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Olympia Timed: The Pip Rau Collection of Ikats, Embroideries and Costumes, Part 1

Page 1


OLYMPIA TIMED: THE PIP RAU COLLECTION OF

6TH FEBRUARY - 1ST MARCH 2026

Lot 107 (detail)

THE PIP RAU COLLECTION OF IKATS, EMBROIDERIES AND COSTUMES, PART 1

TO BE SOLD BY AUCTION:

25 Blythe Road, London W14 0PD

TIMED AUCTION:

Ends Sunday1st March 2026, 2pm precisely

PUBLIC EXHIBITION:

Sunday 22nd February, 12pm to 4pm

Monday 23rd February, 10am to 8pm

Tuesday 24th February, 10am to 5pm

Wednesday 25th February, 10am to 5pm

SALE NUMBER OA0175

ENQUIRIES:

Jacqueline Coulter, Consultant indianandislamic@olympiaauctions.com

Arthur Millner, Indian and Islamic Objects and Works of Art arthur.millner@olympiaauctions.com

Nicholas Shaw, Indian and Islamic Manuscripts and Paintings nicholas.shaw@olympiaauctions.com

Lara Defries, Administrator lara.defries@olympiaauctions.com

+44 (0)20 7806 5541 enquiries@olympiaauctions.com

Photography: Rolant Dafis

Front cover: Lot 124 (detail)

Back cover: Lot 38

We are indebted to Christine Ramphal for her help with this catalogue

ONLINE CATALOGUE AND LIVE INTERNET BIDDING AVAILABLE THROUGH: www.olympiaauctions.com www.the-saleroom.com

This auction is conducted by Olympia Auctions in accordance with our Conditions of Business printed in the back of this catalogue.

PIP RAU (1938-2024)

For 40 years, Rau, the small shop in Islington, North London was a magnet for enthusiasts in the field of Central Asian textiles, displaying ikats, embroideries, rugs and objects chiefly from Uzbekistan, Pakistan and Afghanistan. The owner, Pip Rau, was not only in demand by an international and eclectic clientele of collectors and dealers, but also from film directors, who came to borrow items from her collection for films including The Shining (1980) and Gladiator (2000).

Born in London just before the second world war, Pip soon showed her adventurous and restless spirit, enrolling in numerous art school courses, none of which, as she freely admitted, were completed, including St. Martins and the Central School of Arts and Crafts in London, and others in Jerusalem, San Francisco and Paris. Her appetite for travel and adventure, particularly in her youth, led to brief imprisonment in New York (for joining in a nuclear disarmament rally), a car accident in Russia, followed by a marriage proposal when recovering in hospital from a Soviet colonel (duly refused) and time spent in Israel, leading to her marriage to Ili Gorlizki, an actor.

In 1974 she opened her London shop, filled with textiles, costumes and objects, which she continued to replenish over the following decades with items she collected on her frequent travels. Most of all, Pip loved Afghanistan, which she had first visited in 1973 when the country had only just opened up for visitors. During the 1970s it became an essential component of the ‘Hippie Trail’, for those travelling overland to India. On her almost yearly visits, Pip rapidly gained a reputation as a formidable negotiator and a keenly discriminating eye amongst traders in the bazaars. (Rather fittingly, after she closed her Islington shop in 2014, the premises become an Afghan restaurant.) It was in Kabul in 1976 that she purchased her first ikat, which led to a lifetime’s passion for these spectacular textiles. Ikat is a warp faced fabric created through tying and dying the warp threads before they are set up on the loom; called abr-bandi in Central Asia, or ‘bound cloud’, the technique results in the characteristic softened edges of the motifs. Adras ikat has cotton warps, often resulting in a heavier fabric with a pronounced horizontal rib, whilst those with silk wefts are thinner and crisper (referred to in this catalogue as atlas ikat). The ikat technique was also used to make luxurious velvets.

For Pip, visual and graphic appeal always overrode the scholarly and technical aspect, but Ikat textiles and costumes from her collection were widely exhibited, including at the Crafts Council, London in 1988. In 2007, the Victoria and Albert Museum exhibited and published part of Pip’s collection. A dozen of the lots in this sale were published in one of the catalogues for these seminal exhibitions. Included in this auction is a wide range both of the ikats which she had collected and embroideries, most notably several suzanis, and the costumes, rugs and artefacts she collected on her travels over the years. A group of around fifty Lakai embroideries from Uzbekistan from her collection is now in the British Museum.

Uzbekistan and the adjacent lands have been famed for its silk fabrics since antiquity: those represented here date from the 19th and early 20th centuries. The Khans in 19th century Central Asia encouraged the production of woven silks, and the dying and weaving was carried out by numerous craftsmen ateliers, each specialising in an aspect of their manufacture. The quality and elaborateness of the fabrics reflected the social status and wealth of their owners; the brightly coloured ikat silks were used as wall hangings, bed quilts and made up into robes for men, women and children. The robes (chapan, though also referred to as khalat), were worn by the wealthier classes, layered for display and warmth. Examples of the less ostentatious simple striped chapan are also included here, as are the embroidered robes of the Turkman tribes. Ikat was also made up into munisak, shaped robes for women designed to show off the figure, and kurta - loose tunics. There are also examples of paranja, a kind of cloak, similar to the Turkman chyrpy. Embroidered and appliqued, decorated with ikat, beads and tassels, the hats, boots, bags and purses of Central Asia are also represented in this sale, as are the costumes and embroideries of Afghanistan, Kohistan and Pakistan which Pip Rau collected over a lifetime of adventure.

AN IKAT PANEL, UZBEKISTAN, SECOND HALF 19TH CENTURY

the adras ikat in pink and white with bold yellow stems with flowerheads, approximately 226 x 124cm

See Hali, Issue 226, Winter 2025, p. 150, fig. 1 for a photograph of this ikat hanging in Pip Rau’s home.

£800-1,200

A LARGE IKAT QUILTED PANEL, BOKHARA, UZBEKISTAN, EARLY 20TH CENTURY

the atlas ikat with large crimson flowerheads and reciprocal feather edged bands of aubergine containing yellow and pink botehs, approximately 240 x 140cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 69

£800-1,500

AN IKAT PANEL, UZBEKISTAN, SECOND HALF 19TH CENTURY

the adras ikat with bold stepped zig zags containing guls and flowerheads, coloured in forest green and aubergine, red and yellow flowerheads in ivory stepped diamonds, approximately 185 x 118cm

£800-1,500

4

AN IKAT PANEL, BOKHARA, UZBEKISTAN, LAST QUARTER 19TH CENTURY

the atlas ikat woven with aubergine ground and columns of sunburst flowerheads and roundels, in ivory, saffron, crimson and indigo, approximately 155 x 106cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 68

£800-1,500

5

A TASHKENT SUZANI, UZBEKISTAN, EARLY 20TH CENTURY

the roundels in dark crimson, crimson palmette border, approximately 240 x 180cm

£700-1,000

A PISKENT WOOL AND SILK EMBROIDERED SUZANI, UZBEKISTAN, LATE 19TH CENTURY

with a large central flowerhead medallion in madder wool, within a crimson roundel, surrounded by large flower roundels, reciprocal yellow and melon orange running vine and flower border, approximately 250 x 200cm

£2,000-4,000

7

A LARGE IKAT PANEL, UZBEKISTAN, LATE 19TH CENTURY

the adras ikat with columns of stylised flowering plants interspersed with reciprocal feathered bands, narrow yellow stripes with crimson flashes between, approximately 240 x 165cm £800-1,200

8

A LARGE IKAT PANEL, UZBEKISTAN, LATE 19TH CENTURY

the adras ikat with bold curved crimson leaves forming swags, interspersed with small yellow plants, on an ivory ground, approximately 212 x 140cm

£500-1,000

TWO IKAT WOMEN’S ROBES (MUNISAK), UZBEKISTAN, LAST QUARTER 19TH CENTURY

of adras ikat, the first woven with polychrome vegetal motifs, printed cotton lining, tablet braid trim to cuffs, openings and hem, the second in red and white with complementary printed lining, edged in black braid, approximate length 120cm; 132cm

£450-650

11

A BOY’S IKAT CHAPAN, BOKHARA, UZBEKISTAN, LAST QUARTER 19TH CENTURY

of adras ikat, with printed cotton lining, tablet braid edging to openings and cuffs, approximate length 110cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 48

£300-500

10

AN IKAT PANEL, SAMARKAND, THIRD QUARTER 19TH CENTURY AND THREE IKAT PANELS, UZBEKISTAN, 19TH CENTURY

the Samarkand panel with crimson ground and overall flowerheads in ivory and yellow with indigo and aubergine centres, approximately 120 x 86cm; the second with aubergine ground with polychrome fan palmettes, approximately 92 x 47cm; the third with yellow ground, stylised plants and palmettes, indigo ikat side borders, approximately 76 x 51cm, the fourth with flowerheads and small cypress trees, approximately 100 x 50cm (4)

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 55 (the Samarkand panel)

£800-1,500

AN IKAT PANEL, UZBEKISTAN, POSSIBLY SAMARKAND, SECOND HALF 19TH CENTURY

the atlas ikat woven in rosy red with saffron roundels with crimson and ivory centres, approximately 190 x 97cm

£500-800

AN IKAT QUILTED PANEL, UZBEKISTAN, LATE 19TH CENTURY of adras ikat with yellow stripes and rosy pink diamonds, approximately 360 x 120cm

See Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. No. 2.100, p. 237, for a pair of lozim (women’s trousers) made up in a similar ikat.

