Spanning all eight halls at Fira de Barcelona Gran Via, ISE 2026 delivered four days of record-breaking energy, creativity, and innovation, bringing the global audiovisual and systems integration community together like never before. Integrated Systems Europe (ISE) 2026 has officially closed its doors following four days of inspiring firsts that pushed beyond the expected to redefine the possible and reinvigorate the AV and systems integration industry. ISE 2026 broke all records welcoming 92,170 visitors from around the world. A total of 1,751 exhibitors, including 323 making their debut at the event, contributed to the largest total show floor space in the event’s history at 101,000 sqm.
ISE 2026 delivered exceptional attendance growth, underlining the continued expansion and global appeal of the show. By Tuesday, the event had already welcomed 55,156 unique attendees, a 10% increase compared with Tuesday 2025 (49,981). By Wednesday, total unique attendance across all show days reached 76,035, while the show recorded its largest single day ever, with 64,198 visitors onsite, almost equalling the pre-pandemic record attendance of an entire ISE show (64,908 at ISE 2019 in Amsterdam). Momentum continued through Thursday, as total unique attendance climbed to 87,648, officially marking the highest attendance in ISE history. Overall, ISE 2026 achieved an 8% increase in total attendance compared with 2025, demonstrating unprecedented energy, scale, and in-
dustry engagement, and confirming its position as the world’s leading event for the audiovisual and systems integration community. The total number of registrations reached 120,914 with over 212,000 visits across the four days.
“As ISE 2026 comes to a close, I’m truly inspired by the passion and strength of our community,” said Mike Blackman, Managing Director of Integrated Systems Events. “Over four extraordinary days, we celebrated groundbreaking technology, ignited bold ideas, forged lasting connections, and set new benchmarks for our industry. What excites me most is the creativity, energy, and diversity of our exhibitors and partners, and the unwavering dedication of the ISE team that makes it all possible”. At ISE 2026, Spark debuted as a show of unity for creativity and technology – a new initiative driving innovation and knowledge sharing across the creative industries. The new event format brought together the creators of tomorrow, uniting the brightest minds from Broadcast, Live Events, Marketing, Design, and Gaming into one immersive experience. Spark served as a hub for creative professionals, technologists, and decision-makers to connect, share ideas, and explore the future of creativity. With an outstanding line-up of partners and speakers, Spark 2026 showcased how technology transformed the audience experience, on screen, in physical spaces, and live, and demonstrated how innovation and collaboration are shaping the next
generation of creative work.
In another first, ISE announced the ISE Foundation, an initiative spearheaded by ISE, and backed by co-owners AVIXA and CEDIA, with support from the City of Barcelona and the Government of Catalonia. The ISE Foundation aims to empower the AV and systems integration community, with an emphasis on teamwork, innovation, and lasting impact under the tagline “Powering On, Together”. The foundation launched at a press conference, with distinguished speakers David Labuskes, CEO of AVIXA; Daryl Friedman, Global President & CEO of CEDIA; Raquel Gil, Deputy Mayor of Barcelona; and Miquel Sàmper, Minister for Business and Labour, Government of Catalonia. The keynote sessions at ISE 2026, delivered by Matt Clark and Sol Rashidi, electrified the event, drawing full-capacity audiences. Clark took attendees “Behind the Façade: Building a Performance-led Mapping at Casa Batlló, from Concept to Implementation,” revealing the creative and technical mastery behind the mapping at one of Barcelona’s most iconic landmarks. Rashidi’s “The AI Reality Check: What It Takes to Scale and the Future of Leadership” offered a compelling look at how AI is reshaping industries and the leadership needed to navigate this transformation. Together, their presentations showcased ISE as the ultimate stage for innovation, creativity, and forward-thinking industry leadership.
ISE’s partnership with Barcelona continues to play a vital role in the event’s success. The 2026 show featured a notable delegation of VIPs and government officials, including representatives from Latin American countries, reflecting Barcelona’s status as a global technology hub. Attendees included leaders in national and regional governments, as well as experts in digitalisation and AI policy, highlighting ISE’s impact on international collaboration and regional growth. “ISE jumpstarts every year as the largest gathering of AV professionals. But beyond the numbers is a more remarkable story: people connecting with one another from different corners of the world and exchanging ideas that will live on past the convention centre walls,” said David Labuskes, CTS, CAE, RCDD, Chief Executive Officer of AVIXA. “The week was full of brilliant minds that push this exciting industry forward. AVIXA is proud to collaborate with the ISE and CEDIA teams to deliver such a vibrant forum.”
“ISE 2026 once again demonstrated the extraordinary power of collaboration across our global technology ecosystem,” said Daryl Friedman, Global President and CEO of CEDIA. “As co-owners of ISE, we are proud to see the event continue to expand its influence as a platform where innovation, education, and partnership converge. The energy on the show floor and throughout the conference programme reflects a thriving industry that is not only embracing emerging technologies but shaping how they enhance the spaces where people live, work, and connect.” ISE will return for ISE 2027 from 2 – 5 February 2027 at Fira de Barcelona Gran Via – save the dates and prepare to push beyond even further.
This was followed by a significant victory at the AV News Awards, where the Live Events category.
Absen celebrates Award successes at ISE 2026
Absen concluded a hugely successful week at Integrated Systems Europe (ISE) 2026, securing a series of prestigious accolades that highlight the company’s long history of innovation. The event was able to serve as a dual celebration for the company, which marked its 25th Anniversary in business by winning several major awards while also unveiling its next generation of visual display solutions. The company’s excellence was recognised with two Best of Show wins, reflecting Absen’s reach across diverse sectors of the audiovisual industry. The JP Series was honoured in the AV Technology category for its cutting-edge performance in the rental market, whilst the CL V3 took home the award in the Installation category, cementing its status as a first-class choice for high-end fixed install applications. These wins all underscore Absen’s commitment to manufacturing displays that offer both superior visual quality and
operational efficiency.
The success continued as the SA-C flexible LED was named the winner in the Event Technology category. Celebrated for its unique design that allows for creative configurations, the SA-C has become a key display for set designers looking to push the boundaries of traditional stage setups. This was followed by a significant victory at the AV News Awards, where the Oasis Live Tour 2025 was crowned Project of the Year in the Live Events category. Utilising over 1,100sqm of Absen Venus LED, the tour demonstrated Absen’s ability to deliver world-class visual backdrops for the most high-profile music events.
In addition to these honours, ISE 2026 provided the platform for the official launch of three groundbreaking new products that will contribute to the company’s next chapter. Attendees to the stand were introduced to the SA1.5 COB, representing the next evolution of the Saturn rental platform; the CL V3, the new flagship of the Clear Cobalt Micro LED series; and the AW Pro, an ultra-HD outdoor fine-pitch solution. These launches,
held during the company’s 25th Anniversary celebrations, highlight a future-focused strategy centred on sustainability, precision, and immersive experiences. “To be celebrating our 25th anniversary at ISE whilst receiving such esteemed recognition for our technology and projects served as a source of immense pride for everyone at Absen,” said Tania Zhao, Vice President at Absen. “The Awards for the JP Series, CL V3, and SA-C, alongside the recognition for the Oasis tour, are a testament to our team’s dedication to pushing the limits of LED technology. As we look back on 25 years of progress, we remain steadfast in our mission to help our
Teachers say fixed classroom displays are limiting student engagement
Fixed front-of-class displays are restricting how classrooms function, according to new research commissioned by Epson. The study reveals that 81 per cent of teachers across Europe - rising to 85 per cent in the UK - want greater ‘freedom to roam’, enabling them to present while moving around the room and provide equal support to students wherever they are seated. To unlock this ‘freedom to roam’, many teachers believe AV classroom technology must evolve, with half of teachers across Europe (50 per cent) agreeing new technology is needed to unshackle them from front-of-class flat-panel touchscreens — increasing to 56 per cent in the UK.
Two thirds of teachers across Europe (67 per cent) also believe that large-screen projectors would help those at the back of the class to see better, a view shared by 71 per cent in the UK. Meanwhile, 69 per cent across Europe — and 77 per cent in the UK — would like ways to operate a display remotely from a device they can carry around the room. Graeme Davidson at Epson Europe said, “Not only are flat-panel touchscreen displays smaller and less engaging, but they’re also holding some students back. Using modern, bright projectors with large displays and remote control via an app, teachers can become free within the classroom”.
The findings also reinforce a long-established challenge: students seated at the back of the class consistently achieve less, as evidenced by years of research showing lower engagement and course grades. More than half (55 per cent) across Europe believe that greater freedom to move around the classroom would increase student engagement, climbing to 71 per cent in the UK. Additionally, 32 per cent across Europe — and nearly half of UK teachers (49 per cent) — say improved mobility could reduce classroom disruption. Overall, the findings point to a broader shift in classroom design — away from fixed, front-facing delivery and towards flexible learning environments supported by scalable, large-format display systems and mobile control.
where the Oasis Live Tour 2025 was crowned Project of the Year in
Barco reports full year topline and EBITDA margin growth
Barco has announced results for the 6- and 12-month periods ended 31 December 2025. EMEA is reported as driving sales growth: new recurring revenues were achieved in Entertainment: Full-year order intake reached 945.4 million euro. Overall, order cycles are shortening because significant supply-chain constraints have been absent for quite some time. EMEA delivered strong double-digit growth, driven by robust demand in Entertainment in both Immersive Experience and Cinema. Order intake in the Americas was impacted by trade tariffs and the currency translation effect of the weakening US dollar. APAC orders remained broadly stable versus last year, supported by solid Entertainment performance.
The orderbook stood at 492.8 million euro, versus 563.7 million euro in FY24, mainly due to currency translation (close to 51 million euro) and deliveries of outstanding pre-orders for Encore 3 in Immersive Experience. Meanwhile, sizable long-term Entertainment frame contracts were signed in 2025, in the Americas and beyond. They are expected to generate regular calloff orders in the coming years. Meanwhile, the roll-out of HDR by Barco Cinema installations and post-production software deployments are strengthening recurring CaaS revenues over an extended timeframe. All CaaS recurring revenue contracts signed in 2025 represented a total contract value of 89 million euro.
Group sales totalled 963.8 million euro, up 2% yearon-year (+4% at constant currencies), driven by a strong performance of both Entertainment business units. EMEA posted double-digit growth for the full year and accelerated in the second half. The Americas saw increased impact throughout the year from trade tariffs, delayed government spending and a currency exchange effect. At constant currencies, the region nonetheless posted growth on a full year basis. APAC, including China, delivered a good performance in Entertainment, but weaker sales in Healthcare, which resulted in sales broadly in line with last year. The Division topline shows Entertainment leading with 11% sales growth The Entertainment division grew 11% to 466.8 million euro. (+14% at constant currencies) This growth was mainly driven by EMEA, in both business units, while sales in the Americas were flat with last year, impacted by significant tariff increases and currency exchange effects. Cinema benefited from continued momentum of lampto-laser renewal programs and premium formats and the successful rollout of HDR by Barco, reinforcing Barco’s leadership in high-end projection. HDR by Barco had more than 50 projectors installed in 2025 and has a pipeline for 100 more installations. Its patented Lightsteering technology delivers immersive contrast, deeper blacks, dazzling highlights, and the widest colour gamut - supporting the continued evolution of a more lifelike, detail-rich moviegoing experience. The launch of
HDR by Barco is expected to fuel Cinema’s recurring revenues through extended service offerings, ensuring long-term customer engagement and value creation. HDR by Barco is also addressing post-production studios with advanced colour grading software, expanding Cinema’s scope beyond exhibitors.
Immersive Experience also contributed to the division’s growth with solid demand for the new projector platforms QDX and I600, resulting in strong uptake in EMEA and APAC. Theme Park projects were a key driver, leveraging Barco’s mid-segment portfolio. The year also marked the introduction of the image processing solution Encore 3, which fuelled sales in the second half and expanded Barco’s presence in high-end live event productions. Enterprise reported sales of 235.1 million euro, down 7% year-on-year (-5% at constant currencies). Meeting Experience sales were stable in EMEA and Americas, its two major markets, while facing increased competition in the smaller APAC region. An important milestone was achieved in December 2025, with the Microsoft certification and first shipments of the new ClickShare Hub, the brand’s first product in the growing proprietary room systems market.
In line with its strategic reorientation, Control Rooms is transitioning from hardware to software-driven architectures, positioning Barco CTRL as a next-generation operator-centric software platform, with a key focus on energy & utilities, process control and infrastructure projects globally. Hardware sales continued to decline, mainly in the Middle East and in the U.S. markets, accelerated by procurement delays in government-related projects. For video walls, Barco has increased its focus on its Infinipix image processing technology in collaboration with leading LED vendors.
Healthcare posted sales of 262.0 million euro, a 4% decline year-on-year, (-2% at constant currencies) in large part driven by tariffs, lower government spending and currency effects in the US, which weighed on the division’s performance in the second half. Compared to the Americas, demand in EMEA and APAC was solid. Diagnostic screen sales were supported by digital pathology, new partnerships and software-enabled services. In surgical solutions, the contract portfolio has evolved as a few long-term agreements, concluded during the year, were not yet replaced by new contracts. To strengthen this business and accelerate growth, Surgical is now brought under common leadership with Diagnostic Imaging, with an integrated approach. In Modality, cost competitiveness remains a key market dynamic. To address this, this business is now entirely managed by Barco’s Healthcare hub in Suzhou, China, leveraging local cost-engineering and production expertise. Meanwhile, the division continued to launch next-generation medical visualization technologies, including 3D dis-
plays designed to enhance precision, accessibility and workflow efficiency in clinical environments. SlideRightQA and ConnectCare strengthened the software and services portfolio. The launch of NexxisCube broadens the surgical portfolio to the mid-segment market.
EBITDA margin grows to 13.0% on a better product mix and cost control Gross profit grew nominally to 386.0 million euro or 40.1% of sales versus 385.4 million euro in FY24. On a more favourable product mix, with more software and services, the average product margin improved steadily in all divisions. Also, production insourcing of certain products has supported gross profit. This was offset by the cost impact of the US tariffs on existing orders from before the new tariff implementation. Meanwhile, Barco has optimized its production footprint and continuously adjusted pricing to mitigate the net effect of the tariff increases on new orders in the US market, where possible. EBITDA improved to 125.1 million euro, up from 120.8 million euro in FY24, corresponding to a margin of 13.0% versus 12.8% last year. Disciplined cost control led to an OPEX reduction of more than 5% year-over year. This supported EBITDA improvement, despite a significantly lower contribution from other operating income, which in FY24 included 10 million euro from a sale-lease back transaction. Free cash flow in FY25 was 57.2 million euro versus 110.3 million euro a year ago, when significant inventory reductions were executed, and one-off proceeds from the sale-lease back were accounted for. The decline in free cash flow in 2025 was also driven by higher working
capital due to lower advance payments on contracts. Capex was at 38.5 million euro, mainly for the incorporation of the automated warehouse in the Belgian plant and for financing Cinema-as-a-Service. ROCE was at 14% of sales. The net cash position on December 31st 2025, was at 186.2 million euro, down from 259.0 million euro at year-end 2024. Positive free cash flow of 57.2 million euro was offset by 44.2-million-euro dividend payments and 79.1-million-euro cash spent on share repurchases.
A first buyback program of 60.0 million euro was completed in July 2025. A second program of 30.0 million euro started in November 2025, was completed for 20.8 million euro at year-end 2025, and was fully completed on January 30th 2026. The board will propose to the extraordinary general shareholders meeting of April 2026 to cancel 5.575.000 shares - approximately 6% of Barco’s outstanding shares. CEO An Steegen commented: “2025 was a year that truly showcased Barco’s progress and resilience. We were proud to return to sales growth and deliver profitability improvement, even as the external conditions proved more challenging towards the second half. Sudden changes in U.S. trade policies and currency volatility created headwinds, yet our teams responded with agility and determination to contain the impact. Entertainment really shined this year, delivering robust growth across both business units and the successful launch of HDR by Barco in Cinema. Its Lightsteering technology and recurring revenue model is laying the foundation for long-term customer relationships and value creation. Enterprise continued to innovate, embarking on a new chapter with the introduction of ClickShare Hub. In Healthcare, the evolution of the Surgical & Modality portfolio prompted to move to common leadership and collaboration for Surgical solutions and Diagnostic Imaging, while Modality is now centralized in China to counter the cost pressure in this market. These accomplishments highlight the strength and flexibility of our strategy - and above all, the passion and dedication of our global teams. I want to extend my sincere thanks to all our colleagues for their relentless commitment to our customers and stakeholders.”
Geopolitical uncertainty continues to affect demand and visibility. Assuming macro-economic conditions do not deteriorate, management expects topline and EBITDA margin growth for the full-year 2026 versus 2025, excluding currency effects. Growth will be skewed towards the second half of the year. We reconfirm our long-term guidance of the Capital Markets Day of October 2025. As the business continues to shift from CAPEX to OPEX models, we guide for 1.1-billion-euro revenue, 15% EBITDA margin and 15% recurring revenues by 2028. Dividend Barco’s Board of Directors will propose to the General Assembly to distribute a gross dividend of 0.55 euro per share, up 0.04 euro versus last year’s dividend of 0.51 euro per share.
Maverick to bring Shure’s workplace collaboration to Europe
TD SYNNEX (NYSE: SNX) Maverick has announced a pan-European distribution agreement with Shure. The agreement will provide TD SYNNEX Maverick’s partners with access to Shure’s market-leading workplace and classroom collaboration technology, including the new IntelliMix Bar Pro all-in-one video bar, IntelliMix Room Kits, Microflex Wireless neXt, as well as home-office solutions, in Germany, France, Spain, Portugal, Austria, Italy, Netherlands, Belgium, Denmark, Poland, Czechia, Norway, Finland and Sweden. The announcement advances Maverick’s strategy of delivering world-class collaboration and UC solutions to its partner ecosystem, supported by technical expertise, tailored enablement programs, and dedicated business development support across Europe.
Bas Scheepens, vice president, TD SYNNEX Maverick, Europe, said: “Audio reinforcement is a key element to many videoconferencing spaces and Shure has long been the market leader with integrators looking for products which seamlessly link with Microsoft Teams Room and meeting room technologies. This partnership around Europe ensures we can offer the full Shure solution set to our customers, backed with specialist support from our solutions teams. The announcement at ISE is a great moment for our joint teams to work together to bring the message to the market”. TD SYNNEX Maverick’s partners can deliver Shure’s premium, scalable solutions designed for future-ready, AI-powered workplaces. From huddle rooms to high-end boardrooms, Shure technology ensures crystal-clear audio and video performance and seamless integration with major unified communications platforms including Microsoft Teams, Zoom, and Webex.
“Joining forces with TD SYNNEX marks a key milestone as we bring our collaboration solutions even closer to customers across Europe.” Said Marco Weissert, Associate Vice President, Sales, at Shure. “Their unparalleled customer support, market expertise, and strong channel relationships make them an ideal ally. Together, we are committed to delivering exceptional meeting experiences that empower organisations to communicate, collaborate, and thrive in the modern working environment”. Shure’s collaboration portfolio is purpose-built for modern workplace demands, featuring premium microphones, intelligent processing, video, and flexible audio components that allow integrators and IT manag-
Maverick has announced a pan-European distribution agreement with
ers to design consistent and reliable meeting experiences across a wide variety of room types. The solutions are certified for leading collaboration platforms, and are easy to deploy, scale, and manage for enterprise-ready environments.
nced a pan-European distribution agreement with Shure.
