Viva 30th July 2025

COLOUR CONFIDENCE

Add some new hues to your home

AT HOME

HAPPY HIDEAWAY

Inside a cosy cabin on the East Coast

RUSTIC WARMTH

Timber transforms this holiday home

SUBTLE SHIFTS

Interiors trends to keep you current

Deadly Ponies marks its 20th anniversary with Thorn of Plenty, a collection that reflects on two decades of bold creativity Inspired by the traditional Horn of Plenty, the Spring collection draws from co-founder Steve Boyd’s family garden in Geraldine, where natural elements informed a rich seasonal palette Kale suede evokes the lush greens of the vegetable patch, Iceberg croc and Iceberg calf nappa mirror the hues of pale pumpkin skin, while the soft, yellow moss blanketing birch trees inspired the Oat colourway Each piece channels the brand’s signature blend of artistry, texture, and craftsmanship Certified carbon-zero and B-Corp, Deadly Ponies continues to lead in responsible fashion Its Recycle Programme closes the loop by repurposing leather offcuts and offering incentives for returning preloved bags The new collection is available instore from today at Britomart, Newmarket and Ponsonby Deadlyponies com

Thorn of Plenty Spot On

August marks the 15th anniversary of Heart of the City Auckland Restaurant Month a bold, flavour-packed celebration of the chefs, cultures, and culinary experiences that define dining in Tamaki Makaurau Running all month, the festival features more than 100 restaurants, over 20 exclusive events, and a record number of international and local chef collaborations Signature set menus return at $30 $45 and $55+ offering accessible ways to explore the city’s vibrant food scene This year’s Restaurant Month invites you to discover experiences you simply can’t cook up at home “It’s a celebration of everything that makes our city centre special,” says Viv Beck, Chief Executive of Heart of the City “From the creativity of our chefs to the richness of our hospitality, it’s the perfect reason to support local and share something unforgettable ” heartofthecity co nz/restaurantmonth

Building on its mission to deliver science-backed science at an accessible price point comes the newest innovation from The Ordinary one that rivals the pimple patch for ease of use Sulfur 10% Powder-To-Cream Concentrate, $16 50, is the brand’s first spot treatment and is said to soothe blemishes in as little as half an hour The innovative formula begins as a powder before transforming into an emulsion, and is the equivalent of more than 150 pimple patches offering a sustainable, affordable solution to those battling breakouts According to Rita Silva, scientific communications and brand engagement manager at Deciem, it represents The Ordinary’s commitment to innovation and delivering targeted, effective solutions for everyday skin concerns “Its key benefits include reducing the height, width, and redness of breakouts, controlling and absorbing excess oil, and improving overall skin texture It’s particularly effective for ‘angrylooking’ blemishes and significantly reduces spot redness,” she says “The formula is suitable for all skin types, including sensitive skin ” Available exclusively from Farmers and online at Farmers.co.nz from August 6

Music

Strings, keys and drummer attached

Ahead of her band’s tour of Aotearoa in November, Sharon Van Etten talks to Varsha Anjali

“Iknow how hard it is to just feel like a hired gun,” says US musician Sharon Van Etten

She’s talking to Viva via Zoom from her garage home studio in Los Angeles, ahead of her November New Zealand tour

She’s surrounded by some of her favourite instruments and inspirations as she talks her synthesisers, like the Jupiter 4 and Korg Delta; pictures of Billie Holiday drinking whiskey, her friend screaming out of a car, an original of the Are We There album cover Van Etten took herself, a cheeky-faced Muhammad Ali, Agnes Varda, Frida Kahlo and a mood board

Having released six studio albums as a successful solo artist, Van Etten’s lyricised, open-chested honesty has touched millions, including John Campbell (whom Van Etten says she is “tied to forever ’cause I feel like he understands me”)

So it was a surprise when, in February, she decided to become one of a quartet, releasing her seventh studio album with the musicians who had previously served as her backing band

Referencing the psychological concept as well as the closeness of the group, the new album and the band are both called Sharon Van Etten & The Attachment Theory

“We had all gotten so close as friends just as much as collaborators,” Van Etten says

She and keyboardist Teeny Lieberson, drummer Jorge Balbi and bassist Devra Hoff had holed up in a detached studio of a rented house for what Van Etten calls “a literal band camp” in 2022

Gathering together for the first time since the world locked down due to Covid, they ate, they swapped life updates, they rehearsed Van Etten’s sixth album, We’ve Been Going About This All Wrong, which was produced in her home studio And it was then that she knew she wanted to commit further

“I wanted to show them after going through something like Covid and recording a record from afar on the previous record, that I wanted to invest in them ”

As soon as Van Etten got a break, she booked the same place and the band jammed again They wrote 14 songs in a week

While Van Etten admits the move to become a band was nerve-racking at first, it was also easy for her

“It was pretty effortless once I let go,” says the 44-year-old, adding that she believes their live shows are “better than ever” because everyone is much more invested

This relational confidence is reflected in the record’s soundscape and the spaces it dares to explore The emotions are in

battle But there’s plenty of light in its bones

Van Etten’s transcendental chords and Lieberson’s witchy synths form a powerful reckoning in Live Forever The album’s magnetic opener, inspired by a conversation she had with a friend about an article on an age-reversing science experiment, expresses a sense of “spiralling”, Van Etten says Trouble has a nostalgic feel that tastes deliciously of The Smiths, Cowboy Junkies and Siouxsie And The Banshees Jorge Balbi’s drums pound deeply over and over in I Want You Here, with Devra Hoff’s delicate bass leaning to a kind of ethereal slowcore that’s both dreamy and heartbreaking

New Zealand audiences will experience these songs performed live when the band tours Wellington, Christchurch and Auckland in November

Although she’s been here three times before, Van Etten says she would like to stay longer on this visit

“I’m trying to figure out a way to have my family meet me out there and maybe just spend a little bit of a holiday there But we just have to check our school calendar ’cause my kid is now in real school, so it’s harder to schedule around it ”

On previous visits, she recalls visiting Karekare on Auckland’s west coast on a stormy, foggy day

“I still have a video of us walking on the beach and hardly being able to even get a video because it was so windy, but it was really beautiful, like very dramatic ”

Like many parents, Van Etten is concerned about the state of the world and its impact on her only child, an 8-year-old son whose real name she has never publicly revealed

The intense melodies of the song Southern Living on the new album echo this, if not scream it

“My hands are shaking as a mother / Trying to raise her son right” she sings, one note after another, like the ringing of a bell to warn of danger

“There’s a lot of frustration and anger [on the album], but there’s also a lot of hope,” says Van Etten “We’re creating these safe spaces for people to feel all these feelings about how frustrating the world is right now, but we’re also creating a safe space to have a community ”

She shares her son with former manager and now-husband Zeke Hutchins The couple don’t let their child own a device, but sometimes he is allowed to watch PG13 films, as his parents would rather be present and discuss it, “than going down a YouTube or a TikTok rabbit hole of just short form”, she explains

Her son isn’t separated from her music duties he comes along for the ride He’s even credited on the song Idiot Box for the additional drums under his chosen pseudonym “Croissant Man”

Before she had Croissant Man, Van Etten was worried motherhood “wouldn’t click” for her Those fears melted quickly

