MUSEUM STUDIES
July - September 2026
BLOOMSBURY OPEN COLLECTIONS?
A progressive open access model for books
BLOOMSBURY OPEN COLLECTIONS is a collective-action approach to funding open access (OA) books. Through this model, we aim to make OA publication available to a wider range of authors by spreading the cost across multiple organisations, while providing additional benefits to participating libraries. By prioritising authors that are often underrepresented in scholarly publishing, including early-career and unaffiliated researchers and those based in/writing about low- and lower-middle- income countries, we hope to engage a more diverse author base, bringing their work to a wider global audience.
THE BOOKS
Following the success of the previous three years, in 2026-27 we will continue to offer three collections of 20 titles each in:
• African Studies & International Development
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• Gender & Sexuality
BENEFITS TO LIBRARIES
• Contribute to a progressive OA funding model that aims to make 60 research titles available open access immediately on publication at no cost to the authors
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Bloomsbury Open Access
OPEN ACCESS
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UK August 2026
• US August 2026
488 Pages • 33 bw illustrations; 2 tables
HB 9798765162088 • £95 00 / $130 00
ePDF 9798765156582 • £85 50 / $117 00
ePub 9798765160107 • £85 50 / $117 00
Bloomsbury Academic
What Curators Know Art and Science in the Museum
Edited by Hannah Star Rogers
This book argues for the role of curators as knowledge-makers across a number of fields While the focus is on multidisciplinary curators, particularly those who work with combinations of science, technology, and art, it also points toward the history of curation to tease out the ways that multidisciplinary work has always been part of the collector ’s, and later, the curator ’s role, functionally integrating curatorial and interdisciplinary studies This novel application of Arts Sciences Technology Studies (ASTS) ideas to curatorial studies is timely because it reaches beyond the analysis of the use of images by scientists or the ways art may be employed to improve the public understanding of science to offer a muchneeded explanation of how actors position their work as art or science, considering the persistence of overlapping practices used in both communities By providing an interdisciplinary look at curatorial practice in the context of the STS idea of knowledge-making, this book will be singular in the field
What Curators Know will appeal to scholars of STS, the history of art, the history of science, museology, and visual culture as well as museum professionals, curators, and policymakers The book engages literature in the contemporary arts, digital culture, computing history, medical humanities, media arts, museum studies, natural history, and political and public art Practitioners working in curatorial or curatorial-adjacent professions, as well as administrators with art and science interests, will also find the text useful
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