Spring is officially here! The flowers are blooming, bees are buzzing, and the 2026–2027 ASU Gammage Broadway Season has been announced. We extend our heartfelt thanks to our ticket holders and VIP Donors for your continued support. Because of you, we are able to bring the very best of Broadway to Tempe year after year.
With two season options available to add to your package this next season, ticket holders can truly customize their experience and create a season that’s as unique as they are—just one of the many perks that makes being a subscriber so special.
From exciting Tempe premieres to beloved favorites returning for an encore, this season is full of moments to look forward to, and I cannot wait for you to experience it.
In addition to an inside look at the upcoming 2026–2027 season, this issue also highlights the productions still to come this year, along with the staff and donors who make everything behind the scenes possible. Whether you’re a season ticket holder or VIP Donor, thank you for believing in our mission of Connecting Communities™. We are honored to share the joy of live theater with you and are thrilled for what’s ahead.
Colleen Jennings-Roggensack ASU Vice President for Cultural Affairs and Executive Director of ASU Gammage
Photo by Tim Trumble
WHAT’S INSIDE
Colleen
EXECUTIVE EDITOR
Colleen Jennings-Roggensack
EDITOR IN CHIEF AND PROJECT MANAGER
Arianna Jones
MANAGING EDITOR
Theresa Dickerson
EDITORIAL TEAM
K atelyn Aleksa, Kari Amarosso, Carly Castelan, Gabi Herder, Michelle Johnson, Megan Loponen, Peter Means, Tim Walling, Talia Williams
Cover photo: Isaiah Bailey as The Phantom in The Phantom of the Opera North American Tour.
Photo by Matthew Murphy and Evan Zimmerman
The Broadway company of Buena Vista Social Club. Photo by Matthew Murphy
by
Colleen Jennings-Roggensack Named APAP Arts Champion Award Recipient
On January 12, 2026, Colleen Jennings-Roggensack, ASU Vice President for Cultural Affairs and Executive Director of ASU Gammage, was given the 2026 Association of Performing Arts Professionals (APAP) Arts Champion Award.
This award honors an individual, family or foundation whose leadership, philanthropy and commitment have made a lasting impact on the performing arts field. Since the beginning of her career in the arts, JenningsRoggensack has led with a clear sense of purpose, grounded in what she describes as a simple but powerful mission: Connecting Communities™. Under her leadership, ASU Gammage has emerged as a national model for innovation in arts presenting, community engagement and access. After receiving the award at the APAP conference in New York City, JenningsRoggensack reflected on the theme of moving from scarcity to abundance, a concept she described as deeply personal and essential to the future of the arts. “We all know scarcity,” she said. “We feel its pain. But what is abundance? You are abundance. My tribe is abundance.”
She spoke of the performing arts community as a living ecosystem, thriving with artists who continue to create visionary work, with producers, managers, and agents who support those artists, and with presenters who connect art to the communities they serve. “This tribe,” she said, “is what will get us through, over, around, and under scarcity.”
Jennings-Roggensack also highlighted the importance of mentorship and community, acknowledging those who came before her and those just beginning their careers. She offered a special welcome to first time conference attendees, reminding them that belonging is a defining strength of the field. “You belong here,” she told them. “Not just today, but for the rest of your lives. We will be with you.”
Her remarks returned repeatedly to the idea of shared purpose. She described her lifelong practice of asking three questions: What do you want? What do I want? And what do we want together? “What we want together,” she expressed , “is the sweet spot. That is abundance.”
Jennings-Roggensack closed by offering her own definition of leadership, one rooted in service and trust. She explained, when a community faces a challenge, leadership begins when someone raises their hand and says, “I can help,” and the community responds, “We will let you.”
Jennings-Roggensack embodies the spirit of the APAP Arts Champion Award, through her visionary leadership, philanthropic advocacy and deep commitment to community. Her work affirms that the future of the performing arts is built not only through institutions and programming, but through people, generosity and the courage to lead together.
Congratulations to Colleen Jennings-Roggensack, 2026 APAP Arts Champion Award recipient.
Photo
Tim Trumble
“The music will envelop you” EVER SO SLIGHTLY brings movement and performance to the next level RUBBERBAND Dance Company returns to ASU Gammage
By Wendy Maddox
RUBBERBAND dance company returns to the ASU Gammage stage with its latest production titled EVER SO SLIGHTLY.
EVER SO SLIGHTLY artistic director and choreographer Victor Quijada began his career in the arts at 7 years old through street dance, breaking and popping in the Los Angeles community. Quijada spent his teen years and early adulthood growing up with hip-hop culture, which heavily influenced his work in EVER SO SLIGHTLY.
Throughout his performance art journey, Quijada fell in love with theater and ballet, which also play a role in the production. Since the show brings in influences from so many art styles, Quijada describes EVER SO SLIGHTLY as a “world where all the worlds come together.”
The show, which originally debuted in 2018 in Montreal, centers around 10 dancers and two musicians who play live music on 4-5 different instruments throughout the production.
“It’s somewhere in between a rock concert and an athletic display of fireworks,” Quijada said.
Instead of a traditional theater production where actors communicate through lines and words, the performers in RUBBERBAND use motion to express themselves.
“Each person on stage kind of goes through a transformative journey during this show,” Quijada said. “And instead of speaking, the way that we communicate is through a highly athletic and sometimes emotionally charged movement vocabulary.
To unify a cast of performers from varied movement backgrounds, Quijada invokes what he calls the “Rubberband Method.” Quijada says that the method consists of principles that help guide performers in the way that they approach body in space and the body in movement, which in turn connects the performers to each other.
“[The dancers] all understand each other and they can all understand what the other is doing,” Quijada said. “There’s a really deep respect and acknowledgement and understanding of one another because of the ‘Rubberband Method.’”
According to Quijada, the show was born out of turmoil and unrest that reflected the time of its debut in 2018, a moment that he said is mirroring itself in 2026. Quijada’s production begs the questions “What can you do? What do you do?” in terms of solving large and small problems.
Quijada hopes that his performance can bring a sense of community to Arizona audiences.
“I hope that this work will really connect with everyone there, especially in the times that we’re living in and how everything is going,” Quijada said.
See EVER SO SLIGHTLY at ASU Gammage March 28. Tickets on sale at asugammage.com.
