Tamkang University EA4 Studio 3S PORTFOLIO
2020 Fall & Winter EA4 GRAY STUDIO
About Me
YAN-AN SHEN,1999
CONTENT
RECORDER
04
1:1 OBEJECT
15
SMALL HOUSING
22
NEW TAIPEI / TAIWAN @ANAN_3.23
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STAGE1 RECORDER
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OPPSITE SHAPED LANDFORM DIRECTION OF SITE
The site of is the Tideland Peninsula in Badouzi, Keelung. Because this site is located at the junction of cold and warm tides, it has the name Tideland.
WAVE-CUT CLIFF
SEAWALL
WAVE-CUT PLATFORM WAVE-CUT PLATFORM
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DIRECTION OF ART The waves hit the rocks and produce many directions. In order to record these directions, I refer to the methods of other artists and found that they are presented with repeated lines or overlays.
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ROCK ANGLE AND EROSION
Look at each stone on the coast and study the subtle relationship between waves and rocks.The waves eroded the stones, while the rocks guided the current.Rocks at different angles produce waves of different strengths.
Zoom out and observe the changes of the entire coastline and find that the waves will change their direction due to the topography of the coast.
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WAVE DIRECTION and STRENGTH
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DRAWING of THE WAVES
EROSION DIRECTION OF A SINGLE ROCK
MASS ROCKS AND BREAKING WAVES
TIDE AND CONTINUOUS WAVE BREAKING EDGE
Draw the edge of the wave and observe the change in its speed, and found that the broken wave will quickly flow to the shore after it hits the shore. 08 YAN AN,ea4 gray studio
EROSION OF TIDES
Carefully study how the waves near the shore leave traces on the rocks, and the tide will cause the sea level to rise and fall, and the traces will be produced between the tidal range.
ACCUMULATE
sea level PERMEATE
SEA SCOURING
sea level
SEA SCOURING
EFFLUENCE
ACCUMULATE
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CAUSE of WAVE
DEEP WATER WAVES
+
-
+
TRANSITITIONAL WAVES
SHALLOW WATER WAVES
BREAKER
-
WAVE BASE
O NO WAVE MOTION
SEA BOTTOM
The waves that are far from the shore are called wind waves. Each wave is composed of many sea molecules. This motion has a reference surface. When the reference surface touches the shore, it breaks the circular motion and the wind waves become broken wave.
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(°C)
WAVE DIRECTION and MICROCLIMATE
DENSITY
WAVE BASE MIXED LAYER
NO WAVE MOTION
THERMOCLINE
DEEP WATER 1
Looking at the entire waves, not only are there waves on the sea level, but there are also waves on the seabed that erodes the rocks, and the waves on the seabed and the waves on the sea are connected to each other.
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THE WAVE MACHINE
WIND FLUCTUATION
LOOP
SYSTEM
Make a recorder to simulate the waves leaving traces in a specific direction on the rocks.
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THE NOTCH COLLECTOR RESISTANCE
WATERCO A LOR PAPER TEMPLETE
NONRESISTANCE
WATERCO A LOR PAPER TEMPLETE
Changing the direction of the roulette wheel and generating resistance requires multiple samples, and by reading these samples, it is possible to infer under what condition it occurred.
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STAGE2 1:1OBEJECT
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CASE STUDY
The door obstructs the direction and is a good thing to manipulate the direction.
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THE RORATED SCREAM
Rotating the screen produces many different states, and changing the density of the grille makes the line of sight have a second directionality.
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THE DETAILS OF SCREAM
Spacing
Beam Pillar
Angle Bar
Screw
Bearing
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THE EFFECT OF SCREAM
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ARTISTIC CONCEPTION
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ARTISTIC CONCEPTION
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ARTISTIC CONCEPTION
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STAGE3 SMALL HOUSING
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THE MUTAI-DIRECTIONAL PARK
The site itself is the middle point of the six intersections, leaving three different main directions of traffic flow, and the six directions guide different location elements, forming different aspects of the sea, the community, and the business circle.
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THE FLOOR PLAN OF THE PARK
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THE DIRECTION OF THE PARK
The site is a space that is cut open by traffic and looks like an island. Only when it is used as a shortcut, people walk in it. Therefore, I focus on the perspective of these 3 lanes. People may turn and stay with the wall. The roulette is repeated, and finally gathered at a meeting point, creating the possibility of people interacting. YAN YANAN,ea4 AN,ea4gray graystudio studio 25
THE DIRECTION OF THE WINDOWS
Openings are created between the thick walls. These window scenes reflect the intersection of each wall, so that people will see it inadvertently. Looking out from the window scene also creates new possibilities for interaction. 26 YAN AN,ea4 gray studio
THE MUTAI-DIRECTIONAL PARK
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ARTISTIC CONCEPTION
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THE SECTION OF THE PARK
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THANKS FOR YUOR READING
2020
3S ARCHITECTURE PORTFOLIO