Essential Install November 2025

The Pinnacle of Image and Sound

Uncompressed 4K 60Hz 4:4:4 and 1Gb LAN

We are pleased to announce the launch of the first HDBaseT™3 matrix product to the market

Using HDBaseT™3 technology, these powerful HDBaseT™ matrix support uncompromised 4K 60Hz 4:4:4 resolutions over distances up to 100m over a CAT6A. The new HMX88-18G and HMX44-18G come into their own with advanced audio features specifically designed for maximising the integration of AV sources in the modern home. Enhanced audio routing is achieved through the integrated audio matrix. This enables the audio from displays (via HDMI ARC or Optical S/PDIF), and all other sources to be embedded and routed through the system at the users discretion. The inclusion of a 1Gb Ethernet channel allows for LAN serving to all HDBT outputs / zones as required, IR and RS-232 pass-through, advanced EDID management, and PoC provide the ultimate flexibility.

The combination of these technology features enable our installation partners the ability to create a truly immersive AV experience throughout the home.

NEW

HMX88-18G

8x8 HDBaseT™3 AV Matrix

• Uncompressed / unconverted 4K 60Hz 4:4:4 to 100m

• HDMI / Optical Audio Return, Audio Embedding & Breakout

• 2x dual HDMI output, Bi-directional RS-232, IR, PoC to RX

Recommended RX:

Receiver

Advanced HDBaseT™ Receiver supporting uncompressed and unconverted HDMI 2.0 4K 60Hz 4:4:4 up to 100m

NEW

HMX44-18G-KIT

4x4 HDBaseT™3 AV Matrix Kit

• Uncompressed / unconverted 4K 60Hz 4:4:4 to 100m

• HDMI / Optical Audio Return, Audio Embedding & Breakout

• 1x dual HDMI output, Bi-directional RS-232, IR, PoC to RX

Supplied with:

- HDBaseT™3.0 Receiver

Advanced HDBaseT™ Receiver supporting uncompressed and unconverted HDMI 2.0 4K 60Hz 4:4:4 up to 100m

Our award winning Video over IP Solutions

4K 60Hz 4:4:4 over 1Gbps Network

IP350UHD

Dante® enabled 4K 60Hz 4:4:4 video over 1Gb network

• Extends HDMI and Dante® up to 100m over a single CAT cable

• Supports up to 4K UHD 60Hz 4:4:4

• Independent or combined HDMI and Dante® signal distribution

• SFP port for signal distribution over fibre

IP300UHD

4K 60Hz 4:4:4 video over 1Gb network solution

• Extends HDMI up to a distance of 100m over a single CAT cable

• Independent routing of IR, RS-232, USB/KVM, audio and video

• Supports all audio formats including Dolby Atmos® and DTS-HD™ Master Audio

• SFP port for signal distribution over fibre

over IP solutions for a range of applications

4K 60Hz 4:4:4 over 10Gb Network

IP510UHD

• SDVoE™ - 4K 60Hz 4:4:4 over 10Gbps Network with zero latency

• Selectable or simultaneous transceiver - ultimate flexibility

• Scaled output, Video Wall, Multi-View, 1Gbps LAN, USB / KVM

• SFP+, EDID Management, Bi-directional IR & RS-232, PoE+ UHD Video Transceiver over 10Gb Managed Network

4K 60Hz 4:2:0 over 1Gbps Network

IP200UHD & IP250UHD

4K video over 1Gb network solution - TX / RX

• 4K 60Hz 4:2:0 over 1Gbps Network with 1-frame latency

• Dante, Audio Embedding / Breakout, EDID Management

• SFP, Bi-directional USB / KVM, IR & RS-232, PoE

• Scaled output & Video Wall

1080p 60Hz over 100Mbps Network

IP50HD

HD Video over 100Mbps Network - TX / RX

• 1080p with 2ch audio over 100Mbps Network

• Audio Embedding / Breakout, EDID Management

• Bi-directional USB / KVM, IR & RS-232, PoE

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•

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NATURE: THE ULTIMATE RESET BUTTON

Having recently returned from a trip to the Scottish Highlands, EI’s been thinking a lot about the simple, yet profound, power of nature. There’s something about the wide open spaces, the heathered hills and the crisp, clean air that does more than just lift your spirits. It feels as though nature itself presses a reset button, clearing the clutter from the mind, slowing the rhythm of life and letting perspective gently settle in.

In our industry, it’s all too easy to measure productivity by hours spent at a desk or time on site. Yet, in reality, some of the most effective work comes from the moments when we deliberately step away. Time away from work takes many forms—party central, family gatherings, long weekends at home, holidays or even just an evening curled up with a good book. All of these are valuable, but there’s something particularly restorative about being in nature. The difference is in the quiet attention it draws from us, the kind of focus that is restful, not taxing.

Active meditation is a phrase increasingly used in ‘wellness’ conversations. Basically the concept involves focusing on simple physical activities like walking, which allow the mind to reset and align with our deeper selves. EI’s own experience points towards not having any particular plan for this type of activity producing the best results. Don’t overly plan what you are going to do or where, just do it and the body will find a calmer, more satisfying rhythm.

And it’s not just anecdotal. Science increasingly backs up what so many of us instinctively know. Studies show that spending time in natural environments reduces stress, lowers blood pressure, and improves mood. Attention restoration theory, a well-established concept in psychology, explains that being in nature

allows our minds to recover from the fatigue of constant focus. The brain’s executive functions—decision-making, problemsolving, creativity—benefit from even short periods in green spaces. A 40-minute walk in the park, for example, has been shown to boost concentration and cognitive performance. Exposure to trees, open fields, or flowing water isn’t merely calming; it actively helps us become sharper, more resilient and better at what we do.

It’s worth noting that nature doesn’t have to be remote or dramatic to be effective. You don’t need a week in the Highlands to experience these benefits.

A quiet walk through a local wood, a few minutes sitting in a garden, or even simply watching the sky can trigger the restorative effect. The key is presence—the ability to be fully in the moment, to let your mind wander gently without the constant pull of notifications or deadlines.

For those of us running businesses or juggling complex projects, this kind of reset isn’t a luxury—it’s essential. Creativity, patience and problem-solving all thrive when we give our minds the space to breathe. I’ve found that ideas that felt stuck suddenly untangle themselves after a morning in the hills, and challenges that seemed overwhelming appear more manageable after even a brief encounter with nature.

So, EI’s recommendation is simple: make time in nature a deliberate part of your life, whether it’s a formal holiday or a weekend stroll. Treat it with the same seriousness you would a client meeting or project deadline. Give yourself permission to step away, recharge and observe. The benefits extend far beyond mood—they’re real, measurable, and incredibly relevant to our professional lives.

Nature, in its quiet, unobtrusive way, reminds us that sometimes the best work begins when we stop trying so hard. It’s the ultimate reset button—and we’d be wise to use it regularly.

GETTING IN TOUCH

EDITOR-IN-CHIEF

Daniel J Sait, dan@allthingsmedialtd.com

MANAGING DIRECTOR

Ian Kitchener, ian@allthingsmedialtd.com

GROUP AD MANAGER

Steve White, steve@allthingsmedialtd.com

SALES DIRECTOR

Kelly Byne, kelly@allthingsmedialtd.com

CEO

David Kitchener, david@allthingsmedialtd.com

STUDIO MANAGER

Mark Weller, mark@allthingsmedialtd.com

ACCOUNTS

susan@allthingsmedialtd.com

Essential Install magazine, Suite 14, 6-8 Revenge Road, Lordswood, Chatham, Kent ME5 8UD

T: +44 (0)1634 673163

F: +44 (0)1634 673173 www.essentialinstall.com

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The editors and publishers do not necessarily agree with the views expressed by contributors, nor do they accept responsibility for any errors in the transmission of the subject matter in this publication. Whilst we make every effort to ensure that everything is factually correct, we cannot be held responsible if factual errors occur.

In all matters, the editor’s decision is final. Editorial contributions to Essential Install magazine are welcomed, and the editor reserves the right to alter or abridge text prior to the publication. All articles are copyright and remain the property of Essential Install magazine.

23-24 SEPTEMBER 2026

BIG NEWS IN THE AV & SMART HOME SECTOR!

EI Live! the UK’s top trade show, teams up with ECN Live! for an all-new event experience. This unique collaboration promises unparalleled insights and opportunities in a unified venue.

The residential AV and home automation industries have relied on EI Live! as a primary event for 14 years, but as the market grows and overlaps with electrical contracting, there is an opportunity to bridge these industries. To address this, EI Live! is re-locating to the NEC Birmingham for its 2026 event and will run alongside ECN Live! This joint exhibition creates a collaborative space for AV and smart home professionals to engage directly with electricians and electrical contractors, fostering synergy across these interconnected markets.

A touch of smart design

Meet Niko: your experienced partner in intelligent home control.

In a world of constant noise, Niko creates smart technology that quietly makes life better. It naturally blends into every home.

More than a century ago, Niko started creating quality electrical solutions for every type of building. For more than 25 years we have been bringing smart control and elegant design to residential projects across Europe.

Niko is the trusted partner for installers and architects who value quality, reliability, and timeless design, offering not only products but also training and hands-on project support.

Build smarter. Work with Niko.

SAMSUNG AND ECO-BOS PARTNER ON UK’S FIRST CARBON POSITIVE SMART HOME COMMUNITY

Samsung Electronics (UK) has partnered with sustainable developer Eco-Bos to create one of the UK’s first carbon positive smart home communities at West Carclaze Garden Village in Cornwall. The collaboration brings together smart home technology, renewable energy and sustainable construction to set a new benchmark for energy-efficient housing developments in the UK.

Located within 500 acres of Cornish countryside, including a 350-acre Country Park, West Carclaze Garden Village will feature 1,500 smart, energy-efficient homes that combine innovative design, green energy systems and advanced automation. Every home in the development achieves an EPC A rating – a distinction held by only 0.3% of UK properties – underlining the project’s leadership in sustainable housing.

Through Samsung’s SmartThings platform, residents will be able to monitor and control heating, lighting, security and appliances from a single app. The open ecosystem connects with over 350 partner brands, including Amazon Alexa and Philips Hue, allowing residents to tailor and automate their living spaces for maximum comfort and efficiency.

Each home will come equipped with a Samsung Heat Pump, Climate Hub, Solar PV system and a range of AI-enhanced smart appliances, including washing machines, ovens and fridge freezers. These appliances can automatically switch into AI Energy Mode, optimising performance and reducing energy use.

The partnership aims to make connected, low-carbon living both attainable and affordable. Based on SAP (Standard Assessment Procedure) calculations from the Elmhurst Energy Report, West Carclaze residents could

The project underlines how technology can reduce carbon footprints, cut energy costs and improve quality of life

generate a profit of up to £1,779 per year through energy efficiency and renewables. In comparison, the average UK household spends £1,719 annually on electricity and gas, offering potential savings of up to £3,498 each year.

The partnership between Samsung and Eco-Bos demonstrates how smart home automation and renewable energy can work together to deliver truly sustainable communities. It highlights how technology can reduce carbon footprints, cut energy costs and improve quality of life — while showing developers what’s possible when innovation and environmental responsibility align.

Samsung Electronics samsung.com

Eco-Bos westcarclaze-gardenvillage.co.uk

L-Acoustics has established a new global Real Estate division under the leadership of Gérald Yven as Global Real Estate Director. This strategic initiative ensures that L-Acoustics facilities match its audio technologies, creating environments that support innovation and collaboration for sound professionals, corporate partners, team members and visiting artists across the company’s expanding international operations.

The Real Estate division will oversee L-Acoustics’ substantial investments into

L-Acoustics’ global corporate and industrial real estate portfolio, coordinating major real estate projects from site acquisition and renovations to the design and construction of specialised L-Acoustics spaces such as Creative Studios and Showrooms. This centralised approach aims to ensure consistent implementation of L-Acoustics, brand identity and operational standards across all global locations.

“The establishment of our global Real Estate division represents a critical step in supporting L-Acoustics growth trajectory,” says Hervé Guillaume, co-CEO at L-Acoustics.

“By centralising our real estate strategy, we can ensure that every facility – from our corporate headquarters to our international studios –reflects our commitment to innovation and provides an optimal environment for our teams to deliver exceptional solutions to our clients.”

MIDWICH EXPANDS EDINBURGH AV HUB

Midwich has officially opened its expanded AV Hub in Edinburgh, offering a larger, more dynamic space for hands-on demonstrations, events and training. The new 3,000sqft facility aims to strengthen relationships between vendors and customers while delivering a premium technology experience in Scotland, says the company.

Located at Westcott House, Ferrymuir in South Queensferry, the upgraded AV Hub builds on the success of Midwich’s previous Scottish site. It brings together leading technologies from across the Midwich Group –including DVS, Nimans Security, Invision, Pulse Cinemas and Midwich – creating a one-stop destination for discovering and testing the latest AV, UC and security innovations.

The new space allows vendors and manufacturers to maintain a permanent showcase for their solutions, helping them engage directly with customers, demonstrate products in real-world settings and gather feedback that informs future developments. This closer collaboration ensures that installers and integrators across Scotland have access to the latest technologies and expert support.

“The AV Hub has always been about creating a space where customers can experience the best technology, backed by the strength of our vendor partnerships,” said Russell Taylor, Account Director at Midwich UK&I. “This new, larger location allows us to showcase more solutions than ever before,

helping our customers explore innovations that can transform their projects. The AV Hub has become a trusted destination for the Scottish AV community, and we’re proud to build on that reputation with this exciting next chapter.”

With Russell’s established relationships across the Scottish AV channel, the enhanced AV

The division’s mandate extends beyond traditional facility management to encompass strategic site selection and development. By standardising facility management practices, the team ensures operational consistency that ultimately benefits the L-Acoustics network of partners and clients.

Recent accomplishments include the establishment of a new global corporate office in Massy, France, which has freed up space at the original Marcoussis HQ to focus on R&D and the creation of an L-Acoustics Creative Studio at Rock Lititz, where sound engineers can learn and perfect mixing techniques using L-Acoustics L-ISA immersive technology.

The team has also overseen expansions of production facilities in France and Germany, as well as the opening of a second L-Acoustics Innovation Centre in London and improvements to the Westlake Village global headquarters. Solar panels are also being incorporated into all company-owned buildings in France, with the goal of achieving net-zero energy use.

L-Acoustics l-acoustics.com

Hub is expected to become the go-to location for integrators, consultants and technology managers seeking the latest solutions and business opportunities in the region.

Midwich midwich.com

CUK has expanded its Residential CI team by welcoming Kyle Basley as CI Sales Manager for the South of England. Working alongside Phillip Roe, CUK’s CI Channel Manager, Kyle brings a wealth of product sales and management experience to the role.

Specialising in technical sales support for a wide range of brands and sectors, Kyle joins CUK from ADI/ Snap One/Control4 where, as Area Sales Manager for Southern England, he applied his comprehensive understanding of product and system design to boost sales and value-added support for integration partners. Kyle’s experience also includes a combined seven years in Product Management and Business Development roles at Habitech.

A familiar face to many CI professionals in the southern counties, Kyle will use his aptitude and passion for technical sales to engage existing and new CI businesses in CUK’s versatile brand and service expertise, centred on the new demonstration and training facility in Ascot.

Innosonix has announced the appointment of Richard Van Nairn as Sales Director, following his successful two years as International Sales Manager.

Richard brings 13 years of experience to the role, cutting his teeth at the early stages of his career at LMC Audio before crossing over to manufacturing with Martin Audio, where he spent close to eight years supporting the UK and then moving into EMEA sales.

Richard said, “It’s truly an honour to be appointed Sales Director. Since the day I met Markus and Steffen (company founders), I knew Innosonix was something special. Anyone can see that from looking at the product portfolio, but it was the passion of our team. Each one of them just loves audio and is passionate about what they do. I knew I’d found a group of like-minded people that wanted to embark on the same journey I did.”

Since his appointment as International Sales Manager in 2023, Richard has looked to grow the brand by expanding their global distribution.

Midwich has announced the appointment of Tyrone Zagnoiev as Experience Centre Manager at Innovation House - the company’s experience facility in Bracknell.

In his new role, Tyrone will oversee the management and day-to-day operation of Innovation House, creating a space where customers can experience the latest technology first-hand, build stronger partnerships and discover how Midwich can help them achieve their business goals. He will also lead marketing and event

initiatives that enhance the customer journey, highlight innovations from UK&I group partners and elevate the profile of both Innovation House and the Midwich brand.

Tyrone said, “I’m excited to build on its success, helping to increase engagement, loyalty and awareness while driving opportunities for Midwich and our partners.”

Tyrone’s appointment comes as Innovation House undergoes a significant refresh, reinforcing its position as a dynamic hub for innovation and collaboration in the AV industry.

PSCo has announced the appointment of Laura McCay as LED project manager, based at Innovation House in Bracknell.

