The guys in Old Wave sing sincerely, spinning a web of poetry about everything from work to traveling, and feline companions to the (unfortunately) oft-under-honored verbal contract of promises. It’s groovy, honest-to-goodness country rock. Old Wave are local dudes through and through. As members of the original Whitehaus Family (and extended family) they epitomize the positive, funky-music lovers of the area and collectively possess a huge, unmesswithable JPness. I work in the thrift/charity field with two of em, and on various creative projects with all four, but when I hear Old Wave, it’s like I don’t even know these guys anymore. It appears that in the past year my friends have all but transformed into Neil Young, Jerry Garcia, Rick Danko and Levon Helm. If this seemingly-impossible metamorphosis intrigues you, then you’ll pick up on what they’re putting down. Theyre just nailing it! Paying tribute to the deep, beautiful history of American folk music from Laurel Canyon to New England, these dudes are coming together to make blissful, original music. Just wait for their next record, in which the foursome’s collaborative songwriting and jam-banding pushes them further into “next level” territory. Read the rest at BostonHassle.com -Sam Potrykus

As always, visit www.BostonHassle.com for vids and streams of all the artists and albums profiled here!

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THE ROMANTIC WORLD OF LITTLE STAR LOBBY ART RECORDS (2015)

A READYMADE CEREMONY SHELTER PRESS (2015)

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LITTLE STAR

Félicia Atkinson is a musician and visual artist who graduated from Beaux-Arts de Paris. Known primarily for her work as Je Suis Le Petit Chevalier, A Readymade Ceremony finds her abandoning some of the warmer indie and psych trappings of that project for experiments in texture, laptop-based electronic noise, and textual cutup techniques. The results are mostly very positive. Spoken and sung bits in French and English are taken from a variety of sources, including extracts from Improvising Sculpture as Delayed Fictions (Félicia Atkinson, 2014), Recherche de la Base et du Sommet (René Char, 1955), and Madame Edwarda (Georges Bataille, 1937), along with some random texts lying around while Atkinson was playing, mostly from the Italian magazine Mousse. The standout track is “L’oeil,” where Atkinson breathes a hushed, intimate intonation into Georges Bataille’s visceral, erotically charged writing while static and noise swells, swirls, and shifts over a 10-minute runtime. “Carve the Concept and the Artichoke” is another favorite, in which an opaque and mysterious dark-ambient soundscape gives way to discordant, abrasive piano and drum machines. The emphasis on French literature stretches back to an interest Atkinson’s been developing since her teens, a period in which she also first became aware of some of the musical influences on this record, such as John Cage and Morton Feldman. It's in this regard that A Readymade Ceremony is most interesting. By reexamining influences from her past, Atkinson has managed to create a record that represents a stark forward progression from her earlier works. -John Bittrich

Enter – William Apess: a brilliant and charismatic Pequot Indian educated in white schools; a traveling Methodist preacher, activist, poet, and author who meets the Mashpee in 1833 and learns of the wrongs against them. On May 21 1833 the Mashpee hold a council, adopting Apess into their tribe as Minister. A letter drafted to Harvard College requests the dismissal of Rev. Phineas Fish, appointed as missionary to the Mashpee without their consent, who for two decades has abused his office and the tribe for personal gain. A second letter to the Governor & Council petitions a redress of grievances and plea for selfgovernment, declaring the laws governing the Mashpee lands and people to be unconstitutional, including the sanctioned extortion of the Mashpee’s natural resources. STORY HI

Within this “Mashpee Nullification,” as it came to be known, is an ultimatum, which was also posted about the Cape – after July 1 1833, no white men may harvest wood or hay from Mashpee land. In open defiance, on this very day the Brothers Sampson of Barnstable are confronted by Apess and others as they load freshly hewn logs into carts. After a verbal exchange with Apess, the Sampsons leave peacefully but with an empty cart, vowing to press criminal charges against the tribe for interfering with their spoil. When the Overseers hear of the confrontation, rumor of a “Wood Riot” and fear of an imminent violent insurrection is spread to the authorities and media. Governor Levi Lincoln prepares to muster a militia but first sends a representative to address the Mashpee in their meetinghouse, who peacefully provide him a daylong account of their trials with the whites. The representative promises a legislative hearing to consider the Mashpee petition. Undermining this positive step, the day concludes with the Barnstable County Sheriff issuing a warrant for the arrest of Apess for trespassing and inciting riot – a backwards indictment indeed. A handpicked jury sentences Apess to 30 days in jail, further agitating relations and exciting the press and public. The Mashpee petition was read aloud before the legislature in January 1834, under the unprecedented protest of several representatives. A week later a Mashpee delegation is invited to speak to the public before a packed State House Hall of Representatives. There Apess delivers a profound speech on the moral obligation of government to uphold justice, from which many a legislator is moved to reflection on the flawed policy towards native peoples. Shortly thereafter passes the Mashpee Act of 1834, forming a semiautonomous Indian District of Mashpee. In May 2007, descendants of these Wampanoags became a federally recognized Tribe, the tenth in New England. Neil Horsky • horskyprojects.com

