Pro AVL Asia May–June 2026

GRAND DESIGNS IN MACAU

Editor’s Letter

Look out Las Vegas, your Eastern counterpart is roaring back to life. Although Macau began outstripping Vegas in the gambling stakes two decades ago, Covid triggered a significant decline in revenue from the tables. Now, the SAR (Special Administrative Region) is reversing that trend with a major transformation, tempting back punters with worldclass entertainment offerings, grand spectacles and major sports including NBA, as well as fine dining, spas and waterparks. As resorts upgrade, Macau’s Grand Lisboa Palace – the monumental structure gracing the cover of this issue – has become the first Asian venue to offer an L-Acoustics Ambiance hybrid acoustic enhancement system to give it a competitive edge (p56). Look out for more news from Macau in forthcoming issues.

Just across the estuary in Hong Kong, another debut took place: the use of TiMax stagetracking on the UK’s Paraorchestra, which performed for the first time at the No Limits festival (p52). Sound engineer Simon Honywill, who’s worked with the orchestra of differently abled musicians for eight years, was able to track the performers as they moved around the circular space they share with audience members in a fascinating, interactive display of grace and musicality. And from debuts to departures as we say goodbye to David Labuskes and reflect on his 13 years as AVIXA CEO (p98). During his tenure, the AV industry has matured and evolved at a remarkable pace, with AVIXA playing a significant role in driving development. We’re grateful for David’s time at the helm and wish him well.

Richard Lawn General manager rlawn@proavl-asia.com

Nick Smith Digital media manager nsmith@proavl-asia.com

Sue Gould Advertising director sgould@proavl-asia.com

Chris Yardley Video editor cyardley@proavl-asia.com

Carolyn Valliere Sales associate cvalliere@proavl-asia.com

Jack Stennulat Digital content creator jstennulat@proavl-asia.com

Simon Luckhurst Senior reporter sluckhurst@proavl-asia.com

Adrian Baker Production manager abaker@proavl-asia.com

Karen Wallace Editorial coordinator kwallace@proavl-asia.com

Marne Mittelmann Circulation manager circulation@proavl-asia.com

Bea Meikle News editor bmeikle@proavl-asia.com

Sue Su Guangzhou manager ssu@proavl-asia.com

Thomas Riedel lands

ARRI acquisition

Thomas Riedel has bought ARRI, the Munich-based manufacturer of camera and lighting technology for motion picture and live entertainment. It was reported that the entrepreneur and founder of Riedel Communications was chosen in a competitive international process with his concept for a new home for ARRI.

The Riedel Group is a global player in audio, video and data technology, delivering infrastructure solutions for broadcast, live event and sports productions worldwide. Through the acquisition, Thomas Riedel aims to establish a close strategic alignment between ARRI and the Riedel Group, expanding expertise across the

production chain – from camera optics to distribution. According to the Riedel Group, ARRI’s ecosystem complements the group’s portfolio and opens up new opportunities. ARRI was founded in 1917 and has been family-owned ever since. “For more than a century, ARRI has stood for engineering excellence, innovation and the highest quality,” said Dr Walter Stahl, managing director of ARRI and member of the founding family.

It was reported that both parties will collaborate to unlock growth, particularly in live entertainment and sports. By combining technologies, the companies plan to develop integrated solutions that open new

Royer Labs bought by Sounds Great Holdings

Marking a new chapter for the ribbon microphone manufacturer, Royer Labs has announced its acquisition by Sounds Great Holdings. Founded in 1998, Royer Labs hopes the transaction will lead to a new phase of growth while preserving the sound quality and craftsmanship that has long defined the brand. Royer Labs will continue operating from its Burbank, California headquarters, with plans to expand global sales, invest in product development and deepen relationships across the professional audio community.

“Royer Labs has built an extraordinary reputation for sonic excellence and engineering integrity,” said Joe Covey, the company’s new CEO. “Our goal is to honour that legacy while investing in next-generation technology and expanding the brand globally.”

creative and technical possibilities. As a first milestone, ARRI will debut its camera technology at the Eurovision Song Contest, where Riedel serves as the technology provider and NEP oversees production.

Under the new ownership, ARRI’s management team will continue to lead the company and advance its transformation. The company will retain independent operations and remain headquartered in Munich.

“Thomas Riedel has built a first-generation family business and stands for entrepreneurial continuity and long-term thinking,” commented Chris Richter, managing director of ARRI. “We look forward to working with a successful entrepreneur and to the resulting market opportunities and access.”

David Bermbach, managing director of ARRI, added: “The Riedel Group brings complementary technologies and expertise in live production to this partnership. This strengthens our strategic direction as a ‘Trusted Technology Leader for the Next Generation of Media & Entertainment’.”

According to Thomas Riedel, his entrepreneurial path has been closely tied to ARRI. “This acquisition represents the most significant personal milestone of my career so far,” he said. “I have great respect for this exceptional brand, its outstanding products and its strong team. At the same time, I see tremendous potential and am confident that, together, we can position ARRI for long-term stability and future success.”

www.arri.com www.riedel.net

John Jennings, cofounder and former president, expressed confidence in the transition. “I love this company we started decades ago, the dedicated people who work here and the industry we serve. The Sounds Great team is made up of good humans who respect Royer’s culture and will continue our bedrock traditions of high quality and extraordinary sound pickup.”

Dave Hetrick has joined Royer Labs as president and chief revenue officer, where he will lead global sales strategy. “Royer microphones are among the most respected tools in professional audio,” he said. “We see significant opportunity to grow the brand worldwide.”

www.royerlabs.com

Barco to acquire VerVent Audio Holding

Barco has reached an agreement in principle to acquire 100% of the shares of VerVent Audio Holding, the French–British premium audio company behind the Focal and Naim brands. The move marks a strategic expansion for Barco as it seeks to strengthen its position as a provider of integrated audiovisual solutions. The Belgian manufacturer explained that beyond the home and consumer segment, the move will also create new opportunities to develop integrated audiovisual propositions in public spaces and professional cinema.

Headquartered in Saint-Étienne, France, VerVent designs and manufactures high-end audio systems spanning loudspeakers, headphones, studio monitors and automotive and yachting OEM solutions. Its portfolio also includes immersive and active audio products alongside a growing custom installation and home cinema offering.

Barco says that the acquisition will support its strategy to combine high-end visualisation with premium audio capabilities across both consumer and professional markets.

“Today marks an important step in Barco’s ambition to shape the future of immersive audiovisual experiences,” said Barco CEO An Steegen. “By welcoming VerVent and its iconic Focal and Naim brands into the Barco family, we accelerate our strategy to deliver fully integrated solutions where image and sound reinforce each other seamlessly.”

The transaction values VerVent at approximately €135mn and the purchase will be financed using Barco’s existing funds. VerVent currently generates annual revenues of around €110mn. Barco expects to realise synergies over the next few years. Including this acquisition, Barco has reconfirmed its long-term EBITDA margin guidance of 15% by 2028.

Following completion, VerVent will be integrated into Barco’s Entertainment division. The Belgian manufacturer says it intends to support the company’s ongoing strategic plan, which includes continued development of premium audio technologies and expansion of its global sales network. Completion of the transaction remains subject to customary closing conditions and consultation with employee representative bodies.

www.barco.com

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Collaborate with us at www.sennheiser.com/spectera-lab

Hong Kong Professional Audiovisual Association launches

The Hong Kong Professional Audiovisual Association (HKPAVA) has been launched as an association dedicated to advancing the AV industry in Hong Kong and Macau. Its mission is to establish best practices, facilitate knowledge exchange, foster career development, uphold industry standards and build a thriving community for AV professionals.

The organisation was officially inaugurated with an event held at the Royal Plaza Hotel in Mong Kok, Hong Kong. The occasion brought together over 200 attendees, including end users, consultants, systems integrators, distributors and manufacturers from the AV industry across Hong Kong and Macau.

The evening commenced with a networking reception to foster connections among industry peers. The formal programme featured an inauguration ceremony, where HKPAVA board members – chairman Adrian Lim, general secretary Deep Batra and vice president Sand Leung – officially launched the association and delivered speeches that underscored HKPAVA’s core mission.

A highlight of the event was a panel discussion titled “Uplifting the AV Industry

in Hong Kong and Macau”, moderated by Lim and featuring industry luminaries, including Batra, as well as Derek Watterud, who serves as vice president resort technology at MGM. The discussion explored

new strategies, emerging trends and collaborative approaches for strengthening the professional community and enhancing Hong Kong and Macau’s position in the global AV sector.

It was reported that attendees expressed strong enthusiasm for HKPAVA’s initiatives, with many eager to join the association. Furthermore, it was noted that the event successfully cultivated a sense of collective purpose and optimism for the future of the region’s audiovisual sector.

Speaking at the event, Lim said: “Tonight marked a pivotal moment for the audiovisual industry in Hong Kong and Macau. The incredible turnout and the palpable energy in the room were testaments to our community’s desire for collaboration and growth. HKPAVA was committed to being the cornerstone for best practices, innovation and talent development, and we were thrilled by the enthusiastic response from our industry partners.”

HKPAVA is supported by sponsors including Wise AV, Vega, UAT, Shure, Sennheiser, Samsung, Ruckus, ROE, Q-SYS, PCCW, Kramer, Kandao, Harman, d&b, Crestron, Bose, Belden, Audinate, Asia Theatre, ACE, Absen, 3A, Unilumin, Disguise, Nanpeng Technology, Netgear AV, CosmoVision, L-Acoustics and Racpro.

www.hkpava.org

FOR-A buys Tamura’s AV business dBTechnologies strengthens footprint in Singapore

FOR-A Company has acquired the information equipment business of Tamura Corporation through a newly established company, Tamu Radiance Corporation, along with Tamura’s manufacturing subsidiary, Aizu Tamura Corporation.

under one structure supports combined technology development.

Through this transaction, FOR-A aims to create innovative products and solutions by integrating its video technology with the acoustic and wireless intercom technology of Tamura Corporation, which has long

Through the agreement, Tamura spins off its Information Equipment Business into Tamu Radiance and transfers all shares in the new company and Aizu Tamura to FOR-A . The share transfer agreement was executed on 8 April 2026, with completion scheduled for October this year.

The transaction brings together FOR-A’s video technology with Tamura’s audio and wireless communication systems, including mixers, intercoms and microphones used in broadcasting and public infrastructure. The companies state that integrating development, manufacturing and sales functions

supported the broadcasting and public venue infrastructure sectors. By bringing together the development, manufacturing and sales resources as a single entity, this acquisition enables technological integration that achieves manufacturing beyond the mere inheritance of existing assets.

Tamura says the spin-off allows it to focus on next-generation power electronics and clean energy markets. Aizu Tamura is expected to be renamed Tamu Radiance Aizu Corporation following the transaction.

www.for-a.com

Marking a significant evolution in the company’s commercial approach within the Asia region, dBTechnologies has announced the establishment of a new direct-market presence in Singapore. As part of the new business model, regional sales manager Patrick Hau will lead the manufacturer’s sales activities in the country, while Loud Technologies Asia (LTA) will provide aftersales support.

Based in Singapore, Hau will act as the primary point of contact for all commercial inquiries in the country, overseeing business

will operate as the authorised service and repair centre for Singapore, providing after-sales support and technical assistance. This configuration allows dBTechnologies to combine direct commercial management with locally established technical capabilities, with the aim of ensuring greater proximity to the market while maintaining a streamlined and efficient operational model.

According to Manuele Poli, head of sales APAC at dBTechnologies, establishing a direct presence in Singapore is part of a broader vision to build deeper, more meaningful connections with markets that play a pivotal role in the evolution of professional audio. “Singapore represents an environment where innovation, expertise and high expectations converge,” he said. “By combining direct commercial engagement with the support of a trusted and highly skilled local partner such as Loud Technologies Asia, we are laying the long-term value, consistency and service excellence.”

dBTechnologies said that the initiative reinforces its commitment in the area, laying the groundwork for a more focused, responsive and sustainable engagement with the local professional audio community.

Sonos Libra leads Dante training in Thailand

Sonos Libra has announced it has signed multiple Memorandums of Understanding (MOUs) with leading universities across Thailand to enhance training and educational opportunities for students. Through the move, the distributor recently conducted Dante Certification Level 1 and Level 2 trainings at the Institute of Music Science and Engineering (IMSE) at King Mongkut’s Institute of Technology Ladkrabang (KMITL) in Bangkok.

The company was officially recognised by Audinate as a Dante Certified Training Center in Thailand in July last year during InfoComm Asia 2025.

IMSE at KMITL is regarded for its strong focus on digital audio and its reputation in the country for producing graduates in audio and systems engineering. The institute invited Sonos Libra to contribute to its Team Project 2 course, a hands-on subject designed to

Ross Video and Unilumin expand collaboration

With the aim of exploring joint opportunities for collaboration across the Asia Pacific region, particularly in the fastgrowing sports and broadcasting markets, Ross Video and Unilumin Group have signed a Memorandum of Cooperation (MoC). By combining Ross Video’s live production ecosystem with Unilumin’s LED display technology, the two companies aim to support sports venues, broadcasters and live event producers looking to deliver more engaging visual experiences.

“Across APAC, we’re seeing incredible growth in sports venues, broadcast facilities and live event environments that rely on LED displays to create immersive fan experiences,” said Travis Wigley, senior director of sales, APAC, at Ross Video. “By working more closely with Unilumin, we can better support customers with integrated solutions that bring together LED displays, graphics, video processing and control to power the next generation of live productions.”

The non-exclusive agreement establishes a framework for the companies to explore a

range of joint initiatives across the region. These may include participating together in industry exhibitions and marketing activities, sharing market insights, recommending each other to customers and connecting with systems integrators, consultants and other industry partners. Both companies will also explore potential technical collaboration and integrations between Ross Video’s live production solutions, including real-time graphics, video processing and production workflows, and Unilumin’s LED display technologies.

“Unilumin is committed to delivering world-class LED display solutions that enhance visual storytelling across sports, broadcast and entertainment venues,” said Tina Cao, deputy general manager at Unilumin. “Through this cooperation with Ross Video, we look forward to combining our strengths to create more innovative and seamless solutions for customers across the APAC region.”

www.rossvideo.com www.unilumin.com

bridge the gap between theory and real-world application.

As Thailand’s Dante Certified Training Center, Sonos Libra tailored the Dante Certification Level 1 and Level 2 curriculum specifically for this collaboration. The programme was designed to emphasise practical, hands-on learning, enabling students to tackle real-world scenarios commonly encountered in professional environments. While students already receive theoretical foundations in Dante through their university coursework, this course provides an additional layer of applied experience, with the aim of equipping them with the confidence and skills needed to enter the workforce.

Students are able to work with professional-grade equipment used in real industry environments and are tasked with designing and developing their own system diagrams, further strengthening their practical understanding.

“After three days of training, it was incredibly rewarding to see how engaged and excited the students were while experimenting with different system configurations,” said Nattapoom Pumipuntu, a Dante official trainer

in Thailand. “Many were already familiar with Dante in theory but had never experienced it in practice. By introducing professional-grade equipment used in the industry, students were able to troubleshoot real scenarios and collaborate in teams to build functioning systems.”

Dr Natcha Techacharoenchai, assistant dean at IMSE, added: “ Our faculty places strong emphasis on network and Dante technologies, ensuring our students are job ready. Having Sonos Libra, a Dante Certified Training Center, share their expertise is an invaluable opportunity.”

Alfonso Martín, CEO at Sonos Libra, concluded: “We strongly believe Dante has become an industry standard. Beyond theoretical knowledge and certifications, real hands-on experience from fundamentals to troubleshooting is essential. Understanding why AVoIP matters and how it is applied in real-world scenarios will set students apart.”

www.audinate.com

www.sonoslibra.com

Analog Way focuses on China with new venture

Analog Way has established Analog Way China, a Shenzhen-based joint venture with Chinese partner Zhu Rongjun, founder and general manager of Jiangsu Rongze Tianyun Electronics.

The move is intended to strengthen the company’s presence in the Chinese pro AV market by expanding local technical support, after-sales services and spare parts availability for customers and partners across mainland China. The announcement coincided with the opening of Analog Way’s new China office in Shenzhen, marking the next phase of its regional expansion.

Eric Delmas, CEO of Analog Way, said: “China is a key market for Analog Way. The creation of this joint venture and the opening of our China office are important steps to strengthen our presence and investment in the region. We look forward to continuing to develop the market together with our local partners.”

The joint venture formalises a partnership developed over the past three years between

Analog Way and Zhu Rongjun’s company.

“In the Chinese market, credibility and long-term commitment are essential,” commented Rongjun. “Our cooperation is built on a shared focus on technical support, after-sales service and long-term responsibility to our customers.”

“China is a strategic market for Analog Way in Asia Pacific,” added Guy de Souza, vice president, Analog Way Asia. “With this joint venture and our expanded local presence, we are reinforcing our ability to support partners and customers while continuing to grow the professional AV market across the region.”

During the launch event, Analog Way also announced new strategic partnerships with several companies in mainland China’s rental and pro AV market, aimed at supporting wider deployment of its screen management systems across live events, touring productions and corporate applications.

www.analogway.com

THE SLEEK AND ELEGANT LINES DEFINE THE DESIGN OF THE NEW VERTUS MODELS

FBT unveils two new VERTUS CLA point source models built in aluminium extrusion. The CLA 204T and the IP55 certified weather resistant CLA 203T that includes water resistant enclosure, water resistant treated loudspeakers, a grille with hydrophobic fabric and hermetic terminal box. These models are also EN 54-24 certified for emergency and evacuation systems, with a ceramic terminal block and thermal fuse ensuring protection for the line connection in case of fire. A range of accessories is available to enhance the product’s functionality.

AVAILABLE NOW

NEXO Alpha+ Series launches in Malaysia

The NEXO Alpha+ Series has officially launched in Malaysia, with a debut event held in Petaling Jaya introducing the system to the local professional audio market.

Organised by Audio Solutions, the launch took place at ODEUM @ JioSpace and brought together more than 60 industry representatives, including rental companies and sound specialists. The event marked the

regional introduction of the Alpha+ system, which delivers a peak output of 148dB.

Positioned as a hybrid solution, the Alpha+ Series is designed to bridge the gap between high-output point source systems and modern line array technologies, offering flexibility for a range of live event applications.

A key moment during the launch was the announcement of the first Alpha+ system owner in Malaysia. MD Events Asia, led by

managing director Jack Gill, was presented with a ceremonial mock key to mark its investment in the system, signalling early adoption within the local rental market.

The event also referenced the legacy of the original Alpha system, with Encik Siswa Azmi Bin Mohd Mubari, managing director of the Mubari Group of Companies, sharing his experience using the earlier generation over more than 15 years.

Andrew Lee, director of Audio Solutions, highlighted the anticipation surrounding the launch: “The industry has been hearing about the R&D of NEXO Alpha+ for nearly four years. To finally host this debut and witness the raw power of the system in person is a proud moment for us. The reaction from the crowd during the demo was immediate; the clarity and impact at high SPL levels are exactly what today’s rental market demands.”

The technical programme included an overview of NEXO’s global operations and product development, followed by a live demonstration showcasing the system’s performance capabilities, including its maximum output.

According to the company, the Alpha+ Series combines high output with a modular three-box design, enabling deployment in both point source and line array configurations. Additional features include rapid rigging designed for single-operator setup, as well as magnetic flanges and waveguide technology for adjustable dispersion.

The Kuala Lumpur debut represents the first step in the Alpha+ Series rollout in Malaysia, as Audio Solutions continues to introduce new audio technologies to the regional market.

www.nexo-sa.com

Biamp unveils Brisbane Experience Center

AUSTRALIA

Marking a significant milestone in the company’s continued investment in the ANZ region, Biamp has opened its new experience centre in Brisbane. The launch coincides with the company’s 50th anniversary and is part of its long-term commitment to supporting customers, partners and end users across the region.

The Brisbane Experience Center is designed as a two-level facility that combines a fully operational office environment with dedicated demonstration spaces, enabling visitors to experience the brand’s solutions in both everyday use and controlled comparison scenarios. The upper level serves as an office, where employees operate within a modern enterprise environment enhanced by integrated AV technologies.

“The opening of our Brisbane Experience Center reflects our strong commitment to the ANZ market and the customers we serve here,” said Biamp president, CEO and co-chairman Rashid Skaf. “We are proud of

are available and shown on the Workplace booking dashboard. Visitors can explore two distinct collaboration environments –a flexible bring-your-own-device (BYOD) space and a dedicated Microsoft Teams Rooms deployment – each powered by audio and video solutions, demonstrating how organisations can tailor meeting experiences to suit different user needs and workflows.

Purpose built for immersive demonstrations, the lower level showcases the full breadth of the Biamp portfolio, with a comprehensive loudspeaker demonstration area enabling side-by -side comparison across a wide range of solutions, from compact distributed models to high-performance systems. Visitors can evaluate both music playback and speech intelligibility, with the added flexibility to stream audio directly from personal devices.

The space also highlights the company’s outdoor audio capabilities, including solutions from the Community product family. “Australia presents unique environmental challenges, from extreme heat

MWC (MIPRO Wireless Control) is your command center for managing multi-channel wireless microphone systems with ease and precision. From one intuitive interface, monitor all live channels, adjust gain, mute settings, and track frequency and battery status in real time. Whether you're handling a concert, conference, or broadcast production, MWC streamlines your workflow—so you stay focused on what matters: flawless sound.

Live for Sound Connect elevates Thai AV

Live for Sound Connect, created by Live for Sound with support from Mr Team Productions and local distributors including Fuzion Far East, launched this year as a key educational event for Thailand’s professional audio community. Held at Centerpoint Studio in Bangkok, the one-day event welcomed approximately 600–700 attendees, including engineers, technicians, systems professionals and end users from across the country.

What began as informal discussions between Pok Sutat Kohkiat of Mr Team Productions and Throngpon Jaemjaeng (Arjan Noy) of Live for Sound has since evolved into a formal seminar platform that distributes knowledge in the Thai language to the local AV community.

Those initial conversations began around 12 years ago, during Thailand’s early transition into digital audio, when engineers were navigating multiple console brands and networking protocols without structured guidance. “At that time in Thailand, it was quite early for digital audio and digital consoles,” explained Kohkiat. “Operators were dealing with

different brands and different protocols, and everyone was confused.”

DE640

Next Level Ring Radiator Technology

The millennium's rst new ring diaphragm technology, from B&C Speakers' laboratories. A ground-up redesign of mathematical models and simulation tools brings ef ciency at high frequencies, with excellent performance to 1kHz. The DE640’s patented stepped-pro le polymer diaphragm decouples part of its radiating surface at high frequencies, eliminating destructive modes to reach near-theoretical output ef ciency.

With a 2.5” coil and 1.4” exit, this compact neodymium driver ideal for two-way designs including line arrays.

“AVL technology has advanced significantly over the past 10 years,” added Jaemjaeng. “As the AV industry is driven by technology, a deep understanding of how to use the equipment is crucial. However, many Thai workers lack a profound understanding of this technology. Live for Sound Connect was organised to raise knowledge to international standards and improve the ability to

perspectives on international touring. A panel discussion explored how Thailand’s production industry can evolve to meet global standards, alongside a safety session from HeightThai focused on risk management and working at height.

The event concluded with a Vision Talk before moving into one of its highlights: a large-scale line array demonstration and shootout between participating brands, followed by a jam session and prize draw.

Live for Sound Connect brought together a wide range of global manufacturers and Thai distributors, including Alpha Theta, Analog Way, Audio-Technica , BirdDog, Bosch, Clear-Com , d&b audiotechnik, DiGiCo, Dynacord, Electro-Voice , JBL, Martin Audio, Midas, Netgear, Powersoft, QSC, Shure, Tascam, Waves Audio and Yamaha, among others.

Participating distributors and local companies included CT Music, Fuzion, Goldenduck, Happy Time Corporation, Mahajak, MI Engineering, Mr Team, NP Sound and Lighting, Sound Work, Razr Audio & Visual, SiS, Ten Years After Audio, TLAV and Visions Lux. Each distributor was allocated presentation slots, reinforcing the event’s collaborative structure, while support from Fuzion Far

work effectively with various equipment.”

The 2026 programme reflected a balance between education and brand participation. The morning opened with a Digital Technology & AI Transformation seminar, followed by sponsor presentations where distributors introduced technologies, explained specifications and demonstrated products.

In the afternoon, a session titled How to Manage a Live Concert Event featured engineers from Thai rock band Slot Machine, offering FOH, monitor and lighting

East and Mr Team enabled a full-scale showcase environment. Jaemjaeng concluded: “The event was a tremendous success. Live for Sound envisions this as an annual platform where manufacturers display innovations and exchange knowledge with users. Moving forwards, we intend to elevate it into a comprehensive hub for visual, lighting and sound innovation across Southeast Asia, or even Asia as a whole.”

www.fuzion.co.th

www.liveforsound.com/connect

www.mrteam.co.th

Harman hosts APAC Connect Summit

Showcasing Harman Professional Solutions’ latest professional audio, lighting, video and control solutions, the Harman Connect APAC Summit 2026 recently concluded at W Sentosa in Singapore. The multiday regional gathering brought together distributors, partners, customers and Harman leadership from across Asia Pacific.

The summit featured dedicated programmes tailored for distribution partners, performance venues, live events engineers and systems integrators.

Attendees experienced hands-on demonstrations, product debuts, strategic business updates and curated networking opportunities designed to support growth across the APAC region.

The event opened with a dedicated session designed to recognise distribution partners and align on the business strategy ahead. Senior leadership, including Harman Professional Solutions’ president Brian Divine, shared key updates, recognised sales achievements and unveiled the

product roadmap shaping the manufacturer’s direction for 2026 and beyond.

The Performance Audio & Lighting Summit was held on the second day, delivering technical insight and live demonstrations by global product line managers focused on solutions for performance venues and live events. The programme included lighting project highlights, live fixture demonstrations – including the APAC debut of the Martin MAC Encore Two and MAC One Beam – followed by audio showcases featuring the latest JBL Professional developments, including additions to the SRX900 Series. The day culminated in a FLUX:: immersive audio and lighting showcase, before closing with JBL L!ve & Loud, an evening of entertainment, networking and celebration of JBL’s 80th anniversary.

On the final day, the summit shifted focus to audio, video and lighting solutions for professional installations, giving attendees the opportunity to explore updated JBL Professional loudspeaker ranges,

including the first APAC demonstration of a Dante-enabled loudspeaker, alongside BSS OMNI Open Architecture DSP, Crown ComTech D Class-D amplifiers and AMX MUSE and SVSI solutions.

“Harman Connect APAC 2026 brought together over 200 partners and customers from across the region, reflecting the strength of our community and our shared

Pro chooses DiGiCo and Fourier

Manila-based professional audio rental company Hx Pro has taken delivery of what DiGiCo reported to be the first Quantum852 console and Fourier transform. engine in the country. The system was delivered by Joint Venture and is now part of the company’s expanding inventory for largescale productions.

Based in Mandaluyong, Hx Pro specialises in high-end audio, lighting and video solutions. Managing director Rex Maliuanag explained that the company had planned the investment since the console’s initial announcement: “We’ve been eyeing the Quantum852 from the moment it was introduced. Due to strong global demand, it took some time before our allocation became available. For us, the decision to bring it in-house was a natural step.” Aiming to strengthen its Quantum Series lineup, Hx Pro has also reported early signs

that upcoming 2026 technical riders are increasingly specifying the Quantum852.

After an early demonstration, the Hx Pro team recognised the potential of the Fourier

TSL has acquired JLCooper Electronics, expanding its control and interface capabilities across broadcast, pro AV, education and creative applications. The acquisition secures the future of the JLCooper brand following the passing of founder Jim Cooper, while ensuring continuity of support for its global customer base across live events, music, radio and AV markets. Following the acquisition, production will be relocated from El Segundo to TSL’s facility in Northridge, California, with manufacturing and shipping of JLCooper products set to continue under TSL ownership.

TSL plans to integrate JLCooper’s product range into its Hummingbird control ecosystem, extending its capabilities across software-defined cloud-based and hybrid workflows. The addition of JLCooper’s interface technologies and MIDI-based control solutions is expected to broaden TSL’s reach into music and audio production environments. The move builds on TSL’s existing control

transform.engine to expand engineers’ creative and technical capabilities through seamless console integration and native VST plugin support. “The Fourier platform

portfolio, which includes Tallyman and DNF Controls, further strengthening its position in broadcast and AV control systems.

“With the sad news of Jim Cooper’s passing, it was important to secure the future for JLCooper’s technology while ensuring continuity

commitment to innovation,” said Nick Screen, vice president and general manager, Harman Professional APAC. “The summit is more than a product showcase – it’s about building meaningful connections and sharing a clear vision for the future of professional audio, lighting and integrated solutions in APAC.”

pro.harman.com

impressed us immediately,” Maliuanag added. “Integration with DiGiCo consoles is seamless and the ability to support industry-standard VST plugins within that workflow gives our engineers greater flexibility and control.”

“Hx Pro has been a long-term partner for DiGiCo, whilst Rex in particular has been an amazing ambassador for us for many years,” concluded Ian Staddon, vice president of sales for DiGiCo. “Hx Pro along with Joint Venture have not only developed the local rental market but expanded DiGiCo into both the church and broadcast markets. His commitment to DiGiCo by investing in both Q338s and now the Q852 really puts Hx Pro on the map as a serious high-end system supplier in Southeast Asia.”

www.digico.biz

www.fourieraudio.com

for its customers,” said TSL CEO Matthew Quade. “Bringing these solutions into the Hummingbird ecosystem will enhance flexibility and expand the markets we could support.”

Chuck Thompson, general manager at JLCooper Electronics, said the agreement provided a stable path forward for the brand and its users. “I couldn’t imagine a better home for the products and look forward to working with TSL to provide customers with enhanced options for their workflows,” he said.

www.jlcooper.com

www.tslproducts.com

Stars align for HK Audio’s COSMO

Marking a key milestone in its international expansion, HK Audio has launched its first COSMO line array system in India. The system was delivered to North Indian rental company Rajan Amplifiers, a longestablished provider of professional sound and lighting solutions.

“The Indian market is extremely dynamic and highly competitive,” said David Leonhard, international sales manager, HK Audio. “While our presence has traditionally been stronger in other East Asian regions, India is clearly one of our key markets for mediumand long-term growth. With more COSMO users being established worldwide, now is the ideal time to step in, participate in the expanding live sound sector and let people truly experience the system.”

To support the launch, Leonhard and Karel Noon, application support engineer at HK Audio, travelled to India to deliver portfolio presentations, partner demonstrations and COSMO training. Distribution partner HiTech Audio Video Systems hosted an event in Delhi for resellers and stockists, showcasing products from the Portable, Live and Install ranges.

“What stood out most was that we didn’t just talk about the products –we made people experience them,” said Manikk Guptha, director at HiTech Audio Video Systems.

“Dealers and sound professionals could evaluate the speakers both indoors and outdoors. Everyone noticed the superior clarity and natural sound across all product lines. Overall, it was a great start and the conversations since have been extremely promising.”

As the team was already experienced with large-format systems and platforms such as EASE Focus and LAKE, training centred on advanced optimisation, including low-mid beam steering, gain and EQ shading, cardioid subwoofer setups and system performance strategies.

Rajan Amplifiers invested in 24 COSMO 10 units, 12 C SUB 218 subwoofers and a complete C-DRIVE amplifier configuration. The system has since been used at more than

In Jodhpur, Rajan Amplifiers received intensive COSMO training, although the system had already been deployed at several major events before HK Audio’s arrival.

“They had already put it into operation before I even got there due to timing constraints and the way they did it was spectacular,” said Noon. “The skill level at Rajan Amplifiers is very high. We couldn’t have hoped for a better first COSMO user in India. Every engineer who heard the system was impressed – but that only works when you set it up the right way.”

10 major concerts featuring leading Bollywood and Indian artists.

“We’ve already used COSMO substantially and it has been the best system we’ve worked with,” said Anil Panwar, owner, Rajan Amplifiers.

“The natural sound of HK Audio really stands out. When I first heard the system, my mind was blown. Despite its compact size, it delivers a powerful, natural sound that you truly feel in both heart and mind. It’s exactly the level of quality we need in the Indian market.”

www.hitechavs.in

www.hkaudio.com

EVOX JMIX9

EVOX J9 EVOX J11

ACTIVE THREE-WAY PORTABLE COLUMN SPEAKER

ACTIVE THREE-WAY COLUMN MUSIC SYSTEM

ACTIVE THREE-WAY PORTABLE COLUMN SPEAKER

Whether you’re DJing, playing live, performing on stage, or hosting a corporate event, EVOX keeps setup fast and results consistent. Choose EVOX J9 (2100 W) or EVOX J11 (3500 W) for true three-way performance, or step up to EVOX JMIX9 with its integrated 8-channel stereo digital mixer and remote control app. Free-standing, elegant, and available in black or white, EVOX J delivers quick deployment and high-level power wherever the music takes you.

Trusted by professionals, designed for everyone

SLX-D+ takes everything you love about SLX-D and makes it even better. With an expanded wide tuning range, ShowLink Ease for remote control, encryption and digital feedback reduction, SLX-D+ delivers wireless excellence, wherever required

No matter where you need wireless audio, whether onstage, in a lecture hall, a house of worship or any performance venue, Shure’s SLX-D Wireless Microphone Systems have been the go-to choice for high-quality, dependable wireless audio.

Designed with pro audio engineers and seasoned volunteers in mind, SLX-D + builds on what you already love about legacy SLX-D and adds enhancements that make these systems even more streamlined, secure and reliable.

Enjoy smarter, crystal-clear wireless audio with automated tools that let you focus more on what matters most: your performance.

What’s new in SLX-D+?

z Expanded 138MHz wide tuning range on all components for greater flexibility across regions.

z ShowLink Ease for remote management and powerful automated adjustments.

z Shure Digital Feedback Reduction (DFR) for automatic suppression of unwanted noise.

z AES -256 encryption on each component for complete security.

z Bluetooth functionality for remote monitoring and management of system status.

z Full complement of components including ½-rack single and dual receivers.

SL X-D + new features explained

1) Easier setup and management

z Automatic setup: once linked,

SLX -D + receivers and transmitters stay connected, even in challenging RF environments. With automatic setup, the need to manually handle transmitters during RF setup is eliminated.

z ShowLink Ease: adjust transmitter settings over the air from the receiver, including:

{ Automatic scan and deployment of new frequency.

{ Adjusting transmitter gain.

{ Locking or unlocking controls.

{ Updating transmitter firmware.

z Wireless Workbench and mobile app: monitor and manage system status from your desktop or remotely via Bluetooth, Wi -Fi or Ethernet from an iOS or Android mobile device.

2) Better sound and security

z Crystal-clear digital audio: enjoy transparent 24 -bit sound quality with an impressive >118dB dynamic range.

z Digital feedback reduction: patented Shure DSP automatically suppresses unwanted audio feedback, ensuring uninterrupted sound.

z Secure transmission: every SL X-D + system includes AES-256 encryption for added privacy and protection.

z Lower latency: faster audio transmission (2.8ms) for real-time performance.

3) More flexibility and reliability

z Expanded tuning range: r ock-solid RF performance with a 138MHz wide

tuning range for greater coverage and flexibility.

z Reliable power options: up to eight hours of use with two AA batteries (included) or optional Shure SB903 Li-ion rechargeable batteries and charging accessories (up to 5.5 hours for SLXD5+ portable receiver).

z Flexible system configurations: choose from half-rack single and dual receivers, full-rack quad receivers (standard or Dante), bodypack and handheld transmitters, plus portable receivers and plug-on transmitters for on-the -go applications.

z Efficient antenna management: cascade antennas to reduce accessory needs and footprint (available on SLXD4Q+ and SLXD4QDAN+ models). Up to three quad receivers (12 channels) can share one pair of antennas.

z Multi-mic mode: quickly set up, monitor and manage complex multichannel configurations (SLXD5+ only).

Enjoy frequency freedom with SLX-D+

SLX-D + Wireless Microphone Systems are designed to inspire confidence in every user, whether you’re a seasoned volunteer managing a busy event or a professional engineer overseeing complex productions. With advanced features and automated management, SLX-D + streamlines setup and monitoring, allowing you to focus on delivering exceptional audio with assurance and ease.