In her new role, Laura will oversee the operational delivery of LED projects from inception through to handover. Her responsibilities include coordinating with customers and cross-functional teams, managing project timelines, resources and budgets and ensuring all projects are delivered to the highest standard.

Audiologic has appointed Bobby Sohal as Procurement Manager and Steve Cox as Business Manager (South Region), in a move that signals a continued investment in the company’s operational excellence and partner support infrastructure. The appointments come as Audiologic continues to build on its market position, reinforcing key functions within the business to support sustained growth.

Global AV Sales has announced the promotion of Mica Corcimari from Business Development Manager to Associate Director of Sales. This promotion marks the next step in Mica’s journey with the company as she takes on a more strategic leadership role in driving growth and strengthening partnerships across the international audio-visual market.

Since joining Global AV Sales, Mica has played a pivotal role in expanding brand presence and deepening relationships with distributors and integrators across key regions.

HARMAN Professional Solutions has announced Amar Subash has been appointed to lead the Professional Solutions sales organisation across the Europe, Middle East, and Africa (EMEA) region, while continuing to oversee sales leadership responsibilities for India. In this expanded role, Amar will set a strategic direction for both regions, focusing on accelerating growth and delivering on HARMAN’s commitments to customers.

THE STANDARD

ARCHITECTURAL SUBWOOFERS WITHOUT COMPROMISE

A PERFECT MERIDIAN AV MARRIAGE

Meridian Audio offers a killer combination of source through to playback options making the brand one of the most succesful and sought after in the AV world.

UHD121 HDMI CONTROLLER – SEAMLESS INTEGRATION, SIMPLIFIED

Meridian’s UHD121 brings true plug-andplay simplicity to high-performance systems. Meridian’s new UHD121 makes it easier than ever to deliver signature Meridian performance in any room

For many installers, integrating a high-end audio system with a modern TV usually means finding a workaround. HDMI-CEC conflicts, eARC compatibility and complex control setups all add time, cost and frustration. Meridian’s new UHD121 HDMI Controller changes that. It brings the clarity, power and precision of

Meridian’s DSP loudspeakers to every project, with a level of simplicity that makes installation fast, reliable and repeatable. Now, your clients can enjoy Meridian’s signature sound quality with the same ease of use they expect from a modern television.

SMART, SIMPLE INTEGRATION

The UHD121 acts as a seamless bridge between TV and loudspeakers, managing eARC and ARC HDMI connections to deliver flawless sound from any television into a Meridian system.

It supports HDMI-CEC, meaning your clients can control everything - power, volume,

and source - directly from their TV remote. One connection. One remote. One extraordinary experience.

“Every home is different, and our customers increasingly want simplicity without compromise,” says Barry Sheldrick, Director of Sales. “The UHD121 delivers exactly that - seamless control, simple installation and reference-level performance.”

FASTER INSTALLS, HAPPIER CLIENTS

Compact and installer-friendly, the UHD121 can be mounted behind a TV, in a rack, or within existing systems. It features dual HDMI inputs for connecting additional sources like streaming boxes or consoles, and works in both daisy-chain and star-wired configurations via Meridian SpeakerLink.

For installers, it means less time configuring control systems and more time delivering stunning sound. For clients, it means they experience the performance of Meridian, seamlessly integrated with their television and everyday entertainment.

AWARD-WINNING ENGINEERING

Winner of the CEDIA Expo 2025 Best of Show Award, the UHD121 was recognised for its innovation in integration and user simplicity. Judges praised its ability to combine performance and practicality, making Meridian systems easier than ever to specify and sell.

UNLOCK MORE MERIDIAN SALES

The UHD121 isn’t just a connectivity solution — it’s a sales tool. It removes installation complexity, helping dealers and integrators confidently recommend Meridian DSP loudspeakers for any project, from luxury media rooms to discreet living spaces.

Now, it’s never been easier to sell and install true Meridian performance.

Key Benefits for Installers

• Simplifies TV integration – flawless eARC/ ARC and HDMI-CEC performance

• Reduces setup time – plug-and-play connectivity for new and retrofit installs

• Drives loudspeaker sales – unlocks Meridian DSP performance for any TV system

• Delivers consistent results – engineered for reliability and compatibility

• Backed by Meridian – full technical support and training available

PERFORMANCE-FOCUSED

Meridian redefines what’s possible in architectural audio with the 2025 Edition Reference DSP730 and DSP750 In-Wall Loudspeakers, the brand’s highest-performing in-wall models to date. Engineered with enhanced driver technology, advanced DSP, refined acoustic design and proprietary Meridian innovations, they deliver exceptional output, ultra-low distortion and extraordinary imaging precision.

Both models feature Meridian’s Image Elevation technology, developed to create natural and convincing sound experiences in installations with LED screens or large fixed displays where speakers cannot sit behind the image. This psychoacoustically driven solution ensures that vocals and key audio elements appear to emanate directly from the screen, achieving an immersive and lifelike performance.

Developed under Meridian’s Extreme Engineering Programme, the DSP730 and DSP750 embody the same pioneering research

and innovation as the flagship DSP8000 XE, bringing reference-grade, no-compromise sound quality to a discreet, architecturally integrated form.

To book a demo or learn more, contact dbmsales@distributedbym.co.uk or visit meridian-audio.com/UHD121.

LITTLE HAVENS

Together For Cinema (TFC) completes another important project supporting the community.

In March 2025, Together for Cinema’s 54th project began to take shape. James Brown, Managing Director and Andrew Fox, Strategic Partnership Manager, of The Cinema Company started work at Little Havens, a specialist care hospice. The Benfleet-based facility is a specialist care hospice that supports babies, children and young people living with complex or incurable conditions from Essex and the surrounding boroughs.

Little Havens holds a special place in Together for Cinema’s heart, as it was one of the very first installations to be completed by

TFC back in 2012. Since then, the team has been back to update the original multifunctional space and as the needs of the unit evolved, so did ideas for how to best serve the families that use it.

With a complex room shape, the original plan of updating the gaming room was considered long and hard, but despite some structural issues to address, the team decided that it was worth the effort to make that space really special.

The room is about four metres square, with a semi-circular glazed end looking out onto

decking. To make the space more suitable for watching films, the team installed plush floorto-ceiling curtains, with concealed lighting for added drama. Soft carpets replaced the original polished flooring and, of course, some top-of-the-range equipment was added. James and Andrew are based just a few miles away from Little Havens and were very keen to get involved. They had a clear vision: to make the room the very best it could be.

“The Cinema Company was honoured to work with Together for Cinema. We were invited to design and install this meaningful cinema room and it was even more important to us because it is so close to home,” James explains. “From the outset, our team was determined to create something truly special for the children, families and staff who spend time at Little Havens. The process was not without its challenges. We needed to strengthen the ceiling to support the projector and build a bespoke bulkhead for the screen. However, each challenge pushed us to deliver our very best and the final result was more than worth the effort.”

The space is already making a difference to the children and families that visit and reside with Little Havens, as Steve McClure, Head of Facilities at the hospice explains.

“For many of the young people we support, visiting a public cinema simply isn’t possible. This room removes those barriers, bringing the magic of the movies to them in a safe and welcoming environment,” he says. “The design is simple but intentional. With dark walls, blackout blinds, a projector and large screen, the room captures the real cinema feel. Its flexibility means we can bring in beds, beanbags, or wheelchairs so that every child can be comfortable and fully included.”

A room like this creates special memories for families, whether that is a moment of respite, or a truly immersive experience for young people who may not otherwise be able to watch a

great movie with friends and family. Bringing this room to charities like Little Havens is only possible because of the massive generosity of companies like The Cinema Company and all of the equipment suppliers who offer their help. Suppliers like Monitor Audio who were another local team who were keen to help and again stepped up to offer their support with a comprehensive loudspeaker package for this wonderful hospice.

When people come together to create something special, the end result becomes so much more than the sum of its parts, it makes a tangible difference to people who really need it. The financial cost of installing a special room

can be prohibitively expensive, so moments like these could be unobtainable to many charities. The cost of this room would have been over £40,000. The running total for cinema rooms installed is now over £1.5million, a truly remarkable sum and testament to the amazing work done by companies like The Cinema Company up and down the country.

As Steve continues, the work done at Little Havens is making a lasting impression.

“It’s more than just a cinema, the space is used for gaming, siblings’ weekends and cosy family movie nights,” he explains. “We are able to create opportunities for joy, laughter and togetherness. Thanks to the support of TFC, The Cinema Company and the AV community, these experiences are now accessible to children who might otherwise miss out, helping them and their families make every day count together.”

It has made a real impact on James, too, as he concludes.

“The completed cinema now offers a dedicated space for joy, comfort, and togetherness, an environment where families can share treasured moments,” he finishes. “We are incredibly proud to have played a part in this project and deeply grateful to Ian [Morrish, TFC founder] and the Together for Cinema team for the opportunity.”

Together For Cinema togetherforcinema.co.uk

PULSE CINEMAS SHOWROOM EVOLUTION

One of our key promises has always been to deliver some of the best demonstration spaces the industry has to offer. This commitment continues to evolve with recent and planned updates at our Stansted HQ to keep our offering at the cutting edge of home cinema and media room experiences.

First up, the foyer — traditionally an area where we have showcased less conventional big-screen experiences — the most recent upgrade features the fantastic Leica Cine Play 1 partnering a fixed Screen Research screen. The placement of the projector is deliberately offcentre to show the versatility of this playful but powerful projector. This partnership is enhanced with mood lighting courtesy of Lutron, built into recently added ceiling cornicing to add drama and versatility. If you haven’t seen this unit in action before, it’s well worth checking out. Leveraging some of the best lens technology in the world, the Leica is able to produce strong imaging even in high ambient light conditions, all from its highly attractive mobile chassis.

THE LARGE CINEMA

The biggest demonstration space in the building has always been a showcase of the most cuttingedge technologies in dedicated home cinema design. This commitment continues to evolve as three powerful allies combine to offer a new level of performance and control, in step with the latest abilities from Trinnov, Alcons Audio and the AVA control platform.

Development in this space is set to take place in several phases. Alcons Audio speakers have already returned to the cinema to partner Trinnov in delivering WaveForming technology when the speaker array is further updated with more subs in mid-November. Currently managed by an Altitude32, the Trinnov AltitudeCI will soon take centre stage, showcasing the versatility of this new platform. The key to the new product is its ability to deliver the same performance levels as its cousins but

offer the flexibility of a choice of channels so that installers can select exactly what is needed for each project. A mixture of digital and analogue connectivity also adds flexibility to cope with any configurations and equipment that need to be included.

Alcons Audio is already featured in the front channels of the cinema, delivering excellent dynamics. However, more Alcons speakers will be added to the cinema in the mid-November update, including an array of seven subs (four at the front and three at the rear) to deliver the full impact of WaveForming technology partnering the AltitudeCI.

Kapes Patel, Business Development & Technical Director, Pulse Cinemas, explains, “Alcons Audio is a very strong partner for Trinnov WaveForming technology with its ability to deliver precise, powerful bass. Alcons is also just an excellent match for this room, filling the space with highly impressive dynamics, clear dialogue and a very natural, warm aspect to the audio. We can play at reference levels in here and it just feels so natural to listen to — never fatiguing, always highly impressive.”

David Meyerowitz, Technical Sales Manager, International, High End at Trinnov, adds, “As well as adding subs for WaveForming, we are also going to be altering the layout of the speaker array to fully leverage the power of the most recent software upgrades to the Trinnov platform and even more closely match the needs of this space. The performance is seriously good even now, before the next phase of development has even happened, and we are very confident it’s going to be next level when everything is finished.”

David adds, “It’s important to remember that the software update available on the CI model and across the whole range is a groundup reimagining of what the Trinnov platform can do. We have been able to update a huge amount of functionality and compatibility with this new platform, including all the very latest audio CODEC platforms into the heart of the software.

“The new UI will also be available across all of the products. A radical overhaul, the new system is much more intuitive and includes a full wizard-based approach that guides installers through setup rather than relying on them knowing or remembering where all the key control features are. Users can choose between levels of expertise, and the improved graphics and illustrations really inform what is going on, what is being created and present a better understanding of how the system works and what it delivers. In the calibration phase, there is a lot more automation of the process and handy guides on aspects such as where the mics need to be placed.”

David also underlines the importance of the Amplitude16 in the Trinnov offering. Created for the CI/home cinema market, this powerful unit delivers the flexibility needed to address diverse channel counts and power requirements. Now,

with the optional Dante input board available on new products or for retrofit, the unit is ready and able to deliver audio over IP where needed.

HAVE IT ALL WITH AVA

The AVA platform has continued its impressive growth and development, with OS 2.0 being recently featured at EI Live! 2025.

The AVA 2.0 platform is available on iPad, Mac, Windows and third-party in-wall panels, as well as an app for smart devices. Pro-grade configuration tools, huge device compatibility and the sheer ease of use and speed of these units mean they are more than capable of running the whole of Pulse Cinemas HQ.

Kapes says, “Now to be found controlling the main cinema and the small cinema, I am a huge fan of these products, they just deliver everything you need to control an AV or smart home space. Super-fast and easy to programme and use, there really isn’t anything that can match them. We programmed a sideby-side comparison of the power of the madVR Envy Extreme in the big cinema just using the AVA. There is also a strong margin available to dealers, and end users love the ease of use and the ergonomics of the handsets.”

THE APARTMENT CINEMA

Known for delivering what is possible for smaller spaces, this area has recently been updated with a full installation of our carefully curated shortthrow cinema showcase. Easy to install, with just one power cable going to the MaxLight LK620 UST Cabinet, the setup features the Leica Cine 1, the brand’s premium 4K ultra-short throw projector delivering Dolby Vision, impressive colour depth and sharp contrast.

Partnering the projector is the Screen Innovations Short Throw Lift, a bottom-up motorised ambient light rejecting (ALR) screen. With SI’s ALR technology, the screen is designed to optimise image quality in a range of lighting conditions. For audio, this package is supported by Paradigm Monitor SE Atom Bookshelf speakers and an Essentials Sub 12. For processing, the compact Anthem MRX SLM ensures precise control while remaining discreetly hidden.

Kapes says, “Working in conjunction with the super-fast AVA Home Cinema remote, once the system is revealed, switching between Netflix, YouTube and Apple TV+ is the fastest we have seen. It’s just so easy to surf through any type of content the user could possibly want to look at and of course we can add in a Kaleidescape system if the customer wants to go to the next level.”

Kapes adds, “This space now delivers such a wide variety of experiences for visitors. We can showcase the short-throw system, then because we still have our cinemascope screen partnering with Epson projection, we can go the next level and at the click of a button on the AVA show what a true cinema experience is like. Customers can get a clear idea of what different systems can do, and we can find exactly the right system for them. If you haven’t visited Pulse Cinemas HQ in a while, make your appointment today!”

POWERSLAVE?

Bluesound’s PowerNode 2025 marks a decade of evolution across four generations that this year sees it dipping its transistors into AV waters. Does our intrepid reviewer Richard Stevenson fall under its power?

From its debut over a decade ago, the original PowerNode married NAD’s proven HybridDigital amplification with BluOS multiroom streaming in a minimalist chassis. It was part of a quiet revolution in ‘all-in-one’ streamer amps. That category is now a huge part of the audio market, across residential and install. Can the unique features of the 2025 PowerNode kickstart another trend?

As a bit of history, the PowerNode 2 brought tangible refinement over the original, with higher-grade DAC stages, quieter internals and an upgraded power supply. Something of a mid-cycle upgrade, the later 2i revision marked Bluesound’s added AirPlay 2, two-way aptX HD Bluetooth and HDMI ARC. That turned what was once a simple streamer-amp into a credible TV audio hub.

The 2021 PowerNode, often referred to as the third generation, re-engineered the architecture around a new quad-core 1.8 GHz ARM processor, increased the amplifier output to 80W per channel and overhauled the DAC and DSP paths for noticeably greater transparency. Touch-panel control, proximity sensors and faster BluOS added extra pizazz to the genre.

Fast-forward to 2025 and the fourthgeneration PowerNode turns the volume up to 11 on features and performance. Alongside a raft of audio tweaks, it lifts output again to 100W × 2, competing spec-to-spec with the

potent Marantz M1. Perhaps most unusually, however, is the inclusion of a discrete third amplifier channel for LCR or 3.1 operation, onboard Dolby Digital processing and the option of wireless rear channels for 5.1.

That is quite the leap into AV from a simple HDMI eARC connection and I suspect it may polarise some opinions. Does it turn the PowerNode into a serious contender for filling the gap between top-end soundbars

and a full AVR set-up, or is it adding the cost of a third-channel amplifier and Dolby-licensed processing that two-channel die-hards will never need?

