Artio Gallery - Carrousel du Louvre April 2026

A R R O U S E L D U L O U V R E P A R I S

April 10-12, 2026

ARTIO GALLERY

April 10-12, 2026

Alia AlBazei

Ana Remok

Anamaria Chediak

Aurora Rose DeCrosta

Berny Braun

Bianca Pirlog

Bridget Farrands

Carmen De Alba

Zenabi Pixels

Desiree Griffith

Eric Samama

Erin OSullivan

EUIJUN CHUNG

Gina Kalo

Gina Pan

Hervé Teboul

Jamie Lovelynn

Karolina Maria Jansdotter

Bonde

Lea Karvala

Nadine Collado

Vandart Studio

Nhi Nguyen

AURORA ROSE DECROSTA

There is something quietly rebellious about Aurora Rose DeCrosta's Red Ruby Slippers. A pair of legs lifted skyward from a clawfoot bathtub, red shoes still on, fills the photograph with an energy that is both playful and deeply private. The warm glow of the lamplight, the floral wallpaper, the slanted old roof DeCrosta builds a world that feels utterly real, then places within it a figure who has made the room entirely her own. It is the kind of image that makes you smile and wonder at the same time.

Artio Gallery / Carrousel du Louvre Paris

AURORA ROSE DECROSTA

ALIA ALBAZEI

Shedding the Veil is a painting that stays with you. A figure dressed in flowing white, their back turned, is wrapped in bold crimson ribbons bearing Arabic script — and the effect is both beautiful and deeply moving. AlBazei asks us to consider what it means to carry language, culture, and identity on your body, and whether that weight is something to be borne, celebrated, or gently set down. Rich, restrained, and quietly powerful, this is storytelling through paint at its finest.

Artio Gallery / Carrousel du Louvre Paris

ALIA ALBAZEI

SheddingtheVeil

Oil on canvas

120 x 150cm

Artio Gallery / Carrousel du Louvre Paris

ALIA ALBAZEI

SheddingtheVeil

Oil on canvas

120 x 150cm

Artio Gallery / Carrousel du Louvre Paris

ANAMARIA CHEDIAK

Anamaria Chediak's two photographs from her Memories through the Liquid Desert Waves series are among the most quietly devastating images you will encounter. Shot inside the abandoned buildings of a desert ghost town, each one shows sand pouring through doorways and pooling across floors in great, fluid dunes the desert reclaiming what was once human, room by room, with patient, unstoppable grace. The peeling teal walls, the open doors leading to further rooms filled with yet more sand, the quality of light falling on surfaces both crumbling and beautiful — Chediak composes all of this with extraordinary care, so that what could be simply eerie becomes something far more profound: a meditation on time, impermanence, and the fragile line between the world we build and the world that outlasts us. Printed on fine Hahnemühle cotton paper, these are photographs that ask you to stand still and feel the weight of what is being lost.

Artio Gallery / Carrousel du Louvre Paris

ANAMARIA CHEDIAK

MemoriesthroughtheLiquidDesertWavesVII

Fine art high-quality Hahnemuhle cotton paper

39 x 55cm

Artio Gallery / Carrousel du Louvre Paris

ANAMARIA CHEDIAK

MemoriesthroughtheLiquidDesertWavesII

Fine art high-quality Hahnemuhle cotton paper

39 x 55cm

Artio Gallery / Carrousel du Louvre Paris

ANA REMOK

Ana Remok is a contemporary abstract artist whose luminous works bring together geometry, gold, and a language of inner awareness. Based in the United States, her practice has been presented internationally at major art fairs including CONTEXT Art Miami, Palm Beach Modern + Contemporary, and Carrousel du Louvre in Paris.

Her work unfolds at the intersection of materiality and consciousness, where layered compositions become symbolic structures of perception. Through the use of gold and metallic elements, Remok creates visual codes that evoke transformation, presence, and the quiet emergence of self-awareness. Each piece invites contemplation, positioning the viewer within a space where inner and outer realities converge.

