Catherine Southon by Park Communications

Welcome to Catherine Southon Auctioneers & Valuers

Director: Catherine Southon

Specialists: Dawn Greenfield

Emma Barnett

Administrator: David Pratt

Receptionist: K atherine Tulloch

Auction Enquiries and Information: 020 8396 6970

Email: info@catherinesouthon.co.uk

AUCTION VENUE

Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB

Parking available at the adjacent Hornbrook House public car park.

IMPORTANT NOTICES

Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com

All payments should be made by bank transfer, debit card or through www.the-saleroom.com. Please note that we no longer accept payment by cash or credit card.

LIVE INTERNET BIDDING

ONLINE BIDDING IS AVAILABLE VIA OUR WEBSITE WITH NO ADDITIONAL FEE. We also offer bidding by telephone and by the placing of absentee bids.

Bidding is also available via the-saleroom.com for which the additional fee is 4.95% + VAT.

COLLECTIO NS

All lots are available for collection from our Chislehurst premises; Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB.

Please call 020 8396 6970 to make arrangements for any collections.

Payment must be made prior to collection. We are able to post small non-breakable items.

SHIPPING

Mail Boxes Etc.

Tel: +44 (0) 208 649 9777

Email: info@mbecroydon.co.uk

AUCTIONS

Alban Shipping

Tel: +44 (0)1582493099 +44 (0)800 6125060

Email: info@albanshipping.co.uk

Jentel

Tel: 012687 76777

Email: enquiries@jentelpacking.co.uk

Pack & Send, Croydon

Tel: +44 (0)203 818 1980

Email: croydon@packsend.co.uk

The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

Wednesday 19th November at 10.30am

1. A small collection of vertu including 15ct gold bar brooch together with a Victorian tooth pick/piercer (test high carat), coral branch brooch, silver oval brooch, gilt metal propelling pencil, cheroot holder and a gilt metal and enamel locket

£80-£120

2. Ø A portrait miniature of a lady in fitted case mid 19th century, painted on ivory the lady wearing a bonnet and shawl, the reverse with enamel frame and central locket enclosing plaited hair, with gold frame, contained within a fitted red Morocco leather case, length of miniature 8.3cm

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: SWJU8WPJ

£120-£180

3. A Georgian gold vinaigrette in a fitted case the lid with intricately engraved scroll work, floral pattern set with turquoise, red and white metal inlay to flowers, repeating floral pattern to the side and back, with engine turned detailing, opening up to reveal pierced grille, contained within original leather tooled case, weight 20.7g, length 3cm width 2.3cm

£500-£700

4. A collection of propelling pencils charms including an Irish harp and shamrock, a blue patterned enamel, a gem set to end, swivel clasp and one other (5), weight of harp 5.1g, weight of clasp 1.7g

£60-£80

5. A Les Must de Cartier Trinity gold plated ball point pen

£80-£100

6. A Samson Morden silver mounted porcelain scent bottle London 1884, in the form of a speckled egg, with a suspension ring loop, height 5.5cm

£120-£180

7. A Sampson Mordan silver chick pin cushion and two place holders the Sampson Mordan pin cushion, Chester 1907, modelled as a chick emerging from an egg, Rd 475678, and two menu or place holders, by Levi & Salaman, Birmingham 1907, modelled as owls perched on a branch (3), the pincushion height 3.5cm, the place holder height 4cm

£150-£250

8. A Stuart Devlin silver gilt figure of a wombat London 1988, modelled walking with its paws forward, length 3.5cm, height 2cm, weight 1.38ozt

£150-£250

9. A Stuart Devlin silver gilt salt or coaster, and spoon London 1968, of circular form, with textured and pierced sides, a glass liner, and later spoon, London 1977 (2), diameter 8cm, height 4.5cm

£250-£350

10. A George I silver miniature teapot on stand, by David Clayton, c.1720, the teapot of squat bulbous form, with a turned wood handle and knop finial, the stand on three scroll legs, with a burner (2), height including the stand 8cm, weight 2.10ozt

£200-£300

11. An Edward VII silver novelty shoe Birmingham 1901, possibly previously a pin cushion, with realistic stitching to the heel and bow to the front, length 12cm, height 12cm, weight 2ozt

£70-£90

12. A collection of silver novelty miniatures comprising a Victorian chamber stick by Henry Matthews, Birmingham 1900, a trophy cup, by John Thompson & Sons, a Hanau watering can by Karl Kurz, a Hanau garden bench by Simon Rosenau, an unmarked Venetian gondola, a chair, imported by Singleton, Benda & Co, London 1900, and a scent bottle in the form of a mandolin, London import 1892 (7), total weight 4.57ozt £80-£120

13. A collection of Chinese silver late 19th to early 20th century, comprising a cylindrical planished box by Hung Chong, Canton and Shanghai, a pusher and spoon set by Hung Chong, another pusher, possibly by Po Cheng, Hong Kong, a set of five Buddha top teaspoons, the bowls engraved ‘Eileen’, a rattle in the form of an acorn, with engraved Chinese characters, and two rickshaw figures, including one by Hung Chong (13), the cylindrical box diameter 8cm, height 5.5cm, total weight 11.88ozt £200-£300

14. A Chinese silver card case with a Chinese character mark and maker’s mark SS, possibly for Sunshing, Canton, late 18th to early 19th century, one side with a shield cartouche engraved with initials, amongst dragons, the reverse relief decorated with bamboo, weight 1.39ozt £80-£120

15. A neillo silver card case possibly Russian, depicting a niello and enamel horse drawn carriage, with silver gilt interior, 9.5 x 6cm, weight 5ozt £100-£150

16. A Victorian silver and three Continental silver boxes comprising a tobacco box, by Hulliard & Thomason, Birmingham 1900, of oval form, with a pinch side open hinged lid, an octagonal patch or pill box, marked 925, London import, with all over engraved foliate decoration, and two circular examples, marked 925, London import, painted with a cockerel and tall sailing ship (4), the tobacco box width 8cm, total 3.79ozt

£150-£150

17. A silver scent bottle, two card cases, a shoe buckle and a llama the green glass scent bottle, with a foliate engraved lid, the card cases of rectangular form, Birmingham 1900 and 1920, the shoe buckle with engraved floral decoration, Birmingham 1900, the llama marked 925, and a small clip by Francis Webb, Birmingham 1916 (6), the card case width 8c, the shoe buckle width 7cm, the llama height 3cm, weighable 4.14ozt

£70-£90

18. An Edward VII silver sovereign case, and a Continental silver scent bottle the sovereign case converted to a pill box, by Cohen & Charles, Birmingham 1908, retailed by Asprey, the scent bottle, possibly French, in the form of a horn, with a cut glass body (2), the sovereign case diameter 3cm, the scent bottle height 4.5cm

£80-£100

19. An Edward VII silver stamp box, a George V double sovereign case and a Victorian playing card box comprising a three division stamp box, Birmingham 1906, a double sovereign case, by Henry Williamson Ltd, Birmingham 1913, and a Victorian playing card case, by Nathan & Hayes, Chester 1898, of square form, with a domed top (3), the stamp box width 9cm, the sovereign case width 5cm, the playing card case height 5.5cm

£80-£100

20. A Continental silver triptych font or bénitier probably German, marked 930, Chester import 1907, the Gothic doors opening to reveal a triptych depicting Jesus’s crucifixion at Calvary, above the Madonna and Child attended by Stains, inset with red and blue paste cabochons, leading to a holy water font inset with a clear cut paste stone, width closed 5.5cm, width open 10cm, height 16cm, weight 3.72ozt

£80-£100

21. A French silver and guilloché enamel combination compact, purse and aide memoire with diamond maker’s mark, decorated in blue guilloché enamel, with a dark blue cabochon clasp, opening to reveal a gilt interior, one side with two liftup compartments, the other with a mirror, writing pad and money clip, 5.5 x 8.5cm, total 6.46ozt

£100-£150

22. A Victorian Scottish horn snuff mull the hinged white metal lid inset with a yellow paste stone, height 8cm, weight 77 grams

£80-£120

23. A George III silver nutmeg grater and pillbox the egg form nutmeg grater with maker’s mark ‘IT’, Birmingham 1796, the George III pill box by Samuel Pemberton, Birmingham 1796, with bright-cut engraved initials within a shield (2), nutmeg grater height 4.3cm, pillbox diameter 2.3cm, weight 0.82ozt

£150-£250

24. A George III silver nutmeg grater by Samuel Pemberton, Birmingham 1790, of cylindrical form, the domed top leading to a band of bright-cut engraved flower heads, the base with engraved initials, weight 0.37ozt £80-£120

25. A William IV silver nutmeg grater maker’s mark T S, Birmingham 1833, of casket form, the hinged lid with engine-turned decoration and a vacant rectangular cartouche, to reeded sides, width 3.7cm, depth 2.5cm, height 2.2cm, 1.14ozt £120-£180

26. An Edward VII silver bud vase, tea strainer, and cruet set the bud vase by James Dixon & Sons, Sheffield 1907, with a flared trefoil rim leading to a tapering stem, and a weighted circular base, the tea strainer by W J Myatt & Co, Birmingham 1910, the cruet set by William Suckling Ltd, Birmingham 1965, comprising a pepperette, mustard pot and salt, and an Apsrey bowl (6), bud vase height 14cm, total weighable 6.36ozt £120-£180

27. A George II silver mustard pot and an Edward VII silver sifter the mustard pot by John Wakefield, London 1819, of squat circular form, with a gadrooned body, raised on four ball feet, the sifter by Lee & Wigfull, Sheffield 1904 (2), sifter height 18.5cm, mustard pot width 10cm, total 8.8ozt

£120-£180

28. A cased George V silver cruet set, and two Victorian pepperettes the silver cruet set by James Ramsay, London 1912, comprising four salts or urn form, the two pepperettes by Horace Woodward & Co, London 1887, mustard pot width 8cm, the pepperette height 7cm, total 8.55ozt

£150-£250

29. A George III silver cream jug, and a George V silver six piece cruet set the George III helmet form cream jug, London 1796, with bright-cut engravings, the six piece cruet set by Mappin & Webb, Birmingham 1930, comprising a pair of mustards, salts, and pepperettes (7), the cream jug height 14cm, total 9.6ozt

£150-£250

30. A pair of George III silver salts, and a George III cream jug the salts, London 1764, of oval form, with a gadrooned rim, raised on four shell and hoof feet, and a cream jug, London 1809, with embossed floral decoration and engraved initials (3), salt width 8cm, cream jug height 11cm, total weight 11.13ozt

£100-£150

31. A collection of George V silver cruets, and a stamp box comprising a set of four salts, by Hardy Brothers, Birmingham 1919, of circular form with pierced decoration, a pair of larger salts, by Samuel Walton Smith, Birmingham 1911, of circular form with a gadrooned rim, and engraved lion crests, raised on three hoof feet, and a Victorian stamp box, with later enamel plaques (7), the largest salt width 6.5cm, the stamp box width 6cm, weight 6.4ozt

£100-£150

32. Three silver salts, a tea caddy and spoons the three salts comprising a circular example, Birmingham 1935, an oval example with pierced decoration, Birmingham 1921, and a twin-handled salt, Birmingham 1900, the tea caddy of circular form, Birmingham 1912, a pair of spoons, a shell form cruet spoon, and another Fiddle pattern example (8), total weight 10ozt

£150-£250

33. A George V silver composed four piece cruet set by Mappin & Webb, comprising a pepperette, Birmingham 1926, a mustard and salt, Birmingham 1930, and another salt, by Wakely & Wheeler, London 1902 (4), the largest height 7.5cm, weight 4.81ozt

£80-£120

34. Two George V silver salts, a bowl and a cigarette box the salts by Elkington Co, Birmingham 1914 and 1915, of oval form, with pierced decoration, the bowl, London 1908, with a reeded rim, and the cigarette box with a personal engraving, Birmingham 1907 (4), the box size 7.5 x 10.5cm, bowl width 11cm, salt width 7cm, weighable 5.43ozt

£80-£100

35. An Edward VII and a George V and silver toast rack comprising a six-division example, by Mappin & Webb, Sheffield 1901, and a four division example, by Harrison Brother & Howson, Sheffield 1916 (2), total 5ozt

£80-£120

36. A Scottish silver preserve pot and spoon by Thomas Kerr Ebbutt, London 1997, of bulbous form, with a flared rim and gilt interior (2), height 12.5cm, total weight 11.74ozt

£200-£300

37. A large collection of silver napkin rings various dated and makers, of circular, oval and octagonal form, with engine-turned or pierced decoration, including examples with engraved names or initials (42), the largest width 5cm, total approximate weight 30ozt £400-£500

38. A George III silver goblet London 1776, with an engraved owl crest above initials, and a gilt interior, raised on a circular base with a beaded border, height 15.5cm, diameter 8.2cm, weight 8.33ozt

£120-£180

39. A Victorian silver and gilt flask by Henry William Dee, London 1876, of egg shaped form, engraved with an owl crest above ‘Augusta’, to a gilt interior, retailed by ‘Ortner & Houle, 3 St James’s St’, height 10cm, weight 7.25ozt

