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NRCG_Annual Report 2025 - WEB

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Northern Rivers Community Gallery & Ignite Studios respectfully acknowledge the Nyangbal people of the Bundjalung Nation as the traditional owners of the land upon which the gallery stands.

We pay respects to elders past, present and emerging and acknowledge their living culture and unique role in the creative life of the Ballina region.

2025 - a year of creative community, First Nations engagement and artistic excellence in the heart of Ballina.

This year has seen the continued growth and creative development of the Northern Rivers Community Gallery (NRCG) as a vibrant, dedicated, and engaged arts and cultural organisation. Our team has delivered an artistic program of excellence, supporting 150 artists and delivering 78 exhibitions, public programs and creative events. Our online engagement continues to growth, with over 400K engagements across all platforms in 2025. NRCG continues to play an important role in supporting arts and culture in the Ballina and broader Northern Rivers region.

2025 presented a range of exhibition highlights featuring local, regional and national artists. Notable exhibitions include; passing place by Col Mac, exploring cultural and family histories of Ballina - Col was a finalist in the 2025 Archibald Prize. Other exhibitions include; Worlds Within Worlds by Emily Imeson - who was a finalist in the 2025 Wynn Prize; Distant Friends by Peter McLean - a travelling exhibition of printed portraits; immersive installation Den Inception by artist duo Immortal Soil and Food & Drink , an experimental and speculative installation by duo Home School Achiever.

This year NRCG hosted the Southern Cross University (SCU) and Byron School of Art (BSA) Graduate Awards. SCU recipient River Mueller presented My life has changed a lot since I spoke to you last featuring paintings and sculptural works exploring family and mental health. BSA recipient, Katie Pink, presented Bubblegum Bruises which

featured bold paintings, sculptures and ceramics, exploring wild use of colour, materials and unexpected forms.

In 2025, Ignite Studios continued to build capacity, delivering and supporting 54 public programs, workshops, artist talks, events and hires of workshop spaces to over 1361 participants. National film organisation Screenworks continued their residency at Ignite Studios, and the Jordan Edmeades Film Academy delivered film-making term programs for youth. NAIDOC Week 2025 activities supported a range of community engaged programs in partnership with First Nation’s artists and groups for local Nyangbal artists and community.

NRCG is grateful to the community of artists, facilitators, visitors, and participants who have attended exhibitions and events throughout 2025. The gallery has a dedicated group of gallery volunteers, whose time and energy is invaluable to operations – we sincerely couldn’t do it without you all! Thanks, also to all project partners and sponsors, we have worked with so many wonderful arts organisations this year.

The NRCG team looks forward to 2026 and working with our creative community to support arts and culture in the Ballina Shire.

1 Creative Industry Capacity

Create spaces and initiatives where arts and cultural activity and

2 Arts & Cultural Infrastructure

Coordinated support of arts and cultural infrastructure to ensure cost effective future investment

3 Engage our Audiences

Provide opportunities for cross-cultural, multi art form and intergenerational creative expression

4 Strive for Excellence

Develop high quality programs connecting audiences and community with contemporary arts and cultural experiences

january | february march | april

Worlds Within Worlds
Emily imeson
NEAR ENOUGH IS GOOD ENOUGH
Aaron Butt
Pushing Up Daisies
Emma Lyn Winkler
Where the Light Gets In Sam & Jacqui Sosnowski
Princess of the Night
Holly Ahern & Eden Crawford-Harriman
The Meteorologist’s Daughter Lesley Ryan Passing Place Col Mac
The Black Lake Shanti Des Fours
I hope this helps
Liv Enqvist
Distant Friends Peter McLean
Leaf and Flower Robyn Barron
Den Inception Immortal Soil
Wagtail at the Picture Palace Robyn Saunders
SCU Graduate Prize River Mueller
NAIDOC Nyangbal Exhibition Group Exhibition
I will not regret hope Belinda Smith

september | october november | december

Glimpse of Alba Jemima Patch-Taylor
Beneath Fallen Petals Lauren Hotson
Connections Gill Williams
Bubblegum Bruises Katie Pink
Tending Sienna Van Rossum
Food and Drink Home School Achiever
14th Grace Cruice Memorial Exhibition BACCI
Do We Choose?
Georgie Milln

Ignite Studios supported a range of creative workshops, exhibitions, studio artists, and projects in 2025.