Full circle From Student Worker
Meet Kaylee Alger to House Manager
By Katelyn Aleksa
When Kaylee Alger first stepped inside ASU Gammage, she never imagined she’d one day be managing the very space that inspired her to chase a career in theater. What began as a student job during her freshman year at Arizona State University has now come full circle seven years later, as she takes on the role of ASU Gammage’s newest House Manager.
Alger’s journey at ASU Gammage began before she wore a name badge. As a high school senior, she participated in the 2018 ASU Gammage High School Musical Theatre Awards. Backstage during rehearsals, she overheard one of the floor managers say she had
seen HAMILTON 32 times.
“I thought, how do I get that job?” Alger laughs. “From that moment on, I knew I wanted to work here.”
Starting the first day of her freshman year, Alger would check the ASU Gammage website daily for job openings.
“Finally, they were hiring. I applied for four different positions, and I ended up getting three different interviews: floor manager, concessions staff and security.”
—KAYLEE ALGER
Kaylee posing in front of Hamilton banner.
Alger joined the front-of-house team in 2018 as a student worker floor manager, kicking off what would become a defining chapter of her life.
Alger’s journey through ASU Gammage reflects both her work ethic and her love for live theater. During her time as an ASU student, she worked her way up from floor manager to assistant house manager, balancing her shifts with coursework in Early Childhood and Special Education.
After graduating in 2022, she transitioned from student worker to part-time while exploring a teaching career. But when she realized that her heart was still in the theater, she made a bold pivot — applying (and reapplying) for a full-time role at the place that had always felt like home.
“I realized that I’d spent almost my entire adult life here,” she says. “This building, this team, it’s where I’ve grown the most.”
Persistence paid off. In October 2025, Alger officially stepped into her new full-time role as House Manager, overseeing front-ofhouse operations and the guest experience for every performance.
Now leading the team she once worked alongside, Alger is focused on one central goal: making every team member feel valued.
“I’ve been in their shoes,” she says. “I want everyone on our front-of-house team — from students to supervisors — to know how important they are to the guest experience.”
She’s also using this new chapter to challenge herself professionally.
“I’m a people-pleaser by nature,” she admits. “But this role is teaching me to make confident decisions, to lead with both kindness and authority.”
It’s no surprise that HAMILTON holds a special place in Alger’s heart, not only as her favorite show, but as part of the moment
that sparked her career at ASU Gammage. Other favorites include FALSETTOS, for its emotional storytelling, and WICKED, which she remembers seeing as a child — her very first Broadway show at ASU Gammage.
This season, she’s especially excited to welcome THE NOTEBOOK to the Tempe stage.
“I saw it on Broadway for my birthday last year,” she shares. “I cried three times. I can’t wait for audiences here to experience it.”
When asked what she’d tell her 2018 self, the student nervously starting her first shift at ASU Gammage, Alger doesn’t hesitate.
“Just you wait,” she says with a grin.
A nod to her favorite HAMILTON lyric, but also to the patience, persistence and passion that carried her from backstage curiosity to leading one of Arizona’s most iconic theaters.
“Everything I’ve learned — from student worker to house manager — has happened right here at ASU Gammage. It’s more than a job. It’s home.”
Kaylee posing in front of WICKED banner.
A lens on
generosity
Tim Trumble and Capturing the Moments that Matter
By Alexis Alabado
On any given performance night at ASU Gammage, there’s a good chance Tim Trumble is already there — camera in hand, quietly capturing the moments that bring theater to life. He moves easily through donor receptions, student programs, and backstage events, greeted by familiar faces along the way. ASU Gammage staff and donors alike recognize him not just as the photographer documenting the evening, but as someone who belongs there.
For more than a decade, Trumble has been a trusted creative partner to ASU Gammage. What many may not realize is that his work also represents a deeply personal form of philanthropy. As an annual donor, Trumble donates his professional photography services — offering his time, talent and expertise to help advance ASU Gammage’s mission of Connecting Communities™ through the arts.
2004 presidential debate between President George W. Bush and Senator John Kerry.
A collection of Tim Trumble photos!
Photo by Tim Trumble
Trumble’s connection to live performance began long before he ever stepped behind a camera at ASU Gammage. Growing up in the small town of Algonac, Michigan, his mother was a music teacher and father an English and drama teacher. Although funds were tight, his father would always ensure the family of five could go at least twice a year to the Fisher Theatre in downtown Detroit and see a Broadway touring production. Those early experiences left a lasting impression.
“To us, it was magic,” Trumble recalls.
That sense of wonder stayed with him as he transitioned to higher education. He was the first freshman in Michigan State to be an assistant stage manager for their end-of-year musical, WEST SIDE STORY. Trumble graduated in 1987 with a bachelor’s degree in studio art with an emphasis in photography, and a minor in theatre management. He also married the love of his life, his college sweetheart Carita, that same year. He spent the next several years doing freelance photography for Michigan State, building his portfolio and creating a family of his own.
Professionally, Trumble’s history with Arizona State University spans decades. From 1996 to 2005, he served as ASU’s sole staff photographer, documenting a period of remarkable growth and transformation across the university. During those years, he photographed campus milestones, historic events and major moments that shaped the institution, while also spearheading the transition from film to digital photography.
“If I wasn’t a photographer, I wouldn’t have met nearly the number of remarkable people that I have met or witnessed pure history,” Trumble says. “You don’t get that sense when you first start, but looking back now, you realize how much history you’ve been a part of.”
This rings especially true in relation to ASU Gammage, where Trumble captured historic moments such as former Arizona Senator Barry Goldwater’s funeral in 1998 and the 2004 presidential debate between President George W. Bush and Senator John Kerry.
There are so many avenues to help foster the arts,” he says. “If you’ve got something you can offer, it matters.” “
ASU President Crow and Tim Trumble
Arizona Senator Barry Goldwater’s funeral in 1998.
Even after launching his own photography business, Trumble’s connection to ASU — and to ASU Gammage in particular— never faded. He continued photographing performances, donor events and educational programs, becoming a familiar and trusted presence for staff, artists and patrons alike. One of his career highlights was photographing the national tour of WAITRESS and having his production shots circulate in major Broadway publications.
ASU Gammage became a meaningful gathering place not only for his freelance work, but for recreating the cherished memories of his childhood and passing along a love for the arts to his daughters.
“There’s a large connection between the musical CATS and my daughter Alex wanting to be a dancer,” he says. “That was one of the first shows we saw at ASU Gammage together.”
