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JEWELLERY & WATCHES THURSDAY 17TH SEPTEMBER 2026

Lots 334, 340, 347 & 306 Front Cover: Lots 328, 384, 373 & 392 Back Cover: Lots 330, 386, 393 & 391

JEWELLERY & WATCHES TO BE SOLD BY AUCTION: 25 Blythe Road, London W14 0PD AUCTION: Thursday 17th September 2026, 11am, precisely PUBLIC EXHIBITION: Sunday 13th September, 12pm to 4pm Monday 14th September, 10am to 8pm Tuesday 15th September, 10am to 5pm SALE NUMBER OA0186 ENQUIRIES: Henrietta Grant, Head of Sale Justin Roberts, Senior Specialist Matthew Barton FREE LIVE ONLINE BIDDING

CONSULTANTS: Anabel Yorke (Jewellery) +44 (0)20 7806 5545 jewellery@olympiaauctions.com ONLINE CATALOGUE AND LIVE INTERNET BIDDING AVAILABLE THROUGH: www.olympiaauctions.com www.the-saleroom.com www.invaluable.com www.drouotonline.com This auction is conducted by Olympia Auctions in accordance with our Conditions of Business printed in the back of this catalogue.

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388 385

JEWELLERY & WATCHES Thursday 17th September 2026 Starting at 11am

301 BUECHE GIROD: LADY’S GOLD COCKTAIL BRACELET WATCH, 1967 cushion-shaped textured dial with black baton indicators to a tapering textured bracelet strap, hallmark for 9-carat gold, London 1967, 18cm long, gross weight 31.5 grams £800 - 1,200

302 LADY’S GOLD, ENAMEL AND DIAMOND WATCH, 1890s circular dial with Arabic numerals within a gold, blue enamel and rose-cut diamond accented bezel, case numbered 7324, later rolled gold bracelet strap £300 - 500

303 MULCO: LADY’S GOLD COCKTAIL WATCH, 1950s the cushion shaped dial with gold Arabic numerals, gold case, twin corded leather strap, Swiss assay marks, case numbered 42165 and stamped 18k 750 302

303

£80 - 120

304 CORNAVIN: LADY’S GOLD COCKTAIL WATCH, 1950s Swiss manual wind movement, dial applied with gold Arabic numeral 12 and 6 and gold baton indicators, circular gold case stamped 18k 750 and Swiss assay mark, to a gate link bracelet, hallmarks for 9-carat gold, 16cm long £400 - 600

305 LADY’S GOLD COCKTAIL WATCH, 1930s

304

305

the tonneau-shaped dial with Arabic numerals, 9-carat gold case to a two-tone adjustable gold mesh bracelet strap, maximum 23cm long, stamped 15ct, weight excluding movement, including glass, 10.4 grams £400 - 600

306 LONGINES: GOLD BRACELET DRESS WATCH, CIRCA 1982 quartz five jewel calibre L960.2 movement, signed and numbered, signed white Roman dial, case rectangular with rounded corners and chevron textured bezel, integral basketweave (Milanese) bracelet with fold-over clasp with Longines’ wings logo, 9 carat gold hallmarked to case back and clasp for Baume & Co., London, 1982, case 23mm wide, inner circumference adjustable between 170-180mm £1,200 - 1,800

307 CROPP & FARR: GOLD AND MOTHER-OF-PEARL DRESS SET, 1934 comprising a pair of cufflinks, four dress buttons and three shirt studs, each of circular button design inset with an engraved mother-of-pearl panel, maker’s marks and hallmarks for 9-carat white gold, Birmingham 1934, fitted case stamped Rood, Burlington Arcade W1 £300 - 500

308 CROPP & FARR: PAIR OF GOLD CUFFLINKS AND TWO PAIRS OF SILVER AND GOLD CUFFLINKS BY ASPREY the gold cufflink of oval links with engraved monogram, to curb link connecting chains, hallmarks for 9-carat gold, Birmingham, the silver cufflinks of cut-cornered rectangular and oval links respectively, with curb link connecting chains, each applied with a gold winged Lion for Rothschilds Bank, the oval links decorated with blue enamel, hallmarks for sterling silver, London and Birmingham, two fitted cases stamped Asprey £400 - 600

