15th BFDG Production Design Awards Brochure by British Film Designers Guild

Experts in large format design, print and installation across television and film. Offering a wide range of materials and solutions for use in production and beyond. set graphics

We proudly congratulate our

15TH BRITISH FILM DESIGNERS GUILD AWARDS

Nominees

COMMERCIAL

Production Designer WILL HTAY

SCHWEPPES – “TAKE YOUR TIME”/ ”MISSION TO MARS”

MUSIC VIDEO

Production Designer THEO BOSWELL

“EXPRESSION ON YOUR FACE” – MECHATOK

FEATURING BLADEE & ECCO2K

TV – BAND 2 PROGRAMMES

Production Designer

NIAMH COULTER THE GIRLFRIEND

TV – BAND 3 & 4 PROGRAMMES

Production Designer

JASON KNOX-JOHNSTON

ALIEN: EARTH

Production Designer

PHILIP MURPHY

WEDNESDAY S2

FEATURE FILM – PERIOD

Production Designer PETER FRANCIS

THE CHORAL

FEATURE FILM – FANTASY

Production Designer

JEREMY REED

DUST BUNNY

Production Designer ALEX CAMERON

THE TOXIC AVENGER

MAJOR MOTION PICTURE – CONTEMPORARY

Supervising Art Director BEN COLLINS

JAY KELLY

MAJOR MOTION PICTURE – FANTASY

Supervising Art Director

JASON KNOX-JOHNSTON

MICKEY 17

Supervising Art Director BEN COLLINS

WICKED: FOR GOOD

WELCOME TO THE 15TH BFDG PRODUCTION DESIGN AWARDS

It’s my pleasure to welcome you to our 15th BFDG Production Design Awards. Our annual glittering event, where we celebrate exceptional Production Design and the fantastic work of our Art Departments.

This year our 15th Annual Awards falls in the Guild's 80th Anniversary year.

Founded in 1946 “for the betterment of design in British films” as The Society of British Film Art Directors and Designers. The Guild of Film Art Directors then grew out of this society which went on to become the current British Film Designers Guild, representing all branches of the Art Department from Students to Production Designers.

The Guild was established barely a year after the end of the Second World War, in the year that the BBC introduced the TV licence and the country was focused on post-war reconstruction. Those 13 founding members would barely recognise the world we all live in today.

We’ve come a long way since 1946 but our mission statement has remained the same.

I’d like to thank all of tonight's Sponsors, as well as our Business and Education Partners, for all their continued and unwavering support throughout the year. They are the lifeblood of the Guild, and without their generosity events like this would not be possible.

Thanks also to our Office Management Team who have, as ever, worked tirelessly to keep the Guild operating during what has been a challenging year.

I’m also delighted to welcome back, for another year, our outstanding host, the inimitable Mark Kermode. Now firmly part of the Guild family, we are thrilled to have him return to host our Awards once again.

2025 has continued to be another challenging year in our industry. What was seen as a correction, following the US strikes, has sadly evolved into more of a ‘new normal’.

Some of our members have found a lack of work over the last year, and we as a Guild have offered support to our members wherever we could.

But on a more positive note, some members have been busy, as is evident from the tremendous number and quality of this year’s nominations, which most definitely bucks the trend of an industry slowdown.

With that in mind, I do believe we can be optimistic that 2026 will bring improvement across our industry. While film and television spending increased in 2025 compared with the previous year, fewer productions were actually made. Even so, there are encouraging signs that growth is continuing, and that 2026 will see more projects move into production than last year.