Over time, those personal experiences deepened Trumble’s relationship with ASU Gammage, not just as a patron, but as someone who understood theatre’s power to inspire across generations.
That long view informs how Trumble approaches his philanthropy today. His support and in-kind gift reflects a belief that investing in the arts doesn’t have to look the same for everyone.
“Supporting the arts doesn’t always just mean dollars,” he says. “Yes, money helps, but there are other things that are worth money.”
Through heavily discounted and donated photography services, Trumble works closely with ASU Gammage staff to ensure his contributions have the greatest possible impact. His goal is simple: to give what he can, in a way that meaningfully supports the organization and the community it serves.
“I may not be well enough off financially to just give a check,” he says. “But I feel fortunate that I’ve got a skill that can help.”
That philosophy extends beyond ASU Gammage. Trumble actively looks for ways to connect with Arizona organizations, expand access and create opportunities for young people to experience live performance, often donating tickets or services to students and families who might not otherwise attend. For him,
fostering those connections at the local level is just as important as marquee moments.
Equally meaningful to Trumble is the sense of belonging he feels within the ASU Gammage donor community. Despite contributing in a nontraditional way, he says he has always felt welcomed and valued.
“We all have that common bond,” he says. “We love the arts, and we love supporting what ASU Gammage does. I’m treated as an equal.”
As he reflects on his journey with ASU Gammage — both behind the camera and as a donor — Trumble hopes his story encourages others to see themselves as part of the larger arts ecosystem, no matter how they choose to give.
“There are so many avenues to help foster the arts,” he says. “If you’ve got something you can offer, it matters.”
Bassem Youssef lunch captured by Tim Trumble.
Kari Amarosso, Tim Trumble, Katelyn Aleksa and Colleen Jennings-Roggensack
Becoming a VIP Donor helps it continue You’re Already Part of the Story
What Does the ASU Gammage VIP Fund Make Possible?
When you become a VIP Donor, your gift supports the ASU Gammage VIP Fund, providing vital unrestricted funding for our Connecting Communities™ mission. These funds allow ASU Gammage to respond where the need is greatest supporting student matinees, community programs and access initiatives that introduce the magic of live performance to people who may be experiencing it for the very first time.
For a student discovering Broadway, a family attending their first performance, or a community member finding connection through the arts, your support can be transformative.
Not sure you’re ready?
Many donors begin by spreading their annual gift across monthly or quarterly payments, allowing them to make an impact in a way that feels comfortable. Benefits begin right away.
You can also amplify your generosity by checking whether your employer offers a matching gift program.
P.S. A gift of $3,600 includes parking benefits , and additional giving levels offer expanded access and recognition. Learn more at asugammage.com/vipbenefits.
What does being a VIP Donor mean for you?
VIP Donors receive benefits designed to deepen their connection to ASU Gammage and enhance the experience they already love. Giving levels vary, and benefits may include:
• Early access to tickets before the general public
• Invitation-only access to the VIP Donor Club Lounge, open before every show with complimentary snacks and beverages
• Premium season subscription seating and a VIP Parking Pass, just steps from the entrance
A favorite among subscribers
Director’s Club – $1,800
The Director’s Club is our most popular giving level, offering a meaningful balance of impact and access. Members enjoy:
• Invitations to exclusive behindthe-scenes events
• Exceptional seating and a private VIP ticketing concierge
• Priority access to VIP Donor Club subscriber seats (up to two subscription seats)
• Unlimited access to the VIP Donor Club Lounge
Just change
a little
Writer
Linda Woolverton
and
director-choreographer Matt
West describe the evolution of “Beauty and the Beast” from the screen to the stage — plus what’s new for this tour.
By Ruthie Fierberg, Broadway News
When Disney’s animated film “Beauty and the Beast” landed on silver screens in 1991, it changed the cinematic paradigm.
“[Executive producer and lyricist] Howard [Ashman] really conceived of it as a Broadway musical in animation,” said the movie’s screenwriter Linda Woolverton. “It was the first time it had ever been done.
‘Little Mermaid’ did a little, but ‘Beauty’ just blew out the form.”
“We really made that statement that we were basically doing Broadway musicals,” Woolverton added. And in 1994, Disney mounted “Beauty and the Beast” in its inspirational form — opening as a full-fledged Broadway musical on the stage of the Palace Theatre.
Woolverton penned the book for the stage adaptation, which was directed by Robert Jess Roth and choreographed by Matt West with a score of now iconic songs by Ashman, composer Alan Menken and lyricist Tim Rice.
The Broadway musical’s opening marked another paradigm shift — this time a theatrical one. “Beauty and the Beast” was the first Broadway outing for Disney, the production that would usher in the establishment of Disney Theatrical Productions and the dozens of stage shows it has since created. Since “Beauty” first bowed in 1994, the musical has played in the West End, on tours throughout the U.S. and the U.K. and in productions around the globe. Now, just over 30 years since its premiere, “Beauty and the Beast” has been revitalized for a new tour.
But don’t worry. It is still very much the “Beauty and the Beast” that won the hearts of millions of people. That said, transformation is in the show’s DNA. “One of the things that’s so lovely about ‘Beauty and the Beast’ is that it’s a living, always growing piece of theater,” said West, who took over direction of the show in 2021 and is the director-
choreographer of its latest tour. “We’re a team that loves [the show] so much that we continue to look at it, we continue to bring it into the contemporary world because it lends itself to that.”
Something there that wasn’t there before
After all, when “Beauty” first leapt from animation to the stage, it underwent changes. “In animation, you can do anything. You say ‘cut to,’ but [on Broadway,] we had to move people across the stage,” Woolverton recalled. “We had to figure out the horse, Philippe,” West remembered. “That horse, in the animated film, came back to tell Belle that something was wrong. We had to figure out things like that. It took a long time.”
The musical’s creative team also integrated new ideas about the castle’s servants — Lumiere, Cogsworth, Mrs. Potts and more — who had become
enchanted objects. “We had this new conceit that they were gradually changing, which isn’t in the movie,” Woolverton explained. “In the show, they are gradually becoming more and more [inanimate]. So everybody’s got more stakes in Belle and the Beast coming together.”
contemporary. Woolverton wrote an entirely new scene for this production and has updated some of the language. “Terminology changed,” Woolverton said. “We don’t call the Beast ‘master’ anymore. We say ‘lordship.’ Just simple things like that that make it feel less stuck in the past.”
