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Antique DOLL Collector October 2026 Vol. 29, No. 10

Jumeau Exposition Dolls Betye Saar’s Black Dolls Lord & Lady Noble Visit Williamsburg WPA Dolls of Louisiana Paper Dolls of Spain by Samy Odin What Makes a Doll Irresistible?

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“ELUSIVE” — A Collection of Rare and Unusual Barbie Dolls

Marquis: A Special Cataloged Barbie Auction — Saturday, October 10, 2026 AT T H E R I AU LT ’ S I N A N N A P O L I S , M D • P R E V I E W 1 0 A M E T • AU C T I O N 1 1 A M E T

many #1’s and early dolls and follows the expansive world of Barbie throughout her first five decades with friends, family and gift sets.

ollecting the Mattel Barbie Doll can be a lifelong experience. Many collectors started out playing with the famous doll, but when they “grew up” the longing and appreciation for them never stopped. Collecting the Barbie doll can be a connection to your youth, an appreciation for the history of fashion, or recognizing that the doll’s influence on our culture is immeasurable. This collection is full of rare, unusual and seldom seen items from dolls intended to be used as store displays in their pink silhouette boxes to prototype fashions for Barbie. Even the costumes that are easier to find become more special when they are in their original packaging. It documents the origins of Barbie with

A full-color catalog with detailed photographs and historical descriptions of each doll is available by calling 410-224-3655 or order online at Theriaults.com. Attendance at the auction is welcome. Or bidding is available by live online, live telephone, or traditional absentee bidding. You can also view and listen to the entire auction from your home. For bidding or viewing details and information visit Theriaults.com or call 410-224-3655 where a real person will always greet you to answer your questions. x

PO Box 151 • Annapolis, Maryland 21404

THERIAULT’S

Tel: 410-224-3655, M-F 9AM-5PM EST Fax: 410-224-2515 • www.theriaults.com

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“THE AMERICAN DOLL, 1900-1950” — The Ursula Mertz Private Collection

Marquis: A Special Cataloged Doll Auction — Saturday, October 17, 2026 AT T H E R I AU LT ’ S I N A N N A P O L I S , M D • P R E V I E W 1 0 A M E T • AU C T I O N 1 1 A M E T

t is curious, yet somehow fitting, that the first comprehensive study of the American doll would be undertaken by a German Immigrant to America. After all, it was a French man, Alexis de Tocqueville who had visited, studied and written about America in the early 1800s that many people consider one of the most insightful historians of American culture. So it is with Ursula Mertz, who arrived in America as a young adult immigrant after WWII, bringing with her memories of her German childhood dolls. Nostalgia overcame her. Deciding to collect some of the dolls that she remembered from this childhood, she soon realized the wish was futile. She could find few German dolls here in American in late 1950s, and those she found she could not afford. Then she discovered the American made doll of the early 1900s. Fascinated by its evolutionary history from earlier German dolls, she enthusiastically turned to this not-yet-blossomed collecting category. As she relates “I wanted to collect dolls, I thought American doll history was intriguing, and also, these were the only dolls I could afford because no one else wanted them at the time”. So began a serious fifty-year study of the American doll that was shared with collectors

in her important two volume work, Collector’s Encyclopedia of American Composition Dolls, 19001950, in innumerable articles in doll journals and as guest lecturer at international doll conventions. Several years ago, Ursula donated a selection of her dolls to the UFDC Doll Museum where they remain one of the museum’s most sought displays. Her extensive collection will be offered in two parts. Part I is scheduled for October 17, 2026, to be followed by Part II on March 6, 2027. The full color catalog of the more than 300 dolls featured the October 17 auction can be pre-ordered now for $75 (price includes shipping and after-sale prices realized). Visit www.theriaults.com to order to call 410-224-3655. x

PO Box 151 • Annapolis, Maryland 21404

THERIAULT’S

Tel: 410-224-3655, M-F 9AM-5PM EST Fax: 410-224-2515 • www.theriaults.com

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Letter From The Editor “Keep your sap running.” Miss Hickory by Carolyn Sherwin Bailey Dear Readers, As fall draws near, I sometimes think of a book I read as a young girl, and this quote appears throughout the story: Keep your sap running. The protagonist, Miss Hickory, is a sturdy little doll made from an applewood twig with a hickory-nut head. She is stern and strong-willed, and she overcomes several adversities through resilience and adaptability. Her wardrobe includes a dress of layered golden beech leaves, a coat of green moss, and a scarlet maple-leaf muff, and she lives in a corncob house. I imagine her golden beech-leaf dress and scarlet mapleleaf muff are why I think of the book in the autumn. Our October issue’s cover story honors the Jumeau Exposition dolls. Written by Linda Edward, the doll pictured on the cover will be featured in Ladenburger’s Spielzeug Auction October 16-17. Tanya Anderson, Conservation Services Supervisor at the Louisiana State Archives, shares the story of the WPA dolls in the Archives’ collection that represent the diversity of people in Louisiana’s history: the Praline Lady, the One-Man Band, an Ursuline Nun, an Acadian Man, an Acadian Woman, and a Fireman. These six dolls were featured in the Special Exhibit, Welcome to Louisiana, at this past summer’s UFDC Convention in New Orleans. Eliza de Sola Mendes reports on artist Betye Saar and an exhibit of her Black dolls and art at the New York Historical. Ann Hayes offers us a gallery of appealing dolls. We share details of a special event at Colonial Williamsburg in August. Michael Canadas and David Robinson, proprietors of the Carmel Doll Shop, hosted a memorable sewing workshop and educational retreat. And Samy Odin brings us a colorful array of paper dolls from Spain. Happy fall—and remember: Keep your sap running!

Laurie Laurie McGill Editor-in-Chief

ANTIQUE DOLL COLLECTOR

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LAYAW AVAILA AY BLE

10” Jumeau French Fashion, leather body, blue eyes, HH wig, 1 earring& vintage clothing, sm chip on back shoulder plate $825.

12” French Bleuette Unis 301 compo head, 1935-39, original clothing & lt br HH wig, blue sl eyes, nice painting, minor craze line left upper eye $625.

10” OOAK Kardenchiki boy “Ollie” 2017 BJD by Russian artists Karina Burtkatskaya & Denis Shmatov, polymer clay, wonderfully painted, blue eyes, mohair wig $650. 7.5” OOAK Max the Mouse by Tanya Abaimova of “ Sunny Faces”, molded felt, wonderfully painted blue painted eyes, great character $225.

14” OOAK Kardenchiki by Russian artists Karina Burtkatskaya & Denis Shmatov, polymer clay, partial BJ body w/ jointed wrists & ankles, brown eyes, mohair wig $650. 6” Conta & Boheme Boy on original body w/ gold-pinkish boots, nicely costumed $225. 4.25” Hertwig All Bisque Boy w/ molded outfit $65.

14.5” Maggie Bessie Doll by Margaret (Maggie) & Caroline Elizabeth (Bessie) Pfohl Moravians in Salem, NC, early 1900’s, paint wear on head, wonderful sweet doll $3495.

Queen Anne Style dolls by Alene Sine of The Old Wooden Sisters, beautifully detailed. 15.5” Male w/ antique silver lace embellishments $1195. 14.5” Female with wonderful sweet face $1095. 10.75” Child w/ silver embroidered embellishments $795. Or 3 for $2885.

8.5” RJ Wright The Wizard Of OZ Winged Monkey 73/150, Convention piece Nov 2017 MIB $850.

12.5” Abe Lincoln by Avis Lee 1943 Chicago w/ hang tag, great detailing $295.

16.5” OOAK ‘Red Headed Girl’ by Odile Segui of France in cernit / polymer clay, beautifully sculpted & painted, brown eyes, mohair wig w/ antique doll $425. 11” & 9” OOAK Tim & Bob by Italian artist Simona Catapano – wool & felt creations – great personality, COA Aug 2019 w/ wooden box $395.

7.5” German Limbach #8903 all bisque baby, blue painted eyes $105. 4.5” German Action Kewpie O’Neill © 1861 B, great character $115. 2.75x1.25 x 2”H German O”Neill Kewpie w/ Rose table place card $145.

15.5” All Original COD S & H Soldier w/ molded mustache, brown painted eyes, great example – head as is $395.

Alexander 14.5” All Original Sonja Henie Dolls Taffeta Skating outfit, mohair wig, red ski jacket & skies $145. Ski Outfit w/ skies & poles, skates (1blade broke), HH wig $145.

11.75” Beautifully Molded & Painted German all bisque baby 243-28, Kathe Kruse Doll 1 look, jointed cup & saucer head, blue painted eyes, sm neck chip on body, left arm glued $695. 3.5” Schuco Mohair bear $95. 3.75” 1950’s Steiff Champagne jt bear $165. 18.5” General MacArthur WW2 by Freundlich 1942 all original, nice condition $99.95

20.5” OOAK Kardenchiki Anne by Russian artists Karina Burtkatskaya & Denis Shmatov, polymer clay head, shoulder plate, lower arms & legs, cloth body, beautifully hand painted, blue eyes, mohair wig w/ Bunny $850.

16.5” Kardenchiki girl BJD by Russian artists Karina Burtkatskaya & Denis Shmatov, polymer clay, green eyes, mohair wig $850.

14.5” Louis Amberg & Sons “It”, Sue or Ewina 1928 w/ jt waist, paint as is by mouth $145. 14.5” All Original Louis Amberg & Sons “It”, Sue or Ewina 1928 w/ jt waist $175. 11.5” All Original Alexander Madeline w/ gold hang tag, HH wig $145.

German Dolls: 4” Seated All Bisque Girl w/ jointed arms & legs, mohair wig $98.50. 3” All Bisque Hunter holding gun w/ dog $48.50. 3” ½ Doll #22668 w/ arms up, on base $150. 3.5” Kewpie O’Neill Traveler $145. 4” Red Cross Medic, great character $89.50. 6.5” O’Neill Kewpie, great face $150.

13” Red head Little Darling #3 Sculpt Doll Dianna Effner beautifully painted by Ashley Rose, all vinyl, 11/2024 $795.

10” Sweet Size Kestner Gibson Girl, original mohair wig, blue sleep eyes, nicely costumed $395.

11” Dianna Effner’s Li’l Dreamer all vinyl dolls $239. Each Evianna – red head w/ blue eyes, first edition. Ashlynn – strawberry blond w/ green eyes & freckles

6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles

Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping • email: questions@gigisdolls.com • Check Out Our eBay Store - gigisdolls2010

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Nelling, Inc.