For customers raising an eyebrow about the latter, the 2025 model also integrates THX AAA spec headphone amplification and lowers distortion across the board, offering arguably even higher stereo music chops than its dedicated two-channel forebear.

For the CI market, it could be a big win. The headline change is architectural: the amp platform now delivers 100W × 2 into 8Ω in stereo or 80W × 3 in LCR mode, with a dedicated third set of binding posts for a passive centre and the option of wireless rears. Add the cost of a pair of Bluesound Pulse Flex speakers, and you can build a credible plug-andplay 5.1 system from the PowerNode that still performs at the top of the game in sub-£1000 stereo all-in-one amplified streamers.

Better still, two fit perfectly side-by-side on a rack shelf or a 2U tall rack mount, or one will slip down the back of any TV with a suitable mount, and the Bluesound ecosystem works with possibly the widest range of integrations of any similar products. Crestron, C4, RTI, URC, Lutron and even Amazon Alexa get the gig. Add in Apple AirPlay 2, Spotify and Tidal Connect, Roon Ready, aptX Bluetooth and connection over WiFi or RJ45, and the installer boxes are well and truly ticked.

The wireless rears operate on a direct connection with the PowerNode, called Bluesound Bonded Speaker Link. The system uses its own point-to-point WiFi LAN from the PowerNode, taking the pressure off the home network and keeping the sync tight. Moreover, using WiFi rather than a less ‘rangy’ wireless protocol like Bluetooth means there is little danger of the Bonded Speaker Link’s reach, from a PowerNode in a central rack, failing to reach all but the farthest rooms in large houses. What a fabulously elegant solution.

Connectivity has also had something of a cabinet reshuffle, which now includes USB-C, full-size optical and RCA line-level inputs, and a ‘proper’ 6.3 mm headphone jack on the front for the THX AAA output. The output can be two, three or five channels, with an optional hardwired subwoofer output for .1 duties. It is stoically vanilla Dolby Digital rather than fully featured with Atmos, DTS or Auro, but as almost all content – broadcast, streamed or on disc – defaults to DD, and that keeps things very neat.

THE GOOD STUFF

Not enough goodness for one sub-£1000 package? Well, Dirac Live room EQ is coming to a PowerNode near you soon too. There is something to be said for a 10-year strategy of constant product evolution; precious little gets left on the drawing board.

Out of the box, the form factor is not massively changed, save for the large mirrorlike acrylic touch panel on top. This has a proximity sensor that lights up as your hand nears. There are basic volume adjustment and power controls here, as well as five configurable presets for different sources and set-ups. The panel shows up fingerprints like a CSI team, and I suspect constant buffing may leave micro-scratches over time. Given the superb BluOS app and Spotify/Tidal Connect, the buttons are probably going to take a back seat most of the time anyway.

Does added functionality impact ease of use and playback quality?

Set up involves powering on, opening the app, adding a WiFi password and naming the room, and, well, that is it. It is seamless. Sonically, it is just as crisp, detailed and potent as its predecessors, which I have dotted around the house. Perhaps a little more detail, a little more ‘HiFi’ than ‘rave party’ compared to the likes of the Marantz M1 and an eminently sophisticated sound throughout.

I confess coming to the new PowerNode feeling that the added AV-ness may be about to stymie what has been one of my favourite two-channel product series of the last decade. Not so. The 2025 PowerNode retains all the series’ essence in a fully featured two-channel audiophile-quality amp/streamer and simply adds a heap of flexibility in moving it gently into AV and multichannel music – if required.

The design, spec sheet, implementation and the new features allow the PowerNode to take back its crown as the premier amp/ streamer under £1000, and bring with it unrivalled flexibility for installers and end users alike. Other than the simple one-box simplicity of a high-end soundbar, the PowerNode, good stereo speakers and a matching centre speaker could trounce a soundbar performance in all but surround ambience and fancy Atmos effects.

Just to ice that cake, adding a sub (of any brand, no tie-ins… I am looking at you, Sonos) and a pair of Bluesound Pulse rears gives you a significant trade-up opportunity to create a capable AV system for a music-centric customer without the added complexity of an AVR. The 2025 PowerNode is a rather genius product development all around.

FINDING THE RIGHT FORMULA!

Katie Sparrevohn, CEO

and

Founder

of London AV Solutions, gives the inside track on life in the fast lane of AV and smart home installation.

Tell us a little about your company, what do you specialise in? Who is involved?

I run multiple companies! Historically, we’ve been a traditional AV business – London AV Solutions and Surrey AV Solutions – operating geographically within those areas.

This summer, we launched ImmersiFi, a new brand that runs alongside the others. ImmersiFi focuses on creating immersive experiences within residential properties. Across all three companies, we have a talented team of 14, covering design, project management, engineering and aftercare.

What are you doing today work-wise?

Today, I’m focusing on two new ImmersiFi projects – the first is a dedicated gaming room for a footballer and the second is a new-construction listening room. I’m currently refining the client’s tastes and preferences so we can arrange some demonstrations for him at his property.

Tell us about the projects you are working on right now

We’re mid-contract on four large, whole-house AV projects – one in London and three across Surrey and Hampshire.

One of them has been ongoing since 2021 and shows no signs of slowing down! The client loves upgrading whenever new technology or updated equipment models are released, so it’s constantly evolving.

How do you feel the industry in general is going right now?

I think the luxury sector as a whole is struggling. The UK economy is struggling and a lot of our UHNWI clients are leaving, which isn’t great. However, we are actually also seeing UHNWI moving into the UK - especially from the US and since September there has been an increase in leads.

I think that our world is changing and technology is evolving and the traditional ‘AV’ project from five years ago isn’t going to be relevant moving forward with massive leaps in consumer technology and a desire from clients for simplicity. I believe the future is in delivering quality and experiences to these clientssomething over and above anything they have had before. Creating ‘wow’ moments for them to share with their family and friends - hence the introduction of ImmersiFi.

What areas of the smart home and luxury AV sector need to improve and how?

Aftercare – it’s still one of the weakest areas in our industry. For us, the completion of a project marks the beginning of a longterm relationship with our clients. We love supporting them for years, even decades, after installation. Unfortunately, that isn’t common across the sector. Too many projects are left incomplete and clients receive little or no ongoing support.

This inconsistency has damaged the industry’s reputation, making it harder to win new work when clients have had bad experiences in the past.

Do you think training needs to be improved, if so, how?

Definitely. I think we need to look beyond the technical side and focus more on business training. So much of what I’ve learned has been through trial and error and I’m still learning every day.

It’s vital to understand your numbers and build a business model that’s profitable and measurable month to month. Equally, knowing how to be a good employer matters –understanding your team, how they work best and what support they need to thrive.

Is there a project you are particularly proud of and why?

It would have to be the world’s first hyperimmersive nightclub in a residential setting, which we completed with L-Acoustics last year.

It was such an incredible experience in terms of learning, development and collaboration. We worked closely with L-Acoustics and Light Electric, who provided all the bespoke lighting, lasers and hazers, to deliver something truly one-of-a-kind. The clients were over the moon, and the project really fuelled our vision for what ImmersiFi could become.

Are there any brands or products you particularly like working with, and why?

We have 20 carefully chosen partners for ImmersiFi, each aligned with our core values and approach to service. Their dedication to excellence and the support they provide us allows us to deliver the same to our clients. There are too many to list, but some of my favourites include Wisdom Audio, Steinway Lyngdorf, L-Acoustics and Meridian.

What is the best and the worst thing that has happened to you on site?

The best thing is when a client truly recognises the effort that’s gone into a project – that acknowledgement isn’t always a given in our industry, where people often focus on the negatives rather than the positives!

Sadly, the worst moments have been tragic. I’ve experienced two fatal accidents on construction sites I’ve worked on – one when I was only 20 and working for a main contractor. Those experiences were devastating and were part of the reason we moved away from electrical contracting back in 2012 and shifted our focus fully to AV. Managing risk and keeping everyone safe is absolutely paramount.

What is the most unusual client request you have had?

To integrate a dance pole in a party room!

How do you see the sector changing in the future?

I think we’ll evolve into network specialists as a core part of our role. A strong, secure network is now the foundation of every home – and that’s only going to become more critical.

Consumer technology will continue to improve, so complex, centralised rack systems will become less common. They’ll still be necessary for some large-scale projects, but not the majority.

Ultimately, experience-led technology is the future.

Are there persons/organisations/ companies that have been particularly inspirational in your work life?

I’ve been hugely inspired by the Entrepreneurial Operating System (EOS) and its philosophies. Implementing EOS has been the cornerstone of all our business growth and pivots – it’s given us structure, clarity and accountability across every area of the company.

Away from work, what are your interests/hobbies?

I have three girls and two Cavalier King Charles Spaniels, so life outside work is always lively!

I love watching Formula 1 – I’m a McLaren supporter – and I’m learning to love running and weight training.

You have magic powers and get one wish concerning the smart home and luxury AV market; what are you going to wish for?

Just one?! I’d wish to be able to do what we do best without so many caveats and restrictions –whether that’s design aesthetics or budgets. We rarely get to do what’s technically right in terms of placement, specification, or performance because most projects have competing priorities. Over the past few years, we’ve had a few special projects where the technology came first, and it was liberating! It allowed us to dig deep and deliver some truly innovative, creative solutions.

What are you watching/listening to right now?

Listening to Taylor Swift’s new album and currently watching Monster: The Ed Gein Story – I love a good true-crime series!

You can invite three people (living or not) out for a meal/drink. Who’s coming and why?

Emma Grede – I’m currently listening to her podcast and love her content. She cofounded Good American and Skims, coming from a modest background. She’s incredibly inspirational and charismatic.

Zak Brown – CEO of McLaren. I really admire how he’s transformed the team by redefining their values and structure. The trust the team placed in him paid off, and now they’re thriving. I’d love to pick his brain about leadership and culture.

Steven Bartlett – Diary of a CEO has been one of my favourite podcasts since it started. I’d love to know how he filters and absorbs the huge amount of insight he gets from interviews – and what lessons have truly stuck with him over time.

London AV Solutions londonavsolutions.co.uk

ImmersiFi immersifi.co.uk

AURO-3D EMBRACED BY STREAMING

Rudy Van Duppen, CEO of AURO-3D parent company Goer Dynamics B.V., argues new Hi-Res music services are choosing Auro-3D as their default immersive format.

If you’ve been following the rapid rise of spatial music, you’ve probably noticed a subtle—but important—shift: the newest lossless, hi-res, premium streaming initiatives are aligning with AURO-3D (and its next-gen, streamingfirst AURO-CX codec) as their primary immersive format.

This isn’t a fad. It’s a pragmatic decision driven by audio quality, scalability, device readiness, production workflow benefits, and a listening experience that simply feels more lifelike. The tech is here, it’s proven and for discerning listeners who care about fidelity and realism, AURO is a better choice right now.

WHY NOW? LOSSLESS, IMMERSIVE, AND STREAMABLE

Immersive music only matters if three things converge:

• The fidelity to make the format worthwhile

• Content that’s natively produced (or expertly remastered) for depth and height

• Distribution that preserves that quality from studio to sofa and headphones, without compromise

AURO’s big unlock is AURO-CX, a nextgeneration audio codec designed explicitly for streaming and broadcast. It delivers scalable

quality, channel count, sample rate and objects in a single, powerful bitstream. This means services can offer everything from high-quality, lower-bitrate mobile playback to high-resolution immersive content up to 192kHz, where bandwidth allows.

That streaming-first posture matters. It lets a service start ambitious and scale up, rather than compromise from day one.

AURO-3D & AURO-CX IN PLAIN ENGLISH

AURO-3D is an immersive format that adds a height layer above the traditional surround field, creating a vertical dimension our brains immediately recognise from real life. Instead of gimmicky effects raining from the ceiling, AURO aims for continuous, coherent depth and elevation, producing a sonic cocoon that feels like you’re inside the performance.

AURO-CX is the delivery engine that makes this practical for streaming: one bitstream, truly scalable parameters, and the efficiency to serve both audiophile-grade and mainstream audiences from the same production. In the long run, this has the potential to reduce catalogue complexity for operators and ensure that listeners always get the best version possible for their device and bandwidth.

SERVICES, CONTENT, MOMENTUM

Skeptical that this is ‘coming soon’ tech? Look at what’s already live:

• Pure Audio Streaming — Founded by Stefan Bock (the force behind Pure Audio Blu-ray), the platform launched with AURO3D music in hi-res, offering immersive tiers up to 7.1.4 at 24-bit/96 kHz, plus stereo up to 24-bit/192 kHz and AURO Binaural for headphones.

• AuroMasters — Founded by Wilfried Van Baelen, AuroMasters delivers adaptive AUROCX streaming, from lossy tiers to lossless 24/192 hi-res. Its catalogue showcases how AURO-3D albums can preserve artist intent across varying bandwidths.

• Artist Connection — Already supports AURO-CX decoding on iOS and Android at up to 192 kHz, proving everyday devices can handle hi-res immersive streams.

• KORG Live Extreme — Demonstrated AURO-CX support for live streaming, highlighting how the codec can scale for concerts, festivals, and near-live events.

Together, these launches prove AURO isn’t theoretical; it’s operational, global and already reaching music-first listeners.

PROCESSORS, AVRS AND PHONES

On the home theatre side, AURO decoding is supported by premium processors such as Trinnov and StormAudio, as well as mainstream AVRs from Denon/Marantz, Yamaha, Onkyo, Integra and Pioneer. Recently, Yamaha’s new flagship soundbars also embraced AURO, further expanding its reach across the home entertainment landscape. In addition, a growing range of high-end and mainstream home theatre products now come equipped with AURO-3D technology. A full and regularly updated list is available at auro-3d.com/hardware. That means dedicated AURO listening rooms, living-room receivers and premium cinemas are all in play.

For mobile or in-vehicle use, apps like Pure Audio Streaming, AuroMasters and Artist Connection prove AURO-CX decoding works smoothly on iOS and Android— critical for headphone-first listening, discovery and sharing.

ONE BITSTREAM, LOWER FRICTION, FEWER COMPROMISES

Every additional encode, transcode and deliverable multiplies cost and risk. AUROCX’s single-bitstream scalability was designed to simplify this reality. While some of these efficiencies still depend on closer collaboration with streaming platforms, the codec’s architecture means the foundation is already there: one stream capable of scaling quality, channel count and sample rate across playback contexts.

For labels, artists and engineers, that means a cleaner pipeline and a better chance of preserving artistic intent across devices. For services, it promises operational efficiency once fully implemented.

AURO OFTEN BEATS ‘OBJECT-ONLY’ FOR MUSIC

For movies, hyper-discrete object steering can be thrilling. For music, though, the goal is usually presence: a cohesive, dimensional field that breathes like a real acoustic space. AURO-3D’s layered approach (with height as a continuous field) excels at conveying ambience, overtones, and room realism that many listeners describe as more natural and less fatiguing, especially on long sessions and acoustic genres.

A few factors help AURO shine with music:

• Coherent height and depth: The additional layer forms a tangible vertical image (choral loft, venue bloom, drum overheads) that object-heavy mixes can sometimes fragment.

• Hi-res focus: With platforms like Pure Audio Streaming targeting lossless up to 7.1.4/96 kHz and AURO-CX supporting up to 192 kHz in mobile decoding apps, AURO pipelines are tuned for audiophile-grade fidelity end-to-end.

• Binaural done right: AURO Binaural gives headphone users a spatial presentation crafted for music, not just repurposed cinema assets, making mobile listening a first-class experience. It’s less about throwing sounds ‘at’ you, and more about placing you inside the performance.

AUDIOPHILE TO BROADER CATALOGUES

Services like Pure Audio Streaming and AuroMasters are setting the tone with audiophile-grade content—Grammy-winning studios, meticulous remasters and immersive reissues. This gives labels a clear on-ramp: produce or remaster once, then distribute across stereo, AURO Binaural and AURO-3D immersive tiers without reinventing the pipeline.

As AURO-CX is adopted more broadly in production and distribution, expect an expanding wave of immersive genres, from jazz and classical to live concerts and mainstream catalogs.

HEADPHONES MATTER

Most music discovery happens on headphones. AURO treats that seriously with AURO Binaural, ensuring a spatial presentation crafted for music. When listeners later hear the same album on an AURO-3D system, the tonal balance and intent carry over. That consistency builds trust and makes the catalogue feel musical rather than ‘demo-only.’

HERE, NOW AND GROWING

New lossless immersive services are choosing AURO-3D and AURO-CX because they deliver what matters most:

• Superior musical realism via a coherent height field and AURO’s music-first spatial aesthetic

• Hi-res, lossless pipelines all the way to the listener—24-bit/96 kHz immersive today, with 192 kHz capability proven in apps

• Scalable architecture that promises efficiency and catalogue simplicity for operators as implementations mature

• Real platforms, content, and devices already in market—so listeners can hit play now

For discerning listeners, that all leads to one outcome: music that feels more like being there. AURO is here, it’s delivering and for the new generation of high-end streaming services— and the fans they serve—it’s the right call.

