Jewellery & Watches | Thursday 20th November 2025

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JEWELLERY & WATCHES

THURSDAY 20TH NOVEMBER 2025

Front Cover: Lots 452 & 450
Back Cover: Lot 445

JEWELLERY & WATCHES

TO BE SOLD BY AUCTION: 25 Blythe Road, London W14 0PD

AUCTION:

Thursday 20th November 2025, 11am, precisely

PUBLIC EXHIBITION:

Sunday 16th November, 12pm to 4pm

Monday 17th November, 10am to 7pm

Tuesday 18th November, 10am to 5pm

SALE NUMBER OA0169

ENQUIRIES:

Justin Roberts, Head of Sale

Matthew Barton

Henrietta Grant

CONSULTANTS:

Anabel Yorke (Jewellery)

+44 (0)20 7806 5545 jewellery@olympiaauctions.com

ONLINE CATALOGUE AND LIVE INTERNET BIDDING AVAILABLE THROUGH:

www.olympiaauctions.com

www.the-saleroom.com

www.invaluable.com

www.drouotonline.com This

JEWELLERY & WATCHES

Thursday 20th November 2025

Starting at 11am

301

GEORGE III GOLD POCKET WATCH, CIRCA 1772

the verge fusee movement with square baluster pillars and gilt plate with silver regulator dial and scroll pierced balance cock, signed S.L. Phillips / Haverfordwest and numbered 231, white enamel Roman dial with outer Arabic five minute numerals, consular type case bright-cut engraved with an urn surrounded by foliate and geometric borders, 18 carat gold hallmarked for Peter Mounier, London, 1772, 42mm diameter, with gold-cased key

Samuel Levi Phillips (c.1730-1812), born in Frankfurt, moved to Haverfordwest in the mid 18th century, establishing himself as a successful goldsmith, leading to the foundation of the Haverfordwest Bank in 1783.

£800 - 1,200

GEORGE IV ROYAL PRESENTATION: GOLD QUARTER REPEAT POCKET WATCH, PRODUCED FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1815

the gilt full plate movement with duplex escapement, three-arm steel balance with compensation curb and diamond endstone, part foliate engraved including balance cock with mask, engraved ‘RUNDELL, BRIDGE / & RUNDELL, LONDON’ and numbered 4966, the gold matted dial applied with burnished gold Roman numerals within pellet minute indicators and a subsidiary seconds dial, with gold spade and stick hands, the open faced case with polished cuvette engraved ‘THE GIFT OF / His Majesty King George the 4th. / TO TIMOTHY BRENT ESQr. / 1st. January 1824’, with engine-turned back cover, knurled band and push pendant repeat mechanism, cuvette and back correspondingly numbered 4966 and 18 carat gold hallmarked with incuse casemaker’s mark AN, London, 1815, 53mm diameter

Provenance: given by George IV to Timothy Brent (1758-1833), apparently as a New Year’s Day gift. Timothy Brent made his fortune as an Army Agent. Connected to the Royal Household, he became a Secretary to the Board of Green Cloth by at least 1822 and Surveyor General to the Duchy of Cornwall probably in 1829. Dying childless, his heir was his nephew, William Brent Brent (1786-1857). Thence by family descent to the vendor.

The famous firm of Rundell, Bridge & Rundell were royal goldsmiths, suppliers to the court of all manner of plate, jewellery and watches. Given the disparity between the date of assay and the presentation date, it would seem the chronically indebted George IV may have ‘re-admin’ed’ a watch already in his possession, when giving Timothy Brent this present.

£3,000 - 5,000

VICTORIAN GOLD POCKET WATCH, LIVERPOOL, CIRCA 1839

key wound and hinged fusee movement with English Massey-type lever escapement with ruby endstone, gilt plate signed ‘James West / Bolton’ and numbered 3153, bright-cut balance cock engraved ‘PATENT’ on a banner, engine-turned dial with Roman numerals and outer ring of foliate scrolls in threecolour gold, open-faced case with engine-turned back springing open on button to pendant, with carved foliate band, 18 carat gold hallmarked for Hugh Fishwick of Liverpool, Chester, 1839, 45mm diameter

£800 - 1,200

GOLD QUARTER REPEATING HUNTER CASED POCKET WATCH, RETAILED BY CHARLES FRODSHAM OF LONDON, SWISS, LATE 19TH CENTURY

keyless wind lever movement with ruby endstone and striking on two gongs, white enamel Roman dial with subsidiary seconds dial, cuvette engraved under a crown ‘TO THE QUEEN / Charles Frodsham / 84 Strand / LONDON’, engraved to cover with entwined angular initials EGW and to back cover with a coat of arms, with repeat slide to band, numbered 976 to covers and cuvette, unmarked, 48mm diameter, in its navy blue leather case gilt stamped for Charles Frodsham, the green velvet fitted interior with cream silk lined lid printed for Chas. Frodsham and associated awards etc. (2)

£2,500 - 3,500

GOLD HUNTER CASED QUARTER REPEATING CHRONOGRAPH WATCH, SWISS, LATE 19TH CENTURY

keyless wind lever movement with compensated balance and striking on a gong, Arabic white dial with subsidiary going seconds dial, gold Louis XIV hands and blued sweep/return seconds hand, polished gold cuvette inscribed ‘HORLOGERIE / HAUTE PRÉCISION’ above awards for Geneva Concours 1st prize 1879 and 2nd prize 1876, plain frosted gold case, the band with chronograph button at two o’clock and repeat button at six, Swiss 18 carat gold assay marks and stamped 18K, 55mm diameter

£2,000 - 3,000

GOLD HALF-HUNTER CASED CHRONOGRAPH WATCH, SWISS, RETAILED BY S. SMITH & SON, LONDON, CIRCA 1910

keyless wound frosted gilt three-quarter plate lever movement with cut and compensated bimetallic balance with blued steel overcoil spring, white enamel Roman dial with subsidiary running seconds and 60 minute recording, blued double spade and whip hands and sweep/return seconds hand, plain polished gold cuvette and case, cover with black enamelled Roman chapter ring around glazed aperture, band with chronograph button at twelve, gilt-metal bow and crown, 18 carat gold Swiss assay marks and stamped 0755 throughout, 48mm diameter

£1,500 - 2,000

307

LONGINES: HUNTER CASED SILVER POCKET WATCH FOR THE TURKISH MARKET, SWISS, CIRCA 1920-25

key wound and gilt frosted three-quarter plate movement with cut and compensated balance, signed Longines and numbered 3890323, signed white dial with Eastern Arabic numerals and subsidiary seconds dial, circular silver case with concentric engine-turning to front and back, the front with a vacant shield, Longines trademarks and Swiss silver assay marks to covers, plated cuvette stamped with medals and Longines Grands Prix, corresponding serial numbers to covers and cuvette, 44mm diameter; with a silver Albert chain, with curb links ending in a spring ring clasp to one end and an Albert clasp to the other suspending a watch key (3)

£150 - 250

308

GUNMETAL TRIPLE CALENDAR AND MOON PHASE OVERSIZE WATCH, SWISS, CIRCA 1900

keyless wind nickel finished bar lever movement, white enamel Roman dial with four subsidiary dials for day and month (in French), date and combined seconds with moonphase, circular case with setting pins to bezel, 65mm diameter

