The George G. Matthews Collection of Western Art

Page 224

IRVIN SHOPE 1900 - 1977 Irvin “Shorty” Shope was born on his parents’ Circle Arrow Ranch in Boulder, Montana and grew up working on ranches. Though he contracted polio when he was nine, he continued to work on the ranch, eventually becoming an excellent horseman and ranch hand. When he was 12 his father died and Shorty moved with his mother to Missoula, where he met Western artist Edgar S. Paxson who became his mentor while Shorty was still in high school.

Shope remembered Dunn as “very good for me” and his advice to “Paint a little less of the facts and a little more of the spirit. Paint more with feeling than with thought.” Shope began as an illustrator, receiving commissions for book and magazine covers and murals for the University of Montana. He also worked for the Montana Highway Department illustrating maps, brochures, and posters. And later, he became the chief graphic artist for the Montana Power Company.

After high school Shope attended Reed College and the Portland Art Academy. And when at the age of 30 he’d sold his first painting, he returned to college attending the University of Montana, where he spent his winters in class and his spring and summers working as a cowboy, leaving drawings at every ranch he rode or worked on. Eventually, Shope earned a Bachelor of Art degree in Art, History, and English from the University of Montana.

In 1959 and 1960 Shope was commissioned to produce 11 paintings for The Northwest Paper Company featuring Mounties, Indians, ranchers, and cattle. However, Shope’s preferred subjects were Blackfeet Indians and cowboys against backdrops of mountains and deserts. In fact, when he was 37 the Blackfeet tribe adopted Shope, giving him the name “Moquea Stumock,” meaning “Wolf Bull - Man the Size of Wolf with Heart Big Like Buffalo.”

Shope remembered that, “Charles M. Russell complimented my work to those who wished to finance my future study in New York, but he encouraged me to stay in Montana and study the men, horses, and country I loved.” Nevertheless, when he was 32 Shope went on to study at the Grand Central School of Art in New York for a year with Harvey Dunn, who was probably had the greatest influence on Shope’s career.

Shope said his goal as an artist was, “to paint Western history as truthfully as research on its subjects will allow …” and that he believed, “One good painting is worth 10,000 words.” But, one small symbol seems to speak volumes about the man. Shorty Shope signed his paintings with the distinctive Circle Arrow brand of the Montana ranch where he was born.

210


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Hubert Wackermann

2min
pages 254-259

Richard D. Thomas

2min
pages 248-253

John Paul Strain

2min
pages 242-243

Karl Thomas

2min
pages 246-247

Lyle Tayson

2min
pages 244-245

Ron Stewart

1min
pages 238-241

Oleg Stavrowsky

2min
pages 234-237

Don Spaulding

1min
pages 226-227

Gene Speck

2min
pages 228-233

Irvin Shope

2min
pages 224-225

William Steve Seltzer

1min
pages 222-223

David Sanders

2min
pages 214-217

Alfredo Rodriguez

3min
pages 204-211

William Rushing

1min
pages 212-213

Conrad Schwiering

1min
pages 218-219

Gary Lynn Roberts

3min
pages 198-203

Olaf Carl Seltzer

2min
pages 220-221

Mack Ritchie

1min
pages 196-197

Douglas Ricks

2min
pages 194-195

Robert Pummill

3min
pages 182-187

Leonard H. Reedy

1min
pages 188-189

Chuck Ren

2min
pages 190-193

John Phelps

2min
pages 178-179

Tom Phillips

2min
pages 180-181

Don Oelze

3min
pages 176-177

Jim C. Norton

3min
pages 168-175

John Moyers

2min
pages 166-167

Gerald McCann

2min
pages 142-143

Mitchell Mansanarez

1min
pages 138-141

David Mann

3min
pages 134-137

Frank McCarthy

2min
pages 144-147

Wendell Macy

1min
pages 132-133

Gerry Metz

1min
pages 148-153

Lanford Monroe

2min
pages 164-165

Kim Mackey

3min
pages 130-131

Dustin Lyon

1min
pages 128-129

Ted Long

2min
pages 124-127

Hayden Lambson

1min
pages 122-123

Morton Künstler

2min
pages 120-121

Harvey Johnson

2min
pages 116-117

Thomas Kinkade

3min
pages 118-119

John Jarvis

1min
pages 114-115

Heinie Hartwig

3min
pages 112-113

Robert Farrington Elwell

2min
pages 94-95

Raul Gutierrez

1min
pages 102-103

Carl Hantman

2min
pages 108-111

David Halbach

1min
pages 104-107

Martin Grelle

1min
pages 100-101

Joe Ferrara

1min
pages 98-99

John Fawcett

2min
pages 96-97

Charlie Dye

2min
pages 92-93

Robert Duncan

2min
pages 84-91

Austin Deuel

2min
pages 78-81

Gene Dodge

2min
pages 82-83

John DeMott

2min
pages 74-77

Stan Davis

1min
pages 70-73

Don Crowley

2min
pages 68-69

Sheila Cottrell

1min
pages 66-67

Jim Carson

3min
pages 44-55

Michael Coleman

1min
pages 56-61

Guy Corriero

2min
pages 64-65

Nicholas Coleman

2min
pages 62-63

Paul Calle

3min
pages 40-43

Don Brackett

2min
pages 34-35

Dan Bodelson

2min
pages 30-33

Reynold Brown

2min
pages 36-39

Paul Abram, Jr

1min
pages 16-19

Roy Andersen

2min
pages 26-29

William Ahrendt

2min
pages 22-25

INTRODUCTION

3min
page 15

Cassilly Adams

2min
pages 20-21
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
The George G. Matthews Collection of Western Art by john.m.blades - Issuu