Artio Gallery / Carrousel du Louvre Paris

ANA REMOK

UnfoldingaNewReality

Mixed Media/ Gold Plated

154.94 x 124.46cm

ANA REMOK

UnfoldingThePresenceWithin

Mixed Media/ Aluminum Leaf

154.94 x 124.46cm

BERNY BRAUN

Berny Braun's Something Still Burning arrives at you like a shout — a burst of red and flame against a dark, textured background that feels urgent and alive. Applied with aerosol onto wood, the work has an almost physical heat to it; you can sense the force behind each mark. Braun captures something we all recognise that stubborn inner fire that refuses to be extinguished — and renders it with a ferocity that is as thrilling as it is beautiful. This is a painting with real presence.

Artio Gallery / Carrousel du Louvre Paris

BERNY BRAUN

SomethingStillBurning

Aerosol on wood

55 x 89cm

BRIDGET FARRANDS

Bridget Farrands — Fields of Joy Bridget Farrands' Fields of Joy is a painting that hums with energy and pleasure. Rolling hills are divided into bold, interlocking patches of orange, gold, lime, and deep green, each one patterned with its own rhythm of marks striped, dotted, flowing — so that the landscape becomes almost musical, a composition of colour and movement as much as place. A purple line winds through it all like a path or a river, giving the eye somewhere to travel, and the whole thing glows. Farrands paints from the feeling of a landscape rather than its appearance, and the result is a world that is at once completely believable and utterly, joyfully her own.

Artio Gallery / Carrousel du Louvre Paris

BRIDGET FARRANDS

CARMEN DE ALBA

There is real charm and real intelligence at work in Carmen De Alba's Dog II. A pale, elegant hound sits on a plinth — calm, a little aloof — while dark leaves hang overhead and a bold chequered floor anchors the scene. De Alba paints with wonderful delicacy, giving the dog's coat a fine, almost living texture, and wraps the whole composition in a palette of deep greens and earthy golds that feels both lush and slightly dreamlike. It is witty, beautiful, and surprisingly moving a painting that invites you to look for longer than you might expect.

Artio Gallery / Carrousel du Louvre Paris

CARMEN DE ALBA

media on canvas

50 x 70 cm

ERIN OSULLIVAN

Erin OSullivan works in a register that is quiet but deeply felt. Bouleversant gives us a face — close, cool, slightly blurred — that seems to hold a whole world of feeling just beneath the surface, while One For Sorrow places a lone magpie on a strange, floating cage against a shimmering dark background that hums with unease. The titles say it all: these are paintings about being moved, and about being alone. OSullivan paints with real sensitivity, and the results linger with you long after you ' ve stepped away.

Artio Gallery / Carrousel du Louvre Paris

ERIN OSULLIVAN

OneForSorrow

Acrylic on canvas

30 x 30 cm

Acrylic on canvas

12 x 17 cm

Artio Gallery / Carrousel du Louvre Paris

JAMIE LOVELYNN

Jamie Lovelynn's Free To Fly is a photograph that breathes. Three monarch butterflies hang in a vast, hazy sky above a whisper of ocean, and the effect is one of extraordinary stillness and freedom all at once. Printed on Fine Art Metal, the image has a luminous quality the pale blues and warm golds seem to glow and the sheer openness of the composition invites you to slow down and simply be in it. It is a gentle, beautiful reminder of how much can be said with very little.

Artio Gallery / Carrousel du Louvre Paris

JAMIE LOVELYNN

FreeToFly

76 x 51 cm

BIANCA PIRLOG

Bianca Pirlog's Even the Universe Is Small Here pulls you in immediately — those luminous green eyes holding your gaze from beneath a shimmering web of gold-veined cracks. The effect is breathtaking: a face that looks both broken and gilded, alive with tiny butterflies and, nestled in the shadows, a small astronaut drifting through the darkness. Pirlog is telling us something about the interior world — about how vast and strange it is, how it contains multitudes and she does it with a beauty and technical skill that is genuinely astonishing.

Artio Gallery / Carrousel du Louvre Paris

BIANCA PIRLOG

EventheUniverseIs

SmallHere

Mixed Media Ink & Oil

Paint on Canvas

80 x 80 cm

ZENABI PIXELS

There is something almost primal about Zenabi Pixels' two paintings. Lumiere frappant une roche burns with orange and red — you can almost feel the warmth of light hitting stone while LRoche memoire offers a quieter, more layered version of the same landscape, as if time has settled over it like dust. Both works are painted with a wonderful physicality, the marks broad and confident, the colour rich and alive. These are paintings that make you feel the age and solidity of the earth, and the fleeting drama of light upon it.