Still, sometimes heightening the experience means trusting in what has always been there: a dazzling score, an iconic story, not to mention the original stagecraft of the Beast’s climactic transformation — all of which remains true to the original.
“Linda expanded the script from the animated film in so many ways,” West added. The musical’s score also expanded — salvaging songs that had been cut from the animated version, like “Human Again,” and adding new ones, like Belle’s solo “Home.” But the core of the beloved characters has always remained the same, particularly Belle.
“Howard Ashman and I had decided we wanted to do a different kind of Disney heroine — not a princess, a heroine — who was a thinker, who wasn’t about what she looked like,” Woolverton recalled. “She was proactive. [She] had a vision and read a lot. I don’t think we ever really said it in words, but really we were trying to create a new iconic Disney heroine. I think we succeeded.”
No change in heart
Over the decades, Belle has only become a stronger, more insightful and more relatable character. In 1998, the Broadway musical’s team added the song “A Change in Me” — the heroine’s secondact power ballad. For this 2025 iteration, Belle wears reading glasses. “Those connective tissues to the audience are important, too,” West said. “Watching the first audiences come through, many of the young ones were in their Belle dresses. But so many of the young people were wearing glasses. I called Linda and said, ‘What if Belle wears glasses when she reads, to connect to these kids?’”
“Disney is so great about coming to us and saying, ‘What would you like to do?’” West said. That willingness to innovate has led to entirely new choreography for this “Beauty.”
“I’ve always wanted to see ‘Be Our Guest’ as a tap number,” West shared. “And so now, it’s got every flavor of dance in it. It’s got the tango, it’s got Big Band and it ends with a big swing tap number.”
“We’ve been able to do that with all the numbers,” West revealed. “‘Human Again,’ the ‘Gaston’ pub number — the [mug] clinking is still in there, but in a whole other way. Even in the opening number of ‘Belle’ we’ve added things.”
As West said, “Some magic is so amazing, you don’t mess with it.”
This article was originally published on BroadwayNews.com.
Catch Disney’s BEAUTY AND THE BEAST at ASU Gammage June 24–July 3. Tickets on sale at asugammage.com.
The show itself has also evolved — from the script to the choreography to the design — in order to continue to feel
From a production and design standpoint, “Beauty” has also leveled up. Ann Hould-Ward has slightly revamped her Tony Award-winning costume design, integrating more luscious fabrics and textures and refining the silhouettes of characters. Natasha Katz has reinvigorated her Tony-nominated lighting design, leveraging today’s technology to sculpt with color and warmth for a more vibrant visual. Stanley A. Meyer combines analog and digital aspects to elevate the enchanted nature of his scenic design. The costumes, sets, lights, props and sound equipment travel in nine trucks to deliver this fresh spectacle in every city. “The show has grown up,” said West. “When you go to see ‘Beauty and the Beast,’ you still have that warm, fuzzy feeling, because we are true to the characters. They may look a little different in textures and clothing, but we’re using all the opportunities to heighten the show and bring it to life in new ways.”
The ASU Gammage 2026–2027 Broadway Season A THRILLING SEASON
ASU Gammage has unveiled its highly anticipated 2026–2027 Broadway season, a dynamic blend of Tempe premieres, beloved classics, and acclaimed new hits. This year’s season ticket package includes: THE PHANTOM OF THE OPERA, WATER FOR ELEPHANTS, THE OUTSIDERS, OPERATION MINCEMEAT, BUENA VISTA SOCIAL CLUB™, BOOP!® THE MUSICAL, THE SOUND OF MUSIC and DEATH BECOMES HER, offering audiences an unforgettable mix of storytelling, spectacle, and world-class Broadway artistry. Colleen JenningsRoggensack, Executive Director of ASU Gammage and ASU Vice President for Cultural Affairs, shared her excitement about the new season, noting, “Each year, we strive to bring the very best of Broadway to our community, and this season is no exception.”
From legendary titles to bold new works, these productions remind us why live theater continues to move, challenge and inspire audiences of all ages. At ASU Gammage, there is a commitment to creating experiences that welcome everyone into the magic of Broadway.”
Also, returning to the ASU Gammage stage as season options: DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL and BEETLEJUICE. These season options are not included in the 8-show season ticket package, but season ticket holders will receive priority access to these highly anticipated shows.
Isaiah Bailey as The Phantom and Jordan Lee Gilbert as Christine Daaé in The Phantom of the Opera North American Tour.
Photo by Matthew Murphy and Evan Zimmerman
THE
Sep.
PHANTOM OF THE OPERA
16–Oct. 4, 2026
THE BRILLIANT ORIGINAL RETURNS “MORE SPECTACULAR THAN EVER” - Sunday Express
The Phantom is back to thrill audiences once again! Cameron Mackintosh presents a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, which was rapturously received by London critics when it reopened in 2021. Featuring Maria Björnson’s brilliant original design and based on the celebrated direction of Harold Prince, with musical staging and choreography by Gillian Lynne, PHANTOM will launch a new multi-year North American tour in November 2025, premiering at ASU Gammage in Tempe Sep. 16–Oct. 4.
THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 47 territories and 195 cities in 21 languages. Andrew Lloyd Webber’s romantic, haunting, and soaring score includes “The Music of the Night,” “All I Ask of You,” “Wishing You Were Somehow Here Again,” “Masquerade,” and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano, Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide.
Produced by CAMERON MACKINTOSH with LW ENTERTAINMENT
Jordan Lee Gilbert as Christine Daaé in The Phantom of the Opera North American Tour.
Photo by Matthew Murphy and Evan Zimmerman
WATER FOR ELEPHANTS
Oct. 27–Nov. 1, 2026
The critically acclaimed bestselling novel comes to “thrilling, dazzling” life (Time Out New York) in a unique, spectacle-filled new musical! Hailed as a Critic’s Pick, The New York Times calls it “stunning, emotional, heart-filled and gorgeously imaginative.”
After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age.
Tony Award®-nominated director Jessica Stone’s “huge, heart-filling” production (The New York Times) features a book by three-time Tony nominee Rick Elice adapted from Sara Gruen’s novel, and a soaring score by the acclaimed PigPen Theatre Co.
So, step right up to the “spellbinding entertainment” (Variety) at WATER FOR ELEPHANTS, “the best new musical on Broadway” (Theatermania).
THE OUTSIDERS
Jan. 26–31, 2027
The winner of four 2024 Tony Awards®, including Best Musical, is THE OUTSIDERS.