“I felt like I had an understanding as soon as he was born, how connected we were in this other way,” she says She says she realised: “My only job is to allow him

to be,” then quickly confesses she has “no idea” how many parents feel even when things are going right

Beyond her creative pursuits, Van Etten is gnawing at her psychology degree after a two-year hiatus She says she is two general classes away from potentially pursuing a master’s degree, and while she’s still educating herself on therapy styles, she knows she wants to work with college-age students

“I feel like at that age, 18 to 21, it was a very formative time for me and a period that I probably was the most lost I hadn’t known I could speak to somebody ” Van Etten was in her early 20s when she saw a therapist for the first time She had just moved back home with her parents for a year before heading to New York She says the therapist was able to put a name to things she was going through

“I didn’t know I had PTSD from prior events that happened, and she was able to help me manage my anxiety without needing medication,” says Van Etten, who has previously spoken about being in an abusive relationship with a musician when she left home at 17

Not only did this therapy have a significant impact on her day-to-day life, but it also cemented her interest in the field

“There were certain exercises that she taught me that helped me learn how to be able to walk in a room ”

It wasn’t until later, when she was already pursuing music and meeting fans, that Van Etten thought she wanted to take it further With so many fans connecting to her cathartic artistry, they sometimes share their own vulnerable experiences with her It’s common when this happens that people get triggered with their own traumas “Trauma can trigger trauma,” she told Viva in 2022

Has it become easier to manage those boundaries?

“I’m very careful,” she says “I wondered if there’s actually a class on boundaries because I just think there’s so much grey area, especially with how people can reach out and communicate now in different forms ”

The goal in the end is simple: “I want to learn how to understand what [the problem] is, and I also want to learn how I can utilise my skillset to help people ” From new music and being a mum of a young child to studying at university, Van Etten has a lot going on But she has a firm grip on her peace

“Family life is pretty grounding,” she says “Another extension of my family is my band we just go to the beach, go to the park, go skating and try to have a regular routine with exercising and eating as healthy as I can I think those things like normalcy and connection keep me grounded ”

Sharon Van Etten & The Attachment Theory are on tour in New Zealand this November

• Wellington The Opera House, November 25

• Christchurch Isaac Theatre Royal, November 27

• Auckland The Others Way festival, November 29

Interiors

Colour has a magical way of making a house feel alive, says Erina Emery; blush is one of the interior designer’s favourite colours (right) Photos / Matt Kl tscher

Colour

YourWorld

Our love affair with greige may be over, writes Leanne Moore. A new breed of brave designers is turning the tide on bland interiors by showcasing and trumpeting the powerful impact colour can have on our lives.

Be bold Be brave Decorate your home for you, and only you “When it comes to colour, my biggest piece of advice is to do what you love If a colour makes you happy, go for it your home should feel like a true reflection of you,” says Auckland-based interior designer Erina Emery “Think about how you want a space to feel first, then choose colours that support that mood And don’t just follow trends or pick something because your neighbour said it looked nice you’re the one living in it, not them ”

Colour can make an extraordinary difference to the way we think and feel new scientific research has shown that the colours we surround ourselves with have an impact on our wellbeing As a nation, we’ve been stuck in a de ´ cor funk of white, grey and beige for a while We’ve become accustomed to painting our homes in tones that lean towards dullness, rather than daring Neutral, almost-not-there backdrops are the go-to colours in a sea of cookie-cutter interiors Safe But boring

But there are encouraging signs that the pendulum is swinging in the other direction A few colour-savvy designers are creating vibrant spaces that are striking a chord with those who believe colour makes life better The result is exciting, inspiring interiors, brimming with fearless personality where bold colour combos and outrageous de ´ cor decisions are embraced

“Of course I believe that colour makes life better I’m crazy about colour,” says Erina “But honestly, it really does make life better Colour brings energy, emotion, and a sense of personality into a space It can turn a bland room into something joyful, cosy, or downright fabulous

“Whether it’s a gorgeous wallpaper, a

playful pop of pink on a cushion, or a deep inky blue in a bedroom, colour has this magical way of making a house feel alive It’s not just about style it’s about creating spaces that make you feel something Life’s too short to live in beige bring on the colour!”

She painted the staircase in the entranceway of her own home bright red to add a wow factor If that’s a step too far, then even a pop of colour can have a dramatic impact

Erina recently added uplifting colour to a client’s open-plan living area and the improvement was instant

“They had two grey sofas and wanted to bring in some colour without a full overhaul I designed a playful nesting coffee table setup with one round table and two round ottomans one in hot pink, the other in bright yellow We layered in some bold, printed cushions to tie it all together That injection of colour completely transformed the space it went from safe and neutral to vibrant and full of joy Such a simple change, but a total game-changer ”

When it comes to mood-altering colours, blush is another favourite of hers “It’s like a warm hug in colour form Soft, flattering, and quietly confident, it brings a sense of comfort and calm without ever feeling boring I love using blush in bedrooms or lounges where you want to unwind but still feel a little glam It pairs beautifully with everything from deep greens, blues and warm neutrals, and just being in a room with blush tones can make you feel a little softer, a little more grounded, and a whole lot more at ease,” she adds

Johns Hopkins University in the United States is leading the research into the value of intentionally designing spaces for wellbeing, holding an inaugural summit

in 2023 Leaders from the fields of architecture, design, neuroscience, cognitive science, environmental psychology, and technology hosted conversations about research and design practices The university has established the International Arts + Mind Lab at its Brain Science Institute to study the relatively new field of neuroaesthetics

Last year, it convened international experts from various disciplines to discuss how built environments affect human health and wellbeing

Erina has seen first-hand the impact colour has on people “Research now backs what many of us instinctively feel: our surroundings shape our mood, and colour is a big part of that,” she says

“Soft tones can soothe the soul, while bold splashes of colour can spark joy and lift the energy of a room I’ve had clients

tell me they didn’t realise how flat their home felt until we brought in colour and suddenly the space felt warmer, more alive, more them

“Colour isn’t just about making things pretty, it’s about creating a home that truly supports how you want to feel ”

COLOUR ALCHEMY

Pac Studio, an Auckland architecture practice known for its bold and directional colour choices, is headed by architect Aaron Paterson and designer Sarosh

Mulla Pac’s unique interiors are an alchemy of their distinctly different approaches to colour: Aaron likes dusty colours, while Sarosh prefers saturated tones “We often meet between these extremes, which makes working with colour rewarding,” says Aaron The pair, who are both senior lecturers

at the University of Auckland Waipapa Taumata Rau, intentionally include colour choice as a considered part of all Pac designs from beautifully crafted renovations to bold contemporary new builds “We believe colour plays an integral role in the creation of any spatial environment,” says Aaron “It is a powerful tool in the architect’s kit: The way colour and pattern work in architecture is much like that in clothing or graphic design, combining elements thoughtfully to create balance and interest I am intrigued by how colour enlivens drab spaces and adds another dimension to a design ”

Experts working in the field of colour have seen how it can boost productivity, creativity and positivity Some colours make people feel better Research has shown blue can reduce the onset of stressrelated tension headaches, while red can enhance alertness, and yellow improves focus Colour can improve your wellbeing and enhance your quality of life at home

