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Revealing Beauty from Japan, Adrian Sassoon in collaboration with Katie Jones

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REVEALING BEAUTY FROM JAPAN

CATALOGUE OF WORKS FOR SALE

REVEALING BEAUTY FROM JAPAN

ADRIAN SASSOON IN COLLABORATION WITH KATIE JONES

CATALOGUE OF WORKS FOR SALE

THURSDAY 23 – TUESDAY 28 APRIL 2026

Adrian Sassoon and Katie Jones combine forces to present a display of some of the finest contemporary Japanese works of art. The exhibition, Revealing Beauty from Japan , will be held in Sassoon’s new space in Belgravia and can be seen by appointment.

The collaboration of these fervent enthusiasts for Japanese art and culture brings together an unprecedented exhibition of over eighty works of art from their respective stables of artists. Showcasing an exceptional selection of ceramics, glass, metalwork, lacquer, bamboo, indigo-dyed textiles and hardstone the display aims to reveal Japanese artistry, technical mastery and innovation.

VIEWING DAYS

Appointments available over four days:

Thursday 23 April

Friday 24 April

Monday 27 April

Tuesday 28 April at 8 Headfort Place, London SW1X

METALWORK

KOJI HATAKEYAMA

Born 1956, Takaoka, Toyama, Japan

Working in Takaoka

Koji Hatakeyama creates patinated cast bronze works, which he does not intend to be functional. He is more interested in the artistic and spiritual worth of a piece, in his words ‘every article I make should live’.

KOJI HATAKEYAMA

Cylinder with Lid, 2025

bronze

Height 26cm (10 ¼”) Diameter 12cm (4 ¾”)

£ 5,600 each

Cast

Bronze as Bronze, 2025

Cast bronze with patinated interior

Height 32cm (12 ⅝”) Diameter 22 5cm (8 ⅞”)

£ 5,200

Bronze as Bronze, 2025

Cast bronze with patinated interior

Height 40 5cm (16”) Diameter 25 5cm (10”)

£ 6,800

KOJI HATAKEYAMA
Eight Faces Box and Cover, 2025
Patinated cast bronze with gold leaf interior
Height 17 2cm (6 ¾”) Width 15cm (5 ⅞”)
£ 4,600
KOJI HATAKEYAMA
Six Faces Box and Cover, 2025
Patinated cast bronze with gold leaf interior
Height 21cm (8 ¼”) Width 21cm (8 ¼”)
£ 5,000
KOJI HATAKEYAMA
Eight Faces Box and Cover, 2025
Patinated cast bronze with gold leaf interior
Height 12 7cm (5”) Width 11cm (4 ⅜”)
£ 3,000
Eight Faces Box and Cover, 2025
Patinated cast bronze with gold leaf interior
Height 13 2cm (5 ¼”) Width 10 5cm (4 ⅛”)
£ 3,000

Born 1962, Tokyo, Japan

Working in Chiba

Toru Kaneko is a metal artist known for his unusual patinations and exquisite craftsmanship. For two decades he was an influential Professor of metalwork at the Tohoku University of Art and Design before retiring in 2014.

TORU KANEKO

Tall Copper Vessel with Roundel Decoration, 2023

Tin plated copper

Height 31 5cm (12 ⅜”) Width 24 5cm (9 ⅝”)

£ 3,000

Tall Copper Vessel with Roundel Decoration, 2023

Tin plated copper

Height 38 5cm (15 ⅛”) Width 16 5cm (6 ½”)

£ 3,000

Height 7 5cm (3”) Diameter 7 5cm (3”)

£ 2,200

TORU KANEKO
Small Oval Box, 2019
Patinated copper

Height 5 9cm (2 ⅜

£ 2,500

Width 8 3cm (3 ¼”)

Small Rectangular Box, 2018
Metal
”)

Height 47 5cm (18 ¾”) Width 17cm (6 ¾”)

£ 3,800

TORU KANEKO
Tall Squared Copper Vessel, 2017
Copper, tin, brass powder and lacquer

HIROSHI SUZUKI

Born 1961, Miyagi, Japan

Working in Tokyo

“I have developed an intuitive relationship with silver that allows me to approach my work in a highly spontaneous way. Initiating work without development stages such as drawing and making small-scale models could be seen as risky, but for me it allows a certain freedom to create intuitively and remain true to the material. Intuition and feeling are core to my creative process, allowing me to maintain sensitivity with the material. The thematic influences in my work explore the subtleties within fluidity and sensuality, a very personal expression applied with an allencompassing hand.”