£150 - 250

309

ENAMEL

BROOCH WATCH,

SWISS, EARLY 20TH CENTURY

keyless wound movement, white enamel Arabic dial with gilt Louis XIV hands and pellet minute indicators, circular silver case with red guilloché enamel, the back with a leaf border of silver and gold paillons, 28mm diameter, the brooch as a tied ribbon bow with pendent enamel fronted Albert clasp, stamped 800

£150 - 250

310

EBERHARD & CO., DATOCOMPAX: TRIPLE CALENDAR

CHRONOGRAPH GOLD

WRISTWATCH, CIRCA 1955

manual wound 17 jewel calibre

Valjou 72 movement, silver dial with dot indicators within the date ring with arrow pointer, day and month indicators under ‘12’, three subsidiary dials for 30 minute and 12 hour recording and running seconds, circular case with rectangular chronograph button flanking the crown, snapon case back numbered 1024121, signed to dial, movement and case, stamped 18K, Swiss 18 carat gold assay marks, 35mm diameter, on associated ostrich leather strap

£700 - 1,000

311

SMITHS, DELUXE: GENTLEMAN’S CHROME

PLATED WRISTWATCH, CHELTENHAM, CIRCA 1960

manual wound Smiths seventeen jewel shockproofed 60464E calibre English movement, signed cream dial with applied Arabic numerals surrounding a dot minute track with chevron decorated centre, circular case with stainless steel snap-on back, with associated leather strap, case 33.5cm diameter

£120 - 180

312

OMEGA, CALENDAR

SEAMASTER, REF.2627 - 8: GOLD CAPPED STAINLESS STEEL GENTLEMAN’S

WRISTWATCH, CIRCA 1952

bumper automatic 17 jewel calibre 353 movement numbered 13112126, signed silvered dial with gilt baton indicators and date aperture at six o’clock, case with screw-on back inscribed ‘D. WOLK / BOX 532 / WELKOM’, ridged crown with Omega symbol, with associated leather strap, case 35mm diameter

£300 - 500

313

No lot 314

OMEGA: GENTLEMAN’S

GOLD WRISTWATCH, CIRCA 1952

manual wind sixteen jewel Omega 30T2SC calibre movement numbered 9702418 (manufactured circa 1939), white dial with black Roman numerals, hands and centre seconds, rounded circular gold case with ‘cornes de vache’ type lugs, snap-on back 9 carat gold hallmarked for Albert Thomas Oliver, London, 1952 and numbered 202, on a crocodile strap with Omega gilt-metal buckle, associated case 33mm diameter

£500 - 800

315

VACHERON CONSTANTIN, REF.6273: GENTLEMAN’S PINK GOLD WRISTWATCH, SWISS, 1960s

mechanical wind calibre 1001 movement with Geneva stripes, 18 jewels and mono-metallic compensation balance adjusted to heat, cold, isochronism and five positions, numbered 533542, silver dial with pink gold baton indicators and subsidiary seconds dial, circular case, crown with Vacheron’s Maltese cross symbol, signed to dial, movement and case, 750 and Swiss 18 carat assay marks, 33mm diameter, with associated lizard skin strap

£2,000 - 3,000

LONGINES, REF.13322:

‘KING

FAROUK I OF EGYPT’ GOLD WRISTWATCH, SWISS, CIRCA 1960

manual wind movement, signed silver ‘Explorer’ type dial applied with raised gilt numerals and faceted rectangular batons within a black minute track with five minutes in Arabic numerals, circular case, back engraved with stylised Arabic calligraphy reading Fārūq al-Awwal (Farouk the First) below the crown of the Muhammed Ali dynasty of Egypt, associated green leather strap, case 33.5mm diameter

This watch may have been a presentation from Farouk when he was in exile following his deposition in 1952.

£500 - 1,000

OMEGA, SEAMASTER DE VILLE, REF.14743: GENTLEMAN’S GOLD BRACELET WATCH, SWISS, CIRCA 1963

automatic 552 calibre movement, silver dial with applied Arabic gold numerals and border to date aperture at 3 o’clock, circular gold monocoque case with Seamaster seahorse logo to back and inscribed to edge ‘WATERPROOF’, on an Omega fine gold mesh bracelet with Ω to folding clasp, approx. 19cm longest, signed to dial, movement and case, Swiss 18 carat gold assay marks to case, bracelet 18 carat gold hallmarked for D. Shackman & Sons, London, 1963, case 35mm diameter

£3,000 - 4,000

318

ROLEX, OYSTER PERPETUAL, REF.116000: GENTLEMAN’S STAINLESS STEEL BRACELET WATCH, CIRCA 2015

automatic 31 jewel calibre 3130 movement, rayed blue ‘Explorer’ dial with applied luminous baton hour markers with polished Arabic numeral quarters, white outer minute divisions, polished baton hands with luminous inserts, tonneau form case with screw-down back, Oyster steel bracelet with folding clasp numbered OKY, with two additional links, serial No.80P81599, signed to dial, movement, case and bracelet, case 36mm diameter, with swing tag and rosette, box and outer card and slip cases

£3,000 - 5,000

319

ROLEX, OYSTERDATE PRECISION, REF.6694: GENTLEMAN’S STAINLESS STEEL BRACELET WATCH, 1959

manual wind seventeen jewel 1215 calibre movment, black dial with baton indicators and hands with luminescent inserts and magnified date aperture at three o’clock, Oyster case with plain bezel and screw-down back and crown, No.494746, Oyster rivet type bracelet reference 7025 with ‘60’ end links, case 34mm diameter

£800 - 1,200

320

ROLEX, SUBMARINER, REF.5513: GENTLEMAN’S STAINLESS STEEL BRACELET WATCH, CIRCA 1985

automatic twenty-six jewel 1520 calibre movement, free sprung mono-metallic balance, black ‘glossy’ dial with white gold surrounds to luminescent indicators and hands, case with rotating black bezel and rounded crown guards, screw-down back and crown, inside case back numbered 5512, serial number 9324736, Rolex model 93150 Oyster bracelet of three block links of 1985 (code J11) with fold-over clasp with overlock, endpieces stamped 580, case 40mm diameter, overall bracelet length approximately 190mm on current setting, in its wood-lined green box with cardboard outer box, Rolex plastic wallet containing calendar card for 1986/87, translation leaflet and Rolex warranty, retailer’s receipt dated 9th March 1987, with Rolex Submariner booklet and Rolex Oyster instruction booklet

£4,000 - 6,000

ROLEX, OYSTER PERPETUAL DAY-DATE, REF.18038: GENTLEMAN’S GOLD WRISTWATCH, 1979

automatic twenty-seven jewel 3055 calibre movement adjusted to temperatures and five positions, white lacquered ‘Stella’ dial applied with gold Roman numerals within a minute track and luminescent dots, with aperture for day (in English) at twelve and magnified date aperture at three o’clock, Oyster case with fluted bezel and screw-down back and crown, No.5803795, 18 carat gold Swiss convention assay marks, on a white leather strap with Rolex gilt-metal buckle, with alternative (unused) grey