£500-1,000

A LARGE IKAT PANEL, UZBEKISTAN, POSSIBLY FERGHANA FOR THE JEWISH MARKET, SECOND HALF 19TH CENTURY

the finely woven adras ikat in yellow with ivory motifs, possibly menorah, and guls, fine tablet braid edging, approximately 215 x 170cm

£700-1,200

15

A PAIR OF SMALL TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, set with carnelians, of flat crescentic form with a trio of pointed finials at each end, 6.5cm max. diam.

£100-150

17

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, set with carnelians, of crescentic form, with five pointed finials at each end, 6.5cm max. diam.

£120-180

16

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, of crescentic form, with twin bands of engraved arabesque decoration, 6 x 4 x 5cm

£60-80

18

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, decorated with twin bands of embossed arabesque and ropework decoration, palmette finials at either end, 6.5 x 5.5 x 5.5cm

£80-120

19

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

parcel gilt silver, set with carnelians, of wide crescentic form, the decoration divided into three bands, seven bud-shaped finials at either end, 7 x 9 x 5cm

£200-300

20

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, with wirework applique and set with oval carnelians, of crescentic form with serrated finials, 6.5 x 6.5 x 5.2cm

£200-300

21

A PAIR OF TURKMAN BRACELETS, CENTRAL ASIA, 19TH CENTURY

silver, set with carnelians, of crescentic form, each end with five bud shaped finials, 6 x 6 x 5.5cm

£120-180

22

AN IKAT AND SILK QUILTED PANEL, UZBEKISTAN, LATE 19TH/ EARLY 20TH CENTURY

the central panel of silk atlas ikat, green silk side panels, approximately 198 x 96cm

£200-300

23

AN IKAT PANEL, UZBEKISTAN, LAST QUARTER 19TH CENTURY

the adras ikat with narrow stripes of green and crimson guls, some piecing, approximately 168 x 100cm

£300-500

24

AN IKAT PANEL, UZBEKISTAN, SECOND HALF 19TH CENTURY

the atlas ikat woven in shades of aubergine, indigo and ivory with palmette motifs, pieced, approximately 200 x 104cm

£250-400

25

A SILK AND IKAT QUILTED PANEL, UZBEKISTAN, PROBABLY BOKHARA, CIRCA 1900

the field with a plain green silk panel with a broad border of atlas ikat, aubergine ground, bold stems, roundels, palmettes, pomegranates and scrolls, in yellow, ivory and crimson, approximately 235 x 116cm

£250-400

26

AN IKAT MUNISAK AND TWO CHAPAN, BOKHARA, UZBEKISTAN, CIRCA 1900

of atlas ikat, the munisak and one chapan unlined, one with printed cotton lining and braid trim, longest approximately 135cm (3)

£300-500

AN EMBROIDERED AND IKAT KARAKALPAK KIYMESHEK (CLOAK), AND A QUILTED IKAT PARANJA, 1875-1900

the kiymeshek with embroidered broadcloth front panel and adras ikat cloak with embroidery and fringe trim, the paranja of padded and quilted atlas ikat approximate lengths 150 and 147cm (2)

For a related kiymeshek, see Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, fig. 48, p. 127. The kiymeshek formed a key element of the Karakalpak bride’s attire in the late 19th and early 20th century. It was worn draped over the head as a cowl, and the sawkele, a helmet-shaped wedding headdress was placed over it. After marriage, it was worn only on important ceremonial occasions, together with a turban. In both cases, the headdress would have covered the simpler printed cotton section at the top, whilst the face and shoulders were framed by the embroidered broadcloth panel.

£500-800

28

THREE LADIES’ IKAT ROBES (MUNISAK), BOKHARA, UZBEKISTAN, CIRCA 1900

of atlas ikat, each padded and quilted, printed cotton linings, two with braid edging, the longest approximately 124cm long (3)

£350-550

29

A FINE SILK EMBROIDERED TURKMAN TEKKE CHRYRPY, WEST TURKESTAN, LAST QUARTER 19TH CENTURY

of blue-black silk, the front and side panels with ascending checkered stems bearing feathered motifs and flowering branches, the front edges and hem slits bordered with an undulating vine supporting tulips, the back panel with a lower section of trellis work enclosing guls with flower centres, hooks and spikes, three columns of elaborate hooked motifs above, the sleeves and collar section in blue-green silk, the sleeves with flowers and spiked motifs, linked by a tasselled panel, the collar in interlocking fret, the embroidery in pink, madder, azure blue, yellow, ivory, dark indigo and walnut, the sleeves finished with red wool broadcloth lappets, the chyrpy lined in Indian block printed heavy plainweave, ikat facings, narrow red braid edging, approximately 115cm long

The Chyrpy formed part of the traditional costume of Tekke tribeswomen, and the colour reflected their age and social status: red for a bride, blue-black or green after the birth of the first child, later yellow and then white. They were worn over a headdress, as a type of cloak, similar to the paranja, with the vestigial sleeves hanging down the back. For further discussion and examples, see Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, pp. 44-61

£500-800

30

TWO EMBROIDERED SILK TEKKE ROBES (KURTE), WEST TURKESTAN, 19TH CENTURY

the first with diamond and bar collar embroidery, feathered leaf plackets, all bordered with stylised running leafy vine, red silk sleeve bands, block printed lining, the second with panelled fret with guls to collar feathered leaf plackets, all bordered with stylised running leafy vine, red silk sleeve bands and gores, block printed lining, approximate lengths 125cm, 112cm (2)

£150-250

31

A FERGHANA IKAT SUZANI PANEL, EMBROIDERY PROBABLY LAKAI, UZBEKISTAN, LAST QUARTER 19TH CENTURY

the indigo and ivory adras ikat embroidered with a central flowerhead medallion and boteh border, approximately 152 x 112cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 60;

For related examples, see Sotheby’s, New York 25 November 2008, lot 72 and an embroidery in the collection of Marshall and Marilyn Wolf, see Ernst J. Grube, Keshte, New York, 2003, no. 29.

£3,000-5,000

A QUILTED NURATA SUZANI, UZBEKISTAN, MID 19TH CENTURY OR EARLIER

the ivory field quilted in a diamond diaper, with a central flower star medallion and scattered sprays of blossom, in rose pinks, saffron yellow, melon orange, blues and green, approximately 240 x 130cm

This suzani is notable for the individual characterisation of each of the flower sprays, and for the delicacy of their drawing and colouring.

The indebtedness of this type of embroidery to 17th and 18th century Mughal textiles is clearly visible; the fine quilting is also reminiscent of Mughal floorspreads. An 18th century date for this piece is conceivable.

£1,500-2,500

A BOKHARA NICHE SUZANI, UZBEKISTAN, MID 19TH CENTURY

the caramel ground with a plain central niche, the spandrels with a palmette at the apex and large flowerhead roundels with sea green leaves, complementary border of undulating sea-green leafy vines bearing alternate palmettes and rosettes with smaller palmettes and pomegranate buds between, narrow lower guard, approximately 250 x 170cm

£1,000-2,000

A QUANTITY OF CENTRAL ASIAN EMBROIDERIES, LATE 19TH AND EARLY 20TH CENTURY

including an Uzbek embroidered panel fragment, together with another Suzani, an embroidered tent band and a pair of Tekke embroideries, the panel with a rose red ground embroidered with flower sprays, guls and leafy motifs, the suzani with leaf encircled motifs on a light camel ground, the tent band embroidered with roundels and with fringing, the Tekke panels finely worked with panelled star guls and geometric borders with fringing to all four sides, the embroidery approximately 140 x 170cm, the suzani approximately 240 x 180cm, the tent band 13cm deep, the Tekke panels each approximately 49 x 21cm excluding fringes (5)

£500-1,000

35

A SILK AND METAL THREAD EMBROIDERED CHALICE COVER, PROBABLY CASTELO BRANCO, PORTUGAL, 18TH CENTURY

worked in floss silks and gold metal thread with ecclesiastical figural group, floral motif spandrels, 64cm square

£250-400

36

A QUILTED STRIPED CHAPAN, CENTRAL ASIA, CIRCA 1900

of glazed silk and cotton fabric, in saffron and crimson stripes, lined in peach coloured cotton, padded interlining, ikat facings, narrow tablet braid edging, approximate length 120cm

£250-500

37

FIVE BETEL BOXES IN THE FORM OF VINTAGE CARS, INDIA, 20TH CENTURY

cut and embossed sheet brass, each with hinged compartments under roof and bonnet with trays and lidded containers, 15.5 x 34 x 17cm and smaller (5)

£120-180

38

A PAINTED WOOD MODEL LORRY, PAKISTAN, MID 20TH CENTURY

with glass and metal elements, the sides richly painted with various motifs, 52 x 75 x 23cm

£80-120

39

A CARVED AND PAINTED WOOD SHELF FRONT, SWAT VALLEY, PAKISTAN, 19TH CENTURY

in the form of a triple arcade, with red painted turned columns, the upper frieze with carved rosette panels, iron mounts, 45 x 69 x 3cm

£100-150

40

SIX PAIRS OF PAINTED WOOD SHUTTERS, RAJASTHAN, INDIA, 19TH CENTURY

each of rectangular form, the pivoted twin doors each depicting Radha and Krishna respectively underneath a lobed arch, iron mounts, 47 x 45 x 5cm and smaller (6)

£300-500

41

TWO STRIPED CHAPAN, CENTRAL ASIA, CIRCA 1900

of glazed silk and cotton fabric, the first with broad ivory and crimson stripes, edged in yellow and purple, tablet braid edging, ikat facings, plain cotton lining, together with one in shocking pink, purple, silver and grey stripes, printed cotton lining with botehs, ikat facings, very narrow red braid edgings, tie front. approximate length 120cm (2)