HIROSHI SUZUKI

Miyabi-Fire Vase, 2022

Hammer-raised and chased Fine silver 999

Height 22cm (8 ⅝”) Diameter 22cm (8 ⅝”)

£ 32,000

HIROSHI SUZUKI

Terra C Sakura Beaker, 2024

Hammer-raised and chased Fine silver 999

Height 8 5cm (3 ⅜”) Diameter 8 5cm (3 ⅜”)

£ 4,700

Seni Beaker, 2023

Hammer-raised and chased Fine silver 999

Height 8 5cm (3 ⅜”) Diameter 8 5cm (3 ⅜”)

£ 4,400

Terra C Beaker, 2024

Hammer-raised and chased Fine silver 999

Height 8 5cm (3 ⅜”) Diameter 9 5cm (3 ¾”)

£ 4,700

Miyabi-Fire Vase, 2021

Hammer-raised and chased Fine silver 999

Height 35cm (13 ¾”) Diameter 26cm (10 ¼”)

£ 52,500

HIROSHI SUZUKI

KOICHI IO

Born 1987, Tokyo, Japan

Working in Tokyo

Koichi Io hammer-raises vessels in iron, copper, kuromido, silver and shakudo. He is a third generation metal artist using traditional techniques with a modern voice.

KOICHI IO

Whirl Vessel, 2021

Hammer-raised and patinated shibuichi, a Japanese copper alloy

Height 16 5cm (6 ½”) Diameter 37 5cm (14 ¾”)

£ 8,500

Whirl Vessel, 2022
Hammer-raised and patinated shibuichi, a Japanese copper alloy
Height 19 5cm (7 ⅝”) Diameter 40 5cm (16”)
£ 9,000

Three Legged Vase, 2021

Hammer-raised and patinated copper

Height 27cm (10 ⅝”) Width 27cm (10 ⅝”)

£ 8,000

KOICHI IO

Hammer-raised and patinated iron

Height 22 5cm (8 ⅞”) Diameter 26cm (10 ¼”)

£ 8,000

Sphere, 2026
KOICHI IO
Whirl Box, 2025
Hammer-raised Sterling silver 925, 323g
Height 8.5cm (3 ⅜”) Diameter 9.5cm (3 ¾”)
£ 4,250

£ 4,000

Melon Box, 2025
Hammer-raised Sterling silver 925, 270g
Height 9 5cm (3 ¾”) Diameter 8 3cm (3 ¼”)

Whirl Vessel, 2023

Hammer-raised and patinated copper

Height 18cm (7 ⅛”) Diameter 34 5cm (13 ⅝”)

£ 7,200

KOICHI IO

Born 1976, Tamano City, Japan

Working in Okayama

Ryuhei Sako creates distinctive contemporary metal vessels using mokume-gane, a Japanese technique dating back to the 17th century. He uses silver, copper, shakudo, shibuichi and kuromido to create his distinctive mixed-metal designs.

Ribbed Mokume-gane Vase, 2025

Mokume-gane; hammer-raised copper, shakudo and shibuichi

Height 21 8cm (8 ⅝”) Diameter 12 7cm (5”)

£ 14,000

RYUHEI SAKO

Twisted Mokume-gane Tea Caddy, 2026

Mokume-gane; hammer-raised copper, shakudo, shibuichi and kuromido

Height 10.6cm (4 ⅛”) Width 6.3cm (2 ½”)

£ 6,500

RYUHEI SAKO

Height 9 6cm (3 ¾”) Width 7 6cm (3”)

£ 6,500

Faceted Mokume-gane Tea Caddy, 2026
Mokume-gane; hammer-raised copper, shakudo, shibuichi and kuromido

Born 1965, Tokyo, Japan

Working in Tokyo

Hiroki Iwata is one of the few Japanese artists researching and experimenting with enamel and metal. He is a professor at Tokyo University of the Arts.