FINE ANTIQUE DOLLS AND ACCESSORIES BUYING & SELLING QUALITY DOLLS FOR OVER 33 YEARS

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www.antiquedollcollector.com Publications Director: Lisa Brannock Editor-in-Chief: Laurie McGill Senior Editor: Linda Edward Production Director: Louann Wilcock Art Director: Lisa Claisse Administrative Manager: Valerie Foley Social Media Director: Gail Lemmon Contributors: Nicki Burley, Elizabeth Ann Coleman, Bradley Justice, Samy Odin Subscription Manager: Valerie Foley Subscriptions: adcsubs@gmail.com Display Advertising: Lisa Brannock: lbrannock@antiquedollcollector.com phone: 631-261-4100 Louann Wilcock: louannw@antiquedollcollector.com phone: 872-216-8842 Advertising Materials Contact: Louann Wilcock: louannw@antiquedollcollector.com phone: 872-216-8842 Editorial: antiquedoll@gmail.com Laurie McGill: lauriem@antiquedollcollector.com phone: 717-517-9217 Send all catalogs to this address: Antique DOLL Collector, 4800 Hampden Lane, Suite 200, Bethesda, MD 20814 Marketing: Penguin Communications, Inc. Subscriptions: Send to Antique DOLL Collector, P.O. Box 349, Herndon, VA 20172. Phone: 631-261-4100 Subscription Rates: One Year $59.95; Two Years $109.95. First class delivery in U.S. add $34.00 per year. Outside the U.S. add $39.95 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted.

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Row 1. 23” French leather lady doll, said to be inspired by the Empress Josephine Bonaparte who was born in the French Caribbean territory Martinique. Her all leather, French fashion type body is brown in color, and her linear, regal costume of the early 1800’s is orig. but the skirt is very frail. Pupil-less eyes of a black, opaque material, and the leather over the head and face is applied over a hard surface, maybe wood or paper mache. Quite the rarity, this historical doll. $2,450. Row 2. 16” Biedermeier china beauty as Irish lass, in orig., multi-colored layers of wool and plaid, orig. brown, human hair wig, delicately painted face. Lovingly named “Siobahn” by the owner. Antique china hands and cloth body. $1,100. Row 3. 14 3/4” French Georgian wood Polichinelle, derived from the 17th-18th cent. Neopolitan comedic character Pulcinella of Italy. There was a series of these colorful characters from the Italian theatre productions, called “Commedia dell’Arte”, and another is actually pictured in Roselie Whyel’s book, The Heart of the Tree. It is mostly of carved, painted wood, the eyes being blue, with the elongated, protruding torso being fabric over a wire cage. Costume is orig. and has wear in several spots. $2,975. More photos and descriptions of everything on www.maspinelli.com.

Exhibiting: October 4 - OHIO NATIONAL DOLL SHOW, Newark OH, Cherry Valley Hotel Exhibition Hall

119 Muirfield, Williamsburg VA 23188 • e-mail: nellingdolls@gmail.com 818-738-4591 • Member NADDA and UFDC Visit us at our newly improved website: www.maspinelli.com

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Periodicals postage paid at Northport, NY and at additional mailing offices. Contents ©2026 Antique DOLL Collector, all rights reserved. Postmaster: Send address changes to Antique DOLL Collector, P.O. Box 349, Herndon, VA 20172.

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OCTOBER 2026

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Valerie Fogel’s

Beautiful Bébés Fine Dolls & Precious Playthings from our Past

www.beautifulbebes.com

Always Buying! Trades and Consignments Considered Tel: 425.765.4010 Beautifulbebes@outlook.com

Member UFDC & NADDA

A Portrait- Continental Wooden - This 26” French beauty is circa mid 1700s and thought to be a portrait of a lovely noble woman or royal. Completely carved from wood, she boasts a wooden carved stomacher, panniers, and slippers, as well as articulations at the knees, hips, shoulders, elbows, and wrists. She has shapely, beautiful hands and can pose in a variety of ways including sitting. She is dressed in an ornate Robe à la Français, commiserate with her era of antique fabrics and lace. She is ready for her place in a museum or your exquisite collection. Additional pictures available on request. Please reach out for details.

Rarest of Huret’s Few words describe the feelings of reverence and inspiration a Huret collector experiences in the presence of a rare and elusive Huret. This beauty is believed to have been created at the end of the Lonchambon era, and the onset of the Lemoine era. She retains her gutta percha body, which appears to have been refined and made stronger than earlier examples. Her lovely bisque swivel neck head was created with a longer porcelain rod which rotates smoothly inside her body. Almost none of these dolls remain. She has a vast array of belongings, including a marked lambswool edged velvet coat dress, marked boots and hat, and an array of dresses, white wear, parasols, handbags, games, and many other fascinating items. Pictures available upon request. Please reach out for additional details.

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October 2026, Volume 29, Number 10

Paper Dolls with a Spanish Touch by Samy Odin

LOUISIANA HISTORY IN THEIR HANDS The WPA Dolls of the Louisiana State Archives by Tanya Anderson

Our cover doll this month is a rare Jumeau Marquise in original “Traje de Luces” costume. This doll will be a highlight in the Ladenburger Spielzeug Auction on October 16 & 17, 2026.

JUMEAU EXPOSITION DOLLS by Linda Edward

BETYE SAAR / BLACK DOLLS by Eliza de Sola Mendes

Immeasurably Adorable by Ann Hays

Departments 2 Letter from the Editor 39 Emporium 48 Calendar

CARMEL DOLL SHOP, HOME OF THE GROVIAN DOLL MUSEUM PRESENTS… Lord & Lady Noble Visit Williamsburg A Trio—Wax, Wooden & Papier-mâché Retreat

SUBSCRIBE TO ANTIQUE DOLL COLLECTOR, GO TO antiquedollcollector.com Subscription information: subs@antiquedollcollector.com or 631-261-4100 6

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1) Luxury 10” Factory Original ‘Figure A’ Steiner Bebe - mint bisque, blue PW’s, Clo/Mo, antique wig, Factory Silk Couture, Shoes, Sox and 3-piece Jewelry Set, and her tiny Gold Locket! A Ruby Gem! $2600 2) 10” Hyper Rare ’Figure C’ Steiner Bebe- Factory Wig & purple pate & Dress, blue PW’s, Closed Mouth and Fully Jointed early sgnd. Stiff Wrist Body and Miniature Lace Factory Dress. Mint cabinet rarity! $5900; Miniature Signed French Toiletry - ca: 1880. $215

3) 19” All Wood Jointed Fashion ‘Poupee en Bois’ with lovely Gutta Percha jtd. Arms! - Brilliant artwork, dynamic blue eyes, beautiful brush mark brows, lively features, Orig Cork Pate and Wig, multiple Antique Underlayers and Leather Boots, wears exquisite, tailored Robe d’Hiver winter woolen Two Part Couture w. ermine accessories Stunning! $6700

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC & NADDA

matrixbymail@gmail.com

4) Important 17” ‘Solid Crown’ Kestner - This rare JDK 243 Asian has Molded and Painted Brushstroke Hair! Rich amber tint head and orig. body in Royal Factory Silks and Cap. A ribbon winning calibre doll! Call; Jointed 6” Steiff Kitten - Early & scarce $345

5) 24” 1880’s French Export Closed Mouth Child - creamy soft early bisque, dazzling Blue Spiral PW’s, Clo/mo, mint antique Hip Length Renoir honey blonde Wig, and fully jtd. Body $1100. 5” Steiff Lamb with all her ID and Bell! $190 6) Factory Mint 11” Early Simon Halbig pre-1900 Closed Mouth ‘700 Series’ child w. PW Eyes, turned head, perf fingers in her complete Silk and Lace ornamental ensemble. A vibrant jewel. $575 6

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Paper Doll Stories by Samy Odin

Paper Dolls with a Spanish Touch

he discovery of the variety of paper dolls printed in Spain was a pleasant surprise for my father and me during the 1980s, when we met an early Spanish doll collector, the late Ana Hervas Crespo. By showing her collection, she explained to us that the Spanish publishers, especially during the Franco years, did not target foreign countries to distribute their products, focusing instead on the national market, which explains why the rest of the world is not familiar with these ephemeral playthings. Some of the oldest we found date from the late nineteenth century and were used to advertise the Chocolate Juncosa in

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Barcelona. They appear to be printed in Germany on special order for the Spanish market. (Photo 1) Nestlé also printed some advertising paper dolls with Spanish inscriptions at the very beginning of the twentieth century. (Photo 2) During the 1920s and 1930s, several local lithographers printed and distributed play paper dolls in various stages of elaboration, from the higher-quality cardboard sheets, such as those by Construcciones El Niño- Ediciones El Artista, to those printed on larger, thinner cardboard sheets by Editorial Molino, both companies active in Barcelona. (Photos 3, 4)

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The late 1930s brought a larger production of paper dolls, mostly in the form of single paper sheets to cut out, featuring mostly children in urban, historic, or folkloric attire. Ediciones La Tijera and Recortables Bruguera were particularly active during that decade in Madrid and Barcelona. (Photos 5 and 6) In 1944, “Cantinflas en Gran Hotel” was distributed as a paper doll sheet printed by Litografia Vicente Martinez in Valencia for Posa Films S.A. to advertise a Hispano-Mexican movie directed by Miguel L. Delgado, with Mario Moreno in the leading role. (Photo 7) During the same decade, the Barcelona-based publisher “Recortables BB Ediciones TBO” distributed a nice little album printed by the lithographer A. Tozzi representing two little girls with an extensive wardrobe. (Photos 8 and 9)

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Another publisher from Barcelona, Ediciones Barsal, Berguiño y Salvat, distributed a couple of very desirable sets contained in a luxury envelope called “Titina y Titin,” two caricatural characters wearing wrap-around garments inspired by local traditions. (Photos 10 and 11) During the 1950s and 1960s, several series of cheaper paper dolls were printed on very thin paper and sold as large sets featuring up to fifty different paper dolls,

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often in thin paper envelopes. (Photos 12 and 13) The following decades remained fertile ground for paper dolls in Spain, following fashion trends and developing technical solutions to appeal to children at play. (Photos 14, 15, 16, 17, 18) Today, they continue to be printed and distributed in the general market, while private collectors remain active in preserving their passion for these playthings (Photo 19).

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All the paper dolls shown here are featured in the author’s collection. Samy Odin can be reached at galeriesamyodin@gmail.com ANTIQUE DOLL COLLECTOR

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By Linda Edward

The Great Exposition of 1851 was the first truly international exposition, inviting exhibitors from around the world. Held in the specially constructed “Crystal Palace,” the exposition included 100,000 objects from 34 nations. Illustration watercolor painting of the interior of the Crystal Palace at Hyde Park, 1851, photograph J. McNeven, Public domain, via Wikimedia Commons.

rom the earliest days of civilization, the need for profitable means of distributing commercial goods has existed. During Europe’s Middle Ages, faires combined sports, politics and commerce allowing peddlers and artisans to showcase their goods and sell them to a broader public. By the fifteenth century these faires began to decline as towns grew larger and commercial districts were established. By the nineteenth century specialty trades were hungry for a way to advertise their new products. In France an international trade fair was held in 1806 in Paris. The concept was successful and in 1819 a royal decree was issued declaring such trade shows should be held every three years. Although called International Expositions, these primarily included only French participants. Cutting-edge products of all types, made using the newest techniques and materials of the era, were displayed to the delight of the public and wholesalers alike.

