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Olympia Auctions JEWELLERY & WATCHES Thursday 22nd May 2025

25 Blythe 25 Blythe Road,Road, London London W14W14 0PD 0PD +44 (0)20 +44 (0)20 78067806 55455545 | jewellery@olympiaauctions.com | jewellery@olympiaauctions.com | www.olympiaauctions.com | www.olympiaauctions.com

JEWELLERY & WATCHES THURSDAY 22ND MAY 2025

AUCTION CALENDAR Make a date in your diary to view our forthcoming auctions. 4TH JUNE 2025 | Viewing 1-3 June INDIAN, ISLAMIC, SOUTH EAST ASIAN & HIMALAYAN WORKS OF ART 11TH JUNE 2025 | Viewing 8-10 June FINE PAINTINGS, WORKS ON PAPER & SCULPTURE 25TH - 26TH JUNE 2025 | Viewing 22-24 June FINE ANTIQUE ARMS, ARMOUR & MILITARIA 5TH - 14TH SEPTEMBER 2025 PRIVATE COLLECTION OF SILVER SMALLWORK 10TH SEPTEMBER 2025 JEWELLERY & WATCHES

Lot 757 Front Cover: Lot 747 Back Cover: Lot 510

To be added to our invitation list for private views and catalogue alerts, please contact enquiries@olympiaauctions.com | +44 (0)20 7806 5541 ww.w.olympiaauctions.com | 25 Blythe Road, London W14 0PD

JEWELLERY & WATCHES TO BE SOLD BY AUCTION: 25 Blythe Road, London W14 0PD AUCTION: Thursday 22nd May 2025, 11am, precisely PUBLIC EXHIBITION: Sunday 18th May, 12pm to 4pm Monday 19th May, 10am to 8pm Tuesday 20th May, 10am to 5pm SALE NUMBER OA0160 ENQUIRIES: Justin Roberts, Head of Sale Matthew Barton Henrietta Grant CONSULTANTS: Anabel Yorke ( Jewellery) +44 (0)20 7806 5545 jewellery@olympiaauctions.com ONLINE CATALOGUE AND LIVE INTERNET BIDDING AVAILABLE THROUGH: www.olympiaauctions.com www.the-saleroom.com www.invaluable.com www.drouotonline.com This auction is conducted by Olympia Auctions in accordance with our Conditions of Business

IMPORTANT INFORMATION FOR BUYERS 1 . I N T RO D U C T I O N The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. AGENCY As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer. 3 . E S T I M AT E S Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information. 5.1 Items in our catalogue may be marked in the following ways: (a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us. (b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer. (c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer. (d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax. 5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT. 6 . R E F U N D S O F VAT

4. BUYER’S PREMIUM The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has: (a) registered to bid with an address outside the UK; and

5 . VAT

(b) discussed with us the proof of export we require and the timeframes to complete the export.

The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive.

6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:

(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.

(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium. (c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium. 6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK. 7. REINVOICING SALES For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply. 8 . I N S P E C T I O N O F G O O D S BY T H E B U Y E R As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5. 9. GOODS WITH ELECTRICAL COMPONENTS These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 1 0 . E N DA N G E R E D S P E C I E S If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

1 1 . E X P O RT O F G O O D S If you intend to export goods you must find out: 11.1whether an export licence is needed; and 11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna. 12. BIDDING Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. 1 3 . B I D D I N G P L AT F O R M S We offer free online bidding directly through our Website (www.olympiaauctions.com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates. 14. FINANCIAL CHECKS As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following: (a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document). (b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity. (c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information. 14.1 You may be asked for further information if we deem this necessary. 14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.

14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions. com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid. 15. COMMISSION BIDDING You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform. 1 6 . M E T H O D S O F PAY M E N T 16.1 Online: Payment can be made at www. OlympiaAuctions.com/payments. 16.2 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale. 16.3 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot. 16.4 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted. 16.5 Credit Card payments in person: Payments above £6,000 cannot be accepted. 16.6 Debit Card payments in person: Payments are without limit. 1 7 . C O L L E C T I O N A N D S TO R A G E Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00. 1 8 . P OT E N T I A L C A N C E L L AT I O N R I G H T S If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

Lot 660

JEWELLERY & WATCHES Thursday 22nd May 2025 Starting at 11am

501 GOLD, ENAMEL AND SPLIT PEARL POCKET WATCH, CIRCA 1790 full plate gilt verge fusee movement with pierced balance bridge, signed 'W.H. Nugent / Dublin / No.140', white enamel dial with Arabic numerals and winding aperture between 3 and 4 o'clock, consular type case with sprung front released under hinged bow, pearl set bezels to either side, the reverse with an inner border of white pellet enamels and a field of deep red translucent enamel on an engine-turned ground, with associated key, case 43mm diameter Walter Henry Nugent (watchmaker) is recorded at 42 South King Street, North Side, Dublin in 1784 (Douglas Bennett, 'Irish Georgian Silver', London, 1972, p.321)

£1,200 - 1,800 502 GOLD POCKET WATCH, A. MUSSON A PARIS, LATER 18TH CENTURY key wound verge fusee movement with pierced and engraved balance bridge and silver regulator dial, signed 'Musson / AParis', white enamel dial with Roman hour numerals, outer ring of Arabic five minutes and winding aperture between three and four o'clock, glass lacking, gold consular type case engine turned, maker's mark T? / A' in a trefoil, 48mm diameter; with a platinum and seed pearl chain with associated key, a gold triangular pendant initialled H and a horse pendent, 38cm long £600 - 800

503 GOLD QUARTER REPEATING POCKET WATCH, SWISS, CIRCA 1825 key wound cylinder movement with suspended going barrel, striking on two gongs activated by depressing the pendant, gold dial with hatched ground and black Roman numerals on roundels within a ring of minute indicators, engine-turned open-faced case, repeating locking slide to band, inside case back indistinctly stamped 'PM / 12', giltmetal cuvette engraved 'Aubert & Fils / à Genêve', case 56mm diameter £700 - 1000

504 VICTORIAN GOLD HUNTING CASED POCKET WATCH, JAMES MCCABE, LONDON, CIRCA 1855 key wound three-quarter plate fusee movement with duplex escapement and diamond endstone, white enamel dial with Roman numerals, outer minute track and subsidiary seconds dial, signed and numbered to dial and movement 'Jas. Mc.Cabe / Royal Exchange / LONDON / 00734', engine-turned case with vacant roundel to sprung cover, milled band, 18 carat gold hallmarked for Alfred Stram, London, 1855, incuse stamped IMC for James McCabe and similarly numbered 00734, case 49mm diameter £1,500 - 2,500

505 VICTORIAN GOLD HUNTING CASED CENTRE SECONDS POCKET WATCH, CIRCA 1885 key wound gilt three-quarter plate fusee English lever movement numbered 20822, white enamel dial with raised chapter ring of Roman numerals and centre seconds hand, rounded circular case engraved to sprung cover with a vacant shield in a garter, stop slide to band at five o'clock, 18 carat gold hallmarks of Joseph & Abraham Harris of Liverpool, Chester, 1885 to covers and cuvette, case 53mm wide, with key, in a brown leather fitted box with printed label for J.W. Benson Ltd. £1,500 - 2000 506 VICTORIAN GOLD HALF-HUNTING CASED POCKET WATCH WITH THIEFPROOF BOW, COLLINGWOOD & CO., LONDON, CIRCA 1890 keyless wind gilt three-quarter plate English lever movement signed 'Collingwood & Co. / 46, Conduit Street, London' and numbered 4205, white enamel dial with Arabic numerals and subsidiary seconds dial at six o'clock, rounded circular case, sprung cover with black enamelled minute track within an Arabic numeral chapter ring surrounding the glazed aperture, back engraved with initials N.D.F., 18 carat gold hallmarks of Frederick Wells & William Ward, London, 1890, pendant maker's mark probably incuse AS, 46mm diameter £1,500 - 2,500 507 GOLD LADY'S HALF-HUNTER POCKET WATCH, SWISS, CIRCA 1900 keyless wind Swiss lever movement, white dial with Roman numerals, rounded circular case, sprung cover with a chapter ring of black Roman numerals surrounding the aperture, stamped 18K and Swiss 18 carat gold assay marks to case and cuvette, replacement bow with English hallmarks, case 23mm diameter £600-900

508 GOLD HALF-HUNTING CASED POCKET WATCH, SWISS, CIRCA 1900 keyless wound Swiss lever movement, white dial with Roman numerals and subsidiary seconds dial at 3 o'clock, engine-turned case, the front with enamelled chapter ring surrounding the aperture, the back with a vacant gartered shield, metal cuvette, covers stamped '14K' and with Swiss assay marks, 47mm diameter £400 - 600

509 GOLD POCKET WATCH, SWISS, EARLY 20TH CENTURY keyless wind movement, engine-turned dial with black Arabic numerals and subsidiary seconds dial, circular case with canted bezel and back cover, 'K18' and Geneva assay office 18 carat gold Helvetia marks to cuvette and back cover, case 45mm diameter; together with a gold chain, of fetter links interrupted at intervals by oval moonstone cabochons, 9 carat gold mark to Albert clasp, 37cm long; a gold propelling cigar piercer, the engineturned cylinder twisting to reveal an arrowhead spike, 9 carat gold hallmarked, 4.5cm long excluding bale and suspension ring; and a gold propelling pencil, the reeded cylinder pulling from the base to reveal the pencil, 9 carat gold marked, probably Edmund Bennett of London, 1900s, 4.8cm long retracted and excluding bale and suspension ring (4) £800 - 1,200

510 PATEK PHILIPPE: SWISS GOLD POCKET WATCH, GENEVA, CIRCA 1922 kekeyless winding twenty jewel movement with lever escapement, wolf's tooth winding, compensated balance, precision swan-neck regulation and eight adjustments, silver-gilt dial with waved engine-turning, subsidiary seconds dial at six o'clock and black Arabic numerals, 18 carat gold plain rounded circular open-faced case carved to back with entwined initials LV in a lozenge, Swiss assay mark to body, back and cuvette stamped '18Kts' and '18K' respectively and both numbered 600530, cuvette engraved 'No.190617 . PATEK . PHILIPPE & Cie . GENÈVE', dial and movement signed 'PATEK, PHILIPPE & Co. / GENEVA SWITZERLAND', movement numbered 190617, hinged bow stamped 'P.P.C.', case 45mm diameter, in its original brown leather covered box with red velvet lining complete with original replacement glass beneath watch pad, the base of the box with Patek Philippe label and corresponding number (190617), the lid with cream silk lining stamped for the maker and pulling open to reveal the original 'CERTIFICATE OF ORIGIN & WARRANTY' with corresponding number (190617) and signed and dated March 28th. 1922 £2,000 - 3,000

511 CARTIER, SANTOS GALBEE, REF.2319: STAINLESS STEEL AND GOLD GENTLEMAN'S BRACELET WATCH, SWISS, CIRCA 2000 automatic movement with hack feature and quick date set, guilloché silver dial with black Roman numerals, secret signature at seven o'clock and date aperture at three o'clock, shaped square stainless case applied with a gold bezel, integral stainless steel bracelet highlighted to each bar with two gold screws, butterfly clasp, signed to dial, case and clasp, case numbered 390235 CE, case 29mm wide (excluding guards to crown), bracelet length overall approximately 185mm, with a later red Cartier box and outer slipcase £3,000 - 5,000

512 ROLEX, OYSTER PERPETUAL DAY-DATE, REF.1807: GENTLEMAN'S GOLD BRACELET WATCH, CIRCA 1974 automatic twenty-six jewel calibre 1556 movement, freesprung mono-metallic compensation balance adjusted to five positions and temperature, movement No.DD714888, champagne satin finished dial with champfered outer edge, with baton indicators and aperture for day (in English) at twelve and magnified date aperture at three o'clock, Oyster case with bark finished bezel and screw-down back and crown, back engraved 'K.R.', case back numbered 37466169 and with series reference 1803, the President three-row block link bracelet with bark finished central links and with satin finished foldover Oyster clasp, dial, case, movement and bracelet signed, case and bracelet with '18K' and Swiss assay marks, serial No.3746169, with its instruction manual but no papers, case 36mm diameter, overall bracelet length approximately 190mm £8,000 - 12,000

513 TAG HEUER, CARRERA CALIBRE 17, REF.CV2113: GENTLEMAN'S STAINLESS STEEL CHRONOGRAPH WRISTWATCH, CIRCA 2000 automatic calibre 17 movement, black dial with applied baton indices and three subsidiary dials, date aperture between four and five o'clock, polished steel case with screw-down back and crown, numbered QZ4850, on its leather strap with deployant clasp, signed to dial, case and clasp, case 39mm diameter £1,000 - 1,500

514 IWC, INGENIEUR CHRONOGRAPH, REF.3725.01: GENTLEMAN'S STAINLESS STEEL BRACELET WATCH, 2005-08 automatic 79350 calibre movement, black dial applied with applied polished bar indicators and subsidiary dials at twelve and six o'clock, brushed and polished tonneau form case with screwdown back and crown flanked by twin chronograph buttons and numbered 3076359, integral bracelet with brushed links and deployant clasp, signed to dial, case and clasp, case 42mm diameter £2,000 - 3,000