Adapted from S.E. HINTON’s seminal novel and FRANCIS FORD COPPOLA’s iconic film, this thrilling new musical features a book by ADAM RAPP with JUSTIN LEVINE, music and lyrics by JAMESTOWN REVIVAL (Jonathan Clay & Zach Chance) and Tony Award® winner JUSTIN LEVINE, music supervision, orchestration, and arrangements by JUSTIN LEVINE, choreography by RICK KUPERMAN & JEFF KUPERMAN, and direction by Tony Award® winner DANYA TAYMOR. Entertainment Weekly says, “THE OUTSIDERS has the power to inspire an entire generation.”
In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade and their Greaser family of ‘outsiders’ battle with their affluent rivals, the Socs. THE OUTSIDERS navigates the complexities of selfdiscovery as the Greasers dream about who they want to become in a world that may never accept them. With a dynamic original score, THE OUTSIDERS is a story of friendship, family, belonging…and the realization that there is still “lots of good in the world.”
Helen Krushinski and Zachary Keller, Photo by Matthew Murphy for MurphyMade
OPERATION MINCEMEAT
Feb. 23–28, 2027
How did a dead body, a fake love letter, and — of all people — Ian Fleming turn the tide of WWII? Olivier Award winner for Best New Musical and a 2025 Tony® winner, Operation Mincemeat: A New Musical is the best-reviewed show in West End history with 88 five-star reviews and the #1 Broadway Show of 2025 (Entertainment Weekly).
It’s 1943 and the Allies are on the ropes. Luckily, they’re about to gamble our futures on a stolen corpse. Singin’ in the Rain meets Strangers on a Train, it’s the fast-paced, hilarious true story of the secret mission that won WWII.
BUENA VISTA SOCIAL CLUB™
April 20–25, 2027
Step into the heart of Cuba, beyond the glitz of the Tropicana, to a place where blazing trumpets and sizzling guitars set the dance floor on fire. Here, the real sound of Havana is born – and one woman discovers the music that will change her life forever. Inspired by true events, five-time Tony Award®-winning musical BUENA VISTA SOCIAL CLUB™ brings the GRAMMY® Award-winning album to thrilling life – and tells the story of the legends who lived it. A world-class band joins a sensational cast of musicians, actors, and dancers from across the globe for an authentic experience unlike any you’ve seen or heard before. “A jaw-dropping, soul-stirring mustsee!” (The Washington Post). Experience the tale of big dreams, second chances, and the unbreakable bonds of making music together that captivated Broadway.
Broadway Company of Operation Mincemeat. Photo by Matt Crockett
David Cumming, Natasha Hodgson, Claire-Marie Hall from the Broadway Company of Operation Mincemeat.
Photo by Julieta Cervantes
The Broadway company of Buena Vista Social Club. Photos by Matthew Murphy
BOOP!® THE MUSICAL
May 18–23, 2027
“What’s not to love about Betty Boop?” (Chicago Tribune)
For almost a century, the Betty Boop® character has won hearts and inspired fans around the world with her trademark looks, voice, and style. Now, in BOOP!® The Musical, Betty’s dream of an ordinary day off from supercelebrity in her black-and-white world leads to a “bright and bubbly” (Time Out New York) adventure of color, music, and love in New York City. “A show-stopping rainbow of joy” (The Daily Beast), BOOP! is the new Broadway musical-comedy extravaganza that’s fun for everyone – bringing heart, laughter, and a whole lot of Boop-oop-a-doop to the stage!
Tony Award®-winning director/choreographer Jerry Mitchell (Kinky Boots, Hairspray, La Cage aux Folles) brings Fleischer Studios’ Queen of the Screen to life with a score by celebrated multiple GRAMMY® winner David Foster (“I Have Nothing,” “After the Love Is Gone,” “The Prayer”), lyrics by Tony Award® nominee Susan Birkenhead (Working, Jelly’s Last Jam), and a book by Tony Award® winner Bob Martin (The Drowsy Chaperone, The Prom).
BOOP! is the Broadway musical that is perfect for audiences of all ages.
THE SOUND OF MUSIC
June 22–27, 2027
For 65 years, THE SOUND OF MUSIC has been one of our “favorite things.” With its timeless story and irresistibly charming score, this Rodgers & Hammerstein classic isn’t just meant to be enjoyed - it’s meant to be shared. Directed by threetime Tony Award® winner Jack O’Brien (Hairspray), this vibrant and romantic tale of Maria and the von Trapp family features beloved songs like “Do-Re-Mi,” “Sixteen Going on Seventeen” and “Edelweiss.”
(center) Kevin Earley (Captain Georg von Trapp) with the von Trapp Children (l to r) Ariana Ferch (Liesl), Haddie Mac (Brigitta), Ruby Caramore (Marta), Benjamin Stasiek (Kurt), Luciana VanDette (Gretl), Eli Vander Griend (Friedrich), Ava Davis (Louisa) in The Sound of Music. Photo by Jeremy Daniel.
Cayleigh Capaldi (Maria Rainer) and Christiane Noll (Mother Abbess) in The Sound of Music. Photo by Jeremy Daniel.
DEATH BECOMES HER Aug.
24–29, 2027
THE TONY AWARD®-WINNING “PERFECT MUSICAL COMEDY” – DEADLINE
Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies… until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for.
After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.
Now a warning! Death Becomes Her is a “wildly entertaining, perfect musical comedy” (Deadline) and “the most fun night out on Broadway!” (The Daily Beast)
Megan Hilty and Jennifer Simard in the Original Broadway Cast of DEATH BECOMES HER. - Photo by Matthew Murphy and Evan Zimmerman, MurphyMade
DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL
Dec. 1–6, 2026
Discover the magic of Dr. Seuss’ classic holiday tale as it comes to life on stage. Featuring the hit songs “You’re A Mean One, Mr. Grinch” and “Welcome Christmas,” The Grinch discovers there’s more to Christmas than he bargained for in this heart-warming holiday classic. Max the Dog narrates as the mean and scheming Grinch, whose heart is “two sizes too small,” decides to steal Christmas away from the Whos, an endlessly cheerful bunch bursting with holiday spirit. Celebrate the holidays with the show The New York Times calls “100 times better than any bedtime story!”
season option
BEETLEJUICE
Jan. 1–3, 2027
He earned his stripes on Broadway… now the ghost-with-the-most is returning to Tempe!