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A rare Jumeau Marquise, still wearing its original couturièremade Spanish “Traje de Luces” costume. The doll is on a specially designed body. According to French doll authority Francoise Theimer other dolls of this design were produced in connection with the Paris World’s Fair. It is possible this example was such also an exhibition doll. This doll will be a highlight of the October 16 & 17, 2026 Masterpiece Auction at Ladenburger Spielzeug Auction.

30 ½-inch Jumeau Portrait Poupée Peau by Pierre Francois Jumeau. Where earlier Jumeau dolls had heads made by other companies this example has a bisque head made at Jumeau’s own factory. The company’s ability to expand and create all parts of the dolls was recognized as a great leap forward in “perfecting French manufacturing of porcelain heads” as recognized by their receiving the Progress Medal and the Vienna exposition of 1873. Photograph courtesy of Ladenburger Spielzeug Auction.

In 1833 the French exposition schedule was changed to holding these fairs every five years. As the success of these exhibits was noted by the world, other countries began holding their own expositions in places such as Berlin and Leipzig. In 1849, the doll-making company owned by Pierre François Jumeau exhibited at the Paris Exposition. Jumeau began his business in 1841 in partnership with Louis Désiré Belton. When this partnership dissolved in 1845 Jumeau went on to create his own company which made dolls using papier-mâché heads purchased from other makers and assembling and costuming the completed dolls. The high standard of finished products offered by Jumeau was recognized in the Bronze Medal awarded to Jumeau at that 1849 exposition. In 1851 the first truly international exposition was held In London. The Great Exhibition invited companies from around the world to exhibit their newest and best products and technological breakthroughs. Jumeau was among the doll makers represented at this exhibition, taking home another prize while exposing his dolls to a world market. Jumeau’s dolls were in good company as the wax dolls of Montanari also received high honors

Another Portrait Poupée Peau stands at an impressive 33 ½-inches. The beauty of the doll and her costume, presented in such a large size would have made for spectacular exhibit piece. Photograph courtesy of Ladenburger Spielzeug Auction.

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The Centennial Exposition held in Philadelphia opened to the public on May 10, 1876. The Jumeau company was awarded First Prize for the costuming of his dolls. Throughout the nineteenth century expositions would bring technological advances and the latest and best commercial products to the masses. Seen here are an advertising poster for the 1897 Brussels Exhibition and a postcard from the 1904 Saint Louis World’s Fair.

at this event. After this, the concept of the World’s Fair took hold with expositions held throughout the rest of the century in locations in the United States of America, Germany, Holland, France, Australia, and South America. Time and time again the firm of Jumeau would receive high honors, most notably taking Gold Medals in the 1873 Vienna exposition, the 1876 Philadelphia Centennial Exposition, the 1878 Paris exposition, the 1883 Amsterdam exposition, the 1884 New Orleans exposition, and the highest honor awarded not just in the doll division but out of the entire exposition in Antwerp in 1885. The steady rise of quality and innovation combined with the marketing skills of Emile Jumeau who took over the management of the family firm in 1877 is 20

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Above: The January 6, 1877 of Harper’s Weekly included an illustration of dolls exhibited at the Centennial Exposition. The end of the cabinet shows large model exposition dolls to the children and adults visiting the fair.

responsible for much of the company’s recognition at these expos, but it must be noted that a great deal of the company’s success with their exhibits lies with the work of Emile’s wife. When Emile wed Ernestine Stéphanie Ducruix he not only gained a life partner but also a talented business partner. Upon their marriage Ernestine became the head of the doll costuming department. Her vision and fashion sense led to the creation of many of the dolls made especially for these expos. Eye-catching, larger-sized dolls in fabulous ensembles could not help but draw the public to Jumeau’s displays. Madame Jumeau also had an ability to hire and retain good staff; some individual Jumeau employees also received awards of merit for their contributions to the exposition dolls’ costuming.

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Not only did the Jumeau exposition dolls showcase current western fashion, but these special dolls also represented people of the world with exclusive molds, special tinting and wigging, and elaborate and accurate visions of the clothing of the country represented. The use of special exposition dolls propelled Jumeau to the apex of the French doll-making industry. The company name became synonymous with beauty and good taste. By 1889 Emile Jumeau was called upon to sit on the jury for the doll division of the Paris exposition and therefore could not exhibit dolls. Instead, he debuted a piece of doll propaganda in the form of a board game. This child’s pastime compared the delights of the French doll to the inadequacies of the German-made dolls. The exposition dolls fulfilled their purpose, drawing the attention of the public, establishing Jumeau’s reputation for quality and beauty, and showcasing the heights achieved by the French doll industry of the nineteenth century. Today when rarely found examples of these dolls come to light, they are true treasures bringing modern doll collectors and historians alike a glimpse of bygone elegance. The Jumeau Exposition doll featured in this article and on our cover is featured in the October 16 & 17, 2026 Ladenburger Spielzeug Masterpiece Auction.

Above left to right: 26-inch Jumeau Bébé, head incised Depose E12J, body bearing the stamped Medaille d’Or Paris marking used after 1878 Paris Exposition where Jumeau took the Gold Medal for his dolls. The original costuming in this doll exemplifies the work of Madame Jumeau and her costuming department. Photograph courtesy of Ladenburger Spielzeug Auction. A Jumeau trade card advertised their Gold Medal status. Photograph http:// www.poupendol.com/jumallegb.html, public domain, via Wikimedia Commons The Jumeau company had a long tradition of showing dolls in costumes of the world. Many of these would have been included in their Exposition displays. This 22-inch Bébé has a beautiful brown coloration and wears its original silk Middle Eastern clothing. Photograph courtesy of Ladenburger Spielzeug Auction.

By 1889 Emile Jumeau was “Hors Concours” (non-exhibiting) as he now sat on the award jury for the expositions in Paris. He did, however, manage to promote his company while also putting forward the doll-making industry of France with the introduction of his board game Grand Jeu du Bebe Jumeau.

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The Renowned American Artist Betye Saar and her Black Doll Collection A Celebration of the life and work of the artist and collector (1926-2026) by Eliza de Sola Mendes

Betye Saar with Black dolls from her collection, 2025 Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo: Tracye Saar-Cavanaugh (b. 1961) “Betye Saar was an artist and collector attuned to the past lives of objects. During the COVID-19 lockdown, Saar began rendering the Black dolls from her collection in watercolors, bringing them to life in explorations of childhood, ritual, dreams, and make-believe.” Hoo Doo Woman, 1974, Betye Saar (b. 1926) Mixed fabrics with metal jewelry, leather, and beads The New York Historical, Promised Gift of Betye Saar Courtesy of the artist and Roberts Projects Los Angeles, California. Photo: Robert Wedemeyer “Hoo Doo Woman is the only doll made by Saar herself. The legs are fashioned from the fingers of a leather glove, the face and hands from a nylon stocking, the teeth from beads, and the headdress and dress from scraps of African fabric. Saar describes the doll as a “spirit woman…who worked magic, who told fortunes,” explaining that she created it while thinking about enslaved Africans and the spiritual objects they carried with them.” 22

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etye Saar’s Black Dolls is an exhibition at The New York Historical, in New York City, curated by Wendy Nalani E. Ikemoto, the Vice President and Chief Curator, and Rebecca Klassen, Curator of Material Culture and Decorative Arts. The show is meant to compliment an earlier 2022 exhibition at the museum, which I wrote about the Deborah Neff Collection of Black Dolls in my article “Survivals of History.”* The current exhibition marks what was planned to be the 100th birthday celebration for the assemblage artist, Betye Saar, who has promised a gift of more than one-hundred Black dolls to the museum. Sadly, Betye passed away on July 26th, just four days before her 100th birthday, so this article also commemorates and honors her life and work. Co-curator Rebecca Klassen, made a statement regarding Betye’s passing: “Betye Saar was a pioneering artist who used a variety of mediums, including found objects, to investigate Black American identity and agency. We are honored to have worked with Betye, her studio, and her gallery on our exhibition here at The New York Historical featuring her collection of Black dolls and the watercolors she created to mark her centennial.”

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Entrance Interior with Betye Saar’s Hoo Doo Woman Photo: Eliza de Sola Mendes

“Betye was a true magician. She seemed to suggest through her work that we could all become magicians in our own ways by doing what she did—by looking into the past lives of objects, seeing their energies, and working them so that they could construct better futures, better worlds, and mystical imaginations.” – Rebecca Klassen, Curator of Material Culture and Decorative Arts, The New York Historical Curated in close collaboration with the artist and her studio, Betye Saar’s Black Dolls, displays twenty-six dolls from her collection, along with fourteen doll watercolors and examples of her assemblages. Only one doll in the show was created by the artist, “Hoo Doo Woman” (1974). Saar described this doll as a “spirited woman...who worked magic and told fortunes.” She described it as a “healer doll casting a spell,” consumed with spiritual and mystical energy, and influenced by a Haitian doll in her private collection. She explained that she created it while thinking about “enslaved Africans and the spiritual objects they carried with them.” It is also important to mention that Saar described “Voodoo” as having direct roots in Haiti; “HooDoo (or Hoodoo) represents for her a folk-magic and spiritual

tradition of the Western world. Both were reflected in her work as a method of dealing with the unknown and mystic thought. Born July 30th, 1926, Betye Irene Saar (nee Brown), grew up in Los Angeles and Pasadena and studied design at the University of California. She lived in Laurel Canyon, California and kept her studio from 1962 through the rest of her life. In 1967, Betye visited the Pasadena Art Museum and saw an exhibition of the artist Joseph Cornell (19031972), known for his practice of collecting and arranging found objects in small boxes, and she was inspired to do similar work. She became known for her work in assemblage and printmaking. Her daughter, Alison Saar is also a sculptor and mixed media artist, and her daughter Lezley Saar is a painter and mixed media artist as well. ANTIQUE DOLL COLLECTOR

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Growing up in the 1920s and 1930s, Betye said that she never had a Black doll. She first saw one as a college student in 1949, an “Amosandra” doll made by the Sun Rubber Company, in a shop window on Sunset Boulevard. Over many decades, her collection grew to encompass numerous kinds of Black dolls, from handmade rag dolls crafted by Black women for children in their care to massproduced toys and tourist dolls. She used them for inspiration, but she also incorporated them into some of her assemblages beginning in the 1970s. Betye said of her collecting, “I have always been drawn to the intangible energy of used materialsdiscarded materials that I recycle and make anew.” She remarked, “I collect lots of things, and dolls have been consistent companions in this; I keep them in a cupboard, where all their energy is concentrated. When I work, I often feel hypnotized, selecting and rejecting objects, images, symbols, as if in a trance until a message is finally revealed.” Betye movingly explained that “During lockdown, I drew comfort from my dolls and found joy in simply touching them, smoothing their skirts, and arranging their tiny limbs. It was a reminder that even at 95 (at the time), I was still playing with my dolls.” How many doll collectors can feel