CineAV signs distribution partnership with LED Studio for Africa
LED Studio and CineAV have announced a new distribution partnership that will see CineAV represent LED Studio across key African markets, strengthening access to LED Studio’s solutions through a trusted, regionally established partner. The agreement formalises CineAV as an authorised distributor for LED Studio’s portfolio, combining LED Studio’s UK-owned manufacturing capability and global channel strategy with CineAV’s deep regional presence, technical expertise, and established customer relationships across Africa. CineAV brings extensive experience in delivering AV solutions across commercial, retail, corporate, and digital-out-of-home sectors, supported by strong local in-
with Shure.
frastructure, installation capability, and ongoing service and support. The partnership is designed to accelerate LED Studio’s footprint across the continent while ensuring customers benefit from localised delivery, support, and market insight. Tyron Ackerman, Managing Director at CineAV, said: “This partnership with LED Studio allows us to expand our offering with a trusted LED manufacturer that aligns with our commitment to quality, reliability, and long-term customer support. We’re excited to bring their solutions to more projects across Africa and build on our shared growth ambitions.”
Ryan Austin-Smith, Sales Director at LED Studio, added: “CineAV is a strong strategic partner with proven capability across the African market. This agreement supports our channel-only approach and enables us to scale our presence in the region while maintaining the high standards of delivery and support our customers expect.” This partnership represents another key milestone in LED Studio’s international expansion, reinforcing its commitment to working with specialist local partners to support sustainable growth across global markets.
Icecat and Midwich Group strengthen collaboration
Icecat and the Midwich Group businesses are further expanding their collaboration. The Midwich Group will use Icecat as a central source of product information across their webshop environments, supporting multiple group identities and specialist Pro-AV entities. The use of Icecat will be rolled out in phases across the Midwich Group, including, among others, Midwich Benelux and Kern & Stelly. With this approach, Midwich Group places its customers at the centre by ensuring scalable, consistent access to high-quality product content - an essential advantage in the Pro-AV market where online visibility, speed and data accuracy are key.
Icecat provides structured and validated product information that can be applied across the Pro-AV workflow, including:
•Webshops and dealer portals
•Tender and project environments
•Quotation and configuration tools
•Internal sales and advisory platforms
An increasing number of distributors, integrators and resellers already rely on Icecat as their content layer. Midwich Group’s decision reflects this broader market development and by maintaining reliable, up-to-date, and consistent product information across every channel, the Group not only strengthens its own digital performance but also enables its customers to work more efficiently, make informed decisions, and in turn build stronger trust with their end users.
Within the Midwich Group ecosystem, brands are encouraged to make their product information available through Icecat, to ensure customers get the best service. Brands that maintain structured and up-to-date
Icecat content can benefit from:
•Improved online visibility across channel partners
•Consistent product presentation on multiple platforms
•Faster time-to-market
•Reduced manual content management
For manufacturers, this supports greater control over their product messaging and improved reach within the professional AV channel. The expansion of the collaboration aligns with Icecat’s presence at Integrated Systems Europe 2026 in Barcelona. ISE is the key international meeting point for the Pro-AV industry and an ideal opportunity to explore how Icecat product information can be applied across webshops, portals and commercial tools.
Solstice AV partners with Killis to help resellers with robotics
Solstice AV has announced a new UK partnership with Killis, one of Britain’s most established names in cleaning technology and robotics. The partnership brings cleaning and service robotics into the AV channel, giving resellers a clear, supported way to introduce robotics as part of wider technology projects across hospitality, education, retail and commercial environments. The focus is firmly on practical deployment, long-term support and clear commercial value. Cleaning and service robots are moving quickly from pilots into everyday use. Labour shortages, rising costs and higher expectations around cleanliness and consistency are accelerating adoption, particularly in customer-facing spaces. While the technology itself is proven, many organisations still struggle with how robotics is specified, rolled out and supported once it is live. For AV resellers, the challenge is not demand, but confidence.
Robotics fits naturally alongside the systems AV resellers already design, install and support. Service and cleaning robots rely on the same foundations as modern AV projects, including reliable networks, predictable uptime, simple user interaction and ongoing service. In practice, robots are increasingly operating alongside displays, digital signage and control systems as part of a wider technology estate. By bringing together Killis’ long-standing experience in cleaning innovation with Solstice AV’s reseller-first approach and service infrastructure, the partnership offers a straightforward, repeatable way for resellers to take robotics to market. Partners will have access to Killis’ cleaning robotics portfolio, supported by demonstrations, deployment guidance and aftercare designed to reduce risk and protect margin.
Michael Tulip, Managing Director at Solstice AV, said: “Robotics is no longer speculative technology. It’s the next sensible question customers in some sectors are asking. This partnership with Killis gives resellers a way to answer that question with confidence. Killis brings deep UK experience in cleaning and robotics, and Solstice brings the support, service and commercial framework that helps partners turn opportunity into repeat business. That’s exactly where we want to be as we continue to grow.”
Tibor Killi, Managing Director at Killis, added: “Killis has been building cleaning technology in the UK for more than sixty years, and that history shapes how we work today. As a family business, we care deeply about how our solutions are designed, manufactured and used in the real world. As robotics becomes part of dayto-day operations, it needs to be introduced properly, with the right knowledge, training and long-term support. Solstice understands that. Their understanding of the AV channel and their focus on service made them a natural partner as we continue to grow our robotics offering in the UK.”
PSCo and Dry Hire Lighting strengthen for live events customers
PSCo and Dry Hire Lighting have appointed Lee Dennison as Director of Trade Rental and Peter Jones as Operations Director, reinforcing their commitment to customers across the live events industry. Lee Dennison brings more than 25 years’ experience in the live events rental sector, with senior roles at Creative Technology, White Light, Delta Live, and Autograph, as well as running his own consultancy practice. He will focus on shaping the trade hire strategy with customer service at its core – ensuring the offering remains brand-agnostic, highly responsive, and aligned to how rental businesses operate day to day. Lee Dennison, Director of Trade Rental at PSCo, said: “Our role is to be a trusted trade partner – flexible, straightforward, and easy to work with. By aligning strategy and operations, we can support our customers in a practical, sustainable way as their needs evolve.”
Peter Jones joins with extensive experience across live
video and technical production, including roles at Shooting Partners, Anna Valley and iMag. He will lead on operational systems and processes to ensure scalable, consistent delivery. Peter Jones, Operations Director at PSCo, comments: “My focus is on strengthening our operational foundations so we can continue to deliver the reliability and consistency our customers expect.”
The appointments follow sustained growth and the expansion of dry hire lighting alongside established video services. The focus remains clear: ensuring customers have reliable access to specialist technology for live events, additional capacity and consistent operational support when it matters most. Stuart Holmes, Executive Director – Solutions at PSCo, adds: “Our growth has always been built on close collaboration with customers. As we expand our lighting and video services, it’s essential we continue to evolve in a way that makes life easier for the rental community. We see ourselves as an exten-
sion of our customers’ warehouses – providing capacity, specialist equipment, and dependable support. Strengthening our leadership team ensures we can deliver that consistently as demand grows.” Together, PSCo and Dry Hire Lighting continue to invest in leadership and infrastructure to ensure customers can deliver impressive live events with confidence.
PSCo and Dry Hire Lighting have appointed Lee Dennison as Director of Trade Rental and Peter Jones as Operations Director, reinforcing their commitment to customers across the live events industry. (Pictured left to right: Peter Jones, Stuart Holmes, Lee Dennison.)
Epson to expand its leasing programme and improve product circularity
Epson has expanded its leasing programme through a partnership with DLL, a global financial solutions partner. This collaboration will see Epson technology become increasingly accessible to businesses by removing the need for upfront investment. It also means Epson will have increased access to end of lease-term product, allowing it to process it through its reuse, refurbish and recycle programme, further supporting product circularity. Circularity remains a key pillar in Epson’s corporate vision and the ability to control ‘end of life’ product, either by enabling ‘second’ or ‘third’ lives through reuse or refurbishment, or through recycling schemes, ensures materials and resources are maximised.
Offering a comprehensive leasing solution across its portfolio – from printers to robotics – will allow Epson to better address large corporate and public sector tenders which it has previously been unable to support. Customers will benefit from support programmes run by existing Epson partners proving fleet management and maintenance. Working with DLL will support additional finance options for potential customers in harderto-reach European markets such as Finland and Ireland. Rob van den Heuvel, General Manager, DLL Europe, shares why Epson Europe’s financing capabili-
ties are key to a competitive edge. “Right now, there are two key realities: innovation is outpacing budgets, and customers expect circular practices,” he explains. “Leasing and financing are practical ways to offer customers scalability without draining cashflow and circularity that’s built right into payment models. We’re proud to support Epson Europe in their endeavours and look forward to what’s ahead for our partnership.”
Rob Clark, COO, Epson Europe, adds: “Our leasing initiative marks an important step in Epson’s strategy, strengthening our ability to meet large, complex customer needs with a more attractive and flexible offering. It gives organisations a way to benefit from the latest Epson technology without heavy up-front capital investment, making it easier to modernise and adopt more sustainable solutions sooner. By working with DLL, we’re also able to combine our expertise and sustainably focused products with the growing availability of Green Finance for Epson customers.” “At the same time, we’re not handing over responsibility at the end of a product’s life,” says Richard Wells, Head of Market Development, Epson Europe. “Because we manage our own innovation and manufacturing, retaining control of products when they’re returned make sense, we can keep valuable materials in use for longer, cut waste and further reduce the overall environmental footprint of our technology.”
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Avocor unveils the B Series: Future-ready 4K digital signage
Avocor has announced the launch of the B Series – a versatile, high-performance family of professional 4K displays designed to elevate visual communications across a wide range of environments, including corporate offices, educational institutions, transportation hubs, retail spaces and hospitality settings. “The Avocor B Series brings performance, reliability, and design together in a powerful 4K display built to elevate digital experiences throughout the modern workplace,” says Dana Corey, SVP & GM at Avocor. “Whether engaging employees and guests, informing travellers or captivating shoppers, the B Series is built to empower your messaging and future-proof your signage strategy.”
Available in six diagonal sizes from 43” to 86”, the B Series delivers brilliant 4K UHD resolution and ultra-bright 700 nit visuals, ensuring every message is clear, vibrant, and impactful, even in the most challenging interior lighting conditions. Its anti-glare panel, with 25% haze, enhances readability and colour fidelity, making every message engaging from any angle. Engineered for continuous 24/7 operation, the B Series is built for demanding commercial settings where reliability is essential. Its sleek, symmetrical design features even 12.8mm bezels, slim ADA-compliant construction, and a branding-free front panel to blend seamlessly into any space while meeting the needs of high-traffic public environments.
Under the hood, the B Series features a powerful Android 14 operating system with increased security, 8GB RAM, and 32GB ROM for smooth, responsive performance for even the most demanding signage content. The B Series is built for flexible connectivity and features dual HDMI 2.0 inputs, HDMI output, OPS slot, and USB-A ports. The B Series also offers effortless integration with media players, content management systems, and peripheral devices while stereo 10W rear-facing speakers deliver clear, balanced sound, without the need for additional hardware. The Avocor FUSE dashboard can also be used to remotely install and remove popular CMS Apps on the B Series UiQ interface. Pro-
fessional-grade management features include remote control via RS232 or networked IP, Avocor FUSE DMS for full remote management and real-time device diagnostics. For large deployments, Zero-touch provisioning enables a seamless, custom-tailored out-of-box experience for partner CMS providers, streamlining setup and operations for signage networks of any size.
SET as a boxout:
Key features of the Avocor B Series:
• Brilliant 4K UHD visuals with 700 nit brightness and anti-glare panel
• Reliable 24/7 operation for professional environments
• Flexible portrait and landscape orientation
• Powerful Android platform, upgradeable for longterm compatibility
• Seamless integration with media players and CMS •OPS compute options for Windows, Chrome OS and Google EDLA
• ADA-compliant, branding-free design for any setting
• Remote management and zero-touch provisioning
Promethean bridges workplace communication gap
Promethean made its ActivPanel D-Series ISE debut. A purpose-built, non-interactive digital signage solution, the ActivPanel D-Series is designed to transform shared
and high-traffic spaces into easy-to-manage hubs of connection and safety. The ActivPanel D-Series allows institutions to broadcast real-time updates, urgent alerts, and daily information in workplaces – from offices to hallways and communal areas. Available in 55”, 65”, and 75” sizes, this new hardware line creates a cohesive communication network alongside Promethean’s interactive displays, ensuring that every organisation can remain informed and connected. Central to this integration is Promethean’s collaboration with Radix Viso, a web-based management console that turns any space into a real-time information centre. IT teams can centrally manage every screen from a single web-based console, ensuring that company-wide communication remains secure, reliable, and simple to execute. “Sharing information quickly and clearly across busy professional settings can be a challenge,” said Lance Solomon, Chief Product Officer at Promethean. “With the European workplace debut of the ActivPanel D-Series at ISE, we’re demonstrating how organisations can keep every space informed and connected. The ActivPanel D-Series complements Promethean’s broader ecosystem, which includes ActivPanel 10 and ActivPanel LE, giving businesses flexible options to create connected environments that meet diverse working needs.”
PPDS unveils new Philips hardware and software solutions
PPDS unveiled new Philips hardware and software solutions, adding advanced remote management and affordability to LED and digital signage displays. PPDS made three key new product announcements in at ISE 2026, each designed to deliver exciting new opportunities and enhanced capabilities to partners, customers and AV/IT managers around the world. These included the new ‘all-inclusive’ Philips LED Configurator, the ‘elemental’ Philips Signage 2000 Series, plus ‘game-changing’ updates to the Philips Wave remote management platform. PPDS, unveiled a range of ‘game-changing’ and ‘experience-enhancing’ hardware and software solutions at ISE 2026, with three major product announcements.
In what was one of PPDS’ biggest and busiest ISE shows to date, the new solutions unveiled on the AIthemed Philips booth, centred around bringing new creative and time-saving possibilities for Philips LED walls, enhanced remote display management capabilities, plus a new generation of ‘elemental’ digital signage displays. Supporting all market verticals, including retail, corporate, education, hospitality, transportation, broadcast, food and beverage, public venues, entertainment, stadia/arenas, control rooms, and more, the announcements included:
The groundbreaking new Philips LED Configurator takes traditional online configuration tools and project management to the next level, bringing seamless video wall design, ordering and installation to partners and customers. Free to use, the intuitive Philips LED Configurator – hailed internally as the most comprehensive of its kind – lets customers in any industry, effortlessly create and accurately visualise their creative ambitions, down to the finest specifications and details, on screen. Partners and customers can select from PPDS’ full suite of indoor and outdoor Philips dvLED panels, factoring in their specific project needs, including size, pixel pitch, brightness, and refresh rates, among other factors. And that’s not all.
PPDS has teamed up with some of the AV industry’s leading manufacturers of components – including producers of brackets, mounts, control boxes, data cables, light sensors, finishing kits, and more – so that customers can select a full range of components as part of the design process, ready to be ordered as part of the package. This optional ready-to-go approach eliminates any concerns around compatibility, while saving substantial time on research for solutions specific to a project. Marco van der Knaap, Head of Strategy and Transformation Philips dvLED at PPDS, commented: “The journey from creation to installation of LED walls can sometimes be a complex, and frustrating experience, with many aspects to consider. Having worked in this space for over 25 years, I have seen and experienced them all, and these provided the foundations for the new Philips LED Configurator. We have designed the platform to be easy to use and virtually foolproof, with the intuitive menus making the entire process – from selection to design –universally usable.”
Bringing greater affordability and accessibility to PPDS’ growing digital signage portfolio, the ‘elemental’ Philips Signage 2000 Series amalgamates some of the company’s most celebrated and sought-after features, capabilities, and visual technologies into a new standard yet stylish design for maximum impact without breaking the bank. Bringing UHD digital signage back to basics, this exciting new Series continues PPDS’ global efforts to deliver the broadest portfolio of visual solutions, supporting the range of needs and budgets while bringing powerful benefits and competitive advantages to customers of all sizes – from small independents to international conglomerates.
Redefining and raising the bar for so called ‘standard’ signage displays, the Philips Signage 2000 Series brings together some of PPDS’ most acclaimed features, capabilities and technologies, ensuring maximum impact and control for installations in 16/7 dawn-to-dusk environments. Guaranteed to make a positive impression –including installations inside retail stores, corporate offices, hotel lobbies, bars, cafes or restaurants, museum exhibits, school corridors, and more – the Philips Signage 2000 Series launches in a range of screen sizes to suit, including 43”, 50”, 55” and 65”. Portrait or landscape mountable, each display has been designed to pack a punch, equipped with a stunning 4K UHD, 400 nits of brightness, and finessed with a stylish, even bezel design for a premium presentation. For complete peace of mind – particularly for more demanding commercial applications – the Philips Signage 2000 Series also features PPDS’ exclusive FailOver technology, which ensures screens never go blank, automatically playing back up content on screen in the unlikely event of a media player failure. Andrea Barbuti, Global Product Management Lead EMEA at PPDS, commented: “At PPDS, we don’t believe in barriers, and we work hard to ensure we provide solutions that support the many, rather than the few. The Philips Signage 2000 Series brings signage right back to basics,
equipped to support and satisfy simpler integrations that don’t require some of the bells and whistles found on our more premium offerings.”
Designed for system integrators and trusted by organisations around the world, PPDS’ evolutionary cloudbased remote management ecosystem delivers its most transformational upgrade since its debut at ISE 2022. With a raft of new timesaving and opportunity-generating features for SIs, plus new security measures, Philips Wave now offers the most extensive levels of remote display management in the market for Android SoC Philips Professional Displays. Developed in-house, the Philips Wave platform unlocks the full potential, versatility and intelligence of Android SoC Philips Professional Displays, while helping to inspire more sustainable business operations. Designed with flexibility and versatility in mind, Philips Wave provides a centralised system for AV/IT managers and system integrators – whether employed internally or as part of a service contract – to deploy, configure, monitor, manage, and maintain entire display fleets entirely remotely, with screens tailored to support the precise needs and requirements of the customer and environment.
Among the flood of new updates for 2026, Philips
Wave now offers a wealth of new configuration tools designed to help take the hassle out of display setups, saving substantial time, effort, and cost, while delivering on customers’ desired outcomes and ambitions. Tailored to the current and future needs of the market, system integrators and AV/IT management teams can create and/or duplicate display configuration settings and then seamlessly deploy them to multiple screens –locally or around the world – at the click of a button. Ensuring optimum performance at all times, new features, settings, applications, firmware, and software can be effortlessly scheduled and added – collectively or to specific displays – as they become available, all from a single centrally managed location. Trialled and perfected with several existing PPDS partners in recent months, the latest configuration tools have been proven to dramatically reduce installation times – approximately 75 per cent in some instances – saving on both effort and cost.
Furthermore, Philips Wave also offers enhanced power scheduling opportunities by switching off screens when not required and adjusting the brightness to reflect the lighting conditions based on factors like the display’s location or even the time of year. Philips Wave, which
now features powerful notification features. The system will automatically send live alerts to selected email addresses when a screen’s activity falls outside its defined parameters. Examples include when a display scheduled to be on is unexpectedly switched off or if it begins displaying incorrect or unauthorised content. The notifications provide 24/7 security and reassurance, further empowering system integrators and AV/IT managers to take immediate action and provide greater value as a platform and as part of a service contract. Stuart Millward, Technical Director and UK Education Sales Manager at PPDS, who has initiated and managed the latest enhancements to Philips Wave, commented: “These new configuration updates will be a game changer, substantially simplifying and speeding up project roll-out processes and reducing configuration errors, delivering greater value to our partners, and providing new revenue-generating opportunities. This is another landmark moment in the evolution of Philips Wave.”
