Jewellery & Watches | Thursday 14th May 2026

JEWELLERY & WATCHES

THURSDAY 14TH MAY 2026

Lots 320 & 321

Front Cover: Lots 496 & 501

Back Cover: Lot 323

JEWELLERY & WATCHES

TO BE SOLD BY AUCTION: 25 Blythe Road, London W14 0PD

AUCTION:

Thursday 14th May 2026, 11am, precisely

PUBLIC EXHIBITION:

Sunday 10th May, 12pm to 4pm

Monday 11th May, 10am to 8pm

Tuesday 12th May, 10am to 5pm

SALE NUMBER OA0178

ENQUIRIES:

Henrietta Grant, Head of Sale

Justin Roberts, Senior Specialist

Matthew Barton

CONSULTANTS:

Anabel Yorke (Jewellery)

+44 (0)20 7806 5545

jewellery@olympiaauctions.com

ONLINE CATALOGUE AND LIVE INTERNET

BIDDING AVAILABLE THROUGH:

www.olympiaauctions.com

www.the-saleroom.com

www.invaluable.com

www.drouotonline.com This

JEWELLERY & WATCHES

Thursday 14th May 2026

Starting at 11am

301

ELLICOTT, ROYAL EXCHANGE: GEORGE IV SILVER POCKET WATCH, LONDON, CIRCA 1828

Ellicott signed movement with diamond end stone, later enamel dial and gilt hands, perhaps associated silver open face case with plunge stem, hallmarked for William Rowlands, London, 1828; together with a Victorian lady’s silver pocket watch (2) £150 - 250

302

EDWARD FRANCIS ASHLEY: VICTORIAN GOLD POCKET WATCH, CIRCA 1900

keyless wind gilt half-plate movement with compensation balance, blue steel overcoil hairspring and diamond endstone, signed ‘E.F. Ashley 2 Green Terrace CLERKENWELL’ and numbered 04898, white three-piece dial similarly signed and numbered within Roman numerals, with subsidiary seconds dial, open face circular case and cuvette 18 carat gold hallmarked for casemaker Fred Thoms, London, 1900, 4.9cm diameter

£600 - 800

303

PATEK PHILIPPE, CHRONOGRAPH: GOLD HUNTER CASED POCKET WATCH, CIRCA 1908

keyless wind engine-turned nickel finish Swiss moustache lever movement with cut and compensated bi-metallic balance and steel chronograph works, signed and numbered 138177, signed white dial with black Arabic numerals and outer split second divisions with Arabic five minute markers, gold pierced scroll hands with centre chronograph hand, subsidiary dials at 3 and 9 for constant seconds and 30 minute recording, plain polished case with chronograph button in the band at 12, cuvette signed and correspondingly numbered to the movement, back cover and cuvette with case number 260120, Swiss 18 carat gold marks and maker’s mark PP.Co, case 50mm diameter

£10,000 - 15,000

304

GOLD HUNTER CASED POCKET WATCH, CIRCA 1928

keyless wind seventeen jewel Swiss lever movement, white Arabic dial with subsidiary seconds dial, plain polished rounded case with inscribed cuvette ‘W.A. BAILLY / 2nd. June 1929, cuvette, covers and stem 9 carat gold hallmarked for Dennison Watch Case Co., Birmingham, 1928, 44mm diameter

£800 - 1,000

OMEGA, CHRONOMETRE ‘GRADE VERY BEST’: GOLD HUNTER CASED POCKET

CHRONOMETER WATCH, CIRCA 1922 / 36

keyless wind twenty-three jewel 43.15S calibre rhodium-plated movement with compensated balance with gold poising screws and blued steel Breguet hairspring, index regulator with swan-neck spring and precision-regulating device for fast / slow by means of an eccentric snail, adjusted to 6 positions and temperatures, signed, inscribed ‘GRADE VERY BEST’ and numbered 5983836, signed white enamel dial with suspended ‘Breguet’ numerals and hands, subsidiary seconds dial, inscribed in red ‘Chronometre’, plain polished gold hunter case, signed covers, cuvette inscribed ‘Chronomètre Oméga’, numbered to cuvette and covers 7609222, 18 carat gold French import mark, case 52mm diameter, with its original box, leather pouch and ‘Bulletin de marche’ (Watch rate certificate) No. 3567 from the Bureau Officiel de Contrôle de la Marche des Montres at Bienne / Biel (dated 16 November 1936)

See an example sold Antiquorum, Geneva, 14 May 2017, lot 89, where noted that this precision calibre was made from 1922 in only 600 examples, 300 hunters and 300 open face watches. The cost of manufacturing and regulating such high precision movements was very high and hence they were often reserved for the manufacturer’s best client. Apparently an Omega of this type cost SF1085 in 1929, whilst a standard Patek Philippe gold hunter could be bought at the time for SF385.

£3,000 - 4,000

306

H.J. COOPER & CO. LTD., ‘CUDOS’: GOLD HALF-HUNTER CASED POCKET WATCH, CIRCA 1928

Swiss keyless wind seventeen jewel movement signed with HJC shield and ‘CUDOS’, white Roman dial with subsidiary Arabic dial, similarly named, circular case with part glazed cover formerly with enamelled Roman chapter ring, with gold stem and bow and gilt crown, cuvette engraved ‘A. TAYLOR / 8.7.29’, 9 carat gold hallmarked for Dennison Watch Case Co., Birmingham, 1929, to covers and cuvette, 50mm diameter

£400 - 600

307

‘WETZELL LTD.’, TRIPLE CALENDAR: GENTLEMAN’S GILT-METAL WRISTWATCH, SWISS, CIRCA 1960

manual wind seventeen jewel movement, silvered Arabic even number dial with an outer date ring and apertures below 12 o’clock for day and month, circular case with quick-set pushers in the band by 10 and 8 o’clock for date and month, stainless steel screw-down back, 36mm diameter

£150 - 250

308

TUDOR, OYSTER, REF.7903: STAINLESS STEEL MID SIZE WRISTWATCH, CIRCA 1960

manual wind 17 jewel calibre 1156 movement, compensation balance, Kif shock absorber, silvered signed dial with Arabic numerals to quarters and arrowhead markers between, matching Alpha-shaped luminescent hands, centre seconds, circular case with canted bezel, Oyster screw-down crown and case back inscribed ‘ORIGINAL OYSTER CASE / BY ROLEX GENEVA’ and reference and serial number 81007, 32mm diameter, on an associated matte and burnished Spiedel stainless steel bracelet with fold-over clasp

£300 - 500

309

BULOVA, ACCUTRON DAY DATE: GENTLEMAN’S GOLD WRISTWATCH, 1970

electronic ‘tuning fork’ movement, silvered signed dial with applied gilt baton indicators, Day/Date aperture at 3 o’clock, rounded square case, screw-on back numbered 5-200422 / N0, Swiss 18 carat gold assay mark, associated leather strap, 35mm wide

£600 - 800

310

OMEGA, CONSTELLATION ‘C’, REF.168: GENTLEMAN’S GILT STEEL AND GOLD WRISTWATCH, CIRCA 1970

automatic movement, signed silvered ‘linen’ textured dial with gilt baton indicators and date aperture at 3 o’clock, knurled gold bezel, rounded ‘gold-capped’ steel case with screw down case back with presentation inscription, associated leather strap, case 34mm wide

£200 - 300

311

OMEGA, AUTOMATIC GENEVE, ‘OAK’

DAY/DATE, REF.116.0125: GENTLEMAN’S GILT-METAL BRACELET WATCH, CIRCA 1970

automatic calibre 1022 movement, silvered signed dial with gilt and black baton indicators and hands and day/date at 3 o’clock, angular brushed gilt-metal case and bracelet, screw-down stainless steel case back, fold-over signed clasp, case 35mm diameter, with an Omega red plush box

£200 - 300

CARTIER, SANTOS GALBEE, REF.187901: STAINLESS STEEL AND GOLD WRISTWATCH, 1990s

quartz movement, signed ivory Roman dial with date aperture at six o’clock, secret signature at 7, gold bezel with eight steel screws, rounded square steel case, curved case back secured with six screws, inscribed ‘santos de Cartier’, reference number and case number 73624, heptagonal crown set with a faceted blue stone, ‘Cartier’ black leather strap with ‘Cartier’ stainless steel deployant clasp, case 29mm wide, with cushion and ‘Cartier’ red suede pouch

£800 - 1,200

LONGINES: GENTLEMAN’S GOLD BRACELET WATCH, CIRCA 1997

manual wind movement, signed silvered dial with applied baton indicators, circular two-body case, brick link integral bracelet, 9 carat gold hallmarked Saunders & Shepherd, Birmingham, 1997, case 33mm diameter, 17.5cm inner circumference approximately

£1,200 - 1,800

PATEK PHILIPPE, CALATRAVA, REF.5120J: GENTLEMAN’S GOLD WRISTWATCH, CIRCA 2002

automatic twenty-seven jewel calibre 240 movement, signed and numbered 1203194, signed white enamel Roman dial, circular yellow gold case with ‘clous de Paris’ bezel, screw-down exhibition case back, number 4172327, crown with logo, Patek Philippe leather strap, with gold signed tang buckle, maker’s and 18 carat gold convention marks to case and buckle, case 35mm diameter, with box (with distressed interior) and outer card case and cover, wallet with ‘Certificate of Origin’ with corresponding numbers and date of retail 6 April 2002