It’s showtime! Based on Tim Burton’s dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes. With an irreverent book, an astonishing set, and a score that’s out of this Netherworld, BEETLEJUICE is “SCREAMINGLY GOOD FUN!” (Variety). And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every Day-O!
Beetlejuice The Musical — Australian Production. Photo by Michelle Grace Hunder
A toast to Comedy @ Kerr Three years of laughter
By Stacey Bailey
For the past three years, Comedy @ Kerr has delivered big laughs, bold voices and memorable nights of stand-up comedy in the heart of Scottsdale. The series is still going strong and will celebrate its anniversary at the Wednesday, March 25 performance.
Hosted and curated by writer and comedian Sari Beliak, this beloved showcase has become a staple for Valley audiences seeking smart, fearless comedy. Performances take place on the last Wednesday of every other month and mark the first comedy series to grace the stage at ASU Kerr.
Beliak brings an impressive background to the series, with writing credits that include NPR’s Wait Wait… Don’t Tell Me!, The Onion, and Reductress. Her comedy special, Dead Dog Mom, debuted at #1 on the iTunes comedy chart in May 2025.
Since its launch, Comedy @ Kerr
has featured an exciting mix of rising stars and fan favorites, including Tony Tripoli, Xazmin Garza, Jackie Tinsley, Saad Sarwana, Geneva Rust-Orta, Chris Bennett, Mira Mason, Durrell Johnson, the late Diva Danielle and more.
“Kerr is such a beautiful historic venue and a really cool space for comedy,” said Beliak. “I like being able to share comedy with people who might not otherwise get to hear that perspective.”
The bimonthly stand-up showcase offers a welcoming place to unwind, laugh and connect over great comedy. With a growing and loyal following, audiences include both regular attendees and newcomers discovering the series for the first time.
Comedy @ Kerr has carved out a meaningful place in the local comedy scene, and the venue is proud to foster community through
laughter. The series also supports Scottsdale residents in need by collecting hygiene products and non-perishable food donations for Vista del Camino Food Bank.
Upcoming Comedy @ Kerr Dates
Wednesday, March 25
Wednesday, May 27
Wednesday, July 29
Wednesday, Sep. 30
Doors and bar open at 7 p.m. The show begins at 7:30 p.m.
Jackie Tinsley
Picturing Progress
By Wendy Maddox
ASU 365 Community Union continues to strive towards innovative, transformative uses of Mountain America Stadium. This year, the ASU Dr. Martin Luther King, Jr. Committee hosted their celebration breakfast in one of its spaces on January 22.
Every year in honor of Dr. Martin Luther King, Jr.’s legacy of leading through service, Arizona State University recognizes members of society who are upholding the civil rights activist’s ideology and carrying it on through their own work in servant-leadership with the MLK Servant-Leadership Awards.
This year’s awardees:
• Student: Esther Low, biomedical engineering undergraduate student at ASU.
• Staff: Dr. Laura Dicochea, coordinator for Educational Outreach and Student Services at ASU.
• Faculty: Dr. Vanessa FonsecaChávez, assistant vice provost of ASU's Polytechnic campus.
• Community: Marcia Mintz — The Boys & Girls Clubs of the Valley.
The awards are bestowed by the ASU Dr. Martin Luther King, Jr. Committee, which selects the winners. In 2026, the committee is reflecting on the continuing arc of progress — both personal and collective. This year's theme of Picturing Progress invites the Arizona community to consider how they define growth and envision justice in their everyday lives.
K-12 Student Essay Contest Winners
Visual Communication Design IV faculty and Team Auspira recognized for the 2026 MLK Image.
C. Brian Williams, founder of STEP AFRIKA!
Colleen Jennings-Roggensack speaking at the celebration breakfast.
Esther Low, Dr. Laura Dicochea, Dr. Vanessa Fonseca-Chávez and Marcia Mintz CEO of The Boys & Girls Clubs of the Valley
Paige Boulter/ASU Musical Theater student performs the National Anthem.
ASU Gammage VIP Donor Club as of Dec. 3, 2025
Golden Gammage Investors
These individual donors and foundations cumulative giving have totaled $100,000 or more.
Abbett Family Foundation
Susan and William Ahearn
Allen-Heath Memorial Foundation
Pat and Bill Andrew APS
Arizona Community Foundation
Reginald M. Ballantyne III
Carol Barmore
Mr. and Mrs. Douglas Baughman
Barbara, Irv and Jeremy Berger
Karen and Gary Bethune
Carmen and Michael Blank
Lee Bowman
George Brazil Plumbing and Electrical
Broadway Across America
Dawna and Dan Calderone
Joan Cremin
Cathy Dickey
JO Finks
Karen and Grady Gammage, Jr.