309 GENTLEMAN’S ART DECO ONYX AND DIAMOND DRESS SET, 1930s comprising a pair of cufflinks, four dress buttons and two dress studs, of hexagonal design, each inset with an onyx panel within a frame of single-cut diamonds, stamped 18ct, fitted case £1,000 - 1,500

310 PAIR OF GOLD AND GARNET CUFFLINKS, 1890s each link composed of an oval cabochon garnet mounted in a gold collet to figure of eight connecting links £300 - 500

311 VICTORIAN GOLD, TURQUOISE AND DIAMOND RING, 1867 set with three cabochon turquoise, accented with old mine-cut diamond detail, hallmarks for 18-carat gold, Sheffield, 1867, ring size N1⁄2 £80 - 120

312 GOLD AND DIAMOND STAFFORDSHIRE REGIMENT BROOCH, 1900s designed as a gold bar brooch applied with textured clover leaf detail, hallmarks for 9-carat gold, Birmingham 1908, supporting a circular gold locket decorated with cabochon turquoise and gold bead detail, glazed locket reverse,1850s £200 - 300

313 VICTORIAN GOLD AND YELLOW PASTE BROOCH, 1890s set with an oval mixed-cut yellow paste within a gold scalloped brooch frame £100 - 150

314 VICTORIAN GOLD AND DIAMOND RING, 1890s set with three old mine-cut diamonds, ring size M £200 - 300

315 VICTORIAN ROCK CRYSTAL INTAGLIO, HALF-PEARL AND GOLD PENDANT, 1879 centring on a rock crystal heart with reverse carved intaglio monogram, to a half-pearl ribbon bow surmount, engraved to the reverse March 14th 1879, to a later woven link chain, stamped 9k, import hallmarks for 9-carat gold £600 - 800

316 A PAIR OF ONYX AND DIAMOND PENDENT EARRINGS, 1900s each supporting a tapering onyx drop with rose-cut diamond cap and circular onyx surmount 5cm long £200 - 300

317 ◉

A PAIR OF VICTORIAN GOLD AND CORAL PENDENT EARRINGS, 1860s each supporting a tapering drop with engraved decoration, to similar coral circular surmounts, 4cm long, cased £100 - 200

318 A VICTORIAN GOLD, ENAMEL AND DIAMOND LOCKET, 1880s the hinged circular locket decorated with blue enamel applied with an old mine-cut diamond star motif, accented with rose-cut diamond points, within a similarly set frame, and diamond star motif bail, with hinged glazed locket reverse, to an associated blue enamel and rose-cut diamond set ribbon bow brooch surmount £1,000 - 1,500

319 GOLD AND DIAMOND STAFFORDSHIRE REGIMENTAL PRINCE OF WALES BROOCH, 1900s designed as a gold Staffordshire knot surmounted by the Prince of Wales feathers set with circular- and single-cut diamonds with blue enamel motto £500 - 600

320 TWO ART DECO PLAQUE RINGS, 1920s comprising; one set with a step-cut synthetic sapphire within a circular-cut diamond set bezel, ring size P, the other set with a step-cut synthetic ruby to rose-cut diamond enhanced claws, one diamond deficient, ring size P £400 - 600

321 A COLLECTION OF JEWELLERY, 1900s/1920s comprising: a pair of Art Deco paste set lorgnettes, of Odenesque design, an enamel and marcasite panel link bracelet, circa 1910, composed of five rectangular open work scroll panels accented with blue enamel 19cm long, mounted in silver, with gold tongue catch, three paste deficient, a blue and colourless paste shuttle-shaped brooch, circa 1910, mounted in silver, an Art Deco paste set double clip brooch, a pair of gold mounted half-pearl shirt studs, 1900s, French assay marks, cased, a gold mounted pearl set stick pin, pearl untested, cased and a gold, half-pearl and turquoise set shuttle shaped hair clip, 1900s (6) £200 - 300