£8,000 - 12,000

315

CARTIER, PASHA, REF.2765: WHITE GOLD AND DIAMOND WRISTWATCH, CIRCA 2005

automatic twenty-seven jewel calibre 8000MC movement, silvered signed dial with Arabic quarters and inner square minute track surrounding the engine-turned centre, circular case with diamond set bezel, the hinged and screwing crown guard also diamond set, the signed back secured by six screws and numbered 91173CE, with ‘Vendome’ lugs to the Cartier red leather strap with white gold signed deployant clasp, 18 carat gold convention marks to case and clasp, case 42mm diameter

£6,000 - 8,000

316

JAEGER-LECOULTRE, REVERSO DUO, REF.272854: GENTLEMAN’S STAINLESS STEEL WRISTWATCH, CIRCA 2004

manual wind jewelled calibre 854/1 movement, ‘night’ and ‘day’ dials, one silvered with printed Arabic numerals and printed five minute track, guilloche centre, blued steel hands, subsidiary seconds at 6, the other side grey guilloché with luminous Arabic quarters and subsidiary 24 hour indication at 6, swivelling polished rectangular case with reeded ends, case backpiece numbered 272854, 2211259 and Q2718410, JLC fitted crocodile leather strap and stainless steel JLC deployant clasp, case 27mm wide, with fitted presentation box and outer card case and cover, with correspondingly numbered guarantee certificate with purchase date 6 October 2004

£3,000 - 4,000

317

JAEGER-LECOULTRE, MASTER CONTROL 1000 HOURS, REF. Q1628420: GENTLEMAN’S STAINLESS STEEL WRISTWATCH, CIRCA 2008

automatic twenty-nine jewel calibre 975 movement with 22 carat gold tipped rotor, silvered dial with applied Arabic quarters and faceted hour markers, luminous dots, calendar aperture at 4, night and day indication at 9, subsidiary seconds at 6, exhibition case back secured by four screws, numbered 3027 and 147.8.05.S, with JLC crocodile leather strap and stainless steel JLC deployant clasp, case 40mm diameter, with fitted presentation box and outer card case and cover, with instruction manual and correspondingly numbered guarantee certificate with date of purchase 10 October 2008

£2,000 - 3,000

318

JAEGER-LECOULTRE, REVERSO SQUADRA ‘HOMETIME BLACK’, REF.Q700867P: GENTLEMAN’S STAINLESS STEEL AND RUBBER BRACELET WATCH, CIRCA 2008

automatic twenty-nine jewel calibre 977 signed movement, black signed Arabic dial with linear decorated centre, subsidiary seconds dial, red skeleton hand for second time zone and date and AM/PM apertures at 3 and 9 o’clock, steel chamfered rectangular swivelling case with exhibition back, backpiece signed and numbered 2599230, octagonal black crown with logo, on its hard rubber link bracelet with signed double fold steel clasp, case 35mm wide, complete with fitted presentation box and outer card case and cover, with correspondingly numbered Guarantee Certificate dated 19 December 2008 and an extra link

£3,000 - 4,000

JAEGER-LECOULTRE, REVERSO SQUADRA ‘HOMETIME’, REF. 230.8.77: GENTLEMAN’S STAINLESS STEEL WRISTWATCH, CIRCA 2008

automatic twenty-nine jewel calibre 977 movement, silvered guilloche dial with printed black Arabic numerals, steel lume filled hands with skeletonised second time zone indication, calendar apertures for date and AM/PM at 3 and 9, subsidiary seconds at 6, brushed and polished swivelling stainless steel case with glazed exhibition case back, case backpiece numbered Q7008420 2485013 and 230.8.77, JLC leather strap with stainless steel JLC deployant clasp, case 35mm wide, with fitted presentation case and outer card case and cover, and with instruction manual and correspondingly numbered Certificate date stamped 8th September 2008

£3,000 - 4,000

JAEGER-LECOULTRE, 1000 MASTER TOURBILLON, REF: 146.8.34.S: GENTLEMAN’S STAINLESS STEEL WRISTWATCH CIRCA 2008

automatic signed thirty-three jewel calibre 978 movement with 22 carat gold rotor, signed silvered sunburst regulator type dial with applied silvered Arabic 3 and 9 and faceted dagger hour markers, subsidiary dials for 24 hour indication, skeletonised tourbillon aperture at 6, outer date ring and corresponding blued steel date hand, luminous filled steel dagger hands, polished stainless steel signed case with exhibition case back held by 4 screws and numbered 2395218 / 146.8.34.S, JLC alligator leather strap with JLC steel double folding clasp, case 41mm diameter, with fitted wood presentation box complete with JLC eye glass, with outer card case and cover, with correspondingly numbered guarantee certificate with purchase date 9 October 2008

£15,000 - 25,000

321

JAEGER-LECOUTRE, MASTER CONTROL TOURBILLON, REF: Q1666470: GENTLEMAN’S PLATINUM WRISTWATCH, CIRCA 2009

automatic thirty-three jewelled calibre 978 signed movement, signed black dial with applied Arabic quarters and faceted dagger hour markers, subsidiary dial for 24 hour indication, outer calendar track with red tipped calendar hand, brushed and polished dagger hour hands, skeletonised titanium tourbillon carriage at 6, polished platinum circular case with exhibition case back held by four screws numbered 076/300, 2492454/ 149.6.34.S, with Swiss convention platinum marks and maker’s mark, with JLC alligator leather strap and white gold JLC deployant clasp with Swiss 18 carat gold convention marks and maker’s mark, case 43mm diameter, with fitted wood presentation box with fragment of the manufactory set in perspex and outer card case and cover, with instruction booklet and correspondingly numbered guarantee certificate with purchase date 21 January 2009

£25,000 - 35,000

PATEK PHILIPPE, GONDOLO, REF.5098R-001: GENTLEMAN’S ROSE GOLD WRISTWATCH, CIRCA 2010

manual wind eighteen jewel calibre 25-21/176 movement, signed and numbered 5505249, signed engine-turned silvered dial with oval gilt Arabic chapter ring inscribed ‘CHRONOMETRO GONDOLO’, tonneau shaped case with logo to crown, cambered exhibition back secured by four screws, Patek Philippe hand stitched dark tan alligator strap, with gold tang buckle, 18 carat gold convention and maker’s marks to case and buckle, case 32mm wide, with fitted presentation box, outer card case and cover, and wallet with associated literature and instruction manual

£8,000 - 12,000

323

PATEK PHILIPPE, NAUTILUS, REF.5712G-001: GENTLEMAN’S WHITE GOLD WRISTWATCH, CIRCA 2009

automatic twenty-nine jewel calibre 240 PS IRM C LU movement, signed and numbered 4021759, signed slate grey ribbed dial with baton indicators, luminous filled hands, subsidiary seconds, combined date/moon phase and calendar dial, power reserve at 11, ‘porthole’ shaped brushed and polished white gold case with exhibition back and screw-down crown, numbered 4482508, Patek Philippe hand stitched black alligator strap, with white gold deployant clasp signed and inscribed NAUTILUS, case 43mm wide, complete with fitted presentation box, outer card case and cover, wallet containing instruction manual, related literature and ‘Certificate of Origin’ with corresponding numbers and date of purchase 1 August 2009

£40,000 - 60,000

CARTIER, VENDOME TRINITY, REF.81003: GOLD WRISTWATCH, CIRCA 1990

quartz movement, white signed Roman dial with secret signature at 7 o’clock and ‘PARIS’ to bottom, circular case with bezel of three concentric rings and central lugs in three colours of gold, case back secured by two screws signed ‘Cartier / Paris’ and numbered 810033471, Swiss convention 18 carat gold assay marks, blue cabochon set crown, with associated leather strap, 30mm diameter

£1,200 - 1,800

325

BAUME & MERCIER FOR ASPREY, ‘CEINTURE’, REF.38260: GOLD MID SIZE WRISTWATCH, 1970s

manual wind seventeen jewel calibre BM775 movement, specially commissioned white Roman dial signed ‘Asprey’ above the emblem of Kuwait, cut cornered square stepped case, back secured by four screws and numbered 1028755, blue cabochon set crown, 18 carat gold convention marks, case 27mm wide, on a partly gilt stainless steel brick link bracelet, inner circumference approximately 185mm

£500 - 700

326

ROLEX, OYSTER PERPETUAL, REF.76080: LADY’S STAINLESS STEEL BRACELET WATCH, CIRCA 2000

automatic thirty-one jewel calibre 2230 movement, silvered dial with baton markers and hands, case with screw down back and crown, case dial and movement signed, case numbered A733895, Rolex Oyster bracelet with fold over clasp, Ref.78240, clasp numbered AB1, end links numbered 566B, case 24mm diameter, inner circumference approximately 160mm, complete with its cushion, green box, retail tag, green holder with correspondingly numbered certificate (retailed 05/08/2000) and calendar card for 2000/2001, instruction manual, and outer card case, also with two links and Rolex Service manual with card detailing a Rolex service on 12 Sept 2013