£300-500

42

A JAPANESE SILK KIMONO, FIRST HALF 20TH CENTURY

in ivory with bold green ikat flashes, lined in panels of red and yellow silk, approximately 150cm long

£50-70

A STRIPED CHAPAN AND A TUNIC, CENTRAL ASIA, LATE 19TH CENTURY

the chapan striped in broad bands of purple, with dark grey, lime green and shocking pink, floral printed lining, ikat facings, narrow tablet braid edge, the large tunic striped in varying widths of pink, purple and golden yellow, neck opening lined in floral cotton, approximate length, 130cm (2)

£200-400

44

A WOMAN’S SILK AND METAL THREAD BROCADE JACKET AND A QUILTED KALAMKARI COAT, IRAN, 18TH/19TH CENTURY

the jacket of rose pink brocade with small flower sprigs, the coat with delicate flower sprigs and boteh overall, approximately 60cm and 85cm in length (2)

£800-1,500

45 AN INDIAN KALAMKARI JACKET, 20TH CENTURY

with overall boteh pattern, approximately 60 cm long, 60cm wide

£100-150

TWO SIMILAR STRIPED CHAPAN, CENTRAL ASIA, CIRCA 1900

silk and cotton fabric, one striped in magenta, yellow, purple and green, tablet braid edging, ikat facings, plain cotton lining, the other with regular stripes in magenta, purple, yellow and ivory, tablet braid edging, ikat facings, pale blue striped lining, the longer approximately 140cm (2)

£300-500

47

AN IKAT PANEL, CENTRAL ASIA, CIRCA 1900 of atlas ikat in green, ivory and shocking pink stripes with purple flashes, approximately 200 x 128cm

£200-400

48

AN IKAT AND SILK QUILTED PANEL, AND A PLAIN SILK QUILTED PANEL, UZBEKISTAN, CIRCA 1900

the first with a single loom width of atlas ikat in the central panel, pieced in the length, with interlocking polychrome feathered triangles and boteh, broad aubergine adras border, with floral embroidered decoration, approximately 212 x 124cm together with a plain aubergine silk quilted panel approximately 220 x 120cm (2)

£200-500

49

AN IKAT PANEL, UZBEKISTAN, EARLY 20TH CENTURY of adras ikat with green ground, pink and silvery grey cruciform motifs, approximately 242 x 138cm

£250-500

50

AN IKAT AND SILK QUILTED PANEL, UZBEKISTAN, PROBABLY BOKHARA, LATE 19TH/EARLY 20TH CENTURY

the central atlas silk ikat panel with large crimson roundels and yellow ‘S’ motifs on feathered aubergine panels on an ivory ground, within a quilted crimson border, approximately 252 x 216cm

£500-700

51

A GIRL’S AND A CHILD’S IKAT CHAPAN, BOKHARA, UZBEKISTAN, EARLY 20TH CENTURY

the larger padded and quilted, lined in printed cotton, the smaller with plain lining and tablet braid trim, approximate lengths 100cm, 73cm (2)

£200-400

52

A GROUP OF EIGHT PAIRS OF TROUSERS (LOZIM), UZBEKISTAN, LATE 19TH AND EARLY 20TH CENTURY

seven variously of adras and atlas ikat, one of checked silk (8)

£300-500

53

A GROUP OF ‘BORO’ AND WOVEN JAPANESE KIMONO AND WORKDRESSES, EARLY 20TH CENTURY

one plainweave kimono with button fastening, another striped with multiple patches of various indigo fabrics, one workdress in blue and white check with patches, the other indigo denim, approximate lengths 110cm, 130cm and 2 x 120cm (4)

£500-800

55

THREE JAPANESE TEXTILES, EARLY 20TH CENTURY

including a indigo resist dyed curtain (noren) with blazon, a drawstring bag in indigo plaid and a shawl with feather pattern in shades of indigo, the curtain approximately 87 x 130cm, the shawl 187 by 74cm; the bag 45 x 50cm (3)

£150-250

54

A SILK EMBROIDERED CHINESE DRAWSTRING BAG, CIRCA 1900

worked in stripes, with cloudscrolls along opening edge, approximately 40 x 40cm

£80-120

56

THREE STRIPED CHAPAN, CENTRAL ASIA, FIRST HALF 20TH CENTURY

each with indigo ground, one with ivory stripes, blue spotted lining, corduroy facings, the others striped in red and yellow, one with rose printed lining, narrow red silk braid edging, the other unlined, cotton facings, faded red wool braid (3)

£150-250

57

A

ZOROASTRIAN (PARSI) WEDDING SHAWL, PERSIA, POSSIBLY YAZD, MID 19TH CENTURY

with embroidered inscription, the dark indigo silk ground embroidered in polychrome silks with a central dazzler roundel, centred by a pierced turquoise glazed ceramic button, the roundel encircled by fish, peacocks, plants and flowers, flanking secondary medallions of a deer in a leafy wreath, within a ring of birds and feathery leaves, pendant palmette sprays, bands of peacocks, birds and fish and flower filled urns at each end, finished with narrow braid and silk fringe, approximately 300 x 75cm

The inscriptions reading be-nam-e khoda ‘In the name of God’

A similar shawl, on a blue-green ground, is in the Victoria and Albert Museum, Accession number IS.9B-1954. For a detailed discussion of Zoroastrian wedding costume see ‘A Time of Roses and Pleasure’ by the late Patricia Baker in Asian Art, The Second HALI Annual,1995, pp.80-85. For discussion of an example sold Christie’s South Kensington 5 October 2012, lot 925, see HALI, Issue 174, p.109

£1,500-2,500

58

A LARGE EMBROIDERED SHAWL, AND PAIR OF TROUSERS, PROBABLY SWAT, PAKISTAN, FIRST HALF 20TH CENTURY

the shawl heavily embroidered with polychrome geometric motifs, on a woven striped ground, together with a pair of indigo and black cotton trousers, with geometric embroidery to the legs, shawl approximately 270 x 140cm (2)

See Crill, R., Indian Embroidery, London, 1999, pp. 128-129 for related examples

£400-600

59

TWO EMBROIDERED KOHISTAN

WEDDING DRESSES, PAKISTAN, MID 20TH CENTURY

each decorated with silk embroidered geometric motifs, buttons, beads, metal tokens and brooches, one with zipper trimmed sleeves (2)

£250-400

61

THREE PHULKARI

EMBROIDERED DRESSES, PUNJAB, 20TH CENTURY

the black ground heavily embroidered in brightly coloured silks with flowers, and geometric motifs, one with gilt metal thread decoration, approximately 100cm, 90cm and 90cm

£300-500

60

A KUTCHI DRESS AND TWO SIMILAR DRESSES, AFGHANISTAN, 20TH CENTURY

the first of floral printed cotton, decorated with tassels and cowrie shells, the others with embroidered yokes and polychrome sleeve bands, approximate lengths 99cm; 110cm; 114cm

£300-500

62

AN IKAT PANEL, BOKHARA, UZBEKISTAN, THIRD QUARTER 19TH CENTURY

the adras ikat woven with large flowers with curled petals in crimson and blackish purple, yellow centres, overall boteh and guls in crimson, forest green and yellow on an ivory ground, approximately 140 x 86cm

See Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. No. 2.206, p. 206 for an ikat panel of related design.

£300-600

63

AN IKAT PANEL, FERGHANA, UZBEKISTAN, SECOND HALF 19TH CENTURY

of adras ikat, mounted on stretcher, approximately 81 x 90cm

£300-500

64

THREE EMBROIDERED AND DECORATED WEDDING DRESSES (JUMLOS), AFGHANISTAN/NORTHWEST PAKISTAN,

1960-1980

the first of black cotton, with geometric embroidery to yoke decorated with an applied brooch with semi precious stones and foiled glass, pearl buttons, coins, metal tokens and discs, beads and tassels, sleeves similarly decorated and with white metal beads to edges, the second in black cotton decorated with geometric motifs and rows of coins and tokens, with buttons, the third a full-skirted bridal dress example in black with band of grey to lower back, the yoke embroidered with geometric motifs, metal coins, small beads and plastic buttons, approximately 105cm, 95cm, 85cm in length (3)

£500-800

65

TWO SMALL CHILDREN’S WAISTCOATS, SWAT VALLEY, PAKISTAN, MID 20TH CENTURY

with black ground decorated overall with embroidered geometric motifs and buttons, one with multiple metal tokens and amulets (2)

£50-100

66

THREE EMBROIDERED KOHISTAN DRESSES, PAKISTAN, MID 20TH CENTURY

each decorated with silk embroidered geometric motifs, buttons, beads, coins, metal tokens and amulets (3)

£150-300

AN EXTREMELY FINE EMBROIDERED KOHISTAN VALLEY WEDDING SHAWL, PAKISTAN/AFGHANISTAN, CIRCA 1900

the black cotton ground decorated with a central geometric gul motif with gilt metal thread hook motifs, flanked by smaller cruciform guls decorated with white beads, rows of small guls and arrowheads beneath, a band of stylised plants below, fringing formed of white beads divides the field with a lower panel of arrowhead and cruciform guls above a row of zig-zags and reciprocal hooked arrowheads, fine cross-stitch border beneath, a secondary panel hangs behind, similarly decorated with hooked arrowheads and with a netted bead trim, the upper section lined in printed cotton, approximately 140 x 175cm