Alligator strap, case 36mm diameter

£3,500 - 4,500

CARTIER, TANK LOUIS CARTIER, REF.78086: GOLD MID SIZE

WRISTWATCH, SWISS, CIRCA 1975 manual wind 28-1 calibre movement, signed dial black enamelled with rectangular minute track surrounded by Roman numerals and ‘PARIS’ to bottom, rectangular 18 carat gold case with rounded sides, back inscribed ‘I’LL ALWAYS LOVE / YOU - CORNELIA’ and numbered r, numbered 780861120, Swiss assay marks, on an associated black crocodile leather strap, case 23mm wide, with cushion and Cartier box

£3,000 - 5,000

323

CARTIER, SANTOS GALBEE, REF.2319: STAINLESS STEEL AND GOLD

GENTLEMAN’S BRACELET WATCH, SWISS, CIRCA 2000

automatic movement with hack feature and quick date set, guilloché silver dial with black Roman numerals, secret signature at seven o’clock and date aperture at three o’clock, shaped square stainless case applied with a gold bezel, integral stainless steel bracelet highlighted to each bar with two gold screws, butterfly clasp, signed to dial, case and clasp, case numbered 390235 CE, case 29mm wide (excluding guards to crown), bracelet length overall approximately 185mm, with a later red Cartier box and outer slipcase

£2,000 - 3,000

324

CARTIER, TANK FRANCAISE, REF.1821: GOLD MID SIZE BRACELET WATCH, SWISS, CIRCA 2000

quartz movement, square off-whitle dial with black Roman numerals surrounding a minute track, secret signature at seven o’clock, chamfered case with sapphire cabochon crown, back secured by four pins and numbered CC761831, block link bracelet with deployant clasp, signed to dial, movement, case and clasp, 18 carat gold Swiss convention marks, also stamped 18K and 750, case 25mm wide

£4,500 - 5,500

325

CARTIER, TANK LOUIS CARTIER, REF.78086: GOLD MID SIZE

BRACELET WATCH, SWISS, CIRCA 1980

manual wind 28-1 calibre movement, dial black enamelled with rectangular minute track surrounded by Roman numerals, secret signature at six o’clock and ‘PARIS’ to bottom, rectangular gold case with rounded sides, numbered 7808613954, blue cabochon to crown, its bracelet of flexible brick links and with a Cartier deployment clasp, signed to dial, movement, case and clasp, stamped 750, 18k, case 24mm wide, in a red Cartier box

£8,000 - 12,000

326

CARTIER (MUST DE), VENDOME, REF.590003: SILVER-GILT MID SIZE

WRISTWATCH, SWISS, CIRCA 1990

quartz movement, silver Roman dial with inner square minute track, signed ‘must de / Cartier’ and with with secret signature at seven o’clock, circular case with central lug and blue cabochon crown, Cartier stamps, numbered 118124 / 590003, Swiss silver assay and European convention marks, with a Cartier leather strap with gilt-metal Cartier deployant clasp, case 30mm diameter

£300 - 500

PIAGET, REF.12343 (A19): GOLD AND DIAMOND DRESS WATCH, CIRCA 1976

automatic 30 jewel 12P1 calibre movement, abalone shell dial with a black onyx chapter ring set with diamond dot indicators, circular case with textured bezel, back secured by four screws and numbered ‘12343 A19 / 276094 / CP’, integral slightly tapered and bark textured bracelet with ‘P’ to clasp and twice numbered ‘7’, signed to dial, movement, case and bracelet, stamped ‘750’, Swiss assay marks, approx. 170mm long, case 34mm diameter, in a Piaget black leather box

£4,500 - 5,500

CHOPARD, CLASSIQUE, REF.1091: GOLD AND DIAMOND DRESS WATCH, SWISS

quartz movement, frosted gilt dial applied with diamond dot indicators, slim circular case with diamond set bezel, numbered ‘290213 / 1091’, integral tapering woven bracelet, signed dial, movement case and bracelet, stamped 750 and Swiss assay marks, approximately 20cm long, case 33mm diameter, with its Chopard box and outer card case

£3,000 - 5,000

329

ETERNA: LADY’S GOLD BRACELET WATCH, 1950s

manual wind movement, square silver dial with gilt Arabic even numerals, snap-on case back numbered 3093658, signed to dial, movement and case, 14 carat gold Swiss assay marks, on a woven tapering gold bracelet with fold over clasp, Egyptian assay marks for Cairo, ‘18’, case 15mm wide

£300 - 500

330 (illustrated online)

ETERNA, ETERNA.MATIC KONTIKI 20: GENTLEMAN’S STAINLESS STEEL BRACELET WATCH, CIRCA 1975

automatic 12824 calibre movement, black textured dial with baton indicators and hands with luminescent inserts, date aperture at three o’clock, case (Ref.633 .1003 .41) with screw down crown and back, bracelet of single tapering links with safety clasp, signed to dial, movement, case and clasp, case 38mm wide

£120 - 180

331

BAUME & MERCIER, LINEA, REF.65690: LADY’S STEEL BRACELET WATCH, 2000s

quartz movement, mother-of-pearl dial applied with diamond dot indicators, polished bezel engraved with Arabic numerals, on its brick link bracelet with deployment clasp, signed Baume & Mercier, Linea, numbered 5121574 65690, case 27mm diameter, in a Baume & Mercier box

£150 - 200

332

BAUME & MERCIER, REF.38300: LADY’S GOLD COCKTAIL WATCH, SWISS, CIRCA 1985

manual wind movement, with a signed tiger’s eye dial in a oval case with stepped bezel, case numbered 754369 38300, Swiss assay mark, on an associated Piaget crocodile leather strap, case 24mm wide

£300 - 400

333

PAIR OF CUFFLINKS

each of two-tone knot design to fixed connecting bars with hinged back links, stamped 585

£200 - 300

334

COLLECTION OF GEM-SET JEWELLERY, 1900s AND LATER

comprising: a diamond stick pin, 1900s, designed as a dog set with rose-cut diamonds, a pearl stick-pin, a sapphire and diamond cluster pendant, set with a circular-cut sapphire framed by single-cut diamonds, a pair of rose-cut diamond and half-pearl earings and a bar brooch

£300 - 500

335

HERMES: PAIR OF SILVER CUFFLINKS, 1970s

each designed as a knot motif, signed Hermes, French assay and maker’s marks, fitted case stamped Hermes, Paris

£200 - 300

336

THREE GEM-SET AND DIAMOND STICK PINS, 1920s AND LATER

comprising: one of target design set with an old mine-cut diamond, 1920s, one designed as a leaf spray with coral berry detail, and one designed as an Elephant, stamped 585

£80 - 120

337

A PAIR OF GOLD AND BANDED AGATE CUFFLINKS, 1950s

each designed as a baton of banded agate to rope work connecting chains

£300 - 500

338 (illustrated online)

DORRIE NOSSITER: TWO KILT PINS; AND AN AMETHYST BROOCH ATTRIBUTED TO BERNARD INSTONE, 1930s

the kilt pins each with a circular and rectangular fruiting vine terminal respectively, the circular terminal accented with cabochon turquoise and Swiss lapis detail, each 7.5cm long, the brooch centring on an oval mixed-cut amethyst within a frame of textured leaves with blister pearl accents, 5cm long