£1,500 - 2,500

JAEGER-LECOULTRE, REVERSO, REF.260.550.082: LADY’S STAINLESS STEEL AND GOLD BRACELET WATCH, CIRCA 2002

quartz movement, two tone silvered dial with printed Arabic numerals and inner five minute chapter, blued steel hands, stainless steel and gold swivelling case, steel and gold bracelet and double folding JLC clasp, case 20mm wide, complete with presentation box and outer card case and cover with correspondingly numbered Guarantee Certificate dated 5 April 2002 and a blue wallet (distressed) and outer card case and cover

£1,800 - 2,500

328

CORNAVIN: LADY’S GOLD COCKTAIL WATCH, 1950s

Swiss manual wind movement, dial applied with gold Arabic numeral 12 and 6 and gold baton indicators, circular gold case stamped 18k 750 and Swiss assay mark, to a gate link bracelet, hallmarks for 9-carat gold, 16cm long

£400 - 600

329

BENTIMO STAR: LADY’S GOLD BRACELET WATCH, CIRCA 1957

Swiss manual wind movement, silvered circular dial applied with gold baton indicators, dial and movement signed Bentimo Star, oval case on a gate link bracelet, hallmarks for 9 carat gold to case and clasp, Birmingham 1957, 16cm long

£200 - 300

330

OMEGA: LADY’S GILT-METAL WATCH ON GOLD BRACELET, CIRCA 1960

manual wind seventeen jewel 244 calibre signed movement, silvered signed dial with baton indicators, circular signed gilt-metal case with Omega crown, on a fine mesh tapering bracelet with fold-over clasp stamped ‘14ct’ and ‘585’, inner circumference approximately 175mm, case 20mm diameter

£400 - 600

manual wind seventeen jewel signed movement numbered 12980464, square signed dial applied with facetted and dot indicators to a brilliant-cut diamond set bezel with open work graduated geometric shoulders similarly set, to a twin snake link cord strap, case stamped Omega, 18k 750, Swiss assay marks, numbered 8007 and 11096606, clasp stamped 750, case 13mm wide, 17cm long £800 - 1,200

jewelled manual wind movement, silvered dial with applied baton hour markers, round case with snap on case back, diamond set round bezel, asymmetrical marquise cut diamonds to the top and bottom, fitted integral white gold textured bracelet with folding Rolex clasp, London hallmarked possibly for 1965 (rubbed), together with green Rolex box, case, dial and movement signed, case 15mm diameter, 18cm length

£2,000 - 3,000

333

LONGINES: LADY’S GOLD BRACELET WATCH, CIRCA 1969

manual wind movement, circular dial applied with gold baton indicators to a tapering bracelet strap, 9 carat gold hallmarks, London, 1969, 17cm long

£300 - 500

334

OMEGA, DE VILLE, REF.551.024: LADY’S GILT-METAL WATCH ON AN ASSOCIATED GOLD BRACELET, CIRCA 1970

automatic twenty-four jewel 661 calibre signed movement, silvered signed dial with gilt baton indicators, rectangular case with snap-on stainless steel back, Omega crown, soldered to the tapered and linear textured fine mesh bracelet stamped ‘750’ to fold-over clasp, case 18mm wide, inner circumference approximately 180mm

£2,200 - 2,800

335

TISSOT: LADY’S GOLD BRACELET WATCH, 1970s

manual wind, the rectangular cut-cornered signed dial applied with gold baton indicators, to a tapering bracelet, stamped 375 with European convention marks for 9 carat gold, 17cm long

£500 - 700

336

OMEGA: LADY’S GOLD BRACELET WATCH, CIRCA 1970

manual wind seventeen jewel calibre 484 signed movement, signed champagne dial with gilt baton indicators, circular case with snap-on back signed to interior, Omega crown, on a fine mesh bracelet with Omega fold-over clasp, 9 carat gold hallmarked for Omega Watch Co. (bracelet D. Shackman & Sons), London, 1970, case 17mm diameter, inner circumference approximately 165mm longest, in red card Omega box

£600 - 800

ROLEX: LADY’S GOLD BRACELET WATCH, CIRCA 1973

manual wind eighteen jewel calibre 1400 signed movement, signed oval dial, dial, case and integral bracelet of textured herringbone brick design, snap on back signed and numbered to interior 978637, logo to fold-over clasp and crown, 14 carat gold import hallmarked to case and clasp, case 18mm wide, inner circumference approximately 17.5cm longest

£1,200 - 1,800

338

BUECHE GIROD: LADY’S GOLD AND DIAMOND BRACELET WATCH, CIRCA 1987

signed quartz movement, signed dial applied with gold baton indicators to a cut cornered rectangular brilliant-cut diamond set bezel and woven mesh tapering bracelet, case with hallmarks for 9-carat gold, London 1987, clasp stamped 9k and BG for Bueche-Girod, case16mm wide, 18cm long

£700 - 1,000 337

339

CARTIER, PANTHERE, REF.1120: LADY’S GOLD AND STAINLESS STEEL BRACELET WATCH, CIRCA 1997

quartz calibre 157 movement, signed matte white Roman dial with secret signature at 10 o’clock, rounded square case with gold bezel, signed case back secured by eight screws and numbered PL20540, bracelet of alternate steel and gold brick links with signed steel double fold hidden clasp, case 22mm wide excluding blue cabochon crown and guards, in its red Cartier case with outer slipcase, red Cartier folder with instruction manual and certificate correspondingly numbered and dated for retail on 30 November 1997

£1,200 - 1,800

340

GOLD, ENAMEL AND DIAMOND

LADY’S FOB WATCH ON BROOCH, EARLY 20TH CENTURY

Swiss keyless wind movement, white dial with Roman hours and Arabic five minutes, rounded circular open face case with green guilloché enamel accented with rose-cut diamonds to back, case numbered 36142, 18 carat gold French ‘horse head’ assay marks to back cover and cuvette, suspended from an Albert clip to a gold ribbon bow brooch similarly enamelled and diamond accented, French 18 carat gold ‘eagle head’ assay mark, 65mm long overall, in its fitted leather case printed for the retailer Christopher Sewell of 4 Davies Street, London

£400 - 600

COLLECTION OF GOLD JEWELLERY

comprising two gold signet rings, stamped 18ct, a gold band ring, hallmarks for 22 carat gold, a gold bar brooch, 1900s, a hinged gold locket and a pair of gold cufflinks, hallmarks for 9-carat gold

£1,800 - 2,200

341

COLLECTION OF GENTLEMAN’S CUFFLINKS AND DRESS STUDS

comprising: a pair of 9-carat gold, scroll engraved cufflinks of oval panel design, hallmarks for 9-carat gold, Birmingham 1911, with four associated dress studs, fitted case, a set of three gold dress studs, hallmarks for 9-carat gold Birmingham 1968, cased, and a pair of moss agate cufflinks

£200 - 300

343

PAIR OF GOLD CUFFLINKS, 1900s

each oval link with engraved monogram to curb link connecting chains, stamped 18ct

£800 - 1,200

344

PAIR OF GOLD CUFFLINKS

each link of baton and ball design to curb link connecting chains, hallmarks for 9-carat gold, fitted case

£200 - 300

345

CROPP & FARR: PAIR OF GOLD CUFFLINKS AND TWO PAIRS OF SILVER AND GOLD CUFFLINKS BY ASPREY

the gold cufflink of oval links with engraved monogram, to curb link connecting chains, hallmarks for 9-carat gold, Birmingham, the silver cufflinks of cut-cornered rectangular and oval links respectively, with curb link connecting chains, each applied with a gold winged Lion for Rothschilds Bank, the oval links decorated with blue enamel, hallmarks for sterling silver, London and Birmingham, two fitted cases stamped Asprey

£500 - 700

346

PAIR OF VICTORIAN GOLD CUFFLINKS, 1890s

each link of torpedo shape with curb link connecting chains, stamped 18, fitted case stamped Garrard & Co, 112 Regent Street, W1

£600 - 800

347

CROPP & FARR: GOLD AND MOTHER-OF-PEARL DRESS SET, 1934

comprising a pair of cufflinks, four dress buttons and three shirt studs, each of circular button design inset with an engraved mother-of-pearl panel, maker’s marks and hallmarks for 9-carat white gold, Birmingham 1934, fitted case stamped Rood, Burlington Arcade W1

£400 - 600

348

PAIR OF LAPIS LAZULI AND DIAMOND CUFFLINKS, 1970s

each link composed of a rectangular lapis lazuli panel accented with a single brilliant-cut diamond, to hinged fluted back links, Italian assay marks, stamped 18k, 750

£500 - 700

349

CARTIER: PAIR OF GOLD AND ENAMEL CUFFLINKS, 1920s

each designed as a pair of rectangular cut-cornered links decorated with a geometric black and white enamel pattern, to curb link connecting chains, signed Cartier, Paris, Londres, New York, numbered 3053, French assay marks

£2,000 - 3,000

350

COLLECTION OF TEN STICK PINS, 1890s AND LATER

comprising: an amethyst and citrine gold mounted thistle stick pin, a Maltese cross stick pin, a silver and gold turquoise mounted stick pin, a cabochon chalcedony stick pin and six gilt metal stick pins