£1,000-2,000

68

TWO EMBROIDERED AND MIRRORWORK PASHTUN DRESSES, BELUCHISTAN OR AFGHANISTAN, MID 20TH CENTURY

one on a fine black ground the other on aubergine silk with brightly coloured bands of embroidery with mica inserts, each approximately 130cm long (2)

£150-250

TWO SINDH TUNICS, PAKISTAN, EARLY 20TH CENTURY

with black ground, one with bold red floral embroidery to front and hems, the other worked in orange red against a turquoise blue panel, approximately 120cm and 110cm long (2)

£300-600

70

A PHULKARI SILK EMBROIDERED PILLOW COVER AND TWO SWAT DRESSES, PAKISTAN, EARLY 20TH CENTURY

the pillow face finely embroidered with concentric geometric patterns in madder and bright pink, tassels encased in white metal holders on three corners (one missing), and with toggle fastening (approximately 80 x 30cm), together with two dresses in heavy ivory cotton with embroidered decoration on sleeves and hems, braided cuffs, approximately 110 (hem width) x 90cm and 79 (hem width) x 95cm (3)

£500-800

TWO EMBROIDERED AND APPLIQUE WAZIRI DRESSES, AFGHANISTAN OR PAKISTAN, EARLY 20TH CENTURY

the first panelled in madder wool, cotton satin and aubergine silk, with heavily embroidered yoke decorated with tassels, metal thread epaulettes, and braid trim to cuffs, together with an example in dark indigo plainweave, the skirt and sleeves with appliqué stripes in pink silk, printed cotton, muslin and ivory cotton sateen, heavily embroidered yoke, approximately 115 cm and 110cm (2)

£200-400

TWO EMBROIDERED SILK TEKKE ROBES (KURTE), WEST TURKESTAN, 19TH CENTURY

the first with elaborately embroidered borders to collar, edges, hem slits and red sleeve bands, worked with geometric patterns, guls, and stylised plants, the second with flowerhead and diamond embroidered collar with leafy vine pendants, all bordered with running vine and calyx motifs, red sleeve bands, block printed lining, approximate lengths 115cm, 120cm (2)

For a related example, see Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, fig. 35, p. 68

£200-400

73

A KUTCH DRESS, GUJARAT, LATE 19TH/EARLY 20TH CENTURY

the red silk dress finely embroidered in polychrome silks and decorated with mica, approximately 105cm length

£300-500

74

THREE SMALL SETS OF SHUTTERS, PROBABLY RAJASTHAN, INDIA, 19TH CENTURY

each with panelled and painted doors with pivot hinges, decorated with bosses and floral decoration, iron mounts, 49 x 47 x 5cm and smaller (3)

£150-200

75

FIVE CARVED WOOD FIGURES OF NANDI BULL, INDIA, 19TH/20TH CENTURY

each standing, with pronounced hump on his back, traces of paint, 24cm high and smaller (5)

£100-150

76

TWO BRASS SAMOVARS, RUSSIA, CIRCA 1900

each of cylindrical form with projecting tap, waisted support on square four-legged base, with embossed inscribed medallions at the front, 50, 45cm (2)

£100-150

77

TWO ‘JUNGLI’ TOY ANIMALS, EASTERN INDIA, EARLY 20TH CENTURY

bronze, each depicting a rider holding a sword, one horseback, the other on a camel, both on wheels, 23cm high approx. each (2)

£100-150

78

THREE PAIRS OF HAMMAM SANDALS, DAMASCUS, SYRIA, CIRCA 1900

wood inlaid with mother of pearl and bone decoration, two pairs with metal thread embroidered straps, the other pair with leather straps, 31cm high and smaller (6)

For similar sandals in the Metropolitan Museum of Art, New York, see inv. no.2002.164a, b

£200-300

79

A QAJAR REVERSE GLASS PAINTING, PERSIA, CIRCA 1900

depicting a group of seated male and female courtiers, gilt metal frame, 69 x 39cm

£250-350

80

A PAINTED WOOD BOTTLE RACK, INDIA, 20TH CENTURY

with six openings at the front, the twin handled sides decorated with flowers and male and female figures, iron mounts, 42.5 x 28 x 26cm

£80-120

81

A PAINTED WOOD HANGING PANEL, RAJASTHAN, INDIA, 19TH CENTURY

gouache with gold on wood, the rectangular panel with a painted scene of maidens in a forest at the top, the lower portion plain red, a pierced projection at the upper edge for hanging, depicting a youthful figure of Siva, 54 x 29.5 x 1cm

£300-500

82

TWO STRIPED CHAPAN, CENTRAL ASIA, FIRST HALF 20TH CENTURY

one in red, purple, green, yellow and indigo, floral printed cotton lining, striped facings, braid edge, the other of dark indigo with red and ivory stripes, unlined, corduroy facings, narrow braid edging, with tassels and embroidered cuffs and collar placket, approximate length 150cm (2)

£100-200

83

A GROUP OF SEVEN HEADDRESSES, CENTRAL ASIA, LATE 19TH/20TH CENTURY

including a purple velvet Bokhara example, worked in metal thread with roundels, the others variously embroidered in polychrome silks, with tassels, metal tokens and buttons (7)

£250-400

84

AN EMBROIDERED AND EMBELLISHED CEREMONIAL HEADDRESS, AFGHANISTAN (?), MID 20TH CENTURY

embroidered and decorated with coins ranging from an 1808 Ottoman coin to mid -20th century Saudi Arabian coins, metal tokens, tassels with large metal beads

£200-300

85

THREE STRIPED SATIN CHAPAN, AFGHANISTAN OR TAJIKISTAN, 20TH CENTURY

each in green, red and blue, printed cotton lining, corduroy binding, approximate lengths 120cm; 114cm; 96cm (3)

£150-250

86

THREE EMBROIDERED WEDDING DRESSES, AFGHANISTAN, MID 20TH CENTURY

each decorated with silk embroidered geometric motifs, buttons, beads, coins, metal tokens, jewellery and amulets

£150-250

87

FOUR KOHISTAN HOODS (NATIYO), AFGHANISTAN/NORTHWEST PAKISTAN, 20TH CENTURY

each decorated with embroidery, and variously with buttons, metal tokens and small glass beads (4)

£200-400

88

A KOHISTAN VALLEY WEDDING SHAWL, WITH THREE OTHERS AND A KOHISTAN WEDDING TURBAN, 20TH CENTURY

variously embroidered with geometric and floral motifs (5)

£300-500

90

THREE IKAT CHAPAN, UZBEKISTAN, FIRST HALF 20TH CENTURY

two of adras ikat with feathered stripes on ivory, one with pink and lavender, one with crimson, the third of atlas ikat with diamonds, longest approximately 140cm (3)

£250-400

TWO LARGE ADRAS IKAT CHAPAN, UZBEKISTAN, 20TH CENTURY

the longer with feathered bands of purple, ivory, blue and yellow, the other in shocking pink with large zig-zags, each with tablet braid trim and tie fastenings, approximate length 140cm, 134cm (2)

£200-400

TWO QUILTED IKAT CHAPAN, UZBEKISTAN, EARLY 20TH CENTURY

each of adras ikat in bold stripes and blocks of colour, longest approximately 130cm (2)

£200-400

92

THREE IKAT CHAPAN, UZBEKISTAN, FIRST QUARTER 20TH CENTURY

of adras ikat, two of large size and with similar design of pink and purple checks with golden yellow stripes, the third with pink and yellow blocks on grey, all trimmed with tablet braid, approximate length 145cm (3)

£200-400

93

THREE IKAT TUNICS, UZBEKISTAN, 20TH CENTURY

each of boldly coloured adras ikat, the longest approximately 120cm (3)

£150-250

94

AN IKAT CHAPAN AND TUNIC (KURTA), UZBEKISTAN, EARLY 20TH CENTURY

each of adras striped ikat, the chapan with braid trim (tear to back), the longest approximately 140cm (2)

£100-200

95

A GROUP OF SIX PORCELAIN TEAPOTS, RUSSIA FOR THE CENTRAL ASIAN MARKET, 20TH CENTURY

polychrome painted and transfer printed in Russian and Chinese styles, various makers, 18cm high and smaller (6)

£500-800

A GROUP OF FIVE PORCELAIN TEAPOTS, RUSSIA FOR THE CENTRAL ASIAN MARKET, 20TH CENTURY

polychrome painted and transfer printed in Chinese style, various makers, 19cm high and smaller (5)

£400-600

97

TWO MAIDENS ON A TERRACE, RAJASTHAN, MID-19TH CENTURY

gouache with gold on wood panel, later frame, 27.5 x 22cm

£300-400

A RARE SILVER WINE GOBLET, NURISTAN, AFGHANISTAN, 19TH CENTURY

the wide bowl with rim embossed with stylised leaf design, standing on small flared foot, 19.5cm high; 21.5cm diam.

