406 Woman Holiday lifestyle 2025

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antiques Celebrating 34 Fabulous Years!

Over 6,000 Square Feet of recycled DECOR & FINE COLLECTIBLES

Food &flavor

12. 101 Central

18. aS k t H e But CH er

Local Author

20. C H ange o f l ig H t Christine Carbo

Music

24. u nder t H e Big Sky

26. g la C ier Symp H ony & C H orale

Love Story

32. m ea H and Bret

34. a lexi S and Hunter

A mom of five, Alisha feels immeasurably blessed to live, work, and raise her family in the beautiful Flathead Valley of Montana. Together with her husband, she’s built a life centered on faith, family, and helping others find renewal in both body and spirit. Read about The Source, a wellness sanctuary created by Alisha and her family, on page 34 in the Business & Health side.

406

publisher Cindy gerrity cindy@montanasky.net

business manager daley mcdaniel daley@montanasky.net

managing editor kristen Hamilton montanakristen@gmail.com www.406 w oman.com

creative & social media director amanda wilson afwphotography@me.com

photographers daley mcdaniel photography amanda wilson photography aCe photography design Sara Joy pinnell sara@mrsandmrpublishing.com

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101 Central Where Elegance Meets Culinary Artistry.

101 Central in Whitefish, Montana is a multi-level venue that features a fine dining restaurantHerb & Omni, a rooftop garden patio and enclosed greenhouseThe Belvedere, and the Second Story entertainment space.

It has fast become the “go to” place to enjoy a delicious meal with friends, catch a great show, or watch an amazing sunset on the Whitefish range.

On a visit to one or all the unique spaces here, you’ll be impressed with a team that is focused on excellent customer service that elevates your experience. Behind that team, you’ll find leaders with experience and heart that lead by example and keep that team motivated.

Introducing…

• General Manager, Steven Labrovic

• Director of Events & Sales, Laurie Andrade

• Executive Chef, Earl James Reynolds

Steven Labrovic has more than 39 years of experience in the restaurant industry and has built a career defined by leadership, passion, and dedication to hospitality. Born and raised in New York, Steve began his journey in the restaurant world at just 17 years old as a dishwasher — an entry point that gave him firsthand appreciation for every role that contributes to a guest’s experience.

Over the decades, Steve worked his way up through the ranks, holding key leadership positions across several national and international concepts. He spent more than 20 years with Hou-

lihan’s, where he honed his skills in both kitchen and front-of-house management. His career also includes experience with East Side Mario’s, an Italian concept once owned by PepsiCo, and over a decade with Sizzler Restaurants, where he gained a deep understanding of high-volume operations and team development.

In 2021, Steve relocated to the Flathead Valley to be closer to his grandchildren — and soon found a new professional home as General Manager.

Steve’s management philosophy centers on collaboration, consistency, and continual growth — both for his team and the business. He’s known for his ability to balance the artistry of hospitality with the discipline of operations, ensuring that every guest experience reflects the highest standards of excellence.

Driven by a genuine love for people and a belief in leading by example, Steve continues to elevate Herb & Omni’s reputation for exceptional

When communication is open and everyone is working toward the same goal, the entire operation runs smoothly — and guests feel that harmony in their experience.

cuisine, memorable events, and a vibrant sense of community.

Steve - What is the key to balancing the Front of House and Back of House in a busy restaurant/entertainment venue?

The key to balancing the Front of House and Back of House in a busy restaurant and entertainment venue like Herb & Omni is consistent communication and proactive planning.

With a leadership team that includes a General Manager, Assistant General Manager, Wine Sommelier, Executive Chef, Assistant Executive Chef, and Banquets & Events Manager, alignment is essential.

We hold weekly manager meetings that serve as a structured communication hub. These meetings allow every department to address upcoming events, operational challenges, and areas of opportunity. By reviewing the calendar six to 12 weeks out, we can anticipate staffing needs, coordinate menus and beverage pairings, and ensure that the guest experience remains seamless across all venues.

Ultimately, balance comes from team collaboration, clear expectations, and strong staffing.

Hiring and retaining skilled professionals for both front and back of house positions is crucial. When communication is open and everyone is working toward the same goal, the entire operation runs smoothly — and guests feel that harmony in their experience.

Laurie Andrade is a seasoned hospitality professional and entrepreneur known for her high standards, meticulous attention to detail, and unwavering dedication to crafting meaningful experiences. She brings refinement and precision to every celebration, guided by a philosophy rooted in service, authenticity, and the belief that every guest should feel personally cared for at every step of the experience.

Holding degrees in Business Management & Marketing and Horticulture, Laurie’s career began in Portland’s vibrant culinary scene, where she contributed to landmark dining events— including one featuring Anthony Bourdain—an experience that inspired her lifelong passion for travel, gardening, foraging, and hospitality.

From her early management role at Lake McDonald Lodge in Glacier National Park, Laurie advanced to the East Coast, becoming

a Forbes-trained and corporate-certified instructor while managing Four Diamond resort teams in Massachusetts and New Hampshire. She developed Forbes-level service programs and training manuals that became industry blueprints for excellence.

Laurie’s expertise also extends into regulatory compliance and agricultural systems. She served as Director of Compliance across California, Oregon, and Washington—merging her horticultural background with leadership and consumer protection advocacy.

Today, Laurie has come full circle—returning to Montana, her “happy place,” as Director of Events & Sales at 101 Central in downtown Whitefish. She blends Forbes-level precision with genuine Montana heart to create moments that feel personal, refined, and unforgettable.

Laurie - When planning a special event for guests, how do you achieve creating the “aha” moment that will be memorable for years to come?

For me, it’s all about listening. Every event begins with understanding the people at its heart. I approach each celebration with the same care and intention I would give to planning something for a close friend or family member. My

General Manager, Steven Labrovic
Director of Events & Sales, Laurie Andrade

goal is to create an atmosphere where guests feel valued, celebrated, and connected—and to deliver a customized experience designed with purpose.

Whether it’s a welcome party on the Belvedere Rooftop Garden, a rehearsal dinner in the yearround Greenhouse, or a show, presentation, or wedding party on The Second Story, every event has its own story.

At 101 Central, excellence isn’t a choice—it’s an expectation. It’s achieved through our Event team’s commitment to flawless service standards and the beauty of our three unique venue spaces, which together cultivate the ultimate guest experience. That’s what makes events at 101 Central unforgettable—where the guest experience becomes the ultimate memory.

Chef Earl James Reynolds grew up in Whitefish cooking at local restaurants where he became infatuated with the fastpaced pirate-like atmosphere of the kitchen. His passion of cooking sparked, Chef Earl enrolled in Seattle Central Culinary Academy which emphasized local food systems and cooking with the seasons.

Whether it’s a welcome party on the Belvedere Rooftop Garden, a rehearsal dinner in the year-round Greenhouse, or a show, presentation, or wedding party on The Second Story, every event has its own story.

Upon graduating SCCA with honors, Chef Earl continued to refine his cooking technique at some of Seattle's flagship restaurants including Canlis.

While living in Seattle, Chef Earl frequently visited Pike Place Market which grew to serve as a source of community and laid the foundation for his culinary philosophy–a deep respect for fresh locally sourced ingredients and letting the seasons drive his culinary expression.

After Seattle, he continued to refine his technique at the Proper Hotel in San Francisco and Restaurant Trokay in North Lake Tahoe before being called back to Montana where he took his first Executive Chef position at The Belton Chalet.

Over the past seven years, Chef Earl has cultivated relationships with local farmers, ranchers and foragers bringing his culinary philosophy to life in the Flathead Valley and creating a community around nourishing food. His innate ability to infuse every dish with a sense of whimsy and wonder effortlessly blends the familiar with the unexpected.

His unique style and innovative approach to cuisine earned him a James Beard nomination in 2023. Chef Earl has appeared on the Food Network and continues to use his kitchen at 101 Central as a platform to showcase his playful spirit and highlight the bounty of Montana.

If you could prepare a dinner for one guest (from the past or currently with us), who would that be and what would you create?

Although the idea of cooking for someone from the past sounds fascinating, I’m not entirely sure how that would come to fruition without the use of dark magic — and when someone is brought back from the past, it often takes on a rather sinister tone. As exciting as that sounds, I would instead choose to cook for Nicolas Cage. I’d prepare a ninety-one–course tasting menu, each course inspired by a movie Cage has starred in. This menu would be tribute to his extraordinary career and an epic journey through cinematic cuisine.

Visit www.101centralwhitefish.com for more information.

Executive Chef, Earl James Reynolds

Lime Glazed Salmon with Crispy Brussels

ingredients:

4 salmon fillets

4 tbsp Persian lime olive oil

¼ cup Pomegranate dark Balsamic Vinegar

1 tbsp honey salt and pepper to taste

2 cups halved Brussels sprouts

direCtions:

preheat oven to 400°f.

toss halved Brussels sprouts with 2 tbsp Persian lime olive oil, salt, and pepper. Spread on a baking sheet and roast for 20–25 minutes, flipping halfway through.

in a small saucepan, combine Pomegranate Balsamic Vinegar and honey. Simmer over medium heat for 5–7 minutes, until slightly thickened. Set aside.

Season salmon fillets with salt and pepper.

Heat 2 tbsp Persian lime olive oil in a large skillet over medium-high heat. Sear salmon fillets for 3–4 minutes per side, until golden and cooked through. Brush the balsamic glaze over the salmon during the last minute of cooking.

Serve the salmon alongside roasted Brussels sprouts. drizzle extra glaze on top if desired. 270 Nucleus Avenue, Columbia Falls, MT 59912 406-897-2667 - www.genesis-kitchen.com

Ask the Butcher

Change Of Light

You know summer is giving way to early fall when you begrudgingly start wearing socks again, and your favorite sandals suddenly are less inviting. The pace of our towns starts to slow. Traffic lightens, restaurant tables open up, and crowds thin in Glacier National Park. In no time at all, the tamaracks create a gold mosaic across the mountains, and the maples and aspens blaze along our boulevards.

As a mystery author, autumn is the most inspiring season to write suspense. It’s also a perfect time to cozy up with books—nourishment and fuel for writers—but more than that, fall is emotionally charged. The waning light, the cooling air, the scent of woodsmoke, pumpkin spice, baking bread, even the sharp metallic-tinge signaling the first snow. These are the smells and sensations that trigger something deep, that jostle our awareness of transition and uncertainty. They signal a melancholy shift toward the bleak winter months and remind us that life itself is constantly transitioning from one phase to another.

In literature, the fading of light is often a powerful metaphor for loss, for the rise of dark forces, or for a character’s moral or emotional descent. As light recedes, a mood settles in. Something once certain is slipping away. This, too, is the essence of suspense.

One of my favorite words is crepuscular. It’s an adjective used to describe animals active at twilight: mountain lions, deer, bats, bobcats, bears, even your household cat when it gears up at dusk. But beyond its biological definition, crepuscular captures something more. It encompasses a daily shift, a passage between light and dark, certainty and doubt.

To me, the word perfectly embodies Montana’s fall. Autumn in the north isn’t simply a season. It’s a threshold, a passage into a time of decreased light and cooler temperatures. Unlike the jubilance of spring, fall carries a quieter, more ominous tone. Things die off. Light slips. Lines blur. What better time to stage a mystery?