£100 - 200

339

CULTURED PEARL NECKLACE

composed of a uniform row of 51 cultured pearls, each measuring approximately 6.4mm, to an oval clasp millegrain set with an oval cabochon chrysoprase, 40cm long

£50 - 70

340

COLLECTION OF OPAL JEWELLERY

comprising: an opal bracelet, claw set with seven oval opal cabochons, to a chevron link chain, 18cm long, stamped 14ct, an opal pendant, 1900s, set with a single opal cabochon to a fine curb link chain, stamped 9ct, and a pair of cabcohon opal ear studs, with rope work borders, British hallmarks for 9-carat gold, Birmingham 1995 (3)

£400 - 500

341

TWO OPAL RINGS

each set with a cabochon opal, one stamped 18ct, ring size N and I 1/2

£200 - 300

342

DIAMOND RING

cross over design claw set with two brilliant-cut diamonds, British hallmarks for 18-carat gold, London 1976, ring size I

£200 - 300

343

THREE COLOUR GOLD STRAP BRACELET, 1979

designed as a series of textured three coloured gold links, import hallmarks for 9-carat gold, London 1979, 20cm long

£500 - 700

344

CUFF BANGLE

plain polished design, inner circumference 13cm

£500 - 700

345

COLLECTION OF SIX GOLD RINGS

comprising: one inset with a Mexican Dos Pesos, dated 1945, to a gold ring mount, London hallmarks for 9-carat gold 1964, ring size K, a gold band ring, European convention marks for 18-carat gold, ring size T, a gold band ring with rope work detail, London hallmarks for 9-carat gold 1987, ring size R, a gold and single-cut diamond half hoop ring, London hallmarks for 9-carat gold 1979, a gold heartshaped signet ring, London hallmarks for 9-carat gold, ring size J, and a rope work ring, ring size N

£500 - 600

346

COLLECTION OF FIVE GEM-SET RINGS

comprising: a diamond cluster ring set with a square-shaped bezel of single-cut diamonds, stamped 750, ring size G, a sapphire and diamond ring, set with a cabochon sapphire and two brilliant-cut diamonds. stamped 750, ring size I, a scroll ring, set with a colourless central stone and lasque-cut diamonds, ring size O, a cultured pearl cross over ring, ring size O, and a facetted yellow quartz dress ring, ring size M

£400 - 600

347

FOUR BAND RINGS

comprising: one with screw head motifs, ring size M, one channel set with colourless stones, ring size O 1/2, a wedding band, British hallmarks for 22-carat gold, Birmingham 1991, ring size N, and a wedding band, ring size N

£800 - 1,200

348 (illustrated online)

COLUMBIA EAGLE GOLD PENDANT

stamped 24kt-5gram, FINE GOLD, 999, numbered 17627, with pendant bail

£300 - 400

345 (part)
346 (part)
347 (part)

349

AMETHYST NECKLACE AND PAIR OF PENDENT EARRINGS, 1900s

the necklace designed as a graduated series of oval mixed-cut amethysts, 43cm long, stamped 830, and a pair of amethyst pendent earrings, each supporting an oval mixed-cut amethyst drop with oval amethyst surmount, screw back fittings, stamped 9ct

£700 - 1,000

350

AQUAMARINE RING, 1960s

claw set with an oval mixed-cut aquamarine, within a textured scroll mount, stamped 585, ring size T

£300 - 500

351

PAIR OF AQUAMARINE EARRINGS

each claw set with three oval mixed-cut aquamarines, stamped 375

£100 - 200

352

EDWARDIAN DIAMOND BAR BROOCH,

1890s

the navette shaped brooch centring on a single lasque-cut diamond within a surround decorated with rope and bead detail, British hallmarks for 9-carat gold, Birmingham 1905, fitted blue velvet case

£70 - 90

353

SEED PEARL AND GOLD NECKLACE, 1800s

composed of fourteen graduated strands of seed pearls to a gold rectangular convex clasp, with glazed hair locket framed by half-pearls, 40cm long

£300 - 500

354

RUBY AND DIAMOND BUTTERFLY BROOCH, 1900s

set with circular- and single-cut diamonds, the wings accented with circular-cut rubies with cabochon ruby eyes. 3.7 x 2cm

£600 - 800

355

DIAMOND CLUSTER RING, 1890s

the floral bezel set with circular-cut diamonds, ring size L, fitted blue velvet case

£250 - 350

356

VICTORIAN GOLD HINGED BANGLE, 1880s

the hinged bangle of buckle design

£600 - 700

357

DIAMOND RING AND A RUBY AND DIAMOND ETERNITY RING

the diamond ring set with a line of circular-cut diamonds, ring size M, the ruby and diamond ring alternatively set with calibre-cut rubies and circular-cut diamonds, ring size M (2)

£300 - 500

358

ART DECO DIAMOND BROOCH, 1930s

scroll design set with circular- and single-cut diamonds

£800 - 1,200

359

CULTURED PEARL NECKLACE

composed of two graduated rows of cultured pearls, measuring from approximately 7 to 5mm, with diamond accented spacers, 42cm long

£200 - 300

360

DIAMOND HALF HOOP RING

channel set with brilliant-cut diamonds, ring size M

£200 - 300

361

DIAMOND ETERNITY RING, 1930s

set with circular-cut diamonds, ring size O

£200 - 300

362

DIAMOND RING, 1920s

collet set with a foil backed rose-cut diamond, the shoulders accented with lasque-cut diamonds, ring size O

£400 - 500

363 (illustrated online)

CULTURED PEARL AND DIAMOND NECKLACE, 1920s

designed as a single graduated row of cultured pearl measuring from approximately 7.9mm to 3.5mm, to a clasp of geometric buckle design set with single-cut diamonds, 54cm long, cased

£250 - 350

364

GEM-SET AND CULTURED PEARL INDIAN NAVRATNA PENDENT NECKLACE

supporting a pendant of crescent design framing a cluster set with a mixed-cut ruby, sapphire, emerald, chrysoberyl, zircon, coral, garnet and diamond, within a crescent frame of half-pearls and calibre-cut emeralds and rubies, with gem-set fringe, to a two row graduated cultured pearl necklace with cord back chain

£200 - 300

365

SAPPHIRE AND DIAMOND RING

bombe cluster design set with three graduated circular-cut sapphires framed by brilliant-cut diamonds, stamped 18k, ring size Y

£800 - 1,200

366

PAIR OF RUBY AND DIAMOND EAR STUDS

each centring on an oval mixed-cut ruby framed by brilliant-cut diamonds

£400 - 600

367

JADE AND DIAMOND PENDANT

centring on a circular jade disc within a scroll frame accented with brilliant-cut diamonds, hinged bail, stamped 14k 585

£500 - 600

368

PAIR OF EMERALD AND DIAMOND EAR STUDS

each claw set with a cut-cornered rectangular emerald to a trefoil brilliant-cut diamond surmount