Established in 2018 as a multi-purpose arts facility, Ignite Studios encompasses for hire spaces, artist studios and artist in residence in the heritage listed former Ballina Fire Station. Ignite Studios has evolved and adapted to be a hub of activity and creativity in the heart of Ballina and continued to strengthen and consolidate engagement and service delivery in 2025.

2025 has seen the ongoing development of Ignite Studios as a producer of quality creative workshops, engaging public programs and community events as well as supporting creative and economic opportunities for a range of artists and groups from across the region. Public Programs delivered at Ignite Studios in 2025 include; Memory Postcards with Victorian based film-makers Isobel Knowles and Van Sowerwine, Painting with Natural Materials with acclaimed artist Emily Imeson and a range of gallery artist talks and events.

2025 saw Ignite Studios program participation increase 8%, facilitating 17 public programs and 37 external hires for over 1361 participants.

Ignite Studios creative programs supported economic opportunities for 31 artists generating income for artists, organisations, facilitators and other creatives.

2025 saw the activation of Ignite Studios through creative workshops, external bookings and hires, NAIDOC Week programs and delivery of a range of creative events. The artist studios and artist residency have been tenanted full-time and held many visiting artists from interstate the region.

The use and re-purposing of the former fire station shed into a ceramics studio has been in continued design and development in 2025. The two Woodrow Kilns have been in use throughout 2025, with 35 bookings for firings. Ignite Ceramics services will officially launch in 2026 and be a fantastic addition to Ignite Studios.

Ignite Studios continues to expand its service delivery, infrastructure and capacity as a valuable community resource and artistic hub. 2026 aims to deliver successful creative programs and expand services and opportunities for the community to engage.

MARCH

Memory Postcards Isobel Knowles & Van Sowerwine

MAY

In-Conversation Immortal Spil

JULY

Gariima Elders Exhibition NAIDOC Week Activity

APRIL

Painting with Natural Materials Emily Imeson

JUNE

Linocut Workshop Stephen Giese

Mural Painting with Sonya Breckenridge NAIDOC Week Activity

JULY

Community Weaving Circle NAIDOC Week Activity

OCTOBER

Fibre to Form Workshop Jugan Dandii

NOVEMEBR

Live Sound Performance Home School Achiever

AUGUST

Exhibition Information Session Community Event

NOVEMBER

Pencil Drawing Workshop Lesley Ryan

Exhibition Info Session Travis Patterson

NAIDOC Week 2025 - celebrating 50 years and the local Nyangbal creative community.

In 2025, NRCG celebrated the 50 year anniversary of NAIDOC Week with a curated exhibition in the gallery and hosting a range of associated events and programs for the local Nyangbal and wider community to celebrate together.

National NAIDOC Week celebrations are held across Australia in the first week of July each year, to celebrate and recognise the history, culture and achievements of Aboriginal and Torres Strait Islander peoples. 2025 marks a powerful milestone of 50 years honouring and elevating Indigenous voices, culture and resilience. The 2025 theme ‘The Next Generation: Strength, Vision & Legacy’, celebrates not only the achievements of the past but the bright future ahead, empowered by the strength of young leaders, the vision of communities, and the legacy of the ancestors.

During NAIDOC Week 2025 and coinciding with the gallery exhibition, NRCG programmed a range of events and a community day at Ignite Studios in conjunction with Bunjum Aboriginal Corporation and NAIDOC Committee. Events included; Gariima Elders Exhibition, Mural Painting with Aunty Sonya Breckenridge and Kylie Caldwell, and Community Weaving Circle with Jugan Dandii.

Over the course of the 8-week gallery exhibition and NAIDOC week, over 4000 people visited the gallery and just over 300 people participated in NAIDOC Week activities. This is the first year NRCG has programmed a First Nations exhibition since 2017. The success of the 2025 exhibitions and programs will inform future planning and initiatives, as well as engagement with the local Nyangbal community to better deliver creative outcomes for local artists.