Uncomfortableness is not only mirror raising lyrics, but also going against our expectations. On “Happy January” Little Star subjects us to over a minute of droning noise that builds over itself into a wave of brutality. The stark violence of this track hits harder when coupled with the wide eyed confessions found across The Romantic World of Little Star. Coming out of the daze we can digest the track a number of ways, but maybe it is just the other side of the story; the devastation to the beauty of existing in this world and The Romantic World of Little Star. -Joseph Katz

THE COMO MAMAS

OUT OF THE WILDERNESS 7” DAPTONE RECORDS (2014)

CHARLIE

KELLEY’S GIRLS ONE HAND SELF-RELEASED (2014) The Boston underground scene is addicted to noise-rock music. No, really—anyone who’s spent a few months or more in certain basements or bars around Boston would respond to this with a resounding “duh.” Charlie’s Kelley’s Girls not only feeds that addiction— it seems likely that the 4-song EP by the Jamaica Plain trio was inspired by it. Charlie embraces the same ferocious, almost atonal guitar lines that have come to be a trademark of seminal Boston faves Guerilla Toss, along with frantic, screaming vocals and bass lines and drumming that can go from controlled and plotting to full-on maniacal in a millisecond. It’s the musical equivalent of walking through a haunted house (not the tacky kind). However, Charlie is a trio—and their compact size makes their music inherently more minimal. Rather than the thick, chaotic, almost avant-rock-orchestra sound we’ve come to know and love from G-Toss, the songs on Kelley’s Girls are closer to the roots of postpunk: they’re sharp, bratty, and have just a smidge of a pop influence. Am I even allowed to say that? But when you find yourself tapping your fingers along to “Davud Linch,” you’ll agree. Find Charlie playing around town, and check out Kelley’s Girls streaming on the Hassle website. -Sarah Moylan

The fledgling Massachusetts Congress of the 1780s, in their paternal wisdom, charged themselves with the problem of the Mashpee Indian tribe of Cape Cod. The Legislative Act of 1788 granted State-appointed overseers total command of the Mashpee’s economic affairs – the power to tax, manage natural resources and trade, and to indenture servants including children. The Act of 1789 prohibited teaching literacy to the Mashpee under pain of death.

Little Star is a Portland, Or threepiece writing emotionally charged songs dripping in an intimacy which battles against the violent resistance of completely relinquishing ourselves to insights of sensitivities. Simplified, pop songs with a sinister twist. Little Star puts insecurities on blast embracing them with lines like “If I could just tell you how I feel once and for all I could sleep at night, but it’s hard to be myself,” only to immediately crush the sentiment under shredding guitar. Standing in our own uncomfortableness for extended periods is not enjoyable. Maybe this is why across The Romantic World of Little Star confessions are followed with playful outs. The band builds on “Attention” pleading personally for anyone and expanding outwards to universally plea for the complete focus of everyone. Our attention fully invested Little Star goes silent. No more words only a rift ridden into a fade out.

THE COMO MAMAS are a trio of deeply soulful female singers from Como, Mississippi. Last fall the group released a 7” record, however, where the soaring, earthy vocals of the Mamas partner with the Menahan Street Band to create that specific brand of gospel that I have never been able to find or get enough of. I’m talking R.H. HARRIS post–SOUL STIRRERS, I’m talking the STAPLES SINGERS, the PILGRIM TRAVELERS (w/ LOU RAWLS). I’m talking exquisite use of repetition! I’m talking the impassioned vocals of gospel meeting the backbeat of rock ’n’ roll/soul. SAM COOKE, Gospel’s crossover hero/villain, gave the world a nice chunk of this special kind of thing via his SAR RECORDS as well. Mostly though, as rock ’n’ roll happened, and R&B and gospel became intertwined with it (the synthesis of soul) . . . gospel was a loser. Tastes moved fast toward secular music, and it’s not hard to believe that the God-loving hardcore gospel performers and fans in turn chose to shun that backbeat. Devil’s music, right?