In fact, crepuscular comes from the Latin creper, meaning “dark, dusky, doubtful, or uncertain,” all the feelings I try to evoke in my novels of suspense. It hints at the hazy and hidden, the obscure. Deer grazing in dusky fields, cats scratching at the door, mountain lions crouching behind fallen logs, bears slipping through gauzy shadows… . This in-between time mirrors the best kind of tension in fiction, when something mysterious is about to happen, but we don’t yet know what.

Obscurity is at the heart of every good mystery. What’s hidden? What’s true? What am I not

seeing? What danger lurks just out of sight? Autumn, with its shrouded evening and shifting moods, offers the ideal backdrop. Plus, the liminal “in-between” state mirror transitions in the characters’ minds as well. After all, conflict and character change are the beating heart of all literature.

That’s why my Montana-based mysteries often unfold during this time of year or right before it begins. In The Weight of Night, my third novel in an ensemble series called the Glacier Mystery Series where I pluck side-characters and bring them forward for their own full stories, the story begins during late summer, during fire season as the long shadows stretch and ash from forest fires blow in and out of the valley on the whims of the winds. In The Wild Inside, my first novel in the series, fall in Glacier National Park is a central character itself. A federal agent is called to the park to investigate a serious crime where, as a teenager, he witnessed his father get mauled by a grizzly. Haunted by this memory and surrounded by nature’s raw and desolate beauty, autumn was the perfect season for his story to unfold.

In A Sharp Solitude, my fourth book in the series, one of my protagonists—a dog-handler— grapples with identity and isolation as he navi-

o bscurity is at the heart of every good mystery. What’s hidden? What’s true? What am I not seeing?

What danger lurks just out of sight?

gates the mountainous backcountry with the days growing colder and the dark pressing in. And in my forthcoming novel, The Confession Artist, a psychological thriller set in the Flathead Valley, the season teeters between late summer and early autumn right as the plot begins to dramatically swerve.

This “crepuscular season” in Montana is more than a setting. It’s an emotion, a mood, a feeling, often leaving a lasting impression. The changing light, the shifting temperatures, the melancholy undertone—all of it serves as a mirror to a character’s transformation, a plot’s turning point, or a reader’s own emotional journey.

Here are some of my favorite crime fiction reads set in this brooding season:

In the Woods by Tana French (2007) set outside Dubin, a fictional suburb near a dark forest that acts as its own character. Damp leaves, fading light, fog creeping through trees, and a detective haunted by his own past all make this a fantastic atmospheric read.

Blue Lighting by Ann Cleaves (2010) from her Shetland series. Raging storms heighten the tension on Fair Isle when a body is discovered there.

The Girl with the Dragon Tattoo by Stieg Larsson (2005) set in cold, gray Sweden where what feels like perpetual autumn is finally sliding into winter. It features stark landscapes, dark family secrets, and slow-burning dread.

The Daughter by Jane Shimelt (2014) bounces around in time as the protagonist searches for her missing daughter, but there’s a strong

sense of low light, fall foliage, images of fallen leaves and what they symbolize.

The Cruelest Month (2007) by Louise Penny. All of Penny’s novels in the Three Pines series are wonderfully atmospheric, and the title itself of this one evokes the idea of autumn. The “cruelest month” is a reference to a line from T.S. Eliot’s poem, “The Waste Land,” and it refers to April, but Penny uses it perfectly in this book when Inspector Gamache is called to a remote hotel in Quebec where a murder has occurred during a reunion of old friends.

The Black Echo (1992) by Michael Connelly. All of Connelly’s novels also have a strong sense of the Los Angeles setting where you don’t often think of changing seasons. But this one, set during the rainy season, evokes unreliable, uncertain justice. He gives us wet asphalt, gritty streets, storm drains, and underground tunnels, and, of course, haunted detectives.

And if you’re ready to dive into one my mysteries set in our stunning, sometimes desolate state of Montana, they’re all available online and wherever you buy books. In the Flathead Valley, that includes Bookworks in Whitefish, Barnes and Noble and the Bookshelf in Kalispell, and concession stores/gift shops throughout Glacier National Park. My next novel, The Confession Artist, will be released this spring and is available for preorder.

Visit christinecarbo.com for more information.

Christine Carbo is the author of the Glacier Mystery novels, an ensemble-series set in and around Glacier National Park. Her books include The Wild Inside, Mortal Fall, The Weight of Night, and A Sharp Solitude. She is a recipient of the Women’s National Book Association Pinckley Prize, the Silver Falchion Award, the High Plains Book Award, and was a finalist for the Barry Award. Christine is a Florida native but quickly fell in love with Montana when she moved to the Flathead Valley in the late seventies. She has an MA in English/Linguistics and taught college-level courses for over a decade. She still teaches, but in a vastly different realm as a Pilates instructor. She lives in Whitefish, MT and often draws inspiration from the wild setting surrounding her. Find out more at ChristineCarbo.com.

The Women Shaping Montana’s Sound Under the Big Sky Homegrown Harmony

There is something about Montana that gets under your skin. Maybe it is the way the sky opens up over the mountains and makes you feel both small and infinite, or how the air carries a stillness that demands honesty in life, in love, and in the songs you write. For Bozeman’s Madeline Hawthorne, that stillness has become both muse and mirror, the space where she has built her voice and her career. She is not alone. Fellow Montana artists Hannah King and Michelle Rivers draw from the same wide-open inspiration, each translating the landscape into her own kind of truth.

Each of these artists will return this summer to Under The Big Sky, the annual music festival that gathers more than 25,000 fans at Big Mountain Ranch in Whitefish. For them, it is more than a stage. It is a homecoming. The festival has become a space where Montana’s homegrown voices reach national ears, where songs shaped by wind, distance, and resilience rise into the mountain air.

For locals across Whitefish and the Flathead Valley, the festival has become part of summer’s rhythm, a weekend that draws neighbors, families, and long-time music lovers together under the same wide sky.

Ask any of them, and they will tell you that Montana is not just where they live. It is the reason they sound the way they do. Its wildness seeps into melody, its solitude shapes the stories they tell.

For Hannah King, who grew up on cattle ranches and dirt roads, music has always been stitched into the land. “Montana raised me,” she says. “I

grew up on George Strait cassette tapes in an old Ford, on four-wheelers during haying season, on high mountain lakes and ski runs with my siblings. It is my hope that the music I create is a kind of original soundtrack of her heart.”

That heart beats through her songs, a blend of classic country, bluegrass, and western swing that feels both timeless and familiar. On stage, her voice carries the steadiness of someone shaped by open spaces and long drives home. Returning to Under The Big Sky, she says, feels like “getting to represent Montana through my voice and my music. It is every songwriter’s dream to share their work with people who truly care to listen.”

Michelle Rivers understands that feeling too, the way Montana holds you accountable. Her songs, drawn from the Americana and bluegrass tradition, are as much about place as they are about people. “Montana has been my muse since I moved here well over a decade ago,” she says. “It is the wild rivers, the tall pines, the wide valleys, the mountain peaks, the history,

the people. There is just something about this place. It is a deep well to draw from.”

Like Hannah, Michelle spent years earning her stripes, playing cover sets for tourists before the invitation came to share her original work at Under The Big Sky. For her, the festival represented something more than exposure. It was validation, proof that the quiet, handcrafted sound she had built in small Montana venues could resonate with thousands. “There is nothing that makes me feel that what I am doing matters quite like someone connecting with my music,” she says. “If it gives words to something they have felt or experienced, that is everything to me.”

For Madeline Hawthorne, Montana is not just inspiration, it is grounding. A Bozeman-based singer and songwriter originally from New England, she has become one of the state’s most recognized voices, bringing her own blend of Americana, folk, and rock to stages across the West. Her songs feel like road maps, full of dust, distance, and revelation, each one tracing the

journey between where she’s been and where she’s headed.

“Living and creating in Montana shapes everything about the way I make music,” she says. “The pace here is slower, the seasons are harsh, and the land has a way of keeping you honest. Out here, there is not a big scene pushing you to sound like anyone else, so you end up finding your own rhythm.”

Her latest album, Tales From Late Nights and Long Drives, carries the spirit of the road but the heartbeat of home. On stage, she is equal parts grit and grace, her voice echoing the landscapes she writes about, expansive and a little wild. “There are not many of us in this corner of the country doing what we do, especially women making music for a living,” she says. “Standing alongside other artists from the Northwest feels like a reminder that our stories matter.”

Madeline’s words could speak for them all Montana’s music scene may be smaller than Nashville or Austin, but it is rich with something

living and creating in montana shapes everything about the way I make music,” she says. “The pace here is slower, the seasons are harsh, and the land has a way of keeping you honest. out here, there is not a big scene pushing you to sound like anyone else, so you end up finding your own rhythm.

those cities cannot duplicate: authenticity born of solitude. There is no polish to hide behind, only the raw honesty of people who create because they must.

That is what makes their return to Under The Big Sky so meaningful. For these women, it is not just about playing another festival. It is about showing up for their craft, their community, and the state that shaped them. “It is about connection,” Madeline says. “Between the mountains, the plains, and the people who keep showing up for the music.”

Under The Big Sky has become that meeting point, a place where national headliners share the bill with hometown talent, where the stories written in Montana’s kitchens, cabins, and roadside bars find their way to a crowd that stretches out beneath the same endless sky that inspired them.

Michelle calls it “a stage that celebrates authenticity.” Hannah calls it “a space where people listen, really listen.” For all three, it is a beautiful opportunity to play for both neighbors and strangers, to stand in front of thousands and know that the songs born in Montana’s quiet corners can fill the valley.

As Hannah puts it, “I hope people see a woman fully alive, chasing down the dreams in her heart

without fear or reservation, and I hope it gives them courage to do the same.”

That sentiment threads through each of their performances, courage not as spectacle but as sincerity. Whether it is Hannah’s fiddle, Michelle’s storytelling, or Madeline’s road-worn anthems, their music speaks to a shared truth: that Montana does not just inspire creativity, it demands it.

In the end, their songs sound like Montana itself, wide open, weathered, and alive. The state’s influence runs deeper than melody; it is a way of being. You can hear it in the hush before a lyric lands, in the steady strum of a guitar echoing off the hills.

As Montana’s creative community continues to grow, artists like Madeline Hawthorne, Hannah King, and Michelle Rivers remind us that music from this place carries something elemental. It is music shaped by distance and devotion, music that listens as much as it speaks.

Under The Big Sky may be their shared stage, but the sound they each bring to it belongs wholly to Montana, honest, unhurried, and full of light. When the festival returns July 17 to 19, 2026, these three will once again step into that light, not just as performers, but as voices helping shape the sound and spirit of Montana itself.

www.underthebigskyfest.com

Michelle Rivers (photo by Leah Lamberson Photography)
Madeline Hawthorne (photo by Dan+Bradner)
Hannah King (photo by Megan McKay)

Timeless Traditions and Beloved Classics Glacier Symphony Brings Warmth to Winter

Spend an evening with the symphony and make yourself at home! The Glacier Symphony Orchestra and Chorale has prepared a rich and nostalgic program just for you this winter season, complete with timeless traditions and beloved classics that will bring some muchneeded warmth to the cold, winter days. Holiday favorites of Handel’s Messiah and Tchaikovsky’s Nutcracker will usher in the spirit of the season, followed by the vibrant romance of Bernstein and Sondheim’s West Side Story and the heartfelt melodies of Mahler’s 3rd Symphony. In keeping with the season theme of Illuminating the Beyond, each concert promises an evening of radiant artistry.