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With the latest in wireless technology, allowing for fast, uninterrupted connection at all times, Domex offer the opportunity to retro fit or upgrade older systems in style

Match Distribution are the exclusive distributor of Domex to the UK & Ireland, contact us for system design and training, we are here to help with your next project.

COMMUNICATION BREAKDOWN!

Jason Knott, EI’s resident number cruncher, former CE Pro Editor and data solutions architect evangelist at D-Tools, asks when should you text, email, mail or call your customers?

How you communicate with your customers might feel like a minor detail, but in the systems integration world, the medium is often just as important as the message. Whether you choose to send a text, an email, a posted letter, or pick up the phone, each carries its own weight, risks and benefits.

For integrators in the United Kingdom— where expectations of professionalism, politeness and accountability run high— choosing the right channel can make the difference between a satisfied client and a strained relationship.

It’s not just about courtesy either. As one industry legal expert put it, there are important distinctions in “what you are allowed to do, what you are required to do, and what perhaps you shouldn’t do” when dealing with client communication. For that reason, it’s best to clearly define communication methods in your contract. After all, once that beautiful proposal has been prepared in D-Tools Cloud or D-Tools System Integrator (SI), and the project gets underway, you’ll need to establish a reliable, agreed-upon method for progress updates, approvals and critical notices.

Here are the pros and cons of the main communication methods.

TEXT (SMS OR WHATSAPP)

Pros: Texting is quick, direct and ideal for urgent matters. Younger or more tech-savvy clients may even prefer it, particularly if they’re accustomed to instant communication. It also provides a written record, useful for tracking timelines or verifying discussions later.

Cons: Texts can come across as too casual for some clients, especially in high-value projects. Worse still, they can irritate if sent at unsociable hours. Older clients may view texting as unprofessional, preferring email or a call. In the UK, where etiquette still carries weight, a latenight text could be seen as overstepping.

EMAIL

Pros: Email remains the backbone of professional communication. It creates a documented trail, allows for more detailed explanations, and is generally seen as the formal, appropriate way to correspond with clients. For integrators juggling complex projects, email is ideal for sharing drawings, instructions, or change orders.

Cons: It isn’t always immediate. Some customers only check their inboxes once daily, meaning an urgent note might go unnoticed. In addition, inbox overload is common, so your message could be buried. If something requires same-day action, don’t rely solely on email.

MAIL / CERTIFIED (RECORDED) POST

Pros: While slower, post still has a role in integration projects—particularly when formality matters. Sending a letter by recorded delivery creates an indisputable paper trail. For notices of contract changes, warranty issues, or legal documentation, this traditional route provides both weight and security.

Cons: Post is inefficient for anything requiring a prompt response. There’s also the risk your customer may refuse or ignore the letter. In today’s digital climate, most clients consider post too slow unless the subject is of extreme importance. For UK integrators, this channel should be reserved for serious, contractual matters only.

PHONE CALL

Pros: Sometimes nothing beats a conversation. A phone call cuts through misunderstandings and gets immediate answers. It’s also often perceived as more personal, showing attentiveness and commitment to client care.

Cons: The drawback is lack of documentation. Unless followed up by a confirming email, ringing up your clients can lead to disputes about ‘who said what.’ In addition, many younger clients simply don’t like answering calls. In Britain especially, unexpected calls during work hours may even be seen as intrusive.

SETTING EXPECTATIONS UP FRONT

The most important lesson is not which method you choose, but that you and your client agree on it from the outset. You need to ask them. Ideally, your contracts should contain provisions that explicitly define methods of communication. This not only avoids disputes but also ensures everyone knows what to expect.

For example, you might specify that day-today project updates will be delivered by email, urgent matters by text, and all contractual notices by recorded post. Phone calls may still be used for clarification, but followed by a summary email to document the exchange.

By aligning communication methods with client expectations, you not only reduce friction but also project professionalism and reliability. In the UK integration sector—where projects often involve multiple trades, complex scheduling, and high client investment—this clarity is invaluable.

The medium you choose to communicate with your customers sends as loud a message as the words themselves. A hastily sent text can feel casual, an ignored email can stall progress, a misplaced call can frustrate and a recorded letter can escalate the seriousness of a situation. By spelling out the rules of engagement in your agreements, you save yourself confusion, protect your business legally, and keep your customers reassured that their project is in safe, professional hands.

In short: communicate with purpose and choose the channel as carefully as you choose your words.

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THERE’S NO BUSINESS LIKE SHOW BUSINESS!

The true power of showrooms has become undeniable in the last few years. As an industry we can’t afford to take our foot off the pedal in accelerating to a future where they are the norm.

Showrooms have taken on a new and growing importance in recent years. Once the domain of distributors and manufacturers, the footprint has expanded to include more installer-led spaces. From a cost, time and energy perspective, these represent a significant investment for installers. But as the number of showrooms continues to rise, the opportunities they present are impossible to ignore.

In the last few years, I’ve had the privilege of visiting some outstanding examples. Each time, I am struck by how well these spaces communicate the experience and lifestyle that smart home and home cinema solutions can deliver. Frankly, I haven’t encountered a single underwhelming one in recent times. That hasn’t always been the case across the industry, and it highlights just how far the sector has come.

Setting up a showroom is far from straightforward. It requires careful planning, design insight and ongoing management. Installers must balance the operational cost with the potential revenue it can generate. Yet, the returns go beyond immediate sales—they

reinforce brand perception, build trust and provide a platform for customers to experience the technology firsthand. In an industry built on aspiration and lifestyle, seeing is believing.

Look to other luxury sectors for context. Cars, kitchens, bathrooms—all mature markets—rely heavily on showrooms to sell not just a product, but a concept. They provide a tactile and emotional connection that no brochure or website can replicate. For smart homes and home cinema, the lesson is clear: if we want to elevate our market, we cannot rely solely on digital or catalogue-based marketing. By hook or by crook, we must create spaces that let potential customers experience what we offer.

Installers don’t have to do it alone. Collaboration can reduce costs and share expertise, making the idea of an installer-led showroom far more achievable. Manufacturers and distributors also have a critical role to play. Their encouragement, support and investment can be the difference between a modest showroom and a standout experience. Even a small, well-presented space can significantly

increase conversion rates, giving customers a tangible understanding of what’s possible.

It’s also about consistency. Showrooms should not be a one-off novelty, but an integrated part of the industry’s approach to customer engagement. Each visit should reinforce confidence in the installer, the technology and the lifestyle it enables. Done well, a showroom becomes a powerful marketing tool, a revenue generator, and a platform for education and inspiration.

Ultimately, the message is simple: showrooms are not just a nice-to-have. They are business accelerators, credibility builders and experience centres. For the smart home and home cinema sector to continue its upward trajectory, the industry cannot afford to ignore the power of letting customers see, hear and feel what we deliver. The true power of showrooms lies in their ability to transform curiosity into confidence, and confidence into long-term business success.

If you have a showroom you would like featured in Essential Install or Intelligent Homes, get in touch (dan@essentialinstall.com).

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CONTROL4 BUILDS COMMUNITY COHESION

Control4 integration elevates Arding & Hobbs building for business, leisure, and community

Arding & Hobbs is a landmark building at Clapham Junction, South London, steeped in local history and emotional significance. Once a beloved department store, the property has now been transformed into a vibrant, multiuse business, leisure and community hub with the help of smart technology, designed and installed by Harlow-based SCCI and seamlessly integrated onto the Control4 platform.

Commercial hospitality operator, x+why, has shaped the building’s new life. Known for a stylish and sustainable approach to design and community integration, x+why recognised

that the re-development of the Arding & Hobbs building presented unique challenges. The team needed to reflect its rich heritage while making it relevant for modern users. The space had to be flexible, supporting everything from co-working, business meetings and video conferencing to hospitality, social events and private parties. Crucially, the technology infrastructure needed to be unobtrusive, simple to operate yet powerful, enhancing the user experience without detracting from the building’s period details and arts-andcrafts aesthetic. Well-being was another core

concept, with the technology available to everyone’s advantage and emotive, experienceled design at the forefront of x+why’s thinking. The company called in technology integration specialists SCCI to deliver a solution that would meet these diverse needs.

The centrepiece of the installation is the automation platform from ADI | Snap One brand, Control4, which manages audio and video control throughout the building. Driven by a Control4 CORE 5 controller, SCCI specified Control4 for its ease of use, reliability and its versatility.

The Club Room at Arding & Hobbs is a highlight of the installation. Designed as an elegant yet flexible event space, it features its own dedicated L-Acoustics audio system, with seven X6i loudspeakers, two Syva Low subwoofers and two SB10i sub woofers, powered by an LA4X and an LA2Xi amplified controller. The furniture within the Club Room is movable, enabling rapid re-configuration, with the Control4 platform allowing users to easily switch between different modes - business meetings and member hospitality by day, lively social gatherings by night. After dark, the audio system comes into its own, transforming the atmosphere for parties and private functions. Two ‘nooks’ at the back of the Club Room allow users to retreat from the main space and enjoy Apple TV on Sony Bravia 50in Pro Display screens, also controlled by Control4.

THE BRIEF

“From the initial brief, we envisioned the Club Room as a place for informal business lunches,” says Richard Reid, Business Development Director at SCCI. “In reality, it’s also become very popular for parties, watching sports, and other group activities as well. It’s a multifunctional destination for members but that’s not a problem for us. Control4 helps us shift the technology quickly and efficiently so it can adapt to these different room uses, while the quality of the AV experience is exceptional.”

Elsewhere at Arding & Hobbs, a dedicated event space allows for product launches, conferences and other activities for up to 500 attendees. Here again, the AV setup from SCCI is all about flexibility and quality. The room features a bespoke 16:9 drop-down screen and Epson 8,500-lumens 3LCD projector, with audio provided by eight commercial grade loudspeakers and four Bronze series sub-woofers from ADI | Snap One brands, Episode and Triad, powered by a Yamaha multi-channel amplifier. Fully integrated onto the Control4 platform, technology operation is enabled through the use of a Control4 Halo hand-held remote.

In the nearby Silk Room, private meetings can take place within the arts-and-crafts inspired period interior thanks to the latest video conferencing technology and large screen provided by SCCI. But, the room can also be reconfigured easily and quickly for social events with access to Apple TV and speakers handled again through a Control4 Halo remote.

SCCI has deployed AV technology not just for presentation use in the private and co-working spaces, but also for creating a comfortable and productive working environment for members. Background audio through Episode Commercial Series speakers helps mask ambient noise, supporting mood and well-being in the populated office zones and in the corridors of the building. Elsewhere, SCCI has also built a robust Wi-Fi network for the space using equipment from another ADI | Snap One brand, Araknis Networks.

“The AV installation SCCI have brought here to Arding & Hobbs is about creating great experiences for our members,” sums up Phil Nevin, Co-founder at x+why. “With SCCI’s expertise and support from Control4

and other ADI | Snap One brands, we have a system that enhances enjoyment, well-being, and connection, rather than just delivering the important technical features that we required. The discretion the system offers within the interior of the building is also a huge part of its appeal. It gives us everything that we asked for, and so much more.”

More information on x+why and the Arding & Hobbs building is available at xandwhy. co.uk. Further details on SCCI can be found at sccigroup.com. Existing ADI | Snap One customers can learn more dealer-emea. control4.com. To find out more about ADI | Snap One and to apply to be an integrator, visit adiglobal.com/snap-one/emea.

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TOP 10 TOP TIPS FOR WI-FI CREATION

How to avoid the 10 most costly pitfalls in WiFi design for smaller offices and commercial premises. Richard Jonker, VP Marketing & Business Development, NETGEAR Enterprise, explains.

Slow or spotty WiFi isn’t just a frustration – it’s a business risk.

For installers working across light commercial and residential projects, this represents both a challenge and an opportunity.

LACK OF PLANNING

Don’t rush in without a proper site survey. Every property is unique – from thick stone walls in older buildings to mirrored surfaces and under-floor heating that can distort signals. Skipping this step can mean access points (APs) end up in suboptimal locations, resulting in patchy coverage.

Best Practice: Conduct a detailed survey, assess user and device density, evaluate environmental challenges, and map AP placement before installation.

WRONG AP PLACEMENT

Convenience-driven placement – such as locating APs too near existing cabling or in visually discreet places – can lead to interference, signal overlap and dead zones.

Best Practice: Use heatmap analysis to position APs logically, avoid environmental obstacles and ensure even coverage across all areas. Use maps that include furniture and users.

IGNORING INTERFERENCE

Neighbouring WiFi, furniture, and automatic door sensors can degrade quality. Hidden devices like cameras or Bluetooth speakers can create significant issues.

Best Practice: Run a spectrum analysis to identify interference sources and select optimal channels and frequencies. You can avoid the congested 2.4GHz space by using the 5 and 6GHz bands.

UNDERESTIMATING CAPACITY

Coverage alone isn’t enough. When multiple users and devices connect simultaneously –APs can become overloaded.

Best Practice: Design for density as well as reach. Choose APs that support WiFi 7 technologies like MU-MIMO and multi-link operation to manage heavy traffic efficiently. The wired throughput to access points these days can go up to 10gbe. That increase in available speed needs to be part of the design.

NEGLECTING SECURITY

Security is often an afterthought, especially in smaller installations. Default passwords, unsegmented networks, or outdated encryption standards create unnecessary risk.

Best Practice: Implement WPA3 encryption, use secure passwords, segment guest and internal networks, have a proper VLAN plan, and enable multi-factor authentication.

OPTIMISE FOR ROAMING

In multi-AP environments users expect seamless roaming. Without proper configuration, they’ll experience drops or buffering.

Best Practice: Enable roaming features (802.11k, 802.11v, 802.11r) and test behaviour across key areas to ensure seamless transitions between APs.

HIGH-DEMAND AREAS

Areas with heavy traffic can suffer from poor connectivity because they weren’t identified as high-density spaces.

Best Practice: Use predictive modelling to identify these zones, adjust power levels, and add APs where needed to maintain performance during peak usage.

PRIORITISE BANDWIDTH

Without proper traffic prioritisation, non-critical use – like streaming, gaming, or operating system updates – can hog available bandwidth and disrupt essential operations.

Best Practice: Implement QoS settings to prioritise critical applications and devices.

IGNORING SCALABILITY

Many networks are built for current demand, not future expansion. As clients add more smart devices or connected services, undersized networks can struggle.

Best Practice: Build in at least 20% capacity for growth, choose scalable solutions, and plan for WiFi 7 adoption. Higher speeds come from upgrades in wires and switching - 1gbe (CAT5E cabling) to 10gbe capable cabling (CAT6A or CAT7) and PoE++ switches capable of delivering 30W-60W of power to WiFi-7 access points, at a speed of 2.5, 5 or 10gbe.

SKIPPING MAINTENANCE

Unmonitored networks degrade over time. A moved cabinet, a new appliance, or outdated firmware can lead to major outages affecting security and coverage.

Best Practice: Use proactive monitoring tools, schedule regular firmware updates, and re-evaluate network performance after any layout or equipment change. Regular maintenance prevents costly troubleshooting later.

FUTURE-PROOF DESIGN

For installers, a well-designed WiFi network is a value-added service that builds trust, reduces callouts, and supports long-term client relationships.

Enterprise-grade networking solutions tailored for smaller deployments make it easier than ever for installers to deliver high performance, security, and scalability without unnecessary complexity, regardless of whether it’s an office, a retail outlet or a boutique hotel.

LIGHTING & SHADING

HOMEWORKS

RADIORA 3

SHADING

THE EVOLVING WORLD OF SIGNAL DISTRIBUTION

Aiden Jones, Technical Director, Blustream, takes a look at the communication landscape of an ever-evolving sector.

As projects continue to grow in both scale and technical complexity, the importance of robust and flexible signal distribution has never been greater. From expansive commercial installations to high-end residential environments, the modern AV landscape demands solutions that can handle increasing data loads, maintain exceptional image and audio quality and adapt to the evolving needs of end users.

Today, two major technologies continue to drive innovation in this space — HDBaseT and Video over IP (VoIP). Both have established themselves as vital tools for professional integrators, each offering unique strengths depending on the application and project requirements.

THE RISE OF VIDEO OVER IP

Video over IP continues to evolve at an impressive rate, becoming more powerful, flexible and scalable with every generation. The technology’s core advantage lies in its ability to distribute 4K content over large and complex networks while maintaining low latency and high reliability. This capability has fundamentally changed how systems are designed and deployed, giving integrators the ability to deliver content over standard network infrastructure rather than relying on traditional matrix-based systems.

