AV News July 2026

ISS extends and expands contract with defence organisation

ISS has extended and expanded its longstanding partnership with a large defence organisation in Northern Europe. The expanded scope of the contract alone has an annual value of more than DKK 100 million. Under the agreement, ISS will continue to deliver a broad range of Integrated Facility Services across the customer’s sites.

The contract has a duration of ten years, with additional services under the expanded scope expected to commence in Q3 2026. Carl-Fredrik Bjor, Group Chief Commercial & Revenue Officer at ISS says: “I am thrilled to strengthen this valued partnership further. Our key focus will be to continue delivering service excellence while advancing our collaboration through innovation, data-driven solutions and enhanced workplace experiences.”

Hisense retains top spot in 100-inch+ TVs

Hisense has retained its No.1 global ranking in the 100inch+ TV category over Q1 2026 as it continues to strengthen its leadership in the premium display category. According to Omdia’s Q1 2026 data, Hisense’s global 100-inch+ TV market share has now increased to 55.2% and the brand’s continued momentum shows no signs of slowing.

Building on this growth, Hisense is continuing to expand its premium TV lineup with the introduction of its RGB MiniLED range which includes models such as the UXQ, UR9 and UR8 series. Hisense is leading the industry in innovation with groundbreaking technology that produces more lifelike visuals, vibrant colours and innovations such as Hi-View AI Engine and Anti-Reflection & Glare Free features. Consumers will discover the cutting-edge power of Hisense’s RGB range. Powered by first-of-its-kind RGB local dimming technology, it uses independently controlled red, green and blue LEDs to produce striking contrast and vivid brightness, with the flagship UR9S reaching up to 5,000 nits. The UR8S is capable of reaching up to 3,500 NITs, while the UXQ redefines large-screen viewing, available in 116-136” models with an extraordinary peak brightness of up to 8,000 NITs. Across MiniLED, models such as the U7 PRO, U7 and E8, Hisense continues to

strengthen its picture quality leadership through HiQLED MiniLED technologies. By combining advanced local dimming and proprietary light control innovations, Hisense delivers more vibrant colours, deeper blacks, and sharper details, creating richer contrast and a more immersive MiniLED viewing experience.

In Laser display, Hisense continues to push the boundaries of cinematic home entertainment, reinforcing its leading position within the high-end Laser category. The brand has also recently launched the XR10, a flagship Laser projector that boasts an impressive 6000-lumen projection system that produces vivid, lifelike visuals across an adaptable screen size expanding from 65 –300 inches, establishing its versatility for living spaces of all sizes. The upcoming L9Q Pro Laser TV and PX4 Pro Laser Cinema further showcase Hisense’s next-generation innovation in ultra-large-screen entertainment, combining breakthrough brightness, refined colour performance and premium audiovisual experiences for home entertainment enthusiasts.

Rob Andrews, Head of Strategy & GTM for TV at Hisense UK commented: “This is another significant milestone for Hisense, demonstrating our continued presence at the forefront of large-screen technology and our commitment to constantly improving our TV offering. Our decision to place innovation at the heart of our work allows us to continue delivering exceptional cinematic experiences for the home. We’re also proud

to be an official sponsor of the upcoming FIFA World Cup 2026 and the upcoming tournament provides us with a great opportunity to showcase the benefits of large-screen technology across both the TV and Laser categories. With many late-night matches coming up, we’re keen to demonstrate how the match day experience can be brought to life from the comfort of your own home”.

Jigsaw24 to resell Leostream remote desktop access platform

Leostream Corporation has announced that Jigsaw24, a leading B2B IT solutions provider with offices in London and Nottingham, will resell the Leostream Platform to UK and EU customers including media and entertainment, education, and commercial enterprises. This expanded relationship empowers Leostream to provide deeper and more substantial service and support to improve customer understanding and engagement. As a Leostream reseller, Jigsaw24 is entitled to strategic sales, marketing, and training resources to make their deployments of the Leostream Platform even more successful and profitable. “Leostream’s core value is combining enterprise-grade security with high-performance remote access for high-bandwidth workflows, and as an official Leostream reseller we can offer it more broadly in a variety of environments depending on the need,” said Chris Bailey, Head of Innovation, M&E at Jigsaw24. “The general sentiment from our customers already using Leostream is ease of use and peace of mind from security and for our team. It’s the long list of interoperability certifications and solution partnerships that validate Leostream plays well with other key vendors. We have supplied our remote desktop platform to Jigsaw24 clients for several years, in [dozens of] successful deployments, so it’s high time we expanded our relationship to serve the rest of its customer base,” said Randy Foster, Leostream VP of Sales and Alliances. “In addition, this agreement brings Leostream a stronger foothold in the UK and EU, particularly in the broadcast and media segment where our platform excels in high-performance workloads, and in academia where secure, simplified user connection is a no-compromise requirement.”

Avocor and IAdea partner on enterprise-ready digital signage

Avocor has announced a strategic collaboration with IAdea to showcase enterprise-ready digital signage solutions at InfoComm 2026 in Las Vegas, using IAdea’s digital signage technology built on Microsoft Device Ecosystem Platform (MDEP). The collaboration brings together Avocor’s display expertise with IAdea’s enterprise signage and smart workplace technology to demonstrate a secure, scalable, and IT-aligned digital signage solution designed for modern business environments. Avocor’s new B Series range of non-interactive displays has been specifically developed for professional signage applications. Engineered for 24/7 operation, the B Series is designed to support high-traffic environments where reliability, clarity, and centralized device management are essential.

Through its collaboration with IAdea, the Avocor B Series will be demonstrated with IAdea’s digital signage technology built on MDEP, allowing organizations to explore a more unified approach to deploying professional displays as secure, manageable, and IT-aligned workplace endpoints. The demonstration reflects the growing demand for digital signage solutions that align with enterprise IT infrastructure, device governance, and workplace communication strategies. “Today’s organisations need signage solutions that are not only visually impactful, but also intelligent, secure, and easy to manage,” said Dana Corey, General Manager at Avocor. “Our collaboration with IAdea enables us to demon-

strate how the Avocor B Series can work with IAdea’s digital signage technology built on MDEP to support future-ready digital signage deployments. Together, we are helping organizations simplify deployment, strengthen endpoint governance, and enhance communication across modern workplaces.”

IAdea’s digital signage technology built on MDEP is designed to help organizations extend enterprise-grade security, remote device management, and IT governance to digital signage endpoints. This provides a strong foundation for organizations looking to deploy connected signage solutions across corporate, education, retail, hospitality, and public sector environments. “We are thrilled to welcome Avocor as a display partner for IAdea’s digital signage technology based on the Microsoft Device Ecosystem Platform,” said John C. Wang, CEO at IAdea. “By taking advantage of MDEP and Avocor’s professional display portfolio, we are helping organizations strengthen device security, manageability, and identity for digital signage across today’s enterprise environments.”

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Avocor Italy partners with V-Valley

Avocor has today announced that Avocor Italy has signed a strategic partnership agreement with V-Valley, a leading value-added distributor (VAD) in Southern Europe. A part of the Esprinet Group, V-Valley will distribute Avocor’s portfolio of interactive displays and collaboration technologies throughout Italy, significantly expanding Avocor’s market presence in the region and reinforcing V-Valley’s collaboration and communication offering. The partnership will enable Italian corporate clients, public sector organisations and educational institutions to accelerate their digital transformation and hybrid work environments through implementing Avocor’s collaboration and communication solutions. “We are delighted to sign this agreement with V-Valley, says Darwin Cannavò, Country Sales Manager, Avocor Italy.

“We believe there is really strong potential in the Italian market as we are seeing a growing demand for collaboration solutions in all types of enterprise. Together with V-Valley, we want to develop a strong ecosystem of partners, supporting the channel with training, commercial activities, bundle solutions, and market activation initiatives.”

“Adding Avocor to our portfolio represents a significant step forward in strengthening our collaboration and communication offering,” commented Silvia Restelli, Head of Marketing & Solutions Sales at V-Valley Italy.

“Avocor’s innovative hardware aligns perfectly with our mission to enhance the digital transformation of our clients. By combining their high-performance solutions with our specialised market expertise and go-to-market support, we are empowering our channel partners to deliver high-value, integrated collaboration ecosystems.” Through this agreement, V-Valley’s network of resellers and system integrators will gain full access to Avocor’s premium product lineup, backed by dedicated pre- and post-sales technical support, training enablement, and joint co-marketing initiatives designed to drive ecosystem growth.

Absen unveils upgraded global showroom booking platform

Absen has announced a full upgrade to its global showroom booking system, making it easier for customers and partners to schedule visits to the company’s growing international network of showrooms. Designed to deliver an intuitive and user-friendly experience, the refreshed platform supports Absen’s wider strategy of deepening brand localisation and strengthening offline service capabilities in key markets worldwide.

Over the past year, Absen has continued to expand its global showroom footprint, opening new sites and brand factory stores across the Americas, EMEA and APAC. Newly added locations include Los Angeles, Mexico and Denver in the Americas; Morocco and Saudi Arabia in EMEA, as well as Korea and Vietnam in APAC. Together, these additions reinforce Absen’s commitment to providing localised support and giving customers direct access to the latest LED display technologies for the ProAV, DOOH and Rental & Staging markets.

Each showroom is designed to reflect local market needs with carefully curated displays that demonstrate how Absen’s innovative LED solutions can be applied across a range of sectors and markets. Fully open for guided tours, the spaces offer visitors the opportunity to

explore products first-hand, gain practical insights from regional teams and experience a more personalised level of support throughout the specification and decision-making process. In addition, the centres also host open and partner events, provide meeting spaces, market-focused demonstrations, in-person expertise and Absen Certified Engineer (ACE) training closer to home.

The newly upgraded booking interface has been created to simplify every stage of the visitor journey including choosing a location and arranging an appointment. With a cleaner design and more seamless navigation, the platform enables users to identify their nearest showroom, select a suitable time and submit visit requests with greater ease and confidence. The result is a smoother digital experience that complements Absen’s on-the-ground investment in local service and customer engagement. Received feedback from users of the new booking system has included: “As a global company with more than 26 years of experience, we recognised early on the value of giving customers the opportunity to experience our products first-hand in their local market.” explains Tania Zhao, Vice President of Absen. “Today, with more than 20 state-of-the-art experience centres across four continents, we are making it easier for customers to access our showrooms, explore solutions relevant to their needs and benefit from a more seamless, personalised experience from their first interaction

with Absen.” The upgraded global showroom booking platform is now live and available for all Absen showrooms worldwide.

Meyer Sound opens manufacturing facility to serve China demand

Meyer Sound is pleased to announce the opening of a new manufacturing facility and office in Shanghai, China. The wholly owned subsidiary will produce the company’s top-selling loudspeaker products exclusively for the China market. The move reflects growing demand across China, particularly for performing arts centres, theaters, and live venues in rapidly growing cities outside major metropolitan areas. The Shanghai facility spans 4,500 square meters in the western part of the city and will initially employ staff across product assembly, quality control, and finance functions. All products will be assembled following the same processes and quality control standards used in Berkeley, CA. The Shanghai team will be supported by Meyer Sound staff from its global headquarters, who will lead initial training and ensure assembly and testing processes align with our globally celebrated standards.

The China live sound market has seen strong growth in recent years, driven by a proliferation of live music venues, a thriving festival circuit, and continued investment in performing arts infrastructure across the country. China is already Meyer Sound’s largest market for PANTHER line arrays outside the United States, with robust sales led by distributor Shanghai Broad Future (SBF). The Shanghai facility will produce many of Meyer Sound’s top products, including PANTHER and the 2100-LFC low-frequency control element, adding the new TIGRA line array and 1800-LFC later this year.

“The new factory will significantly accelerate Meyer Sound’s momentum in one of the world’s most active markets for live sound and the performing arts,” says Senior Vice President John McMahon. “This facility is about supporting the next phase of that growth.”

AVIXA

and Caretta Research partner on five-year industry outlook

AVIXA has partnered with technology research firm

Caretta Research to produce the broadest understanding of the pro AV market through a forecast driven by comprehensive analysis of industry data and market trends. Replacing the previous Industry Outlook and Trends Analysis (IOTA) report, the new Pro AV Industry Outlook (PAVIO) will be published twice a year and be made available free of charge to AVIXA Gold member companies, who will also have exclusive access to an accompanying online dashboard.

Global in scope, the Pro AV Industry Outlook will cover a wide range of technologies and provide data needed to benchmark business, identify areas of growth, and reveal key trends. Additionally, the Outlook will support organizations making merger and acquisition decisions and inform outside investment into the pro AV industry.

“AVIXA has been the ‘go-to’ source of data and trends analysis for the AV industry for more than two decades,” comments Dan Goldstein, Chief Product Officer, AVIXA.

“Our new partnership with Caretta Research reflects our desire not just to maintain that reputation but to enhance the value we offer to stakeholders by taking an ‘end-to-end’ view of the complete AV industry value chain, from hardware manufacturers and software vendors all the way through to use cases across the full spectrum of vertical markets.”

Known for providing expert research to guide buying and selling decisions across broadcast, media, AV, and information technology, Caretta Research combines decades of industry experience with continuous handson research. The company’s extensive network of technology buyers and decision-makers helps vendors understand and target potential markets, while supporting buyers in identifying the most suitable solutions. “This partnership represents a powerful new direction for the pro AV industry. We’re moving beyond the spreadsheet to provide data and insights that drive real business strategy,” says Robert Ambrose, Co-founder and CEO at Caretta Research. “By taking a demand-side, ‘customer-up’ view, we focus on specific industry verticals and what buyers actually need, rather than just listing technology categories. We deliver those insights by combining human expertise with advanced AI to truly understand the market.” The first Pro AV Industry Outlook will be published in Q2 of 2027, with initial findings being released at ISE 2027 in Barcelona and the full outlook being revealed to the media and wider industry at InfoComm 2027 in Orlando.

Optoma joins the Microsoft Device Ecosystem Platform (MDEP) community

Optoma has announced it has joined the Microsoft Device Ecosystem Platform (MDEP) community. This milestone marks a significant step in Optoma’s strategy to deliver secure, scalable and enterprise-ready visual solutions that integrate seamlessly into Microsoft-managed workplace environments. Through its participation in MDEP, Optoma is aligning its future product platforms with Microsoft’s device, security and management standards to better support modern workspaces, meeting rooms and in-building digital signage. MDEP is an enterprise-grade software platform built on the Android Open-Source Project (AOSP). Designed to meet the highest standards of security, reliability, ease of deployment, and innovation, MDEP gives enterprises and device makers a consistent, customer-ready foundation for building and deploying devices at scale. By joining the MDEP community, Optoma is strengthening its ability to deliver solutions that meet the evolving requirements of IT, AV and facilities teams operating within Microsoft-centric environments. “We

are thrilled to become part of the MDEP community, which is an important endorsement for Optoma,” said Mark Yang, Group CEO at Optoma Corporation.

“This community with the MDEP Team reflects our strategic shift towards platform-led, IT-aligned visual solutions that integrate naturally into the Microsoft workplace ecosystem. As part of MDEP, Optoma will focus on developing and evolving a portfolio of enterprise-grade visual solutions designed for shared workspaces, collaboration environments and digital signage applications — prioritising interoperability, security, manageability and scalability.”

“Optoma joining the MDEP community reflects the growing momentum behind enterprise-grade devices for modern workplaces. We look forward to working with Optoma to expand the range of trusted visual and digital signage solutions available to our mutual customers,” said Juha Kuosmanen, General Manager, MDEP, at Microsoft Corporation. Optoma plans to collaborate closely with Microsoft as part of the MDEP, with further updates on product direction, ecosystem integrations and go-tomarket activity to be shared in due course.

Disguise expands presence in the Middle East

Disguise, the technology platform that has powered visuals for landmark events and across the Middle East for venues including MDLBEAST Soundstorm, the Burj Khalifa and Al Wasl Dome, has announced it is deepening its commitment to the Middle East. The company is establishing a new business entity in Saudi Arabia later this year, with plans to open another in the United Arab Emirates in 2027, plus making key regional hires and forming strategic partnerships with advisory firm Tanmiya and production consultancy A Loud Minority to better support customers and partners across the region.

The expansion builds on Disguise’s established presence across the Middle East, where its technology has supported a growing number of live events, immersive experiences and cultural projects. By formalising its regional footprint, Disguise is creating a stronger foundation for long-term collaboration across Saudi Arabia, the UAE and the wider MENA region. “The Middle East has been an important market for Disguise. For years, we have worked with some of the UAE’s most innovative venues, attractions and live events,” comments Raed Al Tikriti, Chief Product and Technology Officer at Disguise. “Over that time, we’ve seen immersive technology become increasingly central to how experiences are designed and delivered. Strengthening our presence in the region allows us to build on that history while supporting the next generation of projects taking shape across the Middle East.”

“Our expansion in the region is a natural next step,” says Sarah Lewthwaite, SVP of Customer Excellence at Disguise. “It allows us to be closer to our customers and partners, strengthen local collaboration and provide the hands-on support needed to deliver complex projects in the region. By growing our team on the ground, we’re ensuring customers have direct access to the expertise they need throughout every stage of a project.” As part of this regional focus, Disguise has confirmed a strategic partnership with Tanmiya, an international investment and advisory platform. Tanmiya will support Disguise in establishing and growing its presence across Saudi Arabia and the wider MENA region, facilitating connections and enabling access to key opportunities aligned with the region’s investments in live and immersive experiences. “We are excited to support Disguise’s growth in Saudi Arabia and across the wider Gulf,” comments Bandar Al Saud, Partner at Tanmiya. “Disguise’s offering is genuinely differentiated, it is not only the leading enterprise solution in the category, but a canvas for creators to push the limits of what video can achieve artistically and experientially. It is exactly the type of technology infrastructure the region demands as it becomes the leading global destination for premier entertainment and live experiences.”

Disguise is also partnering with technical production and design consultancy A Loud Minority – the company behind renowned shows and installations across the Middle East including Terhal by Dragone in Saudi Arabia and UNTOLD Music Festival in the UAE. A Loud Minority will collaborate closely with Disguise to support projects across the region, bringing deep creative and technical expertise in live entertainment and immersive experiences. To further strengthen its regional capabilities, Disguise has made a strategic new hire to support customers and partners across MENA. Issa Al Azry, based in Dubai, joins Disguise as Solutions Design Specialist, bringing extensive experience across immersive technologies, live events and complex technical system design. He will work closely with customers and partners across the region to support the ideation, design and delivery of complex immersive projects. “Having teams closer to customers and partners in the region makes a real difference,” says Issa Al Azry. “I’m excited to join Disguise at a time when local presence, collaboration and trusted technical support are becoming increasingly important for delivering ambitious immersive experiences across MENA.”

Alongside Issa, a second regional hire is currently in progress. These appointments reflect Disguise’s continued investment in providing hands-on creative and technical expertise locally, ensuring customers have direct access to support throughout every stage of a project lifecycle. New offices in Saudi Arabia in 2026 and the UAE in 2027 will serve as regional hubs for Disguise’s expanding team, enabling closer collaboration with customers across MENA and providing key creative and technical support on the ground. Together with its partnerships and hires, these new entities reflect Disguise’s long-term commitment to being present for customers and partners in the region and continuing to support the delivery of ambitious immersive projects across the Middle East.