Handel’s Messiah invites the audience into a divine celebration, drawing on themes of redemption, serenity, and jubilation. The sacred masterwork is now a pillar of the choral and symphonic Christmas tradition in the United States; however, Handel originally conducted it near Easter. This was due to the text’s journey, not only through the prophecy and birth of the Messiah, but also through the passion, death, and resurrection of Christ, celebrated in the springtime. On Christmas Day in 1818, the Handel and Hadyn Society in Boston premiered Messiah in the United States, beginning a holiday tradition that inspires enduring devotion and joy.

The Glacier Symphony Orchestra and Chorale will perform this incredible work with four accomplished guest soloists: Andrea Baker, soprano; Sarah Coit, alto; Andrew Surrena, tenor; and Harrison Hintzsche, bass. And lest the audience feel left out, the Hallelujah chorus sing-along brings each person into the story, creating a powerful holiday experience like no other. GSOC invites you to join us for two performances of this classical celebration on Saturday,

December 6 at 7:30 p.m. and Sunday, December 7 at 3:00 p.m. Santa Claus will also be in attendance to take pictures before the show and during intermission.

One of the most recognizable and nostalgic holiday performances, Tchaikovsky’s The Nutcracker continues to be a spirited tradition among musicians, dancers, and audiences alike. The well-known story plays on wintry themes, sweeping every individual along with Clara into a world of fantasy and decadence, with richly decorated sets, bright orchestral sound, and pristine ballet. Now a central soundtrack of the Christmas season, the production has become iconic, welcoming everyone into the imaginative and cheerful world expertly crafted by musicians, cast and crew. Whether you come for the Stahlbaum’s Christmas party, the iconic snow scene, the brilliant soloists, or the sugarplum fairy, make sure to bring your loved ones along for this magical night.

GSOC has crafted an exceptional local experience by partnering with San Diego Ballet as well as local studios, for the only

GS oc has prepared concerts to lift the spirits once again, through symphonic classics centered around the theme of love.

professional, live-orchestra performance of The Nutcracker in the Flathead Valley. We welcome you into the beauty and cheer of this timeless production with performances on Saturday, December 13 at 2 p.m. and 7 p.m., and Sunday December 14 at 1 p.m. Santa Claus will also be in the lobby before the performances and during intermission to take photos with families.

When the excitement of Christmas and New Year passes and we slip back into the winter doldrums, GSOC has prepared concerts to lift the spirits once again, through symphonic classics centered around the theme of love.

Inspired by Shakespeare’s classic Romeo and Juliet , West Side Story is one of Broadway’s most beloved works. The groundbreaking musical by Leonard Bernstein and Stephen Sondheim has been a success since it premiered, especially after the movie musical adaptation was released in 1961. Complete with a tragic love story and unforgettable score, the classic drama has remained a piece of cinema history for 65 years!

In celebration of this monumental anniversary, Glacier Symphony is collaborating with Alpine Theatre Project to present West Side Story in Concert. Tracy McDowell, Artistic Director of ATP, is excited to bring this memorable soundtrack to the Flathead Valley, “Presented without full staging or choreog-

raphy, this concert performance focuses on the emotional power of the music and lyrics that redefined the American musical. With a world-class orchestra and extraordinary vocalists, West Side Story in Concert brings new depth and intensity to one of Broadways’ most enduring works.” Guest vocalists include Marek Zurowski as Tony, Melanie Sierra as Maria, Danielle M. Gonzalez as Anita, and Mikey Winn as Bernardo. Enjoy their captivating performances along with the Glacier Symphony on Saturday, January 17 at 7:30 p.m. and Sunday, January 18 at 3 p.m.

Gustav Mahler’s Third Symphony has long been considered the ultimate attempt by a composer to express, in personal and musical terms, the entire scope of human life and the natural world. Through six movements, Mahler expresses what he hears from nature, mankind, and the heavens above, culminating in the powerful finale, “What Love Tells Me.”

Music Director and Conductor John Zoltek considers this one of the greatest symphonies ever written, saying, “All of nature and human existence is conceptually captured in this, Mahler’s most ambitious symphony. Immense in scope, Mahler 3 is nothing less than a sonic portrait of joy as a terrestrial, cosmic, and divine truth.” Featuring the Glacier Chorale Women’s Chorus and guest soloist Anna Kelly, GSOC’s performance of Mahler 3 will be a grand reminder of the magnitude of life and human emotion, and the presence of love throughout it all. Performances of this grand

work will take place Saturday, February 14 at 7:30 p.m. and Sunday, February 15 at 3 p.m.

Be sure to mark your calendar for our thrilling Spring performances as well: John Williams’ iconic space music on March 14, Ravel’s Bolero! and Piano Concertos on April 18, and our Grand Finale: Mahler’s “Resurrection” Symphony on May 30 and 31.

To purchase tickets or find information for any of our performances, please visit glaciersymphony.org. We at Glacier Symphony Orchestra and Chorale send the warmest wishes to you and your loved ones for a season full of joy and music.

Photo Courtesy of San Diego Ballet
Gustav Mahler

August 16th, 2025

Meah &Bret

- Photos by Johanna Froese
Babcock Family Cabin, Kalispell MT

teaching at Edgerton elementary with the goal to become a contracted teacher next year. We are so happy to be living in Montana as newlyweds and pursuing our dream careers!

Meah – What do you admire most about Bret?

Something I admire most about Bret is how well he loves those who are close to him. He is quick to serve, forgive and sit with those who need a friend. He wears his love for the Lord on his sleeve and is constantly trying to grow himself to better the relationships around him!!

I knew that I wanted to marry Meah before I asked her to be my girlfriend!
We chose the venue we did because of how special it is to each of us. It is my grandma’s cabin, a place her and my grandpa rebuilt from the ground up.

Bret – When did you realize you wanted to get married to Meah?

I knew that I wanted to marry Meah before I asked her to be my girlfriend! I fell in love with her very fast. She cares so much about others, serving humbly while not expecting anything in return. She is very easy to laugh with and is extremely reliable. I could see her love for Jesus shining out of her from the start. It was clear to me from God that this is who He wanted me to marry. I knew the timing was right to propose when we both just felt ready— and of course when Meah told me every day for two weeks “You better hurry up and propose already!”

Bret - Why did you choose the venue you did to getting married? We chose the venue we did because of how special it is to each of us. It is my

grandma’s cabin, a place her and my grandpa rebuilt from the ground up. My grandpa passed away in 2016, and this was his favorite place. They each put in countless hours to make it the beautiful property it is today, and a place for us grandkids to make memories at.

4-wheeling, snowmobiling, and sitting by the fire are just some of the million memories I have out there. When Meah came to visit me in Montana for the first time, we went out there and you could just see her fall in love with it immediately. We continue to visit the cabin frequently, continuously adding new stories to tell of this place we get to enjoy. This property was somewhere where we already had unforgettable memories at, and now with getting married there, this truly will be a place we will never forget.

Meah – What did you enjoy most during your wedding day?

During the wedding day, I really enjoyed getting to be in an intimate place with our closest people. Being at the cabin, it was so special to show all of those close people a place with so much meaning! Seeing both of our worlds come together to celebrate us in that setting, was more than I could have ever asked for!!

Bret – What is your favorite activity to do as a couple?

Our favorite activity to do as a couple has to be going to the cabin or camping together. We both have a love for the outdoors and enjoy the distraction free living. We love to hop on a 4-wheeler, seeing how many animals we can spot, and climbing to places where we can sit and admire a view together.

Wedding Details…

Venue Babcock family Cabin

rentals

Celebrate event rentals

Wedding designer design with rhonda

Wedding Coordinator kayleena manley

Photographer Johanna froese

(Instagram: johannarae.photo)

Caterer

Chris alstadter at fatt Boys

Cake/dessert

mary’s mountain Cookies & mountain mama’s Cupcakery
music russ ward
dress
Brilliant Bridal
tuxes/suits
Black tie rings
Shane Co. & manly Bands
Flowers fifty flowers

9, 2025 -

Alexis &Hunter

Photos by Shot by Courtney Elizabeth Photography
Edited by ACE Photography & Design
August
The Rustic Barn at the -MT Ranch, Kalispell, MT

Alexis works as a self-employed photographer at ACE Photography & Design and is a local country musician, raised in Kalispell.

Jed helps run his family’s construction business, Cheff Construction and is a 6th generation Montanan. Their family is helping the couple build an apartment on Jed’s family ranch in Lower Valley where they will live this spring.

Our Love Story

Alexis and Hunter’s love story began back in high school, on a senior camping trip to Clearwater Lake through their church youth group. Alexis knew Hunter as the energetic guy from Patrick Creek and Jed knew

I admire Jed’s heart for God, how he always puts her first and loves her fully with a giving spirit.
The Rustic Barn has been in the Cheff family for generations, and we loved the history of the restored 150-year-old barn.

her as the pretty gal who played all the sports. On the trip they remember talking briefly before Jed abruptly went off to go fishing—he had other things to worry about besides girls! Fast forward four years later, Jed has returned after serving in the US Army and Alexis is finishing up College. They go back and forth agreeing to meet up but it never works out. The years go by and Alexis invites Jed to one of her gigs where she plays guitar and sings. He shows up and they only have eyes for each other the entire night. Afterwards, they hang out by the bonfire to talk and swing dance. Jed invites Alexis to go hunt the following Sunday and five days later they’re officially dating. They have been inseparable ever since. The

next spring they’re ready to take the next step and Hunter brings Alexis back to that same Clearwater Lake. He puts down his fishing pole, pulls a ring from the tackle box and asks her to marry him!

Trait most admired in Jed Alexis admires Jed’s heart for God, how he always puts her first and loves her fully with a giving spirit.

When did Jed realize he wanted to marry Alexis “When I first saw her, she gave me butterflies— since day one!”

Why we chose the venue we did The Rustic Barn has been in the Cheff family for generations, and we loved the history of the restored

“When I first saw her, she gave me butterflies— since day one!”

love} stories

150-year-old barn. The beams and interior are thought to be relocated from the original town of Demersville which was named after their cousin TJ Demers. The barn was the perfect size for the amount of people we had and fit our vision perfectly.

What did Alexis enjoyed most about her wedding day

Dancing the night away with Jed at our Disco Cowboy reception with all of our closest family and friends.

Jed’s fav activity as a couple

Our favorite activities are being outside! Hunting, fishing, riding horses and just be-

Venue

the rustic Barn at the -mt ranch, kalispell

rentals

pickets vintage & antiques

Caterer

family friends Christopher, david and Becca alstadter

Cake/dessert

Cake by aunt rory robinson and Cupcakes by friend alexia Hunter

music

DJ Uncle Hap Cheff

Wedding Details…

Flowers windsong floral

dress

willow Bride

grooms Attire

western outdoor

groom’s ring antler rings

Bride’s ring

grandma goode

Wedding Bands

riddle’s

Belt Buckle & Bolo tie

Custom made from montana Silversmiths

James Corwin Oil on Canvas, 48x60, Storyteller II

Happy Trails Bar W Guest Ranch

It’s a rainy afternoon in the fall at the Bar W Guest Ranch, and my horse just went out of his way to step around another mud puddle. “They can be real babies about getting wet sometimes!” Our wrangler, a woman named Sadie laughs out. The horse shuffles around rocks and roots next to the trail to avoid what could have been one quick (but dirty) step to carry on. Of course I’m laughing too. I have to lean way over to avoid a face full of pine branches, but I’m laughing. They say all the horses have fun personalities and to see mine come out in such an endearing way is elating. The whole ride was two hours through the woods behind the ranch; an easy-going trip for some people, but for us it was an exciting endeavor.