Jonathan Green Chairperson

SPONSORS A HUGE THANK YOU TO OUR SPONSORS

GOLD SPONSORS

LIGHT ENTERTAINMENT TV BAND 1 PROGRAMMES AWARD SPONSOR

PETER LAMONT SPOTLIGHTING NEW TALENT AWARD SPONSOR

BAND 2 PROGRAMMES AWARD SPONSOR

FEATURE FILM PERIOD AWARD SPONSOR & GREENS SUPPLIER TV BAND 3 & 4 PROGRAMMES AWARD SPONSOR MAJOR MOTION PICTURE PERIOD AWARD SPONSOR FEATURE FILM - FANTASY AWARD SPONSOR

SPONSOR MAJOR MOTION PICTUREFANTASY AWARD SPONSOR

POSITIVE AWARD SPONSOR MAJOR MOTION PICTURE - CONTEMPORARY AWARD SPONSOR COMMERCIAL AWARD SPONSOR LIFETIME ACHIEVEMENT AWARD SPONSOR

SILVER SPONSORS

Proud Sponsors of the BFDG & Supporters of Production Design since 1962

TONIGHT’S ORDER OF EVENTS

THE HOST

Mark Kermode is a film critic, broadcaster and musician. With Ellen E Jones, he co-presents the weekly BBC Radio 4 show Screenshot.

6:00PM

VIP Champagne Reception

THE PETER LAMONT SPOTLIGHTING NEW TALENT AWARD

We are honoured to support The British Film Designers Guild 15th annual Production Design Awards.

These awards recognise and celebrate the achievements of the Production Design and Art Departments working in our industry, and they shine a light on the talented individuals whose contributions bring incredible stories to our screens. At CrewHQ we create career pathways and foster the

JUNIOR DRAUGHTSPERSON

Charlie McDonnell

next generation of talent in our industry through our innovative training programmes. We are incredibly proud to be able to sponsor The Peter Lamont Spotlighting New Talent Award, which highlights the future generation trailblazing filmmakers, celebrating their talents and amazing creative skill.

Congratulations to all of this year’s inspiring nominees and winners; we are excited to watch your career paths unfold and look forward to seeing your work on our screens in years to come.

Rico Johnson-Sinclair Director of CrewHQ at Warner Bros. Studios Leavesden

From a young age, after watching hours of behind-the-scenes features and director's commentaries, I knew that I wanted to work in film and television. However, it wasn’t until I found myself standing on the set of Indiana Jones's apartment in 2021 that I realised the Art Department is where I truly belong. I was in absolute awe seeing how the meticulous level of detail and creativity could transport you into a character's world, despite knowing that, in reality, you’re on a soundstage in the UK! The thought of being part of that process in some small way was hugely exciting and motivating.

There is nothing more satisfying to me than watching a set evolve: from an empty stage, to rigging and rostrums, to flattage and plaster, painting and greens, until you find yourself standing on a fully dressed set the day before shoot, fully immersed in another world. That transformation is

where the magic happens. I have been incredibly fortunate to work on some amazing productions alongside exceptionally talented people. Being able to work with them and to learn from them every day is an honour and privilege; one that I will never take for granted.

The Lord of the Rings: The Rings of Power PD: Kristian Milsted

Century Egg (Short) PD: Charlie McDonnell

Lola Fleming

Originally from Dublin, Ireland, I got started in the film industry as a Camera Trainee in 2018 during university. This experience opened my eyes to the excitement and organised chaos of film sets and after finishing my undergrad in English and Film, I moved to the UK to pursue an MA in Production Design at the NFTS.

Since graduating I have worked for 2 years as an Art Department Assistant on amazing productions such as ‘Wednesday’ and ‘Narnia’. I have learnt so much and had the time of my life since joining the Art Department, feeling hugely welcomed by the ADGI at home and the BDFG in the UK. I love that every day in my job is different, exciting, and fast-paced. From the start of my

career, I have had the pleasure of being mentored by extremely talented and kind Production Designers, Supervisors and Art Directors who have supported my journey in the Art Department so far. I can’t wait to continue my career in such a wonderfully creative industry, where I aspire some day to work as a standby-art director or even a production designer myself.