515 DREYFUSS & CO., MECANIQUE, SERIES 1924 CALIBRE 39 LIMITED EDITION, REF. DGS00164/19: GENTLEMAN'S STAINLESS STEEL 'AVIATOR' WRISTWATCH, CIRCA 2016 manual wind Eterna calibre 39 movement, black dial with applied Arabic numerals, brushed and polished circular case with canted bezel and screwdown crown, screw-down back with exhibition window, numbered 0109 and 15679, with its tapered section leather strap with pin buckle, case 45mm diameter £200 - 300

515

516 ALPINA, STARTIMER PILOT CHRONOGRAPH: GENTLEMAN'S BLACK PVD COATED STEEL WRISTWATCH, CIRCA 2023 calibre 371 quartz movement, black dial with white Arabic numerals and indicators and three subsidiary dials including a day of the week dial, date aperture at four o'clock, circular black case with pushers flanking the large crown, screw-down back, on Hirsch strap, with its box, case and papers, case 42mm diameter £200 - 400

517 BREITLING, AVENGER II GMT, REF. A32390: GENTLEMAN'S STAINLESS STEEL WRISTWATCH, CIRCA 2015 automatic B32 calibre movement, black dial with applied indices, second time zone and date display, stainless steel case with bidirectional bezel and screw-down back and crown, numbered 6036534, with Breitling leather strap with pin buckle, case 46mm diameter

517

£800 - 1,200

516 13

518 ROLEX, GMT MASTER II, REF.16710: GENTLEMAN'S STAINLESS STEEL BRACELET WATCH, CIRCA 1994 automatic thirty-one jewel calibre 3185 movement with hack feature, freesprung balance adjusted five positions and temperature, movement numbered 6627041, black gloss dial with luminescent indicators, luminescent hands, red-tipped 24 hour indicator hand and magnified date aperture at 3 o'clock, 'Oystersteel' case with black and red bi-directional 'Coke' bezel, inside case back numbered 16710, serial number S315136, the Rolex model 93150 Oyster three-row block link bracelet with foldover clasp with overlock of 2002 (clasp code DT8), the endpieces stamped 501B, additionally with its original Rolex model 62510H Jubilee bracelet of 1993 (clasp code R11), endpieces stamped 502B, complete with its suedette cushion and cloth in its wood lined green leather box and outer cardboard case, with green wallet with papers including calendar card for 1995-96 and guarantee for serial number S315136, date of sale 30 June 1995, also with GMT Master instruction booklet and Rolex numbered swing tag and Rolex seal tag, case 40mm diameter £8,000 - 12,000

519 ROLEX, SUBMARINER, REF.5513: GENTLEMAN'S STAINLESS STEEL BRACELET WATCH, CIRCA 1985 automatic twenty-six jewel 1520 calibre movement, freesprung mono-metallic balance, black 'glossy' dial with white gold surrounds to luminscent indicators and hands, case with rotating black bezel and rounded crown guards, screw-down back and crown, inside case back numbered 5512, serial number 9324736, Rolex model 93150 Oyster bracelet of three block links of 1985 (code J11) with fold-over clasp with overlock, endpieces stamped 580, case 40mm diameter, overall bracelet length approximately 190mm on current setting, in its wood-lined green box with cardboard outer box, Rolex plastic wallet containing calendar card for 1986/87, translation leaflet and Rolex warranty, retailer's receipt dated 9th March 1987, with Rolex Submariner booklet and Rolex Oyster instruction booklet £7,000 - 10,000

520 BREITLING, CHRONOMAT, REF.B13050.1: GENTLEMAN'S STAINLESS STEEL AND GOLD WRISTWATCH, CIRCA 1996 automatic B13 calibre movement, black dial with tachymeter scale, applied gold Arabic numerals, three subsidiary dials and date aperture, stainless steel case with unidirectional bezel with gold quarters and outer studs and screw-down crown and back, with its Breitling leather strap with deployant stainless steel clasp, signed to dial, case and clasp, inscribed reference number and case No.1 42389, case 39mm diameter, complete with its box, cushion, outer case and papers including warranty with identification number 1110688579 £1,000 - 2,000 520

521 BREMONT, AIRCO MACH 1: GENTLEMAN'S STAINLESS STEEL 'AVIATOR' WRISTWATCH, HENLEY-ONTHAMES, CIRCA 2023 modified calibre 11 1/2 BE-92AE twenty-one jewel automatic movement, black dial with luminescent Arabic numerals and date aperture at three o'clock, circular three-piece 'Trip-Tick' case with black band and exhibition window to screwed back, numbered 20568, on its black leather strap with 'BREMONT' pin buckle, with a further Bremont leather strap and another Hirsch leather strap both in a box, complete with leather folder, outer soft pouch and cardboard outer box, with original papers and warranty £700 - 900

522

522 OMEGA, SEAMASTER DIVER 300M, REF.2561.80: GENTLEMAN'S STAINLESS STEEL BRACELET WATCH, SWISS, 2000s quartz movement, blue dial with waved motif, luminous indicators and date aperture at 3 o'clock, rotating blue uni-directional bezel with faceted edge, crowns with Omega symbol, bracelet of three rows of plain brick links and two rows of ribbed bricks between, deployant clasp, signed to dial, case and clasp, in a red Omega travelling case, case 36mm diameter £600 - 800

521

523 OMEGA, CALENDAR SEAMASTER, REF.2627 - 8: GOLD CAPPED STAINLESS STEEL GENTLEMAN'S WRISTWATCH, CIRCA 1952 bumper automatic 17 jewel calibre 353 movement numbered 13112126, signed silvered dial with gilt baton indicators and date aperture at six o'clock, case with screw-on back inscribed 'D.WOLK / BOX 532 / WELKOM', ridged crown with Omega symbol, with associated leather strap, case 35mm diameter £500 - 700

523

524 SEWILLS, MILLENIUM LIMITED EDITION: GENTLEMAN'S GOLD MOONPHASE WRISTWATCH, 2000 quartz movement, signed cream dial with applied gilt Roman numerals and subsidiary day and date dials above the moonphase, plain gold case etched to reverse 'No.0738 of 2000', 9 carat gold hallmarks for JS, London, 2000, 34mm diameter, on leather strap, with original wood box with cushion and outer card case £400 - 600

524 17

525 BAUME & CO.: GENTLEMAN'S GOLD BRACELET DRESS WATCH, CIRCA 1976 Swiss manual wind 17 jewel movement, silvered dial with gilt baton indicators, English circular gold case and tapering mesh bracelet, snap-on case back signed to interior 'BAUME' and numbered 94969, 9 carat gold hallmarks for David Shackman & Sons, London 1976 to case and clasp, case 32mm diameter, 18.5cm long £800 - 1,200

526 CERTINA, AUTOMATIC: A GOLD GENTLEMAN'S WRISTWATCH, SWISS, 1950s 21 jewel automatic movement, signed silvered dial with date aperture at three o'clock and Arabic numerals to other quarters with tapering gilt baton indicators between, rounded circular gold case 9 carat hallmarked, with associated gilt-metal expanding strap, case 32mm diameter £250 - 350

527 ROLEX, OYSTERQUARTZ DATEJUST, REF.17013: GENTLEMAN'S GOLD AND STAINLESS STEEL BRACELET WATCH, CIRCA 1978 11 jewel quartz 5035 calibre movement, champagne dial with baton indicators and hands, magnified date aperture at three o'clock, fluted gold bezel, angular steel Oyster case with screw-down gold crown, case number 5579718 and with reference number, integrated flat link Oysterquartz gold and steel bracelet, clasp stamped 14, signed dial, case, movement and bracelet, case 36mm diameter, with its green leather covered wood box and Oysterquartz booklet £1,500 - 2,500

528 ZENITH: GENTLEMAN'S GOLD BRACELET WATCH, SWISS, LATE 20TH CENTURY quartz movement, signed white dial with Roman numerals and date aperture at 3 o'clock, circular case numbered 63 0150 337, 33mm diameter, integral fine Milanese mesh bracelet, 9 carat gold Convention and Swiss assay marks to case and bracelet, 190mm long, in its Zenith case £700 - 1,000

529 GOLD AND ENAMEL POCKET WATCH, SWISS, CIRCA 1825 key wound unsigned gilt movement with cylinder escapement and plain three-arm balance, engineturned silver dial with scroll foliate engraved centre, Roman numerals and subsidiary seconds dial, open faced 18 carat gold case and cuvette, the sprung case back basse-taille enamelled with flowers and birds against a black ground, the bezel and bow with further enamelling, the band with taille d'epargne enamelling, the cuvette signed for the retailer 'VIEYRES / 40 Pall Mall / LONDON' and numbered 1151, numbered 6076 to interior of cuvette and case back, case back interior further stamped 18K, C.C in a lozenge and G in a cartouche, case 34mm diameter £800 - 1,200

530 GOLD AND ENAMEL PENDENT WATCH, SWISS, CIRCA 1890 keyless wind cylinder movement, white dial with blue Arabic numerals and gilt minute dots, splitpearl-set bezel, the back with a further border of split-pearls surrounding blue guilloché enamel covered in paillon fleurs-de-lys, Swiss 14 carat gold assay marks, 26mm diameter; detaching from a gold and enamel brooch, in the form of a ribbon bow, stamped '750' (2) £300 - 500

531

531 GOLD AND ENAMEL PENDENT WATCH, SWISS, CIRCA 1900 keyless wind cylinder movement, blue guilloché enamel dial applied with gold Roman numerals, bulbous circular case, the back with further guilloché enamelling of a marine blue with gold and silver paillon central motif and border, Swiss 18 carat gold assay and 750 stamps to interior of case back and cuvette, cuvette inscribed 'Diaphane', case 26mm diameter

532

£300 - 400 532 RECORD DREADNOUGHT WATCH CO.: LADY'S GOLD WRISTLET WATCH, CIRCA 1919 Swiss manual wind 15 jewel lever movement with 'Dreadnought' trademark, white signed dial with Roman numerals and gilt dot minute indicators, English plain rounded circular gold case 18 carat hallmarked for the London Watch Case Co. Ltd., London, 1919, 25mm diameter, on a contemporary expandable 15 carat gold 'Britannic' patent bracelet by Edwin Harrop, Clerkenwell (London), circa 1919, in its probably original brown leather box printed for the retailer Bravingtons of Kings Cross and Ludgate Hill; together with a damaged gold expandable bracelet, 9 carat gold hallmarked for Chester, 1925 (2) £250 - 350 533 LADY'S GOLD WRISTLET WATCH, SWISS, CIRCA 1924 manual wind movement, silvered dial with Arabic numerals and subsidiary seconds dial, rounded circular case with 9 carat gold London import marks for 1924, case 25mm diameter, on an English expanding bracelet with clasp and security chain, stamped 'STYLIC / ENGLISH MADE / 18CT' £200 - 300 533 21

534 CORUM: LADY'S GOLD BRACELET WATCH, SWISS, CIRCA 1988 manual wind 17 jewel movement, engine turned champagne dial with Roman numerals, domed oval textured case to textured and domed bracelet of two rows of interconnected curb links, sapphire cabochon set crown, signed to dial, movement and inner case, 18 carat gold import marks for London, 1988 to case and bracelet, 19mm long £2,000 - 3,000 535 CARTIER (MUST DE): TANK VERMEIL, REF.590005: MID SIZE SILVER-GILT WRISTWATCH, SWISS, CIRCA 1990 quartz movement, 'Breguet' type dial with Arabic numerals, signed, rectangular case signed and Swiss assay marks to back, blue cabochon crown, crocodile strap, case 23mm wide £400 - 600 536 MCCABE MCCARTY: GOLD WRISTWATCH, CIRCA 1985 manual wind Swiss calibre 838/1 movement jewelled to the centre and with Geneva stripe backplate, signed JaegerLeCoultre and numbered 2212071, white dial with black Roman numerals and signed 'McCABE', rectangular gold case of 'Tank' type, rounded brancards, satin finished case back secured by four screws to sides, four further blank screw holes between the lugs, gold screw-set lug bars, onyx cabochon to crown, leather strap with gold folding buckle and D clasp closure, 18 carat gold hallmarks for McCabe McCarty, London, 1985, case 23mm wide

534

McCabe McCarty was a partnership of two bench trained goldsmiths, Peter McCabe and David McCarty, established in 1973, Peter was trained at the Central School of Arts & Crafts, and David was apprenticed to Cartier through Wright & Davies from 1959. David worked at Cartier until 1973 when he left to establish his own company.The partnership soon flourished and was divided in to three lines of business: producing items for special commission for the Bond Street shops; producing designs to sell to the Bond Street shops that may then be made up to order; and finally producing items that would be exhibited at the Basle shows. During the company’s heyday they were supplying all the principal houses in Bond Street including Cartier, Garrard and Asprey, as well as for a retail outlet in Japan.With the death of Peter in 1991, David continued the business to be joined by his son and daughter in 1994.Today the firm still continues producing special commissions to Heads of State under David McCarty Ltd.

