

AclassroomworkbookcompaniontoLouisaLearnstoWrite:LouisaMayAlcottCreatesâLittleWomenâ byKateHannigan,illustratedbySofiaMoore(CalkinsCreek/AstraBooksforYoungReaders;January2026)
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AclassroomworkbookcompaniontoLouisaLearnstoWrite:LouisaMayAlcottCreatesâLittleWomenâ byKateHannigan,illustratedbySofiaMoore(CalkinsCreek/AstraBooksforYoungReaders;January2026)
SinceLittleWomenwaspublishedover150yearsago,LouisaMayAlcottâsbelovednovelhasnever goneoutofprint.ButLouisadidnâtalwaysmeetwithsuccess.Shestruggledforyearstolearnhowto writewell.WhatfollowsaretenhabitswriterslikeLouisadevelopedonthewaytobecomingauthors, aswellasâwritingsprintsâtohelpbuildwritingmuscles!
1.Read: Pick up a book and get lost in a story.
Whenweread,webuildnewconnectionsinourbrains!Thesepathwayshelpuslearninformation anddecodelanguage Readingnotonlymakesussmart,itbuildsouremotionalintelligencetoo!
Thinkofafavoritebookyouâveread.Howdidthestorymakeyoufeel?Namethebookand describewhatmovedyou totears,laughter,frustration,orevenrelief.
Howdidtheauthorstiryouremotions?Throughdialogue?Figurativelanguage?


Nowthinkaboutasecondfavoritebookyouâveread,andletâscomparethetwousingaVenn diagram.ListtraitsofthemaincharacterinBook1andtraitsofthemaincharacterinBook2.Inthe middle,listthetraitstheyshareandhowtheyarealike.
Shareafewreasonswhyyoulikeonebookmorethantheotherbook.
Whydidtheauthorswritetheirbook?Whowastheirintendedaudience?



2.Write: The more we put pencil to paper, the easier writing becomes.
Aswithanythingweârelearning,repetitionisimportant.Whetherweâreunderstandinghowtoplaythe guitar,bakeacake,orsinkaballintoanet,wehavetodevotetimetoourtask Andthatgoesfor writingtoo!Themorewewrite,theeasieritbecomes
Embarrassmentisapowerfulemotionâsopowerfulthatsometimeswerememberan embarrassingmomentourentirelives!Thinkaboutatimewhenyouwereembarrassed.Nowset thestageforus,describingthedetailsthatleduptothemoment.Whatthoughtsracedthrough yourmind?Whatsoundsplayedinyourears?Whatwasyourexpectationbeforethemoment? Whathappenedasitallplayedout?Giveusdetails,butkeeptheactionmoving!


Laughterdemonstratesanotherpowerfulemotion,andoftenitcomesaboutbecauseofa surprise Thinkaboutatimewhenyoufeltjoyfulandlaugheddeeply,fromyourbelly Whatmade thismomentdifferentfromanordinaryday?Whatwereyouoriginallyexpecting,andwhat actuallyhappened?Wereyoualoneordidyoushareitwithsomeone?

Everyonefeelssadnessnowandthen.Sometimesitâsbecauseofsomethingthathappens directlytous,othertimesitâsbecauseofsomethingthatâshappeningtosomeonewecare about.Thinkaboutatimewhenyouwantedtocry.Wereyouwitnessinganinjustice?Wereyou missingsomethingwithyourwholeheart?Nowdescribewhatyoureyesweredoing,yourbottom lip,yournose,yourhands.Wasyourchesttight?Whataboutyourthroat?Wasiteasytospeakor difficult?

3.Observe: Use all five senses to notice details both large and small.
Abigchallengeofwritingisshowingwhatâshappeningratherthantelling.Soauthorstrytoimaginea sceneintheirmindsandbeginmakingobservationsaboutit,thewayadetectivewould.Whenwe useourfivesenses seeing,smelling,tasting,hearing,feeling wecanmakeinteresting observationsthat addpizzazztoourwriting.
Forexample,insteadofsimplystatingâHewashot,âwecanobservehowourfeetfeelwhenwecross a100-degreeparkinglotonasummerdayandbringthattoourwriting:âTheheatrosethroughthe solesofhissneakers,andhistoesbegantosweatinhissocks.Witheverystep,hisfeetweighed heavier,andtheblacktarseemedtobubblelike lava.â
WritingSprint!Useyoursensesforthesequickwritingexercises:
Imagineastraydogarrivesatschool,andyouareinchargeoftakingcareofitthe wholeday.Asitsitsinclassatyourfeet,younoticeitstaringupatyouwithadoring eyes Yougazeback,filledwithadoringtoo
Seeing:
Writeaboutwhatyousee.Itseyes?Ears?Coat?Whenitwagsitstail,whatdoesit lookliketoyou?Awindshieldwiper?Adrum?
Butwait,younoticesomethingelse movingonthedogâshead.Isitabug?No,notjustabug.Itâs adozenbugs.Thisdogiscoveredinticks!Writeaboutthemoment.