Betye Saar’s Mixed Media Assemblage Searching for a Vision of Truth 2016 Courtesy of the artist and Robert Projects, Los Angeles, California Photo: Eliza de Sola Mendes

< Painting: Floating Black Doll in Mystic Sky, 2022, Betye Saar, watercolor on paper The New York Historical, Purchase 2026.Courtesy of the artist and Roberts Projects Los Angeles, California. “The composition pictures a Black doll suspended in a celestial night sky appearing to float among the stars, moons, and planets. Imbued with its own inner vitality. Saar activates the historical object—as if realizing the childhood magic of make-believe worlds in which toys live.” Doll in purple pants, unidentified maker, mixed fabrics, early 20th century, United States Doll in red dress, unidentified maker, mixed fabrics, ca. 1880-90, United States Collection Betye Saar. Promised Gift to the New York Historical Photo: Eliza de Sola Mendes 24

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Exhibition interior with panel: “Saar and Her Dolls” Photo: Eliza de Sola Mendes

Left: Doll with red apron, ca.1940-60, United States, mixed fabrics with beads Right: Doll in floral dress, ca. 1940-60, United States, mixed fabrics, wire Collection Betye Saar, Promised Gift to the New York Historical Photo: Eliza de Sola Mendes

kinship with those feelings from the period of Covid when being home with their collections drew much comfort in uncertain times; certainly many of us. During the 2020 pandemic, Saar also began experimenting with watercolors, one of the few media she had not tried before. Some of these would eventually accompany the dolls in the exhibition. Saar said, “Watercolor is something that children use,” she recalled. “So I decided, maybe I’ll paint something about children— maybe I’ll paint the dolls.” Saar’s watercolors show how she experimented with vivid color and layered techniques, as well as a new interest in flattened shapes.

Lookin’ at 2 Dolls, 2021, Betye Saar, watercolor and pencil on paper. Collection of Madge Woods Courtesy of the artist and Roberts Projects Los Angeles, California. “Saar inserts a self-portrait in the lower right corner of this watercolor. The gesture places her within the imaginative world of the dolls, collapsing the distance between artist and object.” Photo: Robert Wedemeyer

The exhibition curators at The New York Historical, feel that these watercolors honor play, and the experience, the artistic encounter Saar had with these dolls at that time. In each watercolor in the exhibition, Saar inserted a self-portrait in the lower right corner. The gesture, “places her within the imaginative world of the dolls, collapsing the distance between artist and object.” This concept, the exhibition’s curators conclude, has a long history with Black artists such as Henry Ossawa Tanner (1859-1937), Archibald Motley (1891-1981), and Elizabeth Catlett (1915-2012). The show is housed in a small gallery, darkened, with displays of her art and her dolls like jewels, brightly lit and ANTIQUE DOLL COLLECTOR

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Dolls above, left to right: Jig doll with green pants, unknown maker, ca. 1920-40, United States, wood and paint. Doll in orange cardigan, unknown maker, ca 1920-50, United States, wood. Jig doll with red jacket, unknown maker, ca. 1920-40, United States, wood, paint, metal. All collection of Betye Saar, Promised Gift to the New York Historical. Photo: Eliza de Sola Mendes

Painting above: 10 Dolls with Black Mask, 2022, Betye Saar, watercolor and pencil on paper. Courtesy of the artist and Roberts Projects, Los Angeles, California. “In her largest doll watercolor to date, Saar depicts ten figures jumbled together like toys in a child’s closet. A theater mask alludes to play-acting, casting the assembled dolls as a troupe of characters. This work underscores the imaginative possibilities of play, as Saar reanimates historical objects to endow them with agency, personality, and story.” Photo: Robert Wedemeyer Dolls to the right: Doll in red overalls, ca. 1940-70, unidentified maker, probably Louisiana, United States, mixed fabrics Doll with illustrated apron, ca 1970-90, unidentified maker, United States, mixed fabrics Collection of Betye Saar, Promised Gift to the New York Historical. Photo: Eliza de Sola Mendes 26

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enclosed in vignette spaces. Although these dolls (with the exception of the one she made and one assemblage) are from her private collection and not part of her artwork, they meld beautifully in the settings, and one sees how they inspired her. Each watercolor is her personal homage to this special doll that she loved. At the time of the installation of Betye Saar’s Black Dolls at the New York Historical, Louise Mirrer, President and CEO of the museum, said they are proud to be able to honor her life’s work at the museum and said the exhibition, “explores the intersection of personal memory and American history. This extraordinary gift of more than one hundred Black dolls-spanning the nineteenth century to the present marks a transformative addition to our collection. Together these objects tell a complex and profound story and provide insight into the creative process of a renowned artist.”

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Exhibition photo “Worlds within and without” Photo: Eliza de Sola Mendes

Doll with bobbin lace trim, unidentified maker, ca. 1930-50, mixed fabric with beads, Haiti Collection of Betye Saar. Courtesy of the artist and Roberts Projects Los Angeles, California. “Black dolls loom large in Saar’s personal and artistic exploration of an ancestral past. While deeply invested in African diasporic traditions, her approach ultimately traces a lineage that is hybrid and plural. An inveterate traveler, she fuses the material symbols of beliefs and practices from around the globe to create new meaning. Dolls from Haiti, Brazil, Jamaica and other countries join US examples as objects of contemplation and shared cultural inheritances.” Photo: Robert Wedemeyer

Black Doll in Mystic Sky (Green Skirt), 2021, Betye Saar, watercolor and pencil on paper. Courtesy of the artist and Roberts Projects, Los Angeles, California. In some instances, Saar revisits specific dolls in prints and drawings decades apart. In this recent watercolor, she depicts the exuberantly dressed doll from Haiti as a figure floating in the cosmos. It is paired with the earlier mixed media work Aunt Jemima and Hoo Doo Doll (1972), in which the doll appears as a practitioner of Black folk magic. Photo: Robert Wedemeyer

The New York Historical’s relationship with Betye Saar grew over several years. The museum hosted the 2018 exhibition Betye Saar: Keepin’ It Clean, organized by the Museum of Craft and Folk Art (now Craft Contemporary) in Los Angeles, which led to the museum’s acquisition of Saar’s assemblage, Extreme Times Call for Extreme Heroines. In a fascinating additional connection, The New York Historical’s Black Dolls exhibition in 2022 from the Debbie Neff collection was a collection that Saar had visited with a related exhibition in San Diego, and the artist drew Neff’s dolls in one of her sketchbooks. Saar’s gallery reached out to the New York Historical in the summer of 2025 about the promised gift. ANTIQUE DOLL COLLECTOR

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Topsy-turvy doll in printed dress, ca. 1910-40, unidentified maker, Mixed fabrics, United States The New York Historical, Promised Gift of Betye Saar, Courtesy of the artist and Roberts Projects Los Angeles, California. “The topsy-turvy doll—named for an expression, meaning “upside down”— invites play with not only the doll but the concept of race. Two dolls—one Black, one white—are conjoined at the waist. A shared skirt flips over the head of one doll, concealing it to reveal the face of the other. Reversed, the skirt hides the second figure and reveals the first. Such dolls may suggest racial equivalence: two figures joined in a single body, seemingly balanced. Yet the visibility of one depends upon the masking of the other. Black and white cannot be co-present. In this way, the dolls quietly reproduce a system of racial division.” Photo: Robert Wedemeyer Right: Female Doll with Two Heads Above, 2020, Betye Saar, watercolor and pencil on paper. Collection of Peter Fischer. Courtesy of the artist and Roberts Projects Los Angeles, California. “Watercolor is something that children use,” Saar recalled. “So I decided, maybe I’ll paint something about children— maybe I’ll paint the dolls.” As she posed the dolls and straightened their skirts and jackets, she found herself effectively playing with them. In her topsy-turvy watercolors, Saar consistently shows only the Black side.” Photo: Robert Wedemeyer

Looking at the dolls Saar collected, we see multiple materials creatively used. There is a sense of both craft and artistry. American history comes alive in looking at these works. Each doll represents the story of the rich Black culture of our nation, meant originally, simply for a child to hold and love. The dolls represent both a national treasure trove of historical American dolls but also the inspiration for the artist in her life, and art. Her watercolors pay tribute to these dolls in a whimsical fantasy vision. The dolls come alive in her mind and in her brush and they have personal private meaning. She also follows the flow of a child’s imagination for inspiration as she paints each doll, both together and in individual portraits. A Lasting Tribute In this special year of the 250th anniversary of the founding of America, it is a significant moment to pay tribute to the artist and collector Betye Saar. Her collection of dolls is remarkable and will continue to teach and inspire. Rest in peace, Betye. Your legacy and generosity will be remembered by museum visitors for many years to come.

Betye Saar and Black Dolls Exhibition view. Photo: Eliza de Sola Mendes 28

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*Antique DOLL Collector Magazine Vol. 25 Number 5 May 2022 available in the Digital edition

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ANTIQUE DOLL COLLECTOR ARTICLES AND PATTERNS BY NICKI BURLEY

These popular issues are available FOR DIGITAL DOWNLOAD on our website for only $10 each. Go to the ‘Back Issues’ tab at antiquedollcollector.com

The digital advantage: • Searchable pdf files • No need to cut up your magazine • Just print out the select pages • Instant satisfaction!