My group involved three other women, each one of us having only beginner knowledge of riding, ambled single file along the trail, happily yelling out our small talk: who we are, where we’re from, why we wanted to come ride horses. Sadie, leading in the front, looks the epitome of cowgirl cool with her cowboy hat and leather jacket, which seemed to do a great job at keeping off the water (I managed to layer a sweatshirt with a light raincoat, but I didn’t look nearly as cool). She twisted with ease in her saddle to check on us while calling out her own contributions to our conversations. There was a giddy energy throughout the ride among us. It was a beautiful day, thunder rumbled over our heads, and we were riding horses like the cowgirls of old.

This is just one of the many experiences you can have at the Bar W Guest Ranch, located a few minutes just north of Whitefish. At this ranch, the guests stay anywhere from a few hours to a week on the property where the services offered are incredibly diverse depending on what strikes your fancy. A visitor can learn horse riding to cow wrangling or take wagon rides. In the evening, you’re given choices such as dance lessons, axe throwing, whiskey tasting or even learning about birds of prey. Every summer the ranch becomes booked solid with hundreds of people from all over the world coming to enjoy the unique experience.

It all started in 2021, with Barbara and her husband Bill Wetzel. Fresh from Chicago with a string of successful business-

Photos by Amanda Wilson Photography
At this ranch, the guests stay anywhere from a few hours to a week on the property where the services offered are incredibly diverse depending on what strikes your fancy.

es under their belt, Barbara and Bill bought the property from the Leishman family who at the time had been operating it for over 20 years.

It was definitely a new experience for them. They had the business experience but not with anything as tumultuous as the service industry can be. But just in that first year of operations, they knew they had something special. They watched as groups of visitors came in, all practically strangers, save for those they came with, and within just a few days, close bonds were created. Parents with their children, children with other children, guests with workers and even their own horses, it was a unique experience unlike anything they’ve witnessed. With grit, patience and a little bit of trial and error, the Wetzels were able to continue the business by providing an experience many can enjoy.

Of the 70 or so people working on the ranch, a good number of them are women.

“It was never intentional,” General Manager Jami Phillips mused. “I'm a big believer in hiring the person who is appropriate for the job with the best skill set. But sometimes the women are just better with the communication.” Connection and communication are key at the Bar W. In fact, it’s one of the core values they champion to their employees and guests. When spending time there, they believe in building relationships and making connections. So in addition to being able to accomplish the job they were hired for, they make sure all employees are people oriented. They make sure that the people working there, who also live there on-site during the summer, feel welcomed and included in the activities.

“We strive to take really good care of our staff and they are all of our guests, “Barbara says. “We just absolutely love them (the staff) so just kind of setting the stage is what we do, and then they make it happen.”

Heard manager Angeline "Ang” Scott tries for a more intuitive approach through their horses. Of the 111 horses she cares for, Ang works to make sure their guests are matched with horses who make them happy, provided safety guidelines are established first.

“We make sure our guests understand equine behavior and directions, know how to follow directions, we do that by giving them safety speeches and hosting a horse orientation at the

When someone’s eyes light up when talking about a certain horse, she likes to make sure they can reunite again and be happy working together.

beginning of the week, making sure that they're actually comfortable on a horse. Then the next thing is just that they're having fun, right? Because that's what they're here for. They're on vacation, whether it's the Public Rides or rides with the weekly dude ranch guests, it's just really important that they're having a really good time…They're not just riding some random horse, so that they forget their name. No, this horse does so much for us here, they have their own little quirks and personalities and best friends, and they're so sweet, and they just love people so much.” It’s the same with her fellow wranglers too. When talking with them she likes to ask about the rides they went on that day, bonding with them over their horses. She listens to the guest and observes how they interact with the different horses. When someone’s eyes light up when talking about a certain horse, she likes to make sure they can reunite again and be happy working together.

As with everything good, keeping up with the Ranch is hard work. There are guests coming and going, animals must be taken care of, and the property itself must be kept in excellent shape. But, as anyone can attest, it’s hard but good work.

“Working here at The Bar W is not a grind. It’s a feel-good place. Every morning as I step out of my truck, I’m greeted by the happy sounds of horses neighing and guests laughing as they enjoy cowboy coffee by the firepit. I just feel good here.”

As romantic as it is to imagine the lone drifter on their trusty steed wandering from town to town, the life of the real cowboy was hardly ever solitary work. They relied on others as much as themselves to get them through the day and earn a job well done. The same can be said now. To be a modern cowboy--or a cowgirl-- means building a unique relationship with others in a way few people get to. The same can be said about the workers and wranglers of the Bar W Guest Ranch. “Life is too short not to be happy and not to enjoy the experiences around you,” says Jami. “And we've all had good times and bad times in our lives, and the more times that you can share joy with someone and make other people happy, the better it is.”

Even at the end of our ride, I felt a small kinship with the four other women I rode horses with. The highs and lows of our little adventure were something we all got to share together, underneath the big Montana sky. thebarw.com

Skates, Sticks, & Hat Tricks

Have you given much thought to the sport of hockey lately? If you haven’t, you should. And if you have been thinking about hockey, there is a good chance someone you know plays on a local team. Our corner of northwest Montana is blessed to have a robust multi-league hockey community, and it is clear they are a passionate bunch!

Hockey is growing in Montana. Whether an athlete is just starting their hockey journey (Learn to Play/House League) or desiring to excel at the highest levels of the sport (Travel Teams), there is a place and programming for them in the Flathead Valley. Between our two area hockey associations, there are currently over 300 youth playing - boys and girls alike.

Whitefish-based Glacier Hockey Association (GHA) has grown by over 80% in the last three years, according to Amanda Hayes, Executive Director. The organization serves youth ages 5-18 in the area. Most of the teams are co-ed, along with two dedicated girls’ teams.

But - around here, hockey is bigger than that. Glacier Hockey has a collaborative relationship

with the Flathead Valley Hockey Association (FVHA), which offers youth hockey programs in Kalispell and manages the Woodland Ice Rink. Combined, the two associations make up the 4th largest youth hockey group in the Montana Treasure State League. Additionally, the Glacier Skate Academy offers beginning skating lessons and figure skating programs at Stumptown Ice Den. Because there are precisely two ice rinks, rink time must be scheduled as a cooperative effort. This unlikely alliance is in the best interest of the athletes, to provide the best hockey opportunities, development, and coaching possible. All these associations share rink time and support each other’s programs.

But it is EVEN BIGGER than that. As part of the greater hockey community, there is also WAHA

(the Whitefish Adult Hockey Association). This group includes both co-ed and women-only hockey teams. These hockey-crazed people not only play in their own adult hockey league, but many of them also coach area kids and are hockey parents supporting their children’s love of the game.

And because the aforementioned biggest hurdle is constantly a lack of ice on which to play, hockey is likely to get even BIGGER. Discussions are currently underway to manifest a third area ice rink. With the recent growth of the valley and the subsequent rise in interest in skating sports programs, it is a looming possibility.

Try Hockey for Free at Stumptown Ice Den

f rom tryouts in September to practices in o ctober, and games scheduled from n ovember through m arch, hockey basically encompasses three seasons. Add in summer camps at the Stumptown Ice d en, and hockey is a year-round sport.

The Glacier Hockey Association is a nonprofit and was established in 1991. It provides inclusive, high-quality hockey programs, focusing on skill development, sportsmanship, and a fun, safe environment for young athletes. The organization is governed by the bylaws and policies of both the Montana Amateur Hockey Association (MAHA) and USA Hockey.

From tryouts in September to practices in October, and games scheduled from November through March, hockey basically encompasses three seasons. Add in summer camps at the Stumptown Ice Den, and hockey is a yearround sport.

GHA strives to promote an enriching environment in a community setting while providing

foundational skills, in accordance with USA Hockey’s American Development Model program, to foster youth development and encourage a lifelong love of hockey and team sports. GHA endeavors to impart the hockey values of character, hard work, teamwork, sportsmanship, and respect that lead to player success both on and off the ice.

Like any volunteer-driven organization, GHA could not do what they do without the over 170 volunteers, many of whom are parents. Hockey parents devote their free time to ferrying their children to ice rinks near and far for practice and games, volunteering to coach, managing the team schedule, raising funds, feeding the team, and cheering them on. Most parent volunteers wear many hats.

Amanda got involved when her then-9-year-old son, Brodie, announced he was going to play hockey. She surrendered the second season and became a volunteer Team Manager. Brodie is now in his 7th hockey season, playing for the high school Fusion varsity team. When the association needed a part-time administrative coordinator, Amanda stepped up and helped out. Then when the previous Director, Ryan Ulvin, stepped down in November 2024, she filled the full-time Executive Director position.

One of the most welcoming programs they offer is the Try Hockey for Free event in the fall and in mid-winter, for 5–10-year-olds. When they say free, they truly mean free. All that's required is to register for the ‘Try Hockey Free’ event and bring your child at the scheduled time. The Association provides the ice, the gear, and the coaches. Glacier Skate also offers Learn to Skate programs, as well, for

Learn to Play Hockey is all smiles at Stumptown Ice Den
GHA Hockey Director and 14U Head Coach, Dom Jordan, instructing 14U goalies during a skills session
Above: 19U Girls celebrate a goal at home
Fusion Varsity, led by head coach and FVHA Hockey Director Brandon Cottrell, celebrate a goal against Bozeman Ice Dogs. Fusion High School teams are a combination of players from both GHA and FVHA.

10U Red travel team celebrates a winning game at the 2024 Battle of the Border Tournament. Photo on right: Directors from WAHA, FVHA and GHA join together to support growing hockey in the Flathead Valley. Aly Wells (WAHA), Brandon Cottrell (FVHA), Dom Jordan (GHA), and Amanda Hayes (GHA)

youth and adults who are truly beginners. Next, if desired, there is also an 8-week Learn to Play program for 5-10-year-olds. Learn to Skate and Learn to Play have affordable participation fees.

All the House teams are co-ed. At the younger ages, boys & girls play together on the same teams. The older traveling teams offer both coed and gender specific teams with dedicated girls teams.

House League Programs are the non-travel youth programs with all practices and games played locally. This league is for players at the 6U through 12U+ age levels. Players participate in practice twice per week and have the opportunity to add on Yeti Game (local scrimmage) nights with Flathead Valley Hockey Association.

Girls Fall into Hockey is a program for girls who wish to learn to play the game of hockey or get their skates ready for the 2025-2026 season. Coaches run players through skating, stickhandling, and shooting drills. All girls are welcome!

GHA Girls League is the girls-only option for girls 10U to 12U who wish to develop in their hockey skills. The primary goal of this program is to develop and support girls on their hockey journey, whether at the novice level or more competitive level.