£80 - 120

351

VICTORIAN RUBY AND DIAMOND STICK PIN, 1890s

designed as a fox head, decorated with rose-cut diamonds with cabochon ruby eyes, fitted case stamped A. Louis Reis & Co

£400 - 600

352

GOLD, ENAMEL AND DIAMOND GEORGE V CYPHER BROOCH, 1920s

the oval open work brooch depicting the cypher of George V within a blue enamel Garter with crown surmount accented with rose-cut diamonds

£300 - 500

353

ROYAL ARTILLERY REGIMENTAL GOLD, ENAMEL AND DIAMOND BROOCH, 1930s

decorated with rose-cut diamonds, with emerald, ruby and pearl accents, and blue enamel motto, case stamped Plante & Johnson Ltd, 12 Bury Street, St James’s, London, SW1

£400 - 600

designed as a series of facetted and pierced star links, supporting a bloodstone and carnelian swivel fob seal, hallmarks for 9-carat gold, 41cm long

£1,400 - 1,800

355

EDWARDIAN GOLD ALBERT CHAIN, 1900s

fetter and annular links, hallmarks for 18-carat gold, 40cm long

£1,800 - 2,200

356

EDWARDIAN GOLD ALBERT CHAIN, AND FOB, 1906

designed as oval twisted and rope links, supporting a shield shaped fob, hallmarks for 9-carat gold, Birmingham 1906, 38cm long

£1,400 - 1,800

357

SOUTH AFRICAN 1/2 POND COIN PENDANT, 1896

applied with a scroll pendant surmount

£300 - 500

358

FRENCH 20 FRANC GOLD COIN PENDANT, 1913

the gold coin with later, hallmarked 9-carat gold pendant mount

£500 - 700

359

EGYPTIAN PENDANT

oval pierced design depicting the profile of Nefertiti, Egyptian assay marks

£350 - 450

360

PICTURE LOCKET, 1960s

the hinged square locket with engraved floral decoration to the front, stamped 585

£200 - 300

361

CARNELIAN INTAGLIO AND DIAMOND PENDANT

centring on an oval carved carnelian intaglio depicting Islamic script, accented with brilliant-cut diamonds

£300 - 500

362

TWO DIAMOND RINGS

each claw set with a brilliant-cut diamond, one accented with rose-cut diamonds to the shoulders, ring sizes N and P

£500 - 700

363

VICTORIAN GOLD AND DIAMOND THREE STONE RING, 1880s

inset with three old mine-cut diamonds, stamped 18ct, inscribed and dated 1886, ring size P

£300 - 500

364

THREE GOLD AND GEM-SET RINGS, 1900s

comprising: an oval ruby and rose-cut diamond half hoop ring, one diamond deficient, hallmarks for 18-carat gold, Birmingham 1910, ring size R, an oval sapphire and rose-cut diamond half hoop ring, one diamond deficient, hallmarks for 18-carat gold, Birmingham 1915, ring size O, and a turquoise and half-pearl hoop ring, hallmarks for 15-carat gold, Birmingham 1900, ring size N 1/2

£500 - 700

365

TWO VICTORIAN GOLD AND SAPPHIRE RINGS, 1890s

comprising: one set with an oval mixed-cut blue and two pink sapphires, ring size P, the other set with an oval mixed-cut pink sapphire and two circular-cut colourless sapphires, ring size P

£300 - 500

366

RUBY AND DIAMOND RING

centring on a line of French-cut rubies, the fan shaped shoulders accented with rose-cut diamonds and French-cut ruby detail, ring size N 1/2

£150 - 250

367

HINGED GOLD BANGLE, 1968

tapering design with scroll engraved panel, hallmarks for 9-carat gold, Birmingham 1968

£400 - 600

368

VICTORIAN GOLD AND DIAMOND BROOCH, 1880s

circular dome design, centring on an old mine-cut diamond framed with rope work detail, glazed locked reverse

£200 - 300

369

TWO HEART-SHAPED LOCKETS, 1900s AND CHAINS

both gold cased lockets with engraved decoration, one with a fine 9-carat gold curb link chain, the other with a gold plated facetted curb link chain

£80 - 120

370

THREE

VICTORIAN GILTMETAL BROOCHES, 1860s

each of oval design set with an oval carved shell cameo, banded agate panel and chalcedony panel, respectively, each within a gilt-metal scroll brooch frame

£100 - 150

371 (illustrated online)

A COLLECTION OF VICTORIAN AND LATER SILVER JEWELLERY

comprising four Victorian silver brooches, one applied with gold detail, a silver and amethyst brooch, a silver, carnelian and bloodstone swivel fob seal, a silver and banded agate watch key, a silver curb link bracelet with heart-shaped padlock clasp, two shell cameo brooches and a bar brooch

£80 - 120

372

TWO HINGED SILVER BANGLES, 1883 & 1909

comprising one of buckle design with engraved ivy leaf decoration, hallmarks for Birmingham 1883, the other with engraved fern leaf decoration, hallmarks for Birmingham 1909

£100 - 150

374

VICTORIAN GOLD BRACELET, 1890s

designed as fancy pierced rectangular links, hallmarks for 9-carat gold, 20cm long

£600 - 800

373

VICTORIAN SILVER NECKLACE AND LOCKET, 1881 AND A SILVER ALBERT CHAIN

the necklace designed as a series of circular links with star motifs, supporting an oval hinged locket with engraved floral decoration, hallmarks for Birmingham 1881,41cm long, the Albert chain composed of circular facetted and bar links, 40cm long

£100 - 150

375

VICTORIAN GOLD BRACELET, 1890s

curb link design with heart-shaped padlock clasp, stamped 15ct, 19cm long

£1,400 - 1,800

376

GOLD BRACELET, 1977

curb linking with a heart-shaped padlock clasp, hallmarks for 9-carat gold, London 1977, 19cm long

£1,500 - 2,000

377

GOLD NECKLACE, 1900s

composed of reeded annular links to a later Lobster clip clasp, stamped 375, 42cm long

£700 - 900

378

GOLD GUARD CHAIN, 1900s

composed of reeded annular links with dog clip clasp, stamped 9ct, 148cm long

£1,000 - 1,500

379

GOLD GUARD CHAIN, 1900s

the snake link chain to a Dog clip clasp, stamped 9ct, 154cm long

£1,000 - 1,500

380

curb link design, hallmarks for 9-carat gold, 152cm long

£1,000 - 1,500

381

MULTIPLE BAND RING

designed as seven articulated facetted and rope work bands, stamped 22c, ring size U

£400 - 600

382

PAIR OF BANGLES

each of two tone textured design, stamped 22k, gross weight approximately 29 grams

£2,500 - 3,500

INDIAN DEMI PARURE

comprising a necklace of facetted links accented with circular panels, supporting a central circular panel, adjustable corded back chain, 47cm long, excluding corded back chain, stamped 22KT, and a pair of pendent tassel earrings, gross weight approximately 240 grams

£20,000 - 30,000

384

INDIAN EMERALD, PEARL, GOLD AND ENAMEL NECKLACE, 1880s

designed as a series of fifteen graduated gold and enamel leaf motifs, each set with a foil backed pear-shaped emerald, and supporting a pearl drop, to a silver corded back chain, leaf motif section 18cm long

£1,500 - 2,500

385

TWO GOLD AND JADEITE BAR BROOCHES, 1900s

comprising; one designed as a polished jadeite baton applied with a central circular gold disc with Chinese character, supporting a pendent heart, maker’s mark WN, stamped 18, the other designed as a rectangular nephrite bar applied with a gold monogram NZ, nephrite bar engraved to the reverse

£200 - 300

386

GOLD AND JADEITE BRACELET, 1900s

designed as a series of four circular jadeite discs each applied with a central Chinese character, alternating with textured circular gold discs also applied with a central Chinese character, maker’s mark, stamped 18, 21cm long

£800 - 1,200

387

GOLD AND NEPHRITE JADE PENDANT, 1984

the oval nephrite jade pendant applied with a gold Dragon, import hallmarks for 18-carat gold, Birmingham 1984, to a box link chain, stamped 750, 51cm long

£400 - 600

388

GOLD, JADEITE AND SEED PEARL HINGED BANGLE, 1900s

of crossover bamboo design, centring on a circular jadeite disc applied a with Chinese character to the centre, set between a pair of flower motifs, each with a central seed pearl, maker’s mark WN, stamped 18, fitted case stamped S.L.M.Sheriff & Bros, Jewellers, Hong Kong

£1,500 - 2,000

389

RHODOCHROSITE PENDANT, 1970s

designed as a carved rhodochrosite turtle sitting on top of a Chinese hat, to a fine s link chain, stamped 750, 64cm long

£200 - 300

390

EMERALD AND DIAMOND PENDANT

designed as a lozenge set with a square emerald within a bezel of single-cut diamonds, to a trace link chain, Italian assay marks, stamped 750, 39cm long

£200 - 300

391

TWO TURQUOISE RINGS

each of cluster design accented with cabochon turquoise detail within filigree mounts, ring sizes O and M