Ready to unlock a new world of hands-free oversight and management with SLX-D +? Learn more at shure.com/slxdplus

The climate change connection

Secure connections to withstand all weather conditions. Robust, UV-resistant, transversely watertight and aramid-reinforced connection solutions for your indoor and outdoor applications.

 Large variety of cable and connection products for fully networked event concepts

 Classified cable bulkware, robust and cold flexible

 Connection-ready media/network/fiber optical systems for demanding mobile and installation applications

Transversely watertight, halogen-free, UV- and microbe-resistant Sea and freshwater resistant outer jacket

SOMMER CABLE based in Straubenhardt/Germany was founded in 1999 and is now one of the leading suppliers of professional high-quality cable and connection technology with a focus on the audio, video, broadcast, studio and media technology sectors. The product range including the in-house brands HICON, CARDINAL DVM and SYSBOXX covers cable bulkware, connectors, connection cables, individually adaptable distribution systems and electronics. A B2B shop with over 25,000 products is available 24/7.

DirectOut strengthens leadership

Reinforcing its global growth ambitions, DirectOut has announced a new leadership structure alongside a key senior appointment. A three-member management board now sees Luca Giaroli appointed as CEO, René In Der Stroth as CFO and Jan Ehrlich transitioning to COO. Giaroli, previously chief strategy and solutions officer, has been instrumental in evolving DirectOut into a provider of integrated

audio solutions. “DirectOut has experienced remarkable growth over the past years in people, partners, technologies and revenue,” he said. “This evolution brings complexity that requires a broader and more specialised leadership team.”

Supporting this direction, industry veteran Giacomo Previ joins as director of marketing and strategic partnerships. With over 30 years’

experience, he will lead global marketing strategy and strengthen industry alliances.

“I am personally and professionally excited to welcome Giacomo Previ to our team,” added Giaroli, highlighting the appointment as a key step in expanding DirectOut’s global footprint and strategic vision.

www.directout.eu

Broadsign accelerates APAC expansion

Spanning service delivery, account management and sales, Broadsign has announced four key appointments across the APAC region.

Adel Dani Kabbara has been named regional service delivery director and holds extensive experience across customer success, technical account management, strategy and technical solutions. In his new role, he will be responsible for providing world-class implementation and customer success across the region.

Alec Jeffrey joined Broadsign in early 2026 from B2B publisher Octomedia. In his new role as sales executive, he will be responsible for driving adoption of the company’s recently revolutionised platform amongst OOH media owners and retailers.

Alexandra Martin has been recruited as sales executive, working with brands, agencies and demand-side partners to deliver further growth across the programmatic OOH ecosystem. Martin brings media expertise and relationships from the

likes of Seedtag, JustEggs Digital and SBS Australia.

Bryan Magee has joined in a consultative capacity, focused on the implementation and delivery of Broadsign’s automation strategy. Magee brings a wealth of OOH and agency experience, having previously held numerous senior roles with Dentsu and WPP Media.

Christie elevates Phipps

Ushio, the parent company of AV manufacturer Christie, has announced the promotion of Michael Phipps to president and CEO of Christie Digital Systems and its subsidiaries.

He succeeds Takabumi Asahi, who held the position for two years and continues as CEO of Ushio Group. Phipps joined Christie in 2008, becoming CFO in 2019 and president and COO in 2024.

“Over the past two years, Mike successfully implemented operational initiatives and drove improvements in our product

Broadsign’s regional VP of platform sales, Ben Allman, commented: “The knowledge, ambition and experience that Alec, Alex, Bryan and Dani bring will play a fundamental role in unlocking Broadsign’s next phase of growth in this region.”

www.broadsign.com

offerings and processes to better serve our customers and markets,” said Asahi. “His leadership was instrumental in the company’s transformation and his passion for our cinema and pro AV industries will lead the organisation well into the future.”

Phipps remarked: “I want to thank Mr Asahi for his guidance over the past two years and look forward to continuing to work with our customers and employees in my new capacity.”

www.christiedigital.com

Kate Kelly joins The P.A. People

AUSTRALIA

The P.A. People has appointed Kate Kelly as business development manager, based in Melbourne. Kelly brings more than 15 years of experience across theatre consulting, live performance and venue technology. She joins the company after more than a decade with Marshall Day Entertech and Studio Entertech.

“The depth of knowledge within the company is remarkable and I’m really looking forward to learning from and collaborating with the team,” Kelly said. “When a company has been successful for more than 50 years, you know they’re doing something right.”

Throughout her career, Kelly has led the design of theatre and AV systems for a range of projects, including performing arts centres, community venues and theatre redevelopments. She continues to work as a theatre LD, programmer and technician. Kelly has also served on the AVIXA Women’s Council (Oceania) for more than five years.

Peter Grisard, venue engineering manager at The P.A. People, commented: “I am delighted to welcome

Kate to the team. She brings strong industry knowledge and expertise, and we look forward to working with her.”

www.papeople.com.au

Jinfu Chen to lead Powersoft SEA sales

SEA

Powersoft has promoted Jinfu Chen to the newly created role of area sales manager, Southeast Asia (SEA), as the company increases its focus on the region.

Based in Singapore, Chen will report to Arthur Soh, area sales manager, Asia Pacific, and will oversee sales and distribution channels across SEA. His responsibilities include supporting distribution partners to meet revenue targets and KPIs, while expanding the brand’s presence across hospitality, corporate, education and entertainment sectors.

Chen joined the company in July 2024 as business development manager for the region, where he focused on building the company’s network of distributors, dealers and systems integrators. In his new role, he will continue working closely with partners, drawing on his experience in professional audio sales and his understanding of the region’s diverse business environments.

The appointment reflects Powersoft’s assessment of SEA as a strategic growth market. “SEA is a diverse and complex region, but it also presents tremendous opportunities,” said Chen. “My focus is to work closely with our distribution partners

to drive both sales and brand growth, and to develop Powersoft’s presence so that it stays front of mind in the region.”

Soh added: “There is so much potential for growth in the SEA region and with his strong network, industry experience and understanding of local markets, Jinfu is well positioned to help us realise our ambitions.”

www.powersoft.com

Shure has expanded its leadership team with two senior appointments and the promotion of a long-standing executive. Phil McPhee has been named vice president of operations and chief supply chain officer, joining the executive staff. Bringing more than 20 years of global experience, he will oversee Shure’s operations division and supply chain

Shure bolsters its team Lawo names Dunn as CEO

functions. “Phil is known for having a collaborative leadership style, a deep technical background and a strong commitment to building high-performing, globally connected teams,” said CEO Chris Schyvinck.

Jerome Nolasco joins as vice president of information technology, contributing over 25 years of experience in enterprise

Ronnie Lai joins dBTechnologies

dBTechnologies has strengthened its technical support structure in Asia with the appointment of Ronnie Lai as APAC application engineer. Based in Singapore, Lai will support partners, integrators and end users across the region with technical assistance, training and systems design.

Lai brings more than 20 years’ experience as a sound system engineer, having worked across touring and installation projects with a range of professional audio brands. “I’m very excited to join dBTechnologies and contribute to the growth of the brand across Asia Pacific,” he said. “My goal is to provide strong technical support to our

partners and end users, offering training and practical assistance while sharing my experience in both touring and installation environments.”

Manuele Poli, head of sales APAC, dBTechnologies, said the appointment will strengthen the company’s regional support capabilities. “Ronnie represents a big added value for the APAC team as our partners can now rely on dedicated technical support for their teams and end users. His experience will help upskill our partners and clients by providing full-time support for touring and installation activities.”

www.dbtechnologies.com

IT, including digital transformation and AI governance.

Meanwhile, Althea Ricketts has been appointed to the executive staff in her role as vice president of corporate initiatives, continuing her work in inclusion, sustainability and strategic programmes.

www.shure.com

Lawo has appointed Jamie Dunn as CEO of Lawo AG, following his tenure with the company since 2011 and most recently serving as deputy CEO.

As part of the transition, Philipp Lawo steps down from the management board to join the supervisory board, reinforcing a clearer separation between management and oversight.

Dunn will lead the company’s continued development, drawing on his extensive experience and market knowledge. “Lawo’s strength has always been rooted in its people, its partnerships, its values and its commitment to innovation,” he said. “I am honoured to lead the next chapter of success of this remarkable company.”

The management board continues to include CFO Claus Gärtner, CMO Andreas Hilmer, CSCO Christian Lukic, CTO Phil Myers and COO Ulrich Schnabl. “These changes reaffirm our confidence in Lawo’s proven management structure,” said supervisory board chairman Michael Sonnabend.

www.lawo.com

Group Technologies takes on JH Audio

Expanding its regional presence, JH Audio has appointed Group Technologies Australasia as its exclusive distributor for Australia and New Zealand. Based in Florida, USA, JH Audio has been developing custom IEMs since 1995, delivering handcrafted solutions for artists worldwide. Its products are regularly used on major festival stages and live events.

“We are delighted to be partnering with JH Audio, a brand that we feel is doing phenomenal work in the IEM sector and one which is also constructed with an unrivalled craftsmanship,” said Drew Menard, head of audio, Group Technologies. “The addition of JH Audio is very much in line with our focus on brands that are each leaders in their respective markets.”

Outline selects HiTech

Audio Video Systems

Outline has appointed HiTech Audio Video Systems as its exclusive distributor for the rapidly expanding Indian market. Founded over two decades ago, HiTech Audio Video Systems brings to the partnership a pan-India network plus an in-house team of

sound designers and application support specialists. “India is becoming a major hub for performances by international and Indian artists, and events of that magnitude demand not just superior sound quality but enough power and headroom to handle massive

L–R: JH Audio CEO Jerry Harvey with Drew Menard of Group Technologies

“Celebrated for their groundbreaking contributions to in-ear monitoring and continued technological leadership, JH Audio embody the same pursuit of uncompromising sound reproduction that we value across the GT portfolio,” added Anthony Touma, general manager, Group Technologies.

crowds,” said Manikk Guptha, director, HiTech Audio Video Systems. “Outline is a brand on global riders, built for the premium segment and capable of delivering unparalleled sonic quality at the right price points. In a country where a single tour can cross 15 cities with different local crews at every stop, the ability to save and recall a complete system state is not a convenience –it is what keeps the show consistent from the first date to the last.”

The distributor will provide support to Outline users across India, including hands-on technical assistance, certified training programmes and financial solutions tailored to local market needs.

“In a fast-growing market like India, we see strong opportunities across both the live sound and fixed installation segments,” added Aritra Sarkar, Outline’s country manager for India. “The appointment of HiTech Audio Video Systems marks a significant step in strengthening Outline’s presence in the country. Their solid reputation, proven expertise and deep understanding of the local market make them the right partner to support our expansion here.”

www.hitechavs.in www.outline.it

The partnership extends JH Audio’s supply, service and support infrastructure across Australia and New Zealand.

Nigel Beaumont, JH Audio’s MD, concluded: “Our partners are an extension of our service and support culture, who help ensure our customers have the best user experience in the industry. Our friends at Group Technologies provide exactly that, which is why we are pleased to be working with their team to deliver our full range to the Australian market.”

www.grouptechnologies.com.au www.jhaudio.com

Midwich Asia partners with Televic Conference XTA / MC² appoints Modern Solutions Plus

Televic Conference has appointed Midwich Asia as its distribution partner for Singapore, expanding its presence in Southeast Asia and strengthening access to its conferencing and collaboration solutions.

The partnership was launched through a two-day hands-on training event in Singapore, led by Didier Rosez of Televic Conference.

The sessions drew strong attendance from integrators, consultants and end users, offering practical insight into the company’s portfolio, including Confidea, UniCOS and Unite systems.

Focused on real-world deployment, the sessions allowed participants to explore systems design and applications across meeting rooms, council chambers, education spaces and enterprise environments.

“We are delighted to officially welcome Televic’s world-class meeting room and conferencing solutions into our Singapore portfolio,” said Will Fenby, director – business operations SEA, Midwich Asia. “What makes this

partnership especially exciting is that we have not only signed the agreement but immediately translated it into real market engagement through two days of packed technical sessions.”

“Singapore is a strategic market for Televic Conference in APAC and partnering with Midwich gives us the local market expertise, channel

reach and technical engagement model needed to accelerate growth from day one,” added Bert Nijsen, APAC sales and BDM, Televic Conference.

www.midwich.com.sg www.televic.com

Modern Solutions Plus has assumed distribution of UK DSP and amplifier technology manufacturing partners XTA and MC² in Thailand. Modern Solutions Plus distributes a number of global brands in the region, as well as providing audio systems design and integration services across the country.

L–R: Richard Fleming of XTA/MC² with Suttipun Youngnek from Modern Solutions Plus

“Modern Solutions Plus is a long-established, highly regarded company with an excellent understanding of this rapidly expanding market,” commented Richard Fleming, sales and application manager at XTA/MC². “Its expert team combine a detailed knowledge of the products they distribute with vast experience of advising and supplying clients across the installation and touring sectors, and so are perfectly placed to represent XTA/MC² in Thailand.”

Suttipun Youngnek, founder of Modern Solutions Plus, added: “The global reputations which XTA and MC² have built over the years speaks volumes for the quality of their premium amplification products. We’re delighted to be adding the brands to our portfolio and sharing the benefits of these market-leading technologies with our customers.”

www.modernsolutionsplus.com www.xta-mc2.com

genelec.com/8380a

SINGAPORE

Systematik Distribution takes on K-array Neutrik expands Indian distribution

K-array has appointed Systematik Distribution as its exclusive distributor in Singapore. Under the agreement, Systematik Distribution will represent the brand’s full product portfolio in the country, as well as provide sales support, technical assistance and systems design guidance for partners and integrators.

“Singapore is an important market for K-array in Southeast Asia,” said Sidharth Dham, APAC area sales manager, K-array. “Systematik Distribution brings strong technical expertise and deep relationships within the professional AV community. Their understanding of integration and application design makes them

an ideal partner to grow the K-array brand in Singapore.”

Systematik Distribution will work with systems integrators, consultants and

architects to develop applications for K-array systems across a range of installation projects including hospitality venues, corporate environments and performance spaces.

“K-array is known for pushing the boundaries of compact loudspeaker design while maintaining exceptional performance,” commented Edwin Ng, Systematik Distribution managing director. “The brand’s solutions address a growing need in Singapore for systems that deliver powerful sound while remaining visually discreet.”

www.k-array.com www.systematik.com.sg

Wisycom joins forces with PAT

Professional Audio & Television (PAT) has been appointed as the exclusive distributor for Wisycom in Australia and New Zealand. The agreement will leverage PAT’s established distribution network and industry relationships to provide customers across ANZ with streamlined purchasing, improved product availability and expanded support services –from systems design guidance through to commissioning, training and after-sales support.

“Wisycom has built an implacable reputation for RF performance, flexibility and real-world usability,” said PAT’s managing director ANZ, Patrick Salloch. “Becoming Wisycom’s exclusive distributor for Australia and New Zealand is a natural fit for our team and our customers. We’re excited to deliver not only access to the product range, but also the hands-on support, training and Wisycom’s chief sales officer, Marika Stangherlin, commented: “ANZ is a key market

commitment to technical excellence and customer service. With PAT, we’re confident that users in Australia and New Zealand will see stronger local support and a distribution partner focused on long-term relationships.”

As part of its commitment to provide enhanced turnaround and stronger preand post-sales support, PAT will offer RF coordination guidance and practical troubleshooting by product experts who will also be responsible for training and education initiatives for resellers, rental partners and end users. Working closely alongside Wisycom HQ and the APAC team, the distributor will provide systems design support for complex installations and demanding environments for broadcast facilities, OB, theatres, stadiums, corporate venues and houses of worship.

The Neutrik Group has appointed Rishabh Incorporated in Mumbai and Bangalore-based 4 Squares Corporation. The two companies join existing distribution partner Comcon Technologies in Delhi, with immediate effect.

“India represents a considerable opportunity for Neutrik, where the potential for expansion and growth requires more partners across different geographical areas to provide sufficient market penetration throughout the subcontinent,” said Chris Hellmuth, Neutrik Group regional sales manager MEAI.

Mark Perrins, managing director Neutrik UK and Neutrik France, concluded: “Enlargement of the Neutrik family in any region is always a positive and welcome sign. We look forward to long-standing, fruitful partnerships with Rishabh, 4 Squares and Comcon within this new network.”

Adamson welcomes Lewminadio

Strengthening its reach across the country, Adamson has appointed Lewminadio Technologies as its exclusive distributor. The partnership builds on the brand’s established presence in the region, where its systems have powered many of India’s high profile concerts, festivals, worship gatherings and large format events.

The distributor will ensure that Adamson clients across India will benefit from improved product availability, stronger national support and an experienced and knowledgeable team capable of guiding both new and established

clients towards the right solutions for their projects.

The driving forces behind Lewminadio are respected electroacoustic engineer Sudarshan Srinivasan and experienced systems integrator and OEM, Annu Jamloki. “Our focus will be on strengthening the brand’s national presence through reliable distribution, structured market development and responsive local support across key professional audio segments,” Jamloki said.

www.adamson.ai www.lewminadio.com

SBF to distribute Meyer Sound

HONG KONG

Shanghai Broad Future Electronic Technology (SBF) has been appointed exclusive authorised distributor for Meyer Sound in Hong Kong and Macao. In line with this, SBF has inaugurated its Greater Bay Area Service Center in Guangzhou, designed as a local hub to support growth in Hong Kong, Macao and the Greater Bay Area.

SBF will assume responsibility for marketing, channel development and technical support of Meyer Sound products in the region. The

Guangzhou service centre is equipped with demonstration facilities and an after sales service station, serving as a platform for technical support, talent and product development.

“This regional integration allows us to better align resources,” said John McMahon, senior VP, Meyer Sound. “Using the new Greater Bay Area Service Center as a strategic base, we can provide fast, in depth support to customers.”

www.meyersound.com

Focusrite Group opens Japan division

Focusrite Group has launched a dedicated division in Japan focused on growing the company’s presence and serving the needs of customers in the local market. Focusrite Group Japan will oversee the distribution, marketing and customer service for the Focusrite, Novation and ADAM Audio brands.

Tim Carroll, Focusrite Group CEO, remarked: “We’re making a strategic investment to deliver a more personalised experience, provide dedicated local support and foster stronger relationships with artists, producers and the broader music community in the region.”

According to Damian Hawley, group CRO at Focusrite Group, establishing the Japanese

division has been a long‑standing ambition for the company. “The critical challenge was finding the right team – which we did,” he noted. “From our very first meeting, it was clear they are deeply embedded in the artist community.”

Industry veteran Kohei Oyamada, who boasts deep expertise in the local market, will lead the new division with a focus on enhancing customer service, expanding brand awareness and driving stronger engagement with the local creative community through artist relations, educational initiatives and events.

www.focusriteplc.com

Yusei-gachi

Bea Meikle speaks with Régis Cazin of Arbane Groupe about his lifelong passion for judo, competing on the world stage at 56 and why switching off is essential to switching on at work

Tell me about your role

I’m CEO of Arbane Groupe, which I founded by merging two pro audio brands, APG and Active Audio, and I remain the majority shareholder. My main goal is to enjoy my work. For me, that means achieving strong results while leading a growing company where employees feel comfortable and fulfilled. My role is to bring people together around a shared vision and strategy, then lead a team of incredibly talented individuals. I love that every day is different. I genuinely feel I’m creating happiness around me: satisfied customers, audiences experiencing exceptional sound quality and a company that respects nature and people, and ensures employees are happy to come to work.

What inspired you to start judo?

I started judo at six. I was also playing tennis with my younger brother, but our mother quickly realised it would be better for us to practise different sports to avoid constant competition. My brother was better than me at tennis. In judo, it was the opposite. So, I stuck with judo and put the tennis rackets aside.

How often do you practise?

I train twice a week on average. I also practise other sports to support my physical preparation. Overall, I do sport five times a week, choosing between kitesurfing, wingfoiling, stand-up paddleboarding, mountain biking, yoga, skiing and strength training.

Do you take part in competitions?

Judo can be practised as a highly technical martial art based on kata or as a combat sport where competition drives progress. I’m drawn to the second approach. Competing keeps me setting goals and, in a way, staying young. It’s essential for measuring yourself and staying motivated.

In judo, we’re fortunate to have a full veterans’ circuit, with age and weight categories, including World Championships, which I was lucky enough to take part in. In my category there were 47 competitors from around 20 countries. I finished seventh at the World Championships last month – a much better result than I thought I was capable of.

What’s most challenging about the sport?

It’s extremely demanding on the cardiovascular system and requires a well-prepared body. Without that, you risk injury. So, you need to train regularly and with intensity. There’s no shortcut.

What are the biggest benefits for you?

Judo has shaped me profoundly, both personally and professionally. It has taught me perseverance, respect, honesty, adaptability and tolerance. It’s given me self-confidence, self-knowledge and the ability to transform stress into positive energy.

The health benefits are also significant. Sport keeps both body and mind young. Judo is essential to my balance. It helps

me release accumulated stress, manage frustrations and keep perspective – work is not everything.

In my life, I have three equally important pillars: family and friends, personal life – where sport plays a major role – and professional life. Those pillars must stay balanced if you want to perform well over the long term.

Also, the fact that at 56 I can still hold my own against younger athletes in their prime, across several sports, is a big achievement for me.

How does competing in judo parallel your work life?

Competition calls on many of the same skills required of a company leader. You set ambitious goals, work hard, plan your preparation and, if results aren’t what you expected, analyse why and adjust for next time. Judo may be individual, but without training partners, coaches and family support, you are nothing. It’s the same as leading a company.

How does the sport help you to destress?

Judo is like a reset button. The moment I step onto the tatami, everything else disappears – emails, deadlines, responsibilities. You have no choice but to be fully present. If your mind wanders, you end up on your back. That intensity forces me to let go of accumulated stress. I always leave training feeling lighter, clearer and more centred.

Why is it important to have an outlet outside work?

Work alone can’t sustain you. To perform professionally, you need moments to disconnect, recharge and reconnect with who you are beyond your job title. A passion – whether sport, art or something else – gives you essential breathing space and helps you maintain long-term balance.

www.arbane-groupe.com

Mental health and wellbeing hits the road

With three decades of live music and touring experience under her belt, Sascha Heeney is also an experienced psychiatric nurse, making her the ideal candidate for a newly created position as welfare officer on Dua Lipa’s international tour

How did the idea for this groundbreaking role come about?

In 2024, Tamsin Embleton, who runs the Music Industry Therapy Collective (MITC), wrote a book called Touring and Mental Health: The Music Industry Manual. The tour director for Dua Lipa’s Radical Optimism tour read it and contacted Tamsin about having someone to oversee welfare. Collectively, they designed a position for a welfare officer. Tamsin contacted me to discuss this further; we’d worked together many years ago for a promoter, and Tamsin knew I had also made the move into the world of mental health. I agreed it was a wonderful idea, and very overdue. There have always been mental health issues in the music industry, but over the last few years there’s been much more acknowledgement and exposure, sadly through a number of high-profile and untimely deaths. Tamsin, the tour director and I agreed that a “preventative” rather than “cure” model of care was the best approach. Due to the many, and often unpredictable, issues that arise on the road, it was important to have someone who could problem-solve and mitigate risk in real time.  We wanted to make people feel heard and to give them a sense of belonging. We also needed someone that could create a safe environment for the crew and help to build emotional regulation and stress management.

Was your role on this tour still relatively rare in the touring industry?

Absolutely. It was trailblazing, and very forward-thinking that this camp was willing to invest in it. It was quite experimental as well, to see if there was actually a place for such a role on a music tour. Now, 14 months on, I can tell you there absolutely is, and I was even able to collect data to quantify this. We now

have an evidence base to demonstrate to other tours the positive outcomes of having someone overseeing welfare on the road. But, while I feel it should be mandatory for all tours, we have to remember that smaller tours would struggle to finance this. MITC is therefore looking at other ways of supporting tours where the gold standard of having someone on the road isn’t feasible. The latest example of this is a “pay it forward” model. This would establish a central fund that larger production companies, promoters and agencies would contribute to, supporting up to 50 smaller tours a year with structured mental health provision.

What are the challenges of international touring from the point of view of the crew?

You name it; touring is intense. It’s a transient world built on little sleep and very high expectations. I think there is still quite a romanticised view of the world of touring, and it’s demanding in ways that are different to many workplaces. These include being away from home, loneliness, long hours, crossing time zones, group dynamics, anxiety, depression, conflict management, physical strains and all sorts of other ad hoc things that arise along the way. People would often be fearful of speaking out when they were struggling as they are freelancers and worried about being replaced. That was why it was so important to have someone dedicated to this role; having someone solely for health and welfare gives people the confidence to come forward when they have issues.

Did you work with local crew as well as the touring contingent?

This service was available to everyone who was part of the tour that felt they needed support: truck drivers, caterers,

technical crew, production, bands, dancers, local crew –with a minimum of 120 touring personnel there was a lot to oversee. The concept of welfare is subjective to us all and, as a clinician, I always practise in a holistic fashion, making my care person-centred. It takes a while to build up therapeutic relationships and trust, but having a familiarity for such a long time was a powerful thing. People knew they had a confidante, a mentor and a safe space when needed. I remained objective; I wasn’t part of production or any one group and everything remained confidential unless any safeguarding was needed. I think the fact I’m a nurse and governed by the NMC (nursing and midwifery council) helped people feel contained and safe.

Could you gauge a difference in the mood of the crew members during this tour, knowing they were being supported?

Very much so. The majority of the crew found it very beneficial and positive to have a welfare officer on the road. This

was backed up by the data we collected via anonymous questionnaires and testimonials. The reality is that some things people struggle with can never be fixed – the long days, an often-brutal itinerary – but the knowledge that there’s a space to have a talk or a bit of a vent really helped. Even those who didn’t necessarily want to engage with the service found it comforting to know there was someone there to oversee things.

Can you give examples of techniques, activities and initiatives you offered while on the road?

I had a quiet room at each venue that people could come to, not always to talk but a place where they could just chill out and have some quiet space, which can be hard to find in such a large group. I held a lot of one-to -one and group “reflective practice” sessions. I would also often find myself taking on the role of occupational health and HR – two roles that are lacking on the road! When we had any spare time I’d organise excursions that were fun and brought the team

together. This was very much enjoyed, and it helped to nurture a healthier touring lifestyle. We were lucky to visit some amazing cities and had some great group outings. In Sydney we did the Harbour Bridge climb and a private visit to Taronga zoo. In Seoul we visited the DMZ, in Tokyo we went to the Borderless digital art museum after hours and we visited the Batu Caves in Malaysia. Sports were always a winner and we’d have team football and cricket matches. We also set up separate WhatsApp groups dedicated to particular interests – for example, in the tennis group I’d help book courts in each city in advance so people could play when they arrived. There was a running group, a climbing group and think-tank groups among many others. If anyone wanted help in arranging solo activities, I would also happily assist.

What can be done to raise awareness of the need to support the mental health of touring crew?

Things are going in the right direction; there’s less stigma about the need for support in the industry generally, which is encouraging to see. There are several wonderful resources out there, including MITC, that offer a multitude of support networks and interventions for many different issues in our industry. We now have a solid case to show that the role of a welfare officer has a positive impact on the mental wellbeing of those on tour, and we need to see where the industry moves with this. If we expect people to operate in high-pressure environments, we need to match this with high-quality support.

www.musicindustrytherapists.com

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L-Acoustics supercharges Bangkok hyperclub

Bangkok’s nightlife has added a new landmark with the opening of FVTURE, which is reported to be Asia’s first hyperclub. Located on the sixth floor of Bravo Mall on the RCA strip, the 6,000-capacity venue combines an L-Acoustics L2 professional sound system with over 1,000m2 of LED displays. Ukrainian DJ duo ARTBAT headlined the opening night, which drew a full-capacity crowd.

Cofounders Victor and Michele Wang conceived the project after moving to Bangkok in June 2025. The ambition was to build a home for international touring acts and Thailand’s vibrant electronic music community, and to create a venue that could compete on equal terms with the great clubs of Ibiza, Las Vegas and Berlin. The Wangs noted that audio was not an afterthought in the brief – it was a foundation of it.

The pair engaged L-Acoustics distributor Vision One early in the development process. “Victor Wang regularly visited the world’s leading clubs and L-Acoustics was what he had heard in the rooms that set the standard,” said Akarat “Pete” Thitipattakul, business development manager at Vision One. “When he came to us with the brief for FVTURE, the decision to use L-Acoustics

was already made in his mind. He knew the sound he wanted, because he had experienced it.”

Vision One worked in Soundvision software from the earliest stages, modelling system configurations to evaluate SPL distribution, coverage uniformity and target levels. The L Series was selected as the solution that

met the brief. “Given the scale and shape of the room, L2 delivered the uniformity and SPL consistency the venue required,” explained Thitipattakul. “That was further reinforced by the proven performance of L Series at UNVRS in Ibiza. Wang had referenced UNVRS in his brief, and the fact that the world’s first hyperclub had made L2

its system of choice carried real weight in the decision.”

The installation comprises L-R hangs of two L2 and one L2D per side, supported by eight ground-stacked and eight flown KS28 subwoofers, with additional KS21 units in the VIP area. Front fill is handled by A10 Focus units, while VIP rooms are served by X6i and X8i loudspeakers. Stage and DJ monitoring uses Kara II and SB18, controlled by LA7.16, LA12X, LA4X and LA2Xi amplifiers, with a P1 processor at the centre of the system. Audio networking runs on Milan-AVB via five LS10 switches.

Since opening, engineers and guests have praised the system for its power, clarity and reliability. “We had demonstrated L2’s power, clarity and remarkable uniformity,” noted Thitipattakul. “We were proud that this system had met our client’s expectations and was positioning Bangkok as a serious destination for electronic music.”

At the launch, the founders summarised their aim: “FVTURE was a statement of intent. Bangkok had long deserved a venue that stood alongside the global greats and that was exactly what we had built.”

www.l-acoustics.com

Christie illuminates UNESCO World Heritage site

A large-scale projection mapping spectacle is transforming the more than 150m-long Rani-ki-Vav stepwell in Gujarat into an immersive canvas of history and art. The show was commissioned by the Government of Gujarat and featured Christie 4K RGB pure laser projectors to illuminate the UNESCO World Heritage Site in Patan. The ambitious heritage show on the 11th-century stepwell was inaugurated by Indian Prime Minister Narendra Modi on 31 March. Ten Christie projectors, including the Griffyn 4K35-RGB and M 4K25 RGB models, illuminated the façade of Rani-ki-Vav, delivering up to 36,500 lumens per projector.

It was reported that the projectors’ 4K resolution and wide colour gamut were leveraged to faithfully reproduce the stepwell’s intricate carvings, stone textures and subtle colour variations, from warm sandstone hues to deep indigo night skies. The project was supported by Design Factory India as consultant, with Aura Bright Light supplying and installing the projectors, while Knownsense Studios led content creation. The monument was digitally captured and mapped to a 22,000-pixel-wide content canvas, reportedly one of the largest ever created for an Indian heritage site. A multidisciplinary team of artists, animators

and heritage researchers collaborated to develop visuals and narratives that celebrated the story, philosophy and cultural roots of Rani-ki-Vav.

Blending motifs inspired by Patan Patola textiles, ancient water architecture and spiritual symbolism, the projection was paired with an evocative soundtrack and narration.

As the Archaeological Survey of India (ASI) set strict guidelines, such as no permanent or visible structures permitted onsite, a unique solution using hydraulic lift-based projector mounts concealed below ground was engineered. Each lift rose 6m to its

pre-aligned position during showtime and retracted afterwards, with the aim of ensuring zero visual intrusion during the day while delivering alignment for night performances. “Rani-ki-Vav demanded a technological solution that could match the monument’s extraordinary craftsmanship,” noted Siddharth Bathla, director and cofounder, Design Factory India. “Christie’s RGB pure laser projectors were the clear choice, delivering the resolution, brightness and colour fidelity needed to honour every carving and contour, while the concealed hydraulic infrastructure ensured the monument’s sanctity was fully preserved.”

Aura Bright Light’s managing director, Shailesh Patel, added: “The innovative deployment of the Christie Griffyn 4K35-RGB and M 4K25 RGB projectors on hydraulic lifts enabled us to achieve spectacular results with precise alignment, while adhering to every conservation guideline set by ASI.” According to Mandeep Sharma, head of production and animation, Knownsense Studios, “Christie’s 4K RGB projectors allowed our ultra-high-resolution content and 3D animations to blend seamlessly with the stone architecture, creating an emotional, immersive experience that felt both contemporary yet deeply rooted in history.”

Rishubh Nayar, pro AV sales director for India, Christie, concluded: “This project exemplified how technology could elevate heritage storytelling with dignity and precision. Rani-ki-Vav powerfully demonstrated how light could connect past and present on a global stage.”

www.christiedigital.com

Void powers Nextopia’s retail revolution

Nextopia, an experiential destination inside Bangkok’s luxury shopping mall Siam Paragon, has implemented a Void Acoustics sound system to support the visitor journey. Spanning more than 22,000m2, Nextopia combines shopping, culture, live events and immersive experiences, and required a solution capable of handling ambient music, DJ performances and concert‑style activations, while providing clarity and control across multiple levels.

A key challenge of the project was providing uniform coverage across various floors with varying ceiling heights. The audio design required precise zoning, enabling areas to be controlled independently while remaining visually integrated and meeting construction standards. Void Acoustics was selected following a previous installation at Raynue, Bangkok, noted for its performance, design and flexibility in finishes.

The Nextopia system was designed and integrated by Aura Visual System, Thailand’s exclusive Void Acoustics distributor.

“This was the largest project we had ever undertaken,” noted Aura Visual System project manager Gle. “It was extremely demanding, but at the same time incredibly exciting. We worked closely to fine‑tune each individual loudspeaker to ensure the most realistic and immersive sound coverage possible.”

The distributor worked alongside Void’s technical team to deliver an installation across Floors 4, 5 and 5A, with the aim of ensuring alignment and tonal consistency throughout the venue.

Floor 4 featured 57 Cirrus 6.1 ceiling speakers, while Floor 5 included 15 Cyclone 55, two Cyclone 10s, five Venu 112 V2 subs and six Cirrus 6.1 cabinets.

Floor 5A was equipped with two Air Motion V2s, two Venu 218 V2 subs, 11 Cyclone 10 loudspeakers and eight Venu 112 V2s. Power was provided by three Bias D1+, 11 Bias Q1.5+, one Bias Q2+ and one Bias Q3 amplifiers.

“Nextopia was a powerful example of what was possible when sound was treated as a core part of the experience,” commented

A café‑bar and creative space in Tokyo has upgraded its audio system with Powersoft amplification and control solutions to better support its varied requirements. Located along the Meguro River in the Nishi Gotanda/ Fudomae area of Shinagawa, TONER hosts a mix of activities including coffee service, private events, pop‑up shops and DJ‑led nightlife. To accommodate this range of uses, the venue worked with systems integrator

Audio Brains to design an audio system capable of delivering clear background music during the day while providing sufficient headroom for higher‑energy evening sets. “The end user wanted an audio system that could provide total tonal balance,” said Audio Brains president Junta Yamazaki. “It needed to be ready for low‑volume ambient background music during the day, but also had to be capable of driving high‑energy DJ sets.”

The installation centred on the Italian manufacturer’s Quattrocanali 1204 DSP+D 4‑channel amplifier featuring Smart Rails Management technology. Additional amplification was provided by

Mezzo 604 AD and Mezzo 322 AD models, which offer compact form factors for applications where space is limited.

Audio Brains also deployed a Powersoft WM Touch wall‑mounted controller to simplify system operation for venue staff. The 4.3‑inch touchscreen panel connects via a single Ethernet cable and provides access to volume control and system management functions.

“TONER does not host DJs every day, nor does it have a full‑time sound engineer,” said Yamazaki. “So having the WM Touch was a great tool for the venue. Staff could quickly and easily adjust volume levels and zoning to match the vibe of the moment.”

Before commissioning the system, the team carried out a 13‑hour testing session to refine system mapping and tuning across different musical styles. The final setup also incorporated Martin Audio Blackline X10 and X8 loudspeakers alongside Blackline X115 subwoofers.

www.audiobrains.com www.powersoft.com

Sam Brandon, managing director at Void Acoustics. “The scale and complexity of the space demanded absolute precision, and the result was an immersive system that delivered consistent clarity and impact across every level.”

www.auravisualsystem.com www.voidacoustics.com

NSW’s Regent Theatre reopens with NEXO

Situated in the Richmond township of New South Wales, the Regent Theatre is set to reopen following an extensive two‑year programme of renovations, which included the installation of a NEXO sound system.