£400 - 600 22

535

536

537 OMEGA, DE VILLE: LADY'S GOLD BRACELET WATCH, SWISS, CIRCA 1970 manual wind seventeen jewel 620 calibre movement numbered 31381153, cushion shaped dial with applied gilt baton indicators, conforming case with canted bezel, integral tapering bracelet of textured fine mesh, signed to dial, movement and case, deployant clasp with Omega symbol, '18K', '750' and Swiss assay marks, case 20mm wide, 155mm long £1,500 - 2,500

538 CHOPARD: LADY'S GOLD BRACELET WATCH, SWISS, CIRCA 1969 17 jewel manual wind movement, white dial with Roman numerals, circular case 24mm diameter, integral slightly tapering bracelet of articulated and textured linked bars, signed to dial, movement, case and clasp, 18 carat gold import marked for L.U. Chopard et Cie, London, 1969 to case and clasp, 160mm long £1,200 - 1,800

537 538

539 BAUME ET MERCIER: LADY'S GOLD BRACELET WATCH, SWISS, CIRCA 1990 quartz movement, white rectangular dial with Roman numerals surrounding the minute track, plain rounded rectangular case, 'Panther' link bracelet with deployment clasp, signed to dial, case and clasp, maker's and 18 carat gold convention marks to case and clasp, dial 18mm wide £2,000 - 3,000

540 GOLD HALF HUNTING CASED LADY'S WRISTLET WATCH, SWISS, CIRCA 1900 manual wind movement, white enamel dial with Roman numerals, rounded gold case with sprung cover with a band of guilloché enamel (damaged) surrounding the glazed aperture, perhaps later applied with strap loops and crown adapted, Swiss 18 carat gold assay marks to case back and cuvette, case 33mm diameter, associated leather strap

540

£150 - 250

539

541 JAEGER LECOULTRE: LADYS GOLD COCKTAIL WATCH; AND ROAMER: LADYS GOLD BRACELET WATCH the first with circular dial applied with Arabic numeral 12 and gilt baton indicators, to a cord strap, dial signed Jaeger LeCoultre, case numbered 7382, British hallmarks for 9-carat gold, 19cm long; the bracelet watch with circular dial applied with gilt baton indicators, to a tapering woven mesh strap, dial signed Roamer, case numbered 172, British hallmarks for 9-carat gold, 18cm long, cased (2) £400 - 600

541 24

542 JAEGER LE COULTRE: LADY'S GOLD BRACELET WATCH, 1960s manual wind Swiss movement signed and numbered 1065361, the square dial similarly signed and applied with Arabic numeral quarters and dart indicators between, snapon case back numbered 132471, the dial concealed beneath a hinged cover of mesh linking, to a matching bracelet, all with French assay and makers' marks, 16.5cm long £3,000 - 4,000

543 KELBERT WATCH CO.: A GOLD BANGLE WATCH, SWISS, MID 20TH CENTURY manual wind 17 jewel movement, silvered dial applied with gilt Arabic numerals and dot indicators, domed rectangular case flanked by sprung arms, signed to dial and case, Swiss 14 carat gold assay marks £400 - 600 544 (illustrated online) FOUR GOLD LADY'S WRISTWATCHES, SWISS, MID 20TH CENTURY all 9 carat gold and manually wound, comprising: one with octagonal case and circular dial signed for J.W. Benson, London assay for 1932, on gold part expanding wristlet, one elongated octagonal case and circular dial signed Longines, on a gilt-metal wristlet, one square case (glass lacking) and dial signed Longines, on a gold block link wristlet, and one circular case and dial signed Rotary, on an expanding gold wristlet (4) £600 - 800

545 (illustrated online) THREE GOLD WATCHES, SWISS, MID 20TH CENTURY all manually wound, one a white gold Tudor lady's bracelet watch, movement and dial signed Tudor, circular case and block link bracelet (damaged) stamped ROLEX, 9 carat gold hallmarks for 1962; one with oval case, the bezel set with square-cut rubies highlighted with single-cut diamonds, set with a probably late Tourist movement, stamped 18ct, on a giltmetal expanding wristlet; and a gentleman's watch, movement signed Tavannes, silver dial with Roman numerals and subsidiary seconds dial, cut-cornered square case stamped '14C' and 'TRUSTY', circa 1930 £250 - 350

546 BULGARI, 'DIVA'S DREAM', REF.102434: LADY'S WHITE GOLD AND DIAMOND WRIST WATCH, SWISS, CIRCA 2019 quartz movement, acetate dial with diamond indicators, circular white gold case with brilliant-cut diamond set bezel, back secured by screws, white gold crown set with a cabochon-cut pink rubellite, diamond set fan-shaped lugs, satinised leather strap with 18k white gold pin buckle, signed to dial, movement, case, buckle and strap, Swiss 18 carat gold convention marks, complete with its boxes and papers £3,500 - 4,500

547 OMEGA: DIAMOND AND WHITE GOLD BRACELET COCKTAIL WATCH, SWISS, 1960s manual wind 17 jewel calibre 650 movement numbered 25474958, the cushion-shaped dial applied with baton indicators, single-cut diamond set bezel to a textured tapering bracelet, omega symbol to crown and clasp, signed , to dial, movement and case inner, stamped 750, Swiss assay marks, 17cm long £1,000 - 1,500

548 MCCABE MCCARTY: LADY'S DIAMOND COCKTAIL WATCH, CIRCA 1985 manual wind Swiss calibre 841 movement signed Jaeger LeCoultre, white dial with Roman numerals, the rhodium plated rectangular 'Tank' type case with pavé-set brilliant-cut diamonds to the brancards, case back secured by two screws hidden behind the screw-set lug bars, blue stone cabochon to crown, leather strap with folding buckle set with further diamonds to the D clasp, case 18mm wide See lot 536 for further information on the firm of McCabe McCarty.

£600 - 800

549 CARTIER, TANK CHINOISE, REF.2305: GOLD AND DIAMOND LADY'S WRISTWATCH, SWISS, CIRCA 1998 quartz movement, the rectangular matted dial with geometric patterned panel surrounded by black Roman numerals including hidden signature at X, rectangular case accented above and below the dial with twin lines of single-cut diamonds, case back inscribed 'J.D. 1998' and numbered CC404640, diamond set crown, leather strap with gold deployment clasp, signed Cartier to dial, case, clasp and leather strap, makers', Swiss assay and European convention marks for 18-carat gold to case and clasp, with red plush pouch gilt stamped 'Cartier', case 20mm wide £3,000 - 5,000

550 VICTORIAN GOLD SOVEREIGN PENDANT, 1900 within a twisted cord scroll mount to a curb link chain, stamped 9ct, 11 grams £500 - 600 551 GEORGE V GOLD SOVEREIGN PENDANT, 1913 within a gold mount with scroll surmount to a curb link chain, stamped 9ct, 13 grams £500 - 600 552 CARTIER: PAIR OF 'SANTOS' STEEL CUFFLINKS with rectangular and spherical links to a baton connection, signed Cartier, numbered M02477 £200 - 300 553 PAIR OF STAR SAPPHIRE CUFFLINKS, 1900s designed with navette links each centring on a star sapphire to torpedo shaped back links and curb link connecting chains, stamped 18ct £200 - 300 554 (illustrated online) EDWARDIAN GOLD SOVEREIGN dated 1902 £400 - 600 555 (illustrated online) EDWARDIAN GOLD SOVEREIGN dated 1909 £400 - 500 556 (illustrated online) GEORGE V GOLD SOVEREIGN dated 1912 £400 - 600 557 (illustrated online) THREE GOLD HALF SOVEREIGNS dated 1912, 1914 and 1915 £600 - 800 558 (illustrated online) FOUR GOLD HALF SOVEREIGNS dated 1902, 1904, 1908 and 1913 £800 - 1,200 30

550

551

552

553

559

560

561 562 (part)

563

559 GOLD AND PEARL DRESS SET, 1920s comprising four dress buttons and two dress studs, each of hexagonal design set with a mother-of-pearl plaque centring on a split pearl, stamped 18ct, gilt metal split rings, fitted case stamped Shapland, London, together with three gold shirt studs, stamped 18ct £150 - 250

560 VICTORIAN, PAIR OF GOLD CUFFLINKS, 1890s each oval link with engraved MFTR monogram, to fetter connecting links, stamped 18 £600 - 800

561 PAIR OF SOUTH AFRICAN 1/2 POUND GOLD COIN CUFFLINKS, 1896 each set with a South African 1/2 pound gold coin dated 1896, with curb link connecting chains and baton back links, together with a single foliate scroll engraved oval cufflink, British hallmarks for 9-carat gold, Chester 1904 £800 - 1,200

562 TWO PAIRS OF GOLD CUFFLINKS one pair of hexagonal links with a spiral design to hinged baton back links, British hallmarks for 9-carat gold, London 1970, the other pair with each link designed as a Spitfire to hinged back links, British hallmarks for 9-carat gold, Birmingham 1991, gross weight 11 grams £200 - 300

563 PAIR OF MOTHER-OF-PEARL CUFFLINKS, 1920s circular design set with a mother-of-pearl plaque with seed pearl centre and Greek key border to a baton back link and fetter link connecting chain, stamped 15k £150 - 250

567

564

565

566

564 GOLD ALBERT CHAIN AND PENCIL, 1900s the curb link chain supporting a rose-gold pencil, 40cm long, Albert chain with British hallmarks for 18-carat gold, the pencil with British hallmarks for 9-carat gold £3,000 - 4,000

565 GOLD BRACELET, 1900s designed as a graduated line or rose-gold curb links to a dog clip clasp, supporting a bloodstone and carnelian swivel fob seal, British hallmarks for 9-carat gold, 20cm long, cased £400 - 600

566 GOLD ALBERT CHAIN, 1890s designed as a graduated curb link chain with dog clip clasps and watch key, British hallmarks for 18-carat gold, 31cm long, with additional chain length 4.5cm £1,200 - 1,800

567 VICTORIAN GOLD BRACELET, 1890s fetter linking, jump ring clasp with safety chain supporting a purse charm, 20cm long, stamped 9k £600 - 800

568 (illustrated online) COLLECTION OF JEWELLERY comprising: a diamond set pendent cross, a gold bell charm, British hallmarks for 9-carat gold, a shell cameo ring, a signet ring, a pink stone ring and a gold front and back 9-carat heart-shaped locket inset with a single rose-cut diamond £300 - 500

569 GOLD CURB LINK BRACELET, 1900s the rose-gold curb linking to a heart-shaped padlock clasp, supporting a heart, cross and paste charm, 22cm long, stamped 9ct £500 - 700

570 GOLD CHARM BRACELET, 1901 the rose gold curb link bracelet to a heart-shaped padlock clasp, supporting seven various charms including a bell, key and teapot, British hallmarks for 9-carat gold, Birmingham 1901 to padlock, 17cm long £500 - 700

571 GOLD CHARM BRACELET, 1890s AND LATER the curb link bracelet with dog clip clasp, supporting five gold and gold-cased, fob seals, with hardstone and intaglio engraved matrix, a silver and carnelian seal and a gilt metal carnelian intaglio seal, 20cm long, bracelet and two seals with British hallmarks for 9-carat gold £600 - 800

572 (illustrated online) SILVER CHARM BRACELET, 1960s curb linking with heart shaped padlock clasp supporting twenty various charms including: the Coronation chair, a crown, ballerina and a pair of scissors, 16cm long £60 - 80

569

570

571

573 GOLD AND AMETHYST PENDANT, 1900s set with an oval mixed-cut amethyst within a gold collet to a fancy link chain, stamped 9ct, 43cm long £100 - 200 574 SMOKEY QUARTZ PENDANT, 1960s claw set with a cut-cornered rectangular smokey quartz, with gold trace link chain, British hallmarks for 18-carat gold, 40cm long £100 - 150 575 AQUAMARINE AND GOLD PENDANT AND CHAIN set with a rectangular cut-cornered aquamarine within a gold collet mount to a fancy link chain, British hallmarks for 18-carat gold to pendant and chain, London 2000 £200 - 300 576 TWO GOLD BANGLES, 1902 & 1926 one of foliate engraved buckle design, British hallmarks for 9-carat gold, Chester 1902, the other designed as a scroll engraved slave bangle, British hallmarks for 9-carat gold, Chester 1926 £400 - 600 577 (illustrated online) THREE PENDANTS comprising one of interlaced foliate scroll design centring on a circular garnet with a trace link chain, British hallmarks for 9-carat gold, one of shield scroll design set with four circular sapphires, stamped 9ct, and one of circular design depicting New York, unmarked £250 - 350 578 DIAMOND CHAIN the box link chain accented with three brilliant-cut diamond set rondelles, 54cm long, stamped 750 £600 - 800 579 GOLD FANCY LINK CHAIN, 1890s composed of three rows of figure-of-eight and curb linking, to a dog clip clasp, 50cm long £800 - 1,200

574

575

573

576 (part)