£400 - 600

392

TWO PAIRS OF EARRINGS

comprising a pair of cluster design set with colourless stones the other pair designed as facetted rings

£600 - 800

393

PERIDOT BRACELET

designed as a series of circular peridots, interspersed with circular links, 21cm long

£200 - 300

394

EMERALD AND DIAMOND RING

centring on an oval cabochon emerald, the shoulders pave-set with brilliant-cut diamonds in a leaf motif, stamped 18ct, ring size K

£500 - 700

395

SAPPHIRE AND DIAMOND CLUSTER PENDANT, 1980s

the pendant centring on an oval mixed-cut sapphire within a bezel of brilliant-cut diamonds, to a hinged diamond set bail, to a flat curb link chain, stamped 18k, 40cm long

£2,000 - 3,000

396

RUBY AND DIAMOND PENDENT

centring on an oval cabochon ruby within a floral bezel of rose-cut diamonds

£100 - 200

A GILT-METAL AND OPALESCENT PASTE NECKLACE AND BRACELET, 1950s

the necklace designed as four rows of yellow opalescent beads, centring on a geometric panel of Astec design with red and cream resin detail, 38cm long, the bracelet of matching design composed of interlocking geometric panels, 17cm long, possibly American

£80 - 120

CULTURED PEARL NECKLACE, CORAL NECKLACE AND A COCKTAIL RING

the cultured pearl necklace composed of a uniform row of 7.7mm cultured pearls to a scroll clasp accented with cultured pearls, stamped 9ct, 86cm long, the coral necklace composed of branch coral, 132cm long, together with an imitation sapphire and colourless stone cluster ring, ring size U 1/2 (3)

£300 - 500

399

CULTURED PEARL AND DIAMOND NECKLACE

composed of a uniform row of 6.6mm cultured pearls, interspersed with gold rondelles, to a shuttle shaped clasp of fluted design accented with single-cut diamonds, 45cm long

£200 - 300

400

CULTURED PEARL NECKLACE

composed of a single uniform row of 89, 6.5mm cultured pearls to an oval fluted clasp set with a single cultured pearl, stamped 14k, 75cm long

£200 - 300

401

SYNTHETIC COLOUR

CHANGE

CORUNDUM BRACELET AND PAIR OF EARRINGS, 1960s

the bracelet designed as a uniform line of circular synthetic colour change corundum, 18cm long, the earrings of matching design

£300 - 500

402 A TANZANITE AND DIAMOND RING AND A PAIR OF DIAMOND EARRINGS

the ring of band design decorated with navette shaped tanzanites and single-cut diamonds, stamped 9k, ring size O, the earrings decorated with three lines of single-cut diamonds

£200 - 300

403

EMERALD AND DIAMOND RING

the oval bezel centring on an oval mixed-cut emerald within a millegrain surround of single-cut diamonds, accented with lines of calibre-cut emeralds, stamped pt950, ring size N 1/2

£1,800 - 2,200

404

AMETHYST, RUBY AND DIAMOND PENDANT

centring on an oval mixed-cut amethyst within a foliate frame of rose-cut diamonds, accented with circular-cut rubies, mounted in silver-gilt

£250 - 350

405

SAPPHIRE AND DIAMOND PENDANT

claw set with an oval mixed-cut sapphire to a surmount of three brilliant-cut diamonds, with curb link chain, Italian assay marks stamped 750, 39cm long

£400 - 600

406

SAPPHIRE AND DIAMOND HALF HOOP RING

set with three graduated circular-cut sapphires, accented with single-cut diamonds, to a scroll gallery, stamped 18ct, ring size L

£250 - 350

407

SAPPHIRE AND DIAMOND RING

cluster design, claw set with an oval mixed-cut sapphire within a bezel of single-cut diamonds, hallmarks for 18-carat gold, ring size M

£200 - 300

408 DIAMOND RING

claw set with a brilliant-cut diamond, hallmarks for 18-carat gold, London 1989

£800 - 1,200

409

THREE STONE DIAMOND RING

claw set with three graduated circular-cut diamonds, ring size P, case stamped Olivant & Botsford, Manchester

£800 - 1,200

410

VICTORIAN DIAMOND HALF HOOP RING, 1890s

set with five graduated old mine-cut diamonds, accented with rose-cut diamond points, to a pierced scroll gallery, ring size R 1/2

£1,500 - 2,000

411

VICTORIAN ROCK CRYSTAL INTAGLIO, HALF-PEARL AND GOLD PENDANT, 1879

centring on a rock crystal heart with reverse carved intaglio monogram, to a half-pearl ribbon bow surmount, engraved to the reverse March 14th 1879, to a later woven link chain, stamped 9k, import hallmarks for 9-carat gold

£800 - 1,200

412

VICTORIAN DIAMOND STAR BROOCH/ PENDANT, 1890s

designed as a radiating star set with old mine- and rose-cut diamonds, mounted in silver and gold, detachable brooch pin

£800 - 1,200

413

CULTURED PEARL AND DIAMOND NECKLACE, 1890s AND LATER

composed of three uniform rows of cultured pearls to a Victorian diamond floral cluster clasp, 1890s, set with old mine-cut diamonds, mounted in silver and gold, clasp detachable with detachable brooch and pendant fittings, with 17 additional loose cultured pearls, necklace 39cm long, case by Richard Ogden, £1,000 - 1,500

414

SAPPHIRE AND DIAMOND RING, 1900s

claw set with a circular-cut sapphire set between two old mine-cut diamonds, ring size R

£1,500 - 2,500

415

DIAMOND PENDENT CROSS

Latin design set with lasque-cut diamonds, framed by rose-cut diamonds, to a twisted link chain, mounted in silver and gold

£700 - 900

416

ENAMEL AND DIAMOND CLUSTER RING

the circular bezel decorated with brilliant-cut diamonds and blue enamel, ring size O

£800 - 1,200

417

PAIR OF EMERALD AND DIAMOND PENDENT EARRINGS

each supporting a circular emerald and diamond cluster to a ribbon bow surmount accented with brilliant-cut diamonds

£700 - 900

418

FOUR ROW BRACELET, 1960s

designed as four strands of box links, 19cm long, stamped K18

£1,800 - 2,200

419

BRICK LINK STRAP BRACELET, 1960s

brick link design, Italian assay marks, stamped 750, 17.5cm long

£1,500 - 2,000

420

9-CARAT

BRACELET, 1960s

designed as a textured band, hallmarks for 9-carat gold, 17.5cm long

£1,000 - 1,500

421

CARNELIAN INTAGLIO RING, 1960s

centring on an oval carnelian intaglio carved with Islamic script, within a bezel of circular-cut green chalcedony, to a rope work mount, ring size Q

£500 - 700

422

RUBY AND DIAMOND RING, 1960s

centring on an oval cabochon ruby within a bezel of brilliant-cut diamonds to pierced scroll shoulders with bead detail, stamped 18k, ring size Q

£1,500 - 2,500

423

AMETHYST AND DIAMOND BROOCH, 1960s

centring on an oval mixed-cut amethyst within a bezel of brilliant-cut diamonds, stamped 14k

£800 - 1,200

424

GOLD STRAP BRACELET, 1966

brick link design, hallmarks for 9-carat gold, Birmingham 1966, 18cm long

£1,500 - 2,500

425

GOLD STRAP BRACELET

brick link design, hallmarks for 9-carat gold, 19cm long

£1,200 - 1,800

FANCY LINK CHAIN AND HARDSTONE PENDANT, 1960s

the chain composed of leaf shaped links, 80cm long, supporting a spherical pendant with rope work detail accented with cabochon carnelian and chrysoprase detail, stamped 750, Italian assay marks

£3,000 - 4,000

427

PAIR OF DIAMOND PENDANTS, 1950s

each of open work leaf design accented with rose-cut diamonds

£500 - 700

428

PAIR OF DIAMOND TASSEL EARRINGS, 1950s

each of reeded ribbon scroll design accented with single-cut diamonds, supporting a tassel fringe, one clip fitting deficient

£800 - 1,200

429

GOLD AND GEM-SET RING, 1960s

floral cluster design, set with pear-shaped gemstones, including tigers eye, ruby, chrysoprase and garnet, accented with circular-cut garnets with gold rope and scroll work detail, stamped 14k, ring size L

£500 - 700

431

430

EMERALD AND DIAMOND DEMI PARURE

comprising a necklace and a pair of pendent earrings, set with circular-cut emeralds and single-cut diamonds, necklace 41cm long

£500 - 700

KUTCHINSKY: GOLD AND EMERALD RING, 1975

designed as a twisted V-shaped band accented with circular-cut emeralds, maker’s mark and hallmarks for 18-carat gold, London 1975, ring size S 1/2

£1,000 - 1,500

432

RUBY AND DIAMOND CLUSTER RING. 1980s the pear-shaped bezel centring on an oval cabochon ruby within a surround of claw set brilliant-cut diamonds, ring size O

£1,000 - 1,500

433

RUBY AND DIAMOND BRACELET, 1960s

designed as a graduated line of navette-shaped rubies, accented with single-cut diamonds, to a herringbone link bracelet, stamped 585, 19cm long

