Magazine 2026

Artemide outlines the perspective of light to design the future in the present.

Artemide merges creativity and measure, knowledge and know-how.

Ernesto Gismondi built this path in 1959.

Iperbole BIG - Bjarke Ingels Group

"In math class, we learned that when you cut a geometric cone, you reveal a hyperbola. That simple operation of sectioning a pure form forms the foundation of our new design. For Artemide, we translated this mathematical principle into light.

By working with elemental geometries, a square and a triangle, we created lamps that are complete objects on their own, yet capable of forming larger constellations when joined together."

Jakob Lange, BIG

ARTEMIDE APP

Iperbole square

300 x 300 x h 175 mm

cable max 1700 mm

Total power: 9W

3000K

Iperbole triangle

300 x 258 x h 102 mm

cable max 1700 mm

Total power: 9W

3000K

Iperbole is a system of minimal and lightweight suspension lamps that, whether used individually, repeated or arranged in clusters, bring comfortable light to any living or working space.

From the intersection of elementary geometries, a dynamic and elegant form emerges, simple and iconic, yet distinctive. The cone, the iconic profile of pendant lamps, intersects with a square plan.

Each side therefore describes a hyperbola, creating arches that, from different viewpoints, reveal more or less of the white interior of the lamp body—a luminous surface.

To enhance compositional freedom, a triangular-base solution accompanies the square geometry, enabling curvilinear as well as linear compositions. The sides of the square and triangular modules are equivalent, allowing them to combine into open or closed geometries.

This dimension is the unit that defines the angle of the two cones and their differentiated cut, thus distinguishing them also in depth.

Modular Growth

Sustainable Material Reduction

The lamp body is made of a thin spun aluminum sheet, only 1,5 mm thick. Monomaterial, it minimizes the use of resources. Thanks to a specially designed lens, it is an energy-efficient system.

A central aspheric lens controls the emission, grazing the interior of the lamp body and distributing light in a homogeneous and comfortable way. The diffuser receives light but is not an active component in controlling emission, maximizing the lens control to achieve high efficiency and precision.

Glare is controlled: the geometry of the body extends downward to partially shield the view of the central lens, and luminance above 65° is regulated (<3000 cd/m²) in compliance with workplace standards.

High Optical Efficiency

Iperbole square chandelier

300 x 300 x h 175 mm x 3

rose Ø200 mm

total cable max 10000 mm

Total power: 3 x 9W

3000K

Iperbole triangle chandelier

300 x 258 x h 102 mm x 3

rose Ø200 mm

total cable max 10000 mm

Total power: 3 x 9W

3000K

Aluminum

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Arctic BIG - Bjarke Ingels Group

PATENT OF INVENTION

"Arctic is inspired by the geometric formations of ice crystals. By combining triangles and pentagons, we created a sculptural crystal that elegantly captures and refracts light at its core."

Jakob Lange, BIG

Arctic is a collection of lamps that reflect and deconstruct reality, enhanced through their own light, natural light and the surrounding environment.

They are formed from geometric elements that break apart and reassemble in modular compositions, playing with reflections.

The final shape is an Archimedean solid without external faces, where the structure emerges from the projection of the pentagonal sides radiating from the centre. At its core there is a diffusing polyhedron.

This creates a multitude of mirrored surfaces, positioned side by side and facing each other, multiplying in perception and generating a dynamic figure that shifts with the viewpoint and its surroundings.

Arctic is a modular volume that takes shape through the relationship between its parts, guided by the principles of an intelligent and optimized construction.

ARTEMIDE APP

Patented Optical Structure

The diffuser surfaces can be either transparent or mirrored, interacting differently with light. In both versions, they are horizontally etched with precision-calculated engravings to control and diffuse the light.

While these details define the product’s aesthetic, they also serve an optical function, enhancing luminous efficiency through reflection and refraction.

While the mirrored version is always perceptible even when the light is off, the transparent one appears ethereal.

Arctic table/floor Ø550 mm

Total power: 30W 3000K

Dimmer on cable White

Transparent Reflectors

Central core Mirror

Dusk BIG - Bjarke Ingels Group

"Since humans walked this earth, their internal clock has been governed by the rhythm of the sun. A colorful display of light, from the horizon to the zenith, warm and cold light blend to create a gradient of colours that has a profound effect on all living beings. With Dusk, we seek to create a true circadian light, not defined by a single colour of the sky, but by a dynamic gradient of colours that bring the sky’s natural transition to life on the wall."