For a very closely related example of this unusual type in the Pitt Rivers Museum, Oxford, see inv. no. 1980.8.3. In the entry for their goblet on the museum website, it is noted that these very rare silver vessels were produced as dowry pieces in what was then known as Kafiristan, before the forced conversion of the population to Islam. See https://prm.ox.ac.uk/collections-online#/item/prm-object-26209

£600-800

100

A SILK PATOLA SARI, PROBABLY PATAN, GUJARAT, 19TH/20TH CENTURY

with a ‘pan bhat’ pattern, approximately 320 x 130cm

See Gillow, J. and Barnard, N, Traditional Indian Textiles, London 1991, p. 88 for an almost identical example

£150-300

A LARGE PHULKARI SILK EMBROIDERED SHAWL, PUNJAB, FIRST HALF 20TH CENTURY

overall fine green stems bearing barred diamonds in madder red, plain madder side bands, approximately 240 x 140cm

£200-400

101

A LARGE PHULKARI SILK EMBROIDERED SHAWL, PUNJAB, EARLY 20TH CENTURY

with an overall diamond pattern in rosy red with indigo centres, zig zag end divisional borders and stylised plant end panels, approximately 240 x 150cm

£200-400

102

A FINE HAND EMBROIDERED KASHMIR SHAWL, FIRST HALF 19TH CENTURY

the chocolate brown centre surrounded by arcaded panels of embroidered and pieced interlocking boteh, border of lobed arches containing fans and palmettes, brown ground arcaded ends enclosing palmettes, all in shades of soft red and pistachio green, approximately 200 x 160cm

£700-1,000

103

A SAINCHI PHULKARI SILK EMBROIDERY PUNJAB, FIRST HALF 20TH CENTURY

the brown-red field with a central band of geometric motifs flanked with women carrying pots on their heads, within “Divine Gates” (Darshan dwar), borders of chickens and peacocks, and geometric motifs, approximately 220 x 130cm

For a related example, see Museum of Fine Arts, Houston, The Banoo and Jeevak Parpia Collection, gift of Banoo and Jeevak Parpia, Object number 2024.727

£300-600

105

A PHULKARI SILK EMBROIDERY, PUNJAB, MID 20TH CENTURY

the soft brown cotton ground densely covered with interlocking geometric shapes in marigold, shocking pink, green, yellow and ivory, approximately 240 x 130cm

£250-500

104

AN EMBROIDERED SWAT WEDDING TURBAN, PAKISTAN, EARLY 20TH CENTURY

with double sided embroidery, pieced from four sections, the dark indigo ground with narrow side borders and deep geometric and floral end borders, approximately 320 x 35cm

£100-200

106

TWO EMBROIDERED PILLOW COVERS AND A WEDDING SHAWL, SWAT VALLEY, PAKISTAN, FIRST HALF 20TH CENTURY

one pillowcase worked in madder and shocking pink concentric diamonds, the other with plain field with feather motifs, leafy borders, the wedding shawl with a central panel of embroidery, plain ground, embroidered end borders, approximately 89 x 33cm (the pillow covers); 220 x 110cm (3)

£300-500

107

AN IKAT PANEL, UZBEKISTAN, SECOND HALF 19TH CENTURY

the glazed adras ikat with stems of large heart shaped palmettes and hooked flowerheads in yellow, crimson, indigo and forest green on ivory, approximately 220 x 100cm

A panel of similar ikat is in the collection of The Textile Museum, Washington D.C., Accession Number: 2015.11.58, Gift of Guido Goldman in honor of Bruce P. Baganz. See also Clark, R., Central Asian Ikats from the Rau Collection, London, 2007, pp. 58-59 and Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, pp. 52-53 for a coat made up in a similar ikat.

£600-900

108

A LARGE IKAT QUILTED PANEL, UZBEKISTAN, MID 19TH CENTURY

the adras ikat with glazed finish, finely quilted with concentric diamonds, the yellow ground with columns of crimson palmettes flanked by cypress trees interspersed with amulets, decorations in crimson, aubergine, indigo, ivory and green, approximately 215 x 165cm

Literature: Clark, R., Central Asian Ikats from the Rau Collection, London, 2007, p. 42

£2,500-4,000

109

TWO SIMILAR IKAT PANELS, UZBEKISTAN, PROBABLY FERGHANA, LAST QUARTER 19TH CENTURY

each of dark indigo adras with motifs in silvery gray, crimson and yellow, the first panel approximately 206 x 140cm; the second approximately 124 x 70cm (2)

£400-600 110

A SILK EMBROIDERED ALGERIAN PANEL, 18TH CENTURY

the light caramel ground with rosettes and palmettes in madder, ivory, indigo, plum and yellow, with some walnut outlines remaining, pieced, lined and backed, 120 x 76cm

£400-600

111

AN IKAT

PANEL, BOKHARA, UZBEKISTAN, THIRD QUARTER 19TH CENTURY

the adras gound with columns of feathered gulls in red with ivory, aubergine, green and yellow, approximately 205 x 158cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 32

£800-1,200

112

AN

IKAT PANEL, BOKHARA, UZBEKISTAN, LAST QUARTER 19TH CENTURY

the glazed adras ikat with large madder palmettes or cypress trees, with smaller green, aubergine and yellow palmettes, approximately 208 x 126cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 51

£500-800

113

TWO QUILTED IKAT LADIES’ CHAPAN, UZBEKISTAN, SECOND HALF 19TH CENTURY

each of adras ikat, one lined in floral stripe cotton with embroidered trim to neckline, the other with plain stripe lining, approximate length 123cm (2)

£180-300

114

EIGHT TURKMAN AND CENTRAL ASIAN HATS, LATE 19TH, AND 20TH CENTURIES

including two embroidered domed Turkman chykysh tahya, two white quilted examples, another worked in cream and yellow cross stitch with inscriptions, and three embroidered examples (8)

£300-500

115

TWO SIMILAR EMBROIDERED RED SILK TEKKE ROBES (KURTE), WEST TURKESTAN, LATE 19TH CENTURY

one with black cotton sateen gores and cuffs, the other with black silk gores and lavender silk cuffs, lined in Indian block printed heavy cotton, the collars similarly embroidered with panels of fret interlace, each approximately 120cm long (2)

£150-250

116

A COLLECTION OF EMBROIDERED PURSES AND POUCHES, HAZARA, AFGHANISTAN, LATE 19TH/20TH CENTURY

including eleven small purses and pouches, together with an embroidered amulet, all finely worked in coloured silks, several decorated with glass beads and tassels (12)

£300-500

118

A COLLECTION OF TURKMAN HATS (TAHYA), LATE 19TH/ FIRST HALF 20TH CENTURY

mainly Tekke and Yomut, various sizes and styles (9)

£250-400

117

FOUR STRIPED CHAPAN, CENTRAL ASIA, EARLY 20TH CENTURY

the first of silk in apricot and soft madder stripes, narrow printed cotton facings, embroidered cuffs and collar placket, together with three chapan in madder with yellow and black pinstripes, floral printed cotton linings, one with braided edge and beaded tassel fastenings, the longest approximate length 120cm, the others 105cm (4)

£200-400

119

A CARVED AND TURNED WOOD LOW CHAIR, SWAT VALLEY, PAKISTAN, 19TH OR EARLY 20TH CENTURY

with strung hide seat, the arched back with relief carved floral star medallion, traces of pigment, 72 x 52 x 52cm

£200-300

120

A CARVED AND TURNED WOOD LOW CHAIR, SWAT VALLEY, PAKISTAN, 19TH CENTURY

the seat strung with hide, the back with abstract and stylised floral relief carving, 61 x 41 x 40cm

£120-180

121

A CARVED AND TURNED WOOD LOW CHAIR, SWAT VALLEY, PAKISTAN, 19TH OR EARLY 20TH CENTURY

with strung hide seat, the back with striking relief carved radiating roundel, surrounded by smaller roundels, the supports with pointed finials, 83 x 48 x 48cm

£200-300

122

A CARVED AND TURNED WOOD LOW CHAIR, SWAT VALLEY, PAKISTAN, 19TH CENTURY

with strung hide seat, the back panel carved in relief with floral roundel, abstract and scroll decoration, the supports with pointed finials, 77 x 49 x 37cm

£200-300

A CARVED WOOD STORAGE CHEST, SWAT VALLEY, PAKISTAN, 19TH CENTURY

the front with carved sliding panel decorated with stylised floral and leaf motifs, the frame terminating in bud-shaped finials in each corner, 76 x 63 x 43cm

£300-400

AN IKAT PANEL, BOKHARA, UZBEKISTAN, THIRD QUARTER 19TH CENTURY

the glazed adras ikat woven with rows of zig-zags bracketing flowerheads radiating small blossoms, in shades of ivory, yellow, indigo, madder, forest green and blue black, approximately 205 x 108cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 49

£1,500-2,500

A LARGE QUILTED IKAT PANEL BOKHARA, UZBEKISTAN, LAST QUARTER 19TH CENTURY

the glazed adras ikat woven with large curled leaves and cypress trees, centred by rosettes, approximately 195 x 130cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 54 £2,000-3,000

A QUILTED IKAT BOY’S CHAPAN, BOKHARA, UZBEKISTAN, CIRCA 1900 in adras ikat woven in diagonal spotted stripes between green and red stripes, tablet braid edging to sleeves, the single pocket and openings, broad ikat facings and floral printed cotton lining, approximate length 122cm

Literature: Hale, A., Fitz Gibbon, K., et al, Ikats, Woven Silks from Central Asia, The Rau Collection, Oxford 1988, p. 79 £300-500

AN IKAT CHAPAN, UZBEKISTAN, SECOND HALF 19TH CENTURY

of glazed adras ikat, with pomegranate amulets, in madder, plum, forest green and yellow on an ivory ground, block printed lining and woven stripe facings, approximate length 124cm

See Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. No. 2.1, p. 218, for a robe made up in a similar ikat

£300-500

A SHAKHRISYABZ NICHE SUZANI, UZBEKISTAN, MID 19TH CENTURY OR EARLIER

the red silk ground with a plain niche, worked in tambour stitch with palmette spandrels, the wide border with polychrome ‘peacock fan’ palmettes and boldly articulated feathery vines, drawn threadwork bands at upper and lower edge, hand knotted fringe, tablet braid trim, approximately 240 x 165cm

The exquisite quality, and sophisticated drawing and execution of this extraordinary suzani suggests it might have been the product of a city workshop or professional atelier, made for an important patron. The embroidery is worked on a heavy handwoven silk ground of a beautiful shade of rosy red, which has been embellished with drawn thread work and hand tied fringing at each end, further decorated with braid with a running vine motif. The large palmettes are reminiscent of the peacock fan tail seen in a palampore in the Royal Ontario Museum (ROM 934.4.13. Harry Wearne Collection. Gift of Mrs. Harry Wearne). A Shakhrisyabz suzani sold at Rippon Boswell, December 3rd 2016, Lot 76 has related, albeit more stylised, shell-like shaped fan palmettes, but no direct comparison has been identified for this exceptional embroidery.