Crystal Display Systems SoloVUE privacy desktop monitors
Crystal Display Systems (CDS) has announced the launch of its new SoloVUE Privacy Desktop Monitor range, designed to protect sensitive on-screen information from visual hacking in shared, open, and high-traffic environments. As organisations continue to strengthen cyber security, the risk posed by visual data exposure is often overlooked. Visual hacking - the unauthorised viewing of information displayed on screens - remains a significant threat in sectors such as healthcare, financial services, government, retail, education, and transportation hubs.
The SoloVUE range directly addresses this challenge with permanent, factory-laminated privacy filters built into the monitor bezel. Unlike traditional clip-on or removable privacy screens, SoloVUE monitors deliver privacy by design, ensuring protection cannot be removed, degraded, or bypassed by users. “Visual hacking is one of the simplest yet most underestimated forms of data breach,” said Crystal Display Systems. “With SoloVUE, we’ve removed reliance on accessories or user behaviour and delivered a professional monitor solution where privacy is always active and always compliant.”
ViewSonic unveils first Android 16-powered interactive displays
The new EDLA-certified ViewBoard IFP35-1 and IFP411 Series combine Android 16, advanced multi-touch technology, energy-efficient sensors, and integrated software to support modern K–12 and higher education environments. ViewSonic Corp showcased two new ViewBoard series at Bett 2026, marking the industry’s first Android 16-powered interactive displays for education.
Designed for fast responsiveness and reliable everyday use across modern academic spaces, both EDLA-certified series feature advanced 64-point multi-touch technology, as well as built-in ambient light and
PIR motion sensors that support improved energy efficiency. In addition to the global hardware debut, ViewSonic has also presented its latest education software advancements, reinforcing its integrated ecosystem for both K–12 and higher education institutions. “To deliver a trusted and reliable ecosystem that institutions can trust over the long term, ViewSonic remains focused on advancing products and solutions to keep pace with the needs of teaching and learning,” said Dennis Lin, General Manager of ViewSonic Education Solutions. “In response to educators’ expectations for secure and future-ready classroom technology, we are introducing the new ViewBoard series powered by the latest operating system. At Bett, we are also highlighting real-world school implementations to demonstrate how ViewSonic helps institutions improve teaching workflows and everyday learning experiences.”
The EDLA-certified ViewBoard IFP35-1 Series and ViewBoard IFP41-1 Series, powered by Android 16, deliver precise and intuitive interaction through 64-point multi-touch technology and palm rejection. Built-in ambient light and PIR motion sensors support sustainabil-
ity by automatically adjusting screen brightness and powering the display on when the classroom is in use and off when unoccupied. The IFP41-1 Series is an advanced model optimized for discussion-based and collaborative learning. Featuring a complete speaker system with a subwoofer and microphone to support clearer communication and richer audio, together with Write Away instant annotation, the display supports seamless, real-time collaboration that enhances classroom interaction.
With availability in five wide sizes ranging from 55 to 98 inches, the IFP41-1 Series supports diverse teaching space configurations across higher education, including lecture halls, seminar rooms, and hybrid learning spaces. Both of ViewSonic’s latest interactive display series are powered by the newly enhanced myViewBoard digital whiteboarding software, featuring a redesigned interface, real-time collaboration tools, Participate Mode for student engagement, and built-in accessibility features. The platform supports flexible lesson planning and seamless content integration across different formats and devices, allowing educa-
tors to easily adapt their teaching workflows.
At Bett 2026, ViewSonic has also showcased its scalable Education Ecosystem by combining myViewBoard with AirSync for seamless wireless casting and Manager for centralized IT control. Together, these solutions enable diverse deployment across classrooms and campus settings, helping institutions streamline teaching workflows and device management. ViewSonic’s integrated solutions are already being deployed in real-world learning environments. Education institutions in the UK are adopting these solutions across diverse settings combining ViewBoard displays, All-in-One Direct View LED (dvLED) Displays, commercial displays, monitors, and centralized IT management with Manager to support teaching, campus communication, and diverse learning environments.
SiliconCore launched folding 4K AIO with 0.78mm precision
SiliconCore launched its most advanced fine-pitch display to date, a 0.078mm, 135”, 4K Mobile All-In-One (AIO) LED solution. The Mobile AIO 4K is the first display of its kind to deliver native 4K resolution in a foldable, fully integrated MicroLED All-In-One format. Designed for rapid deployment, it folds to fit through standard doorways and elevators, requires no installation and can be operational in under five minutes. Built for high-performance environments, the Mobile AIO 4K delivers sustained 1000nit brightness, 22-bit processing for smooth gradients and 2-frame latency for real-time responsiveness, establishing a new benchmark for portable dvLED display systems.
Powered by SiliconCore’s proprietary Common Cathode IQ technology, it offers a combination of performance, portability and image quality unique to the dvLED category. It is engineered for mission-critical applications including simulation, broadcast, collaboration, command and control and executive briefing centres, where precision and responsiveness are essential. The Mobile AIO operates from a single power cord on a standard 20-amp circuit and consumes up to 40% less
EPOS Achieves with ISO/IEC 27001 Certification
Headset and speakerphone manufacturer, EPOS, has reinforced its market-leading status by achieving ISO/ IEC 27001 certification, the leading global standard for information security management systems. In an era of increasing data breaches and on-going threats, ISO 27001 provides a framework for organisations to protect sensitive information through risk management, policy and technology control. “We are proud to announce a significant milestone in our pursuit of performance. ISO/ IEC 27001 is more than a plaque on a wall. It is a formal, audited commitment to our partners and users of our products that their data – and the integrity of their communications – is shielded by the most rigorous information security standards in the world.” That’s the view of Jesper Kock, VP of Research & Development, who hailed the achievement as a powerful symbol of the company’s continuing quest for service excellence. “In the high-stakes arena of global enterprise; information is the ultimate asset. For the modern professional, every word spoken in meetings across an encrypted line represents the future of innovation and strategy. At EPOS, we understand that true audio excellence cannot exist without a foundation for absolute trust. The gold standard of information security, ISO 27001, is the internationally recognised benchmark for Information Security Management Systems (ISMS). In an era where data breaches are increasingly sophisticated, this certification proves that EPOS employs a systematic approach to managing sensitive company information, ensuring it remains both secure and available.”
By meeting these stringent requirements, EPOS has demonstrated expertise in many key areas, according to Jesper.
•Risk Management: Proactively identifying and mitigating potential data vulnerabilities.
•Operational Resilience: Establishing rigorous protocols to ensure business continuity.
•Global Compliance: Aligning internal processes with the highest legal and regulatory requirements worldwide.
He concluded: “By securing our internal data frameworks, we ensure that the ecosystem supporting customer devices is as robust as the audio engineering inside them. For us, security is not an afterthought; it is an essential component of our whole operation. Achieving ISO 27001 requires an exhaustive audit of our internal processes, from how we handle intellectual property to how we manage third-party vendor risks. For our all our clients, this means reduced risk and increased reliability. “From our innovative BrainAdapt technology to our rich trading history spanning over 115 years, ISO/IEC 27001 represents another tangible and powerful way we continue to lead the field in audio excellence.” Customers can buy from us with complete confidence.”
Project Audio Visual and BBI Services launch new Digital Performance Hubs
Project Audio Visual has partnered with construction performance consultancy BBI Services to launch Digital Performance Hubs, a new type of collaboration space developed specifically for the needs of the construction sector. The partnership responds to a wider shift taking place across the industry, as construction organisations move away from analogue, room-bound ways of working towards more digital, flexible and hybrid models. With teams increasingly spread across sites, offices and remote locations, there is growing pressure to maintain alignment without losing the highly collaborative routines that have long underpinned
successful project delivery.
Digital Performance Hubs have been developed to support this transition. They bring together real-time project data, digital collaboration tools and established performance routines in environments designed to feel familiar to construction teams, rather than imposing entirely new ways of working. The aim is to provide a shared, connected space that supports decision-making across all levels of a project, from strategic reviews through to day-to-day site coordination.
Project Audio Visual and BBI Services bring complementary expertise to the partnership. Project Audio Visual contributes the technical capability and scalable infrastructure required to support hybrid collaboration, drawing on its experience delivering Microsoft Teams Rooms at scale. BBI Services adds deep experience in construction delivery and team performance, ensuring that the spaces are embedded into existing processes and routines, rather than treated as standalone technology installations. Mark Worrall, CEO at BBI Services, says: “The drive towards efficient, integrated project delivery, across dispersed teams has increased the need for enhanced ways of working. BBI’s partnership with Project Audio Visual provides the essential support for engagement, collaboration and performance improvement at every level. By digitising familiar practices such as collaborative planning and tiered visual management, our approach supports organisations as they develop into integrated project teams, while maintaining clarity, accountability and pace.”
Steve Hudson, COO at Project Audio Visual, says: “De-
signed to be modular and adaptable, Digital Performance Hubs can be deployed on site, in head office or across multiple locations, supporting organisations as they scale and diversify their working models. This partnership supports the construction industry’s evolving ways of working, on its drive towards digitalisation with a flexible approach to deliver clients’ needs and project delivery goals.”
Optoma elevates premium Home Cinema with an RGB triple laser projector
Optoma has announced the availability of the UHZ78LV, its most advanced home cinema projector to date, designed to deliver an uncompromising, cinema grade experience in the home. Featuring 4K UHD RGB triple laser projection, 5,000 lumens of brightness, and support for Dolby Vision, HDR10+ and IMAX Enhanced, the UHZ78LV brings exceptional colour accuracy, contrast, and scale to dedicated cinema rooms and modern living spaces alike. Positioned at the pinnacle of Optoma’s home entertainment range, the UHZ78LV combines professional grade image technologies with intelligent processing and flexible installation, enabling breathtaking large screen experiences from 80 up to 300 inches, even in environments with ambient light. At the core of the UHZ78LV is Optoma’s DuraCore MultiColour RGB triple laser light source, which uses discrete red, green and blue lasers to deliver exceptionally pure and vibrant colour reproduction. This advanced optical system achieves up to 96% BT.2020 and 98% DCI P3 colour gamut coverage, producing richly saturated, lifelike images with outstanding colour volume and consistency. With 5,000 lumens of brightness and a dynamic contrast ratio of up to 4,500,000:1, the UHZ78LV delivers striking highlights, deep blacks and fine shadow detail, ensuring cinematic impact whether watching films in a darkened theatre room or enjoying sport and entertainment during the day. The
long life, laser light source provides up to 30,000 hours of maintenance free operation.
The UHZ78LV is powered by Optoma’s PureEngine Ultra, an advanced image processing suite carefully calibrated by Optoma colour experts to deliver consistently accurate, high impact visuals across all content types. PureEngine Ultra is built around a set of intelligent algorithms designed to enhance contrast, optimise brightness, boost colour-light output, refine image detail, and smooth motion, all in real time. By analysing each frame individually, the system fine tunes tonal transitions, preserves highlight detail, and improves depth perception, resulting in images that appear more natural, detailed, and three dimensional on large projection sizes. Working in harmony with the RGB triple laser light source, PureEngine Ultra ensures lifelike colour reproduction, greater visual depth, and reduced artefacts, even in challenging scenes with fast motion, high contrast, or complex lighting. The result is a viewing experience that remains stable and visually consistent whether watching cinematic films, live sports, or high frame rate content.
PureEngine Ultra also integrates seamlessly with FILMMAKER MODE and ISF calibration modes, allowing post processing to be minimised or disabled entirely when accuracy is paramount. This enables viewers to experience content exactly as intended by directors and colourists, while still benefiting from Optoma’s precise optical and laser performance in both controlled dark rooms and brighter living environments. Designed to support the latest premium content formats, the UHZ78LV features Dolby Vision and HDR10+, dynamically optimising brightness, contrast and colour on a scene by scene or frame by frame basis. IMAX Enhanced further expands image scale and detail, delivering a more immersive presentation that mirrors the cinematic intent of IMAX mastered content. Together with PureEngine Ultra, these technologies ensure exceptional realism, refined tonal accuracy, and a consistently cinematic presentation across a wide range of HDR content. Despite its flagship performance, the UHZ78LV is designed for effortless integration into a wide variety of spaces. Installation features include motorised 1.6x zoom, horizontal and vertical lens shift, 4 corner correction, and 360 degree projection, allowing precise image alignment without compromising quality. Connectivity includes HDMI 2.1, enabling compatibility with the latest AV sources and gaming consoles, while low input lag down to 8.5 ms (1080p/240Hz) ensures smooth, responsive gameplay on a truly cinematic scale. Support for eARC and Dolby Atmos passthrough allows seamless integration with external audio systems for a complete home cinema experience. The UHZ78LV represents the latest evolution of Optoma’s home cinema innovation, bringing together professional grade laser technology, intelligent image processing, and premium format support in a single flagship model. It underscores Optoma’s continued commitment to delivering uncompromised large screen experiences for discerning home cinema enthusiasts.
Kramer continues to innovate across the AV experien
Kramer showcased its most comprehensive end-to-end AV portfolio to date at ISE 2026, demonstrating how unified connectivity, audio, collaboration, and control technologies can work together to simplify today’s increasingly complex AV environments. Across the stand, Kramer presented complete room - and building-scale workflows - spanning signal distribution and AVoIP, professional audio, collaboration spaces, and ecosystem management - all designed to help organisations deploy, operate, and scale AV systems with greater efficiency, consistency, and confidence.
In the AVoIP domain, Kramer highlighted the introduction of ZyPer4K-XSE, the next generation of low-power, ultra-low-latency 10G SDVoE encoders and decoders within its end-to-end ZyPer AVoIP ecosystem. Designed for high-end applications including large-format displays, command and control rooms, stadiums, and entertainment venues, ZyPer4K-XSE combines reduced power consumption with advanced functionality such as native Dante audio, USB-C connectivity, HDMI loopout, ICRON USB extension, and RS-232 control. Managed via the ZyPer Management Platform, ZyPer4KXSE enables fast deployment, centralized control, and long-term operational reliability across demanding 10G
AVoIP installations.
Kramer also showcased its latest AVSM innovations with the introduction of its new HU product family, designed to bring HDMI, USB-C, and USB together in a unified switching and extension ecosystem. Built to support BYOD and hybrid workflows, HU products enable seamless switching, extending, charging, and data transmission while supporting flexible room configurations across meeting rooms, classrooms, and collaboration spaces. Fully compatible with Kramer Series-3 extenders, the HU range allows integrators to mix and match components freely, delivering tailored solutions without unnecessary complexity.
In the audio domain, Kramer further expanded its Dante-powered portfolio, showcasing a growing range of PoE-driven loudspeakers designed to simplify networked audio deployment while maintaining high sound quality and refined aesthetics. The lineup now spans ceiling, wall-mounted, and pendant speakers, allowing integrators to specify consistent audio solutions across a wide variety of commercial environments. Designed with ease of installation and scalability in mind, Kramer’s Dante speakers reduce cabling complexity by combining audio, power, and control over standard network infrastructure. This approach enables faster installation, easier system expansion, and seamless integration with wider AV-over-IP workflows. Available in multiple sizes and form factors, the speakers are well suited to appli-
cations ranging from meeting rooms and education spaces to hospitality, retail, and large corporate facilities, delivering reliable performance while meeting modern architectural and acoustic expectations. Kramer’s stand also featured a broad range of professional connectivity solutions, including USB-C cables — full-featured, data-only, and video-only — alongside HDMI cables purpose-built for AV environments. A growing portfolio of elegant tabletop connectivity solutions was also on display, designed to deliver clean aesthetics, straightforward installation, and intuitive day-today use in modern meeting spaces. For wireless presentation and collaboration, Kramer demonstrated an expanded range of solutions including VIA and Session Manager, designed to make content sharing effortless in today’s hybrid, multi-user environments. These platforms allow participants to connect quickly and securely from their own devices, supporting a wide range of operating systems and collaboration workflows without the need for cables or adapters. By reducing friction at the start of meetings and enabling intuitive interaction for both in-room and remote participants, Kramer’s wireless collaboration solutions help organisations maximise room utilisation and improve meeting efficiency. With centralised management, enhanced security, and seamless integration into existing AV and IT infrastructures, VIA and Session Manager support flexible working practices while delivering a consistent, reliable user experience across meeting rooms, classrooms, and collaborative spaces.
Kramer also showcased major advancements within Panta Rhei, its AV ecosystem platform for management, monitoring, and automation of AVoIP environments. Expanded third-party device support allows users to integrate and interact with a wide range of AV devices, while new automation tools enable proactive, rule-based actions at room, building, site, or multi-site level - all from a single, centralised interface. New AI-powered capabilities were demonstrated live at the show, including an AI-enabled troubleshooting tool designed to help AV teams resolve issues faster, reduce downtime, and continuously improve system performance through ongoing learning.
“At ISE 2026, Kramer demonstrated innovation across the entire AV experience — from signal management and AVoIP to audio, collaboration, connectivity, and intelligent management,” said Gilad Yron, CEO of Kramer. “By bringing together platforms such as ZyPer4K-XSE, the new HU products, Dante-based audio, Panta Rhei automation, and engineered collaboration solutions
Workplace collaboration – hybrid and beyond
The initial driver for the adoption of workplace collaboration solutions was undoubtedly the pandemic. Today, the justification for moving to a hybrid model is much more likely to be the gains available from productivity, efficiency with the favourable reduction in the opportunity costs incurred by having key personnel travelling to in person meetings. But it is also clear that those adopting collaborative tech technologies have greater expectations of their solutions, largely encouraged by the prevalence of AI, spatial audio and enhanced visual displays. ISE 2026 saw the launch of a number of collaborative solutions embracing innovative technologies.
Despite resent innovations by some of the collaboration software platforms, a fundamental issue remains aching a balance between the capabilities of office-based technologies and the needs of home-based and other remove users. As a relative newcomer, Boom Collaboration showed its portable all-in-one video conferencing device further blurs the lines between home and office work. The Boom UNO is a complete conferencing system that combines a 120° wide angle full HD camera with a 360° omnidirectional microphone and built-in speaker. The compact stylish device has plug-and-play functionality, via one USB cable, and is available in black and white colour variants. It is compatible with Zoom, Teams, Webex, Google Meet and all the major meeting apps. A status light is complemented by full duplex HD audio, a vertically adjustable lens and touch keypad with volume and mute controls.
Boom Collaboration was created in 2020 by founders Fredrik Hörnkvist and Holli Hulett, in a bid to disrupt the sector and stand out from the crowd – creating high performance, high value advanced products. The ambitious California-based business has quickly developed an extensive conferencing portfolio and operates in around 30 countries, including the UK and central Europe. “There’s little doubt hybrid work is here to stay and for many organisations it’s now firmly embedded as an integral part of modern working cultures,” Hörnkvist explained. “The right equipment can boost productivity
while saving corporations money - creating true meeting equity for all participants. For us, demand for flexible portable products that are suitable for home as well as office life continue to accelerate. The Boom UNO is a compact vertical video bar that ticks every box.”
Co-founder Hulett added: “The Boom UNO gives users all the tools they need for effective collaboration in a simple user-friendly package. Enjoy video calls in full HD combined with a powerful speakerphone with omni-directional pickup, full-duplex and advanced echo cancellation and noise suppression. It’s very easy to use and pop in a bag to transport between the home and office, or wherever people are working.” The Boom UNO is lightweight and compact. It measures 18.1cm tall and is 6.2cm wide and deep.