As network infrastructure across commercial and residential environments improves — with faster switches, more robust bandwidth and better management tools — IP-based solutions are increasingly being used in installations where adaptability and scalability are essential. The flexibility to expand or reconfigure a system without major hardware changes is particularly valuable in dynamic spaces such as corporate offices, higher education facilities and hospitality venues, where requirements often evolve over time.

Another key advantage of Video over IP is its decentralised nature. Instead of being limited by a fixed matrix size, integrators can add or remove endpoints as needed, enabling virtually limitless scalability. This is especially useful in large-scale deployments such as stadiums, retail environments and multi-zone residential projects. Combined with advanced management software, these systems allow intuitive control, monitoring and troubleshooting from a single interface, helping ensure consistent performance and uptime.

HDBASET: PROVEN AND POWERFUL

While IP-based distribution continues to grow, HDBaseT remains an equally vital technology in the professional AV toolkit. Having matured

over many years, it is now recognised as one of the most reliable and cost-effective methods for distributing uncompressed ultra-highdefinition video, audio and control signals over a single cable.

HDBaseT’s strength lies in its simplicity and performance. It provides guaranteed, low-latency signal transmission over long distances without the complexity of managing network traffic. This makes it ideal for point-topoint connections and matrix-based systems, where predictable performance and ease of installation are paramount. In applications such as home cinemas, conference rooms and smaller commercial setups, HDBaseT continues to deliver rock-solid results with minimal configuration required.

The technology has also evolved to support a wide range of formats and capabilities, including power delivery and Ethernet, further enhancing its flexibility. With multiple product variations available, integrators can tailor HDBaseT systems precisely to the needs of the project, balancing cost, performance and installation simplicity.

BLUSTREAM’S INTEGRATED APPROACH

At Blustream, we are proud to offer one of the most comprehensive ranges of both HDBaseT and AV-over-IP solutions in the market. Our philosophy has always been to provide integrators with the tools they need to select the right technology for each unique project, rather than pushing a one-size-fits-all approach. By offering both platforms, we enable seamless interoperability between systems, giving integrators the freedom to mix and match based on performance requirements, budget considerations and future scalability. Whether the project calls for a straightforward point-to-point HDBaseT link or a fully networked AV-over-IP distribution system, Blustream solutions are designed to deliver flawless 4K video, seamless audio routing and exceptional reliability.

From corporate environments to educational institutions, hospitality venues and premium residential properties, our solutions provide the foundation for world-class AV experiences.

SIGNAL MANAGEMENT: THE GROWTH OF AV-OVER-IP

Michael Short, VP, Marketing Operations and Residential, Crestron.

One of the most important things for manufacturers to keep in mind when it comes to distributed media is that ‘one size doesn’t fit all.’ AV-over-IP solutions can handle projects from large to small, complex to relatively simple — but it’s a matter of what will work best for a given client. Having a broad portfolio of AV-over-IP solutions is vital to the success of most home projects. Every home is going to be different, every user’s going to be different, and every solution within the project is going to have different needs and requirements.

Having the ability to navigate the complexity and the flexibility needed for high-performance audio and video solutions in the home is key to navigating projects present and future. HDMI is not going away just yet — and in some cases, it’s preferable for smaller spaces with localised sources. As far as audio is concerned, vinyl has come back. We needed solutions to get records and other audio sources onto the network, so we developed DM NAX edge devices, which allow us to use Bluetooth, connect through XLRs for DJ inputs and add turntables into the system.

THE IMPORTANCE OF AUDIO

AV-over-IP is one of the biggest — and growing — categories in the professionally installed smart home market. And one of the biggest drivers of that growth are audio-specific systems that work in tandem with those distributed AV solutions. Therefore, developing our DM NAX Audio-over-IP platform has been core to our growth in AV-over-IP. If you don’t have the ability to transmit audio from local sources to rack-mounted, fully distributed audio sources, all the way through to turntables using edge devices and peripherals, then you won’t be able to solve those problems.

Streaming services change and update and the way people listen and the way they want to look at entertainment are constantly changing. You need to

be nimble and flexible as a company in order to keep pace with media’s constant evolution to deliver those solutions. It’s vital that we ensure that streaming platforms are accessible, easily used throughout the home and can include different profiles for different people.

MULTIVIEW, FOR EXAMPLE

When it comes to true scalability, those projects demand network-based solutions — and we were the first to market with networked audio-video. Those networked AV systems are as flexible as they are scalable. A great example is the addition of Multiview functionality to our DM NVX 384 encoder/decoder, which allows you to distribute content from multiple sources and view each image on a single display in a variety of fixed compositions. This feature is not just for the football junkie who wants to watch six games at once — it’s for those who are gaming while watching a sporting event, or those who’d like an image of a CCTV camera if need be.

ADVANCING OUR CONTENT PILLAR

The six sources you can call up in Multiview can be configured in 18 different compositions on a single screen. With that comes other features such as dynamic audio routing, text overlays, and more. Our DM sources are so flexible that they can support anything from 1080p to 4K up to 8K, and that capability allows people in the homes to scale what they watch, where they watch it, and how they watch it.

As we’ve mentioned on the Crestron blog, all of these refinements support one of Crestron’s core pillars — content, collaboration, and control — the three areas we focus on when we bring new solutions to market. DM NVX AV-over-IP advances our ‘content’ pillar: solutions that enable sharing content easily, intuitively, and with high quality and low latency. It’s our belief that the connected home should simply work for anyone, simplifying technically complex spaces for any user, regardless of their comfort with technology.

PURE AUDIO HEAVEN

Meridian’s meticulously designed and engineered audio solutions set the standard for luxury audio experiences. Featuring proprietary innovations, Meridian’s in-wall loudspeakers offer exceptional output, ultra-low distortion, and lifelike imaging precision, even in challenging installations including LED screens or fixed displays.

Get in touch with DbM today to discover more about these extraordinary loudspeakers.

HOME ROBOTICS: THE NEXT FRONTIER FOR TECHNOLOGY INTEGRATORS

Rich Green, Rich Green Design, CEDIA Instructor, Fellow and LTA recipient, shakes hands with the future.

The world of home robotics is evolving at a breathtaking pace. What was once the stuff of science fiction is now on the verge of becoming an everyday reality, with humanoid robots entering the consumer market at a range of price points - from $6,000 to $150,000. And the cost of advanced home robotics is dropping, making these technologies accessible to an expanding audience.

Companies like Unitree and Apptronik are leading the charge, developing robots capable of performing domestic tasks such as cleaning, serving drinks and even gardening. Meanwhile, Intuition Robotics’ ElliQ is a prime example of ethical deployment, prioritising care with a robot that assists those in the healthcare and independent living sector. Tesla and Amazon are also investing heavily in humanoid robots, signalling that major players see enormous potential in the residential sector.

One of the biggest questions facing the industry is how these robots will be deployed and integrated into homes. As robots become more affordable, capable and available, the demand for expert installation and ongoing support is likely to surge.

The answer may lie in the complexity of setup, network connectivity and the need for robust cybersecurity. Integrators are uniquely positioned to bridge the gap between cuttingedge home robotics and the realities of the connected home. The truth is that these home robots are not plug-and-play devices. They require careful configuration, secure network integration and ongoing maintenance.

For example, with robots connected to home networks, cybersecurity is no longer optional

- it’s essential. The risk of hacking or misuse is real. As my good friend, cybersecurity expert and fellow CEDIA instructor, Jeff Sonnleitner, pointed out to me recently, “every robot has a camera that can collect and share data and that makes us all vulnerable, unless precautions are taken.” Homeowners will need assurance that their devices are secure.

The rise of home robotics will clearly have significant implications for home architecture and interior design, too. Robots may require dedicated spaces for charging, battery replacement and pathways for unobstructed movement. Multi-floor homes, kitchen layouts and garden navigation all present unique challenges. To ensure homes are robot-ready for this new era of automation, architects, designers and clients will need to involve integrators to advise on these significant requirements.

Across the industry, integrators are already demonstrating the value they bring to home robotics. At CEDIA Expo in Denver, I sat on a panel discussing robotics with CEDIA board member, Jen Mallett whose company, Level Up Automation, had worked with iRobot on the soft launch program of its Terra RLM garden robot on multiple projects. What was clear from their experience was that robots need time and thought from the integrator concerning the issues of placement, function, infrastructure and special safety considerations to avoid harming animals, children, or falling into the swimming pool. Robots also require service and maintenance to stay operational.

Another CEDIA member in California recently partnered with a luxury home builder to

install a fleet of cleaning robots in a multi-level residence. The integrator designed custom charging alcoves on each floor, programmed the robots to navigate complex layouts and ensured seamless connectivity with the home’s automation system. The result: a hands-off cleaning solution that delighted the homeowner and set a new standard for smart living.

In another case, I’m aware of an integrator who worked with a family to deploy a social companion robot for an elderly relative. Beyond installation, the integrator provided ongoing support, network security and training, ensuring the robot could safely assist with reminders, entertainment and emergency alerts. The family reported that the relative felt happier and a sense of companionship with the robot, which certainly helped to improve their peace of mind.

The robots are definitely coming. For our industry, CEDIA members are not just potential robot installers. They are instead trusted partners, problem solvers and the secure, reliable support service for their clients who want to adopt this type of solution. As robots become vital members of the household, integrators will be at the heart of this transformation, helping homeowners navigate the complexities of the robotic home. The challenges are real - cybersecurity, interior design and ongoing maintenance – but so are the rewards

Find out more by joining me, Jen Mallett and Jeff Sonnleitner as we discuss Home Robotics For Integrators on the CEDIA Stage at ISE 2026. The future is bright, and the time to prepare is now.

THE BIG TIME!

Ben White, Product Manager for Professional Home & Business Projection, Epson Europe, takes a look at the future of big screen entertainment.

The AV industry is evolving at pace, with technology no longer confined to specialist rooms or single-use environments. Increasingly, clients expect their systems to adapt to the way they live, work and entertain. Within this changing landscape, projection technology is stepping into a new era — one that is brighter, smarter and more seamlessly integrated than ever before.

When it comes to the ideas and innovations that will shape the future of AV, projection is impossible to ignore. The big-screen experience continues to capture the imagination of homeowners, and the next generation of projectors will take that excitement to new heights. The focus is shifting toward creating experiences that are effortless, intelligent and fully woven into the fabric of modern living.

Brightness and colour performance have already reached impressive levels, but we’re about to see a further leap forward. The latest RGB pure-laser technology delivers richer tones, deeper blacks and outstanding clarity, even in bright, open spaces. For clients who want that cinematic impact in a contemporary living room or multifunctional space, this means incredible image quality without compromise.

When combined with wide HDR support — including Dolby Vision, HDR10+, and IMAX Enhanced — the results are nothing short of spectacular. Every frame is sharper, more vibrant and more lifelike, creating a sense of depth that draws the viewer in. It’s not just about

watching a movie; it’s about experiencing it in a way that feels authentic and immersive.

Artificial intelligence will also play a major role in transforming the projection category. By automating complex setup processes such as focus, alignment and colour calibration, AI will remove one of the biggest barriers for consumers. As AI continues to evolve across the wider AV industry, these features will increasingly become standard expectations rather than luxury add-ons.

Smart home integration is another powerful driver. The ability to control a projector with voice commands or link it to lighting and shading scenes adds a new layer of convenience and sophistication. Projection is moving beyond the boundaries of the dedicated home cinema and becoming the intelligent, connected centrepiece of the modern luxury home.

CONSUMER TRENDS SHAPING DEMAND

The biggest consumer trend shaping demand today is the desire for technology that enhances the home rather than dominates it. Homeowners are increasingly drawn to minimalist, design-led solutions that blend harmoniously with their surroundings. They want the effect of technology — the cinematic visuals, the emotion, the experience — without the visible presence of bulky equipment.

This trend is pushing innovation in discreet projection systems that either complement

interior design or completely disappear when not in use. Ultra-short-throw projectors, pop-up screens, and ceiling-mounted systems are helping create spaces that remain beautiful and functional, even when the technology is hidden away.

At the same time, consumers are embracing projection outside of the traditional darkened cinema room. With the latest advances in brightness and ambient light–resistant screens, it’s now possible to enjoy large-scale entertainment in open, sunlit environments — from media rooms and lounges to multifunctional living spaces. This flexibility is helping projection reclaim its place at the heart of home entertainment.

THE NEXT LEAP FORWARD

Looking ahead, the next big leap will come from the continued refinement of RGB pure-laser systems and AI-driven automation. Together, they will define what it means to have a truly cinematic experience at home. The combination of effortless operation, stunning visual performance, and seamless integration will transform projection from a specialist product into a must-have feature of the connected home.

The future of projection isn’t just about bigger screens — it’s about smarter, more intuitive technology that enhances the way people live, relax and enjoy content.

LOUDSPEAKERS

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BRINGING MUSIC TO LIFE IN THE HOME WITH L-ACOUSTICS

James Ratcliffe, Owner at installation experts Homeplay, underlines his love of delivering great experiences for customers using some of the best speakers around.

The only reason that I’m in this industry is because of loudspeakers.

I took my first job in a Hi-Fi shop when I was 14 years old as I wanted to get a better pair of speakers than my parents’ system. I did that and so began my career.

Music is still what drives me today. Every project at Homeplay is focused on making life more enjoyable for our customers and music is a huge part of that. That’s why sound is incredibly important to us.

We find that most people initially underestimate the impact it can have in their home and, at Homeplay, we often change their minds when they hear what’s possible. Clients are very often surprised by the difference an immersive setup can make...the sense of being at a live performance is something they weren’t ever expecting, especially in a home environment. The music takes on a dynamic presence - people can feel the bass, sense the space and experience the performance as though they’re at a live gig. That moment, when someone realises the difference, is why we love what we do. It’s not just hearing music, it’s feeling it.

For us, demonstration is key. Once people experience it, they understand why it matters.

It’s also a key reason why we champion L-Acoustics. We’ve worked with countless speaker brands, but L-Acoustics stands apart. When I first heard their L-ISA immersive sound technology at their Highgate Showroom, I was blown away.

They played me a special mix of Radiohead’s Paranoid Android and it felt exactly like being

at a gig. My favourite band were there with me in the room. It was an amazing sensation. L-Acoustics captures exactly what I look for in sound – they make it feel powerful, dynamic, immersive and fun.

Of course, It’s one thing to enjoy music live at a concert, but another to recreate that sensation in a living space. L-Acoustics manages to bridge that gap perfectly and clients often share that same sense of surprise and delight when they first experience it.

What makes L-Acoustics particularly compelling is their story. They have a heritage in live music, which is reflected in the way their systems and speakers perform. Sharing that narrative with clients is crucial to provide them with context and reassurance.

People aren’t just buying speakers; they’re investing in an experience that has been carefully designed to feel alive and engaging. For me, this brand story adds a layer of trust and helps clients connect emotionally with the brand and the system, long before it’s installed.

VERSATILITY IN INSTALLATION

L-Acoustics solutions are also remarkably versatile, which allows us to create great, immersive audio experiences in a wide variety of residential settings. We’ve installed L-Acoustics systems outdoors because their speakers are fully weatherproof; within media, party and cinema rooms because of their dynamics and SPL; and as stereo set ups just because of their rich clarity and the detail they deliver. Whatever they’re being used for, we find L-Acoustics systems bring the fun to music and work just beautifully.

We’ve seen clients expand their systems after experiencing them. One client started with speakers in his bar for parties, but even at low volume, the sound was so rich and immersive, he wanted more. He then added the system to his kitchen and garden and more rooms are on the way.

Experiencing an L-Acoustics system completely changes perceptions, and as this particular client put it, it’s ‘sound you notice.’ Once you hear it, you realise it’s streets ahead of the competition.

On a recent cinema room project in Westminster we took the client to experience L-Acoustics in Highgate and they wanted it instantly. The client is a music lover and the sound creates such an intimate, immersive

feeling of being there, right at the heart of the performance or in the middle of the action, that he had to have it.

The cinema room system now features three Soka on-wall loudspeakers, two Syva Subs and ten X4i, six for surrounds and four for height in a 9.1.4 Dolby Atmos configuration. For the LCR channels, Soka were chosen due to their slim profile and shallow depth. The screen wall has two windows on it, which the customer wanted to keep in place. So, we created a fabric wall around the windows with wooden trim, which meant the Soka could be positioned perfectly with the left channel being beside the left window, right beside the right window and the centre being perfectly centred between the two windows. To make sure the subwoofers were in the right place, we built two window seats beneath these sash windows and hid two Syva Subs within these traps for the LFE channel so that again they were not seen but certainly heard and felt.

The whole system is powered by one L-Acoustics LA7.16i amplified controller. This powerhouse delivers 1,300W per channel but only takes up 2U of rack space, which is perfect when space is at a premium, like it is in this central London home.

The client uses the room for gaming, watching films and also enjoying his favourite music. It’s become a space where he genuinely

enjoys spending time and relaxing. In fact, he loves the room so much that he’s just installed a desk behind the sofa and uses it as his home office now! We’re proud of how it turned outespecially the L-Acoustics audio system we’ve delivered. It sounds fantastic.