NAIDOC Week 2025

Supporting emerging First Nations Nyangbal artists through arts and cultural activities.

Curated by NRCG, the inaugural Nyangbal NAIDOC group exhibition featured four local emerging First Nations Nyangbal - Bundjalung artists and was presented in conjunction with 2025 National NAIDOC Week and theme - The Next Generation: Strength, Vision & Legacy.

The four participating artists were Daniel Roberts, Loren Del Signore, Savannah RobertsHickling & Levi Roberts - each who have a strong cultural connection to the Ballina/ Nyangbal community.

Daniel Roberts is a proud Bundjalung/ Dunghutti man from Cabbage Tree Island whose artworks aim to tell the story of cultural connection to country. Daniel currently works for Bunjum Aboriginal Corporation, an Aboriginal-led community organisation providing services and support for Goori people on Bundjalung Country.

Loren Del Signore is a proud Nyangbal Bundjalung, Yaegl and Italian contemporary artist who paints colourful, feminine landscapes incorporating native plants and flowers under her business Ginibi Designs. Loren is descended from a long line of proud Aboriginal women from Cabbage Tree Island.

Levi Roberts is a young Bundjalung, Gameroi and Dunghutti man currently living and studying on Nyangbal country. Levi is a naturally gifted artist, who creates drawings inspired by a range of images from a range of references including pop-culture and Aboriginal culture.

Savannah Roberts Hickling is a Bundjalung/ Gameroi & Euahlayi woman with strong connections to Cabbage Tree Island, Jubullum, Walgett & Goodooga communities. In 2024, she completed Year 12 at Ballina Coast High School and her HSC Visual Arts Body of Work ‘All About Me’ was selected for ARTEXPRESS 2025, an exhibition showcasing outstanding Visual Arts students work from NSW. Savannah is a celebrated artist and has been the recipient of numerous awards and commissions.

NRCG commissioned local artist Sonya Breckenridge to develop concepts and design three murals in the Ignite Studios backyard as part of NAIDOC Week 2025. Assisting Sonya to deliver a whole day community mural painting event, Kylie Caldwell worked together with Sonya on all three murals.

Sonya Breckenridge is a contemporary artist of Dunghutti and Bundjalung (Nyangbal / Widjabul) heritage who works in painting, weaving and public art. Sonya grew up on Cabbage Tree Island. Sonya’s paintings are informed by her rich experiences of living and connecting together with family and listening, understanding and respecting her family and Elders. Her vibrant colour palette and symbolic line-work shares her connection to water and stories of different meeting places, often representing her people and her family.

Over 300 people attended the NAIDOC community day, with many joining in to paint three murals. The three murals represent Sonya’s connection to the Richmond River and Cabbage Tree Island and also the mullet run and pippi collecting common in the Ballina region. Supporting First Nations stories, creativity and community.

Kylie Caldwell is a Bundjalung artist and curator who is an ardent painter, weaver and fibre artist, interested in reviving and rediscovering traditional cultural practices that her ancestors have used over thousands of years. Caldwell’s practice seeks to soak up the knowledge and wisdom from Bundjalung Jagun (country), utilising varied modes to deepen and expand her own cultural creative expression and knowledge.

NAIDOC mural painting

Community weaving for well-being - a day for creativity and cultural connection.

NRCG has worked with local weaving duo Tania Marlowe and Deb Cole, the founders of Jugan Dandii for the past 6 years to deliver a range of weaving workshops. In 2025, Jugan Dandii delivered a drop-in style, free weaving workshop for the community as part of NAIDOC Week 2025.

Jugan Dandii - Embrace the Earth was founded by Tania Marlowe and Deb Cole, who are both passionate about connecting with the natural environment. Tania and Deb met 15 years ago through mutual friends, when Tania was working as an arts facilitator and educator for the Culture Matters program in Ballina, and Deb was supporting aged-care services at Jali Land Council while also freelancing as a weaving and well-being educator.