Artio Gallery / Carrousel du Louvre Paris

ZENABI PIXELS

76 x 76 cm

Artio Gallery / Carrousel du Louvre Paris

ZENABI PIXELS

LRochememoire

76 x 76 cm

Artio Gallery / Carrousel du Louvre Paris

DESIREE GRIFFITH

Small in scale but enormous in feeling, Desiree Griffith's Exposed 3 stops you in your tracks. A silver figure — crouched, curled in on itself — clings to a pale resin surface, its form casting real shadows, its texture demanding to be touched. A tiny burst of red sits nearby, the only warmth in an otherwise cool and luminous composition. Griffith has made something that feels deeply human — about vulnerability, about the strange beauty of being seen and the intimacy of the work's scale only makes it more powerful.

Artio Gallery / Carrousel du Louvre Paris

DESIR GRIFFI

Exposed3

Mixed media + e

resin on canvas

31 c 31 cm

CHUNG EUIJUN

Chung Euijun's Maximum Exciting Heartbeat is exactly what it sounds like — a painting that pulsates. Against a vivid orange background, thick marks of olive, navy, and red jostle and push against one another, building an energy that is almost physical. You don't so much look at this painting as feel it; it has the quality of a rhythm, a rush, a moment of peak aliveness. Chung paints with tremendous confidence and gusto, and the result is one of those rare works that genuinely lifts your mood the moment you encounter it.

Artio Gallery / Carrousel du Louvre Paris

CHUNG EUIJUN

MaximumExciting

Heartbeat

60 x 72 cm

Artio Gallery / Carrousel du Louvre Paris

ENRIQUE SAMA

Enrique Sama's three small oil paintings are quietly extraordinary. Each one presents a soft, rounded form — organic, mysterious, somewhere between a creature and a cell — floating in a field of muted grey-blue. They feel like things glimpsed rather than declared, images at the edge of understanding. Sama paints with great restraint and delicacy, and the result is a series that rewards slow, patient looking. These are works about the unknown — about the strange beauty of things we cannot quite name and they are utterly lovely.

Artio Gallery / Carrousel du Louvre Paris

ENRIQUE SAMA

Sanstitre7n

Oil painting on paper

21 x 29 cm

Sanstitre3m

Oil painting on paper 21 x 29 cm

Sanstitre15n

Oil painting on paper 21 x 29 cm

Artio Gallery / Carrousel du Louvre Paris

GINA KALO

Gina Kalo's Paris Dreams I & II are photographs that have been dreamed rather than taken. The city is there — the grand facades, the gardens, the familiar skyline — but bathed in violet and amber and spectral light that makes it feel like a memory, or a longing. Kalo has transformed Paris into something intensely personal: not a postcard, but a feeling. The two works together create a beautiful sense of duality — day and night, presence and recollection and both shimmer with the particular magic of a city seen through the heart rather than the lens.

Artio Gallery / Carrousel du Louvre Paris

GINA KALO

ParisdreamsI

Photography on canvas

40 x 40 cm

ParisdreamsII

Photography on canvas

40 x40 cm

Artio Gallery / Carrousel du Louvre Paris

GINA PAN

Eros and Psyche & Mayuri. Gina Pan's two works are a total immersion. Eros and Psyche swirls with intertwined figures and golden lines, spiralling flowers and tender gestures — a love story told in watercolour and gold that feels both ancient and brand new. Mayuri is equally captivating: a woman in ecstatic reverie, dissolving into water and petals and coiling serpentine forms, rendered with a delicacy and richness that takes your breath away. Pan is a storyteller and a colourist of rare gifts, and these paintings linger in the imagination long after you ' ve left the room.

Artio Gallery / Carrousel du Louvre Paris

GINA PAN

ErosandPsyche

Watercolour/gold ink/colour pencils

55 x 79 cm

Artio Gallery / Carrousel du Louvre Paris

GINA PAN

Mayuri

Watercolour/gold ink/colour pencils

55 x 79 cm

Artio Gallery / Carrousel du Louvre Paris

RIVER

River's Mother is simply beautiful — and it earns that beauty without effort. A young woman surrounded by a glorious abundance of pink and white flowers holds a small yellow bird to her lips, her expression one of absolute gentleness. The painting has the quality of a blessing: tender, luminous, full of quiet love. River paints with a softness of touch that perfectly matches the warmth of the subject, and the result is a work that reaches you somewhere deep and stays there. It is hard to look at this painting and not feel moved.