For print availability: call 631-261-4100 or email backissues@antiquedollcollector.com

• Bleuette’s Crochet & Knit Patterns by Nicki Burley, March 2016

• A Jacket Pattern to Fit the 15-inch Dollspart Huret Body by Nicki Burley, Jan 2018 • Bleuette’s Playhouse: An Absorbing Look Inside the Rich Rooms of Heather Cullman by Nicki Burley, Feb 2018 • Pattern For Nightgown And Slippers by Nicki Burley, Mar 2018 • “Palais Royale” Huret Sewing Workshop by Nicki Burley, May 2018 • The Revolutionary Vision of Blampoix by Nicki Burley, June 2018 • Croquet Ensemble Pattern for the Dollspart Jointed Body by Nicki Burley, Sept 2018 • Carnival Folly Outfit French Fashion Pattern For A Huret by Nicki Burley, Feb 2019 • The Art Of Antique Reproduction Dolls by Nicki Burley and Robin Hochteil, May 2019 • Constance, Sewing Companion Dolls: Instructions And Pattern Included by Nicki Burley, July/Aug 2019 • Sew Adorable Mignonettes Costumes And Patterns For A Belladonna by Nicki Burley, Jan 2020 • A Summer Walking Dress Pattern by Nicki Burley, July 2020 • C. 1867 French Fashion Back-To-School Outfit, Pattern For A Huret by Nicki Burley, Oct 2020 • Christmas Fairy: A History, Plus A Pattern by Nicki Burley, Dec 2020 • The Tiniest Picnic with Pattern For A 7” All-Bisque Doll by Nicki Burley, July 2021 • An American Beauty - Dolls And Their Dresses with Pattern by Nicki Burley, Feb 2022 • Hidden Glory - 19th Century Undergarments with Pattern by Nicki Burley, Aug/Sept 2022 • Almost Bleuette - The Subtleties of Researching SFBJ Dolls by Nicki Burley, June 2023 • Dear Bécassine! Tale of Bécassine - Pattern Included by Nicki Burley, Oct 2024 • Cold Hands, Warm Heart: Fashion Winter Set Pattern by Nicki Burley, Jan 2025 • Spring Meadows: Enfantine Dress Pattern to Fit 14.5” Resin Body Dolls by Nicki Burley, May 2025 • Bleuette Couture: Pattern Included by Nicki Burley, July/Aug 2025 • A Christmas Pyjama Set for 9” Patsyette - Pattern Included by Nicki Burley, Dec 2025 • Paris Promenade Corselet Dress Drawn From the Pages of “La Mode Ilustrée,” 1868 - Pattern Included by Nicki Burley, Mar 2026 • Paris Promenade Skirt & Tulle Bonnet - Pattern Included by Nicki Burley, June 2026 • Sweet Liberty: Charming Accessories for a Patriotic Lady by Nicki Burley, Jul/Aug 2026

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Louisiana History in Their Hands

The WPA Dolls of the Louisiana State Archives by Tanya Anderson

t the Louisiana State Archives, we have the privilege of caring for a collection of handmade papier-mâché dolls created nearly a century ago as part of the Works Progress Administration (WPA). Although they appear to be just dolls at first glance, these figures were created for a much greater purpose. They serve as visual representations of Louisiana’s people, traditions, occupations, and cultures, intended to teach history in an engaging and memorable way. Today, the dolls continue to do exactly what they were created to do. The Louisiana State Archives houses thirty-two WPA dolls, each representing an aspect of the state’s rich cultural heritage. Among them are an Acadian couple, an Ursuline nun, a New Orleans firefighter, a one-man band, and a pralinière—the woman traditionally associated with selling pralines on the streets of New Orleans. Individually, each doll tells a story. Together, they offer a captivating glimpse into the diverse people and traditions that helped shape Louisiana. THE WPA AND THE NEW DEAL The story of these dolls begins during one of the most challenging periods in American history. In 1933, President Franklin D. Roosevelt introduced the New Deal, a series of programs, projects, and reforms designed to provide relief and employment to millions of Americans suffering during the Great Depression. In 1935, the Work Progress Administration was established as one of the largest of these initiatives. The agency’s name was changed to the Works Projects Administration in 1939. It is perhaps best remembered for its public works projects, which created jobs by constructing roads, bridges, public buildings, parks, and other community improvements. However, the program also recognized the importance of art, culture, education, and history. 30

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One notable initiative within the WPA was Federal Project Number One, which employed artists, musicians, writers, actors, and other cultural workers at a time when many had lost their jobs. The projects created during this period left a lasting mark on American communities. In Louisiana, WPA projects included public art, historical documentation, educational materials, and architectural projects. Among the more unusual productions of this time were handmade dolls that depicted figures from Louisiana’s history and culture. The dolls in the Louisiana State Archives collection were created by anonymous artists, likely as part of a Federal One’s Museum Extension Project. This initiative produced visual aids, models, and educational exhibits for use in museums, schools, libraries, and other public institutions. Rather than simply recording history in words, the artists gave history a face, a costume, and a physical presence. The dolls were displayed at the 1939 World’s Fair before eventually becoming part of the holdings of the New Orleans Public Library’s holdings. In 1988, they were officially donated to the Louisiana State Archives, where they remain today. HISTORY IN THE FORM OF A DOLL One of the most fascinating aspects about this collection is the variety of stories represented by the dolls. Louisiana’s history is not a singular narrative, and the WPA artists reflected that diversity in their work. The Praline Lady embodies one of New Orleans’ most recognizable traditions. The call of “Belles Pralines!” once echoed through the streets as pralinières sold their homemade confections to residents and visitors. Pralines originated from a French recipe brought to Louisiana by the Ursuline Sisters. The original recipe called for almonds, but almonds were not readily available in

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Praline Lady Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

One-Man Band Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

Louisiana. Free and enslaved women of color adapted the recipe by substituting locally available pecans and incorporating ingredients such as milk and cream. For these women, pralines represented more than a sweet treat; selling them provided an opportunity to earn money independently. In some cases, income generated through this work could be used to purchase freedom for themselves or family members. Thus the pralinière stands for not only a beloved New Orleans food tradition, but also the resourcefulness, entrepreneurship, and determination of generations of women. The One-Man Band represents another vibrant aspect of New Orleans street culture. These musicians combined several instruments into a single performance, often using their hands and feet to play drums, cymbals, harmonicas, and other instruments simultaneously. They entertain crowds on busy streets, in markets, and at festivals while earning a living through their music. This doll is a reminder of the ingenuity and creativity that have long characterized New Orleans. Street musicians remain an essential part of the city’s cultural landscape,

connecting today’s performers with a tradition that stretches back generations. The New Orleans Fireman offers another glimpse into the city’s past. His hat identifies him with New Orleans Fire Department No. 9, known as “Creole No. 9.” Organized in 1837, the volunteer company was composed largely of Creole firefighters and served the Faubourg Marigny, a neighborhood located downriver from the French Quarter. When New Orleans established a paid fire department in 1891, Creole No. 9 became part of the city’s modern fire department, continuing a long tradition of service. The Ursuline Nun symbolizes the lasting impact of the Ursuline Sisters in Louisiana. The sisters arrived in New Orleans from France in 1727, where they established a school for girls while also caring for orphans, the sick, and the poor. Their dedication to education, healthcare, and service played a crucial role in the development of colonial New Orleans. This educational legacy continues today through the Ursuline Academy of New Orleans. ANTIQUE DOLL COLLECTOR

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Ursuline Nun Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

New Orleans Fireman Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

Acadian Man Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

Acadian Woman Unknown artist, 1930s Papier-mâché, cloth P1988-208 WPA Doll Collection:1933-1939 Image courtesy of the Louisiana State Archives

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The collection’s Acadian Couple represents another significant chapter in Louisiana’s history. Acadians were French settlers who established communities in what are now Nova Scotia, New Brunswick, and Prince Edward Island starting in the early 1600s. In 1755, thousands were forcibly expelled by the British during an event known as Le Grand Dérangement, or the Great Expulsion. Many Acadians eventually found refuge in Spanish-controlled Louisiana, where they adapted to the region’s marshes and wetlands while preserving their language, music, food, customs, and traditions. Over generations, the Acadians became known as Cajuns, whose cultural heritage remains an essential part of Louisiana’s identity. PRESERVING THE DOLLS Preserving these dolls requires more than simply placing them on display. Nearly a century old, they are fragile historical objects that must be handled and stored carefully. At the Louisiana State Archives, the dolls are housed in padded archival boxes within a secure, climate-controlled environment. These conditions help protect the papier-mâché, textiles, paint, and other materials from environmental fluctuations that can contribute to deterioration. When the dolls are removed from storage for research, exhibits, or educational programs, they are handled with care, and their condition is closely monitored. Preparing them for travel requires additional consideration, particularly when transporting objects that were handmade so many decades ago. Our efforts to care for our dolls has given us a greater appreciation for the connection between them and historic preservation. These are not simply representations of people from the past. They are themselves historical objects, providing evidence of the materials, craftsmanship, clothing, artistic practices, and educational ideas of the era in which they were created. A RETURN TO NEW ORLEANS This summer, six of the Archives’ WPA dolls had the opportunity to return to New Orleans when they traveled with Archives staff to participate in the United Federation of Doll Clubs’ (UFDC) 77th Annual Convention. The UFDC brings doll collectors together from around the world to learn about the history, preservation, and care of dolls. The convention

provided an ideal setting for the WPA dolls. Nearly ninety years after they were created as educational objects, they were once again teaching people about history and culture. The six dolls were featured in an exhibit showcasing dolls that represent different periods, people, and cultures throughout history. Visitors learned about the Praline Lady, One-Man Band, New Orleans Fireman, Ursuline Nun, and Acadian Couple, with each figure offering a unique window into Louisiana’s past. For the Archives staff, the convention was also an educational experience. We had the opportunity to learn about WPA dolls from other states and learn how different communities represented their own histories and cultures. Additionally, a national doll convention offers the opportunity to encounter dolls from many different worlds. Alongside our Louisiana historical figures were familiar favorites and unexpected personalities, including Barbie, Mr. Bingle, Betsy McCall, U.S. presidents, and members of the British royal family. For our WPA dolls, however, the trip was about more than attending a convention; it was another chapter in their long history of education. STILL TEACHING AFTER ALL THESE YEARS The WPA dolls were created during the Great Depression to help tell stories and bring history to life. They were made by artists whose names have been lost to time, preserved by generations who recognized their importance and eventually entrusted to the Louisiana State Archives. Today, they continue to teach, which is what makes these dolls so special. As their caretakers, we are reminded that preserving these dolls means preserving much more than papiermâché, fabric, paint, and thread. It means preserving the stories of the people and traditions they represent and ensuring that those narratives remain accessible to future generations. Nearly one-hundred years after their creation, these WPA dolls are still fulfilling their original purpose. They invite people to look, ask questions, discover something new, and connect with the past. For a collection of papier-mâché figures, they have accomplished something remarkable: they have never stopped telling Louisiana’s story. Tanya Anderson, MLIS, CA, is the Conservation Services Supervisor at the Louisiana State Archives.

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Carmel Doll Shop, Home of the Grovian Doll Museum presents…

Lord & Lady Noble Visit Williamsburg A Trio—Wax, Wooden & Papier-mâché Retreat

Michael Canadas and David Robinson recently hosted a magical five-day event—Lord & Lady Noble Visit Williamsburg…A Trio—Wax, Wooden & Papier-mâché Retreat in Colonial Williamsburg.