Smelling: Imaginewalkingintoyourhomewhencookiesarebakingintheoven.The aromaissodelicious,yourfeetliftoffthefloorandyoubegintofloat towardthekitchen.Describethewaythewonderfulsmellpullsyouthrough yourhome.

Tasting: Yousitdownwithapileofwarmfrenchfries,diponeinthenearbysauce,and popitintoyourmouth.Uh-oh!Thatwasnâtketchup!Itwashotsauce,and nowyourmouthfeelslikeitâsonfire.Describewhatâshappeningonyour tongue?Inyourhead?


Hearing: Sitasstillasyoucanandlettheworldsettlearoundyou.Whatdoyouhear? Isabirdchirpinginatreenearby?Isitsingingtoitspartner?Tothebaby birdsinitsnest?Describethesounds.Doyoueverhearfamilymembers singingathome?Describethat!
Feeling:

Ateacherintroducesyoutoashynewstudent,andthetwoofyoushake hands.Inthatmoment,youfeeltheroughcallusesonhispalm.Forbeingso young,hehasthehandsofagrownup.Describewhatthecallusesfeellike andatimewhenyouworkedsohardthatyoudevelopedroughhandstoo.

Weâvebeenstorytellersourwholelives.Wheneverweplayanduseourimagination,wearecreating thestructureofastory.Itâsjustaliveinourmindsinsteadofonthepage.Allwehavetodoissitdown withapencilandpaper,andwriteitdownforotherstoenjoy.
Drawtwoactionfiguresandnamethem.
Name1:
Name2:
Nextdrawwhatâsaroundthem.Aretheyamongtreesinnature?Standingbesidealong-agocastle? Insideacurrent-dayhouse?
Setting:
Nowthinkaboutwhatoneofthem(theprotagonist)wantsmorethananythingelse.Maketheother (theantagonist)standinthewayofthatgoal.
Hey!Lookwhatyouâvedone!Youâvesetuptheelementsofastory:
Protagonist: Setting: Antagonist: Conflict:

Onceyouâredonedrawingeverything,getreadytowritedownthedetails Imagine youareexplainingitalltoayoungercousinwhoneedsabedtimestory.Writeone sentenceatatimeandchoosevividlanguage.Andmakesuretokeepitinteresting beforeyourlittlecousinclimbsoutofbed!


Standinthecenterofyourfavoritelibrary.First,walktothesectionwhereyoutypicallyfindthebooks youlove(graphicnovels?).Chooseonebookofftheshelf.Nowwalkaway!
Second,headovertoadifferentsectionwhereyoudonâttypicallyvisit(historicalfiction?).Inthis libraryarea,chooseanotherbookofftheshelf Withtwobooksinyourhands,nowventuretoathird section(picturebookbiographies?).Selectabookfromthisarea.
WritingSprint!
Holdingyourthreebooksfromthreesections,readthefirsttenpagesofeachone.Openbook,open mind!Thenwritedownsomethingyoulikeaboutthestory,thewriting,andthecharacters.