Jakob Lange, BIG

Since the 1990s, Artemide has been exploring how changes in light, through colour temperatures and tonal variations, affect living beings and the natural world.

Dusk introduces a new concept, broadening the perception of natural light’s variability beyond simple colour temperature.

It captures the full spectrum of hues associated with different times of the day and year. Its emission is not uniform but composed of two overlapping and balanced

light spectra, recreating the subtle tonal shifts of the sky as they transition vertically throughout the day.

Dusk does more than reflect colour temperature, it recreates the evolving chromatic panorama that accompanies each moment of the day, from dawn to dusk.

The perception of passing time can be managed wirelessly via the Artemide App thanks to a dedicated control with preset scenes where spectral calibration creates the luminous atmospheres of a natural setting.

Symmetric lens for coloured emission gradient between Green & Blue simulating sky effect

Asymmetric lens for Tunable White emission 1800K 4000K wall washing

Dusk module 1 m

25 x h 29 x 1000 mm

Total power: max 30W

Dusk module 2 m

25 x h 29 x 2000 mm

Total power: max 60W

Dusk module 3 m

25 x h 29 x 3000 mm

Total power: max 90W

Mirror satin

mm

500 mm

mm

Designed as a wall washer, Dusk brings the fluid, ever-changing quality of natural light into closed spaces.

Rather than a single variable light source, Dusk combines two distinct emissions to reflect the colours of natural light, evoking the effects and poetry of the sky across daily and seasonal cycles. A lens controls a variable blue-toned light in the upper section, while an asymmetric lens washes the vertical surface with an emission ranging from 1800K to 4000K. The result is an immersive and dynamic experience.

In Dusk the interplay of intensities creates multiple lighting effects, where the two emissions blend into a soft white

glow before fading into warm tones or shifting from deeper colours to neutral ones, opening a new dimension of spatial perception.

Beyond enabling a poetic and perceptive approach to ambient lighting, Dusk is also highly functional, offering excellent colour rendering when the two emissions are properly balanced.

It can illuminate a space or serve as a backdrop that marks the passage of time, subtly shaping the environment in ways that profoundly influence psychological and physical well-being.

The Right Wavelengths

In its continuous relation between humanity and the environment, light is a material for the construction of space, delimiting territoriality and influencing our state of mind.

Light feeds humans psychological and physiological well-being by introducing them to a broader dimension for a new perceptive experience.

Focus

Total power

15W/m

T colour on the wall

4700K

Light for living

Total power

20W/m

T colour on the wall

3000K

Light for living

By a specific Artemide App control interface, the two emissions can be managed independently to achieve functional light emissions that support circadian rhythm.

Tetras SOM

Tetras is a lighting concept that helps to define space through luminous energy.

Its cross-like structure becomes an architectural symbol, the junction of a grid that belongs to the space and can exist alone or as part of a system.

Available in three sizes, it is a pure, straightforward element. It expresses a precise spatial rhythm while remaining open to interpretation. Like an architectural component, it adapts naturally to any layout.

Tetras can be used to create regular grids of identical units or to combine different sizes, generating varied balances and rhythms. It becomes a graphic and expressive tool for shaping space, building visual compositions and spatial narratives.

Its position places no limits on how the space is used. It introduces a clear spatial framework within correct lighting parameters, making it a versatile option for many different contexts.

Lighting Bricks

Starting from even the most constrained rules for workspaces, Tetras provides a comfortable light. Its very high quality and efficiency make it well suited to bringing good lighting to museums, hospitality settings and public spaces.

Its rigid geometry becomes dynamic within carefully measured parameters. It suggests a grid that can be broken or restructured to create different relationships between space, light and function, even across varying ceiling heights.

What begins as measured and orderly can become expressive and scenographic, with combinations of colour and size that follow a structured pattern or a completely free arrangement.

Tetras fits seamlessly into architectural projects and is as universal as a brick. Conceived to embody rigour and technical precision, it breaks those boundaries.

It becomes a symbol, a design language in its own right, capable of engaging directly with the proportions and rhythm of architecture.