322 EDWARDIAN GOLD, RUBY, TURQUOISE AND DIAMOND RING, 1906 half hoop design set with a cushion-shaped ruby, and two cabochon turquoise, with old mine-cut diamond detail, hallmarks for 18-carat gold, Birmingham,1906, inscribed J.O.S.M Dec r 08, ring size M £150 - 250

323 ◉

A COLLECTION OF JEWELLERY, 1900s/1920s comprising: a gold, enamel and seed pearl coronet bar brooch, 1920s, one seed pearl deficient; a gold, diamond and coral bar brooch, 1900s, applied with a flower with coral bead centre and rose-cut diamond set petals; a gold, half-pearl and turquoise pendant/brooch, 1900s, designed as a star motif, stamped 15ct, one pearl deficient; a gold and amethyst bar brooch, 1920s, stamped 9ct; and a ruby, seed pearl gold mounted stick pin, 1900s (5) £400 - 600

324 DIAMOND BAR BROOCH, 1900s designed as a gold knife edge bar applied with three graduated old mine-cut diamonds £1,000 - 1,500

325 VICTORIAN MOONSTONE AND DIAMOND PENDENT HEART, 1890s designed as a carved cabochon moonstone heart within a border of old mine- and rose-cut diamonds, mounted in silver and gold £800 - 1,200

326 DIAMOND TWO STONE RING claw set with two old mine-cut diamonds, ring size M £800 - 1,200

327 LACLOCHE FRÈRES: LADY’S ART DECO DIAMOND COCKTAIL WATCH, 1930s the rectangular dial with Arabic numerals, within a geometric case decorated with single-cut diamonds, to a 9-carat gold double corded strap with diamond accented detail, 17cm long, case signed and number to interior 1213 and exterior 1031, movement numbered 441779, bracelet catch stamped 9ct £1,000 - 1,500

328 DIAMOND BAR BROOCH, CIRCA 1910 millegrain set to the centre with an old mine-cut diamond £2,200 - 2,800

329 ART DECO PEARL AND DIAMOND CLIP BROOCH, CIRCA 1925 designed as an open work single scroll decorated with graduated lines of seed pearls and circular- and rose-cut diamonds £1,200 - 1,800

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329 14

330 ART DECO JADEITE AND DIAMOND BROOCH, CIRCA 1925 centring on an oval pierced and foliate carved jadeite plaque, set between geometric and millegrain scroll borders of circular-cut and baguette diamonds £1,200 - 1,800

331 DIAMOND CIRCLE BROOCH set with sixteen old mine-cut diamonds, diameter 3cm £1,500 - 2,500

332 ART DECO DIAMOND BROOCH, 1930s open work geometric design set with circular-, single-cut and baguette diamonds £1,000 - 1,500

333 DIAMOND RING, 1930s claw set with an old mine-cut diamond, to baguette and single-cut diamond shoulders, ring size P £3,000 - 5,000

334 A ROCK CRYSTAL, CITRINE AND DIAMOND BROOCH, 1960s designed as a carved frosted rock crystal flower, accented with a circular-cut citrine and brilliant-cut diamond £300 - 500

335 GOLD LONG CHAIN designed as double curb links, unmarked, approximately 144cm long, 97.5g £3,000 - 4,000

336 RUBY AND DIAMOND RING, 1960s centring on an oval cabochon ruby within a bezel of brilliant-cut diamonds to pierced scroll shoulders with bead detail, stamped 18k, ring size Q £1,000 - 1,500

337 MALACHITE BROOCH AND PAIR OF EAR STUDS, 1960s the brooch designed as a ewer with malachite body and textured foot, spout and handle, stamped 750, the ear studs each set with a circular malachite cabochon, post fittings £150 - 250

338 EMERALD AND DIAMOND BROOCH, 1960s floral spray design, set with circular-cut emeralds and brilliant-cut diamonds, with textured leaves, stamped 18ct, 6cm x 5cm £800 - 1,200