£600 - 800

369

SAPPHIRE AND DIAMOND RING AND AN AMETHYST RING

the sapphire ring claw set with an oval mixed-cut sapphire framed by brilliantcut diamonds, stamped 18k, ring size O 1/2, the amethyst ring claw set with a circular-cut amethyst, London hallmarks for 9-carat gold 1965, ring size O

£200 - 300

370

GEM-SET AND DIAMOND BROOCH

designed as a dragonfly, the body set with a pear-shaped cabochon tanzanite, to a rose-cut diamond set tail, with cabochon ruby eyes and polychrome enamel wings, stamped 925

£300 - 500

371

DIAMOND RING AND A PAIR OF EAR STUDS

the ring collet set with a brilliant-cut diamond, ring size N 1/2, and a pair of collet set colourless stone ear studs

£200 - 300

372

PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS

each supporting a single 6mm cultured pearl drop to an articulated line accented with two brilliant-cut diamonds, 3cm long

£150 - 250

(part)

373

MELESIO RODRIGUEZ, OF MARGOT DE TAXCO, MEXICAN SILVER AND ENAMEL NECKLACE, 1950s

designed as an articulated serpent decorated with green enamel scales with black enamel accents, signed Melesio, sterling 980, 40cm long

£100 - 200

374

COLLECTION OF CORAL JEWELLERY, LATE 19TH EARLY 20TH CENTURY

comprising: a coral bead necklace, 164cm long, detachable into four shorter necklaces, a graduated coral bead necklace, 65cm long, a graduated coral bead necklace, 46cm long, a coral bead, turquoise and pyrite collar and pair of matching ear clips, the collar composed of four rows of coral beads, interspersed with four batons of turquoise cabochons and facetted pyrite, to a turquoise clasp, 35cm long, two strands broken, some coral beads deficient, the ear clips of matching scroll design, and two strands of coral beads, 33cm long and 44cm long (5)

£300 - 500

375

COLLECTION OF CORAL AND JET JEWELLERY, 19TH CENTURY

comprising: a branch coral necklace, 39cm long, a coral bead bar brooch, 1870s, a Georgian, coral, half-pearl and gold mourning brooch, 1820s, with central glazed hair locket, a pair of coral ear studs, and a Whitby jet brooch, 1870s, oval design carved with a floral spray (6)

£200 - 300

(part) 374 (part) 374 (part)
375 (part)
375 (part)
375 (part)
375 (part)

376

ROPE WORK CHAIN AND TWO PENDANTS

the rope work chain supporting two pendants, one of oval design decorated with orange and blue enamel to the obverse and reverse, applied with an Arabic monogram accented with colourless stone detail, the other of pierced rectangular design, Egyptian assay marks, 70cm long

£1,000 - 1,500

377

BARLEYCORN CHAIN AND TWO PENDANTS

the barleycorn link chain supporting two pendants, one set with a pear-shaped turquoise cabochon within a rope work mount, the other of rectangular design with Persian inscription to the obverse and the reverse, French assay marks to chain, Egyptian assay marks to pendants, chain 46cm long

£300 - 500

378

THREE GOLD BANGLES, 1920s

each with engraved bay leaf decoration, stamped 9ct

£400 - 500

379

PAIR OF BANGLES

each with bright-cut decoration, stamped 22ct

£1,500 - 2,000

380

FANCY LINK NECKLACE

designed as a series of fancy textured links, interspersed with bright-cut bead and baton spacers, supporting a pear-shaped glazed locked containing a carved cameo of a seated Buddha, 53cm long

£2,500 - 3,500

381

CAPLAIN PARIS: GOLD NECKLACE, 1980s

designed as a graduated line of herringbone links, to a cabochon sapphire enhanced clasp, French assay and maker’s mark, 41cm long

£800 - 1,200

382

PAIR OR EMERALD, SAPPHIRE AND DIAMOND PENDENT EARRINGS

each supporting a pear-shaped cabochon emerald and sapphire respectively, to triangular-shaped cabochon emerald and sapphire surmounts and connecting links, accented with brilliant-cut diamonds, 3.5cm long

£2,500 - 3,500

383

GREEN QUARTZ AND DIAMOND RING

centring on a collet set cut-cornered rectangular green quartz, to chevron-shaped shoulders accented with brilliant-cut diamonds, stamped 18, ring size O

£800 - 1,200

384

FANCY LINK BRACELET, 1960s

designed as a series of figure of eight rope work links, Egyptian assay marks, stamped 750, 20cm long

£800 - 1,200

385 (illustrated online)

BLUE TOPAZ RING

claw set with an oval mixed-cut blue topaz, stamped 14k, ring size T

£200 - 300

DEMI PARURE

comprising a collar and bangle, the collar designed as a series of wires imitating Elephant hair with a pair of bow motifs, clasp stamped 585, 38cm long, the bangle of matching design, adjustable length 20cm maximum, unmarked

£5,000 - 7,000

387

GOLD PENDENT CROSS AND CHAIN

the curb link chain supporting a pendent Latin cross, French assay and maker’s mark, 45cm long

£700 - 900

388

PAIR OF DIAMOND EARRINGS

each designed an oval hoop claw set with brilliant-cut diamonds

£2,000 - 3,000

389

MCCABE MCCARTY: GOLD AND DIAMOND RING, 1973

the wide tapering textured gold band centring on a target motif set with a brilliant-cut diamond framed by single-cut diamonds, ring size O, maker’s mark, British hallmarks for 18-carat gold, London 1973

McCabe McCarty was a partnership of two bench trained goldsmiths, Peter McCabe and David McCarty, established in 1973, Peter was trained at the Central School of Arts & Crafts, and David was apprenticed to Cartier through Wright & Davies from 1959. David worked at Cartier until 1973 when he left to establish his own company. The partnership soon flourished and was divided in to three lines of business: producing items for special commission for the Bond Street shops; producing designs to sell to the Bond Street shops that may then be made up to order; and finally producing items that would be exhibited at the Basle shows. During the company’s heyday they were supplying all the principal houses in Bond Street including Cartier, Garrard and Asprey, as well as for a retail outlet in Japan. With the death of Peter in 1991, David continued the business to be joined by his son and daughter in 1994. Today the firm still continues producing special commissions to Heads of State under David McCarty Ltd.