The open office challenge
Modern office design frequently incorporates open or shared spaces with the concomitant issues of privacy, security and concentration by the users. “Collaboration, wellbeing, privacy and focus are at the centre of today’s hybrid work trends – inspired by the latest technology solutions - as the rhythm of professional life continues to evolve”. That’s the view of global headset and speakerphone manufacturer EPOS, who highlight how businesses around the world now need more than just standard technology and modern office design, to empower today’s workers. Steven Schmidt, VP, Global Commercial Innovation & Marketing, at EPOS believes
that: “Hybrid work allows us to achieve the best of both worlds, the focus and collaboration of the office, with the flexibility and autonomy of remote work. But in today’s dynamic working arena more people are returning to the office in greater numbers for longer periods and this creates its own challenges too. Office spaces are now the dominant force, acting as crucial hub for creativity, interaction and culture. But more people means more noise and annoying distractions.”
The dual landscape
Navigating the dual landscape of office v versus remote, remains a delicate balancing act, Steven emphasised; citing how high-quality headsets and also speakerphones can play an important role. “Successful organisations provide the technology to empower productive remote working, boosted by office spaces that foster teamwork and bonding, while crucially also providing quiet spaces for those that need to focus,” he pointed out. Many organisations previously waved goodbye to assigned desks in favour of team pods and swapping solitary personal offices for open-plan environments. While collaboration via proximity is a powerful tool, the downside is that employees can find focused work in the office more demanding due to increased distractions.” But he cautions: “Background noise can seriously impact productivity leaving workers struggling to interpret and understand the entirety of what’s being discussed, impacting the absorption and retention of key information.”
Research suggests that by reducing the effort required in listening, more cognitive resources are freed for speech processing and encoding information into longterm memory - improving recall performance by around 10%. What’s more, audio devices designed based on how the brain perceives sound can reduce the cognitive effort to interpret information, resulting in significantly reduced listening fatigue, in turn improving productivity. EPOS believes investing in smart audio devices is an easy and cost-effective way to reduce
staff frustration over noise levels and enhance concentration, well-being and productivity when in-office staff need to focus.” EPOS has developed a way to improve ‘cognitive performance’: “This is where our BrainAdapt technology really shines to make sure today’s professionals can perform their best – based on a group of pioneering technologies that work together to improve cognitive performance, reducing listening effort by as much as 67%.” Steven added, “So, you’ve got your office space and figured out the tech. But it doesn’t stop there! To maximise employees’ full potential and boost performance, championing well-being in the hybrid age is becoming ever more crucial. Equally modern businesses still need to create an equitable workplace - one that provides the same opportunities - and visibility - for remote and on-site employees. This means investing in collaboration and conferencing solutions that create a unified experience, empowering employees to engage and contribute effortlessly, regardless of their location.”
A key feature to look out for is exceptional voice pickup – so that everyone in a meeting can be heard clearly, ensuring all viewpoints are considered, and nobody gets left out. “Privacy needs to be respected too, both for clients and staff, to avoid overhearing sensitive information in open-plan spaces. You need microphones to only pick-up the user’s voice and also audio to enable them to hear dialogue first time every time to avoid appearing unprofessional, asking for conversations to be repeated. Voice authenticity is crucial for effective and effortless conversations. You need to sound great and hear great, so customers feel taken care of.” Steven concludes: “Maintaining productivity and individual focus are the biggest ingredients for success in today’s hybrid world. Shutting people off from distraction is good, but with EPOS Hybrid ANC they can still hear some sound as it’s very important not to block out everything and leave people feeling isolated. If a fire alarm goes off for example, they need to hear it too. You need the best of both worlds. For hybrid working to continue be successful, a balance of wellbeing and technology needs to be struck.
What works successfully for one company or team may not translate to another, so the key is to continue understanding the needs of your individual workforce and tailor plans accordingly whilst remaining flexible too.”
Meeting equity
In many hybrid workspaces, the outstanding challenge id that of meeting equity – ensuring remote and in-room participants can contribute equally – remains one of the defining problems of hybrid work. At ISE 2026, AI was positioned not as a novelty as a potential means of addressing this imbalance. AI-powered cameras and audio systems are increasingly being used to improve how participants are seen and heard. The objective is not only that remote attendees can follow the conversation, but that they are clearly visible and audible to those in the room, and vice versa.
Vendors including Shure, Neat, Logitech and Huddly demonstrated intelligent multi-camera setups, with features like
automated framing, speaker tracking, and audio zoning designed to reduce participation gaps. These systems dynamically adapt to the environment. Making meetings feel more balanced. In these complex spaces, such as large boardrooms and other multi-camera environments, AI assists in configuring additional cameras, optimising angles, and aligning audio zones automatically. This reduces manual setup while improving consistency across the room. The nature of these environments mitigates against overt displays of technology, with vendors trying to make meeting room technologies, effectively, invisible.
While near ‘invisible’ meeting room technology was clearly an aspiration of some vendors, a factor that was almost universal was ease of use ny the user.
“When the system adjusts framing automatically, when microphones isolate voices without intervention, and when meetings start without technical distractions, participants can focus entirely on collaboration. The highest level of innovation increasingly lies in technology that simply works – and fades into the background”.
Simple and scalable
User requirements aside, AI is also advancing how IT and AV teams operate in collaboration environments. Platforms such as the NetSpeek’s Lena, provides an AI orchestration solution purpose built for multi vendor AV and unified communications ecosystems. Lena and similar products are helping teams proactively detect and resolve issues; automate routine support tasks; and maintain system performance at scale. AI-driven workflows can identify misconfigurations, run health checks, and even remediate problems in real time, reducing manual troubleshooting and enabling IT professionals to focus on higher-value work. Nonetheless, demand for seamless integration across ecosystems continues to grow. Enterprises rarely operate within a single platform environment, and IT teams require solutions that integrate cleanly into existing infrastructures without complex bridging or manual reconfiguration. The emphasis at ISE was not on interoperability as a feature, but on integration as a prerequisite for scalability. Systems must deploy consistently across rooms, geographies, and use cases – without increasing administrative burden.
Hardware options
ISE 2026 provided a snapshot of the range of options available to businesses seeking to implement hybrid working. Logitech’s message, for example, was that work happens anywhere now, and collaboration hardware should adapt just as intuitively. The focus was on modular solutions that can scale from huddle rooms to large spaces. Logitech isn’t just refining hardware - they’re investing in ecosystem-level usability and workflows that help organisations unlock the full value of hybrid environments. Yealink’s mantra foe ISE was ‘simplicity with intelligence’, highlighting its 4th generation MVC Kits, Meeting Boards, Meeting Bars and Teams phones. Yealink was one of the vendors highlighting AI assisted features such as advanced noise
suppression, full duplex audio and intelligent camera framing. These built in elements are designed to deliver meeting equity — ensuring remote participants are seen and heard with parity.
ISE stalwart Crestron focused heavily on AI powered automation, unified control and simplified room orchestration. Cisco presented its latest collaboration devices designed for large and complex spaces. New AI-driven capabilities and unified management were aimed at improving both the user experience and IT efficiency. Presentations and signage emphasised environments where users can “command a room without lifting a finger,” demonstrating AI driven room automation for audio, video, lighting and environmental control. Q Sys, on the other hand, showcased how a ‘full stack’ AV platform can simplify deployment. Its RoomSuite modular system, unveiled as a new way to standardise deployment of collaboration systems was said to make configuration faster and more intuitive.
Audio experts Shure showed how AI driven voice clarity and intelligent systems. In the Shure Innovation Lab presentations underlined how AI isn’t just a feature — it’s becoming foundational to solving real deployment challenges such as noise suppression, speaker focus and dynamic audio adaptation. Shure also the importance of meeting equity, for productivity gains and future proofing audio infrastructures for workspaces of every size.
Biamp’s emphasis was firmly on simplifying audio excellence through automation. One of the lead features topics was Biamp’s “auto tuned DSP” for Teams Rooms and larger spaces — enabling automatic room audio optimisation with a single button, dramatically lowering commissioning effort. MAXHUB made a strong statement at ISE 2026 with several new product introductions. The XBar Series of Videobars, for example, is an all in one collaboration videobar with multiple cameras and Windows-based computing built in.
Sound Control Technologies (SCT) brought another layer to the collaboration conversation by focusing on connectivity that simplifies installs like the RTK AM1
power/HDMI/Ethernet/USB table extension dock, which enables cleaner, more predictable BYOM setups without complex programming.
Finally, Barco and Sennheiser discussed the shift from BYOD setups to fully integrated room systems with the launch of ClickShare Hub.
Software innovations
As the providers of the software platforms for collaboration, it would have been surprising if the major providers said nothing at ISE 2026. Zoom outlined how Zoom Spaces is evolving for more complex, AI first collaboration environments. Discussions focused on new ecosystem partnerships, scalable room support, and product innovations designed to make hybrid work smoother. These developments emphasised how Zoom is expanding beyond desktop collaboration to intelligent, flexible room systems that adapt to modern workplace needs.
With the combined influence of hardware vendors and platform providers paramount, ISE 2026 produced two outstanding conclusions. Hardware vendors are no longer competing on individual hardware
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•The EPOS IMPACT 1000 is a flagship Bluetooth headset, made for the new open office, with adaptive noise cancellation, an exceptional microphone and a comfortable design. BrainAdapt technology ensures both sides of the call stay focused for an impactful dialogue with no brain fatigue.
•The EPOS ADAPT 660 USB-C helps hybrid workers focus anywhere. Built on EPOS BrainAdapt technology, it reduces listening effort in noisy settings. Adaptive hybrid ANC monitors surroundings, adjusting the ANC accordingly for optimal concentration.
features alone- even if doing so results in a short-term advantage. In unified communications and collaboration, the shift toward room systems over individual peripherals was clear. The common takeaway was: simplify the experience; reduce integration friction; and deliver centrally managed, lifecycle-ready environments. From the integrator’s perspective, the consensus was success in 2026 won’t come from selling components; it will come from designing, integrating, and managing complete room ecosystems.
AI is sure to feature in room intelligence, audio and video optimisation, content creation, device management and in enhancing the user experience. In collaboration environments, AI enhances framing, tracking, and voice optimization. For integrators, AI is no longer a future roadmap slide, it’s part of the standard room, display, and device discussion.
•The EPOS ADAPT E1 – premium, active noise-cancelling true wireless earbuds are designed for professionals - combining UC-certified call quality with high quality music playback for all-day use.
Audio consistency matters more than ever!
As AV professionals, we understand that sound travels in waves, caused by vibrations which vary in frequency. Human speech can range from 80 Hz – 14 kHz (kilohertz). Human ears hear pitches ranging from 20 Hz – 20 kHz. In every smartphone sound is broken down, digitised, and transmitted in real-time from any device that connects to the internet.
In video conferencing, most participant audio is transmitted through VoIP (Voice over Internet Protocol). Audio quality for VoIP video conferencing is more dependent on an individual’s internet speed than, say, cell tower proximity is for a traditional phone call.
Audio quality depends on four key factors: (1) the sample rate The number of digital samples taken per second from the original analogue audio. A higher sample rate generally means higher quality audio; (2) the Bitrate, as measured in kilobits per second (kbps). Like sample rate, a higher bitrate often generates better au-
dio quality; (3) the Audio codec - the algorithms that compress and decompress digital audio; and (4) Bandwidth - maybe the most critical element for audio quality in VoIP calls and video meetings. With a faster internet speed, wideband and full band codecs are available, which provide HD audio. Even a handful of participants in a meeting, some using a cell network via their smartphone, others using laptops or other devices, and all using with varying internet speeds and providers.
Despite the inherent problems associate with reconciling these issues, use of hybrid collaboration is now so
commonplace that “video conferencing exhaustion” with is now very much a thing. Webex reports that 61% of users have experienced “video meeting fatigue”. Some 90% of users experience collaboration issues when working from home. In terms of audio, problems include, stretched bandwidth causing audio quality to suffer; reverberant sound makes the audio experience grating for everyone; crosstalk is particularly challenging for those who reluctant speakers; and, finally, background noise can completely undermine the meeting. Sound is such a core aspect of our daily work experience, whether we’re collaborating or simply making our way in the world. “Sound is tricky. It can annoy and distract as easily as it can aid. One of the virtues of sounds is that they can be detected even when attention is applied elsewhere. But this virtue is also a deficit, for sounds are often intrusive.” For remote and hybrid workers, particularly those working from home, are often tempted to compromise on their collaboration hardware. Moving away from the laptop mic to a headset, for example, can transform the meeting experience.
Optimizing the office experience
Collab AV is a specialist in the provision of end-to-end AV and collaboration services in workplaces. The company partners with small to medium-sized organisations to design, deliver, and support technology that fits the way its teams work - across offices, remote environments, and a wide range of spaces. From initial consultation through to installation, training, and ongoing support. Collaboration now happens everywhere — in open work areas, project spaces, town halls, training rooms, cafés, and across entire corporate estates. When audio quality breaks down in these spaces, the impact is amplified, not isolated.
The corporate estate is now an interconnected system of experiences, users moving between spaces throughout the day, carrying expectations shaped by what worked, or didn’t, in the last interaction. Inconsistent audio performance across the business creates friction: examples include meetings that feel effortless in one space and exhausting in another; hybrid town halls
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where remote staff feel disconnected; informal collaboration zones that discourage conversation due to noise or poor intelligibility. When audio quality works consistently, it builds trust and successful collaboration. When it doesn’t, people disengage or avoid certain spaces altogether.
Town halls, training rooms, atria, and divisible spaces place heavy demands on audio systems, with factors including varying numbers of participants, multiple use cases and hybrid participation, often at scale
Audio systems should adapt dynamically, not rely on manual reconfiguration. Cafés, breakout zones, and informal seating are increasingly used for work conversations and hybrid calls - even if they weren’t originally designed for them. Turning a blind eye doesn’t stop collaboration from happening in these impromptu spaces, it just risks a poor experience. Collab AV believes that audio consistency becomes an inclusion issue. Without a unified strategy, organisations can quickly become fragmented - with different standards, behaviours, and user experiences operating across the organisation.
Design-led environments that ignore acoustics often create the most challenging audio conditions. Visual consistency must be matched by acoustic performance. Designing audio across an entire corporate estate requires identifying strategic intent, not just technical coordination. Even before touching suitable technologies, working with stakeholders should define how collaboration should ‘feel’ across the organisation and how in-person and remote experiences should be balanced. With these parameters in mind, it is possible to assign flexible space technologies, including AI assisted noise management, automatic microphone zoning and usage analytics to optimise solution performance and plan upgrades.
The future workplace
Collab AV argues that the future workplace will be a predominantly audio experience irrespective of whether the location is corporate office or remote. The nature of the collaborative space and to the work activity will determine the nature of the appropriate technology. For many users in applications as diverse as education, business and institutions including regional and nation-
al government the answer must be that accurate and efficient communication is very important. “In modern workplaces, professionals are using digital tools and platforms to communicate, share, and co-create with colleagues, clients, and partners, like never before,” explains Steven Schmidt, VP, Global Commercial Innovation & Marketing. “Today’s workforces are reliant on these digital tools and platforms to enable successful communication, including clear calls where both sides of the conversation can be heard. Video collaboration tools have gained popularity very quickly, where high picture quality is paramount. It could be argued audio is even more important though, as if you can’t be heard then the communication is over!” EPOS offers a range of personal communication solutions, including headsets, cameras and microphones which can be used even in open plan spaces.
Schmidt continued: “Every interaction matters more than ever, whether on a video call, standard call or collaborating with a colleague. Customer and staff expectations continue to rise where everyone must remain as professional as possible. Voice pick-up is the number one factor with high quality microphones at the heart of this process. Voice authenticity is crucial for effective and effortless conversations.”
Schmidt’s views have been endorsed by a wide-ranging EPOS study and scientific whitepaper entitled: ‘The Effects of Industry Leading Voice Pick-up on Conversa-
tion Quality and Efficiency. It revealed with microphone noise reduction turned ‘on’, conversation dynamics such as turn-taking and pauses were part of a much more natural collaborative experience.
Measurable benefits
To put some flesh on the bone, measured benefits, for participants in the study, of microphone noise reduction were:
• 21% reduction in listening effort: participants reported a significant reduction in listening effort when the noise-reducing voice pick-up was activated.
• 18% reduction in concentration difficulty: participants reported a reduction in the difficulty they experienced while trying to focus on the conversation, helping them to engage more easily in the discussion.
• 9% increase in conversation efficiency: participants can better understand and predict the end of their partner’s turn speaking while simultaneously planning their own response.
EPOS’s acclaimed BrainAdapt advantage describes a group of pioneering technologies that work together to significantly improve cognitive performance. “Did you know that while we hear with our ears, we listen with our brain? At EPOS we put this principle at the heart of our product design process – an approach we call EPOS
BrainAdapt. This group of technologies work together to improve cognitive performance, minimising the amount of energy it takes your brain to process sound – leading to less brain fatigue due to less concentration and effort.”
Schmidt concluded: “It’s clear in today’s world what matters most is effective communication and being heard crisply and clearly with minimum effort. How important is your message? Users need to hear and respond in a natural way through microphones and speakers. Equally important is comfort so users can wear devices, even all day, if necessary, without even realising. Often headsets are used on video calls with a camera. They need to be discreet, seamless and fashionable in design. But overall consistent audio will firmly remain one of the most important parts of modern business communication.”
Christoph Sesseck, Sales Manager EMEA at EPOS adds: “Audio can certainly be influential in behaviour and decision making, this has been proven in several studies and is utilized in numerous vertical markets from retail to hospitality. Studies show that mood and behaviour conveyed by music are determined by musical features such as pitch, timbre, and tempo. The quality of bass delivery, for example, can drive a positive mood. Many studies have been made on this subject, and all ascertain that sound changes behaviour, be it time perception, decision making or consideration time. However, if the quality of the sound delivery is sub-standard due to poor configuration or faulty components, then the listener just thinks ‘what is that awful sound quality’ and the magic of the aural experience is lost.”
Even if the audio is only speech, a clear, intelligible and warm tone is going to harmonise with a meeting, whereas tinny, muddy or broken audio due to a poorly equalized system or the result of equipment in place which is not fit for purpose for the given space is going to bring frustration and distraction. Sesseck advises: “I would always advise anyone to listen to a system in a realistic scenario (populated space) as part of the FAT (factory acceptance test) process before any money changes hands and ensure the product vendor has a proven track record of reliability and a strong support network.”
Clear-Com powers TEDNext 2025
Clear-Com provided an advanced, IP-based communications infrastructure for TEDNext 2025, supporting production, media, and editorial teams with a highly flexible workflow built around Gen-IC virtual intercom platform, Agent-IC mobile app and Station-IC virtual desktop client including Stream Deck–based remote control. Held in Atlanta across a convention centre and adjacent hotel spaces, TEDNext welcomed more than 1,200 attendees. The event required a communications solution that would support multiple user roles and allow staff to remain connected while constantly on the move. Clear-Com’s hybrid hardware-and-software approach helped the TED production team maintain consistent, real-time communication across all locations. At the centre of the system was Arcadia Central Station, interfacing with FreeSpeak II and FreeSpeak Icon beltpacks, LQ IP interfaces, and a Gen-IC host supporting both Agent-IC and Station-IC users. This architecture allowed TED to blend traditional intercom hardware with virtual endpoints on laptops and mobile devices. Using smartphones and laptops, TED Producers were able to roam between the convention centre floor, backstage areas, and hotel breakout rooms while maintaining full access to the intercom system. “Agent-IC gave our producers the freedom to move wherever they were needed without losing comms,” said Emily Thomas, Producer at TED. “It felt like having a wireless beltpack that could go anywhere, which was especially important given how spread out the event was.”
In TED’s Media Cave, Station-IC played an essential role in providing dedicated intercom access to editorial and digital teams who had not previously been tied into the production comms system. “For the first time, our Media Cave team was directly connected to the directors and production staff,” said Eric Mueller, Senior Video Engineer at TED. “In the past, we relied on Slack for coordination. Having Station-IC made us feel fully integrated into the show flow, and it significantly improved our response time.”