Originally built in 1935, the theatre has various audience configurations including standing or seated downstairs, plus a balcony upstairs with fixed cinema‑style seats. Maximum seating capacity is up to 608 people, and the theatre also features three bars/service areas, with one of those located inside the ground‑floor stalls area.

Sydney‑based production technology specialist Voyager Sound was engaged to install the venue’s new sound and lighting systems.

Technical specifications for sound include a rigged and flown NEXO GEO M10 six‑per‑side line array with under‑stage subs, centre fill and ID24 balcony delays.

“In terms of installation, it was very straightforward with rigging and aiming the system, and I especially liked the way the boxes fit together,” explained Voyager Sound’s owner

Jim Morley. “NEXO’s Australian distributor assisted with an excellent prediction using NEXO’s NS‑1 system configuration software, which has been remarkably accurate. Coverage is very even and set us up at a really good starting point with a great system.”

Two of the manufacturer’s NXAMP4X4MK2 Powered TD Controllers ran the main system, with a nanoNXAMP on the ID24 balcony fills. The amps are networked together and can be monitored and adjusted from the operating position via the NeMo remote control app, if required.

“The owners were very happy with the sound and the reactions they were getting from the potential shows that are booking in for the future,” concluded Morley. “All in all, I was very happy. I think we may add extra subs in the long term and fine‑tune the angle of the main arrays, possibly adding an extra M10 box on the bottom. It is early days, but we are in a great place.”

www.nexo‑sa.com

www.voyagersound.com.au

Dolomite-KRD202P

Design meets High Performance

In high-end events, every detail matters. Dolomite redefines professional audio standards by combining refined design with uncompromising performance in a compact, revolutionary system. One solution, infinite possibilities: seamlessly integrating line arrays and subwoofers into a single, perfectly aligned element,

delivering powerful, precise, and balanced sound in any setting. All enclosed in a sleek aesthetic, designed for exclusive environments where visual impact is as important as performance. From luxury events to the most exclusive venues, Dolomite is the choice for those who want sound to be a defining statement.

Ansata delivers for new Goa club

Ansata has designed and supplied a d&b audiotechnik system for the Leela Club in Goa. Inspired by global clubbing venues, including its sister property in Pattaya, Thailand, the Leela Club hosts DJ nights, EDM‑driven parties and live performances.

The club’s requirements were for a system that could deliver powerful, high‑fidelity sound across the main dancefloor while ensuring uniform coverage for VIP lounges and seating areas, without dead spots or tonal imbalance. Tight low‑frequency performance was essential to drive the energy of electronic music, while clarity and balance were critical for announcements and varied events. The system also had to accommodate both touring‑engineer workflows and club‑style dynamics.

Working with systems integrator Kevin Pillai, the Ansata team designed a large‑format d&b audiotechnik setup based around a main system of eight KSLi8 loudspeakers augmented by four KSLi12 loudspeakers for power and pattern control, four KSLi‑SUB subwoofers and six SL‑GSUBs for sub‑bass extension.

Supplementing the main system, four Vi10P speakers and two Vi‑GSUB subwoofers provided even coverage across all zones, while two M4 stage monitors supported DJs and performers. The system is powered by

d&b audiotechnik 40D and D90 amplifiers, with live mixing handled by a Waves eMotion LV1 Classic console with Ionic 24 stageboxes.

“Ansata understood my vision from the beginning,” explained Leela Club owner Santosh Kumar Sharma. “I wanted something loud and impactful, but also well designed. They studied the space, the layout and how the club would function on busy

nights. What I love most about the system is the consistency. Whether you are standing right in front of the DJ or at the back, the energy feels the same. The bass is strong and physical, but it does not become muddy. At the same time, the music stays clear and you can hear the details in the track.”

According to Kumar Sharma, feedback has been encouraging, with many DJs commenting on how tight and punchy the low end is. “Some have said they feel very confident mixing on this system because what they play is exactly what they hear,” he confirmed. “A few touring artists mentioned that the coverage across the room feels very even, which helps them connect with the entire crowd and not just the front rows.”

“The hunger for good music and sound experiences has grown significantly,” added Leslie Lean, MD and CEO, Ansata. “As AI becomes more prevalent, people are naturally drawn towards real‑world musical moments where they can truly connect. India still lacks adequate music‑ready venues that can host major artists without relying on external rental systems. Having a space like the Leela Club in Goa is a strong and welcome step in that direction.”

www.ansata.net www.dbaudio.com

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Genelec brings history to life in Melbourne

AUSTRALIA

Genelec Smart IP loudspeakers have been deployed as part of an immersive audio system at Melbourne Museum’s recently opened Our Wondrous Planet exhibition. Operated by Museums Victoria, Melbourne Museum attracts more than two million visitors annually.

The new exhibition invites visitors into vibrant ecosystems filled with more than 800 animals from the museum’s collection, exploring four billion years of life on Earth through a series of interactive environments combining lighting, projection and spatial audio.

as though they originated from individual animals or interactive displays. Larger loudspeakers were positioned around elevated walkways and open spaces to maintain consistent coverage throughout the gallery.

The Genelec Smart IP range was selected in part for its Power over Ethernet capability, enabling the system to be integrated into the museum’s existing Dante network infrastructure using a single cable per loudspeaker. Miller noted that this approach simplified installation and system management.

The installation was designed to deliver a layered soundscape across seven gallery spaces, each representing different ecosystems including oceans, rainforests and coral reefs. “The plan was to create seven new gallery spaces – all fitted with multimedia systems, including an immersive audio solution,” explained the museum’s technical project manager and system designer Mike Miller. “We needed a sound system that would create an immersive soundscape, while also isolating audio in each zone to reflect the individual habitat.

“A particular challenge was the large projection screen in the centre of the gallery. It hung over the open gantry and caused unwanted sound to project down to the gallery floor below. We needed a solution that would allow for clarity and coverage in each zone, without overpowering the surrounding spaces.”

Australian AV integrator Lumicom was responsible for installing the audio system, working with the museum’s multimedia team and sound design duo Fuligin Sound. A total of 69 Genelec Smart IP loudspeakers were deployed, including 4430 compact models, 4435 in‑ceiling units, 4436 pendants and 4410 ultra‑compact loudspeakers.

The smaller 4410 loudspeakers were used to localise specific audio elements within the exhibition, allowing sounds to appear

To further enhance localisation, the exhibition’s audio was mixed across 11 channels in Dolby Atmos, allowing sounds to be synchronised with visual elements while limiting spill between zones.

“Our Wondrous Planet has become one of Melbourne Museum’s most popular exhibitions,” added Miller. “I was extremely proud of how the immersive elements came together to create an experience that feels natural. The detail and precision delivered by Genelec loudspeakers have been pivotal in making this happen.”

www.genelec.com

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Wharfedale Pro amplifies Thien Ban Son Rose Festival

PGI Pro Audio has partnered with the organising committee and event partners at the Thien Ban Son Rose Festival to support the event with a dependable professional audio solution. For an event of this scale, stability and consistent coverage were essential, and PGI Pro Audio delivered a Wharfedale Pro system designed to meet the demands of the site and audience size.

High in the Seven Mountains region, the Thien Ban Son Rose Festival in An Giang is held beneath the Buddha statue on Forbidden Mountain, at an altitude of more than 700m.

The event brought together more than 20,000 tourists and local visitors for a striking cultural programme set against a unique mountain backdrop.

Forbidden Mountain, also known as Thien Ban Son, is one of An Giang’s most distinctive destinations. Its

Creative Control of Every Spatial Detail

elevated location and dramatic natural surroundings made it a memorable setting for this large-scale outdoor festival. With thousands of illuminated displays and a strong sense of occasion, the venue created an atmosphere that was both solemn and emotional.

To support the live show and ensure strong, even coverage across the outdoor event space, PGI Pro Audio deployed 16 Wharfedale Pro WLA - 28X dual 8 -inch line arrays along with four WLA - 15B compact subwoofers and an IMPACT - X15 15 -inch passive speaker.

The system delivered powerful, controlled performance throughout the festival, helping to create a moving and engaging cultural experience for everyone in attendance.

www.pgi.com.vn www.wharfedalepro.com

Unlike other systems, TiMax SoundHub gives full visibility and control over every spatial audio parameter, to deliver on any creative spatial immersion demand. It’s time for TiMax Spatial.

quality sound throughout the venue – allowing fans and visitors alike to fully experience the energy,

“The Kallang Group is committed experiences for our patrons across all our venues. We are pleased to

National Stadium at The Kallang. forward to better sound quality and

Back

on stage. More than ever.

Nettuno L28 marks Montarbo’s comeback to the stage with a newly designed, compact line-array.

Modular and versatile, it delivers professional performance for both touring and installed applications. Through scalable design , 135.5 dB SPL and perfectly balanced coverage, Nettuno L28 integrates effortlessly into any space, delivering sound that embraces every listener.

Adaptive headroom goes beyond expectations, while onboard presets simplify the system by reducing the need for external processing.

Coda Audio elevates major Chinese stadium

China’s Helong Stadium recently embarked on a comprehensive audio renovation, engaging Zhejiang Tongbo Vision Technology to install a Coda Audio sound system to support major sporting and cultural events. Situated in Changsha, the 55,000‑capacity multipurpose facility is predominantly used for football and regularly hosts China’s national team football fixtures as well as large‑scale music events featuring local and international artists.

The objective for the project was to address the dual issues of high‑quality speech intelligibility and music reinforcement, with the Helong team seeking to achieve a balance of clear and audible stadium announcements and enjoyable music listening.

Stadiums face many sonic challenges, including vast open spaces and complex tiered seating. In addition, due to a busy schedule of forthcoming major events, Tongbo faced a tight turnaround schedule

ArtSound FM has installed DHD audio mixing consoles as part of a studio upgrade at its headquarters in the Manuka district of Canberra. The project, part funded by the Community Broadcasting Foundation and delivered in partnership with Qvest Australia, includes the installation of two SX2 consoles and a compact TX2 system across two new studios.

Established in 1983, ArtSound FM provides a mix of arts fo cused programming, including music, literature, theatre and film, supporting both established and emerging creatives.

“Our modernisation initiative centred on the need to replace three audio mixing consoles which were built in house back in 2005,” explained Chris Deacon, ArtSound vice president and technology manager.

“After evaluating the available alternatives, we selected two DHD SX2 audio consoles plus a compact TX2. These were chosen both for their high signal quality and ease of

in which to complete the installation.

The Tongbo team drew on their extensive experience of major installations and in‑depth understanding of Coda Audio’s technologies to complete the installation – from design and preparation to commissioning – in just 12 days.

Helong Stadium’s new system primarily features the brand’s HOPS range of loudspeakers. In the grandstand areas, 32 HOPS12i units are driven by eight LINUS14 DSP amplifiers. A system comprising eight HOPS12T loudspeakers and eight PW418 subs, driven by eight LINUS14 amplifiers, is used for mobile performances within the venue, while six HOPS5 loudspeakers driven by two LINUS6.4 amplifiers cover the VIP area.

According to the Tongbo team, the Coda system maintains clarity for announcements, with uniform coverage and a natural listening experience in every seat – from front rows to the furthest reaches of the stands.

“Tongbo have once again excelled themselves with this installation, particularly as it has been completed in such a short time,” commented David Webster, global head of sales and marketing for Coda Audio.

control, allowing presenters to broadcast live with full confidence. The consoles’ compact dimensions were a major factor, leaving plenty of desktop space free for ancillaries

such as script notes. Robust build quality was essential as we transmit round the clock, every day of the year. The versatile configurability and modular construction

“We’re very proud to see a Coda system trusted to deliver audio at this high end, international‑class stadium.”

www.codaaudio.com

of DHD mixers give us the freedom to futureproof the system if required to meet evolving workflow demands.”

“The expansion project was being conducted in two phases to ensure that ArtSound was able to maintain its uninterrupted 24/7 operation,” added Campbell Swinton, Queensland state manager at Qvest Australia. “Phase 1 was complete with the first studio fully equipped and ready to go operational. It includes a 10 fader DHD SX2 studio console connected to a DHD XS3 core. Phase 2 was to centre on equipping a second studio with a 10 fader SX2 console and XS3 core. We have also integrated an ultra compact DHD TX2 console plus DHD’s Views and Assist apps. All three consoles are equipped with Dante audio over IP connectivity.”

www.dhd-audio.com www.qvest.com

Hujan adopts Sennheiser

Malaysian band Hujan have standardised their live production around Sennheiser’s Spectera wideband wireless ecosystem, following deployments at major festival performances including Atas Angin Festival 2026.

The system was first introduced during the band’s performance at Rock in the Jungle 2.0 in 2025, marking a transition from rental-based in-ear monitoring to a dedicated wideband wireless setup. Since then, Spectera

touring RJ takes centre stage at BNZ Theatre

wideband channel, the system aims to simplify RF coordination while maintaining consistent performance across onstage and backstage areas.

“From the very first demo, we knew Spectera was operating on a different level,” commented Epain. “The setup was intuitive, the audio refined and the system felt future-ready. Our decision was strengthened by the trust we have in Sennheiser and A&L, particularly their technical support.”

has become central to the band’s touring infrastructure, supporting musicians, engineers and crew within a single RF environment.

For years, the band had relied on renting G4s from Sennheiser’s distributor Acoustic & Lighting System (A&L). When band manager Ariffin “Epain” Ahmad began exploring a long-term solution, the Sennheiser team arranged a demonstration session.

The band’s new Spectera configuration includes a Spectera base station, two DAD antennas and 12 SEK bodypacks, distributed strategically across the team: four for the band members, two for sessionists, and one each for monitor engineer Zunnun Zolaznan and RF engineer Amir Shah. By consolidating monitoring and communication into a single

The system also provides real-time monitoring of RF performance, battery status and audio integrity via Sennheiser’s WebUI interface, allowing engineers to maintain oversight throughout performances. “Managing one wideband channel reduces complexity and frees us to focus on optimisation rather than troubleshooting,” added Shah. “Even with all users active across onstage and backstage, oversight remained straightforward.”

According to the band’s production team, the system has improved workflow efficiency and reduced setup complexity, while supporting more consistent performance across different venues and festival environments.

www.sennheiser.com

New Zealand’s BNZ Theatre recently opened in Hamilton as a versatile and purpose-built performing arts venue featuring a 1,300-seat auditorium, circle balconies and flexible staging arrangements. The space has been outfitted with Robert Juliat Tristan followspots to illuminate the variety of events it hosts – from concerts, rock, pop and rap performances to musicals, ballet, opera and community ceremonies.

The venue was previously known as Waikato Regional Theatre, before a five-year naming-rights partnership with Bank of New Zealand (BNZ), in collaboration with Live Nation New Zealand.

On the theatre’s opening night, Māori soul singer TEEKS was the first major artist to perform, followed by New Zealand locals Sir Dave Dobbyn and Bic Runga and the first international artist, Sophie Ellis-Bextor Waikato’s production equipment supplier ACLX was chosen to provide technical advice and solutions for the venue, with managing director Aaron Chesham proposing the new RJ Tristan as the ideal LED match for the versatile space. The fixtures were provided

by the manufacturer’s local distributor, Show Technology.

“The two Tristans will serve them better over a long period of time,” commented Chesham. “A nice sharp focus in a small size is pretty much what they’re running with. However, they can apply the frost on top of that sharp focus to achieve a very nice soft focus with no fiddling around. Tristan’s CTO is perfect for a theatre. I’ve used plenty of followspots whose CTO doesn’t quite feel right, but these really feel like a nice, warm tungsten.”

Chesham explained that the original followspot operators were volunteers, who were quickly and easily able to master Tristan’s features, ensuring the efficient operation of the new followspots.

“The ergonomic dimmer, pan and tilt features enable smooth one-handed operation for full control over intensity and beam size,” Chesham said. “That is great for our operators. Tristan’s electronic iris is an amazing feature as it offers smoother control, adjustable scaling, max limits and direct console operation.”

www.robertjuliat.com

www.showtech.com.au

Tiffany’s Show Pattaya gets immersive

Tiffany’s Show Pattaya has marked its 50th anniversary with a major audio upgrade, introducing an immersive sound system designed by Bangkok-based Mr Team Productions in collaboration with Martin Audio, TiMax, Fuzion Far East and Generation AV. Known for its choreography, costumes and production values, the venue had previously invested in visual upgrades including LED screens, video content and staging. However, its long-serving stereo PA system had not previously been updated.

“The system had been running eight hours a day, every day, for almost a decade,”

explained Pok Sutat Kohkiat of Mr Team Productions. “It had done its job but, with the 50th anniversary coming, the owners knew it was time to upgrade. At first, the idea was just to replace the existing stereo system. But once we looked at the production, we realised there was an opportunity to do something much more ambitious.”

With Tiffany’s already using custom multitrack music, Mr Team Productions proposed an immersive solution based on TiMax processing and a new Martin Audio system. “For their 50th anniversary, we encouraged them to do something truly

special – especially since the video, LED and lighting were already at a very high standard,” added Kohkiat. “The audio needed to be on the same level.”

An in-studio demonstration using a TiMax SoundHub in a 7.1.4 configuration allowed the client to compare stereo and spatial mixes. “We set up a 7.1.4 environment using TiMax SoundHub as the processor and we prepared A/B comparisons between stereo and spatial mixes,” Kohkiat said. “We wanted them to experience the difference in a controlled studio setting before talking about changing anything in the theatre.”

Once approved, a full system was designed. The main PA features a Martin Audio TORUS L-C -R system with T1215 and T1230 elements. “The distance from downstage to the last row is not that deep,” added Kohkiat. “TORUS is perfect for that curvature and throw. It’s very punchy and gives a strong, stable image across the room.”

Flown SX218 subwoofers support the system, while ADORN A80 loudspeakers provide surrounds and delays, with A55 units in VIP areas. Installation took place alongside the theatre’s daily schedule. “We had nearly two weeks to run entirely new cabling and put loudspeakers in place, but the old system had to stay live during that period,” explained Kohkiat.

Show control is handled via QLab, with timecode driving TiMax. Mr Team Productions has also remixed selected content into immersive formats. “The first spatialised and immersive show, Crystal, opened on 28 February,” concluded Kohkiat. “The entire new system was in and working in time for that grand launch. The response has been very positive. The client loves it, the audience feels a much more enveloping experience and for Tiffany’s this is a big statement at their 50 -year milestone – especially as a flagship destination in the LGBTQ+ and tourist sectors.”

www.fuzion.co.th

www.generationav.net

www.martin-audio.com

www.timaxspatial.com

Grass Valley supports MediaHub Australia

Grass Valley has announced the successful deployment of its Framelight X content management, media logistics and workflow orchestration platform at MediaHub Australia, as the provider consolidates key operational systems into a unified environment. The deployment brings together media logistics, ingest and asset management workflows into a single solution, supporting MediaHub’s delivery of more than 400 channels across domestic and international markets.

A long-standing partner of Grass Valley, MediaHub has worked with the vendor since the launch of its facility. As part of a broader transformation strategy, the company aimed to replace multiple standalone systems with an integrated platform while maintaining the efficiency of its customised workflows. Framelight X, which is native to Grass Valley’s AMPP ecosystem, was selected for its scalability, hybrid deployment capabilities and support for user-driven workflow configuration. The implementation includes features such as Elastic Record for line ingest, scheduling tools, dashboards and a workflow engine to manage media logistics and automation.

“MediaHub operates in a highly dynamic environment where flexibility and efficiency are critical,” said Alan Sweeney, CEO of

MediaHub Australia. “With Framelight X, we now have a single solution that allows us to design and adapt workflows to meet the specific needs of our customers, while dynamically optimising how we use both on-prem and cloud infrastructure.”

A key factor in the selection process was the ability for MediaHub’s internal teams to independently build and modify workflows,

reducing reliance on external professional services and associated costs.

“Framelight X gives us full control,” said Simon Scott, CDIO of MediaHub Australia. “We can now consolidate our media workflows into one technology stack and combine on-prem and cloud compute in a way that was not previously possible. It allows us to evolve our operations in line with how our business evolves.”

The deployment was completed in approximately six months and was largely led by MediaHub’s internal team, with Grass Valley providing project management support and workflow consultancy. According to the companies, this approach enabled MediaHub to maintain control over timelines and adapt priorities based on customer demand.

The resulting system delivers a hybrid-capable infrastructure, supported by Grass Valley’s AMPP token-based model, allowing workloads to scale as required.

“While Framelight X is widely recognised for its strength in fast-paced newsroom and sports operations, this project highlights its capability to function as a robust MAM and media logistics backbone, supporting more conventional broadcast workflows with the same level of efficiency and control,” said Tony Moran, regional sales director at Grass Valley. “MediaHub’s implementation shows the value of giving customers direct control over workflow design, enabling them to scale and adapt as their business evolves.”

With Framelight X now central to its operations, MediaHub plans to continue expanding its use of the platform as it develops new services and workflows.

www.grassvalley.com

Lightware and Cisco transform Hong Kong bank

HONG KONG

Systems integrator Global Vision Engineering (GVE) has delivered an AV upgrade for a global investment bank in Hong Kong, modernising its meeting rooms to support hybrid workflows using Cisco and Lightware technologies.

After evaluating several vendors, the bank chose Lightware for its reliable USB-C performance and seamless integration with the bank’s global Cisco conferencing standard. “The bank appointed us to design and implement the system architecture using their preferred Lightware products,” said Chris, project manager at GVE. “They needed rock-solid USB-C signal transmission and flawless Cisco integration, and Lightware delivered both.”

The project aimed to create a unified bring-your - own-meeting (BYOM) experience while adhering to strict corporate security standards. Users can now plug in a single USB-C cable to instantly share content and power devices, with full native Cisco Webex functionality for easy switching between laptop-driven meetings and Webex calls. Lightware’s partnership with Cisco ensured smooth interoperability.

The system also needed to be intuitive for everyday users yet flexible for

corporate requirements. Using Lightware’s Advanced Room Automation (LARA) platform, GVE customised the in-room Cisco Navigator touch panels, enabling simple one-touch source selection while meeting internal operational standards.

The installation covered 14 rooms, from small and large meeting spaces to a multifunctional divisible room. In six small rooms, the Taurus UCX- 4x2 -HC40 was deployed for its compact footprint and BYOM support. USB-C and HDMI inputs connect users directly to room peripherals, including Cisco Room Bar Pro, 55 -inch displays and wireless devices. LARA programming simplified source selection through the Navigator panels, which serve as the central control point.

Seven large rooms received Taurus TPX bundles – UCX- 4x3-TPX-TX 20 and UCX- 3x3-TPX-RX 20 – supporting USB-C transmission up to 100m. These rooms include additional USB-C inputs, a Shure ceiling array microphone system, four loudspeakers and 75 -inch displays. The TPX transmitter/receiver pairs allow multiple HDMI and USB host connections at the display while supporting long-distance signal transmission over a single Cat6 cable. The multifunctional divisible space required a more robust system. GVE installed

a 24x24 MX 2M-FR 24R-RFP modular matrix, connecting TPX input cards to UCX-2x1-TPX-TX 20 transmitters and TPX output cards to HDMI-TPX -RX 107A-SR receivers. This setup enables USB-C extension up to 100m, reduces extenders and increases system reliability through MX2M’s redundancy features.

“The result is a system that just works,” the project manager concluded. “Lightware’s features, such as LARA for custom UIs, combined with Cisco integration, made this project a success.”

www.cisco.com www.lightware.com

CT deploys ROE for Channel 9 xR studio

AUSTRALIA

Creative Technology Australia has delivered an LED upgrade to Studio A at Channel 9’s Sydney headquarters, creating an extended reality (xR) broadcast environment designed to support sports programming and special broadcasts.

The installation centres on a 14m x 3m LED videowall powered by ROE Visual’s Meru platform, providing a large-format display for immersive graphics and studio visuals. The upgraded system enables the production team to create customised environments for different programmes, combining studio presentation with dynamic graphics, player data and highlighted content.

“The studio features one large hero screen and a world of possibilities around it,” said Alex Rolls, head of creative and innovation at Channel 9.

“Each show can have its own unique studio environment, with storytelling enhanced by graphics for promotional material, player data and sports highlights in a fully immersive experience for viewers.”

Creative Technology selected the Meru platform for its suitability for fixed broadcast installations, where consistent visual performance and operational efficiency are required.

The LED system is designed to deliver reliable on-camera performance while integrating into permanent studio environments without the need for rental cabinets.

“This high-end product suits these kinds of installations perfectly, and I hope to see it further integrated into broadcast studios around the world,” said Jeremy Moore, project and account manager at Creative Technology.

Moore added that the long-standing collaboration between Creative Technology and ROE Visual was a key factor in the project.

“ROE Visual consistently delivers high-quality products and takes a genuinely collaborative approach to development. Their technical support and after-sales service are excellent, and that’s why they remain a trusted partner for Creative Technology.”

how Meru supports xR technology to enhance viewer engagement and content creation in the broadcast industry.”

The upgraded studio made its on-air debut during Channel 9’s coverage of the 2026 Winter Olympics, marking the first broadcast use of the new xR production environment.

www.9now.com.au www.ct-group.com/aus www.roevisual.com

CONTROL ROOM S M ADE

We’ve taken the complex and made it simple.

Luc Neyt, technical director at ROE Visual, added that the project demonstrates how LED technology can support immersive broadcast production workflows. “Channel 9 Studio A perfectly demonstrates

Brompton powers Chongqing’s DAWA Studio

Brompton Technology’s Tessera LED video processing platform has been deployed at DAWA Studio’s Yongchuan Virtual Production Studio in Chongqing, supporting expanded virtual production capabilities at the facility. Delivered in partnership with LED manufacturer AOTO Electronics, the system forms part of phase two of the studio’s development, which has significantly increased both its scale and technical capacity. The site now comprises multiple soundstages and supporting infrastructure designed to accommodate several productions simultaneously.

At the centre of the virtual production environment is an AOTO RM1.9 LED display system, including a 60m x 10m curved main wall and four moveable extension screens. Brompton supplied 30 Tessera SX40 4K LED processors and 60 Tessera XD 10G data distribution units to manage content across the LED volume. The system was specified to ensure high-quality, on-camera performance, a key requirement for virtual production workflows. Features such as ShutterSync are used to synchronise LED refresh rates with camera shutters to minimise artefacts, while extended bit depth improves detail in low-light areas.

“On a stage like this, everything came down to what the camera sees,” said Tiezheng Yang, production director at DAWA (Chongqing) Imaging Technology. “We needed a processing platform that gave us confidence in clean on-camera capture.”

The Tessera platform also supports colour management across multiple standards including ACEScg, DCI-P3 and BT.2020, alongside integration with on-set grading tools. Frame remapping functionality enables cameras operating at different frame rates to capture consistent images from a single LED volume.

The Yongchuan facility incorporates a range of technologies including XR, motion capture and real-time rendering systems, supported by an onsite computing centre. According to DAWA Studio, the virtual production workflow can reduce costs for complex scenes while improving overall shooting efficiency.

The studio has already hosted more than 50 film and television productions, with further expansion planned as part of a Phase III development.

www.aoto.com.cn www.bromptontech.com

AudioTechnik India delivers for Athiva Resort

A comprehensive audio solution from Bose Professional has been installed at Athiva Resort and Spa, with systems integration and design carried out by AudioTechnik India.

Located in the Sahyadri hills of Khandala, the resort – formerly known as Dukes Retreat –is a well-known hospitality destination celebrated for its heritage architecture and panoramic hillside setting. The brief called for a property-wide audio system capable of supporting diverse hospitality environments while maintaining architectural sensitivity.

AudioTechnik India was tasked with designing and implementing a zoned audio infrastructure spanning multiple blocks across the property, including banquet halls, restaurants, the spa, gym and wellness areas, reception spaces, gaming zones, conference rooms, outdoor lawns, the swimming pool and an outdoor café.

A key challenge was integrating a modern AV infrastructure within a heritage property while delivering consistent tonal balance across indoor and outdoor environments. The system also needed to support independent zone control to accommodate a range of uses, from background music to event programming. The installation includes distributed ceiling loudspeakers. DesignMax DM3C

and DM5C plus FreeSpace FS2C models provide coverage throughout indoor spaces, complemented by wall-mounted models such as DesignMax DM3SE, DM6SE and DM8S. Low-frequency reinforcement is delivered via Sub2 subwoofers, while outdoor areas utilise weather-resistant FreeSpace 360P Series II landscape loudspeakers.

The system is powered by P4300A, P2600A and IZA 2120 -HZ platforms and managed via CSP-1248 DSP processors. Zoned control is achieved using CC-2D and CC- 3D controllers, enabling staff to manage audio levels and source selection across different areas of the property.

Each block operates as an independent, centrally managed audio environment, allowing transitions between background music, event modes and leisure settings. The distributed system architecture provides even SPL coverage across key spaces, while spa and wellness environments were tuned for clarity and a relaxed acoustic atmosphere. All zones were measured, tuned and phase aligned during commissioning to ensure tonal consistency.

www.audiotechnikindia.com www.boseprofessional.com

Auckland’s Bruce Mason Centre embraces JBL

Auckland’s Bruce Mason Centre has implemented a suite of Harman Professional solutions as part of an upgrade of its main audio system. The installation at the Takapuna venue is rooted in a JBL Professional VTX A6 line array system, alongside BSS processors and Crown amplifiers provided by local distributor JPRO. Operated by Auckland Live on behalf of Tataki Auckland Unlimited, the 1,100 -seat theatre serves as a hub for music, comedy, dance and community events, with seating that can transition from a tiered auditorium to an open-floor configuration.

After two decades of operation, the previous system no longer met the demands of touring productions. Working alongside JPRO, the venue selected the VTX A6 line array for its output, size efficiency and rigging flexibility, enabling the arrays to adapt to changes in layout. The system design also incorporated VTX B18 subwoofers and AC18 compact loudspeakers.

The setup features two flown arrays, each comprising 12 VTX A6 elements. Twelve VTX B18 subwoofers support low-frequency

coverage in a cardioid configuration and can be flown or ground-stacked. Patrons seated in shadowed areas are catered for by eight JBL

AC18 loudspeakers providing under-balcony fill. All loudspeakers are driven by Crown I-Tech 43500HD amplifiers, with BSS BLU- 806 processors providing signal management.

JBL’s Venue Synthesis 3D Acoustic Simulation software was used to model coverage, aiming and delay structures. “The platform enables precise angle prediction, system tuning and delay time optimisation for each loudspeaker position,” said Tim Robertson, tour sound manager at JPRO.

The team also utilised JBL’s ArrayLink app to develop presets that simplify reconfiguration and support deployment for varied programming.

“The VTX rigging system delivers the flexibility and performance the venue needs for its varied event schedule,” noted Lindsay Clements of the Bruce Mason Centre technical team. “The sound is clean and holds up beautifully across different instruments and sources.”

www.jpro.co.nz pro.harman.com

Martin Audio grounds

Sayap Suci’s sound

A Martin Audio sound system is elevating the coffee and lifestyle experience at Sayap Suci, a new entertainment destination by Holywings Group located in Kelapa Gading, Jakarta. The complete sound system was designed and integrated by Global Multipro Technology (GMT Solutions) with Goshen Indonesia serving as the authorised Martin Audio distributor.

Positioned as Indonesia’s first coffee venue with integrated entertainment and lifestyle facilities, Sayap Suci spans over 3,000m² and features a jogging track, scenic lake and shower facilities. The venue is designed to transition from daytime productivity and wellness activities into a vibrant evening entertainment destination.

“Sayap Suci is a unique project that combined coffee culture, fitness, dining and entertainment in one integrated environment,” said Satrio Prisetya, marketing and technical director of GMT Solutions. “From the beginning, the goal was to design an audio system that felt natural and comfortable during the day, while still being able to scale up seamlessly for live music and DJ performances at night.”

A key challenge of the project was achieving consistent sound quality and coverage across multiple zones. It was noted that Martin Audio loudspeaker systems were selected for their proven performance, reliability and versatility in mixed-use environments.

“Ensuring clarity, consistency and control across both indoor and outdoor areas was critical,” furthered Prisetya. “Martin Audio gave us the flexibility, coverage control and sonic character needed to support that transition, while maintaining a high-quality listening experience.”

The indoor areas have been outfitted with a total of 30 ADORN A55 loudspeakers. These cabinets have been designed to provide wide dispersion, balanced tonal performance and optimum speech intelligibility – ensuring that

Taiden supports APEC 2026

Taiden was responsible for providing conference and interpretation systems for the first Asia-Pacific Economic Cooperation (APEC) Senior Officials’ Meeting of 2026. Taking place in Guangzhou, the meeting brought together more than 1,000 delegates from 21 member economies for over 70 consultation sessions under the theme Building an Asia-Pacific Community for Common Prosperity.

To support the event’s requirements, Taiden deployed a fully digital conference system based on its MCA-Stream audio technology. The system incorporates redundancy mechanisms and loop chain connectivity to maintain continuous operation.

The deployment also included an intelligent conference management platform with modular software architecture, allowing

system configuration and control to be adapted to the needs of the event. Multi-terminal control capabilities enabled

background music and live performances remain immersive without overpowering conversation. For the outdoor zones, the system is reinforced with two X15 loudspeakers paired with a pair of X118 subwoofers, delivering low-frequency impact alongside mid and high frequencies for live music and DJ performances.

www.gmtgroup.co.id www.goshen.co.id www.martin-audio.com

flexible management of multiple meeting spaces.

For multilingual communication, Taiden’s Digital Infrared Simultaneous Interpretation system was deployed, supporting up to 64 language channels. Interpreter units feature speech-rate indicators and mute functions, while infrared receivers provide multichannel selection and wide-angle coverage to ensure consistent audio reception throughout the venue.

According to the manufacturer, the deployment demonstrates the company’s capability in delivering integrated conferencing solutions for large-scale international events.

www.taiden.com

DiGiCo closes off Halsey’s tour in Australia

Halsey’s Back to Badlands tour concluded in Australia recently, with the production team using two DiGiCo Quantum338 desks supplied by Clair Global. FOH engineer James Butera has been touring with the artist since 2023, while monitor engineer Schyler Blackman joined the team around a year ago. Both engineers worked with Quantum338 consoles throughout the run of shows.

to DiGiCo and we no longer started festival set changes with ‘hold on, I need to power cycle’, which was great. Global availability was also excellent. Every festival you walk into, it’s a DiGiCo, which was reassuring. There were a lot of administrative details that made DiGiCo an easy choice for a global act.

“I think all the major players had great-sounding consoles, it’s like Porsche versus Ferrari. They were both beautiful cars and they both went fast,” Butera continued.

“At some point, it became a personal preference, but there were definitely some shortcomings in terms of flexibility if you left the DiGiCo ecosystem. There was so much flexibility, all the network options on hand were great. Built-in Dante on the Quantum112 looked really good, DiGiCo was just really hard to beat.”

Communication between front of house and monitor positions was handled using console send/receive functionality via an Optocore loop, enabling Blackman to share data quickly between systems without additional multicore runs.

The tour celebrated the 10th anniversary of Halsey’s album Badlands , originally released in 2015. After beginning in October, the run of dates concluded with performances in Australia in early 2026.

The move to the Quantum338 platform came in 2023 after a failure with Butera’s previous console during the first show of the tour cycle. Seeking improved reliability and compatibility with an existing Dante playback system, the production team opted to change manufacturer. The switch also allowed the audio team to simplify the system using DMI Dante cards.

“DiGiCo’s I/O flexibility and stability were the two big selling points,” Butera recalled. “We cut the amount of rack space and gear in half when we switched

“I’ve been flitting in and out with DiGiCo since 2015, depending on whether I got to choose, obviously,” Blackman explained. “It was the flexibility, stability and reliability that really stood out. No matter where you were in the world, whether it was Topeka, Kansas or London, you could find a DiGiCo somewhere close.