£100-£150

40. A leather and silver mounted hip flask by Federick C Asman & Co, Sheffield 1927, with engraved initials ‘R.B.G’, and a gilt interior, width 9cm, depth 3cm, height 15cm

£150-£250

41. A George II silver brandy pan or warmer London 1737, with a turned wood handle, the base with engraved initials ‘M.H’, width including handle 16.5cm, height 10cm, weight 5.32ozt

£120-£180

42. A group of five silver decanter labels, a Millennium coaster and a Peruvian silver mounted cork comprising a provincial example inscribed ‘Port’, maker’s mark JT, pair of decanter labels, by Robert & Belk, Sheffield 1977, in celebration of the Elizabeth II Silver Jubilee, decorated with the Royal crest, inscribed ‘Claret’ and ‘Whisky’, a plain example, by Francis Howard, Sheffield 1982, and another inscribed ‘Brandy’, a wine coaster by W I Broadway & Co, Birmingham 2000, and a Peruvian cork marked 925, modelled as an Inca figure (7), the largest decanter label width 5cm, the coaster diameter 12cm, the cork height 7cm

£80-£120

43. A Continental silver vase stamped 900HS, of bulbous form, with a flared rim, width 12.5cm, height 10.5cm, weight 6.71ozt

£120-£180

44. Two Edward VII and a George V silver vase, and a silver mounted coaster comprising a pair of vases by Deakin & Francis, Birmingham 1935, with wavy flared rim, leading to a tapering stem, and a weighted circular base with a presentation engraving, a smaller bud vase by Stokes & Ireland, London 1902, and a wine coaster, by John Bull, London 1998 (4), vase heights 17cm and 21cm, the coaster diameter 9cm £120-£180

45. A George V silver snuffer, dressing table items and shoe buckles comprising a snuffer of conical form, Chester 1910, two silver and cut glass bowls, a silver and tortoiseshell mounted ring stand, and a ‘B’ charm, and shoe buckles (Qty.), the snuffer height 13cm, weighable 3.85ozt £80-£120

46. A group of three Victorian silver boxes, a mother of pearl fruit fork, and a cigar rest the boxes comprising a square form example Birmingham 1907, with a floral and foliate engraved lid, raised on cabriole legs, a circular example, Birmingham 1886, later decorated with the bust of Queen Victoria, and an oval example, Birmingham 1899, the mother of pearl fruit fork by Hilliard & Thomason, Birmingham 1891, with a blue engraved owl crest, and a cigar holder, inset with an Edward VII and Queen Alexandra coin (5), the largest box width 5.5cm, the fruit fork length when extended 14.5cm, the cigar holder length 9cm, weight excluding the fruit fork and square box 2ozt

£80-£120

47. A Victorian silver manicure set, a boot or glove set and a card case the manicure set by Adie & Lovekin, Birmingham 1899, comprising a buffer, pair of scissors, brush, cuticle, nail file and an associated box, the glove/boot set, Birmingham 1886, comprising a glove stretcher, two button hooks, and a shoehorn, the card case by William Neale, Chester 1907, decorated with the heads of winged putti (3), size of the card case 10 x 8cm, weight of the card case 3.56ozt £120-£180

48. A George VI silver dressing table box, and four silver pierced dishes the dressing table box of circular form, Birmingham 1942, with engine-turned decorated, raised on four Art Nouveau style feet, the four pierced dishes by Joseph Gloster Ltd, Birmingham 1927, of rectangular form, with a scalloped edge (5), the dressing table box diameter 9cm, the dish width 10cm, weight of the dishes 4.69ozt

£80-£120

49. A Chinese silver nine piece dressing table set

Chinese character and maker’s mark for Hung Chong, early 20th century, comprising five brushes, a mirror, a comb with ivorine teeth, and a cylindrical dressing table box, all relief decorated with four clawed dragons and koi around a vacant circular cartouche (9), the largest brush height 25cm, the mirror height 26cm, the pot diameter 8cm

£400-£600

50. Three George V silver brushes, and a pair of silver dwarf candlesticks the brushes comprising two with engraved initials and engine-turned decoration, Birmingham 1934, and another engraved ‘Jeremy 6 6 34’, Birmingham 1926, the dwarf candlesticks, Birmingham 1930 (5), the largest brush length 12cm, the candlestick height 7cm £50-£70

Edward VII silver and plated dressing table items comprising a large perfume bottle Birmingham 1900, of tapering form, a smaller example of cylindrical form, Birmingham 1899, a scent bottle, Birmingham 1907, two silver button hooks, and a silver plated inkwell and copper mounted example (7), the largest perfume bottle height 18cm

£100-£150

52. A collection of silver mounted and cut glass perfume bottles Victorian and later, of various forms, including square, tapering and hexagonal examples, and three Norwegian powder pots, marked ‘Sterling 925S, Norway’ of square tapering form, with pierced blue and red guilloché enamel lids (10), the largest height 20cm

£100-£150

53. Two Edward VII silver mounted cut glass perfume bottles the silver mount by Henry Perkins & Sons, London 1908, to a cut glass body of tapering square form (2), height 17cm

£60-£80

style silver candlesticks by John Parsons & Co, Sheffield 1783, with urn form capitals, raised on tapering stems, leading to oval fluted bases, with beaded borders (2), width 15cm, height 27.5cm

£300-£500

55. A pair of George VI silver Shabbat candlesticks by RS London 1940, the knopped stems with engraved foliate decoration (2), width 10cm, height 30cm, total 14ozt

£150-£250

56. A George V silver salver by Jay, Richard Attenborough Co Ltd, London 1932, of plain form, with a pie crust border, raised on four pad feet, width 30.5cm, weight 29.28ozt

£500-£700

An Edward VII silver salver Birmingham 1901, the centre engraved with an owl crest, and cross in its wings, possibly for the Trenchard family, encircled by shell motifs, and a foliate relief border, raised on three scrolled feet, diameter 20cm, weight 9.55ozt

A large George III silver tray maker’s mark TH, London 1796, of oval form, with a reeded border, and carry handles, the centre with engraved initials, within a laurel wreath, above an owl crest, width 67cm, depth 45cm, weight 91.62ozt

£1,200-£1,800

59. A George II silver tray by William Bennett, London 1810, of oval form, with a gadrooned border, raised on four scrolled feet, width 25.5cm, depth 19cm, height 3cm, weight 15.29ozt

£200-£300

60. A George III silver four piece tea service and sugar tongs the tea service by Thomas Wallis II, London 1802, comprising a teapot on stand, cream jug, and twinhandled sugar bowl, all engraved with ivy leaf borders, and a wreath encircling initials to the centre, and a pair of sugar tongs, by William Eley I & William Fearn, London 1820 (5), the teapot width 27cm, height 18cm, total weight 31ozt

£400-£600

61. A George V silver three piece tea service by Thomas Edward Atkins, Birmingham 1918, comprising a cream jug, sugar bowl, and teapot, with foliate borders, the handles modelled as mythical beasts, raised on four paw feet (3), teapot width 29cm, height 17cm, weight 33.69ozt

£600-£800

62. An Edward VII three piece silver tea service by William Henry Leather, Birmingham 1904, comprising a teapot, twin-handled sugar bowl, and cream jug, with all over foliate repoussé decoration (3), the teapot width 24cm, height 11cm, total weight 18.52ozt

£250-£350

63. A composed Edward VII silver three piece silver tea service the teapot and twin-handled sugar bowl by Goldsmiths & Silversmiths, London 1908, the cream jug, London 1910, all with engraved shields bearing initials, dated ‘July 25th 1911’, and a gilt interior (3), teapot width 27cm, height 17cm, total weight 27,2ozt

£400-£500

64. A Mappin & Webb silver teapot and hot water jug the teapot, Sheffield 1925, with a gadrooned border, and a similar hot water jug, Birmingham 1938 (2), height of the hot water pot 21cm, height of the teapot 12.5cm, total weight 35.75ozt

£600-£800

65. A Victorian silver water jug by Atkin Brothers, Sheffield 1900, one side with an engraved owl crest inscribed ‘Keep Vigilant Tryst’, the other with engraved initials, height 16.5cm, weight 13ozt

£200-£300

66. A George III style silver coffee pot by Mappin & Webb, Sheffield 1959, the hinged lid of domed form, with an urn finial, leading to a tapering cylindrical body, raised on a spreading circular base, height 27cm, weight 24.9ozt

£350-£450

67. A George V silver tazza by R Davis & Co, Birmingham 1928, of octagonal form, the rim with pierced foliate decoration, and engraved floral swags, raised on a pedestal base, width 30.5cm, height 18.5cm, weight 12.79ozt

£150-£250

68. A pair of Arts and Crafts Scottish silver tazzas by George Edward & Sons, Glasgow 1909, the planished circular bowls, raised on curved supports, to a domed base (2), diameter 20cm, height 16cm, total weight 34.48ozt

£500-£700

69. A Victorian silver pedestal dish by Charles Boyton (II), London 1893, the centre with a vacant foliate cartouche, to a gadrooned bowl, and pierced border, raised on a pedestal, width 26cm, depth 19.5cm, height 9.5cm, weight 12.57ozt

£200-£300

70. A George V silver pedestal bowl by Mappin & Webb, Birmingham 1925, of circular form, with a pierced swing-handle and border, diameter 21cm, height 8.5cm, weight 12.57ozt

£200-£300

71. A George V silver pedestal bowl by Mappin & Webb, Sheffield 1934, with pierced Art Deco style foliate decoration, diameter 22cm, height 11.5cm, weight 15.36ozt

£300-£400

72. A group of four Mappin & Webb silver dishes and bowls comprising a pedestal dish, Sheffield 1933, in the form of a flower, with engraved petals, a pierced pedestal dish, Birmingham 1933, a dish in the form of a champagne coupe, Birmingham 1911, with a pierced floral rim, and a bowl, London 1927, with a flared rim and engraved Art Deco initials ‘MVW’ (4), the largest height 11cm, total weight 13.33ozt

£200-£300

73. A group of nine Victorian and later silver dishes, and a silver bowl comprising a tray with a presentation engraving ‘to L. W Gill by the Directors of St Anne’s Board Mill Co’, a pie crust border dish, a pair of oval pin dishes, with pierced borders, a heart form dish, a pair of circular pin dishes with brightcut engravings, a further pin dish, and a repoussé bowl (10), the largest dish width 17cm, the bowl diameter 11cm total 16.25ozt

£250-£350

74. A German silver flatware service by Wilkens, 800 standard, with crescent moon and crown mark, for six settings, comprising table knives, forks and spoons, dessert knives forks and spoons, teaspoons, and two serving spoons (qty.), weight excluding the knives 47.29ozt

£600-£800

75. A set of German silver rose design flatware marked 800, comprising a pair of sugar tongs, tea tongs, cake slice, seven teaspoons, seven forks, and a jam spoon, the handles modelled as roses and leafy stems (qty.), weight 9.32ozt

£150-£250

76. A set of eight Victorian silver teaspoons, a carving knife, and a cased George V silver Christening set the eight King’s Husk pattern teaspoons, by Robert Wallis, London 1838, a cased Christening fork and spoon, by Thomas Bradbury, Sheffield 1911, with a Celtic knot pattern, and a carving knife, Sheffield 1897 (11), weighable 10.46ozt

£150-£250

77. A set of George II silver mother of pearl knives and forks comprising ten knives and three forks, with engraved owl crests above initials ‘IF’ (13)

£100-£150

78. A collection of George III and William IV Fiddle pattern flatware comprising two George III forks, by George Smith, London 1797, a small ladle, Exeter 1832, two teaspoons, Exeter 1810 and London 1802, a set of four William IV cruet spoons, and a William IV serving spoon (10), total 10.53ozt

£150-£250

79. A Charles II silver seal top spoon London probably 1628, the foliate decorated baluster seal with engraved initials ‘G.P’ to the terminal, the bowl engraved ‘1641 S.C’, length 17cm, weight 1.54ozt

£200-£400

80. A William and Mary silver trefid spoon

London 1689, engraved initials ‘W.H.A’, the bowl with a rat tail back, length 18.5cm, weight 1.1ozt

£200-£300

81. A set of six George IV silver tablespoons by Hester Bateman, London 1826, with bright-cut borders and engraved bull crests (6), length 22cm, weight 12ozt

£150-£250

82. A William IV and two Victorian silver ladles comprising a William IV Albert pattern example, London 1836, and two Victorian Fiddle Thread and Shell ladles, London 1840 (3), the largest length 19cm, total weight 8ozt

£100-£150

83. A group of six George III and later silver caddy spoons and a tea strainer comprising three George III examples, London 1792 and 1808, a William IV example, London 1836, a George V Worshipful Company of Paviors spoon, Birmingham 1934, a shell form example, Sheffield 1967, and a tea strainer, Birmingham 1982 (7), total 3.45ozt