Digital Projection appoints Axion Displays in EMEA partnership

Digital Projection has announced a strategic sales and service partnership with Axion Displays GmbH. Under this new agreement, Axion Displays will serve as Digital Projection’s dedicated partner in the following designated territories: United Kingdom & Ireland; South-West Europe: Italy, France, Switzerland, Spain, and Portugal; Middle East: Saudi Arabia, Kuwait, Yemen, Oman, Bahrain, Qatar, United Arab Emirates, Turkey, Syria, Lebanon, Israel, Jordan, Egypt, and Iraq; North Africa: Morocco, Algeria, and Tunisia. The partnership is designed to provide local markets with enhanced access to Digital Projection’s award-winning projectors, backed by Axion Displays’ deep regional expertise and robust service infrastructure.

Bringing together former key members of the Digital Projection EMEA team, the new setup ensures a deep understanding of the product range and unmatched technical expertise. Backed by a strong relationship with Digital Projection’s parent company (Delta), the Axion Displays team provides customers with a seamless end to-end experience of the sales cycle. John Liu, Group Head of the Display Solution Business Unit (DSBU) at Delta Electronics, Inc., said, “Strengthening regional customer engagement and technical expertise is an important part of Digital Projection’s long-term display solutions strategy. The Axion team has a long history of championing the Digital Projection brand. With their deep level of technical expertise and familiarity with our technology, we are confident they will harmonise and further develop the sales and service function, ensuring customers benefit from exceptional local sup-

port and specialized application expertise.”

Commenting on the new setup, Dirk Siedle, general manager at Axion Displays says: “By combining world class projection technology with Axion Displays’ comprehensive market knowledge and service excellence, we are ensuring that customers and users in these regions receive the highest level of support and innovation.

Mediaproxy partners with HVS for US broadcast market

Mediaproxy has named Heartland Video Systems, Inc. (HVS) as its exclusive partner for US television broadcasting. The Wisconsin-based systems integrator will represent Mediaproxy’s full range of technologies in this

competitive sector, including LogServer and Monwall, and offer them as part of its installation portfolio. HVS was founded in 1997 and is headquartered in the city of Plymouth, Wisconsin. Over the years, it built up a regional network in other US states, providing equipment and integrated systems for major broadcasters while at the same time working in the AV and streaming sectors. In recent years, HVS has established itself as a specialist in NextGen Television, with over 60 prestigious ATSC 3.0 installations to its credit. As well as system integration, HVS provides consulting and engineering support services, while also partnering with leading broadcast technology brands and suppliers. In July 2025, the company was purchased by Dan Whealy, and it will remain a family-owned business.

Mediaproxy has become a leading developer of compliance and logging systems to major broadcasters and playout facilities. The company’s flagship product is the LogServer monitoring platform, which can work with all current terrestrial broadcasting and streaming formats, including ATSC 1.0 MPEG-2 based HD and SD, and ATSC 3.0 NextGen TV 4K/HDR. Mediaproxy’s Monwall multiviewer was recently expanded with the introduction of the Monwall Server, which gives capability for producing streams in a variety of low-latency formats and generating mosaics for multi-screen display. “We are proud to enter into a strategic partnership with Mediaproxy and further the adoption of their innovative solutions throughout the United States television broadcast market,” said HVS President Dan Whealy. “Having previously been a customer of Mediaproxy in my role as a broadcast executive, I have seen firsthand the operational value their technology delivers. As broadcasters navigate the increasing complexity of supporting both ATSC 1.0 and ATSC 3.0 services alongside streaming and multi-platform distribution, trusted monitoring and compliance tools are more important than ever. Mediaproxy’s cutting edge solutions, combined with HVS’s decades of broadcast integration experience and long-standing commitment to the industry, create a powerful offering that will help broadcasters manage the growing complexity of content monitoring, compliance, and distribution.”

Mediaproxy chief executive Erik Otto adds, “HVS has an enviable record in US broadcast technology as a systems integrator and trusted supplier. HVS established its reputation in the market and now Dan Whealy is taking the company into the future. We recognized this expertise and knowledge, which makes HVS the ideal partner for us in a vibrant and rapidly developing market. We share the same values and together will offer system solutions and supporting services that will greatly benefit US broadcasters.”

New Planar 21by9 series 5K LCD displays

Leyard Europe has introduced a line of premium 5K resolution 21:9 LCD displays designed to deliver panoramic viewing and enhance productivity. The new Planar 21by9 Series builds on the success of the industry leader’s innovation in creative visuals, featuring a cinematic ultra-wide digital canvas that is built to impress and designed to deliver superior visual performance. The product is available to order in Europe from Q3 via Leyard Europe.

The Planar 21by9 Series presents a commercial-grade 24x7 display solution with 81, 94 and 105-inch sizes in 5120x2160 resolution and running native at 120Hz refresh. The premium solution introduces a first-of-itskind quantum dot Mini-LED backlight coupled with dual-brightness enhancement technology, driving a wide colour gamut reaching 115 percent DCI-P3 colour space, 1,000,000:1 HDR dynamic contrast and peak brightness of up to 2,500 nits. The product line has advanced processing capabilities and up to 2,560 local dimming zones driven by Planar’s proprietary algorithm, achieving VESA DisplayHDR 1400 certification for the highest quality commercial LCD display ever.

The HDR10+ certified displays enhance picture quality and enable more dynamic content presentation. The series is ideally sized for popular unified communications and video collaboration platforms, enabling enterprise Consumer Electronics Control (CEC) management, and is equally suited for lobbies, retail and especially dramatic, private cinema. “The Planar 21by9 Series represents the pinnacle of commercial LCD visual quality, combining a cinematic 21:9 canvas with extraordinary colour, brightness, contrast and fast refresh rate to deliver a wow viewing experience,” said Sidney Rittenberg, Chief Executive Officer at Planar. “Designed for customers seeking premium visual performance, the series delivers stunning image realism that transforms how content can captivate enterprise users.”

Planar 21by9 Series comes in precision metal-mesh capacitive touch and non-touch versions. Users can

easily manoeuvre floating picture-in-picture in multiple input layouts. The entire line is compliant with the Americans with Disabilities Act (ADA) which means an installed depth of less than four inches from wall to front of display in any size. Developed and built with enterprise-grade security, the Planar 21by9 Series displays are compliant with the Trade Agreement Act (TAA) and designed and certified to meet the European Telecommunications Standards Institute (ETSI) EN 303 645, the most stringent global cybersecurity standard. This better protects customers from cybersecurity risks, offering peace of mind. Planar 21by 9 Series is also ENERGY STAR certified.

As part of Leyard Europe and Planar’s ongoing sustainability efforts, the Planar 21by9 Series displays are Material Safety Data Sheet (MSDS) compliant throughout the supply chain. MSDS ensures that components and parts that make up the finished product abide by strict chemical and raw material standards. Production of the Planar 21by9 Series occurs in facilities certified for International Organisation for Standardisation (ISO) 9001, 14001, 45001 and SA8000 environmental and social standards, while packaging is made with Forest Stewardship Council (FSC) certified paperboard raw material and printed with soy-based ink. The new Planar 21by9 Series will begin shipping in Q3 through Planar’s global network of authorised resellers and across Europe via Leyard Europe. The new Series will be on display at InfoComm 2026, Las Vegas June 17-19, at Booth #C7258 in a customised colour.

BrightSign launches enhanced device management solution

BrightSign has announced BrightSign Control Plus, a premium tier of its device management solution for digital signage players, BrightSign Control (previously bsn. Control). It comes in response to integrators and end-users needing greater management and visibility capabilities across distributed signage networks to maintain consistent experiences that are critical to business and operational performance. Control Plus is cloud-based, allowing users to scale, configure, monitor, update, and schedule actions for fleets of players, no matter where they are, with a single, easy-to-use dashboard. BrightSign Control Plus was purpose-built for IT managers, multisite operators, system integrators, and anyone who prioritises real-time visibility and ease of device management at scale across enterprise deployments. BrightSign Control, which is used across hundreds of thousands of players worldwide, remains included for free with the purchase of digital media players.

Key benefits include:

•Accelerate time-to-market by quicky provisioning and deploying fleets of players

•Maintain version consistency by updating fleets of players simultaneously with firmware, batch jobs, or job scheduling capabilities

•Facilitate geographical operations by grouping devices by location, region, or function

•Monitor and troubleshoot entire fleets with health

dashboards, logs, and automated alerts

•Reduce time and costs by remotely rebooting and reconfiguring devices in bulk

•Gain AI-powered help with diagnostics, system navigation, and more

•Works alongside existing CMS deployments

With the launch of BrightSign Control Plus, BrightSign’s existing software offerings have been rebranded to represent a more cohesive and unified portfolio:

•bsn.Control is now BrightSign Control

•brightAuthor connected is now BrightSign Author

•bsn.Content is now BrightSign Author Plus

“We’re giving customers unparalleled choice of intelligent digital signage, built-in form factors, and new subscription services, regardless of how they operate. This is all while maximising the benefits of enterprise-grade performance, reliability, security, and scalability that make BrightSign the standard in digital signage,” said Steve Durkee, CEO of BrightSign. “Whether customers want out of the box digital signage or tailored-vertical specific options through our expanded CMS and BrightSign Built-In (BSBI) ecosystem, BrightSign is making it easier and more advantageous for buyers to deploy best-in-class technology for unmatched value.”

Audinate expands Dante AVIO install

Audinate has announced three new additions to its Dante AVIO Install adapter series: Dante AVIO Install 4-Ch Analog Input, 4-Ch Analog Output, and 2-Ch In/2Ch Out Analog adapters, all featuring dual switched Ethernet ports that allow up to four units to share a single network drop via daisy chaining. Designed for AV integration, Dante AVIO Install adapters provide a compact, cost-effective way to convert analogue audio to Dante for both new and existing installations. Euroblock terminals support the fixed wiring that permanent installations demand, while an included bracket and Dante AVIO ClickGrid system give integrators the flexibility to mount adapters wherever they are needed under shelves, on rack rails, or secured to posts.

The new models allow for higher channel density when connecting to amplifiers, line mixers, DSPs, and other analogue installed AV equipment, reducing the number of adapters needed to convert multiple channels to Dante or handle bidirectional audio at a single endpoint. They are suited to applications ranging from single conference rooms and classrooms to audio distribution across buildings, campuses, and zones with centralized device management. By sharing a single network drop across up to four adapters, the new daisy chaining functionality significantly reduces the number of switch ports and cable runs required across an installation. This lowers overall network infrastructure costs and makes it easier and more cost-effective to deploy multiple adapters as systems grow.

As part of the Dante platform, all Dante AVIO Install adapters work with familiar Dante tools. Audio routing and configuration are handled in Dante Controller, while Dante Director and Dante Domain Manager add advanced capabilities including remote monitoring, logging and alerts, user access control, and more. “By combining higher channel density and daisy chain functionality, the latest Dante AVIO Install adapters give integrators an economical path to converting analogue endpoints to Dante at scale. They reduce the number of adapters, switch ports, and long cable runs required

across an installation, and fit directly into the Dante workflows and tools integrators already know,” said Jonathan Bailey, Lead Product Manager at Audinate. “Audinate has built one of the most trusted and widely adopted platforms in professional AV, and we’re proud to support the launch of these new Dante AVIO Install adapters in the U.S. market,” said Steve Kawasaki, Business Management Director for Audio Solutions at Midwich. “These new models give integrators even more flexibility and efficiency for installed audio projects.”

Q-SYS spans the workplace with comprehensive collaboration

QSC has advanced the Q-SYS workplace portfolio with the launch of the Q-SYS RoomSuite Collaboration Bar and Q SYS Scheduling Panel. QSC also announces that Q-SYS now integrates into Microsoft Places as a data integration partner. Together with recent expansion from earlier this year, the Q-SYS Full Stack AV Platform extends across the entire modern high-performance workplace including collaboration solutions, high-impact spaces, and communal spaces, and creates new opportunities for cloud-enabled standardization, space intelligence and user experience.

The Q SYS RoomSuite Collaboration Bar is a Windows-based device for Microsoft Teams Rooms, designed for simple configuration and deployment across common, repeatable collaboration spaces. This all-inone solution, currently in the process of achieving Microsoft Teams certification, features four high-resolution 50 MP cameras, a 16-element microphone array and integrated loudspeakers for fully integrated audio and

video. It ships with a dedicated 10.9-inch touchscreen for intuitive meeting and device control out of the box. Additionally, the Q-SYS RoomSuite Collaboration Bar supports up to four Q-SYS RoomSuite Table Microphone accessories, expanding audio coverage for larger or more flexible meeting environments and enabling participants to mute the call with a single button. Built on the Microsoft Device Ecosystem Platform, the Q-SYS Scheduling panel (QSP-11) is a certified for Teams solution designed to make room scheduling and booking simple and intuitive. It integrates with any Q-SYS system through Q-SYS Reflect and can be easily installed on conference room exteriors, walls, or glass surfaces. “Our collaboration with Q-SYS continues to provide customers with more choice of platform for Teams Rooms customers, combining the power of Teams Rooms on Windows with increased deployment simplicity,” said Albert Kooiman, General Manager for Microsoft Teams Partner Engineering, Microsoft. “This collective offering strengthens our joint support for the complex needs of high-performance workplaces.”

As Q SYS expands into a greater number of standardised collaboration spaces, Q-SYS Reflect unifies systemwide data and offers a simplified, cloud-based experience for monitoring and managing all Q-SYS systems including Q-SYS RoomSuite solutions and Q SYS Core-based systems. In addition, optional features within Q SYS Reflect Plus are designed to help streamline installation and maintenance workflows (with the ability to deploy preset and firmware updates across all Q-SYS RoomSuite systems) and provides visibility into advanced timebound space usage insights. Furthermore, through integrations with ServiceNow, Microsoft Teams Rooms Pro Management portal, and a growing ecosystem of Q-SYS Technology Partners, Q-SYS Reflect connects rich usage data into existing IT workflows, enabling clearer insight and more efficient management across the high-performance workplace.

Q SYS is proud to become a Microsoft Places Data Integration partner. This collaboration will accelerate integration between Q-SYS cloud-enabled solutions and Microsoft Places, with Q-SYS Reflect acting as connective highway for data-rich insights from both native Q-SYS devices and verified assets from the Q-SYS Partner Ecosystem into the Microsoft Places environment, supporting insights into booking, space planning, and workplace optimization. “We’re proud to continue expanding the Q SYS workplace portfolio to support more spaces across the modern workplace,” said Jason Moss, Head of Marketing and Ecosystem at Acuity Intelligent Spaces. “These new solutions give organizations greater flexibility and consistency as they reimagine employee experience and how collaboration works across high-performance workplaces.”

VITEC and LG to deliver large-scale IPTV and digital signage

VITEC has partnered with LG Electronics to deliver IPTV and digital signage over private 5G networks. The strategic alliance, which pairs VITEC’s existing technology with LG Electronics’ private 5G network expertise, aims to deliver a “wire-like” experience for mission-critical enterprise video. The integrated technology solution is well suited to sports and entertainment venues, as well as large public venues including airports, conference centres, hotels, and casinos. It enables IPTV and digital signage to be deployed without wired connections, allowing organizations to add screens without network drops, support portable or temporary installations, and extend existing systems to new indoor and outdoor areas without requiring costly cabling. “We’re very excited to be working with LG Electronics and bringing this private 5G technology to market,” says Eli Garten, Senior Vice President, Global IPTV & Partner Solutions, VITEC. “This combined solution gives large-scale venues flexibility to deploy IPTV and digital signage without the constraints of wired infrastructure. With video applications, performance has traditionally been a limiting factor over wireless networks, but with this new integrated solution with we can now confidently deliver the same low latency streaming and reliability our customers expect from VITEC.”

Private 5G networks are purpose-built, on-site cellular networks that operate on licensed spectrum, giving organisations greater control over performance, security and reliability. Unlike Wi Fi, which operates on shared, unlicensed spectrum and can be affected by congestion or interference, private 5G networks provide a more consistent and predictable environment suited to real-time video applications. “While private 5G is already being adopted across sectors such as manufacturing, transportation and healthcare, its use for enterprise video remains at an early stage,” says Joon Sung Lee, Private 5G Head in the LG Electronics CTO’s office. “Now, together with VITEC, we are demonstrating how video can be delivered reliably over next-generation wireless networks.”

Key customer benefits of the integration of VITEC’s IPTV and digital signage platforms with LG Electronics’ endto-end private 5G solution include on-site core infrastructure, distributed antennas, and centralised management software. A further advantage of private 5G is improved coverage, particularly in large or complex environments. Compared with Wi Fi, the technology offers greater range and improved penetration through walls and structures, making it well suited to environments that combine indoor and outdoor spaces. The solution has undergone extensive testing and is based on the integration of two existing, commercially available technologies. VITEC and LG Electronics aim to accelerate adoption by demonstrating how IPTV and digital signage systems can operate seamlessly over private 5G, enabling more flexible and scalable AV deployments.

Shure and Zoom introduce flexible solutions for Zoom spaces

Shure and Zoom Communications, Inc are reinforcing their commitment to customers by providing reliable, scalable meeting room solutions that easily standardise across Zoom workspaces and higher education environments. Shure now provides greater flexibility with the IntelliMix Collaboration Portfolio by offering the IntelliMix Room Kits and IntelliMix Foundation System for Zoom Rooms. Built to support the growing role of hu-

man-AI collaboration in meetings and learning, these offerings enable consistent, high-quality audio capture to support more accurate inputs in Zoom AI. Shure IntelliMix Foundation system includes a powerful compute with built-in IntelliMix Room DSP software, alongside an intuitive touch panel. The industry-first compute is designed to reduce or replace the need for external DSP components while delivering exceptional audio for very sophisticated AV rooms. For IT teams that want straightforward deployment and scalability across standard meeting spaces, they have the option to choose their preferred pre-configured IntelliMix Room Kit, which includes the same powerful compute and intuitive touch panel, the MXA902 Ceiling Array Microphone and Loudspeaker, and an intelligent camera from Huddly. With zero-touch provisioning, IT teams can choose quick and easy deployments based on the room size: whether it is a small space that requires just one microphone and camera, or a larger room demanding different coverage areas and multi-camera options. Together, these solutions give IT teams and AV professionals a variety of choices for rapid deployment in standard rooms and flexible building blocks for complex spaces. “The future of work demands spaces that are intelligent, connected, and designed for the AI era. Shure’s IntelliMix Collaboration Portfolio amplifies the power of Zoom Rooms through clear, consistent audio that drives Zoom AI’s most essential capabilities across any room, and any environ-

ment,” said Jeff Smith, head of Product, Workplace at Zoom.

Based on their needs, customers can choose:

• IntelliMix Foundation System Base Kit for advanced AV rooms

Built for sophisticated AV rooms and complex spaces, the IntelliMix Foundation System provides the flexibility AV professionals need to tailor rooms to unique environments. Ideal for lecture halls, divisible rooms, hybrid or HyFlex classrooms, and enterprise spaces, including large boardrooms and high-impact collaboration environments. Works with Shure’s Microflex Portfolio to precisely tailor your audio needs. Flexible video options, including cameras from the Shure Camera Partner Program or other supported camera choices.

• Pre-configured IntelliMix Room Kits for small to large rooms

Designed for fast, consistent deployment across small to large standard meeting spaces, IntelliMix Room Kits support organizations looking to standardise at scale. Ideal for IT teams seeking consistent performance and simplified management across rooms. Zero-touch provisioning enables simple installation and setup. Pre-configured, complete systems including premium microphone and loudspeaker, intelligent video, Windows-based compute for Zoom Rooms, and an intuitive touch panel.