578

579

580 COLLECTION OF JEWELLERY comprising an aquamarine bar brooch, 1920s, set with an oval mixed-cut aquamarine to a plain polished bar, stamped 15ct & Plat, a pair of aquamarine and gold mounted ear studs, British hallmarks for 9-carat gold, and a pair of emerald and diamond gold mounted ear studs of flower design, British hallmarks for 9-carat gold £200 - 300 581 JADE PENDANT supporting a foliate carved pear-shaped jade plaque to a flat link chain, 45cm long £60 - 100 582 GOLD GATE LINK BRACELET designed as a series of rectangular open work links, British hallmarks for 9-carat gold, 20cm long £200 - 300 583 TWO DIAMOND RINGS one centring on a brilliant-cut diamond to stepped shoulders, ring size L 1/2, the other claw set with three brilliant-cut diamonds, ring size N £400 - 600 584 PAIR OF DIAMOND EAR STUDS each claw set with a brilliant-cut diamond £150 - 250 585 (illustrated online) RUBY AND DIAMOND PENDENT supporting a pear-shaped ruby drop to a geometric surmount set with brilliant-cut diamonds, with a trace link chain, stamped 375, 42cm long £200 - 300

580 (part)

581 582

583

584

587

588

589 (part)

590

591

586 (illustrated online) FOUR RINGS comprising a diamond set band ring set with baguette diamonds, ring size T, stamped 750, a paste eternity ring, a synthetic ruby ring with textured mount and a paste three stone ring £150 - 250 587 SEED PEARL AND GOLD NECKLACE, 1800s composed of fourteen graduated strands of seed pearls to a gold rectangular convex clasp, with glazed hair locket framed by half-pearls, 40cm long £300 - 500 588 DIAMOND PENDANT designed as a white enamel open work heart motif with claw set brilliant-cut diamond swing centre, to a fine curb link chain, with fluted barrel clasp, 40cm long £400 - 600 589 COLLECTION OF JEWELLERY, 1890s comprising: a half-pearl, rose-cut diamond and blue enamel stick pin, three gold and halfpearl bar brooches, and a heart-shaped rose-cut diamond set locket £250 - 350 590 A GOLD, ENAMEL AND HALF PEARL BROOCH, 1890s circular applied with a half-pearl fleur-de-lis motif to a blue guilloché enamel ground with white champleve enamel and seed pearl border; together with a shell cameo, of a bust of a gentleman (2) £80 - 120 591 THREE GEM-SET RINGS, 1890s AND LATER one set with three graduated brilliant-cut diamonds, stamped 18ct plat, ring size S, one of interlaced design set with rubies and half-pearls, British hallmarks for 15-carat gold, Birmingham 1890, and one set with a single-cut diamond and circular-cut rubies, British hallmarks for 15-carat gold, Birmingham 1894, ring size P £250 - 350 592 (illustrated online) COLLECTION OF JEWELLERY comprising: a gold mounted shell cameo brooch, British hallmarks for 9-carat gold, a gold and citrine bar brooch, British hallmarks for 9-carat gold, an Edwardian circular gold locket and chain, stamped 9ct £100 - 150

593 DIAMOND PENDENT CROSS, 1920s the pierced millegrain cross accented with rose-cut diamonds, with a trace link chain £250 - 350 594 TWO BROOCHES AND A PENDANT comprising a gold, turquoise and cultured pearl wreath brooch, British hallmarks for 9-carat gold, an amethyst and gold bar brooch, British hallmarks for 9-carat gold, and a pendant designed as an owl in a crescent moon £100 - 200 595 (illustrated online) GOLD LOCKET AND FOUR PAIRS OF EARRINGS the oval locket applied with a foliate spray to a fine box link chain, British hallmarks for 9-carat gold, and four pairs of earrings £300 - 500 596 TWO ART DECO RINGS, 1920s one of panel design millegrain set with circular-cut diamonds, ring size M, the other set with a rectangular onyx panel accented with paste detail, ring size N, cased £250 - 350 597 EMERALD AND DIAMOND CLUSTER RING, 1920s the rectangular bezel set with a step-cut emerald, framed by circular-cut diamonds, ring size O, stamped 18ct plat £400 - 600 598 DIAMOND RING set with three brilliant-cut diamonds, ring size V £300 - 500 599 TWO SAPPHIRE AND GEM-SET BAR BROOCHES, 1920s one of geometric design set with square sapphires and circular- and rose-cut diamonds, the other of target design set with circular-cut sapphires and half-pearls £150 - 250

596

593

594 (part)

597

598

599

600 (illustrated online) TWO PAIRS OF ONYX EARRINGS comprising a pair of fluted design accented with gold lines, stamped MAZ 14k, clip and post fittings, and a pair of onyx bead design, post fittings £250 - 350 601 VICTORIAN, GOLD, ENAMEL AND SPLIT-PEARL MOURNING LOCKET, 1890s the oval black enamel and gold locket applied with an entwined split-pearl monogram, with glazed locket reverse, with later bar brooch fitting, 4.2 x 3.2cm £300 - 500 602 TWO GOLD BAND RINGS one with foliate engraved panels, British hallmarks for 18-carat gold, ring size G, the other designed a polished D shaped band, British hallmarks for 22-carat gold, ring size G £600 - 800 603 DIAMOND RING crossover design claw set with two brilliant-cut diamonds, with diamond set detail to the centre and shoulders, ring size Q 1/2 £1,000 - 1,500 604 DIAMOND PANEL RING the rectangular open work interlaced panel set with a cushion-shaped diamond, framed by brilliant-, and single-cut diamonds, ring size O £1,000 - 1,500 605 THREE GOLD BAND RINGS one of buckle design, the other two with foliate engraved decoration, all with British hallmarks for 18-carat gold £400 - 600 606 (illustrated online) CULTURED PEARL AND DIAMOND NECKLACE, 1920s composed of two graduated rows of cultured pearls measuring from approximately 7.6mm to 3.8mm, to an oval clasp inset with a single rose-cut diamond, stamped 9ct, 44cm long, clasp detached, cased £200 - 300

602 601

603

604

605

607

608

609

610

611

607 AMETHYST NECKLACE, 1890s AND LATER designed as three oval mixed-cut amethyst mounted in gold pinched collets, to a curb link chain, 42cm long £300 - 500 608 EGYPTIAN REVIVAL GOLD AND FAIENCE BRACELET, 1880s designed as a series of six faience scarabs within serpent mounts, interspersed with Lotus leaf links to an Egyptian mask clasp, 17.5cm long £500 - 700 609 OTTOMAN DIAMOND RING, 1890s the navette shaped bezel set with foiled rose-cut diamonds, ring size O £400 - 600 610 GOLD GATE LINK BRACELET, 1900s the rose gold gate links to a heart-shaped padlock clasp, 19cm long, stamped 9ct £300 - 500 611 EDWARDIAN GOLD GATE LINK BRACELET, 1900s designed as a series of gate links to a heart-shaped padlock clasp, stamped 15ct, 20cm long, 18 grams £600 - 800 612 PAIR OF INDIAN FOILED STONE MAKARA HEAD EARRINGS, 1890s each designed as a coiled Makara head set with foiled cabochon rubies and lasque-cut jargoons, later post fittings, possibly adapted from a necklace, diameter 4cm £300 - 500

614 613

615

616

613 VICTORIAN, GOLD, DIAMOND AND HALF-PEARL BROOCH/PENDANT, 1890s designed as a radiating star centring on an old mine-cut diamond within a surround of half-pearls, detachable brooch pin and pendant bail, diameter 3cm, fitted Goldsmiths & Silversmiths case £150 - 250 614 PAIR OF DIAMOND AND PEARL PENDENT EARRINGS, 1910s each supporting a pear-shaped circular-cut diamond set frame with 5.2mm pearl swing centre, to a circular-cut diamond line and surmount, 4cm long, pearls untested £700 - 900 615 GOLD, AMETHYST AND HALF-PEARL PENDANT/BROOCH, 1900s centring on a cushion-shaped amethyst within a scroll surround set with half-pearls, detachable brooch pin and bail £150 - 200 616 GOLD, AMETHYST AND HALF-PEARL BROOCH/PENDANT, 1900s foliate scroll design set with split-pearls, framing a circular-cut amethyst with pear-shaped amethyst drop, detachable brooch pin to reverse, stamped 15ct, to a twisted link chain, 43cm long £300 - 500 617 PAIR OF AMETHYST AND CULTURED PEARL PENDENT EARRINGS each supporting a pear-shaped drop set with a pear-shaped amethyst within a textured open work frame accented with cultured pearls, to an amethyst set surmount, 5cm long £400 - 600 618 (illustrated online) CULTURED PEARL NECKLACE composed of two graduated rows of cultured pearls measuring from approximately 7.4mm to 3.6mm, to a gold bow shaped clasp, British hallmarks for 9-carat gold, Birmingham 1970, 44cm long, and a freshwater cultured pearl necklace and bracelet £80 - 120

620

619

621

622 623 52

619 VICTORIAN, TURQUOISE AND DIAMOND STICK PIN, 1890s the terminal set with a Club motif set with pear-shaped cabochon turquoise and old mine-cut diamonds, fitted case £100 - 150 620 VICTORIAN GOLD AND GARNET SCARF PIN, 1880s the spherical terminal decorated with mixed-cut cabochon garnets with loop detail £150 - 250 621 FOUR DIAMOND AND GEM-SET STICK PINS, LATE 19TH /EARLY 20TH CENTURY comprising a stick pin designed as a dancing Dog set with rose-cut and baguette diamonds with cabochon ruby bow tie and onyx eye and nose, 1920s, one designed as a Squirrel set with rose-cut diamonds, 1920s, one diamond deficient, one designed as a Fly with rose-cut diamond and pearl body and half-pearl wings,1900s, and an oval hardstone cameo stick pin depicting the profile of Mercury, 1880s £300 - 400 622 DIAMOND BROOCH designed as a clarinet, accented with brilliant-cut diamonds, 7.5cm long £500 - 700 623 DIAMOND STICK PIN/PENDANT AND TWO STICK PINS the diamond stick pin designed as a stylised monogram milligrain set with circular-cut diamonds, detachable stick pin with hinged pendant loop, one stick pin designed as a ruby and diamond monogram of trident form and one designed as a crescent moon set with half-pearls, (3) £300 - 400 624 (illustrated online) COLLECTION OF FIVE BROOCHES, 1800s AND LATER comprising: a Georgian half-pearl mourning brooch, 1800s, designed as an oval glazed hair locket, framed by half-pearls, a Victorian cabochon garnet bar brooch, 1880s, a Victorian sapphire crescent moon brooch, 1890s, a Victorian half-pearl and sapphire bar brooch, 1900s, stamped 9ct, and a silver and floral enamel bar brooch, 1920s £200 - 300

625 (illustrated online) GLASS AND DIAMOND BRACELET AND A PAIR OF DIAMOND EAR STUDS the bracelet of curb linking centring on a glass eye motif framed by brilliant-cut diamonds17.5cm long, and a pair of brilliant-cut diamond earstuds, post fittings £200 - 300 626 DIAMOND BAR BROOCH, 1920s target design centring on a millegrain set circular-cut diamond to a polished bar, 6cm long, fitted case £200 - 300 627 TWO GEM-SET BAR BROOCHES, 1900s one centring on a circular-cut diamond and pearl flower applied to a knife edge bar with circular-cut sapphire terminal, cased, and a Murrle Bennett & Co bar brooch applied with a pair of half-pearl and turquoise Swallows, stamped 9ct MB&Co, cased £150 - 200 628 WELSH GUARDS DIAMOND BROOCH, 1900s designed as a Welsh Leek, decorated with rose-cut diamonds, mounted in silver and gold, 3cm £500 - 600 629 A PAIR OF GOLD AND DIAMOND EARRINGS, 1890s in the Etruscan revival taste, circular floral design, each centring on an old mine-cut diamond framed by rope and bead work detail, screw back fittings £150 - 250 630 VICTORIAN, SAPPHIRE AND DIAMOND RING, 1890s cluster design set with an oval mixed-cut sapphire framed by old mine-cut diamonds, to scroll work shoulders, ring size L £800 - 1,200 631 VICTORIAN OPAL AND DIAMOND HALF HOOP RING, 1890s set with five graduated opal cabochons, accented with rose-cut diamond points, to a pierced scroll gallery, two rose-cut diamond points deficient, ring size Q £200 - 300 54