Melissa Davis SET DEC ASSISTANT

While studying for an English & Film undergraduate degree, I spent a formative year abroad in the U.S. where I discovered hand draughting, set construction and modelmaking. Eager to make the most of the opportunity, I joined MA students wherever possible, gaining exposure to computer draughting and 3D modelling and seeing how rough concepts evolve into fully realised sets. This experience sparked my interest in production design.

On returning to the UK, I completed the MA Production Design course at the National Film and Television School. There, I designed and built a restaurant set for the short film 'Date with Death' and went on to design and dress the location set for my graduation film Trouble, which was a finalist at the Student Academy Awards. Since graduating, I have worked as an Art Assistant on '28

Years Later' and '28 Years Later – The Bone Temple' (PDs Gareth Pugh and Carson McColl, SAD Paul Ghirardani), 'The Duchess and I' (PD Gemma Jackson, SAD Seeta Lingam), and 'Roadhouse 2' (PD Greg Berry, SAD Nick Gottschalk). I aim to progress through the Art Department as a Junior Draftsperson, excited to continue learning and eager to be a helpful asset to my team.

Bubble Boy PD: Lola Fleming (NFTS Graduation Film)

Unreleased Production

PD: James Chinlund

28 Years Later – The Bone Temple

PD: Gareth Pugh & Carson McColl

28 Years Later – The Bone Temple

PD: Gareth Pugh & Carson McColl

COMMERCIAL

Samsung

The Next Big Thing Is You

Production Designer

Chloe Brady

Art Director

Greg Hewitt

Schweppes

Take your Time/Mission to Mars

Production Designer

Will Htay

Turkish Airlines

For What’s Now & What’s Next

Production Designer

Ged Clarke

Art Director

Mertkal Kanibelli

MUSIC VIDEO

Already One of Us

Tom Fletcher for Paddington the Musical

Danielle Bayliss

Production Designer

Harriet Wightman

Art Director

Expression on Your Face

Mechatok ft. Bladee & Ecco2k

Theo Boswell

Production Designer

The Shoemaker Freedom of the Night

Anna Riot

Production Designer

Nana Sachie

Asst. Production Designer

SHORT FILM

Bury Your Gays

Harrison Clark

Production Designer

Lea Otovic

Art Director

Alice Nutley

Set Decorator

Fishbrain

Olavo Abrantes

Production Designer

Iasmini Oliveira, Mauricio Borges & Louise Arnold

Art Directors

Eleanor Dolan Set Decorator

The

Pearl Comb

Isabel Pirillo

Production Designer

Lou-Lilâ Masson-Lacroix

Set Decorator

RD Studios is one of the UK’s most sustainable studios, BAFTAAlbert Outstanding accredited.

Located in Park Royal, West London, the site offers 45,000 ft² of studio space, a 36,000 ft² yard, and five fully equipped sound stages, each with built-in hair, makeup, kitchenettes and bathrooms.

Every stage features Elephant door access for large-scale sets, acoustic curtains, and fully automated truss systems included in the hire, allowing rigging at ground level to save time and cost. Larger stages include flexible-use rooms, with an additional 6,000 ft² available for production offices, wardrobe or props.

Powered by rooftop solar panels, EV charging points and rainwater harvesting systems saving 198,000 litres annually, RD Studios sets the benchmark for sustainable production. On site, RD Rentals supplies lighting, camera, grip and distro, while sister company RD Content in Holborn offers post-production, sound engineering and DaVinci colour grading.

RD Studios. London’s go-to destination for high-end, sustainable productions.

PLANET POSITIVE AWARD

“We’re so pleased to once again be sponsoring the BFDG Production Design Awards Planet Positive Award. Congratulations to

all the finalists for their incredible achievements.

Sustainability has always been a priority for Sky Studios Elstree. We were proud to have been named BAFTA albert 2023 cohort’s ‘most sustainable studio’, awarded an overall score of 95%, which is the highest score for any studio, globally.