Customers can choose from several kits based on room size: IntelliMix Room Kit 30 for small spaces, IntelliMix Room Kit 50 for medium rooms, IntelliMix Room Kit 70 for large rooms, and IntelliMix Room Kit 80 for larger rooms that require multiple cameras.

“Our deep partnership with Zoom provides the foundation for enterprises and educators to build modern environments that evolve with AI, rather than being constrained by it,” said Wayne Driggers, Director, Strategic Alliances at Shure. “Reliable, AI-powered communication starts with trust, and we want to ensure organizations feel confident when deploying the underlying infrastructure that empowers it”.

Through joint solutions, customers benefit from enterprise-grade security for meetings, lectures, and collaboration in Zoom. Using ShureCloud or Zoom Device Management, IT teams and AV professionals can remotely monitor, manage and update systems in real time to help reduce operational overhead and streamline IT workflows. With IntelliMix Room Kits and the IntelliMix Foundation System, organisations gain a cohesive, integrated certified solution, backed by a strong partnership, comprehensive global support, and future-ready technology. The IntelliMix Room Kits and Foundation System for Zoom are expected to be available this month.

Barco ClickShare earns ANSSI CSPN security certification

Barco has announced that the ClickShare CX-50 2nd gen has obtained ANSSI CSPN certification (Certification de Sécurité de Premier Niveau) from the French Cybersecurity Agency (ANSSI). With this recognition, Barco becomes the first and only player to achieve CSPN certification for a wireless conferencing system – and the only video conferencing hardware endpoint to date - giving organisations a third-party reference point when selecting meeting room technology for regulated environments. ANSSI evaluates IT products to ensure independent, rigorous security testing. When running software version 02.20.02, the ClickShare CX-50 2nd gen, including both the Base Unit and Button, meets the strict technical requirements defined in the certification scope.

Hybrid meetings increasingly include sensitive discussions. Hence, regulated organisations face growing pressure to install collaboration technology that can be trusted. In sectors such as government, defence, critical infrastructure, and large enterprises, independent security certification increasingly supports risk decisions and procurement requirements. “Security has long been part of Barco’s DNA and remains a business-critical priority in how we design and develop collaboration technology,” said David Martens, Head of Product Security at Barco. “With CSPN certification, we provide customers with an independent third-party reference that supports trust, compliance expectations, and security due diligence when deploying video conferencing in regulated and security-conscious environments.”

This French certification also has an extended scope beyond France. Issued under France’s CSPN scheme (Certification de Sécurité de Premier Niveau), it is recognised in Germany under the BSZ scheme through the CSPN-BSZ mutual recognition agreement between ANSSI and Germany’s Federal Office for Information Security (BSI), depending on the applicable scope and conditions.

EPOS “redefines” the interface of human and AI performance

EPOS has announced the upgraded IMPACT 1000 headset series. Engineered for the future of work and powered by EPOS BrainAdapt technology, the IMPACT 1000 sets a bold industry benchmark for voice pickup and cognitive listening fatigue. EPOS is hailing its latest product update as not merely a collaboration device; but a precision tool designed to bridge the gap between human communication and AI-driven productivity. In the modern professional landscape, audio quality is the foundation of digital success. With a word accuracy rate higher than 99 out of 100, the IMPACT 1000 provides the flawless voice input required for AI assistants and voice prompts to execute tasks correctly the first time. By delivering this level of precision, EPOS empowers professionals to leverage AI as a true force multiplier, driving productivity through a seamless interface of man and machine.

The IMPACT 1000 features the industry’s most advanced voice pickup technology. Utilizing EPOS AI, the headset employs machine learning to scan surrounding environments 32,000 times per second. This proactive technology suppresses disruptive noise while isolating and enhancing the user’s natural voice. The result is absolute clarity that outperforms the competition, ensuring the user’s intent is never lost, whether speaking to a global boardroom or a digital assistant. Søren Holm Printz, VP of Strategy & Product Management at EPOS, comments: “The IMPACT 1000 has been in the market for three years, and in that time, it has consistently prov-

en through rigorous, unbiased external testing that it is truly best-in-class. For professionals who refuse to compromise on precision speech clarity, this headset remains the gold standard. As we enter an era where we work alongside AI, the IMPACT 1000 serves as the vital link, ensuring that every word is captured with the scientific accuracy needed for both human understanding and AI execution.”

The IMPACT 1000 is currently certified for Microsoft Teams Open Office, Zoom, Google Meet and Webex by Cisco. Furthermore, a planned future software release will support Microsoft Teams and Zoom over native Bluetooth, providing professionals with more flexibility and seamless integration than ever before, via dongle-free communication. Søren added: “By updating our IMPACT 1000, we are futureproofing the ways of working now and years from now. With connectivity and flexibility, solutions like Native Bluetooth are becoming more widespread in professionals’ future everyday life. Additionally, the new IMPACT 1000 series has been streamlined from ten variants to just five, making it easier than ever to choose the headset that fits individual needs.”

At the core of EPOS audio philosophy is BrainAdapt, a unique approach of designing audio experiences that reduce cognitive load by supporting the brain’s natural way of processing sound. The technology is built to protect the user from listening fatigue and improve concen-

tration, and is equally optimised to assist the AI powered tools that support us. By providing a pristine data stream for AI processing, the IMPACT 1000 ensures that these advanced tools can perform at their peak, allowing the user to remain in a state of high-performance flow from the first meeting to the last.

The IMPACT 1000 offers total mastery over the workspace through Hybrid Adaptive ANC. This technology does not simply cancel noise; it intelligently adapts to the environment, creating a personal zone of focus in even the most challenging open-office scenarios. This environmental control is reacting instantly to changes in background noise, adapting to ideal levels of noise reduction.

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EPOS has announced the upgraded IMPACT 1000 headset series. Engineered for the future of work and powered by EPOS BrainAdapt technology, the IMPACT 1000 sets a bold industry benchmark for voice pickup and cognitive listening fatigue

ClickShare Hub adds wireless BYOD

Barco has announced the launch of Wireless Bring Your Own Device (BYOD) for ClickShare Hub, their modular video conferencing room system. With Wireless BYOD, users can run a Zoom, Webex, or Google Meet call from their own laptop in a room system, while using the room’s display, camera, microphone, and speakers. This allows organizations to start meetings from the video conferencing platform of their choice in a room system setup. Organisations standardise on room systems for security, consistency, and ease of use. However, hybrid work is rarely predictable. In day-to-day work, meeting invites may be scheduled on Zoom, Webex, or Google Meet. The reserved room may be unexpectedly unavailable, requiring a quick switch to another space. External guests may need to host from their own laptop. These scenarios can create delays, improvised setups, and unnecessary support requests.

Wireless BYOD for ClickShare Hub is designed to address these common situations. Employees and guests simply plug the next-gen ClickShare Button into their laptop to connect automatically to the room’s display, camera, microphone, and speakers – then start the meeting from their laptop. This enables meetings to run on the required platform while maintaining a consistent in-room experience, including wireless content sharing. For IT managers and integrators, Wireless BYOD can be enabled in a room system without additional room reconfiguration or extra wiring. It provides a standardised solution for common realities, including platform mismatches, last-minute room switches, and guest-led meetings, helping reduce urgent tickets and avoidable escalations. Wireless BYOD does not require new end-user hardware beyond the ClickShare Button already used for ClickShare experiences. “Room systems provide a standard for many organisations because they deliver a consistent, secure experience at scale,” said Jan van Houtte, Executive Vice President, Meeting Experience at Barco. “With Wireless BYOD for ClickShare Hub, Barco takes an important step in our strat-

egy to make meeting rooms more flexible, yet simple and secure, so people can collaborate with confidence in any situation.”

Avocor launch of its next-generation X Series

Designed for modern collaborative environments such as executive boardrooms, training rooms and other high-impact presentation spaces, the Avocor’s latest X Series is an all-in-one Direct View LED (dvLED) display platform which combines premium visual performance, integrated audio and simplified set-up in a sleek, enterprise-ready design. The X Series is non-touch and available in three formats: 135” (FHD), 162” (3K), and a premium 162” (4K) configuration. Ideal for immersive collaboration, the Series features modular Chip-onBoard (COB) LED technology, and each display delivers seamless visuals, 600-nit brightness, wide 170° viewing angles, as well as exceptional colour consistency across the entire screen. For close-viewing collaboration spac-

ware, the range enables a quick efficient installation that saves time and labour on-site. “Organisations are increasingly looking for collaboration spaces that deliver more immersive and engaging visual experiences without the complexity traditionally associated with large-format LED displays,” says Dana Corey, General Manager and SVP at Avocor. “Our new X Series has been developed to bring together premium visual performance, simplified integration and a modern design to help users create an impactful collaboration environment that is easy to deploy and manage.”

Designed with both performance and aesthetics in mind, the Avocor X Series features an ultra-slim 31mm cabinet depth and a clean, modern design that integrates naturally into contemporary workplace and learning environments. The durable COB construction helps improve resilience in high-use spaces, while the modular cabinet structure and front-serviceable access support faster installation and simplified maintenance. To maximise productivity and engagement straight from the box, the new X Series ships with pre-loaded software which includes RiseVision for dynamic digital signage functionality, and the market-leading Montage for instant wireless sharing and collaboration. The X Series is backed by Avocor’s comprehensive three-year global warranty, with an optional two-year extension available.

es and high-performance presentation environments, the premium 162” 4K model features ultra-fine 0.9mm COB LED technology to deliver even greater detail and image clarity.

Designed to connect seamlessly to any PC or conferencing system using a single power cable, the entire series pairs this high-end performance with a sleek, stylish design, highlighted by the narrow 15mm bezel and slim “chin” to maximise the screen-to-body ratio. The X Series’ “all-in-one” architecture combines integrated audio and modular LED technology in a streamlined platform designed to reduce system complexity and simplify installation. By removing the need for external speaker bars and additional processing hard-

D-Tools Cloud debuts inventory asset management

D-Tools, Inc has announced the launch of Inventory Asset Management in D-Tools Cloud, giving integrators complete visibility into individual physical assets throughout the project lifecycle, from receiving and warehouse management through installation and ongoing service. The new feature set moves D-Tools Cloud from count-based stock management to true per-unit asset tracking, giving every physical item its own digital

identity, including serial number, warehouse location, project assignment, actual unit cost, firmware version, MAC and IP addresses, and a complete asset history. Where traditional inventory systems aggregate items into product totals, D-Tools Cloud now tracks the exact unit. The feature is built for AV professionals who need to know exactly which unit is on which shelf, allocated to which room, installed at which customer’s home, and still under warranty on which P.O., unifying four previously fragmented workflows (warehouse intake, project allocation, field installation, and post-install service) under a single per-asset data model. “Our customers have been asking for better visibility into the physical assets moving through their business,” said G Paul Hess, CEO of D-Tools. “Inventory Asset Management gives integrators the ability to track individual devices throughout their entire lifecycle inside the same D-Tools Cloud platform they already use every day. This improves accountability, simplifies service workflows, strengthens inventory control, and helps integrators make better operational decisions.”

Key features of the product include:

•Unit-level asset tracking — Track every physical item individually with its own unique ID, serial number, warehouse location, project assignment, scheduled date, received date, unit cost, firmware version, MAC and IP fields, and full asset history.

•QR labels and serial number linking — Generate QR labels directly from D-Tools Cloud and associate assets with manufacturer serial numbers for accurate physical-to-digital tracking. Custom label fields, batch printing, and print history simplify asset management at scale.

•Barcode-driven workflows — Use barcode scanning to receive inventory against purchase orders, move equipment between warehouse locations, allocate devices to projects, and quickly identify installed assets. Batch workflows allow teams to process multiple assets in seconds.

•True per-unit cost capture — Capture actual cost at the time inventory is received, providing more accurate job costing, margin analysis, warranty tracking, and reporting throughout the asset lifecycle.

•Unit-specific project allocation — Assign specific devices to individual rooms, systems, and customer locations instead of simply allocating quantities. Service teams can quickly identify the exact unit installed at a customer site.

•Complete asset audit trail — Every asset change is logged, including who made the change, when it occurred, and what information was updated. Immutable tracking identifiers preserve the full history of each asset over time.

•Asset-level notes and service history — Store detailed installation notes, firmware updates, repair history, calibration information, and customer-specific details directly within each asset record, giving technicians immediate access to important service information.

•Bulk asset management — Edit, move, allocate, and reprint labels for multiple assets simultaneously through streamlined grid-based workflows designed to improve warehouse efficiency.

Inventory Asset Management helps integration firms improve operational efficiency, reduce costly errors, and strengthen long-term service capabilities across the business:

•Faster warranty and RMA resolution — the exact unit, P.O., and install date are one click away.

•Precise service history — every device gets its own repair, firmware, calibration, and maintenance record, so service calls dispatch with the actual history of the unit on the wall.

•Accurate job costing — true per-unit cost capture replaces catalog averages with the actual cost paid for each asset, improving COGS and margin tracking.

•Faster warehouse operations — barcode workflows compress receiving, allocation, and warehouse moves from minutes to seconds per item.

•Compliance and chain-of-custody — a complete audit trail satisfies regulatory, insurance, and audit requirements without bolting on a second system.

• Loss prevention and accountability — serialized trcking makes theft, swaps, and ghost inventory harder to hide, and integrators always know who has what.

•Smarter forecasting and upsell — visibility into installed components surface bad batches, high-failure units, and future upgrade opportunities based on new product introductions.

Inventory Asset Management extends the operational capabilities of D-Tools Cloud beyond quoting and project management into full asset lifecycle tracking. The feature set is particularly valuable for integration firms managing:

•Warranty and RMA workflows by serial number

•Large-scale warehouse operations

•ervice calls that need to identify the exact unit installed

•Compliance, audit, or chain-of-custody requirements

•Detailed project costing and profitability analysis

•Long-term customer asset management

Inventory Asset Management is now available in D-Tools Cloud. The feature entered beta with the May 14, 2026 release and is currently rolling out for general availability. QR labels launch with PDF output support, with direct Brother and Zebra printer integrations planned for future releases.

Ashton Bentley strengthens Cisco collaboration

Ashton Bentley, a Kramer company, has announced the launch of its new ABMX Display Mount range, strengthening its collaboration with Cisco and expanding its portfolio of meeting room solutions optimised for Cisco collaboration technology. The new range has been designed to provide a structured upgrade path for organisations moving from legacy Cisco MX Series deployments to next-generation collaboration spaces built around Cisco Room Bar and Cisco Room Kits.

ABMX systems are based on Ashton Bentley’s Cisco Certified Display Mount Chassis platform available in single and dual display configurations supporting displays from 43” to 115”. Compatible with Cisco Room Bar, Room Bar Pro, Room Kit EQ and Quad Camera, the systems include integrated mounting brackets, cable management, region-specific power distribution and magnetic front panels for easy service access.

Unlike traditional AV installations, these tool-less systems can be assembled in hours with no complex building work, reducing deployment time, cost and complexity. “Our collaboration with Ashton Bentley enables enterprises to manage upgrades to their collaboration investments in a scalable way.” said Tom Richards, Senior Director of Strategy & GTM at Cisco. “Customers with old, end-of-support Telepresence MX systems now have a simple and repeatable upgrade path to the latest Cisco Room systems that provide agentic AI powered collaboration experiences, intelligent device management tools, actionable workplace analytics, and up-todate, multi-layered enterprise security”

The Ashton Bentley architecture supports floor-to-wall, freestanding and mobile configurations, with the structural load carried by the floor rather than the wall. This allows deployment in glass walled offices, listed buildings and other environments where wall loading is restricted. “Our certified mounting solution established a new level of engineering alignment with Cisco,” said Roger McArdell, Chief Technical Officer at Ashton Bentley. “We are extending that collaboration further by delivering a globally consistent platform that removes much of the traditional complexity of AV upgrades.”

The Ashton Bentley Display Mount platform is also approved for Cisco deployments with Microsoft Teams Rooms in accordance with the Microsoft Express Install solution guidelines. Together, this joint solution means customers can future-proof their investments, and cost-effectively standardise their meeting spaces for any collaboration platform. The latest Cisco Room devices, based on RoomOS 27, offer flexible support for Webex, Microsoft Teams, Zoom, and Google Meet environments.

Optional AV infrastructure is available through Ashton Bentley’s TX2/DX2 two-box system, which replaces tra-

ditional rack-based AV equipment with a simplified architecture supporting uncompressed 4K video, USB-C and HDMI extension, BYOD connectivity and integration with the Cisco Room Navigator. “Together with Cisco, we’re redefining how organisations approach collaboration upgrades,” said Tony Leedham, Chief Commercial Officer at Ashton Bentley. “By enabling partners to package displays, Cisco Room Bars and Kits, and AV infrastructure within a modular platform, we’re helping establish a new benchmark for meeting room standardisation.”

Barco expands I-series with the new I65 projection platform

Barco has announced the launch of the I65, a new smartline projection platform built to bring reliable 4K UHD performance to a broader range of applications and to support today’s budget-conscious environments without compromising on performance. Combining image quality with flexibility and ease-of-use, the I65 expands Barco’s I-series portfolio, offering a complementary solution alongside the I600.

The I-series family is designed to make Barco-quality projection more accessible across a wide range of use cases. The I600 remains the go-to choice for multi-channel applications and scenarios requiring premium image quality, superior colours, higher refresh rates and Barco SuperShift resolution. The I65 complements the portfolio by addressing more budget-conscious use cases while maintaining the reliability and performance expected from Barco projection. All I-series projectors, including the new I65, support ILD lens compatibility which offers a complete interchangeable lens range, from ultra-short throw to long throw applications. A newly developed 0.35 snorkel ultra-short throw lens extends the platform’s capabilities even further, opening new possibilities in space-constrained environments. This flexibility allows users to standardize on one lens series across multiple setups, helping simplify logistics while optimizing long-term value.

Ease-of-use plays a central role in the I65 design. Its compact and lightweight form factor supports straightforward transport and installation, even with limited staff. Barco Pulse Lite software provides intuitive setup and control, while Barco Auto-alignment capabilities help ensure precise image positioning with minimal effort. Together, these features make it easier for teams to deploy and operate projection systems efficiently, regardless of technical expertise. Designed for use in museums, houses of worship, educational institutions, corporate meeting rooms, and rental workflows, the I65 enables customers to deliver engaging visual experiences while keeping operational complexity and costs under control.

With integrated Intel Smart Display Module (SDM) – a first within Barco’s projection portfolio – the I65 also opens the door to expanded functionality and future-ready workflows, including the ability to leverage IPMX (Internet Protocol Media Experience) in projection environments. “With I65, we’re expanding the I-series with a platform that brings together reliability, ease of use and affordability,” said Frederik Bouckaert, Product Management Lead Projection at Barco. “By combining accessible 4K UHD performance, flexible optics, and simplified operation, this new projector brings together the essentials of modern projection in one compact platform.”

Christie Spyder-S release 6.1 expands modular video processing

As live events and fixed installations continue to demand larger canvases, greater source flexibility, and increasingly sophisticated visual experiences, Christie is expanding the capabilities of its Spyder-S video processing platform with the release of Spyder-S 6.1. Built on a modular, distributed architecture, the Christie Spyder-S platform starts with a single 1RU frame and scales to 16 linked frames, supporting more than 200 million pixels on a single canvas without changing software or workflow. The result is greater flexibility, greater scalability, and the highest performance — at a lower total cost of ownership.