Avalanche Travel Hockey offers kids an exciting opportunity to stay active, face fun challenges, and build lasting friendships through team play. Here, the focus is on providing the best possible experience for the athletes by creating a positive, supportive atmosphere where

“ youth hockey is fast, fun, and full of lessons beyond the ice. This Hockey c ommunity is one big family,” said Amanda. “Seeing the kids and their enjoyment makes it all worth it."

players grow both individually and as a team. Every athlete receives high-quality training and equal playing time in an environment designed to help them reach their full potential.

Hockey fees fund part of the annual budget. Fees for the Learn to Play program are $350, and House league fees are $325 per fall and/or winter session. Travel team registrations begin at $750. Much of these fees go toward operations, ice fees, and to association membership in the Treasure State Association (which manages most of the game schedules except for specialty tournaments), the Montana Hockey Association, and USA Hockey. Scholarships are available for some programs.

There are only two paid staff - the Executive Director, Amanda, and the Hockey Director, Dom Jordan. Dom is 23 years old and has a strong passion and dedication to hockey. He wears many hats, coaching a U14 team in addition to his hockey director duties. The parents all love him, and the community respects him.

The Great Fish Challenge, funded through the Whitefish Community Foundation, supports a percentage of overhead, coach training, equipment purchases, and scholarships—primarily for entry-level kids. Other fundraisers include hosting the Glacier Hockey Association 8U and a 10U Battle of the Border tournament with local and nearby Canadian teams.

The sense of community in the Glacier Hockey Association leans towards making the program as accessible and affordable as possible. They host gear swaps at the beginning of each season,

and parents love donating their kids' outgrown gear to foster a sense of community among younger kids. GHA also maintains an equipment room.

Despite all the community and manpower support, there is still a need for additional programs. Members would like to see offerings for a Spring hockey season, additional summer skills sessions, and camps.

There are ways that community members can get involved. For starters, games are open to the public. Updates on game schedules can be found by following Glacier Hockey Association on social media or visiting their website - glacierhockey. org. The high school teams, a mix of all area high school athletes playing on the Flathead Fusion, led by Brandon Cottrell, head coach of the Varsity team and FVHA Hockey director, have quite a following on social media channels. While it may seem like there are many volunteers, the truth is that Glacier Hockey Association would love to have some at-large volunteers who can fill in when needed.

“Youth hockey is fast, fun, and full of lessons beyond the ice. This Hockey Community is one big family,” said Amanda. “Seeing the kids and their enjoyment makes it all worth it. The level of excitement watching the young kids grow and develop makes my heart happy every game.”

Then there are the yetis.

Sometime after joining the resort in 2015, Sam took a liking to the mountain’s unofficial mascot and began incorporating yetis into a variety of branded content. Scan the background of a winter trail map, for example, and you’ll find a cartoonish abominable snowman smiling back at you.

And new for 2025, kids can partake in a yeti scavenger hunt in and around the Base Lodge, where Sam and Laura pasted around 20 cutouts of the creatures in inconspicuous places. Kids love searching for the yetis and after finding them all, they return a card to the front desk and are rewarded with a sticker that certifies them as yeti experts. The game was hugely popular after debuting last summer.

d yn A m I c d uo

Sam Murphy and Laura Cahill’s creative vision can be seen all over Whitefish Mountain Resort.

As the resort’s graphic design team, they are responsible for creating just about every piece of visual content that makes up the resort’s brand, from food menus at the Base Lodge and Summit House, to printed brochures and event posters, to the numerous wayfinding signs that lead guests around the parking lots and ski slopes.

“The yeti will be my legacy,” Sam jokes. Such visual elements are central to the resort’s look — playful, family-friendly, a place that doesn’t take itself too seriously. And the success of this branding is due in large part to Sam and Laura, whose day-to-day work involves careful typesetting, sketching out ideas, designing posters and signage, revamping webpages, and poring over hundreds of skiing and snowboarding photos in search of just the right one to include in an advertisement.

Sam, the creative manager, and Laura, creative coordinator, are the only two graphic designers on a nimble marketing team that also includes a

content specialist, a webmaster, a public relations manager and the department’s director. They also collaborate with a freelance photographer and, in the winter, two snow reporters who write daily updates on skiing conditions.

While hundreds of other resort employees scan lift tickets, serve food and interact with guests, Sam and Laura spend most days behind the scenes at the Hibernation House, a former motel that’s been converted into offices and housing for seasonal employees. The walls of their office are adorned with old posters and other design elements from projects past.

Laura says she appreciates that the resort grants them plenty of creative freedom, which opens a world of possibilities for each new marketing

Photos courtesy Whitefish Mountain Resort
Laura Cahill (left) and Sam Murphy (right)
I've

worked for the resort for over 10 years now, and there are so many people I've worked with the entire time–it's a place

people want to stick around because it's a great place with great people.

campaign. Not all graphic designers are given the same latitude.

“It’s pretty rare for an employer like the resort to give them such a long leash and trust in our creative vision,” Laura says.

As an example of that freedom, Sam points to the food menus at the Base Lodge, the Summit House and the resort’s third dining outlet, Ed & Mully’s Bar & Grill.

“I really like working on menus. I think it’s the perfect mix of typesetting and art,” Sam says. The old menus, she says, “were basically all the same, and weren’t all that pretty. We ended up giving them a little facelift. Now they all have their own identities, which is a bit more fun!”

Occasionally, though, the work is a grind. At certain times of year — especially during the runup to ski season — the duo works at a relentless pace to update practically everything that features the Whitefish Mountain Resort logo.

The process involves extensive outreach to other departments, including ski patrol, retail, lodging

and the Ski & Ride School. To prepare a simple brochure, for example, Sam and Laura need to know what hours the rental shops will be open, how much a skiing lesson will cost for several different age groups, and any new safety messaging that needs to be communicated to guests.

Sam is originally from Connecticut and earned her Graphic Arts degree from Syracuse University (New York) prior to moving to the valley in 2011.

After her arrival, she worked at the Daily Interlake for a few years in the design department then started at the mountain as the Creative Coordinator (Laura’s position) before becoming the Creative Manager. She loves that her position offers variety and creative freedom.

Sam said, “I've worked for the resort for over 10 years now, and there are so many people I've worked with the entire time–it's a place people want to stick around because it's a great place with great people.”

When Sam’s not on the mountain, she’s an avid gardener and enjoys hiking and backpacking with her husband and their dog.

Laura came to the area from Minnesota after earning her degree in Technology, Art & Design with an emphasis in digital & exhibit design from Bemidji State University (Minnesota). Prior to joining the resort’s team, she worked on adverting and marketing projects at the Sportsman & Ski Haus.

Laura takes advantage of living in a mountain town as an avid hiker and backpacker in the summer and skier in the winter.

Next time you are up at Whitefish Mountain Resort, keep a look out for those yetis or pay special attention to all the printed materials and think of this creative dynamic duo. www.skiwhitefish.com

Sam (left) and Laura (right)

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y ear- e nd f inancial p lanning Simple Steps for a Strong Start to 2026

Year- e nd Financia L P L anning:

S I mple S T ep S fo R A S TR on G S TART T o 2026

As the year winds down and the holidays approach, it’s a natural time to reflect—not just on what’s behind us, but on what lies ahead. Whether you’re managing a household, running a business, preparing for retirement, or simply trying to make the most of your income, the final months of the year offer a valuable opportunity to get your financial life in order. A few intentional steps now can help you enter 2026 with greater clarity, confidence, and peace of mind.

Rev I e W y ou R

Inve ST men T p o RT fol I o Your investment portfolio is a collection of financial assets—like stocks, bonds, mutual funds, or retirement accounts and real estate—that you’ve chosen to help grow your money over time. Even if you’re not actively trading or watching the market daily, it’s important to check in at least once a year.

Here’s what to look for:

• Rebalance your portfolio: Over time, some investments may grow faster than others, which can throw off your original plan. For example, if you wanted 60% of your money in stocks and 40% in bonds, but stocks did really well this year, you might now have 70% in stocks. Rebalancing means adjusting your investments to get back to your intended mix.

• Review your goals and timeframes: Make sure your financial trajectory and cash flow analysis is on track to support your upcoming life changes.

• Check for concentrated positions: If you have a lot of money in one company or one type of investment, or all in real estate, you could be taking on more risk than you realize. Diversify-

ing—spreading your money across different types of investments—can help protect you if one area doesn’t perform well.

Also ask yourself: Do your investments still match your goals and values? If you care about sustainability, local impact, or long-term growth, make sure your money is working in ways that reflect that.

mA x I m I ze Re TIR emen T c on TRIB u TI on S

Saving for retirement is one of the smartest things you can do for your future—and it can also help you save on taxes today. Retirement accounts like 401(k)s and IRAs offer special tax benefits, and the end of the year is a great time to make sure you’re taking full advantage.

Here’s what to consider:

• 401(k) contributions: If you have a 401(k) through work, check how much you’ve contributed so far this year. The IRS sets a limit on how much you can put in, and contributing the maximum can lower your taxable income considerably.

• IRA contributions: You can contribute to an IRA (Individual Retirement Account) whether

or not you have a workplace plan. You have until April 15, 2026 to make contributions for 2025, but doing it now can help you plan ahead.

• Roth conversions: If you have a Traditional IRA and expect to be in a higher tax bracket later, you might consider converting some of it to a Roth IRA. You’ll pay taxes now, but future withdrawals would be tax-free.

If you are aged 60-63 you are eligible for a special catch up contribution amount for these retirement plans, reach out to Jessa Ash for more information.

If you’re nearing retirement, this is also a good time to review your Social Security options and Medicare enrollment. These decisions can affect your income and healthcare costs for the rest of your life.

Use Tax-Loss Harves T ing

S TRAT e GI c A lly

Tax-loss harvesting is a strategy to reduce your tax bill by offsetting your gains with your losses in your investment portfolio. It’s especially helpful if you also sold investments that made money this year.

Photo by Rusty Cash

Giving to

charity isn’t just generous—it can also be financially smart.

To do it right:

• Avoid the wash-sale rule: Don’t buy the same investment (or something very similar) within 30 days before or after selling it. If you do, the IRS won’t let you count the loss.

• Replace with similar investments: You can still stay invested in the market by buying something that behaves similarly but isn’t identical. This keeps your overall strategy intact.

• Talk to a fiduciary advisor: A fiduciary is someone who’s legally required to act in your best interest. They can help you make sure this strategy fits your overall financial plan. Tax-Loss harvesting can be very complex, so using a trusted professional is highly recommended.

This approach is especially useful if your portfolio saw ups and downs in 2025 or if you’re making changes before the new year.

cHARITAB le G I v I n G & d onor- a dvised F U nds

Giving to charity isn’t just generous—it can also be financially smart. If you itemize deductions on your taxes, charitable donations can reduce your taxable income.

Ways to give wisely:

• Donate appreciated securities: If you own stocks or mutual funds that have gone up in value, donating them directly to a charity lets you avoid paying capital gains tax and still get a full deduction.

• Use a Donor-Advised Fund (DAF): A DAF lets you make a donation now and decide later which charities to support. It’s a flexible way to plan your giving over time.

• Support local organizations: Your gifts can make a big difference in your community—whether it’s a food bank, youth program, conservation group, or rural healthcare nonprofit.