“I liked having the I/O flexibility too, DiGiCo was friendly with everything,” Blackman concluded. “I was using a LiveBox, a bunch of outboard gear and Dante. Having one system that was compatible with all of the different players in the game was really, really nice.”

www.digico.biz

Create your ideal lighting or speaker stand with durable base plates in various sizes and matching extension rods – or choose a complete stand from the K&M Compact Stage series. With smart design, exceptional stability, and optional weight plates, this system offers maximum flexibility for stage, rehearsal room, or studio. Convenient carrying bags ensure safe and easy transport. Discover space-saving stands tailored to your needs.

Enter the dragon

Richard Lawn visits a skybar in Kuala Lumpur where a K-array solution has applied a sensitive audio upgrade

WITH A SWEEPING VISTA OF KUALA LUMPUR’S CITYSCAPE, the 33rd-floor Traders Hotel SkyBar remains one of the Malaysian capital’s most popular rooftop destinations. Floor-toceiling windows lined with stylish seating booths overlook the Petronas Twin Towers on one side and an adjacent full-length pool on the other. With new and old neighbours alike challenging SkyBar for its crown, the hotel management decided to upgrade facilities including the high-SPL audio system.

“SkyBar has been an icon in this city for 20 years, but even icons need to evolve,” assesses Traders Hotel general manager, Sachin Tyagi. “The bar area was refurbished because we want our guests to be comfortable, stay longer and ultimately spend more money. Many rooftop bars have opened recently in the city, so we needed to differentiate ourselves in terms of the clientele we’re aiming for.”

Phased refurbishment encompassed various elements, with music cited as an essential ingredient of the venue’s character, leading to audio presentations from invited suppliers. “We decided to partner with K-array following several demonstrations,” continues Tyagi. “K-array line array speakers demonstrated higher power handling, targeted dispersion and clarity from a smaller-footprint cabinet.”

Shawn Teoh, audio designer at architectural sound specialist Nextrend Systems, distributes K-array in Malaysia. Together with his assistant Danson Pua, he presented a K-array Python and Dragon solution for BGM, a live band and a DJ. Having impressed the hotel’s management with the power and clarity of the system, Teoh focused on the brand’s aesthetic attributes. A design was created in K-array K-framework3 acoustical simulation software incorporating L-R pairs of Dragon-KX12 MK1 point source speakers at the DJ position at the far end of the pool area, with L-R single Dragon-KX12 ML1 enclosures firing towards it from the opposite end. Housed in a distinctive stainless-steel chassis, the compact coaxial Dragon-KX12 MK1s combine a 12-inch woofer with a compression driver. The fixed 40° x 60° (VxH) waveguide can be rotated to provide more focused or wider coverage. Operating between 120Hz–18kHz (–6dB) and capable of a peak SPL of 133dB, the six point source speakers are augmented by a pair of Thunder-KS3P I 21-inch passive subwoofers. Discreetly located side-by-side in the body of the DJ booth, the DSP subwoofers incorporate 4-channel amplifier modules to drive the passive loudspeakers.

Glazing, hard surfaces and a full-length pool all posed acoustic challenges

The gazebo and café area in the middle required a delicate touch. “The design was to fill the entire gazebo by directing audio sources from both the left and the right, but with the least amount of speakers to minimise the cost and aesthetic footprint,” explains Teoh. “Both audio sources meet around the midway section of the pool, where we installed two wall-mounted

Python 1m-long line arrays in landscape mode to serve as gazebo fills. To the side of the café, two Kobra line array elements provide an almost immersive experience, with audio coming from the front and the rear but, when you turn around, the music is also following you.”

In addition to the extensive pool surface, a large amount of glazing including in the canopy above led to reverberation considerations. “The Dragons and Pythons possess narrow vertical dispersion, so we targeted the listening area like a laser beam,” says Teoh. “By adopting a K-framework3 simulation, I could share energy dispersion information at various frequency levels with the client.” The K-array solution is completed with Kommander-KA208 multichannel amplifiers, with a Behringer X32 Compact console for audio mixing and zoning.

An in-house programmer for Nextrend Systems has written apps to control the system’s audio-networkable components. These include powering on and off, sequencing and switching modes from music to video to live band and DJ at the touch of a button. “The K-array Connect mobile app provides remote control of the main DSP parameters,” continues Teoh. “We designed and developed our own in-house app in 2022 to complement K-array Connect. Our software is loaded in as a K-array DSP setting with a preset in the K-array amplifier. Ultimately, this app helped us to win the project because the venue placed a very high requirement on minimal manpower.”

An automated scheduler triggers low-level BGM from 7am to 12 noon before the volume increases by around 3dB until 7pm, after which a DJ or live band can mix from an iPad or the X32 Compact console, with the SPL constantly monitored in keeping with the venue’s stipulation to play music at required levels for its clients.

Tyagi notes that SkyBar’s guests are returning more frequently and staying for longer visits. “It’s exactly what we demanded for the atmosphere of this venue, because our patrons are clearly enjoying listening to the music,” he says. “Whether it’s 7am or 11pm, our technical team enjoy the easy-to-use presets whereby the audio aligns itself. Audio systems are getting more complex, and few hotel engineers possess the technical expertise to troubleshoot, but K-array listened to our concerns and created these presets as a result.”

www.k-array.com

www.nextrendy.com

www.shangri-la.com/kualalumpur/traders

A NEW HIGH IN THE LOW END

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Breaking barriers in 360°

When the UK-based Paraorchestra performed at Hong Kong’s No Limits festival, it transcended the realms of a conventional touring production. Caroline Moss reports on the boundarydefying concerts

THE PARAORCHESTRA WAS FOUNDED IN 2011 BY British conductor and musical polymath Charles Hazelwood to improve the integration of disabled people into music and the performing arts. He felt that while talented musicians with disabilities existed in abundance, including his own daughter, they lacked meaningful professional opportunities. Just a year after Hazelwood announced the formation of the Paraorchestra at a TED conference, it participated in the London 2012 Paralympics Games ceremonies, playing alongside Coldplay at the closing event. Since then, the orchestra has evolved into an ensemble which commissions original works and explores unconventional formats while breaking down barriers.

A defining piece in the Paraorchestra’s repertoire is The Nature of Why, composed by Goldfrapp’s Will Gregory. The composition draws inspiration from Richard Feynman, the Nobel prize-winning physicist whose interviews explored the deeper meaning of questioning itself. Gregory structured the work into nine movements, each responding to fragments of Feynman’s reflections on the nature of “why”. Front of house engineer Simon Honywill, who’s worked with the orchestra since 2018, has been advancing the sound design for The Nature of Why for each outing. “Even though we might not have seen each other for several years, when everybody comes together it’s just joyous,” says Honywill. “I feel very much a part of the ensemble, and it was particularly exciting being involved from the start. I would sit

with Will as he was literally composing it on the spot, while the choreographer was working with the musicians, and it evolved before my eyes. And I had a lightbulb moment when I was struggling with how I was going to come up with a sound design that worked, because almost all the performers were going to be mobile.”

Honywill’s idea was to present the performers in the round in the same space as the audience members, who would be free to move between musicians and interact with them or simply stand back to take in the ever-changing performance. However, this came with its own set of challenges, namely, how to reinforce singers and musicians who are constantly on the move and deliver a sense of direction to help the audience locate a soloist or singer. Early iterations of the show attempted to solve these using overhead microphone grids and zoned reinforcement, effectively creating an “acoustic bubble”. While functional, Honywill felt that the result lacked precision and clarity; the mix felt diffuse and performers struggled to hear their performances clearly via a monitoring system which was also the PA.

“As the show developed, it became apparent that it was very special as it was so connected to the audience, because they’re up close and personal to all the action,” he continues. “You might be standing there watching somebody dance and a massive marimba is suddenly wheeled past you, and Harriet Riley, who’s playing it, is lifted up in the air. The idea behind the sound system

wasn’t necessarily to make it big and loud, it was about giving people directional clues as to where the action was.” So, when the Paraorchestra was booked to play at Hong Kong’s No Limits festival in March, Honywill decided to up the ante by adopting TiMax spatial audio technology to track the performers as they moved around the space. Every year, from February to March, No Limits showcases music, dance, theatre and film programmes by international and local artists of different abilities. This was an ideal platform for showcasing the Paraorchestra’s mission of reimagining the relationship between artist and audience.

“Charlie Hazelwood was determined to give the show a bit more spatial information, so I went away and did some research, realising that the only way to go, really, was to use a TiMax immersive sound solution,” Honywill continues.

For the five performances of The Nature of Why, staged at Hong Kong’s Kwai Tsing Theatre in Kowloon, a 15m-diameter, circular performance area was surrounded by a ring of seven Martin Audio FP12 loudspeakers at a height of 2.5m, augmented by an SXCF118 cardioid subwoofer. Above, six TiMax Tracker D4 tracking sensors in the grid triangulated the real-time positions of performers and key instruments. Using the TiMax SoundHub alongside TiMax Tracker, the production team transformed the show’s sonic architecture. Around 20 mobile sound sources were fitted with trackers, with some performers equipped with multiple units; the marimba alone required three to reflect its physical scale. Signals from Honywill’s microphones of choice – DPA 4061 and 4099 miniatures – were routed individually to the TiMax system via Dante, bypassing conventional subgroup mixing. This was appreciated not just by the audience but by the musicians, who reported being able to hear themselves clearly within the

ensemble despite constant movement, improving confidence and musical precision and enhancing performances.

“While the audience members were free to walk outside of the performance area, all the action took place within the circle,” explains Honywill. “Using TiMax to track the performers did one of several things: it provided really good directional information, but the musicians could hear themselves really clearly. Using a system like TiMax, every source has its own unique amplitude and phase relationship to the sound system. There’s no problematic phase interaction between sources, so the clarity is exceptional, and gives that positional information within the space. The show is an intense, emotional experience and the music is a very unusual combination of instruments.”

The ensemble encompasses an 11-piece string section, solo viola, upright bass, marimba, French horn, electric guitar, two percussionists, two singers, clarinet, keyboard and electric harp. The percussionists play an array of instruments from temple bells and chimes through to bongos and bass drums. Shure Axient radio

microphone systems, together with additional infrastructure, were provided by the venue, with local crew adapting to unconventional deployment methods, including DPA 4061 microphones mounted on the wrists of percussionists to maintain proximity across multiple instruments.

“The local crew did a good job of understanding the accuracy required in loudspeaker and microphone placement, providing all the radio equipment and managing the radio mics,” says Honywill.

A Yamaha Rivage PM5 console positioned outside the performance circle was used to mix the five shows. During rehearsals, Honywill made adjustments on an iPad from within the space itself. While the TiMax equipment travelled with the production, the Martin Audio loudspeaker system was supplied by the British manufacturer’s

APAC sales agency, Generation AV. As well as providing the speakers, Generation AV also provided local expertise in the shape of technical manager Jeremiah Joseph. “Jeremiah acted as my system tech and TiMax engineer; he was a valuable addition to the team and very talented,” says Honywill.

“TiMax has given the performance a new dimension – it’s made the sound such an essential part of it, enabling me to elevate the whole thing sonically to a new level and giving it a bigger energy. It’s not devastatingly loud, but the difference between being within the loudspeaker system and outside it, from an energy point of view, is very marked. You’re either in the show or you’re out of it.

“It’s taught me a lot about spatial mixing – it just gives everything its own space in the mix. Having a unique phase and amplitude pathway from each source to the loudspeaker makes a huge difference to what actually comes out of the speakers. And, from an audience point of view, it’s actually a lot easier to listen to.”

This was borne out across the five shows spanning three days, plus an open dress rehearsal, where audience reactions were consistently intense, according to Honywill. Generation AV’s director David McKinney invited 15 regional clients to one of the shows. “I did a presentation afterwards and they were, to a person, completely blown away,” recalls Honywill. “One veteran consultant was actually moved to tears.”

Up to 250 audience members per performance inhabited the same 15m-diameter circular space as the performers, free to roam within the performance circle. Musicians moved continuously, wheeling instruments through the crowd, singers wove between listeners and instrumentalists stopped inches away from individual audience members. The crowd were free to move between musicians, dancing and interacting with them, or standing back to take in the ever-changing performance. Moments of spontaneous intimacy were common, including one when a young child followed viola player Siobhan Clough through the space, eventually becoming the sole audience for a personal rendition. In another, a visually impaired attendee explored a bass clarinet through touch while it was being played by Lloyd Coleman, experiencing its vibrations physically.

“Every show is different, and that is largely down to the way people react,” Honywill explains. “The audience don’t know what to expect but, when they realise what they’re involved in, it generates an amazing buzz.”

Ultimately, The Nature of Why demonstrates that when barriers fall away, something extraordinary becomes possible. It functions as a lesson in how technology can deepen human connection rather than distract from it by the seemingly simple method of removing barriers, whether between differently abled musicians or between performers and audiences.

www.dpamicrophones.com

www.martin-audio.com

www.timaxspatial.com

High altitude

Richard Lawn ascends to Bangkok’s Consul club to discover a refined hospitality destination defined by discreet luxury and sophisticated sound

FORMERLY A HUB FOR INTERNATIONAL TRADERS AND travellers, Bangkok’s Nana district exemplifies the city’s evolution into a modern metropolis while retaining its cultural roots. Originally a site of warehouses and trading posts, the district now abounds with skyscrapers including the newly built JLK development which houses The Consul. Thirty floors up, the exclusive venue features an audio system from production company Ten Years After.

“Completely unique to Bangkok, The Consul is a club within a club,” explains general manager Andy Curtis, who originally relocated from the UK to Hong Kong as a DJ in 1985, moving into F&B almost 30 years ago. “Hotel hospitality is very tough, but The Consul is an entirely different ball game. I’ve never worked in a venue of this scale before, but it’s basically managed like a hotel without the rooms and is a lot more fun.” Guests are greeted by a hostess at a separate access point on the ground level. The smart building includes facial recognition cameras and VIP protection for some of the more heavyweight guests and members. Upon entry to the club, floorto-ceiling windows offer sweeping views of the city skyline.

Blending classic elegance with contemporary flair, patrons are invited to indulge in modern Sichuan dining, cocktails and live jazz. Creating an immersive experience, dining booths are surrounded by platforms onto which musicians climb to perform. As the night progresses, guests migrate into the higher-energy Yang’s Club 94 before ending in the private Founders’ Lounge with its wine cellar, cigar bar and intimate rooms.

“Our live entertainment contrasts markedly with our fine dining,” continues Curtis. “The atmosphere is set at 100% party, so we required a very high-quality sound system. It’s a throwback to a 1980s’ supper club vibe, with subtle music in the early part of the evening that gradually turns towards funk. It’s not club sound, because we want our VIP guests to feel comfortable and be able to converse.”

Based on the owner’s expectations, technical manager Manoj Wadhwani (Blu) sought a sound system that would deliver excellent sonic qualities yet maintain a minimalist footprint. The elongated layout of the room, its varying ceiling heights and abundance of glazing were the main acoustic challenges. “We looked at several brands before opting for a d&b audiotechnik system,” explains Wadhwani. “The design was specified on

account of its superior sonic qualities together with the service record of the installer and supplier, Ten Years After.”

Located at the far end of the room above the stage, L-R ceiling-mounted 10S enclosures are reinforced by dual 18S-SUB subwoofers recessed beneath. Infills away from the stage comprise 8S and 5S enclosures, and rackmounted 10D and 5D amplifiers power the entire system. An Allen & Heath AHM-32 audio matrix processor provides zonal control, with DSP parameters set within the D5 and D10 amplifiers.

Mixing is performed on a Midas M32R console connected to a DL32 stagebox, with wireless connectivity provided by Shure QLX-D receivers and transmitters including Beta 58 models via UA844+ distributors and UA874 UHF active directional antennas. No wedges are required onstage as the roaming musicians reply upon Shure PSM300 in-ear monitors and an inventory of Audix, Shure and Sennheiser microphones during their nightly sets.

“Given the compact size of the speakers, I was concerned by the amount of delay that needed to be factored in for such a

lengthy room,” explains Curtis. “However, the d&b speakers are magnificently powerful and have been tuned to perfection by Ten Years After, so there is no delay. Paired with the subwoofers, the full-range capabilities of the system are outstanding. Furthermore, ease-of-use capabilities have been added for the management team, who can adjust the volume or source parameters via the Allen & Heath app.”

In addition to four private rooms and a cigar lounge on the lower level, the mezzanine above is home to a further six private rooms. Each space is equipped with standalone systems of d&b audiotechnik 5S cabinets and compact Bi8 subwoofers powered by half-rack 5D amplifiers. Bluetooth connectivity enables guests to play their own music. On the opposite side of The Consul, The Yang’s Club 94 is equipped with a combined NEXO and Quest loudspeaker system.

In addition to their compact footprint, the d&b enclosures have been customised to match the interior décor while the subwoofers including the ultra-compact dual 6.5-inch B8s have been concealed within the walls. Ten Years After tuned and commissioned the system using d&b ArrayCalc software.

“It doesn’t matter where you are in the club, you’re listening to hi-fi-standard audio,” concludes Curtis. “We demanded excellent audio quality and for our guests to be able to sit at the bar and understand one another, and that is what has been delivered.”

www.dbaudio.com

www.tenyearsafteraudio.com www.theconsul.club

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Raising the stakes

Macau’s Grand Lisboa Palace has become the first venue in Asia to install an L-Acoustics Ambiance hybrid acoustic enhancement system, giving it the edge in a competitive market

THE GRAND LISBOA PALACE TOWERS ABOVE ALL other landmarks on the Macau skyline, its dramatic, lotusinspired form rising above the historic peninsula in a blaze of gold and glass. Opened in 2007 by Sociedade de Turismo e Diversões de Macau and operated by Sociedade de Jogos de Macau (SJM), it’s a fitting symbol of the city’s transformation into the world’s most lucrative gaming market brought about by the liberalisation of the city’s casino industry.

Beyond its striking architecture, the Grand Lisboa Palace is a pillar of luxury hospitality and fine dining, home to multiple Michelin-starred restaurants and a casino that helped cement Macau’s reputation as the Las Vegas of the East. Located on the Cotai Strip – reclaimed land connecting the islands of Taipa and Coloane where resorts vie for tourist footfall and event bookings – the venue needed to deliver a strong differentiator in this fiercely competitive market. So it seems appropriate that its 2,200 -capacity Grand Hall has become the first venue in Asia to deploy an L-Acoustics Ambiance hybrid acoustic enhancement system, enabling the multipurpose space to adapt its acoustic environment to different event types, from classical performances and high-energy concerts to conferences and seminars.

Hong Kong-based consultancy Nova Range evaluated several manufacturers during system selection, with L-Acoustics chosen for its ability to run both L-ISA immersive audio and Ambiance active acoustics from the same loudspeaker infrastructure. “We found that L-Acoustics is consistently advancing both technologies,” says Sand Leung, managing director of Nova Range and project director for the Grand Hall. “The client wanted

tour-level live audio backed by an ideal acoustical environment for all seats. No other system could deliver that combination with such technical efficiency.”

The installation involved four years of collaborative design between Nova Range and the Grand Lisboa Palace management, integrating Ambiance and L-ISA Hyperreal Immersive sound technologies within a sophisticated multizone infrastructure. The system’s multi-zone architecture, based around five L-ISA processors, has been designed to provide the Grand Hall with three Ambiance zones plus two L-ISA object-based mix systems. The five independent acoustic zones can each be controlled separately, adapting their acoustics to suit different types of events while maintaining consistent spatial audio coverage throughout all configurations.

“Grand Lisboa Palace already had a traditional ballroom,” continues Leung. “The venue was looking to create a larger space that could host medium-sized programmes and stand out among Macau’s competitors. It needed to handle fashion shows, concerts, conventions and more with different layouts; a fixed stage was definitely not in the plans.”

L-Acoustics Ambiance reshapes room response in the Great Hall, with strategically positioned Schoeps MK21 capsules with CMC 1 L microphone amplifiers capturing the venue’s natural acoustic energy and feeding the signals into 11 L-Acoustics P1 processors over a Milan-AVB network. Julien Laval, L-Acoustics application project director for acoustics solutions, worked with the venue team to define and calibrate distinct acoustic signatures for different programme types.

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“The key advantage of Ambiance in multipurpose venues is the ability to change room acoustics instantaneously,” explains Laval. “We worked closely with Grand Lisboa Palace to understand what each type of event needed acoustically – whether that’s the warmth and reflection required for classical music or the clarity and control needed for amplified shows. Because Ambiance uses the same loudspeaker infrastructure as L-ISA, both systems can run simultaneously, creating an immersive spatial audio experience within an acoustically optimised environment.”

The Grand Hall is divided into three separate Ambiance zones that can function independently or as one entire space for large events, with each of the three zones controlled with Ambiance to fit individual stage configurations. All enclosures are rigged strategically throughout the hall and assigned to these zones, with some loudspeakers provided in custom colours in accordance with the interior décor requirements. The zoning capability provides the flexibility to run multiple events and meetings simultaneously

X8 and X12 coaxial speakers, with Syva Low subwoofers handling sub-frequency reinforcement. This can be used either for concert or plenary room configurations.

L-Acoustics’ APAC applications team were on hand to support the installation, with application engineer Frieda Lee playing a key role throughout the project, working closely with the Nova Range team on systems integration and optimisation across all five zones and multiple configurations.

“The Grand Lisboa Palace project was highly complex and also marked our first Ambiance project in the APAC region, so we approached it with great care,” comments Lee. “We had to manage multiple configurations within a crowded ceiling layout, resolve clashes with the projector installation and reposition over 300 speakers and microphones several times to achieve the optimal setup. Additionally, the Ambiance speakers were required to function as L-ISA surround speakers, which added another layer of coordination and technical complexity. Despite these challenges, thanks to the dedication of our team, the Ambiance team, the consultant, RACpro and the systems integrator who all worked together seamlessly, we successfully met all project requirements, and I’m very proud of what we achieved.”

Nicholas Kirsch, Nova Range’s audio system designer who handled the L-ISA system design for the Grand Hall, explains that the traditional sweet spot in stereo and L-C-R configurations typically covers just 10% of the audience. “With L-ISA, that area can be expanded to 70% or even more,” he says. “A

in separate zones, to rent out individual spaces or to combine zones for larger events, allowing audio to be adjusted and tailored according to content and requirements.

The L-Acoustics system was provided by certified provider, Rightway Audio Consultants (RACpro) Hong Kong, which supplied components for multiple L-ISA system designs accommodating four main stage configurations.

A permanent concert mode configuration comprises seven hangs of two A15i Wide medium-throw loudspeakers each. Four hangs of two KS21i high-power subwoofers are flown in the centre for low-end definition. On either side of the wide hall are outfill systems consisting of two A15i Wide speakers per hang, while eight A15 Wide boxes form a front fill system across the stage lip. Rigged across the centre of the hall at regular intervals is a delay system consisting of seven X12 12-inch coaxial enclosures, while four A10i Wide speakers provide rear coverage.

A permanent plenary mode to the right of the stage features a similar seven-point scene system with just two hangs of KS21i subwoofers. Outfills consist of one A15 Focus and one A15 Wide per side. Six X12 boxes form the delay system, with 10 X8 coaxial speakers as front fill.

The centre-stage configuration deploys four L-R systems of two A15i Wide speakers per hang for each side of the hall, with two KS21i subwoofers flown centrally. Each of the four L-R systems includes five X8 boxes to provide front fill. Four A10i Wide speakers handle coverage for a low-ceilinged area of the hall. For concert and plenary modes, L-Acoustics L Series portable systems in L-C-R configurations use two L2 long-throw speakers per side with four KS28 subwoofers flown behind them, plus one centrally flown L2D speaker. A centre-stage mode consists of an L-R system of L Series speakers, with KS28 subwoofer arrays in the four corners for low-end definition.

The L-ISA immersive configuration which complements the L-ISA Hyperreal front system includes overhead and surround arrays of

well-designed L-ISA configuration expands the system’s coverage area dramatically.”

And while Ambiance allows audience members to enjoy and experience more auditory depth in a performance, for example in classical music or music focused on specific instruments, it also benefits the musicians themselves. “From the performer’s perspective onstage, the results are excellent,” explains Leung. “Artists hear clarity, leading them to be more engaged in their performances.”

RACpro also equipped the Grand Hall with two DiGiCo Quantum 338 digital consoles, three SD-Rack I/O units and two Orange Box 2U rackmount audio converters.

Since installation, the multi-system approach has opened creative possibilities beyond traditional concert applications. “With so many sound sources and rigging points available, it’s now possible to create very new and original interactive programmes,” says Leung. “For example, people might come in for a large meditation and yoga event, with sound surrounding them, making them feel as if they are in another dimension.”

Several live concerts have taken place since the venue opened, with positive client feedback on the concert system’s coverage. One of the first artists to take to the stage of the Grand Hall was Mandopop star Richie Jen, who treated fans to a celebration of a 35 -year musical career in his show A Journey Back to the Sounds of Youth Leung credits the strength of the technical partnership throughout the multi-phased project. “Whether during the design and calibration phases, or when we needed modifications and adjustments, both teams at L-Acoustics and RACpro provided invaluable support,” he says. “We greatly appreciated their expertise and, even now after delivery, they continue to provide technical support.”

www.l-acoustics.com www.racpro.net

Opening the gateway to immersive audio

Richard Lawn visits Singapore’s Gateway arts centre, where E&E has recently installed SPAT Revolution immersive audio capabilities into the main theatre

SINGAPORE-BASED CREATIVE ARTS COMPANY

Gateway Entertainment has been producing and staging unique artistic, drama and musical performances since the turn of the millennium. It creates and produces home-grown theatre, magic shows and corporate events through its production arm, with flagship shows touring the globe and enthralling audiences with cutting-edge content. A committed contributor to Singapore’s arts scene, Gateway has supported the community through stage productions, arts programmes and social ventures. The organisation has grown to include its second brand, Gateway Theatre, which celebrates and promotes Singapore’s creative talents while nurturing a deeper appreciation for the arts in the heartlands and the wider community.

In 2014, Gateway embarked on an ambitious project to rebuild the former Touch Community Theatre to better serve Singapore’s burgeoning arts and entertainment industry. The resultant nine-storey building in Bukit Merah Central serves as a multi-theatre venue and creative arts space for made-inSingapore works and talent from all cultures. Central to this is an emphasis on providing state-of-the-art audio systems. Located on the ground floor and spanning three levels, the 922-seat main theatre includes a moveable orchestra pit, a 10m stage and a stage lift. A Dante network interconnects the entire facility with bidirectional audio communications and provides the technical team with a visual representation of all the inputs and outputs throughout the whole building. Electronics & Engineering (E&E) enjoys a long-term relationship with the theatre, and has an ongoing service contract. The AV integrator and distributor provided the Allen & Heath dLive S7000 digital console platform which is used at FOH, and an S5000 for monitor duties with DM32 and DM64 MixRacks, respectively. In 2022, E&E upgraded the L-R FOH system in the main theatre with 14-per-side JBL VTX A8 arrays powered by Crown I-Tech 4x3500HD amplifiers, paired

with four-per-side VTX B18 subwoofers and VRX928LA 8-inch compact line array speakers as front and rear fills for the stalls.

“The theatre continues to be open to new ideas to enhance its appeal to more tour operators and productions,” explains E&E CEO Gary Goh. “Gateway Theatre was looking to further enhance the sound system with immersive capabilities for live productions, and the timely availability of SPAT Revolution following Harman’s acquisition of FLUX:: proved to be an excellent opportunity.”

The object-based and perceptual immersive SPAT Revolution solution was designed to provide artists, sound designers and engineers with tools to create and mix real-time productions. Integrating with a range of DAWs including Ableton Live, Pro Tools, Reaper and Logic Pro, as well as playback systems, SPAT

Revolution facilitates local inter-application audio networking and automation. Control can be managed from a tablet, smart phone or computer. Offering a list of advanced object parameters based upon how sound is perceived, SPAT Revolution doesn’t favour any output format or speaker system, facilitating its adaption to almost any venue.

E&E has been demonstrating FLUX:: technology to venue owners and show producers since 2024. A successful demonstration to the Gateway technical team was followed up with assurance that an immersive setup could be easily integrated into the existing FOH loudspeaker system. The seating in the stalls and upper balcony have now been enhanced with 36 wall-mounted JBL AC16 6-inch compact speakers, while four JBL AC18/26 8-inch compact speakers have been ceiling-mounted as delays above the rear balcony seats. Powered by five Crown DCi 8|600DA 8-channel amplifiers, dedicated cable runs connect the 40 outputs to each amplifier channel.

upper balcony is now reinforced by 16 wall-mounted JBL AC16 enclosures

Installing the cabling infrastructure for the 40 loudspeaker outputs was greatly assisted by E&E’s diligence in previous works. “Over the years, we’ve kept excellent records of technical drawings and knew where the conduits were, so we simply extended the loudspeaker and network cabling runs to where we needed to install the loudspeakers,” explains Goh.

The addition of two Netgear GSM4210PD-100 managed switches and an Allen & Heath Dante network interface card interfaces the immersive system with the FOH JBL line array and delay systems. As E&E’s first FLUX:: project, interfacing with the pre-existing FOH speaker system was a steep learning curve. E&E’s system application engineer Amsyar Hartono soon realised that the project required specialist programming and PC coding skills, together with a thorough understanding of IT.

“SPAT Revolution cannot transmit the audio signal directly to the arrays as the pre-existing array system is running on analogue while SPAT Revolution is sending via Dante, and deployment of the system requires you to configure where to move the objects by loading the information before the show,” explains Hartono. “To integrate SPAT Revolution with the pre-existing array system, upon receiving input signals from the dLive console for processing, the immersive mix is split into two via Dante. One path is routed to the Crown DCi amplifiers for the immersive speakers and the other is a return to the dLive console for the array system. Operationally, in the instance of live band performance, the inputs feeding into the dLive console are transmitted to SPAT Revolution rather than directly to the line array.”

Expertise was on hand as Harman Professional’s applications engineers Herman Suparman and Arif Salim are based near the theatre. “Herman and Arif advised on the routing of digital audio signals through the Dante network and assisted with the creation of presets and SPAT Revolution configurations,” continues Hartono. “We could not compromise the existing configuration, and the processing has to be managed within the immersive system.” Gateway Theatre will only apply immersive mixing upon request. To date, just two presets have been created on the dLive console for the theatre technicians. For the first preset, the console is

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equipped with an existing setup that bypasses the immersive system to connect all the inputs and outputs directly to the main L-R speakers. Should an engineer simply require more room vibrancy, the console will route its audio signals directly to SPAT Revolution for processing as the second preset. “Some of the audience towards the rear of the venue may not really feel the ambience from the performance but, with the integration of SPAT Revolution, the added speakers reinforce the effects and experience,” explains Hartono.

With integration carried out alongside the theatre’s busy production schedule, E&E was forced to stagger its works over a three-month period. However, the installation team were able to lower a fire curtain and continue working without distracting the performers during rehearsals. Commissioning commenced following the programming of SPAT Revolution and Dante software together with the creation of presets.

“We see this as an ever-evolving system,” concludes Goh. “Technology in the immersive space moves fast, and we look forward to working closely with the Gateway Theatre team to ensure they remain at the forefront of these advancements, continually pushing the boundaries of what is possible in live performance.”

Adds Gateway Theatre’s technical manager, Thien Boon Bing, “sound is fundamental to any staged production, setting the tone and elevating the audience’s experience. In our theatre and arts spaces, it plays a vital role in shaping the mood of every performance. We appreciate that E&E understands these requirements and continues to deliver expert advice and wellconsidered recommendations that truly support our needs.”

Following the successful implementation of SPAT Revolution at Gateway Theatre, E&E is now working with other Singaporean venues where the demand for value-added productions outweighs value engineering.

www.enepl.com.sg www.flux.audio www.gateway.sg

AFS rises to the challenge

OFFERING A MIX OF ADVENTURE, ENTERTAINMENT and nature just 15 minutes’ drive from Kuala Lumpur, Sunway Lagoon has maintained its status as Malaysia’s premier multi-park destination since opening in 1993. Previously a derelict mining site, the 88-acre theme park is home to more than 90 attractions including an amphitheatre for staging musicals, magic shows, theatre productions and graduation ceremonies. To maintain its respected credentials, Puchongbased AFS Engineering was awarded a design and build contract to upgrade the staging, lighting, audio and video infrastructure.

As Sunway University remains the main client for the venue, AFS Engineering based its audio design on speech intelligibility for graduations and ceremonies using Bose Professional software simulations, proposing a speaker solution from the same brand for the amphitheatre’s bespoke requirements. The system design was supported by local Bose Professional distributor, Amanplex Indah.

“Because the structure is over 30 years old, we could not accurately evaluate how much weight the canopy could support,” explains AFS Engineering general manager, Eugene Yeo. “As such, we proposed a ground-stacked speaker system focusing the acoustic energy up towards the seats in the amphitheatre. During the works, however, the university requested a flown system rather than a ground-stacked solution to enhance the stage aesthetics.”

Owing to the change in the speaker design, cabling requirements had to be recalculated along with the inclusion of an array frame to support the weight of the speakers. The front of house system comprises L-R flown arrays of five Bose Professional ShowMatch DeltaQ speakers per side. The upper four SM5 models provide limited 5° vertical coverage, while a solitary SM10 cabinet on the lower section serves as a down fill with a greater 10° dispersion. A total of eight Bose SMS118 18-inch floor-standing subwoofers enhance the lower frequencies down to 29Hz (–10dB).

To provide a delay system in the deep amphitheatre, the AFS design added six pole-mounted AMU208 dual 8-inch speakers. “Sunway Lagoon is surrounded by a manmade beach, so we required an IP55-rated cabinet to withstand the elements,” explains Yeo. Even coverage across the listening plane is achieved with four Bose ArenaMatch AMU208 speakers

as front fills. A combination of Alto and Bose Professional AMM108 12-inch coaxial stage monitors serve musicians and speakers onstage.

Routed through a Luminex Gigacore30i 24-port 1GB switch, the Bose Professional Dante networked solution includes 11 PowerShareX 4-channel amplifiers, with DSP settings stored in an EX-1280 12-in/8-out processor. Incorporating 12- and 7-inch touchscreens, a Yamaha DM7C 72-channel mixer receives up to 32 microphone inputs from a Yamaha Rio3224-D3 digital stagebox. Events companies can take advantage of the Sennheiser EW-D wireless system, equipped with ME 2 miniature lavalier and e835 cardioid microphones and transmitters. The auditorium required dual EW-D ASA active antenna splitters and AD 3700 active directional antennas to boost the wireless signals.

“The venue is equipped with a bigger inventory for larger shows,” adds Yeo. “If an events company needs to expand to

10 channels of wireless, for example, or swap out for another preferred brand, they can hire their own microphones and patch into the stagebox. We installed a versatile and rental-friendly audio, video and lighting setup in the venue, including the Yamaha DM7C mixer which can be upgraded to a PM model for certain performances, if required.”

The existing lighting rig and LED screen, however, were designed to be adequate for most of the amphitheatre’s requirements. Measuring 7m x 4m (WxH), a Nouvoled 2.9mm outdoor LED screen at the rear of the stage is balanced by 5m x 3m (WxH) L-R screens comprised of the same Nouvoled panels.

All inputs and outputs are routed to an Aten CS1792 mini-PC and KVM switch and networked over IP through a Luminex Gigacore 30i 24-port 1GB switch. An Analog Way Pulse 4K60 multi-layer video mixer and presentation switcher provides up to 10 inputs and two outputs of processing. Venue flexibility has been enhanced with the insertion of HDMI and VGA points around the stage, with presets triggered from a programmed Elgato Stream Deck MK.2 controller.

“We opted for a simplified lighting design, as bars above the stage were ruled out because of the air conditioning fans that would create movement and vibrations,” says Yeo. “Therefore, we installed four bars 25m from the stage, which led to a specification of 500W high-power, long-throw LED profiles.” Prolights global projectors are controlled from an Avolites Quartz DMX control surface, and Luminex network switches connect to the Cat6 cabling infrastructure. Ensuring the lighting fixtures maintain a consistent, lossless signal, the addition of a Luminex LumiNode Art-Net unit handles DMX conversion.