Janet and Chip Glaser
Laurie and Chuck Goldstein
Joanne and Mark Halberg
Alejandra and Peter Harries
Jay and Rojon Hasker
Michelle Jung and Chris Rodriguez
Patricia Kaufman
Gail and John Krueger
The Hugh W. Long, Jr. Family
Rae and Richard S. Love
Mr. and Mrs. Michael Manning
The Kemper and Ethel Marley Foundation
Merrily Metzger
Marcia and Andrew Meyer
Lesley and Paul Monfardini
Margaret T. Morris Foundation
Jenny Norton and Bob Ramsey
Jeffrey D. Oliver
Arthur and Linda Pelberg
Rod and Julie Rebello
Jeff and Leslie Rich
Rosenbluth Family Foundation
Diane Rosztoczy
Jim and Brenda Rowland
Jana and Charles Sample
Christy and Richard Schust
Tamara Scrivner
Enid and Michael Seiden
Ernest R. and Beverly Shortridge
Mel Sorensen
Ticketmaster
Marsha and Charles Van Dam
Corporate Foundation Sponsors
$100,000+
Mary and Bill Way/Way Family
Charitable Foundation
Ray and Sue York
Legacy
Susan and William Ahearn
Nancy Anderson and Curt McLees
Anonymous
Carol Barmore
Weasley Beckley
Larry Berentzen~
Mr. and Mrs. F. Richard Bloechl~
George and Patricia Brazil~
Linda Broomhead
Charley Beyer~
Marlene Bushard
Kim Cahow
Angela and David Conwell
Heidi Cox
Carl J. Cross
Cyndi and Terry DeBoer
Leonard and Emily Dudziak~
Raylan and Beverly Evans~
Mary Flora~
JO Finks
Marilyn and Jim Foley~
Phillip Gillies
Alan and Anita Handelsman
Henry and Mary Hansen~
Carl and Patricia Harris
Ronald H. Harten~
Jay and Rojon Hasker
Robert and Jeanette Heacock~
David N. Horowitz
Lucille Hudgens~
Jacqueline Hufford-Jensen and Greg Kroening
Christine J. Hughes
Michelle Louise Johnson
Donald and June Julen~
Patricia Kaufman
Gail and John Krueger
Shirley Kruger
Sue Larsen
JD Laufman
Cheryl and Mickey Laurent
Mark Leeper
Rae and Richard S. Love
Douglas Lowe
Larry Mattal~
Cathy Mazur
Ellis and Kiran Means
Merrily Metzger
Marilyn Moman~
Kathleen and Barry Monheit
Paul and Janet Morrison~
Ron and Vickie Neill
Stephanie Nowack
Simon Olstein
Clyde C. Parker, Jr.~
Dr. and Mrs. Michael Pollay
Russell A. Robbins
Dr. Lynn Robershotte
Mitchell and Heather Ross
Brenda and Jim Rowland
Virginia Schantz~
Margaret Schulz~
Mr. and Mrs. Russell Smith
Ava Spanier
Jo and Frank Stockman~
Karen Stone
Bruce C. Thoeny~
Brinley Thomas
Mollie C. Trivers
John and Joyce Webb~
John O. and Betty Whiteman
Investors Guild
Susan and William Ahearn*
Allen-Heath Memorial Foundation
Carmen and Michael Blank*
Lee Bowman*
Joan Cremin*
Dr. and Mrs. Charles Goldstein*
Brian C. Jones and Vaughn A. Lovell*
Michelle Jung and Chris Rodriguez*
The Hugh W. Long, Jr. Family
JD Laufman
Cheryl Mandala
Producers Academy
Rhet and Marcia Andrews
Anonymous
Reginald M. Ballantyne III
In Memory of Robert H. Barlow
Mr. and Mrs. Douglas Baughman
Shirley F. Brown and Fred L. Brown
Dawna and Dan Calderone
Carstens Family Funds
Kathy and Dick Carter
Jacqueline Chadwick, MD
The Desmarteau Family
Michele and Michael Etheridge
Phillip Gillies
Janet and Chip Glaser
Joanne and Mark Halberg*
The Hoffman Family*
Thomas P. Houlihan and Genevieve M. Houlihan
Rosey and Justin Kerchal
Gail and John Krueger
Hope and Steven Leibsohn
Marcia and Andrew Meyer
Jenny Norton and Bob Ramsey*
Jeffrey D. Oliver
Arthur and Linda Pelberg
Rod and Julie Rebello
Linda and Chuck Redman
Rosenbluth Family Foundation*
Brenda and Jim Rowland
Schlotzsky’s
Ernest R. and Beverly Shortridge
Donna and Philip Stover
Cheryl Sucato
Mary and Bill Way/Way Family
Charitable Foundation
Jolene & Harvey Weisblat
Philanthropic Fund of the Southwest Community Foundation
Karen S. Wood-Nackard
Grady Gammage Society
Doug Ball and Connie Stine
The Beattie Family
Karen and Gary Bethune*
Dan Churgin and Morgan Magleby
Joe and Rose Circello
Sasha and Christopher Clements
Crystal Family Foundation
In Loving Memory of Laurie Dennhardt*
Lee Eberle and Lisa Vivian
Daniel Eng
Mary Farrington-Lorch and Martin Lorch*
Sophia and Mike Fong
Vicki Gibbons
Neil G. Giuliano
Craig and Amanda Goossen
Bryan Hill and Leah Pallin-Hill*
Katie and Tim Hill
David N. Horowitz and Damon
J. Bolling
Mike Hughes and Dr. Kevin Mendivil*
Dr. Lyndy Jones
John Kras and Timothy Walling
Bill and Stacey Langhofer
Cheryl and Mickey Laurent
Rae and Richard S. Love
Evelyn and John Lucking
Ana and Hans Maron
Cathy Mazur
Merrily Metzger
Jill Ormond and Jay Kramer
Kristina Reese and Chris Reese
Julie and Joseph Russomanno
Christy and Richard Schust
The Scollick Family
Tamara Scrivner* and Kathy and Bill Aichele
Enid and Michael Seiden*
Lorri and Stephen Smith
Katherine and Mark Strumpf
Melissa Trudelle
Kerry Turner
Marsha and Charles Van Dam*
Michelle and Henry Villeda*
Greg Yagi and Alan Paulson
Barbara and Barry Zemel
Kathryn Gammage Circle
AADS Office Solutions and Kathleen Cullen
Mariana and Richard Abelson
The Abrams Family
Brian and Paula Aleksa
The Anderson Family
Buffie and Ray Anderson
Donna and Jim Anderson
Andrew Family Foundation
Anonymous
Meng Ansley
Felice Appell
Tran and Glenn Appell
Kevin Axx
BOK Financial
James and Sandra Bach
Shari and Adam Baird
Lory Baraz and Robert Zucker
Craig and Barbara Barrett
Terry and Gay Barwald
Bassett Family
Karen Beckvar and David Sprentall
The Julie Bennett Family, in Memory of Michael
Kristy and David Benton
Barbara, Irv and Jeremy Berger*
Mr. and Mrs. John Berry
Max and Laura Bessler
Leslie and Alan Bird
Corilee and Kevin Bishop
Col. Jody Blanchfield
The Blunck Family
Jon and Jennifer Bohnert*
Kimberly and Richard Bold
Teresa and Mark Borota
Adam Bowman
Michael and Sarah Braun
Steve and Belinda Brown
The Bryant Family
Carrie and Daniel Burkes
Elizabeth Burm
The Burns Family Trust
Greg and Sarah Byrne
Elaine and Paul Campbell
Linda Carneal
Matt and Jill Casperson
Causenta Wellness and Cancer Care Center
Amy and Jason Chase
Children’s Dental Village
Helen Cho
Traci and Philip Cilliers*
Marilee and David Clarke
Malissia Clinton
Dr. and Mrs. Lance Cohen
Lee Baumann Cohn and Mike Cohn
Angela and David Conwell
Michael Cordova and Patricia Quinn
The Couch Family
Andrea and Matt Cowley
Heidi Cox, Tracey Bryce, Wayne and Emilie Truong*
James L. Cramer and Allen C. Kalchik
Dr. Mindi and Anthony D’Elia
The Dahl Family
Ellen and Andy Dauscher
Beth and Ed Dawkins
Nancy Dean and Lorree Ratto*
In Loving Memory of Terry DeBoer & Cody Meckstroth
Mr. and Mrs. Tom DeBonis
Amena Deluca, MD and David Jackson, MD
Brenda and Gary Deutsch
Mr. and Mrs. William V. Dicke
Dr. Wendy Dickerson
Dilemma Hair Salon
Michael and Laura Dill and Cam and Suzie Schwieder
Michael and Julie Dillon
Robert Donat
Lynn Doran
Carmen and Mike Duffek
Michele and Chris England
Virginia and Ron Erhardt
Kari and Tom Eslick
Ardie and Steve Evans
Jane P. Evans
Michelle and Dave Evans
Denis and Jane Fallon
Ray and Bettijune Fanning
Dr. and Mrs. Steven Farber
Skip and Wendy Farrell
Allyson and Justin Fernstrom
JO Finks
The Fitzpatrick Family
For Those Without A Voice
Angela and Christopher Fylak
Jon Gabrielson and Brenna Brooks
Gayle and Nolan Galligan
Karen and Grady Gammage, Jr.