This achievement comes from applying expertise, experience, and dedication into all of our practices on site. Sky Studios Elstree is 100% powered renewable energy, a significant portion of which comes from the 3-acres of solar panels across the studio’s rooftops. Alongside this, we harvest rainwater, use sustainable led lighting and electric vehicles plus our operations on site are free from single-use plastic.

Our clients are also supported at every phase of production, to ensure it’s easy for them to make sustainable choices when they work at Sky Studios Elstree.

The Planet Positive Award aligns perfectly with our ethos, and with the wider ethos of Sky, who have launched a companywide environmental impact programme, Sky Zero, to build a low carbon economy and inspire positive change for the planet.

We're excited tonight to be celebrating the talented and diverse Art Departments across the UK who are also championing the environment in the work they do."

Noel Tovey Managing Director, Sky Studios Elstree

Wake

Pickle Storm S2

Jay Kelly

The Fantastic 4: First Steps

Down Cemetery Road

OUTSTANDING CONTRIBUTION TO THE ART DEPARTMENT

This special award celebrates the breadth, excellence and dedication of Art Department talent across our industry. From Storyboard Artists to Art Directors and every role in between, this award shines a light on an individual whose work and conduct have made a meaningful and lasting impact on the Art Department.

Nominees may be recognised for outstanding talent, creativity and craftsmanship, for mentoring and supporting colleagues, for innovation that benefits the wider Art Department community, or for a clear commitment to improving access, development and progression for individuals from diverse backgrounds. The award also honours those who consistently go above and beyond through kindness, generosity and thoughtfulness towards others.

The recipient of this award is nominated by BFDG Members but does not have to be a member of the BFDG.

PRODUCTION BUYER

Kate Venner

Ever since I can remember, I’ve been captivated by the power of spaces: how environments tell stories, evoke emotion, and shape our imagination. That passion led me to Kingston University, where I achieved my BA (Hons) in Interior Design. It was there that my storytelling instincts began to expand beyond interiors when I had the opportunity to collaborate with the Film course run by Moira Tait. That crossover opened a new exciting world for me.

After graduating, I began volunteering at the National Film and Television School where I worked with second and third year students, as both Art Director and Production Buyer. Those early experiences were invaluable and taught me how creativity thrives in collaboration to bring storytelling alive.

Soon after, I moved into the professional world, joining the Art Department as an Assistant Art Director on multi-episodic productions such as 'Poirot'. It was an exciting, fast-paced environment

that fuelled my passion for design and storytelling. In the mid 90’s, my life moved on to another chapter. Motherhood. What a journey. During those years, I returned to my roots designing retail interiors.

By the early 2000’s I realised that the energy, creativity and collaborative spirit of film making was where I truly belonged. Returning to the industry felt like coming home. I began working as a Production Buyer, collaborating alongside talented Set Decorators including Maggie Gray and Tina Jones on projects such as 'The Young Victoria' and 'Miss Potter'.

In 2010, I was approached by Lee Sandales to join the Art Department on 'War Horse' - a collaboration that would mark the beginning of a long and treasured professional and personal relationship. Since then, we’ve worked together on 16 films: including 'Star Wars', '1917', 'The Batman', 'Wonka' and 'Wicked': each one offering a new challenge, a new story and a new opportunity to push creative boundaries.

My career has always been guided by a deep love for design. I remain passionate about the collaborative artistry of film: the marriage of vision, craftsmanship and emotion that brings stories to life for audiences around the world.