Designed for rental and staging, live events, and fixed installations, the new release introduces expanded connectivity, simplified management, and greater creative power—enabling teams to deliver more complex productions with greater efficiency and confidence. Two new frames expand connectivity: a DisplayPort 1.4 Frame, supporting background inputs up to 7680x2160 at 60Hz, and an SFP Frame supporting 12G-SDI and HDMI 2.0, with fibre for long-distance runs. An enhanced Configuration Manager, combined with broader internal and external controls, makes the platform simpler to set up and control. Added tools for testing, source monitoring of backgrounds and MEs, and safeguards to

help ensure live switching always goes as planned. Together, these features unlock the creative power of Spyder-S background inputs and mix effects: backgrounds render without consuming layers, and source mixing uses a single layer instead of two, freeing capacity for more content and larger canvases. “Live events and fixed installations continue to grow in scale and complexity, placing greater demands on video processing systems,” said Joel Daly, director of product management at Christie. “Release 6.1 gives our customers flexible connectivity for any show or installation, a platform that is faster to set up and manage, and the power of backgrounds and MEs to deliver larger, more immersive visual experiences.”

Spyder-S is built on FPGA technology and purpose-built hardware, delivering deterministic low-latency performance and consistent operation for demanding live environments. The platform supports a wide range of applications, including rental and staging, fixed installations, corporate events, broadcast environments, sports venues, and large-scale entertainment productions. Daly added, “Spyder-S release 6.1 reflects what our customers need most: a system that grows with each production and delivers consistent, dependable performance. With its modular, distributed architecture and expanded capabilities, this release gives teams a more adaptable platform for taking on increasingly ambitious live events and fixed installations.”

Proton unveils PROTON LS camera

PROTON Camera Innovations GmbH has announced the launch of the PROTON LS, a miniature broadcast camera housed in a cylindrical lipstick-style chassis designed for the most demanding wearable and on-vehicle applications. The PROTON LS is built around a 1/3inch global shutter sensor, delivering high 12-bit dynamic 1080p capture with full HDR compliance across HLG, PQ, and S-Log3 gamma curves. Unlike rolling shutter sensors, which can introduce wobble or skew during high-speed movement or vibration, the global shutter reads the entire frame simultaneously. Furthermore, with an IP67 weather-sealed housing measuring just 19mm in diameter and 58mm in length, and weighing approximately 50 grams including cable, the PROTON LS can be mounted almost anywhere, without the need for a specialist mount.

Operating across a 4V-22V range with a total power draw of just 2.5W, the LS integrates discreetly into existing broadcast workflows without demanding additional power infrastructure. Multiple protected lens options will be available, allowing users to tailor the field of view to their specific application. All of these factors combine to make the PROTON LS ideal in rugged, fast-paced, outdoor conditions, and the camera has just successfully completed its first round of Tier One deployments, where it was used in two of the biggest rally sport events of the calendar. The production teams involved praised the camera for its ability to bring audiences right down into the action, with grille and roll-cage mounting giving both low-angle and driver’s eye viewpoints, immersing viewers in the mud-spattered, precision-cornering, high-octane speed of the race.

But applications are not limited to motorsports. Like all PROTON cameras, the design of the PROTON LS - not just in terms of miniaturisation and form-factor, but in terms of the technology embedded within - means it can be flexibly applied in a wide range of contexts. In particular, the LS’ low thermal output means it is particularly suitable for above-ear mounting, meaning it can be mounted on referees or even athletes, and deliv-

ers perfect POV shots without inconvenience to the wearer. The PROTON LS joins a growing range of miniature broadcast cameras from Proton, all of which leverage the company’s core competency in miniaturisation but offer distinct feature permutations so that users can match the camera precisely to their application. The result is an ecosystem where the only limitation is creative imagination.

This includes PROTON CAM – the smallest broadcast-grade camera on the market, the PROTON 4K for ultra-HD capture, the PROTON ZOOM with integrated variable focal length lens, the PROTON RAIN with full weather sealing, the PROTON FLEX and 4K FLEX, which separate the lens head from the processing unit via a flexible cable, and thus allow for deployments in the tightest of spaces (as well as increasing use in major cinema-driven 3D deployments), and the PROTON PRO, with 2/3-inch global shutter sensor, integrated Genlock, audio input, aux control, and a C-mount lens interface all in a ready-to-deploy package. Marko Ho-

peken, CEO of PROTON Camera Innovations, said: “The PROTON LS is the perfect addition to our expanding line-up. Across the entire range, common threads persist: broadcast-grade image quality, robust engineering, and the flexibility to be deployed in locations that conventional cameras cannot reach. From tennis nets and goal frames to drone undercarriages and helmet visors, PROTON cameras have become a quiet fixture across the world’s most demanding sports productions”. He continued: “The LS is the latest piece in a broader strategy. We are building a family of miniature broadcast cameras, each optimised for different deployments, whilst remaining flexible and adaptable across a broad range of contexts, and all sharing the same DNA of exceptional image quality and rugged reliability. Whether a production team needs the ultra-compact PROTON CAM, the weather-sealed RAIN, the flexible FLEX, the all-in-one PRO, or now the lipstick-shaped LS, they can choose the right tool for the job. The only limitation is their creativity”.

Planar engineers MIP (MicroLED in Package) innovation

Planar has introduced two cutting-edge engineering breakthroughs with the launch of Planar EverPixel and Planar TruMicro LED technologies, available in Europe via Leyard Europe. Unleashing the next evolution of display performance, both technologies are designed and manufactured with a proprietary process exclusively from Planar. “Planar has long been a proven technology pioneer and has an unmatched history of bringing groundbreaking technologies to market,” said Sidney Rittenberg, Chief Executive Officer at Planar. “Today, this continues with the release of our new proprietary EverPixel and TruMicro technologies, driving the most advanced MIP development and delivering the next LED technology surpassing COB.”

Building on the MicroLED in Package (MIP) architecture and working in combination with Planar’s TruMicro, EverPixel technology eliminates the LED substrate and delivers manufacturing efficiency through fewer parts, processes and components. Exclusively from Planar, the technology doubles the number of red, green and blue (RGB) subpixels, providing a solution with built-in redundancy that effectively eliminates the concern of pixel outages and powers everlasting LED performance. By soldering the chip electrode directly to the LED package, Planar delivers unmatched reliability, eliminating the risks of wire breakage or poor contact found in traditional gold and copper wire bonding. The light output surface eliminates metal occlusion to unlock five-sided light output. This drastically increases light efficiency and opens up ultra-wide viewing angles free from colour distortion or dimming.

The performance of Planar’s proprietary TruMicro LED technology exceeds that of any visual technology available today by introducing LED RGB subpixels that are remarkably smaller. Comprising MicroLED subpixels as small as 20 micrometres (μm), and reducing height and positioning the subpixels tightly together, TruMicro improves the uniformity of mixing and delicacy of colour blending, nearly eliminating colour separation or colour

shift concerns. It also enables enormously enhanced viewing angles. Together, these innovations ensure optimal chip performance at the packaging level by mounting substrate-free, common-cathode RGB flip chips. Through advanced mass transfer soldering directly onto the packaging substrate, Planar achieves exceptional subpixel accuracy. By controlling chip offset to within 2μm, the spacing between subpixels is greatly reduced, resulting in a more seamless, high-resolution visual quality.

Planar’s TruMicro features the well-established, quality-control practice of binning LEDs. This process, which leverages a larger quantity of units and can continue to grow over time, achieves remarkable brightness and colour uniformity. Together, EverPixel and TruMicro technologies fit into an extremely small package with the capability to support pixel pitches smaller than 0.4 millimetres.

Optoma expands short throw projection line-up for golf simulation

Optoma has introduced three compact short throw projectors designed to bring brighter, sharper and more flexible big-screen experiences to golf simulation spaces, home entertainment rooms and professional environments. Already established as one of the leading projector choices for golf simulation enthusiasts, Optoma’s latest line-up reinforces its commitment to the category with purpose-built models that deliver the brightness, accuracy and installation flexibility needed to create more immersive virtual golf experiences.

Optoma has expanded its short-throw projection range with the GT2200HDR, ZH521ST, UHZ36STe and ZK521ST, four compact models built to support immersive golf simulation, flexible installation and high-impact viewing in everyday spaces. As golf simulation continues to move from specialist venues into homes, training studios and multi-use commercial spaces, installers and consumers need projection technology that can deliver bright, accurate and dependable images from close range. Optoma’s latest short-throw line-up responds to that demand with high brightness, compact form factors, long-life light sources and installation features designed for real-world environments.

The GT2200HDR offers a bright Full HD 4LED option for users looking for a compact, energy-efficient projector for golf, gaming, sports, and home entertainment. Unlike many short-throw projectors that use a fixed lens, the GT2200HDR features a 1.2x zoom lens and 0.69–0.82:1 throw ratio, giving installers added flexibility when positioning the projector and fine-tuning the image to suit different room layouts. The ZH521ST steps up performance with 5300 lumens, Full HD DuraCore laser technology and IP6X certification, while the UHZ36ST (4000 lumens) and ZK521ST (5000 lumens) bring True 4K UHD detail, with HDR and HLG compatibility to more demanding simulation and pro-

fessional applications. The UHZ36STe features a purpose-built 0.496:1 throw ratio and dedicated golf sim picture modes. These modes deliver lifelike greens and blues with impressive detail, even in well-lit environments, and are carefully tuned to provide optimal colour grading for golf simulation setups.

For golf simulation, the ZH521ST & ZK521ST have been enhanced with a purpose-built 0.79:1 throw ratio and curated golf sim picture modes. Optoma has also worked closely with colour experts at GSPro to develop a dedicated GSPro mode, helping create a more immersive and true-to-life playing experience for virtual fairways, greens and practice environments. Short-throw projection is central to the range. By allowing large images from close to the screen or wall, each model helps reduce shadows and supports more practical installation in smaller rooms, simulator bays and shared spaces. The ZH521ST, UHZ36STe and ZK521ST also support 360-degree and portrait projection, giving installers greater flexibility when designing golf simulation environments or multi-purpose AV systems.

Alongside performance, Optoma has prioritised sustainability and ease of ownership. The GT2200HDR uses efficient 4LED technology, while the ZH521ST, UHZ36STe and ZK521ST feature DuraCore laser light sources for up to 30,000 hours of operation without the need for additional lamps. Each model is designed to

reduce power consumption compared to lamp-based projectors, while offering the reliability required for regular use. Control and management are also built in. The Optoma Smart Control App gives users the flexibility to power devices on and off, adjust volume, set display modes and make image corrections from a mobile device. For professional environments, the ZH521ST and ZK521ST also support Optoma Management Suite, enabling remote monitoring, scheduling and control to help reduce downtime and streamline operation.

With this expanded line-up, Optoma is addressing a growing need for projectors that can support entertainment, sport and simulation with the brightness, flexibility and reliability expected from modern projection. From entry-level Full HD 4LED performance to high-brightness Full HD laser and True 4K UHD laser projection, the GT2200HDR, ZH521ST, UHZ36STe and ZK521ST give users a choice of solutions for creating more convincing, practical and engaging golf simulation spaces.

Xilica introduces Dynamic Voice Lift in Designer v4.12

Xilica has announced the release of Dynamic Voice Lift, a new feature in Xilica Designer v4.12 that brings adaptive speech reinforcement to large meeting spaces, classrooms, and auditoria. Traditionally, voice lift systems rely on fixed speaking positions or multi-zone microphone outputs to deliver consistent audio reinforcement. Dynamic Voice Lift removes these limitations. With Dynamic Voice Lift, Xilica systems automatically adapt in real time to the position of the active speaker— enabling clear, balanced speech reinforcement across the room, even when using single-output ceiling microphones such as the Sennheiser TeamConnect Ceiling Medium and Sennheiser TeamConnect Ceiling. This allows integrators to deliver spatially aware voice lift performance without requiring complex zoning or additional hardware.

Dynamic Voice Lift supports environments where conversations move naturally around the room, including:

•Large boardrooms with distributed seating

•Classrooms with both instructor-led and student participation

•Flexible spaces used for presentations, discussions, and workshops

Key benefits include:

•Clearer speech, everywhere – consistent intelligibility regardless of speaker location

•More inclusive communication – every participant is heard equally

•Zero user effort – no need to stand in specific locations or switch presets

•Greater room flexibility – one setup supports multiple use cases

Dynamic Voice Lift extends advanced voice lift capabilities to a wider range of microphone systems, simplifying deployment while improving the user experience. The feature is available now in Xilica Designer v4.12.

AV and innovation in the theatre

Theatrical performances are increasingly dependent on AV technology for storytelling, special effects and immersion to enhance the audience experience. The AV fundamentals of immersion, interactivity, and intelligent automation are being adopted in theatres, whereas, at one time these tools were the exclusive preserve of concerts and large-scale events. The result is a shift toward productions that feel more cinematic, responsive, and spatially fluid. But to some, even the introduction of amplification to Shakespear’s Globe is tantamount to Bob Dylan ‘going electric’. Here are some of the trends we have picked up on and some of the reactions.

‘Theatre’ describes a collaborative performing art that uses live performers, to present experiences of a real or imagined event before a live audience in a specific place, usually a stage. Traditionally, performers communicate this experience to an audience through combinations of gesture, speech, song, music, and dance. But today, these physical human skills are often supplemented by a bunch of AV technologies which set these performances in context, add additional layers of understanding and increase the accessibility of the performance.

Enhancing visual environmments

Immersive visual environments are created with high resolution LED walls, curved LED structures, and large scale projection mapping, all of which are now core storytelling tools in theatre. They replace traditional static scenery with dynamic, reactive environments that can shift instantly from one location to another. Hybrid once again is a notable trend with productions blending phys-

ical sets with digital content to create scenic worlds, while allowing real time scene changes, 360° scenic immersion and cinematic realism and stylised digital worlds.

For reasons of both extending the nature and functionality and at the same time addressing the economics and sustainability of theatre, AV is no longer an ‘add on’, it is embedded into the scenic language from the start. Production design lighting palettes, motion graphics, and projection content are used as part of the drama. These developments are driving change in the workflow of theatre. Scenic, lighting, and video teams collaborate earlier than in the past. Sets are designed to look good both live and on camera, particularly when productions are to be streamed.

AV technologies can even be used to create a theatre space form structures built for an entirely different purpose. For example, the transformational quality of AV technology in the theatre, Brompton Technology’s Tessera LED video processors have been deployed in the portrayal of a dystopian future in ‘Oscar At The Crown’.

This is an innovative theatrical experience running in a converted basement venue beneath London’s Tottenham Court Road. The production showcases how advanced LED processing technology can transform intimate spaces into powerful storytelling environments. Set in a post-apocalyptic world where climate change has torn society apart, ‘Oscar At The Crown’ follows a group of people exiled for their libertarian views.They have found refuge in a disused underground bunker that once served as a bar. To maintain their sanity and spirits, they perform a nightly musical celebration of Oscar Wilde, reimagined for the modern era with rock music and unbridled expression.

The production utilises a Brompton 4K Tessera SX40 LED video processor paired with a Tessera XD 10G data distribution unit and redundancy system, all supplied and supported by Stage Sound Services. The centrepiece is a 10m by 2m INFiLED AR series 2.97mm pixel pitch LED wall, concealed behind a two-way mirror that dramatically reveals itself during key moments of the show. The narrative weaves together themes of free expression and survival, with an unexpected focus on Julie Cooper from ‘The OC’, who the characters believe predicted humanity’s downfall through social media, noting that Twitter and ‘The OC’ launched on the same day. The LED screen displays live camera feeds so audience members at the bar can watch the performance, graphics for post-show DJ sets and animated content synchronised to performers’ voguing movements.

Sustainability in the theatre

New workflows have an additional benefit - sustainability can now be integral to the process. By 2025, 60% of venues were expected to adopt sustainable theatre practices, including energy efficient lighting, modular LED systems, and reduced waste scenic design. As the use of AV becomes increasingly sophisticated, these technologies are reshaping theatrical storytelling. New technologies also expand the visual vocabulary of stage-

craft. They allow rapid scene transitions without physical set changes, making productions more tour friendly and scalable. What’s more, the addition of AV to theatre enables modern audience expectations - shaped by film, gaming, and immersive art – to be met and even exceeded by enhancing accessibility (with captioning, translation and sensory immersion).

Nowhere is this more apparent than in productions for younger theatregoers. ‘Paddington: The Musical’ was planned to deliver a richly immersive theatrical experience, bringing the beloved character’s world to life through detailed scenic environments and visual storytelling. However, achieving this within a historic London theatre presented significant challenges. The production required full scenic video coverage across multiple architectural surfaces, including moving and flown set pieces, while ensuring that projection technology remained completely invisible to the audience.

At the same time, the system had to withstand the stringent realities of live theatre: tight rehearsal schedules, overnight maintenance windows, and the expectation of flawless performance in each and every show.

Panasonic projectors were selected to deliver the required brightness, colour fidelity, and reliability without compromising the aesthetic integrity of the space. A combination of Panasonic RQ35 and RQ25 series projectors was integrated into the venue. The selected solution balanced high-output performance with compact form factors and quiet operation, enabling projectors to be positioned front-of-house and above the audience without drawing attention. The projectors were complimented by a dedicated LED display, a rare hybrid approach that required precise planning and tuning. The result was a projection system capable of delivering large-scale scenic imagery that blended seamlessly into the physical set, supporting the narrative rather than competing with it. Projection was planned to enhance the unique production style, in which video was treated from the beginning as a core storytelling tool rather than a merely decorative layer.

The use of AV technology enables classic tales to be reimagined in more immersive formats. When Roald Dahl’s Charlie and the Chocolate Factory first delighted readers in 1964, few could have imagined the scale of

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theatrical spectacle it would inspire decades later. Today, the Asia touring production, directed brings Roald Dahl’s fantastical world to audiences across Shanghai, Beijing, Taipei, Singapore, Hong Kong, Manila, Seoul and beyond. It is a rare gift to be able to return to a beloved and familiar project like this and be given the opportunity to reimagine it,” says Matt Lenz, director of the Asia touring production. “I wanted this production to be even more magical and more visually engaging than ever before. I wanted the show, like Willy’s factory, to be surprising at every turn and to take the audience on a journey of imagination.”

Designing a production of this scale for an international tour presents a unique challenge. How do you preserve the visual magic and storytelling precision of a Broadway show while adapting to constantly changing venues, sightlines and technical constraints? For this global tour, the answer lay in reimagining the show’s visual language from the ground up, all centred around INFiLED’s AR Series LED panels. Earlier iterations of the production relied heavily on projection mapping and 9 mm pitch LED walls. While effective at the time, those technical limitations shaped the aesthetic in restrictive ways. “Projection was used to differentiate the various rooms of the chocolate factory with lots of shadow work and delicate accentuations of the scenic piece,” says Jeff Sugg, video and projections designer. Resolution constraints proved limiting: “The aesthetic was bound by the fact that the walls were a 9 mm pitch,” Sugg states. “As a result, it was imperative that the content didn’t lean on gradients or soft edges within the fades and design structure.”