AFS had to compress the design, ordering and works into a one-month timeframe. “Critically, all the products needed to be in stock,” explains Yeo. “The LED was the biggest challenge but, fortunately, our supplier had stock. For the loudspeaker system, we only had one week to change the routing of the cabling. Without the professional coordination of our different departments, including finance, this deadline could never have been met.”

www.afsengineering.com www.amanplex.com.my www.boseprofessional.com

Raising the bar

Vichai Group has integrated an extensive AV system across three levels of one of Bangkok’s newest and ambitious hotel projects. Richard Lawn checks in

WITH ITS RICH CULTURE AND EXQUISITE CUISINE, Bangkok blends modern comfort with good value, drawing tourists from all around the world. Welcoming 32.4m travellers in 2024, the Thai capital claimed the title of the world’s most visited city. Just as investment in retail development during the current decade has exploded, so has hospitality. In the second quarter of 2025, six new hotels opened their doors in this vibrant yet congested hospitality landscape, adding 1,526 upscale rooms to the city’s hotel inventory. This means the latest hotels need to differentiate themselves – including their AV offerings –to attract bookings.

Adding to the landscape is the Grande Centre Point Prestige Bangkok in the exclusive Ratchaprasong district, recently opened by LH Mall & Hotel and marketed as “the height of elegance in the heart of Bangkok”. Set to draw a significant share of well-heeled Thai and overseas guests, the 509-room architectural masterpiece features an interior design reflecting Bangkok’s cultural heritage, symbolised by motifs, geometric patterns and touches of gold. The fusion of Thai opulence and Art Deco elegance is balanced by a more subtle yet widespread integration of futureproofed AV systems throughout its higher-level hospitality floors. Targeting corporate functions, weddings and social events, Grande Centre Point Prestige Bangkok offers versatile venues ranging from small boardrooms to the 744m2 Prestige Hall. The architect has put a strong emphasis on natural daylight, allowing it to penetrate through floor-to-ceiling windows in selected areas. An inspiring atmosphere for guests, but a headache for the systems integrator tasked with installing the clearest displays

and ideal room acoustics, as project sales engineer Romchalee Rungruangkitkrai from Vichai Group testifies: “As ever, the interior design overrides the AV technology requirements, but it should never lead to compromised AV quality,” he says.

Established in 1983 by Kittisak Sopchokchai, Vichai Group has grown over four decades to become one of Thailand’s leading AV systems integrators. One of its four business units specialises in the design and build of AV setups across most sectors including corporate, government, education, retail and hospitality. Vichai’s past involvement in the latter, including references at some of the best hotels in Thailand, has built deep industry expertise. This enables the company to execute hospitality projects effectively, benefitting end users who can be ensured of a professional service from day one in this buoyant category.

Commissioned to design, supply and install AV capabilities across the upper three levels (11, 12 and 15) of this prestigious property in 2024, the project team led by Chaiwat Chanta-aksorn was called to site to lay the infrastructure in March 2025. As ever, built-in flexibility, a solid return on investment and ease-of-use functionality were the main criteria of the design brief. The ability to transmit and manage audio, video and data anywhere over an AVoIP backbone became the cornerstone to fulfilling these three goals. An extensive Cat6 and fibre cabling infrastructure, including Dante and Adnet, serves as the foundation.

Incorporating 24 I/O capability, a 1U Q-SYS Core 110f processor lies at the heart of the AV control system. The networked Core interfaces with the audio, architectural lighting, curtains, visuals, camera tracking and OSC commands in the 11th-floor

Prestige Hall grand ballroom. With an access code, technicians can view the AV parameters or presets from any of three Q-SYS wall panel touchscreens or a wireless iPad.

The divisible 31m x 24m space can accommodate up to 800 guests in theatre mode, 480 in a classroom setting or 600 as a cocktail lounge. Using IT-standard Layer 3 protocols and Ethernet switches, the software-based DSP solution provides audio networking integration via Q-LAN, together with all other data.

As a prelude to the Prestige Hall, the 11th-level pre-function area is equipped with Tannoy CMS ceiling speakers, Turbosound column speaker and subwoofer combinations, I/O and HDMI wall panels and a 5.1m x 2.8m P2.5 Unilumin video display.

The main ballroom comprises two audio solutions. Powered by half-rack Lab Gruppen Lucia 240/2M amplifiers, a low-impedance ceiling speaker system consisting of 18 Tannoy CMS 603 6-inch models and six Tannoy CMS 801 8-inch LF speakers is geared towards events that have a provision for basic speech or gentle BGM. Event organisers also have the option to patch in a portable Turbosound Inspire column PA system for more localised events. For the main events, L-R arrays of six QSC LA112 12-inch active cabinets per side feature full array optimisation and intelligent wireless communication between loudspeakers. The lower frequencies are extended down to 41Hz (–6dB) by four-per-side ground-stacked KS118 active subwoofers in cardioid mode. Together with QSC’s RapidDeploy rigging system, the mechanical design facilitates quick array assembly, while Automatic Wireless Array Recognition (AWARE) technology configures without the need to set switches or menus on each cabinet. Built-in Dante networking allows for array management using the QSC SysNav configuration app or the Q-SYS ecosystem.

When the room is combined, a Unilumin UDAII P2.5 LED display measuring 15.36m x 5.28m (WxH) behind the main stage captures the attention of guests. Providing 32:9 single, 16:9 divided or triple presets for split screen presentations, 4K video is routed from Lumens CaptureVision and ViewSonic X100 media processors. When the room is divided, two Seemax 300-inch motorised screens on the adjacent wall are paired with ceilingmounted Epson 20,000-lumen laser projectors. A Midas M32R Live digital console with a Klark Teknik DN32-Dante expansion card provides mixing operations for both divisible sections. Three Minrray UV430E 4K PTZ cameras (30x zoom) provide the main visual inputs, and a Lumens VC-TR60 4K PTZ model enables AI auto tracking for the speakers and performers via the Q-SYS network. Room flexibility is enhanced with the addition of eight Vave AVIP-J1G HDMI-over-IP wall plates hosting visual inputs and

outputs in addition to RJ45 connections, enabled by Vave encoders, decoders, a video control unit and a multiview processor. With a choice of handheld, bodypack, ME2 lavalier and ME3 headset transmitters, 12 channels of Sennheiser EW 300 G4 wireless microphone receivers are reinforced by UHF wireless antennas and boosters can be used for speeches and performance.

Venue flexibility has been maximised by installing patch panels with various inputs and outputs throughout. Analogue audio and HDMI visual signals from the ballroom can be transmitted over the network to any output in the hotel. “The hotel demanded a high degree of flexibility, including the ability to easily transform into an international conferencing room,” says Rungruangkitkrai. “Up to 42 TOA TS-821 wireless gooseneck microphones are enabled by 18 TS-907 wireless transmitters and seven antenna distributors for placement in a variety of layouts including loop, u-shape or classroom mode.”

On the 12th level above, six flexible meeting rooms can be accessed for executive events and workshops via a long prefunction area. Prestige 1 and Prestige 2 are 480m2, 400-capacity and 264m2, 210-capacity theatre-style venues, respectively, whereas Prestige 3 through to Prestige 6 are intimate 100m2 rooms for up to 70 guests. Here, the same combination of technologies deployed in the Prestige Hall are repackaged on a smaller scale. TOA wireless gooseneck conference microphones combine with Audio-Technica System 20 Pro microphone systems as audio sources for output through Tannoy CMS ceiling speakers. Minrray

4K PTZ 20x zoom cameras and Wolfvision wireless presentation systems project onto Seemax 200-inch motorised LED screens via ceiling-mounted Epson 10,000-lumen laser projectors. Once again, AMX wall panel touchscreen controllers and iPads provide ease-of-control benefits. “The creation of a customised graphic user interface to match the hotel’s design is central to the success of any modern-day installation,” continues Rungruangkitkrai. “By programming presets in the Q-SYS software for the hotel technicians, we have significantly simplified their workload.” As the building is devoid of 13th and 14th levels owing to Chinese superstition, the 15th level is directly above level 12. This is the Terrace zone where a pavilion sits in a 590m2 rooftop garden. Networked by Q-SYS digital audio transmission, the 45m2 naturally lit venue is ideal for private gatherings and is equipped with Audio-Technica System 20 Pro Dual handheld mics,

Minnray PTZ cameras connected to the 12th level below and wall panels providing HDMI visual and audio I/Os. The garden area is reinforced by 10 Sonance weatherproof garden speakers, and a Q-SYS wall panel touchscreen controller provides AV management. Working closely with an AV consultant, architect, interior designer and general building contractor, Vichai Group ran a military-like operation to complete its contract ahead of schedule. This included the recruitment of separate subcontractors for cabling, terminations and other works on all three levels. “We scheduled all the works with the general contractor and marked the locations to the subcontractors for the speaker and lighting hook points,” explains Rungruangkitkrai. “Obstructions including fire hydrants, overhead beams, AC systems, water pipes, electrics and other infrastructure features were common. Our main challenge is to provide functionality for the client, for whom we always create the best possible outcome.”

As guests and hotel critics highlight the intelligent integration of AVoIP networks and state-of-the-art visual systems, the Prestige Hotel is currently Vichai Group’s best reference to date. The pressure is on, however. In a city experiencing rapidly rising demands, the group’s next hotel project will need to surpass this landmark.

www.audio-technica.com www.qsc.com www.vichai.group

Redefining the live experience

Ross Video looks at how its Vertex platform powers immersive environments across every venue

Audiences today expect more. Whether they’re in a stadium watching their favourite team, attending a brand activation in a corporate auditorium, exploring a museum exhibit or witnessing a landmark building transformed by light at night – the bar for what constitutes a truly memorable live experience has never been higher. At Ross Video, we believe that technology should serve creativity, not constrain it. That belief is at the heart of Vertex, our AV production suite built to deliver stunning, immersive experiences across any environment.

Following Ross Video’s acquisition of ioversal – the established innovators behind Vertex – the platform now sits at the centre of our expanding experiential technology portfolio. Ross Video Vertex is a complete AV solution combining software, hardware and services into one ecosystem, powering creative freedom while providing the reliability needed to design, deliver and operate complex experiences with confidence. From projection and LED mapping to audio, lighting and effects, Vertex is designed to meet the creative and technical demands of any project – and any venue.

Stadium entertainment: connecting fans through live experiences

The modern sports venue is no longer just a place to watch a match. It is a full sensory destination, where every moment between the whistle and the final score is an opportunity to deepen fan engagement. Vertex enables immersive stadium entertainment that blends interactive gamification, creative freedom and seamless multi-technology workflows to connect people through live experiences.

With Vertex, venue operators can orchestrate everything – from pitch-side LED displays to ribbon boards, concourse signage and halftime show visuals – within a single, unified system. Automated show sequences can be triggered with precision timing, keeping the energy high and the production running smoothly, without requiring large technical

teams on the ground. The result is a fan experience that feels cohesive, dynamic and alive from the moment the gates open to the final whistle.

Corporate venues: smart operations for complex events

Corporate environments present a different kind of challenge. A venue might host an intimate board meeting in the morning, a

integrating seamlessly with third-party tools and allowing for gamified, interactive presentations that leave lasting impressions on audiences.

As Martin Kuhn, vice president of experiential technologies at Ross Video, explains: “In a corporate immersive space, a single button press can trigger a scene switch, activate a projector, take control of the room and simultaneously play back content – all with no manual intervention required.”

global all-hands livestream in the afternoon and a gala dinner with full AV production in the evening. Flexibility and ease of operation are non-negotiable. Vertex makes smart corporate venues simple. One-click operation, intelligent signage and flexible workflows support daily use and complex events within a single, unified system. Clear end-user interfaces hide the underlying complexity, meaning that even non-technical staff can operate the system confidently. At the same time, for more demanding productions, the full depth of Vertex’s capabilities is readily accessible –

Interactive immersive exhibits: where technology disappears

In museum installations, brand experiences and themed attractions, the most powerful technology is the kind the audience never notices. The goal is to transport visitors into a world – not remind them they are standing in front of a screen.

Vertex is designed to power the most immersive and interactive exhibits, with sensor integration, multichannel audio playout and uncompressed or high-end codec playback for demanding environments, while the hardware

disappears to provide audiences with an experience that transports guests into the creative environment. Visitor interactions –whether through motion sensors, touch interfaces or environmental triggers – are woven naturally into the experience, creating exhibits that feel responsive, alive and deeply personal.

Dynamic projection mapping: precision at scale

Few visual formats command attention quite like projection mapping. Whether illuminating the façade of a heritage building, transforming a stage set or creating an immersive dome experience, the technical demands are significant – and the margin for error is slim.

Vertex features precise projection mapping workflows that make it easy to align projectors and quickly calibrate complex, multi-projector setups for remarkable results. The platform’s scalable performance architecture means it can handle everything from a single-projector installation to a sprawling, multi-surface spectacle – growing with the ambition of the project without sacrificing stability or visual quality.

One platform, every environment

What sets Vertex apart is not any single feature – it is the philosophy behind it. The mission from the very beginning has been to simplify complex audiovisual productions and give creators the freedom to focus on storytelling rather than technical hurdles. Ross Vertex unifies video, audio, lighting and control within a single ecosystem, removing the friction that typically slows ambitious productions and repla cing it with creative confidence.

As live experiences continue to evolve across stadiums, corporate campuses, cultural institutions and public spaces, Ross Video and Vertex are ready to power what comes next.

www.rossvideo.com

A coming of age for IPMX

As IPMX reaches its first formal certification milestone, the conversation around open standards in AV-over-IP is shifting from theory to deployment. AIMS board member Andrew Starks outlines the progress so far and the potential implications for the wider AV industry

What

is IPMX and why does it matter?

AV-over-IP has transformed the professional AV landscape. More than a dozen competing platforms now enable high-quality, low-latency audio and video transport over standard Ethernet infrastructure. Yet the market remains fragmented. Manufacturers, integrators and end users face a persistent challenge: products built on different proprietary ecosystems do not interoperate. The flexibility to choose the best components from multiple vendors remains out of reach for most deployments.

Internet Protocol Media Experience (IPMX) was created to solve that problem. Developed under the Alliance for IP Media Solutions (AIMS) in collaboration with the Video Services Forum (VSF) and the Advanced Media Workflow Association (AMWA), IPMX is an open standard and specification for multivendor AV-over-IP in the professional AV market.

At a technical level, IPMX builds on SMPTE ST 2110, the broadcast industry’s established standard for professional media over IP networks. IPMX integrates AMWA’s Networked Media Open Specifications (NMOS) for device discovery and connection management. But where ST 2110 was designed for the extreme timing and synchronisation demands of live broadcast production,

IPMX adapts and extends that foundation to meet the realities of pro AV deployment. It supports both synchronous and asynchronous operation, allowing systems to run with or without Precision Time Protocol (PTP) infrastructure. It defines profiles for compressed video using JPEG XS, enabling visually lossless 4K60 transport over standard 1GbE networks. It also makes NMOS mandatory rather than optional, ensuring consistent device discovery, EDID handling and connection management across vendors.

What sets IPMX apart from existing proprietary solutions is multivendor interoperability through open standards and specifications. It addresses content protection through standardised HDCP (High-bandwidth Digital Content Protection)

handling and a defined key exchange mechanism (HKEP), provides a Privacy Encryption Protocol for secure multivendor AV transport and supports USB virtualisation for interoperable KVM deployments. Rather than requiring bridges between incompatible ecosystems, where information is lost, latency increases and complexity grows, IPMX offers a single, unified framework from the outset.

From specification to certification

AIMS formally launched the IPMX initiative at ISE 2020, just before the Covid-19 shutdown reshaped the industry calendar. In the years that followed, the effort progressed through intensive development and real-world validation. A critical milestone came in 2023, when the first large-scale “dirty hands” interoperability testing event, hosted at the NFL facility

in Inglewood, California, brought early adopters together to validate assumptions and refine specifications based on actual device behaviour.

That work reached its culmination in January 2026, when the inaugural IPMX Product Testing and Certification Event was completed at the European Broadcasting Union (EBU) in Geneva, in collaboration with AIMS, VSF and AMWA. For the first time, the full certification process ran end to end: devices were independently tested, procedures were validated and the public IPMX Registry made its debut.

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A letter from America

Dan Daley examines the giant production rehearsal palaces necessitated by ever-sophisticated stadium tours justifying skyrocketing ticket prices

WHEN YOU ASK CONCERT FANS TO PAY US$600 for a nosebleed seat, it had better be one hell of a show. Tickets to top-tier concerts have undergone a sharp 41% increase since 2019. Most of that was a post-Covid reaction after lengthy global shutdowns, but it’s been a persistent rise, and the numbers are staying up higher than the lighting trusses. That’s because the global live music sector is experiencing a record-breaking, post-pandemic boom, with revenues projected to reach $31.5bn by 2026, driven by high-capacity stadium tours. How long that can be sustained is uncertain. But what’s for sure is that the level of touring production needed to achieve those numbers is quite high: a dozen dancers are now two dozen or more, some of whom will be flying in harnesses, while bands and orchestras will share hydraulic stages beneath hundreds of lighting fixtures and sound systems that comprise lorry-loads of speaker cabinets and thousands of watts. What that costs is almost a secondary concern: you want to play in Taylor Swift’s league, you’re going to pay Taylor Swift money (her Eras Tour cost an estimated $100mn to mount). The bigger question has become: where do you go to pull it all together?

Welcome to Rock Nashville, the 57,000m2 live entertainment rehearsal and production facility spread over a 55-acre campus in north Nashville. More comprehensive than its so-called “cousin” Rock Lititz (no midget at 150 acres, but in a remote area 75 miles west of Philadelphia), Rock Nashville is a 20-minute drive from downtown and houses a small city of related brands, shops and offices for sub-vendors such as Clair Global and staging giant Tait, equity stakeholders in both Rock locations, as well as JBL, DiGiCo, Yamaha, Shure, Tyler Truss and Martin lighting. Sennheiser not only has an office at Rock Nashville but has moved its entire North American operations there. And it wouldn’t be Nashville if you couldn’t buy a guitar: PRS, Takamine and Taylor Guitars are ensconced there, along with Rock-It Cargo to safely ship them.

Rock Nashville’s third main stakeholder is Nashville’s own longtime premier rehearsal facility, Soundcheck. That 33-yearold facility is a music industry institution, but one that was threatened by Nashville’s rapid development. Its location on land once occupied by scrap metal yards has been quickly overtaken by tech and gentrification.

Rock Nashville and Lititz support what has become a touring industry top-heavy with spectacle. A business that once prided itself on having been nurtured in suburban garages has had to

A letter from Europe

create expansive spaces in which to develop ever-more dazzling productions. With its main rooms and their 20–25m-high ceilings in Nashville and one in Lititz at a dizzying 30m – all able to accommodate live pyro – and two dozen smaller spaces for band and dancer rehearsals, the sky is quite nearly the limit. All in pursuit of those $600 seats that will still mostly only be able to see the production on giant screens.

All this takes place while small clubs – once the next step after the garage – are facing a financial vice-grip, with 64% of independent live stages recently reporting they were not profitable, struggling against a combination of soaring operational costs, gentrification, taxes and shifting audience behaviours that have made the traditional ticket and bar revenue insufficient for survival.

There is one notable concession to music production’s roots, though: Rock Nashville’s location allows many to at least sleep in their own beds during rehearsal, having brought the facility to where many of the artists, musicians and technologists call home (versus in Lititz, where they had to build a 137-room hotel onsite). Those working in today’s evergrander rehearsal spaces need to create shows spectacular enough to justify the ticket prices required to support crowd expectation.

Phil Ward ponders the shifting nature of authenticity

THERE IS A VERY OLD JOKE CONCERNING THE 1960s’

folk trio Peter, Paul and Mary. It won’t win the Perrier comedy award at the Edinburgh Fringe festival, but it does reveal something about the potential disparity between a name – or a brand – and its reality. So, a critic is watching the group and observing that there have been some personnel changes, as in any band. Firstly, Peter left, replaced by Tom, then Paul and Mary formed their own duo, replaced by James and Maggie. The known trio of Peter, Paul and Mary is now made up of three characters called Tom, James and Maggie.

I warned you not to reach for the Perrier. However, I think we can conclude that, whatever this new group is, and however good they are, it’s not Peter, Paul and Mary. Loyal fans might feel more than a little aggrieved. This would be farcical if it were not true that many bands – like Hawkwind and UB40, for example – are now touring with as few as one original member. Then consider some of the Beat groups of the early 1960s that consist of offspring, younger relatives or even fans of the act as it was, with maybe the occasional appearance by a founder member in a wheelchair. I have seen this happen.

The paradigm is equally applicable to branded products. Founding generations among clockmakers, automobile manufacturers and many other crafted goods are routinely replaced by a combination of new blood and usurpers, the emphasis depending upon a combination of your sentimentality and your sound business sense. Sometimes, a residual family connection is maintained, but often the heritage is swept away by the new broom. There may be spirited attempts to preserve this heritage behind a glass case in reception.

About this time last year, the TC Electronic factory in Denmark was permanently closed. Ten years before that, it had been announced that the TC Group as a whole – including Lab Gruppen, Tannoy, Lake and other constituent parts – was being acquired by what was known then as MUSIC Group, now MusicTribe. You may, if you wish, reconstruct the aforementioned brands as Peter LabGruppen, Paul Tannoy and Mary Lake. That’s entirely up to you, but bear in mind that the model in the joke is not quite accurate as the fracture was simultaneous and wholesale, not piecemeal.

TC Electronic means many different things to different people. To me it means fabulous reverb, wonderful guitar pedals and more than one lost weekend in Aarhus, the lovely city in which the company started, and finished – one such weekend being entirely the fault of a gentleman who now works for a leading developer of open networking standards. This sort of B2B hospitality just doesn’t happen anymore.

Now imagine a folk trio called PRV, made up of Peter Potters Bar, Paul Regensdorf and Mary Vienna, and you’ll see exactly where I’m going with this. Somewhere in the soul of any creative endeavour is a shy creature called authenticity, and it’s the single hardest thing to model, replicate or preserve. In fact, Groucho Marx just about got it right when he said: “The two most important words in the world are honesty and sincerity. If you can fake these, you’ve got it made.”

It seems the most compelling arguments for all the various ways of reducing costs, maximising profits, streamlining production and generally oiling the greasy pole of growth, while being inarguable when faced with the stark logic of the spreadsheet, just can’t answer this point. The band has split up. But whatever this new group is, however good it is, it’s not TC Electronic.

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Optimal results

Optimal Audio launched in 2021 under the Focusrite Group umbrella with a clear mission: to simplify installation audio without compromising on quality

SET UP TO ADDRESS WHAT MANY SAW AS AN unnecessarily complex commercial audio landscape,

Optimal Audio became the seventh brand in the Focusrite Group at its 2021 launch. Its focus has been on delivering an ecosystem of products for hospitality, retail, leisure and corporate environments that are easy to specify, simple to install and intuitive for non-technical staff to operate. In just a few years, the brand has expanded its portfolio significantly, built global distribution and established a reputation among integrators and installers for combining ease-of-use with high-quality sound. The concept for Optimal Audio began in 2019 when Martin Audio managing director Dom Harter identified an opportunity to build a dedicated commercial audio brand. Although the idea emerged during a period of significant change – including the acquisition of Martin Audio by the Focusrite Group in late 2019 – the concept of a separate marque dedicated to commercial audio quickly proved logical. The plan was supported within the group, laying the groundwork for the new company.

“It started inside Martin Audio as a project to investigate how to win market share of the commercial audio sector,” explains marketing director, James King. “We quickly realised that the products required to win were not a suitable subset of the Martin Audio brand and so we invested in a separate R&D team to develop the products under the banner of Optimal Audio. When Martin Audio was purchased by Focusrite plc, the Optimal Audio brand concept – at that stage around 15 months into development – took on additional life with investment by Focusrite as well as support from the wider group to help bring us to this moment.”

An early key appointment was engineering manager Matt Rowe, who was tasked with developing the technological backbone that would underpin the new product ecosystem.

Rowe brought extensive industry experience to the project. After graduating in electronics from Kingston University, he began his career as a technician at BSS Audio, where he later worked on the development of Soundweb London. Following a decade at BSS, Rowe moved to Soundcraft, where he played a key role in delivering the company’s Si series of digital consoles. Later work at Harman International further developed his expertise

in cost-efficient engineering, particularly in the development of compact mixers such as Soundcraft’s Signature and Notepad series.

When Harter outlined his vision for the new commercial audio brand, Rowe saw an opportunity to apply his broad experience. The prospect of building an end-to -end system from the ground up, including DSP controllers, amplifiers and loudspeakers, proved compelling. Drawing on his experience of working across multiple disciplines, Rowe helped establish the technical foundations of Optimal Audio’s first generation of products.

While the engineering development progressed, the task of shaping the brand itself fell largely to King. Working alongside Harter, King began developing the brand strategy in early 2019. The guiding principle was simplicity. This would apply not only to the products themselves but to the entire customer experience, from product selection through to installation and day-to -day use. Rather than reducing capability, the goal was to remove unnecessary complexity. Product development focused on creating a range where components worked together seamlessly, eliminating the need for extensive system configuration. Together, the technical and marketing teams set about defining Optimal’s target markets and detailing how the ecosystem would benefit everyone in the sales chain, including distributors, integrators and end users. A clean, minimalist logo was developed

Product management director David Morbey

early in the process and has since developed into a distinctive double-icon graphic system used to represent product categories, applications and key messages.

However, as with many well-intentioned plans laid in 2019, an unexpected obstacle presented itself in the form of the Covid-19 pandemic, severely impacting the global audio industry. Throughout 2020, the Optimal Audio team continued behind the scenes, refining the brand architecture, product messaging and marketing approach. In March 2021, the Focusrite Group launched a teaser campaign announcing that a new brand was on the way, with the official

online launch of Optimal Audio on 20 April that year. More than 20 products were unveiled, offering a one-stop solution of control, amplification and loudspeakers for small to medium-sized commercial installations, with a focus on supporting multi-zone venues. This included 4- and 8 -zone powered and non-powered DSP zone controllers with 3 -band EQ, bandpass filtering on every output, limiters and delay and an app for system setup, allowing installers to configure EQs and presets and structure time-of-day routines. Other products were ZonePad controllers and three SmartAmp amplifiers with DSP, multichannel direct drive constant voltage and optimised presets, available in half- and full-rack options. The Up range consisting of five ceiling speakers, four Cuboid on-wall wooden speakers and two compact Sub subwoofers completed the launch offering.

At the same time, a strategic distribution partnership with Audio-Technica Europe for key markets was announced. Distribution partners were soon appointed in multiple regions as the company began building its global network. Heading the charge for Asia was Generation AV, which was quickly appointed to manage the territory, appointing early distributors including Guangzhou Guidance (China), ProPlugin (Thailand), Alvo Technology (Singapore) and Duc Proaudio Technology (Vietnam), followed by Audio Brands for Australia. Meanwhile, representation for the MEA region kicked off with Audiosure for South Africa and Kwarizmi for Jordan.

However, there were more obstacles ahead, namely the global component shortage that affected electronics manufacturers across a range of industries. Anticipating potential supply issues, the team had taken the precaution of securing critical components in advance, including the DSP chips used in the Zone processors. Despite these preparations, the broader supply chain challenges inevitably affected production schedules. Like many manufacturers, the engineering team had to redesign products to accommodate changing component availability. However, products began shipping within months of the launch, allowing the brand to start building up a presence in the market. According to Harter, the response from early adopters and channel partners helped to build

a strong order book. The company’s first open day in September 2021 gave visitors the chance to experience the Optimal Audio technology and ecosystems in person.

Product management director David Morbey joined the company after the brand’s launch, bringing with him extensive experience from the commercial AV sector. Having previously worked with Harter and King during their time at Martin Audio, Morbey was already familiar with the concept behind Optimal Audio. “I very much admired the Optimal Audio launch in 2021,” he says. “The disruptive marketing and clear messaging around the ecosystem isn’t let down by the product, which proved to be as simple and intuitive as it promised, so when the opportunity arose to get involved, I didn’t hesitate.”

One of Morbey’s priorities has been to develop a route for improved customer feedback to inform future product development, as well as working with R&D and management to develop a strategy and identify priorities for the medium and long term. Since its launch, Optimal Audio’s product range has roughly doubled in size while remaining true to its original philosophy. The portfolio now includes loudspeakers, amplifiers, DSP controllers, pagers and control interfaces designed to work together seamlessly, with standout products such as the Talk 8 paging station helping to define the brand’s offering.

Optimal Audio is now distributed in more than 80 countries, supported by an ever-expanding network of sales partners and systems integrators, with worldwide installations spanning applications from hospitality and retail through to sports arenas. “The ability to have crystal-clear sound available at the touch of a button helps us provide a better environment for our members as well as enabling us to communicate clearly at domestic competitions and special events,” comments Mark Wrobel, CEO of Northside Wizards, whose basketball arena in Australia was installed with a Cuboid system by Brisbane Sound Group, supplied by Audio Brands Australia – the first sports arena install for the brand. “The sound quality and clarity of speech provided by the Optimal Audio speakers is second to none and has made our venue a far more friendly space.”

Optimal Audio has also received significant industry recognition, winning multiple awards both for individual products and for the brand itself. These include honours for technologies such as the Zone DSP platform, the WebApp control interface and the Talk 8 pager.

Although it’s still relatively early days, Optimal Audio has already demonstrated strong momentum. “We’ve signed sales partners all over the world in many more countries than our original business plan assumed,” says Harter. “We have built a solid following of early adopters, channel partners and installers through a powerful marketing campaign. I am very proud of the team, the calibre of materials they have built and the execution of the designs. There is a lot to be proud of, and we have a long-term vision with an excellent team executing the plan. In the next few months there will be a raft of further products and solutions hitting the market. Exciting times!”

With a growing product portfolio, expanding distribution network and the backing of the Focusrite Group, the company is well-positioned for continued growth on its path to provide commercial audio systems that are powerful yet approachable, delivering quality audio while remaining easy for venues to manage.

www.optimal-audio.co.uk

Shure powers the workplace

Designed to enhance the AI-powered workplace, the IntelliMix Bar Pro has been added to Shure’s collaboration portfolio

THE INTELLIMIX Bar Pro from Shure is an all-in-one video bar “engineered to solve IT’s everyday challenges in meeting spaces”.

The latest addition to the manufacturer’s collaboration portfolio, the video bar has been designed to enhance the AI-powered workplace, providing audio and video coverage from a single device. Suitable for medium and large meeting spaces, it captures non-verbal cues to create a more engaging and productive meeting.

The IntelliMix Bar Pro integrates patented Shure Microflex Advance array microphones with high-output, stereo loudspeakers. Onboard IntelliMix processing enhances audio clarity by reducing background noise and isolating voices, supporting precise transcriptions for AI tools like Copilot in Microsoft Teams and ensuring every word is captured clearly to boost productivity.

Shure IntelliMix View AI framing technology frames each participant as they would appear in person. Four 4K cameras offer a combined 135° wide-angle field of view to provide full-room visibility and the ability to highlight active participants.

The Android-based IntelliMix Bar Pro, built on the Microsoft Device Ecosystem Platform (MDEP), includes onboard compute. This aims to simplify setup, reduce potential points of failure and lower overall maintenance. IT teams can securely control, manage and update devices remotely using ShureCloud and other enterprise IoT systems like Pro Management Portal and ServiceNow.

Described as a new table array microphone designed for enterprise collaboration environments, the manufacturer has also introduced the Microflex Advance MXA320. The microphone builds on the design of the MXA310, offering a low-profile, networked audio solution intended for conference rooms and meeting spaces requiring scalable, table-based coverage.

The MXA320 incorporates enhanced Steerable Coverage Technology to support directional audio capture across conferencing environments. The microphone also integrates onboard IntelliMix processing and is certified for

Microsoft Teams and Zoom, supporting streamlined deployment in unified communications spaces.

Configuration is managed through Shure Designer software, with compatibility for ShureCloud-based management. An integrated mute button is included within the compact housing, and the device is designed to require minimal setup out of the box for IT and AV professionals.

The microphone has a programmable LED light ring with configurable colours and brightness control, and is available in white, black and aluminium finishes. It supports standards-based security protocols to manage access and protect data, including 802.1x, secure boot/storage and AES encryption for control and audio data.

Available polar patterns include cardioid, supercardioid, hypercardioid, bidirectional, omnidirectional and “toroid” polar pattern that only captures table-level sound, helping to reduce unwanted distractions from an overhead fan or in-room HVAC.

www.shure.com

Amadeus releases NUMAX Series

BASED ON a 4-way tri-amplified architecture with built-in cardioid technology, the NUMAX Series from Amadeus comes in three models: the NUMAX XV point source system and two complementary line source systems designated as NUMAX XV Focus (variable curvature) and NUMAX XV Wide (constant curvature). The series has been designed to address the limitations commonly encountered in mid-scale loudspeaker systems, including reduced projection, limited spectral extension, quasi-omnidirectional lowfrequency behaviour and insufficient midrange richness and articulation.

The primary low-frequency driver features a 15-inch cone in a bass-reflex configuration, extending frequency response down to 40Hz. The result is said to be a high-power, full-range speaker system suited for spatialised sound reinforcement in mediumto long-throw applications, with effective coverage up to approximately 45m. Each

model in the NUMAX Series is a 4-way speaker design incorporating five transducers. The 15-inch driver features a magnesium chassis and a neodymium magnet, chosen to ensure a lightweight yet high-performance speaker. Optimised to operate within the 40–350Hz range, it has a power handling capacity of 1,000W (AES).

To reduce onstage low frequencies, the models integrate two custom-designed 8-inch drivers, strategically positioned on the rear panel to achieve a cardioid directivity. These rear-facing drivers share similar mechanical behaviour to the front-facing 15-inch driver, ensuring the system maintains consistent cardioid performance regardless of sound level. The 8-inch transducers operate in the 50–180Hz range and are paired with an 8-inch high-excursion passive radiator to maximise system compactness.

www.amadeuslab.com

On the Crest of power

INTEGRATING INTO AVoIP, Crest Audio has unveiled two PoE++ powered loudspeakers: the CiP 26 and the CiP 5. Designed for fully networked AV environments, the CiP Series delivers control and audio over a single Ethernet cable using PoE++ (IEEE 802.3bt Type 4 90W), removing the requirement for local mains power or separate amplifier racks. The CiP 26 is a 2-way loudspeaker, featuring dual 6.5-inch woofers paired with a 1-inch dynamic tweeter. Its biamplified architecture delivers sound pressure levels of 103dB at 1m. With a frequency response

APG expands installation catalogue

ARBANE GROUPE has expanded the APG loudspeaker portfolio with the introduction of two product series, the eX and tS ranges. Both series are designed primarily for fixed installation applications, with the tS series also intended for small and mid-sized event use, offering flexible deployment across installed and

conditions. The compact models within the range are compatible with VESA mounting systems, supporting discreet integration into architectural spaces. Installation has been simplified through the inclusion of mounting grommets and cable glands as standard.

to deliver wide and uniform sound dispersion without phase disturbances or response variation across the listening area. The series comprises multiple models, including the eX5, eX6, eX8, eX12 and eX15, covering cabinet sizes from 5–15 inches.

Engineered for indoor and outdoor installations, the eX range cabinets have durable polyurethane finishes designed to withstand challenging environmental

Alongside eX, Arbane Groupe has introduced the tS series, beginning with the tS121 subwoofer. Derived from the UM121 subwoofer platform used in the Uniline Max system, the tS121 has been adapted design is intended to balance compact dimensions with output, making installations and mobile applications.

The tS series uses a bass-reflex rear enclosure to extend low-frequency response, while the front-loaded design is intended to deliver controlled and precise low-frequency impact. This dual design approach supports use across a range of programme material, from electronic music to acoustic and popular music applications.

www.arbane-groupe.com

spanning 65Hz–20kHz and a wide 120° x 75° (HxV) coverage pattern, it is supplied with wall-mount brackets with connectivity coming via a single RJ45 connector. The speaker is equally suited to hospitality venues as it is

UNVEILED AS the latest member of d&b audiotechnik’s xS-Series, the 42S comes with the same mounting options as its 44S sibling in a smaller form factor. Featuring a 4.5-inch neodymium LF driver with an asymmetric 0.75-inch HF dome tweeter and providing 120° x 90° (HxV) dispersion, the passive 2-way point source enclosure provides even coverage, directivity and intelligibility according to the German manufacturer.

Featuring a wide selection of mounting options, including flush mount, and an extensive Custom Solution offering, the 42S can be integrated into almost any hospitality, performing arts or house of worship venue. Acoustically tuned for use with all d&b amplifiers in main, auxiliary and distributed audio configurations, the frequency response of the 42S extends down to 77Hz. For distributed systems, its

supporting speech and presentation audio in larger collaboration spaces.