£500 - 700

390

GOLD BANGLE, 1976

with two rope work motifs, London hallmarks for 9-carat gold, 1976

£200 - 300

391

DIAMOND RING, 1970s

buckle design, accented with brilliant-cut diamonds, ring size L

£300 - 500

392

GROSSE: GOLD NECKLACE 1971

designed as a woven strap terminating in a fine gold plaited tassel, signed Grosse, made in Germany, stamped 750 18k, import hallmarks for 18-carat gold London 1971, 43cm long, case stamped Alfred Dunhill Ltd, London

£4,000 - 6,000

393

DIAMOND BANGLE

the hinged bangle with lozenge pattern centring on a single lozenge motif pave-set with brilliant-cut diamonds, inner circumference 16.5cm

£3,000 - 4,000

394

TURQUOISE BROOCH, 1960s

designed as a single flower with textured petals and leaves, the centre accented with a cluster of turquoise cabochons, Egyptian assay marks

£700 - 900

395

DIAMOND TRINITY BAND RING

designed as three interlocking pink, yellow and white bands, each claw set with a line of brilliant-cut diamonds, stamped 750, Italian assay marks, ring size K

Accompanied by a receipt from XIV Karats Ltd, Beverly Hills

£1,000 - 1,500

396

GOLD LONG CHAIN

designed as a series of textured baton links, stamped FINLAND, hallmarks for 18-carat gold, 92cm long

£600 - 800

397

JOHN DONALD: GOLD SIGNET RING, 1969

the rectangular bezel inset with a textured panel, ring size I, makers mark for John Donald, British hallmarks for 18-carat gold, London 1969, case by John Donald, 120 Cheapside, London

£1,000 - 1,500

398

PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS

each supporting a tapered facetted citrine drop to a graduated collet set line of three brilliant-cut diamonds, 4.5cm long

£300 - 500

399

AMETHYST AND DIAMOND BROOCH, 1960s

collet set with an oval mixed-cut amethyst within a stylised surround accented with single-cut diamonds, stamped 585 for 14-carat gold

£400 - 600

400

TWO GOLD DRESS RINGS, 1972

comprising: one of textured design centring on a cabochon amethyst, London hallmarks for 9-carat gold, 1972, ring size O, and one of textured ribbon scroll design, London hallmarks for 9-carat gold 1972, ring size O

£400 - 500

401

GOLD AND SAPPHIRE DEMI-PARURE, 1980s

comprising a necklace and bracelet composed of a series of oval links joined by reeded connecting links with cabochon sapphire detail to the clasps, French assay and maker’s marks, necklace 45cm long, bracelet 20cm long, may be worn together as a chain of 65cm long

£2,000 - 3,000

402

BARAKA: FANCY LINK BRACELET, 1980s

designed as a series of interlocking oval and circular links, to a spherical clasp, signed Baraka, 21cm long

£2,000 - 3,000

403

SAPPHIRE AND DIAMOND RING

collet set with an oval cabochon sapphire to a wide tapering band, accented with lines of brilliant-cut diamonds, stamped 18K, ring size S 1/2

£500 - 600

404

EMERALD AND DIAMOND RING

centring on an oval mixed-cut emerald, to a wide tapering band, accented with three brilliant-cut diamonds to each shoulder, stamped 18K, ring size Z

£500 - 600

405

DIAMOND RING

the rectangular bezel inset with a line of single-cut diamonds, stamped 750, ring size O

£500 - 700

406

MAPPIN & WEBB: MASQUERADE PENDANT AND PAIR OF EAR STUDS

the pendant designed as a target cluster of brilliant-cut diamonds to a curb link chain 45cm long, the ear studs of matching design, British hallmarks and European convention marks for 18-carat gold, cases for pendant and ear studs

£500 - 700

407

FOPE: FLEX’IT, DIAMOND BRACELET

designed as a flexible band of brick links to a circular rondelle set with brilliant-cut diamonds, stamped 750, Italian assay marks

£1,000 - 1,500

408

GRAFF: PAIR OF RUBY AND DIAMOND CUFFLINKS

each rectangular-shaped link inset with lines of calibre-cut rubies and baguette diamonds, to fixed bar connecting links with hinged baton back links each accented with two calibre-cut rubies and a single baguette diamond, signed Graff, Russian assay marks

£3,000 - 5,000

409

SAPPHIRE AND DIAMOND RING

collet set with an oval cabochon sapphire, the shoulders each inset with a trefoil of brilliant-cut diamonds, stamped 14k, ring size S

£300 - 400

410

MCCABE MCCARTY: GOLD AND DIAMOND BAND RING, 1980

of textured geometric design, accented with baguette diamonds, maker’s marks, British hallmarks for 18 carat gold, ring size M

McCabe McCarty was a partnership of two bench trained goldsmiths, Peter McCabe and David McCarty, established in 1973, Peter was trained at the Central School of Arts & Crafts, and David was apprenticed to Cartier through Wright & Davies from 1959. David worked at Cartier until 1973 when he left to establish his own company. The partnership soon flourished and was divided into three lines of business: producing items for special commission for the Bond Street shops; producing designs to sell to the Bond Street shops that may then be made up to order; and finally producing items that would be exhibited at the Basle shows. During the company’s heyday they were supplying all the principal houses in Bond Street including Cartier, Garrard and Asprey, as well as for a retail outlet in Japan. With the death of Peter in 1991, David continued the business to be joined by his son and daughter in 1994. Today the firm continues producing special commissions to Heads of State under David McCarty Ltd.

£800 - 1,200

411

AQUAMARINE, TOURMALINE AND DIAMOND PENDANT

centring on a cushion-shaped carved cabochon aquamarine, within a frame alternatively set with circular cabochon pink and green tourmalines, accented with brilliant-cut diamonds, to a diamond set bail with trace link chain

£550 - 650

412

PAIR OF SAPPHIRE AND DIAMOND PENDENT EARRINGS

each supporting a pear-shaped drop with rose-cut diamond centre, framed by circular-cut sapphires to a similarly set surmount with rose-cut diamond connecting link, 3.5cm long

£3,200 - 4,200

413

EMERALD,

KYANITE AND DIAMOND RING

cluster design, centring on an oval cabochon emerald, framed by oval mixed-cut kyanite and accented with brilliant-cut diamonds, stamped 925, ring size N

£300 - 500

414

DIAMOND RING

designed as a zig zag double line of brilliant-cut diamonds, ring size N 1/2

£400 - 600

415

AQUAMARINE AND DIAMOND RING

claw set with a cushion-shaped mixed-cut aquamarine, framed by brilliant-cut and baguette diamonds, stamped 750, ring size N

£2,000 - 3,000

416

DIAMOND RING

collet set with five brilliant-cut diamonds, ring size M

£400 - 600

417

ROBERTO COIN: PAIR OF DIAMOND EARRINGS

each hinged hoop claw set with six brilliant-cut diamonds, single ruby accent to the inner hoop, stamped RC 18k

£400 - 600

418

PAIR OF DIAMOND EAR STUDS

each claw set with a brilliant-cut diamond

£400 - 600

419

DIAMOND PENDENT NECKLACE

supporting a pear-shaped pendant illusion set with marquise-, princess-cut and pear-shaped diamonds, to a diamond line necklace claw- and millegrain-set with brilliant-cut diamonds to a bead work back chain, 49.5cm long

£1,500 - 2,500

420

EMERALD AND DIAMOND PENDANT

centring on a pear-shaped emerald within a millegrain surround of brilliant-cut diamonds, to a diamond set bail with trace link chain

£3,500 - 5,500

421

RUBY AND DIAMOND RING

cluster design, centring on a pear-shaped rose-cut diamond, framed by French-cut rubies and brilliant-cut diamonds, stamped 750, ring size Q

£4,000 - 6,000

422

LAPIS LAZULI TORSADE NECKLACE, 1980s

designed as 13 rows of lapis lazuli beads to a two-tone scroll decorated clasp, 45cm long

£300 - 500

423

FANCY BEAD NECKLACE

designed as a series of spherical, oval and barrel-shaped beads, Egyptian assay marks, 42cm long

