Fab Las Vegas Magazine - Volume 23 #11

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CELEBRITY INTERVIEW

-----------------------------------------------------------------------I mean, it’s not negative. It’s just questioning. What about it are you questioning? I don’t know if I should be involved. Does it make sense? What kind of power do you have? I mean, my experience with my musical [“The Cher Show”] was a nightmare. “Burlesque” has embedded itself in the queer community in a way you probably didn’t expect it to when that movie was first released. Are you kidding me? Come on. Ha! OK, fair point. You knew exactly who you were making that movie for. Come on, babe, don’t try to pull that old chestnut. Well, then I should say new generations of queers are discovering what I knew was gay when I first saw it. It really was a good film; it was just too long. It needed better editing. Getting back to “Christmas” and your collabs with Cyndi, when did you know that you both stood for the same things when it came to LGBTQ+ rights and equality? Is there a history there? I mean, I know there must be. Of course there is, but the thing about being close with the community is that you kind of just are close. We could talk about some specific thing, a problem or a good thing or whatever. But we just know who we are, you know? 22 Fab Vegas

We don’t sit around and talk about it. Because I know who she is, I know how she feels. So no, we didn’t. It just is. When two of our gay icons come together, the gay fantasy is that you are talking about us all the time. Of course! I think everyone’s talking about me all the time too! No, I don’t. I really don’t. [Laughs.] But I don’t know what your interior life is like with Cyndi Lauper. No, but it’s really good. We’ve had great times and I respect her so much and she’s so funny and she’s so crazy. We’re a good couple. It’s good to have you two singing together on this album. Yeah, it was really great. And Darlene, how great is that? That history is crazy. When I was 17, I did background on that song. Now we’re doing it together. And I called her and went, “I’m not going to do this without you. It wouldn’t be right.” And she said, “Oh, I’ll be there.” “Drop Top Sleigh Ride” could be considered camp, and so could the album’s cover. Do you still enjoy leaning into the campiness of being Cher? Well, I don’t consider it camp. I consider it a really good song. This is what I feel about the album: I just picked songs, and when they were all done, I thought, “Oh my god, do these guys go together? How is this going to launch?” And then, everybody around me loved it

so much but then I thought, “But what if people don’t like it because it’s not what they expect and it goes from one place to another place and I made a wrong decision?” That was worrying me for a while. And then I thought, “Well, there’s nothing I can do about it now.” I did what I wanted to do. That’s why I never did a Christmas album, because I wanted to just take it and make it and master it and hand it in. And that’s what you did here? Yeah. Let’s acknowledge the 25th anniversary of “Believe” this year. Oh, do we have to? [Rosenberg chimes in: “Put a muzzle on her.”] I mean, do you know how fast 25 years has gone? Dude. It’s crazy. Also, I was talking downstairs about this: I wrote a part of that song, and I didn’t take credit for it because I was so stupid. That song was a monster. It was like… I don’t even know what. That song was like Trump in the beginning; it was horrible. What I thought, too, about the song is that a chick can be upset and crazy over her relationship falling apart, but she can only do it for the first verse. So I’m sitting in the bathtub and I got my toe stuck in the faucet, and all of a sudden, what came to my mind was, “I’ve had time to think it through, and maybe I’m too good for you.” And Jennifer [Ruiz, Cher’s longtime personal assistant] said, “Oh my god, that’s perfect.” And