Attendees at the Lord & Lady Noble event received a weeklong pass to Colonial Williamsburg. Pictured is Elizabeth Ann Coleman in the Margaret Hunter Millinery Shop speaking with Emily Wells (left) and Kate Hargrove (right) about the shop’s reproduction woodens and their wardrobe. (Photograph, Laurie McGill)

atriotism prevailed in Colonial Williamsburg August 19-23, 2026, as Michael Canadas and David Robinson of the Carmel Doll Shop and the Grovian Doll Museum hosted an event centered on sewing, education, history, food, and fun. Two options were offered to registrants: “Lord and Lady Noble Visit Williamsburg,” a sewing workshop led by costume creators and instructors Sheryl Williams, Denise Woodward, Jeffrey Cook, and Jackie Chimpky. Participants created garments for Lady Noble, an 18- to 20-inch doll modeled after a 1690-era William and Mary wooden doll by artist Karen Clohessy, whose resin works resemble wood. Or a retreat... “A Trio—Wax, Wooden & Papier-mâché,” a series of in-depth lectures featuring Michael Canadas (Wax, Wooden), Christine Collins Madrid (Papier-mâché), Elizabeth Ann Coleman (Grödner Tal), and Kathy Turner (Door of Hope). The Williamsburg Lodge served as the host hotel, and its Colonial charm set the tone for the event. Life-

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size stand-ups of George Washington, Thomas Jefferson, and Marie Antoinette stood as silent sentinels outside the rooms reserved for the activities—sewing, lectures, meals, shopping. Tuesday evening offered a reception introducing Lord and Lady Noble and their entourage, including Mademoiselle Royale, dolls created by Karen Clohessy (with wigs by Michael Canadas), and a period re-enactor sporting a tri-corner hat and playing a violin. On Wednesday morning, all attendees went to the Dewitt Wallace Collections and Conservation Building, where they received a behind-the-scenes tour of 18thcentury dolls, early clothing, and a menagerie of circa1920s-1930s plush toys. Gretchen Guidness, Conservator, discussed the archival boxes used for transporting dolls on loan to other museums versus those used to store dolls on site, as well as other conservation techniques, e.g., museumquality tissue paper and foam. Jan Gilliam, Manager, Exhibit Planning, and Associate Curator of Toys at the

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Left: Australian doll artist, Karen Clohessy, created the Lord & Lady Noble and Mademoiselle Royale event dolls. Right: A period-dressed musician played during the opening reception.

All attendees visited the Dewitt Wallace Collections and Conservation Building for a behind-the-scenes tour. This drawer contained a ca. 1790 wooden doll with wardrobe. Object Number 2005-102.1. Read about the dolls seen during the tour on https://bit.ly/emuseumwilliamsburg Search: Dolls.

Conservator Gretchen Guidness shared these two woodens as they were packed for their loan to the Barry Art Museum’s special exhibit, Carved Couture, 2025. Object Numbers 1958.241 and 1971-1738,1-4

Left: Jan Gilliam, Manager, Exhibit Planning and Associate Curator of Toys, Colonial Williamsburg Foundation, shared dolls in boxes as they are kept in storage. (Photograph, Laurie McGill) Right: Meals were buffet style except for the final dinner, which was served family style. Afternoon tea in lieu of lunch was presented on Saturday afternoon.

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The sewing workshop began on Wednesday afternoon. Jan Gilliam gave the non-sewers a tour of the Abby Aldrich Rockefeller Folk Art Center and the Dewitt Wallace Decorative Arts Museum Wednesday afternoon. (Photograph, Kathy Turner)

The event dolls were presented on Thursday evening. The workshop attendees received Lady Noble and the Trio (Wax, Wooden & Papier-mâché Retreat) attendees received an 8-inch Mademoiselle Royale.

Left: The Carmel Doll Shop opened on Thursday evening to the delight of the attendees. Right: During the auction, Beckie Decker won a special wax doll named Rosebud and her trousseau, which was handsewn by Denise Woodward.

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Colonial Williamsburg Foundation, shared a selection of dolls, including Hagar Tyler, the inspiration for Virginia-native Fred Laughon’s dolls of the same name. The first lunch established the standard for the lunches and dinners that followed, with a generous buffet of Williamsburg-themed choices and special favors at each place. The sewing workshop began in the afternoon, while the retreat attendees traveled to the Abby Aldrich Rockefeller Folk Art Center and the Dewitt Wallace Decorative Arts Museum for a tour led by Jan Gilliam. On Thursday and Friday, Jan came to the hotel for two impromptu early-morning mini-programs—one on the artworks in the collection that inspired the various doll and toy acquisitions, and another that touched on the “Take Joy! The World of Tasha Tudor” exhibition held at the Abby Aldrich Rockefeller Folk Art Center in 1996-1997. Following Thursday evening’s Supper with Lord and Lady Noble, where attendees received their special event dolls, Karen Clohessy gave a presentation on her dollmaking process. The Carmel Doll Shop then opened, featuring an array of tempting dolls and accessories. Friday’s dinner, The Grand Supper and Auction, offered a variety of English wooden-inspired dolls by various doll artists, as well as an antique wax doll, Rosebud, with her lovely trousseau, handsewn by Denise Woodward. Part of the auction proceeds were presented to Jan Gilliam to support the doll and toy conservation at the museum. The sewing workshop and lectures continued on Saturday, culminating with The Lady and the Rose Supper and a presentation about Marie Antoinette given by Jeffrey Cook. Sunday morning began with the Carmel Doll Shop Boutique, which offered a variety of fabrics and accessories for doll costuming. A surprise guest followed the final patriotic-themed dinner, Spirit of 1776 Supper. Martha Washington, dressed in

Those attending the Wax, Wooden & Papier-mâché Retreat were surrounded by a beautiful exhibit of Wax dolls…

… Papier-mâchés…

...Continental Woodens ...Grödner Tals ...and Door of Hope dolls. (Exhibit photographs, Laurie McGill)

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Above: The final dinner carried a patriotic theme with parchment reproductions of the Declaration of Independence at every place, courtesy of the Carmel Doll Shop, and vintage ’76 pins courtesy of Jason Chiarizia and Spencer Moore. Left: Guests were surprised by a special guest, Martha Washington, who gave an impressive soliloquy about her life before and after George Washington. Sandra Wright Justiss portrayed Martha. (Photograph, Catherine Peterson)

mourning attire, entered the room and gave an impressive soliloquy of her life before and after marrying George Washington. The multi-talented Sandra Wright Justiss portrayed Mrs. Washington. Throughout the event, Jason Chiarizia and Spencer Moore tirelessly decorated the tables for the meals, managing their tasks efficiently and transparently. Michael and David’s events are well known for their superior quality and unfailing attention to detail, and this magical five-day event in Colonial Williamsburg did not disappoint, offering a mix of sewing, lectures, food, fun, and friendship.

Invaluable to the event were Jason Chiarizia (left) and Spencer Moore (right), who worked tirelessly setting up the meal event tables as well as a variety of other tasks. Photographs by Barbra Porter unless otherwise noted.

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Attendees enjoyed a plethora of table favors throughout the event, which included paper dolls, special glue, small pins, doll-sized mouches (beauty marks), a tiny box of rose tea, shoes, stockings, and underpinnings for the event dolls (Courtesy Carmel Doll Shop); doll-sized hair combs (Courtesy Carol Donaldson), necklaces fashioned from vintage dominoes (Courtesy Karen Clohessy), dollsized books (Courtesy Chris Madrid), and a casket kit (Courtesy of sisters Diane and Edith), as well as a small spray of fabric roses.

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1969 Astronaut Snoopy, autographed by Astronaut Mike Massimino. Comes with provenance. He can be yours for $300 obo. For more info call Lisa at 631-208-7244 or email adclisa@gmail.com

When I was a kid one of my favorite books was “Gnomes.” I loved the beautiful watercolor illustrations and the adorable stories. A few years ago I happened to come across the book while cleaning house, and when I saw the picture of the nude lady gnome, I had a great idea! Why not ask Robin Thompson if she could carve me a lady gnome! Now I want this OOAK sweetie to find a new home, someone to love her as much as I have. She comes with her wool felt pet mouse and a copy of the Gnome book. She can be yours for $300 obo. Call Lisa at 631-208-7244 or email adclisa@gmail.com ANTIQUE DOLL COLLECTOR

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Immeasurably ADORABLE By Ann Hays

Photographs by Ken Hays hat makes a baby, toddler, or child adorable? Sometimes it is the dimple in the cheeks, the beautiful twinkling eyes, the smooth skin, the crooked or winning smile, or a combination of these. For antique dolls, these same factors apply. This rare 13-inch high Gebrüder Heubach mechanical walking doll [Illustration 1] catches your eye with her smiling expression as she gazes at her tiny German bisque doll. She holds it carefully between her outstretched hands. When wound, her

Illustration 1–The Gebrüder Heubach firm produced only a few mechanical dolls. This one is particularly cute. 40

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feet shuffle forward as she carefully lifts her doll for a closer inspection. An adorable 11-inch high Heubach rosy-cheeked child doll [Illustration 2] is incised Heubach in a square 92. She has a questioning look on her face. Her furrowed eyebrows and slightly downturned mouth inform us she is worried about something. She might not want her mother to put a bow in her molded blond top knot. The doll is a bisque shoulder head with the lovely Gebruder Heubach intaglio eyes.

Illustration 2–Another example of a Gebrüder Heubach Company doll, charming with her questioning facial expression.

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Almost every antique doll collector is familiar with the German J. D. Kestner Doll Company that was in business for more than one hundred years from the 1820s to 1938. The company was successful because of the high quality of its dolls. It continually made innovations and was in touch with fashion trends. The company was known as “The King of Dolls.” These charming 6 ¼-inch high brown all-bisque children would capture any doll collector’s heart [Illustration 3]. The pair have black caracul wigs, dark brown glass set eyes, and a closed mouth. They are socket heads with movable arms and legs. The boy and girl are similarly costumed in vintage blue and white block pattern clothing. Illustration 3–The Kestner firm produced beautiful dolls of all sizes. This small pair is no exception.

Illustration 4–This simplistic cloth doll represents southern charm from the 1930s.

An unusual 4½-inch high crocheted “flatter” child doll [Illustration 4] is of southern origin from the 1930s. Her cuteness factor is the entire package. The beige hat has an orange border tying it to a two-tone orange dress. Her hair is black caracul; her sweet eyes are a cupshaped sequin and a bead. She has a red yarn mouth. This child doll would be so simple to slip into a pocket for easy transport and to remove for play. These hard-to-find tin shelf dolls represent a pair of southern-type painted tin children enjoying a hot summer day, eating delicious watermelons [Illustration 5]. The girl has black hair curled into ringlets. She wears a blue cotton patterned dress and apron and holds a painted tin watermelon. The boy is wearing a white cotton shirt and blue and beige block pattern pants with shoulder straps. He is holding two tin watermelons. The larger melon is removable. He has a wrist booklet stating he was made by Shadow Dancers, Inc., founded in 1986 by Edna Oar Young and Leon Young. These 12-inch painted cut tin figures are shelf sitter figures. Who can resist a child doll holding a doll of her own? This 1950s handmade and hand-painted black cloth figure is of southern origin [Illustration 6]. The doll is 5¼-inches high with a black wool wig and sweet painted facial features. She is simply costumed in a mauve and beige block pattern sleeveless dress and beige pantaloons. Her 2-inch high black cloth doll has hair placed into Bantu knots made popular decades ago by the Zulu people of southern Africa. The doll is simply dressed in a beige cotton circle pattern dress and purple apron.

Illustration 5–These molded, painted tin dolls are very inventive. They are wearing appropriate clothing.