£3,000 - 4,000

424

FANCY BEAD NECKLACE

composed of a series of 33 fluted beads, each measuring approximately 13.2mm, 43cm long

£1,500 - 2,000

425

LAPIS LAZULI SIGNET RING

the square bezel inset with a square lapis lazuli panel to a tapering band, Italian assay marks stamped 750, ring size U

£150 - 250

426

ROSE QUARTZ BEAD NECKLACE, 1970s

designed as a series of 36 rose quartz beads each measuring approximately 12mm, carved with Chinese symbols, accented with gold beads and a cylindrical sleave with interlaced scroll decoration, Egyptian assay marks, 50cm long

£200 - 300

427

AQUAMARINE SAUTOIR

composed of a single row of eighty-one carved oval aquamarine beads, 132cm long, 134.9 grams

£400 - 500

428

AMETHYST BEAD NECKLACE. 1970s

designed as a series of 51 graduated amethyst beads carved with Chinese symbols, measuring from approximately 11.3 to 14.4mm, to a floral carved oval cabochon amethyst clasp, 77cm long

£300 - 500

429

GOLD AND AMETHYST GEODE RING, 1969

set with and amethyst geode crystal, encased within a mount of textured tendril design, hallmarks for 9-carat gold, Albion Craft Co., London 1969, ring size L

£400 - 600

430

CHINESE CARVED WATERMELON TOURMALINE BROOCH, 1970s

the Chinese carved watermelon tourmaline depicting a squirrel on a leaf, claw set within a rope work brooch mount, 5.5 x 3.5cm

£500 - 700

431

CULTURED PEARL AND DIAMOND NECKLACE, 1980s

designed as two graduated rows of cultured pearls, measuring from approximately 9.5 to 5.5mm, to an articulated floral motif to the back set with old mine- and single-cut diamonds, 68cm long

£600 - 800

432

TIFFANY & CO.: GOLD, CULTURED PEARL AND DIAMOND NECKLACE

designed as a uniform row of 27 cultured pearls, each measuring approximately 6.3mm, interspersed with quatrefoil motifs of brilliant-cut diamonds, 40cm long, signed Tiffany & Co, stamped 750, British hallmarks for 18 carat gold

£4,000 - 5,000

433

CULTURED PEARL AND DIAMOND RING

centring on a single cultured pearl measuring 13mm, to tapering shoulders pave-set with brilliant-cut diamonds, stamped 750, ring size H with sizing beads

£300 - 500

434

PAIR OF DIAMOND PENDENT EARRINGS

each of linen fold design pave-set with brilliant-cut diamonds, with detachable pendants, 6.3cm long

£2,000 - 3,000

435

DIAMOND DEMI-PARURE

comprising a necklace and a pair of pendent earrings, the necklace designed as a uniform line of brilliant-cut diamond set links, accented to the front with graduated floral clusters set with brilliant-cut diamonds, 43cm long, the earrings of matching design each designed as four floral clusters, 4cm long, clip and post fittings

£5,000 - 7,000

436

DIAMOND BROOCH/PENDANT, 1950s

open scroll design set with circular- and single-cut diamonds, centring on a marquise-cut diamond cluster with similarly set pendant drop, one diamond deficient, 5 x 4cm

£1,000 - 1,500

437

DIAMOND COCKTAIL RING, 1950s

centring on a circular-cut diamond accented with trefoil clusters of old mine-cut diamonds, framed within a navette shaped frame of similarly set diamonds to the shoulders, with a tapering reeded mount, ring size J

£1,000 - 1,500

SPINEL BEAD, SEED PEARL, DIAMOND AND ENAMEL NECKLACE, INDIAN, LATE 19TH CENTURY

composed of seven graduated rows of oval spinel beads, interspersed with seed pearls, terminating in a pair of chevron-shaped panels set with foiled lasque-cut diamonds and cabochon rubies, with red, green and white enamel decoration to the reverse, to an adjustable cord back chain, shortest spinel bead row 42cm long, excluding cord back chain

£15,000 - 20,000

439

DIAMOND SPECTACLE CHAIN

spectacle set with twelve brilliant-cut diamonds, stamped 750, Italian assay marks, 53cm long

£500 - 600

440

DIAMOND PENDANT

designed as a pierced millegrain star set with brilliant-cut diamonds, to a trace link chain, French assay marks, stamped 750, signed Stone,40cm long

£300 - 500

441

SINGLE STONE DIAMOND RING

claw set with a brilliant-cut diamond to shoulders accented with single-cut diamonds, ring size O

£600 - 800

442

EDWARDIAN DIAMOND BROOCH, 1900s

the fan shaped brooch of pierced and millegrain design set with circular- and rose-cut diamonds, supporting a pendent drop, 5 x 4cm

£600 - 800

443

EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH, 1910s

collet set with three oval mixed-cut sapphires, applied to an open work bar accented with rose-cut diamonds, 6.5cm long

£500 - 700

444

EDWARDIAN, DIAMOND BROOCH/PENDANT, 1900s

of interlaced scroll design, supporting an articulated garland, set with old mineand circular-cut diamonds, mounted in silver and gold, hinged suspension loop, loops for chain attachment and detachable brooch pin, 6.5 x 4cm

Provenance: presented to Mrs Peter Thorneycroft by the Chairman and Directors of VickersArmstrongs (shipbuilders) on the occasion of the Launch of H.M. Submarine “Valiant” Barrow in Furness 3rd December 1963.

£3,000 - 5,000

445

PICKSLAY & CO: BELLE EPOQUE SEED PEARL AND DIAMOND BRACELET, 1900s

designed as four uniform rows of seed pearls, each measuring approximately 3.6mm, to a central square panel, pierced and millegrain set with six old minecut diamonds, to a baton clasp set with a line of six small old mine-cut diamonds, signed Pickslay & Co, 18cm long, case stamped S.J.Phillips Ltd, 189, New Bond Street, London, W1

£4,000 - 6,000

446

DIAMOND THREE STONE RING, 1976

claw set with three graduated circular-cut diamonds, British hallmarks for 18-carat gold, Birmingham 1976, ring size I 1/2

£1,200 - 1,800

447

CARTIER, LONDON: PAIR OF DIAMOND DRESS CLIPS, 1920s

each designed as a pair of interlocking heart motifs set with circular-cut diamonds, signed Cartier London, numbered W 11 278, fitted Cartier London case

£5,000 - 7,000

448

ART DECO, PAIR OF DIAMOND TOP AND DROP DRESS/EAR CLIPS, 1930s

each scroll shaped surmount set with circular-, single-cut and baguette diamonds, with fittings for wear as dress clips and ear clips, each supporting a detachable articulated tassel of baguette diamonds, 6.5cm long

£6,000 - 8,000

449

ART DECO, DIAMOND DOUBLE CLIP BROOCH, 1930s

designed as a pair of geometric shield-shaped clips set with circular-cut and baguette diamonds, detachable brooch fitting, 7 x 3.5cm