Station-IC users paired the software with Stream Deck controllers, giving them quick, tactile access to talk keys
and channel selection. The combination allowed staff to operate efficiently without navigating on-screen controls during fast-paced moments. “TEDNext is a perfect example of where virtual intercom really shines,” said Sarah Koehler, Applications Engineer at Clear-Com. “The team needed to communicate across multiple buildings, levels, and roles, and Gen-IC made it possible to extend the intercom system far beyond the main control areas without adding physical infrastructure.”
Clear-Com provided an advanced, IP-based communications infrastructure
infrastructure for TEDNext 2025.
Meyer Sound amplifies the experience
The Eighth Rule is a speakeasy and social dining experience hidden inside The Westin St. Francis hotel in San Francisco, CA. Created by the Golden State Warriors’ Stephen Curry in partnership with The MINA Group, the intimate venue was built for elevated cocktails, conversation, and lingering. A Meyer Sound system completes the experience, matching the room’s meticulous attention to detail and atmosphere. Operating as a modern speakeasy, tucked behind an unmarked door off Union Square, the 40-seat space takes its name from bourbon’s seven official production rules, inviting guests to “create their own Eighth Rule” through the ritual of
drinking and gathering. Warm wood finishes, a curved ceiling, and plush leather seating define the visual atmosphere. For ownership and design partners, the sound system needed to be just as considered: present enough to shape the room, discreet enough to let the experience lead.
Providence SAV (Sound and Vision) served as project integrator. The Eighth Rule called for a low-profile sound system that could support the bar’s role as an intimate bourbon lounge while offering enough headroom for high-energy hosted events. For Providence SAV founder and CEO Jeff Ehrenberg, whose background spans high-end recording studios and hospitality projects, that approach aligns with his broader mission to bring premium sound into restaurants and bars. “In so many restaurants, the interiors are stunning and the food is incredible, but the sound is sometimes an afterthought,” Ehrenberg says. “They’ll spend tens of thousands on design and then have their low-voltage contractor hang a few speakers. “I’ve been a fan of Meyer Sound for decades,” he adds. “When I first started doing live sound in the Bay Area in the nineties, stepping up to Meyer Sound from the typical P.A. speakers at that time made a huge impression on me. It showed me what the next level of sound could be.”
For the Eighth Rule, Providence Sound collaborated with Meyer Sound’s Daniel Rivera and Tom Dalske, who modelled the space in the MAPP 3D system design and prediction tool. The goal was to achieve even coverage and musical clarity throughout the room, with special attention to the transition between seating levels. The system comprises 14 UP-4slim ultracompact installation loudspeakers and three USW-112P compact subwoofers, powered by two MPS-488X power supplies and processed by the Galileo GALAXY 408 Network Platform. “For The Eighth Rule, the UP-4slim and 112 made sense,” Ehrenberg explains. “The space is under fifty seats, so having something compact that could handle the sound we needed without drawing attention was ideal.”
The bar’s architecture created both a challenge and an opportunity for sound system design. Guests enter
into a lower seating area, with three steps leading up to an upper level; both zones needed to feel sonically unified while still allowing for control. As a speakeasy, the space depends on clear conversation at close range, making zone coherence an acoustic priority. “Tom tuned it so the transition between the two feels seamless, which keeps the room cohesive as you move through it,” says Ehrenberg. Most nights it’s about setting a vibe for cocktails and conversation, but when you turn it up it’s club level without hurting your ears.” The room’s interior finishes also contribute to acoustic management by naturally diffusing reflections and minimizing low-frequency buildup. From the venue side, the sound system is seen as an integral part of the concept rather than an add-on. “The Eighth Rule was designed as an intimate space for people to savor exceptional bourbon, food, and conversation. Details matter here, and the sound system is part of that experience,” says Cori Tahara, VP of Development for The MINA Group. “The Meyer Sound installation helps the room feel relaxed and inviting, even as the energy builds throughout the night.”
For Ehrenberg, projects like The Eighth Rule underscore a broader shift in how hospitality operators think about audio. “In hospitality, you stimulate so many senses—taste, smell, presentation, interior design—but hearing often gets neglected,” he says. “When the sound is right, it elevates everything else. Guests relax and are more open to the whole experience.”
New display transforms flagship event space
Three Christie Jazz Series 1DLP laser projectors power a 15-metre-long (49-foot) by 2.8-meter-tall (9.2-foot) display at the Building Centre in London. Jazz Series 4K1600-JS projectors illuminate the L-shaped screen, which offers an engaging backdrop for presentations, product launches, film screenings, and brand storytelling at the hub’s main gallery area. The project, a collaboration between ARC Audio Visual & IT Solutions Limited (ARC), distributor Audio Visual Material (AVM), and Christie, was completed in just eight weeks to meet a tight deadline.
The Building Centre’s main event space, a hub for exhibitions and industry gatherings of up to 350 guests, presented a unique set of requirements due to its size, architectural features, and the diverse nature of events it hosts. The installation posed several challenges, including strong natural light from large windows and the logistical complexities of installing advanced AV technology in a busy, historic venue. The Building Centre required a solution to replace a single projector set-up, and it had to deliver exceptional image clarity, brightness, and reliability, while also offering flexibility for a wide range of uses. It needed to support everything from technical CAD walkthroughs and architectural presentations to dynamic video content and live event streaming. Ease of use and remote administration were
also priorities, enabling the Building Centre’s in-house team to manage content and AV operations confidently, regardless of the event’s complexity.
The system was designed, supplied, and installed by ARC, with its consultancy, project management, engineering teams, and trainers overseeing the post installation works. Christie assisted with both the pre-sales meetings, explaining the technical nuances to the client, and was on-site to oversee the final commissioning of the projectors. Since launch, the new display, which spans two walls of the exhibition space with a 90-degree corner, has been used for a series of presentations, showcases, and design-led events. “From consultation to completion, the solution not only met but exceeded the client’s expectations,” says Ralph Ellingham, Managing Director at ARC. “We have worked with Christie, via AVM, for 20 years and they are our go-to partner on projects requiring high-end projection. Post-installation, our focus on thorough handover, user training, and user uptake meant the system was well received, and feedback since launch has been consistently positive. We have found Christie units to be extremely reliable and competitively priced, which are two of the biggest decision factors, but when one adds their pre and post sales support into the mix, it makes the choice of supplier an easy one.”
The Eighth Rule is a speakeasy and social dining experience hidden
CA.
“I’m incredibly proud of how the team came together to deliver this project,” says Danielle Williams, commercial director at AVM. “Completing such a complex upgrade within just eight weeks was no small feat, but the collaboration between AVM, Christie, and ARC ensured everything was delivered on time and to an exceptional standard.” The Building Centre is now the UK’s only venue with dedicated 4K ultra-high-resolution screens for the built environment sector, supporting its mission to inspire, connect, and empower people to improve the quality of our built environment.
“We are pleased with the new technology, and proud to offer the UK’s only dedicated immersive screens for the built environment, making our exhibitions even more accessible to a diverse audience. Likewise, our venue hire clients have been impressed with the screen’s versatility for storytelling and to showcase their brand so effectively within our centre,” says Dr Ben Hounsell, the Building Centre. Christie Jazz Series 4K1600-JS projectors deliver 16,600 lumens of brightness from a small chassis weighing less than 65lbs (30kg). Texas Instruments’ 0.8” HEP DMD and optical design give enhanced colour, contrast, and a more efficient cooling system design.
Mundo Pixar Experience now open in London
The ‘global phenomenon’ Mundo Pixar Experience has officially opened in London, bringing the largest immersive Pixar exhibition on Earth to the UK for the first time. Now open in a spectacular purpose-built venue in Wembley Park, this landmark attraction invites families, film fans and Pixar lovers of all ages to step inside the movies that have shaped generations. The exhibition spans more than 3,500 square metres, and features 14 Pixar universes including over 25 sculptures, inviting guests to explore meticulously recreated environments from ‘Toy Story’, ‘Monsters, Inc.’, ‘Cars’, ‘Finding Nemo’, ‘Inside Out’, ‘Coco’, ‘Up’, and many more fan favourites. Each space combines detailed set design, ambient music, and specially crafted scents to immerse visitors in Pixar’s most beloved stories.
Visitors can shrink down to toy size in Andy’s Room from ‘Toy Story’, explore the Scare Floor at ‘Monsters, Inc.’ with Mike and Sulley, race into Flo’s Café from ‘Cars’ to meet Lightning McQueen, or soar through the skies with Carl Fredricksen from ‘Up’. They can also visit the Headquarters of Riley’s emotions from ‘Inside Out 2’, and journey from ‘’Coco” Land of the Living to the Land of the Dead. The London exhibition also introduces a never-before-seen environment: Sunnyside Daycare from ‘Toy Story 3,’featuring beloved characters such as Jessie, Lotso, and the Aliens. The experience will also showcase additional characters appearing for the first time, including Dory from ‘Finding Nemo’ and Tow Mater from ‘Cars’.
The ‘global phenomenon’ Mundo Pixar Experience has officially opened in London, bringing the largest immersive Pixar exhibition on Earth to the UK for the first time.
hidden inside The Westin St. Francis hotel in San Francisco,
Already proving a huge hit, the first few weeks of the London exhibition have already sold out. Mundo Pixar Experience runs from now until June and is open every day except Tuesdays. Daily time slots begin at either 9am or 10am (depending on the date) and run until 7pm. During UK school holidays, the exhibition is open daily, including Tuesdays. Beyond the immersive sets, guests can take part in a special Pixar Ball Treasure Hunt, searching for the famous yellow ball with a red star hidden throughout the exhibition — a playful nod to the beloved Easter egg that appears in many Pixar films. Mundo Pixar Experience is accessible for visitors with motor, hearing, visual, and neurodivergent disabilities, ensuring that everyone can share in the creativity and joy of Pixar’s storytelling. This trailblazing exhibition is a heartfelt journey through 40 years of imagination, emotion, and innovation - celebrating the timeless stories that continue to inspire children, families, and fans around the world. The exhibition is curated by Pixar Animation Studios, produced by Golden Peak in collaboration with Proactiv Entertainment promoted by RG Live, Senbla, and Luna.
Cutting-edge tech and Cotswolds wellness converge
Tateside designs and installs audio, video and lighting solutions across several health and wellness spaces at Cotswold retreat. Soho Farmhouse is a luxurious countryside retreat located in the idyllic Cotswolds, part of the exclusive Soho House collection. Offering a blend of rustic charm and modern comfort, it provides a peaceful escape for members. The Farmhouse features cosy cottages, a spa, a farm-to-table restaurant and a range of outdoor activities, making it a sanctuary for those looking to unwind and connect with like-minded individuals.
London-based integrators Tateside have a long-standing relationship with Soho House and led the recent integration of new AVL systems across both the health and wellbeing areas and the tennis and padel facilities. “We’re proud to be a preferred technology partner for
Soho Farmhouse is a luxurious countryside retreat located in the idyllic a blend of rustic charm and modern comfort, it provides a peaceful
Soho House, and Soho Farmhouse is a brilliant site to work on,” says Joby Morris, Project Manager at Tateside. “The project was a mix of upgrading AV in several existing spaces, and whole new fitouts in other areas. The first part of the work was on the health and wellbeing zone, which required a whole new AV system following renovation works. Secondly, the newly installed tennis and padel courts called for the integration of a new audio solution for both the courts and an adjacent outside terrace area.
As with any Soho House project, high-end interiors and a luxury feel to fixtures and fittings were essential. The AV system, which spans from custom digital signage through to bespoke LED lighting, was designed, planned and installed by the Tateside team. The AV system in the Boathouse wellbeing area is designed to provide consistent audio experiences across multiple zones. In both the indoor and outdoor pool areas, Bowers and Wilkins AM1 loudspeakers deliver high-quality full-range sound, specifically chosen for their weatherproof capabilities. The sauna and steam room are equipped with Sonance VPXT6R in-ceiling loudspeak-
ers, designed to withstand high temperatures. The changing rooms are fitted with further Bowers and Wilkins in-ceiling loudspeakers. All audio zones are powered by a QSYS Core backend, which handles audio distribution and control. The system is controlled via Attero Tech Axon C1 wall plates, enabling zoned control over the network. Amplification is provided by Powersoft Unica amps, ensuring performance and reliability. The most technically rewarding part of the project was the integration of performance audio and dynamic LED lighting in the Soho Farmhouse spin studio. Installed within ceiling-suspended aluminium profiles above the riders and low-level plinths, the lighting effects have been designed to create a fully immersive experience for the spin studio guests.
The LED lighting is controlled via MADRIX, allowing for sophisticated effects that can be adjusted to fit the rhythm and energy of the session. Instructors at the front of the room have quick access to the lighting effects via a Stream Deck controller, pre-programmed by Tateside with different modes that can be quickly switched between during rides. The spin studio also
features a high-performance audio setup from Martin Audio and two 75” Samsung screens. “We’re particularly proud of the bespoke work that went into creating the spin studio,” explains Morris. “All LED elements were commissioned and programmed offsite, to ensure efficient installation, and the result is a customisable lighting experience that is easy for instructors to control.”
The wellbeing journey continues at the newly built Wellness Barn area, which encompasses two studios and a recovery room, plus a reception area. The studios, dedicated to Yoga and Pilates, are divisible, meaning they can be opened out into one larger space, depending on class size. The AV setup in these studios is thoughtfully designed for flexibility and ease of use, with Martin Audio loudspeakers discreetly integrated into the studio joinery for a fittingly minimal aesthetic and a hidden projection system. The studios are divided by a collapsible wall, which can be opened or closed. Q-SYS handles the connection between the two rooms, with modes selected through an iPad touchscreen.
Whilst the wellbeing areas were nearing completion, a new area, dedicated to racket sports, also required integration from the Tateside team. Faced with a short timescale as opening day approached, the team worked with the client to design and implement the system quickly and efficiently. Audio only, the scope required sound systems across several covered tennis and padel courts, and an outside terrace and bar area. For the courts, a steel framework allowed for the mounting of Bowers & Wilkins AM1s to pillars, four units per court, to provide background audio during matches. The terrace and outdoor bar area, complete with a DJ booth, was installed with two Martin Audio CDD8s and an Audac ultra-compact 10 architectural infrasubwoofer, which is cleverly recessed into the side of the building for low-end extension. From laid-back sauna sessions to padel court competitions, Tateside’s integration of audio, video and lighting technology throughout the various zones has equipped Soho Farmhouse with the tools to create unforgettable wellbeing experiences for its clientele.
University of Birmingham future-proofs itscampus learning experience
The University of Birmingham is one of the UK’s largest universities with almost 30,000 students in attendance. As with many established universities, it faced the challenge of how to modernize its diverse estate to meet the contemporary learning-styles that have arisen in recent years. Student expectations around audiovisual technology have changed and the University of Birmingham’s LRAT / Libraries and Learning Resources inhouse AV team worked with GVAV, its longstanding
idyllic Cotswolds, part of the exclusive Soho House collection. Offering escape for members.
integration partner, to upgrade dated equipment over the Summer of 2025.
Conceived as a campus-wide initiative to be carried out over the long-term, the university team initially sought to upgrade several key learning spaces which could quickly benefit from moving beyond the constraints of legacy equipment to create truly flexible, high-impact environments for both students and lecturers. “Some of our older rooms were saddled with dim, non-interactive projection systems and related connectivity issues. Lecturers had become reluctant to use the technology, and students could find the group-work experience frustrating. Our goal was simple: to improve the visual and learning experience for all. A big help in this respect was our use of a broad range of Avocor displays.” - James Ball, LRAT - AV Designer and Project Lead.
Avocor was deployed across several distinct teaching environments, each with a specific learning goal and technology configuration. SportEx LT1 is one of the university’s flagship lecture theaters and is used for largescale lecturing, sports performance and biometric analysis. It also has the potential to be a revenue-generator once it is made available for commercial hire. However, the room suffered from a legacy issue: it relied on a dual projection setup, which on occasions resulted in an image that was difficult to view clearly from the back rows of the large lecture theatre. To address this issue, as part of the AV upgrade, the room was fitted with an Avocor X Series dvLED display. The X Series was chosen specifically over a standard projector wall or LCD videowall for its superior brightness and contrast. This ensures content can be viewed effortlessly and clearly by every person in the room, even those seated at the very back. The high-resolution, high-contrast wall serves as a central focal point, displaying content with unparalleled visual clarity - for sports analysis work, clarity and zero latency are non-negotiable.
The Avocor dvLED provided the brightness and the visual scale that simply couldn’t be achieved with a standard projection system, making it a truly immersive experience for our students. Opting for the X Series also provided a significant logistical advantage during the installation. Projection is notoriously expensive and time-consuming to install due to the requirement for specialist scaffolding. The X Series install was much quicker, delivered to site by Avocor, streamlining the process for GVAV. To maximize adoption, the system was designed for simplicity, and the control panel layouts are intuitively designed, ensuring lecturers can operate the powerful new system with minimal training.
The project also completely redesigned key spaces Muirhead 112 (featuring 55” K Series displays) and Y3 G28 (with 55” K Series displays) to move away from traditional lecture-style seating. These rooms were re-envisioned as highly flexible “collaboration pods,” specifically tailored to facilitate and enhance smallgroup active learning. Students can connect their personal devices, laptops or tablets to the Avocor K Series 55” displays enabling immediate collaboration. The
system also provides the lecturer with effortless monitoring and control over all screens. This capability allows them to quickly share a central content source to all pods simultaneously.
The K Series was selected for its blend of performance and form factor to enable seamless group collaboration. In further teaching environments, Muirhead 109 and 118, the team implemented a dual-display configuration to support the dynamic requirements of hybrid teaching. A large 98” K Series display is expertly paired with a second, smaller 65” K Series screen. This setup dedicates the primary 98” screen to displaying core
Brandi Carlile’s custom gold Spectera SKM handheld transmitters with Simon).
flexible, impactful spaces that empower both students and lecturers. This collaborative approach ensured every installation was not only technically robust but also aligned with the university’s vision for modern, engaging education. The result is a series of innovative learning spaces that exemplify best practice in AV integration, demonstrating that with the right partnership and technology, ambitious goals can be realized and lasting success achieved.
Sennheiser Spectera handheld makes broadcast debut
As the Seattle Seahawks and New England Patriots faced off in the NFL’s biggest sporting event of the season, Sennheiser wireless solutions played a pivotal role in delivering pristine live audio throughout the Super Bowl LX broadcast. Brandi Carlile’s powerful rendition of “America the Beautiful” during the pre-game show marked the sparkling debut of a prototype Spectera SKM handheld, while the Apple Music Halftime Show brought memorable guest performances on the proven Sennheiser Digital 6000 wireless system by Lady Gaga and Ricky Martin. Spectera is the world’s first wideband, bidirectional digital wireless ecosystem, enabling simultaneous audio transmission, system control, and monitoring within a single RF channel. It allows up to 64 channels (32 in/32 out) of simultaneous audio transmission, monitoring, and control within a single rack unit, significantly reducing RF complexity and improving stability.
Carlile’s performance featured a custom gold Spectera SKM handheld prototype and Neumann KK 205 microphone capsule, operating at an unmatched 1 millisecond (ms) latency with 96-kilohertz (kHz) audio resolution. The Spectera system’s ultra-low latency and high-definition signal path ensured exceptional vocal clarity and immediacy across the stadium and broadcast feed. The star-studded halftime show, led by Bad Bunny, featured dazzling guest performances by Lady Gaga and Ricky Martin, each using custom-finished Sennheiser Digital 6000 handheld transmitters, white for Gaga and silver for Martin. Their wireless microphones delivered the consistency, transparency, and reliability trusted by top-tier artists on the world’s biggest stages.
teaching content, such as slides, digital whiteboards, or lecture materials. The secondary 65” screen can mirror the content on the 98” screen or can be used independently for group work.