339 EMERALD AND DIAMOND PENDANT designed as a lozenge set with a square emerald within a bezel of single-cut diamonds, to a trace link chain, Italian assay marks, stamped 750, 39cm long £80 - 120

340 GRIMA: FIRE OPAL AND DIAMOND RING, 1966 claw set with a pear-shaped fire opal within a bezel accented with single-cut diamonds, one diamond deficient, signed Grima, British hallmarks for 18-carat gold, London, 1966, maker’s mark HJCo, original invoice from Andrew Grima, 80 Jermyn Street, London SW1, dated 12th December 1967 for one drop fire opal ring with diamond in 18ct gold, paid £138.0.0, ring size N1⁄2 £800 - 1,200

341 SEAHORSE BROOCH, 1960s textured design accented with a single cultured pearl, stamped 750, Italian assay marks £250 - 350

342 KUTCHINSKY: GOLD AND EMERALD RING, 1975 designed as a twisted V-shaped band accented with circular-cut emeralds, maker’s mark and hallmarks for 18-carat gold, London 1975, ring size S1⁄2 £700 - 900

343 ◉

CULTURED PEARL NECKLACE, CORAL NECKLACE AND A COCKTAIL RING the cultured pearl necklace composed of a uniform row of 7.7mm cultured pearls to a scroll clasp accented with cultured pearls, stamped 9ct, 86cm long, the coral necklace composed of branch coral, 132cm long, together with an imitation sapphire and colourless stone cluster ring, ring size U1⁄2 (3) £200 - 300

344 SYNTHETIC COLOUR CHANGE CORUNDUM BRACELET AND PAIR OF EARRINGS, 1960s the bracelet designed as a uniform line of circular synthetic colour change corundum, 18cm long, the earrings of matching design £200 - 300 20

345 STERN: PAIR OF RUBY AND DIAMOND EAR STUDS cluster design, each set with an oval mixed-cut ruby within a surround of brilliant-cut and baguette diamonds, stamped 750, clip and post fittings £800 - 1,200

346 RUBY AND DIAMOND THREE STONE RING, 1976 centring on an oval mixed-cut ruby, set between two brilliant-cut diamonds, hallmarks for platinum London 1976, ring size L1⁄2 £1,000 - 2,000

347 DIAMOND BROOCH, 1970s geometric open work polished and textured design accented with brilliant-cut diamonds £1,000 - 1,500

348 TOURMALINE BROOCH/PENDANT, 1970s centring on an oval mixed-cut tourmaline within floral surround, stamped 750, M? £800 - 1,200

349 RUBY AND DIAMOND CLUSTER RING, 1980s the pear-shaped bezel centring on an oval cabochon ruby within a surround of claw set brilliant-cut diamonds, ring size O £700 - 900

350 EMERALD AND DIAMOND RING centring on an oval cabochon emerald, the shoulders pavé-set with brilliant-cut diamonds in a leaf motif, stamped 18ct, ring size K £300 - 500

351 GEM-SET AND DIAMOND RING, 1970s the bezel of geometric design applied with a quatrefoil motif set with a circular-cut emerald, ruby, sapphire and brilliant-cut diamond, stamped 18ct, ring size O £100 - 150

352 GOLD BANGLE, 1999 with bright-cut decoration, adjustable diameter, 6cm to 7cm, hallmarks for 9-carat gold, London 1999, gross weight approximately 15.4 grams £450 - 550

353 PAIR OF CULTURED PEARL AND DIAMOND EAR STUDS cluster design, each centring on a grey cultured pearl measuring approximately 7mm within a surround of single-cut diamonds, post fittings £300 - 500

354 AMETHYST, RUBY AND DIAMOND PENDANT centring on an oval mixed-cut amethyst within a foliate frame of rose-cut diamonds, accented with circular-cut rubies, mounted in silver-gilt £150 - 250

355 PAIR OF OPAL AND DIAMOND EAR STUDS AND A RING each set with a circular cabochon opal within a bezel of single-cut diamonds, the ring set with an oval cabochon opal within a bezel of brilliant-cut diamonds, hallmarks for 18-carat gold, Birmingham 1993, ring size M1⁄2 (opal cracked) £500 - 700