626

628 627

630 629

631

632 (illustrated online) COLLECTION OF GEM-SET JEWELLERY comprising: a pair of opal drop earrings, a pair of knot ear studs with diamond centre, a pair of sapphire and diamond cluster ear studs, a pair of cultured pearl ear studs, a ruby and diamond gold half hoop ring, British hallmarks for 18-carat gold, ring size N 1/2, a diamond three stone ring and a signet ring £300 - 500 633 VICTORIAN ETRUSCAN REVIVAL GOLD HINGED BANGLE, 1890s the hinged bangle decorated with twisted cord and bead scroll work detail, inner circumference 17cm £1,000 - 1,500 634 RUBY, DIAMOND AND GOLD RING, 1919 the wide tapering band inset with a circular-cut diamond set between two circular-cut rubies within star mounts, British hallmarks for 18-carat gold, London 1919, ring size P 1/2. fitted case £200 - 300 635 TWO GOLD RINGS, 1896 & 1901 one of rope work design, British hallmarks for 8-carat gold, London, 1901, 6.9 grams, and a foliate engraved gold band ring, British hallmarks for 22-carat gold, Birmingham, 1896, 4 grams £500 - 600 636 RUBY, DIAMOND AND GOLD RING, 1900 the tapering gold band inset with a circular-cut diamond set between two circular-cut rubies within star mounts, British hallmarks for 18-carat gold, Chester 1900, ring size P, fitted ivorine case £100 - 200 637 VICTORIAN GOLD BAR BROOCH, 1900 lozenge design applied with rope work detail with glazed hair locket to the reverse, stamped 9ct, cased £50 - 70

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638 VICTORIAN ACROSTIC GOLD, HARDSTONE AND PASTE NECKLACE, 1890s designed as a series of oval hardstones including malachite, lapis lazuli and jasper and paste, including goldstone, and opalescent and green foiled paste, joined by ouroboros links, each with textured scales, to a floral enamel and coiled serpent clasp, supporting a zoomorphic pendant of Olmec design with engraved Christian iconography to the reverse, with seed pearl detail, 36cm long, fitted wooden case lined in magenta silk velvet Provenance: Dorothy Neville-Rolfe (1873-1967), purchased in Italy as a 21st birthday present in 1894 (as per note), thence by decent. Dorothy Neville-Rolfe was a descendant of Pocahontas, also known as Rebecca Rolfe (1596-1617), daughter of the Powhatan, the paramount chief of the Powhatan Confederacy. In 1614 she married the tobacco planter John Rolfe and bore him a son, Thomas Rolfe, in 1615. In 1616 they travelled to London and Pocahontas was presented to the Jacobean Court and became feted as a celebrity from the Colonies. Before their planned return to Jamestown,Viginia, Pocahontas died in 1617 and was buried in St George's Church, Gravesend, Kent. It is tempting to speculate that the pendant of Native American design inspiration, probably contemporary with the necklace, may be a reference to Dorothy Neville-Rolfe's famous forebear.

£2,000 - 3,000

639 TWO VICTORIAN AMETHYST AND GOLD BROOCHES, 1860s one set with an oval mixed-cut amethyst within a gold frame of textured vine leaves, the other set with an oval mixed-cut amethyst within a gold spiral frame accented with rose-cut garnets. £300 - 500 640 GOLD AND TURQUOISE PENDANT/BROOCH, 1830s repousse work foliate scroll design, accented with cabochon turquoise detail, supporting a detachable pear-shaped drop, and bail, brooch pin to reverse, 7cm long £300 - 500 641 GOLD AND GARNET BRACELET, 1830s set with five graduated foil backed garnet cabochons within gold beaded mounts, to a repousse scroll link bracelet, 15cm long £800 - 1,200 642 FOUR GEM-SET RINGS comprising: one set with an oval cabochon garnet to a engraved foliate mount accented with brilliant-cut diamonds, ring size L, one of interlaced cord design accented with circular-cut sapphires, ring size M 1/2, British hallmarks for 9-carat gold, one of buckle design with single-cut diamond set buckle motif, ring size M, and one designed as a sycamore leaf with cultured pearl detail, ring size M 1/2 £400 - 600 643 (illustrated online) TWO GEM-SET DRESS RINGS, 1960s comprising one claw set with a circular synthetic blue spinel to a scroll work mount, stamped 9ct, ring size N, and a smokey quartz dress ring claw set with a square cutcornered smokey quartz, to a silver mount, ring size M £100 - 200

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642 (part)

644 DIAMOND RING claw set with a brilliant-cut diamond, ring size M, British hallmarks for 18-carat gold £1,800 - 2,200

645 DIAMOND RING claw set with a circular-cut diamond, ring size T £800 - 1,200

646 DIAMOND RING claw set with a circular-cut diamond with pierced scroll gallery, ring size L £250 - 350

647 DIAMOND, RUBY AND EMERALD BROOCH, 1890s designed as a butterfly of open work design, set with old mine- and rose-cut diamonds, accented with mixed-cut rubies and a single square emerald, mounted in gold £1,000 - 1,500

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648 DIAMOND DEMI-PARURE comprising a necklace and a pair of pendent earrings, the necklace designed as a uniform line of brilliant-cut diamond set links, accented to the front with graduated floral clusters set with brilliant-cut diamonds, 43cm long, the earrings of matching design each designed as four floral clusters, 4cm long, clip and post fittings £8,000 - 12,000

649 AQUAMARINE AND DIAMOND CLUSTER RING, 1970s claw set with a rectangular cut-cornered aquamarine, within a brilliant-cut diamond set bezel, ring size M 1/2, stamped 18ct £2,500 - 3,500

650 AQUAMARINE AND DIAMOND RING, 1960s claw set with a cushion-shaped mixed-cut aquamarine, the shoulders accented with clusters of brilliant- and marquise-cut diamonds, ring size G £500 - 700

648

649

650

651 VICTORIAN, DIAMOND AND PEARL BROOCH, 1880s designed as a floral spray set with old mine- and rose-cut diamonds, accented with pearl detail, mounted in silver and gold, two diamonds deficient, 9cm long, pearls untested £1,000 - 1,500

652 AMETHYST, SEED PEARL AND DIAMOND PENDANT/BROOCH, 1890s centring on an oval mixed-cut amethyst, within a spiral ribbon and floral frame decorated with circular- and rose-cut diamond, accented with seed pearl detail, to a ribbon bow surmount, detachable brooch pin and diamond set bail, 4.5cm long £2,000 - 3,000

653 AMETHYST AND SEED PEARL RING, 1890s COMPOSITE centring on an oval mixed-cut amethyst, accented to the cardinal points with seed pearl detail, ring size R £150 - 250

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653

654 SAPPHIRE AND DIAMOND BROOCH, 1900s designed as a ribbon tied garland set with oval mixed-cut sapphires and rose-cut diamonds, cased £200 - 300

655 DIAMOND PENDANT, 1890s designed as a floral spray, set with old mine- and rose-cut diamonds, mounted in silver and gold £300 - 500

656 DIAMOND BROOCH, 1890s designed as a shooting star and heart motif, set with old mine- and circular-cut diamonds, applied to a knife edge bar, mounted in silver and gold, 4.5cm long £400 - 600

657 GEORGIAN, PAIR OF EMERALD AND DIAMOND BROOCHES, 1800s each of cluster design centring on a foil backed old mine-cut diamond mounted in a cutdown setting, surrounded by similarly set foil backed cushion-shaped emeralds, mounted in silver and gold, later brooch pins to reverse £800 - 1,200 658 SAPPHIRE AND DIAMOND RING, 1900s cluster design set with three circular-cut sapphires framed within a border of circularcut diamonds, ring size Q, stamped 15ct £600 - 800

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659 BURMESE SAPPHIRE AND DIAMOND RING cluster design, centring on an oval mixed-cut Burmese sapphire, within a surround of brilliant-cut diamonds, to a tapering mount with shoulders accented with channel set calibre-cut sapphires and brilliant-cut diamonds, ring size N, stamped 750 18k AnchorCert, dated 3rd December 2024, number 327355/20069890, stating that the sapphire is estimated to weigh 4.10 carats, shows no evidence of treatment and is of Burmese origin.

£12,000 - 18,000

660 SAPPHIRE AND DIAMOND BRACELET designed as a line of millegrain set calibré-cut sapphires, interspersed with pairs of brilliantcut diamonds, within two lines of similarly set diamonds, 17.5cm long, stamped 18k £8,000 - 12,000

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661 DIAMOND BAR BROOCH, 1920s designed as a tapering bar set with a graduated line of old mine-cut diamonds with scroll engraved gallery, 11cm long, fitted case stamped Shapland, London £1,000 - 2,000

662 EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH, 1910s collet set with three oval mixed-cut sapphires, applied to an open work bar accented with rose-cut diamonds, 6.5cm long £1,000 - 1,500

663 EDWARDIAN SAPPHIRE AND DIAMOND RING, 1910s the cut cornered rectangular bezel set with an oval mixed-cut sapphire, framed by two millegrain rows of circular-cut diamonds, ring size O 1/2 £3,000 - 4,000

664 DIAMOND RING AND BAND RING claw set with a cushion-shaped diamond, to shoulders of leaf design accented with single-cut diamonds, ring size K 1/2, and a diamond band ring, set with a graduated line of brilliant-cut diamonds, British hallmarks for platinum, ring size K 1/2 £3,000 - 5,000

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665 FABERGE HERITAGE COLLECTION: ENAMEL AND DIAMOND PENDENT EGG, CIRCA 2020 the egg decorated with a scroll design accented with brilliant-cut diamonds to an opalescent guilloché enamel ground, to a fine curb link chain, signed Faberge, numbered 882-21, London convention hallmarks for 18 carat gold, with its grey box and outer card cases, chain 45cm long £2,000 - 3,000

666 ENAMEL PENDENT EGG decorated with white champleve enamel and grey guilloché enamel stripes, to a fine curb link chain, 43cm long £300 - 400

667 EDWARDIAN ENAMEL AND DIAMOND PENDENT WATCH, 1910s the circular dial applied with Arabic numerals to a blue guilloché enamel gold case, with white enamel bezel applied with a millegrain rose-cut diamond set quatrefoil motif, with trace link chain accented with blue guilloché enamel batons, 40cm long £400 - 500

668 ENAMEL AND DIAMOND PENDENT EGG, EARLY 20TH CENTURY decorated with pink translucent guilloché enamel to an open work foliate surmount decorated with rose- and circular-cut diamonds, with seed pearl surmount and diamond set bail £400 - 600

669 EMERALD AND DIAMOND BAR BROOCH designed as a tapering bar of oval mixed-cut emeralds, framed by single-cut diamonds, 7cm long £300 - 500

670 EDWARDIAN, OPAL AND DIAMOND BROOCH/PENDANT, 1900s centring on a heart-shaped opal, within a scroll frame of rose-cut diamonds, accented with single-cut diamonds, supporting a seed pearl drop, detachable brooch pin to reverse, hinged diamond bail, with trace link chain £600 - 800

671 EDWARDIAN DIAMOND BROOCH, 1910s circular open work design, centring on a circular-cut diamond within a garland surround of circular- and rose-cut diamonds with an outer border of rose-cut stones, diameter 3cm £3,000 - 4,000

672 EDWARDIAN DIAMOND RING, 1910s the square shaped bezel set with four old mine-cut diamonds framing a single-cut diamond, to radiating shoulders accented with rose-cut diamonds to a pieced and engraved gallery depicting Lotus flowers, ring size O 1/2 £600 - 800

673 DIAMOND CLUSTER RING flower head design centring on a brilliant-cut diamond within a scalloped surround of eight brilliant-cut diamonds, ring size Q 1/2, stamped plat £1,500 - 2,000

671

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672

674 EDWARDIAN EMERALD AND DIAMOND BROOCH, 1910s hexagonal design set with calibre-cut emeralds and circular-cut diamonds, diameter 2.5cm £800 - 1,200

675 DIAMOND COCKTAIL WATCH, 1930s the rectangular dial applied with Arabic numerals, the bezel set with circular-cut and baguette diamonds, to a similarly set tapering geometric bracelet, 17cm long £3,000 - 5,000

676 ART DECO DIAMOND RING, 1920s the rectangular onyx bezel inset with an old mine-cut diamond, with diamond accents to the shoulders, ring size M 1/2 £1,500 - 2,000

677 SAPPHIRE AND DIAMOND COCKTAIL RING, 1950s centring on a circular-cut sapphire set between two old mine-cut diamonds, ring size K 1/2 £1,200 - 1,500

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678 CARTIER: NATURAL PEARL AND DIAMOND NECKLACE, 1920s composed of a graduated row of 87 natural pearls measuring from 8.6 to 3.8mm, to a natural pearl and circular-cut diamond cluster clasp, (two pearls cultured) signed Cartier, London, 52cm long Accompanied by Gemmological Report from Gemmological Certification Services No. 5785-2032 dated 11th April 2025 stating that 87 pearls were found to be natural saltwater, with two additional beaded cultured pearls, with a natural saltwater pearl in the clasp

£8,000 - 12,000

679 DIAMOND BRACELET, 1950s designed as a series of horseshoe motifs, set with brilliant-cut diamonds, each framing a foliate motif set with brilliant- and single-cut diamonds, 18cm long £8,000 - 12,000 680 HAMILTON & CO, DIAMOND COCKTAIL WATCH, 1930s the cushion-shaped dial applied with Arabic numerals and dot indicators, to a single-cut diamond set bezel, with tapering shoulders set with single-, circular-cut and baguette diamonds, terminating in a gold cord strap, 16cm long, clasp stamped 14k £500 - 700 681 CULTURED PEARL AND DIAMOND NECKLACE, 1920s designed as a single graduated row of cultured pearl measuring from approximately 7.9mm to 3.5mm, to a clasp of geometric buckle design set with single-cut diamonds, 54cm long, cased £250 - 350 682 DIAMOND ETERNITY RING, 1930s set with circular-cut diamonds, ring size O £300 - 400 683 DIAMOND ETERNITY RING, 1920s set with circular-cut diamonds, ring size M 1/2 £200 - 300 684 RUBY AND DIAMOND ETERNITY RING, 1930s alternatively set with circular-cut diamonds and calibre-cut rubies, ring size T 1/2 £300 - 500