For the global tour, the creative team, which includes Sugg, the video system designer and lead integrator from Stage Sound Services of Cardiff, Wales. The system needed to support large-scale spectacle, while also delivering intimate, nuanced storytelling moments. Crucially, it also had to be entirely roadworthy. The production introduced 136 INFiLED AR Series panels, forming a 7.5 x 6 metre main LED back wall and two automated tracking sliders, each measuring 2.5 x 6 metres. The

INFiLED AR Series (now upgraded to the ARmk2 Series) was selected for its fine 2.9 mm pixel pitch, lightweight cabinet design and flexible installation system. Panels can be stacked to big heights while retaining stability, curved up to 10 degrees and accessed from both front and rear for efficient maintenance.

Theatre sound enhancements

Advanced audio technology has also been adopted by theatre in efforts to make theatre more engaging and immersive. For example, spatial audio has moved from concerts into theatrical venues. Audiences now expect sound that moves around them, placing them inside the narrative. This includes object based audio, 360° sound fields, and location aware speaker arrays. These advances support hyper realistic environments (e.g. storms or crowds), character specific audio localization and more emotional, enveloping sound design.

As an example of innovative sound design, the staging

of ‘The Rise’, a new large-scale production from choreographer, composer and director Romain Rachline Borgeaud and his RB Dance Company, at the Dôme de Paris. The production plunges 34 dancer-vocalists into a post-apocalyptic world with a kinetic multi-level set of trapdoors and moving platforms. The score ranges from industrial percussion to symphonic orchestration and blues-rock. The set design has no room for traditional speaker towers on either side of the stage. The production demands a sound system that can separate every layer without reaching uncomfortable levels in a sealed arena. The sound designer, Jaï Louvet, proposed an L-ISA Immersive Hyperreal Sound solution.

The design process began in a studio environment, developing the L-ISA pre-encoding workflow on a smaller rig of X8 and KS21 speakers. When the system moved to the full L2-based rig at the Dôme de Paris, everything translated: the pre-mixed sessions behaved in the large room exactly as they had in the studio. Soundvision was used to model L-ISA coverage across the Dôme – a circular arena with no straight sightlines

– confirming that 88% of seats would receive consistent level and tonal balance across all five hangs, with 98.8% of the audience within useful coverage.

The impact of AV technology in the theatre is often disguised or concealed to reduce its impact on a traditional environment. Shakespeare’s Globe is one of the most acoustically and architecturally singular performance spaces on earth. A meticulous reconstruction of the open-air Elizabethan playhouse where Shakespeare himself premiered Hamlet, Julius Caesar and King Lear, it is built from English oak using 16th-century mortise and tenon joinery. And it holds the distinction of being the only building in London permitted to have a thatched roof since the Great Fire of 1666. Its circular structure wraps the audience on three sides around a wide, thrust stage, with 600 standing audience ‘Groundlings’ in the open pit and 1,000 seated in the three tiers of gallery seating rising steeply above them, with the closest boxes barely metres from the actors. It is a space designed from the outset for the unaided human voice. The intimacy and acoustic directness of the design are treated as fundamental to the experience of Shakespeare’s theatre.

At the end of last year, the Globe staged a brand-new musical, Pinocchio, as part of its festive season run in the open-air theatre. This production was aimed at families, and Pinocchio’s creative team recognised that a live band, songs and young audience members called for temporary sound reinforcement – without changing the fabric or aesthetic of the theatre, and with respect to the unique Globe audience experience. Amplification has been used across the years of the Globe’s history, especially for special events such as music gigs, comedy shows and poetry events, but as one of the last-remaining unamplified theatres, the Globe is proud to champion the power of the unamplified human voice across its year-round activity. However, a musical during winter in the open-air presented real challenges for ensuring they produced a world-class experience for families coming to the theatre. The solution had to be transparent, with sound that audiences would feel rather

than notice. L-ISA Hyperreal’s object-based spatial audio distributes individual sound sources across a multi-array configuration to align what audiences hear with what they see on stage, making that level of naturalness achievable. Any sound design would need to earn its place without drawing attention to itself. How did the installers achieve the objective of an example audio solution? The most distinctive element of the design was the spatial fill system deployed across the theatre’s gallery boxes!

With slightly less challenging constraints, the City Springs Theatre Company, based in Sandy Springs, Georgia, mounts four large-scale Broadway-style musicals each year. Each production is staged at the Byers Theatre within the Sandy Springs Performing Arts Centre - a 1070-seat venue requiring the production team to “build the show house” from the ground up each time. Producing The Wizard of Oz posed both artistic and logistical challenges. The load-in period was just over a week, half the normal time. From a creative standpoint, the show demanded sonic storytelling that could balance orchestral grandeur, environmental effects and vocal clarity. The biggest challenge was providing clarity to cacophonous moments. During the tornado sequence, for example, “we have to be swallowed by this tornado... but we also have to hear the orchestrations clearly.” Achieving that clarity required precision control of placement, movement, and intelligibility -made possible only through a robust, flexible Dante infrastructure connecting every piece of gear digitally. The Wizard of Oz sound design hinged on a TiMax-based spatial audio system. The TiMax SoundHub processor and D4 tracking system create delay-based spatialisation - placing each performer’s voice in its physical onstage location with near-millimetre accuracy. Audience members and colleagues alike noted the crystal-clear intelligibility and spatial realism. “It sounds better than some Broadway shows,” one member of the team commented. Others praised that they “understood more of the words in your shows there than I do in a Broadway show generally.” This reaction wasn’t just about volume or clarity; it was about how the sound occupied the theatre space, enveloping the audience in a fully immersive experience. In the company’s earlier years, sound was the area that needed the most improvement.

Emerging theatre technologies

Cutting-edge AV applications in theatre now include the use of VR & AR to enhance productions. Perhaps inevitably, AI is becoming a backbone of live event production, and theatre is adopting similar workflows. AI tools now support automated captioning and translation, real time content generation. predictive audience analytics, intelligent lighting and camera tracking - and even per-

sonalised or adaptive performance and plot elements. AI powered personalisation has been shown to increase audience satisfaction by up to 40% in live event contexts, and theatres are beginning to explore adaptive experiences.

Theatre is increasingly blending physical and digital participation in hybrid productions. This includes interactive screens and touch responsive scenic elements, audience driven narrative branches and Integrated social media ready environments. The concept of hybrid digital and in person performances is combined in streamed performances to expand audiences. Hybrid formats are now a strategic differentiator for performing arts organisations competing with digital-only platforms.

Augmented and Virtual Reality (AR / VR) and are beginning to influence how consumers think about enter-

tainment and performance. These technologies are versatile and can be used both to enhance the consumer’s experience without altering the essence of theatrical representation or to completely transform performances compared to classical theatre. The concept of Augmented Reality was first introduced in 1992, but the real breakthrough came between 2010 and 2015, with the advent of VR headsets. In 2015, Microsoft’s HoloLens introduced the ability to overlay virtual objects onto the real world, fostering new experimentation. In the same year, a platform called The Void was launched, becoming popular thanks to hyper-real experiences that combined virtual reality with interactive physical environments. The COVID-19 pandemic provided a strong push for the adoption of immersive technology, forcing theatres worldwide through necessity to experiment with digital formats and virtual experiences.

The immersive technology market is expanding, driven by sectors such as entertainment, education, healthcare, and business. In 2023, the value of the immersive technology market was $29.13 billion, and future projections indicate it will reach $134 billion by 2030, with an annual growth rate of over 25%. In live events and theatre these technologies have increasingly been used. AI is being used to shape VR and AR experiences which enhance interactions and make them more accessible and natural. As smart glasses, and even the latest generations of headsets, become more powerful and lighter, their adoption is less problematic for users in the theatre world. The deployment of XR technologies in entertainment is becoming societally commonplace. And it could be happening faster than you think – in the UK, The National Theatre, in collaboration with Accenture and a team of speech and language experts led by Professor Andrew Lambourne, has developed “smart caption glasses” solution as part of their accessibility program for their theatrical performances. First trials of ‘smart caption glasses’ were held in 2018!

L-Acoustics L-ISA immerses audiences in ‘The Rise’

In the New Republic, the workers are underground and the revolution is coming. ‘The Rise’, the new large-scale production from choreographer, composer and director Romain Rachline Borgeaud and his RB Dance Company, plunges 34 dancer-vocalists into that world - a post-apocalyptic musical staged in English, with a kinetic multi-level set of trapdoors and moving platforms and a score that ranges from industrial percussion to symphonic orchestration to blues-rock. The production is designed specifically for Zénith-format venues seating 4,000 to 6,000 and premiered at the Dôme de Paris in April 2026, selling ten dates. It returns for a full Paris season in March 2027 and a national Zénith tour that autumn.

A production built around a kinetic, multi-level set has no room for speaker towers on either side of the stage. And a score this dense, with 34 live voices stacked over pre-recorded beds, demands a sound system that can separate every layer without pushing the SPL to uncomfortable levels in a sealed arena. RB Productions brought in lead FOH engineer Arnaud Bayssat and system engineer Pierre-Louis Charles, assisted by Jaï Louvet who did the original system design, who together proposed an L-ISA Immersive Hyperreal Sound solution. Bayssat has worked with L-Acoustics for nearly two decades. “For musical theatre formats that require high definition at contained acoustic levels, I have always been drawn instinctively to L-Acoustics,” he explains. “For ‘The Rise’, L-ISA became an obvious choice because it offered a different approach to speaker placement, a better fit with the stage design, and above all the unmasking capability I needed to handle such a dense mix.”

Bayssat began the design process in a studio environment, developing the L-ISA pre-encoding workflow on a smaller rig of X8 and KS21 speakers. When the system moved to the full L2-based rig at the Dôme de Paris, everything translated: the pre-mixed sessions behaved

in the large room exactly as they had in the studio. Charles used Soundvision to model L-ISA coverage across the Dôme – a circular arena with no straight sightlines – confirming that 88% of seats would receive consistent level and tonal balance across all five hangs, with 98.8% of the audience within useful coverage. “At first I was a bit sceptical that the coverage we simulated in the studio would translate to the venue,” admits Charles, “but it actually performed even better than I had imagined.” Soundvision also calculated the system’s total weight and rigging load, an essential given the volume of flown scenery and machinery already competing for points above the stage.

The L-ISA Scene system at the Dôme de Paris is built around five hangs, each comprising one L2 and one L2D, with six KS28 subwoofers in cardioid configuration flown centrally. Fifteen 5XT loudspeakers provide spatial fill; two pole-mounted X15 HiQ serve as out-fills, with two further L2D available as flown out-fills for wider venues. These are deployed in 70° configuration via Panflex and the supercardioid preset to preserve L-ISA

perception and minimise interaction with the Scene system. Four X12 for stage announce; eight 5XT cover backstage; a pair of X4i and X12 handle special effects on stage. At FOH, an L-ISA Processor II handles all real-time object-based audio rendering, alongside a P1 Processor for system tuning and LA Network Manager on a dedicated Mac Mini. The amplification network of 14 LA7.16, five LA12X and four LA4X amplified controllers runs on a fully redundant Milan-AVB network via 14 LS10 switches. All amplifiers are flown alongside the Scene system to minimise cable runs, and all hangs except the out-fills are rigged with CLAMP-1000. Throughout the project, L-Acoustics Application Project Engineer Jean-Charles Schmid was present from first design conversations, including an introductory visit to the Marcoussis campus, through to the final show, providing regular technical reviews and optimisations at each stage. “Jean-Charles was an absolutely perfect support throughout, from design to pre-encoding to the big room,” reflects Bayssat. “We are really enriched by those exchanges.” The production ran with no stage

monitors at all, a decision taken to protect the live vocal recordings and eliminate stage spill, made possible by the tight directivity of the L2, which left stage and backstage areas virtually silent. Far from creating problems, the quiet stage was welcomed by the technical crew managing concentration-critical tasks in the wings. The audience noticed: “It is rare for people to talk about the sound at a show,” observes Bayssat. “We were surprised to have people mentioning it – to say it was good.” The system logged no failures across the entire residency. And for Bayssat, the defining moment came earlier: the first rehearsal in which all 32 singers performed together on the full L-ISA rig. “It worked far better than I could have imagined,” he says. “It was fabulous.”

The April 2026 run sold its ten dates at the Dôme de Paris, and The Rise returns for a full Paris season from March 2027 and a national Zénith tour that autumn. The team is already working on truss adaptations to make the touring rig faster to load in. For Bayssat, the message to any engineer considering L-ISA is direct: “Don’t be afraid of it. Invest in the training, absorb the fundamentals. And then it becomes a genuine gamechanger.”

APPLICATION

Alfalite brings its LED technology to iconic Teatro Monumental

Alfalite has completed a new broadcast installation with the deployment of two UHD Finepix 1.5 MATIX AlfaCOB LED displays at RTVE’s Teatro Monumental in Madrid (Spain). The project was supplied and integrated by BroadService, Alfalite’s technology partner specialising in professional audiovisual solutions. RTVE, Spain’s national public broadcaster, operates some of the country’s most important television, radio and cultural productions. Teatro Monumental is one of its key venues in Madrid and the home of the RTVE Symphony Orchestra and Choir. The theatre also hosts live music productions, television recordings, special broadcasts and corporate events, making it a demanding environment where performance, broadcast quality and day-to-day technical reliability must work together. The installation equips the historic venue with two 3.00 x 1.69-metre LED displays positioned on either side of the main stage. Designed to meet the requirements of both television production and stage use, the new visual surfaces allow RTVE to incorporate graphics, visual identities, live feeds, text and audiovisual content into concerts, special programmes and corporate events.

As the regular home of the RTVE Symphony Orchestra and Choir, as well as productions such as Las Noches del Monumental, RTVE’s live music series recorded at the venue, and other formats recorded or broadcast live, Teatro Monumental required a solution capable of integrating naturally into a setting where artistic performance, television production and continuous technical operation coexist. The Alfalite displays meet demanding broadcast specifications aimed at ensuring a clean on-camera image, free from flicker and visual artefacts, with high colour uniformity, wide viewing angles, full front maintenance and silent operation — all key factors in stage and television environments.

Each display offers Full HD resolution of 1,920 x 1,080 pixels in a 16:9 format, with a 1.5 mm pixel pitch, combining high visual density with precise image reproduction even at short viewing distances. The system features a 7,680 Hz refresh rate, brightness of up to 1,500 nits, a 20,000:1 contrast ratio and wide colour coverage, parameters that are especially relevant for clean camera capture without flicker, moiré or other common artefacts in broadcast environments. The installation was also designed for discreet architectural integration, with the displays flush-mounted into the side cladding of the stage area and with a very reduced overall depth. Full front access simplifies technical interventions without the need for rear access, a significant advantage in permanent installations where operational uptime is essential.

Another aspect particularly valued by RTVE was the silent, fanless operation of the system — an essential feature for symphonic concerts, music recordings and

live broadcasts where any mechanical noise could interfere with the acoustic experience. “RTVE had very specific requirements for this installation: excellent on-camera performance, discreet integration into the stage environment and maximum reliability for continuous use. Meeting that level of expectation in a venue such as Teatro Monumental is particularly meaningful for Alfalite,” said Luis Garrido, Executive Director of the Huelva-based company. He adds: “Teatro Monumental brings together culture, television and live events. That is precisely where our displays deliver the greatest value: when the image has to perform equally well for the audience in the venue, for the broadcast production team and for a demanding day-to-day operation.”

The RTVE project covered the supply, installation and commissioning of two high-performance LED videowalls, as well as the control electronics required for their operation and associated technical training. The speci-

displays at RTVE’s

fication also included requirements for intensive 24/7 operation, long service life and advanced remote management and calibration tools. With this new installation, Alfalite strengthens its presence in the broadcast market and further consolidates the use of its LED technology in theatres, auditoriums, studios and institutional spaces where visual quality and operational reliability are critical.

Bringing Bad Bunny’s vision to life

A Bad Bunny stadium tour is more than a celebration. Bad Bunny’s tour was designed to feel more like a cinematic experience than a traditional concert. At the centre of the production was a massive 135-foot-wide by 36-foot-high Black Widow AMT 3.9mm video wall, creating an expansive visual canvas that framed the entire performance like a feature film. Rather than relying on traditional broadcast-style concert cameras, Bad Bunny chose to use cinematic 4K Sony cinema cameras paired with the Black Widow AMT3.9mm, which is equipped with jet-black LED chips. This creative combination delivered deep contrast, vibrant imagery, and a far more intimate and emotional aesthetic. The result was live IMAG content with rich cinematic tones and fluid, film-like movement rarely seen in arena touring productions. The fusion of cinematic camera systems and the ultra-wide LED environment transformed the audience experience, making the show feel less like a conventional concert and more like a live documentary unfolding in real time.

Touring productions place unique demands on LED screen technology. With 57shows in over 20 countries, the Debí Tirar Más Fotos tour logistics teams needed acentrepiece LED screen that was:●Fast, easy and safe to build and strike across multiple stadia-and, of course, no two stadia are alike; ● Fast and easy to pack and unpack; ● Robust enough to withstand handling and travel by road, rail, sea or air, as well as coping with thumping vibrations from pumping basslines or the crowds of dancing feet. The visual team were looking for content flexibility without the need to change screens, such as the ability to show both high-detail and low-detail content on amassive screen without loss of clarity, as well as something that could respond to changing brightness levels without loss of color vibrancy and saturation.

It was the Production Video Group’s job to advise on and source the main stage LED screen, and the team had already seen the Black Widow AMT in action in previous shows. They knew that the Black Widow AMT was purpose-built for the rigours of touring and could be configured with solid panels for full-surface opaque visuals and mesh for something more transparent. The team designed a high-impact centrepiece screen using 462 panels from the Black Widow AMT range, a product incorporating both 3.9mm solid panels and7.8mm transparent mesh. The screen measured a whopping 42m wide by 11m high, giving a screen resolution of 10,752px by 2,816px, and, powered by a Brompton LED processor and four Disguise GX 3+ media servers. It provided a new benchmark forgenerative graphics power: a mega canvas of both scale and precision.

Global enterprise streamlines AV and boosts efficiency with Utelogy

This project was undertaken for a multinational company with a diverse portfolio, headquartered in the UK. The project started during their recent London relocation and included the implementation of new workplace technology including video and collaboration systems, a room booking solution, client experience spaces and building-wide digital signage across 5 floors and an outdoor space. The client goals were to better support their dynamic work environment by significantly enhancing operational efficiency, improving the user experience, whilst ensuring their sustainability objectives were achieved by implementing a centralised remote management and monitoring system. They requested a remote AV management system that allows IT managers to monitor and control systems and devices from any location, offering capabilities such as remote startup and shutdown aligned with the operational status of the building.

Centralised monitoring was crucial for managing and supporting these systems, including integration with platforms such as ServiceNow for efficient ticketing. Additionally, they needed automated usage tracking and maintenance scheduling to ensure optimal performance and support. Energy management was also a critical focus to manage renewable resources and analyse energy consumption. Utelogy was able to unify, monitor, and control the following:

• Logitech RallyBar and RallyBar mini systems

• Poly X Series

• Lenovo ThinkSmart

• Yealink MTR

• Neat MTR

• Crestron MTR

For smart building integration, the client was interested in enhancing the user experience through hospitality communication, utilising ocupan sensors for efficient space utilisation, and enabling location services for effective tracking of individuals within the building.

Digital signage was provided to promote company environmental and health goals by distributing sustainability and wellness information throughout the building. Security and access control integration was also requested for seamless building access and meeting room utilisation. Additionally, environmental room conditions were optimised by automating lighting and shading. An AV management platform was envisioned to inform room booking systems of AV issues, ensuring efficient space management. Lastly, leveraging AV equipment such as sensors for people counting and space utilisation insights were desired for understanding building occupancy and usage patterns. These needs underscored the client’s dedication to leveraging technology for creating a more connected, efficient, and user-centric environment.