356 CULTURED PEARL NECKLACE composed of a single uniform row of 89, 6.5mm cultured pearls to an oval fluted clasp set with a single cultured pearl, stamped 14k, 75cm long £100 - 200

357 BLUE TOPAZ PENDANT claw set with a pear-shaped blue topaz, bail stamped 750 £300 - 400

358 TWO PAIRS OF GOLD AND MABÉ PEARL EAR CLIPS comprising: one pair of circular design with a rope work frame, hallmarks for 18-carat gold, the other pair of cushion-shape design, hallmarks for 9-carat gold £600 - 800

359 RUBY AND DIAMOND RING cluster design, claw set with an oval mixed-cut ruby within a surround of brilliant-cut diamonds, ring size N1⁄2 £800 - 1,200

360 AQUAMARINE AND DIAMOND RING, 1970s claw set with a square-cut aquamarine set between shoulders accented with single-cut diamonds, ring size P £700 - 900

361 THREE CULTURED PEARL RINGS comprising: a mabé pearl ring, a single cultured pearl ring with colourless stone enhanced shoulders and a crossover cultured pearl ring £200 - 400

362 PAIR OF MABÉ PEARL AND DIAMOND PENDENT EARRINGS AND A CULTURED PEARL NECKLACE each earring supporting a mabé pearl drop measuring approximately 23.5mm x 18.6mm to a rose-cut diamond surmount, post fittings, the necklace composed of a single uniform row of 10.6mm cultured pearls to a fluted clasp, 46cm long £400 - 600 26

363 MAPPIN & WEBB: EMERALD AND DIAMOND DEMI-PARURE, 2000 comprising a pendant, set with a pear-shaped emerald to a brilliant-cut diamond surmount with knife edge bar connection, with trace link chain, hallmarks for platinum, London 2000, maker’s mark, 42cm long, case and box stamped Mappin & Webb, and a pair of matching pendent earrings, maker’s marks, case and box stamped Mappin & Webb £1,800 - 2,200

364 PAIR OF NATURAL AND CULTURED PEARL AND DIAMOND EAR CLIPS, 1930s one set with a natural pearl measuring approximately 10.0 x 9.9 x 8.5mm, the other with a cultured pearl, to leaf surmounts set with circular-cut diamonds, clip fittings £2,000 - 3,000

365 THEO FENNELL: BABY ART DIAMOND PENDANT pavé-set with brilliant-cut diamonds, to a mesh link chain, British hallmarks for 18-carat gold, maker’s marks for Theo Fennell, 40cm long, Theo Fennell pouch £2,500 - 3,500

366 THEO FENNELL: BLUE TOPAZ, SAPPHIRE AND DIAMOND PENDANT designed as an open work heart centring on a heart-shaped blue topaz, within a bezel of brilliant-cut diamonds, to an outer frame of circular-cut sapphires, British hallmarks for 18-carat gold, signed Fennell for Theo Fennell, dimensions approximately 4.7 x 5cm, case stamped Theo Fennell £3,000 - 5,000

367 CARTIER: GOLD AND DIAMOND RING, 1986 torque design of fluted three colour gold, terminating in two brilliant-cut diamond set C motifs, signed Cartier, numbered 581206, Swiss assay and European convention marks, ring size N, Cartier case and certificate of authenticity £1,500 - 2,500

368 CARTIER, LOVE: PAIR OF DIAMOND EARRINGS each set with three brilliant-cut diamonds, signed Cartier, numbered E22333, stamped 750, case and box stamped Cartier, Cartier certificate of authenticity dated 16th June 1998 £1,800 - 2,200

369 DIAMOND RING claw set with a circular-cut diamond, stamped 18, ring size J1⁄2 £200 - 300

370 VICTORIAN GOLD GUARD CHAIN, 1880s of cable link design terminating in textured and polished flower bud motifs to as dog clip clasp, approximately 170cm long, gross weight approximately 68 grams £3,000 - 5,000