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685 AQUAMARINE AND DIAMOND PENDANT, 1960s set with a cushion-shaped mixed-cut aquamarine, framed by brilliant-, single-cut and baguette diamond detail, trace link chain £600 - 800 686 CITRINE AND DIAMOND RING, 1970s claw set with a cushion-shaped mixed-cut citrine, accented to the shoulders with brilliant-cut and baguette diamonds, to a fluted ring mount, ring size Q £300 - 500 687 TOURMALINE AND DIAMOND RING, 1970s claw set with a rectangular cut-cornered green tourmaline, within a cluster surround of single-cut and baguette diamonds, ring size Q £600 - 800 688 AQUAMARINE AND DIAMOND RING, 1950s/COMPOSITE cluster design, claw set with a rectangular cut-cornered aquamarine, within a bezel of old mine-cut diamonds, ring size R £800 - 1,200

685

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689 AMETHYST AND DIAMOND DEMI-PARURE, 1960s comprising a necklace and a pair of pendent earrings; the necklace composed of a series of graduated oval mixed-cut amethysts, each accented with brilliant-cut diamond detail, 70cm long, the earrings of matching design each supporting a pear-shaped amethyst drop with oval amethyst surmount, clip fittings, 3.5cm long. £2,500 - 3,500

690 DIAMOND LINE NECKLACE designed as a graduated line of claw set brilliant-cut diamonds, stamped 750, 37cm long £4,000 - 6,000

691 PAIR OF DIAMOND EAR STUDS each claw set with a brilliant-cut diamond £2,000 - 3,000

692 DIAMOND RING collet set with a single brilliant-cut diamond, ring size K 1/2 £800 - 1,200

693 DIAMOND RING claw set with an asscher-cut diamond weighing 1.05 carats, the shoulders each accented with three brilliant-cut diamonds, British hallmarks for platinum 2004, ring size I Copy of GIA report number 13275190, dated March 16th 2004, stating that the diamond weighing 1.05 carats is D colour,VS2 clarity

£2,500 - 3,500

691

690

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693

694 DIAMOND RING claw set with a brilliant-cut diamond weighing 4.11 carats, ring size N Accompanied by a European Gemological Laboratory report date 9th February 2010, number EGL3022044217, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity, and an American International Gemologists Insurance appraisal dated 22nd February 2010, number 070, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity

£20,000 - 30,000

695 DIAMOND LINE NECKLACE designed as a graduated line of claw set brilliant-cut diamonds, 42cm long Accompanied by an American International Gemologists Appraisal, dated 2nd February 2010, number 019910032010RTF, stating that the principal diamond weighing approximately 1.00 carats is J colour, I1 clarity, and that the remaining diamonds weigh in total approximately 15.23 carats, estimated colour G-I, estimated clarity I1-I2

£10,000 - 15,000

696 PAIR OF GOLD AND CULTURED PEARL EAR STUDS each of target design centring on a cultured pearl, British hallmarks and European convention marks for 18-carat gold £100 - 200

697 CULTURED PEARL NECKLACE composed of a uniform row of 60 cultured pearls each measuring approximately 7.9mm, to a circular-cut sapphire and brilliant-cut diamond cluster clasp, 55cm long £200 - 300

698 CULTURED PEARL, SAPPHIRE AND DIAMOND NECKLACE designed as two uniform rows of 5.8mm cultured pearls, to a rectangular clasp set with a line of calibre-cut sapphires framed by a border of brilliant-cut diamonds, 42cm long £200 - 300

699 CULTURED PEARL NECKLACE composed of a uniform row of 6.8mm cultured pearls to an oval gold clasp, British hallmarks for 9-carat gold, 43cm long £50 - 70

699

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696

700

701

702

703

700 CULTURED PEARL AND DIAMOND NECKLACE AND PAIR OF PENDENT EARRINGS, 1980s the necklace designed as a uniform row of 45 x 9mm cultured pearls accented with 16 diamond set rondelles, centring on a crescent motif clasp set with brilliant-cut and baguette diamonds, 50cm long, Italian assay marks, the pendent earrings of matching design, each supporting a single 9.8mm cultured pearl drop to a brilliant-cut diamond cluster surmount, 3cm long £800 - 1,200

701 PAIR OF DIAMOND PENDENT EARRINGS each supporting a detachable hoop pave-set with brilliant-cut diamonds, with diamond set surmount, 4.5cm long £600 - 800

702 DIAMOND BRACELET rope work linking set to the front with nine claw set brilliant-cut diamonds, 17cm long £1,000 - 1,200

703 DIAMOND BRACELET set to the front with a baton of brilliant-cut diamonds, to a two tone link bracelet, 17.5cm long £800 - 1,200

704 PAIR OF DIAMOND PENDENT EARRINGS each of linen fold design pave-set with brilliant-cut diamonds, with detachable pendants, 6.3cm long £3,000 - 4,000 705 MCCABE MCCARTY: GOLD AND DIAMOND RING, 1976 the wide tapering textured gold band collet set with marquise-shaped, brilliant-cut and baguette diamonds, ring size O, maker's mark, British hallmarks for 18-carat gold, London 1976 See lot 536 for further information on the firm of McCabe McCarty.

£700 - 900 706 DIAMOND RING, 1970s the wide tapering textured band claw set with brilliant-cut diamond accents, ring size P £800 - 1,200 707 MCCABE MCCARTY: GOLD AND DIAMOND RING, 1973 the wide tapering textured gold band centring on a target motif set with a brilliant-cut diamond framed by single-cut diamonds, ring size O, maker's mark, British hallmarks for 18-carat gold, London 1973 See lot 536 for further information on the firm of McCabe McCarty.

£700 - 900 708 DIAMOND BANGLE the hinged bangle with lozenge pattern centring on a single lozenge motif pave-set with brilliant-cut diamonds, inner circumference 16.5cm £3,500 - 4,000

704

705

706

707

708

709 DAVID MORRIS: GOLD NECKLACE, 1988 designed as a series of brick link panels interspersed with annular connecting links, stamped DM for David Morris, Italian assay marks and British import marks for 18-carat gold, Birmingham 1988, 41cm long £5,000 - 7,000

710 PIAGET: GEM-SET AND DIAMOND BANGLE accented with circular-cut emeralds, rubies, sapphires and brilliant-cut diamonds, signed Piaget, numbered A35293, stamped 750, inner circumference 18cm £3,000 - 5,000

711 PIAGET: GEM-SET AND DIAMOND RING accented with circular-cut emeralds, rubies, sapphires and brilliant-cut diamonds, signed Piaget, numbered A4067456, stamped 750, ring size R £2,000 - 3,000

709

711

710

712 DIAMOND BROOCH of interlaced ribbon design, accented with brilliant-cut diamonds £400 - 600

713 GOLD AND DIAMOND NECKLACE, 1998/99 designed as a plaited chain with brushed finish with detachable pendant accented with brilliant-cut diamonds, British hallmarks for 18-carat gold, London 1998/99, 42cm long £4,000 - 6,000

714 GIRARD PERREGAUX: DIAMOND COCKTAIL WATCH, 1950s the circular dial applied with Arabic numerals and baton indicators, brilliant-cut diamond set bezel and shoulders, to a tapering bracelet, signed Girard Perregaux, stamped 750, Swiss assay marks, 17cm long £1,000 - 1,500

715 TWO GOLD AND DIAMOND RINGS one of crossover design claw set with two brilliant-cut diamonds, British hallmarks for 18-carat gold, Sheffield 1992, the other collet set with five brilliant-cut diamonds, British hallmarks form18-carat gold, Sheffield 2000 £600 - 800

100

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713

714 715

101

716 ⦿ CORAL AND DIAMOND BROOCH, 1970s designed as a butterfly with cabochon coral wings and body, accented with brilliant-cut diamonds, stamped 750, Italian assay marks £300 - 500

717 GOLD, ENAMEL AND DIAMOND BROOCH, 1968 designed as a green and blue translucent enamel gold bird on a branch with single-cut diamond eye, British import marks for 18-carat gold, Birmingham 1968 £500 - 700

718 GOLD, CHRYSOPRASE AND RUBY BROOCH, 1959 designed as an owl with oval cabochon chrysoprase body and cabochon ruby eyes, British hallmarks for 9-carat gold, London 1959 £300 - 500

719 TWO GOLD CHARMS, 1961 & 1966 one designed as a stylised mouse with cabochon ruby eyes, British hallmarks for 9-carat gold, London 1961, the other designed as a winking duck with cabochon sapphire eye, British hallmarks for 9-carat gold, London 1966 £700 - 900

720 ⦿ TURQUOISE AND CORAL BROOCH, 1970s designed as two Cats, with cabochon coral heads and turquoise and coral bodies respectively, each with ruby enhanced eyes, stamped 750 £300 - 500

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718

719

720

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721 GOLD NECKLACE, 1966 of crossover woven mesh linking, centring on a tassel motif, 40cm long, British import marks for 18-carat gold, London 1966 £2,500 - 3,500

722 GEM-SET BROOCH, 1960s textured feather design accented with circular-cut rubies, sapphires and emeralds with brilliant-cut diamond accents £500 - 700

723 UNIVERSAL, GENEVA: LADYS DIAMOND COCKTAIL WATCH, 1960s the circular dial applied with Arabic numerals and baton indicators, the bezel accented with a line of brilliant-cut diamonds, to a tapering bracelet of mesh linking, signed and numbered 15565 .2 1767763, stamped 750, 18cm long £800 - 1,200

724 PAIR DIAMOND EAR CLIPS each of flower design centring on a single brilliant-cut diamond £500 - 700

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721

722

723

724

105

725 TIFFANY & CO: DIAMOND PARURE comprising a necklace and matching bracelet, designed as a series of knife edge bars joined by brilliant-cut diamond collets, both signed Tiffany & Co, necklace 39cm long, bracelet 17cm long, with Tiffany & Co pouch and box £4,000 - 6,000

726 TIFFANY & CO, SCHLUMBERGER: SAPPHIRE AND DIAMOND ETERNITY RING set with circular-cut sapphires and brilliant-cut diamonds, interspersed with knot motifs, signed Tiffany & Co, Schlumberger, stamped 750, ring size M £2,500 - 3,500

727 TIFFANY & CO, SCHLUMBERGER: PAIR OF DIAMOND EAR CLIPS, 2006 each designed as a single flower accented with brilliant-cut diamonds, signed Tiffany & Co, Schlumberger Studio, British hallmarks for 18-carat gold, London, 2006 £2,000 - 3,000

106

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107

728 GOLD BROOCH, 1966 designed as a ribbon tied floral spray, the flowers with textured petals, centring on circular-cut garnets, amethyst, citrine and blue zircon, British hallmarks for 9-carat gold, Birmingham 1966, 23 grams £400 - 500

729 GOLD AND SAPPHIRE BROOCH, 1966 designed as a floral spray with textured gold petals and leaf, accented with circular-cut sapphires, British import marks for 18-carat gold, London 1966 £500 - 700

730 PAIR OF EARRINGS each designed as a textured and polished hoop accented with circular-cut ruby detail, with interlaced spiral surmount, stamped 750, 6cm long £800 - 1,200

731 SAPPHIRE RING, 1970s cluster design set with circular-cut sapphires to a textured leaf surround, ring size O, stamped 14k £100 - 150

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729

730

731

109

732 ILIAS LALAOUNIS LION RING in the Etruscan revival style designed as two opposing lion heads with beaded collars to a facetted band, maker's mark, stamped 750, numbered A21, ring size O £800 - 1,200

733 ILIAS LALAOUNIS: EMERALD AND SAPPHIRE TORQUE, 1970s designed as a collar with textured open work square terminals accented with cabochon emeralds and circular-cut sapphires, the collar similarly highlighted with emerald and sapphire detail, inner circumference 32cm, signed LaLaounis, maker's mark, stamped 750 £3,000 - 5,000

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734

735

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734 PAIR OF MABE PEARL EAR CLIPS, 1980s each circular clip set with a mabé pearl, clip fittings, Italian assay marks, stamped 750 £300 - 500

735 SOUTH SEA BAROQUE CULTURED PEARL AND DIAMOND NECKLACE designed as 25, South Sea baroque cultured pearls, measuring from approximately 14mm to 13.4mm, to a brushed white gold spherical clasp accented with brilliant-cut diamonds, British hallmarks for 18-carat gold, 48cm long £2,000 - 3,000

736 SOUTH SEA CULTURED PEARL NECKLACE composed of a graduated row of 31 grey semi-baroque cultured pearls measuring from approximately 15.5 to 10.6mm, to a satin finish 18-carat white gold spherical clasp, 52cm long £2,000 - 3,000