£800 - 1,200

434

RUBY AND DIAMOND PARURE

comprising a bracelet, pair of ear clips and a ring, the bracelet set with clusters of circular-cut rubies, accented with navette motifs each set with a single-cut diamond, stamped 18k,19cm long, the ear clips of matching design set with oval rubies, clip and hinged post fittings, numbered 504, and a ring, one ruby deficient, ring size M

£2,000 - 3,000

435

SAPPHIRE AND DIAMOND RING

cluster design, claw set with an oval mixed-cut sapphire, within a bezel of brilliant-cut diamonds, stamped 585, ring size N

£800 - 1,200

436

SAPPHIRE AND DIAMOND HINGED BANGLE

the bangle of foliate cluster design set with navette and circular sapphires accented with single-cut diamonds

£700 - 900

437

KYANITE AND DIAMOND STRAP BRACELET

designed as a panel of oval mixed-cut blue kyanites, accented with single-cut diamonds, mounted in silver, threaded on a fabric strap with diamond set clasp, 18cm long

£500 - 700

438

PAIR OF SAPPHIRE AND DIAMOND EAR STUDS

each centring on an oval cabochon sapphire within a surround of brilliant-cut diamonds

£800 - 1,200

439

SAPPHIRE AND DIAMOND RING

claw set with on oval mixed-cut sapphire, set between triangular shoulders set with clusters of brilliant-cut diamonds, stamped 750, ring size M 1/2

£2,000 - 3,000

440

GOLD STRAP BRACELET

mesh link design, Austrian import marks for 14-carat gold, 19cm long, gross weight approximately 99.8 grams

£4,500 - 5,500

441

TWO PAIRS OF GOLD AND MABE PEARL EAR CLIPS,

comprising: one pair of circular design with a rope work frame, hallmarks for 18-carat gold, the other pair of cushion-shape design, hallmarks for 9-carat gold

£800 - 1,200

442

PAIR OF GOLD EAR CLIPS, 1997

of oval spiral fluted design, clip and post fittings, Italian assay and import hallmarks for 18-carat gold, London 1997

£1,000 - 1,500

ROCK CRYSTAL AND DIAMOND PENDANT

the oval rock crystal pendant accented with a line of brilliant-cut diamonds, stamped 750, Italian assay marks, to a multi-strand cord necklace

£200 - 300

444

PAIR OF MORGANITE AND DIAMOND EAR STUDS

each set with a pear-shaped morganite within a bezel of brilliant-cut diamonds, stamped 750

£1,200 - 1,800

445

AQUAMARINE AND DIAMOND RING

collet set with a rectangular mixed-cut aquamarine, within a bezel of brilliant-cut and baguette diamonds, stamped pt950, ring size N

£1,800 - 2,200

CULTURED PEARL AND DIAMOND RING

centring on a cultured pearl measuring approximately 10.3mm, to an interlaced ribbon mount set with baguette diamonds, ring size J 1/2

£300 - 500

447

TASAKI: CULTURED PEARL AND DIAMOND ‘BALANCE NEO’ RING

set with three cultured pearls of 7.5mm diameter, to a mount accented with brilliant-cut diamonds, signed Tasaki, ring size M, fitted box

£800 - 1,200

448

PAIR OF CULTURED PEARL, SAPPHIRE AND DIAMOND PENDENT EARRINGS

each supporting a grey cultured pearl drop, to a shield-shaped surmount set with a pear-shaped sapphire within a bezel of brilliant-cut and baguette diamonds, stamped 750

£2,500 - 3,500

449

AQUAMARINE SAUTOIR

composed of a single row of eighty-one carved oval aquamarine beads, 132cm long, 134.9 grams

£250 - 350

450

AQUAMARINE AND DIAMOND RING, 1970s

claw set with a square-cut aquamarine set between shoulders accented with single-cut diamonds, ring size P

£1,000 - 1,500

451

CHANEL: ULTRA GOLD AND BLACK CERAMIC RING

brick link design, signed Chanel, numbered S 35079 T51, stamped 750 with maker’s marks, European convention marks for 18-carat gold, ring size L, with black leather Chanel pouch, case, box and certificate

£800 - 1,200

452

H.STERN: WORLD COLLECTION, DIAMOND NECKLACE

pave-set to the front with a panel of brilliant-cut diamonds, to a graduated link satin finish collar, stamped 18kt, 43cm long, pouch and box stamped H.Stern

£2,500 - 3,500

453

CARTIER, LOVE: PAIR OF DIAMOND EARRINGS

each set with three brilliant-cut diamonds, signed Cartier, numbered E22333, stamped 750, case and box stamped Cartier, Cartier certificate of authenticity dated 16th June 1998

£2,500 - 3,500

454

DEAKIN & FRANCIS: SAPPHIRE AND DIAMOND RING

oval cluster design, centring on an oval sapphire within a bezel of brilliant-cut diamonds, to an outer line of millegrain brilliant-cut diamonds, signed Deakin & Francis, hallmarks for platinum, Birmingham 2021, ring size N

£1,500 - 2,500

455

TIFFANY & CO.: ‘LEGACY’ DIAMOND PENDANT

the square pendant inset with a modified brilliant-cut diamond stated to weight 0.44 carats, within a diamond bezel of brilliant-cut diamonds, to a fine trace link chain, signed Tiffany & Co., numbered 223990955, stamped pt 950, 35cm long, Tiffany & Co., case and box, with Tiffany & Co. certificate stating that the central diamond weighing 0.44 carats is D colour, VVS2 clarity

£2,500 - 3,500

456

TIFFANY

& CO.: AQUAMARINE AND DIAMOND

RING, 2005

claw set with a pear-shaped aquamarine, set between tapering baguette diamond shoulders, signed Tiffany & Co, numbered 19355411, stamped pt950, hallmarks for platinum, London 2005, ring size L 1/2, Tiffany & Co pouch and box

£1,000 - 1,500

457

MAPPIN & WEBB: EMERALD AND DIAMOND DEMI-PARURE, 2000

comprising a pendant, set with a pear-shaped emerald to a brilliant-cut diamond surmount with knife edge bar connection, with trace link chain, hallmarks for platinum, London 2000, maker’s mark, 42cm long, case and box stamped Mappin & Webb, and a pair of matching pendent earrings, maker’s marks, case and box stamped Mappin & Webb

£2,500 - 3,500

458

EMERALD AND DIAMOND ETERNITY RING, 1920s

designed as with three square-cut emeralds, alternating with three single-cut diamonds, to a scroll engraved mount, ring size L 1/2

£200 - 300

459

DIAMOND ETERNITY RING, 1930s

set around the finger with circular- and old mine-cut diamonds, ring size O

£300 - 400

460

DIAMOND ETERNITY RING, 1930s

set around the finger with circular-cut diamonds, ring size M

£300 - 400

461

DIAMOND ETERNITY RING, 1930s

set around the finger with circular-cut diamonds, ring size S

£300 - 400

462

SAPPHIRE AND DIAMOND ETRNITY RING, 1930s

alternatively set with French-cut sapphires and circular-cut diamonds, to a scroll engraved mount, ring size O

£300 - 500

463

SAPPHIRE AND DIAMOND RING

collet set with an oval mixed-cut sapphire within a rectangular cut-cornered bezel set with brilliant-cut diamonds, hallmarks for 9-carat gold

£1,000 - 1,500

464

PAIR OF OPAL AND DIAMOND EAR STUDS AND A RING

each set with a circular cabochon opal within a bezel of single-cut diamonds, the ring set with an oval cabochon opal within a bezel of brilliant-cut diamonds, hallmarks for 18-carat gold, Birmingham 1993, ring size M 1/2 (opal cracked)

£700 - 1,000

465

GOLD AND DIAMOND COCKTAIL RING, 1940s

bow design set with circular-cut diamonds, stamped 18ct, ring size Q 1/2

£2,000 - 3,000

466

LADY’S DIAMOND COCKTAIL WATCH, 1920s

the rectangular dial with Arabic numerals to a rectangular cut-cornered case accented with single-cut diamonds, later double leather cord strap

£200 - 300

467

DIAMOND RING, 1920s

the lozenge shaped bezel of pierced design accented with old mine-cut diamonds, four diamonds deficient, stamped 18k, ring size M 1/2

£300 - 500

468

ART DECO DIAMOND PANEL BROOCH, 1920s

the rectangular brooch of open work geometric floral design millegrain set with old mine-cut diamonds

£600 - 900

469

ART DECO JADEITE AND DIAMOND LAPEL WATCH, 1920s

the rectangular dial with Arabic numerals, within a bezel of circular-cut diamonds, with geometric motifs to the shoulders accented with jadeite panels, to a twin cord suspension with diamond tie, from a bar set with rectangular jadeite panels and geometric palmette motifs set with circular-cut diamonds

£800 - 1,200

470

DIAMOND CIRCLE BROOCH

set with sixteen old mine-cut diamonds, diameter 3cm

£2,000 - 3,000

471

CULTURED PEARL, SAPPHIRE AND DIAMOND NECKLACE, 1920s AND LATER

composed of three graduated rows of cultured pearls to an oval clasp set with a cushion-shaped mixed-cut sapphire accented with old mine-cut diamonds, 1920s, 45cm long, one diamond deficient