Onceyouâvefinishedallthreebooks,takeafewminutestowriteaquicksummaryofeach
âSomeone,Wanted,But,So,Thenâexercise.
Book1
Someone: Wanted: But: So: Then: Book2
Someone: Wanted: But: So: Then: Book3
Someone: Wanted: _______________________________________ But: So: Then:
Withyourteacherâspermission,hostabookauction,whereyoutrytopersuadeyourclassmatesto âbuyâyourbooks.Sharewhatyoulikedabouteachone,andreallysellâem.Thensnatchupanewtitle thatyourclassmatesrecommend!
6.Dream: Quiet time frees our imagination.
Slowdownletyourthoughtswander.Sometimesthebestwritingideascomewhenweârerelaxedand simplylookingoutthewindowonacarride.Likebillowyclouds,storiescandriftinandtakeshapein ourmind.
Usethisthree-panelgridtocreateagraphicnovel.InPanel1,drawthemaincharacterfromabook youlike InPanel2,drawyourself Whatwouldyousaytothemaincharacter?Howwouldthemain characterrespondtoyou?Thinkabouthowyoumightdress,talk,eat,feelifyouwereinthestory together.InPanel3,youbotharesuddenlysurprisedtohearaGROWLoffpanel!Showhowthetwoof youreact.Keepaddingpanelstotellthestory.
7.Fail: Donât be afraid to see what worksâand what does not.
Witheveryattempt,wegainknowledge.Thingsmightnotturnoutthewaywewanted,andmaybe westarttothinkweârejustnotanygood.Buteverybodyfeelsthatwayonceinawhile.Andfailingisa partofthegame.Wedonâtsweatit justturnthepage(metaphor!)andtryagain.
Letâsworkondialogue.Firstoff,ummmm...whatisit?Dialogueistheconversationbetweentwo characters It'snotjustwallpaperinascene!Itshouldadddepth,revealingthecharacters'feelings, cluestotheplot,andevenlayerstothesetting.Whenwritingdialogue,remember:
Newspeaker,newline
Quotationmarkscontainthespokenwords "Likethis!"
PunctuatethespokenwordsINSIDEthequotationmarks."Likethis,"saidI.
NowwritethissceneofdialoguebetweenyouandAuntBertha:
Ashoesitsonthefloornearyourfrontdoor.Itâscompletelydestroyed,theleatherchewedtobits,and youknowwhodidit:theadorablebunnyrabbityoufoundyesterdayandarecurrentlyhidingunder yourbed. AuntBerthaownsthatshoe,andnowitâsruined!Shewantstogettothebottomofthings, butyoudonâtwanttoadmityourrabbitâsguiltandriskBunnygettingkickedout.
YOU: âShoe?Whatshoe?âIasked.
BERTHA(Usedescriptivelanguageabouttheshoe): â
âBerthasaid.â ________________________________ !â
YOU(Usewordsthatrevealyouremotions):â ,âIbegan â
BERTHA(Useasimiletodescribetheshoeâscondition):â
âshoutedBertha.
YOU(Useametaphortodescribehowtheshoesmells):â ,âItoldher
BERTHA(Usewordsthatrevealthesetting):â ,âBerthasaid. â . â
YOU(Usewordsthatrevealaplottwist):â__________________,âIreplied.â____
Readyourdialogueoutloudwithaclassmate Howcanyouimproveit?Markupyourworkandwrite noteswhereitcouldbestrongerandthelanguagecouldbemoreinteresting.Drawalinethrough wordsthatarerepetitiveorunnecessary.Keeprevisingthescenetomakethewordssnappierand thetensionclearer.Asyoumakeyourchanges,donâtlosehope!Instead,findwhatworks!
Donâtsweatthatitâsnotallperfect.Weârelearning,right?Nowthatwecanseewhatworksandwhat doesnât,writethesceneagain Onlythistimemakeitbetterthanever!
YOU: â ,âIbegan
BERTHA(Usedescriptivelanguageabouttheshoe): â
,âBerthasaid.â !â
YOU(Usewordsthatrevealyouremotions):â ,âIsaid.â
BERTHA(Useasimiletodescribetheshoeâscondition):â ,âshoutedBertha.â
YOU(Useametaphortodescribehowtheshoesmells):â ,âItoldher
BERTHA(Usewordsthatrevealthesetting):â__________________,âBerthasaid.
YOU(Usewordsthatrevealaplottwist):â ,âIreplied â
Maybeyouârethekindofpersonwholikeslongsentencesthatflowlikeakiteinthewind,dippingand swooping,thensoaringmajesticallyinanexcitingburst.Ormaybenot.
Imagineyourfavoritedessertsitsinfrontofyou Writethreewordsdescribinghowitlooks
Writethreewordsdescribinghowittastes.
Nowwritethreesimiles(comparisonsusingthewordâlikeâ;âIsleptlikearockâ)abouthowyoufeel whenyoueatthisdessert.



Thenstartagainandwriteadescriptivepassagethatcreatesacolorfulpictureinwords,usingshort sentencesthataretight,powerful,anddirect.
Writeagainforathirdtime.Stringthosedescriptionstogetherasapersuasiveargumentforyour classmatestovoteyourdessertastheworldâsgreatest.



9.Persevere: Keep at it, even when things get tough.
Themorewewrite,theeasiertheactofwritingbecomes.Likeababylearningtowalk wedidnâtjust sitdownandquitwhenouritty-bittyselvestriedtogetacrossaroom.Wetoddled,wetripped,and wetriedagain!Andagainandagain.
Thinkaboutatimewhenyouwerereallytested.Whenthingsfeltbleak,butyoudidnâtgiveup.Now describeit Layerinthingsthatplaytooursenseofseeing,smelling,tasting,hearing,andfeeling Add languagethatfocusesonasingleemotion,likejoy,sadness,orembarrassment.Trydifferentwriting styleslikepunchysentences,zippydialogue,orcolorfuldescriptivelanguage.Showhowyou perseveredandkeptatit!
Writesomemore Andsomemore Andsomemore Andrememberthatwhenitcomestothestory ofyourlife,youholdthepencil.


My Thoughts, My Words,
Written by



10.Dare: Find the courage to reach a little bit higher.
Onceyougetyourstoryoutofyourhead,downyourarm,throughyourpencil, andontothepaper,takeamomenttoenjoyit.Andcelebratethatthethoughts ping-pongingthroughyouronebeautifulbrainarenowonapageandinthe world.Waytogo!
Therearelotsofwaystoshareyourwriting.Withyourteacherorlibrarianor evenwithyourcleverclassmates,youcan:
BuildaâWritingWallâinyourschoollibrarytoshowcasestudentwork
Createanonlinewritersclubwherestudentsreadtheirwritingaloud
Publishyourstoriesinyourclassroom,creatingbookcoversandbinding pagestogether;displaythemonaâClassroomAuthorsâbookshelffor studentstocheckinandout
Keepchallengingyourselftoreadmore,writemore,andreachhigher