"Tetras conceives of light as an architectural building block, a single element that is deployed in series to create volumes of illumination. As a module for illumination, it allows designers to use light as an instrument of architecture, a field of points whose size and spacing can be customized and tailored to a variety of environments and adapted to future needs."

SOM - Skidmore, Owings & Merrill

DIFFUSED EMISSION

Tetras small

345 x 345 x 75 mm

tige h max 1000 mm

Total power: direct 9,5W

indirect 9,5W

3000K / 3500K

Tetras medium

495 x 495 x 75 mm

tige h max 1000 mm

Total power: direct 14W

indirect 14W

3000K / 3500K

Tetras large

640 x 640 x 75 mm

tige h max 1000 mm

Total power: direct 19W

indirect 19W

3000K / 3500K

MICROREFRACTIVE OPTICS

High efficiency 83%

Extreme efficacy up to 148 lm/W

Extreme glare control UGR<16 CRI 90 High uniformity no multi-shadows

Tetras large refractive 640 x 640 x 75 mm tige h max 1000 mm

Total power: direct 19W indirect 19W

3000K / 3500K Black White Silver Red

Boltons Herzog & de Meuron

"The Boltons lamp, consisting of a light source encased within a hand-blown artisanal glass body that directs the light to an adjustable reflector, encourages engagement and exploration of fundamental lighting principles. Boltons' idea materializes core aspects of illumination."

Herzog & de Meuron

It is a lamp that combines a patented optical system with the beauty of hand-crafted glass. A transparent body supports an adjustable metal disc.

The body is shaped in a single, skilled movement using a traditional technique. The diffuser surface is not perfectly flat, is moved by a vibration that expresses the craftsmanship and the uniqueness of the glass. Its complete transparency highlights the thickness of the material, shaped by the master glassblower’s breath: thicker at the top, finer at the sides where it tapers.

The lens is perceived as a seamless continuation of the elegant glass form. This poetic, evocative shape also defines the ability to direct and modulate light across a surface.

Boltons

diffuser Ø235 x h 375 mm

reflector Ø450 mm

Total power: 12W 2700K

Dimmer on cable

Reflector

Diffuser

Transparent

Patented Optical Design

A lens at the base directs the entire light output upwards with precise control, allowing the disc to reflect it according to its angle. As the beam passes through the glass, it brings it to life with reflections, without compromising the efficiency of the optical system.

The geometry of the glass allows for wide freedom of movement of the upper reflector, held in place by a magnetic sphere.

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Ulrich und Diotima Carlotta de Bevilacqua

Ulrich und Diotima is a collection of essential, pure wall lights paired with a glass element, elegant and rich, in its interaction with light.

Two bases are defined by minimal geometries, shaped through an extreme process of synthesis balanced with technical requirements. The optoelectronic solution, featuring mains-voltage LED, optimizes not only the quality of light but also the components, reducing overall dimensions to the minimum necessary.

The first model consists of a small square base with rounded corners, projecting just enough to distribute light correctly within the space, while concealing the wall fixing inside a recessed mounting system.

The second typology introduces a profile that follows the wall, defining an L-shaped section that allows for surface mounting.

Like Ulrich, the (apparently) man without qualities in Musil’s novel, intellectually rich yet devoid of outward passion, these essential elements are paired with a luminous and refined blown-glass sphere, reminiscent of Diotima, the more frivolous cousin, capable of captivating everyone through her charm and intelligence.

Ulrich und Diotima

140 x 120 x h 15 mm

glass diffuser Ø110 mm

Total power: 15W

2700K / 3000K

Ulrich L und Diotima

148 x 120 x h 135 mm

glass diffuser Ø110 mm

Total power: 15W

2700K / 3000K

The two bases support a transparent Craquelé glass sphere, shaped by thermal shock into a uniquely textured surface. While still hot, the blown glass sphere is immersed in cold water: the surface fractures, creating delicate cracks that leave the interior intact while tracing a subtle decorative pattern.

The result is an irregular glass surface, interwoven with fine cracks that come alive with light, reflecting the texture into the surrounding space in a delicate interplay of light and shadow.

Ulrich

140 x 120 x h 15 mm

Total power: 15W

2700K / 3000K

Ulrich L

148 x 120 x h 135 mm

Total power: 15W

2700K / 3000K

Mirror

White glossy

Black glossy

Brushed copper

Agathe Carlotta de Bevilacqua

Agathe is an essential and rigorous wall light, characterized by a compact parallelepiped volume. The light emission is bidirectional: the light opens upwards and downwards from two recessed diffusers integrated into the body of the fixture.