Aaron knows first-hand the impact colour can have in a domestic setting one of his favourite spaces is his home office, a sunny, north-facing room painted in pale yellows and dusty ochre oranges “These colours create warmth and cosiness, and I find them deeply satisfying to work in I favour dusty colours lowsaturation palettes mixed with greys or complementary tones This produces soft, subtle shades such as dusty blues, greys, greens, browns, and yellows, often evoking landscapes, gardens, and earthy materials like stone, clay, or ochre I find these colours calming, restful, and connected to the land,” he says “Sarosh, on the other hand, likes vivid, saturated tones reminiscent of the work of Mexican architect Luis Barraga ´ n ”

The pair have discovered the best way to get clients over the line, and make them feel safe with their bold colour selections, is to share a real life example: “We take them to see a project that we’ve done and that really helps, when they can see where we are going with their design, and what colour will bring to the overall look and feel,” says Aaron

COLOUR THERAPY

Natalie Parke, of interior design studio

Dessein Parke, says there has long been an awareness of the power of colour to affect the way we feel Ancient Egyptian and Chinese medicines both tapped into the benefits of using specific colours in therapy spaces to heal and soothe people

“The secret to using colour well is understanding it, what you are trying to achieve with it and why Colour is just a tool that you use to support the creation

of a space, and when you know what your end goal is, you can use it to build up that narrative or vibe The key is not underestimating how powerful it is we often don’t realise the effect it is having on us and the environment around us,” she adds

Natalie used the calming power of colour after a particularly difficult and stressful project the construction of her own family bach at Tairua

“The build for Caspers House was insanely difficult We had amazing builders but literally everything that could go wrong did It was intense Because of this there was quite a lot of PTSD associated with the house so the inside needed to be something that would force you to relax as you entered, possibly without you realising and definitely without giving you a choice ”

She opted for a deep midnight blue, Poor Knights by Dulux Doubling down on the bold choice, she employed an interior design technique known as colour drenching, where a single colour is used extensively throughout a space, including walls, ceiling, trim and even furniture

This creates an immersive and cohesive look by intentionally saturating the space in one colour

“It is an amazingly serene space to be in The very dark colour creates a bit of a cave vibe, which is very cooling and desensitising and is just so lovely to live with,” she says “There are also some massive windows so there’s a lot of light coming in all the time, from lots of

different angles It is so fascinating how the blue is often not blue, but shades of teal and in some angles almost white And at night, it is the same colour as the sky so it creates this seamless view to the outside, which is magical ”

Not surprisingly, the dramatic decor draws a mixed reaction “It is confronting Some people could not understand why anyone would want to paint the interior of an entire house one colour and that colour was dark blue ”

She’s as passionate about her dark blue interior as the day it was painted “If you are designing a space for yourself, remember it is for you, not other people Do what makes you happy and suits your needs It’s okay if your vibe is different, that’s what keeps life interesting ”

A bathroom project on Waiheke is another favourite “These amazing clients were happy to go for walls in light purple and the floors and basin in terracotta On the colour wheel these colours are triadic (at triangle points with each other) and seen in nature together lots, but in a bathroom, a bit less so,” says Natalie

COLOUR CONFIDENCE

Erina says the secret to using colour well lies in confidence, balance and intention “It’s about trusting your instincts (or mine) and using colour with purpose whether to energise, calm or create drama I think some people get put off using bold colour as they think it will be scary The trick is knowing when to go bold and when to pull back, layering tones and textures

so everything feels effortless, not overdone Think of contrast as your secret weapon: rich hues with soft neutrals, or pastels popping against something deep and moody And always, always consider the light it can make colours sing or fall flat Done well, colour brings pure joy ” Then why have we been lost in a sea of greige for so long? Aaron and Erina believe it’s driven by the real estate market “Agents recommend neutral colours to appeal to a wider range of buyers,” says Aaron “As a result, many view their house as an asset rather than a home White and grey feel safe But paint is economical, transformative, and easy to change If you like colour, use it you can always repaint before selling ”

Erina agrees: “There’s a long-standing belief that neutral walls are easier to live with and better for resale, so many Kiwis design for the next owner rather than for themselves ”

She’d like to see more people creating homes that suit them and their lifestyle: “While neutrals can be beautiful, they can also become a bit of a default In a country full of creative, bold, and adventurous people, our homes don’t always reflect that spirit Colour has the power to express personality, create mood, and make a house feel truly lived in It’s time to shake the beige and embrace a little more joy on our walls ”

For those unsure where to start, Erina has a tip: “The best place to start? Your wardrobe If you love wearing deep greens, warm rusts, or soft blush tones, chances are you’ll love living with them too

“These are colours that already make you feel good so bring them into your spaces Start with playful touches like cushions, artwork, or a fun lampshade Feeling braver? Wallpaper is a gamechanger try it in a powder room, a hallway, or even the ceiling for a real ‘wow’ moment

“Paint your cabinetry, add a coloured trim, or choose a statement sofa in your favourite hue Just balance those bold moves with a few grounding neutrals so it all feels pulled together And don’t forget texture layer in velvet, rattan, stone, or timber to add richness and warmth ”

At the end of the day, it’s not about following trends it’s about creating a space that feels like you So be bold, trust your gut, and have fun with it Injecting colour into your home should feel like joy, not a job Colour is meant to bring happiness so let it

What’s

From a wooden cabin in Tokomaru Bay, Cate and Mike King tend to their beehives. They open up the freshly finished HQ to Madeleine Crutchley and reflect on their journey in a sweet business.

Cate and Mike King spend their favourite mornings looking out over the Tasman Sea, greeting the sun as it folds away a blanketing night sky

It’s the view granted by their warm wooden cabin, perched on a hill in Tokomaru Bay While it functions as a getaway and a place for their family to gather, it’s also a place of business: beekeepers often stop by on their way to the nearby apiary, where they harvest honey for the couple’s business King Bees

The location is a culmination of the 11 years Cate and Mike have spent as business partners Their journey into beekeeping was encouraged by Cate’s parents, who run a farm in Tokomaru Bay

“At the time there was a bit of a boom in the honey industry and there are lots of native trees, such as manuka and kanuka around [the farm],” Mike explains

“Cate’s dad, he’s a farmer and he’s quite entrepreneurial He bought 100 beehives ”

The venture caught Mike’s interest in 2014, and he began to spend weekends and holidays away at the hives honing his skills for apiculture Steadily, the population of bees grew When Cate’s dad told the couple he would be putting the business up for sale, they decided to buy it themselves and go all in on beekeeping and honey harvesting together

This led to the founding of Pauariki

Cate and Mike King of King Bees; above, a macrocarpa ladder leads out of the dining room and up to the second level; King Bees' HQ is a cabin perched high on a hill Photos / Madele ne Crutchley

Honey in 2016, which focused on supplying

brands from their

Bay Since the launch they have endured the impact of Cyclone Gabrielle on the east coast, and a changeable market

King Bees is a relaunch for the couple, prioritising selling their own honey in pantry pottles directly to consumers

The playlist was an important factor in their meet-cute

“Beastie Boys on cassette and the rest is history

“It’s been hard work, beekeeping over the years, but we really love this industry It’s our turn to try and rise up and create a brand that speaks about who we are, but also our region, which is really important to us,” Cate says

Their roles encompass different sides of the business Mike works as head beekeeper and manages their growing number of staff, while Cate handles sales, design, marketing and exports They’re happy delegating to each other

“I’m pretty happy just to go ‘Cate’s boss of that’ I’ll leave that, let her take control of it She’s definitely got some amazing skillsets that I don’t have,” Mike explains

“Vice versa,” Cate adds

The pair met on the eve of Cate’s 18th birthday party, when 19-year-old Mike was on holiday from his first year studying sports science at university

“Cate’s parents bought a bach about five houses down from where I grew up We

“From then on, we’ve pretty much been joined at the hip We’ve travelled together, both been to university, we’ve got four

It’s our turn to try and rise up and create a brand that speaks about who we are, but also our region, which is really important to us.