Before the deployment of Utelogy, the client encountered significant challenges that impacted their operational efficiency and technological management across their facilities. These challenges were multifaceted, affecting various aspects of their IT and AV infrastructure management:

• Understaffing in IT Support and Asset Management: Under-resourcing resulted in inadequate management and maintenance of the technological infrastructure; systems were not consistently operational and were unable to meet the demands of the business.

The lack of sufficient personnel meant that existing staff were stretched thin, potentially leading to burnout and reduced effectiveness in managing the IT and AV assets

• Lack of Clarity on Asset Inventory within the Estate: Without a clear and comprehensive overview of the assets within their estate, managing these resources became a complicated and manual endeavor. This lack of transparency made planning for maintenance, upgrades, and deployment of new technologies challenging. It also hindered the company’s ability to make informed decisions about asset utilisation, leading to potential redundancies and inefficiencies in their technological infrastructure

• Excessive spending on Tier 1 support and manual system checks: This was partly due to the reliance on external support services and the need for manual intervention to ensure systems were functioning correctly. Such manual checks were time-consuming and labour-intensive, requiring significant investment in human resources and financial expenditure. This not only increased operational costs but also diverted resources away from strategic initiatives and improvements

• Delays in meeting start times due to system readiness issues: AV/UC systems were not always prepared for immediate use, leading to wasted time and frustration among employees and management. These delays disrupted the flow of business operations, nega-

tively affecting productivity and potentially impacting the company’s professional image during external meetings and conferences. These challenges highlighted the need for a more efficient, automated, and integrated approach to managing AV/UC assets. The deployment of Utelogy aimed to address these issues by introducing a centralised management platform that could streamline operations, reduce manual interventions, and enhance overall system readiness and reliability.

The comprehensive Utelogy solution provided the client with a transformative approach to managing their AV and IT infrastructure:

• Centralised AV equipment control and monitoring: Utelogy’s platform allowed for a significant reduction in staffing needs by enabling IT staff to manage and troubleshoot AV systems remotely. Centralisation meant that issues could be identified and resolved without the need for physical presence, thus optimising staff deployment and reducing the reliance on extensive IT support teams.

• Comprehensive asset tracking and management features: Utelogy provided a clear and detailed view of their AV/UC assets throughout the estate. This facilitates better planning for maintenance, upgrades, and the deployment of new technologies. It ensured that all assets were documented and identified, their status monitored, and their usage optimised, leading to more efficient asset management and deployment.

• Automating system checks and maintenance tasks: The Utelogy platform automated routine system checks and maintenance tasks that were previously performed manually. This automation significantly reduced manual labour and associated costs, enhancing operational efficiency. Automated checks ensured that AV/UC systems were healthy, ready for use, and that any issues were identified and addressed proactively, significantly improving room uptime.

• Enhancing system readiness: Utelogy’s automation features ensured that AV/UC systems were operational and optimised for meetings, improving the time to meeting start by eliminating delays caused by UX complexity or system readiness issues. Utelogy enabled the scheduling of system start-ups and shutdowns, aligning system availability with room bookings and operational hours. Additionally. critical systems were always online, or quickly recoverable, minimising disruptions to meetings.

The project outcome has been highly positive. Together, these solutions from Utelogy not only addressed the immediate challenges faced by the client but also provided a scalable, flexible platform for future growth and adaptation. The deployment marked a significant shift towards a more efficient, automated, and user-friendly approach to AV/UC and IT infrastructure management, underpinning commitment to leveraging technology for operational excellence and enhanced user experiences.

APPLICATION

Cost and time-savings

•Reduced IT support and system maintenance costs by up to 40% annually, thanks to the automation and remote management capabilities of Utelogy.

•Reduced the time spent on manual system checks and maintenance by 75%, freeing up IT staff to focus on higher-value projects

Improved system uptime and meeting efficiency benefits included:

•Achieved a 99.9% system uptime rate, minimising disruptions and ensuring that technology is always available when needed.

• Reduced the average delay in meeting start times from 10 minutes to under 2 minutes, enhancing productivity and improving meeting efficiency across global locations.

Energy consumption was reduced:

•Lowered energy consumption by 30% through automated management of room availability and equipment power states, contributing significantly to the company’s sustainability initiatives.

• Automated systems resulted in turning off unused AV equipment, saving approximately 15,000 kWh of electricity per year.

Support for hybrid work environments include:

•Improved the flexibility of remote and on-site teams having seamless access to necessary tools and systems, while increasing utilisation of AV assets by over 50%.

•Enhanced employee satisfaction and engagement in hybrid work settings, with a reported 25% improvement in collaboration efficiency due to reliable and flexible AV and IT systems. These statistics highlight the transformative impact of Utelogy’s platform, underscoring significant enhancements in efficiency, sustainability, and adaptability to hybrid work environments.

Christie laser projectors illuminate new immersive water show

Christie laser projectors are illuminating a new immersive water show celebrating the 900th birth anniversary of renowned Southern Song Dynasty poet Lu You. Staged at the Lu You Hometown Scenic Area in Shaoxing, Zhejiang Province. The grand spectacle features close to 20 Christie Griffyn Series, M 4K RGB Series, and HS Series laser projectors. Titled “The Wonders of Lu You,” the show officially opened to the public on February 17, coinciding with the first day of the Lunar New Year. The Lu You Hometown Scenic Area carefully

designed a guided route that leads visitors from Lu You Museum, through the water stage, and finally to Lu You’s former residence, creating a cohesive cultural journey. After dark, the historic site transforms into a dreamlike canvas of light, water, and live performances centred on storytelling, vividly bringing Lu You’s patriotic spirit and literary brilliance to life.

Christie’s authorised distributor, Shanghai Qingying Digital Technology, provided end to end project support, from early stage spatial surveys and equipment selection to complex multi projector installations across performance venues and building façades. These initiatives ensured a continuous visual narrative as audiences moved between the memorial hall, water stage, and former residence of the prodigious poet, who composed 9,300 poems in his lifetime. “Christie’s extensive product portfolio, spanning RGB pure laser and laser phosphor illumination technologies, has met the creative team’s requirements for realizing this large-scale spectacle,” said Yueyi Wu, general manager, Shanghai Qingying Digital Technology. “Together, these visual solutions deliver a seamless, emotionally engaging experience that resonates with visitors of all ages.”

To realize this ambitious vision, Qingying Digital Technology provided a customized projection solution featuring a range of illumination options designed for the site’s complex outdoor environment. Multiple Christie Griffyn 4K50-RGB pure laser projectors, each delivering 50,000 lumens, were deployed at the main water stage to recreate epic battle scenes and capture the refined details of Song Dynasty architecture with exceptional clarity and colour accuracy. Complementing the main stage, more than a dozen DWU23 HS and DWU15 HS laser projectors were installed across distributed performance areas. Compact yet powerful, the HS Series enabled flexible, cost effective installations for corridor

based interactive projections and for reconstructing scenes from Lu You’s former residence, enveloping visitors in a visually rich and historically resonant atmosphere.

Qingying Digital Technology further ensured reliable performance by deploying Christie Conductor, an advanced monitoring and control software, for the Griffyn 4K50 RGB and M 4K+25 RGB projectors. This enabled stable 24/7 operation, supporting the high visitor traffic and operational demands of the scenic area. “The Wonders of Lu You’ demonstrates how projection technology can elevate cultural storytelling to an entirely new level,” said Gene Wang, senior director of ProAV Sales for China, Christie. “From high brightness RGB pure laser projection on expansive water stages to flexible installations in intimate interactive spaces using the HS Series, this project showcases the versatility and reliability of Christie solutions in demanding outdoor environments.” The project stands as a compelling example of how projection technology can enhance cultural tourism experiences, creating immersive, emotionally resonant journeys that connect historical heritage with contemporary audiences.

Next generation aerospace talent takes flight

ST Engineering Antycip (Antycip) successfully organised the 2026 edition of the IT FLIES UK competition, hosted at Swansea University and bringing together aerospace engineering students from across the UK and Europe. Designed to bridge the gap between theoretical aircraft design and real-world evaluation, the competition challenged university teams to develop, present

and defend original aircraft concepts before seeing them assessed by professional test pilots inside a Merlin Flight Simulator. This year’s edition welcomed six university teams, with the University of South Wales securing a double win with:

•Best Aircraft Design – ‘The Nabla Wyvern’ •Best Innovative Aircraft – ‘The Orca’ Swansea University was also recognised with the award for Best Presentation for its aircraft concept ‘The Marlin’.

Oneof the standout projects of the competition, ‘The Nabla Wyvern’, was developed as a 9.8 kg MTOW highwing, twin-engine industrial agricultural UAS tailored for precision liquid payload dispersal and Short Take-Off and Landing (STOL) operations. The aircraft featured an innovative ‘Nabla’ inverted-delta box-tail configuration designed to improve stability and pitch authority during demanding low-speed operations while maintaining lightweight construction principles under strict competition constraints.

In addition to securing first place, the winning University of South Wales team was also awarded the opportunity to present its project at the Royal Aeronautical Society Flight Simulation Conference 2026. What continues to distinguish IT FLIES within aerospace education is its ability to expose students to a more realistic engineering and evaluation process, combining aircraft design, technical justification, simulation and professional feedback within a single competition environment. “Participating in IT FLIES provides an exceptional opportunity for our students to showcase the innovative work they develop during their studies and to receive valuable feedback from experienced industry professionals. It consistently stands out as one of the highlights of their academic journey, giving them both confidence and real-world perspective on their designs. This year’s competition was particularly impressive, with some of the strongest entries I have seen to date. The quality of work continues to improve year on year, and we at USW are incredibly proud of the achievements of our students in such a competitive and inspiring environment.” Robert J. Warren, EngD FHEA, Lecturer in Aeronautical and Mechanical Engineering, University of South Wales

“What makes the competition particularly valuable is the opportunity for students, through our Merlin Flight Simulators, to move beyond theoretical aircraft design and experience how simulation can support realistic aircraft evaluation and decision-making. We are extremely proud to continue supporting this initiative alongside all participating institutions.” Amir Khosh, Merlin Manager, Antycip. As the competition continues to grow internationally, IT FLIES remains a unique platform for showcasing how simulation-based learning can help prepare students for the realities of modern aerospace engineering.

APPLICATION

New York museum complex modernises Video-over-IP infrastructure

In 2026, a prominent New York City museum complex spanning 21 interconnected buildings launched a multi-year modernisation of its aging Video-over-IP environment. The initiative was designed to improve video quality across hundreds of displays and interactive kiosks in 45 exhibition halls while reducing switching costs, freeing rack space in numerous IDF closets, and limiting installation expense in a high-cost labour market. During its evaluation process, the museum’s AV leadership, led by Senior Video Engineer Thomas Lowery, identified PlexusAV as a compelling option after reviewing the platform at InfoComm 2025. The team saw that JPEGXS could deliver high-quality video with extremely low latency over a 1G network, aligning technical performance with operational efficiency goals. That assessment was reinforced through a direct comparison of PlexusAV endpoints against 10G SDVoE, which confirmed that 1G architecture could meet the museum’s requirements for high-quality, sub-frame-latency video across its displays and interactive kiosks. The result was a solution path that supported both performance needs and a more cost-efficient infrastructure model.

The museum required a modern AV-over-IP platform capable of supporting:

•Hundreds of displays, projectors and interactive kiosks

•High-quality, low-latency video performance

•Leverage existing category infrastructure

•Reduce switch-port demand and rack usage

•Lower infrastructure and installation costs

•Long-term interoperability and scalability

The organisation also wanted to avoid vendor lock-in and ensure flexibility for future exhibit requirements and deployment models.

PlexusAV’s product and engineering teams incorporated enhancements shaped by the museum’s operational requirements, including 10-point touch support for kiosks and daisy-chain functionality combining multicast video with bi-directional unicast IP control. These capabilities helped reduce switch-port demand, lower infrastructure cost, and preserve valuable rack space within the museum’s new design. Equally important, PlexusAV’s alignment with open-standards IPMX gives the museum a more interoperable, future-ready platform, enabling it to adopt best-of-breed devices rather than remain locked into a single-vendor ecosystem. That flexibility positions the organisation to scale across changing exhibit needs, display types, and deployment models over the coming years. “Modernising AV infrastructure across a complex, multi-building museum environment required a solution that could deliver uncompromised video performance while reducing operational

and infrastructure overhead,” said Thomas Lowery, the museum’s Senior Video Engineer. “PlexusAV demonstrated that a 1G JPEGXS architecture could achieve the quality, latency and scalability we needed, while also giving us the flexibility of an open standards-based ecosystem for the future.”

Jim Reinhardt. “With PlexusAV’s JPEGXS architecture and an open-standards IPMX approach, the museum was able to achieve exceptional video quality with sub-frame-latency over a cost-efficient 1G network. Just as important, an IPMX platform gives the organisation the freedom to evolve its AV ecosystem over time without being constrained to and by proprietary technology. Large-scale environments such as museums require AV infrastructure that balances performance, scalability and long-term flexibility”.

Key benefits

•High-quality JPEGXS video delivery over a 1G network

•Sub-frame latency performance

•Reduction of switch port I/O’s

•Lower installation expense

•Continued use of existing Cat6 infrastructure

•Futureproof interoperability through IPMX

Products used:

PlexusAV P-AVN-4: JPEGXS Transceivers

PlexusAV P-VA: Visual Array Management Platform

Key features:

•JPEGXS Video Quality

•Sub-frame Latency

•Single SKU Transceivers

•Daisy Chaining Capabilities

•Simultaneous Multicast Video with Unicast IP Control Forwarding

•10-point Touch Control

•Analog Audio

Pretty Woman: the musical debuts d&b audiotechnik CCL system

The South African premiere of Pretty Woman: The Musical, produced by Showtime Entertainment, has officially marked the regional debut of d&b audiotechnik’s highly anticipated CL-Series, deploying the brand-new CCL compact cardioid line array system. Supplied by Cape Town-based rental premier Eastern Acoustics and supported by local distributor Stage Audio Works (SAW), the cutting-edge system has set a new benchmark for theatrical sound reinforcement in the country. Brought to South African stages by Showtime Entertainment, the high-energy musical production features a rock-infused score by Bryan Adams and Jim Vallance. To deliver the power, clarity, and precision required for a production of this scale, South African Sound Designer David Classen chose the d&b CCL system as the centrepiece of his audio design.

Single-channel broadband directivity control is the standout technical achievement of the CL-Series, bringing advanced low-frequency cardioid behaviour into a compact form factor. For a theatrical environment, where open lapel and headset microphones are constantly moving across the stage, this exceptional rear-rejection is a gamechanger, greatly reducing mic bleed and virtually eliminating onstage feedback. “The d&b CCL system completely transformed how we approached the sound design for Pretty Woman,” explains Sound Designer David Classen. “In musical theatre, stage spill is always the enemy. The passive cardioid behaviour of both the CCL tops and the flying CCL subwoofers kept the stage incredibly quiet. This clean stage environment gave us significantly more usable gain before feedback than we’ve ever had with a compact rig, allowing the vocals to sit effortlessly on top of the mix.”

Classen also notes the pristine acoustic performance of the system: “Beyond the raw control, the high-frequency detail in the CCL boxes is exquisite. The HF headroom is remarkable, ensuring that every piece of dialogue and subtle vocal nuance carries cleanly without a hint of distortion. Combined with d&b’s ArrayProcessing, we achieved perfectly even coverage and a consistent tonal balance throughout the entire auditorium. Whether you are sitting in the front row or the back of the balcony, the listening experience is identical.” To accommodate the venue dynamics, Eastern Acoustics specified an extensive d&b system built around the new cardioid line array modules:

• Main Left/Right Hangs: 14 x d&b CCL tops per side

• Low-Frequency Extension: 6 x d&b CCL-SUBs per side

• Fills & Centre Cluster: a curated mix of d&b V-Series and E-Series loudspeakers

d&b D25 and D80 digital amplifiers, were fully integrated into a high-speed, redundant Milan-AVB network infrastructure for pristine digital signal transport. This successful deployment of new technology sets a milestone for the local industry, highlighting the rapid adoption of international audio standards by South African creative teams, producers, and rental companies. “We are absolutely thrilled to see the latest generation of d&b audiotechnik products adopted by a South African production of this magnitude so soon after its release,” says Nathan Ihlenfeldt, CTO of Stage Audio Works. “The CL-Series represents a major technological leap, packing world-class broadband directivity control into an incredibly lightweight and efficient footprint. Showtime Entertainment has put together a world-class production, and Eastern Acoustics has done a phenomenal job deploying this system to match that same standard.”

‘The Daydream Machine’: inside TDC’s creative technology

For more than 15 years, TDC - Technical Direction Company - has helped bring Vivid Sydney’s biggest artworks to life through unforgettable large-scale projection and technology experiences for millions of Sydneysiders and visitors. At Vivid Sydney 2026, as well as powering 11 installations with the most advanced projection and LED display technology, the company stepped into the spotlight itself with The Daydream Machine, an AI-powered interactive installation by creative technologist Harrison Dow, Alex Rendell and Drew Ferors that transformed Darling Harbour’s Pier Street Underpass into a living digital artwork. Harrison Dow said the work explores how emerging technology is giving artists entirely new ways to create public experiences and connect audiences with works: “Using AI systems and live rendering, the installation reacts and evolves with every person who walks through it, creating an experience that is constantly changing and never behaves the same way twice.”

Vivid Sydney Festival Director Brett Sheehy AO said interactive works like The Daydream Machine were central to how audiences experienced the festival: “Vivid Sydney invites people to participate in creativity and interactive installations like The Daydream Machine, which place visitors at the heart of the artwork. By harnessing cutting-edge technologies such as AI, this work creates ever-changing experiences that encourage exploration, play and imagination. “TDC’s advanced technology also underpins projections across the Vivid Light Walk, illustrating how innovation continues to shape Vivid Sydney by unlocking new possibilities for artists and seamlessly bringing together creative vision and technical expertise.”

Michael Hassett, TDC Founder said the project marked a significant creative shift for the company and wider industry. “For years technology has been used to support artistic ideas. What we’re now seeing is technology

becoming a creative tool for artists and storytellers. It’s responsive, intelligent and capable of creating completely new forms of audience interaction.” Beyond The Daydream Machine, TDC technology powered 11 major projections across beloved landmarks and heritage locations throughout Circular Quay, The Rocks, Barangaroo and Darling Harbour during Vivid Sydney 2026. Highlights include Lighting of the Sails: Opera Mundi by French artist Yann Nguema across the iconic Sydney Opera House sails; Vaiola, a large-scale projection exploring memory, migration and belonging by Samoan-Australian artist Angela Tiatia and Spinifex Group at the Museum of Contemporary Art; Fringe of Infinity by Spanish artist Javier Riera at Customs House with geometric patterns inspired by mathematics in nature; Time: Warped, combining laser, light, sound and projection through the Argyle Cut with ER Productions; Deep Time by Spain’s Hotaru Visual Guerrilla, transforming Garrison Church into a journey through Earth’s 4.54-billion-year ecological evolution; and, Circles of

Rhythm at ASN Clocktower where Spinifex Group creates pulsating patterns of music, movement and connection.