737 PAIR OF GOLD AND DIAMOND EARRINGS each designed as a brushed gold hoop applied with a cross motif pave-set with brilliantcut diamonds, British import marks for 18-carat gold, clip and post fittings £1,500 - 2,000

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738 DAVID YURMAN: GEM-SET BANGLE, 1980s of hinged twisted rope design, to a buckle clasp accented with brilliant-cut diamonds and cabochon ruby and emerald detail, stamped D.Y 750 £2,000 - 3,000

739 PINK TOURMALINE RING centring on an oval pink tourmaline cabochon, inset to a bezel of buckle design, French assay and maker's marks, ring size M £400 - 600

740 A RUBY AND DIAMOND RING collet set with an oval cabochon ruby, the shoulders with diamond accents, stamped 750, ring size K £800 - 1,200

741 BOULDER OPAL AND DIAMOND PENDANT collet set with an oval boulder opal with rope work detail, with single diamond accent, to a hinged bail accented with three brilliant-cut diamonds, stamped 750 £800 - 1,200

742 TORQUE BANGLE twisted cord design with reeded terminals £500 - 700

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741

742

115

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746

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743 PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS each designed as a single five petaled flower set with brilliant-cut diamonds, edged in circular-cut sapphires, French assay marks £2,000 - 3,000 744 DIAMOND NECKLACE, 1980s designed as a series of lozenge links accented with four scalloped panels set with square-cut diamonds framed by brilliant-cut diamonds, French assay marks, 61cm long £2,500 - 3,500

745 DIAMOND CHAIN, 1980s of fetter, oval and curb linking, the fetter links each accented with eight brilliant-cut diamonds, 80cm long, stamped 750 £5,000 - 7,000

746 PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS each of spiral design decorated with calibre-cut sapphires and brilliant-cut diamonds, clip and post fittings £1,000 - 1,500

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747 LOUIS WIESE: GOLD GOTHIC REVIVAL GUARD CHAIN, 1890s designed as a series quatrefoil links, accented with fourteen lozenge shaped links each of Gothic design centring on a profile in Medieval headdress, signed Wiese, maker's mark for Louis Wiese, French assay marks, 138cm long Jules Wiese, 1818-1890, was the principal goldsmith to the firm of Froment-Meurice until the 1860s when he established his own business, exhibiting under his own name in London in 1862 where he was awarded a gold medal for jewellery in the 16th Century style. He worked in a similar sculptural style that he developed under Froment-Meurice as well as creating jewels in revivalist and archaeological styles fashionable at the time. His son Louis Wiese, 1852-1923, took over the firm in 1880 and contributed producing jewels which his father has set a precedent for, replicating jewels in a neo-Classical Renaissance and Gothic taste, set with unfaceted stones and treating the gold with mercury oxide to create an antique finish.The dating of jewels by Wiese can be somewhat problematic as Louis reused patterns and designs produced by his father who died in 1890, the same year that Louis registered his company mark, the name Wiese with a star above and below within a rhombus.

£12,000 - 18,000

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748 GARRARD & CO.: DIAMOND NECKLACE, 1983 designed as a series of trefoil motifs each accented with brilliant-cut diamonds, signed Garrard, French assay and British import marks for 18-carat gold, London 1983, 40cm long £2,500 - 3,500

749 THREE STONE DIAMOND RING claw set with three graduated circular-cut diamonds, ring size N 1/2 £1,500 - 2,000

750 GRIMA: GOLD, TOURMALINE AND DIAMOND BROOCH, 1966 centring on a watermelon tourmaline crystal within an undulating textured mount accented with three brilliant-cut diamonds, British hallmarks for 18-carat gold, London 1966, maker's mark HJCo, 5 x 4cm Accompanied by a facsimile of a valuation report from Grima dated 9th march 1976. Andrew Peter Grima (1921-2007) started designing jewellery in the workshop of his fatherin-law's Haller Jewellery Company (hence the HJco maker's mark) in 1948. By the 1960s, his flamboyant yet organic creations were regularly worn by members of the British royal family, as well as by Jacqueline Onassis, Ursula Andress and others in fashionable society. He opened his famous premises in Jermyn Street in 1966, the same year Prince Philip purchased a brooch of rubies for the Queen. Designing state gifts for Royal visits, he held the Royal Warrant from 1970 until 1986.The Queen was wearing Grima's ruby brooch during her 2007 Christmas message, broadcast the day before he died.

£4,000 - 6,000

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749

750

121

751 GRIMA: BEAD NECKLACE, COMPOSITE altered from a full bead Grima necklace, now comprising a curb link chain with two textured beads and a clasp, together with 18 additional Grima textured yellow and silver coloured beads unstrung, clasp stamped '750', signed Grima, French import marks, 41cm long £3,500 - 4,500

752 PAIR OF EAR CLIPS. 1970s interlaced textured ribbon design, clip fittings, French assay marks £800 - 1,200

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123

753

754

755

756 (part)

124

753 JADE NECKLACE AND BROOCH, 1950s the necklace composed of 36 Chinese carved jade beads, each measuring approximately 13.9mm, to a curb link back chain with filigree clasp, 72cm long, the brooch set with a carved and pierced jade leaf, within a silver gilt and enamel Chinese brooch frame. Jade not tested for treatment. £300 - 400

754 GOLD AND TIGERS EYE CHAIN, 1972 designed as a series of textured open work spherical links, accented with 9 tigers eye beads, British hallmarks for 9-carat gold, London 1972, 77cm long £800 - 1,200

755 CULTURED PEARL NECKLACE, 1970s designed as a row of 5mm cultured pearls each within a circular twisted cord link, 47cm long. £600 - 800

756 AMBER AND GOLD PENDANT AND TWO AMBER BROOCHES, 1970s the pendant set with an oval shaped carved amber panel depicting the profile of a Chinese crouching lion, to a pieced scroll gold mount, British import marks for 14-carat gold London 1975, the brooches set with an oval cabochon and circular cabochon amber respectively, each within a silver brooch frame. £300 - 400

125

757 RUBY AND DIAMOND SAUTOIR, 1970s designed as a series of oval cabochon ruby and brilliant-cut diamond set oval links, interspersed with twisted oval links and diamond set arched links, supporting a detachable pear-shaped pendant set with oval cabochon rubies and brilliant-cut diamonds, 72cm long, detaches in to a necklace of 54cm and a bracelet of 18cm, stamped 750, one diamond deficient £15,000 - 20,000

126

127

758 HINGED TORC NECKLACE of tapering fluted design, inner circumference approximately 38cm £1,500 - 2,000

759 STRAP LINK BANGLE, 1960s the wide strap with engraved foliate and figurative decoration, 20cm long £500 - 700

760 STRAP WORK BANGLE, 1960s tapering design with engraved foliate and scroll work decoration, 20cm long £700 - 900

761 ⦿ THREE GEM-SET PENDANTS comprising; one centring on a mabé pearl, framed with diamond accents, one of corbel form inlaid with onyx, lapis lazuli, mother-of-pearl, coral and malachite, accented with a brilliant-cut diamond cross motif, stamped 14k, and one supporting a grey cultured pearl drop to a brilliant-cut diamond set bail £700 - 900

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761 760

129

762 SAPPHIRE AND DIAMOND COLLAR, 1980s designed as a tapering collar of polished hinged panels, centring on a collet set cushionshaped orange sapphire, stated to weigh 8.45 carats, framed by a bezel of baguette diamonds and accented with lines of calibre-cut sapphires, the collar further accented at intervals with oval mixed-cut blue and orange sapphires highlighted with baguette diamonds and calibre-cut sapphires, 41cm long, stamped 750, fitted case £10,000 - 15,000

130

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763 GARRARD & CO: DIAMOND NECKLACE AND RING, 1990 the necklace designed as a series of five graduated triangular motifs set with brilliant-cut diamonds, to a fancy link chain with fluted barrel clasp, British hallmarks for 18-carat gold, 44cm long, the ring of matching design, signed Garrard, maker's mark, British hallmarks for 18-carat gold, London 1990, ring size O £1,000 - 1,500

764 PAIR OF DIAMOND PENDENT EARRINGS each supporting a demi lune motif decorated with brilliant-cut and baguette diamonds, to a diamond collet set surmount, 3.5cm long £500 - 700

765 PAIR OF DIAMOND PENDENT EARRINGS each designed as an open heart motif set with brilliant-cut diamonds £800 - 1,200

766 MCCABE MCCARTY: GOLD AND DIAMOND BROOCH designed as an arrow, accented with brilliant-cut diamonds, maker's mark, British hallmarks for 18-carat gold, 11cm long See lot 536 for further information on the firm of McCabe McCarty.

£500 - 700

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765

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134

767 BELLARRI: GEM-SET AND DIAMOND 'ROMANTICA' PARURE, 1980s comprising a hinged bangle, a pair of ear clips, a ring, and a pendant, the bangle designed as a scroll motif channel set with a graduated line of facetted multi-coloured gem-stones, including amethyst, citrine and garnet, accented with single-cut diamonds, stamped 18k, the ear clips of matching design, similarly set, signed Bellarri, stamped 18k, clips and post fittings, a matching ring, ring size O, signed Bellarri, stamped 18k, and a chevron shaped pendant similarly set with two corded chains, signed Bellarri, stamped 18k, bangle, ear clips, ring and pendant cases. Accompanied with four certificates of authenticity for the bangle, ear clips, ring and pendant.

£800 - 1,200

135

768 (illustrated online) A BAROQUE CULTURED PEARL NECKLACE composed of seventeen graduated baroque cultured pearl, to a spherical paste set clasp, 46cm long and a pair of blister pearl earrings £80 - 120 769 TWO DIAMOND RINGS each centring on a single brilliant-cut diamond, stamped Tiffany & Co, ring size K 1/2, with two Tiffany & Co. pouches £300 - 500 770 PAIR OF DIAMOND PENDENT EARRINGS each designed as three graduated articulated navette-shaped drops set with colourless and pink brilliant-cut diamonds, to a similarly set surmount, stamped 750, Italian assay marks, clip and post fittings, 8.5cm long. Pink diamonds not tested for natural colour origin.

£2,000 - 3,000 771 DIAMOND LONG CHAIN spectacle set with brilliant-cut diamonds to curb link connecting chains with a diamond set lobster clasp, 109 cm long £2,000 - 3,000 772 DIAMOND NECKLACE curb linking accented with eleven claw set brilliant-cut diamonds, to a fluted barrel clasp, 48cm long £600 - 800 773 KIKI MCDONOUGH: PAIR OF DIAMOND PENDENT EARRINGS each design as three articulated hoops, the central hoop set with brilliant-cut diamonds, to a similarly set surmount, stamped KIKI, 750, fitted case and box £700 - 900 774 DIAMOND BRACELET curb linking accented with nine claw set brilliant-cut diamonds, to a fluted barrel clasp, 17.5cm long £500 - 700 136

770

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774 137

777

776

775

779

778

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775 PAIR OF MOTHER-OF-PEARL AND DIAMOND PENDENT EARRINGS each supporting a spade shaped mother-of-pearl drop accented with a single brilliantcut diamond, to a brilliant-cut diamond trefoil surmount, 4cm long £300 - 400 776 FRESHWATER CULTURED PEARL, SAPPHIRE AND DIAMOND NECKLACE designed as a torsade of four rows of freshwater cultured pearls, to a sapphire and diamond clasp of target design, set with a single cabochon sapphire framed by brilliantcut diamonds 41cm long £200 - 300 777 PAIR OF FRESHWATER CULTURED PEARL AND DIAMOND PENDENT EARRINGS each designed as a tapering open work lozenge motif with brilliant-cut diamond swing centre and surmount, supporting a freshwater cultured pearl drop, 5cm long £300 - 400 778 PAIR OF GOLD PENDENT EARRINGS each of tapering drop design, British import marks for 18-carat gold, 5cm long £300 - 500 779 SAPPHIRE AND DIAMOND BRACELET set with oval mixed-cut sapphires interspersed with pairs of brilliant-cut diamonds, 15cm long, stamped 916 £500 - 700

139

780

781

783

782

784

140

780 GOLD TWO COLOUR BRACELET brick link design, 22.5cm long, British import and European convention marks for 9-carat gold, 36 grams £700 - 900 781 GOLD NECKLACE AND BRACELET designed as a series of flat curb and fetter links, necklace 52cm long, bracelet 22cm long, British import and European convention marks for 9-carat gold, 36 grams £700 - 900 782 PAIR OF EAR CLIPS, 1980s each of cross motif, clip fittings, stamped 750 £1,500 - 2,000 783 GOLD TORQUE BANGLE, 2013 British hallmarks for 9-carat gold, London 2013, 49 grams £800 - 1,200 784 PAIR OF GOLD EARRINGS, 1995 each hollow hoop with rope work detail, British import marks for 18-carat gold, Birmingham 1995 £600 - 800

141

785 PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS each supporting a cultured pearl drop to a collet set brilliant-cut diamond surmount, 3cm long £200 - 300