The University of Birmingham’s campus-wide AV transformation stands as a testament to what can be achieved when an integrator partner like GVAV works in close partnership with the client team (LRAT), truly understanding their needs and aspirations. By leveraging Avocor’s versatile range of high-quality display solutions, each tailored to the unique requirements of specific learning environments, the project has delivered
Across the event, seven Sennheiser wireless microphones and nine stereo in-ear systems operated using just 6 MHz of RF spectrum total, highlighting Spectera and Digital 6000’s exceptional spectral efficiency in one of live audio’s most congested RF environments. Jerry Streeter, monitor engineer for Brandi Carlile shares, “the clarity and stability were what stood out right away, there is no audible compression, the top end stays smooth on wedges, and the in-ears sound incredibly open. From an RF perspective, getting all that performance on a single TV channel is a game changer.”
The path to the Spectera handheld transmitter’s Super Bowl LX debut began last year, when RF engineer Cam-
with the Neumann KK 205 microphone capsule. (hoto credit: Greg
eron Stuckey collaborated with Sennheiser on the ambitious New York theatre production Masquerade, where early Spectera in-ear monitoring systems demonstrated reliable, high-channel-count wireless performance in an exceptionally challenging RF environment. When Stuckey was later named RF engineer for Super Bowl LX, that experience sparked discussions about whether Spectera could meet the unprecedented technical demands of the event. “My comfort with Spectera came from deploying it on Masquerade, an immersive theatre production spanning six floors and 13 performance spaces in the middle of New York City,” said Cameron Stuckey, RF engineer for Super Bowl LX. “That project required high-density, bidirectional wireless in a complex structure environment, utilizing every feature of Spectera – device capacity, multi-zone operation, modulation diversity. It was the best demonstration of the system’s stability. Knowing the Sennheiser team was as committed to perfection as I was meant it was ready for any production.”
A key factor in bringing the Spectera handheld to the Big Game was the support of Sean Quackenbush, Brandi Carlile’s longtime front of house engineer, and her monitor engineer, Jerry Streeter, who have relied on Sennheiser and Neumann vocal solutions across Carlile’s live performances for many years. In preparation for the pre-game show, Quackenbush evaluated the Spectera handheld transmitter prototype alongside his preferred Neumann KK 205 capsule and quickly recognized the system’s sonic advantages. “As a front-of-house engineer, the biggest thing for me is when I don’t have to work on a vocal mic to make it sound right,” said Quackenbush. “With Spectera, what I heard right away was how musical it was. The proximity effect felt natural, not exaggerated, and for the first time with a wireless handheld you’re really hearing the Neumann capsule itself. It has that German studio quality you expect in a controlled environment, but we were hearing it live, wirelessly, in a stadium. Once we heard that immediacy and clarity, it was hard to imagine going back.” Quackenbush continued, “once we heard it come up in the stadium, it was one of those moments where you just know. The vocal felt incredibly stable at high volume, and I barely had to touch EQ. It sounded fantastic in that space. There’s nothing quite like it, and I’m fortunate that I get to push the fader up on it.”
In the weeks leading up to the Big Game, Stuckey and
Quackenbush worked closely with Sennheiser to prepare a custom prototype Spectera handheld transmitter for the broadcast. To ensure seamless coverage through rehearsals and the live broadcast, the production team deployed three Sennheiser DAD antennas covering the stadium bowl, with an additional DAD antenna supporting backstage and preparation areas, “Spectera allows us to deploy antenna systems in a fraction of the time that coax-based narrowband systems require to get right,” Stuckey said. “Instead of compensating for lossy links or RF-Over-Fiber conversion artifacts, we define the coverage area, place the DAD antennas, and plug it in. Spectrum selection is the challenge of large events like Super Bowl. Having such a wide tuning range and access to 1G4 spectrum means that Spectera can be used on any show, regardless of size.” The broadcast debut of the Spectera handheld transmitter during Super Bowl LX highlighted Sennheiser’s next-generation wireless innovation, delivering pristine audio, ultra-low latency, and exceptional efficiency on one of the mostwatched live broadcasts of the year.
LEA amplifiers immerse audiences at the historic Cherry
Lane Theatre
The Cherry Lane Theatre is the oldest continuously running off-Broadway theatre in New York City. The building was constructed as a farm silo in 1817, and also served as a brewery, tobacco warehouse, and box
factory before being converted into a theatre and christened the Cherry Lane Playhouse. First opened in 1923, the 167-seat theatre has long been a home for nontraditional and experimental works. The theatre was acquired by an independent entertainment company in 2022. The new owners wanted to extensively renovate the theatre with updates to the technical equipment, new seating, a newly installed film projector and screen, and an upgraded lobby. The goal was to blend Cherry Lane’s rich theatrical legacy with cutting-edge technology, offering a premier venue for both film screenings and live performances with a full-service restaurant and bar in the lobby.
They contacted Francois Godfrey, President and COO at Moving iMage Technologies, to facilitate the AV upgrades. “Management at the theatre was very clear that every element had to be carefully selected to enhance both cinema and live performances,” said Godfrey. “When we were considering amplifiers, LEA’s Cinema Digital Series were at the top of the list.” The LEA Cinema Digital Series is a line of IoT-enabled power amplifiers designed especially for cinema applications of all sizes. Introduced in 2024, the series comprises models with two or four channels, offering power ranging from 350 watts to 1,500 watts per channel, depending on the model. All models can integrate with the Dolby Cinema Processor CP950 and include AES67 primary and secondary inputs, analogue backup inputs, and the ability to accept AES67 feeds di-
rectly from a CP950 without requiring additional hardware, ensuring superior connectivity and flexibility at lower system costs.
Moving iMage Technologies installed Cinema Digital Series 704 amplifiers to power the historic theatre. The 4-channel CDS704 provides 700 watts per channel, supports Hi-Z (70V or 100V) and Lo-Z selectable by channel, and features Smart Power Bridge technology. For flexibility in networked installations, the CDS704 provides three modes of connectivity: wired Ethernet, venue Wi-Fi, or a built-in Wi-Fi access point. In addition, the CDS704 features advanced DSP, including 96kHz linear-phase FIR crossover filters, acoustically transparent look-ahead RMS and peak limiters, and 32-bit floating-point DSP with built-in sample rate converters.
LEA amplifiers were the first to feature cloud connectivity - a revolutionary advancement and a significant benefit for anyone maintaining AV systems. With LEA Cloud, AV companies like Moving iMage Technologies can remotely control and monitor amplifiers from anywhere, at any time, and with no subscription model or hidden costs. It’s completely free to use. Moving iMage Technologies’ expertise in state-of-the-art out-of-home entertainment environments is evident in the sophisticated design of the venue. The custom engineering approach includes a motorized Stewart Screen and QSC Speaker Lift system that transitions between film and performance configurations. The immersive audio system, featuring the APX AuroMax processor, and premium camera systems for live streaming, further enhance the venue’s capabilities.
The Cherry Lane Theatre re-opened in September 2025 to great acclaim, hosting a week of one-night-only special performances, which were capped off with a block party. Fan interest in the theatre is high, as all performances were sold out. “We were thrilled to help transform Cherry Lane into a top-tier destination for film lovers and performing arts audiences,” said Godfrey. “LEA’s Cinema Digital Series is a perfect fit for theatres of all sizes and immerses moviegoers in lush audio like never before.”
Institut Pasteur injects new sustainable display capabilities inside Paris HQ
PPDS has announced that its Tableaux ePaper and 3000 Series EcoDesign digital signage displays have been selected to deliver a perfect tonic of high performance, low energy visual capabilities to Institut Pasteur’s 538,000 ft² biomedical research campus in Paris. Founded by Louis Pasteur in 1887, the Institut Pasteur is an internationally acclaimed not for profit research and education institute committed to the fight against infectious diseases in France and around the world. A recipient of 10 Nobel Prizes and employing over 3,000 staff, the Institut’s colossal five-hectare campus features 39 separate buildings, including a conference centre, and a total of 48,000 m2 of laboratory space.
With such a vast campus and visual technology playing an increasingly important role in its day to day activities and communications, Institut Pasteur’s AV/IT management team sought to modernise its ageing display infrastructure. Concluding an extensive site review, the project would include a fleet of 20x dynamic displays, strategically placed to support a variety of needs, settings, and light environments, including reception halls, meeting rooms, laboratories, and more. The project presented a number unique challenges. As a site of historical significance – containing several listed buildings – retaining the aesthetics during any modernisation, while ensuring minimal disruptions to staff, was imperative. Furthermore, displays would need to meet the Institut Pasteur’s strict standards for electrical safety and durability, while providing greater energy efficiency to reduce its carbon footprint.
Romain Gentile, Key Account Manager at PPDS, commented: “Performance, readability, and energy efficiency were all key, with the displays disseminating scientific, institutional, and logistical information. For Institut Pasteur, and the invaluable work they do, there can be absolutely no compromise.” Working with AV/IT integration specialists, Exaprobe, PPDS’ multi award winning ‘zero power’ 32” Philips Tableaux ePaper and 55” Philips Signage 3000 Series EcoDesign displays were
immediately identified as the only solutions capable of meeting – and ultimately surpassing – the Institut’s high expectations. Signalling a new era of visual communications and sustainability, the introduction of Philips Tableaux ePaper displays was selected primarily – but not exclusively – to provide wayfinding information, such as mapping, campus information, and other instructions, to help visitors navigate around the site.
Fully portable and able to be used entirely unplugged – ideal for use in Institut’s older buildings and in spaces with limited power sources – each Philips Tableaux is capable of displaying full colour, static imagery for days, weeks, months, or even years without using a single kilowatt of energy. The only time Philips Tableaux displays require power is during content updates, with one image change using just 0.0025 kWh. For the institute’s more advanced and detailed visual needs on a grander scale, including for presentations, corporate videos, and other internal communications, the future proof Philips Signage 3000 Series EcoDesign was the standout choice, ticking all boxes for both performance and sustainability.
In addition to delivering high impact 4K Ultra HD visual quality, with picture perfect performance down to the
smallest detail – be that videos, pictures or numbers –the Philips Signage 3000 Series EcoDesign enables the screens to use less than 50 per cent of the power compared to other digital signage models in the market, without compromising on performance. The Philips Signage 3000 Series EcoDesign display is also the industry’s first EPEAT Climate+ Gold certified display of its kind, which measures the social and environmental impacts of products from extraction to end of life. The Philips Signage 3000 EcoDesign meets the most demanding set of criteria for sustainability leadership in electronics.
Both the Philips Tableaux and Philips Signage 3000 Series EcoDesign are also members of PPDS’ growing portfolio of integrated Android SoC displays, offering a vast range of features and benefits, including secure and seamless remote management capabilities with trusted partners. Enabling centralised management of the new fleet, PPDS partner, Telelogos’ Media4Display solution was selected and integrated, providing roundthe-clock monitoring and management. This also allows the Pasteur technical team to schedule content in real time without having to travel or manually update, further reducing their carbon footprint and costs. The full integration proceeded successfully and without
disrupting research activities. Connectivity and content management tests were carried out on site, ensuring a seamless transition. Franck Fromet, AV Manager, Institut Pasteur, commented: “The integration of our new Philips Professional Displays has enabled us to modernise our communication while respecting our environmental commitment. The PPDS teams understood our constraints and proposed a solution that is understated, elegant, and effective.” Romain Gentile concluded: “The Institut Pasteur now benefits from a modern, sustainable display system that is fully adapted to its scientific environment. Information is disseminated more effectively, content is updated instantly, and energy consumption has been significantly reduced.”
Electrosonic brings the Great War to life
AV Stumpfl’s real-time PIXERA media server platform is the mainstay of a recent technological refresh of the National WWI Museum and Memorial in Kansas City, Missouri, designed and integrated by Electrosonic, an award-winning audiovisual and technology services company. Helping to support the National WWI Museum and Memorial’s goal of engaging visitors with different learning styles, PIXERA distributes and synchronises media across the museum’s upgraded spaces, including theatres, multiple galleries and, most strikingly, Encounters – a new, deeply personal experience that introduces visitors to 16 first-person wartime stories. At the heart of the project, ‘Encounters’ presents four alcoves where visitors step into illuminated markers that discreetly trigger life-size characters, based on real First World War personalities, as they enter the frame. Each story unfolds through a tightly choreographed interplay of visuals and sound, provided by 1.25mm Nanolumens LED displays, which deliver the on-screen characters; spatial audio by HOLOPLOT, which envelops each guest in sound without spilling into neighbouring alcoves; and concealed Christie Inspire Series projectors, which cast a forward portal shadow that turns the
APPLICATION
2D image into a striking 3D illusion on the floor. The backbone of the installation takes the form of three PIXERA media servers (2 × PIXERA two and 1 × PIXERA zero Dual), which sequence the sensor events and media so that as one character exits, another arrives, maintaining the rhythm and intimacy between each encounter.
This responsive choreography, from the moment a shadow appears overhead to subtle movement on the tiled floor and the character’s arrival in frame, is orchestrated by the PIXERA engine, which ensures reliable, repeatable timing across all four portals while preserving the exhibit’s sense of spontaneity and humanity. Beyond Encounters, PIXERA underpins content playback and synchronisation throughout the Museum and Memorial. In the Kemper Horizons Theatre, projection and a dramatic diorama convey the brutal conditions of trench warfare, while the Battlescapes experience surrounds visitors with multiple edge-blended projections to place them in a “crater” amid a chaotic artillery bombardment. Four PIXERA two servers and one PIXERA Control Core are used for these non-Encounters experiences.
Leveraging its integration with the ISAAC AV workflow platform, PIXERA ties these multi-space experiences together and streamlines operations for the museum’s AV team. “PIXERA processors are used to blend the Christie projectors – a seamless integration we’ve used in several locations,” elaborates Chris Johnson, vice-president of sales for Electrosonic. “With so much happening within the museum, they have to have the ability to handle all that complexity, and they’re more than capable of doing so.” Speaking about the AV Stumpfl USA team’s involvement in the project, Johnson adds: “When we started thinking about designing this project, PIXERA came right into mind as our media server partner. They visited the National WWI Museum with us throughout the design process and helped us come to which products we needed to achieve our goals.” The refresh, delivered while the museum remained opened, marks the latest phase in a long-standing partnership between the National WWI Museum and Memorial and Electrosonic, reflecting the museum’s desire to blend the technology into the background in favour of letting the human stories take centre stage. Other collaborators on the project included Dot Crew (media design and production), Technical Artistry (lighting) and JE Dunn (fabrication).
L-Acoustics L2 delivers for Radiohead
When Radiohead announced their first tour in seven years, the Oxford quintet made a bold choice: rather than the traditional end-stage setup, they would perform in the round on a small circular stage at the centre of each arena. The decision reflected the band’s commitment to creating a more intimate connection with audiences despite playing some of the largest venues in Europe. The results exceeded expectations. At London’s O2 Arena in late November, where Radiohead performed four sold-out shows, they broke the venue’s attendance record night after night. The final show drew 22,355 people - a new high-water mark for the iconic venue and a testament to both the band’s enduring appeal and the production team’s ability to deliver exceptional sound to every seat.
To meet the demanding requirements of the in-theround configuration—including a dynamic 360-degree LED screen floating above the stage that could transform from a decagon to a star shape while spinning -
L-Acoustics Certified Partner Britannia Row Productions and FOH engineer Simon Hodge deployed a comprehensive L-Acoustics L Series system. Hodge, who has worked with Thom Yorke and Jonny Greenwood since 2020 on their project The Smile, was among the first engineers to take L2 on tour. His experience with the system during The Smile’s 2024 tour convinced him it was the right choice for Radiohead’s more ambitious production. “I was struck by the directionality of L2 and how controlled the low mid is due to the continuous baffle,” Hodge explains. “But equally important was efficiency. It’s a relatively small number of lightweight boxes, which makes it incredibly efficient in terms of production resources and easy to load in and out.”
This efficiency was critical. The arrays were installed in the very centre of every venue, requiring careful rigging considerations. The tight timelines - with cable bridges running from FOH to the centre of the arena and PA load-in typically starting at 6:00 AM - demanded a system that could be deployed quickly and reliably. “The creative designs for this tour started over a year ago and
involved considerable planning”. Hodge continues: “The geometry for audio coverage was particularly demanding. We needed a system that could deliver consistent coverage while minimizing interference with the visual production and accommodating audiences on all sides of the stage at various elevations.”
Working with production designer Josh Loyd, Hodge’s final design consisted of eight hangs of three L2 and one L2D positioned at the corners of a square containing the circular stage, providing consistent 360-degree coverage. A total of 12 A10 Wide provided front-fill coverage. The low-frequency system involved 32 KS28 subwoofers flown centrally on a custom-made cart that handled all cable management, amplified controllers, and rigging, supplemented by 24 ground-stacked KS21 subwoofers. The system was powered by 37 LA7.16 and 13 LA12X amplified controller. All L2 arrays were deployed in super cardioid mode, with Panflex horizontal coverage angles carefully adjusted to avoid exciting reflective surfaces in each room. For larger venues, small Kara II delays brought back high frequency in the top rows. The extended vertical coverage of L2D proved essential for reaching front rows without sight-line interference from the dynamic LED installation. “Thanks to the excellent off-axis response of L2, we achieved great coverage everywhere,” Hodge notes. The centralised KS28 deployment created coherent low-end response throughout each venue while keeping the stage remarkably quiet - a critical factor for the band’s performance.
L-Acoustics Soundvision software was vital during the design phase. “With the latest updates modelling the TM array, dispersion became extremely easy and fast,” says Hodge. “We were able to evaluate the need for delays, correctly aim arrays based on seating geometry, and align front-fills and delays beforehand - saving precious time on-site.” Loyd’s thoughtful design placed the amplified controller carts behind the arrays and in front of the cable bridges, allowing the audio team to be largely independent from other departments and streamlining daily operations. The team used Milan-AVB as the main audio protocol, with its seamless integration with both LA7.16 and LA12X simplifying programming and patching. A P1 was used for backup and to tune the system through the M1 platform. “L2 is game-changing in how quick it is to deploy and how even the coverage is once you’ve correctly modelled it in Soundvision,” Hodge concludes. “Despite all the challenges involved in an in-the-round gig, we were able to achieve stunning sound all the way to the very last row. These historic shows were as successful as they were because of the sound. Both the artist and monitor engineer were astonished by how quiet the stage was, and everyone involved in the production was remarkably impressed by how well the system performed,” Hodges explains. The tour garnered widespread critical acclaim. NME gave the opening London show five stars, praising “a visceral energy, a tasteful spectacle, all delivered with a generosity of spirit.” The review concluded: “For a band once embarrassed by the notion of ‘arena rock,’ nobody does it better.”
Hippotizer at Core of Next-Gen Immersive Design in London
Motion Mapping has launched its London Design Centre Experience — a purpose-built immersive environment showcasing advanced media server technology, with Hippotizer Boreal+ MK2 Media Servers at its core. Designed as a living laboratory rather than a traditional showroom, the Centre invites visitors to step inside fully realized experiential environments where projection mapping and interactive systems transform physical spaces into responsive, data-driven experiences.
Running until the end of April, it functions as a working prototype of contemporary spatial design, where projection, LED, sensors, “magic” glass, physical materials, and interactive systems are orchestrated through a unified media server workflow. For Motion Mapping, the London Design Centre installation was conceived in response to a recurring challenge faced by brands, agencies, and AV professionals: the difficulty of communicating immersive concepts through conventional formats such as videos, renders, presentations, and flat surfaces. “As good as videos are, you don’t get the experience when you’re watching it on a screen,” says Stuart Harris. “We wanted a place where people could come in, experience immersive environments directly, and understand what’s technically and creatively possible.”