‘Afterimage’, a projection mapped mural at Tumbalong Park, was spray-painted live by Sofles in collaboration with US artist Chaske Haverkos, while ‘As water falls’ by Canada’s Studio Irregular transformed a monolithic LED cube into an interactive digital waterfall at Circular Quay. Across the curvature of Barangaroo House, New Zealand artist David Morton’s ‘Laniakea’ explores humanity’s place within the vast cosmic web. Throughout Vivid Sydney, TDC’s central master control system provided real-time oversight across installations throughout the city, and helping deliver a seamless audience experience. Each year, TDC reviews and updates digital site models for selected locations to improve projection outcomes and make the creative development process more accessible for artists.

How some of Vivid Sydney’s projections were built?

One of the lesser-known technologies behind Vivid Sydney is LiDAR (Light Detection and Ranging) scanning. Ahead of the festival, TDC rescanned both Garrison Church and the Argyle Cut using advanced LiDAR technology, creating highly accurate digital replicas of the sites. These digital models were then converted into projection-ready environments, allowing artists anywhere in the world to design, test and refine their works against Sydney’s architecture long before arriving on site. “The process helps artists better understand scale, surfaces, proportions and architectural details while significantly reducing development time and increasing projection accuracy,” said Drew Ferors, Head of Innovation and Training at TDC.

Creative technologist and TDC Technical Project Manager Alex Rendell said Vivid Sydney required an expert team working behind the scenes in the months leading up to the festival. “What audiences experience on nights walking around the city takes months of collaboration between Vivid Sydney, individual artists and the team at TDC. Our role is bringing all those creative and technical systems together, from advanced Projection and LED systems through to media servers, TDC Live View monitoring and interactive technologies, so the artwork can come seamlessly to life for everyone’s enjoyment.” TDC powered 11 technically ambitious projections across Sydney, including:

•Barco ultra-high-resolution laser projectors across nine projection-mapped sites

•ROE LED tiles powering interactive experiences including The Daydream Machine and 547 million projected pixels illuminating Sydney landmarks each night, which is enough digital content resolution to fill more than 65 4K televisions running simultaneously

•More than 1.45 million ANSI lumens of projection brightness roughly equivalent to over 1,800 household LED light bulbs

•13 live monitoring cameras and 11 automation systems supporting nightly operations

•Advanced LiDAR scanning used to digitally recreate Garrison Church and the Argyle Cut for artists before arriving on site

•Real-time AI, water-screen projection, LED environments and high-powered laser systems

•23 consecutive nights of operation supporting millions of festival visitors

From artist-led AI-generated storytelling to sensory environments incorporating projection and interactive LED experiences, TDC’s Vivid Sydney 2026 deployment demonstrated how technology continues to transform the way audiences experience art, culture and public spaces beyond the festival itself. Vivid Sydney 2026 ran from 22 May to 13 June as Australia’s largest festival of light, music, ideas and food, owned, managed and produced by Destination NSW.

TriTec AV provides d&b XSL for Jordan’s Independence Day

Event technology specialist TriTec AV marked a major milestone in Jordan’s live event production industry by deploying their d&b audiotechnik XSL System for the first time in the Kingdom during the official celebration of Jordan’s 80th Independence Day. Featuring live orchestral music, choir performances, playback video elements and a keynote address by His Majesty King Abdullah II, the production needed a sound system capable of delivering exceptional speech intelligibility, musical clarity, consistent audience coverage and high gain-before-feedback – all in a demanding live broadcast environment.

TriTec AV deployed a left/right main system of d&b XSL hangs, with 10 XSL8 per side, supported by four flown XSL-SUBs behind each main array. XSL12 cabinets were used as front fills for the front-row and centre audience areas. “This was a proud moment for TriTec AV and for the Jordanian production industry,” said Marwan R Abujaber, CEO & Owner at TriTec AV. “Introducing the d&b XSL System to Jordan at such an important national event allowed us to demonstrate the system’s

power, clarity, and control in a truly meaningful setting. The cardioid performance made a major difference on stage, especially with the orchestra and choir, while the system delivered the speech intelligibility and musical quality required for an event of this importance.”

Sound engineer and system designer Najib AlBakhit relied on XSL’s cardioid performance to significantly reduce sound energy on stage and control unwanted sound spill into open microphones. This helped maintain a cleaner mix, improved microphone stability and greater clarity across the ceremony’s musical and spoken-word elements. d&b ArrayProcessing was used to ensure consistent sound distribution, tonal balance, high-frequency coverage and headroom across the entire audience space. For the address by His Majesty King Abdullah II, XSL provided outstanding vocal definition and intelligibility, while maintaining the power and refinement required for an event of this scale.

The main system was complemented with d&b T-Series loudspeakers in line array format as side fills. Six d&b M2 monitor loudspeakers were also deployed

across the stage to assist solo singers and centre-stage dancers. The system was powered by d&b D80 amplifiers, with signal distribution via Dante. “It’s great to see TriTec AV putting their new XSL System to such a prestigious first use,” remarks Brad Maiden, General Manager for d&b Middle East “TriTec AV has been a valued partner of ours for many years and their passion for audio is as infectious as our own. We’re delighted to see them expand their inventory and we look forward to them delivering many more events such as this.”

CODA Audio appoints new MD

CODA Audio has announced the appointment of Mark Meding as Managing Director of CODA Audio USA. In this role, Mark will lead the company’s continued strategic expansion across North America, with a focus on further strengthening market presence, developing channel partnerships and driving sustainable revenue growth. With more than thirty years of experience in the professional audio and AV industry, Mark brings a proven track record spanning business ownership, sales management, product management and business development. Throughout his career, Mark has built strong relationships across manufacturers, integrators, consultants, and distribution partners, perfectly positioning him to accelerate CODA Audio’s growth in the region.

Global Sales and Marketing Director for CODA Audio, David Webster comments: “Mark’s deep industry knowledge, technical expertise, and longstanding relationships make him the ideal leader to drive our expansion in North America. We are excited to have him on board as we continue to invest in the US market and build on CODA’s established reputation for innovative, high-performance audio solutions.” Mark takes over from departing MD Luke Jenks who steps aside to pursue new avenues of experience, having established CODA Audio as a significant presence in the North American market during his tenure.

David Webster continues: “We’re immensely grateful to Luke for the work he has done in putting us firmly on the map in the US. We wish him well for the future and look forward, with Mark, to building on the strong foundations Luke established.” Luke Jenks adds: “It’s the right time for me to take on some new life challenges, and I leave CODA with nothing but respect and admiration for the company and the next generation technology it continues to develop. I believe that the future for CODA Audio in North America is very bright, and that in Mark, they have exactly the right man to take things forward.” Mark Meding concludes: “I’m incredibly excited to join CODA Audio at such a pivotal time. The company’s commitment to engineering excellence and system performance is clear, and I look forward to ex-

panding CODA’s presence in North America through the development of new and meaningful relationships, supporting our existing partners, and ultimately helping to deliver exceptional solutions across every sector of the market.”

Elysium LED strengthens leadership team

Following its launch earlier this year, Elysium LED has announced a series of strategic appointments designed to accelerate the company’s next stage of growth and strengthen its position as a creatively ambitious, technically driven LED solutions partner for the professional AV market. Joining company founder and President Kirt Yanke are experienced industry professionals Angela Coster, Mark Miller, Kit Shugrue and Scott Oranen, bringing together expertise spanning creative brand development, dvLED product strategy, sales growth, experiential communications, channel development and business expansion.

The four appointments come just two months after Elysium LED officially launched with a mission to redefine what is possible in LED display technology through creatively engineered visual experiences, bespoke architectural display solutions and precision execution. Kirt Yanke, President of Elysium LED, commented: “I’m proud of the team we have created. Elysium LED was born out of a need for something different in the market.

Customers want more from LED technology – not just performance, but creative flexibility and flawless execution. We’re entering an exciting growth stage with new products launching soon and showing exclusively at InfoComm.”

As Brand Manager, Angela Coster has played a foundational role in shaping the Elysium LED’s identity from the ground up, developing the company’s visual branding, messaging and creative positioning. Based in Chicago, Coster joins from a creative advertising background spanning more than 25 years across North America and Europe, having worked on major campaigns, experiential projects and large-scale visual storytelling environments. Drawing parallels between digital advertising canvases and dvLED technology, she views LED as a limitless creative medium capable of transforming environments into immersive visual experiences. “It’s been a rare opportunity to be involved right from the ground floor,” said Coster. “We’re building something from a blank page and that kind of freedom is energising. Initially it started with creating a website. Then it evolved into an entire brand universe. We saw that as fundamental for such a visual industry and a product category that is rapidly transforming into experiential infrastructure and immersive showcases.”

Joining as Marketing Manager, Mark Miller reunites with Yanke following their time together at NEC Display

Solutions, where Miller helped launch and expand the company’s dvLED portfolio. At Elysium LED, Miller will oversee product marketing strategy, specification development, collateral creation and product communications for the company’s expanding LED portfolio. “What Elysium brings to the table is the personality and people behind the brand,” said Miller. “We’re highly consultative, technically experienced and focused on tailoring solutions around customer needs. All communications come from an honest, trustworthy source.”

Having officially joined Elysium LED earlier this month, Miller is currently focused on preparing the company’s upcoming product launches. “My role is to shape the marketing message, develop the product line and help lay the foundations for the future growth of the company,” he added.

Industry veteran Kit Shugrue joins Elysium LED as Sales & Business Development Manager, bringing decades of experience across AV, digital signage, retail media, broadcast and integrated technology environments. Based in the San Francisco Bay Area, Shugrue previously spent ten years at NEC as Regional Sales Manager for the Western United States, helping support the company’s substantial business expansion during a transformative growth period. At Elysium LED, his focus will include identifying new business opportunities, working closely with architects, designers, integrators,

consultants and contractors, developing emerging LED application markets and supporting customers through the full lifecycle of bespoke installations. “The difference between Elysium and others in the industry is really quite vast,” said Shugrue. “The ability to design and create truly bespoke LED experiences opens people’s eyes to what’s possible. It’s inspiring technology that solves artistic challenges in completely new ways and that’s fundamental to me from a creative and professional perspective.”

Joining Elysium LED as Sales & Business Development Manager, Scott Oranen brings over three decades of technology industry experience spanning transportation, corporate, retail and commercial markets. Based in Austin, Texas, Oranen will focus on business growth across the South-Central United States alongside identifying emerging opportunities for bespoke dvLED deployments and strengthening strategic channel relationships throughout the region. Prior to joining Elysium LED, Oranen held senior sales and account management roles at Apple, NEC Display Solutions and LG Electronics, where he specialized in dvLED and transportation display solutions. “I’ve always worked within large organizations, so joining a nimble company with fresh energy and ambition is incredibly exciting,” said Oranen. “The companies succeeding in dvLED are the ones fully dedicated to the category and passionate about doing it properly.” “The Elysium products offer exceptional integrity and image performance for demanding, high-use environments,” he added. “But what excites me most are the custom, complex projects where we can really make our mark.”

PPDS names Tom Keefe as Director of Sales for Philips LED

PPDS has announced the appointment of highly experienced sales professional and self-proclaimed Pro AV ‘veteran’, Tom Keefe, as its new Director of Sales dvLED North America. Continuing to attract among the AV industry’s most accomplished and sought after talents, Tom’s appointment will play an integral role in PPDS’ continued growth trajectory and long-term ambitions in North America, which includes establishing Philips Professional Displays as the preferred partner for premium indoor and outdoor dvLED projects.

Based in Buffalo, New York, and a father of two, Tom has built an impressive 23-year career in the AV industry, including the past seven years specialising exclusively in dvLED solutions. An AVIXA CTS holder, he brings extensive market knowledge and a track record of success to the PPDS team, with proven expertise in sales, business development, category management, marketing strategy, brand building, distribution, partner relationship management, and market analysis, to name a few. Reporting to Senior Director North America, Bruce Wyrwitzke, Tom’s core responsibilities as Di-

rector of Sales dvLED North America will include, among others, developing and defining PPDS’ organisational sales structure and executing its go to market strategy. His experience will enable PPDS to further advance its tailored regional approach across North America, enhance engagement with sales and management teams, partners, and customers, while also increasing awareness of the Philips LED portfolio, delivering exceptional visual performance and stand out energy efficiency possibilities. Tom joins PPDS during a period of exceptional growth, both nationally and internationally, achieving exponential success for Philips dvLED installations in retail, corporate, public venues, sports stadiums, houses of worship, and more.

PPDS’ recent entry into outdoor LED has further extended project opportunities, as demand for the technology continues to grow. According to market forecasts, the global LED display market is expected to grow from US$2.41 billion in 2026 to approximately US$3.46 billion by 2035, with the United States continuing to lead in revenue generation. This growth is being driven by rising demand for LED solutions across key sectors, including retail, transportation, entertainment, and digital out of home (DooH) advertising – all of which remain key markets for PPDS. Discussing his new role, Tom said: “My background in sales, business development,

and product management and business development, along with my dvLED experience empowers me with the tools required to continue driving and improving the PPDS performance in North America. My goal as Director of Sales for DVLED is to leverage the premier reputation we have built and to expand our value to partners. I have always been impressed by Philips Professional Displays and the strong reputation the PPDS team has built in the AV industry. The company has a proud track record of continually offering innovative, leading edge products designed for professional grade applications. I’m excited that I get to be part of this fantastic team of professionals.”

Bruce Wyrwitzke added: “The opportunities for dvLED are clear and, at PPDS, we have been working hard to ensure we deliver the solutions our partners and customers crave. Indoor or outdoor, small, large or highly creative by design, we have the portfolio to match any project need and requirement, no matter how ambitious it may be.” Angela Lin, Commercial Head NA at PPDS, added: “With Tom, we have someone with the knowledge and experience to take our dvLED business to the next stage, bringing our solutions to an even wider audience. I wish him every success in the role.”

Analytical Components International (ACI) appoints Isabelle Darcy

Analytical Components International (ACI) has announced that they have enhanced their operational capabilities with the appointment of Isabelle Darcy. As Operations Manager, Isabelle will work across operations, engineering, supply chain management, and marketing strategy. Responsibilities of the role span the total lifecycle of the company’s product lines, from sourcing raw materials and managing the ERP-driven production schedule to crafting technical marketing content that drives global sales, with engaging with customers and the global sales team also as a critical function of the position.

Isabelle is an o Darcy, Operations Manager at ACI. “I’m looking forward to working on the day-to-day operations and helping improve processes across the business.” “Isabelle’s appointment strengthens our operations team as we continue to grow,” said Michael Mainvielle, President and General Manager at ACI. “In her role as Operations Manager, she will focus on improving processes across the business, supporting our manufacturing operations and product lifecycle.”

Russel Goodwin promoted to VP of Engineering & Operations

C.V. Lloyde Audiovisual (CVLAV has announced the promotion of Russel Goodwin to Vice President of Engineering & Operations. Goodwin joined CVLAV in 2022 and has played a key role in strengthening the company’s engineering capabilities and operational excellence. Most recently serving as Director of Engineering, he has helped guide the successful design and deployment of complex audiovisual systems for sports and entertainment facilities across North America. In his new role, Goodwin will oversee engineering and operations while continuing to support the company’s commitment to innovation, quality, and exceptional customer experience. “Russel has been instrumental in our growth and success over the past several years,” said Stephen Morris, Chief Executive of CVLAV. “His combination of technical expertise and dedication to our clients makes him uniquely qualified for this role. This promotion recognizes the tremendous value he brings to our organization and reflects our confidence in his ability to help lead the next phase of our growth.”

Goodwin is a seasoned AV professional and an accomplished executive and program manager. His previous role at CVLAV was Director of Engineering, having joined the company initially as Director of AV Operations. Prior to CVLAV, Goodwin was Director of AV Systems Design at Henderson Engineers of Lenexa, Kansas, and before that was a Senior AV Consultant at CollectiveTech, a division of Henderson Engineers. Goodwin was an Associate at Acoustical Design Group from 2009 to 2012 and was Technical Services Manager of then-AVI Systems from 2004 to 2009. He is an AVIXA Certified Technology Specialist-Design (CTS-D) and Certified Quality Technician (CQT) from the Association for Quality in Audio Visual Technology (CQT). “I am very pleased to take on this expanded role at CVLAV,” Goodwin says. “The clarity of mission, strong focus on sports environments, and quality of the team here is encouraging and energizing. Working closely with Stephen Morris and

our leadership team, I am confident we will continue to strengthen the service offering to our incredible clients and also expand the possibilities of AV in the sports experience, both live and streamed/broadcast!”

Pixel Global AV appoints Sebastian Szczesniak as Global Services Director

International AV integration partner Pixel Global AV has appointed Sebastian Szczesniak as Global Services Director, strengthening the company’s focus on enterprise AV support, managed services and consistent service delivery across its global operations. Sebastian will lead Pixel Global AV’s growing managed services division, overseeing support delivery for both end clients and the company’s expanding international partner network. With almost 20 years’ experience across the AV industry, Sebastian brings extensive expertise in service strategy, customer support and operational delivery. Prior to joining Pixel Global AV, he founded Solvertec in December 2024, a specialist AV services business created to address a gap he identified in the market: the need for dedicated, customer-focused service provision that sits at the heart of an AV solution rather than being treated as an additional offering. Pixel Global AV and Solvertec first began working together after being introduced through a shared cus-

tomer. Solvertec supported Pixel customers by delivering independent AV audits and service expertise, creating a natural alignment between the two organisations. Now joining Pixel Global AV in-house, Sebastian will continue developing this service-led approach globally. A key challenge he sees across the industry is maintaining consistent service levels across multiple regions. It can become complex, with different partners, standards, processes and margins involved. There is often slow issue resolution and unclear ownership.

“Looking after customers has always been the most important part of what I do,” says Sebastian Szczesniak, Global Services Director, Pixel Global AV. “In many cases, support services are fragmented, inconsistent and difficult to manage across regions. Pixel shares that same mindset that there is a real opportunity to simplify how global support is delivered - providing consistent quality, one point of contact and a service experience that customers can rely on wherever they are in the world.”

Pixel Global AV’s established partner network spanning the UK, Europe, Latin America, India, China, Africa and Asia Pacific, provides a strong foundation to overcome this challenge. Pixel already has relationships in place with partners that are tried, tested and aligned with the same values. This creates a much simpler way of delivering a truly global service. Before founding

Solvertec, Sebastian spent 14 years with Avsnet, which later became part of SCC, where he progressed to Head of Service. His career has been built around solving problems, supporting customers and enabling teams to deliver outstanding service. With a Master’s degree in Engineering, Sebastian has always had a natural technical mindset and enjoys being the person who can find solutions when challenges arise.

Commenting on the appointment, Jamie Hanna, Managing Director of Pixel Global AV, said: “Sebastian’s appointment marks an important step in Pixel Global AV’s continued investment in customer experience and global service delivery, supporting the company’s ambition to provide direct delivery of scalable, reliable AV solutions beyond installation and deployment. We build long-term operational relationships with our clients and act as an extension of their workplace and IT teams. We’ve been working on some significant new developments in this area that will have a major impact on standards for global AV support models in our industry. Sebastian joining us is just the beginning.”

WAVIT announces expansion of Board of Directors

As Women in AV/IT (WAVIT) continues to expand its impact across the audiovisual and technology industries, the organisation has strengthened its leadership team with the appointment of five new members to its Board of Directors and the nomination of a new Vice President. Joining the board are Vanessa Tolisano, Gisela Ramirez, Kristy Demsay, Kim Lonas, and Susan Milwit, while Cheryl Walton has been nominated to serve as Vice President.