786 CULTURED PEARL AND DIAMOND NECKLACE designed as a uniform line of 6mm cultured pearls, interspersed with eight brilliantcut diamond set rondelles, to a similarly set spherical clasp, 43cm long £400 - 600

787 TIFFANY & CO: GOLD, CULTURED PEARL AND DIAMOND NECKLACE designed as a uniform row of 27 cultured pearls, each measuring approximately 6.3mm, interspersed with quatrefoil motifs of brilliant-cut diamonds, 40cm long, signed Tiffany & Co, stamped 750, British hallmarks for 18-carat gold £5,000 - 8,000

788 PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS each supporting a single 6mm cultured pearl drop to an articulated line accented with two brilliant-cut diamonds, 3cm long £300 - 400

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788

787

786

785

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789 CULTURED PEARL, TURQUOISE, RUBY AND DIAMOND NECKLACE designed as a uniform row of 8mm cultured pearls, accented with single-cut diamond set rondelles, supporting a pendant of target design, centring on a circular cabochon turquoise accented and framed with brilliant-cut diamonds, the surmount accented with calibre-cut rubies, 49cm long £600 - 800

790 CARVED RUBY AND DIAMOND PENDANT designed as two foliate carved ruby plaques, each within black enamel frames, accented with brilliant-cut diamond connecting links, 7cm long £500 - 700

791 BULGARI: ANCIENT COIN RING/PENDANT, 2ND CENTURY BC AND 1980s the rotating bezel inset with an ancient silver coin, the bezel engraved CARIA KAVNOS 2nd cent BC, signed Bulgari, stamped 750, ring size M £1,000 - 1,500

792 PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS each supporting a tapered facetted citrine drop to a graduated collet set line of three brilliant-cut diamonds, 4.5cm long £700 - 900

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792 790

791

145

793 DIAMOND NECKLACE the two colour necklace supporting a detachable diamond pendant of interlaced design channel set with baguette diamonds, 44cm long, stamped 14k £1,000 - 1,500

794 DIAMOND BRACELET set with lines of brilliant-cut and baguette diamonds, stamped 750, 16cm long Accompanied by a Chrysolithos Gemmological Laboratory report, dated 01/08/93, number 3247, stating that the total diamond weight is 18.46 carats, Colour range G-I, clarity Vvs-Vs.

£6,000 - 8,000

795 MCCABE MCCARTY: GOLD AND DIAMOND BAND RING, 1980 of textured geometric design, accented with baguette diamonds, maker's marks, British hallmarks for 18-carat gold, ring size M See lot 536 for further information on the firm of McCabe McCarty.

£1,500 - 2,000

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795

794

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796 PARAIBA TOURMALINE AND DIAMOND PENDANT centring on an oval mixed-cut Paraiba tourmaline framed by a halo of brilliant-cut diamonds, to a textured and faceted link chain, Italian assay marks, stamped 14k, detachable into two lengths of 40cm and 43cm £800 - 1,200

797 CITRINE, DIAMOND AND GOLD CLUSTER RING, 1974 centring on a circular-cut citrine within a single-cut diamond set bezel, British hallmarks for 18-carat gold, London 1974 £200 - 300

798 DIAMOND CHAIN flat curb link design set with brilliant-cut diamonds, 57cm long, stamped 750 £4,000 - 6,000

799 AQUAMARINE RING claw set with an oval mixed-cut aquamarine, stamped 14k, ring size T £400 - 600

800 A CULTURED PEARL AND DIAMOND RING scroll design set with two grey cultured pearls, accented with crescents of brilliant-cut diamonds, stamped 750, ring size M 1/2 £400 - 600

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796 798

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799

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801 TIFFANY & CO: 'LUCIDA', DIAMOND ETERNITY RING channel set with square-shaped diamonds, signed T & Co, Lucida, numbered 597044, ring size O 1/2, case and Tiffany & Co pouch £1,500 - 2,500

802 TIFFANY & CO, ELSA PERETTI: 'SEVILLANA' DIAMOND RING, 2005 designed as an oval hoop pave-set with brilliant-cut diamonds, ring size M 1/2, signed Tiffany & Co, Elsa Peretti, stamped pt950 Spain, British hallmarks for platinum London 2005,Tiffany & Co case. £2,000 - 3,000

803 TIFFANY & CO, ELSA PERETTI: 'SEVILLANA' DIAMOND PENDANT designed as an oval hoop pave-set with brilliant-cut diamonds, with two adjustable silk cords, signed Tiffany & Co, Elsa Peretti, stamped pt950 Spain,Tiffany & Co case and box £3,000 - 5,000

804 TIFFANY & CO: DIAMOND RING claw set with a brilliant-cut diamond stated to weigh 0.57 carats, signed Tiffany & Co, numbered 17010484, stamped pt950, ring size L 1/2,Tiffany & Co case £1,000 - 2,000

150

801

803

802 804

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805

807

806

808

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805 GARRARD & CO: DIAMOND DEMI PARURE comprising a bracelet and matching pendant, the bracelet designed as a series of four open work circular motifs decorated with brilliant-cut diamonds with twisted connecting links, signed Garrard, stamped 750,18.5cm long, the pendant supporting a single open work circular motif decorated with brilliant-cut diamonds, to a twisted link chain, signed Garrard, Italian assay marks, 41cm long £2,000 - 3,000 806 PAIR OF DIAMOND EARRINGS hoop design, pave set with brilliant-cut diamonds, stamped 18k Italy, clip and post fittings £700 - 1,000 807 CARTIER: MAILLON PANTHERE, PAIR OF EARRINGS brick link design, signed Cartier, numbered 98453A, stamped 750, French assay and maker's marks £1,000 - 1,500 808 BOODLES: SAPPHIRE, DIAMOND AND PLATINUM ETERNITY RING alternatively set with rectangular cut-cornered sapphires and diamonds, signed Boodles, numbered 0118312K NXXXX, British hallmarks for platinum, ring size O £4,000 - 6,000

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809 DIAMOND NECKLACE designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 45cm long £1,800 - 2,200 810 DIAMOND NECKLACE designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 45cm long £2,000 - 2,500 811 DIAMOND BRACELET designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 17cm long £600 - 800 812 DIAMOND BRACELET designed as a line of foliate motifs, each claw set with a brilliant-cut diamond, 17.5cm long £800 - 1,200 813 PAIR OF DIAMOND EARRINGS each designed an oval hoop claw set with brilliant-cut diamonds £2,500 - 3,000

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811

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813

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814 DIAMOND PENDANT claw set with a brilliant-cut diamond stated to weigh 2.57 carats, within a detachable halo of brilliant-cut diamonds, to a fine link chain, British hallmarks and European convention marks for 18-carat gold, 41cm long European Gemological Laboratory report number 081125C/RVH, dated 25th November 2008, stating that the diamond weighing 2.57 carats is D colour Si1 clarity

£12,000 - 18,000 815 SAPPHIRE AND DIAMOND BRACELET, 1970s designed as a geometric line of square sapphires and brilliant-cut diamonds, 18cm long £1,000 - 1,500 816 RUBY AND DIAMOND LINE BRACELET, 1970s designed as a uniform line of circular-cut rubies, interspersed with single-cut diamonds, 18cm long, numbered 4611, stamped 18k £1,000 - 1,500

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820

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817 CULTURED PEARL AND DIAMOND BRACELET, 1960s composed of three uniform rows of 7mm cultured pearls, interspersed with four batons accented with brilliant-cut diamonds, to a scroll work clasp decorated with brilliant- and single-cut diamonds framing a central marquise-cut diamond, 18cm long £600 - 800 818 DIAMOND BROOCH, 1950s designed as a floral spray set with brilliant-cut diamonds, accented with single-cut and baguette diamonds, 6cm long £600 - 800 819 PAIR CULTURED PEARL AND DIAMOND EAR CLIPS each of flower design set with a single 7.9mm cultured pearl within a surround accented with brilliant-cut diamonds, stamped 750 £400 - 600 820 DIAMOND RING, 1920s claw set with an circular-cut diamond, the shoulders accented with graduated circular-cut diamonds, ring size J £2,000 - 3,000

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821 DIAMOND PENDANT designed as a ribbon tied bow decorated with brilliant-cut diamonds, supporting a heart-shaped drop, to a fine curb link chain, 45cm long £800 - 1,000 822 DIAMOND BROOCH designed as an open work wing accented with brilliant-cut diamonds, 9cm long £2,500 - 3,500 823 BOODLES: SAPPHIRE AND DIAMOND BROOCH designed as a dragonfly, with carré-cut pink sapphire wings and brilliant-cut diamond set body, signed Boodles, numbered 1303714 CBXX, Boodles case £1,000 - 1,500 824 SAPPHIRE AND DIAMOND BROOCH designed as a floral spray set with brilliant-cut diamonds and circular-cut sapphires, 5cm long £200 - 300 825 PAIR OF SAPPHIRE AND DIAMOND PENDENT EARRINGS each supporting a circular-cut sapphire and single-cut diamond cluster, to a circular-cut sapphire line and sapphire and diamond cluster surmount, 2.5cm long £400 - 600

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823

824

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826 RARE 'QUEEN ANNE' AQUAMARINE PASTE NECKLACE, 1750s designed as a uniform row of 19 oval mixed-cut aquamarine paste, mounted in foil backed gilt metal settings, with ribbon loop attachments, with detachable pear-shaped aquamarine paste pendant, 28cm long £1,000 - 1,500 827 PAIR OF SILVER AND PASTE PENDENT EARRINGS, 1900s each designed as an elongated drop set with circular green paste, mounted in silver, gold hook fittings, 9cm long £80 - 120 828 SILVER AND PASTE PENDANT, 1900s designed as an openwork heart with swing centre and scroll surmount set with colourless paste, mounted in silver, 8cm long £80 - 120 829 (illustrated online) SMALL COLLECTION OF UNMOUNTED GEM STONES including mixed-cut citrines and amethysts £100 - 150

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828 827

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830 DIAMOND, PEARL AND VELVET COLLIER DE CHIEN, 1900s centring on a square plaque set with circular-cut diamonds, framing a pearl and diamond cluster, applied to a velvet ribbon collar, mounted in silver and gold, 34cm long, pearls untested £800 - 1,200

831 DIAMOND BROOCH open work square design set with circular-cut diamonds, mounted in silver and gold, numbered E78 £800 - 1,200

832 VICTORIAN DIAMOND HALF-HOOP RING, 1890s set with five graduated old mine-cut diamonds, accented with roes-cut diamond points to a pierced scroll gallery, ring size K 1/2, fitted case £2,000 - 3,000

833 VICTORIAN EMERALD AND DIAMOND RING, 1890s set with a square emerald set between two old mine-cut diamonds, with rose-cut diamond points, to a pierced scroll gallery, ring size S £2,000 - 3,000

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834 VICTORIAN DIAMOND BROOCH/PENDANT. 1890s designed as an eight pointed star set with old mine-cut diamonds accented with rosecut stones, framing a central old mine-cut diamond cluster, the star interspersed with knife edge bars each terminating with an old mine-cut stone, detachable brooch pin, later rhodium plated, diameter 4cm £1,500 - 2,000 835 VICTORIAN DIAMOND STAR BROOCH/PENDANT, 1890s designed as an eight pointed star set with old mine-cut diamonds, interspersed with knife edge bars each terminating in an old mine-cut diamond, detachable brooch pin, diamond set bail and metal hair pin fitting, fitted case £2,000 - 3,000

End of Sale Next Jewellery & Watches sale September 2025 Closing for entries by end of July

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Lot 733 168

CATALOGUING PRACTICE 1 . Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request. 2. CERAMICS Obvious faults may be recorded in italics at the end of a description for ceramics. 3 . C LO C K S A N D WATC H E S All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally. 4 . D I S P L AY A C C E S S O R I E S Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details. 5. FIREARMS Please note that all bore sizes are approximate. 6 . J E W E L L E RY It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method. 7 . P H OTO G R A P H S In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, “printed later” will appear in the Lot description.

Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated. All photographs are sold unframed unless stated otherwise in the Lot description. 8. PICTURES A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used: (a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part. (b) “Studio of ” or “workshop of ”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision. (c) “Circle of ”: means in our opinion a work of the period of the artist and showing his influence. (d) “Follower of ”: means in our opinion a work executed in the artist's style but not necessarily by a pupil. (e) “Manner of ”: means in our opinion a work executed in the artist's style but of a later date. (f ) “After”: means in our opinion a copy (of any date) of a work of the artist. (g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt. (h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist. 9 . S I LV E R , G O L D A N D P R E C I O U S M E TA L S Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce. 1 0 . T H E F O L LOW I N G S Y M B O L S M AY B E U S E D I N O U R A U C T I O N C ATA LO G U E S (a) (□) indicates a Lot with no Reserve. (b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final. (c) (⦿) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above. (d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

ABSENTEE BID FORM SALE TITLE: JEWELLERY & WATCHES DATE: 22/05/2025

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be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

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Olympia Auctions JEWELLERY & WATCHES Thursday 22nd May 2025

JEWELLERY & WATCHES THURSDAY 22ND MAY 2025