Illustration 6–When buying a southern black doll, you are collecting part of America’s history. ANTIQUE DOLL COLLECTOR

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On almost every doll collector’s want list is this American folk-art cloth 19-inch Izannah Walker doll [Illustration 7]. Miss Walker was born in 1817. She resided in Central Falls, Rhode Island. Her dolls have pressed stockinet heads and oil-painted features [Illustration 8]. The profile of this doll displays her ringlet curls and applied ears [Illustration 9]. She has a muslin body with stitches joining at the shoulders, elbows, hips, and knees. The doll is wearing vintage clothing. The Butler Exchange was an agent for selling Miss Walker’s dolls. The dolls were advertised as easy for children to keep clean and sturdy to play with. E. G. Billings sold the dolls singularly for $3.75. He also sold them by the dozen. The selling price of $3.75 is equivalent to $150 plus today in purchasing power. These valuable dolls rarely appear in the marketplace. When they do, they sell anywhere from $11,000 to $29,000, depending on condition and originality. Illustration 7–This coveted, rare Izannah Walker doll is a work of art. She is in excellent condition for having been a child’s doll, possibly made as early as the 1840s.

Illustration 8–The profile of this doll shows the typical ringlet curls. 42

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Illustration 9–This primitive looking Izannah Walker doll retains her vintage clothing.

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Illustration 10–A rare Italian Lenci baby doll wearing her original coordinated clothing.

Illustration 11–The 1950s were the era of hard plastic play dolls. Vogue Ginny dolls had costumes for every occasion—beach, parties, and holidays.

This rare all-original Italian Lenci baby is holding a felt rose that coordinates with her pink knitted sweater and booties [Illustration 10]. The white baby dress has applied pink and white flowers. Her blond mohair wig curls up at the ends. She has a beautifully painted face with blue eyes and a touch of color on her cheeks that makes her appear to be all innocence. Many of us grew up in the 1950s and 1960s. An 8-inch hard plastic strung Vogue Ginny Kinder Crowd doll is the #22 Donna version. The Ginny doll was on almost every little girl’s birthday or Christmas list. She retains her original box [Illustration 11]. This doll is in excellent condition. Her Tosco dynel pretty blond hair flips upward. Donna has painted lashes, sleep eyes, and high cheek color, circa 1952. The Ginny doll market has softened. The nicer rarer Ginny dolls will sell today from $95 to $450 depending on condition and availability of the original box. This rare French 6½-inch all-leather girl doll is in wonderful condition for her age, circa 1920s [Illustration 12]. Her impasto-painted black hair and oil-painted molded features charm her way into your heart. She is all original in her cute, knitted sweater, dress, and blue leather shoes. A gentleman who came to The Antiques Roadshow brought in a similar doll that was bought at a garage sale. He had spent a considerable amount of money on tools for himself and thought he had better bring his wife something home as an appeasement. He paid $1.00 for the doll. He was certainly surprised when he found out her real value was $2,500.

Illustration 12–The modeling and painting on this rare all-leather French doll are amazing. There appear to be very few made due to their scarcity.

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Illustration 13–This wonderful all-leather French baby doll was made by an individual or company unknown.

A rare, adorable French all-leather baby doll is in excellent condition [Illustration 13]. She is wearing an original baby gown. Note her balled fists. The maker is unknown. She and her older sister were unknowingly purchased from a doll dealer who had just returned from France. Her antique bisque head dolls she bought were nicely packed. Unbeknownst to the seller or the dealer, there was a cardboard layer below her purchased dolls that contained six of these small French leather dolls. What a wonderful find! One recently sold at auction for $990. Some dealers list them for as high as $3,000. This outstanding rare 13½-inch German mocha colored bisque character child doll is incised Simon & Halbig 1358, circa 1900 [Illustration 14]. The doll has a skillfully modeled face. She has a darkbrown caracul wig, brown glass eyes, coral-colored enlarged lips, and porcelain teeth. Her fully jointed composition body is matched in color to the bisque head. She is wearing a vintage block pattern orange dress with a belt and a straw hat. Such a cute pair of 16-inch German Kestner 257 twins are bisque socket head baby dolls [Illustration 15]. Not only do they share similar outfits, but they also share a wicker swing [Illustration 16]. These dolls are sometimes referred to as Baby Jean, Baby Hilda’s sister. The dolls have curly strawberry blond mohair wigs, brown side-glancing eyes, and an open mouth with two upper teeth and molded tongue. Illustration 15–Kestner’s first foray into making bisque head baby dolls was in 1909. Illustration 16–These twin Kestner 257 dolls are dressed in copycat outfits varying in pastel colors.

Illustration 14–This rare Simon & Halbig 1258 is representative of the Aesthetic Movement, where dolls were to be more representative of human emotions— character faces. 44

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This 13½ inch unmarked German parian boy is the apple of his mother’s eye [Illustration 17]. He has tightly molded blond wavy hair with a forelock, blue paperweight eyes, and a closed mouth [Illustration 18]. This boy was costumed by doll couturier Carol Thompson in a royal blue velvet 2-piece outfit, matching hat, and a white shirt. The German doll maker Gebruder Heubach created this 10-inch character baby incised 778/ 3 [Illustration 19]. The doll has sandy brown molded hair with two curls on his forehead. He has slightly furrowed brows, making his eyes seem to squint. Perhaps he is worried about his next bottle. This doll has a composition bent limb body. He is wearing a cream-colored knit baby dress strung at the neck with a blue ribbon and having a box pattern design above the hemline.

Illustration 17–German parian and tinted bisque dolls are generally of excellent quality.

Illustration 18–A handsome parian boy doll is wonderfully dressed in a royal blue velvet.

Illustration 19–The firm of Gebrüder Heubach produced this nicely sculptured baby doll with a worried look on his face.

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The sweetest Kestner 5½ inch German allbisque swivel head child doll [Illustration 20] hopes her new owner will make her a dress to complement her boots. The doll has wonderful quality bisque and painted features. This little miss has a long blond mohair wig, brown glass eyes, plump rounded cheeks, and closed mouth with pert lips. Her most noticeable features are her molded purple boots with tassels and socks. She is small but impressive. This unmarked brown composition baby doll says “I’m just cute” [Illustration 21]. She has a brown caracul wig, brown sleep eyes, and an open mouth. The doll is wearing a vintage pink knitted sweater and dress with a matching bow in her hair.

Illustration 21–A special brown composition baby doll epitomizes cuteness.

Illustration 20–Cabinet-sized all-bisque dolls are highly collectable in today’s antique doll marketplace. Unlike their larger sisters, these dolls take up little room, thus allowing the collector space for additional dolls. 46

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This sweet 11-inch German Gebruder Heubach pink bisque shoulder head rosy cheek child doll is incised 9092. Her sandy blond molded hair is pulled back in waves with a cute top knot. She has lovely brown intaglio eyes. The doll has been nicely recostumed in a drop waist blue dress reminiscent of the 1920s [Illustration 22]. French Tête Jumeau dolls hold their value in today’s market. This small, 13½-high Tête Jumeau Bebe is

incised 4 [Illustration 23]. She has a long ash brown wig, complementary brown paperweight eyes, and a closed mouth. Her bisque socket head rests on a composition and wood ball-jointed body. The vintage cream-colored clothing is a perfect tone for her complexion. This doll is adorable because she represents the complete package. Be careful at the next doll show or auction you attend. You never know what immeasurably adorable doll will capture your heart.

Illustration 22–A rosy cheek Gebrüder Heubach child is wearing a 1920s style drop waist dress.

Illustration 23–An appealing 13-inch-high French Tête Jumeau Bebe is size 4. What makes her so attractive is the complete package. ANTIQUE DOLL COLLECTOR

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Send in your Free Calendar Listing to: Antique DOLL Collector, c/o Calendar, P.O. Box 349, Herndon, VA 20172 or events@antiquedollcollector.com If you plan on attending a show, please call the number to verify the date and location as they may change. Auctions in Blue.

Many events have additional information online. Check antiquedollcollector.com > events. LONG TERM 18~ Cheektowaga (Buffalo) NY. Niagara 11 ~ Walpole MA Doll & Teddy Bear Show & Please check online for Long Term listings.

OCTOBER 2026 3-4 ~ Newark, OH. “A Doll Show the Way it Should Be.... JOY!” Ohio National Doll Show. Lectures/Meals: 3rd, 10 AM-8:30 PM. (see website for details) SHOW ONLY: 4th, 10 AM-4 PM. Cherry Valley Hotel & Event Center, 2299 Cherry Valley Rd.SE. Adults: $10; Children 12 & under: FREE; Parking: FREE. Gail Lemmon, 440-396-5386, ohionationaldollshow@gmail.com. 3 ~ Salisbury NC. Madame Alexander Friendship Luncheon. 2:00 PM - 4:00 PM. Registration Required ~ Check: $60 per person; Online: $62. Parking: FREE. Beth Nance, (704) 762-9359, info@ncmdtm.org. 3-4 ~ Casper WY. Doll Show & Sale. 9 AM - 4 PM. Central Wyoming Fairgrounds,1700 Fairgrounds Road, 82604. Admission at the Door (Cash/Check): $2.00; 12 & under: FREE. Parking: FREE. Kathy Dilgarde, call/text (970) 222-7884, kathy.dilgarde@gmail.com. 4 ~ Minnetonka, MN. Doll Show & Sale. Dolls & Toys & Bears OH MY by Classic Kids (under new ownership). 10 AM-3:30 PM. Sheraton Minneapolis West, 12201 Ridgedale Dr. Door admission (Cash only): $6; 10 & under: $3. Parking: FREE. Christine Wilson. c/t 612-281- 9008. Classickids00@gmail.com. dollstoysbearsohmy.wixsite.com/classic-layout. 10 ~ Indianapolis IN. Indy Doll Show & Sale. 11:00 AM - 6:00 PM. Harvest Pavilion at IN State Fairgrounds, 1202 E 38th St, 46205. Admission: VIP Early Bird-10 AM: $25: 11 AM: $5; under 12: FREE Advance purchase online: www.IndyDollShow.com. Ron Cloer, call/text (317) 727-6746, roncloer@gmail.com. NEW LOCATION! 10 ~ Jackson MI. Jackson MI Doll Show & Sale (Formerly Lansing Antique & Collectible Doll Show & Sale). 10:00 AM - 3:00 PM. American 1 Credit Union Event Center, 128 W Ganson St, 49201. Admission at the Door: Adults:$5.00; Children under 12: $1.00. Parking: FREE. Sandy Johnson Barts, (269) 599-1511, SJBbetsys@comcast.net. 10 ~ Spencer NC. NC Museum of Dolls, Toys & Miniatures - Conference: 9:30 AM - 4:00 PM. NC Museum of Dolls, Toys, Miniatures, 440 S. Salisbury Ave. 28159. Admission: $90 for museum members, $95 for non-members, souvenir t-shirt $28. Registration Required. NC Museum of Dolls, Toys & Miniatures Saturday Sale: 10 AM - 2 PM. Trinity Oaks, 728 Klumac Rd, 28144. FREE Admission, FREE Parking. Beth Nance, (704) 762-9359, info@ ncmdtm.org. https://ncmdtm.org/events/ 48

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Sale. 10:00 AM - 3:00 PM. VFW Walpole, 109 Robbins Road, 02081. Admission at the Door (Cash): $5.00; 12 & under: FREE. Parking: FREE. Barbara Scully, call/text (508) 735-0491 Cdpscully@aol.com. Sponsored by Withington Auction.