Rather than presenting isolated demos, the Centre integrates multiple technologies into cohesive spatial narratives. Visitors encounter projection-mapped surfaces, mixed-media environments, interactive installations, and responsive architectural elements, each designed to show how immersive technology can operate at scale across commercial, retail, cultural, and entertainment contexts. “We don’t sell what we do, we let people experience it,” Harris explains. “Once people experience immersive technology in a physical space, their understanding changes immediately.”
While LED remains a dominant format in many AV installations, Motion Mapping has deliberately positioned projection as a central design tool within the
Centre. The installation demonstrates how projection can extend beyond flat surfaces to interact with architectural features, glass, objects, and layered materials. “There’s still a perception that projection has to be flat and in a dark environment,” says Harris. “We’re showing that projection can be used dynamically, in bright spaces, on complex surfaces, and in combination with other media.”
Hybrid environments throughout the Centre combine projection, LED, vinyl graphics, switchable glass, and physical props, illustrating how mixed-media workflows can create depth, theatricality, and spatial continuity. “LED and projection don’t have to be separate,” adds Harris. “When you integrate them, you move from displaying content to designing environments.” The immersive room’s video infrastructure at the Centre is driven by the Hippotizer Boreal+ MK2, chosen for its real-time playback performance, flexible input/output architecture, and integration capabilities. “For us, Hippotizer is a natural platform,” says Harris. “We’ve been using it for a long time, so it’s intuitive. Using Hippotizer’s SHAPE feature, we can map a room in 20 to 30 minutes, which fundamentally changes how quickly immersive environments can be designed and deployed.”
The Boreal+ MK2 Media Server acts as the backbone of the immersive area’s content pipeline, managing multi-surface projection mapping, real-time playback across multiple outputs, integration with interactive sys-
CPL has deployed Panasonic’s KAIROS IP-based live video production
tems and sensors, synchronization of mixed media formats, and rapid reconfiguration for different experiential scenarios. By leveraging Hippotizer’s real-time mapping and control capabilities, Motion Mapping has created a workflow where spatial content can be iterated, scaled, and repurposed with minimal technical overhead.
“What used to feel like a science project is now something we can deploy reliably,” Harris says. “Hippotizer allows us to connect triggers, cues, and interactions seamlessly, so environments respond instantly to user behaviour.”
The Centre showcases a range of interactive technologies integrated into the media server workflow. These include QR-based web interactions, RFID triggers, electromagnetic sensors, and responsive surfaces, with real-world brands and products to play with. Rather than treating interaction as an add-on, Motion Mapping uses Hippotizer as a central layer, connecting physical inputs to visual outputs in real time. “Interactive states across the space feed data into a central dashboard,” Harris explains. “That data can be viewed remotely and integrated with other systems, such as POS or analytics platforms.” This approach demonstrates how immersive environments can function not only as creative experiences but also as measurable, data-driven platforms - an increasingly important consideration for brands and agencies.
Motion Mapping’s installation also highlights applica-
tions of immersive technology across retail, brand experience, and entertainment. One example is Motion Mapping’s immersive retail installation for IKEA; another is an automatically triggered video for Doritos to make its hot-taste products palpable. These live demonstrations bridge the gap between conceptual design and practical implementation. “When the whole room becomes a canvas, anything is possible,” Harris adds. “People don’t just imagine immersive environments, they experience them. And once they’ve experienced them, their expectations of space, media, and storytelling change. With the right media server architecture, interaction systems, and creative strategy, they are scalable, measurable, and commercially viable.”
CPL increases Panasonic investment for live events
CPL has deployed Panasonic’s KAIROS IP-based live video production platform at the annual Camper Calling Music Festival. This deployment reflects CPL’s ongoing commitment to investing in the SMPTE ST 2110 IP-based transmission standard. Combined with Panasonic’s 4K AK-UC4000 studio camera, AWUE160 PTZ units, and range of MutiViewers and camera control units, CPL has implemented the ATKC2000 KAIROS mainframe to manage the festival’s entire AV infrastructure. CPL has streamlined the efficiency of its KAIROS deployment at Camper Calling, with less equipment required, albeit delivering greater functionality. The powerful KC2000 mainframe increases production flexibility, enabling CPL’s team to seamlessly incorporate VT playback, keying, clips, sponsor loops, and the festival schedule into screens across the festival site.
KAIROS’ Smart Routing feature virtually handles a larger number of input sources by automatically switching the video input to the network switch. This eliminates any worries around bandwidth limitations that KAIROS can receive simultaneously. It was also key for creating nested scenes on all screens, making cutting and mixing easier. Using Panasonic MultiViewers, operators can easily visualise and adapt to live inputs from on-stage performers and guest artists. This is where the picture quality and colour matching
production platform at the annual Camper Calling Music Festival.
between Panasonic’s UC4000 and UE160 PTZs makes it easy to cut between each feed.
CPL has also used Panasonic’s KAIROS platform and UC4000 studio camera chains at events such as ‘The Glammies’ – Tropic Skincare’s flagship event that celebrates its community of ambassadors. With greater confidence in IP-based workflows, CPL is investing more in training as it brings new professionals into the KAIROS ecosystem. Panasonic’s flagship UE160 4K PTZ camera has enabled CPL to capture uncompressed 4K visuals of audience and stage shots across large distances at Camper Calling – without any image degradation. With UE160s installed on shock-proof isolation mounts, operators can switch to any shot at any time. CPL has also used KAIROS to deploy flexible presets for Panasonic’s PTZs. Assigned to macro buttons on the camera mix, this has enabled operators to quickly capture drum risers, crowd shots, and more. This will save valuable seconds for CPL in a multi-stage production that continues to grow – in both size and complexity.
Lee Gruszeckyj, Production Director at CPL, comments: “Everyone at CPL is extremely happy with the KAIROS platform. It offers a combination of features specifically tailored for engineers and operators, and overall, it’s very user-friendly. The improvements we’ve seen over the last couple of years have been significant. Furthermore, CPL is proud to be positioned as a training hub, helping bring the wider industry up to speed with Panasonic’s KAIROS platform. This reflects our longterm commitment to the KAIROS ecosystem and its role in shaping the future of live production.”
Bord Gáis Energy Theatre leads the way with d&b audiotechnik
Bord Gáis Energy Theatre (BGET) is, in every respect, synonymous with excellence in live entertainment. A striking presence in Dublin’s Docklands, it first opened in 2010. As Ireland’s largest fixed-seat theatre, with a capacity of 2,111, it was well served for 15 years by a sound system based around d&b’s iconic Q-Series. In 2025, it was time for a renewal – and longevity was once again a key requirement. “With our programme well-established, we knew what we were looking for,” explains Technical Manager Liam Fitzgerald. “Having seen many types of touring PA, we knew what set-ups worked well, and – unfortunately – which had let our audience down.”
Working closely with sound designer Kevin McGing – a BGET regular, and a long-term user of d&b systems –they developed a detailed brief. In addition to quality, reliability, support and longevity, they also needed a system that was rider-friendly, and fully capable of serving the one-night events which filled the gaps among BGET’s busy programme of musicals, opera, and ballet. Then, because touring productions tend to depend on
As Ireland’s largest fixed-seat theatre, with a capacity of 2,111, it was iconic Q-Series. (Photo Credit: Bord Gáis Energy Theatre).
the house delays and fills – whether or not they bring their own main PA – great attention had to be paid to these loudspeakers. “These elements were a major focus for us,” says Fitzgerald, “not just an after-thought.”
There was also a strong aesthetic concern. With over 360 performances per year, it was essential for the PA to always remain in place, but discreetly so – and, when in use, reliable dispersion control was vital. For the ‘visible’ delays and fills, meanwhile, it was essential that cabinets were as unobtrusive as possible. Fitzgerald turned to some of the very latest innovations in d&b’s product line. “In my experience,” he says, “d&b means quality, reliability, long service life, long-term back-up and quick turn-around on service. I have great confidence in their product: I don’t need to ask questions. I know the kit won’t be let out of the factory unless it’s right.”
The timing of d&b’s latest models hitting the market was perfect: the CCL for main left and right, and the new U-Series for delays and fills. A significant upgrade in specification to the previous Q-Series, the CCL pro-
was well served for 15 years by a sound system based around d&b’s
vides consistent dispersion: 120˚ for the CCL12 and 80˚ for the CCL8. d&b’s acoustic modelling via ArrayCalc ensured optimisation of placements, and – as the system sits permanently behind acoustically transparent cloth panels in the proscenium – d&b also advised on the precise opening needed for the CCL to maintain its cardioid control, allowing the wall openings and cloth covers to be finessed as necessary.
Attention to the rest of the system was similarly detailed. Because of the focus on delays and fills, the brief specified that these should all be from a single loudspeaker series. Despite this coming in the early stages of the run-up to the U-Series launch, d&b were able to supply all necessary measurements and advance information to allow the design to progress with the U-Series (predominantly U3 cabinets, 53 in total, plus two U5s). Using d&b’s compact 40D and 5D installation amplifiers, all delays and fills are powered by just one amp channel per cabinet, giving touring shows great configuration flexibility. Accessibility and ease of use is further increased with a series of default
pre-sets, available at the touch of a button via d&b’s R1 remote control software.
The installation – itself a challenge with the venue having just 10 dark days per year – was carried out by the BGET team, with additional on-site engineering support from the experienced McGing and commissioned by d&b EAS (Education & Application Support) engineers.
“The CCL boxes’ output is excellent for their size and weight,” says Fitzgerald, “and they sound very well together with the U-Series. Both treat the HF in a similar way, and both have the dispersion control we required – while the clean look of the U-Series really suits our auditorium too. It was an easy choice in the end.” He adds, “The d&b team were amazing, working hard to make sure we had everything we needed for our very tight install windows. The new system is more powerful, efficient and capable, but also far more controlled, with a lot more primary source reaching more people, giving a much better experience for our audience and tours.”
d&b audiotechnik’s Stephen Hogg says, “We’ve always had a close relationship with BGET – an outstanding venue in many ways. We’re delighted that they consulted us about new solutions – and trusted us to put our latest innovations into use for them. The result has been wonderful – it’s a great validation of both the CCL and the U-Series.”
lfalite installs Slovenia’s largest indoor LED wall
Ljubljana Exhibition & Convention Centre, Slovenia’s leading trade fair and congress venue, has upgraded its main hall with the country’s largest fixed indoor LED screen. The installation, located in the iconic Marmorna Hall, features 40 m² of Alfalite LED technology and sets a new benchmark for large-scale event presentation in the Slovenian MICE sector. The new LED wall measures 8.40 × 4.72 metres and replaces a previous projection-based system. It is powered by Alfalite’s UHD Finepix MATIX 1.8 AlfaCOB solution, comprising 196 cabinets with a 1.8 mm pixel pitch. The result is high brightness, precise colour reproduction and consistent image performance, even under strong natural daylight conditions.
Alfalite, headquartered in Spain, is currently the only European manufacturer of LED screens, designing and producing its panels entirely in Europe. This European origin was a key requirement for the client, who prioritised local manufacturing standards, operational security and long-term technical support for a venue hosting hundreds of international events each year. The Ljubljana Exhibition & Convention Centre hosts around 250 events annually, welcoming up to 500,000 visitors, including major international congresses and high-profile gatherings such as the NATO Parliamentary Assembly. In this context, visual reliability and image clarity are critical.
APPLICATION
According to Iztok Bricl, CEO of the Ljubljana Exhibition & Convention Centre: “We organise large congresses with 1,300 to 2,000 participants. The quality of the LED screen and its straightforward maintenance were decisive factors for us. We needed a solution that guarantees performance and immediate technical support if required. With a European partner, we have that assurance.” The project was delivered in collaboration with the Austrian integrator WALLERIE, part of LANNER Media, with installation carried out jointly with Alfalite’s technical team under the direction of Sebastián Cabrera, CTO of Alfalite. The complete mounting process was finalised in just two days, ensuring minimal disruption to the venue’s event schedule. For the client, the choice of manufacturer was clear from the outset. European origin was a mandatory requirement. “The customer explicitly requested a European LED manufacturer,” explains Sebastián Cabrera, CTO of Alfalite. “Beyond compliance and security standards, they were looking for long-term reliability, image quality and ease of maintenance. Our MATIX AlfaCOB technology offers high durability, excellent thermal performance and simplified servicing, which are essential in permanent installations operating year-round. The Ljubljana installation reflects a broader shift from traditional projection systems to direct-view LED solutions capable of delivering higher brightness, better contrast and consistent performance regardless of ambient light conditions.”
Sebastian Lanner, Managing Director of WALLERIE, adds: “For an international congress centre, fast first-level support and operational security are crucial. Combining European-manufactured LED modules with regional technical presence gives the venue confidence and long-term stability.” The installation incorporates redundant signal control to ensure uninterrupted operation during live events. Its fine 1.8 mm pixel pitch enables detailed content display, particularly relevant for medical congresses and data-driven presentations where precision is essential. “This project shows how European collaboration can deliver technical excellence,” concludes Cabrera. “It is not only about installing a large screen. It is about providing a future-proof visual infrastructure for one of the region’s most important congress venues.”
Sonos serves up immersive sound at Wendy’s
Much-loved American fast-food chain, Wendy’s, is making its mark across the pond. Since establishing its first UK outlet in Reading in 2021, the renowned quick-service brand is homing in on its expansion target of 50 outlets. At the Touchwood Shopping Centre in Solihull (managed by UK franchise partner, Blank Table), the brand has implemented an audio upgrade by installing four Sonos Era 100 Pro speakers to create a richer, more immersive dining environment. The success of this project has paved the way for further instal-
Much-loved American fast-food chain, Wendy’s, is making its mark 2021, the renowned quick-service brand is homing in on its expansion
lations, including the recently completed rollout at the Merry Hill Shopping Centre in Brierley Hill, reinforcing Wendy’s commitment to delivering a premium in-store experience.
For Carl Morris, Managing Director at UK franchise, Blank Table, and self-described “super fan of Sonos”, the decision to partner with Sonos was an easy one. However, the Wendy’s site in Solihull presented a series of audio challenges. With open ceilings, exposed cable trays, and industrial design elements, achieving a clean aesthetic and optimal sound quality throughout the building proved difficult using conventional systems. Previous setups relied on speakers suspended from cable trays, which cluttered the visual environment with excess cabling, but also failed to deliver the clarity and consistency needed for a busy, multi-purpose space.
Wendy’s needed an audio system that could be seamlessly integrated into the existing décor, minimising vis-
ible hardware while maximising acoustic performance. As the restaurant is situated in a shopping centre, Carl was keen to ensure that music was used as a tool to separate the restaurant atmosphere from the rest of the complex, and welcome guests into the space. The solution had to offer precise control over audio zones, allowing staff to tailor volume and music selection to different areas and times of day as required by the customer base. Moreover, the system needed to be easy to manage and robust enough to handle a wide variety of musical genres without compromising on quality. Simplicity of installation was also a priority, with a preference for minimal cabling and straightforward mounting options. The team sought an audio solution that would not only enhance the atmosphere and customer experience but also reflect the brand’s commitment to quality, innovation, and operational efficiency. The Sonos Era 100 Pro speakers proved to be the perfect fit for the space. Their
compact, unobtrusive design allowed them to blend seamlessly into the restaurant’s décor, either on the white bulkhead walls or higher up against the black ceiling. The installation was straightforward with minimal disruption, requiring only CAT6 cabling and brackets, installed by Paul’s Aerial Solutions, a longtime partner of Blank Table.
Music plays a central role in shaping the customer journey at Wendy’s, and with a dedicated music provider curating a diverse selection of genres, Era 100 Pro speakers deliver consistent, high-quality sound regardless of the playlist. One of the standout features of the new system is its ability to control music in different zones throughout the restaurant. This flexibility is particularly valuable in a busy shopping centre environment where the front of the store needs to be louder to create an immersive Wendy’s atmosphere, while quieter zones cater to customers who wish to work or relax.
The ease of use offered by the Sonos app has also been a game-changer for the Wendy’s team. Previously, managing the sound system was a complicated task, but now staff can adjust music and volume effortlessly from a tablet device. This intuitive control, combined with the system’s reliability, has made a significant difference to daily operations. “It just works really well. I think they’ve nailed it with the ease of use of the app,” says Carl Morris, Managing Director at Blank Table. The impact at Solihull has been overwhelmingly positive, impressing both customers and Wendy’s corporate team. Off the back of this success, Sonos Era 100 Pro has now been installed at the Merry Hill Shopping Centre location in Brierley Hill, with plans for further rollouts as Wendy’s continues its UK expansion. While it is still early days, Carl is confident in the long-term partnership with Sonos. “The system ticks every box and sounds even better now than it did two months ago,” shares Carl. “The ROI is stunning and for the quality and performance you get, it’s a fantastic value proposition. I would recommend Sonos 100%, I wouldn’t go anywhere else.” By prioritising quality, flexibility, and ease of use, Wendy’s has created an environment where music enhances the customer experience, supporting the brand’s commitment to delivering a memorable visit every time.
across the pond. Since establishing its first UK outlet in Reading in expansion target of 50 outlets.
Midwich to appoint a Chief Financial Officer
The Board of Midwich has announced that Adam Councell will join the Company as Chief Financial Officer and a member of the Board with effect from 2 March 2026. Adam was previously Chief Financial Officer at Marlowe Plc, a position he held from 2021 through to its takeover by Mitie Group plc in August 2025. Prior to Marlowe he was Group Finance Director at Fuller, Smith & Turner PLC from 2019 to 2021, and Restore PLC from 201219, where he played a leading role in the development of the group into a leading office services provider. Prior to this, Adam spent nine years in senior finance roles at Rentokil Initial plc.
As previously announced, Stephen Lamb will step down from his role as Group Finance Director and a member of the Board on 28 February 2026 following an orderly handover to Adam. The Company will provide a further update in relation to Adam’s appointment in accordance with Schedule Two, paragraph (g) of the AIM Rules for Companies in due course. Andrew Herbert, Non-executive Chairman of Midwich said: “We are delighted that Adam will join the Board as Chief Financial Officer in March. Adam has extensive financial, plc and leadership experience gained across B2B services and has a proven track record of delivering growth through both organic and acquisition-led strategies. I would also like to take this opportunity, on behalf of the Board, to thank Stephen Lamb for everything that he has done for Midwich since joining in 2018 and we wish him every success in his new role.” Adam Councell, incoming Chief Financial Officer said: “I am thrilled to be joining Midwich at such an exciting time. It is a great business with an excellent market position and a strong culture. I am looking forward to working with Stephen and the team in the coming months as we look to execute the compelling growth strategy.”
D-Tools names G Paul Hess as CEO
D-Tools has announced that G Paul Hess has been appointed Chief Executive Officer as part of a longplanned leadership succession. After more than a decade as CEO marked by strong, consistent growth, Randy Stearns has chosen to “downshift” from the role while remaining actively involved to ensure a smooth, orderly handoff and continued momentum for the business. Over the past ten years, Stearns has led D-Tools through a period of substantial expansion and modernisation, transforming the company from a traditional on premises software provider into a dynamic SaaS leader for the electronic systems channel. Under his leadership, the company launched D-Tools Cloud, strengthened its focus on recurring revenue and scalability, and delivered exceptional, double-digit annual recurring revenue growth establishing D-Tools as the clear category leader and a trusted, long-term partner to systems integrators and industry suppliers worldwide. “With the company performing at a high level and our strategy, team, and capital all aligned, this feels like the right moment for me to step back from the day-to-day CEO role and pass the baton,” said Stearns. “I’m incredibly proud of what our team has built—the strength of the business today, our dominant position in the market, and the massive opportunity in front of us as we invest in innovative ways to better serve the channel. G Paul is the right leader to guide D-Tools into this exciting next chapter.”