£60-£80

84. A collection of nine George II and later silver tablespoons comprising a pair by pair by Edward Bennett I, London 1749, an Irish pair by John Osborne, Dublin 1793, another pair by Hester Bateman, London 1781, a William IV Fiddle pattern example by William Eaton, London 1837, and two further George III Hanoverian pattern examples (9), total weight 18.49ozt

£250-£350

85. A set of six Victorian silver fish knives by Martin, Hall & Co, Sheffield 1862, with pierced blades and bright-cut engraved handles, with a winged heart crest and initials ‘G.G’ (6), 14.37ozt

£200-£300

86. A Scottish provincial silver ladle, a Victorian ladle, and a George III silver spoon the Scottish ladle by Robert Donaldson, Dundee, c.1834, with engraved initial ‘R’, the Victorian ladle by Henry Wilkinson & Co, Sheffield 1887, the dessert spoon, London 1808 (3), total 4.5ozt

£80-£120

87. A collection of silver flatware comprising a set of six souvenir spoons, the handles modelled as various London landmarks, nine apostle top spoons, A George V Christening set, and a cased set of dix fruit knives with ivorine handles (qty.), weighable 3.87ozt

£80-£120

88. Four Danish silver gilt Christmas spoons, and a cased sets of silver coffee spoons

comprising a July 1964 and 1974 spoon, a 1973 spoon by Sorenco, a 1975 spoon by A. Michelsen, all decorated with enamel and marked 925, Denmark, and cased set of six coffee spoons, by James Dixon, Sheffield 1977 (5), total weight 7.90ozt

£80-£120

89. A cased set of Liberty silver coffee spoons

Birmingham 1924, the coffee bean terminals formed of semiprecious hardstones, including malachite, Blue John, lapis lazuli, in its original Liberty case, total weight 1.44ozt

£80-£120

90. A George III silver serving spoon, a Victorian ladle, a William IV fish slice and two toddy ladles the George III serving spoon by William Eaton, London 1820, the Scottish ladle by James Howden & Co, Edinburgh 1838, the William IV slice by W. R. Sobey, Exeter 1834, and two Georgian toddy ladles with engraved initials and turned horn handles (5), the largest length 33.5cm, weight excluding the toddy ladles 14.72ozt

£200-£300

91. Three George III silver marrow scoops, and three pairs of tea tongs the marrow scoops by Thomas Northcote, London 1787, another marked WS, London 1892, and a combination spoon example by Stephen Adams I, and three tea tongs, all with engraved initials (6), total weight 7.13ozt

£100-£150

92. A collection of George III and later silver flatware comprising a set of three George III Old English pattern dessert spoons, by Thomas Wallis II, London 1789, with engraved initials, a similar later pair, London 1825, another pair engraved ‘Robert’ and ‘Ann Chapman’, London 1806, a Victorian three piece Christening set, an Art Deco fork, a Victorian slice, and a Robert & Belk trefid spoon, London 1934 (13), total 15.5ozt

£200-£300

93. A collection of George III and later silver teaspoons comprising a set of three George III brightcut engraved examples, London 1799, two Fiddle pattern examples, by George White, London 1812, a set of five Victorian Fiddle pattern teaspoons, by Robert Wallis, London 1848, a set of six King’s Husk pattern, and a trefid style spoon (17), total weight 14.3ozt

£150-£250

94. A collection of silver flatware to include four pairs of sugar tongs, including a George III example, a tea strainer, cruet spoons, a pair of wishbone tongs, and three enamelled souvenir spoons (qty.), total weight 9.38ozt

£120-£180

95. A collection of George III and later silver flatware comprising three George III grapefruit spoons, London 1814, another bright-cut engraved example, a cruet spoon, two Mappin & Webb sugar tongs, a cased set of six teaspoons, strainer and sugar tongs, by William Devenport, Birmingham 1903, and a set of six bright-cut engraved teaspoons, London 1787 (qty.), total weight 8.27ozt

£120-£180

96. A George III and IV Old English and Hanoverian Thread pattern silver flatware service for twelve settings, comprising serving spoons, London 1823 and 1825, table forks, London 1787 and 1795, dessert spoons, London 1823, dessert forks, London 1813 and 1823, and teaspoons, London 1801 and 1809 (60), total weight 93.23ozt

£1,200-£1,800

97. A collection of George III and later silver flatware, and napkin rings comprising a pair of Victorian berry spoons, by Josiah Williams & Co, London 1889, a William IV and George III teaspoon, a preserve spoon, a butter knife and pair of sugar tongs, and six napkin rings, including five circular and one oval example, all with various engine-turned and engraved decoration (13), weight 10.48ozt

£80-£120

98. A George II silver ladle by Hester Bateman, London 1786, the terminal with an engraved owl crest, length 34cm, weight 5.16ozt

£80-£120

99. Two George III silver meat skewers the larger example by William Fearn, London 1772, with an engraved crest of an arm holding a sword, the smaller example by Peter & William Bateman, London 1807 (2), length 30cm and 35.5cm, weight 5.82ozt

£100-£150

100. Four cased sets of silver teaspoons comprising a set of twelve Victorian examples by Martin, Hall & Co, Sheffield 1857, a set of six, Birmingham 1938, another set of six, Birmingham 1919, and a set of six Thai silver spoons, marked ‘Sterling Thailand’, the finials modelled as elephants (4), weight of English silver 6.66ozt, weight of Thai silver 2.64ozt

£150-£250

101. A James Dixon & Sons silver plated hunting flask and cups, and hip flask early 20th century, the glass flask housed within three tapered graduated cups, with gilt interiors, in a leather carry case, the hip flask marked EPBM (2), flask height 20cm, hip flaks height 13cm

£150-£250

102. A Victorian 18ct gold keyless open faced pocket watch the dial with Roman numbers, and engraved foliate decoration to centre, blued hands, movement numbered 3970, total weight approx 69g

£800-£1,000

103. An 18K gold half hunter keyless pocket watch the enamel dial stamped A.W.W.Co Waltham Mass, with Roman numerals and subsidiary seconds, with navy enamel Roman Numerals to outer chapter ring, movement numbered 25357, 1903, weight 113g, diameter of case 50mm

£1,800-£2,500

104. A French Art Deco 18K gold keyless pocket watch the slim square case with silvered engine turned dial, Roman numerals and blued hands, the case numbered 3534 and stamped with eagles head for 18K, total weight 45.5g, width of case 39mm

£500-£700

105. An 18ct open-faced keyless pocket watch, 1920s the silvered dial with roman numerals, minute track, blued hands and subsidiary seconds dial, with two coloured chain (untested) suspending a locket with engraved initial E (unmarked tests gold), weight of pocket watch only 54g

£800-£1,200

106. An 18K gold and guilloché powder blue enamel ladies keyless fob watch on chain the chapter ring with enamel circles enclosing blue Arabic numerals, with minute track, finely chased dial, guilloché enamel to case with rose garland detail, and set with old cut diamond to centre surrounded by rose cuts, on a chain with alternating blue guilloché enamel and pearls, total weight 30g

£600-£800

107. A Longines gentleman’s gold plated quartz wristwatch the gold coloured dial with raised baton numerals, date aperture and expandable bracelet a/f, with papers, width of case 32mm

£60-£80

108. A Baume & Mercier 18K gold manual wind chronograph wristwatch 1940s, the black dial with gilt Arabic numerals, 17 jewelled manual wind movement, two subsidiary dials, with start/stop pushers, case back stamped 750 and Baume & Mercier, movement and dial unsigned, case back numbered 56479 on a plated strap, width of dial approx 28mm, case diameter 3.5cm

£400-£600

109. A Universal Geneve automatic wristwatch the malachite dial with Roman numerals, with green cabochon crown, stamped on the reverse 18K, textured interwoven bracelet, total weight 59.g, 30mm

£2,000-£3,000

110. A gentleman’s stainless steel Rolex Oyster Perpetual Explorer I wristwatch 2005 Ref 114270, the circular black dial with luminous inlaid silver hour baton markers and Arabic numerals at 3-6-9, luminous Mercedes hands, 31 jewel automatic chronometer movement, calibre 3130, serial number, D027****, on a tapering stainless steel bracelet with fold over clasp, with original receipt and paperwork in original box, dial diameter 30mm, case diameter 35mm

£3,000-£5,000

111. A Rotary 9ct gold quartz lady’s wristwatch the dial with Roman numerals, and fancy link gate bracelet, total weight 18g

£300-£500

112. A lady’s Longines manual wind watch the champagne dial with baton and Arabic numerals, stamped on the case back 375, in Longines case, width of case 17mm

£60-£80

113. A Rolex Oyster Perpetual Datejust Pealmaster 18ct gold lady’s wristwatch

ref. 80318, the mother of pearl dial inset with diamond hour markers, gilt baton hands, and magnified date aperture, to a diamond inset bezel, with its original boxes, spare link, paperwork and certificates, case diameter 2.7 inches, dial diameter 1.7 inches, weight 105 grams

£8000-£10,000

114. A Chanel J12 quartz wristwatch

ZGD25114, silvered dial with Arabic and diamond dot markers, inner minute track, ceramic strap, stainless steel clasp, with box and papers, H3401, diameter of dial 29mm approx

£800-£1,200

115. A Jaeger-LeCoultre 9ct gold ladies manual wind watch

the small circular dial with baton and Arabic numerals, on a wide mesh bracelet with deployant bracelet, weight 37g, total length 17.5cm

£1,000-£1,500

116. A Must de Cartier Tank silver gilt ladies wristwatch quartz movement, rectangular dial, width of dial approx 20mm

£200-£300

116A. A manual wind wristwatch by Benson on an expandable bracelet marked 9ct, together with two 9ct gold wishbone rings, and a 9ct watch head (4), weight of rings and former watch 29.7g

£250-£350

117. Two ladies manual wind bracelet wristwatches the first with encrusted gem set flower head concealing the silvered dial signed Erster with Arabic and baton numerals, the bracelet stamped 750, the second flexible bracelet with rectangular dial with Arabic numerals and chased bracelet stamped 750 (2), total weight approx 31.8g

£400-£600

117A. Two hand drawn and coloured jewellery designs the first one featuring an exquisite gem set pendant banner brooch publicly exhibited by Garrard, the gem is designed with diamond palmette terminals suspending a plaque of marquis-cut diamonds and carved flowerheads; the second depicting an emerald and diamond Belle Époque brooch, each in metal frames (2). The first with extract from an article on a Garrard exhibition to the reverse, framed 21.5 x 16.5cm

£100-£150

118. A 15ct gold, amethyst and seed pearl necklace featuring an asymmetric floral hoop with seed pearl set leaf motif and round faceted amethyst flowers, seed pearl set suspension loop, trace chain and bolt ring clasp, weight 5.2g length of chain 40cm

£150-£250

119. A 9ct gold flat link ‘V’ necklace with 9ct hallmark 1975, stylish modern chain and knot feature to finish, bolt ring clasp, weight 15.4g length 42cm

£200-£400

120. A Vourakis 18K gold and diamond necklace the clasp marked 18K, with a herringbone chain leading to a diamond inset foliate shaped motif, length approx. 41cm, weight 56.8 grams

£2,000-£3,000

121. A Vourakis diamond brooch in original box, a stylish double leaf design with central set ellipse, comprising of thirty two full cut and single cut diamonds, grain set to white metal, double brooch pin to reverse, no visible marks, weight 30g length 7cm

£800-£1,200

122. A pair of Vourakis diamond set earrings stamped 18k, in original box, a gold stylish double leaf design with central set ellipse, comprising of four single cut diamonds, with peg and lever fixing, weight 30g length 4cm

£800-£1,200

123. An 18ct gold textured bark necklace 1970s, the clasp with a diamond shaped 750 mark, in a fitted case from ‘Leysen Freres Bruxelles’, length approx. 35cm, weight 55.5 grams

£2,000-£3,000

124. A turquoise and enamel fringe necklace

late 19th century, the front with drops of alternating lengths set with turquoise cabochons with pink enamel accents suspended from white enamel decorated with stars, the fancy link gold necklace set on alternate links with pink enamel, length approx 37cm, weight approx 23g

£1,200-£1,800

125. An Edwardian pale blue enamel, white gold and diamond set the guilloché enamel circular pendant with diamond set to centre and pierced diamond surround, with decorated butterfly to the reverse, on a trace link chain marked 375, drop of pendant with loop 4cm

£400-£600

126. An Edwardian opal and demantoid garnet-set pendant necklace the central oval opal cabochon within a surround of circular-cut demantoid garnets (one deficient) to the spectacleset pendeloque opal pendant, and circular opal cabochon surmount with yellow gold chain links interspersed with seed pearls, to the yellow gold chain link necklace with barrel clasp stamped ‘15c’, contemporary leather and gilt tooled case, central cluster 2.0cm x 2.7cm, 7.6g. One demantoid garnet missing £800-£1,200

127. A Belle Époque seed pearl and diamond necklace with centrally set old cut diamond to an open-work pendulum mount with a wheel of six seed pearls and six grain set rose cut diamonds with millegrain detail, long diamond set bail attached to a fine trace chain box clasp and figure eight safety catch, weight 2.9g, length 46cm