Its clean, angular geometries combine with a wide range of finishes — from more minimal to warmer tones — allowing it to adapt to any application context.

Clean in its lines and free of superfluous additions, this wall light combines formal minimalism with quality of light, becoming a discreet yet elegant and functional element.

Agathe, an enigmatic and intense figure, is the sister of Ulrich, the alter ego of the man without qualities in Musil’s novel. It completes the collection of new wall lights that explore different expressive possibilities of the design, always with careful attention to lighting performance and reduced dimensions.

150 x 75 x h 150 mm

Total power: 20W

2700K / 3000K

Criosfera 175

Giulia Foscari UNA/UNLESS

PATENT OF INVENTION

"Criosfera, the cryosphere, encompasses all components of the Earth System that are frozen. 90% of such ice is in Antarctica. That same ice is the largest repository of data on our climate history. It is a time capsule that enables scientists to trace the climatic history of our planet, extracting from captive air bubbles trends of CO2, greenhouse gasses and temperature from past glacial and interglacial eras.

The quintessential marker of climate change is thus the Ice Core, a cylinder of stratified ice extracted from the depths of our planet’s ice sheets. The ice core thus becomes the element that creates awareness and calls to action."

Giulia Foscari

Criosfera is a synthesis of optical, material and scientific knowledge which translates into a manifesto of values between the present and the future.

The external blown glass cylinder is the structure inside which the optoelectronic engine disappears without visible shadows. Its uniqueness is linked to the craftsmanship. Engravings are impressed into the hot glass before blowing and makes its thickness wavy and irregular.

It contains the measured perfection of optical extrusion whose section diffuses the light without making the sources inside visible. This core can develop in different lengths.

The collection now includes three different sizes of light modules.

The first, shorter, fits into the space with three different essential structures, which refer to the scientific instruments used to extract and analyze ice cores. Then, a one meter glass is suspended, horizontal or vertical. A new longer light module now composes a horizontal suspension and a minimal floor version.

A Manifesto of Values and Know-how

Structural hand-made glass

Traditional technique

Technological internal core

Industrial optical intelligence

High efficiency

Criosfera 175 suspension

Ø100 x 1750 mm

cable max 1700 mm

Total power: 58W

2700K / 3000K

Transparent

"Criosfera

is not just a light. It is a resolution, a manifesto of our times. One that is imbued with optimism that we will, individually and collectively, defend intergenerational justice. Lights on. It’s action time."

Giulia Foscari

Criosfera 175 floor

Ø100 x h 1750 mm

Base Ø300 x h 10 mm

Total power: 58W

2700K / 3000K

Dimmer on cable

Base

Diffuser

Transparent

Alambicco 165 Neil Poulton

Alambicco is a modular light fixture that captures the beauty of blown glass, playing with transparencies and textures to control and diffuse light.

The extruded aluminum structure in the centre supports LED circuits on the four opposing faces and is the technological core around which the various layers develop.

The first layer consists of a knurled glass cylinder, designed to refract the view of the technological components without completely hiding them, ensuring the LEDs are non-glaring.

Set on this there are diffusers with rounded geometries, always transparent but enriched by a craftsmanship that draws inspiration from the ancient Balloton technique.

The hand-blown technique generates a three-dimensional texture that comes alive with the interplay of light.

Alambicco 165

diffuser Ø190 x 1640 mm

cable max 1500 mm

rose Ø290 mm

Total power: 53W

2700K / 3000K

Structure

Mirror

Diffuser

Transparent

ARTEMIDE APP

Hand-made glass Balloton traditional technique

Optical intelligence Light control through the textured glass

Modular structure 2 glass geometries

Each piece is unique, animated by reflections due to the varying thicknesses of the glass and the texture that follows the geometries of the diffusers, opening and closing the mesh of the design.

The glass diffusers have two shapes and two dimensions. Alambicco combines the craftsmanship and uniqueness of glass with the modularity of the composition, allowing the creation of a family of solutions and opening the perspective to develop proposals tailored to specific projects.