TV — LIGHT ENTERTAINMENT & BAND 1 PROGRAMMES

Finding Father Christmas

Jonathan Paul Green Production Designer

David Myers Art Director

Clemency Cartwright Set Decorator

Surviving Black Hawk Down

Blair Barnette Production Designer

Ghazi Temimi Supervising Art Director

Lou-Lilâ Masson-Lacroix Set Decorator

The Last Musician of Auschwitz

Jonathan Paul Green Production Designer

Bobby Warans Set Decorator

TV BAND 2 PROGRAMMES

The Girlfriend

Niamh Coulter Production Designer

James Hambidge & Kate Grimble

Supervising Art Directors

Katie Scopes & Pancho Chamorro Set Decorators

The Iris Affair

Laura Pozzaglio

Production Designer

Michela Lunetti

Supervising Art Director

Tiberio Caporossi

Set Decorator

Towards Zero

Lucienne Suren

Production Designer

Jos Richardson

Supervising Art Director

Mike Britton

Set Decorator

Fuel your passion with innovative technology

Dell Technologies is a proud sponsor of the British Film Designers Guild.

TV BAND 3 & 4 PROGRAMMES

Alien: Earth

Andy Nicholson & Jason Knox-Johnston

Production Designers

Cornelia Ott, Shira Hockman, Gai Suchatanun & War Waruttamangkoon

Supervising Art Directors

Mark Rosinski, Dominic Capon, Eve Pansombat & Chat Praingam Set Decorators

Andor S2

Luke Hull

Production Designer

Toby Britton

Supervising Art Director

Rebecca Alleway Set Decorator

Wednesday S2

Mark Scruton & Philip Murphy

Production Designers

Shane McEnroe

Supervising Art Director

David Morison & Neville Gaynor Set Decorators

Planes, trains & automobiles...

...Every story starts in a space that make possible for the vision to become a reality

Garden Studios’ range of stages and spaces l themselves to a diversity of creative visions.

From traditional sound stages to our vir production LED wall, Garden Studios can go any ride you need, all from our Central Lon Campus.

Eight sound stages ranging from 5,000 sq ft to 23,400 sq ft. With working heights from 7m to 10m

Permanent 24m x 5m virtual production LED wall

Sustainable set-waste reuse with our partners ReUse and ReCollective (Planet Positive Award Winners)

LIFETIME ACHIEVEMENT

We are delighted to continue supporting the British Film Designers Guild for their 15th annual Production Design Awards, celebrating the incredible achievements of Art Department professionals whose creativity and dedication have shaped some of the most iconic film and TV productions in the industry.

The Lifetime Achievement Award is a special honour, recognising members of the Art Department who have made a significant and lasting impact on the industry throughout their extensive careers. As sponsors of this prestigious award, we are both grateful and proud to spotlight the exceptional talent and unwavering commitment of these creative professionals, who

SET DECORATOR & ART DIRECTOR

Malcolm Stone

I was born in London in 1948, the son of George Stone, a Royal Engineer who voluntarily returned from service in the Far East to help rebuild Britain after the war. My childhood was spent in houses my father helped to construct, first in Kent and later in Surrey, where I was educated at Wallington County Grammar School for Boys.

After leaving school, I spent six formative years at art college, completing both graduate and postgraduate degrees in Interior Design at Leicester. Alongside my academic training, I developed a lasting commitment to rugby, a pursuit that remained an important part of my life for forty-six years.

My career began at Leicester Museums as an exhibition designer, followed by work with an architectural practice in London. I then moved into television, joining Southern Television in Southampton as an assistant designer. Within two years, I transferred to Lew Grade’s ATV Network at Elstree, where I rapidly progressed to Senior Designer. There I worked across drama and light entertainment, contributing to productions made for both British and American audiences. It was during this period that I joined the design team for The Muppet Show and met Jim Henson, an association that would prove to be a defining influence on my career.

In 1979, I left ATV to establish Mightart Ltd. and embark on a freelance career, beginning with Jim Henson’s feature film

have dedicated their lives to bringing the very best in film and television content to audiences worldwide.

Congratulations to all this year’s nominees and winners. Thank you for your constant hard work and dedication.

Emily Stillman SVP Warner Bros. Studios

Leavesden.

'The Dark Crystal'. This marked the start of forty-seven years working as an Art Director, Set Decorator, and Production Designer on more than 100 film and television productions.