BRINGING MUSIC TO LIFE

To me, loudspeakers represent far more than just pieces of technology; they are the bridge connecting music, emotion and the living space itself. When we design and install a system, it has the power to completely transform a home. We want clients to experience that deep, physical impact of the bass, the sense of being present at a live performance, and the all-encompassing, immersive character of every note. It’s that feeling and emotional connection that I want to deliver with every system.

With L-Acoustics, the principle that music should not just be heard, but felt, remains unchanged and comes to life in every installation, making great audio not just part of a home, but an integral part of the home itself.

Bringing music to life in people’s homes is incredibly rewarding and L-Acoustics makes it possible in a way that few other brands can match.

For more information on Homeplay, visit homeplay.tv. To learn more about L-Acoustics, visit l-acoustics.com.

DEVIALET PHANTOM ULTIMATE: EVOLUTION OF THE REVOLUTION

A decade after the inception of the iconic Devialet Phantom, Devialet introduces Devialet Phantom Ultimate, a new generation designed to reveal sound in its purest form. It achieves the goal set 15 years ago when the company began dreaming about the perfect all-in-one integrated speaker: to deliver unlimited emotion through a desirable, iconic and timeless device.

AN ICONIC DESIGN, ELEVATED

Devialet Phantom Ultimate stands out with an even more refined design while retaining its iconic and timeless oblong shape. At the front of the speaker, the tweeter grille has been subtly reworked, featuring purer lines and an optimised opening.

This new generation introduces two new finishes: Light Pearl, featuring off-white hues inspired by bisque ceramic and Deep Forest, which displays a dark hue with deep reflections. These new finishes lend the device a unique character and affirm Devialet’s boldness. Devialet Phantom Ultimate is also available in its exclusive Opéra de Paris edition, adorned with 22-carat gold leaf hand-applied by the master gilders at Ateliers Gohard.

UNCOMPROMISING ACOUSTIC PERFORMANCE

On the acoustic front, this new generation’s performance has been significantly improved thanks to the unique expertise of Devialet’s engineers. In Paris, they have leveraged their experience to extend the high-frequency response, gaining 4 kHz and 12 kHz respectively

for the Devialet Phantom Ultimate 98 dB and 108 dB models.

Backed by more than 250 patents, Devialet integrates an unrivalled proprietary technological foundation into this new generation. The most emblematic of these, ADH new-gen (Analogue Digital Hybrid), ensures in its new version an optimised symbiosis between Class A and Class D amplifiers, delivering high frequencies with extreme refinement and precision.

Devialet Phantom Ultimate also features other exclusive technologies such as SAM (Speaker Active Matching) for perfect power control and HBI (Heart Bass Implosion). The latter, developed specifically for the Devialet Phantom range, reproduces ultralow frequencies reaching down to infrasound (14 Hz) for a truly physical impact.

Another major innovation is the integration of AVL (Adaptive Volume Level) technology, derived from the Devialet Dione soundbar. This feature harmonises sound levels in real time according to the content, ensuring a tailored and consistently comfortable listening experience. Finally, the range is equipped with a new NXP IMX8 Nano processor, delivering increased power, advanced audio processing and new functionalities.

AN OPTIMISED USER EXPERIENCE

The user experience has been entirely redesigned, centred around the new Devialet DOS 3 software architecture. This advanced platform, combined with the new processor, enables enhanced connectivity and listening customisation.

On the connectivity front, Devialet Phantom Ultimate now integrates an extended range of streaming protocols, including AirPlay 2, Google Cast, Spotify Connect, Tidal Connect, Roon Ready and Audirvana, ensuring seamless integration into any ecosystem.

Alongside this, the Devialet app has been completely overhauled to optimise control and offer fluid, intuitive navigation. It is through this app that users access an unprecedented level of listening customisation. They can now choose between different audio modes, finely calibrated by Devialet’s engineers to enhance any content, whether it’s music, a film or a podcast. For audiophiles, a ‘Monitoring’ mode is also available, offering a flat frequency response that delivers neutral sound and disables dynamic processing—ideal for studiostyle listening. For even finer tuning, the app integrates a new six-band equaliser (up from two previously), allowing precise adjustment of frequency levels.

Finally, to strengthen the physical connection between the user and the speaker, the Devialet Phantom Ultimate 108 dB model now features four discreet touch buttons facilitating direct interaction with the product.

Devialet devialet.com

Dolby Atmos, Simplified with Bluesound and the PULSE CINEMA

Build immersive, reliable wireless home theatre systems with Bluesound’s PULSE CINEMA and BluOS.

If you spend your days turning living rooms into cinemas, you know the brief: deliver the cinematic “wow” without the woes of wiring. Clients ask for Dolby Atmos, clean décor, intuitive control, and zero drama when the final credits roll. Traditonally, that meant compromises—either a bird’s nest of speaker cable and complicated AVR menus, or a slim soundbar that runs out of steam when the real action hits.

The new PULSE CINEMA soundbar from Bluesound changes that equation. They’re purpose-built for installers who want the scale, clarity, and height detail of Atmos with a friction-free setup and a multi-room ecosystem that starts at the TV and expands into a full-home music system. The magic trick isn’t just the hardware. It’s BluOS— and, in particular, it’s the ability to create fixed home theatre groups, turning “wireless surround” from a nice idea into a trusted and reliable solution.

A cinema system that looks like a soundbar (until you turn it up)

Start with the fundamentals. PULSE CINEMA connects to the TV via HDMI eARC to ensure robust bandwidth for Dolby Atmos and rock-solid lip syncing. From there, you can add the PULSE SUB+ wireless subwoofer and the PULSE FLEX wireless speakers (as rears) from the Bluesound family to create a true surround experience—no speaker wire laid around the room, just power at each location. The result? Powerful detail and clarity that clients expect from a full multi-channel AVR system, wrapped in the clean lines they expect from modern living spaces.

For you, the integrator, this means fewer site constraints. Whether it’s plastered walls of a Victorian, or a minimalist new build, you can deliver enveloping sound without opening walls or negotiating with the interior design firm about visible wire runs. Just place, power, and connect.

The secret of BluOS

“Wireless” is easy; “wireless and reliable” is the real test. BluOS addresses it with fixed home theatre groups—a special grouping mode within the app designed specifically for surround. You designate the PULSE CINEMA as the front, then add compatible BluOS enabled rear speakers and a sub to that group. Unlike casual multi-room groupings, this group is fixed: it remains bonded for theatre use, resists accidental ungrouping, and maintains its calibration.

And because the group is locked in, per se, support calls drop. Clients can bounce between Netflix, Apple TV, hit TV series, gaming—whatever—and the system all stays together. If someone in the house explores the app, they won’t casually break the theatre and create headaches for everyone.

Wireless done right

Every “wireless surround” pitch needs a plan for latency and stability. PULSE CINEMA is engineered to maintain a low-latency link to its matched rears and sub, keeping dialogue tight to the screen and impactful scenes locked to the picture. The practical takeaway: you place speakers for the best imaging, not for the most WiFi bars, and the system keeps its timing in perfect sync.

Movie night tonight, to whole-home audio tomorrow

Pro tip: when you lay out the room, treat the rears like powered loudspeakers, that need only AC—then pick positions for clear line of sight and balanced arrival times. The distance and level trims in the BluOS app will do the rest.

The theatre is just the start. Because PULSE CINEMA lives in BluOS, it is also a multi-room music system. Day one might be Atmos in the living room; months later could be kitchen, patio, and bedroom zones using Bluesound Players— all in the same app, all in sync. 24-bit/192kHz high-resolution streaming, intuitive music service integration, and professional-grade control drivers (Control4, Crestron, RTI, URC, Nice, and more) turn a one-room install into a larger project opportunity without major changes in platform.

That “it all works” approach matters for clients, too. One app, one way of doing this—music in every room and movies in the main living space, all wrapped up in a sleek UX design.

Designed to be heard... Not seen

Bluesound’s industrial design is intentionally understated: a slim profile that hugs its placement, a finish that reads premium rather than flashy. The point is not to announce itself: it’s to make the room sound bigger than it looks. When the score builds or the sound of an engine roars, clients hear the height and width, not the hardware. Dialogue stays crystal clear, bass stays tight and accurate, and effects travel with cinematic intent—no messy rack, no bundles of wire behind the credenza.

Why this all matters now

Homeowners don’t want a lecture on bitstreams and codecs; they want to feel the movie and forget the tech. For integrators, that means choosing platforms where the software is as well-crafted as the hardware. The Bluesound PULSE CINEMA and BluOS is exactly that. It brings together immersive cinematic sound, wireless intelligence, and the flexibility of a multi-room ecosystem—so you can specify once, install quickly, and support with confidence.

With the PULSE CINEMA, the path from “Can we get Atmos without the wires” to “This sounds incredible” is finally short, clear, and trusted. Your clients will hear the difference. You’ll feel it in your schedule. And both of you will enjoy movie nights a whole lot more.

Discover the PULSE CINEMA and more information on Bluesound wireless home theatre systems at bluesound.com.

FROM CINEMAS TO BOARDROOMS

Ken Hecht, International Sales Manager at SoundTube Entertainment, explains why loudspeaker innovation must serve multi environment audio.

Loudspeakers have always been the most recognisable part of any audio system. They are also the most adaptable. The same sound principles that define great cinema sound experiences — clarity, coverage and control — are now expected in classrooms, restaurants, offices and outdoor venues. The environments may differ but the expectation is the same: consistent, high quality sound that complements both design and function.

Integrators today are rarely confined to one category of work. A lecture hall may need the clarity of a theatre. A hospitality venue may become a performance space at night. Even corporate boardrooms now aim for immersive audio experiences that rival home cinemas.

This convergence is changing how loudspeakers are designed and specified. It is no longer about building one-off speciality products. The focus is on creating versatile speaker families that can serve multiple environments with consistent voicing, mounting options and networked connectivity. These design principles allow integrators to choose the right form factor — whether pendant, inceiling, surface mount or outdoor — without sacrificing sonic continuity.

As spaces become more multipurpose, flexibility has become a defining design goal. IP-based loudspeakers and signal distribution systems allow integrators to set up detailed presets for different use cases. A single ballroom, for example, can transition between a conference setup, distributed background audio, a speech reinforcement system or an immersive cinema style experience.

With an IP-based infrastructure, the same room can also be divided into multiple independent zones that operate separately or in combination. Four smaller meeting areas can instantly become one large event space, all managed through simple software control rather than rewiring.

This level of adaptability is essential as venues look to maximise space utilisation. From corporate campuses to higher education facilities, clients want systems that evolve with their needs. Networked loudspeakers make that possible by allowing speakers in each zone to be adjusted as a group or individually.

Directional and architectural sound solutions are expanding these possibilities even further. Directional speakers provide focused sound that adapts as the space changes. In museum exhibits, retail or corporate environments, this precision allows areas to be reconfigured without modifying wiring or hardware.

Using IP based audio also increases flexibility in these applications. When sound zones can be reassigned or repurposed through software, spaces can evolve quickly. This capability supports rotating exhibits, temporary installations or changing business functions. It gives designers and facility managers new creative freedom while maintaining consistent sound quality and control.

SIMPLIFIED INSTALLATION AND INTEGRATION

Innovation in loudspeakers today is not only about performance but also about practicality. Quick connect brackets, Power over Ethernet (PoE) and preconfigured DSP settings reduce installation time and ensure repeatable results. For integrators, these efficiencies save labour and improve system reliability. With a single Cat cable and powered speakers, the installer can eliminate amplifier farms and benefit from remote configuration and monitoring.

Interoperability across platforms is another crucial factor. Modern loudspeakers must integrate seamlessly with different control

systems, amplifiers and networked audio standards. The goal is to make it easy to scale or upgrade systems without replacing entire infrastructures.

As automation, artificial intelligence and hybrid work environments shape the future of the AV industry, the role of loudspeakers is evolving. Sound is no longer a static component; it is a dynamic part of the user experience. Loudspeaker innovation must now support flexibility, scalability and intelligent control across all types of spaces.

The future belongs to audio systems that can adapt. Whether the setting is a theatre, a classroom, a boardroom or a ballroom, flexibility will define success. By designing for interoperability and adaptability from the start, every environment can deliver great sound, no matter how it is used.

SoundTube Entertainment is at the forefront of end-to-end Dante-enabled audio systems for everyday applications. SoundTube’s goal is to provide a simple, cost-effective path to advanced audio networking without the typical complexity. SoundTube offers one of the world’s broadest assortments of IP-enabled PoE speakers, along with a full range of Danteenabled components. Its hallmarks are easy programming and operation without specialised training; affordability for everyday applications such as restaurants, retail, corporate and residential spaces; and centralised monitoring and control of all Dante-enabled components.

What’s Behind Your Home Cinema Screen?

ASCENDO’s flagship BLACK SWAN speaker set the standard in immersive home cinema sound. Now, we’ve captured its essence in a new shallow form...without compromises.

Meet THE HALO. With just 10 inches of depth, its 3-way active design delivers staggering output above 136 dB with stunning resolution. A cardioid array of six woofers locks the bass to the display, eliminating room interaction for pure immersion. And while you may never see these speakers stashed behind the screen, their sonic perfection is unmistakable.

THE HALO: The beating heart of luxury home cinema.

aia-cinema.com | karma-av.co.uk

SPATIAL AWARENESS!

Neil Davidson, Director at the SRND Group, introduces a fresh concept for installers. ‘Spatial Audio’ differs from immersive audio, offering significant system flexibility when applied to residential and commercial projects.

There is one massive difference between spatial audio and standard immersive systems. An immersive system uses decoding, which assumes the location of the speakers—you have to lay out the speakers to match your decoder.

In a spatial audio system, you program the speaker locations into the processor, which then optimises playback automatically to make the most of the speakers installed.

Since the processor knows where the speakers are, it enables a truly incredible new level of flexibility in system layout. There are no arbitrary channel limits or restrictive layouts to work with. The more channels that you have, the better the experience!

There are some basic layout rules that we can follow to get started in spatial audio.

1. You can only create sound in the space constrained by the speakers, so start by placing them in the corners to make the biggest playback area possible.

2. Height matters: low speakers below seated ear level and high speakers above standing ear level, create maximum vertical sensation.

3. Ensure that you have coverage at ear level for optimal performance with standard content.

If you have a rectangular room, 12 speakers are an excellent starting layout with low, middle and high speakers in each corner.

This starter layout can be extended by adding top channels to the ceiling and using extra channels to reduce the distance between speakers, thereby increasing spatial resolution.

A common issue when laying out an immersive audio system is that a door or window may interfere with the ideal layout, or the room may be too narrow to achieve proper spacing. A spatial system compensates for this because it knows the physical location of the speaker. If you need to move the speaker to miss an architectural feature or add a couple of speakers to provide a wider spread, it is handled seamlessly and transparently in the processing.

This incredible flexibility translates seamlessly to more complex room shapes or even to open-plan spaces, so common in modern residential architecture.

Once a spatial audio system is in place, the question turns to the content that the system can play. Of course, all typical forms of content, streaming music, TV, high channel count immersive content, etc, can be fed into the spatial system and optimally played back. We actually define virtual speakers in space to give the closest possible match to the original content. No longer does distributed music have to come from the ceiling! One of the best examples of this is when using a large TV or LED Wall with speakers mounted above and below or at either side to create a virtual centre channel.

The second type of content is Soundscapes, which recreate the sound of other spaces - the jungle, a beach, even a spaceship! Imagine sitting in your kitchen with the sound of the waves in the background as they roll up the sand and slowly draw back to the sea, or a soothing waterfall with birds flying and singing in the background. SRND can offer a library of almost 100 soundscapes which truly change the perception of space and location. These

can be incredibly soothing to aid relaxation, more general to serve for noise masking or more upbeat and dynamic to lift your energy. These can even be layered with standard content if required.

Soundscapes in particular are a compelling and obviously desirable solution when heard through a spatial audio system. There is no better way to convince clients to go for a complete spatial solution!

The obvious drawback of a spatial audio system is the channel count. Placing 12 typical speakers into a beautiful dining space could prove exceptionally challenging. In addition, the speakers need to offer a broad dispersion and excellent clarity. The new range of speakers from Pro-Fi meets these challenges head-on. They are highly compact, have exceptional build quality and materials and use unique BMR driver technology to offer the broadest possible dispersion, no crossover to damage the vocal range and surprising levels of output.

In residential applications, spatial audio can deliver enhanced surround experiences and soundscapes in any room in the home. In particular, it can optimise audio in open-plan spaces that are otherwise difficult to zone.

In commercial applications, installers can use spatial audio for enhanced sound masking, relaxation suites, or to improve coverage and consistency in bars and restaurants massively.