And listen, I’m no friend of God, but human beings’ passion for a ruler on high has inspired some amazing music (and sure a bunch of shitty shit, and even some good shit). “Out of the Wilderness” is a gospel standard of one kind or another (I couldn’t find any writer credit on the Internets), and the Como Mamas version is untouchable. A little piano and organ, some excellent guitar playing, and a funky backbeat create a smart, simple framework for these three rea women, led by Ester Mae Smith’s up-front and inyour-face delivery, to hang their amazing voices upon Let's get these MAMAS to Boston. -Dan Shea

=================================================== “MAYDAY! MAYDAY! - IT’S PURE IMPACT!” APRIL IS OVER AND WE CAN MOMENTARILY SAY GOODBYE TO THE CHAOS, DISCOMFORT, MALNUTRITION AND ANXIETY THAT IS THE ANNUAL PUNK FEST. DC AND NYC- IT WAS SWELL. MOVING ON WE START OUT THE MONTH WITH LEGENDARY HARDCORE POWERHOUSE INFEST PLAYING MAY 1ST AND 2ND IN CAMBRIDGE AT BOTH THE MIDDLE EAST AND HARDCORE STADIUM. MAY 9TH IT’S THE RETURN OF KOWARD PLAYING THE BOILERROOM WITH PDXERS BIMARKS. MAY 15TH IT’S A LITTLE SOMETHING FOR EVERYONE WITH BOSTON STRANGLER/RED DEATH(DC) AND THE FLEX(UK) AT THE DEMOCRACY CENTER AND FULL OF HELL(MD)/THE BODY(PVD) AND HUMAN BODIES PLAYING THE MIDDLE EAST BUT AFTER THOSE GIGS SPEND THE NIGHT WITH SADIST, PROVIDING A NIGHTCAP WITH TIMEGHOST(PVD) AND HIDE(CHICAGO) ACROSS TOWN AT DEEP THOUGHTS JP. ROUNDING OFF THE MONTH, DRI WILL BE PLAYING MAY 27TH AT THE MILL CITY BALLROOM IN SCENIC LOWELL, MASSACHUSETTS. DAME MEMBERS: DIANA - VOCALS, ANNA - GUITAR, MEGHAN - DRUMS, ELAINE - BASS (GET IT? D A M E) AND NOW WE’VE ADDED LAUREN ON SYNTH BUT NOBODY WANTED TO CHANGE THE NAME TO L’DAME. INFLUENCES: RUBELLA BALLET, JOY DIVISION, CHRISTIAN DEATH, METALLICA LYRICAL CONTENT: BODY HORROR, COINTELPRO, CASUAL DESPAIR RELEASES: NONE YET, BUT WE’LL BE RELEASING A DEMO TAPE AS A SUMMER BLOCKBUSTER FUTURE: JUST THAT SO FAR, AND THEN EVERYTHING ELSE. WHAT ARE YOU, OUR MOTHER? CLOSING STATEMENT: DAMED IF YA DO, DAMED IF YA DON’T. ===================================================

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April Submission Deadline 5/19  For last minute shows and changes check out the Chosen Shows calendar on BostonHassle.com and follow us on Fascistbook. Whether you LIKE it or not, it’s out there.

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June 7th, 2015

Ride the Bikes Not Bombs

BIKE-A-THON A BIKE RIDE FOR SOCIAL CHANGE

www.bikesnotbombs.org

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H A S S L E S H O W S 5/1 Palehound, Notta Comet (Montreal), Flagland (NYC) and Trophy Knife @ Industry Lab 8-11pm All Ages $5-10

5/2 Wake Up The Earth Fest After Party! w/ Old Wave, Mal Devisa, The Channels, Horse Lords (Balt.), Lewis M @Spontaneous Celebrations 8pm 21+ $10-15

HASSLENIGHT W/ BUTWILL @Lilypad w/ Double Buscemi’s. and more! 10pm All Ages $5-10

5/12 Hassle & Butwill presents; Aykroyd (reunion), Fertile The Drip (Cleveland, Ohio) , Taxidermists,SmallTown Cops ootb $10-12 5/15 hassle & Illegally Blind presents: Gracie GOOCH PALMS (Australia), GRACIE, Death Valley Girls (LA) & Rosie And the Rosies @Club Bohemia 8pm 21+ $10

Hassle & Open Loop presents: TIMEGHOST, SADIST, ORA ISO and HIDE (Chicago) @ Deep Thoughts 9pm All Ages $5-10 5/16 Boston Hassle presents: IAN, The Channels, Number 213 (Vancouver), EULA (Brooklyn) and DENT @ Green City Growers 8pm All Ages $5-10 5/17 Hassle & Bowery Presents: Lightning Bolt, Skimask and (New England) Patriots @ Sinclair 18+ 8pm Doors $12 adv, $14 dos