If you’re over age 70½, you can also make a Qualified Charitable Distribution (QCD) from your IRA and it qualifies as your RMD. This lets you donate directly to a charity without counting the money as taxable income.

mA x I m I ze He A lTH S A v I n GS a cco U n T (H sa ) c on T rib UT ions

If you have a high-deductible health insurance plan, you may be eligible for a Health Savings Account (HSA). HSAs offer triple tax benefits:

• You get a tax deduction when you contribute and there are no income-phase out rules

• The money grows tax-free

• You can withdraw it tax-free for qualified medical expenses

Year-end tips:

• Check your contribution limit: Make sure you’ve contributed as much as you’re allowed for 2025. These amounts differ from year to year, check with your financial advisor for current limits.

• Invest unused funds: Many HSAs let you invest the money you don’t need right away, which can help it grow over time.

• Save your receipts: You don’t have to reimburse yourself immediately. You can save receipts and use the money later—even years down the road.

After age 65, you can use HSA funds for nonmedical expenses without penalty (though you’ll pay income tax). That makes it a flexible tool for retirement planning.

oRGA n I ze fo R TA x Se AS on

Tax season may still be months away, but preparing now can save you stress—and money. Here are a few smart moves to make before December 31:

• Make final charitable contributions

• Pay deductible expenses, like medical bills or property taxes

• Review business expenses if you’re selfemployed

• Consider gifting strategies, like giving up to $17,000 per person without triggering gift tax

If you own a business, this is also a good time to look at year-end purchases, retirement plan funding, and potential deductions under Section 179 (which allows you to deduct the full cost of certain equipment).

Fina L T H o U g HT s:

Taking time now to review these areas can make a meaningful difference in your financial well-being. Whether you’re navigating retirement, growing a business, or simply trying to make the most of your income, intentional planning is key.

And you don’t have to do it alone. A fiduciary financial advisor can help you sort through your options, tailor strategies to your situation, and make sure your choices reflect what matters most to you.

Your financial decisions shape your future— and they ripple outward to support your family, your community, and your peace of mind. If you’d like help with any of these steps, we’re here to support you with clarity, care, and a deep understanding of what matters most.

Jessa Ash, Registered Investment Advisor Fischer Investment Strategies 406-212-1983 - jessa@fisfp.com

Apparel & Accessories for Men and Women with a Contemporary Western Lifestyle.

Between Worlds

True Archdale

When you first meet True Archdale, she is at once warm and welcoming – genuine in a way that makes conversation flow easily and laughter come naturally. Spend a little time with her and you realize that she is an authentic and quietly powerful creative spirit.

Her Assiniboine name – Wihinapa Wiya or Rising Sun Woman – was given during a Sundance gathering, a traditional ceremony of renewal that happens near the summer equinox.

What IS it about her art? Using a diverse range of styles and media, she sets iconic ledger figures and Indigenous symbols in abstract fields of geometric color. The juxtaposition of representational forms against the more rhythmic and faceted elements suggests a place where the known and the unknown coexist. A spirited echo of her passion for graffiti also resonates inside the vibrant colors and bold, expressive lines. This energetic work inspires us to explore the areas between urban and rural, abstract and realism, and the intersection of traditional and modern ways of expressing cultural identity. It draws us into the narrative of True’s wide-ranging life experience from her unique point of view. The term ‘liminal’ refers to the state of being suspended between two worlds, and she masterfully explores the creative potential of this in-between space, inviting viewers on a journey of her creative pathway.

foundation that continues to inform and shape her creative practice today.

True Archdale was born in the small town of Wolf Point on the Fort Peck Indian Reservation in Northeastern Montana and raised by her grandparents in government housing. As a teen, she struggled with her body image, being overweight due to a poor diet of government-subsidized food. Although her maternal grandfather was full-blooded Assiniboine, she had fair skin and freckles and struggled to fit in. At a relatively young age, her grandfather told her, “You are just going to have to figure out how to be in both worlds.”

If anything gave her a sense of belonging, it was the spiritual guidance and wisdom imparted by the community of elders. She was taught traditional skills in beading and quillwork, oral history, cultural traditions, and some Assiniboine language. These early lessons became a strong

True spent much of her youth striving to leave the hard life on the reservation by excelling both scholastically and musically, becoming a nationally recognized high school musician and honor student. In 1981, she received a scholarship to the University of Northern Colorado, where she studied art and music. Her instrument of choice? Baritone saxophone– she truly enjoyed her participation in the symphonic band and jazz ensembles. Her senior recital combined the music with a mixed media exhibition of her fine art.

Seeking a place of creativity and freedom after graduating, True landed in Venice Beach, CA. In the mecca of bodybuilders and fitness gurus, she was drawn to become a fitness trainer, which ultimately grew into a highly successful 30-year career. During this time, she stayed involved in the music and art scene of that uniquely spirited place.

True began by offering group fitness classes on the local beach, teaching private clients, developing youth fitness programs, and eventually working at the iconic Gold’s Gym Venice. She earned her certification from the National Academy of Sports Medicine and is also certified as a wilderness first responder.

A friend of hers who worked at Fox Studios continually proclaimed that True was the person who needed to document Assiniboine life and culture in some way. A nagging voice in her own head repeatedly concurred until she finally acquiesced. It took six years for the planets to align, but the connections, team, and funding finally all came together to begin filming a documentary.

Even though she was not sure how many tribal members would be willing to share their traditions and sacred ways, she took a tiny film crew to the Fort Peck Indian Reservation and gathered stories of a culture in danger of becoming lost. “On the rez, people balance between two worlds,” said True. “The Assiniboine tribe, like most Native cultures, has assimilated into a modern, more technological society, but they still strive to preserve their individual cultural identity.”

The chief of her tribe at the time, Robert

Photo
“Without the various distractions of the city, I truly am present to feel the energetic and abundant force of the land. The generations that have come before me are woven into my spirit, and this connection offers guidance and creative inspiration.”

Fourstar, gave his blessing to the film project and said, "I knew you were coming, the spirits told me they would be sending someone to tell this story."

With the collaboration of two close friends, True produced, co-directed, performed, and composed music in the award-winning documentary, WOLF POINT: RED ROAD STORIES, a short film about the culture of her family and the Assiniboine people. It was released in 2016 and was selected to premier at the prestigious American Indian Film Festival in San Francisco, California.

With her daughter grown, the wilderness began calling her name. In 2020, True took a leap of faith—put her belongings into storage and headed north to Alaska. There, she embraced a new adventure, spending three seasons at a remote luxury lodge where she wore many hats: pastry chef, hiking guide, and personal trainer. She still made time for art during her time in Alaska, designing line drawings and tattoos that she marketed through social media.

She spent a couple of years free-wheeling it —adventure traveling and house-sitting — all the while teaching fitness on Zoom and working on small works of art.

With her 60th birthday approaching, True found herself reflecting on how the film had provided the opportunity to weave together her passions for art and music, thus kindling a new purpose. She moved back to Montana with the goal of focusing more on her art career and cultivating a deeper relationship with nature.

“Montana is a powerful and majestic state,” said True. “Without the various distractions of the city, I truly am present to feel the energetic and abundant force of the land. The generations that have come before me are woven into my spirit, and this connection offers guidance and creative inspiration.”

The timing of her move back to her home state was spot on. The art world currently seems to be experiencing an increasing interest in Contemporary Native American art. A celebrated Indigenous curator from Colorado dubbed it ‘Native Modernism,’ and True considers herself a part of this sweeping movement to reshape the narrative of Indigenous art.

Some of her fine art prints are currently on display at The Walking Man Gallery in Whitefish, where she has received vital local support. The art hub of Santa Fe, NM has

taken to showcasing True’s work, leading to a solo exhibit at FaraHNHeight Fine Art in 2024. She has been a featured artist in the Sovereign Santa Fe show for the last three years and her art is on display at Cassen's Fine Art in Hamilton, MT.

How does she create those paintings? Does she pick a subject and plan them out? “Not really,” she smiles. “I kind of have to get out of my own way and let the creative source guide me. Most of my work happens intuitively.”

Besides making art, her days in Whitefish are filled teaching Zoom fitness, keeping an edge in her various outdoor sports, playing piano and her latest side interest – playing billiards.

“Being close to my daughter and my 3-yearold grandson in Missoula is very special to me,” says True, “I am grateful that we all share our love for Big Sky Country.”

A piece of trivia about True is that she is a former world Footbag (Hacky sack) champion. In the early 90’s she also represented the U.S.A. as a server on a 3-person Sepak Takraw team in Bangkok. This is the national sport of Southeast Asia and at the time women were not allowed to play the sport, but she experienced her 15 minutes of fame and controversy as 40 countries had to vote on whether or not to let her play. Needless to say, she played, and as a result, a movement was started that allowed women to compete in this intense and fast-paced game.

As for her bucket list, True feels like she is living it as we speak! She is following a fire that has been lit, honoring this destiny that has seemingly been laid out for her. She would love to have one of her pieces acquired by a major institution and would also welcome an invitation to an artist-in-residence program, where she could focus on creating art in a beautiful location. “Music will always be in my soul, and I dream of being a part of an avant-garde freeform jazz ensemble someday,” she replied.

True is currently working on a solo exhibition for the Glacier Art Museum in Kalispell, on display from June 19 to September 19, 2026. The show, entitled Where Currents Carry the Soul, honors the unseen forces that shape our identity and spirit, tracing a journey of memory and transformation. An opening will be held on June 18th. Her work can be found on her website at www.truearchdale.com.

Any advice for our readers? "Follow your heart and believe in your dreams; stay curious because magic lies in the unknown.”

What is l abiaplasty?

Have you heard the term labiaplasty and been unsure, and frankly a little afraid, to ask what people are talking about? You are not alone! Labiaplasty is a procedure in which the inner folds of skin nearest the vagina are surgically altered. This most often involves removal of a labial portion considered unusually enlarged or elongated. It is often done due to pain with exercise or intercourse, difficulty with cleanliness during periods or urination, increased infection or irritation, discomfort while wearing certain clothing and sometimes for cosmetic concerns. The number of Labiaplasty procedures performed in the US has increased drastically over the last decade. It is felt that perhaps the increasing number of women who utilize genital hair removal and therefore visualize their labia in addition to increased accessibility of vulvar images online may have led to this increase. It is also likely that increased knowledge of the procedure’s availability has led women with the symptoms listed above to discuss the surgery with their gynecologic provider and access treatment.

Let’s begin with understanding normal female anatomy. There is a great deal of misinformation propagated online as to what is normal female genital anatomy. In some spaces, we as women are led to believe that if our labia do not look a certain way they are abnormal, and we should be ashamed and seek a “cure.” Often it is implied that if labia appearance is not prepubescent (with labia minora not visible beyond edges of the labia majora) then we are abnormal and that this may lead to lack of sexual satisfaction for us or our partner. It is also implied that if we have this surgically repaired, we

will experience improved sexual function. These claims are false.

It is important as women that we realize that our labia, both the larger outer folds (labia majora) and smaller inner folds (labia minora) come in a wide variety of normal shapes, sizes and colors. Sometimes the sides are not exactly even. The labia minora may extend beyond the larger labia majora or they may not. It is also normal for our labia to change in shape and color throughout our lifespan; we may notice changes throughout puberty, after childbirth and during the menopausal transition. There

m ost women who seek care for labiaplasty experience physical symptoms or a combination of physical symptoms and poor body image and sexual self-esteem issues as it relates to their labia.

is no one correct appearance and no agreement about what constitutes enlarged, or hypertrophied, labia. In fact, there is at least one entire book dedicated to images of all the variations of normal female genitalia and at least one art installation that includes plaster casts of a myriad of labia of different shapes and sizes. Difference is normal. No intervention is necessary if our anatomy does not cause painful or irritating symptoms.