£3,000 - 5,000

450

GEORGIAN GOLD AND ENAMEL MOURNING RING, CIRCA 1789

the rectangular cut-cornered bezel decorated with a purple guilloché enamel panel applied to the centre with a gold blue and white enamel cinnery urn, the bezel decorated with white enamel with inscription ‘MEA.IAM.PERACTA.EST. GAUDETE MECUM.AMICI.PROBATIO’ (My day is now complete, Rejoice. My friends testify), the reverse with oval glazed hair locket, inscribed in Latin translating: ‘John Tetlow / Surgeon / Died June 18th 1789’ and further inscribed below to his pupil ‘John P. Dale’, in its red morocco and silk-lined box

£1,000 - 1,500

PAIR OF DIAMOND PENDENT EARRINGS, 1870s

each designed as an articulated tassel set with old mine- and circular-cut diamonds, hook fittings, mounted in silver and gold cut-down collet settings, 6.5cm long, associated fitted case

£4,000 - 6,000

452

HANCOCKS & CO: VICTORIAN, NATURAL PEARL, DIAMOND, GOLD AND ENAMEL HINGED BANGLE, 1890s

the hinged bangle centring on a single natural pearl within a blue enamel and rose-cut diamond star surround, set between a pair of similar half-pearl, blue enamel and rose-cut diamond star motifs, joined by lines of half-pearls, fitted gilt-tooled red leather case, stamped Hancock & Co, Jewellers & Silversmiths to the Queen, 38 & 39 Bruton St, Bond St.

Verbal report from Gemmological Certification Services nos 5786-0148, stating that the central pearl was found to be a natural saltwater pearl.

£3,000 - 5,000

453

AMETHYST, SEED PEARL AND DIAMOND PENDANT/BROOCH, 1890s

centring on an oval mixed-cut amethyst, within a spiral ribbon and floral frame decorated with circular- and rose-cut diamond, accented with seed pearl detail, to a ribbon bow surmount, detachable brooch pin and diamond set bail, 4.5cm long

£1,200 - 1,800

454

VICTORIAN GOLD AND DIAMOND RING, 1893

the wide tapering band inset with three old mine-cut diamonds, London hallmarks for 18-carat gold 1893, ring size U

£1,200 - 1,800

End of Sale

Next Jewellery & Watches sale March 2026

Closing for entries by end of December

IMPORTANT INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. AGENCY

As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.

3. ESTIMATES

Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

4 BUYER’S PREMIUM

The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

5. VAT

The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive. We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.

5.1 Items in our catalogue may be marked in the following ways:

(a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us.

(b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax.

5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.

6. REFUNDS OF VAT

6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has:

(a) registered to bid with an address outside the UK; and

(b) discussed with us the proof of export we require and the timeframes to complete the export.

6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:

(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.

(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.

(c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium.

6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.

7. REINVOICING SALES

For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.

8. INSPECTION OF GOODS BY THE BUYER

As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at

the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.

9. GOODS WITH ELECTRICAL COMPONENTS

These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

10. ENDANGERED SPECIES

If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

11. EXPORT OF GOODS

If you intend to export goods you must find out:

11.1 whether an export licence is needed; and

11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.

12. BIDDING

Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

13. BIDDING PLATFORMS

We offer free online bidding directly through our Website (www.olympiaauctions.com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.

14. FINANCIAL CHECKS

As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following:

(a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document).

(b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity.

(c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information.

14.1 You may be asked for further information if we deem this necessary.

14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.

14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions.com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.

15. COMMISSION BIDDING

You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/ or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.

16. METHODS OF PAYMENT

16.1 Online: Payment can be made at www.olympiaauctions.com/payments.

16.2 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

16.3 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

16.4 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

16.5 Credit Card payments in person: Payments above £6,000 cannot be accepted.

16.6 Debit card payments in person: Payments are without limit.

17. COLLECTION AND STORAGE

Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.

18. POTENTIAL CANCELLATION RIGHTS

If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

CATALOGUING PRACTICE

1. Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request.

2. CERAMICS

Obvious faults may be recorded in italics at the end of a description for ceramics.

3. CLOCKS AND WATCHES

All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

4. DISPLAY ACCESSORIES

Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details.

5. FIREARMS

Please note that all bore sizes are approximate.

6. JEWELLERY

It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method.

7. PHOTOGRAPHS

In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, "printed later" will appear in the Lot description. Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated.

All photographs are sold unframed unless stated otherwise in the Lot description.

8. PICTURES

A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used:

(a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part.

(b) “Studio of ” or "workshop of ”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

(c) “Circle of ”: means in our opinion a work of the period of the artist and showing his influence.

(d) “Follower of ”: means in our opinion a work executed in the artist's style but not necessarily by a pupil.

(e) “Manner of ”: means in our opinion a work executed in the artist's style but of a later date.

(f) “After”: means in our opinion a copy (of any date) of a work of the artist.

(g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

(h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist.

9. SILVER, GOLD AND PRECIOUS METALS

Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce.

10. THE FOLLOWING SYMBOLS MAY BE USED IN OUR AUCTION CATALOGUES:

(a) () indicates a Lot with no Reserve.

(b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final.

(c) (◉) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export, such as a CITES certificate. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above.

(d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

2025

European Works of Art

Live sale: 19th November | Viewing 16th-18th November

Jewellery & Watches

Live sale: 20th November | Viewing 16th-18th November

Indian, Islamic, Himalayan and South-East Asian Art

Live sale: 26th November | Viewing 23rd-25th November

Fine Antique Arms, Armour & Militaria

Live sale: 3rd December | Viewing 30th November-2nd December

Fine Paintings, Works on Paper and Sculpture

Live sale: 10th December | Viewing 7th-9th December

Please note sale dates are subject to change enquiries@olympiaauctions.com | +44 (0)20 7806 5541 www.olympiaauctions.com | 25 Blythe Road, London WI4 0PD

ABSENTEE BID FORM

OLYMPIA AUCTIONS

SALE TITLE: JEWELLERY & WATCHES

DATE: 20 NOVEMBER 2025

CODE: OA0169

Please mail, fax or scan and email to:

Olympia Auctions, 25 Blythe Road, London W14 0PD Fax +44 (0)20 7806 5546

Email: enquiries@olympiaauctions.com

Important

Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot.

I agree to be bound by Olympia Auctions Conditions of Business. If any bid is successful, I agree to pay a buyer’s premium on the hammer price at the rate stated in the front of the catalogue and any VAT, or amounts in lieu of VAT, which may be due on the buyer’s premium and the hammer price.

Methods of Payment

Olympia Auctions welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

Online: www.OlympiaAuctions.com/payments

Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

HSBC Bank Plc, 38 High Street, Dartford, Kent, DA1 1DG

IBAN No: GB39HBUK40190422033119

BIC: HBUKGB4B

Sort Code: 401904

Account No: 22033119

Account Name: Olympia Auctions

Sterling Bankers Draft: Drawn on a recognised UK bank.

Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

Credit Card payments in person: Payments above £6,000 cannot be accepted.

Debit card payments in person: Payments are without limit.

Name Address

Postcode

Telephone

Alternative telephone

Email Signed Date

Please note that if you have not dealt with us before, you will need to supply us with a copy of photographic ID and proof of address.

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