Two blown glass dimensions

Alambicco Ø190 mm

Alambicco XL Ø270 mm

Horizontal or vertical structure

Somnium Carlotta de Bevilacqua

PATENT OF INVENTION

"Light is a pure element that lives by its transparency, like air and water, it has no pretence of presence, it has a scientific reason."

Carlotta

Somnium is a system born from the fusion of optical, structural and production principles, brought to life through transparency. At its core there is an optical cell, engineered for maximum efficiency and optimal perception. Much like a cell, it reproduces and collaborates within the system, creating a seamless flow.

The optical calculation daringly embraces the material’s transparency, achieving a flawless blend of all the elements typically found in a lighting control system.

The lens, the primary tool for gathering and directing light, combines with the anti-glare, typically used to shield vision for increased comfort. These two elements, traditionally contrasting in material, converge into a single component.

The louvre is no longer an accessory but an integral part of the optics itself. The result is perfectly within all parameters of comfort and correct perception, it even achieves a UGR<16.

The resulting emission is a soft, comfortable light that opens up into the space with a controlled beam of 2x35°. It is combined with a diffused indirect emission.

The optical element, crafted from a singular material, embodies sustainable industrial intelligence in its design. It reduces material diversity, minimises weight and simplifies production steps.

Through linear, curved modules and now a 90° angle, it is possible to create continuous lines up to 15m long.

Open platform

Engineered for a replicable perfect coincidence among optics, mechanics and electronics

Spatial dialogue Systemic composition

High efficiency

93%

High efficacy

160 lm/W

Direct emission & Extreme glare control

UGR<16

Optical Control through Transparency

Refractive lens and TIR (total internal reflection) antiglare

Collect 100% of the LED luminous flux and reflect secondary rays maximizing the flux output

A perfect sustainable synthesis of the optical control elements

Antiglare & Lens, usually made by contrasted materials, come together in a single miniaturized transparent component

Linear module 420

5,4W - 829 lm

Linear module 840

10,5W - 1659 lm

Linear module 1260

16W - 2488 lm

Angular module 90° 5,4W - 829 lm

ARTEMIDE APP

Linear module 2100

24W - 3710 lm

Round module 90°

5,4W - 829 lm

Round module 60° 5,4W - 829 lm

Round module 45° 5,4W - 829 lm

Vea Foster+Partners Industrial Design

"Vea explored the themes of poise and balance. Here, the concept has been translated into a light fixture capable of providing a wide pool of light from above that can be adjusted and lowered to create a more intimate lighting effect."

Mike Holland, Foster+Partners Industrial Design

Vea is a floor lamp designed for both indoor and outdoor use. It comes in two heights, accommodating both interior settings and larger outdoor areas.

Vea embodies a light, minimalist and elegant design that plays with the balance of its base. Its structure allows the light to be raised or lowered to various heights, illuminating areas of different sizes.

It combines a long, slender stem with a V-shaped base, the centrepiece of the design.

The V-shaped base cradles the stem, allowing it to incline from a vertical position up to the desired degrees. This is achieved through a clever play of balance and support, seemingly simple in appearance and use, yet complex in the design definition to achieve the perfect equilibrium.

VEA FLOOR IN/OUT

Vea floor in/out

V base 1120 x 795 mm

h 3850 mm Total power: 10W

Patented optical design

Optical micro-grooves oriented toward the light source and perfectly flat output surface

Geometry designed to protect the optical element from atmospheric agents

High performances

Perfect light beam control

No glaring

High efficiency

High uniformity

Vea floor indoor

V base 730 x 585 mm

h 2405 mm

Total power: 11W

2700K / 3000K

IP20

grey

Free light movement

Unrestricted stem lean

Stem and head rotation 360°

Head tilting 130°

VEA SUSPENSION

Vea suspension 19

Ø195 x 120 mm

cable max 1700 mm

Total power: 7,5W

Dim to warm

IP20

Vea suspension 55

Ø550 x 360 mm

cable max 1700 mm

Total power: 18,5W

Dim to warm

IP20

Vea suspension 89

Ø890 x 595 mm

cable max 1700 mm

Total power: 44W

Dim to warm

IP20

Vea suspension features a simple conical form that enhances its perceptual richness.

With a dim to warm technology it creates an even warmer and more inviting atmosphere as the intensity is adjusted.

The recessed diffusing surface is designed to ensure comfortable light emission.