371 DIAMOND RING claw set with a brilliant-cut diamond weighing approximately 2.67 carats, stamped 750, ring size J1⁄2 £5,000 - 7,000

372 DIAMOND PANEL BROOCH/PENDANT, 1920s of pierced rectangular design accented with five old mine-cut diamonds, clasp stamped 14k £3,000 - 5,000

373 EMERALD AND DIAMOND PENDENT CROSS, 1890s the Latin cross set with old mine-cut diamonds, centring on a step-cut emerald, mounted in gold, to a green velvet ribbon £2,000 - 3,000

374 EMERALD AND DIAMOND BROOCH designed as a Cockatoo, the body inset with a carved emerald, the feathers accented with brilliant-cut diamonds with a ruby enhanced eye £2,500 - 3,500

375 RUBY, EMERALD AND DIAMOND ‘TOI ET MOI’ RING, 1970s claw set with a cushion-shaped cabochon ruby and emerald respectively, the shoulders each set with three graduated baguette diamonds, ring size N £4,000 - 6,000

376 PAIR OF TOURMALINE AND DIAMOND EARRINGS each designed as a stylised bird composed of four buff-top mixed-cut pink tourmalines, accented with brilliant-cut diamonds £3,000 - 5,000

377 TIFFANY & CO.: ‘LEGACY’ DIAMOND PENDANT the square pendant inset with a cushion shaped modified brilliant-cut diamond stated to weight 0.44 carats, within a diamond bezel of brilliant-cut diamonds, to a fine trace link chain, signed Tiffany & Co., numbered 223990955, stamped pt 950, 35cm long, Tiffany & Co., case and box, with Tiffany & Co. certificate stating that the central diamond weighing 0.44 carats is D colour, VVS2 clarity £2,000 - 3,000 378 (illustrated opposite) H. STERN: DIAMOND LINE NECKLACE designed as a uniform line of approximately 126 brilliant-cut diamonds, stamped 18kt, 41cm long, case stamped H. Stern £7,000 - 9,000 379 (illustrated opposite) H. STERN: PAIR OF DIAMOND PENDENT EARRINGS each designed as a graduated line of eleven brilliant-cut diamonds, stamped 18kt, case stamped H. Stern £2,000 - 3,000

379

378

380 EDWARDIAN DIAMOND LINE BRACELET, 1900s designed as a graduated line of old mine-cut diamonds, each mounted in millegrain box links, with a scroll engraved gallery, 16cm long £3,000 - 5,000

381 PAIR OF VICTORIAN SAPPHIRE AND DIAMOND BROOCHES, 1890s each of lozenge design set with three rectangular mixed-cut sapphires within a border of old mine-cut diamonds, mounted in silver and gold £4,000 - 6,000

382 DIAMOND BROOCH, 1950s ribbon tied floral spray design, set with brilliant- and single-cut diamonds, dimension approximately 8cm x 6cm £3,000 - 5,000

383 GOLD AND DIAMOND COCKTAIL RING, 1940s bow design set with circular-cut diamonds, stamped 18ct, ring size Q1⁄2 £1,500 - 2,500

384 EDWARDIAN DIAMOND LINE BRACELET, 1900s centring on an old mine-cut diamond, set between two tapering lines of old mine-cut diamonds, mounted in box links, 15cm long £4,000 - 6,000

385 EDWARDIAN SAPPHIRE AND DIAMOND RING, 1910s the cut cornered rectangular bezel set with an oval mixed-cut sapphire, framed by two millegrain rows of circular-cut diamonds, ring size O1⁄2 £3,000 - 4,000

386 VICTORIAN DIAMOND CRESCENT MOON BROOCH, 1890s set with a graduated line of old mine-cut diamonds, mounted in silver and gold, detachable brooch pin £8,000 - 12,000

387 VICTORIAN RUBY AND DIAMOND CRESCENT MOON BROOCH, 1890s set with a graduated line of circular-cut rubies within a frame of similarly cut diamonds, mounted in silver and gold, detachable brooch pin £2,000 - 3,000