My work has also extended into writing, including the screenplay for the feature film Mrs Caldicot’s Cabbage War, starring Pauline Collins and John Alderton. Among more unusual projects was the construction of a full-size replica of the then-new Docklands Light Railway train for GEC.

I have been honoured with multiple Emmy nominations for Outstanding Art Direction, including 'The Muppet Show' with Beverly Sills (1979) and Brooke Shields (1980), 'War and Remembrance' starring Robert Mitchum (1988), and 'Band of Brothers' (2001), produced by Steven Spielberg and Tom Hanks. I have also received nominations from the Art Directors Guild of America for excellence in design for 'The Company' (2007), produced by Ridley Scott, and 'Tut' (2015), produced and directed by David Von Ancken.

My awards include the ACE Award (American Award for Cable Television Excellence) for Mother Goose Tales, produced by Jim Henson, and a British Television Advertising Award Diploma for Paxo’s 'Rooster Booster'. Beyond my creative work, I have been privileged to serve as Chairman and Treasurer of the British Film Designers Guild. I am an Honoured Friend of the British Society of Cinematographers and a Fellow of the Royal Society of Arts.

FEATURE FILM PERIOD

Anemone

Chris Oddy Production Designer

Heather Noble

Supervising Art Director

Neil Floyd Set Decorator

Steve

Paki Smith Production Designer

Nigel Pollock

Supervising Art Director

Johnny Byrne Set Decorator

The Choral

Peter Francis Production Designer

Astrid Sieben

Supervising Art Director

Julie Graysmark Set Decorator

FEATURE FILM

CONTEMPORARY

Grow

Jamie Morgan Lapsley Production Designer

Gordon Rogers Supervising Art Director

Laurel Wear Set Decorator

My Oxford Year

Catrin Meredydd Production Designer

Fabrice Spelta Supervising Art Director

Jo Delo Set Decorator

The Thing with Feathers

Suzie Davies Production Designer

Elena Real Davies

Supervising Art Director

Charlotte Dirickx Set Decorator

Huge

Your

Please

Looking

Supporting

FEATURE FILM FANTASY

100 Nights of Hero

Sofia Sacomani

Production Designer

Naomi Bailey

Supervising Art Director

Tatyana Rutherston Set Decorator

Dust Bunny

Jeremy Reed

Production Designer

Adorjan Portik

Supervising Art Director

Dorka Kiss & Kata Kiss Set Decorators

The Toxic Avenger

Alex Cameron

Production Designer

Ivan Ranghelov

Supervising Art Director

Elizabeth Boller

Set Decorator

Equipment Hire

MAJOR MOTION PICTURE PERIOD

Frankenstein

Tamara Deverell

Production Designer

Brandt Gordon

Supervising Art Director

Shane Vieau Set Decorator

Hamnet

Fiona Crombie

Production Designer

Tim Blake

Supervising Art Director

Alice Felton

Set Decorator

Hedda

Cara Brower

Production Designer

Andrew Bennett

Supervising Art Director

Stella Fox

Set Decorator

PROUD SPONSORS OF THE MAJOR MOTION PICTURE - PERIOD

CONGRATULATIONS TO ALL WINNERS & NOMINEES AWARD

MAJOR MOTION PICTURE

CONTEMPORARY

F1

Ben Munro & Mark Tildesley

Production Designers

Ben Munro

Supervising Art Director

Andrew McCarthy & Véronique Melery

Set Decorators

Jay Kelly

Mark Tildesley

Production Designer

Ben Collins

Supervising Art Director

Véronique Melery

Set Decorator

Mission: Impossible –The Final Reckoning

Gary Freeman

Production Designer

Matt Gray

Supervising Art Director

Raffaella Giovannetti

Set Decorator

L O F I L M S E R V I C E S

For over six decades, the film and television industry has battled shifting scripts, impossible period demands, last-minute rewrites, and the eternal cry of “Can we have that vehicle… today?”