Jill and George Garcia
Kyla and Michael Garrison*
Andy and Carolyn Gilb
Mrs. Saul Ginsberg
Davie Glaser In Loving Memory of David H. Glaser
Bonnie Gonzalez
Todd Govig and April McGrath
Ed Grabowski
Penni Graham*
John and Deanne Greco
Jill and Jeremy Greenberg
Kimberly and John Grubb
Joan and Al Gudriks
Gretchen and Jim Haahr
Carl and Patricia Harris*
Mr. and Mrs. Thomas Harris and Mr. and Mrs. Timothy Frakes
Nora and Tim Hart
Marilyn and Paul Harter
Jay and Rojon Hasker
Jon and Donna Hendrickson
Sharon Hendrix
Beth and Bill Hicks
Jacki and Charles Hoagland
Andrea and Herbert Hodes
Bruce Hopkins
Jacqueline Hufford-Jensen and Greg Kroening
Christine Hughes
Betty Hum
Tara and Nikhil Iyengar
JJ Swart LLC
Jaburg and Wilk, P.C.
Bonnie and William Jaeger
Colleen Jennings-Roggensack and Dr. Kurt Roggensack
Peggy R. Joslin and Nicholas Joslin
Jane and Tom Joynt
ASU Gammage VIP Donor Club
The Juszczak Family
Brian and Terri Katz
Dr. and Mrs. Gary S. Kauffman
The Keller Family
Alan and Cynthia Kempner
Norman and Teresa Klein Family
Jill and Burt Kohler
Richard and Jettie Kootman
Shirley Kruger
Michelle Laiss-Lipner*
Patricia and Mark Landay
Frank and Debbie Law and Family
Machrina and Dale Leach*
David Ledbetter
Kathy and Albert Leffler
Katie and Mark Leinweber
Mark Leeper
Edward and Emily Lesser
Herb and Nancy Lienenbrugger
Thomas R. Lofy
Ms. Austin Lopez
Regan and Rigo Lopez
Douglas Lowe
Ronaldo Luanzon
Keli and Kurt Luther
Kalidas and Darlene Madhavpeddi Foundation
Kristen and Doug Magnuson
Chad Makovsky and Stephanie Hurd
Mike Malloy and Shandee Chernow
Dr. Celia Maneri*
Mr. and Mrs. Joseph Marotta
In Loving Memory of Caleb Joseph Martinez
Steve and Rhonda Maun
Elisabeth and Kevin McCord
Leslie McDonnell In Memory of Jack McDonnell
Christopher McDowell
Robbyn McDowell
Karri and Joseph McInerney
Jean and Michael McKee
The Melikian Family
Tasha Menaker and Jesse Garcia
David Meyer and Elite Cleaners
Mary and Kurt Meyer
Bruce Meyerson and Mary Ellen Simonson
Kathleen A. Mickle, Karen B.
Roth and Erica Lloyd
Paulette and Michael Miller
Lesley and Paul Monfardini
Ariana and Daniel Mormino
Larry and Virginia Morrison
Teresa and James Mortensen
Dawn and John Mulligan
Rafael and Mary Munoz
Carolyn Nelson
Kerri and Eric Nelson
R. Keith Newlon
Karen Nordstrand*
Diane and Steve Norris
Eric Novack and Tracy Contant
Linda and Kevin Olson
Lisa and James Olson
Mr. and Mrs. Enrique Ortega
Pam Peacock - Superior Real
Estate Services
Mark and Shannon Perna
Kathy and Dwight Peters
Chad and Summer Peterson
Pat Piazza
MaryLee and Glen Poole
Practice Strategies
The Prygocki Family
Dr. Carolyn Ragatz and Mr. Phillip Ragatz*
Wayne and Billie Rawlings
Mr. and Mrs. Rob Redford
Jeff and Leslie Rich
Keri and Steven Richardson
Ilana and Alan Roga
John and Dee Ann Rogers
Larry and Lisa Rogoff
Mario Trejo Romero and G. Lewis Penrose
Shawn Rosenberger
Mitchell and Heather Ross
Richard Ross
Susan and Gil Rudolph
The Ruiz and Serden Families
Norm and Pam Saba
Larry and Cathy Sanders
Bryan Sandler
Mr. and Mrs. Ronald Sandler
Dr. Joel Schein and Dr. Diana Laulainen-Schein
Ellen and Paul Schifman
Lyrna and Michael Schoon
Ursula and Rick Schultz
Jesse and Jennifer Schwarz
Christa and Donald Scott
Mr. and Mrs. Danny Sharaby/Tickets
Unlimited
Michele Shipitofsky and Eric Rosenberg
Spracale Family*
Frances and Unni Sreekumar
Dr. Cheri St. Arnauld
Janice and Glenn Steinman
Dr. Barry and Judith Stern
Morgan Stewart and Barbara Page
Sheri and Tim Tapia
Brinley Thomas and Charles Bentley*
Lindsey and Ken Tierney
Tiller Family Foundation
Mollie C. Trivers and Shelley M. Cohn
In Loving Memory of Dolly Vallie and Richard Bookspan