£200-£300

128. A diamond ruby and pearl enamel pendant locket designed around a central bezel mounted ruby, with ‘C’ scroll open work border, four square set old cut high tabled diamonds and further decorated with white red and green enamel detailed with twenty four rubies and six square set diamonds and finished with a pearl drop, suspension loop to a fine rope link chain and engraved barrel clasp to reverse a foliated engraved border with bezel wire but missing the glass to hidden compartment, pearl tests Natural Saltwater, weight 20g length of chain 45cm, length of pendant 5cm

£800-£1,200

129. An Edwardian 15ct peridot, pearl and plique-à-jour enamel pendant on chain with step cut peridot to the centre, surrounded by sunburst design of alternating pink and red plique-à-jour enamel, encircled by a band of seed pearls, with outer band of red plique-à-jour enamel in diamond form against a pink enamelled around and scalloped edge set with seed pearls, on chain marked 15ct, the reverse marked 15 and with makers mark SS possibly for Saunders & Shepherd, total weight approx 9.4g £500-£800

130. An Edwardian gem-set and enamel brooch/pendant the open work gold frame with white enamel scrolls, green enamel leaves and a pink enamel flower suspending a pearl drop, and a cabochon sapphire (untested) collet to the top, with an articulated cushion-shaped chrysoberyl to the centre, a detachable white enamel and green suspension loop, to a later 9ct gold rope twist chain, length of pendant 3.7cm, overall length 4.2cm, weight of pendant 5.2g, weight of chain 3.5g £600-£800

131. An enamelled butterfly necklace with 750 stamp and continental mark to tag, red blue and yellow enamelled butterfly suspended from a fine box chain, with a bolt ring clasp, weight 4.9g, length 48cm £200-£400

132. A large citrine pendant on chain suspended from a chain marked 375, weight of chain 14g, pendant drop approx 34cm £350-£450

133. An Art Nouveau pearl grapes and hoop necklace with 15ct plat stamp, grape vine leaf platinum faced with a cluster of pearl grapes within a hoop, attached to a fine trace chain with pearl detail, 9ct stamp to clasp, weight 3.3g length 46cm £200-£300

134. A guard chain with a sweet heart portrait and one other featuring a fancy link long guard chain with swivel clasp and a portrait pendant with sweet heart photograph and a Chinese scene to the reverse and a fancy link trace chain and two pieces of the same chain loose (2), weight 24.4g length 168cm and fancy link chain 8.1g, length 50cm

£500-£800

135. A Murrle Bennett Arts and Craft silver and opal necklace with planished silver pendant set opal cabochons, and circular shaped links set with opals interspersed with silver planished links, reverse stamped 925 MB in C, with safety chain, total length 38cm, length of pendant drop (inc. necklace) 5cm. All stones appear to be in good overall condition

£600-£800

136. A Belle Époque turquoise and bead sautoir the necklace of openwork bead design claw-set at intervals with nine oval turquoise cabochon and suspending a detachable multi bead tassel with onyx bead terminals and an oval cabochon and paste surmount, continental maker’s poincoin, necklace length approx 92cm, approx 46.7g

£300-£500

137. A long pearl and bar necklace with 750 stamp to tag, fifteen pearls between twenty nine square profile bars, bolt ring clasp stamped 9ct and one more silver bolt ring used to repair a link, weight 18.1g, length 76cm

£600-£800

138. A yellow metal chain with 22ct stamp to ‘S’ clasp, diamond cut trace chain, weight 18.5g, length 57cm

£800-£1,200

139. An 18ct gold rope twist necklace marked on the reverse of the clasp 18K, with securing clasps to the sides, total weight 28.7g, length 50cm

£800-£900

140. An Edwardian black bead necklace featuring a double row yellow link chain interspersed with black beads with yellow metal spacers, weight 12.2g, length 60cm

£80-£120

141. A ruby and diamond set clasp cultured pearl necklace with a kite shape natural ruby, bezel set in yellow metal to an open work diamond set silver panel, Victorian cut down setting, mounted to a box clasp with safety chain, pearls are cultured and matched and have a pink/white lustre and no visible marks to metal, length 55cm

£300-£500

142. An 18K white gold and diamond Cartier ‘Juste un Clou’ hinged bangle designed as a nail pave-set with round diamonds set around the nail head and tip, Cartier No CBA693, with certificate of authenticity numbered 2691250, and Cartier retail box, weight total 35g, marked size ‘18’ (18cm) £4,000-£6,000

143. A 9ct gold three bar gate bracelet with heart padlock, total weight approx 8.7g £150-£250

144. A 15ct gate bracelet the five bar bracelet, marked on the catch 15ct, weight 25g £500-£600

145. A textured fancy link bracelet with scroll work engraving, rectangular links bracelet, with indistinct continental marks and bolt ring clasp, weight 22.4g, length 17cm including link £550-£650

146. A fancy flat link heavy bracelet articulated with rectangle profile snap clasp and two figure eight safety catch, weight 51.6g, length 20cm, width 1cm £2,000-£3,000

147. A moonstone bracelet with ten graduated oval cabochon moon stones bezel set across the wrist to a fine curb chain and box clasp with safety chain catch, weight 6.6g, diameter 5cm (small)

£100-£200

148. A diamond line bracelet with 750 stamp, seventy princess cuts diamonds channel set with a snap clasp and two figure eight safety catches, weight 20g, length 18.5cm

£2,500-£3,000

149. An Art Deco style articulated emerald bracelet with eight white metal panels and bead links, each set with a rectangle emerald, box clasp and figure eight catch, weight 19.3g, length 18cm, width 4.5mm

£800-£1,000

150. A pair of emerald earrings with emerald cut emeralds end set to a plain panel with peg and scroll fixings, weight 1.8g

£100-£200

151. A 9ct gold charm bracelet with numerous 9ct gold charms including a woodpecker, poodle, lanterns and a violin, weight approx 54.2g

£1,000-£1,500

152. A charm bracelet with eleven charms including a harp, a heart, a mermaid stamped Denmark 585, an ice bucket, a letter box, a St Christopher and five more with a bolt ring clasp, weight 18.8g, length 14cm

£350-£400

153. An All American college charm bracelet including Penn State University 1855 with 18k stamp, Inter fraternity council Penn State 1964-65 10k stamp, the University of Miami 1925, University of Colorado 1976 and eighteen others chain and some charms are base metal, total weight 90g

£300-£500

154. An 18ct gold textured chain with 9ct and other charms the chain marked 750 and with alternating textured and plain links, suspending a number of charms including 9ct gold, jade, and other, together with four charms including a 9ct articulated fish, total weight mixed gold 67g

£1,200-£1,800

An unmarked gold stiff bangle with a chevron pattern, (tests gold), interior width 6.5cm, 11.8 grams

£450-£550

156. A 9ct gold stiff bangle marked 375, Sheffield 1928, with an engine-turned chevron pattern, internal width 7cm, weight 9.7 grams

£120-£180

157. A 9ct snake bangle or armlet with a 9ct Birmingham hallmark 1984, steel spring core, wrap around articulated snake with engraved pattern head and ruby eyes, weight 24.9g

£400-£600

158. A Tiffany & Co. Elsa Peretti silver rattan cuff and scarab beetle 1976, designer piece was an early creation by the iconic Elsa Peretti together with a Tiffany marked solid scarab beetle (2), weight 11.6g, diameter 6cm, weight of scarab 12.5g

£80-£150

A mid Victorian pearl, enamel, yellow gold and diamond articulated bangle the tapering royal blue enamelled frame opening at the base and applied with an yellow gold finely engraved overlay, the top section set with five graduated natural slightly baroque freshwater pearls, each separated by a cushion-shaped old brilliant-cut diamond, report from The Gem & Pearl Laboratory dated August 2011 stating that the pearls are Natural Saltwater, inner diameter 5.9cm, 47.0g

£2,000-£3,000

An enamelled, seed pearl and ruby bangle the wide engraved hinged bangle with front pierced section with lattice decoration of interwoven blue enamel, interspersed with clusters of seed pearls with central raised oval cut rubies seed pearl clusters each centred by a oval-cut ruby, with French Poinçon, total approx weight 36.5g, inner diameter 5.5cm approx

£1,200-£1,800

A Victorian gold and turquoise hinged bangle the centre top with turquoiseset dome and applied wirework decoration, flanked by oval turquoise cabouchons, and with rope twist bangle, with safety chain, weight 21.4g, interior, width of bangle 5.6mm

£600-£800

A Victorian enamel and garnet hinged bangle the front enamelled black and white piqué set with graduating oval garnet cabouchons and inscription to reverse 18th August 1860, total weight 32g, diameter of interior 6cm

£400-£600

163. A mid Victorian enamel and seed pearl link bracelet the yellow gold heart-shaped hinged locket in red guilloché and white enamelled border and centring on a old brilliant-cut diamond collet and with alternating seed pearls and red and white enamel and yellow gold torpedo links and clasp, length 19cm, 10.0g

£500-£600

gold chains comprising a 9ct hallmark box chain, a 9ct hallmark belcher chain and a long box chain with 9ct stamp to bolt ring (3), weight 24.2g, length 46cm, 44cm and 77cm

£400-£500

164. A mid Victorian diamond and enamel pendant the central red guilloché enamel and white bordered plaque set with a cluster of old brilliant-cut diamonds to the openwork border of trefoil and single old brilliant-cut diamonds separated by red and white enamel detail, detachable diamond and enamel suspensory loop, mounted in silver and yellow gold, overall length 5.0cm, width 3.6cm, 12.5g

£1,500-£2,500

165. An enamel and gem-set fancy link bracelet with openwork design to front set with red and green coloured enamel and a chequer board of sapphires mounted with old cut diamonds, to a fancy link chain with safety chain, total weight approx 20.9g

£800-£1,200

167. A 14ct tricolour gold flat chain 1970s, the clasp marked ‘Italy 14Kt’, with a white, rose and yellow gold flat weave chain, length 41cm, weight 7.9 grams

£150-£250

168. An 18ct gold novelty brooch the pierced textured brooch in the form of a palm tree with a man climbing, with 18ct stamp, weight 9.9g, length 5.5cm

£300-£400

169. A 9ct gold novelty bar brooch, of a monkey holding a seed pearl perched on a bamboo branch, weight 3.4g, length 5.5cm

£80-£120

170. An early Victorian cannitille mounted carved portrait cameo the cameo well carved with a classical maiden facing right with vine leaves in her hair a classical Maenad, with intricate cannitille frame with brooch pin and ‘C’ scroll clasp, weight of brooch 24.2g

£300-£500

A Frances Margaret Beck citrine abstract brooch with London hallmark 1969, impressive 3.2cm diameter faceted citrine held in and eight claw setting with a racing gold open work frame, a double clip brooch pin to the reverse, weight 53.8g

Glasgow School of Art. Frances Margaret Beck worked with Andrew Grima before setting up with Ernest Blyth in the late 1960s

£700-£900

172. An enamel and seed pearl sweet heart brooch and garnet and diamond pendant with 15ct stamp, blue enamel and seed pearl flower motif with a white enamel border set with a further four seed pearls, with brooch pin and ‘C’ clasp fastening, bezel wire and glass missing, a diamond set star motif comprising of a centrally set old mine cut with ten rose cut diamonds mounted to a cabochon red garnet mounted in a closed back bezel setting with suspension loop (2), weight of 15ct brooch 5.4g weight of garnet pendant 7.4g

£150-£250

173. A Victorian diamond set twelve pointed star brooch grain set with old cut diamonds, brooch pin and locking ‘C’ clasp, weight 9.7g, width 4cm

£800-£1,200

174. A bar brooch with a diamond and stone set clover drop with indistinct mark to bar, a sweetheart stone set brooch with three green cabochon drops and a centre old cut diamond with a brooch pin and ‘C’ clasp, weight 3.1g length

£100-£200

175. A gem set crescent moon brooch with thirteen pink graduated gemstones with eight small rose cut diamond detail (four deficient) collet with beading to reverse a curved pin and ‘C’ clasp with loop for safety chain, weight 2.5g, length 5cm

£450-£650

176. Ø A Georgian gem set portrait early miniature ring the portrait miniature on ivory of a young lady, within a bezel with milled edge, surmounted by a coronet with seed pearls and gem, indistinct continental mark to back of the ring, weight 5g, finger size Q

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: AYQJTF2R

£500-£800

177. An early Victorian turquoise and diamond heart shaped brooch with turquoise cabouchon to centre of heart and also to either end, with old cut diamonds, width of brooch 3cm

£600-£800

178. An opal and diamond brooch set with old rose cut diamonds in a Victorian scalloped cut down setting surrounding a large cabochon opal bezel set in yellow metal play of colours include orange yellows greens and purple with pin and ‘C’ clasp with safety catch, weight 5.4g length 2.8cm, width 2.2cm

£300-£500

179. A Victorian old cut diamond star pendant or brooch with a half carat diamond centre to a twelve point star, each point with graduated old cut and rose diamonds set to sliver, to the back a curved pin with locking clasp which can be removed to convert into a pendant, weight 7.9g, diameter 4cm