Colour choices play a key role in defining Vea suspension: the exterior shade is paired with a warm-toned interior, softening the light output and ensuring Vea retains its presence even when switched off.

A versatile solution bridging public and private spaces, with three different dimensions to be used alone or combined in a landscape of elegant elements.

VEA BOLLARD

From Vea’s iconic head emerges a versatile family of lights designed to illuminate indoor and outdoor spaces in a variety of settings.

The conical head also extends to two bollard versions of different heights, providing uniform illumination for green spaces and pathways.

Vea bollard 45

Ø150 x h 455 mm

Total power: 9W

3000K

IP65

Vea bollard 90

Ø150 x h 905 mm

Total power: 9W

3000K

IP65

Conus OBR

Conus is a collection of simple and functional outdoor lighting solutions, offering various installation types and a range of optical performances to provide the right illumination for multiple scenarios.

The collection includes a pole, two bollards of different heights and a stake, catering to diverse outdoor needs: marking pathways, creating expansive pools of light for gathering spaces, highlighting architectural features, details and natural focal points.

With its range of optical solutions and beam angles, Conus allows for dynamic lighting schemes tailored to architectural settings, green spaces and pathways.

Its design is iconic in the simplicity of its geometries, perfectly balanced for functional performance and

proportional aesthetics. The luminaire heads scale in size with their mounting height, available in diameters of 48, 60, and 80 mm, ensuring appropriate illumination levels.

Each head can rotate freely on two axes, allowing 360° light orientation in the space. The system offers a broad scope for lighting design, accommodating both regular and more visually striking arrangements.

The structure is minimal yet highly durable, making it ideal not only for private outdoor spaces but also for public environments.

The pole is suitable for different urban applications, like cycling or pedestrian paths.

Conus spike

head Ø48 x 85 mm

h 315 mm

Total power: 3,5W

S 20°, W 34°, WW 56° 3000K IP65

Conus bollard 45 head Ø60 x 115 mm

h 460 mm

Total power: 7W

S 12°, W 34°, WW 55° 3000K IP65

Conus bollard 90 head Ø60 x 115 mm

h 900 mm

Total power: 7W

S 12°, W 34°, WW 55° 3000K IP65

Conus pole

head Ø80 x 150 mm

h 2500 mm

Total power: 1 x 15W asymmetric lens

3000K

IP65

Conus pole 2 heads head Ø80 x 150 mm

h 2500 mm

Total power: 2 x 15W asymmetric lens

3000K

IP65

Sintesi, 1975 Ernesto Gismondi

Sintesi wall

head 210 x 105 mm

130 x 270 x h 500 mm

wall accessory 15 x 130 x h 30 mm

Total power: 1 x 20W E27 LED

First introduced in 1975, the Sintesi lamp was the first Artemide product signed by its founder Ernesto Gismondi. Conceived as an intelligent system, it is built around simple, shared components that form a versatile family of designs. The table version serves as the foundation from which the entire system evolves.

A small bracket is added to the table version to fix it on the wall. The freedom of movement allows light to be brought into the space. A simple accessory opens up new functionality.

The table lamp structure is minimal yet adjustable in both angle and height, consisting of a few bent metal elements. Two C-shaped pieces of different lengths form the frame, with the shorter one connecting midway along the longer piece to create a Y-shaped support. By opening and closing, this structure allows the lamp to tilt.

A frame surrounds the light source, holding and directing it. It features a universal E27 socket, ensuring adaptability over time and compatibility with evolving lighting technologies.

The frame also supports a reflector and a protective grid to shield the light source. Sintesi can be positioned in various ways to direct the light and can fold into itself for compact, flat packaging. Its project is direct and functional, shaped by a hands-on approach that lies at the heart of Ernesto Gismondi’s design philosophy.

As an entrepreneur, engineer and designer, Gismondi approached each project with a broad perspective: he considered functionality, quality and measured design, along with mechanical aspects, efficient production and easy assembly.

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"It’s like a magic formula and finding it is never guaranteed. You have to understand the needs of a particular moment in time. A product must be appreciated, meeting standards of beauty and harmony. But it also has to be manufactured and distributed, with the right price and market positioning."

Ernesto Gismondi

head 210 x 105 mm

130 x 270 x h 500 mm

Total power: 1 x 20W E27 LED

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