5/19 Hassle & wormwood joint presents: POSTERZ (Montreal), BOOGIE BOY METAL MOUTH, WHIP APPEAL, LEWIS M@O’Briens 8pm 21+ $8 5/21 HASSLE & BOWERY PRESENTS: Melt Banana (Japan) and Particulars @Great Scott 9pm 18+ $20 5/23 HASSLE PRESENTS: PILE, State Champion (KY), Crown Larks (Chicago), Anwar Sadat (KY), and LAIR @ Out Of The Blue Too 8pm All Ages $10 5/24 HASSLE PRESENTS: MINI dresses, Blonde Elvis (Toronto),BeachToys & Bummed @Lilypad 10pm All $5-10 5/25 HASSLE PRESENTS: Guerilla Toss, Giant Claw (NYC), Crossss (Halifax), Bong Wish w/ DJ Won’t @Great Scott 9pm 18+ $10

5/30 BOSTON HASSLE PRESENTS: Shepherdess, Cold Beat (Sf), Alice (NYC) and Littlefoot@ First Baptist Church JP 8pm All Ages $10

issue #22 may 2015 tardyeagle.com submissions / ?s / etc.: tardyeagle@tardyeagle.com

PERSPECTIVES by KEIRA HOROWITZ and CRONOS (TIMELORD) You need advice? Ask Keira & Cronos: tardyeagle@tardyeagle.com or anonymously at tardyeagle.tumblr.com/ask

I live in a shit tripledecker with 7 roommates, work all the time, AND my rent is still about 75% of my monthly income. What can I do to get by? KEIRA: I met someone who was actually a secret shopper once and she didn’t seem any happier than the rest of us schmucks. (I’m assuming you looked at those spam emails in a moment of hopelessness too.) Here’s the thing: you are getting by. So that’s worth celebrating. I hear you can go on the internet and ask people to pay for your stuff. And the people pay for it. Then you have to, like, give them a mixtape or go to their house and play the ukulele or something. Sounds promising.

M M C IC DO HA GN EL AL D

CRONOS: CRONOS suggests pursuing your current lifestyle preference and trajectory in a more rural setting. The scenario you have described will be actionable, reasonable, and productive when relocated to farmland. If you don’t have a talent for animals or tilling soils, you can keep hammering away at your dreams until they dissolve into microcrystals and are released into said soil. On the fifth full moon of the year, perform a small ceremony at the site of dissolution to call forth whatever spirit you wish. Tell it what you want, and—this is important—allow it to work.

Why is it so hard to remember things? KEIRA: I think we are expected to keep up with a lot more than is humanly possible. I once worked as a faculty assistant, so I basically spent my days as someone’s memory. I did a lot of things in the background to make them look like they remembered stuff—everything from names to statistics to who that Senator from Illinois was. (It was Obama. I said, “He’s going to be the next president” and the professor laughed at me. On my last day I snuck into his office, climbed up on his antique desk and danced.) Most of us don’t get assistants. Write everything down. Accept that sometimes you will forget. Forgive yourself. You should know I was wearing blue boots on that desk. It’s important for the visual. CRONOS: Your higher self is not interested in remembering all of the dumb details you think you care about. It’s hard because the YOU of you is making it hard on purpose. Concern yourself with what the spirit wants, and you will find there was never any problem to begin with. Remember this, though: memory causes the active destruction of the original timebased event. When the brain is used as a repository for a series of events, space-time transmutes to a tangle of sense-emotion, which is essentially blind and senseless to objective truths. Some would argue that there are no objective truths, but CRONOS recognizes three: 1. CHIPS AND DIP 2. Self-knowledge is the afterbirth of memory: some people eat it later, but it never tastes good. 3. The snow glows white on the mountain tonight Not a footprint to be seen. A kingdom of isolation, and it looks like I’m the Queen The wind is howling like this swirling storm inside Couldn’t keep it in; Heaven knows I’ve tried Don’t let them in, don’t let them see Be the good girl you always have to be Conceal, don’t feel, don’t let them know Well now they know Let it go, let it go Can’t hold it back anymore Let it go, let it go Turn away and slam the door I don’t care 

10 Things Never Say You Should

to Someone With Food Allergies by ROB CREAN

1. What will happen if you eat some by accident? In the words of Yoda, “Either do or do not; there is no try.” In other words, there are no accidents. When you say this to someone with a food allergy, you’re basically asking, “If I attempted to murder you right now, what are the chances I could get away with it?” and that’s a pretty creepy thing to say to anyone, especially on their birthday. 2. So, what’s the deal with allergies anyway? I mean, is it spelled with one “L’ or two? Just because someone happens to suffer from a food allergy doesn’t make them your personal spellchecker. I mean, seriously, don’t you have a phone in your pocket that could do this for you? And why do you right now at this potluck need to know the exact spelling of the word “allergies”? Some other time, ehh, come on, seriously, you’re standing in front of the ambrosia salad and I need some cherries in my belly! Move it! 3. Sometimes I wish you were never born. Well, you know what: I wish I was never born all the time! I wish that I was dead so I wouldn’t have to look at your stupid face and hear your dumb whiny voice. Who says that to a person? I didn’t ask to be born, alright? But! That doesn’t mean I don’t have worth. I’m a good person, and nothing you say can take that away from me.