£700-£900

180. A Georgian Cannetille gem set brooch with later added pendant loop, centrally set oval ruby, surrounded by green pear shape gem stones and seed pearls to a closed back mount, brooch pin and ‘C’ clasp to the reverse, weight 6.7g, width 4cm

£400-£600

181. A Victorian sapphire and old cut diamond crescent brooch set with graduating cushion cut sapphires and old mine cut diamonds set to a rex claw mount with a pin and locking ‘C’ clasp to reverse, central stone Natural Sapphire, weight 8g, length 4cm

£800-£1,200

182. A micro mosaic brooch with scroll work border, onyx frame with a classical scene inlay, brooch pin with ‘C’ clasp, weight 38.3g, length 6cm, width 5cm

£80-£120

183. A 19th century hand painted shell brooch featuring a stately home on the banks of a river, mounted in a bezel with ‘C’ scroll open work border, brooch pin and ‘C’ clasp, weight 31g, width 6cm, length 7cm

£80-£120

184. A Georgian memorial brooch and two more with date inscription 1833, woven hair behind a bevel glass window with black enamel engraved border together with two Victorian mourning brooched with bevel set glass window and black stone set surround both with brooch pin and ‘C’ clasp (3), weight 9.5g

£80-£120

185. An Edwardian diamond arrow brooch in the form of an arrow with an array of rose cut diamonds set to the feathers and the paint, centrally set is a pearl (untested) surrounded by a circle of rose cut diamonds with pin and locking ‘C’ clasp fastening, weight 4.1g, length 3.8cm

£250-£350

186. An Indian Medical Service brooch featuring blue and red enamel inlay with the legend ‘HONI SOIT QUI MAL Y PENSE’, the Kings crown and white stone detail mounted to a bar white metal with a pin and locking ‘C’ clasp, weight 5g, length 4cm

£250-£350

187. A diamond set bar brooch with twenty old cut diamonds grain set in white metal and two button pearls detail, to the reverse a brooch pin and safety clip, weight 8.8g, length 8.5cm

£1,200-£1,800

188. A Victorian garnet cluster brooch with an open work flower of claw set rounds and pear shaped rose cut garnets on a blackened metal back ground with a pin and ‘C’ scroll fixing, weight 13.6g, diameter 4cm

£100-£150

189. A Bohemian garnet cross with multi faceted garnet gem stones backed with pinch beck, weight 9.3g, length 8cm

£100-£150

190. A diamond and gem set turtle brooch including opal rubies emeralds and diamonds grain set with a brooch pin and locking ‘C’ clasp, weight 9.6g, length 3cm

£600-£800

191. An oval ruby and diamondset panel brooch set with alternating rows of raised oval mixed-cut rubies and recessed old-cut diamonds, mounted in silver and yellow gold, central ruby tested Burmese ruby (no heat), length 3.6cm, width 2.6cm, 18.4g

£800-£1,200

192

192. A mid Victorian gem-set, pearl and enamel Holbeinesque pendant centrally-set with an oval cabochon sapphire with three old-cut diamonds to each of the cardinal points and within a polychrome enamel surround alternately-set with sapphire cabochon and old-cut diamond collets, and suspending a detachable ovoid pearl and diamond-set pendant, engraved scrolling reverse, pearl tests Natural Saltwater, central cabouchon sapphire Natural Sri Lanka approx 5.5ct, length (including pearl and suspension loop) 7cm, 17.2g

£2,000-£3,000

193. An enamel, gold seed pearl and peridot pendant and brooch late 19th century, in the form of a quartrefoil with cushion cut peridot to the centre, surrounded by leaves and pearls interspersed by scrolls with piqué black and white enamel, with seed pearls to the cardinal points surmounted by green enamel leaf accents suspended from enamel loop, in fitted Phillips Bros & Son box, total drop length 4cm

£500-£600

194. An 18ct gold plique-à-jour enamel swallow brooch the bird engraved with feather detail to body, rose cut detail, faceted ruby eye and plique-à-jour detail to feathers and dial, 18ct stamp to reverse, weight approx 5.3g, length 37mm

£300-£400

195. A French diamond set gold brooch abstract flower brooch with grain set diamond detail, a double pin bayonet clasp, with French marks, weight 26.1g width 4cm, length 5.5cm

£800-£1,200

196. An Art Deco jade and diamond brooch with no visible marks, jade oval panel with carved floral motif set to a white gold galleried mount flanked with three single cut diamonds, grain set to a platinum panel with brooch pin to rev, weight 5.4g, length 3.3cm, width 2.6cm

£200-£300

197. An Edwardian pendant and four brooches with 9ct stamp, open-work peridot and seed pearl necklace, an articulated peridot drop with brooch pin and loop for chain, together with four gem set bar brooches including an amethyst, a seed pearl, a turquoise and sapphire each is stamped with 9ct (5), weight 15.3g

£300-£400

198. A diamond and ruby crescent moon brooch with 9ct hallmark, seven round rubies and nine diamonds in a cut down setting with a brooch pin and locking ‘C’ clasp, weight 5.3g

£100-£150

199. A group of three brooches and a locket comprising a 9ct bar brooch set with amethyst, a seed pearl set heart shaped locket, a 9ct gold bar brooch with applied horse shoe and flowers, together with a Royal Navy 14ct gold crown seed pearl sweetheart brooch with anchor and seed pearl laurel wreath, length of the first 5.5cm

£80-£120

200. An Art Deco diamond set brooch with round single cut diamonds set to a geometric open work panel, centrally set old cut with brooch pin to reverse, weight 4.8g, length 3.8cm, width 1.4cm

£300-£400

201. A Victorian Bohemian garnet fringe necklace the graduated necklace with garnet drops, mounted on silver, with gold clasp, length 35.5cm

£200-£300

202. A Victorian old cut diamond and garnet brooch with an oval bezel mounted cabochon bright burgundy coloured garnet with a closed back setting, surrounded with rose cut diamonds in a thread and grain silver setting with a decorative diamond set open work border with pin fastening and locking ‘C’ clasp catch, weight 6g, length 2.6cm, width 2.2cm

£400-£600

203. A Victorian ruby and diamond cluster bar brooch

featuring a cluster around a centre set old cut diamond, six round rubies, eighteen old cut diamonds and six rose cut diamonds between the rubies mounted in a rex claw setting to a knife edge bar with a further four more diamonds, to the reverse a pin and C scroll clasp, weight 4.7g, length 3cm

£200-£400

204. A Georgian garnet and diamond Maltese cross pendant with a rose cut diamond set centrally in a cut down mount, alternating garnet old cut ovals, rose cut diamonds and four old cut diamond cushions, mounted to silver in a closed back mount with a diamond and garnet set suspension loop, to reverse a later added ‘C’ clasp and fitting for a brooch pin, pin deficient, weight 9.5g, length 4cm

£800-£1,200

205. A collection shell cameo jewellery and two more featuring a group of five 9ct hallmarked carved cameo shell brooches and pendants each bezel mounted depicting a classical carving of a maiden, a amethyst bar brooch with 9ct stamp and a gem set ring with three white stones (7), weight 22.8g

£300-£400

206. A zircon gem brooch, seed pearl and amethyst pendant and two more with 9ct stamp, a bar brooch set with a mixed cut blue zircon, a daisy pendant centrally set with an amethyst and seed pearl set petals, a foliated bar brooch with a 9ct stamp and a bar brooch set with a single faceted red garnet, weight 7.4g

£180-£220

207. A diamond horse shoe stick pin, scarab beetle, pearl and two more featuring seven old cut diamond diamonds grain set to a horse shoe pin, a cabochon coral bead pin, a baroque pearl in a scallop claw setting pin, a real scarab beetle pin and a winged lion of Venice pin (5), weight 18.3g

£300-£500

207A. Ø A Victorian sapphire and seed pearl stick pin

shield shaped enclosing an ivory plaque engraved with initial B, set with alternating sapphires and seed pearls surmounted by a coronet, contained within a fitted case

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: B7UQ47EE

£80-£120

208. A diamond and ruby pin, diamond cross pin, horse shoe and one other with a centrally set oval ruby, old cut diamonds mounted in a cut down silver setting, a cross set with a single old cut diamond, a turquoise set horse shoe and a heart pin attached by chain to a hard stone pin (4), weight 8.3g

£150-£300

209. A 9ct gold bee, diamond bar brooch and an arrow pin with 9ct hallmark, novelty bee circular pin brooch, a diamond and sapphire set bar brooch Deco design platinum on yellow metal featuring old cut and rose cut diamond and an arrow pin with pierced work set with paste (3), weight of bee 2.3g weight of bar brooch 2.7g, length 4.5cm, weight of arrow 2.7g, length 6.8cm

£80-£120

210. A Cartier 18ct gold two coloured gold bar brooch of twisted form set with two brilliant cut diamonds, with case and certificate, weight 3.3g

£200-£400

211. A fox head brooch and two horse shoe pin brooches with 9ct hallmark, fox head bar brooch with ruby eyes, 9ct hallmark, horse head in horse shoe pin and a horse shoe set with seed pearls brooch (3), weight of 9ct hallmarked 9.6g, weight of other 2.9g

£150-£200

212. A pair of madeira citrine ear clips 1950s, with 9ct hallmark 1955-56 London, golden sun rise set with a mixed cut citrine and five channel set trap cut citrine sun rays with clip backs, weight 14.4g, diameter 2.5cm

£200-£300

213. A pair of gem set ear clips with 14k stamp, stylised flower set with rows of green stones around a central blue sapphire cabochon with lever back fastening, weight 10g, diameter 2cm

£400-£600

207A

214. A pair of hoop earrings with a SIMYA 750 stamp, yellow metal earrings with reversible polish and satin finishes either side, weight 4.3g, diameter 1.5cm

£200-£300

215. A pair of diamond and pearl cluster drop earrings with shepherds crook wire, old mine cut diamonds set around a cultured pearl in a Victorian cut down silver setting with gold reverse, weight 3.4g drop 1.5cm

£600-£800

216. A pair of diamond and aquamarine drop earrings featuring an impassive 1.7cm drop of aquamarine in a bezel setting with a closed back stamp 9ct, suspended from a knife edge bar, old cut diamond grain set to a square mount, peg and scroll fitting, Weight 7.1g, length 3cm

£100-£200

217. A pair of diamond and pearl drop ear pendants with 18ct hallmark London 1988, with a pearl drop suspended from two round brilliant cut diamonds, peg and scroll fixing (pearls untested), weight 2.1g, length 1.5cm

£200-£300

218. A pair of aquamarine ear drops claw set elongated oval faceted aquamarine drop suspended from a round chequer board faceted aquamarine peg fixings, weight 5.2g length 2.5cm

£400-£600

enamel, split pearls and diamond links, suspending from gold and platinum two pearl shaped green tourmalines below enamel and pearl decoration, in fitted case, pendant drop approx 6cm, length approx 42g, weight 17g

£1,500-£2,500

221. An opal and enamel pendant necklace late 19th century, the pierced pendant with a cluster of graduated opal and round opals accented with green and red enamel detailed with fleur-de-lys decoration, suspended from a chain set with of oval opals interspersed with enamelled red scrolls centred with old cut diamonds and accented green enamel, in a velvet lined leather case, pendant drop approx 5.4cm, length of chain 37cm

£2,000-£3,000

222. An Art Nouveau gem set, opal plique-à-jour pendant the chased gold frame set with cabouchon rubies, enclosing a pink plique-à-jour panel depicting lemons on foliage, terminating with three graduated opal drops, with suspension hook, the reverse with French marks, total length 7.5cm

£600-£800

223. An enamelled, diamond and opal winged brooch featuring a centrally set opal cabochon, claw set with rose cut diamonds mounted in a Victorian silver cut down setting, this piece can be worn separately as a pendant, the diamond set bow and the diamonds set along the wing are mounted in white metal, the bow also detaches, weight 26.5g, length of wings 7cm £1,000-£1,500

224. An Edwardian period, pearl, enamel and diamond-set pendant of square openwork design, the central octagonal peridot collet set above the lattice work applied with seed pearl and diamond-set foliate motifs to the outer green plique à jour enamel and seed pearl border, pearls untested, width 4.0cm

£500-£800

225. An enamel and diamond set flower brooch with pear cut diamond bud, the leaves realistically enamelled in powder blue and lemon with old cut diamond detail to the edge, with articulated stem and brooch fitting to reverse, with indistinguishable marks on pin, total weight approx 17g, length 5.5cm

£700-£900

226. A French Art Nouveau plique-à-jour enamel and gold brooch the green enamel brooch with gold relief decoration of stylized flowers and foliage decoration to the surrounds, with Poinçon mark to clasp, width 26mm, weight approx 9.4g

£300-£500

227. A diamond and plique-à-jour enamel butterfly brooch by Lluis Masriera the polychromed enamelled wings with graduating old mine cut diamonds to abdomen and thorax, ruby point eyes, diamond detail to back legs, front legs holding a collet set single diamond, the reverse signed Masriera, width approx 5.7cm, total carat weight approx 1.50g