The new SRND Group experience centre offers installers a fantastic chance to learn more about how to apply spatial audio to their projects. Our media room contains a 28-channel spatial system with Pro-Fi speakers and other areas demonstrate wellness and commercial applications.

BRING THE STUDIO HOME!

Bring the studio home is far more than a marketing tagline – it encapsulates the guiding philosophy of PMC, upheld since the launch of its first home audio loudspeaker in 1991.

This approach reflects co-founder Peter Thomas’ conviction that a single speaker design should seamlessly serve the entire audio chain, from composition through studio production, mastering and ultimately to the listener at home.

For the custom installation sector, specifying the same loudspeakers that create cinematic soundtracks – and then replaying them in high-end residential cinemas – is the only way to deliver an authentic soundtrack experience to clients seeking the very best.

Founded in 1990 in the UK by Peter Thomas and Adrian Loader, PMC made its first commercial sale to the BBC, which installed a pair of BB5 XBD Active monitors at the legendary

Maida Vale Studios. Hollywood soon followed. In 1993, PMC supplied its flagship BB5 monitors to Oscar-winning film score engineer Shawn Murphy (Jurassic Park), marking the company’s first major foray into movie production. Since then, numerous celebrated composers and engineers, including Dennis Sands (The Lion King), James Newton-Howard (The Dark Knight), Bobby Fernandez (X-Men), Henry Jackman (Pirates of the Caribbean) and Thomas Newman (Skyfall-007), have chosen PMC for their blockbuster projects.

PMC’s pivotal role in movie soundtrack creation has even been recognised with an Emmy Award, celebrating the brand’s contribution to recording excellence.

With immersive audio formats such as Dolby Atmos transforming the industry, leading studios – including Capitol in LA, Dean Street in London, Sony Music’s 5020 complex in Madrid and LP:ME in Dubai – have upgraded their mixing rooms using PMC speakers. Frequently, the Ci series is the speaker of choice.

The Ci series comprises sleek in-wall and onwall models, engineered by blending technology from PMC’s acclaimed audiophile Hi-Fi speakers with its professional studio monitors. These speakers are now the benchmark for Dolby Atmos mixing and are employed by Dolby

itself for the surround and height channels in the 9.1.4 configuration of its London mixing studio – alongside PMC’s professional range.

Each of the six Ci models features PMC’s proprietary ATL™ bass loading and Laminair™ airflow management, delivering ultra-low distortion and high-resolution performance. Their slim profiles allow for on-wall or in-wall installation, giving integrators the flexibility to deliver PMC’s world renowned, transparent, audiophile-grade experience in a discreet form.

Specifying the same speakers as the filmmakers ensures clients hear sound exactly as the director and composer intended.

PMC’s full portfolio spans Hi-Fi, studio and custom installation markets and includes both passive and active models – all of which are manufactured by hand here in the UK. Every speaker is voiced identically, reflecting Peter Thomas’ philosophy and enabling seamless mixing and matching to suit client preferences.

Thanks to its Hollywood pedigree, PMC stands alone in the custom installation arena, offering unmatched cinematic credentials. For clients who want to experience sound as the director intended, there is simply no alternative.

PMC pmc-speakers.com

The ci series incorporates cutting edge technologies and audio quality from the world-renowned PMC studio monitors that have been responsible for the sound of countless movies, in the ultimate slimline, high-performance on-wall and in-wall loudspeakers.

• SLICK, EFFORTLESS INSTALLATION

• STUDIO SOUND QUALITY & RELIABILITY

• BEAUTIFUL BEZEL-LESS DESIGN

• NO DISTURBANCE TO ADJOINING ROOMS

• VAST, EVEN SOUND COVERAGE

• DEEP, PRECISE BASS AT ALL LEVELS The ci140 and ci140sub are on-wall designs. The other models are in or on-wall, thanks to the

THE LIVING SPACE THEATRE: WHERE DESIGN MEETS TECHNOLOGY

In today’s homes, the line between technology and interior design is blurring. Evan Grimm, Sr. Director of Sales and Marketing, Leon Speakers, Inc, explains how to meet the challenges and opportunities.

The modern family gathering space is no longer just a room for watching TV or listening to music— it’s an environment where immersive audiovisual experiences coexist with the aesthetics of daily life. Unlike the curtained basement home theatres of decades past, the contemporary ‘Living Space Theatre’ is integrated seamlessly into living rooms, dens, or multipurpose spaces. Homeowners are increasingly seeking harmony between functionality, beauty and performance in the spaces where they spend time with family and friends.

This kind of hybrid space isn’t a new idea. Back in the 1950s and 60s, Mid-Century Modern designers were already thinking about how technology could fit into a room’s overall look. TVs and radios were big, furniture-like pieces, often paired with stylish media cabinets and built-in speakers. Designers like Charles Eames and Dieter Rams understood that good design isn’t just about function—but about how objects feel in a space, how they relate to one another, and how they make a room come together.

In that era, TVs, stereos and radios were crafted carefully and with a thoughtful eye. Modern shapes, hardwood finishes, metallic embellishments and contemporary fabrics helped them fit in naturally with the room. Technology was useful and attractive—an approach that feels forgotten in today’s world of black boxes and plastic bezels.

Over the decades, the gap between technology and design has widened. TVs became thinner and speakers less obtrusive, but often at the cost of warmth and style. Though technology is more important than ever, it has somehow devolved into something to be hidden. Devices have been relegated to media rooms or tucked behind walls and furniture.

Now, that mindset is changing once again. Today’s homeowners, designers and integrators are looking for ways to make technology feel like a natural part of a room—taking materials, colours and finishes into consideration alongside screen size and speaker placement. The new Living Space Theatre rejects the idea that technology must be at odds with style and comfort.

As TV frames and stylised speakers grow in popularity, design-oriented companies like Leon are leading the way with technology that feels intentional rather than intrusive. The goal for these manufacturers isn’t to hide devices, but to make them part of the room’s personality: blending performance and style without compromise.

Leon, a favourite among designers, often encourages collaboration between architects, interior designers and technology integrators— facilitating key relationships between the three as part of their ongoing mission to provide AV solutions that feel built-in and natural. The resulting spaces encourage comfort, connection and engagement—without awkward visual interruptions from technology.

By thinking differently about how devices are built, installed and integrated, the modern Living Space Theatre proves that high-quality audiovisual experiences and beautiful interiors can coexist. And as technology continues to evolve, opportunities for design-conscious integration are only growing. Done right, a room can feel cohesive, comfortable and visually appealing, with technology enhancing the environment instead of dominating it.

At its core, the Living Space Theatre is about creating spaces that feel lived-in and purposeful. When design and technology work together, the result is a more satisfying, human-focused experience. It’s a modern approach to living: a place where style, function and innovation coexist, and where technology becomes a natural part of the home’s personality instead of a compromise to be hidden. The focus is on thoughtful, design-led integration that makes the room—and the technology—feel like home.

The big UK news for Leon is that the full residential range from the brand is now being distributed and supported by CAVD. Jamie Pullen, Director at the new distributor says, “We are very excited to be working with Leon. They are a truly unique company blending high performance audio with stunning and innovative design, making them the perfect addition to complement our product portfolio.”

CAVD Leon Speakers cavd.co.uk leonspeakers.com

CREATING CINERGY

Creating Monitor Audio Cinergy: A purpose-built solution for home cinema.

As the AV industry continues to evolve, home cinema remains one of the most desirable and rewarding systems to design and install. It’s not just about watching films; it’s about creating an immersive experience that engages the senses and transports the viewer into another world. To meet that expectation, Monitor Audio’s THX Ultra Certified Cinergy Series has been purpose-built to deliver genuine cinema sound in the home — with the power, precision and flexibility that modern installations demand.

DESIGNED WITH THE INSTALLER IN MIND

From the outset, Cinergy was created to make the installer’s life easier without compromising the end result. It’s a modular system that allows each setup to be tailored to the specific needs of the room and the client. Whether the goal is a discreet in-wall configuration or a bold, freestanding design that celebrates the equipment on show, Cinergy adapts seamlessly to the technical and aesthetic requirements of the project.

This flexibility makes the range a natural fit for a wide variety of environments, from purposebuilt home cinemas to high-performance media rooms. The system’s scalability also means it can be used effectively in both compact spaces and large, luxury installations — always with the same commitment to delivering true cinematic sound.

DESIGNED FOR PERFORMANCE AND PRACTICALITY

Every element of the Cinergy Series reflects Monitor Audio’s Transparent Design Philosophy, which ensures each speaker blends effortlessly into its surroundings while maintaining acoustic accuracy. Behind the clean lines lie some of the brand’s most advanced audio technologies. The Micro Pleated Diaphragm II tweeter and Rigid Diaphragm Technology II drivers deliver exceptional detail, clarity and dynamic bass, creating a soundstage that feels lifelike and engaging.

The THX Ultra Certification confirms that Cinergy meets rigorous professional standards for performance and fidelity. It’s an assurance that both installers and clients can rely on, guaranteeing a consistent experience regardless of system size or room configuration. Rotating mid-pod driver arrays provide even more flexibility, allowing for either vertical or horizontal orientation so speakers can be precisely positioned for optimum results.

FLEXIBLE INSTALLATION OPTIONS

Installation versatility sits at the heart of Cinergy. The range includes models that can be installed in-wall, on-wall, or freestanding, making it suitable for a broad spectrum of design briefs. For projects where discretion is key, Cinergy can be completely hidden from view, creating a seamless ‘sound wall’ that disappears into the architecture but delivers the full-scale power of a true cinema system.

Installer-friendly touches include L-shaped bracket isolators and three-layer silicone feet, which reduce vibrations by up to 18dB. These small but significant details make setup easier, ensure greater consistency across installations, and help deliver the high-quality performance that Monitor Audio is known for.

PROVEN IN REAL-WORLD APPLICATIONS

Cinergy isn’t just a concept or a lab-tested idea; it has been proven in demanding, realworld settings. At the Karma Sanctum Hotel in London, the system powers a dedicated cinema room that perfectly demonstrates its ability to transform an interior into a fully immersive entertainment environment. Its success has also been recognised across the industry, winning big at the 2025 Stereonet Product of the Year Awards, where it was praised as “as close as it gets to a turnkey real cinema sound experience at home.”

A RELIABLE CHOICE FOR INSTALLERS AND INTEGRATORS

For AV professionals, Monitor Audio Cinergy represents a complete, dependable solution that balances flexibility, design, and exceptional sound quality. It’s a system built to meet the expectations of discerning clients while setting new benchmarks for performance and installation efficiency. Whether for a luxury residential cinema or a high-end commercial screening space, Cinergy delivers — every time.

Monitor Audio monitoraudio.com

True Cinema Sound at Home

WHY CLEAN POWER MATTERS

Clean power: understanding and solving electrical noise in Hi-Fi and home theatre with Giles Day, Business Development Consultant, IsoTek Systems.

Modern homes, recording studios and home cinemas are filled with electronic devices that generate and suffer from electrical ‘noise’. This unwanted interference impacts sound and picture quality, network stability and the longevity of connected equipment. Clean, balanced power ensures that sensitive audio, visual and network systems perform as designed. It is essential to use power filters/ conditioners that remove DC, Differential and Common Mode noise.

The main types of electrical ‘noise’ include DC Noise (DC Offset). DC noise occurs when a small direct current voltage becomes superimposed on the AC sine wave, shifting it above or below its zero-volt centre. The main causes of this type of interference include LED lighting, EV chargers, solar panel inverters, air-conditioning units and other devices with uneven power draw. The negative impacts experienced include transformer hum and mechanical vibration, heat build-up and reduced efficiency, audible distortion in audio systems and shortened equipment lifespan.

The solution here is to employ IsoTek’s V5 Syncro Uni DC Blocker which restores waveform symmetry, reducing noise and mechanical stress, improves sound reproduction in Hi-Fi equipment, (including irritating transformer hum) whilst producing clearer images on any TV/projector.

The expansion systems like EV Chargers will only increase the need for power conditioning

Another major issue here is Differential Mode Noise. This noise occurs between live and neutral conductors, typically introduced by high frequency switching circuits. Sources for this issue are switch-mode power supplies, light dimmers, network equipment and LED drivers.

Impact on Hi-Fi/AV systems includes reduced signal-to-noise ratio, grainy/harsh sound, subtle audio distortion and reduced overall clarity. These issues however can be mitigated by using power filters that provide differential mode filtering to suppress highfrequency noise between live and neutral. IsoTek’s Power Bar Cleaners, unique proprietary filtering and conditioning technology independently filters both the incoming power and cross contamination caused by noisy connected devices by autonomously filtering each output socket.

COMMON PROBLEMS

The next issue to be aware of is Common Mode Noise. This appears equally on live and neutral relative to ground, often caused by electromagnetic interference (EMI) and radio wave interference (RFI) or ground loops. TV signals, radio waves, Wi-Fi, Bluetooth and the plethora of wireless-based technologies that surround us are all part of the picture. Sources can include nearby transmitters, radio-frequency pickup, cheap cables or poor grounding arrangements. The results include audible hum or buzz, HDMI or digital audio dropouts, Wi-Fi/network instability and groundloop interference.

Gaining more control in these areas means employing filters designed for common mode rejection, maintaining proper earthing and separating power from signal cables. IsoTek’s SMART DELTA 2U PDU utilises unique proprietary filtering and conditioning technology that independently filters both the incoming power and cross contamination caused by noisy connected devices by autonomously filtering each output socket. Full remote programming is via a Web Interface or integration into Crestron or Control4 with full driver support and additionally RS232. Also key are sequential startup and reboot sequences, event and timer configurations, network monitoring capabilities and much, much more.

THE REAL-WORLD IMPACT

Ultimately, unfiltered mains power can lead to unstable networks and Wi-Fi performance or random system resets, distorted video or pixelation can also be experienced as can audio hiss and amplifiers hum. Premature component failure is also an issue, noise in one component can easily propagate to others sharing the same

circuit — making high-quality power distribution and isolation essential.

To ensure stable, clean AC power use IsoTek’s DC blockers to eliminate DC offset from the mains and install IsoTek’s Power Distribution Units (PDUs) featuring independent filtered outputs to stop cross-contamination between devices and eliminate common and differential mode noise. Also ensure balanced electrical design and good grounding throughout the installation, avoid circuit overloads and separate digital, analogue and power cabling.

By filtering noise and maintaining a clean, symmetrical AC sine wave, systems achieve greater sonic and visual fidelity as well as enhanced network stability and reliability. Keeping on top of these issues also extends equipment lifespan and ultimately creates more satisfied and repeat customers.

Isotek isoteksystems.com

BUILDING THE CONNECTED HOME OF TOMORROW

Why

Fibre, AV over IP and smarter automation are reshaping

the

future of residential AV. Cody Crossland, Vice President of Sales & Customer Service, Blackwire Designs.

Designing a modern residential AV system is no longer just about meeting today’s performance expectations – it’s about laying a foundation that can evolve alongside rapidly changing technologies as well as the next generation of homeowners who will depend on them. Each installation should deliver both immediate value and long-term adaptability, allowing systems to scale and modernise without major overhauls. Here’s how integrators can stay ahead in a rapidly evolving industry.

FIBRE AS THE FOUNDATION

As connected devices multiply and the demand for high-bandwidth entertainment grows, copper’s limitations are becoming clear. Fibre, with its superior speed, distance capability and signal integrity, has emerged as the backbone for future-ready home networks.

In high-end residences, where reliable UHD video streaming, immersive audio and responsive automation are expected, fibre offers the performance headroom needed to keep up. It’s also a practical choice for integrators as it is easier to upgrade, resistant to interference and capable of supporting new standards without disruptive rewiring. Beyond its immediate benefits, fibre future-proofs the home, effectively laying the groundwork for both the present and any future developments.

LEVERAGING AV-OVER-IP

One of the most transformative shifts in the residential AV landscape is the move to AVover-IP. By distributing audio and video signals across the same network infrastructure that supports data and control, integrators gain new flexibility in design and scalability. Traditional matrix switchers are replaced by network switches, simplifying system architecture and enabling more dynamic installations.

Paired with a fibre backbone, AV-over-IP delivers uncompressed, high-resolution content anywhere in the home with minimal latency. It also allows systems to evolve with new codecs, resolutions and formats as they become available. For homeowners, that means their entertainment systems can adapt as quickly as the technology itself whether it’s new streaming standards, immersive gaming, or emerging display formats.

VIDEO WALLS IN THE HOME

Once reserved for commercial venues, dvLED video walls are starting to make inroads in luxury residential projects. Displays like Samsung’s The Wall or Sony’s Crystal LED offer homeowners a cinematic experience that surpasses even highend projection systems.

With their modular construction, incredible brightness and seamless visuals, dvLED walls are a striking addition to any home theatre or multipurpose media space. Maintenance is also more straightforward, as individual panels can be replaced without disturbing the overall installation. The only caveat? These systems demand serious bandwidth, often requiring at least a 10GbE network to handle the data load efficiently.