388 ART DECO DIAMOND BRACELET, 1930s designed as a series of oval and annular links millegrain set with circular- and single-cut diamonds, 19cm long £5,000 - 7,000

389 DIAMOND RING claw set with a brilliant-cut diamond weighing 4.11 carats, ring size N Accompanied by a European Gemological Laboratory report dated 9 February 2010, number EGL3022044217, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity, and an American International Gemologists Insurance appraisal dated 22 February 2010, number 070, stating that the diamond weighing 4.11 carats is D colour, Si3 clarity

£12,000 - 18,000

390 DIAMOND AND PEARL BRACELET, 1890s designed as three tapering lines of old mine-cut diamonds, interspersed with scroll motifs each centring on a pearl, mounted in silver and gold, 19cm long £6,000 - 8,000

391 EMERALD AND DIAMOND RING, 1960s cluster design, claw set with a brilliant-cut diamond weighing approximately 2.82 carats, with a bezel of navette-shaped emeralds, stamped 750, ring size J £7,000 - 9,000

392 VICTORIAN PEARL AND DIAMOND HINGED BANGLE, 1890s crossover design, composed of two graduated lines of old mine-cut diamonds terminating in a grey pearl measuring approximately 7.3mm and white pearl measuring approximately 6.8mm, mounted in silver and gold £6,000 - 8,000

393 BELLE ÉPOQUE DIAMOND BROOCH, CIRCA 1910 designed as an open work oval panel in the garland style, centring on a millegrain-set circular-cut diamond, with four further similarly-set circular-cut diamonds, two framed in black enamel, to the cardinal points, joined by garlands of rose-cut diamonds £12,000 - 18,000

IMPORTANT INFORMATION FOR BUYERS SECTION A 1. INTRODUCTION The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. AGENCY As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.

3. ESTIMATES Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

4 BUYER’S PREMIUM The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

5.VAT The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive. We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.

5.1 Items in our catalogue may be marked in the following ways: (a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium.VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us. (b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer. (c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer. (d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax. 5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.

6. REFUNDS OF VAT 6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has: (a) registered to bid with an address outside the UK; and (b) discussed with us the proof of export we require and the timeframes to complete the export. 6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded: (a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium. (b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.

(c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium. 6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.

7. REINVOICING SALES For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme.VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.

8. INSPECTION OF GOODS BY THE BUYER As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do.You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.

9. GOODS WITH ELECTRICAL COMPONENTS These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

10. ENDANGERED SPECIES If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

11. EXPORT OF GOODS If you intend to export goods you must find out: 11.1 whether an export licence is needed; and 11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.

12. BIDDING Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding.You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

13. BIDDING PLATFORMS We offer free online bidding directly through our Website (www.olympiaauctions.com).You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.

14. FINANCIAL CHECKS As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following: (a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document). (b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity. (c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information. 14.1 You may be asked for further information if we deem this necessary. 14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf. 14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions.com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.

15. COMMISSION BIDDING You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.

16.4 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale. 16.5 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted. 16.6 Credit Card payments in person: Payments above £6,000 cannot be accepted. 16.7 Debit card payments in person: Payments are without limit.

16. METHODS OF PAYMENT

17. COLLECTION AND STORAGE

Olympia Auctions welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.

16.1 Online: www.OlympiaAuctions.com/payments 16.2 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot. HSBC Bank Plc, 38 High Street, Dartford, Kent, DA1 1DG IBAN No: GB39HBUK40190422033119 BIC: HBUKGB4B Sort Code: 401904 Account No: 22033119 Account Name: Olympia Auctions Ltd 16.3 Sterling Bankers Draft: Drawn on a recognised UK bank.

18. POTENTIAL CANCELLATION RIGHTS If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot.You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

CATALOGUING PRACTICE SECTION B 1. Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request.

2. CERAMICS Obvious faults may be recorded in italics at the end of a description for ceramics.

3.CLOCKS AND WATCHES All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The

Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

4. DISPLAY ACCESSORIES Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details.

5. FIREARMS Please note that all bore sizes are approximate.

6. JEWELLERY It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a

certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method.