As WAVIT enters its fourth year, the organization continues to broaden its leadership with representation across sales, operations, HR, channel partnerships, mentorship, diversity initiatives, and emerging technologies.

“These women each bring unique experiences, perspectives, and leadership strengths that will help WAVIT

continue expanding its impact across the AV/IT community,” said Althea Ricketts, WAVIT President and VP of Corporate Initiatives at Shure. “From mentorship and DEIB leadership to channel strategy, enterprise operations, and AI-driven innovation, their expertise will help strengthen WAVIT as we continue creating opportunities and visibility for women throughout the industry.” About the new WAVIT board members:

• Vanessa Tolisano is a program and operations leader with more than a decade of experience supporting organisations through growth, governance, communication, and operational alignment. She is passionate about mentorship and creating more accessible pathways for women entering AV/IT, particularly those navigating nontraditional career paths. Her involvement in mentorship initiatives, including Rise AV’s inaugural mentor-mentee cohort in the UK, reflects her commitment to helping women grow with confidence and visibility.

• Gisela Ramirez is a recognised Pro AV industry leader with more than 20 years of sales experience and over a decade driving multimillion-dollar growth initiatives across the AV industry. Currently serving as Southeast Territory Manager at Almo Pro AV, Ramirez is known for building scalable partnerships, transforming markets, and mentoring emerging professionals throughout the industry.

• Kristy Demsay is a channel and distribution business leader with more than 20 years of experience driving partner engagement, forecasting strategy, and go-to-market execution across complex technology ecosystems. Her background spans manufacturer, distributor, representative, and founder roles, bringing a com-

prehensive perspective on partnership development, governance, and sustainable growth.

• Kim Lonas is a strategic human resources and talent acquisition leader with expertise in talent strategy, workforce planning, and organisational culture. She has led people initiatives across global business environments, helping organizations attract and develop talent while fostering cultures of collaboration, belonging, and engagement. Kim is a passionate advocate for mentorship and mental health awareness.

• Susan Milwit is VP of System Integration at CTI with more than 20 years of experience driving enterprise technology transformation initiatives focused on agentic AI, unified communications, cloud services, and digital transformation. Known for building trusted executive relationships and accelerating business growth, Milwit brings extensive expertise in intelligent automation, enterprise sales strategy, and operational innovation. The addition of these five leaders marks a significant milestone for WAVIT as the organisation continues to expand its programs, mentorship opportunities, scholarships, and community initiatives designed to support women throughout every stage of their AV/IT careers.

AV industry focuses on experience, infrastructure and the next evolution

InfoComm 2026 wrapped up in Las Vegas following three days of exhibition and an extensive education programme, attracting 28,132 verified attendees. While attendance was down year-on-year compared with 2025, the show reinforced the strength of the AV community, with suppliers, integrators, consultants and end users gathering to share ideas, build relationships and explore the future of the industry.

As always, one of InfoComm’s biggest strengths was its community. The education programme, networking opportunities and wide range of supplier and association events created valuable opportunities for the industry to connect beyond the show floor. The exhibition itself was easy to navigate, with a busy first two days and a quieter final day allowing for more exploratory conversations. A key theme throughout the show was the continued evolution of AV from technology deployment towards experience, operations and business outcomes.

Overall, InfoComm 2026 demonstrated a market continuing to mature. The conversation is moving beyond individual technologies towards how AV systems create meaningful experiences, support operations and deliver long-term value. In 2027, a new event called RESIDE will debut with Lightapalooza at InfoComm. As commercial and residential technologies continue to converge, RESIDE - launched through a joint venture between AVIXA, HTSA, and ProSource - will strengthen cross industry connections for integrators, manufacturers, and service providers shaping the residential market.

Show floor highlights:

Leyard Europe

The Planar booth showcased some amazing LED innovation. Planar introduced two cutting-edge engineering breakthroughs – Planar EverPixel and Planar TruMicro LED technologies, available in Europe via Leyard Europe. Planar’s EverPixel technology, combined with TruMicro LED, introduces a new approach to MicroLED packaging designed to deliver exceptional image quality, reliability and efficiency. Built on a MicroLED in Package (MIP) architecture, EverPixel eliminates the LED substrate and reduces manufacturing complexity while improving performance through fewer components and processes. By directly soldering LED chip electrodes to the package, the technology removes common reliability concerns associated with traditional wire bonding. TruMicro LED technology uses ultra-small RGB subpixels, improving colour uniformity, blending and viewing angles. Together, these innovations enable highly precise pixel control, enhanced durability and seamless visual performance for next-generation LED displays.

Making its debut, the Planar Cobra Series, available in Europe via Leyard Europe, is powered by Planar’s proprietary EverPixel and TruMicro LED technologies. Built upon a proven Planar LED platform, the new state-of-

the-art series establishes a new benchmark for fine pixel pitch LED displays. Available in 0.6-, 0.7-, 0.9-and 1.2-millimetre pixel pitches, the new Planar Cobra Series delivers exceptional display uniformity, outstanding off-axis image quality and industry-leading colour consistency. Designed to provide exceptional visual performance, advanced reliability and enhanced durability, the series is well suited for a broad range of premium indoor applications. Additionally, Planar introduced a line of premium 5K resolution 21:9 LCD displays designed to deliver panoramic viewing and enhance productivity. The new Planar® 21by9 Series builds on the success of the industry leader’s innovation in creative visuals, featuring a cinematic ultra-wide digital canvas that is built to impress and designed to deliver superior visual performance. The product is available to order in Europe from Q3 via Leyard Europe.

PPDS

Another InfoComm exhibitor not shy about rolling out the superlatives is PPDS, with its claim to have redefined digital display design with the UltraSlim Philips Signage 7000 Series. “Half the depth, double the possibilities: At 60 per cent slimmer than comparable models in PPDS’ Philips Signage portfolio”, the new, sleek and stylish Philips Signage 7000 Series opens exciting new installation opportunities to partners and customers. Packaging 4K UHD visual performance and AI ready processing power with a slender and stylish presentation for almost any setting.

The “dazzling and unmistakable” Philips Signage 7000 Series signals the creation of an exciting new line within PPDS’ evolving digital signage portfolio, opening a wealth of exciting installation opportunities for 24/7 environments where proven quality, unparalleled performance, and visual aesthetics really matter. Fuelled and finessed using invaluable feedback from global partners and customers around the world – including those with past and current experience of using comparable competitor offerings – the landscape and portrait mountable UHD Philips Signage 7000 Series UltraSlim comes in a choice of size options, including 43”, 50”, 55” and 65”. For additional peace of mind, the Philips Signage 7000 Series also features PPDS’ FailOver technology, automatically playing back up content on screen in the unlikely event of a primary media player failure, ensuring screens remain active when it matters.

Elysium LED

Elysium LED strengthened its leadership team ahead of InfoComm 2026. Following its official launch earlier this year, the company has made four strategic hires, bringing together creative vision, sales and marketing expertise and decades of LED industry experience as the company prepares for next growth phase. Kirt Yanke, President of Elysium LED, commented: “I’m proud of

the team we have created. Elysium LED was born out of a need for something different in the market. Customers want more from LED technology – not just performance, but creative flexibility and flawless execution. We’re entering an exciting growth stage with new products launching soon and showing exclusively at InfoComm.” Elysium LED showcased its all-new product range during InfoComm 2026 in a private demonstration environment in a private suite at Resorts World.

Original Syndicate (OGS)

OGS used InfoComm as a platform to explore the future of experiential AV, highlighting the growing importance of designing systems around how organisations operate, scale and measure success. Discussions around immersive retail, broadcast integration and long-term operational thinking reflected a wider industry shift. Ben C. Roth, CEO of OGS joined Bryan Meszaros of XUSC/ Open Eye Global and Rob Badenoch, TAD Associates, on the Vision Stage to discuss Designing Immersive Experiences in dynamic retail environments. “Broadcast will infiltrate the store,” said Ben. “There’s an opportunity for more real time experiences through thoughtful integrated broadcast systems” In a panel discussion Marcus Bengtsson, CTO at OGS chatted with peers on “Insights for Permanent Experiential AV Professionals from the Live Events Sector”. Closing advice included

design for longevity, responsibility starts at the earliest and ends after installation is operationalised, identify who you’re working with on projects, ask questions and use the same language as people you’re working with: For more you can read read the OGS Syndicate papers here: https://www.originalsyndicate.com/insights.html. A series of provocations that reset how enterprises invest in communications technology.

Shure

Shure and Zoom Communications, Inc reinforced their commitment to customers by providing reliable, scalable meeting room solutions that easily standardise across Zoom workspaces and higher education environments. Shure now provides greater flexibility with the IntelliMix Collaboration Portfolio by offering the IntelliMix Room Kits and IntelliMix Foundation System for Zoom Rooms. Built to support the growing role of human-AI collaboration in meetings and learning, these offerings enable consistent, high quality audio capture to support more accurate inputs in Zoom AI. The Shure IntelliMix Foundation system includes a powerful compute with built-in IntelliMix Room DSP software, alongside an intuitive touch panel. The industry-first compute is designed to reduce or replace the need for external DSP components while delivering exceptional audio for very sophisticated AV rooms.

PlexusAV

PlexusAV officially unveiled its new flagship P-AVN-6-S transceiver at InfoComm 2026. The P-AVN-6-S is a high-performance uncompressed IPMX and SMPTE ST 2110 solution with native 12G-SDI I/O, designed to bridge traditional SDI infrastructure and modern IPbased workflows across a single open-standard network. Integrating seamlessly with PlexusAV devices and cross-vendor AV solutions, the launch marks a significant milestone for PlexusAV as it expands its AV-over-IP ecosystem into high-performance hybrid environments where uncompromised quality, precision and interoperability are essential. The P-AVN-6-S delivers uncompressed quality over IPMX and SMPTE ST 2110 compliant networks up to 4K60, at approximately 18 Gbps throughput. A major differentiator is the unit’s integrated PTP-to-Genlock capability, which synchronises SDI outputs directly to IP-based timing with ±12 pixel phase accuracy.

Pufferfish

At InfoComm 2026, Pufferfish launched PufferTouch 4 (PT4), the latest evolution of its globally recognised interactive spherical display platform. Designed to support the next generation of immersive experiences, PT4 builds on nearly a decade of global deployment experience across museums, visitor attractions, corporate environments, education, science centres and live brand activations. The new platform introduces significant advancements while maintaining compatibility with the wider Pufferfish ecosystem already deployed globally. PT4 introduces a fully evolved platform architecture focused on operational efficiency, scalability, future expansion and long-term serviceability. Platform enhancements include increased brightness and improved visual performance, reduced weight for easier deployment and installation, quieter operation and improved thermal efficiency, enhanced serviceability and maintenance access and modular architecture designed to support future expansion and accessories. As part of the development of PT4, Pufferfish has continued its long-standing collaboration with Barco, whose projection technology has formed a core part of the PufferTouch ecosystem across multiple generations of the platform over the last eight years.

Innovation Park at ISE becomes launchpad for emerging AV businesses

For startups looking to scale, access to the right buyers, investors and partners can define what happens next. Innovation Park at Integrated Systems Europe (ISE) connects emerging AV businesses with the global industry leaders, systems integrators and investors who can accelerate strategic expansion. Following strong momentum at ISE 2026, Innovation Park returns to the international stage at ISE 2027, giving startups direct exposure to the global AV industry and the opportunity to showcase technologies shaping its future.

Building on more than 20 years of innovation at ISE, Innovation Park gives emerging companies direct access to investors, buyers and industry leaders. At ISE 2026, some of the AV industry’s fastest-growing startups used Innovation Park to secure international visibility, investor conversations and new distribution opportunities. With 130 exhibitors, the programme reinforced its position as a key destination for discovery, networking and business development, where many first conversations developed into international growth opportunities: “Returning to Innovation Park for a second year was an easy decision for us because the experience and connections we made previously were extremely valuable,”

said Fabien Rolland, Co-founder & Managing Director of Losonnante, a French startup developing immersive bone conduction sound technology. “This year, our focus was on connecting with investors and international integrators to expand into new markets through distributor channels.”

“This is our first time at ISE, and from day one we realised it was the right platform for a startup like ours,” said Alberto Paccagnella, Co-Founder of amperry, the Italian startup behind a shared power-bank rental solution capable of charging both mobile devices and laptops. “We connected with people from all over the world, received strong interest in our product, and saw clear opportunities to scale the business internationally beyond Italy.”

“Returning to ISE one year after launching Turtle AV here has been an incredible experience,” said Chris

“The business has grown rapidly, with nearly 40 distributors worldwide, major industry recognition and strong momentum across Europe. ISE 2026 generated exceptional interest for us, creating hundreds of new contacts and opening significant opportunities for further international growth.”

The Plug and Play Pitching Stage was a major driver of engagement, hosting 84 pitch sessions and giving startups a direct forum to present to investors, partners and industry stakeholders. This momentum continued across the broader programme, with tours, networking events and the Speed-Dating Evening Event helping participants build new relationships and open conversations around future collaboration. The Matchmaking Area, powered by Ambivation, further strengthened the programme, facilitating more than 160 potential one-toone connections between investors, startups, innovation managers, corporate representatives and other stakeholders. Seven partner-led sessions featuring BCN Health Hub, Youz Talent, Barcelona Activa, EIT Culture & Creativity, CETT and SETT added further depth, before the week concluded with the ISE Hackathon.

“Innovation Park helps shape the future of the AV industry by giving startups direct access to investors, partners and industry experts,” said Mike Blackman, Managing Director of Integrated Systems Events.

“Through its alignment with the ISE Foundation’s commitment to innovation, the programme also helps entrepreneurial talent bring new ideas to market and connect with the wider AV industry. By connecting emerging companies with the right people and organisations, Innovation Park creates real commercial opportunities and supports the next generation of industry growth.” Following strong demand and high engagement at ISE 2026, startups are already securing their place at Innovation Park 2027. With increasing investor and buyer engagement, Innovation Park is expected to attract a new wave of AV startups looking to scale internationally. Applications are now open to secure a place at the meeting point for the next generation of AV businesses. ISE will return to Fira de Barcelona, Gran Via 2-5 February 2027.

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CEDIA Expo/CIX claims USA leadership in residential lighting and integrated living

As lighting continues to shape design, wellness, and overall performance in the modern home, CEDIA Expo/ Commercial Integrator Expo (CIX) continues to solidify its position as the premier event for residential lighting, controls, shading, and integrated living technologies. Bringing together North America’s largest audience of

residential system integrators, designers, and architects, the event reflects the growing importance of lighting in today’s connected residential environments. CEDIA Expo/CIX showcases lighting as part of a fully integrated ecosystem that includes automation, shading, audio, security, and wellness systems, mirroring the evolving realities of residential project design and delivery, where seamless integration and user experience increasingly define how spaces look, feel, and function. “Lighting is no longer a standalone category; it is a foundational layer of the connected environment,” said Jason McGraw, Group Vice President and Show Director, CEDIA Expo/CIX. “What distinguishes CEDIA Expo/CIX is the opportunity to see how lighting, controls, shading, and automation integrate seamlessly in real-world applications. This level of integration, along with the audience that appreciates it, is unique to this event.”

According to CEDIA’s 2023 Smart Home Market Analysis, lighting and shading control systems are among the categories with the highest rate of growth. These findings were reported directly by integrators themselves. This shift highlights the ever-growing importance of CEDIA Expo/CIX and its ability to gather the residential integration industry together under one roof. Jay Divine, President of ilLumenate Lighting, notes, “CEDIA Expo/CIX is where you meet the smartest minds in home integration. We’ve seen technology get smarter and smarter each year, and platforms like this allow us to stay abreast of the innovations. It’s the most comprehensive venue where residential lighting for interior and outdoor environments is considered in the context of whole-home integration and manifests in cross-brand collaborations, industry panels, keynotes, and, ultimately, better business for the brands, designers, and integrators! This makes CEDIA Expo/CIX a must on our calendar every year.”

The 2026 exhibit hall features a comprehensive lineup of leading and emerging lighting, control, and shading brands—presented within the context of fully integrated systems. Brands including AiSPIRE/WAC, DMF Lighting, and Proluxe by American Lighting highlight the innovation shaping the category, while technology leaders such as Lutron, Crestron, Savant, Nice, and URC demonstrate how lighting serves as a central control layer within the connected home. Motorised shading and daylight management further extend this ecosystem, with companies like Somfy and PowerShades demonstrating how comfort, wellness, and energy performance are increasingly interconnected. Outdoor living is represented by brands including Coastal Source, while emerging specialty solutions further underscore the range of new ideas shaping the category.

A key differentiator of CEDIA Expo/CIX is its conference program, developed and led by the CEDIA Association, the global authority for the integrated technology industry. The CEDIA Education Conference positions lighting and shading as a strategic entry point into larger, more complex projects, equipping professionals to expand into residential and light commercial applica-

tions. The CEDIA Education Conference schedule includes a diverse range of topics, from wellness and circadian design to integrated controls, performance, and aesthetics. These sessions provide attendees with practical insight into one of the fastest growing and most influential categories in residential technology and design. Taking courses directly curated by the leading authority in integrated technology is an opportunity too valuable to pass up. “Lighting has become one of the most important elements of the modern home,” said Daryl Friedman, Global President and CEO of CEDIA. “As the association representing smart home professionals, CEDIA is focused on helping integrators understand how lighting fits within the broader ecosystem of the connected home. At CEDIA Expo/CIX, we’re providing education that reflects how residential projects are actually designed and delivered today to increase integrator profits and client satisfaction.”

CEDIA Expo/CIX will return to Denver from Tuesday, September 1, to Friday, September 4, 2026.

Tech Xpo 2026 dates announced

Tech Xpo, Midwich’s flagship event, will take place at Ascot Racecourse on 21-22 October 2026. Celebrating 15 years of the award-winning technology showcase, the two-day event will bring together leading brands, hands-on demonstrations and expert insight for channel partners, resellers and end users. Visitors will be able to explore the latest solutions across AV, workplace, security, audio, LED, retail and live production, while connecting directly with manufacturers, Midwich spe-

cialists and industry experts.

Key themes for 2026 will include AI and automation, workplace collaboration, sustainability, retail experiences, security and smart spaces, audio and communication, and immersive live production. Tech Xpo Secure will also return for 2026, offering a dedicated security zone featuring live demonstrations and the latest innovations in connected security solutions. Attendees will have the opportunity to compare technologies side-byside, explore integrated solutions and discover how Midwich supports partners through technical expertise, finance, project support and specialist services.

Rachel Curson, experience and events manager at Midwich UK&I, said:

“Tech Xpo has always been about bringing people together to experience technology in a practical, handson way. As we celebrate the 15th edition of the event in 2026, we’re excited to welcome partners, vendors and end users back to Ascot Racecourse for another two days of innovation, collaboration and valuable industry conversations.”

Visitors will also have the opportunity to connect with representatives from across the wider Midwich UK&I group, spanning specialist AV, broadcast, live production, workplace and security expertise. Ross Floyd, chief operating officer at Midwich UK&I, said: “Technology is developing quickly across every market we support, and Tech Xpo gives our partners the opportunity to see the latest innovations firsthand. Whether it’s AI, workplace collaboration, security or immersive experiences, the event is designed to help visitors discover new opportunities, build relationships and have meaningful conversations with the experts behind the technology.”