AI AND THE EVOLUTION OF SMART HOME DESIGN

Artificial intelligence is adding another layer to this evolution. For integrators, AI-driven design tools could soon streamline the entire planning

process by automatically generating proposals, layouts and wiring diagrams based on project parameters and best practices.

AI is transforming usability for homeowners. voice-controlled platforms currently facilitate natural, context-driven commands, simplifying smart home interaction. With further AI development, these systems will learn routines and preferences, automatically adjusting lighting, temperature and AV settings without the need for user input.

LOOKING AHEAD

There’s no single technology that defines the future of luxury residential AV. Together, the convergence of fibre networking, AV-over-IP distribution and intelligent automation are creating the infrastructure needed for richer, more reliable, and more adaptable experiences. For integrators, preparing for this future means designing with flexibility in mind, ensuring that every system installed today can seamlessly accommodate the innovations of tomorrow.

DESIGN & CONSULTING

With our experience of smart home integrations and BMS, we can bridge the gap between the AV and HVAC worlds, designing systems that take full account of how the client wants to use them. We offer a range of services from consulting to complete system design.

MONITORING & DIAGNOSTICS

All our solutions include advanced cloud-based monitoring for analysing system performance and fault reporting. Turn a reactive response into a proactive call to inform clients that their problem has been resolved, even before they knew they had one.

Multi-platform smart home integration tailors the experience to the client - whether that is elegant in-room controls, or virtually invisible sensors with App-based controls. All backed up with sophisticated installer tools.

ISE 2026

Fira de Barcelona I Gran Via I 3 - 6 February 2026

This isn’t the show for slow. It’s for adopters ahead of the curve. The tools of tomorrow are here. We just need the people who can unlock their potential. Calling all who seek to push the boundaries of possibility–are you ready to test it for yourself? The next Innovation is here and now.

GET YOUR FREE TICKET

Register with code: essentialinstall at iseurope.org

A joint venture partnership of

LYNGDORF AUDIO KEEPS IT DISCREET

Lyngdorf Audio has added the space-saving D-5 IC N in-ceiling speaker to its Discreet custom installation series, designed for custom installations in home cinemas, media rooms and living rooms.

Its key features are a low-resonance MDF enclosure to ensure best sound quality and an angled, adjustable tweeter, which allows the sound to beam from the ceiling towards the listening area.

The D-5 IC N replaces the former D-5 IC in-ceiling model, while ‘N’ stands for a narrower enclosure to fit tighter spaces.

The Lyngdorf Discreet models are designed as installation speakers for in-wall or in-ceiling integration. As with other models in the range, the D-5 IC N comes with its own MDF speaker enclosure, making system planning and the actual installation as easy as possible, with no aftermarket backbox or closed wall cavity required.

This also ensures that the sound performance is always defined and consistent, depending less on the wall construction and the

DANCE WITH KEF’S CODA W

KEF has introduced Coda W, a refined all-in-one speaker that builds on the legacy of the original Coda series. Designed to bring turntables to life with clarity while offering seamless wireless streaming, Coda W blends KEF’s signature acoustic precision with modern usability.

Coda W is built around a large 5.25in 12th generation Uni-Q driver array, which delivers detailed performance. The technology positions the tweeter at the acoustic centre

available space behind the wall and prevents resonances and sound leakage.

The ‘N’ stands for a narrow enclosure, specifically designed to fit narrow mounting spaces between joists and bars in the ceiling. Both drive units are placed as close together as possible to achieve the best sound radiation.

The D-5 IC N’s white, paintable and magnetically held front grill is square to visually match the square surround and rear speaker D-5.

The D-5 IC N features an angled, adjustable tweeter. This construction allows the sound to beam towards the listening area instead of simply beaming downwards. This makes it the ideal speaker solution, for example when used as height speakers for immersive audio, mounted above in front, at the sides, or behind the listeners. The tweeter radiation can further be fine-tuned after installation.

The Lyngdorf Discreet series now consists of seven speakers and two woofers: D-500, D-500 Center, D-5, D-5 IC N, D-6, D-60, D-60 C as installation speakers and DW-1 and DW-10 as shallow in-wall woofers.

of the woofer, acting as a point source and recreating natural sound production. KEF says this ensures uniform dispersion throughout the room, producing a highly natural and immersive listening experience.

The speaker system offers a combined 200W of power, with dedicated amplifiers for the tweeter and woofer in both primary and secondary units. KEF’s Music Integrity Engine, a proprietary suite of DSP algorithms, is tuned

specifically for Coda W, enhancing detail, accuracy and overall sound integrity.

Coda W supports Bluetooth 5.4 aptX Adaptive, providing low-latency, high-quality audio, while the aptX Lossless codec reproduces CD-quality resolution up to 16-bit/44.1 kHz.

Coda W is designed for vinyl enthusiasts. It features an integrated phono pre-amplifier compatible with almost any turntable, while also supporting RCA (LINE) input for turntables with built-in preamps. KEF says this flexibility allows listeners to enjoy the warmth and depth of their vinyl collections without additional equipment.

The speaker supports multiple input options including HDMI ARC for TV connection, USB Type-C for high-resolution computer audio up to 24-bit/192kHz, as well as RCA and optical inputs for CD players, Blu-ray players and game consoles. A dedicated subwoofer output accommodates deeper bass and the optional KW1 wireless subwoofer adapter enables a cable-free setup.

Coda W offers easy control via top-panel buttons and the KEF Connect App, which allows users to select EQ presets, manage speaker settings, update firmware and explore features. KEF says the combination of physical and app-based controls makes operation simple and intuitive.

KEF uk.kef.com

PERSONALISED HOME CONTROL

X4 offers personalised control of smart devices for an experience that reflects how your customers live.

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STRONG VIBES FROM GIK ACOUSTICS’ AMPLITUDE

GIK Acoustics has introduced its Amplitude line, a new generation of acoustic treatment panels that blend the company’s trusted performance with a fresh, refined aesthetic. The range marks a significant evolution for GIK, bringing together decades of acoustic expertise with a new design language that complements both creative and residential spaces.

At the heart of the launch is GIK’s patented recessed plate technology, which allows the face plate to sit flush with the frame for a sleek, contemporary look. The result is crisp lines and a premium finish that enhances any environment, from professional studios to high-end living spaces. The new design also improves the acoustic behaviour of each panel, ensuring that visual appeal is matched by technical precision.

Replacing GIK’s long-running Alpha and Impression series, the Amplitude line distils years of customer feedback and product innovation into one cohesive family. The collection includes:

Amplitude Acoustic Panels – a versatile broadband solution combining absorption and diffusion in a slim, space-efficient format, starting at $79 / £129 / €119. Amplitude

Bass Trap Panels – engineered to control lowfrequency build-up and enhance clarity below 100Hz, starting at $119 / £159 / €149. Amplitude Corner Bass Traps – delivering broadband control where rooms need it most, starting at $209 / £179 / €199.

Each model is finished in premium Camira fabrics, widely recognised for their acoustic transparency and refined appearance. With 20 fabric colours, 12 patterns and five wood finishes available, the Amplitude line offers ample flexibility for both performance-driven and design-led projects. Panels come in four sizes, while corner traps are available in two.

While GIK’s products have long been associated with studios and dedicated cinema rooms, the Amplitude launch reflects a shift in how people think about sound within the home. Acoustic comfort is

LG LAUNCHES NEW MAGNIT ACTIVE MICRO LED

becoming a key part of overall interior design, with homeowners increasingly seeking balanced, natural-sounding spaces for work, entertainment and everyday living, says the maker.

GIK Acoustics gikacoustics.net

LG Electronics has unveiled the LG Magnit Active Micro LED, a next-generation largeformat display designed to bring professionalgrade visual performance into luxury home cinemas. Featuring Active Matrix technology and Dolby Vision, the 136in 4K display delivers exceptional contrast, depth and clarity for a true cinematic experience, says the company.

The new Magnit joins LG’s premium home cinema lineup and is set to launch in Korea on October 21 before reaching key markets including North America. With a screen

measuring around three metres wide by 1.7 metres tall, it offers 4K (3,840 x 2,160) resolution and a contrast ratio of 1,000,000:1, creating lifelike visuals and deep immersion.

By integrating Active Matrix technology, each self-emissive pixel generates its own light and is individually controlled. This provides precise picture reproduction and a major step forward from conventional Passive Matrix systems that address pixels by rows and columns. LG says this results in ultra-high-definition images with exceptional refinement and realism.

The display also benefits from LG’s proprietary surface treatment technology, which enhances black levels and minimises the impact of ambient light to maintain colour accuracy. The modular design aligns panels with precision to create a seamless screen, while flicker-free performance ensures comfortable long-term viewing.

For sound, the Magnit includes built-in 4.2-channel speakers delivering 100W of output and supports enhanced Audio Return Channel (eARC) for lossless high-quality playback.

At the heart of the system is LG’s α9 AI Processor 6th Generation, which analyses content to optimise every frame. The processor sharpens detail, recognises faces, text and backgrounds and produces smoother motion with a 144Hz refresh rate—ideal for high-speed gaming and sports content.

Running on LG’s webOS smart platform, the display gives access to LG Channels and other OTT and gaming content, as well as LG Gallery+, which turns the screen into a digital art display featuring paintings and visual themes. The model also supports AirPlay 2 and Miracast.

LG Electronics lg.com

Elevate your audio experience

• Built-in Anthem Room Correction (ARC® Genesis) - optimises sound for each zone with built-in speaker profiles for Paradigm speakers

• Efficient and powerful Class-D amplification delivers reliable, high-fidelity audio across multiple zones.

• Supports 8 zones with independent DSP control.

• Compatible with all leading control systems. Contact the Invision | Pulse Cinemas team for

270280 | sales@invisionuk.com | info@pulsecinemas.com | www.invisionexpress.com

NEXT GENERATION PHILIPS MEDIASUITE TVS LAUNCH

PPDS has launched two brand new integrated Google Cast, Airplay compatible, Netflix and Cloud gaming-ready Philips MediaSuite TV Series. The two new Philips MediaSuite models – available in 2026 – deliver personalised in-room entertainment and immersive visual experiences to guestrooms, along with the connected all in one smart hotel TV family.

Synonymous with Accor, IHG, Marriott and Radisson, plus leading cruise lines, Philips MediaSuite continues to focus on bringing seamless home-from-home experiences to guestrooms, supporting and catering to all visual entertainment needs for guests.

As with previous and existing Philips MediaSuite models, the new 6000 and 7000

VIRTUAL VISION FROM POLAR BEAR

Polar Bear Design introduces a new approach to intelligent building comfort, offering fully featured zone management even in spaces without physical thermostats using a new approach using Virtual Thermostats.

Even the most advanced HVAC systems face a recurring challenge: not every room can accommodate a wall-mounted thermostat.

Polar Bear Design says its new Virtual Thermostats solve this issue elegantly. By embedding the intelligence of a physical thermostat into the building’s central control system, these ‘headless’ zones allow every area to be managed effectively — even without a wall interface.

Physical thermostats, such as the Polar Bear Design Smart Home Thermostat, remain an essential part of the company’s ecosystem. However, in some projects, wall space is limited or the room’s purpose makes installing a thermostat impractical. In others, the sheer number of zones creates wiring and commissioning challenges. Virtual thermostats fill this gap, ensuring that no area is left unmanaged or inefficient.

These virtual thermostats go beyond simple sensor logic. They replicate the full functionality of physical devices, including multistage heating and cooling, floor monitoring, sensor blending and mode control. All of this is handled through the building management system (BMS) or central controller, maintaining consistency across every zone.

Virtual thermostats can map wall or floor sensors flexibly, linking them to any virtual zone, while relay outputs can interact with both physical and virtual zones. This creates a fully integrated ecosystem where each space contributes to overall comfort and energy performance.

The technology is particularly valuable in larger or multi-site installations. By licensing and enabling virtual zones as required, installers can expand control coverage without additional hardware, reducing installation costs and simplifying commissioning.

Series will ship Netflix-ready and continuing as a complete Google certified TV, Philips MediaSuite remain the only hotel TVs bringing the complete Google Mobile Services package, including Google Cast integrated technology as standard.

Built into the TVs, guests have the freedom to take control of their viewing experiences by casting their preferred streaming accounts securely on the big screen.

This package also brings guests secure access to thousands of popular apps on the Google Play store, creating even more entertainment options, including news, sport, games and YouTube.

Philips MediaSuite TVs are now also compatible with Apple AirPlay and are cloud gaming-ready. The sets also have a custom engineered speaker and Bluetooth headphone functionality.

The Philips MediaSuite 6000 Series – 43in, 50in, 55in, 65in, 75in, and 85in – also feature Ambilight technology, which works by projecting lights from the LEDs at the back of the TV onto the wall behind.

The Philips MediaSuite 7000 Series UltraSlim brings all the features synonymous with the range, while measuring in to stand less than 3cm proud of the wall. These come in 24in and 32in, 43in, 50in, 55in and 65in (4K) sizes.

PPDS ppds.com

Polar Bear Design stresses that virtual thermostats are not intended to replace physical devices but to complement them.

Polar Bear Design polarbeardesign.co.uk

A hybrid approach, combining physical and virtual, represents the next step in smart building control

SANUS STRETCHES SCREEN SIZE COMPATIBILITY

Sanus has introduced the VXL7, a fixed position TV mount designed to accommodate extra-large screens of up to 140in, making it a suitable solution for people wanting to invest in a super-size TV.

“We’ve seen a huge uptake in very large screens, with companies such as Hisense and TCL leading the way with 100in+ options,” says Dean Carroll, Sanus’ International Sales Director, Consumer. “For film lovers, sports fans and gamers, the use of an ultra-large screen delivers an epic viewing experience without the need for a projector-based system. But wall mounting them can be challenging, so the

Sanus R&D team have come up with the VXL7, making it much easier to safely install a large size TV.”

The VXL7 is a versatile mount, working with TVs from 65in up to a maximum 140in in size. It does this thanks to a clever adjustable design that extends width-ways to accommodate all TV models within these size parameters. The extending wall plate, which can span three studs and the extendable TV brackets provide a secure and safe mounting of screens with VESA patterns from 200 x 200 up to 1100 x 700.

In addition to its ability to mount very large TVs, weighing up to 136kg, it does so with the

screen just 5cm (2in) from the wall, to create an aesthetically pleasing presence. The open frame design of the wall plate is such that it can be mounted on the wall around power, aerial and network sockets.

Once installed, the TV can easily be adjusted for height and level using ProSet Plus, which enables up to 25 mm of adjustment. Lateral adjustment is also possible to perfectly position the screen.

Karma-AV has announced the UK availability of the MoFi Electronics SourcePoint V10 Master Edition three-way loudspeaker, the largest and most powerful speaker in the SourcePoint series.

For the V10 flagship, Andrew Jones, Head of Speaker Design at MoFi has evolved the 10in, two-way SourcePoint 10 stand-mounted design by adding twin 10in woofers and dual rear-firing 10in passive radiators to produce a three-way tower speaker, which combines mid/HF detail and coherence with greater bass response and resolution.

So named for its use of five 10in elements, the V10’s three-way system allows its custom 10in concentric drive unit to focus purely on midrange and treble, so that each part of the spectrum is handled optimally by a dedicated driver, reducing operational stress and preserving clarity from 27 Hz to 30 kHz.

To facilitate precise phase alignment for a seamless handover between drivers as well as treble level from the system, the V10 Master

Edition employs a tune-able crossover network, which allows the listener to adjust the speaker’s HF output for room acoustics and user preferences via a rear-mounted three-position switch.

The V10’s 1in-thick closed cabinet features the SourcePoint platform’s signature multi-faceted baffle, which uses strategically angled planes around each driver to tame edge diffraction and unwanted reflections. Meanwhile, isolated internal chambers for each woofer and passive radiator work to minimise cabinet resonance and contribute to well controlled bass output.

Available in a choice of Walnut or Black real-wood veneers, with black or grey magnetic grilles, each cabinet is book a seamless grain flow and sealed under a hard-wearing satin clear coat that highlights the wood’s natural character while protecting against everyday wear.

Karma AV karma-av.co.uk

Era 100 Pro

The first Sonos solution with PoE

Quicker installation

PoE for simplicity and scalability

Wired first networking

Enhances reliability and performance

Versatile design

DSP optimizes sound for speaker orientation

Streamlined control

Flexibility to create audio zones

Sleek aesthetic

With pro-grade surface mounts (Sold separately)

Designed for efficient installation, Era 100 Pro is the ultimate all-in-one audio solution for commercial spaces and residences. Sonos-engineering delivers premium sound in a compact, versatile form factor. With access to commercial streaming services and an easy control experience, it’s the perfect fit for your next project.

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