7. Are you my new dad? Look, I care about you a lot, and I want to be a part of you and your mom’s lives, but I’m not trying to take the place of your dad. I know that you haven’t always had an easy time with him, but he loves you too. No matter what, he’ll always be your dad, I was hoping me and you though…well, maybe we could be friends? Would you like that? I know I would.

8. Kansas City, KS or Kansas City, MO? First of all, it’s basically the same city, and second the answer is always Missouri. Those fuckin’ doinks from Kansas City, Kansas never leave their fuckin’ block, let alone the city. Now will you put your pants back on?

9. Where’s there good BBQ around here? I already told you that I’m allergic to hickory smoke.

10. Is that a dog with his butt shaved and a bullet in his head or is that just your stupid fucking face? That’s really mean and uncalled for, and I feel like you’re being purposely and acutely obtuse. You may find me unattractive—and that’s fine—but there’s no way you’ve actually mistook my face for a violently murdered and desecrated dog carcass. That’s just too much. This is just too much. 

Submit to The Tardy Eagle. Deadline for June = 5/15

I EL RC E B om UIE ll.c LO iesya t kit

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6. Have you seen The Wire? I’ll get to it! Give me a break.

4. I bet your farts smell stinky. That’s just crass. There’s no reason for that type of language, and in front of the kids too? Wow. Does anyone here know if you can un-uncle your uncle?

• TEXT: 400 words or less.

Thank you, Michael!

5. If I had a dog that looked like you, I’d shave its butt and then put a bullet in its ugly head. That’s not even how that burn works. I mean, seriously, it makes no sense that way. Why are you spending all this time shaving the dog’s butt if you’re just going to kill it? I mean, what are you some sort of freak who gets his jollies off of shaving dog ass? Also, that’s very violent.

• Give your thing a title and tell us your name.

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The mendoza line

SATURDAYS AT 9PM

The Dugout • 722 Commonwealth Ave., Boston $5 • 21+

BOSTON comedy!!!!! It exists!

TAKE A BREAK FROM ALL THE KEGELING AND SEE SOME LIVE COMEDY!! HERE ARE SOME THINGS AMONG MANY OTHERS THAT WE THINK ARE COOL AND SERIOUSLY I CAN HEAR YOUR GENI-SQUEEZING LIKE YOU’RE PROBABLY FINE STOP

Kongs of Kings on Kaminsky Kamoutsky FRI. 4/19 AT 7PM

The Whitehaus • Jamaica Plain

Come to the Whitehaus to see the best local comedians tell weird stories and make laffy times happen. The best performers from the weekly night at King’s Bowling Alley give you their all. The show will be broadcast live on WFMU’s Kaminsky Kamoutsky radio show. Need more details? TXT your show’s hostess Angela Sawyer: 857-413-0154

Local scamps Thom Crowley, John Baglio and Jenny Chalikian present lineups of both goons and goobers from Boston and beyond every single Saturday. It’s a consistently fun show that often sells out, so get your tickets in advance! Also there is free popcorn.

Thunderbar

THURSDAYS AT 7PM

Wonderbar • 186 Harvard Ave., Allston $0 • 21+

Okay, normally we’d never ever ever tell a non-comedian to go watch an open mic. But you know how there’s this myth that all comedians get on stage and just extemporaneously spew lols? So *turns chair around cool teacher style* that’s not usually true; good acts are refined through lots and lots repetition. BUT if you want to see a world where the myth of fresh-out-thebrain standup happens, Thunderbar forces comics of all levels to test out completely raw material. If you want to see funny people experiment with the limits of taste, or if you are a schadenfreude freak who wants to see loudmouths get vulnerable, or if you want to try your hand at it, here ya go! 

N CHEATIN’ (2013) dir. Bill

FEATURED FILM SERIES

Plympton @BRATTLE

An animated dramedy in pencilled watercolors by veteran director Bill Plympton! A romance, tragicomedy, and drama all in one with strong, beautifully rendered characters and style. For those in need of animation that takes the form a little more seriously. Director in-person 5/1. Screens through 5/4.