Natural Scene, 2025

Copper, enamel, aluminium leaf and gold leaf

Height 12cm (4 ¾”) Diameter 8 5cm (3 ⅜”)

£ 2,200

HIROKI IWATA

Harvest Scene, 2026

Copper, enamel and gold leaf

Height 16cm (6 1¼”) Diameter 11cm (4 ⅜”)

£ 4,000

HIROKI IWATA

16cm (6 ¼”) Diameter 11cm (4 ⅜”)

£ 4,000

Silent Scene, 2026
Copper, enamel and aluminium leaf
Height

CERAMICS

Born 1958, Kyoto, Japan

Working in Kyoto

Takahiro Kondo’s early ceramics followed a more traditional path, but he soon established his own independent artistic identity creating dynamic modern work, using simple slabbed forms and experimenting with other media such as metals and cast glass. His experiments with metals resulted in the creation of his unique “silver mist” glaze, for which he is now well known.

TAKAHIRO KONDO

Pure Water Wave Bowl, 2025

Porcelain with silver mist over-glaze

Height 9 2cm (3 ⅝”) Diameter 12 5cm (4 ⅞”)

£ 6,400

Wave Bowl, 2025

Porcelain with silver mist over-glaze

Height 10 5cm (4 ⅛”) Diameter 13 2cm (5 ¼”)

£ 6,400

Sometsuke Silver Mist Bowl, 2020

Porcelain with silver mist over-glaze

Height 9 2cm (3 ⅝”) Diameter 16 2cm (6 ⅜”)

£ 5,400

TAKAYUKI SAKIYAMA

Born 1958, Shimoda, Shizuoka, Japan

Working in Shizuoka

Takayuki Sakiyama is a ceramic artist who lives near the sea on the Izu Peninsula. Sakiyama’s sculptural series ‘ Chōtō - Listening to the Waves’ are stoneware vessels intended to remind you of the ebb and flow of the ocean and its currents.

TAKAYUKI SAKIYAMA

Ch ō t ō ; Listening to the Waves, 2024

Stoneware

Height 44cm (17 ⅝”) Diameter 50cm (19 ⅝”)

£ 22,000

Born 1948, Nara, Japan

Working in Kyoto

Eiko Kishi is a ceramic artist who has perfected her own unique method of incorporating small fragments of crushed coloured clay into her work. Before the clay is dry she scores the surface with diagonal, vertical and criss cross lines with a needle.

EIKO KISHI

Height 9 5cm (3 ¾”) Width 11 3cm (4 ½”)

£ 4,000

2025

Height 10cm (3 ⅞”) Width 12cm (4 ¾”)

£ 4,000

Tea Bowl, 2025

Height 10 5cm (4 ⅛”) Width 12 5cm (4 ⅞”)

£ 4,000

Blue Stripe Tea Bowl, 2025
Ceramic
Dark Green Tea Bowl,
Ceramic
Ceramic

RY ŪICHI KAKUREZAKI

Born 1950, Goto (Kabashima, Goto Islands) Nagasaki, Japan

Working in Okayama

Ryuichi Kakurezaki is known for his use of unconventional clays. Based in Bizen, he creates ceramic works with traditional Bizen techniques and methods. Since the 1990s he has been using what would have historically been considered ‘waste clay’ to achieve intriguing results.