£10,000-15,000

129

AN IKAT PANEL, UZBEKISTAN, LATE 19TH CENTURY

the adras ikat in ivory with rosy red flowerheads with yellow centres, one small section of different adras with amulets in green, approximately 220 x 146cm

£600-900

130

AN IKAT PANEL, UZBEKISTAN, LATE 19TH CENTURY

adras ikat with ivory and yellow stripes, columns of purple spots and plants alternating with similar motifs in pink and pale blue, approximately 200 x 128cm

£400-600

AN IKAT PANEL, UZBEKISTAN, SECOND HALF 19TH CENTURY

the glazed adras ikat woven with polychrome rose spray palmettes on an ivory ground, approximately 184 x 124cm

£2,000-3,000

132 A LADY’S AND A SIMILAR MAN’S QUILTED IKAT CHAPAN, UZBEKISTAN, BOKHARA, SECOND HALF 19TH CENTURY

the adras ikat woven with large rose pink roundels with yellow centres, and pink feathered panels on an ivory ground, each approximately 120cm long (2)

£100-200

134

THREE IKAT CHAPAN, UZBEKISTAN, SECOND HALF 19TH CENTURY

133

A RARE TURKMAN SHIRT AND TROUSERS, WEST TURKESTAN, SECOND HALF 19TH CENTURY

the red silk with yellow stripes, the shirt with asymmetric fastening very finely embroidered with geometric motifs to neckline, the trousers with oval embroidered vents to the thighs and embroidered cuffs, the trousers possibly later than the top, top approximately 70cm long, trousers 80cm (2)

£200-300

each of adras ikat, one unlined, one lined and with red velvet sleeve bands, one lined and with multiple red velvet patches to sleeves and neckline, the longest approximately 130cm (3)

£100-200

135

AN IKAT PARANJA, A CHAPAN AND A MUNISAK, UZBEKISTAN, CIRCA 1900

each of atlas ikat, the paranja and diamond ikat munisak padded and quilted, with large plain silk section on back, the paranja approximately 133cm (3)

£150-250

137

TWO IKAT TUNICS (KURTA), UZBEKISTAN, LATE 19TH CENTURY

each of similar adras ikat woven in madder red, green and yellow on an ivory ground, simple slit neck openings, one with braid collar, the other with plain cuff and hem trim, the longest approximately 115cm (2)

£200-400

136

A SILK EMBROIDERED TEKKE CHYRPY, WEST TURKESTAN, SECOND HALF 19TH CENTURY

the dark indigo ground worked with columns of stylised tulips, striped gores, block printed lining, braid and fringe-to hem of skirt and vestigial sleeves, approximate length 115cm

£200-300

TWO STRIPED CHAPAN, CENTRAL ASIA, LATE 19TH/ EARLY 20TH CENTURY

each of madder red plainweave with narrow black and yellow stripes, black floral printed linings, stripy facings, narrow braided edging, approximate length 120cm and 130cm (2)

£100-200

139

A CRIMSON SILK VELVET TURKMAN ROBE (KURTE) AND THREE SILK KURTE, CENTRAL ASIA, LATE 19TH CENTURY

the collar embroidery later applied to velvet example, approximate length 112cm; two chapan in green silk with crimson or madder gores and sleeve bands, embroidered collar bands, cotton linings approximate length 115cm, 110cm; a charcoal silk example with purple stripes, finely worked collar band approximate length 114cm (4) £200-400

140

THREE STRIPED SATIN CHAPAN, PROBABLY AFGHANISTAN, 20TH CENTURY

each striped in shades of red, green, yellow and blue, one with padded lining, of similar size, the longest approximately 124cm (3)

£180-250

141

FOUR STRIPED TURKMAN CHAPAN, CENTRAL ASIA, EARLY 20TH CENTURY

variously with tablet braid, ikat trim, printed or plain colour linings, decorative patches and embroidery, approximate lengths 130cm, 128cm, 120cm, 105cm (4)

£250-400

A LARGE IKAT PANEL, BOKHARA, UZBEKISTAN, CIRCA 1900 the atlas ikat woven with reciprocal ivory and aubergine panels enclosing large rosy red flowerheads and ‘S’ motifs respectively, approximately 200 x 175cm

A related example is in the collection of The Textile Museum, Washington D.C., Accession Number: 2015.7.1, Gift of Bruce P. and Olive W. Baganz in honor of Jack Lenor Larsen. See also Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. Nos. 2.85 and 2.86, p. 234 for two women’s dresses (kurta) made up in similar all silk (atlas) ikat.

£600-900

AN IKAT PANEL UZBEKISTAN, LATE 19TH CENTURY

the adras ikat woven with large crimson and indigo pomegranate amulet motifs, minor motifs in yellow and pale green, ivory ground, approximately 168 x 125cm

See Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. No. 2.1, p. 218, for a robe made up in a similar ikat £500-800

144

THREE PAIRS OF BOOTS (MAKHSI), CENTRAL ASIA, EARLY 20TH CENTURY

the first of pieced and inset embroidered leather with scrolling foliate patterns, Uzbekistan, the others of embroidered cloth, leather soles (3)

For a pair of makhsi similar to the middle pair see Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, fig. 51, p. 129; for a pair of related pieced leather technique see Atanova, op.cit., Cat. No. 2.188, p. 51. These soft soled decorated boots would have been worn indoors by both men and women; a sturdier shoe or slipper was worn in addition outdoors.

£100-200

145

AN EMBROIDERED TURKMAN BROADCLOTH TRAY COVER, A PANEL AND SEVEN POUCHES (BUKCHA), CIRCA 1900

the first finely worked in polychrome silks on wool with floral motifs centred on a star gul, with a small animal, polychrome silk fringe, approximately 42 x 45cm, the small panel of black velvet with leaf and rosette embroidery, the pouches variously in ikat silk, silks, velvet and pieced brightly coloured woollen broadcloth, one with embroidery, the smallest approximately 29 x 32cm, the largest approximately 57 x 67cm (9)

£300-500

146

A COLLECTION OF TEN

EMBROIDERED LAKAI AND UZBEK POUCHES, 20TH CENTURY

decorated mainly with polychrome floral decoration, tablet or gilt metal braid and tassels (10)

£250-500

147

AN UZBEK BEADED POUCH AND TWELVE OTHERS, SHAKHRISYABZ, BOKHARA, UZBEKISTAN, 19TH AND 20TH CENTURY

the beaded pouch with cowrie shells, pom-poms and beaded tassels, variously embroidered in cross, buttonhole and satin stitches with floral and geometric designs (13)

£500-800

148

TWO LAKAI EMBROIDERED BAG FACES (UUK KAP), UZBEKISTAN, CIRCA 1900

of typical shield shape, each worked on red woollen broadcloth, with polychrome silk embroidery, complete with pendent tassels, approximately 55cm in length (2)

See Atanova, S., et al, Central Asian Textiles: The Neville Kingston Collection, London, 2025, Cat. Nos. 3.45 and 3.46 for related examples

£300-500

149

FOUR EMBROIDERED LAKAI TRAY COVERS (LALI POSH), UZBEKISTAN, EARLY 20TH CENTURY

each of red woollen broadcloth embroidered in silk, with polychrome fringing, the largest 68 x 68cm (4)

£500-800

150

A LARGE IKAT PANEL, UZBEKISTAN, MID 19TH CENTURY

the adras ikat with columns of crimson hooked guls enclosing small palmettes, flanked by polychrome guls in green and yellow with aubergine, approximately 225 x 135cm

£700-1,000

AN IKAT PANEL UZBEKISTAN, LATE 19TH CENTURY

the adras ikat woven with large crimson and indigo pomegranate amulet motifs, minor motifs in yellow and pale green, ivory ground, approximately 200 x 127cm

£600-900

A LARGE IKAT PANEL, UZBEKISTAN, MID 19TH CENTURY

the adras ikat woven with large palmettes with curled feathery leaves, small blossoms and flowers, interspersed with roundels, all in shades of ivory, yellow, rosy red, aubergine and bright indigo, approximately 206 x 145cm

£4,000-6,000

154

A COLLECTION OF NINE SMALL EMBROIDERED BAGS (HALTA). CENTRAL ASIA/AFGHANISTAN, EARLY 20TH CENTURY

variously worked with geometric and foliate patterns (9)

£300-500

153

A COLLECTION OF POUCHES, UZBEKISTAN, EARLY 20TH CENTURY

silk embroidery in cross stitch, variously decorated with polychrome guls, tablet braid and tassels (12)

£400-600

155

A COLLECTION OF NINE SMALL BAGS ((HALTA), UZBEKISTAN, EARLY 20TH CENTURY

mainly embroidered with geometric motifs in cross stitch, six with tassel decoration (9)