Together, they formed Jugan Dandii, meaning ‘Embrace the Earth’, and have worked across the Northern Rivers region following the 2022 Northern Rivers floods, hosting weaving and well-being workshops and in severely affected communities. Offering numerous weaving workshops and the opportunity to learn about local native fibres they write; ‘through walking our land and retracing the footprints of our Ancestors, we connect with the environment while feeding our spirit as we gather fibers’.

With over 300 participants attending the community day held at Ignite Studios, a range of young and old community members enjoyed weaving with Jugan Dandii and other local weavers to create unique baskets, earrings and other objects. The community weaving day was a great way to celebrate NAIDOC Week 2025.

community weaving day

Supporting our local elders and community through arts and cultural activities.

The Gariima Elders Pop-Up Exhibition was an initiative led by Tania Marlowe, who in addition to her work with Jugan Dandii, supports the Gariima Elders group through Ballina CPL Disability Support Services.

This special exhibition of artworks made by the Gariima Elders Group was exhibited at Ignite Studios during NAIDOC Week 2025. The works were made over several years representing themes of family, cultural connections, colours of country, nature, gathering, ceremony and homeland, using a combination of natural ochres and other materials sourced on Bundjalung Country.

All proceeds from exhibition sales were given to support the Gariima Elders Group to attend the 2027 Elders Olympics.

Formed in 2023, the group meets weekly at Ballina CPL to connect, create, and keep culture strong. Gariima means “respect” in the Bundjalung language.

The Gariima Elders are: Aunty Faye Anderson, Uncle Angus Binge, Aunty Millie Cameron, Aunty Dianne Manton, Uncle Clifford Copeland, Aunty Alice Roberts, Uncle Adrian Davies, Aunty Shirley Stevenson, Uncle Ivan James (Uncle Doc), Uncle Graham Marlowe, and Uncle Amos Roberts.

gariima elders exhibition

Volunteers are imperative to the Gallery ecosystem and play a vital role in the community.

NRCG is extremely lucky to have a dedicated team of gallery volunteers who assist with a variety of front of house operations, including greeting our visitors, recording gallery attendance, event support, answering phones, and general questions as well as working on our Gallery Shop front counter.

Volunteers are an essential part of the NRCG ecosystem and contribute an invaluable amount in hours, staffing and time to ensure the gallery runs smoothly and viably. The enormous benefits of our gallery volunteers cannot be overstated and the return on this investment is manifold.

Across NSW, in 2025, 4.3 million people gave time as a volunteer, contributing $178 billion of value. Volunteers continue to meet

and to participate in activities that are key to their communities, with the average volunteer contributing 17.5 hours each month, for a total of 893.9 million hours in 2025.

In 2025, NRCG hosted a range of events, workshops and gatherings for volunteers. In 2024, NRCG hosted creative arts workshops, annual volunteers’ morning tea for all Council volunteers as part of National Volunteer Week, end of year gathering as well as many volunteers attending public programs and gallery events.

We look forward building our volunteer program and delivering an engaging program of activities for our volunteers in 2025.

volunteers 2025

Gallery Coordinator - Imbi Davidson

Exhibitions Officer - Travis Paterson

Creative Producer Programs - Ella Millard

Gallery Services Officer - Helen Saye

Gallery Technicians - Tim Crawley, Kairan Ward, Michael Donnelly

staff 2025

NRCG would like to thank our sponsors and presenting partners for their support in 2025.