RY ŪICHI KAKUREZAKI

Una Mistura Vase, 2019

Bizen ware

Height 23 5cm (9 ¼”) Diameter 33cm (13”)

£ 8,000

Bizen ware

Height 45 5cm (17 ⅞”) Diameter 14 5cm (5 ¾”)

£ 8,000

RY ŪICHI KAKUREZAKI
Una Mistura Vessel, 2020

RY ŪICHI KAKUREZAKI

Ash Glazed Tea Bowl, 2025

Bizen ware

Height 10cm (3 ⅞”) Width 13cm (5 ⅛”)

£ 5,000

White Glazed Tea Bowl, 2025

Bizen ware Height 10cm (3 ⅞”) Diameter 12 5cm (4 ⅞”)

£ 5,000

Oribe Tea Bowl, 2025

Bizen ware Height 10 4cm (4 ⅛”) Width 13 5cm (5 ⅜”)

£ 5,000

Mizusashi Water Jar, 2021

Bizen ware with red lacquer lid

Height 16cm (6 ¼”) Width 29cm (11 ⅜”)

£ 6,000

RY ŪICHI KAKUREZAKI

Born 1969, Nagoya City, Japan

Working in Nagoya

Koichi Uchida creates ceramic sculptures and tea ceremony wares. Uchida is known for his wide range of ceramic styles and use of materials. In part this is due to his extensive travels across Europe, Southeast Asia, West Africa and South America. In these different continents he has researched and studied ancient kilns as well as the available natural clays.

KOICHI UCHIDA

Ginsai silver glazed ceramic

Height 9cm (3 ½”) Diameter 13cm (5 ⅛”)

£ 3,500

Tea Bowl, 2020

Height 8 5cm (3 ⅜”) Width 13 5cm (5 ⅜”)

£ 3,500

Tea Bowl, 2024

Ceramic

Height 9 8cm (3 ⅞”) Diameter 14 2cm (5 ⅝”)

£ 3,500

KOICHI UCHIDA
Tea Bowl, 2012
Porcelain

GLASS

YUKITO NISHINAKA

Born 1964, Wakayama Prefecture, Japan

Working in Chiba

Yukito Nishinaka is a glass artist renowned for his distinctive yobitsugi technique, a contemporary interpretation of a traditional Japanese method used to repair objects. Traditionally lacquer has been used as glue to join damaged parts and then finished with gold leaf, thus enhancing the broken parts with a renewed charm. Yukito Nishinaka joins fragmented glass using molten glass to create harmony and beauty.

YUKITO NISHINAKA

Yobitsugi: Akebono Tea Bowl, 2023

Blown glass with gold and silver leaf

Height 7cm (2 ¾”) Diameter 13 5cm (5 ⅜”)

£ 2,000

Height

£ 2,000

Blown

Height 8cm (3 ⅛”) Width 12 7cm (5”)

£ 2,000

Yobitsugi: Soumai Tea Bowl, 2024
Blown glass with gold and silver leaf
7cm (2 ¾”) Diameter 13 3cm (5 ¼”)
Yobitsugi: Amatsuchi Tea Bowl, 2024
glass with gold and silver leaf

YUKITO NISHINAKA

Yobitsugi: Seisen, 2012

Height 26.5cm (10 ⅜”) Width 17.5cm (6 ⅜”)

£ 3,700

Blown glass with silver leaf

YUKITO NISHINAKA

Yobitsugi: Daichi, 2023

Height 12cm (4¾”) Width 12 5cm (4 ⅞”)

£ 2,200

Blown glass with gold and silver leaf
Yobitsugi: Haten, 2023
Blown glass with gold and silver leaf
Height 28cm (11”) Width 13cm (5 ⅛”)
£ 3,500

RITSUE MISHIMA

Born 1962, Kyoto, Japan

Working in Venice and Kyoto

Ritsue Mishima creates organic glass forms often influenced by nature. She is one of the few artists in Murano, Venice working almost exclusively in clear glass.