BEN RIVERS’ MIDNITE MOVIES: THE WITCHING HOUR, PT. 3 NOW - 5/30, @HFA HCL.HARVARD.EDU/HFA/ British filmmaker Ben Rivers’ latest retrospective of cinematic batshittery continues at the Harvard Film Archive with another month’s worth of deliriously off-kilter genre offerings. In his statement, Rivers explains that all of these films were shown to him as a pre-teen by a local eccentric who ran a video rental service out of the basement of a Methodist church in the tiny village of Somerset. While it’s unlikely this program was condoned by the church itself, it’s easy to see how it could have been a semi-religious experience for the filmmaker: from the feverish Euro-sploitation of THE VISITOR and REQUIEM FOR A VAMPIRE to

the smartass video schlock of NIGHT OF THE COMET and RE-ANIMATOR, these features are enough to warp any impressionable mind. And if Italian goremeister Lucio Fulci’s THE BEYOND isn’t the most theologically sound glimpse of the afterlife, it’s certainly the most badass. Say amen, somebody. Hallelujah! - Oscar Goff

RETURN OF THE LIVING DEAD (1985) dir. Dan O’Bannon @COOLIDGE Not really a sequel so much as a meta comedy spun off of Romero’s zombie classics. Directed by maverick screenwriter O’Bannon! Noteworthy for introducing “BRAAAAINS” to the undead canon and for containing the most hysterical punk rockers committed to film. Coolidge @ fter Midnite! Also screens: 5/2.

FEATURED CIN-EVENT

REUNION WEEKEND 5/22 - 5/25, @BRATTLE WWW.BRATTLEFILM.ORG

Being the academic capital of America, Boston this time of year is chock full of alumni returning to their alma mater to reminisce about old times; asshole teachers, wasted youth, and dated prejudices. Do you really want to go through that again? Instead ditch the college green and head on down to the Brattle Theatre for anniversary screenings from the past century. Classics like THE GREAT DICTATOR and REBECCA from 1940, THE KNACK… AND HOW TO GET IT, FASTER, PUSSYCAT! KILL! KILL!, REPULSION from 1965, along with MIAMI BLUES and AKIRA KUROSA-

2 PSYCHEDELIC CINEMA (1967 - 1969) dir. Ken Brown @ICA

WA’S DREAMS from 1990 are all given their due. - Pablo Torroella- Matthew Martens

http://www.bostonviewfinder.com

BOSTON VIEWFINDER

PSYCHEDELIC CINEMA (1967 - 69) DIR. KEN BROWN 5/2, 7:30PM, @ICA WWW.ICABOSTON.ORG/PROGRAMS/FILM/ Ah, the sixties. A time of unapologetic experimentation, irreverence and idealism. A time

when 23-year-old Ken Brown grabbed a Super 8mm camera and, after a few film classes at BU, started making colorful, trippy little films to accompany the Velvet Underground, the Grateful Dead, B.B. King, and the Kinks at the legendary South End venue, the Boston Tea Party. It’s all just fun and flowers on the surface, but a closer look reveals pretty amazing superimpositions, vertiginous editing, Python-esque collage animations, and the occasional social commentary that either makes you chuckle at the old days or lament the fact that it’s still relevant today. It’s pretty much impossible to look away, all the better to enjoy it to the live sounds of a Boston “supergroup”: Ken Winokur of Alloy Orchestra, Jonathan LaMaster of Cul de Sac, and Dana Coley of Morphine. - Mariya Nikiforova

PSYCHOTRONIC MOVIES IN OUR ZONE NIGHTBREED (1990) DIR. CLIVE BARKER 5/30, 11:30PM, @BRATTLE Part of the Brattle’s ongoing REEL WEIRD CINEMA series. WWW.BRATTLEFILM.ORG As the Brattle website states, 1990 was a weird year for movies. One of the lasting pieces of evidence in support of this statement is Clive Barker’s NIGHTBREED, a film that’s cult has continued to grow over the years with several different versions of the film making the rounds, finally culminating in a director’s cut released on blu-ray last year. I’ve always had problems with Clive Barker’s films (I’ve never read his books). The twisted darkness of many of his premises rarely hits the mark on screen. HELLRAISER is the most well known example of the filmic thinness of Barker’s on screen horror, but I feel as if similar issues also affect NIGHTBREED. This is a weird movie. I don’t even really know that I like it, but that doesn’t mean that seeing it projected on 35mm @ 11:30pm on a saturday night @ Brattle is a bad idea (it’s not). This one does not screen often folks.