Lluis Masriera was established in Barcelona in 1839, and received numerous awards in mid to late 19th century for his jewellery style. However inspired by the work of Rene Lalique at the Paris Exposition 1900, Lluis Masriera began to establish what was to become their signature style - combining enamelling techniques and Art Nouveau jewellery

£1,800-£2,500

228. An 18ct gold gem set plique-à-jour insect brooch by Masriera

the polychrome enamelled wings with enamel and gold striped abdomen, and ruby (untested) to wings and body, enamel eyes, and legs supporting a collet set diamond, signed on the reverse Masriera and stamped 750

£800-£1,200

229. A impressive mid Victorian diamond-set en tremblant butterfly brooch

the outstretched wings, head, thorax and abdomen set predominantly with old brilliant-cut diamonds with cabochon ruby eyes, and yellow diamond-set antennae terminals, mounted in silver and yellow gold, the brooch fitting incorporating the spring, maximum width 7.4cm, 27.2g

£4,000-£6,000

230. A polychrome enamel, diamond and gem set butterfly brooch the wings with alternating pink, white and green enamel, with ruby (untested) to thorax surrounded by a cluster of diamonds, with old cut diamonds set to abdomen and wings, and enamel to antenna, weight approx 7.4g

£400-£600

231. An enamelled and jewelled dragonfly brooch its extended wings are in shades of olive green with cross vein detailing, its elongated body decorated by old mine-cut diamonds set in a silver cut down setting and ruby eyes and diamond set within the wings, weight 18,8g length 6cm

£1,800-£2,200

232. An enamelled and gem-set en tremblent dragonfly brooch the four graduating eau de Nile plique à jour outstretched wings with diamond-set edges, each applied with a demantoid garnet collets, the segmented body set with old-cut diamonds, green garnet eyes and old-cut diamond mouth, maximum width 10.1cm, length 6.1cm

£1,500-£2,500

233. A mid/late Victorian diamond and ruby bee brooch the head and outstretched wings set with old-cut diamonds, the abdomen set with alternating bands of circular-cut rubies and old-cut diamonds (mostly brilliant-cuts), navette-cut ruby eyes, mounted in silver and yellow gold, maximum width 5.1cm, length 3cm, 16.9g

£2,000-£3,000

234. An Edwardian amethyst, peridot and enamel necklace with graduated peridots and amethysts interspersed with enamelled black and white enamel scrolls, on a gold chain with securing clasp, total length 41.5cm

£1,000-£1,500

235. An amethyst, seed pearl and enamel bracelet set with graduating amethysts interspaced with white piqué enamel scroll detail, green enamelled flower heads and seed pearls to centre, on fancy link bracelet with safety chain, total length approx 14cm

£800-£1,200

236. An enamel and gem set butterfly brooch with gem set cream enamel outstretched wings with collet set peridot to the thorax and pearl (untested) to the abdomen, weight approx 6.2g

£200-£300

237. An enamel and diamond brooch early 20th century, of circular form, with pierced white enamel surrounded by green enamel border, the centre set with circular cut diamond millegrain set surrounded by an outer circle of smaller diamonds, diameter 2.7cm

£350-£450

238. An Art Nouveau pearl, gem set and enamel pendant brooch with central zircon flanked by guilloché enamel leaves with pearl accents (untested), piqué enamel white scrolls, surmounted by a pearl (untested) and similarly enamelled suspension loop, with three garnet drops, with brooch fitting to reverse, in fitted case

£400-£600

239. A Carlo Giuliano zircon and enamel pendant brooch late 19th century, with green zircon set to the centre within a border of old cut diamonds, on an open work medallion with two concentric circles of yellow and brown zircons interspersed with black and white piqué enamel in scroll and flower head patterns, mounted in gold, with pendant lop to reverse, makers initials to reverse C.G, width approx 3.3cm, weight 12g

£3,000-£4,000

240. A Carlo Giuliano Renaissance Revival enamel, diamond and pearl panel bracelet each hinged pierced panel with central gold quatrefoil set with old cut diamonds with trellis ground, set with pearls either side and a border to black and white piqué enamel, with dark blue and white piqué enamel, with safety chain, inscribed on reverse From Canobie July 24th 1877, with maker’s mark C.G. for Carlo Giuliano, weight approx 67g, length 17.8cm

£5,000-£7,000

241. An Art Nouveau natural pearl, diamond and enamel brooch of foliate design, with variegated green leaves to centre twisting to the ends and set with old cut diamonds, each leaf interspersed with natural pearls, with pink enamel border to edge set with diamond scrolls, leaves and flower heads, terminating in a natural pearl drop, accompanied by report no 03154 dated 7 September 2010 from the Gem Pearl Laboratory stating that the pearls are natural saltwater, width approx 5cm, total drop 5cm, weight approx 17g

£2,500-£3,500

242. A gold polychrome enamel and gem set pendant late 19th century, on an articulated snake gold chain with front section decorated with enamel centred with square cut chrysoberyl, with pendant locket drop with enamel detail, applied with oval cut rubies in a flower cluster, with old cut diamond to centre and enamel and old cut diamond accents, terminating in a 5mm pearl, total weight 21g, pendant drop 5cm, total length 36.6cm

£1,800-£2,500

243. A plique-à-jour enamel, diamond set gold pendant marked K.Bok, Petersburg, the plique-à-jour green enamel with trellis pattern, depicting two flowerheads in purple enamel set with diamond to centre, with gold Art Nouveau foliage and diamond drop, with diamond set loop, the reverse stamped K. Bok, and 56 Kokokshnik mark, in fitted velvet and silk lined case the lid with makers mark, length 5.2cm

£1,000-£1,500

244. A Child & Child enamel, pearl and gem set pendant late 19th century, with large oval rock crystal compartment surrounded by enamelled scroll frame with stepped square cut rubies at the cardinal points and collet set rubies set in between, and accents of blue enamel flower heads and green enamel leaves, surmounted by a enamelled loop, suspending a 4.6mm pearl drop, the reverse engraved with maker’s mark of a sunflower and CC, in fitted retailers box, total pendant length 6.5cm

£2,500-£3,500

245. A Secessionist pearl, diamond, ruby and plique-à-jour enamel pendant brooch by A.E. Kochert, Austrian, of naturalistic pierced form highlighted with green enamel detail, and suspending natural pearl drop with old cut diamonds, ruby cabouchon accents, and terminating with a single pearl surmounted by two single cut diamonds, with initials for AEK on the reverse, on a gold chain stamped 18 set with seed pearls and barrel clasp, in retailers box for S.Friedeberg Sohn, length drop of pendant 4cm, total length of chain 46cm approx

£2,000-£3,000

246. A mid Victorian garnet, enamel and pearl Holbeinesque pendant the central octagonal hessonite garnet collet-set to the oval yellow gold and polychrome enamel surround applied with six pearl-set collets, and suspending an oval hessonite garnet collet within a shaped polychrome enamel openwork plaque, the reverse engraved with scrolling foliate decoration’ later fitted case, overall length 6.6cm, 2.7cm, 16.8g £2,000-£3,000

247. An 18K plique-àjour enamel and gem set cobweb pendant enamelled in graduated green and brown plique-à-jour, with gold thread pattern and spider with opal body, with diamond points and yellow gold drops terminating in moonstone drops, suspended from a fine chain marked 750, the reverse of the pendant marked 18K, drop of pendant 6cm £800-£1,200

248. A Victorian Royal Presentation garnet, enamel, pearl, diamond and gold Holbeinesque pendant the oval cabochon garnet set with rose-cut diamond-set three stone detail to the cardinal points, mounted on to a gold tubular frame set with four pearls interspersed with green and red enamel, the outer frame with royal blue enamel set to the edges, suspending a single pearl, with suspension loop enamelled in alternating red and green enamel, the reverse with fine decorative engraving and with a locket enclosing hair, the border with a presentation inscription reading “To Lady Victoria Hare from her Godmother Victoria R 1858”, overall length 5.6cm, width 3.1cm, 15.8g

Lady Victoria Alexandrina Richardson (née Hare) (1840-1927) was the 4th daughter of William Hare, 2nd Earl of Listowel. He served as the Whig MP for St Albans, as well as a Lord in Waiting to Queen Victoria, hence his asking the Queen to become a Godmother to his daughter., Queen Victoria presented this pendant to Lady Victoria on the occasion of her marriage on 3 August 1858 to Charles Anderson Pelham, 3rd Earl of Yarborough

£2,500-£3,500

249. A Phillips Brothers enamel and gem-set pendant late 19th century, the Gothic Revival pierced gold quartrefoil pendant, each cardinal point set with four cushion shaped rubies with a cabouchon sapphire to centre surrounded by black and white enamel with wire work surround, suspending a pearl (untested), with enamelled suspension loop, the reverse clearly marked with makers initials, total length of pendant 6cm, weight 9.6g

£800-£1,200

250. A ruby, enamel and yellow gold expanding mesh bracelet

mid/late Victorian, the 14mm wide fine mesh link yellow gold bracelet with turquoisecoloured and black enamel bar slide and terminal, both set with a coronet-set ruby, the central turquoisecoloured and black enamel hexafoil slide coronet-set with rectangular-cut rubies, hexafoil width 3.6cm, 25.3g

£1,200-£1,800

251. A black opal and diamond-set brooch early 20th century, the central oval black opal collet measuring 2.7cm x 1.8cm to the openwork scrolling and foliate yellow gold surround set with eight old brilliant-cut diamonds (including one of a greeny-yellow hue, untested for natural colour), width 4.4cm, height 3.5cm, 15.4g

£600-£800

252. An opal and diamond bracelet the opal cabouchons set on in 18ct white gold and platinum, interspersed with diamond set fancy links set with single stone diamonds, marked PLAT 18ct and makers initials C & F(?), total length 17cm, weight approx 30g

£1,500-£2,500

253. A peacock opal with sapphire and diamond pendant with a round cabochon peacock opal mounted in a bezel setting with a surround of old European cut and old mine cut diamonds and blue sapphire diamond set suspension loop, weight 7g, length 3.8cm

£800-£1,200

254. An opal and diamond set butterfly brooch the wings set with opal and black opal cabochons, opal cabochon abdomen and thorax, and single cut and brilliant cut diamond surround, with diamond set antenna, width 4.5cm, weight approx 10g

£500-£800

255. A diamond, ruby and pearl en tremblant butterfly brooch early to mid Victorian, the outstretched wings pavé-set with old-cut diamonds, a pearl (untested) applied to each wing and thorax, ruby-set eyes and abdomen, diamond-set antennae terminals, mounted in mostly silver, with some yellow gold, the legs, spring and brooch fitting in yellow gold, maximum diameter 5.3cm, 16.0g

£2,500-£3,500

256. A demantoid garnet and diamond brooch centrally set old cut cushion shaped garnet, with six unfurling old cut diamond set arms each finished with a further more six round garnets, to the reverse a detachable brooch pin with ‘C’ clasp stamp 18ct to clasp, weight 23g size 3.5cm

£1,800-£2,500

257. An enamel and diamond-set fancy link bracelet late 19th century, in the manner of Giuliano, composed of alternating yellow gold shaped square and figure-of-eight links decorated with green guilloché enamel with white enamel detail, the square plaques with each claw-set to the centre with an old brilliant-cut diamond, with three old-cut diamonds to each side, concealed clasp, length 18cm, 20.9g

£1,000-£2,000

258. A late 19th century style yellow gold and polychrome enamel flexible link necklace composed of alternating oval plaques and spherical links, each applied with wirework decoration, the plaque centres decorated with a red and white flowerhead enamel design within a green guilloché enamel background, the wire work hook and ring clasp stamped ‘15ct’, length 56cm, 47.6g

£1,500-£2,500

259. An enamel and gem set dragonfly brooch the silver gilt body with wings set with old cut diamonds, diamond set and accented with black enamel, the body set with emeralds does not test gold, width of the brooch 6cm

£300-£500

260. A green enamel butterfly brooch early 20th century, enamelled on both sides and marked 15ct in enamel

£300-£400

261. An Edwardian pearl, enamel and gem set pendant the centre set with pink tourmaline within concentric circles of seed pearls, green enamel, seed pearls, with closed back setting and suspension loop, width 2.4cm

£500-£800

262. An enamelled diamond set and pearl butterfly brooch early 20th century, the peach enamelled wings set with old cut diamonds to edges and, diamond set to centre, ruby eyes and with pearl drop, set on a gold frame with pin marked 18K and makers initials CE, pearl untested, width approx 3.4cm

£300-£500

263. A rose cut diamond and ruby pendant late 19th century, of pierced form, with seed pearl detail, cushion cut rubies and rose back diamonds set in a closed back setting, with a pearl set loop, weight 13g length 5.8cm

£250-£350

264. An Edwardian emerald and diamond pendant with an emerald cut emerald bezel set in yellow metal with a seed pearl detail, open-work diamond set floral frame, diamond set suspension loop, brooch pin and ‘C’ clasp, weight 7g length 3.5cm