Artio Gallery / Carrousel du Louvre Paris

HERVE TEBOUL

Hervé Teboul paints clothes the way great photographers shoot them — with glamour, atmosphere, and a sense that something is about to happen. Rose Gala gives us a golden gown caught in stage light, shimmering and dissolving at its edges into a warm, hazy background. Chic Soirée counters with a silver figure against deep blue — cooler, more mysterious, equally spectacular. Both works are made with gold and silver leaf and resin, and they glow from across the room. Teboul is in love with elegance, and it shows in every mark, every shimmer, every breath of light.

Artio Gallery / Carrousel du Louvre Paris

HERVE TEBOUL

Acrylique, feuilles d'or rosé et epoxy 122 x 92 cm

Artio Gallery / Carrousel du Louvre Paris

HERVE TEBOUL

Chicsoirée

Acrylique, feuilles d'argent et epoxy 122 x 92 cm

HUYNH NHI NGUYEN

Huynh Nhi Nguyen's Evergreen / Lục Lam is an absolute feast of green. The canvas is covered — generously, exuberantly — with every shade from bright lime to deep forest shadow, the paint applied in confident, physical marks that seem to grow outward from the surface. Standing before it, you feel the density and life of the natural world, its relentless growth and richness. The bilingual title carries a quiet cultural pride, and the painting itself has that quality too: abundant, vibrant, and utterly sure of itself.

Artio Gallery / Carrousel du Louvre Paris

HUYNH NHI NGUYEN

60 x 80 cm

LEA KARVALA

Joyful Morning Glory Sleeps & The Sun of Winter Day Lea Karvala paints winter the way it actually feels — not cold and harsh, but luminous and still, full of quiet colour. Joyful Morning Glory Sleeps gives us a stand of bare birch trees bathed in rose and lavender light that seems to come from the snow itself, while The Sun of Winter Day shows a mountain landscape in shades of grey-blue and amber that glow with an inner warmth. Karvala paints with great delicacy and great feeling, and both works have a meditative quality an invitation to slow down and breathe in the beauty of the season.

Artio Gallery / Carrousel du Louvre Paris

LEA KARVALA

Joyfulmorningglory sleeps

85 x 85 cm

Artio Gallery / Carrousel du Louvre Paris

LEA KARVALA

Thesunofwinterday

Acrylic on canvas

80 x 80 cm

Artio Gallery / Carrousel du Louvre Paris

KAROLINA BONDE

Karolina Bonde's Drops of Gold is electric. Against a field of vivid, warm pink, angular shapes in dark navy and teal spin and collide, while small gold triangles glitter across the surface like sparks. The painting has tremendous energy you feel the movement in it, the sense of forms caught mid-flight and the colour is simply stunning: bold, confident, and carefully balanced. Bonde has real compositional flair, and Drops of Gold is the kind of painting that transforms any wall it hangs on.

Artio Gallery / Carrousel du Louvre Paris

KAROLINA BONDE

80 x 80 cm

Artio Gallery / Carrousel du Louvre Paris

VANDART STUDIO

Vandart Studio's Three Sisters is a set of three small, stunning paintings that feel like precious objects. Each one presents a butterfly — a different species, a different splendour rendered in oil on a warm golden ground with extraordinary care and delicacy. The wing markings are so precise, the colours so true, that you find yourself leaning in to look more closely. There is something very moving about this kind of attention — the slow, loving act of really seeing a creature and doing justice to its beauty. These are paintings to treasure.

Artio Gallery / Carrousel du Louvre Paris

VANDART STUDIO

ThreeSistersSeries

Oil on canvas

14 x 20 cm

NICOLE BRUCE

Nicole Bruce's Luz stops you. Over two metres tall and radiant white, the figure reaches upward — arm extended, head lifted, the whole body an expression of yearning and joy. There is something timeless about it: it has the poise of classical sculpture and the feeling of something entirely alive, caught in a moment of pure aspiration. The title means light, and the work earns it completely — it is luminous in every sense, a presence in a room that draws the eye and lifts the spirit.