Through it all, one constant has quietly kept productions moving:

TLO Film Services.

TLO delivers hero cars, background fleets, and bespoke builds with a rare combination of speed, precision, and unflappable calm. It’s the kind of professionalism that makes even the most battle-hardened AD pause, nod, and exhale. Their expertise is hard-won. Their reliability is the stuff of production folklore. When timelines compress, briefs evolve mid-sentence, and “simple” requests become anything but.

TLO is trusted to solve problems quietly, efficiently, and without drama.

Across productions ranging from the calm to the complicated and occasionally the chaotic, TLO has provided comprehensive picture vehicle support for:

…and many more productions protected by NDAs, requiring a polite smile and a change of subject. These projects showcase the depth, flexibility, and behind-the-scenes problem-solving for which TLO is trusted.

MAJOR MOTION PICTURE

Bugonia

James Price Production Designer

Adam Makin

Supervising Art Director

Prue Howard Set Decorator

Mickey 17

Fiona Crombie Production Designer

Jason Knox-Johnston Supervising Art Director

Alice Felton Set Decorator

Wicked: For Good

Nathan Crowley Production Designer

Ben Collins

Supervising Art Director

Lee Sandales Set Decorator

SUPPLYING ICONIC BRANDS TO THE GREATEST PRODUCTIONS

CONGRATUL ATIONS TO ALL OF TONIGHT’S NOMINEES AND WINNERS

END CREDITS AWARDS PRODUCTION TEAM

BFDG Team

Event Committee

Jonathan Paul Green Chairperson

Paul Frost Vice Chairperson

Blair Barnette

Simon Bowles

May Davies

Sonja Klaus

Serena Murphy

Heather Noble

Olly Williams

Office Management Team

Jayne Bennett Events Manager

Sue Chadwick

Sponsor Relationship Manager/ Awards Executive

Sarah Lamont

Membership Manager

Ali O’Neill

Communications Manager

Supported by Yosien Burke

Partnership & Sponsorship Consultant

Volunteers

Em Church

Toby Muir

Beth Johnson

Irene Kim

Clare Lord

Sasha Spyrou

Kamola Askarova

Harry Griffin

Oliver Yendell

Pablo Cruz

Production Partners

Leonilde Marques

Royal Lancaster Hotel Venue Event Manager royallancaster.com

Ben Cooper Graphic Designer

Chris Gibbons & Emma Read

Revolver Motion Awards content and playback graphics. revolverav.tv

David Searle & Danny Relf Palmbrokers

Stage and event greenery and table centres palmbrokers.com

Bethany Swift & Chris Burge Lick & Stick Graphics Awards print lnsg.co.uk

Dan Edmonds & Jay Patel Universal Pixels Ltd LED screens. unipix.tv

Chris Smith Encore

Additional show production. encoreglobal.com

Rutters Red carpet supplier and printer ruttersuk.com

Scott Russell & Zoe Borys Fuse Reception Screens

Bircan Tulga

Black Edge Productions Photography blackedgeproductions.com

Muzz Khan DJ muzzkhan.com

Beck Potts Showcaller

Heidi Stohr Event Team

Wyn Williams Stage Management

Duane Harewood Stage Management

The official place to find quality items that celebrate the creativity, craft, and shared identity of the British Film Designers Guild and the UK Film and Television Art Department community.

Our merchandise is designed with working Art Department professionals in mind from set-ready essentials to everyday favourites. Show your pride in the Art Department, easily spot a fellow Guild member, and feel part of the community.

CONGRATULATIONS TO ALL OF THE WINNERS & NOMINEES!

Once the awards ceremony is over, please make your way to foyer to have your photograph taken by the sponsor wall.

Please bring along any of your Art Department team (or friends and family) who you would like to be in the photograph with you. Enjoy the evening!