Hess brings decades of experience in the electronic systems industry, beginning his career as an integrator
The Board of Midwich has announced that Adam Councell will join the Company as Chief Financial Officer and a member of the Board with effect from 2 March 2026
and later holding senior and executive leadership roles across product, sales, and marketing at organizations including Snap One and ADI. Having worked closely with integrators, manufacturers, and channel partners throughout his career, Hess has a deep understanding of the challenges and opportunities facing the electronic systems community and how D-Tools’ platform can unlock greater efficiencies, profitability, and growth. “I’m honored to build on the extraordinary foundation Randy and the team have created,” said Hess. “D-Tools is financially strong, strategically focused, and backed by the resources and talent to accelerate innovation in ways that will excite integrators and the broader channel. My priority is to listen to our customers, empower our team, and thoughtfully scale the strategy already in place as we unleash the company’s next wave of growth.”
Stearns will remain engaged with the company throughout the transition period, serving in an active strategic and advisory capacity to support Hess, the leadership team, and key customer and partner relationships. D-Tools’ product roadmap, customer commitments, and laser focus on the electronic systems integration community remain central priorities, with new energy and the freedom to leverage investments to expand the value and impact of its solutions for the channel.
as part of a long-planned leadership succession.
Andrew Foster promoted to Group Partnerships Director at Wildstone
Wildstone, the world’s largest owner of outdoor advertising infrastructure, has announced the promotion of Andrew Foster to the newly created position of Group Partnerships Director. Foster was previously Partnerships Director, having originally joined the company as Development Director in 2021 when Space Outdoor, the company he founded and ran for more than 12 years, was acquired by Wildstone. He has more than 25 years’ experience in the out of home (OOH) industry. As Group Partnerships Director, Foster will sit within the company’s leadership team and will focus on growing its international relationships. He recently negotiated a partnership with UAE-based Multiply Media Group (MMG), which now has the exclusive right to operate premium OOH sites Wildstone acquired from Transport for London early last year. As well as attracting international companies to the UK, the company has been rapidly expanding its international presence in recent years.
Wildstone currently owns more than 2,000 outdoor advertising panels across Spain, having entered the market in 2022 via the acquisition of Redext Group. It has also significantly grown its Australian operations since launching in that market in 2024, with more than 70 panels around the country having been acquired. In addition, it is operational in the German market.
Andrew Foster, Group Partnerships Director at Wildstone, commented: “In 2023, I stepped into the role of Partnerships Director, where we created and grew a new partnerships function focused mostly on the UK, one that became defined by trust, ambition and deliv-
D-Tools has announced that G Paul Hess has been appointed Chief Executive Officer
Wildstone has announced the promotion ofAndrew Foster promoted to Group Partnerships Director at Wildstone
ery. I’m incredibly proud of what was achieved in a short space of time. That journey has now led to my appointment as Group Partnerships Director. In this position, I’ll be focused on expanding partnerships across global territories, building on the strong foundations already in place. My goal is to spread the Wildstone message worldwide, encouraging new companies into the UK with our world-leading digital OOH portfolio, as well as replicating the latter in new territories.” Damian Cox, Global CEO and Founder, Wildstone, said: “I am delighted to welcome Andrew to the group leadership team. He’s proven an enormous asset since joining Wildstone and I can’t think of anyone more experienced or passionate to play such a leading role in our ambitious global growth plans.”
Manifold expands sales presence in Europe
Manifold technologies GmbH has announced the appointment of Nick Tucker as Sales Manager for Europe, reinforcing the company’s continued growth across broadcast, enterprise and ProAV markets. The appointment reflects Manifold’s expanding European footprint, increasing partner ecosystem, and growing involvement in high-profile projects and industry events across the region. Nick brings more than a decade of experience spanning business development, account management and technical sales within the broadcast and media technology sectors. His reputation for an ability to bridge commercial strategy with a deep technical understanding has helped him to develop ongoing relationships with leading broadcasters, media organisations and service providers across the UK and Nordic markets.
Prior to joining manifold, Nick held senior sales roles at Pixel Power and Evertz, where he was responsible for major accounts including national broadcasters, global media platforms and enterprise clients. His experience spans IP and RF infrastructure, graphics and monitoring solutions, and contribution and production workflows, as well as engagement with corporate AV and wider IT environments - an increasingly important crossover as media, IT and ProAV continue to converge. In his new role, Tucker will focus on supporting manifold’s growing customer base, strengthening relationships with European business partners, and driving adoption of manifold’s software-defined, FPGA-accelerated processing and multiviewing technologies. His appointment comes at a time of sustained momentum for manifold, with increased visibility at European trade shows and a widening range of deployments across live broadcast, cloud-based production, enterprise media and AV-led workflows.
Speaking of his new position, Nick Tucker commented: “For me, one of the real appeals of joining manifold, was the attitude they hold towards shaping and main-
taining relationships in the market. That applies not only to their customers and business partners, but also to technology partners such as arkona technologies. They have a strong belief in the idea of collaboration as a key mechanism for pushing the industry forward as a whole, and that resonates with me. Combined with their vision for a future built around software-defined, decentralised architectures – leveraging the cloud and FPGA-accelerated hardware for scalability, resilience and lean operation – I really feel like we share a mindset and vision that will make for a great working relationship”.
Aliaksei Shauchenka, CEO of manifold technologies GmbH, added: “Nick will make an excellent addition to the team, and we’re really pleased to have him on board. His experience across broadcast, enterprise and IT markets reflects exactly how manifold technology is being adopted today. Just as importantly, his personality and approach are a great fit for the way we work - collaborative, technically grounded and focused on building trust. We’re excited for him to get started”.
Manifold technologies GmbH has announced the appointment company’s continued growth across broadcast, enterprise and
L-Acoustics appoints Olivier Maynard as Executive Director
L-Acoustics has appointed Olivier Maynard as Executive Director of Strategic Market Development and significantly expanded the recently established division’s capabilities to accelerate growth across key vertical markets worldwide. The new Strategic Market Development division regroups three core disciplines - Business Development, Creative Engagement, and Market Intelligence - working in close coordination with regional sales teams to drive demand and strengthen L-Acoustics’ position in both established and emerging markets. Olivier will also be spearheading commercial innovation, developing new business models from concept to implementation throughout the organization. Joining the company’s Executive Committee, he will work alongside the leadership team to integrate market development and new business models into the company’s long-term vision to connect humans through the best shared sound experiences. Olivier reports directly to L-Acoustics coCEO Laurent Vaissié.
The Strategic Market Development division is charged
with understanding L-Acoustics markets at the deepest level, building relationships with end users and influencers, and creating demand for the company’s innovative technologies across diverse vertical applications. From touring and festivals to houses of worship, sports venues, themed attractions, corporate events, and architectural installations, the team develops targeted strategies that connect L-Acoustics technical excellence with the specific needs and aspirations of each market segment. “In an industry where detailed market data is scarce, our ability to truly understand our customers, their challenges, and their ambitions gives us a decisive advantage,” says Maynard. “Our mission is to support our clients’ business by engaging end users in ways that are inspirational and experiential rather than purely technical - speaking to artists, architects, venue owners, and creative professionals about the creative potential when exceptional sound becomes part of their vision. By working hand-in-hand with our sales teams in every territory, we’re creating sustainable demand that benefits our entire partner ecosystem.”
Maynard brings extensive experience in strategic market development and business model innovation. He spent over a decade at Boston Consulting Group leading projects in go-to-market strategy, sales, and digital transformation for industrial companies before joining Groupe Beneteau as Director of Digital, New Business Models, and Transformation. In that role, he led the company’s digital strategy and served as Deputy CEO of Services, developing innovative financing and service models. At L-Acoustics, he will apply this expertise to professionalize the division’s approach to vertical markets while exploring new business model opportunities that keep L-Acoustics at the forefront of industry innovation. “As our portfolio of source, system, and space premium audio solutions continues to expand into new markets, our long-term vision and clients’ success depends on a leadership team that has a deep understanding of the different vertical needs, as well as an ability to explain our value proposition to a wide range of stakeholders, from technical experts to creatives and decision makers,” explains Vaissié. “Welcoming Olivier to our business team and Executive Committee is a key part of this evolution. His unique background in digital transformation and business model innovation is exactly what we need to steer this new division. By integrating Strategic Market Development into our core executive group, we are ensuring that deep market intelligence and creative engagement remain at the heart of our collective decision-making, securing our leadership position for years to come.”
The Business Development team deploys specialised experts who work globally within specific vertical markets to develop targeted strategies that accelerate growth in high-potential sectors. These experts develop comprehensive go-to-market strategies for each sector, identifying key markets, defining unique value propositions, optimizing product mix, and cultivating strategic
appointment of Nick Tucker as Sales Manager for Europe, reinforcing the and ProAV markets.
L-Acoustics has appointed Olivier Maynard as Executive Director of Strategic Market Development and significantly expanded the recently established division’s capabilities to accelerate growth across key vertical markets worldwide.
partner relationships. Market Intelligence constructs L-Acoustics’ understanding of the global professional audio landscape through rigorous research and analysis. In an industry where comprehensive market data is limited, this team’s work provides L-Acoustics with a competitive advantage, enabling data-driven decisions about market priorities, product development, and strategic investments. Creative Engagement focuses on building authentic relationships with influencers and decision-makers who shape the audio industry—artists, architects, designers, and creative professionals. This team communicates through inspiration and experience, demonstrating how L-Acoustics technologies enable extraordinary creative outcomes. This approach is particularly crucial in markets where L-Acoustics is developing brand presence, creating awareness and market demand. “This organisational structure reflects our commitment to a more strategic, vertical-focused approach to market development,” Maynard continues.
“Rather than reacting to market opportunities as they arise, we’re building deep expertise in each vertical market to understand the key countries, the decision-makers, the unique value propositions, and the optimal partner strategies and lead the way. This brings greater efficiency and performance across the entire organization while positioning us to explore innovative business models that will define the future of our industry.”
Hewshott enters new era as Daniel Lee takes over as Group CEO
Hewshott has completed a global transition with current UK Managing Director, Daniel Lee, acquiring Hewshott and becoming the new Group CEO. Under Dan’s ownership, Hewshott will continue its 24-year legacy of independence, ethical conduct, and exceptional client experience. Founder and outgoing Group CEO Peter Hunt will continue as MD of Hewshott Australia, while maintaining his industry association roles. The leadership transition has been strategically planned to foster stability, continuity, and create new opportunities. Building on the foundations instilled by Peter from day one, Dan plans to evolve and amplify the company’s global capability to be unified, visible, and influential, all while staying true to the same core principles that define the Hewshott way.
“Everything Peter’s done has meant that I’m starting from a place where I don’t have to fix anything, because nothing’s broken,” explained Dan. “The power of Hewshott means I can just continue amplifying what we already do.”
The transition is not a change in direction, but a ‘passing of the baton’ where Dan will oversee a continuation of a shared philosophy and culture. Peter’s decision to strategically build Hewshott to thrive outside his presence has made the transition seamless - essentially
business as usual. “I’ve never wanted the company to be wholly dependent on me,” explained Peter. “Dan has very strong people skills and clarity of thought, making him a natural to take the business from where it is now to the next level.” Peter’s tenure has been defined by significant organic expansion across multiple countries - some by invitation, others through determination. Trust was hard-earned over many years, built on a founding commitment to independence from supplier and manufacturer influence, where solutions are selected based on what is right for the client, not commercial alignment. “That early decision to remain true to our independence has now put us in a strong position,” Peter added. “It was not an easy path, but it always felt right.”
Hewshott’s value has always been rooted in uncovering what clients truly need and guiding them to the right solution. Now as holistic experiences occupy centre stage, a fully integrated approach to space and experience is key. Dan explains that Hewshott has been on this journey for several years, transitioning from a technology design consultancy into a holistic experience-design partner, integrating AV, IT, acoustics, theatre, Smart, and studio disciplines. It’s one that has been quietly trialled in the UK with substantial success, and
which the global team is passionate about developing further across the world. “It’s not a shift away from technology but a broadening towards designing spaces where experience leads and technology quietly enables,” explained Dan. “One that’s based entirely on what the desired outcomes are for a particular space, building, or set of users.”
Peter reflects on how the company was built on people, not products, expressing gratitude towards past and present clients for placing their trust in Hewshott over the years. “Where we are today, the company is very strong,” expressed Peter. “We couldn’t have done it without our clients, nor could we do this without our staff, both in equal measures, past and present. Every single one of them is very special to me, and I know that means as much to Dan too.”
Hewshott enters new era as Daniel Lee takes over as Group CEO
The innovation and networking event for AV professionals returns to central London in May
Returning for a 6th Year the Peerless-AV Showcase is the must attend event in the UK Pro AV calendar
AV technology pioneer Peerless-AV, this year celebrating its 85th anniversary, announced the return of the AV Showcase, the premier UK industry tradeshow, taking place on 12th & 13th May at Lord’s Cricket ground in Central London. Now in its sixth year, the event will once again bring together leading AV manufacturers, innovators, and decision-makers for a dynamic program of exhibits, insights, and networking.
“Since we organised our inaugural event in 2021, the AV market have responded positively, so now reaching our sixth consecutive year feels like a significant milestone”, said Keith Dutch, Managing Director EMEA, Peerless-AV. “The continued growth and development of our event reflects the unbelievable ongoing support we receive within the AV community – from the market leading manufacturers who exhibit, the industry voices that deliver seminars and panels to the diverse range of attendees from across the Professional AV spectrum and End User vertical markets.”
Each year Peerless-AV strive to evolve the showcase, retaining and refining popular components, such as the keynote speakers & education sessions from previous years, whilst adding new elements. The 2026 AV Show-
“Since we organised our inaugural event in 2021, the AV market have responded positively, so now reaching our sixth consecutive year feels like a significant milestone”, said Keith Dutch, Managing Director EMEA, Peerless-AV
case will continue to exceed expectations with fresh brands added to the show floor, bringing exciting developments and unique solutions in the areas of audio, LCD/LED displays, workplace technology, signal processing, digital signage, AVoIP, video signal management and much more.
A dynamic thought leadership programme will continue to be a fundamental constituent in the exhibition, providing attendees the opportunity to deepen their understanding of the key challenges and potential opportunities ahead in the AV industry. The platform allows leading industry specialists to share their valuable insights in the topical subject areas with speakers and panellists to be announced in the coming weeks. This year coincides with LDSW ’26 (London Digital Signage Week) to further broaden the reach of the Showcase to an expanded audience and additional markets.
To drive End User engagement Peerless-AV are offering a unique VIP experience to go behind the scenes at ‘The Home of Cricket’ with an ex-England International leading a dedicated tour of the ground. The Showcase will also play host to Rise AV in cooperation with their 2026 mentorship programme designed to support and empower women in the commercial AV, live events, and production technology sectors.
At the close of day 1, exhibitors and visitors are invited to enjoy a ‘mix & mingle’ networking drinks reception with stunning views of the ground. An essential element of the Showcase it brings together a diverse cross section of attendees, sparking new ideas, creating opportunities and building relationships that can drive meaningful collaboration and ongoing innovation.
Registration is officially open for the 2026 AV Showcase! Sign up here and find more information on the event home page and watch the 2025 video here. Follow us on X, and LinkedIn for the latest updates. For more information on the full range of Peerless-AV mounts and solutions visit www.peerless-av.com.
Registration: TheAV Showcase 2026 Tickets,
Tuesday, May 12, 2026 at 09:30 Wednesday, May 13, 2026 at 16:00 | Eventbrite
Registration is officially open for InfoComm 2026, the world’s most essential destination for AV, IT, broadcast, and AI-driven systems, taking place June 13–19 at the Las Vegas Convention Centre in Las Vegas, Nevada (exhibits June 17–19). Produced by the Audiovisual and Integrated Experience Association (AVIXA), InfoComm 2026 will deliver a reimagined show experience designed to help attendees explore how pro AV technologies are transforming the way we work, play, learn, and connect. InfoComm 2026 will welcome more than 750 exhibiting companies, showcasing solutions across conferencing and collaboration, digital signage, broadcast AV, enterprise IT, learning spaces, and live event technologies. From AI-driven systems and immersive environments to real-world AV applications across industries, InfoComm remains the singular destination to experience applied audiovisual integration at scale.
“This year, InfoComm celebrates the power of AV to change the world at work and at play,” said David Labuskes, CTS, CAE, RCDD, Chief Executive Officer of AVIXA, producer of InfoComm. “As pro AV becomes a more essential part of customer driven IT, broadcasting, and AI solutions, InfoComm 2026 provides a vital forum to explore those technologies, gain actionable insights, and meet new colleagues who share a passion for shaping the future of our industry.” Building on AVIXA’s tagline of ‘Together, we change the way people experience the world,’ InfoComm 2026 will for the first time organize the show floor around Work and Play, helping attendees navigate solutions based on real-world applications.
Central Hall will focus on “Work” technologies, including conferencing and collaboration, command and control, digital signage, learning spaces, and enterprise IT. Attendees will experience several new and expanded Activation Hubs, including:
North Hall will highlight “Play” technologies – audio, broadcast AV, lighting, staging, and live event solutions – alongside The Pitch, powered by Diversified, a dynamic activation hub showcasing live production, immersive displays, and fan engagement technologies used in sports and entertainment environments. The AVIXA TV Studio will also return, demonstrating a fully operational broadcast studio designed for both enterprise and entertainment applications.“InfoComm 2026 is designed to immerse attendees in AV in action – from the technologies powering smarter workplaces and classrooms to the creative solutions driving live events and broadcast,” said Jenn Heinold, Senior Vice President, Expositions, Americas, AVIXA, producer of InfoComm. “Our show floor activations and activation hubs give attendees a hands-on way to explore what’s possible and how these solutions come together in real environments.”
Education at InfoComm 2026 runs June 13–19 in the West Hall Meeting Rooms and will span multiple learning levels - from introductory to advanced - tailored for
technology managers, AV/IT professionals, designers, integrators, and engineers. While the full education program will be announced in the coming months, session topics will include:
• AI applications in AV projects, including conferencing systems, digital signage, classrooms, and live events Attendees will continue to experience learning across multiple formats, including the Vision Stage, Spotlight Stage, AVIXA TV Studio, and Xchange LIVE, creating opportunities to learn, connect, and engage directly on the show floor. InfoComm 2026 will once again offer Integrated Experience Tours, giving attendees behind-thescenes access to real-world AV installations and the teams who design and operate them. Two tours at the University of Nevada, Las Vegas (UNLV) are confirmed:
• Integrated Experience Tour: UNLV Dreamscape Learn (Tuesday, June 16): Attendees will tour Dreamscape Learn, a 4,000-square-foot immersive VR learning environment featuring a 16-seat immersive classroom and free-roam experience. The tour will also include collaborative classrooms, production spaces, and a makerspace, with insight into how AV technologies support immersive, story-driven education.
• Integrated Experience Tour: UNLV Medical School (Thursday, June 18): This tour will highlight advanced AV applications in medical education, beginning with a presentation on recent technology upgrades and the AV network supporting more than 255 endpoint devices. Attendees will visit a virtual anatomy lab featuring VR headsets, a cadaver lab equipped with PTZ and mobile cameras, custom control interfaces, and multi-room overflow capabilities, and conclude at the Dr. Barbara Atkinson Forum with a Q&A session.
Additional Integrated Experience Tours will be announced in the coming months.
