Theses and dissertations

Marc Chagall’s Apocalypse en Lilas, Capriccio (1945): A Visual Language for the Holocaust

Representations of Jews and Jewishness in English Painting by Peter Gross

From South China to South London: A Journey in Search of Home Through Fine Art Practice

Iconographies of Diaspora

“He hath mingled with the Ungodly” : the life of Simeon Solomon after 1873 (Volume I)

Language and place in the life of Brazilian women in London

The Women’s Guild of Arts: Gender, Space, and Professional Identity in London, 1870–1930

Interpreting visual cultural production related to male homosexuality in Britain

Auto/biographing Caribbeanness: Re-imagining Diasporic Nation and Identity

The Influence of African Sculpture on British Art, 1910-1930

Producing and Collecting for Empire: African Textiles in the V&A 1852-2000

The Politics of Nazi Art: The Portrayal of Women in Nazi Painting

The Jewish Kulturbund in Bavaria, 1934-­1938

Modern Art from Kuwait: Khalifa Qattan and Circulism

Between memory and history: Shimon Attie's art of remembrance

“He hath mingled with the Ungodly” : the life of Simeon Solomon after 1873 (Volume II)

An Interpretation of Lee Miller's Second World War Photographs as "Surreal Documentary"

Coming into View: Black British Artists and Exhibition Cultures 1976-2010

Envisaging Alternatives: Representations of Women in Kurt Schwitters’ Collages

Oceans of Feeling: An Emotional History of Caribbean Migrants in Postwar Britain

Bearing Witness: Roman Halter's memorial to the Holocaust through the medium of stained glass