Cate King

Cate says

To maintain a healthy relationship with the business, the pair have set sturdy ground rules The most important? Family comes first

“We chose not to do the local market here in Gisborne on Saturdays because we’ve got four kids and we like coaching the sports teams and being involved with them,” Mike says

King Bees HQ is another cornerstone of the business: it works to care for the wider family and their growing team of staff

The cabin is in Tokomaru Bay and has come together over the past three years they’re still putting the finishing touches on it

“It’s a place of reconnection and it’s the hub of our business and it’s our home ”

The cabin was realised through collaboration with master carpenter, builder and friend Stan Scott

The cabin is largely made of salvaged and second-hand pieces The couple also looked to source from local makers the cedar and redwood used in both the exterior and interior came from a local miller in Gisborne There are recycled timbers, too, including from an 1880s kauri

There are smaller fixtures within the cabin that have also been given a second life The kitchen splashback is made of terracotta tiles, a swordfish bust swims over the dining table and there are stained-glass windows that provide a peek of the surrounding landscape

“[They] are from an old church that got pulled down from Gisborne,” Mike says Touches of the outdoors also make their way inside, reflecting the cabin’s immediate surroundings The intention is clear with an illuminating industrial lamp painted a dusty orange Cate and Mike say the shade reminds them of tramping huts in Aotearoa that are splashed with the colour

There are a few contemporary touches to be spotted too (Martino Gamper’s circus stools scattered throughout the house) Cate frequents the deck each morning, to sit in a rocking chair and sip a yuzu and honey drink while the sun awakens Mike often heads up the wooden macrocarpa ladder to enjoy the residual heat of the fire There’s also the outdoor bath, which overlooks the bay

“I can’t believe we haven’t done one earlier,” he says

It’s a site of rest, relaxation and reconnection one that is all about the bees, buzzing in the natural surrounds

Film festival Onourwatch-list

Whanau Marama

New Zealand International Film Festival returns next month.

Madeleine Crutchley lists some of Viva’s picks from the line-up.

The Whanau Marama: New Zealand International Film Festival returns from this August, bringing international and local stories to the screen

It’s a magical time of year when The Civic opens its door to moviegoers for the Whanau Marama: New Zealand International Film Festival, which begins in Tamaki Makaurau Auckland on July 31

That grand corner theatre will celebrate opening night with a screening of Palme d’Or winner It Was Just An Accident This film, directed by Jafar Panahi, is a revenge thriller that contemplates the rewards of such a quest

Another centrepiece of the festival is the much-anticipated documentary Prime Minister, which catalogues the six years Jacinda Ardern spent in office (from the perspective of those closest to her) On Auckland’s closing night, there’s another genre shift: Sentimental Value, directed by Joachim Trier a comedy-drama with acclaimed performances from a sparkling cast (think Renate Reinsve, Elle Fanning and Stellan Skarsgard)

The 2025 programme goes far beyond features too you’ll find lots to love among the short films and director discussions slated for the schedule After its Auckland schedule, the festival heads to centres around New Zealand, from Kirikiriroa Hamilton to Otepoti Dunedin

From local stories that wander Auckland’s inner city streets to impactful international films, these are a few of the films to add to your watchlist now

THE WEED EATERS

In this absurd local horror-comedy, a mellow New Year’s holiday in the rolling plains of North Canterbury devolves into a nightmarish trip The celebration, marked with the sharing of a joint, is suddenly troubled with accidental killing, cannibalistic munchies and high-stakes friendship fallouts Callum Devlin (of indie-rock band Hans Pucket) and Annabel Kean comprise the film-making duo Sports Team who have brought this feature to life, collaborating with a constellation of other stars from our creative scenes

CACTUS PEARS

This wistful romance shot in inland Maharashtra, India, explores a budding romance between two childhood friends Dealing with the grief of losing his father, Anand travels from Mumbai to the countryside, where he reunites with Balya, who has become a farmer Both are facing pressure as unmarried men in their

30s Their history of affection unravels as they spend time together in the natural surroundings and begin to imagine what a future together could look like Director Rohan Parashuram Kanawade has been congratulated for his tender and precise debut: Cactus Pears won the World Cinema Dramatic Competition at Sundance Film Festival earlier this year

WORKMATES

Performance fans who frequent the innercity streets of Tamaki Makaurau for gigs, shows and pageantry will find affectionate representations of its creative venues in this sweet rom-com Largely shot in the Basement Theatre, the film follows two theatre managers working tirelessly to keep the lights on while managing the tensions developing in their outlooks on

the creative arts Local luminaries, including Chris Parker, Zoe Robins, Matt Whelan and Arlo Green, make up a delightful cast The film is written by Sophie Henderson (who also plays the lead) and directed by Curtis Vowell the duo previously worked on the Rose Matafeo comedy Baby Done Workmates promises the same amount of heart

MAGIC FARM

This silly satire amplifies and degrades the shock humour (and ethics) of newgeneration media companies by dropping an insensitive video crew in rural Argentina The incompetent creators fumble their hot lead and instead search the surrounding town for other content that might fulfil their click-hungry quotas Chloe Sevigny plays an increasingly

disillusioned host, while Alex Wolff assumes the role of producer From Argentine-Spanish director Amalia Ulman, it’s said to be a colourful and messy exploration of exploitative productions

MAGELLAN

Director Lav Diaz tackles the myth of the great explorer in this epic historical drama (it’s two and a half hours long), which follows the journey of Portuguese coloniser Ferdinand Magellan in Southeast Asia Filipino auteur Diaz has been making feature films for more than 25 years, and this chronicle will likely showcase the best of his long-honed lens It should make a compelling watch when considered alongside the history of Aotearoa New Zealand

PUT YOUR SOUL ON YOUR HAND & WALK

This documentary, pieced together by director Sepideh Farsi, captures the Israel-Gaza war, through news footage, photographs and video call interviews with 25-year-old Palestinian photojournalist Fatma “Fatem” Hassona Sepideh says the film is her response as a film-maker to the conflict and “a way not to lose my sanity” Fatem’s death, following an Israeli attack on her home, “has forever changed its meaning”

● The Whanau Marama: New Zealand International Film Festival opens in Tamaki Makaurau Auckland on July 31, before touring the motu until September 10

Interiors Deeperdesign

At Copenhagen’s annual design festival, 3 Days of Design, a common theme ran through many of the exhibitions and collections: a renewed focus on the emotional dimension of space the layered, the tactile, the deeply human

What stood out most was a collective return to the home not merely as a setting of function or style, but as a place of rhythm, ritual, and quiet reflection This perspective on domestic life felt both familiar and grounding a reminder that the spaces we inhabit are not static, but evolve with us

There was a softness to this year’s presentations a soulfulness that gently challenged the rigidity often associated with modern design Together, they offered a vision of design not as something ornamental, but as something intimately entwined with the way we dwell, the way we gather, and the way our surroundings shape and reflect us