Artio Gallery / Carrousel du Louvre Paris

NICOLE BRUCE

NICOLE BRUCE

Resin

47 x 35 x 27 cm

THEK

THEK's Centripetal Acceleration has the quality of something found rather than made — clouds seen from above, water in slow motion, the edge of a shore at first light. Fluid acrylics have been allowed to pool and drift across raw, unprimed canvas, and the result is a work of exceptional delicacy: cool blues and greys dissolving into warm cream, forms with no hard edges, a composition that breathes. It is the kind of painting you can look at for a long time, finding something different in it each time and feeling, quietly, a little calmer for it.

Artio Gallery / Carrousel du Louvre Paris

THEK

CentripetalAcceleration

Fluid acrylics on stretched raw canvas

61 x 76 cm

Artio Gallery / Carrousel du Louvre Paris

ArtbySuza

ArtbySuza's Poppy Show is pure, unapologetic delight. A single poppy — blazing in deep red, warm pink, and orange — fills the canvas against a deep black background, and the effect is spectacular. The flower seems to glow from within, each petal soft and luminous, the whole thing painted with a joy and confidence that is completely infectious. This is a painting that doesn't ask anything of you except to look and enjoy — and on that count, it delivers magnificently. A real burst of life and colour.

Artio Gallery / Carrousel du Louvre Paris

ArtbySuza

40 x60 cm

BALLPOINTPEN ILLUSTRATOR

There is something wonderfully disarming about Ballpointpen Illustrator's two drawings — the knowledge that all of this, the extraordinary detail of the fish's trailing fins, the tender curve of the flamingos' necks forming a perfect heart, was made with a humble ballpoint pen. The marks are confident and precise, building tone and texture through patient, overlapping lines, and the results are genuinely beautiful. These are drawings that remind you how much skill and feeling can live in the simplest of tools, in the quietest of formats.

Artio Gallery / Carrousel du Louvre Paris

BALLPOINTPEN ILLUSTRATOR

BallpenFlamingo

Ballpen, Sketchbook

21 x 30 cm

BallpenFish

Ballpen, Sketchbook

21 x 30 cm

Artio Gallery / Carrousel du Louvre Paris

NADINE COLLADO

Nadine Collado The Voice from Above & In Full Flight Nadine Collado's two works announce themselves with tremendous force. The Voice from Above explodes with teal, crimson, yellow, and deep violet — layers of acrylic, gel, and sand building a surface so rich with texture and incident that it feels almost topographical while In Full Flight surges with warm oranges and golds alongside sweeping strokes of green and teal, the whole canvas alive with heat and momentum. Collado paints with the confidence of someone who has learned to trust the process entirely, never knowing where a painting will go until it gets there, and that freedom shows in every mark. These are works about letting go — and the remarkable, airborne things that happen when you do.

Artio Gallery / Carrousel du Louvre Paris

NADINE COLLADO

TheVoicefromAbove/Acrylic, gel and sand / 60 x 50 cm

NADINE COLLADO

Infullflight/Acrylic, gel and sand / 50 x 60 cm

Artio Gallery / Carrousel du Louvre Paris

TEODORA NIKOLOVA

Teodora Nikolova's three works reveal an artist with a signature obsession the pointe shoe as symbol of beauty, discipline, and the cost of both. Success gives us the theme in sculptural form: a gilded shoe standing firm while a small human figure strains against it on threads, the whole drama doubled in a mirror base, witty and moving in equal measure. Infinity in the Dark takes the same subject onto canvas twice, on a doublesided painting — one face quiet and meditative, a shoe resting against a dark ground scattered with gold leaf and softly swirling spirals, the other explosive, the shoe surrounded by great Van Gogh-like currents of blue and gold that sweep across the darkness with irresistible energy. Together, the three works form a complete and compelling statement: that behind every moment of grace lies effort, longing, and something that reaches toward the infinite.

Artio Gallery / Carrousel du Louvre Paris

InfinityintheDark

Double-sided painting /Mixed Media

90 x 60 cm

InfinityintheDark

Double-sided painting /Mixed Media

90 x 60 cm

TEOD

Success Wood, clay, structural paste, acrylic paints and resin.

30 x 20 cm

Artio Gallery / Carrousel du Louvre Paris

Dear Artists,

Thank you for being a part of Artio Gallery.

We are thrilled to have such talented artists collaborate with us. We're excited for future collaboration and we wish you all the best in your art career!

Artio Gallery Team

Artio Gallery / Carrousel du Louvre Paris

ARTIO GALLERY

Artio Gallery / Carrousel du Louvre Paris