RITSUE MISHIMA

Titano, 2017

Hand-blown clear glass

Height 39cm (15 ⅜”) Diameter 33 5cm (13¼”)

£ 17,000

RITSUE MISHIMA

Xilema, 2005

Hand-blown clear glass

Height 15cm (5 ⅞”) Diameter 23 5cm (9 ¼”)

£ 9,500

RITSUE MISHIMA

Melograno, 2014

Hand-blown clear glass

Height 13cm (5 ⅛”) Width 45cm (17 ¾”)

£ 9,000 for the group of three

RITSUE MISHIMA

Onion, 1999

Hand-blown clear glass

Height 24 4cm (9 ⅝”) Diameter 33 4cm (13 ⅛”)

£ 8,000

TEXTILES

SHIHOKO FUKUMOTO

Born 1945, Osaka, Japan

Working in Kyoto

Shihoko Fukumoto started dyeing with indigo in the 1970s. It is the nature of the material she uses, from linen, hemp, pineapple fibre or even loose weave mosquito netting that she expresses her individual designs.

SHIHOKO FUKUMOTO

Water Scape, 2025

Height 180cm (70 ⅞”) Width 150cm (59”)

£ 11,500

Indigo dyed linen

Height 176cm (69 ¼”) Width 70cm (27 ½”)

£ 10,000

SHIHOKO FUKUMOTO
Shimotsuke, 2012
Indigo dyed hemp

SHIHOKO FUKUMOTO

Firmament, 1988

Height 208cm (81 ⅞”) Width 60cm (23 ⅝”)

£ 9,500

Indigo dyed ramie

HAJIME NAKOTOMI

Born 1974, Osaka, Japan

Working in Oita

When working with bamboo, Nakatomi seeks to translate the material’s mysterious quality and vitality into dynamic forms. His works of art are exhibited internationally and held in major public collections in Japan and the USA.

HAJIME NAKOTOMI

Frill: Undulation III, 2025

Madake bamboo, rattan and thread

Height 34cm (13 ⅜”) Width 51 5cm (20 ¼”)

£ 12,000

HAJIME NAKOTOMI

Auspicious VIII: Sweep, 2025

bamboo, rattan and thread

Height 47 5cm (18 ¾”) Width 49 5cm (19 ½”)

£ 6,800

Madake

HAJIME NAKOTOMI

Height 34cm (13 ⅜”) Width 31 5cm (12 ⅜”)

£ 9,500

Fly: Small Warp III, 2025
Madake bamboo, rattan and thread

HAJIME NAKOTOMI

Auspicious VIII: Wings, 2023

bamboo and rattan

Height 32cm (12 ⅝”) Width 49cm (19 ¼”)

£ 6,800

Madake

HAJIME NAKOTOMI

Frill: Undulation I, 2025

Height 32cm (12 ⅝”) Width 56cm (22”)

£ 15,000

Madake bamboo, rattan and thread

HARDSTONE

TOSHIYA OGUMA

Born 1953, Niigata, Japan

Working in Niigata

“All things that exist in this life repeat, birth and death never stagnate. It is said that some day even the M64 will unite with other nebula close by and create a new shape.”

TOSHIYA OGUMA

Cosmic Ocean, 2015

Hand-carved Brazilian agate box with gold leaf

Height 7cm (2 ¾”) Diameter 15 5cm (6 ⅛”)

£ 27,000

Creation of Life, 2007

Hand-carved Brazilian agate box

Height 14cm (5 ½”) Diameter 14cm (5 ½”)

£ 22,000

TOSHIYA OGUMA

OGUMA

A Pair of Constellation Sake Cups, 2021

Hand-carved Brazilian agate box with gold leaf

Height 4 7cm (1 ⅞”) Diameter 6 5cm (2 ½”)

£ 9,000

TOSHIYA

TOSHIYA OGUMA

Network Box, 2022

Hand-carved Brazilian agate box with gold leaf

Height 2 8cm (1⅛”) Diameter 5 5cm (2 ⅛”)

£ 5,500

Small Cup I, 2022

Hand-carved Brazilian agate

Height 2 6cm (1”) Diameter 5 3cm (2 ⅛”)

£ 1,800

Small Cup II, 2022

Hand-carved Brazilian agate

Height 3 9cm (1½”) Diameter 2 36cm (⅞”)

£ 1,600

LACQUER

Born 1985, Kyoto, Japan

Working in Chiba

Sachiko Kuroda creates lacquer works of art using traditional Japanese urushi. Her modern designs are inspired by the changing seasons; flowers, birds, snow and rain. Sachiko Kuroda was a student of Shinya Yamamura at Kanazawa College of Art.