Structures of Living FRAMA

Bailey Meredith reflects on her trip to Copenhagen, where design moved beyond aesthetics to explore the emotional depth of the home

WHAT I LEARNED AT 3 DAYS OF DESIGN COPENHAGEN

These presentations signalled a deeper shift in our approach to design not as a tool for decoration or status, but as something that supports a way of living What tied these projects together was not just visual language, but an emotional tone Each space invited viewers to slow down, to contemplate how they felt within it, and to consider what it might mean to live well, not just look well

In summary, this year’s 3 Days of Design felt like a collective exhale A reminder that home is not a place to be perfect, but a place to inhabit

For those of us in Aotearoa, where considered living is already second nature, this felt like a quiet affirmation A reminder to let life leave its mark, blur the boundaries between zones and functions, and remember that transformation doesn’t require newness just clarity, restraint and purpose

● Bailey Meredit

Co-Founder & Cre

Home from Home Charlotte Taylor and Mae ´ va Massoutier

Presented at Noura Residency, this collaborative installation by Charlotte Taylor (founder of Maison de Sable) and scenographer Maeva Massoutier explored the layered dualities of domestic life intimacy and openness, function and feeling, permanence and change

Physically, the installation resembled a lived-in interior: layered textiles, sculptural furnishings, warm lighting, and everyday objects arranged in ways that felt both artful and uncontrived Walls and partitions were used sparingly, suggesting zones of domestic life without fully enclosing them Overhead, shifting daylight filtered through the space, altering the mood hour by hour

It was a study in how time, light and impulse leave their imprint on a home Marked by signs of presence and use, the installation felt deeply personal yet universally familiar

Key design takeaway: Rather than presenting an idealised version of home, it invited viewers to reflect on the one they already inhabit

FRAMA transformed their Copenhagen showroom housed in the city’s former St Paul’s Pharmacy into a conceptual framework for living Known for their holistic, cross-disciplinary approach to design, Structures of Living served as an opportunity to deconstruct the idea of the home into its essential elements and reimagine it from the ground up

The installation was built on a modular grid with open shelving, solid wooden forms and discrete architectural elements arranged in a way that blurred the lines between furniture and structure These became the framework for the home itself, offering storage, surface and separation without enclosure

There were no traditional rooms Instead, zones for cooking, eating, resting and gathering coexisted in a flowing space, inviting visitors to consider how a home might function without rigid boundaries

Throughout the space, moments of daily life were gently evoked a table casually set, a low-slung bed layered with linens and books, objects placed not for display but for use The effect was immersive, yet understated a subtle demonstration of how design can shape atmosphere and behaviour

Key design takeaway: At its core, the installation proposed a different way of living: one where interiors are fluid, responsive and grounded in intention rather than excess

Debut Table Linen Collection Cappelen Dimyr

Best known for their hand-knotted rugs and tactile textiles, Cappelen Dimyr unveiled their first table linen collection in collaboration with French creative studio La Bagatelle Rather than presenting the range in a showroom or gallery format, the brands opted for something more intimate: a domestic scene set within a Copenhagen apartment

Visitors entered what felt like an ongoing dinner tablecloths softly creased, candle wax melted into holders, glassware left slightly askew The table was set, but imperfectly so, suggesting life rather than styling Sunlight poured through gauzy curtains, illuminating the washed linen textures in earthy neutrals and muted tones

Every detail from the folds in the fabric to the choice of ceramics spoke to a philosophy of lived-in beauty The installation challenged the conventional polish of product presentation and instead celebrated with warmth, humility and the quiet luxury of things made to be used

Key design takeaway: Elegance doesn’t require perfection the most enduring design is often the kind that bears signs of life

JETTYBY THELAKE

Designed to maximise its lakeside location, this haven is the ultimate modern home sleek, pared-back and easy on the planet

Need proof that modern design can be contemporary and ecoconscious? Then this lakeside retreat is it Designed by Nick Officer of First Light studio, it has the simple lines of a classic New Zealand bach and the year-round comfort of a low energy, high performance home Anchored to the crest of a hill overlooking Lake Taupo, it is carefully crafted to take advantage of the expansive view, while maintaining privacy from surrounding properties

Modest in size, this holiday home delivers an extraordinary living experience, says Nick

“At the heart of the home is an elongated entry sequence, dubbed ‘The Jetty’, which extends from the front door toward the lake-facing living space This architectural promenade references the experience of walking along a lakeside jetty, reinforcing the home’s connection to place

“When you enter the front door, the eye is trained toward an overscale picture

window framing the breathtaking and panoramic views of Lake Taupo and the surrounding Kinloch region ”

Designed as an escape for a young family from New Plymouth, the split-level home has the clean lines, sleek surfaces and all the mod cons expected of a 21stcentury home but on top of that it has an eco-conscious ethos

First Light, an award-winning architecture and interiors practice based in Wellington, designed the house in association with eHaus

Built with the principles of passive house design in mind (but without certification) it has high-performance insulation and triple-glazed windows to significantly reduce heating and cooling demands “This home has been designed to offer a consistently warm, comfortable, healthy and refreshing environment, even in one of New Zealand’s most challenging climates,” Nick says The location has everything you could want from a retreat peace, simplicity and proximity to nature “When we were working on the layout, one of the challenges was balancing optimal solar gain from the north while maximising views stretching to the south and northeast,” he says Tailored to the clients’ needs, the open-plan living, kitchen, and dining areas seamlessly connect to outdoor spaces, providing options for outdoor living that take into consideration the predominant westerly wind, enabling year-round use Supporting the rhythms of family life, the home includes three bedrooms, with a built-in bunk room for children, two tiled wet-room bathrooms, and a flexible work-from-home space The garage accommodates recreational gear for outdoor activities and an EV charger, reinforcing the home’s sustainable ethos Soft natural tones dominate both the exterior and interior, with punches of

black and dark brown providing dramatic contrast A restrained material palette yellow cedar with Colorsteel acknowledges the durability required for a bach, while softening the home’s integration into its lakeside surroundings

The Colorsteel is a low-maintenance option suited to the region’s climatic extremes, while yellow cedar is one of the world’s most durable timbers “As specialists in sustainable architecture, this was an incredibly rewarding project to work on,” says Nick

In association with Trends For more photos of this house, go to https://trendsideas com/stories/bachsensibility-with-ehausstandards

The split-level home has clean lines, sleek surfaces and mod cons, plus an ecoconscious ethos

Designer: Nick Officer, First Light Photographer: David Hensel

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BACK TO NATURE

urrounding ourselves in nature is a proven way of de-stressing and what etter way to embrace natural than by nviting it indoors

often the transition between interior nd exterior spaces by using the same r similar colour palettes Its easy to do his on stained walls ceilings and soffits simply use Resene Woodsman Cedar Natural Wood Oil in your favourite colour inside and out The colour range is inspired by our Native Forests to help you connect your home’s interior to the great outdoors

Layerup

The beauty of nature is that its never just one colour Mother Nature does a beautiful job of layering up many similar colours – think of all the shades of green in a forest You can mimic this in your own home by layering up variations of your colour If youre going all neutral, the Resene Whites & Neutrals palettes have up to six strength variations of the most popular colours so you can quickly decide which to use for your layering

Staystrong

As much as Mother Nature creates beauty, wind salt, sun and rain all ravage our homes While bare surfaces may look nice initially, it won’t be long until they are discoloured or covered in mould Remember to always protect surfaces with Resene paints and stains – its much easier to repaint or stain than it is to replace the entire surface

Top tips

• Useforagedfindsasfinishingtouches CoattheminReseneColorwoodWe SpeakBeachforabeachwashedlook

• If your preferred nature tones are dark use Resene CoolColourstohelpreflect moreheat

• Beware the glare Bright sunlight can be glary Choose a lower sheen finish such as Resene Lumbersider Low Sheen or choose a deeper colourtoreducetheriskofglare

• The timber will affect how a stain looks Always try it on an offcut first using a Resene testpot

Need help?