£300-£500

265. An Austro Hungarian enamel Art Nouveau brooch with garnet and rose cut diamond drop suspended from a leaf stem, beautiful guilloché enamel flower, button pearl detail and four more faceted garnets set to the bar to reverse are Austro Hungarian mark for gold 1902-1922, weight 6.7g length 3.5cm

£400-£600

266. A ruby and diamond elephant and lady bird pendant with chain with 750 stamp, red enamel lady bird with black enamel detail, suspension loop from a figaro chain with 750 stamp, a diamond and ruby set good luck elephant with suspension loop (2), weight 11.5g length of chain 58cm

£200-£300

266A. A three stone diamond ring three old cut graduated diamonds, white gold claw set, on a yellow gold band

£800-£1,200

267. A collection of gem set Edwardian pendants featuring a seed pearl detail open wire work 9ct stamped metal and peridot drop pendant together an amethyst set round wire work floral pendant with gem set drop and an amethyst pendant with amethyst drop (3), weight 5.9g

£100-£200

268. A five stone diamond ring set with graduating old cut diamonds in a claw setting to a tiffany style band, PLAT engraved to the inside, weight 3.2g finger size M-N

£350-£450

269. An 18ct diamond ring with 18ct hallmark London 1981, two old cut diamonds set in a panel across the finger with scroll work side and tiffany style band, weight 3.9g finger size P

£500-£600

270. An Edwardian diamond and baguette ring with PLAT stamp, old cut diamond set in six claws with baguette stones set to a raised shoulder with pierced work mount, weight 3.9g finger size Q

£200-£300

271. A collection of diamond and gem set rings including a three stone opal and garnet ring, with 9ct hallmark, a three stone diamond ring with an old cut diamond centre and two single cut diamonds set to a cross over band with 18ct stamp and a gem set five stone ring with platinum and 18ct stamp to band (3), weight of 18ct stamp 5.6g finger size M-P weight of 9ct 3.5g finger size O-P

£200-£300

272. A gypsy set diamond ring and a diamond cluster ring with 18ct stamp, set with three diamonds across the finger, together with a diamond set daisy ring with rose cut and old cut diamonds band stamp PLAT and 18ct indistinct (2), weight 5.4g finger size N and L

£150-£250

273. An 18ct gold three stone diamond ring with 18ct London hallmark 1985, a diamond trilogy ring with white claw setting and tiffany style band, weight 3.4g finger size N-O

£200-£400

shoulders, Size L

£1,200-£1,800

275. A demantoid garnet and diamond five stone ring with a round old cut diamond centrally set, oval garnet either side of this five stone ring, diamond tip claws and scroll work border, weight 3.3g finger size J-K

£1,000-£1,500

276. A sapphire and diamond cluster ring the oval sapphire cabochon surrounded by foiled rose-cut diamond with diamond points and graduated diamond shoulders size L

£1,000-£2,000

277. A marquise diamond, diamond and ruby-set ring the central old brilliant-cut marquise diamond measuring 9.5mm x 5.3mm x 1.6mm, collet-set above the surround of calibré-cut rubies to the outer scallop border, diamond-set shoulders with engraved decoration, ring size M, 4.4g

£1,000-£1,500

278. A chrysoberyl and diamond-set ring

late 19th century, the circular cat’s eye chrysoberyl cabochon within a surround of old-cut diamonds, ring size L, 4.2g

£400-£600

£150-£250

280. An 18ct white gold diamond ring set with a brilliant cut diamond, weight of mount 3.6g finger size M

£400-£600

281. An Edwardian opal and diamond ring featuring three opal oval cabochons mounted in a carved claw setting, with old mine cut diamonds, four set either side of the centre stone, 18ct stamp to band, weight 5.5g finger size L-M

£500-£700

282. A sapphire and diamond demi parure yellow gold with 750 Italy stamp, modern necklace with a bar of seven channel set sapphire baguettes, diamonds grain set to top and bottom and fine snake chain together with matching hoop earrings and ring (3), weight 20g finger size N length of chain 46cm

£400-£600

283. An 18ct gold and diamond dress ring with 18ct hallmark Sheffield 1985, diamond and sapphire crown with bead and rope detail, weight 5g

£250-£400

284. A Victorian sapphire and diamond ring with 18ct hallmark Chester 1899-00, a five stone centrally set blue sapphire, old cut diamonds and a further two sapphires grain set across the finger in yellow gold with engrave work to shoulder, weight 3.3g finger size L-M

£200-£400

284A. A three stone diamond ring three old cut graduated diamonds, white gold claw set, on a yellow gold band

£800-£1,200

285. An early Victorian sweet heart ring set with seed pearls set within a cut down setting, weight 2.4g finger size Q

£80-£100

286. A Victorian 15ct diamond and ruby ring with 15ct .625 hallmark 1892 Birmingham, ruby centre alternating diamond and ruby five stones in a graduating grain setting, weight 1.9g finger size N

£100-£200

287. A lilac jade and diamond dress ring with 14k stamp, dated 1973, oval cabochon of jade in a claw setting, flanked with three diamonds either side, mounted to an open wire-work collet to a trifurcated band, weight 10g finger size M

£400-£600

288. An opal and diamond dress ring with 585 stamp 14k, a rectangle of natural opal with a play of colours ranging from orange, yellow, greens and blue, mounted in a raised wire work collet, with three round brilliant cut diamonds set either side and a trifurcated open work band, weight 4.1g finger size L size of opal 12.3mm x 9mm

£200-£400

289. An alexandrite diamond cluster ring the high tabled cushion cut alexandrite surrounded by tapered baguette cuts and a cluster of diamond points at each cardinal point, alexandrite approx 2.7ct, ring size J1⁄2

£1,000-£1,500

290. An 18ct opal and diamond three stone ring with 18ct hallmark, oval cabochon opal mounted in white gold with round brilliant cut diamonds claw set to either side and a tiffany style band, weight 3g size of finger O

£300-£400

291. An early Victorian amethyst and seed pearl ring with indistinct hallmark, centrally set with a cushion cut amethyst a pair of seed pearls, then a further two amethyst and seed pearl to finish scroll work and beading detail to side and floral and ‘C’ scroll design to the band, weight 2.1g finger size N

£100-£200

292. An opal ring with diamonds with 18ct PALL stamp, opal cabochon set in claws with flowing ribbon and diamond set detail, the band is a flat rectangle profile, weight 6.1g finger size N

£200-£300

293. An Edwardian love ring with 18ct hallmark 1901-2 Chester, rectangle panel lifts to reveal a hidden lovers message ‘love till death’, set diagonally with a ruby diamond and sapphire mounted on a bead work tapered band, weight 3.6g finger size L-M

£200-£300

294. A gentleman’s 18ct gold signet ring hallmarked London 1940, with intertwined initials, weight approx 4.7g, size U1⁄2

£150-£200

295. A collection of diamond and gem set rings featuring five stone graduating old cut diamond ring with an 18ct stamp, a six stone single cut diamond set daisy ring with 18ct stamp, a gem set ring with 9ct hallmark and a yellow wedding band with white overlay and continental mark for 14ct, weight 18ct stamp 4g finger size 5 stone P and daisy ring I, weight of 9ct 4g finger size N weight of band 3.4g finger size R

£200-£300

296. A daisy diamond cluster ring and a square set diamond five stone ring with 18ct and plat stamp to band, seven single cut round diamonds grain set flower cluster and diamond set shoulder detail together with a princess cut five stone diamond ring with graduating stones (2), weight of cluster 2.2g finger size M, weight of other 2.4g finger size J1⁄2

£150-£250

297. A collection of diamond dress rings including a sapphire and diamond flower ring with 750 stamp, a three stone claw set diamond ring with a further three diamonds set down each shoulder 750 stamp and a three stone diamond ring with 9ct stamp (3), weight 5.5g finger size P and T weight of 9ct stamp 2.2g finger size M

£300-£400

298. A platinum ring and one other with platinum stamp, wedding band with orange blossom engraving and a 9ct gold wedding band (2), weight of plat 3.1g finger size N weight of 9ct 2.3g finger size P-Q

£80-£120

299. Two 22ct gold wedding bands weight approx 6.3g (2)

£300-£400

300. A 22ct gold band Birmingham, 1907, weight 7.7g

£300-£400

301. An 18ct white gold band marked 750, Birmingham 2006, with a low ‘D’ profile, the interior engraved 23 September 2006, ring size P-Q, weight 7.6 grams

£200-£300

302. A 9ct gold St Christopher pendant and earrings depicting the saint carrying the infant Jesus with a diamond cut design border, together with a 9ct gold pair of earrings, and another Italian gold pair with 9ct hallmark to bar (3)

£150-£200

303. A cherry amber necklace with graduated beads, weight approx 52g, length approx 38cm

£100-£200

304. A cherry amber beaded necklace with alternating faceted and plain cherry amber beads, length approx 66cm, weight approx 54g

£100-£200

305. A set of cherry amber beads each larger bead interspersed with smaller amber spacer, total weight 125g, length 46cm

£150-£250

306. A 9ct garnet flower brooch, amethyst ear pendants and three more with 9ct hallmark, a garnet and pearl decorative brooch with brooch pin and safety ‘C’ clasp, a pair of oval ear pendants with screw fixings, 9ct stamp to back, cameo shell ring, carved shell ladies portrait and a small cameo shell portrait pendant, and a 9ct gold, amethyst and opal bar brooch with 9ct stamp to bar (5), weight 13.1g finger size O-P

£200-£400

307. A gold and turquoise propelling pencil and two single ear clips both earrings have 750/18k stamp with lever backs and a propelling pencil with turquoise detail (3), weight 9,5g weight of pencil 2.3g

£150-£250

308. A carved amethyst and a hardstone pendant featuring a bird perched on a fruiting tree with a carved coral bead strung between two seed pearl clusters and a figaro chain, together with a carved hard stone pendant (2), weight of chain 4.8g length of chain 70cm

£80-£150

309. A small collection of gilt metal seals, brooches and pins featuring a malachite oval stone in a bezel setting with rope and bead detail, a fob seal with hidden compartment for lock of hair, a pin with a bezel set piece of coral, 9ct stamp to pin and a collection of untested fobs and charms, weight of oval brooch 4.5g weight of bar brooch 1.4g weight of fob 18,1g and weight of other 15.1g

£100-£150

310. A platinum diamond half eternity ring, knot earrings and two more with platinum hallmarks, fourteen round brilliant cut diamonds grain set plain band, a 22ct hallmark, Birmingham 1923-24 band ring, a pair of 14ct hallmark knot earrings centrally set with a square sapphire and pave set diamonds, a pair of knot earrings and a Victorian garnet set flower ring with missing garnets (5), weight of 22ct 4.7g finger size Q-R weight of eternity 2.8g finger size j-k weight of diamond knots 7.1g weight of other 5.2g

£400-£600

311. A heavy gold identity bracelet with 750 stamp, rectangle engraved panel, heavy curb link chain and box clasp and figure eight safety catch, weight 69.4g length 21cm

£2,200-£2,500

312. A gentleman’s signet ring with diamond to centre with a round brilliant cut diamond grain set in white metal to a square mount with a wide flat profile band, weight 13.7g finger size W-X

£800-£1,200

313. A pair of half sovereign cufflinks in mounts marked 750, total weight approx 18.2g

£600-£800

314. A cased set of three gentleman’s dress studs, and a cricket medal centrally set with carved flower of black banded agate stone, with textured ‘C’ scroll border and fitted box and a cricket medal engraved with stumps two bats and a cricket ball, laurel wreath engraved border to reverse engraved 1880 and winners name and brooch pin clasp, weight of medal 7.6g weight of dress studs 5.2g

£400-£500

315. Four silver St Christopher and four cross pendants all marked Sterling, Silver or 925, including two on chains (8), the largest height 3cm, weight 0.69ozt

£50-£70

316. A Spanish 5 Pesetas silver coin bracelet, and a modern silver miniature photograph frame the bracelet formed of six 5 Pesetas coins, pierced to depict family portrait profiles, the miniature frame by BAC, London 1981 (2), the internal bracelet width 7cm, weight 3.21ozt, the photograph frame height 4.5cm £80-£120

317. A collection of costume jewellery to include a lady’s cocktail marcasite watch, a lava brooch, a silver celtic brooch, a butterfly filigree church, Scottie dog marcasite brooch, various other silver brooches and costume jewellery etc, various sized

£80-£120

318. An extensive collection of cufflinks, studs, dress buttons and boxes to include mother of pearl, brass and other base metals, with original decorative leather boxes and others (qty.)