Tailored for a more controlled soundstage, the CiP 5 is equipped with a 5.25-inch woofer and 0.75-inch tweeter. This biamplified

configuration delivers up to 101dB peak SPL with a 90° x 60° sound dispersion pattern, making it more suited for boardrooms, classrooms, meeting rooms, retail spaces and distributed background music systems.

The CiP 26 and CiP 5 support Dante and AES67 (sNET) audio networking, with optional 24VDC external power available where required. Their compact enclosures and U-brackets allow installation across a wide range of commercial settings.

www.peaveycommercialaudio.com

nominal impedance of 24Ω allows for between six and eight loudspeakers per amplifier channel, including the 5D or Milan-version 5DM amplifiers. www.dbaudio.com

DAS Audio adds to EVENT Series

AS THE family-owned company celebrates 55 years in business, DAS Audio has expanded its EVENT Series with the addition of the EVENT-30A line array system, EVENT-M12A coaxial monitor and EVENT-S218A subwoofer.

stage monitoring, fills and point source applications. Its compact form, controlled coverage and front-mounted connectors keep cabling out of sight for a cleaner stage aesthetic. Like other members of the family, the monitor has been built on a scalable DSP

The EVENT-30A has been built on a new smart DSP platform designed to evolve over time. Featuring onboard Wi-Fi for wireless firmware updates and Smart Self-Tuning, the EVENT-30A automatically identifies each cabinet’s position within an array using IR technology and applies the correct processing. It delivers 142dB of maximum SPL from a compact, lightweight enclosure. The speakers incorporate newly developed transducers and dual compression drivers, reportedly delivering increased dynamic range and controlled SPL.

The EVENT-M12A is a powered 12-inch coaxial monitor designed for

architecture that supports future firmware updates.

The EVENT-S218A is a dual 18-inch powered subwoofer developed alongside the new EVENT systems. With cardioid presets for two- and three-sub configurations providing effective rear rejection, integrated threaded pole adapters for vertical or horizontal deployment and future-ready DSP, the S218A delivers controlled, efficient low-frequency performance for demanding live and outdoor environments.

www.dasaudio.com

JBL updates Intellivox column speakers

DANTE NETWORKED audio support has been added to JBL Professional’s Intellivox active digital beam-shaping column loudspeakers. The 13 newly introduced arrays serve as the next-generation replacements for all previous models in the Intellivox DSX, DS and HP - DS p roduct families.

Combining multiple high-quality drivers with advanced DSP and integrated multichannel amplifiers, the models incorporate JBL’s Digital Directivity Synthesis (DDS) beam-shaping technology, which allows users to define exactly where sound should be projected, and where it should not. By tailoring coverage areas and minimising reflections, DDS maximises the direct-to-reverberant ratio. The slim, unobtrusive design makes the column loudspeaker arrays suitable for installations where architectural preservation is critical. Enclosures require no mechanical aiming, are available in custom colours and can even be recessed to blend seamlessly into buildings of all ages and styles. Intellivox supports Dante and analogue audio inputs alongside IP control connectivity.

Each system includes an electronics module that provides network connectivity for control via free WinControl software, enabling easy setup and monitoring of Intellivox installations. For system designers, the DDA (Digital Directivity Analysis) software tool offers advanced simulation and optimisation of directional behaviour, as well as modelling of other loudspeakers within the system.

www.jblpro.com

FIRST LAUNCHED in 2008, the frontloaded EVF Series and the horn-loaded EVH Series have become two of Electro-Voice’s most widely installed point source solutions. Now, both series have been reworked to provide higher acoustic output, improved pattern control and a simpler model selection process.

Each model features newly developed Electro-Voice transducers, including the ND2-EVO high-performance 2-inch compression driver, as well as model-specific DSCA low-frequency drivers. A new low-loss crossover forms the foundation for higher efficiency and more consistent performance across the entire frequency range. Incorporating the manufacturer’s Constant Directivity technology, all models benefit from slightly lower tuning and increased woofer excursion capability, resulting in more usable full-range output and increased low-frequency headroom.

All units are offered in black and white finishes and in indoor and outdoor versions. The EVF Series is available in five coverage

patterns: 60° x 40°, 60° x 60°, 90° x 50°, 90° x 90° and 120° x 60°.

The EVH Series also comprises five different coverage patterns: 40° x 30°, 60° x 40°, 60° x 60°, 90° x 50° and 90° x 90°. Both series are ideally matched to the IX Series power amplifiers from Dynacord, making it easier to deploy the EVF or EVH models in configurations. For

maximum flexibility, EVF and EVH G2 are also compatible with the full range of Dynacord DSP amplifiers and the new V Series Zone Audio Platform.

The EVF Series lineup comprises three models: the EVF-12 and EVF-15 2-way front-loaded loudspeakers, and the EVF-215S dual 15-inch subwoofer. The EVF-12 introduces an improved 120° x 60° horn pattern, while the EVF-215S subwoofer benefits from new DSCA-family woofers and processing presets that deliver up to 3dB more output at 40Hz compared to the existing generation.

The EVH consists of the EVH-15, a horn-loaded 2-way loudspeaker designed for applications requiring precise pattern control and high output over longer throw distances. Compared to the previous generation, the EVH-15 delivers increased maximum SPL on most models, improved low-frequency performance and enhanced directivity consistency. Updated mounting and installation options further simplify deployment.

www.electrovoice.com

Martin Audio updates Wavefront Precision

SXH218 subwoofer. The entire enclosure of the Wavefront Precision units now achieves an IP54 rating for protection against dust and splashes. Improvements also include new corrosion-resistant coatings and improved resilience to high and low temperatures, humidity protection and UV stability. With the addition of an LED indicator within the grille that can be illuminated via VU-NET control software, each enclosure can be identified on the circuit.

An update to the engine of DISPLAY 3 will reportedly make it 27,000 times faster

LAVOCE ITALIANA has released two large-format 1.4-inch compression drivers.

The DN14.250T and DF14.300LT are based on a next-generation HF design platform, combining a FEM-optimised motor, phase plug and diaphragm geometries. The DN14.250T features a 2.5-inch edgewound copper-clad voice coil and titanium diaphragm and surround. It offers a 160W programme power rating, 108dB sensitivity across a 1–20kHz frequency range and a 1,200Hz recommended crossover point. The DN14.250T uses a neodymium motor, offering system designers flexibility in balancing performance, weight and cost according to application requirements. The DF14.300LT is a 1.4-inch exit ferrite compression driver developed directly from the manufacturer’s

MAILA gains a sibling

LD SYSTEMS has launched MAILA passive, a system variant of the modular and scalable MAILA Modular All-Round Intelligent Line Array and developed for fixed installations as well as for professional rental and corporate use. The system combines the acoustic properties and modular mechanics of the MAILA concept with a classic, power amplifier-based system architecture and can be seamlessly integrated into existing DSP, network and control infrastructures.

The MAILA passive system dispenses completely with integrated power amplifiers and instead relies consistently on external amplification. The MAILA SAT, which already functioned as a passive component in the previous system, remains the central array element. The range is complemented by the MAILA COL P column module for extending the low/mid range, the MAILA SUB P double 15-inch subwoofer and the new MAILA SUB 15 P single 15-inch bass-reflex subwoofer, which will also

Instead of the active MAILA SPA amplifier module, the new MAILA SAT X is used in the passive system. This module sits between the power amplifier and the array and acts as a mechanical and electrical adapter. In addition, the MAILA SAT X can be operated independently of the array as a standalone near-fill point source, including an integrated stand with variable angulation. In active MAILA setups, the MAILA SAT X can be operated via a new version of the MAILA SPA amplifier module with speakON outputs. To meet the extended visual requirements of installation and industrial applications, all passive MAILA modules (with the exception of the SUB P) are available in black and white.

In addition, MAILA is now fully integrated into Powersoft’s Armonía+ software, which enables centralised control and monitoring of all relevant DSP functions and facilitates integration into existing system landscapes.

Meanwhile, the SXH218 hybrid horn/reflex double 18-inch subwoofer now includes weatherisation protection, an LED circuit indicator and a connector panel front and rear to support both cardioid and standard configuration. Two subwoofers have also been unveiled, the SX118+ single and SX218+ double 18-inch models, said to include significantly improved low-end extension performance, weatherisation and an LED indicator and connector panel front and rear.

www.martin-audio.com

flagship DF14.300T driver. It features a 3-inch edge-wound copper-clad aluminium voice coil, delivers 220W programme power handling and a 107dB sensitivity over a wide 600Hz–18kHz frequency range.

The manufacturer has also expanded its common HF/LF magnet coaxial range with the introduction of neodymium and ferrite 8- and 15-inch models, including both cone-ashorn and dedicated ABS horn configurations as part of its flagship CAN and CAF Series. The CAN082.00K and CAF082.00K are compact 8-inch coaxial transducers designed for high-performance point source systems where size, weight and wide coverage are critical. Both models use the LF cone as the HF waveguide, providing a 100° nominal coverage, and feature

a common HF/LF magnet motor structure optimised through FEM analysis.

The CAN082.00K employs a neodymium motor, delivering 97dB sensitivity, while the CAF082.00K uses a ferrite motor and provides 96dB sensitivity.

The CAF153.00TH and CAN153.00TH 15-inch coaxial transducers feature a proprietary ABS HF horn designed to deliver 60° x 40° nominal coverage. Both models are built on a high-power common motor platform with a 3-inch LF copper voice coil and a 3-inch edge-wound copper-clad aluminium HF voice coil, delivering 800W programme power handling and a wide 45Hz–18kHz frequency range. The HF section employs a titanium diaphragm with polyimide surround combined with a patented

IIS phase plug and an aluminium demodulating ring.

Finally, the WAF082.01 is a ferrite magnet 8-inch woofer with a FEM-optimised motor and suspension system. Equipped 2-inch copper voice coil, it delivers 500W programme power handling with a high 97dB sensitivity, making it suitable for compact, high-energy loudspeaker systems where output, reliability and cost-effectiveness must be carefully balanced. An optimised cooling system ensures stable thermal behaviour under sustained high-power operation, while an integrated copper ring extends the usable frequency range and contributes to reduced distortion and improved clarity in the upper LF band.

www.lavocespeakers.com

Montarbo returns to the stage

DEVELOPED FOR permanent installations, Montarbo has released the Nettuno L28 compact line array. It features two 8-inch ferrite woofers, a 1.4-inch neodymium compression driver with 3-inch voice coil and a 1,000W RMS Montarbo-engineered amplifier with integrated DSP and FIR filtering. Capable of delivering up to 135.5dB SPL, the L28’s symmetrical waveguide and phase plug design are said to provide consistent performance, even in acoustically challenging environments.

people. The cabinet is constructed using plywood with a polyurea coating, and includes recessed pins for quick setups and versatile configurations at outdoor festivals, theatres, concert halls, corporate events and houses of worship.

FOHHN HAS expanded its Dante Power over Ethernet (PoE) platform with PoE, PoE+ and PoE++ models, including ceiling, pendant and full-range speakers and a subwoofer. Power, audio, control and monitoring are transmitted via a single network cable, reducing installation effort while enabling scalable and flexible sound reinforcement systems.

The manufacturer has also expanded its MA series with the MA-4.200, a compact 4-channel DSP amplifier delivering 4x200W. For high-power applications, the DM-8000 offers 4x2,000W with Dante, AES and analogue inputs for larger systems and live sound. Meanwhile, the AS subwoofer series

Up to 20 cabinets can be configured using just two rotary encoders, with coupling and HFC presets easily accessible. A 100° horizontal dispersion and built-in, high-frequency compensation reportedly result in precise control over each cabinet’s throw without external processing. Paired with Nettuno S181 or S182 subwoofers, the L28 creates a scalable system capable of delivering consistent energy and reliable performance for audiences of up to 5,000

Palmer enters a new orbit Fohhn provides the power

DESIGNED FOR professional recording studios, project studios and advanced home production environments, Palmer has introduced the ORBIT 11, an active 3-way studio monitor built around a coaxial point source design intended to deliver consistent dispersion, stable stereo imaging and precise localisation across the frequency spectrum.

The ORBIT 11 features a coaxial 6. 5-inch midrange driver with integrated 1-inch tweeter, supported by two side-mounted 8-inch woofers. This configuration is designed to provide homogeneous sound distribution and full-range reproduction, with a stated frequency response of 28Hz–28kHz (–3dB), eliminating the need for an additional subwoofer in many applications. Signal processing is handled via a 96kHz, 24-bit FIR DSP incorporating linear-phase filters with a latency of 4ms. Amplification is provided by an integrated Class-D power stage delivering up to 1,000W peak output, with a maximum sound pressure level of 116dB SPL intended to provide sufficient headroom for larger control rooms and higher monitoring levels.

Room and placement adjustments include a parametric 3-band EQ, high-pass filter and presets for different speaker positions and wall distances. Controls are located on the top panel of the cabinet for direct access during setup.

The Nettuno S182 is a high-output, adaptive subwoofer that delivers extended low-frequency reinforcement down to 35Hz and reaches up to 139dB SPL. It comes with two 18-inch ferrite woofers with dual 4-inch voice coils, a 2,000W RMS Class-D amplifier (4,000W peak) and integrated DSP with system presets and limiter management. Developed as a companion to the L28, the S182 supports ground-stacked, cardioid or coupled configurations. The enclosure is constructed from touring-grade plywood with a polyurea coating, making it suitable for touring sound reinforcement, live concerts and festivals, theatres, performance venues and houses of worship.

www.montarbo.com

Connectivity includes analogue XLR inputs and AES3 digital connections with loop-through capability. Available in black or white, the monitor is housed in a die-cast aluminium enclosure with decoupled feet to minimise mechanical resonance.

www.palmer-germany.com

has been redesigned, combining a new front design with enhanced low-frequency performance.

Finally, Fohhn has added the IG-104 ceiling speaker and IG-104 free pendant version for commercial and hospitality environments to its growing catalogue, along with the AT-206 EN 54-24 certified point source speaker for voice alarm and music playback, the OT-106 stainless steel loudspeaker for harsh environments and the CT-110 coaxial loudspeaker developed for immersive and 3D audio installations.

www.fohhn.com

Sonance reaches new depths

THE VX52R UTL from Sonance is an ultra-shallow in-ceiling speaker that delivers VX Series performance in applications where depth is limited. The model has been designed for retrofit projects, historic buildings and commercial spaces where traditional speakers cannot be installed, such as shallow ceiling cavities, concrete substrates or rooms with structural limitations.

The VX52R UTL incorporates technology from Sonance’s VX Series models, including CDX Crossover, a crossover design that optimises driver integration and frequency response accuracy across the audio spectrum and VX Sinusoidal Waveguide, an engineered waveguide geometry that provides wide,

consistent coverage with minimal off-axis coloration. A new 5.25-inch polypropylene woofer and 0.75-inch silk dome tweeter have been added to deliver tonal balance and extended frequency response (55Hz–20kHz). With an 8Ω impedance and 89dB sensitivity, the VX52R UTL integrates into distributed audio systems and can be driven by a wide range of amplification platforms. The 8.25-inch cutout diameter and included paintable grille (options for Micro Trim, Trimless or Sonance TRUFIG Flush Mounted) promote Sonance’s “Designed to Disappear” aesthetic philosophy. It replaces the manufacturer’s VP Series ultra-thin model.

Clear coverage from TOA

THE SR-D200-EB from TOA Electronics is an active line array speaker designed for high-performance audio applications. It combines vertical beam steering from –15° to +15°, integrated DSP and Dante network connectivity. With dedicated setting software and Dante, line and 100V inputs, the SR-D200-EB provides clear sound coverage and simple integration into modern digital media networks.

The vertical beam-steering technology allows the sound dispersion to be electronically adjusted to the listening area. This reportedly enables precise sound coverage without mechanical tilt, reduces unwanted reflections from ceilings and floors, and improves speech intelligibility, especially in acoustically challenging indoor environments.

The SR-D200 -EB is suitable for indoor projects that demand precise directivity, clear voice announcements and reliable networked audio distribution. It has a maximum SPL of 123dB (at 1m) and dual Dante network ports with automatic device ID detection on the same subnet.

www.toa.eu

Celestion

Void Acoustics expands natural wood finishes

RESPONDING TO growing demand from design-led systems that form part of the overall aesthetic, Void Acoustics has expanded the natural wood finish option for its Venu V2 Series. Previously offered as a custom request, the Natural Wood Collection is now available across the Venu V2 range in two real timber finishes: Barewood and Vintage. In addition, the Venu 6, Venu 8 V2 and Venu 208 will become stocked models in natural wood shortly.

Engineered to the same acoustic and structural standards as all Venu V2 enclosures, Natural Wood models maintain identical performance, system compatibility and installation flexibility across the range. The Barewood finish preserves the natural tone and visible grain of the timber, offering a light contemporary appearance suited to minimalist and Scandinavian inspired interiors. The Vintage finish introduces a deeper oak-inspired

stain that enhances the grain while adding warmth and depth, making it suitable for boutique hospitality and heritage environments. www.voidacoustics.com

(PTV) system, a 3-channel cooling method that provides constant airflow across the frequency band. This thermal performance is further enhanced by its proprietary voice coil structure, allowing the driver to reportedly operate at temperatures up to 80°C lower than other products in its class. By significantly lowering temperatures, the TSQ2160 reduces power compression and thermal stress.

The TSQ2160 21-inch neodymium magnet low-frequency driver expands the Ten Squared

THE CNX0820 8-inch neodymium magnet coaxial driver from Celestion has been designed to deliver high-output, high-fidelity sound from a lightweight, compact footprint. Created for applications where space is at a premium but audio quality cannot be compromised, the driver features a robust cast aluminium chassis and a single neodymium magnet assembly that acts as a common motor for both the LF and HF elements. The LF element features a 2-inch edge-wound copper-clad aluminium voice coil, offering a continuous power rating of 500W and 95dB sensitivity. The HF element utilises a 1.75-inch edge-wound copper-clad aluminium voice coil, providing 100W continuous power handling with a sensitivity of 107dB. A key differentiator for the CNX0820 is its integrated constant directivity horn, which provides a defined 50° dispersion pattern. The magnet assembly incorporates twin demodulation rings, which are said to significantly reduce harmonic and intermodulation distortion. The HF diaphragm is constructed from polyimide for durability and clear transient response, and is field repairable, promoting longevity and ease of service.

DESIGNED FOR sub-bass reinforcement, the LEX family from Beyma has welcomed a new arrival. The 15-inch 15LEX1200Nd is a subwoofer with a resonant frequency (Fs) of 36Hz, a 4-inch DUO double-layer voice coil, an X max of ±11mm and a high sensitivity of 97dB (1W/1m). It incorporates Beyma’s patented Malt Cross cooling technology, which has been designed to reduce power compression losses. This unit has an FEAoptimised neodymium magnetic circuit, a 60mm peak-to-peak excursion before damage and is optimised for both direct radiation and band-pass enclosures.

Following in the footsteps of the 14MLEX1000Nd launched last year, a 15-inch counterpart has been released. The 15MLEX1000Nd features an Fs of 38Hz, a sensitivity of 100dB (1W/1m) and a 4-inch DUO double-layer voice coil. It is specially engineered for mid-bass applications in high-output systems and also includes the Malt Cross cooling system. The model has an FEA-optimised neodymium magnetic circuit, low air noise, an X max of ±11mm, a 60mm peak-to -peak excursion before damage and an aluminium demodulating ring.

(Ten2) Series. It features a 5,000W continuous power rating and achieves 97.5dB sensitivity thanks to its 6-inch diameter round copper voice coil and magnet cooling technology. The TSQ2160 uses the Precision Tuned Venting

The manufacturer has also unveiled its Lensguide technology, incorporated into its new line array waveshaper and horn designs. Lensguide has been created to address the flaws inherent in conventional waveguide and horn design that forces a trade-off between achieving either controlled directivity with poor frequency response, or smooth frequency response with poor directivity control. With Lensguide technology, both controlled directivity plus smooth and consistent frequency response are possible.

www.celestion.com

Completing the manufacturer’s waveguide family for line source systems is the SG-10 waveguide for flat wavefront generation.

Advanced multiphysics simulation tools have been employed to develop a compact, transparent guide with improved isophasic wavefront characteristics. has been designed for compression drivers with a throat diameter, provides a 0.5–20kHz frequency range and is suitable for coverage angles of maximum 120° x 10° (HxV).

Audiofocus expands into lower frequencies

AUDIOFOCUS HAS unveiled the latest 15-inch additions to its touring and installation subwoofer ranges. Featuring a ground-stacking design built around a single 15-inch LF transducer, the 115SG utilises Tetracoil double voice coil technology to achieve tighter control, greater power and enhanced transient response. The loudspeaker achieves a peak SPL of 131dB and covers a frequency range of 35–100Hz.

In addition to the passive 115SG, the subwoofer is offered in two self-powered variants. The 115SGa has been designed for sustained performance in demanding applications such as EDM, while the 115SGaDUO adds a pair of speakON connectors for plug-and -play powering of top speakers. The 115SG can be driven by the brand’s A series amplifiers, with Powersoft Armonía presets also available.

www.audiofocus.eu

K-array extends its ecosystem

LOUDSPEAKER MANUFACTURER

K-array has revealed several new additions to its K-array, KScape and KGear product portfolios. Providing low-frequency output while minimising rear sound radiation, the Thunder KSCARDIO412P marks K-array’s debut in cardioid subwoofers for live sound and fixed installations. Comprising a 12-inch neodymium magnet with a 3.5-inch voice coil, the passive subwoofer operates within a frequency range of 24–150Hz (–6dB). Capable of attaining a maximum SPL of 126dB (peak), the 900mm x 500mm x 250mm wooden enclosure weighs 26kg. Joining the GT12 12-inch full-range point source loudspeaker, the GT8 is the latest addition to the KGear portfolio. Enabling scalable system configurations from distributed setups to multi-cabinet clusters, the versatile enclosure can be arrayed both vertically and horizontally.

Thunder KSCARDIO412P

Dual speakON NL4 connectors and an 8Ω impedance promote ease of integration into existing installations or rental inventories. K-array ’s KMC microphone portfolio has been enlarged with the addition of the Capture KMC20 MKI ultra-slim line array microphone featuring upgraded capsules, a built-in preamp, 3D-printed steel body, an integrated XLR cable and new mounting accessories.

www.k-array.com

Pascal launches PX Series

A RANGE of high-power performance amplifiers has been unveiled by Pascal, signifying the manufacturer’s return to live sound. Said to combine high-performance amplification, intelligent control and proven

Built on its amplifier platform, the manufacturer claims that the PX Series delivers clean, detailed audio with ample headroom and rock-solid performance under sustained load. A fully integrated

reliability in a scalable platform, the PX Series has been engineered to deliver consistent sound quality and dependable operations across a wide range of environments, from mobile touring systems and rental inventories to permanent installations in large venues.

FaitalPRO boosts its subwoofer lineup

ITALIAN MANUFACTURER FaitalPRO has introduced three low-frequency transducers, comprising the 15-inch 15XL2400, 18-inch 18XL1700 and flagship 21-inch 21XL3000. The drivers have been designed to provide controlled, deep bass with stability even under high power demands, providing consistent performance in professional audio applications.

is said to result in an efficient, responsive bass, making it suitable for both touring and installation setups where high performance is required.

Leading the range, the 21XL3000 features a 6.5-inch two-layer aluminium voice coil, an FEA-optimised neodymium magnet and a demodulation ring. With a force factor (BL) of 43 N/A, it delivers 3,000W AES (6,000W max) and provides precise motor control, resulting in stable and reliable low-frequency performance, even under sustained high-power operation.

According to the manufacturer, the 18XL1700’s magnetic assembly allows it to exceed the performance typical of 18-inch subwoofers with conventional 4-inch voice coils. Its high force factor of 30.5 N/A, combined with a double-layer voice coil,

The 15XL2400 has been created to subwoofer can achieve output levels and performance typically expected from larger designs. It offers 2,200W AES power handling (4,400W max) with a 5.5 -inch aluminium voice coil and FEA-optimised magnet. This design provides ample headroom, allowing the driver to handle dynamic peaks while maintaining a focused, articulate low end. The result is described as a combination of punch, efficiency and clarity, demonstrating that high performance can be delivered even in a more compact footprint.

All three subwoofers share the same high excursion and demodulation features to ensure precise cone control and minimum distortion, reinforcing reliability and performance under demanding conditions.

www.faitalpro.com

control environment brings hardware and software together, enabling fast setup, precise tuning and real-time system monitoring.

www.pascal-audio.com

WITH THE advent of the DMA and LMA series, AtlasIED has created mixer amplifiers specifically for smaller venues requiring the incorporation of BGM or live music. Available in 100W, 200W and 400W models, the DMA digital-mixer amplifier combines onboard DSP with app-based configuration via the DMA Control iOS/ Android App, which provides direct access to speaker tunings, routing and system performance on a mobile device. With front-panel controls providing access to volume and source selection, the DMA units are compatible with optional wall plate accessories, including volume control

(DMA-V), volume and source selection (DMA-VS) and Bluetooth audio (DMA-BT). Mirroring the DMA’s power ratings and load flexibility (4/8Ω, 70V and 100V), the LMA amplifier series differentiates itself as a streamlined, DSP-free solution for small-scale commercial audio applications. Used independently, the LMA serves as a single-zone amplifier that is compatible with the DMA-V volume controller. When paired with a DMA through a dedicated link port, the LMA becomes part of an intelligent 2-channel system for Zone 2 expansion or subwoofer support.

www.atlasied.com

RF Venue adds network control

DESIGNED AS an updated version of the 4 ZONE active antenna combiner that adds built-in network control for remote system management, RF Venue has introduced the 4 ZONE-Network. The new model integrates a browser-based interface, allowing configuration and monitoring via PC, tablet or smartphone without the need for front-panel operation. The device is intended for venues with distributed coverage requirements such as conference centres, houses of worship, schools and large performance spaces. Designed for multi-zone wireless microphone deployments, the 4 ZONE-Network enables remote management of up to four independent antenna zones. Users can toggle antennas on or off per zone, adjust RF attenuation remotely and switch 12VDC power to active antennas and inline amplifiers on a per-channel basis. Preset storage and recall functionality is included to support

repeatable setups and faster changeovers in environments where system configurations vary between events.

The integrated web interface is accessible over a local area network and does not require additional software or plugins. The unit supports automatic network discovery via DHCP and can be accessed directly through its IP address using a standard web browser.

The 4 ZONE-Network retains the architecture of the original 4 ZONE combiner, which remains available. Housed in a single rack space, the system is brand-agnostic and compatible with a wide range of wireless microphone systems. It also integrates with RF Venue’s antenna portfolio and the company’s RF-over-fibre solutions, enabling extended antenna placement in larger installations.

www.rfvenue.com

Low-latency connection

FOURIER AUDIO has developed Hyperport, a low-latency, point-to-point audio protocol designed for seamless integration between its transform.engine or transform.go and DiGiCo’s Quantum and SD-Range consoles. Designed for

achieves a 1.2ms roundtrip latency. The protocol enables Fourier Audio’s live plugin hosts to be used for more latency-sensitive applications, including monitor mixing. For DiGiCo users, the Fourier Interface Card or DMI-DANTE64 @96 card in their

professional touring, theatre and broadcast environments, Hyperport reportedly delivers ultra-fast, reliable audio transfer, giving engineers the “speed, precision and confidence” they need in high-pressure performance situations.

When connecting transform hardware as an insert on a DiGiCo console, Hyperport

console automatically detects between Dante and Hyperport, enabling 64 channels of redundant, high-speed, low-latency connectivity at 48kHz or 96kHz, with no additional hardware, configuration or controller software required.

www.fourieraudio.com

RME heads to Milan Bosch meets in style

WITH THE release of the HDSPe AoX-M, RME has reportedly devised the world’s first Milan certified PCIe audio interface for macOS and Windows.

Providing precise timing, seamless interoperability and deterministic audio transport in converged networks, the HDSPe AoX-M PCIe x4 card is built to handle high-density audio. Delivering 128 channels at sample rates up to 192kHz, the card supports up to 16 streams of eight audio channels each in its default configuration. Through extended formats, up to 512 audio channels with fixed latency and automatic bandwidth allocation can be connected across the AVB network. Operating independently of the host operating system, RME’s Milan implementation runs encapsulated on the card itself. Utilising RME’s Hammerfall driver ecosystem, the host OS detects the card as a standard audio interface. With optional extension for four MADI I/O ports, features include an onboard mixer, redundant network ports, headphone output, MIDI and AES3 I/O. For mobile recording and broadcast applications, a passively cooled design provides silent operation and compatibility with Thunderbolt 3 and USB-4 expansion chassis.

special drivers. The newly integrated option for class-compliant mode can be activated or deactivated at any time, allowing flexible switching between classic driver operation and CC mode.

THE CCS 1000 Digital Discussion device from Bosch has been reduced in size and reportedly takes up 25% less space in venues where simplicity and performance are critical. The new design is the latest addition to the CCS 1000 D family and will seamlessly integrate with other members. Developed to offer a fresh design to modern meeting spaces, the slim form and ergonomic design leave more space on the table for supporting meeting tools, making it suitable for small to medium-sized venues such as city councils, town halls, courtrooms,

Meanwhile, the manufacturer has also announced the start of a phased modernisation of its PA/VA loudspeaker range. The new structure organises the full portfolio into three tiers – entry, mid and performance level – making it easier for consultants and systems integrators to find, select and specify the right loudspeaker for each project. The first products in this renewed lineup are the Bosch horn loudspeakers, which combine IP66-rated weather protection, robust materials and full EN 54-24

A significant firmware update in the form of a class-compliant mode (CC mode) is available for the Digiface USB and MADIface USB audio interfaces. Enabling native, driverless operation under macOS and Linux, the range of applications for the interfaces is now expanded. Making them ideal for mobile setups, broadcast applications, installations and use with embedded and Linux-based systems, class-compliant mode allows the interfaces to be operated directly without the installation of

With Microsoft’s enhanced emulation technology for native Windows apps, current ARM-based laptops are ready for professional audio production. With audio remaining a unique domain where driver emulation is not an option, RME has developed Windows 11 ARM-compatible WDM and ASIO drivers to integrate with computing platforms and unlock the potential of Snapdragon X ARM chipsets. Available in 32- or 64-bit configuration, the PCIe WDM and ASIO audio drivers operate with x64 Intel computers in addition to the current Snapdragon X ARM notebooks or PCs running Windows 11.

www.rme-audio.de

ministries, boardrooms and congress hotels. The CCS 1000 D is available in long or short microphone models and features Digital Acoustic Feedback Suppression, microphones and integrated loudspeakers for enhanced speech intelligibility. The slim form factor reportedly improves microphone reach and makes digital meetings feel more natural. The patented possible-to-speak indicator enhances the conversational flow by using LED indicators to help participants understand when they can speak.

certification for dependable operation in harsh conditions. Installation has also been simplified: the redesigned mounting brackets are said to enable a faster, tool-friendly setup, while End-of -Line (EOL) and End-of -Branch (EOB) modules can be fitted directly inside the back can. This allows seamless integration with the Praesensa PA/VA system, including continuous monitoring and fault detection.

www.keenfinity-group.com

Dynacord expands V Series

EXPANDING THE V Series 2- and 4-channel power amplifiers, Dynacord has created what it describes as a fully featured zone audio solution with versatile DSP, mixing and control options. At its core is the VZX-8 8-zone audio processor, which is complemented by the VCS-8 8-zone call station and the VWP wall panel controller.

The VZX-8 is equipped with extensive I/O capabilities, internal storage and signal processing designed for more complex audio setups. To ensure security, the VZX-8 is password protected for different user roles and credentials. It provides eight zone outputs and facilitates up to 20 processed input sources, including eight balanced mic/line inputs with phantom power. A total of eight GPIO ports are freely assignable as analogue or digital inputs and outputs, with two ready/ fault contacts for supervision. For integration with PA/VA systems, an emergency override input for line level or 70V/100V signals is also available.

The VCS-8 features a high-quality condenser microphone. Designed for live paging, it can also act as a system controller, triggering stored messages, muting zones and performing additional user-defined functions via nine freely programmable buttons. Communication priority can be customised,

while busy indication LEDs provide clarity during active sessions. The system supports expansion with up to eight daisy-chained call stations, each configurable with chimes.

The VWP wall panel controller features a bright colour TFT display and a push encoder for quick and easy operation. It provides level, zone and source input level control as well as source selection of BGM, Zone Mix and Virtual Mixer sources. Configuration and labelling are managed via the VZX Web App. Thanks to Unicode compatibility, more than 150 languages are selectable for the display. Each wall panel’s access and menu screen options can be tailored with user profiles and security PIN codes.

The multichannel V600:2 and V600:4 power amplifiers serve as a matching system drive, each offering 600W of total power. These amplifiers are quickly and easily connected via the two RJ45 line outputs of the VZX-8, reducing terminations and points of failure. They also incorporate powerTANK, which enables flexible power allocation across all amp channels, ecoRAIL for reduced energy consumption and Variable Load Drive (VLD) for flexible drive modes with various speaker loads.

www.dynacord.com

DPA adds N-Series accessories

FOUR TYPES of instrument cables as well as rechargeable lithium-ion batteries and accompanying charging stations have been added to DPA Microphones’ N-Series digital wireless microphone system. Available for the bodypack transmitters, each instrument cable incorporates a precisely matched impedance converter inside the jack to ensure optimal signal transfer from the connected instrument to the bodypack. Users can choose between two jack configurations: Type R, with a rear, straight cable exit or Type S, with a side, angled cable exit. There are also two input plug options available: MicroLock or 3-pin LEMO. Each input and jack option can be aligned with another – rear/ MicroLock, rear/LEMO, side/MicroLock or side/LEMO.

The company has also released rechargeable lithium-ion batteries for both the bodypack and handheld transmitters. The accompanying Docking Recharging Station is available with an interconnection cable or a mains power

Hybrid cabling solutions

ITALIAN CABLE manufacturer Tasker has reported that it’s seeing an increase in demand for hybrid cables capable of carrying multiple services through a single run. In particular, combined cables integrating digital audio (AES/ EBU), DMX control and power are increasingly being used in professional environments. These solutions simplify deployment and improve reliability in applications such as active loudspeaker systems and moving-head lighting distribution.

Tasker offers both bulk cables for fixed installations, including CPR Cca-rated versions, and extra-flexible products that are available as a pre-made solution. Indoor and outdoor options have been designed to meet the requirements of touring, rental and permanent installations.

The flagship model in this family is the C283, featuring one AES/EBU-DMX pair combined with a triple 1.5mm² power line. The range also include the C284, equipped with two DMX pairs, and the C290, which provides increased power capacity with a triple 2.5mm² conductor section. All models in the family are available with CPR Cca-compliant LSZH sheathing for fixed installations, as well as a soft PVC version designed for high flexibility in mobile applications. Pre-assembled cables can be supplied with Neutrik NC3M/FX1-TOP and NAC3M/FX-W-TOP connectors for outdoor use, or NC3M/FXX-B and NC3M/FXXA/B-W-S connectors for indoor applications.

www.tasker.it

KLOTZ releases energy fanout boxes

ENGINEERED TO meet the demands of live event production and broadcast environments, KLOTZ AIS has unveiled its EBI_H and EBO_H Energy Fan IN and Fan OUT adapter boxes. Available in 6- and 8-channel versions and designed for both indoor and outdoor use, the fanout boxes are equipped with Harting HAN 16ES connectors featuring robust metal coupling housings. The units are available with eight Schuko rubber plugs or sockets, while an effective strain relief protects against high tensile forces. Eight discrete 16A circuits can be fed into or extracted from an 8-channel Energy Multicore (EMC8HMFT), providing seamless integration into professional power

For dependable performance under demanding conditions, the manufacturer uses waterproof TITANEX H07RN-F rubber-sheathed cabling with a 3x2.5mm² conductor cross-section. An additional feature on all KLOTZ energy fanouts is the impact- and scratch-resistant housing on the multipin side, manufactured from environmentally friendly recycled PE. The material reportedly offers temperature stability, weather resistance and high chemical durability. An integrated M10 thread and safety eyelet allow secure rigging in staging and broadcast setups.

www.klotz-ais.com

LISTEN TECHNOLOGIES and Ampetronic have expanded the Auri system with an earphone/neck loop lanyard and a 16-way dock carry case. The LA-470 Auri earphone/ neck loop lanyard provides an optimised listening experience for end users with telecoil (t-coil)-equipped hearing aids or cochlear implants. The neck loop connects to the Auri receiver and transmits the broadcast audio directly to listeners’ telecoil devices. Users can seamlessly switch between telecoil mode and earphone mode based on their accessory choice. The Auri neck loop helps venues offer inclusive, high-quality audio and fully meet accessibility expectations.