Ask a Resene Colour Expert resene co nz/colourexpert

Ask a Resene Paint Expert resene co nz/paintexpert

View the huge range of Resene wood stains and clears and get all the expert advice you need for your decorating projects at your local Resene ColorShop

LOVE THE LAUNDRY

If you take caring for your fashion seriously, Fisher & Paykel’s latest laundry innovations are a quiet revolution

Design freedom for the modern home

Today thelaundryisnolongerviewedsimplyasabackof-house closed-doornecessity Architectsandinterior designersaretransformingeverydayutilityspacesinto sophisticatedplacesthataremoreenjoyableanduseful withagreaterdesignfocus

Thelaundryhasbeengivenanewlife,asarchitects alsoreimaginemudrooms sculleries walk-inwardrobes andevenmainsuites

KiwiinnovatorFisher&Paykelisleadingthe transformationoflaundrieshereandoverseas witha commitmenttodesignfreedomwithappliancesthat integratebeautifullyintothearchitectureofmodernand classichomes Itsmodulardesignphilosophymeans youcanplaceappliancesexactlywheretheymakethe

mostsenseforyourlifestyle maybethatsaFabricCare Cabinetinyourdressingroom orafulllaundrysuite behindcabinetryinanopen-planbathroom

Thisdesign-forwardethosreachesitspinnaclein thebrandscollaborationwithItaliandesignhouse Boffi,showcasedatTheBoffiLaundryatFisher& PaykelsAucklandExperienceCentre Here technology materialsandspatialdesigncometogether UsingBoffis Antibessystem,aFabricCareCabinet SteamCare washeranddryer andadispensingdrawerareelevated byarefinedgridofbronze-aluminiumframed smokygreyglasscabinetry

Structural elm handmade tiles Dorado travertine and leather-lined trays add a tactile richness while warm accent lighting enhances the serene, gallery-like mood This isnt just a laundry it s a fully integrated lifestyle space that proves fabric care can be as beautiful as it is functional

Make your fashion last Fisher & Paykel is revolutionising not just how we clean clothes, but how we care for garments, how we design our living spaces and live more sustainably When it comes to what we wear we want quality investment garments, not the fast fashion and cheap fabrics that are choking our planet We want garments that will stand the test of time and we want to look after them mindfully

For more than 90 years right here in New Zealand Fisher & Paykel has been designing and refining the art and science of fabric care

Its Ultimate Fabric Care Solutions featuring Series 11 and Series 9 and 7 Steam Care appliances showcases its ongoing commitment to quality, sustainability and design freedom The message is clear: luxury today isn t just about what you wear but how you care for it

The new language of fabric care

Fisher & Paykels Fabric Care collection introduces a radical shift in how Kiwis think about laundry It looks at fabric care as an ecosystem not a collection of stand-alone appliances, but a seamlessly connected suite of solutions engineered to deliver perfect results every time

Whether it’s your tailored wool coat, a favourite silk blouse or leather sneakers every item in your wardrobe now has a dedicated care setting At the heart of the collection are the Steam Care Washers, Steam Care Heat Pump Dryers and the pioneering Fabric Care Cabinet This new entrant to the laundry category is quickly becoming an essential appliance for the modern home Together these appliances offer a complete end-to-end fabric care solution designed for every fibre, texture and weave in your wardrobe

Technology that understands fabric

Fisher & Paykels Fabric Care Solutions come from years of science and research leading to a sophisticated understanding of textile fibres, fabric construction and garment behaviour

This expertise is woven into every cycle setting and feature

Steam Care technology gently de-wrinkles deodorises and refreshes garments without the need for a full wash saving water and energy while extending garment life

ActiveIntelligence™ cleverly uses sensors to detect load size and soil level automatically adjusting cycles for optimal results with minimal resource use

Woolmark™ certified cycles protect natural wool fibres

Specialised silk settings provide low-heat steambased care that preserves softness and lustre

The Fabric Care Cabinet offers professional-level garment maintenance at home Using low heat and no mechanical agitation it works to refresh deodorise sanitise and dry delicate items from precious fine knits to a silk evening dress or even ski boots It’s a quiet revolution for anyone serious about wardrobe longevity

“This isn’t just a laundry it’s a fully integrated lifestyle space that proves fabric care can be as beautiful as it is functional”

Luxury with a conscience

At Fisher & Paykel sustainability isn t a buzzword it s an embedded design principle Its entire Fabric Care collection reflects a deep respect for the planet By using Steam Care cycles rather than full washes the appliances significantly reduce water consumption and extend garment life minimising textile waste and reducing the need for dry cleaning and chemicals

Its Heat Pump Dryers operate at lower temperatures to conserve energy and help protect fabrics Every appliance carries high WELS-certified water and energy efficiency ratings, and Fisher & Paykel takes things a step further by providing information about the estimated lifetime carbon footprint of each product a first in the industry

Constructed with robust environmentally sympathetic materials and built to last Fisher & Paykel appliances are designed with the brand s Engineered for Life promise in mind delivering performance and confidence that appliances will last for years to come

Intuitive control at your fingertips

The sophistication of Fisher & Paykel’s Fabric Care collection isnt limited to its physical design SmartHQ™ app connectivity allows you to control and monitor appliances remotely from starting a cycle while youre out to getting notifications when it s finished For larger homes with more than one laundry space this interconnectivity is a game-changer

You might have a Fabric Care Cabinet in the guest wing a Steam Care washer in the main laundry and a dryer near the childrens bedrooms The appliances can be operated through Amazon Alexa and Google Home

Regular tech updates by Fisher & Paykel mean your appliances will continue to improve over time downloading new cycles as they become available much like your smartphone or laptop It’s an appliance experience that grows with you

Look forward to doing the washing Fisher & Paykel s Fabric Care collection turns doing the laundry into a daily ritual of care and consideration

For the design-conscious it truly offers the freedom to create spaces that are both beautiful and highly functional For those invested in their wardrobe it offers gentle targeted care to prolong the life of each garment And for the eco-aware it provides a sustainable solution that respects both fabric and planet

What s not to love? Visit the Boffi Laundry at the Auckland Experience Centre and discover the exciting scope of what s possible Technology design and sustainability combine to prove that fabric care can enhance a luxury lifestyle

For more information and to explore the complete Fabric Care collection, visit fisherpaykel com

POINTTAKEN

This probiotic-rich skin treatment is the perfect introduction to microneedling, writes

Ashleigh Cometti

For someone who works in the beauty industry which is synonymous with much pricking, prodding and poking you’d think I would’ve overcome my needle aversion by now