Lots of weird, well crafted monster types inhabit the film’s underworld called, Midian. Our anti-hero, Boone, is convinced by his psychoanalyst (David Cronenberg(!), stiffly) that he is a serial killer, then dosed with LSD, and finally he is off to hang out with the monster people under the cemetery. He finds family amongst

GUIMBA THE TYRANT (1995) dir. Cheik Oumar Sissoko @ HFA A despot and his son whet their avarice with machinations to coerce two women into wedlock, thereby exiling a husband and fomenting popular dissent in an ancient Mali. Heed this parable in Bambara and Fula with English subtitles. Director in-person!

@COOLIDGE

When you think of Adolf Hitler hilarity usually doesn’t come to mind, but legendary funnyman does just that in this scathing satire about a Jewish barber trading places with a anti-Semitic despot. Obviously, plenty of hijinks ensue.

Mystery abounds when the host of a dinner party turns up dead, with his colorfully named guests the only witnesses—and the only suspects. Though a board gameturned-film may seem a stretch, rolling the dice pays off for this classic.

TORRE BELLA (1975) dir. Thomas Harlan @HFA

NIGHT OF THE COMET (1984) dir. Thom Eberhardt @ HFA A group of astrophysicists gone rogue bogarts the fallout shelter when a comet pulverises and zombifies most of the population of some southwestern US city, leaving a pair of unphased Valley sisters to, like, I don’t know, whatever. Starring our lady Mary Woronov.

Tread the fine yet fuzzy line between observing reality and shaping it in this captivating time capsule from Portugal’s mid-’70s Carnation Revolution, in which a long-lived right-wing dictatorship was brought down, but the workers’ paradise failed to materialize.

5/8 @COOLIDGE No wire hangers, ever, though blow-outs come free in the most delightfully unfortunate biopic of all time. Also screens: 5/9. PSYCHO (1960) DIR. ALFRED HITCH-

Cronenberg @BRATTLE

Celebrate Mother’s Day the Cronenberg way: with brutal murders, gonzo pop psychology, Canadian location shooting, and a horde of terrifying, deformed, parka-clad rage children. Call your mom afterwards and thank her for being nothing like the protagonist of this film. Jerzy Has @HFA

This flick is good midnite movie fare, and worth checking back in on (especially for Cronenberg’s character’s mask), and drinking a beer with, despite its flaws. A NIGHTBREED video game was produced for the Commodore 64. - Dan Shea

29 CLUE (1985) dir. Jonathan Lynn

10 THE BROOD (1979) dir. David

11 CODES (1966) dir Wojciech

Midian’s bizarre denizens (echos of our BRAIN Arts Org my friends) and eventually leads them into battle against militarized norms who just don’t get it!

THE GREAT DICTATOR (1940) dir. Charlie Chaplin @ BRATTLE

epics, acclaimed director Kurosawa decided to turn inward for a film. With assistance from big names like Coppola and Spielberg, six of the director’s vivid dreams are brought to life.

Ken Brown’s series of silent24 REPULSION (1965) dir. Roman films/light shows recorded to Polanski @BRATTLE 30 REQUIEM FOR A VAMPIRE accompany live music (includ(1971) dir. Jean Rollin @HFA Roman Polanski solidified his ing The Who and Hendrix) are position as a master of freaky, Deliriously distilling its decade’s now showing in New England with the accompaniment of mu- psychologically intense cinema more outré obsessions, had Rolsicians including Beth Cluster of with this claustrophobic thriller lin’s cinema of opiated, eldritch Clubfoot Orchestra and Jona- about a disturbed Catherine eroticism not existed, the ‘70s than LaMaster of Cul de Sac. A Deneuve seeing all kinds of bat- would have had to hallucinate it. shit craziness in her apartment. More mess than mass, this early can’t miss for pop geeks. Think Home Alone meets In The effort strands (and strips) a pair PHOENIX (2014) dir. Christian Mouth of Madness. of young virgins in a cod-Gothic Petzold @NEWTON castle riddled with rancid im25 DREAMS (1990) dir. Akira mortals and lets rip. The story of a Holocaust survi- Kurosawa @BRATTLE vor trying to search for her husband to discover if he betrayed Toward the end of a storied her to the Nazis. Full of plenty of career spent telling sprawling twists, deceit, and feeling lost in MOMMIE DEAREST (1981) the midst of war. DIR. FRANK PERRY FORBIDDEN FILMS: THE HIDDEN LEGACY OF NAZI FILM (2014) dir. Felix Moeller @MFA This fascinating, often macabre exercise in media excavation concatenates clips from forty films legally unscreenable in Germany even today. A veritable farrago of propaganda whipped up by Goebbels and his minions for a nation fatally codependent with its Führer.

autistic bodybuilder to hunt for buried treasure in the desert. Words cannot describe how unbelievably and purely awesome this movie is. Essential.