The Auri 16-way dock carry case provides a simple storage solution for Auri receivers. Venues can easily store, charge and carry up to 16 receivers in the case. The sturdy case features a hard foam insert with individual openings for system components. It also has durable locking latches and includes a shoulder strap for easy transport.

Meanwhile, Listen Technologies has launched the LR-3200 -HL hearing loop receiver, which gives users clearer, more consistent loop audio, no matter how they hold the receiver. It features dual telecoils, smart bandwidth, hum filtering and full iDSP compatibility. Additional features include a dual-coil omni-axis pickup which eliminates “dead spots” and ensures consistent audio; IEC (International Electrotechnical Commission) mode, which enhances intelligibility in real-world environments where background noise or acoustics can make hearing difficult; a narrow bandwidth and hum filtering which help the receiver perform well, even in venues with older wiring or challenging loop installations; and Field Strength Mode,

KLANG:TECHNOLOGIES HAS released its KLANG:1 and KLANG:1pro, combining professional immersive in-ear monitor mixing into an ultra-compact format. The

which gives quick visual confirmation that the loop is functioning properly.

ListenWIFI has also been updated to v3.5.

Improvements include support for WPA/ WPA2-Enterprise, which enables dedicated ListenWIFI LWR-1050 receivers to authenticate and operate within enterprise-grade wireless networks. This also expands deployment flexibility and aligns with IT security standards in secure or large-scale environments.

Connection beacons broadcast server identification information so devices can discover the correct server without relying on DNS (Domain Name System). This is said to simplify network discovery and setup, reduce IT burden and support multi-venue configurations on shared networks. With audio priority setting, administrators can now adjust LWR-1050 receiver buffering for optimal balance between audio quality and latency. ListenWIFI 3.5 also supports multiple administrator logins, so teams do not need to share credentials. There is secure, role-based access for different administrators.

www.ampetronic.com www.listentech.com

Featuring the same 0.25ms latency and powered by the same FPGA family as the company’s flagship KLANG:konductor, the KLANG:1 and KLANG:1pro are powered and configured via USB-C connections.

pocket-sized processors provide a single immersive mix from 64 input channels and have been designed to bring immersive in-ear mixing down to a new size and cost category.

The devices offer plug-and -play operation for comprehensive control and monitoring via phone, tablet or PC, as well as native worksurface integration with DiGiCo Quantum and SD-Range consoles.

RØDE develops Direct Connect capability

ENABLING THE transmitters to connect directly to iOS devices without the need for a physical receiver, RØDE has introduced a free firmware update that brings its Direct Connect Bluetooth pairing capability to the Wireless GO (Gen 3) and Wireless PRO wireless microphone systems.

also enables users to adjust recording levels during capture.

Wireless GO (Gen 3) uses the manufacturer’s Series IV 2.4GHz digital transmission and supports advanced functions including 32-bit float onboard recording, GainAssist automatic level management and 32GB of internal

Originally introduced with the Wireless Micro, Direct Connect allows transmitters from both systems to pair directly with iPhones via Bluetooth using the RØDE Capture app. The update removes the requirement for additional hardware in mobile recording setups while maintaining the broadcast-quality audio associated with the company’s wireless microphone range. When used with the RØDE Capture app, the systems support both merged and split recording modes. In merged mode, audio from both transmitters is combined into a single stereo track ready for publication, while split mode records each transmitter to a separate channel for greater flexibility in postproduction. In-app output gain control

storage for direct recording to the transmitters. The addition of Direct Connect further streamlines mobile workflows by enabling a simpler recording setup without compromising audio quality.

Designed for more demanding production environments, Wireless PRO builds on the Wireless GO platform with features such as timecode synchronisation for simplified audio alignment in postproduction and an extended line-of -sight transmission range of up to 260m. The system also integrates with the wider RØDE Series IV ecosystem, including RØDECaster Pro II, RØDECaster Duo and RØDECaster Video.

www.rode.com

The KLANG:1 and KLANG:1pro have been created to enable engineers to deploy immersive mixing exactly where it delivers the most impact, starting with individual musicians and expanding as needed, without changing tools or workflows. This is said to allow productions of any size to integrate KLANG seamlessly, whether for a single artist or an entire band. The two models are nearly identical, with one distinction: the KLANG:1 features dual MADI I/O, while the KLANG:1pro adds a second MADI input to enable full 64-channel MADI I/O at 96kHz, plus redundant 64x64 Dante with single-channel routing.

www.klang.com

PK SOUND has released .dynamics MOVE, a mobile application that extends the manufacturer’s .dynamics control software to phones and tablets. Working in tandem with the desktop platform, .dynamics MOVE allows users to mechanically optimise the acoustic coverage of PK Sound robotic line source systems in real time while moving freely throughout a venue.

.dynamics has been designed to unite every stage of the modern live sound workflow in a single application, freeing users

from outdated and needlessly rigid routines. MOVE grants access to key features from the desktop version, allowing them to robotically configure arrays and remotely refine coverage. Once coverage is mechanically optimised, users can take advantage of the DSP built into each loudspeaker module to tonal balance and system response. Customers can also monitor system performance in real time down to the component level and even log service notes within individual cabinets for seamless communication between colleagues.

www.pksound.live

AUDAC takes control

FURTHER ENHANCING its ecosystem, AUDAC has introduced four product lines spanning control interfaces, matrix processing and architectural loudspeakers. The RIVEA series extends the company’s network control platform with a Linux-based AUDAC Touch panel designed to operate without a central processor. Each panel functions as a standalone intelligent control device, integrating directly with AUDAC Touch-compatible products and selected third-party systems via TCP/ IP. Developed for corporate meeting rooms,

hospitality venues, educational facilities and high-end residential projects, RIVEA incorporates proximity and ambient light detection, a capacitive HD touchscreen with anti-glare glass and PoE power. The series is available in two formats: the RIVEA M with a 7-inch display and the RIVEA L with a 10-inch display, both compatible with European and US wall mounting boxes.

In parallel, AUDAC has launched the MAIA series, a new generation of mixing audio matrix processors designed to bridge the gap

between straightforward zone mixing and more flexible DSP platforms. Targeting corporate, retail, hospitality and education environments, MAIA provides full audio routing, smart mixing and scene-based control via a 2.4-inch TFT display, four programmable buttons and a push rotary encoder. The series is available in four versions ranging from 2–16 zones, with the two smallest models housed in a compact half-rack chassis. All variants share the same Linux-based architecture and integrate within the wider AUDAC Touch ecosystem.

On the loudspeaker side, the ARCHI8X expands the ARCHI series with a compact architectural infra subwoofer intended for discreet low-frequency reinforcement in hospitality, residential and commercial spaces. Constructed from marine-grade materials for unprotected outdoor use, the ARCHI8X features a custom 8-inch high-excursion aluminium cone driver paired

programme power and a sealed cabinet design without a bass port, the unit is specified to deliver low-frequency extension down to 36Hz without processing while aiming to reduce unwanted energy dispersion into neighbouring areas. Completing the announcements, the VIRO C series introduces a new column loudspeaker platform within the VIRO family. Designed for conference rooms, premium hospitality venues, retail spaces and luxury residential applications, the series is built around a custom 1.3-inch driver platform engineered for controlled directivity and wide horizontal dispersion. Available in three models ranging from 2–16 drivers, the VIRO C series offers flush mounting options, SnapConnect cabling and integrated driver protection systems, and is designed to pair with ARCHI architectural subwoofers for full-range system deployment.

Biamp extends Dantecompatible portfolio

FOLLOWING BIAMP’S acquisition of ClearOne’s intellectual property and brands, Biamp has updated the BMA 360D ceiling tile microphone array to work with any Tesira DSP systems using Dante. The ceiling tile form factor provides customers with a discreet, architecturally integrated audio capture in spaces ranging from conference rooms to open office environments.

The BMA 360D features onboard beamforming processing. It delivers audio to the Tesira DSP as one automixed beam or it can send individual beams on separate Dante channels. It provides consistent gain response and natural speech reproduction across all beams, while adaptive steering with preset or custom beam patterns is said to result in precise coverage across diverse room layouts. Built-in power amplifiers

and versatile mounting options make deployment straightforward in modern collaboration, presentation and learning environments.

Meanwhile, the manufacturer has also announced a software update for MAX Connect wireless collaboration hub. The update introduces Auditorium Mode, which reportedly transforms MAX Connect from a collaboration tool into a scalable presentation platform capable of wirelessly broadcasting content to up to 200 participant devices simultaneously. The release also includes Android app support, streamlined guest access and alignment with the Biamp unified design language.

Auditorium Mode addresses a need in large venues such as auditoriums, training halls, lecture theatres and event spaces where one-to -many content distribution is essential. Presenters can now broadcast high-quality content to hundreds of participant devices with just one HDMI or USB-C input. Participants receive view-only access to the content, while annotation capabilities remain available on touch-enabled displays. In large spaces that require supplementary displays for content reinforcement, the new MAX Display App turns Android TV devices and Amazon Fire Sticks into wireless MAX Connect endpoints when Auditorium Mode is enabled. These displays pair with a MAX Connect unit to mirror content, ideal for secondary screens in large rooms or overflow areas.

www.biamp.com

Audio-Technica debuts on-camera shotguns

BUILT FOR professional videographers and content creators, the ATV-SG1 and ATV-SG1LE on-camera shotgun microphones from Audio-Technica are suitable for use with DSLR, mirrorless SLR and other cameras.

The ATV-SG1 is said to provide a highly directional 100mm acoustic tube to keep pickup focused on the sound source while blocking unwanted background noise. The mic’s newly designed 14mm largediameter diaphragm brings high-sensitivity and low-noise characteristics, while the integrated shock mount dissipates unwanted handling noise from camera movement and vibrations. A-T’s patented RF noise-immunity technology prevents the mic from picking up any annoying noise from nearby smartphones or other electronic devices.

in real time.

Additional features include a low-cut filter switch to attenuate noise from wind, traffic, HVAC systems and other low-frequency sources, plus a gain knob on the rear of the unit for stepless, on-the -fly gain adjustment. The safety track feature records the main audio level to the left channel and a backup track at –6dB to the right channel. This is said to help create a clean, usable recording, even if unexpected volume spikes occur during a shoot. With its external input jack and accessory shoe, the ATV-SG1 enables

Linea Research expands processing portfolio

COMPRISED OF the NSC24, NSC46 and NSC48, the NSC Series of compact network system processors from Linea Research come with a 96kHz input sample rate along with analogue, AES and Dante connectivity. The units have been designed to slot seamlessly into a wide range of audio environments, from simple 2-channel systems to more complex multi-output configurations. Configuration, housekeeping and system management are handled entirely through

Renkus-Heinz releases Symetrix control plugin

RENKUS-HEINZ HAS released a thirdparty control plugin that enables its loudspeaker systems to be integrated directly within the Symetrix control environment. The plugin allows integrators and system designers to manage key loudspeaker functions including DSP parameters, input routing, preset recall and device telemetry from Symetrix platforms. By consolidating loudspeaker control within the Symetrix interface, the plugin is intended to simplify both system setup and day-to -day operation. Centralised control can help reduce operational complexity, streamline configuration and support faster troubleshooting, particularly in larger AV installations.

“We are proud to expand our third-party plugin portfolio with Symetrix support, giving integrators more choice and greater control across diverse control systems,” said Brandon Heinz, product manager at Renkus-Heinz. “This plugin is another step in our ongoing commitment to delivering solutions that simplify complex installations and enhance system performance.” The integration enables a unified workflow across loudspeakers and DSP infrastructure, allowing users to monitor devices and recall presets from a single control platform. In venues such as concert halls, sports stadiums and theatres, the plugin allows multiple loudspeakers to be managed centrally, helping maintain consistency across the system while reducing setup time between events. In houses of worship, preset recall can simplify system

The plugin power circuitry of the compact ATV-SG1LE allows it to retain the professional characteristics equivalent to battery-powered mics, including an extended dynamic range and high max SPL. It also boasts a highly directional 100mm acoustic and a newly designed 14mm large-diameter diaphragm. The microphone comes with a wind muff to ensure clear pickup in windy conditions. The mic’s 12-sided shoe mounting plate also allows it to be attached to the camera at 30° increments to enable the capture of off-centre sound sources.

www.audio-technica.com

Linea Research’s System Engineer 8 control software, providing simple preset creation and management. The NSC Series also supports pre-existing factory presets, including loudspeaker presets for selected third-party brands. Typical applications include bars, restaurants, clubs, hire, and rental and studio environments.

www.linea-research.co.uk

management for staff and volunteers while maintaining consistent audio performance. The Symetrix plugin is available to download from the Renkus-Heinz control plugins page

alongside existing integrations for Crestron and Q-SYS systems.

www.renkus-heinz.com

Audinate launches Dante Director Professional

DANTE DIRECTOR Professional

from Audinate is a web-based solution that enables remote management of AV installations while providing centralised monitoring, control and secure authentication across distributed infrastructure. It enables IT and AV teams to monitor device health, diagnose issues remotely and ensure systems remain operational without requiring onsite presence. The solution offers remote management, providing real-time visibility into device status, network performance and system health across all sites.

Novacore

The solution also enables IT teams to proactively identify and resolve issues before they impact users. The Enhanced Security feature ensures that only authorised personnel can make network changes and protect corporate AV signals from unauthorised routing. API and webhook capabilities allow integration with existing IT support ticketing systems, while extended log-file retention, along with latency graphing, help technical teams identify and resolve intermittent issues that might otherwise go undetected.

www.audinate.com

extends the wireless benchmark for Audix

WITH THE development of Novacore, Audix has created a digital wireless platform that incorporates 24-bit analogue-todigital converters. Novacore currently comprises the NCR1, NCR2 and NCR4 single and multichannel receivers, NCHH handheld and NCBP bodypack transmitters, NCEC and NCTH vocal capsules and the Novacore Frequency Coordinator, together with a full suite of accessories. Operating within a 20Hz–20kHz frequency response with an ultra-low latency of under 3ms, Novacore provides secure speech and performance security with AES256 digital transmission encryption. Ensuring spectrum agility within crowded RF environments, the digital receivers feature a wideband front end with a 48MHz tuning range. The Dante-enabled NCR2 dual- and NCR4 quad-channel models allow wireless channels to be routed directly onto existing AoIP infrastructures. The handheld and bodypack transmitters can operate for 16+ hours of battery life via rechargeable lithium-ion or standard AA batteries.

The specialised NCEC Extended Cardioid and NCTH Tight Hypercardioid vocal capsules utilise proprietary VLM (Very Low Mass) technology. Designed with internal vibration isolation to reduce handling noise, the capsules are compatible with common third-party S-thread wireless handles. The Novacore system seamlessly integrates with the recently launched Wireless MicroBoom line.

Integrating DN4 and DN43 interfaces, the US manufacturer has released a version 2.1 update for the Q-SYS Full Stack

Meyer Sound unveils Nebra 2

DESIGNED TO provide centralised connection, control and monitoring across the company’s loudspeaker ecosystem, Meyer Sound has unveiled the second generation of its Nebra software platform. Available as a free application, Nebra 2 builds on the functionality of the manufacturer’s longstanding Compass software while introducing a redesigned interface intended to streamline system configuration and day-to-day operation. By combining device connection, processor control and system monitoring within a single environment, the platform allows engineers to manage entire Meyer Sound systems without switching between multiple applications.

large-scale venues. Tools such as tagging, search and filtering have been included to help engineers organise and navigate larger device inventories.

Nebra 2 integrates with Galaxy processors, GEN-1 equipped loudspeakers with built-in processing, as well as MEP and RMS loudspeakers and MPS power supplies. The platform also supports a range of audio and network protocols including analogue audio, AES67 and Milan AVB.

A simplified system health indicator provides an overview of network and device status by aggregating data from connected components including limiters, temperature sensors and AVB streams. Additional features include Show

Nebra 2 introduces full processor control for Galileo Galaxy units alongside support for the company’s GEN-1 technology for networked loudspeakers. Key parameters including EQ, level, delay and phase can be adjusted directly within the platform while system status and device connectivity remain visible in the same interface.

The software is intended to support both touring systems and fixed installations, from smaller portable deployments through to

Mode, which allows critical control points to be locked during performances, along with expanded clock management and snapshot functionality.

Meyer Sound has confirmed that its Compass control software will continue to receive support for the time being, although future development will focus on expanding the Nebra platform.

www.meyersound.com

AV Platform. The DN4 and DN43 Dante/ AES67 audio interfaces serve as onramps for routing audio into Q-SYS. Operating within Q-SYS Designer Software, the DN4/D43 plugin allows the interfaces of the same name to feed audio into Q-SYS. The DN4 onramp hardware comprises four microphone preamps and analogue-to -digital converters that are compatible with Audix conferencing mics via a standard RJ45 connector. Single-element mics for use with the DN4 include the M45 aimable ceiling-mounted shotgun, M55 pendant and M70 steerable flush-mount mics. The DN43 is specifically for use with Audix’s M3 tri-element pendant microphone. The v2.1 update allows Q-SYS to identify and handshake with connected devices; display their inputs, outputs and control connections in Q-SYS Designer Software’s GUI; and conduct routing of incoming audio to connected devices. Providing cloud-based remote AV management, monitoring, security and performance analytics, Q-SYS Reflect is also supported.

www.audixusa.com

Spectera in the palm of your hand

SENNHEISER HAS extended its Spectera bidirectional wideband wireless ecosystem with the Spectera SKM handheld transmitter, available in both a UHF and 1.4GHz version, as well as for the Command adapter, which equips the handheld with a programmable Command function. The Spectera handheld with the standard capsule interface for Sennheiser and Neumann microphone heads features an aluminium-anodised body with OLED display.

The bidirectional data stream enabled by Sennheiser’s WMAS implementation gives the operator full remote control of mic parameters such as low-cut or gain.

The Command adapter allows users to change the audio routing at the push of a button, for example for convenient communication between the talent and the technical crew. Whether programmed for toggling, muting or push-to -talk, the Command functionality is said to make communication control easy and immediate.

Meanwhile, the Spectera API (Application Programming Interface) enables advanced

customisation and has been designed to help customise and control the ecosystem in multi-vendor live audio workflows. Its bidirectional capabilities allow Spectera users to tailor their precise workflow requirements, supporting both DIY users and third-party solutions from industry partners such as Bitfocus Companion, SoundBase and Sonoros. The manufacturer has also developed DeviceHub, a secure, cloud-based platform designed for IT and AV managers, as well as systems integrators. DeviceHub centralises device visibility and remote management, streamlining workflows across enterprise, education and corporate settings. The platform provides real-time insights, simplified setup and unified control, supporting organisations in creating better spaces for communication, learning and teamwork. Initially available for TeamConnect Bar Solutions, compatibility will expand to additional Sennheiser devices throughout 2026.

www.sennheiser.com

More control from Neat

CREATED TO provide greater clarity, control and confidence in every meeting, the Neat Pad Pro 10-inch meeting room controller or scheduling display is said to give teams effortless command and IT control. With built- in microphones and intelligent processing, the controller aims to make meetings easier to book, start and manage. The 10-inch anti-glare, fingerprint-resistant display comes with adjustable angles, large scalable fonts, clear screen reader features and RGB light indicators. The microphones and audio processing allow the display to serve as an additional listening point in the room.

Working in tandem with the primary front-ofroom Neat device, it captures voices beyond the front of the room to help ensure remote participants hear everyone clearly, even in large spaces.

Driven by the manufacturer’s P2 platform, the Neat Pad Pro is said to be eight times more powerful than the original Neat Pad, with more memory and faster processing. It provides access to major platforms, including Google Meet, Microsoft Teams and Zoom, with added flexibility for future workflows via Neat Open.

www.neat.no

Yamaha directs content creators to URX audio interfaces

COMBINING THREE MC-TX1 MaxColor 4K60 4:4:4 HDMI encoders into a single rackmount chassis, AV-over-IP distribution company Just Add Power has released

1GbE LAN port with one USB-C 2.0 port on the rear and two USB-C 2.0 ports and two USB-A 2.0 ports on the front, the MC-USB delivers KVM and hotkey support.

the MC-TX1-RACK encoder. The first in the MaxColor lineup centralises multiple encoders to reduce points of failure, with access to all connections via front-facing ports. The MC-TX1-RACK supports all audio formats and features Audio Return Channel (ARC) functionality for 2-way audio integration. With built-in KVM control providing access to all computers on a system, the MaxColor USB 2.0 over IP device (MC-USB) can be integrated as an encoder or a decoder. With an integrated touchscreen and webcam interface, the device enables access to networked computers in 4K60 UltraHD environments. Connected over an RJ45

The MC-QX MaxColor 4K60 tiling and warping encoder combines MaxColor technology, 4K network video tiler and Warp Engine technology. Allowing up to four 4K60 source devices to be simultaneously displayed on a single screen in multiple formats, the encoder includes single-screen, tiled video or custom layouts. With its warping capability, any source image can be rotated in a matrix in 0.1° increments, which transmits the rotated image to an unlimited number of decoders. This innovation is particularly useful when creating large-scale artistic videowalls.

www.justaddpower.com

THE URX Series of USB-C audio interfaces are characterised by a streamlined design for efficient setup and workflow. The three models currently available include the 4-in/2- out URX22 and the 6-in/4-out URX44 and URX44V, which adds HDMI-USB video capture. All models feature 32-bit/192kHz support, ultra-low distortion microphone preamps and highend AD/DA converters. The rear panels also incorporate a 3.5mm stereo input and TRS outputs, and dual main USB ports allowing between 16 and 18 tracks of recording/ playback. The Sub USB ports provide an extra two tracks of recording/playback. Adding visuals into the workflow of small-scale film productions, streaming and guest interviews, the URX44V’s HDMI-USB video interface incorporates the capture or transmission of HD video and audio from cameras and other HDMI output devices. The URX44 and URX44V also include a microSD card slot for up to 16 tracks of audio recording and two tracks of playback, while all models feature headset in/out ports and twin headphone sockets with independent monitoring.

Yamaha has launched its enhanced Commercial Installation Solutions (CIS)

ecosystem, with new digital signal processors, power amplifiers and control solutions said to offer “a new key to sound”. The CIS product portfolio has been designed to allow users to integrate, configure and manage complex audio systems in a straightforward way. The lineup includes the DME5 and DME3 digital signal processors, which join the DME series processors. These 1U units offer high-quality, 96kHz audio processing, seamless connectivity with Yamaha digital mixers and feature Dante and analogue I/O. They also feature four channels of flexible I/O which are assignable as inputs or outputs. Dual USB ports support background music playback and PC connectivity for web conferencing.

The XMS series is a range of 1U and 2U power amplifiers. The eight models provide power sharing across four output channels and include onboard DSP for speaker processing, delay and matrix routing, with a built-in speaker processor to optimise output settings. This is aimed at ensuring safe, reliable operation, giving users greater confidence and security.

The MCP2 wall mount controller and TCD10 touchscreen control device combine flexible configuration with intuitive operation. The MCP2 supports up to 64 devices, while the TCD10 provides secure control with power over Ethernet (PoE) and versatile mounting options. Through working seamlessly with Yamaha’s ProVisionaire system design and control software, both controllers can also manage third-party devices, such as lighting and projectors, enabling straightforward AV control of the entire space.

www.yamaha.com/2/proaudio

Decoding the network

WYRESTORM HAS released the NHD-600-E-TX/RX 4K60 4:4:4 10GbE SDVoE encoder and decoder, part of the NetworkHD 600-E Series. The “E”

Designed as the economic extension of the NHD-600 family, the NHD-600 -E enables integrators to deploy reliable AV distribution for point-to -point and scalable matrix applications

variations remove some of the I/O found on the standard encoder and decoder and retain only the core functionalities that suit most applications. Engineered for installations requiring 4K60 4:4:4 video with zero-frame latency, the series supports 10GbE network operation with PoE+ power and a flexible AV control suite.

without complexity or cost. The NHD-600 -E supports PoE+ (802.3at) power to reduce cabling. HDMI 2.0 connectivity is provided on both encoder and decoder models, alongside analogue audio connections and bidirectional IR and RS-232 passthrough for integration with external devices.

www.wyrestorm.com

Vari-Lite debuts screenless Neo X console

THE NEO X5 CRE from Vari-Lite is described as an affordable, compact lighting console designed specifically for space-constrained environments. It delivers the same advanced features and customisable software platform as the Neo X5 Console, but in a smaller, screenless form factor that is ideal for tighter spaces and budget-conscious projects.

The X5 CRE runs Vari-Lite’s Neo software platform, which aims to help designers find the best look in less time by including an

advanced effects engine that supports pixel mapping, media playback and timelines. It offers five multifunctional motorised playbacks and backlit keys, and can output over 50,000 channels out of the box. The hardware layout includes a soft touch control screen and supports up to two external touchscreen monitors, giving operators the flexibility to adapt their workstation to their needs.

www.vari-lite.com

MA LIGHTING International has unveiled the grandMA3 onPC DMX-key, described as a solution for achieving professional lighting results in compact and flexible environments. It unlocks 4,096 parameters directly via a conventional USB-C connection to the freeof-charge grandMA3 onPC software. It is said to provide the performance and reliability

For system designers and integrators, the compact form factor and robust feature set make it an ideal choice for permanent installations in museums, theme parks, stadiums and architectural projects. Anti-slip strips at the bottom and guide rails, including a matching screw set, enable easy mounting in system racks or cases. With full access to

of the grandMA3 platform while eliminating the need for dedicated consoles or complex infrastructure. The plug-and -play operation minimises technical barriers, as it requires neither configuration nor any networking setup. The DMX-key can simply be connected to a PC that has the grandMA3 onPC software installed and is ready for use. This makes it suitable for small venues, clubs, theatres, houses of worship and television studios, where space, budget and simplicity are important considerations.

unrestricted grandMA3 onPC software, users benefit from an MA-ready installation offering long-term flexibility, scalability and compatibility with professional workflows.

In addition, the grandMA3 onPC DMX-key starter is described as the ideal introduction to the world of lighting control and is a small USB device that unlocks the full potential of the free-of-charge grandMA3 onPC software, giving 1,024 parameters via two DMX outputs without compromising on features or functionality.

www.malighting.com

ELATION HAS introduced the Magma Prime Tour, a water-based hazer designed to produce consistent, ultra-fine haze for touring productions, live events and permanent installations. The unit delivers continuous atmospheric output to enhance beam visibility, aerial effects and gobo projection across a range of production environments.

The 1,500W system incorporates a 1,350W heater capable of reaching operational readiness in approximately 20s and can generate up to 566m³ of haze per minute.

A 5.6l fluid reservoir supports extended operation with a fluid consumption rate of around 10ml/min. The unit also incorporates a DMX-activated sleep mode to reduce power consumption when haze output is not required. Designed for professional environments, the system includes a thermally protected heat exchanger, onboard touch controls and DMX operation, with optional wireless control via the Aria X2 Wireless DMX module.

Alongside the new hazer, Elation has expanded its VOLT+ Series of battery-powered

lighting fixtures with the introduction of the VOLT+ BAR S LED batten. The fixture incorporates an integrated battery designed to deliver more than 12 hours of operation and supports wired and wireless control including DMX/RDM and standalone operation.

The fixture uses an RGBLA+UV colour engine designed to deliver a broad colour spectrum with consistent output. Variable white control from 2,400–8,500K, CMY emulation and a virtual gel library provide additional colour management options.

The 0.5m batten incorporates six 20W RGBLA+UV LEDs with 50mm lenses producing more than 5,020 lumens of output. End-to -end linking, adjustable trunnions and an L-track mounting system support flexible installation for wash and direct-view applications. The fixture features an IP65-rated housing with C4-M marine-grade coating and fanless convection cooling for silent operation in noise-sensitive environments.

www.elationlighting.com

Astera extends QuikFamily

THE LATEST addition to the QuikFamily has been unveiled by Astera, joining the QuikSpot and QuikPunch. The QuikBeam Fresnel lens fixture comes with a 13–60° zoom, swappable batteries, plug-and-play functionality and the manufacturer’s Titan LED engine. The QuikBrick replaceable/swappable battery system allows batteries to be replaced onsite or when a unit returns from rental or a demo. Spare batteries can be kept on charge and swapped in/out on-the-fly. The QuikBeam can also be hardwired without a battery, with the battery cover detaching and fitting neatly into the battery slot.

Ayrton adds to Ultimate Series

THE RAWBEAM 350 from Ayrton is a laser-sourced, ultra-compact fixture that emulates a discharge-style beam, yet with all the efficiency and power of a laser source. The flat-beam fixture has the same footprint and dimensions as the Stradale but delivers an output of 1,200,000 lux at 10m.

It also features a 160mm front lens and a proprietary 13-lens optical system offering a 35x zoom ratio with a working range from 1.2–42°.

Sharing all the features common to Ayrton’s Ultimate Series in terms of miniaturisation, colour capabilities, effects and movement (including continuous pan and tilt), the Rawbeam 350 is equipped with multiple graphics tools that provide razor-sharp

visual effects and broader, more versatile applications. Like every Ayrton luminaire since 2023, the Rawbeam 350 is IP65-rated and has been engineered to be equally at home outdoors or indoors, including in saline environments, while remaining fully accessible and weighing 24.5kg. Additional features include infinite pan and tilt; a CMY, CTO and fixed colour wheel with 15 colours, two multicolours and two minus green filters; two gobo wheels (with 12 and 31 metal gobos); light and heavy frosts; an animation wheel; and combinable and indexable 3-way prisms.

The manufacturer has unveiled several other additions to its portfolio. Part of the Nando family, the Nando 1202 has been built for

PoE connectivity over etherCON provides streamlined installations with combined power and data over a single cable, running up to 100m. An extra click beyond 13° enables the HotBeam effect, which is suitable for uplighting objects or for instances that need an extra narrow beam with additional brightness. A lightweight set of barn doors – with SafetyLink –provides additional beam-shaping options, while an EdgeSoftener filter for emulating classic Fresnel looks can be swiftly inserted to the front of the fixture. Multiple mounting options are available.

www.astera-led.com

hybrid use, indoors or out. It is equipped with 28 high-performance 42W RGB-L LEDs delivering a luminous flux of 25,000 lumens, additive colour mixing that produces blended pastels and saturated colours and a CRI exceeding 86. The MagicBlade Neo has been added to the Dot Neo family and has been built on the foundation of the MagicDot Neo. It features five independent moving heads, spaced just 3mm apart, with continuous pan and tilt rotation. Finally, the Naja is a waterproof, laser-sourced fixture that boasts brightness and precision, and features a 35x zoom ratio (0.6–21°), an outsized 200mm lens and 1,840,000 lux at 10m.

www.ayrton.eu

beamZ unveils the Nuke series Lonestar reaches its prime

CONSISTING OF strobes, beams and washes designed for applications of all sizes, from intimate productions up to large-scale events, beamZ has released the Nuke series. The range comprises the Nuke1 strobe/ beam, Nuke2 high-power strobe/wash and Nuke3 twin strobe/wash with electronic frost, and will soon be joined by the Nuke4 beam with electronic frost.

The Nuke1 has been created for bands and stage productions. It comes with 96 10W cool white LEDs controlled in 12 sections and 14

40W RGBW high-power LEDs controlled in 14 sections. Features include RGBW and cool white colour mixing, four different DMX channel modes, DMX (RDM) and Art-Net control capability, as well as a control panel with LCD display and key lock.

The Nuke2 has the most powerful strobe output in the series, making it suitable for high-energy events. It has 96 10W cool white LEDs controlled in 12 sections and 864 0.5W RGB SMD LEDs controlled in 96 sections. The unit supports RGB and cool white colour mixing, six different DMX channel modes and DMX512, standalone and master/slave mode.

The Nuke3 offers enhanced RGB SMD power for vibrant colours, combined with an electronic frost filter for soft diffusion. Suitable for larger shows and outdoor events, the fixture has two rows of 48 10W cool white LEDs and 864 0.5W RGB SMD LEDs controlled in 96 sections. It comes with six different DMX channel modes and DMX (RDM) and Art-Net control.

The Nuke4 has 21 40W RGBW LEDs, 21 1W RGBA and 32 3W RGBA LEDs. All four modules come with pixel-mappable zones, a 180° motorised tilt angle, 16-bit dimming and are IP65-rated for indoor and outdoor use.

www.beamzlighting.com

ETC BRAND High End Systems has unveiled Lonestar Prime, an enhanced addition to the Lonestar automated offerings. With its IP54 rating, the fixture is suitable for broadpurpose rental applications and indoor and outdoor venues. Lonestar Prime is reportedly 20% brighter than the original Lonestar with improved colour rendering and a new CTO flag which gives users a wider range of bright white points to design with. Features include an extensive library of gobos and programmers can select from

nine rotating and 10 fixed gobos that all can be combined with continuously rotating animation and dual prisms. Lonestar Prime also features framing shutters and dual frosts that function without optical adjustment or conflict. The fixture can be ordered with the optional RigPOV camera accessory, streaming live video right from the fixture. It also supports manual followspot operation.

www.etcconnect.com

Chauvet keeps a low profile GLP meets its Twyn

THE COLORADO Solo Edge 1 and COLORado Solo Edge 3 from Chauvet Professional are low-profile 0.5m and 1m IP65-rated footlights respectively with fullcolour and high-quality white light. They have a single-source lens for smooth, even output with no distracting points of light and an additional “stealth” filter to help the fixture disappear when it’s turned off. Additional, fully controllable RGB marker lights can be used to cue talent or mark the edge of a stage. The units have been designed for end-to-end use with no gaps or distracting cable mess, and come with a covered

architectural and entertainment applications. It comes with standard 4-pin XLR connectors and three included optical filters support multiple use cases, including wide viewing angles. The slim form factor is said to simplify integration into tight spaces, while native compatibility with the ÉPiX Mapping System and MVR support reportedly makes configuration fast and intuitive. Adding to the ecosystem, the ÉPiX D4 IP is a 4-port drive housing the ÉPiX Mapping System, that easily detects, configures and controls the outdoor-rated ÉPiX Line 10 IP and ÉPiX Line 10 IP S linear pixel strips. Its processing

THE TWYN from GLP is a dual-face moving head combining a zoomable washlight with a high-impact hybrid strobe in a single, compact fixture, designed to reduce fixture count while expanding creative possibilities. With its IP65-rated housing, continuous pan and tilt and a compact 16kg design, the Twyn has been designed for touring and multi-event venues.

The Wild Wash 12 expands the Wild Series and is a compact, performance-focused LED washlight designed to complement the Wild Bar 16. It features 12 40W RGBL LEDs, delivering up to 5,790 lumens with a peak intensity of 1.08Mcd, combined with GLP’s iQ.Gamut technology for calibrated colour mixing and defined white points. A motorised 1:19 zoom ranges from 3.5–54°, supporting both narrow, high-intensity beams and wide, homogeneous wash looks. With 540° pan and 270° tilt, a lightweight 16kg design, a maximum power consumption of 600W and IP65-rated housing, the Wild Wash 12 has been created for touring, festival and outdoor environments.

Finally, the X5 Dot Wash becomes the smallest member of the X5 Series, delivering high-quality RGBL light from a single 40W LED in a compact form factor. It offers high CRI, full colour matching with the X5 Series 16-bit colour control. The integrated Twist-Zoom mechanism allows manual zoom from 16–68° without altering the fixture’s

body. With its IP65 rating, 24–48V DC operation and an optional adapter for classic accessories, the X5 Dot Wash is designed for both visible and discreet lighting applications in theatrical, broadcast and architectural environments.

www.glp.de

New realms of lighting Martin beams onto the stage

ROBE HAS launched the GigaPointe, powered by a 350W white phosphor laser source and with an LSW-3 engine that produces >4,000,000 lux at 5m. The IP65-rated moving light comes with a 150mm front lens, along with 1.8–21° beam and 3–42° spot modes that automatically adjust based on the selected effects. Beam reducers and 1° and 5° frosts provide both tightly focused aerial beams and softer, subtler washes.