Sadly the reverse is true, and the mere mention of a needle coming within close range is enough to make my palms clammy So it was with a dose of courage that I signed up for Exo Booster Microneedling, Dermalogica’s newest skin rejuvenation treatment available from its Skintopia clinics

The treatment is new to Aotearoa, but renowned globally for its ability to improve skin texture, tone and resilience and is unofficially touted as the “bacteria facial” for its use of probiotics

THE PROMISE

Exo Booster is a professional treatment powered by bacteria and a vegan exosome complex Coupled with Pro Resolution technology, it is said to support long-term skin cell renewal and vitality

Dermalogica claims it’s the first bacterial exosome system in the regenerative skincare space and it is said to improve skin texture, tone and resilience, while addressing the visible signs of ageing

What sets Exo Booster apart is its ability to enhance post-procedure results and skin healing, making it an excellent option to tack on to more invasive treatments like laser resurfacing, microneedling and chemical peels

Released by stem cells, exosomes are vesicles that operate like cell messengers

They penetrate the epidermis and activate cellular functions, including delivering collagen and elastin from donor to recipient cells, reducing inflammation or speeding up cell turnover all of which benefit overall skin health

Dermalogica’s vegan option has 10 billion lactobacillus exosomes derived from cabbage in every Exo Booster treatment When combined with medicalgrade microneedling, Exo Booster is said to support a healthy skin microbiome and leave skin revitalised and radiant

THE PRACTICE

Ahead of my treatment, I popped by Skintopia’s Herne Bay clinic for a 30-minute consultation with training manager Fulvia Beillard Fulvia quizzed me on my skin type, condition and concerns, to assess whether I’d make a good candidate for the treatment

I’m a combination/oily skin type, and tend to experience shine through my T-zone I get the odd hormonal breakout and am on a continued mission to reduce my pore size and lighten my pigmentation

On the day of my treatment, Fulvia She began with a double cleanse using the Dermalogica Pre Cleanse, taking extra care to remove makeup, sunscreen and surface impurities

Next, she applied Dermalogica’s signature Pro Power Peel in preparation, a tailored chemical peel with three formulations to choose from depending on your skin needs and desired result

Power Clear is for breakout-prone skin

Dermalogica’s Exo Booster combines microneedling and a vegan exosome complex

Photos / Suppl ed

with salicylic acid, mandelic acid and malic acid to target active blemishes and post-spot marks; Ultra Bright is for hyperpigmentation with a blend of lactic acid, phytic acid and mucor fungal extract; and Advanced Renewal smooths fine lines and wrinkles with glycolic acid, phytic acid and prickly pear extract

I opted for Ultra Bright, which was left on for a few minutes to work its illuminating magic Now for the pointy bit microneedling Fulvia mentioned the Dermalogica Pro Pen would feel slightly scratchy on my skin, but that it would be quick She was right on both fronts, but it was not nearly as prickly as I expected

The areas of my face that gave the most “bite” were the bony ones like my forehead or my temples Fulvia said Dermalogica’s Pro Pen is far more gentle than other microneedling tools

Microneedling creates micro-channels in the skin, which trigger its natural wound healing response This helps ensure optimum delivery of the Eco Booster treatment deep into the epidermis The Exo Booster solution is mixed fresh, the encapsulated exosomes combine with the Pro Resolution technology to ensure efficacy

With each pass, Fulvia smoothed on the solution to offer my now-warmed skin a

welcome dose of hydration and nutrients

Armed with the remainder of the Exo Booster vial roughly seven days’ worth I was on my way home, with strict instructions not to wash my face that night

THE PLACE

Skintopia, Unit 3 Jervois Apartments, 165-167 Jervois Rd, Herne Bay, with additional clinics in Mt Eden, Takapuna, and Wellington Skintopia co nz

THE PRICE

Dermalogica’s Exo Booster Microneedling is priced at $540 for an advanced 45-minute treatment Exo Booster is also available as an add-on for treatments such as RF microneedling, fraxel or nonablative laser treatments for approximately $350

THE VERDICT

Unlike Hollywood treatments touted to achieve a pre-event glow-up, Exo Booster Microneedling is here for the long game with results visible up to 21 days posttreatment

This was true for me, and in the days following my appointment my skin felt slightly drier and tighter than usual (both of which are common, Fulvia said) Twicedaily application of the remaining Exo Booster solution certainly helped with that, and I dutifully applied a pipette on clean skin as recommended

My skin settled by day four, and I began eagerly assessing changes to my complexion in the mirror each day

I allowed the full three-week period to make my final judgement, and I noticed my skin did feel more resilient

Not only this, but it appeared more even-toned and radiant, and while my pigmentation didn’t miraculously disappear, it seemed slightly easier to conceal under makeup

Having the vial of Exo Booster to apply topically was a game-changer and I wish the product was available as a standalone to complement my current skincare routine (hint, hint)

For best results, Fulvia recommended a course of treatments every couple of months I’d definitely book in for again to boost my overall skin health and resilience, but this time without a clammy palm in sight

AN EVENING IN TOKYO

Nomiya’s Japanese snack bites are works of art, says Jesse Mulligan

It’s impossible to visit Japan without becoming a Japan Bore Perhaps you know a few Japan Bores yourself half a dozen nights in Tokyo and they act like they grew up there “Shoes off at the door!” “Do you like our Mount Fuji chopstick holders?” “The Warriors game was great, but it’s no Matcha tea ceremony ”

There’s a reason Japan is the hottest destination on the planet; you don’t just want to visit, you want to live it

Then you come back to boring old New Zealand and everything feels drab by comparison It’s fine There are actually loads and loads of things we do better than the Japanese (openness to outsiders, progress on gender equality) but they sure know how to do culture

And, increasingly, there are places here in Auckland where you can experience a real taste of that culture Browsing Japanmart in Newmarket; sitting on a crate at Ajimi in Onehunga; taking a kintsugi class at Public Record and, now, here is Nomiya in Kingsland, where, if you squint your eyes, you could almost be back in Kyoto

Unfortunately, you will probably be squinting already, because the lighting is much too bright It’s a shame because they are doing almost everything else right, but the idea of enjoying a drink in a floodlit

restaurant at the end of the day will put a lot of people off You see, we are New Zealanders While Japanese people look better the more light you throw at them, we prefer to hide our genetic flaws in as much shadow as possible Dans Le Noir isn’t a novelty for Kiwis, it’s a preferred first date

We chose seats in a slightly dimmer balcony out the back still too bright, but darker enough that most of the customers were huddled out here in the middle of winter, warmed by the prospect of being harder to see Then the food started arriving and we forgave them everything This is one of the most exciting Japanese kitchens in Auckland

The format here is “Japanese tapas bar” and it makes sense when they serve their special If you order a beer you can access a selection of nine snacks for just $9 Nine dollars! That really does feel like Tokyo, where a friend tells me his local bento box is still the same price it was in 1993

I say snacks; these really are works of art Nine individual bites set in a beautiful box, they aren’t enough to fill you up but will fill you with joy and wonder A tiny potato salad, cross sections of lotus root, some lightly pickled cucumber ribbons, a little piece of oily fish each is just a mouthful but, as with so much of Japanese culture, the experience is more than the sum of its parts

Next, you should do some oysters I don’t say this lightly but, these are the best oysters you will eat in the city