Flower Butterfly Moonlight, 2026

Height 3 7cm (1 ½”) Diameter 7 5cm (3”)

£ 3,200

SACHIKO KURODA
Cherry wood, lacquer (Urushi), shells with powdered metal

Cherry

Height 2 8cm (1 ⅛”) Diameter 11cm (4 ⅜”)

£ 3,000

SACHIKO KURODA Moon Leaves Box, 2024
wood, lacquer (Urushi), shells, powdered charcoal and powdered metal

Glint of The Waves Box, 2024

Cherry wood, lacquer (Urushi), shells, powdered charcoal and powdered metal

Height 3 5cm (1 ⅜”) Diameter 8 8cm (3 ½”)

£ 3,400

SACHIKO KURODA

FUMIE SASAI

Born 1973, Osaka, Japan

Working in Kyoto

Fumie Sasai is a lacquer artist who creates beautiful soft abstract sculptures. She employs the technique nuritate leaving the top layer of lacquer unpolished. Sasai is Associate Professor at Kyoto City University of Arts.

FUMIE SASAI

Musubi-yama, 2019

Height 19 5cm (7 ⅝”) Width 40 5cm (16”)

£ 8,000

Lacquer (Urushi)

Height 22cm (8 ⅝”) Width 24cm (9 ½”)

£ 7,000

FUMIE SASAI
Morning Moon, 2021
Lacquer (Urushi)

Born 1960, Tokyo, Japan

Working in Kanazawa

Shinya Yamamura is a master lacquer artist. His delicate contemporary mixed-media pieces are created through a very precise use of traditional Japanese lacquer techniques. For many years Shinya Yamamura has worked as a professor of Lacquer at Kanazawa College of Art and in 2023 he was appointed the President of the College.

Height 5 7cm (2 ¼”) Width 11 8cm (4 ⅝”)

£ 6,000

SHINYA YAMAMURA
Octagonal Box, 2025
Lacquer (Urushi), mother of pearl, abalone shell, egg shell and powdered metal

Tea Caddy with Calligraphy, 2025

Lacquer (Urushi), green turbo shell, abalone shell and powdered metal

Height 7 2cm (2 ⅞”) Diameter 6 8cm (2 ⅝”)

£ 6,000

SHINYA YAMAMURA
SHINYA YAMAMURA
Square Incense Box, 2022
Lacquer (Urushi), mother of pearl, abalone shell, egg shell and powdered metal
Height 3 7cm (1 ½”) Width 7 1cm (2 ¾”)
£ 6,000

Born 1988, Chiba, Japan

Working in Chiba

Mayu Yoshida creates sensitive works using traditional Japanese lacquer techniques. Since graduating in 2021 she has exhibited widely across Japan. Yoshida was a student of Shinya Yamamura at Kanazawa College of Art.

Height 4 9cm (1 ⅞”) Width 6cm (2 ⅜”)

£ 2,200

MAYU YOSHIDA
Fuwari Kirari Box, 2025
Cypress wood, lacquer (Urushi), egg shell, green turban shell, pigments and powdered metal

MAYU YOSHIDA

Hirari Howari Box, 2024

Cypress wood, lacquer (Urushi), egg shell, green turban shell, pigments and powdered metal
Height 4cm (1 ⅝”) Width 5 1cm (2”)
£ 2,500
MAYU YOSHIDA
Sarari Kirari Box, 2025
Katsura wood, lacquer (Urushi), egg shell, green turban shell, pigments and powdered metal
Height 2 3cm (⅞”) Diameter 6 3cm ( 2½”)
£ 2,000

8 HEADFORT PLACE LONDON SW1X 7DH (by appointment) +44 (0)20 7581 9888 email@adriansassoon.com www.adriansassoon.com

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