£80-£120

319. A cased set of Eley type shoe buckles

19th century, comprising a pair of cut steel and leather backed buckles, the reverse marked ‘R’ and ‘L’, and a miniature pair of cut steel buckles, width 2 and 7cm

£60-£80

320. A matching costume necklace choker and earrings with twenty five foliated links encrusted with foil back white paste, each link with a blue round cabochon to finish, together with a matching set of pendulum clip earrings (2), length of necklace 44cm

£80-£120

321. A 9ct gold and jade brooch, a Victorian 9ct gold brooch and three others the first a 9ct gold brooch in the form of a brooch suspending a pierced jade pendant, the Victorian brooch of pierced form with seed pearls to centre, with a jade brooch in the form of a dagger marked on the reverse 9ct, together with a silver guilloché enamel brooch and another a turquoise and seed pearl costume brooch (5)

£100-£200

322. A set of graduated opal beads with faceted crystal spaces, total length approx 56cm £200-£300

323. A pair of jade and gold earrings and a pair of jade cufflinks the tapered jade earrings with gold mounts with screw back fittings, together with a pair of jade cufflinks with yellow metal chains and backs (tests gold), length of drop of earrings 4.5cm £150-£250

324. A Chinese large pierced and carved pale jade pendant carved to one side with flowering motifs, with hole for suspension loop, diameter 8cm £100-£200

325. A Chinese pierced and carved jade roundel or pendant carved on both sides depicting two figures below a lotus leaf, width approx 5.5cm £200-£300

326. Two Louis Vuitton suitcases 1950s, in vachetta cowhide leather, with monogrammed toile canvas, gold tone hardware, and Talon zip, the larger example with ‘Saks Fifth Avenue’ label, the larger width 64.5cm, depth 24cm, height 51cm, the smaller width 49cm, depth 12.5cm, height 33.5cm

£200-£300

327. A Louis Vuitton black leather Triangle Epi Sac handbag in textured black leather, with rolled leather handles, gold tone hardware, and impressed LV monogram, width 40cm, depth 14cm, height 14cm

£250-£350

328. A Mulberry ‘Bayswater’ oak leather handbag and a long locked purse with rolled handles, gold tone hardware and postman’s lock, the interior with adjustable belted sides, stamped ‘Mulberry’, with gold tone pendant, serial no. 019435, the purse impressed ‘Mulberry’, with a gold tone postman’s lock, opening to reveal six card compartments, a note pocket, and zipped coin pouch (2), the handbag width 26cm, depth 14.5cm, height excluding straps 21cm, the purse width 19cm, height 10cm

£200-£300

329. A Mulberry ‘Millie’ multi tone leather and suede handbag in oxblood faux crocodile skin and white leather, with brown suede sides, an adjustable leather strap, with silver tone hardware, and drawstring closure with tassels, opening to reveal an oxblood suede lined interior, with detachable faux crocodile skin coin purse, with its original care guide and dust bag, width 30cm, depth 15.5cm, height excluding the strap 25.5cm

£200-£300

330. A Mulberry ‘Somerset’ chocolate pebbled leather hobo handbag with an adjustable strap and sides, gold tone hardware, front zip pocket, and fob pendant, with serial no. 1247391, and magnetic closure opening to reveal a cotton lined interior, with zip and slip pockets, and Mulberry dust bag, width 32cm, depth 9cm, height excluding the strap 31cm

£100-£150

331. A Mulberry ‘Tessie’ oak leather hobo handbag with gold tone hardware, adjustable strap and mulberry tree press lock closure, opening to reveal a canvas lined interior with zip and slip pockets, and fob with serial no. 1082784, with Mulberry dust bag, width 44.5cm, depth 14cm, height excluding the handle 35cm

£100-£200

332. A Mulberry ‘Daria’ black leather hobo handbag with a plaited strap, and gold tone hardware, round mulberry tree plaque, and zip closure, opening to reveal a nylon lined interior with zip and slip pockets, and gold tone fob, with serial no. 1571556, and Mulberry dust bag, width 28cm, depth 8cm, height excluding the strap 33cm

£100-£200

333. An Hermès Harnais de Timon silk scarf designed by Florence Alik, with a horse bridle print, in green and gold, to a pale blue ground and dark blue border, inscribed ‘Harnais de Timon Pour Omnibus par Hermès à Paris’, in its original box, 90 x 90cm

£200-£300

333A. A George III 1803 1/3 Guinea gold coin in a mount

obverse: portrait of King George III facing right, crown centrally with legend around and date below to reverse, set in a pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 3.6g, diameter 16mm

£200-£300

333B. An Elizabeth II 1958 full sovereign gold coin in a mount obverse: Elizabeth II profile facing right, St George slaying the dragon to reverse, set in a pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 10g, diameter 21mm

£500-£700

333C. A Mexican 1906 cinco pesos gold coin in a mount

Mexican mint mark, set in a pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 5.1g, diameter 19mm

£300-£500

339. A collection of Royal Mint The Queen Mother, Queen Elizabeth II and Royal Shield of Arms proof coins

1) History of Powered Flight: 2005 Solomon Islands, Queen Elizabeth II, Spitfire 25 dollars, silver proof (gold plated) coin, in capsule, mintage: 10,000., 2) 2000 Centenary Year, Queen Elizabeth The Queen Mother, Silver Piedfort Crown, Five pounds, silver (proof quality) coin, in capsule, with original box with certificate of authenticity and booklet, issue limit: 20,000., 3) 2008. UK Coinage Royal Shield of Arms proof collection: inc £1, 50p, 20p, 10p, 5p, 2p, 1p, all coins in capsule, with original boxes and certificate of authenticity, No. 18517, issue limit: 20,000, Solomons coin: weight 1ozt, diameter 38.61mm., Silver Piedfort Crown: weight 1.68ozt, diameter 38.61mm., Proof collection: various £80-£120

334. A Victorian 1872 gold full sovereign with St George and the Dragon, the reverse with profile of Victoria facing left, weight 7.8g

£450-£500

335. An Edward VII 1905 gold full sovereign with St George and the Dragon, the reverse with profile of Edward VII facing right, weight 7.9g

£450-£500

336. A George V 1913 gold full sovereign obverse: George V facing left, St George slaying the dragon to reverse, diameter 21mm, weight 8g

£450-£550

337. A George V 1918 gold full sovereign with portrait of George V facing left, weight approx 7.9g

£450-£500

338. A Royal Mint 2002 UK gold proof sovereign collection including half-sovereign, sovereign, two pound and five pounds in 22 carat gold., Obverse(s): The Queen’s portrait by Ian Rank-Broadley FRBS, FSNAD. Reverse(s): A crowned shield of the Royal Arms by Timothy Noad, a herald painter at the college of Arms, and inspired by the Victorian shield sovereigns. Coins in capsules, original royal mint box, and with certificate of authenticity: No. 2386, total weight approx. 67.88g, diameters: 19.30mm, 22.05mm, 28.40mm, 36.02mm

£5,000-£7,000

340. A U.S. Presidential dollar collection with Collector’s Chest & Portraits, issued by Danbury Mint, official U.S. Mint issues only exist up to Ronald Reagan (40th), there are 39 official portraits (Jimmy Carter was still alive when issued), with each official portrait there are the accompanying 39 rolls of 12 coins. This set also includes privately minted tribute portraits, these are found alongside the other official 39 portraits, nonofficial portraits; Jimmy Carter, George H.W. Bush, Bill Clinton, George W. Bush, Barack Obama, and Donald Trump, diameter(s) 25mm

£50-£80

341. An Elizabeth II 1958 full sovereign gold coin in a 9ct mount obverse: Elizabeth II profile facing right, St George slaying the dragon to reverse, set in a 9ct pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 10g, diameter 21mm

£500-£700

342. Mexico. 1906 cinco pesos gold coin in 9ct mount Mexican mint mark, set in a 9ct pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 5.1g, diameter 19mm

£300-£500

343. George III 1803. 1/3 Guinea gold coin in 9ct mount obverse: portrait of King George III facing right, crown centrally with legend around and date below to reverse, set in a 9ct pendant mount with a plain circular bezel, decorative scroll top, and loop for suspension, weight 3.6g, diameter 16mm

£200-£300

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required

CONDITIONS OF BUSINESS

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

BUYER’S PREMIUM AND VAT

A buyer’s premium of 27.6% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium Lots marked with a  will be exempt from VAT

PRE-SALE EXHIBITION

All auctions are on public view the day before the sale and on the morning of the sale

CONDITION REPORTS

All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

BIDDING IN PERSON

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

ABSENTEE & TELEPHONE BIDDING

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business PAYMENT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

DEBIT CARD

We are pleased to accept Debit Cards

STERLING CHEQUE OR CASH

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.

We are no longer accepting cash.

ELECTRONIC AND WIRE TRANSFERS

Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street

West Wickham

Kent BR4 0WH

Please refer to the office for bank details

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Ø - IMPORTANT NOTE:

This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.

Y CITES

All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.

For more information visit http://www.defra.gov.uk/ahvla-en/import-exports/cites

When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply

Furniture made of Brazilian Rosewood (Dalbergia Negra)

To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.

CATALOGUING TERMS APPLICABLE TO PAINTINGS, DRAWINGS & PRINTS

Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.

In other instances, the following expressions are used:

“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.

“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.

“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.

“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.

“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.

The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.

The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.

Measurements of pictures are given height before width.

CONDITIONS OF BUSINESS FOR SELLERS

The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.

DEFINITIONS

“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)

“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number

“Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts

“Buyer’s Premium” is the commission The Company charges Buyers of Property

“Hammer Price” is the highest bid for the Property accepted by the auctioneer

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES

(a) The Seller warrants to The Company and the Buyer that:-

(i) the Seller is the owner of the Property or is properly authorised to sell it;

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

2. SALE PREPARATION

(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties

(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces (e) The Company will charge a Buyer’s Premium on the sale of the Property at

The Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it

(f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY

(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),

(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.

(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY

(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),

(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses

(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(i) risk passes to the Buyer; or

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale

(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:

(i) the Hammer Price of the Property, if sold;

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

less Seller’s Commission and Expenses

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VAT

If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

7. POST AUCTION SALES

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

8. PAYMENT OF NET SALE PROCEEDS

(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.

(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY

(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-

(i) be reconsigned for sale; or

(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.

(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

(i) transfer the Property to independent storage at the Seller’s expense; or

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

CONDITIONS OF BUSINESS FOR BUYERS

1. INTRODUCTION

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(i) these Conditions of Business for Buyers;

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;

(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement

(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS

“Bidder” is any person making, attempting or considering making a bid, including Buyers;

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

“Seller” is the person offering a lot for sale, including their agent, or executors;

“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;

“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 26.4% (inc VAT);

“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;

“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;

“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

re-sale plus all relevant Expenses

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

10. RESCISSION OF SALES

The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION

(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.

(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),

12. MISCELLANEOUS

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

3. EXAMINATION OF LOTS

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS

(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit

(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot

(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses

(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

continued over page

5. BIDDING AT AUCTION

(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)

(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form

(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS

THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

7. CONDUCT OF THE AUCTION

(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.

(b) The auctioneer will commence and advance the bidding in such increments as (s) he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer

(d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION

(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)

(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above

(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)

(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer.

Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.

(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENT

Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;

(b) cancel the sale of the lot;

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;

(d) reject future bids from the Buyer;

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original

Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;

(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;

(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES

(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

11. DATA PROTECTION

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law

(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

12. MISCELLANEOUS

(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY

(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives

(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTIST’S RESALE RIGHTS

From 14th February 2006 all UK art market professionals (which includes, but is not limited to: auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than £1,000.

Since 1st April 2024 price thresholds are calculated in pounds rather than euros in accordance with The Design Right, Artist’s Resale Right and Copyright (Amendment) Regulations 2023.

All items in this catalogue marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than £1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than £1,000, but less than £50,000 is 4% payable by the buyer. For qualifying items that sell for more than £50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges ad threshold levels, please see www.dacs.org.uk. There is no VAT payable on this charge.

For all questions relating to the regulations regarding Driot de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk

Catherine Southon

Silver, Watches & Jewellery

Welcome to Catherine Southon Auctioneers & Valuers

AUCTION VENUE

IMPORTANT NOTICES

LIVE INTERNET BIDDING

COLLECTIO NS

SHIPPING

AUCTIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

CONDITIONS OF BUSINESS

BIDDING IN PERSON

ABSENTEE & TELEPHONE BIDDING

CONDITIONS OF BUSINESS FOR SELLERS

DEFINITIONS

1. SELLER’S WARRANTIES

2. SALE PREPARATION

3. WITHDRAWAL OF PROPERTY

4. EXCLUSION OF LIABILITY

5. LOSS OR DAMAGE TO PROPERTY

6. VAT

7. POST AUCTION SALES

8. PAYMENT OF NET SALE PROCEEDS

9. UNSOLD/ UNCOLLECTED PROPERTY

CONDITIONS OF BUSINESS FOR BUYERS

2. DEFINITIONS

10. RESCISSION OF SALES

11. DATA PROTECTION

12. MISCELLANEOUS

3. EXAMINATION OF LOTS

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS

5. BIDDING AT AUCTION

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS

7. CONDUCT OF THE AUCTION

8. PAYMENT AND COLLECTION

9. REMEDIES FOR NON-PAYMENT

10. FAILURE TO COLLECT PURCHASES

11. DATA PROTECTION

12. MISCELLANEOUS

13. ARTIST’S RESALE RIGHTS