Images: [Pages 1-9 ] (front cover) Emily Imseon, Worlds Within Worlds, 2025, Image Kate Holmes (KH) (pgs 2-3) Immortal Soil, The Overlords 2025 (pg 4) top L-R clockwise, Gill Williams, Bird or Fire #2, 2024; GOOD ENOUGH IS NEAR ENOUGH Exhibition Installation Image KH; Belinda Smith, Heatwave II, 2025; Michael Donnelly, Obligations Hurt, 2025; NAIDOC Week Mural Painting Workshop 202, Image KH; Katie Pink, Bubblegum Bruises 2025, Image Kirby Daniels (pgs 6-7) Eden Crawford Harriman & Holly Ahern, Night Princess, 2025, Image Ben Wyeth (BW) | (pg 8-9) Immortal Soil, Den Inception 2025, Image BW. [Pages 10 - 17 Exhibitions] (pgs 10-11) Passing Place, Exhibition Installation 2025, Image BW. (pg 12) top L-R, Lesley Ryan, Golden Path 2024; Col Mac, On the borders, 2024; bottom L-R, Shanti Des Fours, Dark Matter, 2022; Eden Crawford Harriman & Holly Ahern, Princess of the Night, 2024. | (pg 13) top L-R, Aaron Butt, Crossing 2024; Jacqui Sosnowski, Helix 2024; bottom L-R, Emma Lynn Winkler, Buried Alive 2024; Emily Imeson, Time & Trees, 2024. (pg 14) top L-R, Peter McLean, TC 2020; Robyn Barron, Balance Gum Leaf 2023; bottom L-R, Liv Enqvist, Earth kissed by the sky 2025; Immortal Soil, Pisces Sun Taurus Rising, 2025 (pg15) top L-R Robin Saunders, Banana Lollies, 2024; River Mueller, About the only thing I have to look out for is the cops, 2025; bottom L-R, Belinda Smith, I looked at the sun for too long, 2025, Loren Del Signore, Coastal Pathways I 2025| (pg 16) top L-R, Jemima Patch-Taylor, The Giants Burn, 2024; Lauren Hotson, Requiem Gentle Beast, 2025; bottom L-R Georgie Milln, Camus Mornings, 2024; BACCI Group Exhibition, Image BW (pg 17) top L-R, Gill Williams, Dandy Lions, 2025; Katie Pink, pop pop sundae, 2025; bottom L-R Grace Fayrer, Tending II (positive), 2025; Michael Donnelly, Tastelessness is key, 2025.

[Pages 18-25 Ignite Studios & Public Programs] (pgs 18-19) Ignite Studios 2025, Image KH; (pg 21) top L-R clockwise, NAIDOC Weaving Workshop 2024, Image KH; Weaving Workshop, 2024, Image Michelle Eabrey (ME); Painting with Natural Materials Workshop, Image Emily Imeson; Weaving Workshop, Image Elise Derwin (ED); NAIDOC Mural Workshop, Image KH; Mayra Castro Ignite Studios, 2024, Image KH | (pgs 22-23) Memory Postcards Workshop, Image Van Sowerwine & Isobel Knowles; (pg 24) top L-R clockwise, Memory Postcards Workshop, 2024, Image courtesy artists; Emily Imseon, Painting with Natural Materials, Image courtesy artist; Stephen Giese, White Headed Pigeon, 2022; Sonya Breckenridge, Staying Connected 2024; Gariima Elders Artwork, Image CPL; Immortal Soil, Dark Spirituality, 2025 (pg 25) top L-R clockwise, Jugan Dandii Workshop, 2024, Image KH); Aaron Butt Exhibition Install, 2025, Image KH; Lesley Ryan, Feathers and fabric budgie, 2024; Jugan Dandii, 2024, Image KH; Homeschool Achiever, Sound Event Image, 2025; Jugan Dandii Weaving Workshop, Image KH. [Pages 26-42 Projects & Volunteers] (pgs 26-27) NAIDOC Week Event Crew, Image KH; (pg 29) top L-R clockwise, NAIDOC Archival Poster; Mural Painting, Image KH, Weaving workshop, Image KH, Loren Del Signore, Coastal Pathways I 2025; Nyangbal Artists, Image NRCG; Gariima Elders Artwork, Image CPL; (pg 30) top L-R clockwise, Nyangbal Artists, Image NRCG; Daniel Roberts, Saltwater Country 2025; Levi Roberts, Politics, 2025; Savannah Roberts-Hickling, Connection, 2025; Installation View, image KH; Loren Del Signore, Coastal Pathways , 2025; (pgs 33-34 ) NAIDOC workshops, all images KH; (pg 37) Gariima Elders Exhibition, Images CPL and KH; (pg 39) NRCG Gallery Volunteers, Image NRCG (back cover) Michael Donnelly, Square Cycle 2, 2025.

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