£600 - 800

472

CULTURED PEARL BRACELET

composed of four uniform rows of cultured pearls to a rectangular clasp, centring on a rectangular glazed locket within a frame of half-pearls, 20cm long

£400 - 600

473

SPINEL AND DIAMOND RING

claw set with an oval mixed-cut pink spinel weighing 2.45 carats, within a bezel of brilliant-cut diamonds, ring size M

£4,000 - 6,000

474

DIAMOND PANEL BROOCH/PENDANT, 1920s

of pierced rectangular design accented with five old mine-cut diamonds, clasp stamped 14k

£4,000 - 6,000

475

EMERALD AND DIAMOND RING

cluster design, set with a circular-cut emerald within a bezel of brilliant-cut diamonds, stamped 18ct, ring size N 1/2

£300 - 500

476

EMERALD AND DIAMOND BROOCH

designed as a Cockatoo, the body inset with a carved emerald, the feathers accented with brilliant-cut diamonds with a ruby enhanced eye

£3,500 - 4,500

477

GOLD CHARM BRACELET

curb link design supporting seven charms, including a Hedgehog, car, scales, Welsh hat and angel fish charm (detached), hallmarks for 9-carat gold, 19cm long

£800 - 1,200

478

RUBY AND DIAMOND COCKTAIL RING, 1997

centring on an oval cabochon ruby within a brilliant-cut diamond bezel, to a wide tapering mount accented with brilliant-cut and marquise diamonds, cabochon rubies and channel set lines of calibre-cut rubies to the shoulders, Hallmarks for 18-carat gold, London 1997, ring size P

£2,000 - 3,000

479

PAIR OF TOURMALINE AND DIAMOND EARRINGS

each designed as a stylised bird composed of four buff-top mixed-cut pink tourmalines, accented with brilliant-cut diamonds

£4,000 - 6,000

480

RUBY AND DIAMOND CLUSTER RING, 1960s

claw set with an oval mixed-cut ruby within a bezel of brilliant-cut diamonds, to a similarly set band, one diamond deficient, stamped 750, ring size R

£3,000 - 5,000

481

DIAMOND RING

claw set with a brilliant-cut diamond, ring size O

£3,000 - 5,000

482

DIAMOND RING

claw set with a brilliant-cut diamond weighing approximately 2.67 carats, stamped 750, ring size J 1/2

£6,000 - 8,000

DIAMOND PENDANT

claw set with a brilliant-cut diamond stated to weigh 2.57 carats, within a detachable halo of brilliant-cut diamonds, to a fine link chain, British hallmarks and European convention marks for 18-carat gold, 41cm long

European Gemological Laboratory report number 081125C/RVH, dated 25th November 2008, stating that the diamond weighing 2.57 carats is D colour Si1 clarity

£8,000 - 12,000

484

THEO FENNELL: BABY ART DIAMOND PENDANT

pave-set with brilliant-cut diamonds, to a mesh link chain, British hallmarks for 18-carat gold, maker’s marks for Theo Fennell, 40cm long, Theo Fennell pouch

£3,000 - 4,000

485

THEO FENNELL: BLUE TOPAZ, SAPPHIRE AND DIAMOND PENDANT

designed as an open work heart centring on a heart-shaped blue topaz, within a bezel of brilliant-cut diamonds, to an outer frame of circular-cut sapphires, British hallmarks for 18-carat gold, signed Fennell for Theo Fennell, dimensions approximately 4.7 x 5cm, case stamped Theo Fennell

£4,000 - 6,000

EMERALD AND DIAMOND RING, 1960s

cluster design, claw set with a brilliant-cut diamond weighing approximately 2.82 carats, with a bezel of navette-shaped emeralds, stamped 750, ring size J

Notes: 9x5.5mm = 2.82 carats approximately, I colour, Vs1

£8,000 - 12,000

487

H.STERN: DIAMOND LINE NECKLACE

designed as a uniform line of approximately 126 brilliant-cut diamonds, stamped 18kt, 41cm long, case stamped H. Stern

£8,000 - 12,000

488

H. STERN: PAIR OF DIAMOND PENDENT EARRINGS

each designed as a graduated line of eleven brilliant-cut diamonds, stamped 18kt, case stamped H. Stern

£2,500 - 3,500

BOUCHERON: COLOMBIAN EMERALD AND EMERALD RING AND WEDDING BAND RING

claw set with a chevron-shaped Colombian emerald weighing 4.18 carats, to open work shoulders accented with circular-cut emeralds, in an oxidized mount, signed Boucheron, numbered P53277, engraved 49.5 OR 750, French assay and maker’s mark, ring size J 1/2, case and box stamped Boucheron, Boucheron certificate, together with an oxidized wedding band ring of matching design, signed Boucheron, numbered P66007, engraved 50 OR 750, French assay and maker’s mark, ring size K, case and box stamped Boucheron, Boucheron certificate

GRS report dated 3rd April 2001, number GRS2002-04066, stating that the fancy shape emerald weighing 4.18 carats is origin Colombia with insignificant clarity enhancement.

Accompanied with a letter from Eric Ruskone, dated 21 July 2004, from the L’Association Francaise de Gemmologie, stating that the emerald shows characteristics of emeralds from the Muzo mine, and the original invoice from Boucheron dated 12th November 2004

£40,000 - 60,000

490

EDWARDIAN DIAMOND BROOCH/PENDANT, 1900s

of interlaced scroll design, supporting an articulated garland, set with old mine- and circular-cut diamonds, mounted in silver and gold, hinged suspension loop, loops for chain attachment and detachable brooch pin, 6.5 x 4cm.

Provenance: presented to Mrs Peter Thorneycroft by the Chairman and Directors of Vickers-Armstrongs (shipbuilders) on the occasion of the Launch of H.M. Submarine “Valiant” Barrow in Furness 3rd December 1963.

£3,000 - 5,000

GOLD AND DIAMOND RING, 1989

cluster design centring on a circular-cut diamond within a bezel of similarly cut diamonds, to a pierced scroll mount, hallmarks for 18-carat gold, London, 1989, ring size O

£4,000 - 6,000

492

HANCOCKS & CO: VICTORIAN, NATURAL PEARL, DIAMOND, GOLD AND ENAMEL HINGED BANGLE, 1890s

the hinged bangle centring on a single natural pearl within a blue enamel and rose-cut diamond star surround, set between a pair of similar half-pearl, blue enamel and rose-cut diamond star motifs, joined by lines of half-pearls, fitted gilt-tooled red leather case, stamped Hancock & Co, Jewellers & Silversmiths to the Queen, 38 & 39 Bruton St, Bond St.

Verbal report from Gemmological Certification Services nos 5786-0148, stating that the central pearl was found to be a natural saltwater pearl.

£3,000 - 5,000

493

OTTOMAN EMPIRE DIAMOND NECKLACE, 1890s

designed as a series of nine shield shaped panels each centring on a floral motif set with foil backed rose-cut diamonds, interspersed with similarly set knife edge bars applied with leaf details, to a curb link back chain, mounted in rose-gold, some motifs detached, 22cm long, excluding back chain

£3,000 - 5,000

494

OTTOMAN EMPIRE ST ESPRIT DIAMOND BROOCH, 1890s

designed as a floral spray set with foil backed rose-cut diamonds, with red enamel St Esprit detail, one floral motif detached, mounted in rose-gold

£700 - 900

OTTOMAN EMPIRE RUBY AND DIAMOND PARURE, 1890s

comprising a necklace/tiara and brooch/tiara, the necklace designed as a series of graduated tapering floral motifs set with foil backed rose-cut diamonds, accented with circular-cut ruby detail, the brooch similarly set of matching design with en tremblant flower motif, mounted in rose-gold, necklace 19cm long, brooch 11cm long, tiara fittings deficient

£4,000 - 6,000

DIAMOND AND PEARL BRACELET, 1890s

designed as three tapering lines of old mine-cut diamonds, interspersed with scroll motifs each centring on a pearl, mounted in silver and gold, 19cm long

£7,000 - 9,000

NATURAL PEARL, RUBY AND DIAMOND NECKLACE

composed of a graduated row of natural pearls, measuring from 2.4mm to 6.2mm, to a ruby and diamond panel clasp, with a matching ruby and diamond necklace gripper/tie, 98cm long

GCS report dated 27th February 2026, number 5786-1594, stating that the pearls were found to be natural nacreous saltwater pearls with no indications of treatment

£3,000 - 4,000

498

PERHAPS SUZANNE BELPERRON: PEARL AND DIAMOND BROOCH,

1930s

designed as a spray of palm leaves, decorated with circular-cut diamonds, accented with four pearls, each centring on a circular-cut diamond, French 18 carat gold and platinum assay marks, lozenge mark poorly struck but probably for the Société Groëné et Darde atelier, pearls untested

£1,500 - 2,500

499

RUBY, EMERALD AND DIAMOND, TOI ET MOI RING, 1970s

claw set with a cushion-shaped cabochon ruby and emerald respectively, the shoulders each set with three graduated baguette diamonds, ring size N

£5,000 - 6,000

500

CARTIER: RUBY, EMERALD, PEARL AND DIAMOND BROOCH, 1960s

designed as a pair of birds set with a cabochon ruby and emerald respectively, accented with brilliant-cut diamonds, each with textured feathers, sitting on top of a nest of pearl eggs, signed Cartier, numbered L3835, fitted case stamped Cartier London, numbered L3835

£8,000 - 12,000

SAPPHIRE AND DIAMOND COCKTAIL RING, 1960s

claw set with a cushion-shaped mixed-cut sapphire weighing 42.30 carats, to a pierced scroll mount accented with single-cut diamonds, ring size M

GCS report number 5786-1593, dated 18th March 2026, stating that the sapphire weighing 42.30 carats is Ceylon origin with no indications of heating

£12,000 - 18,000

IMPORTANT INFORMATION FOR BUYERS

SECTION A

1. INTRODUCTION

The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. AGENCY

As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.