The GigaPointe has a CMY colour mixing system, a 540° pan indexing range and a 13-colour dichroic wheel as well as the DataSwatch virtual library with 66 pre-programmed colours, including essential whites, deep saturates and refined pastels. The fixture’s toolkit includes static and rotating gobo wheels and the patented SpektraBeam engine. MLP stackable multi-level prisms have independent speed and directional control for added depth. The fixture also includes Robe’s GLINT –GigaPointe Light Intensity Technology. Meanwhile, the T10 PC and T10 Fresnel are the latest additions to the manufacturer’s T-Series of theatrical luminaires. Designed for smaller spaces while retaining all of the features of the larger T11 PC/ Fresnel, the units incorporate the MSL ( Multi-Spectral Light) additive colour mixing concept combined with Robe’s TE technology (Transferable Engine), while the MSL-TE 200W LED engine produces over 10,500 lumens. There is a virtually controlled CCT range of 2,700–8,000K (extended range 1,800–10,000K), a set of calibrated whites, as well as tungsten emulation for precision control.

WITH THE launch of the MAC One Beam, Martin Professional has designed a compact beam moving head to deliver tight intensity beams and effects in a compact, lightweight form. An automotive-grade LILI (Laser Illuminated Lighting Instrument) engine lies at the core, while the light source produces a sharp beam with an intensity of approximately 7 million candela.

Delivering dynamic, high-contrast effects, the sharp beam of the 5kg compact moving head comes with fast CMY colour mixing. A three-dimensional backlight effect featuring individually controllable light guides behind a 120mm lens adds visual depth and stage presence. Using common rigging accessories, including the MAC One Fourbar and VDO Grid Mount System, the MAC One Beam integrates with the MAC One wash fixture. This compatibility promotes the combination of beam and wash functionality within the same rig, layout or flightcase. In addition to DMX, Art-Net and sACN, the MAC One Beam supports Martin P3 control for mapping, addressing and video integration.

The manufacturer has also introduced Martin Macula, a remote follow spot system designed to transform standard moving lights into precision-controlled tracking fixtures for performers and/or objects onstage. The system has been designed to address long-standing operational, safety and ergonomic challenges associated with conventional follow spot workflows, particularly in live performance, touring and sporting environments.

Martin Macula replaces height-based follow spot operation with a ground-based control solution. From a single base station, operators can control one or multiple fixtures simultaneously with smooth, responsive movement, while maintaining a real-time visual reference that simulates being positioned directly at the fixture. This approach reduces operator fatigue, improves consistency and eliminates the safety risks associated with elevated platforms.

At the core of the system is a high-resolution fluid head encoder, paired with ergonomic handles, and an integrated intuitive touchscreen interface. The base station allows operators to

Vizrt partners with Zoom

WITH THE aim of bringing immersive experiences to internal and external audiences worldwide, Vizrt has partnered with Zoom to introduce two solutions.

InteractifAI and CaptivAIte have been developed to allow professionals in every industry using Zoom to elevate their

corporate communications and increase viewer engagement.

InteractifAI is an app designed for everyday users who want to transform Zoom meetings at any scale. With an intuitive user interface and one-click templates, professional and personalised graphics can be directly overlaid on

Sommer goes the distance

SOMMER CABLE is tackling long transmission lines with the Fiber eXTreme eXTenders (XT2) from the manufacturer’s long-standing partner Belram. Reportedly able to overcome almost any distance, the XT2 series is now available with HICON’s HI-FIBER4 system, offering a solution for the uncompressed transmission of video and data signals over fibre optics. Designed for professional use in broadcast, live events, AV

installations and industrial environments, the extenders enable a stable, latency-free signal transmission over long distances of up to 10km (singlemode) or 1km (multimode). Depending on the model, the series transmits HDMI signals up to 4K60 4:4:4, , Gigabit Ethernet and USB over a singlemode or multimode fibre. Thanks to -play functionality, commissioning is said to take just seconds. All XT2 extenders are housed

manage pan, tilt and zoom movement directly, while additional parameters including dimming, colour and frost can also be controlled locally when required.

Macula integrates seamlessly with fixtures such as MAC Ultra Performance, MAC Viper XIP and MAC Encore Two fixtures. At the same time, Macula remains fully brand-agnostic, enabling any suitable moving head fixture to function as a follow spot when equipped with a camera. The network setup is intentionally streamlined: camera feeds and control data run over a single network, eliminating the need for dedicated video cabling between fixtures and the base station.

www.martin.com

Zoom participant video streams, replacing dull slides and bringing content to life. Customers can add dynamic visuals customised to their brand guidelines, including names, job titles and graphics, to inspire audiences, educate students and connect teams at the click of a button. As a Zoom App using the Surface Framework, InteractifAI runs directly alongside Zoom Meetings, giving participants an instant view of broadcast-quality visuals and on-brand graphics.

CaptivAIte integrates augmented reality (AR) graphics directly into custom AV Zoom Rooms, turning these spaces into professional studios that level up any type of enterprise communication on Zoom’s platform. Powered by Vizrt’s AI Keyer, CaptivAIte’s data-driven AR graphics creation and insertion eliminate the need for complex green screen setups. With real-time graphics and remote contributor teleportation, professionals can replace flat slide decks with immersive, easy-to -use elements.

www.vizrt.com

in robust, extruded aluminium enclosures designed for tough use in live events, rental applications or demanding installation environments.

The XT2 extender series uses the HI-FIBER4 socket from HICON for the fibre interface. Combined with the HI-FIBER4 -MC connector made from solid metal, the series features IP68 protection (when mated) and a push-andpull locking mechanism. Thanks to the connector compatibility of the HI-FIBER4 socket, up to four conventional LC-connectors or two LC-duplex-connectors can alternatively be connected directly to the extender.

www.sommercable.com

Canon unveils Multi-Camera Orchestration

DESIGNED SO that professional multicamera productions can be operated by a single user, Canon has released its MultiCamera Orchestration (MCO). Created for live environments such as podcasts, news, talkshows and studio productions, MCO synchronises multiple PTZ cameras to one main camera, automating movements and simplifying complex workflows.

By assigning one camera as the main, sub-cameras automatically respond to pan, tilt and zoom movements while maintaining predefined roles. This allows operators to execute coordinated camera moves and switch role sets instantly, without manual reprogramming during live production. MCO delivers reliable subject

tracking using overhead cameras, providing accurate performance even during fast movement and tight zooms. Cameras automatically return to the subject position without resets, supporting visual continuity in demanding live scenarios. On-air shots can be locked instantly to maintain stable framing.

The manufacturer has also released an update to its Cinema EOS cameras, giving customers bleeding-edge features to the Canon EOS C400, C70, C80 and R5C units. Firmware updates will enable full frame 3:2 open gate recording (EOS C400), view assist in media mode and improvements to focus peaking and assign buttons.

www.canon-europe.com

Pleneo and Sennheiser hold

a meeting

PLENEO AND the availability of two meeting room kits designed to remove installation complexity, reduce deployment cost and enable consistent, AI-ready collaboration experiences.

The Pleneo Medium Room Kit and Pleneo Large Room Kit are designed for rooms up to 50m² (approximately 10m x 5m) and 90m² (approximately 12m x 7.5m), respectively. The kits extend AI-enabled collaboration into larger environments that are typically difficult to standardise and scale. By integrating Sennheiser ceiling microphones as part of a fully orchestrated Pleneo system, the kits deliver high-performance audio pickup that supports intelligent meeting experiences.

Together, the audio and video systems behave as part of a coordinated whole, rather than independent devices.

Marshall expands compact camera range

DESCRIBED AS a compact UHD IP camera designed for professional AV, live production, broadcast and streaming applications, Marshall Electronics’ CV420-27X camera combines high-resolution imaging, long optical zoom and IP-based connectivity in a small form factor intended for fixed installation and space-constrained environments, including corporate AV, houses of worship, live events and broadcast facilities.

The camera is built around an 8.5MP sensor, capturing UHD video at resolutions up to 3840x2160 at frame rates approaching 60fps. In addition to UHD output, the camera supports a range of HD formats to support integration into mixed-format production and AV workflows. A built-in 27x optical zoom lens provides a wide focal

PPDS debuts

range, allowing operators to move between wide shots and detailed close-ups while maintaining image clarity. The camera is also designed to conditions, supporting consistent image performance across variable lighting environments. Designed for IP-centric workflows, the CV420-27X supports HEVC encoding and secure SRT streaming over Ethernet. HDMI output with embedded stereo audio is provided for local monitoring alongside network distribution. Power, audio and control can be delivered via a single Ethernet connection using power-over-Ethernet, reducing cabling requirements and simplifying installation.

www.marshall-usa.com

next-level processing

SAID TO be the manufacturer’s most powerful and intelligent digital signage display to date, PPDS has unveiled the Philips Signage 5000 Series (D-Line). An evolution of the Philips Signage 4650 (D-Line), the displays have been remodelled and reimagined using advanced UHD visual technology, energy efficiency and processing power. The portrait or landscape mountable models are available in 32-, 43-, 50-, 55-, 65-, 75-, 86- and 98-inch formats. The units feature an octa core processor and reportedly become the first in PPDS’s range of Android SoC displays to integrate a 6 TOPS (Tera Operations Per Second or Trillion Operations Per Second) neural processing unit. The 6 TOPS NPU allows AI applications and tasks to run faster and deliver smoother processing, ensuring seamless user experiences without slowing down or impacting other processors and operations, such as the Central Processing Unit and Graphics Processing Unit.

Behind the screen, the displays are powered by an upgraded Android 14 professional SoC platform. With integrated HTML5 support in a Chromium-based browser, users can connect, control and create content – whether for single displays or for fleets installed around the world – entirely remotely, using a preferred cloud platform.

Each kit is built around Pleneo RoomHub, which connects all room endpoints into Pleneo Room OS, the system layer that powers the room as a single, unified environment. Room OS enables zero-touch deployment and automated setup, allowing complete rooms to be brought online without specialist configuration or individual tuning of audio or video settings.

RoomHub applies AI-driven audio tuning and enhancement across the system, including adaptive room tuning, AI NoiseSense, ML-based room enhancement and IQ Voice Enhancement. Video intelligence is delivered through Pleneo RoomVision cameras, which support AI speaker tracking that automatically follows the active presenter, as well as AI autoframing that keeps participants naturally framed without distracting camera movement.

Using Pleneo Cloud, rooms are provisioned, configured, monitored and managed centrally as complete systems. IT teams can manage rooms directly within Pleneo Cloud or integrate room data and events into the platforms they already use for IT service management and operations, enabling consistent oversight without introducing new operational silos.

The Medium Room Kit consists of Pleneo RoomHub, a Pleneo RoomVision camera, one Sennheiser TeamConnect Ceiling Medium microphone, four Pleneo RoomDesign PoE ceiling speakers and a complete cabling set. It is fully deployed and managed via Pleneo Room OS and Pleneo Cloud. The Large Room Kit includes the same elements but increases this to two Sennheiser TeamConnect Ceiling Medium microphones and six Pleneo RoomDesign PoE ceiling speakers.

www.pleneo.com/sennheiser

Featuring a new UHD 600 nits – 500 nits on a 32-inch FHD model – the Philips 5000 Series also includes FailOver technology which automatically plays backup content onscreen in the unlikely event of a media player failure.

Meanwhile, the manufacturer has also released the Philips Signage 2000 Series, described as bringing UHD digital signage “back to basics”. Available in a range of screen sizes, including 43-, 50-, 55- and 65-inch models, the units are equipped with 4K UHD, 400 nits of brightness and are portrait or landscape mountable. Joining the Signage 5000 Series and the Stretch 3150 Series, the Signage 2000 Series joins the expanding professional Android SoC family of Philips Professional Displays. Powered by Android 14, the displays are optimised for native Android apps and enable users to install web apps and software directly onto the display, eliminating the need for an external media player.

www.ppds.com

VITEC admires the view

DEVELOPED TO simplify and enhance corporate communications and meeting room signage, VITEC has released its X View integrated display range. The first product in the range, the XV15, combines purpose-built display hardware with full compatibility with the manufacturer’s Avedia platform, delivering a centrally managed signage solution for meeting rooms, public areas and workplace communications without the complexity of separate external players and power supplies.

The X View range consists of integrated displays powered by VITEC’s endpoint technology, effectively

embedding an Avedia media player directly inside the screen. Fully integrated with, and managed through, the Avedia platform, the displays offer the same control and monitoring as the company’s other platform-controlled endpoints.

Two display sizes are available: a compact 11.6-inch model, ideal for installation outside meeting rooms, and a larger 21.5-inch display suited to broader corporate communications.

Typical use cases include meeting room status displays, welcome signage, corporate announcements, event information and live data feeds.

Mix, match, control

DESIGNED TO deliver flexible control for architectural lighting and AV environments, the NetPanel series from Visual Productions allows designers and integrators to build the ideal control surface by mixing and matching three dedicated models: the B4 Button Panel, the F2 Fader Panel and the E1 Rotary-encoder Panel. Together, the panels are said to offer a scalable and adaptable solution that can be tailored to the needs of each project.

Each NetPanel solution is crafted with a glass finish and features capacitive-touch controls, RGB LED indicators and integrated haptic feedback. Predefined control modes

The X View models are optimised for non-interactive signage applications. Integration with Office 365 enables real-time meeting room availability and scheduling information to be displayed, supporting efficient room use. As part of the Avedia platform, the ArtioCreate application enables users to easily create and display

support colour spectrum adjustment, CCT temperature selection and intensity control, while automatic brightness adjustment helps the panels remain clearly visible and

A unified portfolio

FOLLOWING ITS acquisition of ZeeVee, Kramer has released the ZyPer4K-XSE, described as the next generation of lowpower, uncompressed 10G SDVoE encoders and decoders. Designed for large-scale displays, gaming, stadiums and maritime environments, the ZyPer4K-XSE combines reduced power consumption along with Dante audio, USB-C connectivity, HDMI loop-out, ICRON USB extension and RS-232 support. Managed through the ZyPer Management Platform (ZMP), the ZyPer4K-XSE is said to provide fast deployment, centralised configuration, real-time monitoring and longterm operational reliability.

Beyond the existing SWT3-31-HU and SWT3-31-HU-TR switchers, Kramer has

expanded its HU offering with the introduction of the SWT3-21-HU-TR and MTX3-42-HU.

These additions are said to broaden support for USB-C and HDMI workflows while enabling greater configuration flexibility and wider coverage across meeting rooms, classrooms and collaboration environments. As hybrid collaboration continues to drive strong demand for USB-C workflows, the HU products have been developed to provide a complete USB-C -to-HDMI ecosystem.

The manufacturer has also added new capabilities in device integration, automation and AI to its Panta Rhei platform to bring greater flexibility, intelligence and operational efficiency to AV and IT teams. Panta Rhei now enables integration with any device,

comfortable to use in any ambient lighting condition. With a magnetic back plate and single Ethernet connection, integration is described as fast and straightforward.

with the platform automatically associating discovered devices with existing drivers in the database. Additional automation capabilities enable proactive action triggering across spaces, buildings, sites or even multi-site environments from a single management platform. An AI-enabled troubleshooting tool provides guidance to help AV teams resolve issues faster, reduce downtime and build ongoing operational knowledge. In addition, Panta Rhei now features Model Context Protocol (MCP) capabilities, creating a secure

customised meeting room signage. Installation is reportedly simplified through power-over-Ethernet (PoE), removing the need for a separate power cable and helping create cleaner, more discreet installations.

www.vitec.com

When paired with Visual Productions’ CueCore3, the panels can interact with one another in a single installation and be linked directly to internal CueCore3 functions, requiring only minimal configuration to achieve a streamlined and reliable setup. For broader system designs, a straightforward API enables seamless integration with third-party lighting and AV platforms. Communication over standard Ethernet protocols such as OSC, UDP and TCP enables NetPanel to connect to primary control systems, including solutions like Q-SYS, Pixera and BrightSign.

www.visualproductions.nl

bridge between internal infrastructure and external AI services.

Finally, Kramer has standardised USB-C connectivity across its AVoIP portfolio, spanning both 1G and 10G solutions. By implementing USB-C consistently across key product families, the manufacturer is aiming to enable unified workflows, simplified system architectures and seamless interoperability in mixed-network environments.

www.kramerav.com

Lightware brings centralised management to Taurus

LIGHTWARE VISUAL Engineering has expanded its Taurus TPN ecosystem with the introduction of the TPN-MMU, a Matrix Management Unit designed to provide centralised discovery, configuration, monitoring and routing control across SDVoE-based 10G AV- over-IP deployments. The TPN-MMU is intended to simplify system design and dayto-day operation by presenting distributed AV networks as a single, manageable virtual matrix. Built on SDVoE technology, the Taurus TPN platform supports uncompressed 4K60 4:4:4 video with near-zero latency and deterministic switching behaviour, making it suitable for performance-critical professional AV applications. At the same time, the ecosystem is designed to align with enterprise IT infrastructures, supporting VLAN segmentation, 802.1X authentication,

setup and operational workflows into a single interface. Endpoint discovery, configuration, routing and diagnostics are handled without the need for third-party SDVoE controllers, switch command-line configuration or multiple vendor-specific tools. According to Lightware, this approach reduces engineering time, accelerates commissioning and simplifies long-term system maintenance by enforcing consistent and repeatable behaviour across installations of varying scale.

In addition to video routing, the ecosystem supports network-based USB routing, allowing peripherals such as cameras, microphones and touch interfaces to be dynamically assigned to host computers across the network.

www.lightware.com

Crestron updates its product ecosystem

CRESTRON HAS unveiled product updates to its collaboration and control ecosystem, including the AutoMeasure feature, Collab Compute platform and 80 Series touchscreens.

AutoMeasure is an AI-driven configuration feature within the Intelligent Video Room Designer tool for Automate VX multicamera systems. It automates the measurement and placement of cameras and microphones during installation. Using computer vision, spatial intelligence and ArUco marker technology, AutoMeasure detects AutoMeasure cubes placed in a room and calculates X, Y and Z coordinates and device angles. These measurements are applied directly in the design tool, reducing deployment time for Automate VX systems to approximately 15 minutes. The system also generates a positioning accuracy report to verify device placement and performance. Reusable measurement kits support repeat deployments, while integration with Automate VX enables alignment with its active-speaker multicamera switching system.

Collab Compute serves as a standardised hardware computer platform for professional collaboration environments. It is built on Intel Core Ultra processors with an integrated neural processing unit (NPU), providing local processing for advanced collaboration functions

such as auto-framing, speaker identification and real-time transcription used by platforms including Microsoft Teams Rooms and Zoom Rooms. The platform is undergoing certification for native operation of these services on Windows. Designed for professional AV applications, Collab Compute includes DM Essentials endpoints, HDMI ingest, USB-C, multi-network connectivity and multiple display outputs. An integrated chassis with built-in power supply and tool-less mounting supports simplified installation. Centralised provisioning and management are supported through XiO Cloud, Microsoft Teams Pro Management and Zoom Device Management.

The 80 Series touchscreens provide room scheduling and control interfaces for

commercial workspaces. The portfolio includes room scheduling panels with integrated light bars, wall-mounted control touchscreens and tabletop control touchscreens in 8- and 10-inch formats. Built on Crestron’s platform and the Microsoft Device Ecosystem Platform (MDEP), the 80 Series supports scheduling integration with Microsoft Teams, Outlook,

20 - 22 MAY 2026 | SINGAPORE EXPO

Asia’s leading broadcast and media technology event returns to Singapore EXPO from 20–22 May 2026, where industry leaders will explore AI innovation, immersive media, pro-AVL technologies, and evolving standards shaping the region’s broadcast future.

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Zoom Rooms and third-party platforms, along with in-room control and collaboration system interaction. Security features include 802.1X authentication, TLS encryption and Microsoft Active Directory integration. PoE enables single-cable installation and XiO Cloud provides remote provisioning and lifecycle management.

Crestron has also achieved NDI certification for its 1 Beyond p-Series and i-Series cameras. The certification enables integration with platforms such as Microsoft Teams Rooms and Zoom Rooms, and supports NDI-based workflows in corporate and education environments. The certification

Atomos provides three for the price of one

THE SHOGUN AV-19 from Atomos is a rack-mountable, 19-inch 4K HDR monitorrecorder-switcher designed for studio and outside broadcast workflows. Combining multi-camera switching, ISO recording and monitoring in a 7U form factor, the Shogun AV-19 can be flightcased or deployed in live event racks. It is capable of simultaneous recording of up to four isolated SDI camera feeds plus a fifth programme output. The large, colour-accurate 4K HDR, DCI-P3 display provides real-time monitoring for directors, technical directors, camera operators and production teams managing complex multicamera setups.

The Shogun AV-19 supports recording in Apple ProRes, ProRes RAW and Avid DNx codecs from SDI or HDMI sources, enabling immediate post-event turnaround with up to 10-bit 4:2:2 quality and resolutions up to 8Kp60. Media can be captured internally to CFexpress cards or externally via high-speed

USB-C storage, offering versatile options for high-data -rate workflows. It also serves as a secure backup recorder for redundancy, an instant review station for directors and clients, and a confidence monitor. Built-in Atomos monitoring tools include EL Zone false colour, focus peaking, waveform, Log-to -LUT viewing, frame guides, safe areas, anamorphic de-squeeze, HDR-to -Rec.709 conversion and quad-view monitoring.

Connectivity is further expanded with NDI HX3 send and receive, allowing broadcast-quality video, audio and metadata to be sent over a single standard Ethernet cable for remote and mobile production workflows. Two full-size XLR inputs with 48V phantom power provide professional balanced audio recording, complete with dedicated meters, gain control and frame-accurate audio delay.

www.atomos.com

Barco focuses on QDX projection platform

WITH THE aim of making its projection family a fully rounded solution for themed entertainment and high-profile installations, Barco has added three RGB models to its QDX platform. With both laser phosphor and RGB options, and resolutions up to native 4K, the platform now gives integrators and content creators “a complete mix-and-match toolkit”. The QDX-N4K RGB projectors cover the Rec.2020 colour gamut, enabling designers to display the most saturated hues and subtle gradients.

reducing power consumption by 25%. For the first time in the 500-nit segment, the UniSee 500+ introduces smart local dimming technology. This feature provides sharper image quality and more accurate visual information to operators. Enhanced inter-panel communication is said to deliver a more uniform display experience across the entire wall, reducing visible boundaries and inconsistencies. Key improvements include EMC Class B certification for electromagnetic radiation, an upgrade from the previous Class A

They come with TLD+ lenses and Barco’s DuraOptix design which reportedly optimises the optical path to help ensure a longer operational life and more consistent visual quality over time.

Meanwhile, the manufacturer has also unveiled the UniSee 500+, the successor to the UniSee 500 LCD videowall platform. This new generation is said to deliver a significant step up in image quality while

Panasonic unveils first 4K LCD projector line

A NEW range of 4K LCD projectors developed with simulation-led applications in mind has been debuted by Panasonic. The VMQ85 Series marks Panasonic’s first 4K LCD projector line and is designed to deliver high-detail imagery for immersive environments such as sports simulation and interactive experiences.

The VMQ85 Series uses a square-pixel architecture to produce finely detailed visuals with reduced pixel structure, supporting close-range viewing and realistic image reproduction. The range includes three models delivering brightness levels of up to 8,000 lumens and incorporates Panasonic’s 2-axis pixel-shifting technology to maintain image clarity across demanding applications.

Weighing less than 8kg, the VMQ85 aims to simplify installation in compact or space-constrained environments, including simulator bays and dedicated experience rooms. For fixed-lens installations, the projector offers a 1.09–1.77:1 throw ratio, supported by a 1.6x optical zoom and lens shift of +44% vertically and ±20% horizontally.

The series includes a dedicated Vivid Green Mode optimised for golf simulation environments, enhancing green tones and turf textures to support realistic course visuals and accurate ball tracking. Image performance is also maintained across curved or angled surfaces.

In addition to performance features, the VMQ85 Series incorporates efficiency and sustainability considerations. Approximately half

of the projector’s plastic body is manufactured using recycled resin, with recyclable cardboard used for packaging cushions. An integrated Image Detection function automatically reduces light output when projected content remains unchanged for a defined period, helping to lower power consumption. A suite of installation and adjustment tools, including an onscreen Angle Monitor for visualising projector tilt, support setup in a variety of venues.

standard. Heat radiation has also been reduced, contributing to more comfortable control room conditions. Additionally, expanded software monitoring parameters provide more detail on panel status and lifecycle indicators, which improves maintenance planning and minimises downtime.

www.barco.com

Marking the company’s first 1-Chip DLP projector to support the Rec.2020 colour gamut, Panasonic has released the PT-HTQ20 which delivers 20,000 lumens of brightness and 4K resolution. The projector has been designed to deliver the colour fidelity typically associated with 3-Chip DLP projection, without the traditional limitations of other technologies. By combining wide-gamut colour reproduction with high brightness, the projector achieves a balanced output where colour purity and luminance are maintained simultaneously.

At the core of the unit is Panasonic’s Vivid Prime RGB laser technology, enabling more than 95% coverage of the Rec.2020 colour space. A proprietary RGB-plusphosphor design also provides smooth tonal gradations when displaying standard Rec.709 content. Vivid Prime’s high-speed colour switching reduces the rainbow effect, a common artefact in projection that can distract viewers, particularly in immersive environments.

Lumens adds AI tracking

LUMENS DIGITAL Optics has introduced the VC-TR41N, a PTZ camera combining NDI network video support with in-camera, AIbased automation features. The model builds on the VC-TR41 platform, adding NDI HX3 compatibility to support IP-based production workflows while maintaining a focus on automated operation for professional AV and video applications. Available through Lumens’ global distribution network, the VC-TR41N is intended for applications including live events, AV installations and video conferencing environments requiring automated camera operation and IP-based video workflows.

IP, HDMI, SDI and USB outputs for video transmission and device control, allowing integration into a range of live production, conferencing and AV systems. The inclusion of NDI HX3 enables low-latency video transport over standard 1G networks and supports interoperability third-party production tools and software

Christie introduces VividLife

The VC-TR41N is a 20x HD PTZ camera designed to support motion tracking and auto-framing in meeting rooms, event spaces and installed AV environments. It features

The camera incorporates a dual-camera design, combining a main PTZ lens with optical zoom alongside a fixed panoramic camera. This configuration is used to support continuous AI-driven tracking without the need for external software. All video analysis and tracking functions are processed internally, with system configuration and control handled through a built-in web interface.

www.mylumens.com

ATEN expands KVMP with 8K switches

ATEN INTERNATIONAL has expanded its KVMP range with the introduction of the CS1942DPA and CS1944DPA dualdisplay DisplayPort switches, designed to support high-resolution multitasking workflows across pro AV, corporate and content creation environments.

Available in 2- and 4-port configurations, the devices enable users to control multiple computers from a single dual-monitor workstation while maintaining support for resolutions up to 8K60Hz and 4K120Hz. The switches are intended for applications where both visual fidelity and fluid motion are critical, including engineering, data analysis and professional media production, while also supporting 21:9 and 32:9 ultra-wide display formats for expanded screen real estate.

Peripheral sharing is handled via an integrated 2-port USB 3.0 hub, providing data transfer speeds of up to 5Gbps. This allows high-bandwidth USB devices such as external storage, cameras and other peripherals to be shared across connected systems without the need for additional switching hardware, supporting streamlined desktop configurations in demanding professional environments. Both models support multiple system switching methods, including front-panel buttons, hotkeys, mouse switching, RS-232 control and an optional remote port selector. For larger workstation deployments, two units can be daisy-chained via dedicated ports to create a quad-display setup, enabling control of up to four systems from a single keyboard and mouse configuration.

Joining the 36x20 VW3620, the compact VW1608 16x8 modular videowall processor has been designed for a variety of applications, from corporate and auditoriums to transportation hubs and disaster response centres. Created

to address the complexity of modern visual data, the VW1608 features a high-performance FPGA-based hardware architecture combined with FrameSync technology. Supporting True 4K resolution, the processor reportedly delivers crystal-clear detail and accurate colour reproduction while upscaling and optimising content.

To meet the demands of bezel-free LED displays, the VW1608 is engineered to leverage the limitless potential of seamless videowalls. By removing the constraints of physical borders, it enables flexible overlapping and cross-screen windowing that allows content to flow freely across the entire display area to maximise screen real estate. Operators can use the local HDMI output for live previews to verify adjustments such as repositioning feeds or fine-tuning window overlays before pushing them live to the main LED wall.

The VW1608 features a modular 4U chassis supporting 16 sources and eight displays, with daisy-chaining capability to expand up to 24 display outputs. Built for 24/7 stability, it includes redundant power and hot-swappable modules. For high-stakes environments, the VW1608 supports high-availability clustering with real-time mirroring and automatic failover, while automatic configuration backup protects against system failures to provide uninterrupted mission-critical operations.

www.aten.com

DESIGNED AS an end-to-end processing and control system to support its MicroTiles LED portfolio, Christie has debuted VividLife. The solution brings together hardware architecture, image processing, calibration and system management within a single platform intended for high-performance LED display applications. VividLife has been designed to deliver consistent and accurate image reproduction across a range of brightness levels, supporting stable grayscale performance and smooth colour transitions in both low-light and high-brightness environments. This makes it suitable for applications such as simulation, control rooms and immersive installations, where visual artefacts can become more apparent at reduced brightness levels. The platform supports 4K resolution at refresh rates of up to 120Hz, with 24-bit colour

processing and HDR10 compliance to enable high dynamic range content. Low-latency performance is intended to support real-time and mission-critical applications.

Factory-based pixel-level calibration is used to ensure edge-to -edge colour accuracy and image uniformity, reducing the need for extensive onsite calibration during installation. Minor adjustments can also be made during setup where required. System monitoring and control are handled through a web-based interface, allowing real-time oversight of display performance and access to pixel-level diagnostics, enabling issues to be identified and addressed before they impact visual output.

www.christiedigital.com

INFiLED tackles installation requirements

INFILED HAS expanded its LED display portfolio with the introduction of several series designed for applications across corporate, retail, broadcast, control room and rental environments. The ranges focus on addressing specific installation requirements, from high-traffic public spaces and outdoor digital signage through to transparent retail displays and touring systems. Among the introductions is the InfiPixmk2 series, a weather-resistant LED solution

InfiPixmk2

designed for outdoor and high-brightness digital signage applications. The series delivers brightness levels of up to 8,000 nits and has been engineered to maintain image stability in direct sunlight. A modular design allows for flexible configuration, including

curved and custom display surfaces, while independent control of individual modules supports more creative installation designs. The manufacturer has also introduced GeminiLED, a dual-sided, ultra-slim LED display designed for overhead and open architectural installations in environments such as transport hubs, retail spaces and corporate venues. The series features a lightweight magnesium-alloy structure intended to support discreet integration without obstructing sightlines. Each side of the display can be independently calibrated and controlled, enabling separate content and brightness settings on opposing faces. For retail and architectural applications, the display manufacturer has added the Mirak series, a transparent LED display platform designed to integrate digital content into shopfronts and interior spaces. With high transparency and a minimal structural presence, the Mirak displays are intended to deliver digital messaging without visually dominating the surrounding architecture. Lastly, the portfolio expansion also includes the Black Widow AMT system, a modular LED solution designed for touring, rental, DOOH and immersive stage environments. The system supports software-based switching between different pixel pitches, allowing a single inventory to be adapted for varied resolution requirements. Its scalable design and transport-focused features are intended to support efficient deployment across temporary and touring installations.

www.infiled.com

Signing off in style

David Labuskes joined AVIXA as CEO in 2013 after a career which steered him towards a passion for technology and the creation of a large consulting practice. Caroline Moss interviews Labuskes on the eve of his retirement

What were your main aims upon joining AVIXA?

From the outset, it seemed apparent to me that the greatest opportunities to serve our industry existed beyond the US. Over the years, I’ve worked hard as part of a team dedicated towards driving the relevance of AVIXA’s global presence and ability to serve the entire industry.

Describe AVIXA as it was when you joined in terms of membership, training, tradeshows and other events

At the time I joined, it was InfoComm International; membership, training and tradeshows were all there. Across the board, AVIXA is three times the organisation we were at the beginning of my time as CEO. This is reflective of the hard work of the team and industry volunteers in delivering value to the industry at a global scale. Our tradeshows serve every region in the world, while our education, certifications and events form the foundation of a career in pro AV.

How have you grown the membership and increased global footprint?

The successes we’ve experienced have been the result of thousands of hours of work by the very talented team at AVIXA. A key shift to be acknowledged is that our “membership” and “global footprint” are two very different things. Membership is a product or package that we offer to individuals and enterprises. That will continue to evolve but the demographic forces and assumptions that defined it in 2013 are very different today. Global footprint, on the other hand, is a description of AVIXA’s reach. This would be measured by examining metrics like audience size, digital views, impressions, web visitors and attendance at face events. With this definition of a “footprint” you’re comparing about 5,000 members in 2013 to tens of millions today. This growth occurred deliberately with the recognition that the first point of contact in this world is digital, and engagement for our community includes a multitude of steps and pathways dependent upon who’s taking that journey. A young engineer from India has a very different path of engagement with AVIXA from a private fund equity manager in New York looking to invest within our industry. AVIXA delivers value to both.

In which territories have you made the biggest impact over the past decade, and how has AVIXA helped to support and grow those markets?

I am proud of the work that AVIXA has done around the world, and we’ve had real and visible impact in all the regions. A lot of this answer depends on the definition of impact. You could compare the AVIXA board of directors in 2013 to the makeup today for a snapshot of the change. We have transformed from an US-centric organisation to a truly global one. This has had an impact in Europe with certification adoption, tradeshow attendance, industry

awareness and many other metrics. In Asia, our work in India has had enormous impact. This started a few years before my tenure but intensified with our first InfoComm India in 2013 during my first year as CEO. Since then, we’ve seen a massive growth in the industry and a birth of identity for the AV profession within that country, and we’re nowhere near the end of that growth. We are poised to reinvigorate our presence in the Middle East, both physically with an event and with industry-convening resources. Obviously, the current situation in that region directs our focus and priorities towards a fervent hope for peace, resolution and the safety of all the people affected by the current hostilities.

How has the industry evolved since you joined in 2012 and what part has AVIXA played in that?

There have been groundbreaking changes in our industry since 2012. At that time, we were struggling with our value and communicating that value as an industry. Addressing this was at the genesis of our talk about exceptional experiences and the need to connect human beings through experience. The pandemic years saw a generational change in the role of AV from “nice to have” to “mission critical”, creating massive changes across the industry. AVIXA continues to serve a critical function in enabling the industry to meet the moment in this type of environment. Our presence convenes all the parts of the industry ecosystem both physically and virtually. Our standards, education and events deliver value because they either enhance the expertise of the AV professionals that create our industry’s value or deliver value by facilitating the connection between a buyer and a

seller. And they do that 24 hours a day, 365 days a year, worldwide. On the one hand, today’s AV industry is exactly the same as it was in 2012 – the industry that connects people to people with the use of technology. On the other hand, it is almost unrecognisable. Its pure growth has been extraordinary. The technological capabilities of today were dreams at that time, and the importance of the services we deliver can be seen in nearly every business or venue in the universe. I believe AVIXA served well as a catalyst for this transformation.

What are you the proudest of having accomplished during your time at AVIXA?

I’m proud of the community that we have continued to nurture, in particular its breadth and diversity. I’m proud of the thousands of students and new professionals we’ve introduced into the industry. I’m proud of the team that delivers on AVIXA’s mission, their unequalled passion for this industry and the commitment of their talent towards its success.

What do you see for the future, both for the association and for the AV industry at large?

I see amazing success ahead. There are so many more ways that AVIXA can evolve to serve our industry, and the industry itself will continue to have unfathomable opportunities created by both demand for better “fill in the blank” from us and the technological advances that, when paired with our innovative DNA, will be able to deliver on those demands. I can’t wait to see where the next 15 years take this industry and AVIXA, and I’ll be cheering you all on as your biggest fan.

www.avixa.org

SCALABLE NETWORKING SIMPLIFIED.

Whether deploying a redundant or primary-only network topology, the MS8.2 Milan network switch is perfectly suited to simplify mobile, installed systems and spatial audio applications.