Cold, beautiful, not a hint of shell you will need to order the selection, which is

five of them, served in a circle with an increasingly intense selection of condiments: lemon, then ponzu, salmon roe, wasabi (my absolute favourite) and kina They offer a special oyster-friendly sake with it if you want to make ordering easy

There is a tapas menu I didn’t flirt too much with (I tried the ramen which was nice but if you’re in the mood for soup I think you should go to a ramen shop), mostly because once you have imagined yourself eating nigiri (little block of rice with a sliver of fish on top) it’s very hard not to order it

“Is this brown rice?” I asked the chef when he placed 10 immaculately constructed nigiri in front of us

“No, not brown rice,” he said patiently, then explained that in fact the rice is coloured and flavoured with red vinegar, an ancient sushi seasoning which fell out of favour when ingredient prices went up and became a preserve of the rich

I didn’t even see this in Japan (and I ate everything) and it is a lovely, slightly more subtle variation on the St Pierre’s standard

The more authentic the better, in my view, though there are dishes on the menu where they do more or less than you’d get in Tokyo Reluctantly adding mayo to a seared salmon, letting you apply your own wasabi and soy rather than applying it beforehand we managed to convince them to do it according to their own preference, eventually, and I hope they lean into that

We also (being Japan Bores) asked them

to serve us anything the kitchen had that wasn’t on the menu and were rewarded with eel, deep fried and simply salted on a stick, and some toro or fatty tuna, which was a lovely contrast with the deep ruby red stuff that appeared on our sashimi plate

We spent more than we had to, simply because we didn’t want the experience to end (we were also killing time before State of Origin kick-off, possibly the first time in history someone has ordered another plate of toro nigiri while browsing rugby league multi-bets on the TAB app)

I hope you will go, I hope they’ll turn the lights down, and I hope the lovely people who run this restaurant will continue running it for a very long time

NOMIYA

Cuisine: Japanese tapas

Address: 484 New North Rd, Kingsland, ph 021 195 4887

Drinks: Fully licensed

Reservations: Call or DM via Instagram

From the menu: Nigiri small platter $25, Sashimi small platter $29, “kimagure” box $9, oyster medley $39, toro nigiri (off menu) $28, chicken nanban $10, Yuzu pepper Ramen $19, eel on a stick (off menu) $10

Rating: 17/20

Score: 0-7 Steer clear 8-12 Disappointing, give it a miss 13-15 Good, give it a go 16-18 Great, plan a visit 19-20 Outstanding, don t delay

PUB NIGHT AT HOME

Gather friends around and settle in for an evening of good

JALAPENO BEEF BURGERS WITH PICKLED CABBAGE

If you’re a true jalapeno lover, toss a few sliced ones on your finished burger for extra zing This is a fantastic way to use winter cabbage As with any burger, all kinds of toppings are welcome

Serves 4

500g lean beef mince

1⁄4 cup panko crumbs

1 clove garlic, grated

2 tsp chopped thyme

1 small egg

1 Tbsp lemon zest

1⁄2 cup chopped jalapenos

1 tsp salt and pepper

Pickled Cabbage

3 cups cabbage, shredded

1 tsp salt

2 tsp caster sugar

1 Tbsp white vinegar

1⁄2 tsp caraway seeds

Burgers

4 brioche buns

1 cup grated cheese

Mayonnaise

Caramelised onions (optional)

To serve

3 large kumaras, cut into sticks

2 Tbsp oil

1 tsp salt

1 Preheat the oven to 180C Place the kumara chips on an oven tray and drizzle with oil Cook for 25 minutes while you make the burgers season with salt

2 Combine beef, crumbs, garlic, thyme, egg, zest, jalapeno, salt and pepper in a bowl Divide the mixture and shape into four burger patties

3. Combine the cabbage and salt in a bowl and massage together Let it sit for 15 minutes, then add the sugar, vinegar and caraway seeds

4 Cook the patties on a barbecue or in a hot frying

pan Just before they are finished cooking, top with cheese

5 Toast the buns, spread with mayonnaise, add a burger and a good dollop of pickled cabbage

6 Serve hot with a side of kumara fries

PHOTOS / BABICHE MARTENS

LAMB SHOULDER WITH FLATBREAD

Marinate the lamb the day before for extra flavour These flatbreads go with anything Brush them with garlic butter, top them with your favourite ingredients or eat them alone

Serves 6

2kg bone-in shoulder of lamb

2 tsp salt

1 tsp freshly ground pepper

4 cloves of garlic, crushed

2 tsp paprika

2 tsp cumin

1 lemon zested and juiced

2 Tbsp olive oil

1⁄4 cup chopped fresh rosemary

1 cup white wine

1 cup chicken stock

Flatbread

3 cups flour

2 tsp salt

70g melted butter

1 cup yoghurt or milk

1⁄4 cup olive oil or butter

To serve Hummus Salad (optional)

1 Remove excess fat from the lamb and place in a large bag Add the salt, pepper, garlic, paprika, cumin, lemon juice, oil, and rosemary, then massage them together Seal and leave it to marinate overnight or for at least four hours

2 Preheat the oven to 150C

3 Place the lamb in a large ovenproof dish Pour in the wine and stock, then cover tightly with tinfoil Place in the oven for four and a half hours, checking once during this time

4 While the lamb cooks, prepare the flatbread Place flour and salt in a bowl Mix the butter and yoghurt, then stir through the flour to make the dough Let it rest for 15 minutes, then divide into 6-8 pieces

Heat a non-stick frying pan over high heat Cook the flatbreads one at a time for 3 or 4 minutes on each side until golden and puffy Brush with a bit of oil or butter

5 Remove the tinfoil from the lamb, season and shred with two forks

6 Serve hot with the flatbread and hummus

BLACK FOREST MERINGUE MESS

For a quicker presentation, fold the cherry compote into the meringue and serve in a pretty bowl with chocolate shards peeking out of the top Or get creative and make them individually, as I have here

Serves 4

Meringues

3 egg whites

1 cup caster sugar

1⁄2 tsp each of vanilla, cornflour, and vinegar

Cherry Mess

1 cup tinned cherries

1⁄2 cup cherry juice

2 tsp orange zest

1⁄4 cup caster sugar

1 tsp arrowroot mixed with 2 tsp water

200g mascarpone

150g dark chocolate

1 Preheat the oven to 150C Line a baking tray with baking paper

Draw eight circles 6-8cm in diameter

2 Beat the egg whites until light and fluffy Add the sugar in three or four batches, beating to incorporate each time Beat in the vanilla, cornflour, and vinegar Dollop meringue into each circle, shaping with the back of the spoon Bake for one hour, then turn off the oven and allow to cool

3 Place the cherries, juice, zest, and caster sugar in a small pot and bring to a simmer Stir in the arrowroot and cook until thickened Remove from heat and cool

4 Place the chocolate in small pieces in a heatproof bowl Melt over simmering water until smooth Remove from the heat

5 Place a piece of baking paper on a flat surface Spread the chocolate thinly with a spatula and allow to cool completely Break into shards or shapes of your liking

6 Break four of your meringues into small pieces in a bowl Fold through the mascarpone

7 Make four heaps of meringue on your serving plates Stick shards around the outside and drizzle with cherry compote

FOR MORE RECIPES, GO TO VIVA CO NZ