11 ~ Bridgeton (St. Louis) MO. 48th Annual Doll and Bear Show and Sale. 10:00 AM - 3:00 PM. Machinists’ Hall 12365 St. Charles Rock Rd., 63044. Admission at the Door (Cash only): Early Bird 9 am: $10.00; General: $6.00; 12 & under: FREE. Parking: FREE. Connie Knarr, call/text (314) 440-4086, clknarr@aol.com. 11 ~ Portland OR. Doll Show & Sale. 11:00 AM - 4:00 PM. Embassy Suites/Portland Airport, 7900 NE 82nd Avenue, 97220. Cost Admission at the door (CASH): Adults: $10; Children under 12: $5; Parking: FREE. Joe Koury, (650) 303-4140, joe@ queensofthedollaisle.com. 11~ Dublin PA. Doll Show & Sale. 10:00 AM 2:00 PM. Dublin Fire Hall, 194 N. Main St., 18917. Admission at the door. Adults: $6.00; Children under 12: FREE. Parking: FREE. Earl Bethel, call (610) 322-7702, ebgeeb@ptd.net. www.letitiapenn.com. 16-18~ Online. Bear Hugs 4 U Online Sales Event. 12:00 Noon (ET) Friday - 8:00 PM (ET). info@bearhugs4u.com. www.bearhugs4u.com. 17~ Des Moines IA. Happy Sisters Doll & Toy Show & Sale. 11:00 AM - 3:00 PM. Early bird: 10:00 AM. American Legion Hall #374, 3712 2nd Ave, 50313. Admission at the door (Cash only): Early Bird: 10 AM: $10.00; 11 AM: $5.00; Parking: FREE. Betty Peterson, call/text (515) 664-4992. 17~ Jonesborough TN. Doll Show & Sale. 9:30 AM - 3:00 PM. Jonesborough Visitor Center, 117 Boone St., 37659. FREE Admission. Donations taken for St. Jude’s Children’s Research Hospital. Free Parking. 6 foot tables ~ $25 ea. or 3 or more: $20 ea. Limit of 4 tables. Table set up Friday 4:00 PM - 7:00 PM or Saturday at 7:00 AM. Ellen Stafford, call or text (423) 753-0022, ellen@jonesdollhouse.com. Jonesdollhouse.com. 18~ Boscowan (Concord) NH. Granite State Doll Club “Dolls with Wardrobes”. 9:00 AM - 3:00 PM. Alan’s Restaurant, 133 N Main Street, 03303. $85/ UFDC members; $90/non-members. Registration Required. Free Parking. Linda May Gilmore, call/text (210) 251-6761, gsdollclub@gmail.com. granitestatedolls.com.

Frontier Doll Club Annual Show & Sale. 10:00 AM - 3:00 PM. Buffalo Airport Hotel, 4600 Genesee St. 14225. Admission at the Door (Cash Only): $5.00; under 12: FREE. Parking: FREE. Joan Ratzel (716) 634-4272, KDM310@hotmail.com. OCT 24 ~ TOLEDO, OH. Toledo Doll Show. 9:30 AM - 3 PM, Early Bird: 8 AM. TOCA Toledo Sports, 10020 S Compass Dr. Featuring dealers bringing a wide variety of Antique, Vintage, Artist, & Modern dolls & Bears for your consideration. There is also no shortage of accessories, antique toys, & vintage holiday items. Door Admission: Early Bird $20 (8 AM), Adults: $8; Children 12 & under: FREE; Parking: FREE. Karen Kosies. toledo@dollshows.net. c/t 520-270-0179 (AZ). ToledoDollShow.NET. 24~ Albany OR. Wagon Wheel Dollers 23rd Annual Fall Doll Show & Sale. 10:00 AM - 3:00 PM. Early bird: 9:00 AM - 10:00 AM. Linn County Fair & Expo, 3700 Knox Butte Dr. NE, 97322. Admission at the Door (Cash/ Check):Early Bird (9AM-10AM): $10.00 General: $8.00; under 10: FREE. Parking: FREE. Tables ~ $45. Verni Knight c/t (541) 979-2097, wagonwheeldollers@gmail.com. 25 ~ Southbury CT. Jenny Lind Doll Club 36th Annual Doll Show & Sale. 10:00 AM - 3:00 PM. Southbury Firehouse, 461 Main St. S., 06488. Admission at the door (Cash/Check): $7.00; 9 & under: FREE. Parking: FREE. Lynda Megura, c/t (203) 240-6832, jennylinddollclub@gmail.com.

NOVEMBER 2026 NOV 1 ~ SANTA ROSA, CA. Santa Rosa Holiday Doll Show. 10 AM -3 PM. 1351 Maple Ave. Admission $6 w/ad $5. Our dealers offer a large assortment of antique, vintage, modern, and artist dolls and accessories, as well as vintage toys and miniatures. Plenty of choices for your Holiday Shopping pleasure! Nina Lowrey, santarosadollshow@gmail.com, 707- 687-6321, santarosadollshow.blogspot.com/

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JUNE 2026 CONT’D FROM PAGE47 13 ~ Spencer, NC. Annual World Doll Day with Fill-a-Bag Doll Sale. 10 AM - 4 PM. 2 locations in Spencer. Free admission to doll museum and incredible doll fill-a-bag sale. $5/admission, $10/ bag. No limit on bags. Free parking. Locations walking distance of each other. ncmdtm.org/ event/bag-sale-2026/. 27 ~ Moberly, MO. Doll, Bear & Toy Show & Sale. 10 AM - 3 PM. VFW, 1347 S Morley St. At the Door (Cash): Early Bird (9 AM): $5; General (10 AM): $3; 12 & under: FREE. Parking: FREE. Janice Wassmuth, c/t 660-676-6304. .Janie_annie@hotmail.com. 28 ~ Buena Park, CA. Doll, Bear, Miniature Show & Sale. 10 AM - 3 PM. World Doll Day Shows & Events. Doubletree by Hilton, 7000 Beach Blvd. Admission at the door: General (13 and up): $10; Parking: FREE. Mary Senko 425-330-1770. Mary.Senko@worlddolldayshows.com. WorldDollDayShows.com.

Crowne Plaza Hotel, 739 Canal St. Admission: $10/day or $20/all four days. 12 & under: FREE. Parking Garages on Bourbon St. 28-Aug 1 ~ New Orleans, LA. UFDC 77th Annual Convention. Past * Present * Future: Celebrating Dolls of Yesterday, Today and Tomorrow. Sheraton New Orleans Hotel, 500 Canal St. 504-525-2500, ufdc.org/convention/

AUGUST 2026

15 ~ Greenville, SC. Greenville SC Doll, Toy & Miniature Show. Southeastern Doll Shows. Greenville Shrine Club & Event Center, 119 Beverly Rd. Jackie Stone. t 828-778-4646. jackiestone@ charter.net. SoutheasternDollShows.com. 18 ~ Cincinnati, OH. Queen City Beautiful Doll Club. Spring Fashion Doll Show & Sale. Eastgate Holiday Inn, 4501 Eastgate Blvd. Karen Kosies. c/t 520-270-0179 (AZ MST). karen@toledodollshow.net. ToledoDollShow.net.

JULY 2026

11 ~ Sarasota, FL. Venice Doll Club - FX Doll & Toy Show & Sale. 9 AM - 2 PM. VFW Sunshine Post 3233 124 South Tuttle Ave. Admission @ door: Early Bird: 8 AM: $10; After 9 AM: FREE; Parking: FREE. Bruce Zalkin, c/t 941-302-0572, fxtoyshows@gmail.com. fxtoyshows.com. 17-19 ~ Online. Good Bears of the World. Fri 10 AM-Sun 5 PM (ET). Terrie Stong goodbears1@ sbcglobal.net, goodbearsoftheworld.org. 27-30 ~ New Orleans, LA. New Orleans Doll Dreamers Market - 2026. MON: 3-9 PM; TUE & WED: 10 AM-5 PM; THU: 11 AM-3 PM. Astor

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4/14/2026 6:56:38 PM

Anne Demuth

Buying & Selling Fine Antique Dolls

Monster High Collections and Barbies of all ages! Buy my latest treasures in a charming setting or Online. Find me at anniepoojewels in my eBay store and now on a new site: whatnot.com (is an actual, exciting, live auction!) You’ll choose from a large selection of antique and vintage dolls, doll dresses, shoes, pantaloons, chemise, slips, bonnets, ribbons and more, including doll furniture, doll kitchenware, and dollhouses. Please call or text me to make an appointment or get more information:

336.755.1400 or Email: dollsbearscookies@yahoo.com

Experience Pure Doll Joy!

5134 Hwy NC 33 W, Tarboro, NC 27886 • Only 13 miles from Greenville, 30 miles from Rocky Mount and 1 hour from Raleigh Anne Demuth.Oct.indd 3

9/15/26 9:06 AM

Three IMPORTANT & Fun-Filled THERIAULT’S Auction Events ARE Right Around the Corner

An Important MARQUIS Doll Auction Weekend

November 7-8, 2026 Preview 10 AM ET • Auction 11 AM ET

An Important Cataloged Antique Doll Auction. In-person, absentee, telephone and internet bidding available. Location: Theriault’s in Annapolis, Maryland.

Grandezvous: Antique Dolls, Toys and Ephemera

Saturday, November 21, 2026 Preview 10 AM ET • Auction 11 AM ET

And grand, indeed it is. Wonderful antique and vintage plaything treasures from private collections range from rare French dolls to fine small doll furniture, from teddy bears to vintage dollhouses, from miniature bisque dolls to composition celebrity dolls, and everything in between. Location: Theriault’s in Annapolis, Maryland.

An Important MARQUIS Doll Auction Weekend

January 9-10, 2027 Preview 9 AM ET • Auction 11 AM ET

An Important Cataloged Antique Doll Auction. In-person, absentee, telephone and internet bidding available. Location: Theriault’s in Annapolis, Maryland.

Collectors are invited to attend the auctions in person. Or bid live online, bid live by telephone, or leave absentee bids. Each auction will be streamed live beginning at 11 AM ET on the day of the event. For further information or assistance call 410-224-3655. Order your special commemorative collector’s catalogs for the events at Theriaults.com. PO Box 151 • Annapolis, Maryland 21404

THERIAULT’S

Tel: 410-224-3655, M-F 9AM-5PM EST Fax: 410-224-2515 • www.theriaults.com

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