3. ESTIMATES

Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.

4 BUYER’S PREMIUM

The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

5. VAT

The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive. We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.

5.1 Items in our catalogue may be marked in the following ways:

(a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us.

(b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.

(d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax.

5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.

6. REFUNDS OF VAT

6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has:

(a) registered to bid with an address outside the UK; and (b) discussed with us the proof of export we require and the timeframes to complete the export.

6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:

(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.

(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.

(c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium.

6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.

7. REINVOICING SALES

For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.

8. INSPECTION OF GOODS BY THE BUYER

As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.

9. GOODS WITH ELECTRICAL COMPONENTS

These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

10. ENDANGERED SPECIES

If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.

11. EXPORT OF GOODS

If you intend to export goods you must find out:

11.1 whether an export licence is needed; and

11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.

12. BIDDING

Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

13. BIDDING PLATFORMS

We offer free online bidding directly through our Website (www.olympiaauctions.com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.

14. FINANCIAL CHECKS

As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following:

(a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document).

(b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity.

(c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information.

14.1 You may be asked for further information if we deem this necessary.

14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.

14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions.com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.

15. COMMISSION BIDDING

You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.

16. METHODS OF PAYMENT

Olympia Auctions welcomes the following methods of payment, most of which will facilitate immediate release of your purchases.

16.1 Online: www.OlympiaAuctions.com/payments

16.2 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.

HSBC Bank Plc, 38 High Street, Dartford, Kent, DA1 1DG IBAN No: GB39HBUK40190422033119

BIC: HBUKGB4B Sort Code: 401904

Account No: 22033119

Account Name: Olympia Auctions

16.3 Sterling Bankers Draft: Drawn on a recognised UK bank.

CATALOGUING PRACTICE SECTION B

1.

Please note that all measurements are approximate and that illustrations are not to scale. The condition of a Lot is not usually included in catalogue descriptions, and no assumptions should be made in the absence of this information. Condition reports are available on request.

2. CERAMICS

Obvious faults may be recorded in italics at the end of a description for ceramics.

3.CLOCKS AND WATCHES

All Lots are sold “as is” and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, the Bidder should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. The

16.4 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

16.5 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.

16.6 Credit Card payments in person: Payments above £6,000 cannot be accepted.

16.7 Debit card payments in person: Payments are without limit.

17. COLLECTION AND STORAGE

Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.

18. POTENTIAL CANCELLATION RIGHTS

If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.

Bidder should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

4. DISPLAY ACCESSORIES

Please note that armour stands and many of the display mounts used in the catalogue(s) and the sale exhibition(s) do not form part of the Lot unless stated in the catalogue, though they may be made available to the successful Buyer of the relevant Lot(s). Please contact us for prices and further details.

5. FIREARMS

Please note that all bore sizes are approximate.

6. JEWELLERY

It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance and the international jewellery trade has generally accepted these methods. Although heat enhancement of colour is usually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oiling after a

certain period. If no gemmological report is published in the catalogue, prospective Buyers should be aware that the gemstones or pearls could have been enhanced by some method.

7. PHOTOGRAPHS

In addition to the explanations set out below regarding categorising terms for works, please note the following. The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot description). A vintage photograph is one which was made within approximately 5–10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be printed later, "printed later" will appear in the Lot description.

Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the catalogue without the margins illustrated.

All photographs are sold unframed unless stated otherwise in the Lot description.

8. PICTURES

A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist. In other cases, the following expressions with the following meanings are used:

(a) “Attributed to”: means in our opinion it is probably a work by the artist in whole or in part.

(b) “Studio of ” or "workshop of ”: means in our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

(c) “Circle of ”: means in our opinion a work of the period of the artist and showing his influence.

(d) “Follower of ”: means in our opinion a work executed in the artist's style but not necessarily by a pupil.

(e) “Manner of ”: means in our opinion a work executed in the artist's style but of a later date.

(f) “After”: means in our opinion a copy (of any date) of a work of the artist.

(g) “Signed”, “dated”, “inscribed”: means in our opinion the work has been signed, dated or inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

(h) “Bears signature”, “bears date”, “bears inscription”: means in our opinion the signature, date, inscription or stamp is by a hand other than that of the artist.

9. SILVER, GOLD AND PRECIOUS METALS

Weights may only be accurate to within 5 grams. Weights shown as “(* oz)” are in troy ounces and usually rounded down to the full ounce.

10. THE FOLLOWING SYMBOLS MAY BE USED IN OUR AUCTION CATALOGUES:

(a) () indicates a Lot with no Reserve.

(b) (✧) indicates a “Premium Lot”. For Premium Lots, you must complete the required Premium Lot preregistration application and deliver to us such necessary financial references, guarantees, deposits and/or such other security as we may in our absolute discretion require, as security for your bid. Our decision as to whether to accept any pre-registration application shall be final.

(c) (◉) indicates items that have been identified at the time of cataloguing as containing organic material which may be subject to restrictions regarding import or export, such as a CITES certificate. The absence of the symbol is not a warranty that there are no restrictions regarding import or export of the item. We accept no liability for any Lots which may be subject to restrictions but have not been identified as such. Please refer to section A, paragraph 10 above.

(d) (⊕) indicates a Lot that may be subject to Artist’s Resale Right.

(e) (○) indicates “Guaranteed Property”. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by Olympia Auctions or jointly by Olympia Auctions and a third party. Olympia Auctions and any third parties providing a guarantee jointly with Olympia Auctions benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. A third party providing a guarantee jointly with Olympia Auctions may provide an irrevocable bid, or otherwise bid, on the guaranteed property. If the Guaranteed Property symbol for a lot is not included in the printed or pdf auction catalogue (where applicable), then Olympia Auctions will notify bidders that there is a guarantee on the lot by one or more of the following means: the lot’s specific webpage will be updated to include the guaranteed property symbol, a notice will be added to the Olympia Auctions webpage for the auction, or a pre-sale or pre-lot announcement will be made indicating that there is a guarantee on the lot. If every lot in a sale is guaranteed, a Special Notice will be included to this effect and this symbol will not be used for each lot.

(f) (∏) indicates “Monumental”. Lots with this symbol may, in our opinion, require special handling or shipping services due to size or other physical considerations. Buyers are advised to inspect the lot and to contact Olympia Auctions prior to the sale to discuss any specific shipping requirements.

(g) (W) indicates property stored and to be collected from off-site storage. Please note that property can only be released once payment has been received in full and cleared funds. If you are sending your own authorised agent to collect property from Olympia Auctions on your behalf, please provide a letter of authorisation, a copy of your paid invoice and photographic ID.

(h) (#) Book sales. Although these items are not free from VAT, Olympia Auctions is able to use the margin scheme and VAT will not normally be charged on the hammer price. Olympia Auctions must bear VAT on the buyer’s premium and hence will charge an amount in lieu of VAT at the standard rate on this premium. This amount will form part of the buyer’s premium on our invoice and will not be separately identified.

Spring / Summer 2026

Chinese and Japanese Works of Art

Live sale: Wednesday 6th May

Viewing: Sunday 3rd May, Monday 4th May, Tuesday 5th May

European Works of Art, Objects & Silver

Live sale: Wednesday 13th May

Viewing: Sunday 10th May, Monday 11th May, Tuesday 12th May

Jewellery & Watches

Live sale: Thursday 14th May

Viewing: Sunday 10th May, Monday 11th May, Tuesday 12th May

Indian, Islamic, Himalayan and South-East Asian Art

Live sale: Wednesday 20th May

Viewing: Sunday 17th May, Monday 18th May, Tuesday 19th May

Modern & Contemporary African & Middle Eastern Art

Live sale: Wednesday 3rd June

Viewing: Sunday 31st May, Monday 1st June (Drinks), Tuesday 2nd June

Fine Paintings, Works on Paper and Sculpture

Live Sale: Wednesday 10th June

Viewing: Sunday 7th June, Monday 8th June, Tuesday 9th June

Fine Antique Arms, Armour & Militaria

Live Sale: Wednesday 24th June

Viewing: Sunday 21st June, Monday 22nd June, Tuesday 23rd June

The London Sale

Live Sale: Wednesday 8th July

Viewing: Sunday 5th July, Monday 6th July, Tuesday 7th July

Please note sale dates are subject to change

Please see our website for up-to-date information

enquiries@olympiaauctions.com | www.olympiaauctions.com 25 Blythe Road, London WI4 0PD