Now let’s examine possible symptoms of labial hypertrophy more closely. Often riding a bike or horseback riding may cause pain. During intercourse an elongated labia may get pulled up into the vagina or twisted painfully. To be able to wear certain clothes, some women may need to “roll up” an elongated labia to tuck it into clothing. Occasionally, wearing a bathing suit may be difficult as labia may “escape”. During menses or urination, excess tissue may make it difficult to wear tampons and pads or it may be difficult to effectively clean the tissue while on your period or after urination. If excess tissue remains wet, increased irritation, inflammation and infection may occur. Some women who notice enlargement or elongation of their labia feel less attractive to their partners which may affect intimacy. Most women who seek care for labiaplasty experience physical symptoms or a combination of physical symptoms and poor body image and sexual self-esteem issues as it relates to their labia.

So what options are available if you experience these symptoms? Non-surgical methods that may help with symptoms include supportive underwear, use of lubricants or emollients placed on the labia, and arrangement of tissue during exercise and intercourse. When these are not adequate, surgery may be appropriate. One important consideration is that if a woman is under the age of 18 there are federal legal restrictions regarding la-

bial surgery. It may only be done for ongoing irritative symptoms or pain that, in the physician’s opinion, require surgical intervention. There is also some ongoing controversy in the medical community regarding strictly cosmetic labiaplasty, however, some would compare it to breast reduction which is not controversial. Labial surgery for symptoms has become more common. That said, there are no studies with large numbers of women addressing whether most women are happy with their results or what percentage of women have a complication from the surgery.

Labiaplasty is generally an outpatient , or occasionally in-office, procedure. It may be done in a variety of ways as no surgical method has been proven to be better than other methods. Most commonly, elongated edges may be trimmed or a wedge of tissue may be removed. Following the procedure, pain medications may be needed for several days to a week. It is best to take time off work and to avoid strenuous activities until your surgeon has re-examined you and given you the all-clear to return to normal activities. There are risks associated with this surgery just as with any surgery. Most common, though rare, are bleeding, infection, development of a large bruise (hematoma), stitches breaking down (dehiscence), pain with intercourse, loss of sensation, scarring, failure to achieve the results you desire, and possible need for further surgery.

If you experience bothersome symptoms that you believe are related to enlargement or elongation of your labia, you should discuss these concerns with your Obstetrician Gynecologist (Ob Gyn). If they do not perform labiaplasty they may refer you to someone who does so that you may undergo an exam and then have an informed conversation about the procedure, its risks, possible benefits and if it is an appropriate option for you. If you do not have an Ob Gyn, we would be happy to see you at Kalispell Ob Gyn. Please call to make an appointment for this or any other gynecologic concerns.

Gwenda C. Jonas, MD, FACOG  is a board-certified OB/GYN who has practiced with Kalispell OB/ GYN since 2001.

Dr. Jonas received her undergraduate degree from the University of the South in Sewanee, Tennessee, and her medical degree from the University of Alabama. She completed her residency at Good Samaritan Regional Medical Center in Phoenix, AZ. She is a Fellow of the American College of Obstetricians and Gynecologists, Board-certified yearly through the American Board of Obstetrics and Gynecology and a member of the American Association of Gynecologic Laparoscopists.

She has served as Chief of Staff of Kalispell Regional Medical Center, as a Kalispell Regional healthcare board member, and as board chair. She has served on numerous committees at Logan Health, including Medical Ethics, Mass Casualty and most recently as Logan Health Section Chair of Gynecology.

Dr. Jonas specializes in gynecology, with a special interest in menopausal care as well as minimally invasive surgery for treatment of heavy periods, endometriosis, pelvic prolapse, and incontinence. Her passion is providing a caring, supportive, and pain-free environment for women to obtain the care they deserve need and deserve.

Dr. Jonas and her husband, Dr. Ken Jonas, are delighted to call Kalispell their home. They enjoy rafting, fishing, skiing, and kayaking.

- b e F ore and a FT er ULTH era PY

c H in s T

ra

PP ingpatient received 2 treatments, 1 month apart - photos are 4 weeks after 2nd treatment.

Ultherapy

Ultherapy is one of the best regenerative treatments we have in the medical spa. Not only is there minimal downtime, but there is also the added benefit of great results. By the time you do the second treatment and have a follow up ultrasound to look at your progress, you can actually see collagen being restored in real time.

The improvement in profile and skin tight ness is excellent and well worth the invest ment.

For patients who are a good candidate for Ultherapy, there is significant skin tighten ing that can occur, especially in the facial and brow area.

Problematic double chin areas also im prove significantly for ideal candidates. This is definitely a treatment worth looking into to build collagen and confidence.

Dr. Courtney Austin, MD

What is Ultherapy?

Ultherapy is an FDAcleared noninvasive ultrasound technology to target and stimulate the body’s collagen production.

Is there down time?

Minimal downtime. You may have slight tenderness, redness, swelling or bruising after the treatment which is very normal and will subside quickly.

How long does this treatment take?

Less than 30 minutes for a Brow Lift or Pucker Up.

Is this treatment painful?

Ultherapy pulses have a quick zap sensation, you may feel slight discomfort but overall, the Brow Lift and Pucker Up are quick and easy treatments.

What are the main benefits?

• Increases collagen levels

• Reduces appearance of fine lines and wrinkles

• Improves definition of lip boarder

• Gives you more of an “awake” look

When will I see results?

Typically, you will see results within 2-3 months as fibroblast activity peaks.

How many treatments will I need?

Most patients see results after the first treatment, but we recommend a series of 3, spaced 4-6 weeks apart.

Lauren Schwaiger, LE
Criswell Clemenger, LE

More Than a Spa — A Return to Yourself

The Source Spa Downtown Kalispell

The Source is rooted in the restoration of body and mind — a place to slow down, breathe deeply, and remember what balance feels like. In a world that moves quickly and asks for much, it offers a gentle invitation to pause. Here, stillness becomes medicine.

The inspiration for The Source came from the pace of life itself. Many of us — especially mothers and caretakers — find ourselves constantly pouring out, often running on empty. The word “selfish” has taken on such a nega tive tone, yet tending to yourself is not selfish at all. It’s sacred. It’s what allows you to restore your body, clear your mind, and reconnect your heart so you can continue giving from a place of fullness.

You were designed to pour out good, but every river begins at its Source. Here, you’re invited to return to yours — to the One who restores and fills you again.

This is the heartbeat of The Source — a space created for renewal, where

Ancient Heat, m odern Science

For centuries, sauna has been called “the poor man’s pharmacy.” Now, science confirms its healing power. Research from Finland shows that regular sauna use improves heart health, lowers stress, and even reduces the risk of dementia. Those who sauna four or more times a week have up to a 40% lower risk of death from all causes.

A 2018 Mayo Clinic Proceedings study found that sauna bathing mimics the effects of moderate exercise, increasing circulation and activating heatshock proteins that repair and protect cells. Simply put, sauna is medicine — ancient and proven.

The Saunas of The Source

Each sauna offers its own experience of warmth, wood, and renewal:

• Big Sky Sauna a communal, star-lit Finnish sauna for quiet connection or peaceful silence.

• Tatanka Suite private and powerful, crafted of black alder with red-light therapy and a cool waterfall shower for contrast.

• Heaven’s Peak all aspen with a glowing salt wall that uplifts and energizes, infusing each breath with light and warmth.

• Trail of the Cedars — an all-cedar sauna with a salt wall, where natural wood aroma calms both skin and spirit.

• Going-to-the-Sun Suite a private infrared sauna offering deep cellular heat for detoxification and recovery.

Each space invites you to breathe deeply and let your body remember its natural rhythm.

e ach space invites you to breathe deeply and let your body remember its natural rhythm.

Our Beargrass Lotion is hand-harvested near Glacier National Park and blended through a cherished Native family recipe by Medicine Grizzly Herbs (Browning, Montana). Our clay detox and botanical scrubs are made in Kalispell and use local minerals and oils to nourish and renew. Each product tells a story of place, purity, and purpose — honoring the natural design that was created for our renewal.

Give the Gift of Restoration

This season, give more than a gift — give restoration. A sauna session, a moment of calm, or a massage guided by intention fills the cup of the receiver so they can pour back into others.

The Healing p ower of Touch

Every restorative massage complements the thermal experience. Through intuitive care and intentional touch, the body is grounded, the mind softens, and peace returns.

Each massage includes time in one of our saunas to gently detoxify, release tension, and finish with cool water to seal in the benefits — leaving you feeling restored from within.

f rom the e arth, f or your Renewal

Everything used at The Source is locally crafted and naturally inspired — made with ingredients that come directly from the ground, the plants, the bees, and the earth itself.

When you give the gift of The Source, you offer someone a return to themselves — and that renewal ripples outward and blesses others.

A Return to your Source

Let the warmth, the cedar, and the steam soak in.

Let the stillness settle. Breathe deep — and return to your Source.

Visit thesourcespa.com for more information.

About Alisha Basler

If you ever can’t find Alisha, she’s prob ably somewhere between the sauna, the outdoors, home with her family, or on the sports field — enjoying all Montana has to offer and watching her kids do what they love. Either in a place where the air smells like cedar and she’s refilling her own cup, or at home where the kids are laughing because the donkey escaped again.

A mom of five, Alisha feels immeasurably blessed to live, work, and raise her family in the beautiful Flathead Valley of Montana. Together with her husband, she’s built a life centered on faith, family, and helping others find renewal in both body and spirit.

Through every season, Alisha’s heart remains the same: family first, faith always, and a deep appreciation for the simple joys that remind us how blessed we truly are.

Q&A witH aren p erser, md rthopedic Surgeon, ogan Health

Where are you from, and what v alley?

I grew up, for the most part, in Rockwall, Texas, outside of Dallas. However, I spent a portion of my youth in Anchorage, Alaska, which kindled my love of the mountains. After college and medical school in Texas, I moved to Seattle where I completed my residency at the University of Washington and could take advantage of more outdoor activities in the Pacific Northwest and Mountain West. While in Seattle, I took care of patients from Kalispell that were transferred to Harborview Medical Center for specialty trauma care. I saw firsthand how these patients were provided with outstanding initial care and inquired about a position in orthopedics and sports medicine. While completing my fellowship in Orthopedic Sports Medicine at the University at Buffalo, I was fortunate enough to interview for a position at Logan Health (then Kalispell Regional Healthcare) and fell in love with the Flathead Valley.

What is your specialty of practice?

My specialty is orthopedic sports medicine and arthroscopy, also known as minimally invasive surgery. While attending my fellowship at the University at Buffalo in New York state, I helped care for professional, semi-professional, college and high school athletes. I had an outstanding exposure to all facets of sports injuries, from the weekend warrior to professional hockey players who played for the NHL’s Buffalo Sabres and football players for the NFL’s Buffalo Bills. I treated football, soccer and lacrosse players, which has prepared me well for the injuries we see here in the Flathead Valley. In addition to sports medicine injuries, I completed subspecialty training in arthroscopic surgery of the shoulder, knee and hip.

Why did you choose orthopedics/sports medicine as a specialty?

