DARK_UNDERBELLY

dec 24

BQE:

IMAGE TO SOUND TO

TO SOUND TO IMAGE

INSP

ROOMS

“OPEN AIR MARKET”

“CUTESEY FLEA”

M1-2

M1-2/R6

2024 10 29

DAYWALK 1: 155TH ST BRIDGE

NOTES ON METHOD

VISITING THESE URBAN SITES, YOU’VE NEVER BEEN TO YOU HAVE TO KEEP YOUR EYES AND EARS OPEN TO THE MANY UNKNOWN ACTORS AND ONLOOKERS WHO CALL THAT PLACE HOME

METHOD:

1 FOR GETTING THERE:

a WALK

b CITI BIKE

c TRAIN

i THESE THREE METHODS ENCOMPASS HOW THE MAJORITY OF NEW YORKERS GET AROUND

2 UPON ARRIVING:

a GET YOUR BEARINGS

i WHAT THIS MEAN TO YOU?

b DO AS A LOCAL WOULD DO

i WALK WITHOUT STARING

c WAIT 5 MINUTES BEFORE TAKING ANY PHOTOS

3 AFTER 5 MINUTES:

a PHOTOGRAPH STRUCTURE

i HOW BEING CO-OPTED/OCCUPIED/DRAPED FROM?

b PHOTOGRAPH STREET FURNITURE

i KINDS OF GRAFFITI? STICKERS?

1 RECURRING/KNOWN ARTISTS OR LOCAL/UNDERGROUND ONES?

c DON’T PHOTOGRAPH PEOPLE [MAYBE]

d WHAT BUSINESSES MANAGING EXISTENCE ALONGSIDE BRIDGE?

e WHAT TRACES/SIGNS OF LIFE INSERTING ITSELF?

i I E JERK PIT GRILLS

4 WALK THE FULL UNDERSIDE THEN CLIMB TO THE TOPSIDE

a NOTICE THE SENSORIAL/EMOTIONAL DIFFERENCES ASSOCIATED WITH BEING OVER RATHER THAN UNDER

01 - reimagining the street and subway as one system [2024], WXY Architecture

02 - hammersmith flyover [1962], London, G. Maunsell and Partners

5 CRUISE THE TOPSIDE

a NOTE THE VOLUME OF CARS GOING BY VS THE VOLUME OF BIKE/FOOT TRAFFIC

b HOW COULD THE TOP BE MORE CONNECTED TO THE BOTTOM? i NEW WORD: DISCONNECT

2024 10 30 PHONE CALL DESK CRIT

COMPARE/CONTRAST DIFFERENT LAND BRIDGES HAMMER ST VIADUCT, LONDON

➔ WXY INTERVENTION INTEGRATING STREET/SUBWAY

➔ INTEGRATING MULTIPLE LAYERS OF GROUND MY INFRASTRUCTURE:

➔ THE URBANIZATION OF THESE SPACES

➔ SPECULATE ON WHAT HAPPENS AS A RESULT OF POLICY CHANGE

◆ I E USE FOR MUSIC CULTURE BUSINESSES ALONGSIDE

➔ ADDRESSING BASIC NEED

➔ VS CULTURAL SPACES UPPER

➔ SENSE OF PROSPECT/SAFETY CONNECTING HOUSING BUILDINGS TO INFRASTRUCTURE? SEASONAL PERMITTING

➔ LICENSE

➔ HOW SIGNAL IN BUILT ENVIRONMENT THAT WHAT ARE THE BARRIERS TO ENTRY?

➔ INFRASTRUCTURE OF AWARENESS/FACILITATION

➔ OPEN INVITE UNDER THE BRIDGE STREET FURNITURE

➔ PHYSICAL SYMBOLS OF POLICY

➔ COMMUNICATE ACCESS NOT BARRIER RETURN TO WORLD OF POP CULTURE

DERIVES

000____D1___000/////////////____DDD_____[SNYSD_QNS]---->[WILLYB]_______ROUTE=[K-BRDG]__//0001

000____D2___000/////////////____PPP------>[FRT_GRN]---->[DWNTN_BK]_///////////___010001000111

sep

01 - teatro oficina [1984], lina bo bardi

02 - red pavillion [2015], clancy moore architects

03 - ernsting warehouse garage door [1983], santiago calatrava

[notes]:

01 - Yard [1961], Allan Kaprow

02 - Live’s [1984], Gilbert & George

- Citibike Boyz

000____D1___000/////////////____DDD_____[HRLM_VDCT]___///////////___[CRSH]___////_0100101 01//////////____DJ-LDLKLD_______OPP////////////[RTR]------------->SSH/P0P_11001111111__/ /////_____00001000001////////////////////000_RPT_RPT_RPT_000____D1___000/////////////____ DDD_____[HRLM_VDCT]___///////////___[CRSH]___////_010010101//////////____DJ-LDLKLD_______ OPP////////////[RTR]------------->SSH/P0P_11001111111__//////_____00001000001////////////// //////000_RPT_RPT_RPT000____D1___000/////////////____DDD_____[HRLM_VDCT]___///////////___[C RSH]___////_010010101//////////____DJ-LDLKLD_______OPP////////////[RTR]------------>SSH/P0P_11001111111__//////_____00001000001////////////////////000_RPT_RPT_RPT000____ D1___000/////////////____DDD_____[HRLM_VDCT]___///////////___[CRSH]___////_010010101/////// ///____DJ-LDLKLD_______OPP////////////[RTR]------------->SSH/P0P_11001111111__//////_____0 0001000001////////////////////000_RPT_RPT_RPT000____D1___000/////////////____DDD_____[HRLM_ VDCT]___///////////___[CRSH]___////_010010101//////////____DJ-LDLKLD_______OPP//////////// [RTR]------------->SSH/P0P_11001111111__//////_____00001000001////////////////////000_RPT_ RPT_RPT000____D1___000/////////////____DDD_____[HRLM_VDCT]___///////////___[CRSH]___////_0100 10101//////////____DJ-LDLKLD_______OPP////////////[RTR]------------->SSH/P0P_11001111111__///