£400-600

156

A COLLECTION OF LAKAI AND UZBEK EMBROIDERIES, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY

including a headband with beaded veiling, amulets, decorative bands with tassels and small pouches (17)

£800-1,500

157

A COLLECTION OF HATS, UZBEK, AFGHAN AND TURKMAN, 20TH CENTURY

various sizes and styles, one ikat example, the remainder embroidered and embellished (10)

£300-400

158

A KUBA KILIM, EAST CAUCASUS, CIRCA 1900 with polychrome guls, approximately 290 x 148cm

£400-600

159

A BELUCH BAG, FIST HALF 20TH CENTURY

with weft faced embroidery of a dark indigo ground with ivory stripes with indigo vinery, approximately 53 x 59cm

£80-120

160

A REYHANLI KILIM, SOUTHEAST ANATOLIA, LATE 19TH CENTURY

woven in two parts, with bands of polychrome hooked guls, approximately 340 x 150cm

£500-800

161

A QASH’QAI SMALL KILIM SOFREH, SOUTHWEST PERSIA, EARLY 20TH CENTURY

polychrome bands with central cruciform gul, tassels to each end, approximately 79 x 77cm

£100-200

162

THREE STRIPED CHAPAN, CENTRAL ASIA, EARLY 20TH CENTURY

in woven striped fabric, including one for a child, one with tablet braid trim, embroidery and flower printed lining, approximate lengths 102cm; 125cm; 125cm (3)

£150-250

163

A COLLECTION OF UZBEK AND TURKMAN EMBROIDERIES, CENTRAL ASIA, LATE 19TH/EARLY 20TH CENTURY

including a red velvet embroidered band, four cross-stitch embroideries, five fragments of similarly embroidered belts or bands, one with beaded veiling fringe, a length of tablet braid and an embroidered watch strap (12)

£300-500

164

TWO STRIPED CHAPAN, CENTRAL ASIA, EARLY 20TH CENTURY

one of green and madder part silk striped plainweave, small floral printed cotton lining, elaborated tablet braid trim, the other of madder and indigo striped plainweave, printed cotton facings, both approximate length 115cm (2)

£100-200

165

THREE EMBROIDERED AMULETS AND SIX EMBROIDERED POUCHES (BUKCHA), CENTRAL ASIA, CIRCA 1900

one with beaded links and tassels, of various sizes (9)

£300-500

166

THREE LAKAI EMBROIDERIES, THREE POUCHES AND A CHIRPY DECORATION, LATE 19TH CENTURY

including an embroidered Lakai headband and two fragments of Lakai embroidery, Uzbekistan, two small Hazara embroidered pouches, Afghanistan, one of very fine work, trimmed with metal thread braid, and a slightly larger pouch worked in metal thread overall, together with a Turkman aragerbi chyrpy with three pendant amulets (7)

£300-600

167

A COLLECTION OF SEVEN EMBROIDERED POUCHES, AFGHANISTAN, 20TH CENTURY

worked with geometric patterns in bright polychrome silks (7)

£80-120

169

A GROUP OF AFGHAN AND CENTRAL ASIAN EMBROIDERIES, 20TH CENTURY

168

A COLLECTION OF HATS, UZBEK AND AFGHAN, 20TH CENTURY

various sizes and styles, embroidered and embellished (10)

£300-400

including four Pashtun embroideries, a Kirghiz neck ornament and ten others including a headband, amulet, pouches and embroidered bands (15)

£150-250

170

A COLLECTION OF NINE SMALL EMBROIDERED BAGS (HALTA). CENTRAL ASIA/AFGHANISTAN, EARLY 20TH CENTURY

variously worked with geometric and foliate patterns, one with tassels (9)

£300-600

171

A COLLECTION OF NINE SMALL BAGS (HALTA), CENTRAL ASIA, EARLY 20TH CENTURY

Turkman, Uzbek and Afghan (9)

These small bags were often used for tea

£300-500

172

SIX LAKAI EMBROIDERED BANDS AND AN AMULET, UZBEKISTAN, LATE 19TH/EARLY 20TH CENTURY

the amulet and one band decorated with tassels (7)

£300-500

173

A COLLECTION OF TEN EMBROIDERED AND EMBELLISHED HATS, CENTRAL ASIA AND AFGHANISTAN, 20TH CENTURY

variously decorated with buttons, beads and metal tokens, one with bones and one with plastic flowers (10)

£300-400

174

A UZBEK PILED RUG, FIRST HALF 20TH CENTURY

the red field with a column of four hooked, stepped guls, approximately 247 x 117cm

£300-500

175

A BESHIR ANIMAL TRAPPING, MIDDLE AMU DARYA, TURKESTAN, 19TH CENTURY

of pentagonal form, possibly an Azmalyk, or a saddle cover, indigo field with herati, madder spotted apex, stepped gul border, approximately 98 by 95cm

£400-800

A TEKKE CARPET, WEST TURKESTAN, CIRCA 1900 with ten rows of five guls, gul and sunburst border, approximately 280 x 192cm

£500-700

177

A BANJARI SILK AND MIRRORWORK EMBROIDERED PANEL AND A HANGING, NORTH INDIA, 20TH CENTURY

the first decorated all over in checkerboard pattern, in red, green and yellow within a blue lattice, the second embroidered with squares filled with geometric motifs, approximately 63 x 110cm and 170 x 95cm (2)

£100-150

178

THREE KANDURI SHRINE CLOTHS, UTTAR PRADESH, INDIA, EARLY 20TH CENTURY

each worked in appliqué with a depiction of a shrine, surrounded by elephants, and armed mounted horsemen with shields and swords, with border of trees with couples standing beneath, losses and damage, approximately 120 x140cm; 125 x 125cm; 95 x 120cm (3)

£500-800

THREE KALAMKARI KANTHA FLOORSPREADS, PERSIA, OR INDIA FOR THE PERSIAN MARKET, LATE 19TH CENTURY

one quilt with red field with overall boteh and flowerhead medallion, ogival medallion border, plain red lining (approximately 130 x 85cm); one with blue ground, overall boteh, ivory medallion and spandrels, zig-zag border, printed cotton lining (approximately 150 x 100cm); one with ivory ground and overall small flower sprigs, narrow vinery border, printed cotton lining (approximately 110 by 88cm); together with A Finely Printed and Painted Sash, with overall botehs, palmette and boteh end panels, arabesque and palmette borders, approximately 170 x 45cm (4)

£1,000-1,500

180

A COLLECTION POUCHES (HALTA), AND CUFFS, UZBEK, AFGHAN AND TURKMAN, EARLY 20TH CENTURY

the silk embroidered nine pouches and four pairs of cuffs mainly worked in buttonhole stitch, one pair of cuffs in cross-stitch (13 pieces)

£100-200

181

A COLLECTION OF EIGHT SMALL EMBROIDERIES, CENTRAL ASIA, LATE 19TH/EARLY 20TH CENTURY

including a wallet, two square panels, a narrow panel and four smaller panels, the latter probably aragerbi chyrpy (decorative panels used to hold the sleeves together) (8)

£80-150

182

A COLLECTION OF EIGHT HAZARA POUCHES, AFGHANISTAN, LATE 19TH/ EARLY 20TH CENTURY

finely embroidered in silk, decorated with small glass beads, tassels and pom poms (8)

£300-500

183

A COLLECTION OF EMBROIDERED PURSES AND POUCHES, HAZARA, AFGHANISTAN, LATE 19TH/EARLY 20TH CENTURY

including 21 small purses and pouches, variously decorated in polychrome silks with geometric motifs, tassels, pom-poms and glass beads, together with an embroidered band (22)

£500-700

185

A COLLECTION OF EIGHT KATAWAZ EMBROIDERIES, AFGHANISTAN, AND THREE BELUCH POUCHES, 20TH CENTURY

the Katawaz embroideries including a decorative band and small pouches and purses, decorated with silk embroidery, mica, buttons, blue glass beads, and tassels (11)

£250-500

184

A COLLECTION OF SEVEN KATAWAZ EMBROIDERIES, AFGHANISTAN, 20TH CENTURY

including a purse, three holsters and three tray covers, each with embroidery, variously with metal thread braid and glass bead fringing, the largest 66 x 66cm

£300-500

186

A SAINCHI PHULKARI SILK EMBROIDERY AND ANOTHER EMBROIDERY, PUNJAB, 20TH CENTURY

The first on a dark brown ground with a central flowerhead medallion, surrounded by animals, birds and geometric motifs, within borders of animals, birds and rows of dancing figures, together with a mauve ground embroidery with geometric motifs, figures and birds (losses), approximately 200 x 120cm and 240 x 130cm (2)

£400-700

187

A COMPLETE SET OF HALI MAGAZINE (1978-SPRING 2020)

comprising 203 issues, plus nos. 205 and 206, three extra copies of nos. 40, 123 & 179; Hali Annual 1994, Hali Index Supplement 1996-2000 (a lot)

£300-500

188

A GROUP OF FOUR SILK EMBROIDERED PILLOW COVERS, SWAT VALLEY, PAKISTAN, FIRST HALF 20TH CENTURY

one now opened out with crimson and madder embroidery to face, and plain indigo ground with embroidered borders to reverse, one with yellow ground, one with olive green ground and one with light caramel ground, all densely embroidered, the largest approximately 80 x 39cm (4)

£300-400

189

A PHULKARI SILK EMBROIDERED SASH, PUNJAB, EARLY 20TH CENTURY

the natural cotton ground worked with linked madder diamonds, green centres, voided zig-zags, green zig zag end borders, plant end panel at one end, approximately 200 x 35cm

£50-100

190 AN EMBROIDERED SWAT WEDDING TURBAN, PAKISTAN, EARLY 20TH CENTURY

with double sided embroidery, the dark indigo ground with narrow side borders and deep geometric and floral end borders, applied braid and silk fringing, approximately 320 x 35cm

£100-200

188
189
190

191

ELEVEN SMALL EMBROIDERIES, MAINLY TURKMAN, CENTRAL ASIA, LATE 19TH/ EARLY 20TH CENTURY

including nine small tea or sweet pouches (suyjilik and cay halta), an amulet and a small bag (11)

£150-250

192

A COLLECTION OF TEN EMBROIDERED AND DECORATED HATS, UZBEKISTAN, AFGHANISTAN, PAKISTAN, 20TH CENTURY

variously decorated with embroidery, glass beads (one coloured glass beads), zippers, coins, buttons, braid and pompoms (10 pieces)

£250-400

193

A COLLECTION OF SEVEN EMBROIDERED POUCHES, MAINLY BELUCH, 20TH CENTURY

decorated with silk embroidery, mica, tassels and small beads (7)

£150-300

IMPORTANT INFORMATION FOR BUYERS

SECTION A

1. INTRODUCTION

The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand.

Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. AGENCY

As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.

3. ESTIMATES

Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

4 BUYER’S PREMIUM

The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

5. VAT

The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive. We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.

5.1 Items in our catalogue may be marked in the following ways:

(a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us.

(b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax.

5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.

6. REFUNDS OF VAT

6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has:

(a) registered to bid with an address outside the UK; and

(b) discussed with us the proof of export we require and the timeframes to complete the export.

6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:

(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.

(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.

(c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium.

6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.

7. REINVOICING SALES

For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.

8. INSPECTION OF GOODS BY THE BUYER

As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.

9. GOODS WITH ELECTRICAL COMPONENTS

These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

10. ENDANGERED SPECIES

If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

11. EXPORT OF GOODS

If you intend to export goods you must find out:

11.1 whether an export licence is needed; and

11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.

12. BIDDING

Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

13. BIDDING PLATFORMS

We offer free online bidding directly through our Website (www.olympiaauctions. com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.

14. FINANCIAL CHECKS

As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following:

(a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document).

(b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity.

(c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information.

14.1 You may be asked for further information if we deem this necessary.

14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.

14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions.com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.

15. COMMISSION BIDDING

You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.

16. METHODS OF PAYMENT

16.1 Online: Payment can be made at www.olympiaauctions.com/payments.

16.2 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

16.3 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

16.4 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

16.5 Credit Card payments in person: Payments above £6,000 cannot be accepted.

16.6 Debit card payments in person: Payments are without limit.

17. COLLECTION AND STORAGE

Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.

18. POTENTIAL CANCELLATION RIGHTS

If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

CATALOGUING PRACTICE

SECTION B

1.

Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request.

2. CERAMICS

Obvious faults may be recorded in italics at the end of a description for ceramics.

3.CLOCKS AND WATCHES

All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

4. DISPLAY ACCESSORIES

Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details.

5. FIREARMS

Please note that all bore sizes are approximate.

6. JEWELLERY

It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need reoiling after a certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method.

7. PHOTOGRAPHS

In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, "printed later" will appear in the Lot description.

Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated.

All photographs are sold unframed unless stated otherwise in the Lot description.

8. PICTURES

A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used:

(a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part.

(b) “Studio of ” or "workshop of ”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

(c) “Circle of ”: means in our opinion a work of the period of the artist and showing his influence.

(d) “Follower of ”: means in our opinion a work executed in the artist's style but not necessarily by a pupil.

(e) “Manner of ”: means in our opinion a work executed in the artist's style but of a later date.

(f) “After”: means in our opinion a copy (of any date) of a work of the artist.

(g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

(h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist.

9. SILVER, GOLD AND PRECIOUS METALS

Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce.

10.

THE FOLLOWING SYMBOLS MAY BE USED IN OUR AUCTION CATALOGUES:

(a) () indicates a Lot with no Reserve.

(b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final.

(c) (◉) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export, such as a CITES certificate. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above.

(d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

(e) (○) indicates “Guaranteed Property”. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by Olympia Auctions or jointly by Olympia Auctions and a third party. Olympia Auctions and any third parties providing a guarantee jointly with Olympia Auctions benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. A third party providing a guarantee jointly with Olympia Auctions may provide an irrevocable bid, or otherwise bid, on the guaranteed property. If the Guaranteed Property symbol for a lot is not included in the printed or pdf auction catalogue (where applicable), then Olympia Auctions will notify bidders that there is a guarantee on the lot by one or more of the following means: the lot’s specific webpage will be updated to include the guaranteed property symbol, a notice will be added to the Olympia Auctions webpage for the auction, or a pre-sale or pre-lot announcement will be made indicating that there is a guarantee on the lot. If every lot in a sale is guaranteed, a Special Notice will be included to this effect and this symbol will not be used for each lot.

(f) (∏) indicates “Monumental”. Lots with this symbol may, in our opinion, require special handling or shipping services due to size or other physical considerations. Buyers are advised to inspect the lot and to contact Olympia Auctions prior to the sale to discuss any specific shipping requirements.

(g) (W) indicates property stored and to be collected from off-site storage. Please note that property can only be released once payment has been received in full and cleared funds. If you are sending your own authorised agent to collect property from Olympia Auctions on your behalf, please provide a letter of authorisation, a copy of your paid invoice and photographic ID.

(h) (#) Book sales. Although these items are not free from VAT, Olympia Auctions is able to use the margin scheme and VAT will not normally be charged on the hammer price. Olympia Auctions must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at the standard rate on this premium. This amount will form part of the buyer’s premium on our invoice and will not be separately identified.

Auction Calendar 2026

Olympia Timed: Persian, Indian and Central Asian costumes and textiles from the collection of the late Pip Rau, Part I

Timed Sale: Sunday 1st March | Sunday 22nd February, Monday 23rd February, Tuesday 24th February

Jewellery & Watches

Live sale: Wednesday 4th March | Sunday 1st March, Monday 2nd March, Tuesday 3rd March

Olympia Timed: From the Studio: Works from Artists’ Estates

Timed sale: Sunday 15th March | Sunday 8th March, Monday 9th March, Tuesday 10th March

Olympia Timed: Paintings, Works on Paper and Sculpture

Timed sale: Sunday 15th March | Sunday 8th March, Monday 9th March, Tuesday 10th March

Olympia Timed: Spring

Timed sale: Sunday 22nd March | Sunday 15th March, Monday 16th March, Tuesday 17th March

Chinese and Japanese Works of Art

Live sale: Wednesday 6th May | Sunday 3rd May, Monday 4th May, Tuesday 5th May

European Works of Art, Objects & Silver

Live sale: Wednesday 13th May | Sunday 10th May, Monday 11th May, Tuesday 12th May

Jewellery & Watches

Live sale: Thursday 14th May | Sunday 10th May, Monday 11th May, Tuesday 12th May

Indian, Islamic, Himalayan and South-East Asian Art

Live sale: Wednesday 20th May | Sunday 17th May, Monday 18th May, Tuesday 19th May

Modern & Contemporary African & Middle Eastern Art

Live sale: Wednesday 3rd June | Sunday 31st May, Monday 1st June (Drinks), Tuesday 2nd June

Fine Paintings, Works on Paper and Sculpture

Live sale: Wednesday 10th June | Sunday 7th June, Monday 8th June (Drinks), Tuesday 9th June

Fine Antique, Arms, Armour and Militaria

Live sale: Wednesday 24th June | Sunday 21st June, Monday 22nd June (Drinks), Tuesday 23rd June

Olympia Timed: Antique Arms, Armour and Militaria

Timed Sale: Sunday 28th June | Sunday 21st June, Monday 22nd June (Drinks), Tuesday 23rd Junee

Please note sale dates are subject to change

enquiries@olympiaauctions.com | https://www.olympiaauctions.com

25 Blythe Road, London WI4 0PD

ABSENTEE BID FORM

OLYMPIA AUCTIONS

SALE TITLE: THE PIP RAU COLLECTION OF IKATS, EMBROIDERIES AND COSTUMES, PART 1

DATE: 6 FEBRUARY - 1 MARCH 2026

CODE: OA0175

Please mail, fax or scan and email to: Olympia Auctions, 25 Blythe Road, London W14 0PD Fax +44 (0)20 7806 5546

Email: enquiries@olympiaauctions.com

Important

Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

I agree to be bound by Olympia Auctions Conditions of Business. If any bid is successful, I agree to pay a buyer’s premium on the hammer price at the rate stated in the front of the catalogue and any VAT, or amounts in lieu of VAT, which may be due on the buyer’s premium and the hammer price.

Methods of Payment

Olympia Auctions welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

Online: www.OlympiaAuctions.com/payments

Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

HSBC Bank Plc, 38 High Street, Dartford, Kent, DA1 1DG

IBAN No: GB39HBUK40190422033119

BIC: HBUKGB4B

Sort Code: 401904

Account No: 22033119

Account Name: Olympia Auctions

Sterling Bankers Draft: Drawn on a recognised UK bank.

Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

Credit Card payments in person: Payments above £6,000 cannot be accepted.

Debit card payments in person: Payments are without limit.

Please

Please note that if you have not dealt with us before, you will need to supply us with a copy of photographic ID and proof of address.

Lot 125 (detail)

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