This chilly lament in grayscale serves up the psycho-turmoil of a deserter dad—returned to Krakow from London after years spent in self-imposed exile—who finds that his hometown cant has changed beyond his comprehension.

22 FASTER, PUSSYCAT! KILL!

KILL! (1966) dir. Russ Meyer @BRATTLE A trio of buxom, drag-racing, kung fu go-go dancers kill a guy, kidnap his girlfriend, and manipulate an

5/10 @BRATTLE What could possibly be better than spending Mothers’ Day with the biggest, creepiest momma’s boy of all time? LISTINGS NOTE Below is the venue abbreviation key: Brattle Theatre - BRATTLE Coolidge Corner Theatre - COOLIDGE Harvard Film Archive - HFA Kendall Square Cinema - KENDALL MassArt Film Society - MASSART Museum of Fine Arts - MFA Somerville Theatre - SOMERVILLE

Please see our sister website BostonHassle.com/Film for our full listings w/ showtimes and other info. FILM FLAM SEEKS VOLUNTEERS!!! If you would like to get involved with our film section or submit listings, shoot us an email at BostonHassleFilm@gmail.com

NEW RELEASES (NOW) DIOR AND I (2015) dir. Frédéric Tcheng @KENDALL (5/8) FAR FROM THE MADDING CROWN (2015) dir. Thomas Vinterberg @COOLIDGE (5/15) ONE CUT, ONE LIFE (2014) dir. Ed Pincus & Lucia Small @ COOLIDGE More new releases not available at time of printing. Stay up to date with www.Coolidge.org or www. LandmarkTheatres.com/Boston/ Kendall-Square-Cinema/ and support independent cinema.

Doughboy Donuts & Deli 220 Dorchester Ave South Boston, MA 02127 Haven’t we already done a PYCH on Doughboy? No, we just go there all time. And why do we go so often? Well I’m here to tell you my friends! At first it was because they are open 24 damn hours a day. Then one after another the reasons began to multiply: the folks who work there are sweethearts, the food is top holler, the art up is barnone and did we mention they’re open 24/7? That reason alone contains dozens of mini reasons inside of it. It’s a pretty typical what, where, who trifecta that solidifies Doughboy as a place you could hang. What? Their donuts are hand-made on premises in a wide range of styles, and even if they weren’t amazing (which they are) their donuts and no-frills coffee is just a winning combination for any hour. The where is Southie, a little splotch of Dot. Ave between Broadway and Andrew Sq. You can allllllmost smell the ocean in the air but it’s competing with T exhaust, which brings us to the who. The handsome staff aren’t the only ones keeping this hive humming all night. Actually the majority of patrons (at least when I’m there) are those unsung heroes of society, who come Adric Giles and go at unspeakable hours and do the difficult tasks that make our city run. They’re the garbage men, EMTs, railroad mechanics, cabbies, newspaper men, cops, T and construction workers, city employees, electricians, tow and other truck and livery drivers and then there’s us, the nocturnal artist freaks. Find The Compass here, see disturbing portraits of New England sports stars, vie for the chance to tangle with the fruity pebbles donut. I know you dude/dudette, you could definitely hang here. - Sam Potrykus

Patrick Maloney

ThatBostonCompass@gmail.com

Philip O’Brien

David Beyers

Gamze Yalcin Eric Baldelli

Editor-in-Chief: Sam Potrykus | Managing Editors: Ipek Cav, Caitlin Kenney, Katie McCarthy, Dan Shea, Ari Shvartsman | Here Be the Shows Writers: James Moore, Zach Peckham, Sam Potrykus, Anthony Richards | Film Flam Contributing Writers: Rebecca DeLucia, Oscar Goff, Matthew Martens, Alex Schab, Pablo Torroella | Event Compilers: Michael Achille, Kevin Butwill, Dan Roche, Anthony Richards, Caitlin Kenney, Sam Potrykus, Ari Shvartsman | Copy Editors: Jonathan Donaldson, Nausicaa Renner, Dan Roche, Drake Sherman | Creative Director: Ipek Cav | Design Team: Allison Bako, Jeff Bartell, Sophie Chou, Anya Kanevskaya, Peter Kazantsev, Katie McCarthy, Ellie Steever | Contributing Artists: Jill Pelentay, Patrick Tierney | Production Manager: Jay Mobley | Support Coordinators: Ashley Carroll, Mario Epstein | Distribution Coordinator: James Moore