Precast • Issue 1 • 2020

Page 29

PRODUCTS 25 (Left): VerticArt is a cementitious mortar specifically designed for application to vertical surfaces, to create reliefs and textures which can be sculpted and carved. (Above): The earth's surface is represented by the sculpted rock layers that wrap the staircase vertically. (Below): VerticArt was used to create reliefs and textures which were sculpted and carved.

CMA non-producer member Chryso has supplied innovative products to The Trinity Session for an impressive artistic creation

ART AT THE LEONARDO

in the foyer of The Leonardo in Sandton. Its VerticArt was chosen as the material of choice when The Trinity Session, a creative production team, embarked on the curation of a sculpted representation of a cross-section through earth, showing the strata formed by tectonic plates shifting and colliding, to form the intricate patterns of geological formations. Marcus Neustetter, a director of The Trinity Session, explains that this project called for an earthy, robust medium such as VerticArt, which is a cementitious mortar designed for

for a vertically applied maximum thick-

application to verti-cal surfaces. The

ness of 150mm, making it ideal for relief

chemical make-up of the product allows

three-dimensional (3D) artwork.

team, and took seven weeks to complete. The scale, innovative material, product methodology and conceptual approach ensured that the programme was not

Work of art

just a financial prospect for the materials

It was applied in various thicknesses and

supplier and the artistic curating team,

then carved and textured using palette

but rather an opportunity for upliftment

knives, trowels, chisels, straight edges

and growth for many of the artists,

and wire brushes, to the exact creative

including emerging creative talent.

brie f. A 0-4 8-hour car v ing window

(Above, from top): The mural called for artists, who were identified based on the relevance of their previous work and interests, to fabricate the artwork and the off-shutter concrete substrate was prepared by affixing a stainless steel mesh to the vertical wall as reinforcement. A skim key coat was applied to this mesh before application of the VerticArt.

PRECAST | ISSUE ONE | 2020

ensured that the artists had sufficient

Talented artists

time to perfect the application and

T he ar tists – Damien Grivas (team

sculpting processes necessary to create

leader), Angelique Koekemoer, Ciara

the required 3D effect.

Struwig, Marlecia Marais, Patrick Rapai,

T h e mur al w as delib er a t el y n o t

Paul Setate and Zanré van der Walt –

pigmented, resulting in a very realistic

brought their own technical and creative

artistic rendition of a cross-section

touch to realising the vision of this work.

through the crust of the earth. This was

“VerticArt was developed to allow

further enhanced with focused lighting,

artists to create reliefs and textures,

giving the effect of an upward journey

which can be sculpted and carved. This

though geological aeons as visitors

massive and bold statement artwork is

ascend the staircase. The project used

a first for Chryso’s VerticArt both in SA

4,5 tonnes of VerticArt, covering 140m2

and worldwide, challenging architects,

and scaling a height of 15m (three

designers and artists to further explore

storeys). It required the specialised

the decorative potential of concrete,”

skills of eight indi vidual ar tists, in

says Neville Wearne, Chryso Southern

conjunction with the Chryso technical

Africa’s project manager.


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Precast • Issue 1 • 2020 by Isikhova Media - Issuu