7. PHOTOGRAPHS In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, "printed later" will appear in the Lot description. Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated. All photographs are sold unframed unless stated otherwise in the Lot description.

8. PICTURES A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used: (a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part. (b) “Studio of ” or "workshop of ”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision. (c) “Circle of ”: means in our opinion a work of the period of the artist and showing his influence. (d) “Follower of ”: means in our opinion a work executed in the artist's style but not necessarily by a pupil. (e) “Manner of ”: means in our opinion a work executed in the artist's style but of a later date. (f) “After”: means in our opinion a copy (of any date) of a work of the artist. (g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt. (h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist.

9. SILVER, GOLD AND PRECIOUS METALS Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce.

10. THE FOLLOWING SYMBOLS MAY BE USED IN OUR AUCTION CATALOGUES: (a) () indicates a Lot with no Reserve. (b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final. (c) (◉) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export, such as a CITES certificate. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above. (d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

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(e) ( ) indicates “Guaranteed Property”. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by Olympia Auctions or jointly by Olympia Auctions and a third party. Olympia Auctions and any third parties providing a guarantee jointly with Olympia Auctions benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. A third party providing a guarantee jointly with Olympia Auctions may provide an irrevocable bid, or otherwise bid, on the guaranteed property. If the Guaranteed Property symbol for a lot is not included in the printed or pdf auction catalogue (where applicable), then Olympia Auctions will notify bidders that there is a guarantee on the lot by one or more of the following means: the lot’s specific webpage will be updated to include the guaranteed property symbol, a notice will be added to the Olympia Auctions webpage for the auction, or a pre-sale or pre-lot announcement will be made indicating that there is a guarantee on the lot. If every lot in a sale is guaranteed, a Special Notice will be included to this effect and this symbol will not be used for each lot. (f) (∏) indicates “Monumental”. Lots with this symbol may, in our opinion, require special handling or shipping services due to size or other physical considerations. Buyers are advised to inspect the lot and to contact Olympia Auctions prior to the sale to discuss any specific shipping requirements. (g) (W) indicates property stored and to be collected from off-site storage. Please note that property can only be released once payment has been received in full and cleared funds. If you are sending your own authorised agent to collect property from Olympia Auctions on your behalf, please provide a letter of authorisation, a copy of your paid invoice and photographic ID. (h) (#) Book sales. Although these items are not free from VAT, Olympia Auctions is able to use the margin scheme and VAT will not normally be charged on the hammer price. Olympia Auctions must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at the standard rate on this premium. This amount will form part of the buyer’s premium on our invoice and will not be separately identified.

Autumn / Winter 2026 The London Sale Live sale: Wednesday 16th September

Jewellery & Watches Live sale: Thursday 17th September

Autumn 2026 Timed sale: starts Friday 18th September, ends Sunday 27th September

From the Studio: Works from Artists’ Estates Timed sale: starts Friday 2nd October, ends Sunday 11th October

Paintings, Works on Paper and Sculpture Timed sale: starts Friday 2nd October, ends Sunday 11th October

The Pip Rau Collection of Embroideries and Costumes, Part 2 Timed sale: starts Friday 23rd October, ends Sunday 1st November

Chinese and Japanese Works of Art Live Sale: Wednesday 4th November

Modern & Contemporary African & Middle Eastern Art Live Sale: Wednesday 11th November

Modern & Contemporary African & Middle Eastern Art Timed sale: starts Friday 6th November, ends Sunday 15th November

European Works of Art, Objects & Silver Live Sale: Wednesday 18th November

Jewellery & Watches Live Sale: Thursday 19th November

Indian, Islamic, Himalayan and South-East Asian Art Live Sale: Wednesday 25th November Please note sale dates are subject to change Please see our website for up-to-date information enquiries@olympiaauctions.com | www.olympiaauctions.com 25 Blythe Road, London WI4 0PD

25 Blythe Road, London W14 0PD +44 (0)20 7806 5541 | jewellery@olympiaauctions.com | www.olympiaauctions.com