Tina Stefanou’s equine collaborators feature on the cover of the May/June issue of Art Guide, which explores how art can act as an extraordinary interface between the self and the world. Inside, Maya Hodge writes on an exhibition uniting trailblazing Indigenous artists with those who are currently or have previously been incarcerated. While Blak In-Justice breaks new ground, Revealed enters its 17th year of celebrating emerging First Nations talent with a growing community spirit and passion, as Gok-Lim Finch reports. Meanwhile, Yorta Yorta woman Kimberley Moulton has applied an expanded First Peoples curatorial approach to the ninth TarraWarra Biennial, and Giselle Au-Nhien Nguyen speaks to three artists about their contributions. Elsewhere, writer Cher Tan profiles twin brothers and artistic collaborators Man&Wah, whose approach to art-making draws from the “fieldwork of life”, and Michelle Wang invites us into the Sydney studio of Remy Faint, whose practice explores the transcultural importance of silk. T