I enjoy that in orthopedics we are putting people back together again

and getting them back to the activities they love, their lifestyle, their jobs and their families. I am privileged to care for the entire breadth of ages, from kids to parents and grandparents. I also enjoy working with my hands, and the continued advancement of minimally invasive surgery. While I do a lot of arthroscopic surgery, which involves using a camera to view and work within a joint, I also enjoy the anatomic exposure of open surgeries like shoulder replacements and fracture care.

What is the most rewarding part of your job?

The most rewarding part of my job is helping people. For me, the best part is when I see someone who was in pain or disabled has healed and is getting back to doing what they enjoy or achieving their goals. I also am thankful that I work with a great team in our office and in our hospital and surgery center while living in such an incredible place.

How do you like to spend your free time?

I love being outdoors. From skiing and snowmobiling in the winter to hiking, biking, camping and rafting in the summer, I love getting out into this awesome environment and exploring.

Is there anything else you think people should know about you and what you do?

I am fortunate to have found such a wonderful community to live in and an incredible place to work at through Logan Health. I hope people recognize the level of care available to them here; our physicians and surgeons have trained at the top places in the nation and have chosen to establish their practices in the Flathead Valley. In our orthopedic department, I value my partners as friends and colleagues. I hope that people feel comfortable seeking care with us, as we have specialists who can care for any type of orthopedic injury they may incur.

Logan Health’s Research team connects breast cancer patients to breakthrough treatments Innovation that Empowers

In the busy halls of 350 Heritage Way, known as “The Rock,” individuals of all ages and cancer diagnoses visit their specialists for appointments or head to the infusion suite for care from our compassionate nurses. As they receive these important treatments, they are often unaware of a small office downstairs where a group of dedicated team members work tirelessly on their behalf. These individuals make up the Logan Health Research Department, and from that modest office, they are leading the way in Montana’s breast cancer clinical trials.

Clinical trials are research studies that create the opportunity for medical experts and

patients to partner together and examine new ways to prevent, treat, and control disease. With patient safety as priority, a team of specialists and research coordinators closely assess the patient’s needs and work together to find solutions through breakthrough treatments. These often transform patients’ lives through innovation and ultimately contribute to the widespread use and accessibility of the new treatment. While cancer often comes to mind, the Logan Health Research Department also coordinates clinical trials in the specialties of cardiology, rheumatology, pulmonology, and endocrinology.

Breast cancer has been among the moststudied conditions as of late, especially with the introduction of targeted therapies. These targeted therapies are chosen based on the biology of the cancer tumor and the factors that drive the tumor’s growth. Clinical Research Coordinator Helen Fagrelius is tasked with connecting patients to these powerful treatments and explaining how they function. “Instead of attacking all fast-

growing cells like chemotherapy does, targeted therapies work like a sniper — they aim at the fuel that is making the tumor grow,” Helen said. In her role, she’s had a front-row seat to witness the benefits of these new treatments. “We’ve seen the entire treatment landscape change through targeted therapies,” she stated. “We are seeing significant extensions in survival, quality of life, and more personalized care.”

Four specific clinical trials are currently available at Logan Health, assessing the effectiveness of targeted therapies for patients with breast cancer.

1. NCT05812807 — OptimICE-PCR: Pembrolizumab vs. Observation in EarlyStage Triple-Negative Breast Cancer

This study is investigating if women with early-stage triple-negative breast cancer (TNBC) who have no visible cancer after pre-surgery treatment with pembrolizumab

Left to right: Jaime Wyatt, CCRC, CPT, RMA; Zoe Glasser Breeding, CCRC; Helen Fagrelius, CCRC; Joanne Smith, Program Coordinator; Leah Scaramuzzo, Clinical Nurse Director: Research & Oncology Development
I always remind patients that nobody is a better advocate for your health than you. Being able to connect with patients one-on-one, getting to know them and seeing them advocate for themselves is the best part of my job.

need more of the pembrolizumab after, or just careful monitoring through observation. If monitoring is just as effective, patients could avoid extra treatment, side effects, and costs.

2. NCT06058377 — Adding Durvalumab to Chemotherapy in High-Risk HR+/HER2– Breast Cancer

This study asks: For women with hormone receptor-positive (HR+), HER2-negative early stage breast cancer who are at a very high risk of recurrence, does adding the immunotherapy drug durvalumab to standard chemo before surgery increase the chance of curing the cancer? If this treatment combination works, it could boost cure rates in this specific high-risk group.

3. NCT05929768 — SCARLET: Shorter Anthracycline-Free Chemo-Immunotherapy in TNBC

This study focuses on if early-stage TNBC can be treated with a shorter, less intense chemo-immunotherapy plan (skipping more toxic anthracycline drugs) and pembrolizumab, rather than the longer regimen. If effective, this could reduce side effects and discomfort from treatment while maintaining outcomes.

4. NCT04457596 — CompassHER2 RD: T-DM1 + Tucatinib vs. T-DM1 Alone in High-Risk HER2+ Breast Cancer

This study asks: For HER2-positive breast cancer patients who still have cancer after initial chemo and HER2-targeted therapy, does combining T-DMI (a “smart chemo” attached to a HER2blocking antibody) with tucatinib improve outcomes compared to T-DMI alone? This could help prevent relapses, including in the brain, by enhancing targeted treatment in patients with residual disease.

These clinical trials have the potential to enhance the experience for breast cancer patients in many ways. Patients gain early access to these promising treatments that aren’t available elsewhere. They also receive very personalized care with more frequent check-ins and extra lab tests or scans. In fact, patients in clinical trials often do just as well — or better — than those receiving standard treatment. Many also say they feel more supported and informed throughout the process.

For Helen, this person-centered care is what it is all about. “I always remind patients that nobody is a better advocate for your health than you. Being able to connect with patients one-on-one, getting to know them and seeing them advocate for themselves is the best part of my job.”

As Helen and her team members continue their efforts to support breast cancer patients in Montana, they look forward to the new innovations on the horizon and the continued empowerment of patients near and far.

If you are interested in exploring your options for cancer research and clinical trials, please visit logan.org/research or call our research team at (406) 751-4171. You can also email DEPTresearch@logan.org

Constant Change

I am in my 45th year on this blue cosmic space marble. At this point I no longer live life thinking, “if I can just get over this hurdle it’ll be smooth sailing” be cause of the “fool me twice” thing. More like fool me 4381 times, etc. Shame on me. There are a lot of false summits on this journey and they all come with a great view of the next higher peak. The only way to prevent this is to stop climb ing. So, while I feel life is the most chal lenging presently, I also have the most joy, happiness, and satisfaction with it all. So I guess I’ll just keep on truckin’ for now.

It’s interesting to look back and identify the little moments that totally impacted your life. In 1999 I was in a little Community Col lege class called “The Internet” and I distinctly remember my instructor at the beginning of class about midway through our semester telling us, “there is a new search engine that we are going to try out.” You guessed it, it was Google.

together. Google is omnipresent in our everyday lives. It’s a recognized verb.

Now, 26 years later, I’ll just go over my last 24 hours with Google. Google informed me (unsolicited) that I could get to Glacier International Airport in 14 minutes and that traffic was light. I did not need to go to the airport, I picked up my wife the same day the week before so Google thought maybe that the airport was my new Friday thing. It’s not. Google also let me know that it went ahead and stylized a photo for me from my archive stored in Google Photos. Thanks Google.

Continuing on, I also used Google's email service Gmail as probably most of the world did. I used Google Maps to help me not miss that sneaky turn onto MT Hwy 141 after the Swan on my way to Helena. IYKYK*. It also tells me that there are “police” ahead...good looking out Google. I was going to Helena because my Google Calendar made sure I didn’t forget

Now, if we thought Google did a good job at infiltrating our existence, let’s discuss social media. I received my undergraduate degree from Arizona State University in 2007. At that time ASU had one of the largest student bodies in the nation...like 70,000 students give or take. So with that many students ASU had a massive computer lab called the Computing Commons. There were hundreds of computers in there and you would stand in a long queue and wait for one to come available. It was there at the start of that line that a display appeared one day of a very attractive young lady with the caption, “She’s on Facebook, are you?”

It was great marketing because the first thing I “googled” (see what I did there) once I made it to a computer was Facebook. I did not sign up, in Facebook’s infancy you could only sign up if you had an official college email address ending in “edu” from an institution they chose

Obviously, I did eventually create a profile and was sucked in. I uploaded pretty regularly. Mostly pics and vids of my young family. Then moved onto Instagram which I use almost exclusively now. So, just how Google likes to stylize photos or give me traffic information unsolicited, Facebook does this thing where it’ll say “look back” on this post you made on this day 12 years ago. The vast majority of these are posts of my children so Facebook is basically asking, “is it cool if I make you laugh and cry at the same time? Is it cool if I slam into focus the silent blur of your life flying by never to be experienced the same way again? Can I do that to you while you eat your lunch? Have a pleasant afternoon.”

These constant reminders gave me a startling realization that we don’t get our kids for 18 years. We get this specific kid for maybe 3 to 6 months before they are a totally new kid. Yes, I am with my kids every day, but I will never be with my kids when they are 4 years old ever again. It really

Is it cool if I slam into focus the silent blur of your life flying by never to be experienced the same way again?

takes a kid moving out to fully comprehend this and that is why the youngest kid is the spoiled one, it’s their parents last chance. I look at my family now and think, I get these kids for maybe a year and then they are whole new kids. This new mindset has helped me tremendously in being more present and soaking it all up.

Man I am really in my feels on this one ladies. I guess my point is life is dynamic and things change. In dentistry we recommend being seen every 6 months by your dental provider. In a perfect world everyone would have their own personalized interval based on their specific oral health needs but for simplicity’s sake we go every 6 months. There are unique cases where we do recommend more frequent check-ups.

Oral health problems typically progress slowly so if we are getting eyes on things twice a year with the recommended annual x-rays, we can identify problems early in order to repair and/or reverse them. What are the advantages of this? You save time. You save money. You prevent discomfort. You reduce inflammation. You preserve your natural tooth structure. You maintain the function of your teeth to eat, smile, speak, and support your facial tissue. You maintain a youthful smile.

You might ask, what can change in 6 months? Welp, just like Facebook reminds me, a lot. You could have changes in your diet. You can start a new medication that slows down the flow of saliva. You can have stressful things that cause clenching and grinding. Your mouth is like your car or your house, every once in a while it needs to be properly cleaned.

I’ll end with a personal experience that I had recently at my Kalispell Smile Montana location. It was a pretty normal day which most of them are these days. In my profession you want normal uneventful smooth going days. The only thing that stuck out to me as I reviewed my schedule ahead of time was that I was seeing a 94 year old patient for what we call a limited exam. It just means this patient has a specific tooth or area that is a concern to them.

I had never met this patient and I just assumed it was someone with pretty limited faculties and they would be accompanied by a child or caregiver. Boy was I wrong. This lady drove herself (?!?), spoke to me in great detail about the NFL which she was obsessed with, and had a small piece of a tooth break which we were able to repair. She was born around 1932, meaning her permanent teeth started showing up around 1938. Meaning her teeth have been chewing up food since before World War II. This blew my young assistants' mind and just goes to show how durable teeth can be when taken care of.

Life changes, your teeth don’t have to.

This article will see you through the holidays so God bless. Happy Thanksgiving, Merry Christmas, and Happy New Year. I’ll check back in 2026.

*If you know, you know

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